1 00:00:10,358 --> 00:00:12,358 OH, MY GOD. HENRY. HENRY. 2 00:00:12,403 --> 00:00:15,023 HMM. I THINK SOMEONE'S TRYING TO GET IN. 3 00:00:19,584 --> 00:00:21,594 LIBRARY WAS SUPPOSED TO OPEN 10 MINUTES AGO. 4 00:00:21,630 --> 00:00:23,200 OHH! 5 00:00:24,807 --> 00:00:26,367 PANTS! 6 00:00:32,119 --> 00:00:34,029 JACKET. 7 00:00:39,952 --> 00:00:41,352 ♪ DON'T EVEN BOTHER 8 00:00:41,389 --> 00:00:42,999 ♪ MUST BE SOMETHING IN THE WATER ♪ 9 00:00:43,043 --> 00:00:44,783 ♪ MAKING THE LADIES GO ROUNDING THE BOYS ♪ 10 00:00:44,827 --> 00:00:46,867 ♪ THEY LOOKING LIKE SHEEP TO THE SLAUGHTER ♪ 11 00:00:46,916 --> 00:00:48,436 ♪ CONFESSING TO FATHER 12 00:00:48,483 --> 00:00:50,403 ♪ DADDY, I TOOK OFF THE COLLAR 13 00:00:50,441 --> 00:00:52,491 ♪ NOW THEY DON'T KNOW WHAT TO CALL HER ♪ 14 00:00:52,530 --> 00:00:54,230 ♪ MAKING THE LADIES GO ROUNDING THE BOYS ♪ 15 00:00:54,271 --> 00:00:57,011 ♪ THEY LOOKING LIKE SHEEP TO THE SLAUGHTER ♪ 16 00:00:57,057 --> 00:00:58,357 HENRY. WHAT? 17 00:00:58,406 --> 00:01:00,016 HE'S WATCHING US. 18 00:01:00,060 --> 00:01:02,670 ♪ NOW THEY DON'T KNOW WHAT TO CALL HER... ♪ 19 00:01:02,714 --> 00:01:04,244 I DON'T KNOW. IT'S KINDA HOT, RIGHT? 20 00:01:05,369 --> 00:01:09,329 ♪ NOW I THINK I MIGHT'VE FOUND MY FRIENDS ♪ 21 00:01:09,373 --> 00:01:13,123 ♪ FUNNY 'CAUSE THEY WANT US DEAD ♪ 22 00:01:13,160 --> 00:01:16,730 ♪ WHEN THE VOICES CIRCLE THROUGH MY HEAD ♪ 23 00:01:16,772 --> 00:01:21,082 ♪ YOU BETTER RUN AWAY, RUN AWAY, YEAH ♪ 24 00:01:21,124 --> 00:01:24,954 ♪ AND BABY, IF IT HURTS, SAY WHEN ♪ 25 00:01:24,997 --> 00:01:30,217 ♪ I'LL STOP AND THEN I'LL START AGAIN... ♪ 26 00:01:30,264 --> 00:01:32,744 JACKET. 27 00:01:32,788 --> 00:01:37,138 ♪ YOU BETTER RUN AWAY, RUN AWAY, YEAH ♪ 28 00:01:37,184 --> 00:01:38,494 THIS IS PASSABLE. 29 00:01:38,533 --> 00:01:39,933 YEAH. NO ONE WOULD EVER SUSPECT. 30 00:01:39,969 --> 00:01:41,319 NOPE. 31 00:01:47,585 --> 00:01:50,805 RESHELVING'S DONE. ALL YOURS. AHEM. 32 00:01:50,849 --> 00:01:51,889 MORNING. 33 00:01:54,201 --> 00:01:55,461 I-I THINK THEY KNEW. 34 00:01:59,162 --> 00:02:00,692 WHAT? WHAT? 35 00:02:00,729 --> 00:02:01,769 NOTHING. 36 00:02:03,297 --> 00:02:04,727 SO... 37 00:02:04,776 --> 00:02:07,256 WE COULD TALK ABOUT LAST NIGHT. 38 00:02:07,301 --> 00:02:08,391 YEAH? WHICH PART? 39 00:02:08,432 --> 00:02:09,782 HOW ABOUT THE OTHER PART-- 40 00:02:09,825 --> 00:02:11,215 THE SUPER-SECRET HIDDEN BONUS TRACK 41 00:02:11,261 --> 00:02:12,831 LULLABY ON MEI-XUE'S TAPES. 42 00:02:12,871 --> 00:02:14,261 AH, YEAH, THAT PART. 43 00:02:14,308 --> 00:02:15,608 THE LIGHT LEADS THE WAY TO THE SOURCE. 44 00:02:15,657 --> 00:02:17,397 THE SOURCE, A.K.A. "THE FORGE." 45 00:02:17,441 --> 00:02:19,571 MEI-XUE SAYS THE ANSWERS ARE IN THE LULLABY-- 46 00:02:19,617 --> 00:02:21,317 THAT IT'LL LEAD US TO THE FORGE. 47 00:02:21,358 --> 00:02:22,658 THOSE LYRICS WERE PRETTY CRYPTIC. 48 00:02:22,707 --> 00:02:24,187 I COULD START DIGGING, SEE IF THOSE WORDS 49 00:02:24,231 --> 00:02:25,451 CROP UP ANYWHERE IN HISTORY, 50 00:02:25,493 --> 00:02:26,803 IN CHAU'S RESEARCH. 51 00:02:26,842 --> 00:02:28,192 IT'LL HAVE TO WAIT A SECOND, 'CAUSE I GOTTA 52 00:02:28,235 --> 00:02:29,625 T.A. A CLASS FIRST. 53 00:02:29,671 --> 00:02:31,331 IT'S OK. WE'LL FIGURE IT OUT. 54 00:02:32,935 --> 00:02:34,015 WHAT? 55 00:02:34,066 --> 00:02:36,676 YOU JUST SOUND... DIFFERENT. 56 00:02:36,721 --> 00:02:39,461 USUALLY, IT'S GO, GO, GO, NOW, NOW, NOW. 57 00:02:39,507 --> 00:02:41,767 I'M FEELING ODDLY AT EASE. 58 00:02:41,813 --> 00:02:43,643 SURE, ZHILAN'S AFTER THE 8 WEAPONS 59 00:02:43,685 --> 00:02:45,375 TO START BIANGE AND HARNESS THAT POWER 60 00:02:45,426 --> 00:02:47,986 FOR EVIL, BUT SHE NEEDS TO FIND THE FORGE. 61 00:02:48,037 --> 00:02:50,467 AND WE HAVE A BIG LEAD TO FINDING IT. 62 00:02:50,518 --> 00:02:51,648 OK, IT'S A CRYPTIC LEAD. 63 00:02:51,693 --> 00:02:53,223 WE DON'T KNOW WHERE IT IS 64 00:02:53,260 --> 00:02:54,910 OR HOW TO FIND IT OR HOW EXACTLY 65 00:02:54,957 --> 00:02:56,477 FINDING THE FORGE WILL HELP US STOP HER, 66 00:02:56,524 --> 00:02:58,224 BUT FOR THE FIRST TIME, 67 00:02:58,265 --> 00:02:59,345 WE MIGHT KNOW SOMETHING BIG 68 00:02:59,396 --> 00:03:00,696 THAT ZHILAN DOESN'T. 69 00:03:00,745 --> 00:03:01,955 THAT'S ALL? 70 00:03:02,007 --> 00:03:03,227 NOT JUST THAT. 71 00:03:04,358 --> 00:03:05,528 MY PARENTS ARE HAPPY. 72 00:03:05,576 --> 00:03:07,056 ALTHEA'S GETTING MARRIED. 73 00:03:07,099 --> 00:03:09,319 RYAN'S IN HIS FIRST SERIOUS RELATIONSHIP. 74 00:03:09,363 --> 00:03:11,023 SO, NOTHING ELSE IS 75 00:03:11,060 --> 00:03:12,670 MAKING YOU FEEL AT EASE? 76 00:03:12,714 --> 00:03:16,154 NOPE. NOT THAT I CAN THINK OF. 77 00:03:20,896 --> 00:03:24,326 -WHAT'S UP? -MAMA CALLED AN EMERGENCY FAMILY MEETING. 78 00:03:24,378 --> 00:03:25,638 GOTTA HEAD TO THE RESTAURANT. 79 00:03:25,683 --> 00:03:27,863 THEN I GUESS THIS IS GOOD-BYE. 80 00:03:27,903 --> 00:03:29,953 JUST A COUPLE HOURS. NO BIGGIE. 81 00:03:41,264 --> 00:03:42,574 HEY. AM I LATE? 82 00:03:42,613 --> 00:03:44,793 YES, BUT RYAN'S LATER. YOU'RE FINE. 83 00:03:44,833 --> 00:03:45,883 TEA CUPS, PLEASE. 84 00:03:48,576 --> 00:03:50,526 OK. WHERE WERE YOU LAST NIGHT? 85 00:03:50,578 --> 00:03:53,278 I WAS IN THE LIBRARY. RESEARCHING. 86 00:03:53,320 --> 00:03:56,410 UH-HUH. WERE YOU RESEARCHING ALONE? 87 00:03:59,282 --> 00:04:02,462 HENRY? WHAT? TELL ME. 88 00:04:02,503 --> 00:04:03,593 OK, WE WERE RESEARCHING 89 00:04:03,634 --> 00:04:04,904 ANCIENT CHINESE LULLABIES, 90 00:04:04,940 --> 00:04:06,900 AND THEN... 91 00:04:06,942 --> 00:04:09,252 -AND THEN? -MM... 92 00:04:09,292 --> 00:04:10,512 NICKY! 93 00:04:11,425 --> 00:04:13,335 YOU DID IT IN A LIBRARY? 94 00:04:13,383 --> 00:04:15,263 STOP. 95 00:04:15,298 --> 00:04:20,778 I AM SO...IMPRESSED. 96 00:04:20,825 --> 00:04:22,645 WHAT'S WITH THE EARLY MEETING? 97 00:04:22,697 --> 00:04:23,737 NO IDEA. 98 00:04:24,960 --> 00:04:26,270 YOU OK? 99 00:04:26,309 --> 00:04:28,919 ME? YEAH. FINE. JUST SLEPT BADLY. 100 00:04:28,964 --> 00:04:31,104 EXAMS COMING UP. CLINIC'S BEEN BUSY. YOU KNOW. 101 00:04:31,140 --> 00:04:32,970 MORNING, EVERYONE! 102 00:04:33,011 --> 00:04:34,101 HOPE YOU'RE HUNGRY! 103 00:04:34,143 --> 00:04:36,453 THERE'S MORE IN THE COUNTER. 104 00:04:36,493 --> 00:04:38,763 OH, NO. 105 00:04:38,800 --> 00:04:39,930 NO WHAT? 106 00:04:39,975 --> 00:04:41,275 LAST TIME YOU BUSTED OUT A FEAST 107 00:04:41,324 --> 00:04:42,674 FOR A FAMILY MEETING, 108 00:04:42,717 --> 00:04:44,847 YOU TOLD US RYAN'S PET HAMSTER HAD CANCER. 109 00:04:44,893 --> 00:04:46,023 R.I.P., EBENEZER. 