WEBVTT

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[CHILDREN LAUGHING]

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[PHILLIPA SCREAMS]

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[SPEAKING IN JAPANESE]

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He was delirious. But asked for you
by name.

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Show him.

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He was carrying nothing but this...

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... and this.

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Are you here to kill me?

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I know what this is

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I've seen one before.
Many, many years ago

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It belonged to a man I met
in a half-remembered dream

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A man possessed
of some radical notions

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COBB:
What is the most resilient parasite?

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A bacteria? A virus?

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An intestinal worm?

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ARTHUR
Uh...

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What Mr. Cobb is trying to say

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An idea

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Resilient. Highly contagious

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Once an idea has taken hold of the brain
it's almost impossible to eradicate.

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An idea that is fully formed,
fully understood, that sticks

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Right in there somewhere

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For someone like you to steal?

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Yes. In the dream state,
your conscious defenses are lowered

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and that makes your thoughts
vulnerable to theft.

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It's called extraction

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Mr. Saito, we can train
your subconscious to defend itself

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from even the most skilled extractor

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How can you do that?

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Because I am the most skilled extractor

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I know how to search your mind
and find your secrets. I know the tricks

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And I can teach them to you,
so that even when you're asleep

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your defense is never down

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Look, if you want my help, you're gonna
have to be completely open with me.

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I need to know my way around
your thoughts better than your wife

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better than your therapist
better than anyone.

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If this is a dream,
and you have a safe full of secrets

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I need to know what's in that safe

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In order for this all to work,
you need to completely let me in

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Enjoy your evening, gentlemen
as I consider your proposal.

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He knows

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[RUMBLING]

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What's going on up there?

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[MEN SHOUTING]

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[MACHINE HISSING]

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[EXPLOSION]

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[RUMBLING]

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Saito knows. He's playing with us

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Doesn't matter. I can get it here
Trust me.

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The information is in the safe

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He looked right at it
when I mentioned secrets

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What's she doing here?

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Just head back to the room.
All right? I'll take care of this

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Okay, make sure you do
We're here to work.

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If I jumped, would I survive?

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With a clean dive, perhaps

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Mal, what are you doing here?

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I thought you might be missing me

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COBB:
You know that I am

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But I can't trust you anymore

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So what?

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MAL:
Looks like Arthur's taste

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Actually, the subject is partial
to postwar British painters.

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Please, have a seat

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MAL:
Tell me

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do the children miss me?

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You can't imagine

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What are you doing?

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Just getting some fresh air

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Stay where you are, Mal

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[GRUNTS]

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Goddamn it

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[SOFT SCREECHING]

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[SILENCED GUNSHOT]

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[GUARD GRUNTS]

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[SILENCED GUNSHOT
THEN GUARD GRUNTS]

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SAITO:
Turn around

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The gun, Dom

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Please

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Now the envelope, Mr. Cobb

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Did she tell you?
Or have you known all along?

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That you're here to steal from me
or that we are actually asleep?

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I want to know the name
of your employer.

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Ah, there's no use threatening him
in a dream, right, Mal?

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That depends
on what you're threatening

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Killing him would just wake him up

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But pain

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[SCREAMS]

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Pain is in the mind

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And judging by the decor,
we're in your mind, aren't we, Arthur?

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[GRUNTS]

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- What are you doing? it's too soon
- But the dream's collapsing.

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I'm gonna try to keep Saito under
a little hit longer. We're almost there

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[SILENCED GUNFIRE]

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He was close. Very close

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[SCREAMS]

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[YELLS]

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Stop him!

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[GUNFIRE]

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[GRUNTS]

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[HISSING]

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[SAITO GROANS]

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This isn't gonna work. Wake him up

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[GRUNTS]

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- Give him the kick
NASH: What?

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Dunk him

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[GUN COCKS]

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[WOOD GROANING]

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[SAITO GRUNTING]

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COBB:
He's out

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[SHOUTING IN FOREIGN LANGUAGE]

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You came prepared, hmm?

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Not even my head of security knows
this apartment. How did you find it?

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It's difficult for a man of your position
to keep a love nest like this secret...

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...particularly where there's
a married woman involved.

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- She would never
- Yet here we are.

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- With a dilemma.
- They're getting closer

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- You got what you came for
COBB: Well, that's not true.

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You left out a key piece of information
didn't you?

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You held something back
because you knew what we were up to

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- Question is, why'd you let us in at all?
- An audition.

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We extracted every hit of information
you had in there.

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But your deception was obvious

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[MACHINE HISSING]

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[EDITH PIAF'S
NON, JE NE REGRETTE RIEN" PLAYING]

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[SONG ECHOING]

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- So leave me and go.
- You don't seem to understand, Mr. Saito

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That corporation that hired us
they won't accept failure.

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We won't last two days

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Cobb?

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Looks like I'm gonna have to do this
a little more simply.

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Tell us what you know!
Tell us what you know, now!

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[LAUGHING]

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SAITO:
I've always hated this carpet

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it's stained and frayed
in such distinctive ways

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But very definitely made of wool

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Right now

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I'm lying on polyester

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Which means I'm not lying
on my carpet, in my apartment

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You have lived up to your reputation
Mr. Cobb.

