All right, welcome back.
So in this video, we're talking about the special effects brushes.
So let's do a file save.
Just make sure that we save the previous document.
Do file save as.
And we're going to do zero for special effects from.
And Billy Preston, with sex and drugs, no one's one we us to save that, and we're going to do a new
layer of oppression on the one guy.
And then let's go to the brush tool, not the mixer brush tool, but the actual brush tool.
We read click on that and then go to the restroom and break them down and open up these special effects
brushes.
So real good.
Kyle's spatter brushes.
OK.
And call.
So it's kind of like taking paint and just throwing out the wall, you know?
And what's cool about this?
As you can do that, and then I got to X and then change the color to like a red, right.
And then kind of integrate the red in there and then change red to green.
A little green and then put a little blue on her.
And you have kind of like a little pool going cameras.
Ergo, a lot of layers.
Let's brush number one, Limbaugh.
Now, Carl spat on Russia's supreme.
Spatter and texture, and that's brush from too close to that rounded brush.
Number two, what we'll do is we're going to.
We already have it's like kind of the same thing.
I want to red.
We'll kind of make the bloom, kind of the background and then come back with white.
Blundered altogether.
Moving a little bit more away, and they're kind of.
Well, together, you can see you've got the blue, you got a little black, and then the blue in the
background.
And then the white and the red are the foreground.
The red is really the main foreground.
But again, it's just we're just doing the splatter effect.
So when they control us to save them and then let's make a new layer.
We're in close brush with the three.
All right.
And control us to save and use the brush.
Click well and do cows batten brushes pressure control.
So do.
All right.
And then we'll bring in the red and blue America.
Very little.
The Roy.
And then read to top it off, because what I like to do is layer it multiple times that we get the effect
of all the colors.
You just kind of gently spread around, so if I zoom in, you can see we have an evenly distributed
out and I got splatter.
But again, it looks really cool when it's kind of meshed together.
And I guess I'll say about.
And then let's do brush from the floor.
And we're going to show us the save.
Go to the brush, to the clerk room, do cows concept brushes, all purpose blend.
So we'll do this.
Nothing was working.
All right, let's do the next one.
We'll do brush from the five.
OK.
And what's that going to be?
That's double click on Kiles kinds of brushless scratch blende.
So I got up in the area.
There's a room to the next one.
First on the six.
Percent say it's not number six.
So we'll do the kinds of brushes.
All right.
Girl works beautiful.
The white.
Will do a little more.
Good.
Uh.
And let's do the next brush, which is going to be called screen tones, so we'll do brush number seven.
That is a screen, though, so it's showing on the pixels.
Virtues are what I'm all about.
Very cool.
I mean, really news when it comes to pictures.
OK, so maybe there's a little flicker of that Wednesday was long.
And you just do this for entire canvas so you can kind of see what the.
It looks like.
So Zuma, it looks like a Mongar.
Sean Pectorals saying that I'm willing to do the next brush with that one as it's going to be Cowls
Screentime 38.
So.
Let's make the size ginormous and then just to brush number eight, brush first, number eight.
Dollars, I mean, not just to rush the red.
There you go.
I should've done that on the last one to say.
I mean, just seal on this thing, they so we can bring a different color since I ran through it so
quickly.
Let's just put it kind of like a weird looking green.
There we go.
Oh, that's cool.
I love pixel one, so I'm biased towards pixels and blurry.
OK.
So thanks for watching.
I'll see in the next video.