110 00:04:46,068 --> 00:04:47,198 NOT BAD NEWS, 111 00:04:47,243 --> 00:04:48,593 IF YOU LOOK AT IT THE RIGHT WAY. 112 00:04:48,636 --> 00:04:50,066 LOOK AT WHAT THE RIGHT WAY? 113 00:04:50,115 --> 00:04:51,415 WELL, YOUR BABA AND I 114 00:04:51,465 --> 00:04:53,765 HAD A GOOD LOOK AT OUR FINANCES 115 00:04:53,815 --> 00:04:57,035 AND WE'VE DECIDED TO, UM, 116 00:04:57,079 --> 00:04:58,599 WIND DOWN THE RESTAURANT. 117 00:05:01,257 --> 00:05:02,647 WIND DOWN? 118 00:05:02,693 --> 00:05:05,133 WHAT DOES THAT MEAN? 119 00:05:05,174 --> 00:05:06,444 IT MEANS CLOSE. 120 00:05:08,395 --> 00:05:10,135 I DON'T GET IT. YOU WERE JUST 121 00:05:10,179 --> 00:05:11,619 PLANNING ALL THESE CHANGES. 122 00:05:11,659 --> 00:05:13,309 WELL, WE KNEW IT WAS PROBABLY COMING, BUT-- 123 00:05:13,356 --> 00:05:15,836 THEY RAISED OUR RENT. AGAIN. 124 00:05:15,880 --> 00:05:18,710 ALREADY WE'RE SINKING DEEPER AND DEEPER INTO DEBT. 125 00:05:18,753 --> 00:05:20,363 THESE FEW LITTLE CHANGES 126 00:05:20,407 --> 00:05:22,227 NOT GONNA FIX THE BIG PROBLEM. 127 00:05:22,278 --> 00:05:25,538 WE'RE STUCK IN THIS LOOP AND WE CAN'T SEE OUR WAY OUT. 128 00:05:25,586 --> 00:05:27,236 OK, PLEASE, THIS TIME, 129 00:05:27,283 --> 00:05:29,203 LET ME ASK DENNIS FOR HELP. 130 00:05:29,241 --> 00:05:31,331 NO, ALTHEA. IT'S NOT NECESSARY. 131 00:05:31,374 --> 00:05:33,334 WE DISCUSSED IT. IF THE RESTAURANT 132 00:05:33,376 --> 00:05:34,896 CANNOT SUPPORT ITSELF, THEN... 133 00:05:34,943 --> 00:05:37,383 IT IS TIME. 134 00:05:37,424 --> 00:05:38,514 IT IS GOING 135 00:05:38,555 --> 00:05:41,425 TO BE HARD TO SAY GOOD-BYE, BUT 136 00:05:41,471 --> 00:05:43,561 IT'S ALSO A BIG RELIEF. 137 00:05:43,604 --> 00:05:46,354 TO STOP FIGHTING THE NUMBERS. 138 00:05:46,389 --> 00:05:50,089 WE HAVE ALWAYS PUT EVERYTHING INTO THIS RESTAURANT. 139 00:05:50,132 --> 00:05:53,402 AND THERE'S SO MANY THINGS WE HAVEN'T DONE. 140 00:05:53,440 --> 00:05:56,180 WE THOUGHT MAYBE IF WE JUST WIND IT DOWN, 141 00:05:56,225 --> 00:05:57,615 CLIMB OUT OF DEBT, 142 00:05:57,661 --> 00:05:59,271 IN A FEW YEARS, WE MIGHT BE ABLE 143 00:05:59,315 --> 00:06:00,795 TO TAKE THAT VACATION. 144 00:06:02,057 --> 00:06:03,707 HMM. YOU GUYS HAVE BEEN 145 00:06:03,754 --> 00:06:05,324 TALKING ABOUT GOING ON THAT EUROPEAN CRUISE 146 00:06:05,365 --> 00:06:06,835 FOR DECADES. 147 00:06:06,888 --> 00:06:08,718 OR SOMEWHERE MORE REASONABLE. 148 00:06:08,759 --> 00:06:11,199 JUST SOME TIME AWAY SOMEWHERE. 149 00:06:11,240 --> 00:06:15,200 OK, I HATE THIS, BUT 150 00:06:15,244 --> 00:06:16,684 IF IT MEANS YOU TWO MIGHT 151 00:06:16,724 --> 00:06:19,074 FINALLY TAKE A VACATION... 152 00:06:20,336 --> 00:06:21,596 SO, YOU'RE JUST GIVING UP? 153 00:06:22,947 --> 00:06:24,427 ALL OF YOU? 154 00:06:24,471 --> 00:06:26,041 I KNOW IT'S SURPRISING, RYAN, 155 00:06:26,081 --> 00:06:29,521 BUT BABA AND I CAME TO THIS DECISION TOGETHER. 156 00:06:29,563 --> 00:06:32,223 RYAN, THANK JOE FOR ME. 157 00:06:32,261 --> 00:06:33,521 NOW HE DOESN'T HAVE TO HELP ME 158 00:06:33,567 --> 00:06:35,087 REDESIGN LI'L DUMPY. 159 00:06:35,133 --> 00:06:37,053 THANK GOODNESS. 160 00:06:37,092 --> 00:06:38,572 SURE. WHATEVER. LOOK, 161 00:06:38,615 --> 00:06:40,095 I KNOW I DON'T GET A SAY IN THIS DECISION, 162 00:06:40,138 --> 00:06:41,438 BUT IT FEELS LIKE EVERYONE'S DECIDED TO QUIT, 163 00:06:41,488 --> 00:06:42,528 AND I THINK THAT SUCKS. 164 00:06:42,576 --> 00:06:44,316 RYAN. 165 00:06:44,360 --> 00:06:46,010 SORRY I HAVE TO SKIP THE FEAST. I GOTTA GET TO WORK. 166 00:06:46,971 --> 00:06:48,671 HE JUST NEEDS A LITTLE TIME. 167 00:06:48,712 --> 00:06:49,972 I'LL CHECK ON HIM LATER. 168 00:06:50,018 --> 00:06:51,538 NO, I'LL CHECK ON HIM. 169 00:06:51,585 --> 00:06:54,845 YOU'VE GOT MORE RESEARCH TO DO. HMM. 170 00:06:54,892 --> 00:06:56,202 ALL RIGHT, COME ON, EVERYBODY. 171 00:06:56,241 --> 00:06:57,551 LET'S EAT. 172 00:07:02,160 --> 00:07:03,730 YOU'LL NEED THIS. 173 00:07:03,771 --> 00:07:06,081 IT'LL ONLY GET YOU HALFWAY. 174 00:07:06,121 --> 00:07:07,471 STAY ON COMMS. 175 00:07:07,514 --> 00:07:09,474 COPY. 176 00:07:09,516 --> 00:07:11,606 YOU SURE YOU GOT THIS ALONE? 177 00:07:11,648 --> 00:07:13,738 YOU COME WITH ME, THEY'LL RECOGNIZE YOU 178 00:07:13,781 --> 00:07:15,831 BEFORE YOU WALK THROUGH THE DOOR. 179 00:07:15,870 --> 00:07:19,790 HEY. IF YOU TOLD ME EVERYTHING, 180 00:07:19,830 --> 00:07:21,750 I'LL SEE YOU IN 10 MINUTES. 181 00:07:21,789 --> 00:07:23,919 WITH YOUR FATHER'S WEAPONS. 182 00:07:26,794 --> 00:07:28,144 I'LL SEE YOU IN 10 MINUTES. 183 00:07:31,146 --> 00:07:33,496 ♪ ... ♪ ALL THE GREEN IN THE ROCKS ♪ 184 00:07:33,540 --> 00:07:34,760 ♪ THAT YOU'RE NEVER GONNA HIT 185 00:07:34,802 --> 00:07:37,332 ♪ ... A CROWD LIKE THIS 186 00:07:38,632 --> 00:07:40,242 ♪ ...GET DOWN LIKE THIS? 187 00:07:40,285 --> 00:07:42,935 ♪ WHY YOU ONLY WANNA GET DOWN LIKE THIS? ♪ 188 00:07:42,984 --> 00:07:46,074 ♪ WHY YOU ALWAYS GONNA GET DOWN LIKE THIS? ♪ 189 00:07:46,117 --> 00:07:47,767 ♪ WHY YOU ALWAYS WANNA GET DOWN... ♪ 190 00:07:47,815 --> 00:07:49,555 ON THE WALL, BEHIND THE PAINTING. 191 00:07:49,599 --> 00:07:51,469 GOT IT.♪ ...GONNA GET, WHY YOU ALWAYS GONNA GET ♪ 192 00:07:51,514 --> 00:07:54,604 ♪ WHY YOU ALWAYS WANNA GET DOWN LIKE THIS? ♪ 193 00:07:57,607 --> 00:08:00,257 OH, YOUR SISTER'S BIRTHDAY. QUITE SWEET. 194 00:08:00,305 --> 00:08:02,915 DADDY PLAYS FAVORITES, CLEARLY. 195 00:08:11,403 --> 00:08:14,843 ♪ WHY YOU ALWAYS WANNA GET DOWN LIKE THIS? ♪ 196 00:08:14,885 --> 00:08:16,495 AND NOW THE FUN PART. 197 00:08:16,539 --> 00:08:18,019 INDEED. 198 00:08:21,152 --> 00:08:24,202 ♪ WHY YOU ALWAYS WANNA GET DOWN LIKE THIS? ♪ 199 00:08:44,175 --> 00:08:46,565 AHH. HOW WAS MY TIME? 200 00:08:46,613 --> 00:08:48,273 11 MINUTES. 201 00:08:48,310 --> 00:08:49,700 DAMN. 202 00:08:50,660 --> 00:08:54,060 MM. DRIVE. 203 00:09:18,601 --> 00:09:20,041 ONLY ONE TO GO. 204 00:09:35,183 --> 00:09:36,663 HEY. 205 00:09:36,706 --> 00:09:39,666 THOUGHT YOU COULD USE A BRAIN BOOST. 206 00:09:39,709 --> 00:09:41,709 GOT YOU MANGO. 207 00:09:41,755 --> 00:09:42,885 YOU KNOW MY FLAVOR. 208 00:09:42,930 --> 00:09:44,410 MM-HMM. I'M ATTENTIVE. 209 00:09:44,453 --> 00:09:45,593 YOU KNOW MINE? 210 00:09:45,628 --> 00:09:46,928 OF COURSE I DO. 211 00:09:48,239 --> 00:09:51,419 JASMINE MILK TEA, HALF SWEET, EXTRA BOBA. 212 00:09:51,460 --> 00:09:52,900 CHEATER. 213 00:09:52,940 --> 00:09:54,330 OK, SO, MEI-XUE SAID 214 00:09:54,376 --> 00:09:55,506 ZHILAN CAN'T START BIANGE 215 00:09:55,551 --> 00:09:57,031 WITHOUT GOING TO THE FORGE. 216 00:09:57,074 --> 00:09:58,694 AND EVERYTHING WE NEED TO FIND THE FORGE 217 00:09:58,728 --> 00:10:00,338 IS IN THE LULLABY. 