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I'm still dreaming

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[ALARM BEEPING]

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How'd it go?
Not good.

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Dream within a dream, huh?
I'm impressed.

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But in my dream, you play by my rules

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Ah, yes, but you see, Mr. Saito

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We're not in your dream

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We're in mine

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[MEN SHOUTING]

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[ALARM BEEPING FASTER]

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[NASH YELLS]

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Asshole.
How do you mess up the carpet?

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- It wasn't my fault.
- You're the architect

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I didn't know
he was gonna rub his cheek on it!

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That's enough

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You. What the hell was all that?

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I have it under control.
I'd hate to see you out of control

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We don't have time for this
I'm getting off at Kyoto.

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ARTHUR:
He's not gonna check every compartment

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Yeah, well, I don't like trains

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Listen. Every man for himself

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[PHONE RINGS]

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Yes, hello?

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PHILLIPA: Hi, Daddy.
JAMES: Hi, Dad.

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Hey, guys. Hey. How are you?
How you doing, huh?

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PHILLIPA: Good.
JAMES: Okay, I guess

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JAMES:
Yeah. When are you coming home, Dad?

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Well, I can't, sweetheart. I can't
Not for a while, remember?

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JAMES
why?

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Look, I told you, I'm away
because I'm working, right?

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PHILLIPA:
Grandma says you're never coming back

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COBB:
Phillipa, is that you?

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Put Grandma on the phone for me
will you?

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PHILLIPA:
She's shaking her head

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Well, just hope she's wrong about that

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JAMES:
Daddy?

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Yeah, James?

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JAMES:
Is Mommy with you?

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James, we talked about this

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Mommy's not here anymore

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JAMES:
Where?

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WOMAN:
That's enough, kids. Say bye-bye

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Listen, I'm gonna send some presents
with Grandpa, all right?

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And you be good, you be

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[DIAL TONE]

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[KNOCKING ON DOOR]

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Our ride's on the roof
Right.

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Hey, are you okay?

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Yeah. Yeah, I'm fine. Why?

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Well, down in the dream
Mal showing up.

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Look, I'm, uh, sorry about your leg
Won't happen again.

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It's getting worse, isn't it?
One apology's all you're getting, all right?

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- Where's Nash?
- He hasn't shown. You wanna wait?

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We were supposed to deliver
Saito's expansion plans...

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To Cobol Engineering two hours ago

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By now, they know we failed
it's time we disappear.

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- Where you gonna go?
- Buenos Aires.

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I can lie low there, maybe sniff out
a job when things quiet down. You?

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Stateside

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Send my regards

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He sold you out. Thought to come
to me and bargain for his life.

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So I offer you the satisfaction

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it's not the way I deal with things

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[HELICOPTER STARTING]

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- What will you do with him?
- Nothing.

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But I can't speak for Cobol Engineering

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- What do you want from us?
- Inception.

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Is it possible?
Of course not.

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If you can steal an idea
from someone's mind...

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Why can't you plant one there instead?

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Okay, here's me planting
an idea in your head.

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I say, "Don't think about elephants
What are you thinking about?

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Elephants

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Right. But it's not your idea,
because you know I gave it to you

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The subject's mind can always trace
the genesis of the idea.

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True inspiration's impossible to fake
That's not true.

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- Can you do it?
- Are you offering me a choice?

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Because I can find my own way
to square things with Cobol.

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Then you do have a choice

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Then I choose to leave, sir

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Tell the crew where you want to go

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Hey, Mr. Cobb

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How would you like to go home?

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To America. To your children

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You can't fix that. No one can

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- Just like inception
- Cobb, come on.

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How complex is the idea?
Simple enough.

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No idea is simple when you need
to plant it in somebody else's mind

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My main competitor is
an old man in poor health

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His son will soon inherit control
of the corporation.

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I need him to decide to break up
his father's empire.

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Cobb, we should walk away from this
Hold on.

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If I were to do this
if I even could do it

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I'd need a guarantee

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- How do I know you can deliver?
- You don't.

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But I can

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So do you want to take a leap of faith

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or become an old man
filled with regret...

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Waiting to die alone?

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Assemble your team, Mr. Cobb.
And choose your people more wisely

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Look, I know how much
you wanna go home.

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This can't be done

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Yes, it can.
Just have to go deep enough

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You don't know that

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I've done it before

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Why are we going to Paris?

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We're gonna need a new architect

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[BELLS TOLLING]

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COBB:
You never did like your office, did you?

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No space to think
in that broom cupboard

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Is it safe for you to be here?

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Extradition between France
and the United States...

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Is a bureaucratic nightmare
you know that.

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I think they might find a way
to make it work in your case.

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Look, I, uh, brought these for you to give
to the kids when you have a chance.

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It'll take more than
the occasional stuffed animal

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to convince those children
they still have a father.

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I'm just doing what I know.
I'm doing what you taught me

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I never taught you to be a thief

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No, you taught me to navigate
people's minds.

