1 00:00:04,178 --> 00:00:06,878 THIS BOX. IT WAS RECENTLY BROUGHT TO MY ATTENTION 2 00:00:06,919 --> 00:00:09,439 BY A HIGHLY REGARDED EXPERT IN THE FIELD. 3 00:00:09,487 --> 00:00:13,577 BASED ON MY RESEARCH, I BELIEVE I'VE IDENTIFIED ITS LOCATION. 4 00:00:13,622 --> 00:00:16,062 YOU'RE LOCAL, AND FROM WHAT I'M TOLD, 5 00:00:16,103 --> 00:00:17,763 YOU'RE THE BEST AT WHAT YOU DO. 6 00:00:17,800 --> 00:00:19,850 I DON'T WORK CHEAP. 7 00:00:19,889 --> 00:00:21,669 REST ASSURED, YOU'LL BE PAID 8 00:00:21,717 --> 00:00:23,587 HANDSOMELY FOR YOUR EFFORT. 9 00:00:23,632 --> 00:00:24,852 I'LL GET IT DONE. 10 00:00:32,989 --> 00:00:35,119 NO. NO. 11 00:00:38,603 --> 00:00:41,133 MM. AH. TRY THIS. 12 00:00:41,171 --> 00:00:44,441 MM! MM. IS THAT GRUYERE? 13 00:00:44,479 --> 00:00:46,089 SWISS FONDUE DUMPLING. 14 00:00:46,133 --> 00:00:47,963 IT'S FUSION! 15 00:00:48,004 --> 00:00:49,924 IT'S GENIUS. BUT 16 00:00:49,962 --> 00:00:52,102 MAMA'S NEVER GONNA LET YOU SERVE THAT TONIGHT. 17 00:00:52,139 --> 00:00:54,449 TOO WEIRD. SHE'LL NEVER KNOW WHAT'S INSIDE. 18 00:00:54,489 --> 00:00:56,799 TELL THAT TO MAMA. SHE LOVES SURPRISES. 19 00:00:56,839 --> 00:00:58,619 SURPRISES? SURPRISES ARE FOR 20 00:00:58,667 --> 00:01:00,577 PEOPLE WHO DON'T HAVE JOBS. 21 00:01:00,625 --> 00:01:02,975 HEY! YOU CALL THIS PROGRESS? WHAT'S WRONG WITH YOUR HANDS? 22 00:01:03,019 --> 00:01:05,629 NOTHING! SEE? I'M FINE. 23 00:01:05,674 --> 00:01:07,024 I'M JUST OUT OF PRACTICE. 24 00:01:07,067 --> 00:01:09,497 THE SOONGS ARE GOING TO COME IN 6 HOURS 25 00:01:09,547 --> 00:01:10,977 AND EVERYTHING ABOUT THIS DINNER 26 00:01:11,027 --> 00:01:14,117 HAS GOT TO BE PERFECT, OR ELSE 27 00:01:14,161 --> 00:01:17,291 MRS. SOONG IS GONNA MAKE THAT FACE. 28 00:01:17,338 --> 00:01:19,208 WHAT FACE? THIS FACE. 29 00:01:22,038 --> 00:01:24,738 OH, HA HA HA. VERY FUNNY, JIN. 30 00:01:24,780 --> 00:01:26,610 THERE'S MORE IN THE CAR. IN THE CAR. 31 00:01:28,392 --> 00:01:29,442 BYE. 32 00:01:32,353 --> 00:01:35,533 AH. NOT GONNA LIE, THIS BUYING OF THE BRIDE THING SOUNDS-- 33 00:01:35,573 --> 00:01:37,883 THE ACADEMIC TERM IS BRIDE PRICE. 34 00:01:37,923 --> 00:01:39,453 BUYING OF THE BRIDE IS COUNTRY. 35 00:01:40,665 --> 00:01:41,705 AND WHAT DOES IT SOUND LIKE? 36 00:01:41,753 --> 00:01:43,233 ONE OF THOSE COW SHOWS. 37 00:01:43,277 --> 00:01:45,837 COW SHOWS? LIKE A LIVESTOCK AUCTION? 38 00:01:45,888 --> 00:01:47,278 YEAH. LOOK, 39 00:01:47,324 --> 00:01:49,894 DENNIS'S PARENTS AREN'T MEASURING MY GIRTH 40 00:01:49,935 --> 00:01:52,415 AND BIDDING ON ME WITH CASH. 41 00:01:52,460 --> 00:01:54,640 IT'S A TRADITION IN MRS. SOONG'S FAMILY. 42 00:01:54,679 --> 00:01:58,249 I GET SOME PRESENTS. THE IN-LAWS GET TO BOND. 43 00:01:58,292 --> 00:02:00,292 THEN WHY AREN'T THE SOONGS HOSTING? 44 00:02:01,599 --> 00:02:03,249 MAMA INTERCEPTED. 45 00:02:03,297 --> 00:02:05,427 SHE'S MUCH MORE COMFORTABLE ON HOME TURF. 46 00:02:05,473 --> 00:02:07,873 THE SOONGS WANTED TO HAVE IT SOMEWHERE CHIC 47 00:02:07,910 --> 00:02:11,390 WITH SUSTAINABLE CUISINE, LIKE CHEZ PANISSE. 48 00:02:11,435 --> 00:02:12,955 THEY'RE FRIENDS WITH ALICE. 49 00:02:13,002 --> 00:02:14,792 DENNIS'S PARENTS SOUND KIND OF SNOBBY. 50 00:02:19,095 --> 00:02:21,315 WHAT'S WRONG WITH YOUR HAND? 51 00:02:21,358 --> 00:02:25,188 THE BURN. THE PAINFUL FLARING UP. 52 00:02:25,232 --> 00:02:26,622 YOU'RE SURE IT'S NOT CARPAL TUNNEL 53 00:02:26,668 --> 00:02:27,628 FROM BEING ON YOUR PHONE ALL DAY? 54 00:02:27,669 --> 00:02:29,109 YES, I'M SURE. 55 00:02:29,149 --> 00:02:31,409 OH, MY GOD, NICKY. YOU'RE OBSESSED. 56 00:02:31,455 --> 00:02:33,145 OK, IF YOU'RE LOOKING AT MY BROWSER HISTORY, 57 00:02:33,196 --> 00:02:34,456 HENRY AND I WERE JUST RESEARCHING-- 58 00:02:34,502 --> 00:02:36,202 ACTUALLY, I MOVED ON TO YOUR SOCIALS, 59 00:02:36,243 --> 00:02:39,293 AND WHAT IT LOOKS LIKE YOU'RE RESEARCHING IS HENRY. 60 00:02:39,333 --> 00:02:41,073 OK, YOU KNOW WHAT? 61 00:02:41,117 --> 00:02:43,507 NOT THAT I BLAME YOU. DAMN. 62 00:02:43,554 --> 00:02:45,604 WE'RE FRIENDS. I WAS JUST-- 63 00:02:45,643 --> 00:02:46,863 RESEARCHING? ALTHEA. 64 00:02:49,604 --> 00:02:51,394 SOME BIG SISTER ADVICE? 65 00:02:51,432 --> 00:02:53,042 PLAYING FOOTSIE OVER TEXTBOOKS 66 00:02:53,085 --> 00:02:54,345 IS NICE AND ALL, 67 00:02:54,391 --> 00:02:56,651 BUT THIS GUY IS ELIGIBLE. 68 00:02:56,698 --> 00:02:58,398 TOTALLY HOT. OBVIOUSLY INTO YOU. 69 00:02:58,439 --> 00:02:59,609 I DON'T KNOW THAT HE'S IN-- 70 00:02:59,657 --> 00:03:01,617 OBVIOUSLY INTO YOU. 71 00:03:01,659 --> 00:03:04,449 JUST SAYING, WHY NOT LOCK IT DOWN? 72 00:03:04,488 --> 00:03:06,748 AT LEAST FIGURE OUT WHAT'S GOING ON BETWEEN YOU TWO. 73 00:03:06,795 --> 00:03:09,005 WHAT'S HOLDING YOU BACK? 74 00:03:09,058 --> 00:03:10,968 MM. HE JUST TEXTED, BY THE WAY. 75 00:03:11,016 --> 00:03:12,886 OK, GIVE ME. THANK YOU. 76 00:03:30,601 --> 00:03:32,391 HEY. OH! HI. 77 00:03:33,735 --> 00:03:34,995 I SEE YOU'RE OBSESSED, TOO. 78 00:03:35,040 --> 00:03:36,130 UH, WITH WHAT? 79 00:03:36,172 --> 00:03:37,872 THE SPECIAL KEY WE FOUND. 80 00:03:37,913 --> 00:03:39,093 OUR ONLY LEAD TO MAYBE FINDING ONE OF THE WEAPONS 81 00:03:39,131 --> 00:03:40,661 BEFORE ZHILAN COLLECTS ALL 8, 82 00:03:40,698 --> 00:03:42,738 UNLEASHES BIANGE, AND BECOMES UNSTOPPABLE? 83 00:03:42,787 --> 00:03:45,267 OH. RIGHT. THAT KEY. 84 00:03:45,312 --> 00:03:47,662 I WAS LOOKING ONLINE. NOTHING MATCHED. 85 00:03:47,705 --> 00:03:48,965 SAME HERE, SO I CAME AT IT 86 00:03:49,011 --> 00:03:50,271 FROM A DIFFERENT ANGLE, I THOUGHT. 87 00:03:50,317 --> 00:03:51,407 WHAT DOES A KEY OPEN? 88 00:03:51,448 --> 00:03:53,578 DOORS, CABINETS, BOXES. 