218 00:10:00,382 --> 00:10:02,652 YEAH. I'VE BEEN LOOKING. NO LYRIC MATCHES 219 00:10:02,689 --> 00:10:04,429 IN CHINESE HISTORY OR CHAU'S RESEARCH. 220 00:10:05,474 --> 00:10:06,654 WHAT IS IT? 221 00:10:07,824 --> 00:10:10,524 I THOUGHT THESE TAPES WERE ADDRESSED TO ME. 222 00:10:10,566 --> 00:10:12,216 MY AUNT WAS SPEAKING TO ME, 223 00:10:12,263 --> 00:10:15,053 HER BLOODLINE DESCENDANT, THE ONE TO WIELD THE SWORD. 224 00:10:15,092 --> 00:10:16,662 BUT IF SHE WANTED ME TO FIND THE FORGE, 225 00:10:16,703 --> 00:10:18,053 WHY BE SO CRYPTIC? 226 00:10:18,095 --> 00:10:20,045 SINGING A LULLABY I'VE NEVER EVEN HEARD OF? 227 00:10:20,097 --> 00:10:22,707 NOW WE'RE STUCK SEARCHING FOR LYRIC MATCHES. 228 00:10:22,752 --> 00:10:24,452 YEAH. PRETTY TIME-CONSUMING. 229 00:10:30,020 --> 00:10:32,460 EVAN, HEY. I'M WITH HENRY. 230 00:10:32,501 --> 00:10:33,591 HEY, GUYS. 231 00:10:33,633 --> 00:10:34,683 GOT SOME NEWS ON ZHILAN 232 00:10:34,721 --> 00:10:36,291 FROM MY CONTACT AT INTERPOL. 233 00:10:36,331 --> 00:10:39,941 A BANK'S SECURITY CAMERA PICKED HER UP IN PUBLIC. 234 00:10:39,987 --> 00:10:41,467 -WHERE? ACROSS THE STREET 235 00:10:41,510 --> 00:10:42,510 FROM A CORPORATE BUILDING-- 236 00:10:42,554 --> 00:10:43,734 THE LANZHOU OFFICE 237 00:10:43,773 --> 00:10:44,773 OF A CHINESE CONGLOMERATE-- 238 00:10:44,818 --> 00:10:46,598 TAN, CONSOLIDATED. 239 00:10:46,646 --> 00:10:48,386 THERE WAS A BREAK-IN LAST NIGHT. 240 00:10:48,430 --> 00:10:49,740 I'M SENDING YOU PICS NOW. 241 00:10:55,132 --> 00:10:57,092 THOSE BAGS-- COULD THEY BE WEAPONS? 242 00:10:57,134 --> 00:10:57,964 COULD BE. 243 00:10:58,005 --> 00:10:59,655 AND THE WEIRD THING? 244 00:10:59,702 --> 00:11:01,142 THE SECOND THIS SURVEILLANCE FOOTAGE CAME TO LIGHT, 245 00:11:01,182 --> 00:11:02,712 THE TAN COMPANY WITHDREW THEIR COMPLAINT. 246 00:11:02,749 --> 00:11:04,449 SAID THEY'D HANDLE IT INTERNALLY. 247 00:11:04,489 --> 00:11:06,879 WHATEVER SHE STOLE, COMPANY WANTS TO KEEP IT PRIVATE. 248 00:11:06,927 --> 00:11:08,357 THANKS, EVAN. 249 00:11:08,406 --> 00:11:09,966 I'LL LET YOU KNOW IF I HEAR ANYTHING ELSE. 250 00:11:10,017 --> 00:11:11,147 IF SHE'S GOT MORE WEAPONS... 251 00:11:11,192 --> 00:11:14,332 I KNOW. WE GOTTA MOVE FAST. 252 00:11:14,369 --> 00:11:15,679 I MAY HAVE A SHORTCUT. 253 00:11:15,718 --> 00:11:16,978 A FRIEND OF MINE, SHE'S A GRAD STUDENT 254 00:11:17,024 --> 00:11:18,684 IN ANTHROPOLOGICAL LINGUISTICS. 255 00:11:18,721 --> 00:11:20,721 SHE HAS ACCESS TO A BETA PROGRAM 256 00:11:20,767 --> 00:11:22,587 THAT TRANSLATES TEXT INTO 257 00:11:22,638 --> 00:11:24,248 ANY KNOWN HISTORICAL LANGUAGE 258 00:11:24,292 --> 00:11:26,472 AND THEN SCOURS BOOKS, ARTICLES, AND THE INTERNET 259 00:11:26,511 --> 00:11:27,991 FOR ANY SIMILARITIES. 260 00:11:28,035 --> 00:11:29,375 WE COULD PLUG THOSE LYRICS INTO THIS ALGORITHM 261 00:11:29,427 --> 00:11:31,337 AND IF THEY EXIST ONLINE ANYWHERE 262 00:11:31,386 --> 00:11:33,816 OR IN ANY LANGUAGE, WE'LL GET A HIT. 263 00:11:33,867 --> 00:11:35,217 CALL YOUR FRIEND. 264 00:11:37,522 --> 00:11:39,702 HEY. 265 00:11:41,004 --> 00:11:42,404 WHAT ARE YOU DOING HERE? 266 00:11:42,440 --> 00:11:43,920 CHECKING ON YOU. 267 00:11:45,705 --> 00:11:48,745 I'M BUSY. AND I DON'T NEED TO BE CHECKED ON. 268 00:11:48,795 --> 00:11:50,535 ARE YOU SURE? I HAVEN'T SEEN YOU 269 00:11:50,579 --> 00:11:53,409 ACT THIS BRATTY SINCE NICKY GOT BACK FROM CHINA. 270 00:11:55,540 --> 00:11:56,980 I'M NOT BEING BRATTY. 271 00:11:59,109 --> 00:11:59,979 I'M MAD. 272 00:12:00,023 --> 00:12:02,293 WHY? 'CAUSE MAMA AND BABA 273 00:12:02,330 --> 00:12:04,110 MADE A BIG DECISION WITHOUT CONSULTING US? 274 00:12:04,158 --> 00:12:06,028 RYAN, IT'S THEIR DECISION TO MAKE. 275 00:12:06,073 --> 00:12:07,293 COULDN'T THEY HAVE TALKED TO US? 276 00:12:07,335 --> 00:12:10,075 YEAH, THEY TRIED. YOU STORMED OUT. 277 00:12:10,120 --> 00:12:11,910 I'M NOT SAYING IT'LL BE EASY TO SAVE THE RESTAURANT, 278 00:12:11,948 --> 00:12:14,258 BUT ISN'T IT WORTH THE EFFORT? 279 00:12:16,039 --> 00:12:18,169 ARE YOU SURE THIS IS ABOUT THE RESTAURANT? 280 00:12:20,740 --> 00:12:21,870 I SAW THE LOOK ON YOUR FACE 281 00:12:21,915 --> 00:12:24,265 WHEN BABA MENTIONED JOE. 282 00:12:24,308 --> 00:12:26,478 NOT TO MENTION, I'M STILL WAITING ON 283 00:12:26,528 --> 00:12:28,138 YOUR PLUS-ONE RSVP. 284 00:12:29,487 --> 00:12:30,527 WHAT HAPPENED? 285 00:12:32,621 --> 00:12:33,801 HE LEFT. 286 00:12:35,972 --> 00:12:37,452 GOT A JOB IN CHICAGO. 287 00:12:43,284 --> 00:12:44,374 IT'S OVER. 288 00:12:45,590 --> 00:12:47,110 OH, RYAN. 289 00:12:54,251 --> 00:12:55,821 OK, I TYPED IN THE LYRICS. 290 00:12:55,862 --> 00:12:57,252 LET'S SEE IF WE GET A HIT. 291 00:13:00,083 --> 00:13:02,393 PFFT. NO LUCK. 292 00:13:02,433 --> 00:13:03,913 OK, SO MUCH FOR THAT. 293 00:13:03,957 --> 00:13:05,787 WHOA, THE PINYIN 294 00:13:05,828 --> 00:13:06,918 HIT A KOREAN MATCH. 295 00:13:06,960 --> 00:13:08,270 WHAT IS IT? 296 00:13:08,309 --> 00:13:10,089 SOME KIND OF ANCIENT TEXT? A KOREAN MYTH? 297 00:13:11,312 --> 00:13:14,102 NO. IT'S A POP SONG. 298 00:13:14,141 --> 00:13:16,101 THE LYRICS ARE ALMOST AN EXACT MATCH 299 00:13:16,143 --> 00:13:18,103 TO MEI-XUE'S. WHO'S THE ARTIST? 300 00:13:18,145 --> 00:13:20,705 UH, THIS GUY. HIS NAME'S SIMON LAU. 301 00:13:20,756 --> 00:13:22,236 HE'S A K-POP STAR. 302 00:13:22,279 --> 00:13:24,369 WHAT'S A K-POP STAR DOING SINGING MY AUNT'S LULLABY? 303 00:13:24,412 --> 00:13:26,502 I DON'T KNOW. WHAT'S A CHINESE GUY 304 00:13:26,544 --> 00:13:27,764 DOING SINGING K-POP? 305 00:13:27,807 --> 00:13:28,977 ACTUALLY NOT UNCOMMON. 306 00:13:29,025 --> 00:13:30,455 BILINGUAL POP STARS, 307 00:13:30,505 --> 00:13:31,935 WORKING BOTH MARKETS. 308 00:13:33,334 --> 00:13:37,254 ALTHEA WENT THROUGH A BIG KRIS WU PHASE. 309 00:13:37,294 --> 00:13:38,954 OH. 310 00:13:38,992 --> 00:13:40,522 HENRY, LOOK. 311 00:13:41,908 --> 00:13:44,078 IT LOOKS LIKE PEI-LING AND ZHILAN'S NECKLACE, 312 00:13:44,127 --> 00:13:45,737 JUST A DIFFERENT SYMBOL. 313 00:13:45,781 --> 00:13:47,001 A FALCON. 314 00:13:47,957 --> 00:13:49,127 DO YOU THINK SIMON LAU 315 00:13:49,176 --> 00:13:50,436 COULD BE A GUARDIAN? 316 00:13:53,180 --> 00:13:55,840 SO, YOU JUST GONNA STARE AT YOUR DRINK? 317 00:13:57,401 --> 00:14:00,361 IT DOESN'T TASTE GOOD. NOTHING DOES. 318 00:14:01,579 --> 00:14:03,929 YEAH. BREAKUPS'LL DO THAT TO YOU. 319 00:14:05,148 --> 00:14:07,588 WHY DIDN'T YOU JUST TELL US? 320 00:14:07,629 --> 00:14:10,679 I WOULD'VE TOLD YOU AND NICKY EVENTUALLY. 