1 00:00:00,000 --> 00:00:02,070 Hello, 2 00:00:02,070 --> 00:00:02,510 everyone. 3 00:00:02,510 --> 00:00:05,080 And in this video I'll be showing you how to get a view. 4 00:00:05,080 --> 00:00:07,760 Port Clay render using workbench. 5 00:00:07,760 --> 00:00:12,350 Now workbench is a new render engine that is mostly used for modelling our sculpting, 6 00:00:12,350 --> 00:00:14,450 and I'll be showing you exactly how it works. 7 00:00:14,450 --> 00:00:15,640 Unfortunately, 8 00:00:15,640 --> 00:00:18,370 you can't really do a clay render using a B. 9 00:00:18,370 --> 00:00:21,150 There's no option to override all of the materials. 10 00:00:21,150 --> 00:00:25,440 So what we're gonna do is switch over to the work bench and get a very cool render using 11 00:00:25,440 --> 00:00:25,970 that. 12 00:00:25,970 --> 00:00:31,630 So what we first need to do is go over to the Render engine right here and switch over to 13 00:00:31,630 --> 00:00:32,610 workbench. 14 00:00:32,610 --> 00:00:35,840 And here is what our current scene looks like. 15 00:00:35,840 --> 00:00:36,730 If we brought Z, 16 00:00:36,730 --> 00:00:39,610 we are in rendered view and over in the settings weaken. 17 00:00:39,610 --> 00:00:41,660 Tweak this to be exactly what we want. 18 00:00:41,660 --> 00:00:44,750 So it's first president and go tog overlays, 19 00:00:44,750 --> 00:00:46,280 so we don't see any of the lamps, 20 00:00:46,280 --> 00:00:47,510 just the basic scene. 21 00:00:47,510 --> 00:00:50,700 The first thing that we have here is the runner samples, 22 00:00:50,700 --> 00:00:52,100 and if I zoom in a little bit, 23 00:00:52,100 --> 00:00:54,400 you can see that the edges not very smooth. 24 00:00:54,400 --> 00:00:55,870 It's a little bit jittery now. 25 00:00:55,870 --> 00:00:57,600 That is what the render samples does. 26 00:00:57,600 --> 00:00:59,530 If I bring this all the way up to 32. 27 00:00:59,530 --> 00:01:03,040 It will smooth out all the edges and it will look a lot better. 28 00:01:03,040 --> 00:01:05,350 So let's go with the render sample of 32. 29 00:01:05,350 --> 00:01:07,530 Underneath that we have the lighting. 30 00:01:07,530 --> 00:01:09,670 Here is where you can get some interesting results. 31 00:01:09,670 --> 00:01:12,360 We have a bunch of different presets for the studio lighting. 32 00:01:12,360 --> 00:01:13,970 You can enable a madcap, 33 00:01:13,970 --> 00:01:14,910 which I'm gonna do. 34 00:01:14,910 --> 00:01:17,250 And I'm going to select this one right here. 35 00:01:17,250 --> 00:01:18,880 I think this one looks pretty nice. 36 00:01:18,880 --> 00:01:21,380 And then underneath that we have the color. 37 00:01:21,380 --> 00:01:25,350 Here is where you can change every single object to be exactly one color. 38 00:01:25,350 --> 00:01:27,300 So if I select single, 39 00:01:27,300 --> 00:01:30,650 it'll change everything to this white color that we select right here. 40 00:01:30,650 --> 00:01:32,850 Or you can change this to be what you want. 41 00:01:32,850 --> 00:01:36,930 You can also select object will which will display the object color. 42 00:01:36,930 --> 00:01:39,000 Random will select random colors, 43 00:01:39,000 --> 00:01:40,420 vertex texture, 44 00:01:40,420 --> 00:01:41,590 all of this other things. 45 00:01:41,590 --> 00:01:44,890 I like just using single because we're going for a clay version. 46 00:01:44,890 --> 00:01:49,930 So let's select single and underneath that we have options for back face cooling, 47 00:01:49,930 --> 00:01:54,680 which will enable the the back face of an object to be transparent in this case. 48 00:01:54,680 --> 00:01:57,050 Since all of our meshes are usually closed. 49 00:01:57,050 --> 00:01:58,080 We don't really see this, 50 00:01:58,080 --> 00:01:59,210 So we're gonna leave it off. 51 00:01:59,210 --> 00:02:02,310 X ray will enable us to see through the mesh, 52 00:02:02,310 --> 00:02:04,470 and you won't see anything until we render it. 53 00:02:04,470 --> 00:02:08,170 So I'm gonna press that in little press F 12 to render out an image. 