89 00:03:53,624 --> 00:03:54,714 OK, WHAT'D YOU FIND? 90 00:03:54,756 --> 00:03:56,276 I DUG UP HISTORY, FOLKLORE, 91 00:03:56,323 --> 00:03:59,023 AND I FOUND THIS OLD CHINESE CHILDREN'S STORY. 92 00:03:59,064 --> 00:04:01,074 FAIRY TALE CALLED "THE ONE TRUE WARRIOR." 93 00:04:01,110 --> 00:04:03,110 IT'S ABOUT A LITTLE GIRL WHO GOES ON AN EPIC QUEST 94 00:04:03,155 --> 00:04:05,065 AND FINDS A BOX. 95 00:04:05,114 --> 00:04:09,294 HMM. GIRL. WARRIOR. SOUNDS PRETTY COOL. 96 00:04:09,336 --> 00:04:10,896 LOOK AT THE END. 97 00:04:10,946 --> 00:04:13,986 HENRY, THE DESIGN ON THE BOX. WHOA. 98 00:04:14,036 --> 00:04:15,986 SAME EXACT MARKING AS OUR KEY. 99 00:04:18,693 --> 00:04:20,303 NO REAL DETAILS ON THE BOX 100 00:04:20,347 --> 00:04:22,257 OR WHERE IT CAME FROM OR WHAT'S INSIDE. 101 00:04:22,305 --> 00:04:23,785 STORY ENDS BEFORE SHE EVEN OPENS IT. 102 00:04:25,613 --> 00:04:27,703 HENRY. 103 00:04:27,745 --> 00:04:29,085 REAL KEY. 104 00:04:29,138 --> 00:04:30,268 REAL BOX. 105 00:04:30,313 --> 00:04:31,533 REAL STORY. 106 00:04:31,575 --> 00:04:33,355 THE FAIRY TALE IS TRUE. 107 00:04:33,403 --> 00:04:34,883 NOW WE KNOW WHAT WE'RE LOOKING FOR. 108 00:04:43,500 --> 00:04:46,590 NO. NO, THAT'S NOT IT. 109 00:04:48,723 --> 00:04:50,463 BINGO. THAT'S IT. 110 00:04:50,507 --> 00:04:52,677 MIMI HE. FROM THE YUAN DYNASTY. 111 00:04:52,727 --> 00:04:54,897 SOLD FOR 1.8 MILLION AT AUCTION. 112 00:04:54,946 --> 00:04:56,336 OH. WHO BOUGHT IT? 113 00:04:56,383 --> 00:04:58,393 A PRIVATE COLLECTOR. SOME HEDGE FUND GUY 114 00:04:58,428 --> 00:04:59,688 NAMED TOM TRAVERS. 115 00:04:59,734 --> 00:05:01,304 HE'S BASED IN S.F. 116 00:05:01,344 --> 00:05:03,004 "AFTER GRADUATING FROM WHARTON IN 1996, 117 00:05:03,041 --> 00:05:04,871 "TRAVERS TOOK A SUMMER INTERNSHIP IN BEIJING, 118 00:05:04,913 --> 00:05:06,703 "WHERE HE DEVELOPED A LIFELONG PASSION 119 00:05:06,741 --> 00:05:09,181 FOR ACQUIRING CHINESE ANTIQUITIES." 120 00:05:09,221 --> 00:05:10,271 CHARMING. 121 00:05:12,529 --> 00:05:16,269 SAYS HE LIVES ALONE IN NAPA VALLEY. 122 00:05:16,316 --> 00:05:18,056 NICE DIGS FOR A BACHELOR. 123 00:05:18,100 --> 00:05:20,060 LOOKS LIKE HE KEEPS ALL HIS LOOT IN HIS HOUSE. 124 00:05:20,102 --> 00:05:21,802 LOOK. 125 00:05:21,843 --> 00:05:23,543 THAT COULD BE IT. 126 00:05:23,584 --> 00:05:25,504 OK, SO, WHAT DO WE DO? LIKE, 127 00:05:25,542 --> 00:05:27,542 DRIVE TO NAPA, SEE IF HE'LL TALK TO US? 128 00:05:27,588 --> 00:05:28,888 I DOUBT A GUY LIKE THAT WILL TAKE 129 00:05:28,937 --> 00:05:30,367 A MEETING WITH US, LET ALONE 130 00:05:30,417 --> 00:05:32,157 LET US HANDLE HIS PRIVATE ARTIFACTS. 131 00:05:32,201 --> 00:05:33,641 YOU'RE RIGHT. 132 00:05:33,681 --> 00:05:35,031 HE'S SPEAKING AT AN EMERGING MARKETS 133 00:05:35,073 --> 00:05:36,813 CONFERENCE IN AMSTERDAM THIS WEEK. 134 00:05:38,555 --> 00:05:40,425 IT'S ALL JUST SITTING THERE. 135 00:05:40,470 --> 00:05:41,520 IN HIS HOUSE. 136 00:05:42,690 --> 00:05:45,130 WHAT ARE YOU SUGGESTING? 137 00:05:45,170 --> 00:05:47,040 I'M SUGGESTING... 138 00:05:47,085 --> 00:05:48,385 WE GO ON A LITTLE ADVENTURE. 139 00:05:52,003 --> 00:05:54,223 HEY, BRAD. 140 00:05:54,266 --> 00:05:55,656 THE EVAN-ATOR. 141 00:05:55,703 --> 00:05:57,403 DON'T. I HATE IT WHEN YOU CALL ME THAT. 142 00:05:57,444 --> 00:05:59,104 ABOUT THAT FAVOR, I REALLY SHOULDN'T HAVE ASKED. 143 00:05:59,141 --> 00:06:00,971 TOO LATE, BUD. GOT THE INFORMATION YOU ASKED FOR. 144 00:06:01,012 --> 00:06:02,142 CHECK YOUR INBOX. 145 00:06:11,719 --> 00:06:13,719 SO, WHAT? NO "THANKS, PAL"? 146 00:06:13,764 --> 00:06:15,464 UH, YEAH. THANKS. 147 00:06:36,613 --> 00:06:37,753 SO, HOW DO WE GET INSIDE? 148 00:06:37,788 --> 00:06:38,748 THE FRONT DOOR. 149 00:06:38,789 --> 00:06:40,139 THE GUY'S RICH. 150 00:06:40,182 --> 00:06:42,142 LOCK PICK ISN'T GONNA CUT IT. 151 00:06:42,184 --> 00:06:43,844 YEAH, WELL, IT'S NOT MY ONLY TRICK. 152 00:06:47,494 --> 00:06:48,544 YOUR TAG. 153 00:06:50,061 --> 00:06:51,801 SO, IF WE GET INSIDE HIS HOUSE-- 154 00:06:51,846 --> 00:06:52,976 WHEN WE GET INSIDE. 155 00:06:53,021 --> 00:06:54,501 WHEN WE GET INSIDE, 156 00:06:54,544 --> 00:06:55,554 WHAT ARE WE GONNA DO? 157 00:06:55,589 --> 00:06:56,719 WE CAN'T JUST ROB HIM. 158 00:06:56,764 --> 00:06:57,944 NO. OF COURSE NOT. 159 00:06:57,982 --> 00:06:59,072 WE'RE JUST GONNA SNEAK INSIDE, 160 00:06:59,114 --> 00:07:00,684 USE YOUR KEY, 161 00:07:00,724 --> 00:07:02,204 TAKE A LITTLE PEEK INSIDE THAT BOX. 162 00:07:06,121 --> 00:07:07,821 CAN'T BELIEVE I DESTROYED ONE OF THE BEST 163 00:07:07,862 --> 00:07:09,472 CUPS OF COFFEE IN S.F. 164 00:07:09,516 --> 00:07:11,036 WITH 5 PACKS OF SUGAR 165 00:07:11,082 --> 00:07:12,612 AND YOU'RE NOT EVEN DRINKING IT. 166 00:07:12,649 --> 00:07:14,829 I'M SORRY. I WASN'T EXPECTING YOU. 167 00:07:14,869 --> 00:07:16,309 I'M SLAMMED. 168 00:07:16,348 --> 00:07:17,998 I CAN'T FIND MY STETHOSCOPE. 169 00:07:18,046 --> 00:07:19,826 LOOK, I KNOW YOU'RE BUSY, 170 00:07:19,874 --> 00:07:21,484 AND THAT YOU'VE BARELY FOUND 5 MINUTES 171 00:07:21,528 --> 00:07:24,178 TO HAVE A COFFEE DATE WITH ME, BUT 172 00:07:24,226 --> 00:07:25,876 IF I FIND YOUR SCOPE, 173 00:07:25,923 --> 00:07:27,193 YOU'RE COMING OUT WITH ME. 174 00:07:29,013 --> 00:07:30,063 DEAL. 175 00:07:36,412 --> 00:07:37,372 SEE YOU AT 7. 176 00:07:37,413 --> 00:07:38,463 MM-HMM. 177 00:07:48,206 --> 00:07:49,426 MM-MM-MM-MM-MM. 178 00:07:49,469 --> 00:07:50,949 MM-MM-MM. WE ARE SERVING 179 00:07:50,992 --> 00:07:52,862 MY GREAT-GRANDMOTHER'S BEIJING YA. 180 00:07:54,212 --> 00:07:55,652 WHAT'S WRONG WITH OUR DUMPLINGS? 