321 00:14:10,719 --> 00:14:13,329 JUST--THEY JUST MET HIM. 322 00:14:13,374 --> 00:14:15,864 EVEN WORSE, THEY LOVED HIM. 323 00:14:15,898 --> 00:14:17,328 HE'S LEAVING FOR A JOB. 324 00:14:17,378 --> 00:14:19,158 THEY'RE NOT GONNA JUDGE YOU ON THAT. 325 00:14:19,206 --> 00:14:20,896 I KNOW THAT--RATIONALLY. 326 00:14:20,947 --> 00:14:26,337 I...I JUST... FEEL SO HUMILIATED. 327 00:14:26,387 --> 00:14:28,297 LIKE- WHEN I WAS WITH JOE, 328 00:14:28,345 --> 00:14:31,995 I HAD ALL THESE NEW FEELINGS. 329 00:14:32,045 --> 00:14:34,045 LIKE, I COULD ACTUALLY SEE MYSELF 330 00:14:34,090 --> 00:14:35,570 GETTING MARRIED, HAVING KIDS. 331 00:14:37,006 --> 00:14:38,826 THE TRUTH IS, I REALIZED, AND I KNOW 332 00:14:38,878 --> 00:14:41,398 THIS IS GONNA SOUND WEIRD, BUT... 333 00:14:42,882 --> 00:14:45,892 I WANT WHAT MAMA AND BABA HAVE. 334 00:14:45,928 --> 00:14:48,058 YOU KNOW? THE WHOLE 335 00:14:48,104 --> 00:14:50,894 LONG-TERM LONG-TERM THING. 336 00:14:50,933 --> 00:14:52,373 TILL DEATH DO US PART. 337 00:14:53,414 --> 00:14:55,204 I HAD NO IDEA YOU WERE SUCH A NORMIE. 338 00:14:55,242 --> 00:14:56,682 YOU DON'T EVEN KNOW! 339 00:14:56,721 --> 00:14:58,721 I WAS LOOKING AT REAL ESTATE IN BERKELEY HILLS. 340 00:14:58,767 --> 00:14:59,987 OH. IT WAS BAD. 341 00:15:02,031 --> 00:15:04,291 AND THE WORST THING IS, I-- 342 00:15:04,338 --> 00:15:06,208 I DIDN'T GET TO SHOW HIM WHO I AM. 343 00:15:06,253 --> 00:15:08,733 LIKE...I NEVER GOT THE CHANCE 344 00:15:08,777 --> 00:15:10,077 TO SHOW HIM THE REAL ME. 345 00:15:12,259 --> 00:15:14,999 IT JUST FEELS LIKE A BIG WASTE. 346 00:15:17,612 --> 00:15:21,052 OK. I KNOW YOU CAN'T SEE IT NOW, 347 00:15:21,094 --> 00:15:22,404 BUT IT WASN'T A WASTE. 348 00:15:22,443 --> 00:15:26,403 YOU GREW SO MUCH WITH JOE. 349 00:15:26,447 --> 00:15:28,057 CAN YOU IMAGINE A FEW MONTHS AGO 350 00:15:28,101 --> 00:15:30,581 BEING OUT AND PROUD WITH MAMA AND BABA? 351 00:15:32,105 --> 00:15:34,925 HAVING THEM ASK YOUR BOYFRIEND 352 00:15:34,977 --> 00:15:36,497 TO MY WEDDING? 353 00:15:38,459 --> 00:15:41,329 IT'S 'CAUSE OF HOW STRONG YOU'VE GOTTEN. 354 00:15:41,375 --> 00:15:43,115 HOW MUCH YOU'VE GROWN. 355 00:15:45,596 --> 00:15:47,076 IN THE MEANTIME... 356 00:15:47,120 --> 00:15:49,210 YES. I SENSE A PATENTED 357 00:15:49,252 --> 00:15:50,732 ALTHEA INSIGHT COMING ON. 358 00:15:50,775 --> 00:15:52,425 MAYBE. 359 00:15:52,473 --> 00:15:55,433 JUST...TRY NOT TO MIX UP 360 00:15:55,476 --> 00:15:58,606 JOE'S DECISION WITH MAMA AND BABA'S, OK? 361 00:15:58,653 --> 00:16:00,703 JOE LEAVING FOR CHICAGO, 362 00:16:00,742 --> 00:16:02,922 THE RESTAURANT CLOSING-- 363 00:16:02,962 --> 00:16:04,442 BOTH ARE HARD, 364 00:16:04,485 --> 00:16:07,435 BUT TWO VERY DIFFERENT THINGS. 365 00:16:09,272 --> 00:16:10,622 OK, UNLESS SIMON LAU 366 00:16:10,665 --> 00:16:12,095 FOUND THAT NECKLACE AT A SWAP MEET, 367 00:16:12,145 --> 00:16:13,315 HE'S A GUARDIAN. 368 00:16:13,363 --> 00:16:15,103 HIS FAMILY SYMBOL IS THE FALCON, 369 00:16:15,148 --> 00:16:17,318 WHICH MEANS HIS BLOODLINE PROTECTS A METEOR HAMMER- 370 00:16:17,367 --> 00:16:19,977 RUMORED TO BE ONE OF THE 8 ANCIENT WEAPONS. 371 00:16:20,022 --> 00:16:21,502 OK. IF SIMON'S A GUARDIAN 372 00:16:21,545 --> 00:16:23,025 AND HE'S PUTTING MEI-XUE'S LULLABY 373 00:16:23,069 --> 00:16:25,069 INTO HIS POP SONGS, HE COULD KNOW MORE. 374 00:16:25,114 --> 00:16:26,554 LIKE WHERE THE FORGE COULD BE. 375 00:16:26,594 --> 00:16:29,124 POSSIBLY. WE GOTTA TALK TO HIM. 376 00:16:29,162 --> 00:16:30,292 BUT FLYING TO SEOUL IS, LIKE, 377 00:16:30,337 --> 00:16:32,377 HELLA EXPENSIVE, RIGHT? 378 00:16:32,426 --> 00:16:34,206 I DON'T THINK WE NEED TO FLY TO SEOUL. 379 00:16:34,254 --> 00:16:35,564 WHAT DO YOU MEAN? 380 00:16:35,603 --> 00:16:37,083 LAU JUST STARTED HIS NORTH AMERICAN TOUR. 381 00:16:37,126 --> 00:16:39,036 HE'S GOT A SHOW IN L.A. TONIGHT. 382 00:16:39,085 --> 00:16:40,645 WE'RE NEVER GONNA MAKE THAT. 383 00:16:40,695 --> 00:16:43,785 AND HE'S GOT A SHOW AT THE BELMONDO TOMORROW. 384 00:16:43,828 --> 00:16:46,088 -THE CASINO? -MM-HMM. 385 00:16:46,135 --> 00:16:48,565 HMM. LOOKS LIKE WE'RE GOING TO VEGAS, BABY. 386 00:17:03,196 --> 00:17:04,626 SO, WHAT'S THE PLAN? 387 00:17:04,675 --> 00:17:05,415 WE HEAD TO SIMON LAU'S 388 00:17:05,459 --> 00:17:06,849 PRE-SHOW MEET AND GREET. 389 00:17:06,895 --> 00:17:08,195 IT'S OUR ONLY CHANCE OF GETTING CLOSE ENOUGH 390 00:17:08,244 --> 00:17:09,944 TO ACTUALLY TALK TO THE GUY. 391 00:17:09,985 --> 00:17:11,765 ONCE WE'RE THERE, WE JUST ASK. 392 00:17:11,813 --> 00:17:14,563 ASK WHAT HE KNOWS ABOUT HIS GUARDIAN BLOODLINE, 393 00:17:14,598 --> 00:17:16,638 WHY HE WROTE MEI-XUE'S LULLABY INTO HIS POP SONG, 394 00:17:16,687 --> 00:17:18,427 AND HOPE HE'LL TELL US EVERYTHING HE KNOWS 395 00:17:18,472 --> 00:17:20,132 ABOUT THE LOCATION OF THE FORGE. 396 00:17:20,169 --> 00:17:21,339 I KNOW THAT PLAN. 397 00:17:21,388 --> 00:17:24,038 I MEANT THE PLAN FOR...AFTER. 398 00:17:26,393 --> 00:17:28,483 WELL, OUR SUITE'S PRETTY NICE. 399 00:17:28,525 --> 00:17:31,005 -IT IS. -IT'S GOT A BED AND EVERYTHING. 400 00:17:31,050 --> 00:17:32,400 -I NOTICED THAT. -WHO'D HAVE THOUGHT-- 401 00:17:32,442 --> 00:17:34,442 ALL THAT BED FOR JUST $79 A NIGHT. 402 00:17:34,488 --> 00:17:36,098 THAT'S HOW THEY GET YOU. CASINO KNOWS 403 00:17:36,142 --> 00:17:37,362 THEY'RE GONNA MAKE THEIR MONEY BACK AT THE TABLES. 404 00:17:37,404 --> 00:17:40,414 JOKE'S ON THEM 'CAUSE WE 405 00:17:40,450 --> 00:17:42,100 WON'T BE LEAVING THE ROOM. 406 00:17:45,629 --> 00:17:47,239 HERE WE ARE. ALL WE NEED TO DO IS 407 00:17:47,283 --> 00:17:48,553 SCORE SOME TICKETS. 408 00:17:52,158 --> 00:17:53,378 UHH. SOLD OUT. 409 00:17:53,420 --> 00:17:54,860 THOUGHT THIS MIGHT HAPPEN. 410 00:17:57,946 --> 00:17:59,556 UM... HEY, UM, 411 00:17:59,600 --> 00:18:02,170 ANY CHANCE YOU TWO COULD SELL US YOUR TICKETS? 412 00:18:02,211 --> 00:18:04,691 THIS TICKET? IT'S PRICELESS. 413 00:18:04,735 --> 00:18:07,255 CLEARLY, YOU TWO ARE NOT REAL LAUVERS. 414 00:18:08,565 --> 00:18:09,605 OK. 415 00:18:17,444 --> 00:18:19,454 COME ON. THIS IS TAKING TOO LONG. 416 00:18:19,489 --> 00:18:20,619 OW! MOVE OUT OF THE WAY. 417 00:18:20,664 --> 00:18:22,104 HEY! WHATEVER. 418 00:18:22,144 --> 00:18:23,754 YOU'LL GET YOUR TURN. 419 00:18:23,798 --> 00:18:25,228 JERKS. 420 00:18:25,278 --> 00:18:27,108 HOLD UP. 421 00:18:27,149 --> 00:18:28,409 LOOK AT HER BUTT. 422 00:18:28,455 --> 00:18:29,885 LOOK AT HER BUTT? 423 00:18:29,934 --> 00:18:32,374 NO, NOT LIKE THAT. LOOK. 424 00:18:40,423 --> 00:18:41,643 OH, MY GOD, IS THAT SIMON? 425 00:18:41,685 --> 00:18:44,115 OH, MY GOD! 426 00:18:46,734 --> 00:18:50,174 OH, NO, WAIT, IT'S JUST A CARDBOARD CUTOUT. 427 00:18:50,216 --> 00:18:52,306 OH, BUMMER! 