54 00:02:08,170 --> 00:02:11,080 And here we can see it's all transparent. 55 00:02:11,080 --> 00:02:16,840 I'm gonna go ahead and uncheck x ray because I don't want that in the final render and I'm 56 00:02:16,840 --> 00:02:18,390 gonna turn on a shadow. 57 00:02:18,390 --> 00:02:20,700 This will enable stab shadows in our scene. 58 00:02:20,700 --> 00:02:24,270 And the direction of the lighting is coming down this way so you can see a small shadow 59 00:02:24,270 --> 00:02:26,380 right there and then cavity. 60 00:02:26,380 --> 00:02:28,870 Here is where you can get some interesting results. 61 00:02:28,870 --> 00:02:29,910 The world space. 62 00:02:29,910 --> 00:02:31,430 You can change these values, 63 00:02:31,430 --> 00:02:33,640 so if you want more of a dark color in the corners, 64 00:02:33,640 --> 00:02:38,010 you can turn that up or down The valley will do the exact same thing as you can see there, 65 00:02:38,010 --> 00:02:38,460 up or down, 66 00:02:38,460 --> 00:02:40,160 you can just play run these values. 67 00:02:40,160 --> 00:02:42,670 Usually the default values were perfectly fine. 68 00:02:42,670 --> 00:02:45,100 You can enable depth of field, 69 00:02:45,100 --> 00:02:46,930 so whatever your camera is focused on, 70 00:02:46,930 --> 00:02:49,520 that will have an effect and then outline. 71 00:02:49,520 --> 00:02:51,710 Here is where you can get some interesting results. 72 00:02:51,710 --> 00:02:56,780 If I turn that on and I consult the color by changing this if you change it over to a blue 73 00:02:56,780 --> 00:02:57,100 color, 74 00:02:57,100 --> 00:02:58,650 it will give you this effect. 75 00:02:58,650 --> 00:03:04,840 I'm just gonna leave it as black for now because I think that looks the best and then 76 00:03:04,840 --> 00:03:05,620 underneath film. 77 00:03:05,620 --> 00:03:07,190 If you want a transparent background, 78 00:03:07,190 --> 00:03:11,330 you can go ahead and turn that on and you can see the background is now transparent and 79 00:03:11,330 --> 00:03:11,980 then finally, 80 00:03:11,980 --> 00:03:13,490 underneath color management. 81 00:03:13,490 --> 00:03:15,480 All of these options are right there if you want to. 82 00:03:15,480 --> 00:03:18,470 So if you wanted medium high contrast something like that, 83 00:03:18,470 --> 00:03:20,100 those options are there for you. 84 00:03:20,100 --> 00:03:22,510 And now that we've set up our settings, 85 00:03:22,510 --> 00:03:25,890 we can go ahead and hit F 12 to render out an image. 86 00:03:25,890 --> 00:03:26,850 And there we go. 87 00:03:26,850 --> 00:03:29,840 We now have a view port render of are seen. 88 00:03:29,840 --> 00:03:30,180 Now, 89 00:03:30,180 --> 00:03:31,870 since we are using the composite, 90 00:03:31,870 --> 00:03:34,030 he knows we might want to tweak those just a little bit, 91 00:03:34,030 --> 00:03:36,150 so we don't have that glare right in the middle. 92 00:03:36,150 --> 00:03:41,060 But that is basically how you render a clay version using TV or workbench. 93 00:03:41,060 --> 00:03:45,450 Let's go ahead and go over to slot one by hitting one on the number pad, 94 00:03:45,450 --> 00:03:48,580 and then we can switch over to the review Ranger engine. 95 00:03:48,580 --> 00:03:52,640 But switching over here to E V and all of our settings are still there. 96 00:03:52,640 --> 00:03:55,580 And we compress F 12 to render out an image. 97 00:03:55,580 --> 00:03:56,690 And there we go. 98 00:03:56,690 --> 00:03:58,840 So this is our render using TV, 99 00:03:58,840 --> 00:04:01,310 and this is a render using workbench. 100 00:04:01,310 --> 00:04:02,340 So there you go. 101 00:04:02,340 --> 00:04:06,800 That is how you render out a clay vers and using cycles and e v and workbench.