181 00:07:55,692 --> 00:07:58,262 THE SOONGS HAVE A STANDING RESERVATION 182 00:07:58,303 --> 00:07:59,523 AT CHEZ PANISSE. THEY ARE NOT 183 00:07:59,566 --> 00:08:01,786 GOING TO WANT OUR COUNTRY FOOD. 184 00:08:01,829 --> 00:08:04,529 OUR COUNTRY FOOD PUT 3 KIDS THROUGH COLLEGE. 185 00:08:04,571 --> 00:08:06,221 DID YOU SEE THE PAIR OF PANTS 186 00:08:06,268 --> 00:08:07,788 ALTHEA WAS WEARING TODAY? 187 00:08:07,835 --> 00:08:10,525 IT LOOKED LIKE IT WAS MADE OF SOLID GOLD. 188 00:08:10,577 --> 00:08:12,877 A PRESENT FROM MRS. SOONG. 189 00:08:12,927 --> 00:08:14,187 SOLID GOLD PANTS, HUH? 190 00:08:14,232 --> 00:08:15,672 SOUNDS UNCOMFORTABLE. 191 00:08:15,712 --> 00:08:18,062 AND THE CANTONESE LESSONS? 192 00:08:18,106 --> 00:08:20,586 SHE'S TURNING HER INTO ONE OF THEM. 193 00:08:20,630 --> 00:08:21,850 OR ONE OF US. 194 00:08:26,680 --> 00:08:28,160 SO, YOU THINK THAT DUCK'S 195 00:08:28,203 --> 00:08:30,423 GONNA SOLVE THE PROBLEM? 196 00:08:30,466 --> 00:08:33,726 JUST BECAUSE ALTHEA EATS FANCY FRENCH FOOD 197 00:08:33,774 --> 00:08:35,384 AND WEARS EXPENSIVE PANTS, 198 00:08:35,427 --> 00:08:36,597 THAT DOES NOT MEAN SHE'S STILL 199 00:08:36,646 --> 00:08:38,256 NOT OUR OWN DAUGHTER. 200 00:08:42,173 --> 00:08:43,653 PINK SUIT OR TEAL SEQUINS? 201 00:08:43,697 --> 00:08:44,787 THE PINK SUIT. 202 00:08:46,221 --> 00:08:47,611 YOU'RE JUST SAYING THAT SO I DON'T 203 00:08:47,657 --> 00:08:49,347 SPEND ANOTHER 6 HOURS DOING A FASHION SHOW 204 00:08:49,398 --> 00:08:50,968 IN MY CLOSET. 205 00:08:51,008 --> 00:08:53,318 I'M SAYING THAT 'CAUSE YOU LOOK HOT IN IT. 206 00:08:53,358 --> 00:08:55,058 PLUS, IT'S GOOD LUCK. 207 00:08:55,099 --> 00:08:56,749 DIDN'T YOU WEAR THAT WHEN YOU GOT YOUR LAST PROMOTION? 208 00:08:58,407 --> 00:09:00,147 TOO CORPORATE. 209 00:09:00,191 --> 00:09:01,581 I DON'T WANT YOUR MOM THINKING I'M MAKING 210 00:09:01,628 --> 00:09:03,848 SOME KIND OF STATEMENT IN A POWER SUIT. 211 00:09:03,891 --> 00:09:05,281 IT'S JUST DINNER. 212 00:09:05,327 --> 00:09:07,457 A DINNER WHERE I'LL BE APPRAISED. 213 00:09:07,503 --> 00:09:08,773 YOU'VE ALREADY BEEN APPRAISED... 214 00:09:10,201 --> 00:09:12,601 PRICELESS, AND NOT JUST IN MY EYES. 215 00:09:12,639 --> 00:09:14,989 IN MOM'S, TOO. 216 00:09:15,032 --> 00:09:17,692 WHAT IS THIS? 217 00:09:17,731 --> 00:09:19,691 FAMILY HEIRLOOM. AND TRUST ME, 218 00:09:19,733 --> 00:09:21,263 SHE WOULDN'T BE GIVING THIS TO YOU 219 00:09:21,299 --> 00:09:22,909 IF SHE DIDN'T THINK YOU WERE AMAZING. 220 00:09:36,401 --> 00:09:38,751 DOES IT NARROW DOWN WHAT YOU CAN WEAR? 221 00:09:38,795 --> 00:09:42,055 ARE YOU KIDDING? WITH THESE ROCKS, 222 00:09:42,103 --> 00:09:44,283 I COULD WEAR SWEATS. 223 00:09:48,457 --> 00:09:49,807 SPEAKING OF SWEAT, 224 00:09:49,850 --> 00:09:51,940 SOMEONE NEEDS TO TAKE A SHOWER. 225 00:09:51,982 --> 00:09:55,552 EWW! GO! 226 00:10:07,737 --> 00:10:10,217 I THOUGHT I TOLD YOU. I DON'T WANT TO TALK. 227 00:10:10,261 --> 00:10:12,051 I'M NOT CALLING TO PRESSURE YOU. 228 00:10:12,089 --> 00:10:13,609 I FOUND ANOTHER WOMAN. 229 00:10:13,656 --> 00:10:15,396 SHE'S WILLING TO GO ON THE RECORD. 230 00:10:15,440 --> 00:10:17,310 THE STORY'S COMING OUT TONIGHT. 231 00:10:18,530 --> 00:10:20,010 HE'S DONE. 232 00:10:20,054 --> 00:10:21,624 I THOUGHT YOU SHOULD KNOW. 233 00:10:21,664 --> 00:10:22,674 THANK YOU. 234 00:10:33,763 --> 00:10:35,163 AHH. WE NEED A CODE. 235 00:10:39,726 --> 00:10:40,766 BABY POWDER? 236 00:10:44,078 --> 00:10:45,858 WATCH AND LEARN. 237 00:10:47,603 --> 00:10:50,563 PEOPLE ONLY REALLY TOUCH THEIR SECURITY CODE NUMBERS. 238 00:10:50,606 --> 00:10:53,516 THE OIL FROM THEIR FINGERTIPS LEAVES A RESIDUE. 239 00:10:53,565 --> 00:10:56,215 1, 6, 9. 4-DIGIT CODE. 240 00:10:56,264 --> 00:10:58,144 WELL, HOW DO WE KNOW THE ORDER? 241 00:10:58,179 --> 00:11:00,659 WE DON'T. ONLY GET 3 TRIES. 242 00:11:04,228 --> 00:11:06,268 WELL, HE WAS BORN IN 1969. 243 00:11:13,847 --> 00:11:17,417 WAIT. HE WAS BORN IN JUNE. 244 00:11:17,459 --> 00:11:21,329 JUNE 6. 6-1-6-9. 245 00:11:24,858 --> 00:11:26,818 SLOW DOWN. 246 00:11:26,860 --> 00:11:28,730 THAT ARTICLE SAID HE GRADUATED 247 00:11:28,775 --> 00:11:30,205 WHARTON IN 1996. 248 00:11:32,126 --> 00:11:33,776 WORTH A SHOT. 249 00:11:38,654 --> 00:11:39,794 WE'RE IN. 250 00:11:59,806 --> 00:12:01,326 THE BOX WAS RIGHT HERE. 251 00:12:01,372 --> 00:12:03,032 HE MUST'VE MOVED IT. 252 00:12:03,070 --> 00:12:04,380 WE'LL SPLIT UP. IT COULD STILL BE HERE. 253 00:12:04,419 --> 00:12:05,459 YEAH. 254 00:12:19,173 --> 00:12:20,443 YOU OK? 255 00:12:20,478 --> 00:12:21,868 SORRY. YEAH. NO, I'M FINE. 256 00:12:21,915 --> 00:12:24,525 JUST...THIS SCULPTURE 257 00:12:24,569 --> 00:12:26,009 IS PART OF A SERIES. 258 00:12:26,049 --> 00:12:27,789 IT WAS DESIGNED BY AN ITALIAN PAINTER 259 00:12:27,834 --> 00:12:31,584 AND CARVED BY QING DYNASTY ROYAL CRAFTSMEN. 260 00:12:31,620 --> 00:12:33,100 ANGLO-FRENCH TROOPS LOOTED THEM 261 00:12:33,143 --> 00:12:34,583 FROM THE OLD SUMMER PALACE OUTSIDE BEIJING 262 00:12:34,623 --> 00:12:35,843 DURING THE SECOND OPIUM WAR. 263 00:12:38,105 --> 00:12:40,275 CHINA'S BEEN TRYING TO GET THIS PIECE BACK FOR DECADES. 264 00:12:43,240 --> 00:12:44,420 DOESN'T BELONG HERE. 265 00:12:47,854 --> 00:12:49,424 I'M FINE. LET'S JUST KEEP LOOKING. 266 00:12:51,118 --> 00:12:52,638 HENRY. 267 00:12:55,644 --> 00:12:57,784 THIS IS IT. 268 00:12:57,820 --> 00:13:00,040 OK. TAKE THAT PEEK. 269 00:13:02,564 --> 00:13:04,614 NICKY, LOOK OUT! 270 00:13:35,597 --> 00:13:37,857 -WELL? I GOT THE BOX. 271 00:13:37,904 --> 00:13:38,994 IT'S DONE. 272 00:13:46,042 --> 00:13:47,442 IT WAS HER. 273 00:13:47,478 --> 00:13:48,958 ZHILAN? YOU SURE SHE HAD 274 00:13:49,002 --> 00:13:49,962 SOMETHING TO DO WITH THIS? 275 00:13:50,003 --> 00:13:51,353 THINK ABOUT IT. 276 00:13:51,395 --> 00:13:52,525 THE ONLY REASON WE GOT THE KEY 277 00:13:52,570 --> 00:13:53,700 AND STARTED THIS WHOLE QUEST 278 00:13:53,745 --> 00:13:54,875 IS BECAUSE OF WHAT WE FOUND 279 00:13:54,921 --> 00:13:55,881 IN PROFESSOR CHAU'S OFFICE. 