428 00:18:55,264 --> 00:18:56,834 OH, MY GOD. WHERE ARE THEY? 429 00:18:56,874 --> 00:18:58,664 I HAD THEM JUST A SECOND AGO, I SWEAR. 430 00:18:58,702 --> 00:19:00,362 YOU HAD BETTER BE JOKING RIGHT NOW. 431 00:19:00,400 --> 00:19:02,140 I'M NOT JOKING. THEY'RE GONE. 432 00:19:02,184 --> 00:19:04,454 SORRY. NO TICKETS, NO ENTRANCE. 433 00:19:04,491 --> 00:19:06,011 THIS IS RIDICULOUS! 434 00:19:06,057 --> 00:19:07,317 YOU ARE SO FIRED. 435 00:19:07,363 --> 00:19:09,503 I TOLD YOU I NEEDED TO BRING THE TICKETS 436 00:19:09,539 --> 00:19:11,279 AND YOU SAID, NO, YOU HAVE THEM. 437 00:19:14,153 --> 00:19:16,373 THANK YOU. THANK YOU. THANK YOU. 438 00:19:23,727 --> 00:19:26,077 I THOUGHT YOU GUYS WERE HAPPY. 439 00:19:26,121 --> 00:19:27,911 WE WERE. HE JUST 440 00:19:27,949 --> 00:19:30,519 GOT AN OPPORTUNITY AND COULDN'T TURN IT DOWN. 441 00:19:32,258 --> 00:19:33,218 YOU OK, SON? 442 00:19:33,259 --> 00:19:34,389 I WILL BE. 443 00:19:34,434 --> 00:19:37,484 JUST NEED SOME TIME. BUT... 444 00:19:37,524 --> 00:19:39,004 ACTUALLY, THAT'S NOT WHAT I 445 00:19:39,047 --> 00:19:40,177 WANTED TO TALK ABOUT. 446 00:19:40,222 --> 00:19:41,312 WHAT? 447 00:19:41,354 --> 00:19:42,314 THE RESTAURANT. 448 00:19:42,355 --> 00:19:45,305 CLOSING OR WINDING DOWN? 449 00:19:45,358 --> 00:19:46,918 I DON'T THINK YOU SHOULD DO IT LIKE THIS. 450 00:19:46,968 --> 00:19:49,798 I DON'T THINK YOU WANT TO. NOT REALLY. 451 00:19:49,840 --> 00:19:52,320 IT'S NOT JUST WHAT WE WANT, SON. 452 00:19:52,365 --> 00:19:55,185 I KNOW IT'S HARD, BUT 453 00:19:55,237 --> 00:19:57,497 I SAW HOW LIT UP YOU WERE. 454 00:19:57,544 --> 00:19:59,984 MAKING PLANS. CHANGING THINGS UP AROUND HERE. 455 00:20:00,024 --> 00:20:02,514 MOM IN THE KITCHEN. YOU IN THE FRONT OF HOUSE. 456 00:20:02,549 --> 00:20:03,849 BUT ALL OUR PLANS FOR SAVING THIS PLACE-- 457 00:20:03,898 --> 00:20:06,248 REDESIGNS AND RENOVATIONS-- 458 00:20:06,292 --> 00:20:07,382 THEY ALL COST MONEY. 459 00:20:07,423 --> 00:20:10,173 MAMA, AUNT MEI-XUE'S PLUM SAUCE 460 00:20:10,209 --> 00:20:11,509 IS INCREDIBLE! 461 00:20:11,558 --> 00:20:12,858 AND IT GOT ME THINKING THERE'S SO MANY THINGS 462 00:20:12,907 --> 00:20:15,337 WE COULD DO THAT WON'T COST US ANYTHING. 463 00:20:15,388 --> 00:20:17,778 CHANGING THE MENU DOES NOT PAY THE BILLS. 464 00:20:17,825 --> 00:20:19,515 I KNOW, BUT 465 00:20:19,566 --> 00:20:21,126 WHEN YOU OPENED UP THIS PLACE... 466 00:20:22,221 --> 00:20:24,351 WHEN YOU DESIGNED THE MENU, YOU SAID IT YOURSELF, BABA. 467 00:20:24,397 --> 00:20:26,047 YOU TOLD ME YOU WERE 468 00:20:26,094 --> 00:20:28,144 PUTTING YOURSELF IN A BOX. 469 00:20:28,183 --> 00:20:29,883 AMERICAN CHINESE FOOD. 470 00:20:29,924 --> 00:20:31,404 AUTHENTIC ENOUGH FOR THE LOCALS, BUT NOT 471 00:20:31,447 --> 00:20:33,537 TOO AUTHENTIC FOR THE TOURISTS. 472 00:20:33,580 --> 00:20:35,580 YOU REMEMBER THAT? YEAH. YEAH. 473 00:20:35,625 --> 00:20:38,715 YEAH, AND I REMEMBER EVERYONE BEING IN A PANIC OVER MSG. 474 00:20:38,759 --> 00:20:40,369 YOU STRIPPED IT FROM THE MENU. 475 00:20:40,413 --> 00:20:43,243 WE HAD NO CHOICE. THE CUSTOMERS WERE ASKING. 476 00:20:43,285 --> 00:20:45,235 I TELL YOU, THE PAN-FRIED SHRIMP 477 00:20:45,287 --> 00:20:47,067 NEVER TASTED THE SAME. 478 00:20:47,115 --> 00:20:48,415 TIMES HAVE CHANGED. 479 00:20:49,987 --> 00:20:51,027 YOU'VE CHANGED. 480 00:20:52,990 --> 00:20:55,820 I'LL SUPPORT YOU, OK? WHATEVER YOU DECIDE. 481 00:20:55,863 --> 00:20:57,693 BUT IF THE WRITING'S ON THE WALL, 482 00:20:57,734 --> 00:20:59,354 IF HARMONY DUMPLINGS NEEDS TO CLOSE, 483 00:20:59,388 --> 00:21:01,428 AT LEAST GO OUT ON YOUR TERMS. 484 00:21:01,477 --> 00:21:02,907 BEFORE YOU CLOSE UP, MAKE THIS THE BEST, 485 00:21:02,957 --> 00:21:05,997 MOST AUTHENTIC VERSION OF ITSELF. 486 00:21:06,047 --> 00:21:07,397 YOUR HISTORY. 487 00:21:08,789 --> 00:21:09,879 YOUR FOOD. 488 00:21:17,798 --> 00:21:18,968 THANKS, LAUVERS. 489 00:21:20,627 --> 00:21:21,797 HERE'S THE LINK FOR YOUR PICTURES. 490 00:21:21,845 --> 00:21:25,455 OK, COME ON. GET OVER HERE! 491 00:21:25,501 --> 00:21:26,591 OH, CUTE COUPLE. 492 00:21:26,633 --> 00:21:28,073 YOU ARE A COUPLE, RIGHT? 493 00:21:28,112 --> 00:21:29,942 UH--UH, YEAH. HAD TO ASK. 494 00:21:29,984 --> 00:21:31,594 HAD AN AWKWARD MOMENT WITH A BROTHER AND SISTER ONCE. 495 00:21:31,638 --> 00:21:33,068 OH, MY. OK. 496 00:21:33,117 --> 00:21:35,287 EVERYBODY SAY, "STARDUST." 497 00:21:35,337 --> 00:21:36,597 STAR- 498 00:21:36,643 --> 00:21:37,773 WHOO! GOT IT. 499 00:21:37,818 --> 00:21:39,298 THAT'S GONNA BE A GREAT ONE. 500 00:21:39,341 --> 00:21:41,171 OK. WHO DO I MAKE THIS OUT TO? 501 00:21:41,212 --> 00:21:42,432 UM...HEH. 502 00:21:43,606 --> 00:21:45,696 I KNOW ABOUT THE LYRICS TO "TWO WORLDS." 503 00:21:45,739 --> 00:21:47,349 HUH. 504 00:21:52,441 --> 00:21:55,361 THAT'S QUITE A LONG NAME. 505 00:21:55,401 --> 00:21:57,011 HEY, JUST GIVE ME A MINUTE? 506 00:21:57,054 --> 00:21:58,534 ALL GOOD. OK. 507 00:22:02,190 --> 00:22:03,670 WHO THE HELL ARE YOU? 508 00:22:03,713 --> 00:22:05,763 THIS IS HENRY. I'M NICKY SHEN, 509 00:22:05,802 --> 00:22:07,672 I'M A DESCENDANT OF LIANG DAIYU-- 510 00:22:07,717 --> 00:22:10,547 PART OF THE SWORD'S WARRIOR BLOODLINE. 511 00:22:10,590 --> 00:22:13,240 WE'RE TRYING TO STOP BIANGE. 512 00:22:13,288 --> 00:22:14,458 BIANGE. 513 00:22:14,507 --> 00:22:15,807 YOU'VE HEARD OF IT. 514 00:22:15,856 --> 00:22:19,246 YEAH, BUT LIKE, IT'S A FAIRY TALE. 515 00:22:19,294 --> 00:22:20,474 SOME STORY MY GRANDFATHER 516 00:22:20,513 --> 00:22:21,823 TOLD ME AS A KID. 517 00:22:21,862 --> 00:22:22,992 SAME AS THE ONE ABOUT ME BEING 518 00:22:23,037 --> 00:22:24,557 A GUARDIAN. 519 00:22:24,604 --> 00:22:25,654 IT'S NOT REAL. 520 00:22:25,692 --> 00:22:27,302 IT IS, SIMON. ALL OF IT. 521 00:22:27,346 --> 00:22:28,956 "THE LIGHT LEADS THE WAY TO THE SOURCE." 522 00:22:28,999 --> 00:22:30,609 WHAT DOES IT MEAN? NOTHING, MAN. 523 00:22:30,653 --> 00:22:32,003 IT'S JUST SOME LYRIC I TOOK 524 00:22:32,046 --> 00:22:33,436 FROM A SONG MY WAI GONG USED TO SING. 525 00:22:33,482 --> 00:22:35,012 NO, IT MEANS SOMETHING. IT HAS TO. 526 00:22:35,049 --> 00:22:37,749 NO. IT DOESN'T. IT'S JUST A MYTH. 527 00:22:37,791 --> 00:22:39,141 IF YOU DON'T BELIEVE IN IT, THEN 528 00:22:39,183 --> 00:22:40,753 WHY PUT THE LYRICS IN A SONG? 529 00:22:40,794 --> 00:22:42,404 I LIKED HOW IT SOUNDS. 530 00:22:42,448 --> 00:22:44,058 AND THE GUARDIAN NECKLACE? WHY WEAR IT? 531 00:22:44,101 --> 00:22:45,891 I DON'T KNOW. IT'S SENTIMENTAL. 532 00:22:45,929 --> 00:22:47,669 LIKE THE SONG. WAI GONG GAVE IT TO ME. 533 00:22:47,714 --> 00:22:49,114 IS THAT ALL HE GAVE YOU? 534 00:22:50,760 --> 00:22:52,980 DID HE GIVE YOU THE METEOR HAMMER? 535 00:22:54,721 --> 00:22:56,421 HE DID. YOU HAVE IT. 536 00:22:56,462 --> 00:22:57,592 SIMON, IF YOU HAVE THAT WEAPON-- 537 00:22:57,637 --> 00:22:58,637 YOU'RE IN DANGER. 538 00:22:58,681 --> 00:22:59,941 THERE'S A WOMAN OUT THERE, 539 00:22:59,987 --> 00:23:01,597 AN ASSASSIN, WHO WILL STOP AT NOTHING 540 00:23:01,641 --> 00:23:02,901 TO GET IT FROM YOU. 541 00:23:04,600 --> 00:23:06,520 YOU DON'T KNOW WHEN TO QUIT, DO YOU? 542 00:23:06,559 --> 00:23:09,039 WHAT, YOU THOUGHT I WOULDN'T NOTICE THE COINCIDENCE? 543 00:23:09,083 --> 00:23:11,433 WHAT--WHAT COINCIDENCE? 544 00:23:11,477 --> 00:23:13,867 OK. I GET A CALL 3 DAYS AGO. 545 00:23:13,914 --> 00:23:15,184 SOME COLLECTOR CLAIMED TO KNOW 546 00:23:15,219 --> 00:23:16,479 I HAVE THE HAMMER. 547 00:23:16,525 --> 00:23:17,825 OFFERED ME SERIOUS MONEY FOR IT. 548 00:23:17,874 --> 00:23:19,664 I TELL HER NO, IT'S NOT FOR SALE. 549 00:23:19,702 --> 00:23:21,102 GUESS SHE MADE ANOTHER PLAY. 550 00:23:21,138 --> 00:23:22,528 SENDS YOU TWO FOOLS HERE WITH A STORY ABOUT 551 00:23:22,575 --> 00:23:23,705 -HOW WE'RE CONNECTED. -NO, THAT'S NOT-- 552 00:23:23,750 --> 00:23:25,400 WE HAVE THE SAME FAMILY LEGEND. 553 00:23:25,447 --> 00:23:27,447 JUST--WOW. 554 00:23:27,493 --> 00:23:29,453 SIMON, THAT'S NOT-- GET THEM OUT OF HERE. 555 00:23:29,495 --> 00:23:30,575 ALL RIGHT. MEET AND GREET'S OVER. 556 00:23:30,626 --> 00:23:31,846 SIMON, YOU DON'T UNDERSTAND. 557 00:23:31,888 --> 00:23:33,188 THAT WOMAN, I PROMISE YOU, 558 00:23:33,237 --> 00:23:34,197 SHE'S COMING FOR YOUR WEAPON. 559 00:23:34,238 --> 00:23:35,408 SHE WILL KILL YOU. 560 00:23:35,457 --> 00:23:37,417 MEET AND GREET'S OVER... 561 00:23:37,459 --> 00:23:38,629 SIMON! 562 00:23:40,331 --> 00:23:41,551 ALL RIGHT. OK. DON'T EVEN 563 00:23:41,594 --> 00:23:43,074 THINK ABOUT COMING BACK. 564 00:23:45,293 --> 00:23:47,123 WELL, WHAT NOW? 565 00:24:04,834 --> 00:24:06,144 WE NEED TO GET BACK INSIDE. 566 00:24:06,183 --> 00:24:07,923 GET TO SIMON BEFORE ZHILAN DOES. 567 00:24:07,968 --> 00:24:09,618 WE'RE OFFICIALLY PERSONA NON GRATA 568 00:24:09,665 --> 00:24:10,925 AT THE BELMONDO. YUP. 569 00:24:10,971 --> 00:24:12,151 CAMERAS'LL PICK US UP ANYWHERE 570 00:24:12,189 --> 00:24:13,279 ON THE CASINO FLOOR. 571 00:24:13,321 --> 00:24:14,281 CAN'T GO THROUGH THE FRONT. 572 00:24:19,588 --> 00:24:21,018 WE'LL NEED TO FIND ANOTHER WAY IN. 573 00:24:22,896 --> 00:24:24,546 AN HOUR OF FAN MEET AND GREETS 574 00:24:24,593 --> 00:24:26,863 AND NOW A MEETING WITH EXECS? 575 00:24:26,900 --> 00:24:28,470 I THOUGHT I TOLD ELI I HATE BEING 576 00:24:28,510 --> 00:24:30,080 OVERSCHEDULED ON SHOW NIGHTS. 577 00:24:30,120 --> 00:24:31,820 ELI SAID IT WON'T TAKE LONG. 578 00:24:35,343 --> 00:24:36,783 SIMON. SUCH A PLEASURE 579 00:24:36,823 --> 00:24:38,483 TO FINALLY MEET YOU IN PERSON. 580 00:24:38,520 --> 00:24:41,310 YEAH, YOU, TOO. ANYTHING TO DRINK? 581 00:24:41,349 --> 00:24:42,699 OH, NO, THANK YOU. 582 00:24:42,742 --> 00:24:44,482 WE'D LIKE TO CUT RIGHT TO THE CHASE. 583 00:24:44,526 --> 00:24:46,176 UH, WHAT CHASE? 584 00:24:46,223 --> 00:24:47,833 THOUGHT YOU GUYS JUST WANTED TO MEET ME. 585 00:24:47,877 --> 00:24:50,267 WELL, THAT WAS A SMALL FIB. 586 00:24:54,580 --> 00:24:55,840 YOU'RE NOT FROM THE LABEL. 587 00:24:57,060 --> 00:24:59,500 I'M HERE TO FOLLOW UP ON OUR CONVERSATION 588 00:24:59,541 --> 00:25:00,671 ABOUT A CERTAIN WEAPON 589 00:25:00,716 --> 00:25:01,976 YOU HAVE IN YOUR POSSESSION. 590 00:25:02,022 --> 00:25:03,812 OK, WHAT THE HELL IS GOING ON HERE? 591 00:25:03,850 --> 00:25:06,030 I'M SORRY FOR THE DECEPTION, BUT 592 00:25:06,069 --> 00:25:07,679 I KNEW IF WE MET FACE TO FACE, 593 00:25:07,723 --> 00:25:09,683 WE COULD COME TO SOME SORT OF AGREEMENT. 594 00:25:13,381 --> 00:25:14,991 -GET OUT OF MY ROOM. -SIMON, 595 00:25:15,035 --> 00:25:17,165 I'M WILLING TO NEGOTIATE. 596 00:25:17,211 --> 00:25:20,171 BUT I WILL NOT ACCEPT A HARD "NO." 597 00:25:20,214 --> 00:25:21,784 I SAID GET OUT. NOW! 598 00:25:21,824 --> 00:25:22,784 YOU HEARD THE MAN. 599 00:25:22,825 --> 00:25:24,605 TIME TO GO. 600 00:25:32,618 --> 00:25:34,968 THIS WOULD BE MUCH EASIER 601 00:25:35,011 --> 00:25:36,581 IF YOU WOULD JUST COOPERATE. 602 00:25:36,622 --> 00:25:37,752 WAIT. 603 00:25:37,797 --> 00:25:40,277 YOU CAN'T JUST DO THIS. 604 00:25:40,321 --> 00:25:41,581 THERE ARE CAMERAS. 605 00:25:41,627 --> 00:25:42,977 SECURITY MUST'VE SEEN YOU COME IN HERE. 606 00:25:43,019 --> 00:25:44,889 OH, WE HACKED THE SECURITY CAMERAS. 607 00:25:44,934 --> 00:25:47,154 LOOPED THE FOOTAGE FROM THE HALLWAY AND... 608 00:25:48,590 --> 00:25:51,200 YES. THEY DIDN'T SEE A THING. 609 00:25:51,245 --> 00:25:53,855 THE ONLY PEOPLE THAT KNOW WE ARE HERE ARE DEAD. 610 00:25:53,900 --> 00:25:55,950 IT DOESN'T HAVE TO END THAT WAY FOR YOU. 611 00:25:56,946 --> 00:25:59,686 MY MONEY IS STILL ON THE TABLE. 612 00:25:59,732 --> 00:26:01,692 YOU KNOW WHAT WE CAME FOR. 613 00:26:01,734 --> 00:26:02,954 WE THOUGHT IT'D BE FAR EASIER 614 00:26:02,996 --> 00:26:05,346 SIMPLY TO PURCHASE THE WEAPONS. 615 00:26:05,389 --> 00:26:07,609 I'M REALLY TRYING HARD TO AVOID MURDERING 616 00:26:07,653 --> 00:26:09,833 ONE OF MY FAVORITE CELEBRITIES. BUT-- 617 00:26:09,872 --> 00:26:12,012 WE WILL KILL YOU TO GET WHAT WE WANT. 618 00:26:14,268 --> 00:26:16,308 SIMON... 619 00:26:16,357 --> 00:26:17,577 JUST GIVE IT UP. 620 00:26:48,345 --> 00:26:50,215 LOOK, I DON'T HAVE IT. 621 00:26:50,260 --> 00:26:51,170 SIMON, PLEASE. 622 00:26:51,218 --> 00:26:52,648 I MEAN, I DON'T HAVE IT ON ME. 623 00:26:52,698 --> 00:26:54,608 IT'S BACK IN MY APARTMENT IN SEOUL. 624 00:26:54,656 --> 00:26:56,086 I DOUBT THAT. 625 00:26:56,136 --> 00:26:57,746 YOU TRAVEL HALF THE YEAR, 626 00:26:57,790 --> 00:26:59,050 SOMETIMES MORE. 627 00:26:59,095 --> 00:27:01,445 YOU FLY PRIVATE EXCLUSIVELY. 628 00:27:01,489 --> 00:27:03,749 OH, THAT HAD ME THINKING. 629 00:27:03,796 --> 00:27:04,876 FLYING COMMERCIAL 630 00:27:04,927 --> 00:27:06,057 WITH A DEADLY METEOR HAMMER. 631 00:27:06,102 --> 00:27:07,542 THAT WOULD RAISE QUESTIONS 632 00:27:07,582 --> 00:27:08,982 WITH SECURITY. 633 00:27:09,018 --> 00:27:11,278 ALL THAT BECAUSE YOU CAN'T BEAR 634 00:27:11,325 --> 00:27:13,715 TO BE APART FROM YOUR PRECIOUS HAMMER. 635 00:27:19,768 --> 00:27:22,818 THE FALCON--INSIGNIA 636 00:27:22,858 --> 00:27:24,768 OF THE HAMMER'S GUARDIAN FAMILY. 637 00:27:29,604 --> 00:27:30,694 YOU'RE A GUARDIAN? 638 00:27:30,736 --> 00:27:32,086 YES. 639 00:27:32,128 --> 00:27:34,828 WE ARE MORE ALIKE THAN YOU REALIZE. 640 00:27:34,870 --> 00:27:36,660 YOU GAVE UP YOUR FAMILY'S LEGACY 641 00:27:36,698 --> 00:27:38,438 TO PURSUE YOUR OWN DESTINY. 