280 00:13:55,922 --> 00:13:57,622 SHE KIDNAPPED CHAU. 281 00:13:57,662 --> 00:13:58,882 AND PROBABLY WORSE. 282 00:13:58,925 --> 00:14:01,095 EXACTLY. WHO KNOWS 283 00:14:01,144 --> 00:14:02,624 WHAT SHE GOT OUT OF HIM BEFORE THEN. 284 00:14:03,930 --> 00:14:05,980 SHE'S BEEN FOLLOWING THE SAME LEAD, 285 00:14:06,019 --> 00:14:07,499 LOOKING FOR THE SAME THING, 286 00:14:07,542 --> 00:14:09,762 AND ENDED UP AT THE SAME PLACE--THE BOX. 287 00:14:09,805 --> 00:14:11,545 SHE'S ALWAYS BEEN ONE STEP AHEAD OF US. 288 00:14:13,330 --> 00:14:14,680 I GUESS WE'RE BACK AT ZERO. 289 00:14:16,029 --> 00:14:17,069 MAYBE NOT. 290 00:14:20,337 --> 00:14:22,247 EVERYTHING LOOKS PERFECT. 291 00:14:24,080 --> 00:14:26,650 HERE WE GO. COME ON. 292 00:14:26,691 --> 00:14:28,001 AHH. WELCOME. 293 00:14:28,041 --> 00:14:30,701 GOOD EVENING, MEI-LI. HELLO, JIN. 294 00:14:30,739 --> 00:14:31,869 HELLO, DIANA. 295 00:14:31,914 --> 00:14:33,184 ALFRED. 296 00:14:38,486 --> 00:14:40,226 OH! THANK YOU. 297 00:14:40,270 --> 00:14:42,100 A LITTLE SOMETHING FOR YOU. 298 00:14:42,142 --> 00:14:43,882 YOUR SKIN. YOU MUST TELL ME 299 00:14:43,926 --> 00:14:45,056 WHAT NIGHT CREAM YOU USE. 300 00:14:45,101 --> 00:14:46,711 NO, YOU LOOK YOUNGER 301 00:14:46,755 --> 00:14:48,015 EVERY TIME I SEE YOU. 302 00:14:48,061 --> 00:14:49,241 SOMETHING SMELLS DELICIOUS. 303 00:14:49,279 --> 00:14:51,189 IT'S JUST A SIMPLE DINNER. 304 00:14:51,238 --> 00:14:53,718 IT'S HARDLY CHEZ PANISSE. 305 00:14:53,762 --> 00:14:55,242 HERE WE GO. 306 00:14:55,285 --> 00:14:59,585 OH. 1990. 307 00:14:59,637 --> 00:15:01,507 THE YEAR I IMMIGRATED. 308 00:15:01,552 --> 00:15:03,252 MEI-LI AS WELL. 309 00:15:03,293 --> 00:15:04,863 ALTHEA MENTIONED IT. 310 00:15:04,904 --> 00:15:06,044 OH-HO! 311 00:15:06,079 --> 00:15:08,649 WE CAME FROM HONG KONG IN 1993. 312 00:15:08,690 --> 00:15:10,040 TERRIBLE YEAR FOR CHAMPAGNE. 313 00:15:12,607 --> 00:15:14,037 PLEASE. PLEASE. 314 00:15:17,960 --> 00:15:20,440 WHAT? WERE YOU EXPECTING A CALAMITY? 315 00:15:20,484 --> 00:15:21,574 OBVIOUSLY. 316 00:15:24,749 --> 00:15:27,059 YOUR CONTACT THAT MIGHT KNOW THE THIEVES. 317 00:15:27,100 --> 00:15:28,840 HE LIVES IN A HAUNTED HOUSE? 318 00:15:28,884 --> 00:15:29,934 IT'S AN ABANDONED FACTORY 319 00:15:29,972 --> 00:15:31,632 MY FRIEND WORKS OUT OF. 320 00:15:31,669 --> 00:15:33,149 WHO IS THIS GUY? 321 00:15:33,193 --> 00:15:35,373 LESS YOU KNOW, THE BETTER. 322 00:15:35,412 --> 00:15:36,812 -I'LL GO. -HEY, NO. 323 00:15:36,848 --> 00:15:38,758 YOU WAIT IN THE CAR. THIS GUY-- 324 00:15:38,807 --> 00:15:40,417 YOU CAN'T EVEN TELL ME HIS NAME? 325 00:15:42,289 --> 00:15:43,939 ALL RIGHT, HIS NAME'S RANDALL, 326 00:15:43,986 --> 00:15:47,416 BUT THAT'S REALLY ALL I CAN SAY. 327 00:15:47,468 --> 00:15:48,768 YOU'RE JUST GONNA HAVE TO TRUST ME, OK? 328 00:15:50,950 --> 00:15:51,950 LOCK THE DOOR. 329 00:16:11,753 --> 00:16:12,973 HEY. NICKY. 330 00:16:13,015 --> 00:16:14,535 HEY. I SAW YOU CALLED. 331 00:16:16,366 --> 00:16:17,496 EVAN? 332 00:16:17,541 --> 00:16:18,501 THERE'S SOMETHING YOU NEED 333 00:16:18,542 --> 00:16:19,542 TO KNOW ABOUT HENRY. 334 00:16:19,587 --> 00:16:21,067 WHAT ABOUT HIM? 335 00:16:21,110 --> 00:16:22,240 THAT BREAK-IN AT CHAU'S OFFICE? 336 00:16:22,285 --> 00:16:23,235 THERE WAS SECURITY FOOTAGE. 337 00:16:23,286 --> 00:16:24,636 I SAW YOU AND HENRY. 338 00:16:24,679 --> 00:16:26,859 THAT WASN'T HENRY'S IDEA. IT WAS MINE. 339 00:16:26,898 --> 00:16:29,858 WELL, THERE'S MORE. I LOOKED INTO HENRY'S FILES. 340 00:16:29,901 --> 00:16:31,161 I SHOULDN'T HAVE, BUT I DID, 341 00:16:31,207 --> 00:16:32,857 AND HE HAS A RECORD. 342 00:16:32,904 --> 00:16:35,124 A LONG ONE. BREAKING AND ENTERING--TWICE... 343 00:16:35,168 --> 00:16:37,038 STOP. HE SERVED TIME IN JUVIE. 344 00:16:37,083 --> 00:16:39,173 EVAN, STOP. 345 00:16:39,215 --> 00:16:41,165 IF HE WAS A JUVENILE, HOW DID YOU 346 00:16:41,217 --> 00:16:42,867 EVEN GET ACCESS TO HIS RECORDS? 347 00:16:42,914 --> 00:16:44,094 THOSE ARE SUPPOSED TO BE SEALED. 348 00:16:44,133 --> 00:16:45,353 YES. I KNOW. I'M-- 349 00:16:45,395 --> 00:16:47,655 I THINK THIS CONVERSATION'S OVER. 350 00:16:47,702 --> 00:16:50,232 NICKY, I--I JUST WANT YOU TO BE CAREFUL, ALL RIGHT? 351 00:16:50,270 --> 00:16:52,050 HOW MUCH DO YOU REALLY KNOW ABOUT THIS GUY? 352 00:17:44,150 --> 00:17:45,370 YOU'RE GONNA LOVE THIS. 353 00:17:45,412 --> 00:17:47,112 WHAT? RANDALL KNOWS THE GUY 354 00:17:47,153 --> 00:17:48,203 WHO STOLE THE BOX. 355 00:17:48,241 --> 00:17:49,331 RAZOR. 356 00:17:49,372 --> 00:17:51,072 RAZOR? YEAH. THIEF. 357 00:17:51,113 --> 00:17:52,723 SOME KIND OF BLACK-MARKET DEALER. 358 00:17:52,767 --> 00:17:54,287 NEVER MET THE GUY, BUT HE'S 359 00:17:54,334 --> 00:17:56,604 KIND OF A LEGENDARY FIGURE. 360 00:17:56,640 --> 00:17:59,210 BIG-TIME WEIRDO. HAS A PASSION FOR GAMBLING. 361 00:17:59,252 --> 00:18:01,472 THE TYPE OF GUY WHO'LL MAKE A BET ON ANYTHING. 362 00:18:01,515 --> 00:18:02,685 ACCORDING TO RANDALL, 363 00:18:02,733 --> 00:18:04,873 HE STEALS TO FUND HIS HABIT. 364 00:18:04,909 --> 00:18:07,039 HOW DOES RANDALL KNOW THIS THIEF? 365 00:18:07,086 --> 00:18:08,296 THEY'RE FRIENDS. 366 00:18:08,348 --> 00:18:09,608 THEY GOT SOME KIND OF DEAL SHARING 367 00:18:09,653 --> 00:18:11,133 INTEL AND SOURCES WITH EACH OTHER. 368 00:18:11,177 --> 00:18:12,827 TOLD YOU RANDALL WAS CONNECTED. 369 00:18:12,874 --> 00:18:14,964 THING IS, WE GOTTA MOVE. 370 00:18:15,006 --> 00:18:16,876 RAZOR LIVES DEEP IN THE WOODS IN MARIN. 371 00:18:16,921 --> 00:18:18,231 RANDALL SAYS THAT THE BUYER DISPATCHED 372 00:18:18,271 --> 00:18:19,661 A COURIER TO HIS HOUSE. 373 00:18:19,707 --> 00:18:20,927 BOX IS GETTING PICKED UP TONIGHT. 374 00:18:22,840 --> 00:18:23,890 RIGHT. 375 00:18:40,119 --> 00:18:41,729 WHY DOES NO ONE GIVE ANY LOVE 376 00:18:41,772 --> 00:18:43,082 TO THE BAY BRIDGE? 377 00:18:44,253 --> 00:18:45,303 WHAT ABOUT THE BAY BRIDGE? 378 00:18:46,995 --> 00:18:49,295 THING ABOUT AN ART SHOW, 379 00:18:49,345 --> 00:18:50,515 KINDA DOESN'T WORK IF YOU DON'T 380 00:18:50,564 --> 00:18:52,044 ACTUALLY LOOK AT THE ART. 381 00:18:52,087 --> 00:18:53,867 I'M SORRY. IT'S JUST MRS. PHANG. 382 00:18:53,915 --> 00:18:55,215 SHE'S TEXTING-- HER UTI. 383 00:18:59,573 --> 00:19:01,103 PROMISE. DONE. 384 00:19:05,579 --> 00:19:06,749 ANYTHING? 385 00:19:09,148 --> 00:19:13,018 NO. IT'S JUST A BRIDGE. 386 00:19:13,064 --> 00:19:15,074 MAYBE YOU'RE NOT LOOKING CLOSE ENOUGH. 387 00:19:15,110 --> 00:19:17,720 THE PHOTOGRAPHER CAUGHT A SKINNY DIPPER, 388 00:19:17,765 --> 00:19:19,375 BOTTOM RIGHT CORNER. 389 00:19:19,419 --> 00:19:20,939 REALLY? MM-HMM. 390 00:19:26,252 --> 00:19:27,912 WHERE? I DON'T SEE IT. 391 00:19:30,517 --> 00:19:32,687 I'M HOPELESS. 392 00:19:34,129 --> 00:19:36,519 TWO STRIKES. 393 00:19:36,566 --> 00:19:38,526 BUT I'LL GIVE YOU ANOTHER TRY. 394 00:19:38,568 --> 00:19:39,608 COME ON. 395 00:19:44,531 --> 00:19:45,791 HERE WE GO. 396 00:19:45,836 --> 00:19:47,526 OOH. PEKING DUCK. 397 00:19:47,577 --> 00:19:49,357 MEI-LI'S FAMILY RECIPE. 398 00:19:49,405 --> 00:19:50,705 THIS LOOKS WONDERFUL. 399 00:19:50,754 --> 00:19:52,234 MEI-LI AND I WANT TO THANK YOU 400 00:19:52,278 --> 00:19:54,848 FOR WELCOMING ALTHEA INTO YOUR FAMILY. 401 00:19:54,889 --> 00:19:56,719 YOU'VE RAISED A WONDERFUL DAUGHTER. 402 00:19:56,760 --> 00:19:59,630 ALTHEA HAS BECOME OUR RAY OF SUNSHINE. 403 00:19:59,676 --> 00:20:03,026 THE PEAR TART SHE BAKED FOR ALFRED'S BIRTHDAY WAS EXQUISITE. 404 00:20:03,071 --> 00:20:05,071 ALTHEA, YOU BAKED? 405 00:20:05,116 --> 00:20:06,766 I JUST FOLLOWED THE INSTRUCTIONS. 406 00:20:06,814 --> 00:20:08,604 THE TARTINE COOKBOOK. 407 00:20:08,642 --> 00:20:09,952 MRS. SOONG LENT IT TO ME. 408 00:20:11,471 --> 00:20:12,951 OHH. 409 00:20:12,994 --> 00:20:14,264 SPEAKING OF ALTHEA BECOMING 410 00:20:14,300 --> 00:20:15,740 PART OF THE FAMILY, 411 00:20:15,779 --> 00:20:17,389 WE FEEL IT WOULD BE BEST TO BE 412 00:20:17,433 --> 00:20:20,703 OPEN AND HONEST FROM THE START. 413 00:20:20,741 --> 00:20:21,741 OF COURSE. 414 00:20:21,785 --> 00:20:23,785 ABSOLUTELY. 415 00:20:23,831 --> 00:20:25,441 WE'D LIKE ALTHEA TO SIGN A PRENUP. 416 00:20:28,183 --> 00:20:31,273 UH, UH, I JUST-- 417 00:20:31,317 --> 00:20:33,357 YOU KNOW I'M NOT MARRYING DENNIS FOR MONEY, RIGHT? 418 00:20:33,406 --> 00:20:35,796 HONEY, YOU DON'T NEED TO EXPLAIN YOURSELF. 419 00:20:37,061 --> 00:20:38,591 DID YOU PLAN THIS? 420 00:20:38,628 --> 00:20:39,758 WE'RE JUST TRYING TO PROTECT OUR ASSETS. 421 00:20:39,803 --> 00:20:41,023 FROM WHAT? 422 00:20:41,065 --> 00:20:43,455 FROM... 423 00:20:47,898 --> 00:20:51,028 SAYING SOMETHING REASONABLE AT AN UNREASONABLE TIME. 424 00:20:51,075 --> 00:20:52,335 ...REASONABLE TIME? 425 00:20:52,381 --> 00:20:53,991 I THOUGHT I WAS BEING RESPECT-- 426 00:20:54,035 --> 00:20:55,295 WE SHOULD'VE DISCUSSED THIS FIRST, 427 00:20:55,341 --> 00:20:57,041 BUT HONESTLY, 428 00:20:57,081 --> 00:20:59,391 I DON'T KNOW THAT WE SHOULD EVER DISCUSS THIS. 429 00:20:59,432 --> 00:21:01,302 ALFRED, I TOLD YOU WE SHOULD WAIT. 430 00:21:01,347 --> 00:21:02,647 I'M GLAD YOU DIDN'T. 431 00:21:05,438 --> 00:21:07,268 WE'RE SORRY, ALTHEA. 432 00:21:09,137 --> 00:21:11,437 AND CAN I JUST SAY, 433 00:21:11,487 --> 00:21:13,787 MY MOTHER'S NECKLACE LOOKS LOVELY ON YOU. 434 00:21:15,448 --> 00:21:18,058 AM I WORTH MORE WITH IT ON? 435 00:21:18,102 --> 00:21:20,282 IS THAT WHY YOU GAVE IT TO ME? 436 00:21:20,322 --> 00:21:23,592 I'M SORRY? THAT'S WHAT TONIGHT WAS ABOUT, RIGHT? 437 00:21:23,630 --> 00:21:25,630 MY BRIDAL PRICE? 438 00:21:25,675 --> 00:21:27,715 NOW WITH THIS PRENUP, 439 00:21:27,764 --> 00:21:29,294 MY OBJECTIVE VALUE? 440 00:21:32,029 --> 00:21:34,729 LET'S JUST SAY IT OUT LOUD AND PUT IT IN WRITING. 441 00:21:34,771 --> 00:21:36,341 BUT WE WON'T DO IT IN DOLLARS 442 00:21:36,382 --> 00:21:38,432 BECAUSE THAT WOULD BE TACKY. 443 00:21:38,471 --> 00:21:41,341 WHAT ABOUT...DUCKS? 444 00:21:41,387 --> 00:21:43,477 HOW MANY DUCKS AM I WORTH? HMM? 445 00:21:44,781 --> 00:21:46,911 LET'S HAVE AN AUCTION. 446 00:21:46,957 --> 00:21:50,827 I'LL OPEN UP THE BIDDING AT 4 DUCKS FOR MY LEGS. 447 00:21:50,874 --> 00:21:53,364 DO I HEAR 4 DUCKS? OR WHAT ABOUT MY BRAIN? 448 00:21:53,399 --> 00:21:55,579 I'VE DEFINITELY GOT A 20-DUCK BRAIN. 449 00:21:55,618 --> 00:21:57,618 UH, DO I HEAR 25? OK. 450 00:21:57,664 --> 00:21:59,714 UH, WHAT ABOUT MY BODY? I'VE BEEN TOLD 451 00:21:59,753 --> 00:22:03,153 I HAVE NICE CURVES FOR A CHINESE GIRL. 452 00:22:03,191 --> 00:22:04,241 ALTHEA? 453 00:22:10,546 --> 00:22:13,676 HEH. MM. AHEM. 454 00:22:13,723 --> 00:22:15,033 WHY AM I NEGOTIATING? 455 00:22:16,987 --> 00:22:20,157 THE OBJECT NEVER HAS A SAY IN WHAT SHE'S WORTH. 456 00:22:33,090 --> 00:22:34,220 ALTHEA. 457 00:22:47,235 --> 00:22:49,405 UH, IS THIS WHERE YOU MURDER ME? 458 00:22:49,455 --> 00:22:51,665 TAKE ONE STEP CLOSER AND YOU'LL SEE. 459 00:22:53,328 --> 00:22:55,418 UH. 460 00:22:55,461 --> 00:22:56,941 OH! FIGURED IF 461 00:22:56,984 --> 00:22:59,164 PHOTOGRAPHY DOESN'T DO IT FOR YOU, 462 00:22:59,203 --> 00:23:02,953 MAYBE SOMETHING A BIT MORE IMMERSIVE WOULD WORK. 463 00:23:02,990 --> 00:23:05,300 OK. I DON'T REALLY GET ART, 464 00:23:05,340 --> 00:23:06,910 BUT THIS IS PRETTY COOL. 465 00:23:08,735 --> 00:23:10,685 UH, YEAH. 466 00:23:10,737 --> 00:23:12,387 YOU'RE A BIT OF A PHILISTINE. 