642 00:27:38,482 --> 00:27:39,752 I KNOW THAT WASN'T EASY. 643 00:27:39,788 --> 00:27:41,398 YOU JUST KILLED TWO PEOPLE 644 00:27:41,442 --> 00:27:43,532 OVER A BEDTIME STORY. WE'RE NOTHING ALIKE. 645 00:27:43,574 --> 00:27:46,144 YOU CLAIM NOT TO BELIEVE IN THE LEGENDS, YET 646 00:27:46,186 --> 00:27:49,146 YOU HAVE THE STARS IMPRINTED ON YOUR BODY. 647 00:27:50,320 --> 00:27:52,410 I'VE SEEN THIS CONSTELLATION 648 00:27:52,453 --> 00:27:53,893 IN THE GUARDIAN SCROLLS. 649 00:27:53,933 --> 00:27:56,723 ACTUALLY, YOUR TATTOO-- 650 00:27:56,762 --> 00:27:58,462 THAT'S HOW I FOUND YOU. 651 00:27:58,502 --> 00:28:00,332 YOUR RATHER--HEH-- 652 00:28:00,374 --> 00:28:03,734 PROVOCATIVE SPREAD IN "ROLLING STONE." 653 00:28:03,769 --> 00:28:06,079 THAT PATTERN IS IMPORTANT. 654 00:28:06,119 --> 00:28:07,689 DO YOU EVEN KNOW WHAT IT MEANS? 655 00:28:08,774 --> 00:28:10,654 THIS WASN'T SUPPOSED TO BE REAL. 656 00:28:10,689 --> 00:28:11,989 MY FATHER, MY GRANDFATHER, 657 00:28:12,038 --> 00:28:14,738 THEY TOLD STORIES ABOUT MY BLOODLINE. 658 00:28:14,780 --> 00:28:17,700 I THOUGHT IT WAS JUST TALL TALES. 659 00:28:17,739 --> 00:28:19,089 A NONBELIEVER. 660 00:28:20,829 --> 00:28:23,399 YET YOU CLING TO THE WEAPON. 661 00:28:23,440 --> 00:28:27,400 WHAT IS IT TO YOU, HMM? A MEMENTO? 662 00:28:27,444 --> 00:28:28,754 A LUCKY CHARM? 663 00:28:29,795 --> 00:28:31,185 HEY. HEY. 664 00:28:31,231 --> 00:28:33,151 YOU'VE DONE WELL FOR YOURSELF, SIMON. 665 00:28:33,189 --> 00:28:35,889 YOU KNOW, MY FATHER SAYS HE CREDITS 666 00:28:35,931 --> 00:28:37,931 ALL HIS SUCCESS AND WEALTH 667 00:28:37,977 --> 00:28:39,847 TO OWNING A FEW OF THE WEAPONS. 668 00:28:39,892 --> 00:28:41,762 YOU'RE GOING TO HAVE TO GIVE IT UP. 669 00:28:41,807 --> 00:28:43,327 YOU'RE OUT OF OPTIONS. 670 00:28:45,201 --> 00:28:46,381 WHERE IS IT? 671 00:28:46,420 --> 00:28:48,030 I GIVE IT TO YOU, 672 00:28:48,074 --> 00:28:49,734 YOU'LL JUST KILL ME. 673 00:28:51,425 --> 00:28:53,725 I HAVE NO INTEREST IN SPILLING MORE BLOOD 674 00:28:53,775 --> 00:28:55,165 UNLESS I HAVE TO. 675 00:28:56,822 --> 00:28:58,172 YOU HAVE MY WORD. 676 00:29:02,349 --> 00:29:03,389 FINE. 677 00:29:05,134 --> 00:29:06,534 I'LL GIVE YOU WHAT YOU WANT. 678 00:29:16,319 --> 00:29:19,059 PLEASE. EXCUSE ME FOR JUST ONE MOMENT. 679 00:29:19,105 --> 00:29:21,495 A PROBLEM? 680 00:29:21,542 --> 00:29:22,762 I'LL DEAL WITH IT. 681 00:29:46,872 --> 00:29:48,132 IT'S IN THERE. 682 00:30:07,196 --> 00:30:10,416 YOU'VE TRAINED. 683 00:30:10,460 --> 00:30:11,590 SINCE I WAS 5. 684 00:30:12,854 --> 00:30:14,904 SO, I WAS RIGHT. 685 00:30:15,857 --> 00:30:17,207 PART OF YOU BELIEVES. 686 00:30:18,164 --> 00:30:20,474 WELL...THIS'LL BE 687 00:30:20,514 --> 00:30:22,044 MORE FUN THAN I THOUGHT. 688 00:30:31,438 --> 00:30:32,478 HELLO. 689 00:30:34,223 --> 00:30:36,663 AH. NO. 690 00:30:36,704 --> 00:30:37,844 THE CAMERAS ARE LOOPED. 691 00:30:37,879 --> 00:30:39,839 NOBODY CAN SEE US. 692 00:30:39,881 --> 00:30:41,321 NO ONE'S COMING TO HELP YOU. 693 00:30:42,710 --> 00:30:44,540 YOU MUST BE THE AMERICAN. 694 00:30:45,713 --> 00:30:50,023 OH. I'VE BEEN LOOKING FORWARD TO MEETING YOU. 695 00:31:15,221 --> 00:31:19,011 JUST WALK AWAY. YOU'RE STRONG, 696 00:31:19,051 --> 00:31:20,401 BUT NOT AS STRONG AS THIS. 697 00:31:26,232 --> 00:31:27,892 THEY SAY A WEAPON TRULY BELONGS 698 00:31:27,929 --> 00:31:29,539 TO THE ONE WHO WIELDS IT BEST. 699 00:31:30,540 --> 00:31:33,980 SO FAR... I'M NOT IMPRESSED. 700 00:31:57,263 --> 00:31:58,703 WE NEED TO GET TO SIMON. 701 00:31:58,742 --> 00:31:59,962 ONLY ONE OF US DOES. 702 00:32:00,005 --> 00:32:01,395 YOU TAKE THE OPENING. 703 00:32:14,976 --> 00:32:16,056 NICKY, GO! 704 00:32:24,594 --> 00:32:27,604 IT COULD'VE BEEN SIMPLE. 705 00:32:27,641 --> 00:32:29,251 YOU COULD'VE TAKEN THE MONEY. 706 00:32:32,776 --> 00:32:34,776 YOU'RE NOT GETTING THE WEAPON THIS TIME. 707 00:32:37,085 --> 00:32:39,035 YOU'RE GETTING COCKY. 708 00:32:39,087 --> 00:32:40,437 I LIKE THAT. 709 00:32:43,874 --> 00:32:45,884 YOU GOOD? 710 00:32:45,920 --> 00:32:47,140 I GOT YOU. 711 00:32:55,495 --> 00:32:58,585 THE POP STAR AND THE MONK. 712 00:32:58,628 --> 00:32:59,978 WHAT A DUO. 713 00:33:11,772 --> 00:33:12,992 UHH! 714 00:33:22,043 --> 00:33:23,263 I WOULDN'T. 715 00:33:25,655 --> 00:33:27,605 HENRY. NICKY! 716 00:33:37,189 --> 00:33:38,449 UHH! 717 00:33:44,109 --> 00:33:46,069 AND THE HAMMER MAKES 8. 718 00:33:46,111 --> 00:33:47,331 NO. 719 00:33:48,374 --> 00:33:49,724 BYE, CHILDREN. 720 00:33:51,029 --> 00:33:52,159 NO. 721 00:33:52,204 --> 00:33:53,604 SIMON, DON'T! 722 00:34:02,127 --> 00:34:04,647 UHH! 723 00:34:11,745 --> 00:34:13,225 SIMON. OK. 724 00:34:13,268 --> 00:34:15,308 I'M SORRY. 725 00:34:15,357 --> 00:34:16,397 I SHOULD'VE LISTENED TO YOU. 726 00:34:16,445 --> 00:34:17,875 SHH. SHH. OK. DON'T TALK. 727 00:34:17,925 --> 00:34:20,145 YOU'RE OK. NO, I NEED TO. 728 00:34:24,105 --> 00:34:25,845 THE LINE... 729 00:34:25,889 --> 00:34:29,199 THE LIGHT LEADS THE WAY TO THE SOURCE. 730 00:34:29,241 --> 00:34:30,941 WAI GONG USED TO CALL IT 731 00:34:30,981 --> 00:34:32,421 THE SONG OF THE SWORD. 732 00:34:34,159 --> 00:34:35,119 WHAT DOES THAT MEAN? 733 00:34:35,160 --> 00:34:36,160 HE SAID 734 00:34:36,204 --> 00:34:37,294 THE SONG WAS SUNG FROM 735 00:34:37,336 --> 00:34:39,466 THE SWORD'S PERSPECTIVE. 736 00:34:44,256 --> 00:34:45,466 OK. NO, NO. 737 00:34:45,518 --> 00:34:48,388 YOU'RE OK. YOU'RE OK. YOU'RE OK. 738 00:34:48,434 --> 00:34:51,094 OK. HEY. HEY, SIMON. 739 00:34:51,132 --> 00:34:53,832 SI--SIMON. 740 00:34:56,268 --> 00:34:58,228 NICKY. SIMON. 741 00:34:58,270 --> 00:34:59,880 NICKY, WE CAN'T STAY HERE. 742 00:34:59,923 --> 00:35:00,883 HE'S GONE. I'M SORRY. 743 00:35:00,924 --> 00:35:02,104 WE'VE GOT TO GO. 744 00:35:03,231 --> 00:35:06,451 OK. I'M SORRY. 745 00:35:12,153 --> 00:35:13,373 AHH. 746 00:35:23,469 --> 00:35:24,769 SIMON LAU WAS FOUND MURDERED 747 00:35:24,818 --> 00:35:26,338 ALONG WITH TWO MEMBERS OF HIS ENTOURAGE 748 00:35:26,385 --> 00:35:28,075 IN HIS PENTHOUSE SUITE AT THE BELMONDO. 749 00:35:28,126 --> 00:35:29,816 LAS VEGAS POLICE SAY THERE ARE 750 00:35:29,866 --> 00:35:31,346 NO SUSPECTS AT PRESENT. 751 00:35:33,305 --> 00:35:36,305 HEY. DON'T LOOK AT ALL THAT. 752 00:35:36,351 --> 00:35:37,831 IT WON'T CHANGE ANYTHING. 753 00:35:39,876 --> 00:35:42,046 I MESSED UP, HENRY. 754 00:35:42,096 --> 00:35:44,186 LAU WENT AFTER THE HAMMER. YOU TRIED TO STOP HIM. 755 00:35:44,229 --> 00:35:49,149 NO, NOT THEN. WHEN I SAW YOU IN DANGER... 756 00:35:50,757 --> 00:35:51,847 I HESITATED. I-- 757 00:35:51,888 --> 00:35:53,538 NICKY, THAT WAS A SPLIT SECOND. 