467 00:23:12,434 --> 00:23:14,354 USUALLY A DEALBREAKER. 468 00:23:14,393 --> 00:23:15,923 GOOD THING YOU'RE CUTE. 469 00:23:15,959 --> 00:23:18,139 I'M NOT A PHILISTINE. 470 00:23:18,179 --> 00:23:21,749 IT'S JUST...I'VE NEVER DONE THIS BEFORE. 471 00:23:23,097 --> 00:23:25,227 DONE WHAT? I'VE HAD HOOKUPS. 472 00:23:25,273 --> 00:23:26,933 I'VE HAD DATES. 473 00:23:26,970 --> 00:23:30,230 JUST NEVER...DATED. 474 00:23:30,278 --> 00:23:33,058 MULTIPLE DATES. SAME GUY. DATING. 475 00:23:34,761 --> 00:23:35,891 SO, YOU'RE A ROOKIE. 476 00:23:37,416 --> 00:23:39,156 A GAYBY. 477 00:23:39,200 --> 00:23:40,240 YEAH. 478 00:23:42,203 --> 00:23:43,423 IF I'VE BEEN HARD TO PIN DOWN, 479 00:23:43,465 --> 00:23:45,205 IF I'VE BEEN HIDING IN MY PHONE, 480 00:23:45,249 --> 00:23:48,779 IF I'M JUST REALLY BAD AT THIS, IT'S-- 481 00:23:48,818 --> 00:23:49,948 IT'S BECAUSE OF THAT. 482 00:23:54,258 --> 00:23:57,438 DOES THAT... THROW YOU? 483 00:23:59,220 --> 00:24:00,400 NOT REALLY. 484 00:24:02,223 --> 00:24:05,443 BESIDES...I ALREADY KNEW. 485 00:24:06,793 --> 00:24:07,973 IT'S KINDA OBVIOUS. 486 00:24:29,424 --> 00:24:30,564 YOU'VE BEEN QUIET. 487 00:24:31,774 --> 00:24:32,864 EVERYTHING OK? 488 00:24:39,913 --> 00:24:40,963 I SAW YOU. 489 00:24:42,437 --> 00:24:45,137 THE STATUE. I SAW YOU GIVE IT TO RANDALL. 490 00:24:45,179 --> 00:24:47,569 YOU SAID WE WEREN'T GONNA ROB THAT HOUSE. 491 00:24:47,616 --> 00:24:49,176 THAT WE WERE JUST TAKING A PEEK. 492 00:24:49,226 --> 00:24:51,486 I NEVER WOULD'VE...I TRADED IT FOR INFORMATION. 493 00:24:52,969 --> 00:24:54,799 INFORMATION THAT -WE NEEDED. -YOU BOUGHT HIM OFF. 494 00:24:54,841 --> 00:24:56,451 YEAH. YEAH, I DID. 495 00:24:57,626 --> 00:25:00,406 RANDALL REPATRIATES STOLEN ARTIFACTS. 496 00:25:02,022 --> 00:25:03,552 HE'LL GET IT BACK TO WHERE IT BELONGS. 497 00:25:03,589 --> 00:25:04,719 -HE'S ONE OF THE GOOD GUYS. -IF THAT WERE TRUE, 498 00:25:04,764 --> 00:25:06,644 WHY DIDN'T YOU JUST TELL ME? 499 00:25:06,679 --> 00:25:08,029 WHAT ELSE AREN'T YOU TELLING ME? 500 00:25:08,071 --> 00:25:09,461 WHAT ARE YOU GETTING AT? 501 00:25:09,508 --> 00:25:11,768 EVAN CALLED. OH? 502 00:25:11,814 --> 00:25:13,344 HE TOLD ME ABOUT YOUR RECORD. 503 00:25:15,078 --> 00:25:17,338 -YOU HAD HIM LOOK INTO ME? -NO, I-- 504 00:25:17,385 --> 00:25:18,865 HE DID THAT ON HIS OWN, 505 00:25:18,908 --> 00:25:21,908 WHICH IS A WHOLE OTHER THING, BUT... 506 00:25:21,955 --> 00:25:23,255 I GUESS I'M GLAD HE DID. 507 00:25:23,304 --> 00:25:24,704 IF YOU HAD QUESTIONS ABOUT ME 508 00:25:24,740 --> 00:25:26,050 OR ABOUT MY PAST... 509 00:25:28,352 --> 00:25:29,572 YOU COULD'VE JUST ASKED. 510 00:25:39,146 --> 00:25:40,186 WE'RE HERE. 511 00:25:46,414 --> 00:25:47,854 IF YOU WANT TO TURN AROUND, WE CAN. 512 00:25:51,941 --> 00:25:52,991 OUT OF THE CAR! 513 00:25:54,204 --> 00:25:55,474 DIDN'T YOU SEE THE SIGN? 514 00:25:55,510 --> 00:25:57,080 THIS IS PRIVATE PROPERTY. 515 00:26:06,086 --> 00:26:07,436 WE'RE HERE TO SEE RAZOR. 516 00:26:08,871 --> 00:26:12,221 WE'VE GOT TWO LITTLE RABBITS HERE TO SEE YOU. 517 00:26:12,266 --> 00:26:13,396 GET RID OF THEM. 518 00:26:13,441 --> 00:26:15,271 TELL HIM WE KNOW RANDALL. 519 00:26:15,312 --> 00:26:17,452 WAIT. LET 'EM IN. 520 00:26:19,273 --> 00:26:20,323 LET'S GO. 521 00:26:44,864 --> 00:26:47,394 YOU. THE LITTLE CAT BURGLARS FROM THE HOUSE? 522 00:26:49,651 --> 00:26:52,521 WHAT, YOU COME BACK TO GET YOUR ASS KICKED A SECOND TIME? 523 00:26:52,567 --> 00:26:53,607 I'M A FRIEND OF RANDALL'S. 524 00:26:53,655 --> 00:26:54,915 YEAH, I CAUGHT THAT PART. 525 00:26:57,050 --> 00:26:59,310 SO, RANDALL JUST TOLD YOU WHERE I LIVE, HUH? 526 00:27:00,488 --> 00:27:01,618 DISAPPOINTING. 527 00:27:03,273 --> 00:27:05,013 RANDALL DOESN'T GIVE UP INFO LIGHTLY. 528 00:27:05,058 --> 00:27:06,968 YOU MUST'VE MADE IT WORTH HIS WHILE. 529 00:27:07,016 --> 00:27:07,966 WE'RE HERE FOR THE BOX. 530 00:27:08,017 --> 00:27:09,927 THE BOX IS SOLD. 531 00:27:09,976 --> 00:27:11,456 BY THE LOOKS OF IT, FOR MORE THAN WHAT 532 00:27:11,499 --> 00:27:13,679 YOU TWO COULD SCRAPE UP OVER MANY LIFETIMES. 533 00:27:13,719 --> 00:27:15,499 GARY, TAKE THEM OUT BACK. 534 00:27:15,546 --> 00:27:16,936 WAIT, WAIT, WAIT, WAIT. I DON'T LIKE 535 00:27:16,983 --> 00:27:18,683 BEING TRESPASSED ON. 536 00:27:18,724 --> 00:27:20,774 I'D LIKE TO GIVE RANDALL A MESSAGE OF THE COST 537 00:27:20,813 --> 00:27:22,683 OF BETRAYING YOUR FRIENDS. GARY-- 538 00:27:22,728 --> 00:27:26,168 -WHOA, WHOA, WHOA. -NO. FIGHT ME FOR IT. 539 00:27:26,209 --> 00:27:28,079 THE BOX. NICKY. 540 00:27:28,124 --> 00:27:29,264 I THOUGHT WE ALREADY DID THAT. 541 00:27:29,299 --> 00:27:30,909 A FAIR MATCH. 542 00:27:30,953 --> 00:27:32,913 I HEAR YOU'RE A BETTING MAN. 543 00:27:32,955 --> 00:27:36,655 ALL I'M PROPOSING IS A SIMPLE, FRIENDLY WAGER. 544 00:27:36,698 --> 00:27:38,048 YOU WIN, YOU KEEP THE BOX. 545 00:27:38,091 --> 00:27:39,881 I WIN, WE GET WHATEVER'S INSIDE. 546 00:27:39,919 --> 00:27:42,099 IN CASE YOU HAVEN'T NOTICED... 547 00:27:42,138 --> 00:27:44,488 I ALREADY HAVE THE BOX. 548 00:27:44,532 --> 00:27:47,752 YOU DON'T HAVE THIS. 549 00:27:52,583 --> 00:27:53,633 IS IT REAL? 550 00:27:53,672 --> 00:27:55,982 100%. AND IT'S YOURS. 551 00:27:56,022 --> 00:27:58,112 IF I FIGHT YOU. YEAH. 552 00:27:58,154 --> 00:27:59,684 THROW IN THIS KEY, 553 00:27:59,721 --> 00:28:01,551 YOU COULD RAISE THE PRICE WITH YOUR BUYER. 554 00:28:01,592 --> 00:28:03,422 OR I COULD HAVE MY MAN GARY JUST KILL YOU 555 00:28:03,464 --> 00:28:04,554 AND I CAN TAKE THE KEY. 556 00:28:07,337 --> 00:28:09,727 COULD. BUT YOU WON'T. 557 00:28:09,775 --> 00:28:11,725 AND WHY WON'T I? 558 00:28:11,777 --> 00:28:13,517 BECAUSE YOU HAVE A CODE. 559 00:28:13,561 --> 00:28:15,781 WIN OR LOSE, YOU KEEP THE BOX, 560 00:28:15,824 --> 00:28:17,914 SALE GOES THROUGH AS PLANNED. 561 00:28:17,957 --> 00:28:20,737 ALL WE'RE FIGHTING FOR IS A LITTLE PEEK, 562 00:28:20,786 --> 00:28:22,306 AND CLAIM TO WHATEVER'S INSIDE, 563 00:28:26,052 --> 00:28:30,232 SO...FIGHT ME. 564 00:28:34,713 --> 00:28:37,723 OK. YOU'RE ON. 565 00:29:00,216 --> 00:29:02,306 I CAN'T GO BACK IN THERE. 566 00:29:02,349 --> 00:29:03,699 YES, YOU CAN. 567 00:29:05,221 --> 00:29:07,531 I SET MY PARENTS STRAIGHT. 568 00:29:07,571 --> 00:29:09,011 AND HONESTLY, I THINK YOUR MOM 569 00:29:09,051 --> 00:29:10,881 LIKED SEEING THEM TAKEN DOWN A PEG. 570 00:29:19,845 --> 00:29:21,455 BUT I DON'T THINK THAT OUTBURST 571 00:29:21,498 --> 00:29:22,888 WAS ABOUT THE PRENUP. 572 00:29:24,675 --> 00:29:25,885 HOW COULD YOU TELL? 573 00:29:27,069 --> 00:29:28,419 IF IT WALKS LIKE A DUCK... 574 00:29:28,462 --> 00:29:33,552 OHH! PLEASE DON'T EVER SAY "DUCK." 575 00:29:35,730 --> 00:29:36,950 DO YOU WANT TO TALK ABOUT IT? 576 00:29:44,521 --> 00:29:45,651 NOT QUITE YET. 577 00:29:51,180 --> 00:29:53,050 ARE YOU SURE I DIDN'T SOUND TOTALLY INSANE? 578 00:29:54,836 --> 00:29:56,836 YOU ARE, BY FAR, 579 00:29:56,882 --> 00:29:58,712 THE SANEST ONE OF US ALL. 580 00:30:16,031 --> 00:30:17,341 YOU SHAOLIN? 581 00:30:17,380 --> 00:30:19,250 ♪ LA-LA-LA-LA-LA-LA-LA-LA 582 00:30:19,295 --> 00:30:22,815 ♪ G-G-GET IT GOING, GET READY 583 00:30:37,052 --> 00:30:39,232 MY FAVORITE MOVIE OF ALL TIME 584 00:30:39,272 --> 00:30:41,402 IS "THE EXECUTIONER FROM SHAOLIN." 585 00:30:41,448 --> 00:30:42,538 NEVER SEEN IT. 586 00:30:46,496 --> 00:30:50,666 UHH!-♪ G-G-GET IT GOING, GET READY 587 00:30:50,718 --> 00:30:52,978 UHH! 588 00:30:54,504 --> 00:30:56,204 THE PRIEST PAI MEI 589 00:30:56,245 --> 00:30:57,545 DEMONSTRATES HE'S MASTERED 590 00:30:57,594 --> 00:30:58,864 THE TECHNIQUE OF MOVING 591 00:30:58,900 --> 00:31:01,470 THE WEAK SPOT IN HIS BODY AT WILL. 592 00:31:03,818 --> 00:31:05,118 EVERYBODY HAS A WEAK SPOT. 593 00:31:05,167 --> 00:31:07,337 UHH! AH! SHA! 594 00:31:07,387 --> 00:31:08,557 EXACTLY. 595 00:31:13,610 --> 00:31:14,660 NICKY! 596 00:31:16,004 --> 00:31:17,054 STAND DOWN. 597 00:31:24,970 --> 00:31:26,800 HE LEARNED TO MOVE HIS WEAK SPOT. 598 00:31:33,108 --> 00:31:34,498 IMAGINE HAVING THAT SKILL. 599 00:31:35,763 --> 00:31:36,723 I WOULDN'T NEED IT. 600 00:31:45,512 --> 00:31:46,772 I DON'T HAVE A WEAK SPOT. 601 00:31:50,212 --> 00:31:51,562 ♪ GET READY 602 00:31:54,564 --> 00:31:55,914 THEY'RE HERE TO PICK UP THE BOX. 603 00:31:55,957 --> 00:31:56,997 TELL THEM TO WAIT IN THE CAR. 604 00:31:57,045 --> 00:31:58,175 I WANT TO SEE THIS. 605 00:32:06,576 --> 00:32:07,966 GO AHEAD, YOUNG SHAOLIN. 606 00:32:48,314 --> 00:32:51,194 A SCABBARD. DOPE. WHAT'S IT FOR? 607 00:32:59,934 --> 00:33:01,024 THE SWORD. 608 00:33:06,071 --> 00:33:07,551 THE LOOK ON THAT WOMAN'S FACE. 609 00:33:09,552 --> 00:33:12,122 IT LOOKED LIKE SHE SAW A GHOST 610 00:33:12,164 --> 00:33:14,864 WHEN ALTHEA GAVE IT RIGHT BACK TO HER. 611 00:33:14,905 --> 00:33:16,645 WE ALWAYS TAUGHT OUR CHILDREN 612 00:33:16,690 --> 00:33:18,170 TO RESPECT THEIR ELDERS 613 00:33:18,213 --> 00:33:20,433 AND TO NOT TALK BACK. 614 00:33:20,476 --> 00:33:21,996 I KNOW. 615 00:33:22,043 --> 00:33:23,703 THANK GOD SHE DIDN'T LISTEN. 616 00:33:25,873 --> 00:33:27,923 I THOUGHT NICKY WAS THE HEADSTRONG ONE. 617 00:33:27,962 --> 00:33:29,752 WELL, NOW WE'VE GOT TWO. 618 00:33:31,748 --> 00:33:34,058 I WONDER WHO THEY TAKE AFTER. 619 00:33:34,099 --> 00:33:35,929 WELL, AT LEAST THE IN-LAWS 620 00:33:35,970 --> 00:33:37,450 KNOW HOW TO PICK A GOOD CHAMPAGNE. 621 00:33:37,493 --> 00:33:39,633 MM-HMM. 622 00:33:44,544 --> 00:33:46,374 HA HA! OH. 623 00:34:00,777 --> 00:34:01,817 HOW'S YOUR HAND? 624 00:34:05,565 --> 00:34:06,695 WEIRDEST THING. 625 00:34:08,046 --> 00:34:10,436 SINCE I TOUCHED THIS... 626 00:34:10,483 --> 00:34:12,923 THE PAIN JUST STOPPED. 627 00:34:14,878 --> 00:34:16,098 LIKE IT BELONGS TO ME. 628 00:34:16,141 --> 00:34:18,191 LIKE I WAS SUPPOSED TO FIND IT. 629 00:34:19,970 --> 00:34:22,190 THAT SOUNDS CRAZY, BUT-- 630 00:34:22,234 --> 00:34:25,114 BUT I KNOW THIS SCABBARD MATTERS. 631 00:34:25,150 --> 00:34:26,720 WELL, CLEARLY, ZHILAN DOES, TOO. 632 00:34:28,457 --> 00:34:29,717 BUT WE BEAT HER TO IT. 633 00:34:32,244 --> 00:34:33,514 BECAUSE OF YOU. 634 00:34:35,073 --> 00:34:36,513 YOU'VE GONE ON THIS JOURNEY WITH ME, 635 00:34:36,552 --> 00:34:38,122 NO QUESTIONS ASKED. 636 00:34:38,163 --> 00:34:42,123 PROFESSOR CHAU'S RESEARCH, THE KEY, RAZOR... 637 00:34:42,167 --> 00:34:43,817 IT ALL LED TO US FINDING THIS. 638 00:34:45,909 --> 00:34:47,389 I SHOULDN'T HAVE DOUBTED YOU. 639 00:34:47,433 --> 00:34:49,523 NICKY, IT'S OK. 640 00:34:49,565 --> 00:34:52,125 NO. IT'S--IT'S NOT. 641 00:34:52,177 --> 00:34:54,917 WE--WE BOTH HAVE OUR PASTS, 642 00:34:54,962 --> 00:34:56,222 THINGS WE DON'T KNOW ABOUT EACH OTHER, 643 00:34:56,268 --> 00:34:58,138 BUT IT DOESN'T MATTER. 644 00:34:58,183 --> 00:34:59,493 YOU ASKED ME TO TRUST YOU... 645 00:35:00,924 --> 00:35:03,674 AND...I DO. 646 00:35:06,321 --> 00:35:07,371 KEEP IT SAFE. 647 00:35:10,847 --> 00:35:11,937 FOR US. 648 00:35:18,203 --> 00:35:19,383 I GREW UP PRETTY POOR. 649 00:35:22,120 --> 00:35:24,210 WAS MOSTLY RAISED BY MY GRANDMOTHER. 