758 00:35:53,586 --> 00:35:55,456 A SPLIT SECOND WAS ALL IT TOOK. 759 00:35:55,501 --> 00:35:58,501 ZHILAN HAS ALL THE WEAPONS NOW. 760 00:35:58,547 --> 00:36:01,197 SIMON IS DEAD. HE WAS INNOCENT. 761 00:36:01,246 --> 00:36:02,676 THIS SHOULDN'T HAVE HAPPENED. 762 00:36:05,859 --> 00:36:10,519 AND I FEEL GUILTY BECAUSE I'M RELIEVED. 763 00:36:12,039 --> 00:36:13,299 RELIEVED? 764 00:36:15,564 --> 00:36:17,574 RELIEVED THAT I DIDN'T LOSE YOU. 765 00:36:35,410 --> 00:36:37,630 SIMON TRIED TO HELP US. 766 00:36:37,673 --> 00:36:40,203 HE WANTED TO GIVE US A MESSAGE BEFORE HE DIED. 767 00:36:41,808 --> 00:36:45,198 DID ANYTHING HE SAID MEAN ANYTHING TO YOU? 768 00:36:46,813 --> 00:36:48,513 NO. 769 00:36:48,554 --> 00:36:50,474 THE LULLABY WAS THE SONG OF THE SWORD. 770 00:36:50,512 --> 00:36:53,432 SUNG FROM THE PERSPECTIVE OF THE SWORD. 771 00:36:53,472 --> 00:36:54,952 "THE LIGHT LEADS THE WAY"? 772 00:36:59,956 --> 00:37:01,606 WAIT A SEC. I-- 773 00:37:01,654 --> 00:37:02,444 WHAT? 774 00:37:02,481 --> 00:37:04,401 DRIVE FASTER. 775 00:37:06,398 --> 00:37:07,568 THE LAST LINE. 776 00:37:07,616 --> 00:37:09,046 "THE LIGHT SHINES THROUGH 777 00:37:09,096 --> 00:37:10,316 LEADING TO THE SOURCE." 778 00:37:10,358 --> 00:37:11,488 IF THE SONG IS SUNG 779 00:37:11,533 --> 00:37:12,883 FROM THE SWORD'S PERSPECTIVE, 780 00:37:12,926 --> 00:37:15,276 I THOUGHT WHAT COULD THE SWORD SHINE THROUGH? 781 00:37:18,192 --> 00:37:19,282 THE SCABBARD. 782 00:37:19,324 --> 00:37:20,724 I KNEW IT HAD TO BE IMPORTANT. 783 00:37:20,760 --> 00:37:22,280 ZHILAN WENT THROUGH ALL THE TROUBLE OF HIRING 784 00:37:22,327 --> 00:37:23,417 RAZOR TO GET IT. 785 00:37:23,458 --> 00:37:25,678 THE LIGHT. BIANGE ENERGY. 786 00:37:25,721 --> 00:37:28,591 THE GREEN GLOW THAT EMANATES FROM THE SWORD. 787 00:37:28,637 --> 00:37:30,677 WE DON'T HAVE THE SWORD, BUT 788 00:37:30,726 --> 00:37:32,116 DO YOU HAVE A FLASHLIGHT? 789 00:37:32,162 --> 00:37:33,432 YEAH. EARTHQUAKE KIT. GET IT. 790 00:37:40,693 --> 00:37:42,263 WHAT ARE YOU DOING? 791 00:37:42,303 --> 00:37:44,703 OH, I'M NOT TOTALLY SURE. 792 00:37:55,316 --> 00:37:56,576 HENRY... 793 00:38:00,626 --> 00:38:03,366 IT'S A STAR CHART. 794 00:38:03,411 --> 00:38:05,941 ONE OF THE OLDEST FORMS OF NAVIGATION. 795 00:38:05,979 --> 00:38:07,939 THAT CONSTELLATION. 796 00:38:07,981 --> 00:38:10,291 IT MATCHES SIMON'S TATTOO. 797 00:38:10,331 --> 00:38:11,771 I THINK THIS IS A MAP. 798 00:38:13,203 --> 00:38:14,683 A MAP TO THE FORGE. 799 00:38:22,778 --> 00:38:24,778 SIT DOWN. AH--MM-MM-MM. 800 00:38:24,824 --> 00:38:26,134 HEY. IT'S ABOUT TIME. 801 00:38:26,173 --> 00:38:27,353 WE'RE STARVING. 802 00:38:27,392 --> 00:38:29,052 WE ALMOST STARTED WITHOUT YOU. 803 00:38:29,089 --> 00:38:31,349 STARTED WHAT? I JUST GOT MAMA'S EMERGENCY TEXT. 804 00:38:31,396 --> 00:38:33,216 ...SIT. 805 00:38:33,267 --> 00:38:34,657 DOWN. 806 00:38:34,703 --> 00:38:38,143 OK. WHAT'S THE EMERGENCY? 807 00:38:38,185 --> 00:38:39,485 NO EMERGENCY. 808 00:38:39,534 --> 00:38:41,934 JUST GOOD NEWS. 809 00:38:41,971 --> 00:38:44,581 WE'LL TRY TO STAY OPEN, FOR A FEW MONTHS. 810 00:38:45,497 --> 00:38:46,887 WHAT CHANGED? 811 00:38:46,933 --> 00:38:49,593 RYAN TALKED SOME SENSE INTO US. 812 00:38:49,631 --> 00:38:52,371 OK, WE CANNOT AFFORD THE RENOVATIONS, BUT 813 00:38:52,417 --> 00:38:53,457 WE CAN DO WHAT WE WANT. 814 00:38:53,505 --> 00:38:55,635 BE OURSELVES FOR A CHANGE. 815 00:38:55,681 --> 00:38:57,641 GOOD FOOD. FAMILY FAVORITES. 816 00:38:57,683 --> 00:39:00,473 MAMA'S FAMILY RECIPES. 817 00:39:00,512 --> 00:39:02,512 BABA, COME. OH, OK. 818 00:39:03,645 --> 00:39:06,075 GOOD JOB. JUST IN TIME FOR PO PO'S VISIT. 819 00:39:06,126 --> 00:39:07,476 JUST TRYING TO KEEP UP 820 00:39:07,519 --> 00:39:08,869 THE GOOD VIBES FOR ALTHEA'S WEDDING. 821 00:39:08,911 --> 00:39:12,961 ALTHEA TOLD ME ABOUT JOE. I'M SORRY. 822 00:39:13,002 --> 00:39:15,442 THANKS. I'LL BE OK. 823 00:39:15,483 --> 00:39:17,493 YOU KNOW YOU CAN TALK TO ME WHENEVER. 824 00:39:17,529 --> 00:39:20,049 OF COURSE. I KNOW YOU'VE GOT MY BACK. 825 00:39:22,055 --> 00:39:24,875 AND ALTHEA TOLD ME ABOUT HENRY. 826 00:39:27,234 --> 00:39:29,284 GO GET IT. 827 00:39:29,323 --> 00:39:30,593 SORRY, SIS. JUST KEEPING 828 00:39:30,629 --> 00:39:32,149 THE LINES OF COMMUNICATION OPEN. 829 00:39:32,195 --> 00:39:33,365 MM-HMM. 830 00:39:35,938 --> 00:39:38,808 OH! STIR-FRIED LOTUS ROOT? 831 00:39:38,854 --> 00:39:42,384 ORGANIC, TOO. I WENT ALL THE WAY TO STOCKTON. 832 00:39:42,423 --> 00:39:44,733 AHH! MY FAVORITE. 833 00:39:44,773 --> 00:39:45,733 I HAVEN'T HAD THIS SINCE-- 834 00:39:45,774 --> 00:39:47,564 IT WAS THE LAST THING 835 00:39:47,602 --> 00:39:49,742 I MADE FOR YOU BEFORE YOU LEFT FOR CHINA. 836 00:39:50,823 --> 00:39:51,823 YOU'RE GONNA PUT IT ON THE MENU? 837 00:39:51,867 --> 00:39:54,217 YES. AND A LOT MORE. 838 00:39:54,261 --> 00:39:55,571 OH! I FORGOT THE RICE. 839 00:39:55,610 --> 00:39:57,000 NICKY, PLEASE, CAN YOU GET IT 840 00:39:57,046 --> 00:39:58,086 FROM THE COUNTER? 841 00:40:00,572 --> 00:40:01,882 THANK YOU. 842 00:40:05,751 --> 00:40:07,931 ARE YOU SURPRISED, MY CHILD? 843 00:40:11,583 --> 00:40:14,243 MY FAMILY. THEY'RE HEALED. 844 00:40:14,281 --> 00:40:16,541 OR HEALING, AT LEAST. 845 00:40:17,806 --> 00:40:18,846 YES. 846 00:40:20,418 --> 00:40:22,508 BUT I DIDN'T DO THAT. 847 00:40:22,550 --> 00:40:24,250 THEY DID IT THEMSELVES. 848 00:40:24,291 --> 00:40:26,991 PERHAPS, BUT YOU HELPED. 849 00:40:27,033 --> 00:40:29,953 YOUR RETURN SET THESE WHEELS IN MOTION. 850 00:40:30,950 --> 00:40:33,650 NOW YOU HAVE FOUND A WAY TO THE FORGE. 851 00:40:34,606 --> 00:40:35,776 I THINK SO. 852 00:40:35,824 --> 00:40:37,264 THERE'S STILL A LOT TO FIGURE OUT. 853 00:40:37,304 --> 00:40:38,744 BIANGE'S COMING. 854 00:40:38,784 --> 00:40:41,054 SOON IT WILL BE TIME. 855 00:40:41,090 --> 00:40:42,310 FOR WHAT? 856 00:40:42,352 --> 00:40:43,832 YOU KNOW, CHILD. 857 00:40:44,833 --> 00:40:47,583 TO PROTECT YOUR FAMILY, 858 00:40:47,619 --> 00:40:50,229 TO PROTECT EVERYONE YOU LOVE, 859 00:40:50,273 --> 00:40:52,323 YOU WILL HAVE TO LEAVE THEM AGAIN. 860 00:40:53,276 --> 00:40:55,666 ♪ THERE'S TROUBLE 861 00:40:57,367 --> 00:41:00,107 ♪ TROUBLE AHEAD... 862 00:41:00,153 --> 00:41:05,463 RICE.♪ MM, REDEMPTION 863 00:41:05,506 --> 00:41:09,636 ♪ AIN'T COMING 'ROUND NO MORE 864 00:41:09,684 --> 00:41:13,784 ♪ MM, THERE'S TROUBLE 865 00:41:15,211 --> 00:41:18,741 ♪ TROUBLE AHEAD 866 00:41:20,521 --> 00:41:29,531 ♪ IT'S ALL GOING DOWN, LORD, THERE'S TROUBLE AHEAD ♪ 867 00:42:01,867 --> 00:42:03,127 GREG, MOVE YOUR HEAD.