650 00:35:24,252 --> 00:35:25,692 HAD A LOT OF UNSUPERVISED TIME. 651 00:35:25,732 --> 00:35:29,082 GOT MIXED UP IN SOME...SOME STUFF. 652 00:35:29,127 --> 00:35:30,867 YOU DON'T HAVE TO EXPLAIN. I WANT TO. 653 00:35:33,783 --> 00:35:37,743 AFTER JUVIE, I... ENDED UP TAKING 654 00:35:37,787 --> 00:35:40,007 A CHINESE HISTORY CLASS AT COMMUNITY COLLEGE. 655 00:35:41,400 --> 00:35:42,620 AND IT ALL JUST CLICKED. 656 00:35:44,054 --> 00:35:46,194 I FOUND WHAT I WAS LOOKING FOR. 657 00:35:46,231 --> 00:35:47,321 MY ROOTS, I GUESS. 658 00:35:48,755 --> 00:35:50,095 AND IT SAVED MY LIFE. 659 00:35:52,062 --> 00:35:55,022 I FINALLY GOT OUT OF THAT WORLD-- 660 00:35:55,065 --> 00:35:56,145 ALL THE WAY OUT. 661 00:35:57,590 --> 00:35:59,200 THAT'S WHY PEOPLE LIKE TRAVERS 662 00:35:59,244 --> 00:36:02,384 MAKE ME SO...ANGRY. 663 00:36:02,421 --> 00:36:04,251 THAT'S WHY I KNOW PEOPLE LIKE RANDALL. 664 00:36:05,989 --> 00:36:10,909 BECAUSE HISTORY, I MEAN REAL HISTORY, 665 00:36:10,951 --> 00:36:12,211 SHOULDN'T BE HOARDED UP IN SOME 666 00:36:12,257 --> 00:36:13,517 FANCY HOUSE SOMEWHERE. 667 00:36:13,562 --> 00:36:15,172 IT SHOULD BELONG TO EVERYONE. 668 00:36:18,654 --> 00:36:20,614 THE STATUE THAT I TOOK FROM TRAVERS, 669 00:36:20,656 --> 00:36:22,086 RANDALL'S GONNA MAKE SURE THAT IT GETS SENT 670 00:36:22,136 --> 00:36:24,046 BACK TO WHERE IT CAME FROM. 671 00:36:24,094 --> 00:36:25,274 THAT'S WHY I TOOK IT. 672 00:36:28,273 --> 00:36:29,933 I'LL TELL YOU MORE, NICKY. 673 00:36:59,565 --> 00:37:00,645 GOOD NIGHT. 674 00:37:02,132 --> 00:37:03,182 GOOD NIGHT. 675 00:37:10,228 --> 00:37:14,318 OK. TELL ME EVERYTHING. 676 00:37:14,362 --> 00:37:15,412 HOW WAS DINNER? 677 00:37:16,886 --> 00:37:18,846 IT WAS A HIT. 678 00:37:18,888 --> 00:37:21,978 THERE WAS SOME DRAMA OVER A PRENUP, 679 00:37:22,022 --> 00:37:23,942 BUT DENNIS IS DRIVING HIS PARENTS HOME 680 00:37:23,980 --> 00:37:26,290 AND ASSURES ME THAT'S NOT HAPPENING. 681 00:37:26,331 --> 00:37:27,681 JUST ONE MORE THING CROSSED OFF 682 00:37:27,723 --> 00:37:29,293 THE PRE-WEDDING CHECKLIST. 683 00:37:29,334 --> 00:37:32,864 WELL, THAT'S GREAT. I'M SURE YOU'RE THRILLED. 684 00:37:32,902 --> 00:37:34,302 OK. I'VE BEEN DYING 685 00:37:34,339 --> 00:37:35,729 TO TALK TO YOU ALL DAY. 686 00:37:35,775 --> 00:37:39,295 IT'S BEEN A RIDE. HA! HENRY AND I WERE-- 687 00:37:42,172 --> 00:37:43,302 ALTHEA, ARE YOU OK? 688 00:37:48,440 --> 00:37:49,570 ALTHEA? 689 00:37:53,749 --> 00:37:55,099 A PROFILE OF MY BOSS WAS 690 00:37:55,142 --> 00:37:57,102 SUPPOSED TO COME OUT TONIGHT, 691 00:37:57,144 --> 00:37:59,284 EXPOSING HIM AS A SEXUAL ABUSER. 692 00:38:00,626 --> 00:38:02,366 HE ASSAULTED A WOMAN AT WORK. 693 00:38:03,716 --> 00:38:05,066 BUT SHE DROPPED OUT OF THE STORY 694 00:38:05,108 --> 00:38:06,808 BECAUSE SHE WAS SCARED, I GUESS. 695 00:38:06,849 --> 00:38:08,459 OH, MY GOD. 696 00:38:11,767 --> 00:38:16,077 NO. I KNOW SHE WAS SCARED. 697 00:38:16,119 --> 00:38:17,689 BECAUSE WHAT HE DID TO HER... 698 00:38:21,168 --> 00:38:22,298 HE DID TO ME. 699 00:38:29,132 --> 00:38:31,132 WHEN? 700 00:38:31,178 --> 00:38:32,218 WHILE YOU WERE GONE. 701 00:38:34,224 --> 00:38:36,714 IT DIDN'T HAPPEN ALL AT ONCE. 702 00:38:36,749 --> 00:38:39,749 NOT AT FIRST. 703 00:38:39,795 --> 00:38:42,145 THAT'S THE CRAZY THING. 704 00:38:42,189 --> 00:38:43,579 THE STEPS. 705 00:38:46,454 --> 00:38:47,504 FIRST IT WAS A COMMENT ON 706 00:38:47,542 --> 00:38:49,892 THE TIGHTNESS OF MY SWEATER. 707 00:38:49,936 --> 00:38:51,366 THEN A JAB AT HOW MY CHEST 708 00:38:51,416 --> 00:38:53,716 IS OUT OF PROPORTION WITH MY ASS. 709 00:38:53,766 --> 00:38:55,416 THEN I'M HIS FAVORITE EMPLOYEE AT WORK 710 00:38:55,463 --> 00:38:57,383 AND A PROMISE OF A PROMOTION. 711 00:38:57,422 --> 00:39:00,082 BUT THEN I'VE OVERSTEPPED IN SOME INVISIBLE WAY 712 00:39:00,120 --> 00:39:01,770 AND HE FREEZES ME OUT FOR A WEEK, 713 00:39:01,817 --> 00:39:04,337 SO, I'M DYING TO GET BACK INTO HIS GOOD BOOKS. 714 00:39:04,385 --> 00:39:08,215 I ACCEPT A WHISKEY AFTER HOURS IN HIS OFFICE. 715 00:39:08,258 --> 00:39:11,698 I DON'T FIGHT BACK WHEN HIS HAND IS ON MY KNEE. 716 00:39:11,740 --> 00:39:13,130 SO, HE GRABS ME. 717 00:39:13,176 --> 00:39:14,346 TELLS ME HE CAN'T HELP HIMSELF. 718 00:39:14,395 --> 00:39:15,915 I'M IRRESISTIBLE, AND HE-- 719 00:39:25,711 --> 00:39:27,581 SO HE MADE A LITTLE MISTAKE. 720 00:39:27,626 --> 00:39:29,236 I CAN'T RUIN SOMEONE'S REPUTATION 721 00:39:29,279 --> 00:39:31,889 OVER A MISTAKE, RIGHT? 722 00:39:31,934 --> 00:39:34,154 AND THAT'S WHY I COULDN'T TALK TO THE REPORTER. 723 00:39:34,197 --> 00:39:35,897 I WAS ALL MIXED UP. 724 00:39:37,679 --> 00:39:39,069 WHY I WAS SO RELIEVED TO HEAR THAT 725 00:39:39,115 --> 00:39:40,375 ANOTHER WOMAN WASN'T. 726 00:39:42,771 --> 00:39:44,121 AND SHE WAS BRAVER THAN ME. 727 00:39:46,122 --> 00:39:47,652 EVEN THOUGH I'M SO SORRY IT HAPPENED 728 00:39:47,689 --> 00:39:49,519 TO HER, TOO, BUT... 729 00:39:52,041 --> 00:39:54,001 RELIEVED, IN A WAY. 730 00:39:59,919 --> 00:40:01,219 THAT SOUNDS SO AWFUL. 731 00:40:01,268 --> 00:40:02,568 HEY. NO. 732 00:40:06,708 --> 00:40:09,888 I AM SO SORRY... 733 00:40:14,150 --> 00:40:15,590 FOR WHAT YOU WENT THROUGH. 734 00:40:19,373 --> 00:40:21,033 FOR NOT BEING HERE. 735 00:40:24,639 --> 00:40:26,419 I KNOW HOW THAT WOMAN FEELS. 736 00:40:27,947 --> 00:40:30,777 AND I HAVE THE POWER TO MAKE HER-- 737 00:40:30,819 --> 00:40:35,039 GOD, OTHERS--NOT FEEL SO SCARED 738 00:40:35,084 --> 00:40:36,834 IF I JUST SPOKE OUT, BUT... 739 00:40:39,567 --> 00:40:40,737 BUT I CAN'T. 740 00:40:46,792 --> 00:40:47,922 I CAN'T DO IT. 741 00:42:09,222 --> 00:42:10,532 GREG, MOVE YOUR HEAD.