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But after what happened

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there weren't a whole lot of legitimate
ways for me to use that skill.

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What are you doing here, Dom?

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I think I found a way home

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it's a job
for some very, very powerful people

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People who I believe can fix
my charges permanently.

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But I need your help

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You're here to corrupt
one of my brightest and best

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You know what I'm offering.
Let them decide for themselves

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Money.
Not just money

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You remember

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it's the chance to build cathedrals
entire cities...

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Things that never existed

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So you want me to let someone else
follow you into your fantasy?

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They don't actually come into the dream

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They just design the levels
and teach them to the dreamers. That's all

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Design it yourself

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Come back to reality, Dom

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Please.
Reality

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Those kids, your grandchildren

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they're waiting for their father to come
back home. That's their reality.

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And this job, this last job
that's how I get there.

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I would not be standing here
if I knew any other way.

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I need an architect
who's as good as I was

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I've got somebody better

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Ariadne?

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I'd like you to meet Mr. Cobb

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Pleased to meet you

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If you have a few moments, Mr. Cobb has
a job offer he'd like to discuss with you.

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A work placement?

24:57.386 --> 24:58.694
Not exactly

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I have a test for you

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You're not gonna tell me anything first?

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Before I describe the job,
I have to know you can do it

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- why?
- it's not, strictly speaking, legal

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You have two minutes to design a maze
that it takes one minute to solve.

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Stop

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Again

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Stop

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You're gonna have to do better than that

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That's more like it

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COBB: They say we only use a fraction
of our brain's true potential.

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Now, that's when we're awake

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When we're asleep,
our mind can do almost anything

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Such as?

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Imagine you're designing a building
You consciously create each aspect.

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But sometimes, it feels like it's almost
creating itself, if you know what I mean

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Yeah, like I'm discovering it

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Genuine inspiration, right?

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Now, in a dream,
our mind continuously does this

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We create and perceive
our world simultaneously

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And our mind does this so well
that we don't even know it's happening

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That allows us to get right
in the middle of that process

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How?
By taking over the creating part

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Now, this is where I need you

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You create the world of the dream

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We bring the subject into that dream,
and they fill it with their subconscious

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How could I ever acquire enough detail
to make them think that it's reality?

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Well, dreams, they feel real
while we're in them, right?

27:04.538 --> 27:08.248
It's only when we wake up that we realize
something was actually strange.

27:09.711 --> 27:11.122
Let me ask you a question

27:11.279 --> 27:14.693
You never really remember
the beginning of a dream, do you?

27:14.851 --> 27:17.890
You always wind up
right in the middle of what's going on

27:18.055 --> 27:19.090
I guess, yeah

27:19.256 --> 27:20.826
So how did we end up here?

27:21.225 --> 27:23.297
Well, we just came from the, uh

27:23.495 --> 27:26.942
Think about it, Ariadne.
How did you get here?

27:27.533 --> 27:29.444
Where are you right now?

27:32.739 --> 27:33.911
We're dreaming?

27:34.074 --> 27:36.520
You're in the middle
of the workshop, sleeping

27:36.676 --> 27:39.658
This is your first lesson
in shared dreaming. Stay calm

27:39.814 --> 27:41.054
[CUP RATTLING]

27:41.549 --> 27:43.257
[RUMBLING]

28:16.991 --> 28:19.131
If it's just a dream,
then why are you-?

28:19.295 --> 28:20.603
["NON, JE NE REGRETTE RIEN" PLAYING]

28:20.763 --> 28:22.504
COBB:
Because it's never just a dream, is it?

28:22.665 --> 28:25.977
And a face full of glass hurts like hell
When you're in it, it feels real.

28:26.136 --> 28:28.344
ARTHUR: That's why the military
developed dream sharing.

28:28.506 --> 28:32.215
It was a training program for soldiers
to shoot, stab and strangle each other.

28:32.376 --> 28:33.515
And then wake up

28:33.812 --> 28:35.621
ARIADNE:
How did architects become involved?

28:35.781 --> 28:38.524
COBB: Well, someone had to design
the dreams, right?

28:39.652 --> 28:41.996
Why don't you give us
another five minutes?

28:42.155 --> 28:43.260
Five minutes?

28:43.424 --> 28:44.459
[MUSIC STOPS]

28:44.625 --> 28:46.969
What-? We were talking
for, like, at least an hour

28:47.127 --> 28:49.369
In a dream, your mind
functions more quickly.

28:49.531 --> 28:52.375
Therefore time seems
to feel more slow.

28:52.534 --> 28:55.914
Five minutes in the real world
gives you an hour in the dream

28:56.639 --> 28:59.712
Why don't you see what you
can get up to in five minutes?

29:01.712 --> 29:03.191
[MACHINE HISSING]

29:08.721 --> 29:10.394
Almost everything else is here too

29:10.556 --> 29:13.503
ARIADNE: Who are the people?
- Projections of my subconscious

29:13.660 --> 29:14.832
- Yours?
- Yes.

29:14.995 --> 29:17.532
Remember, you are the dreamer
You build this world.

29:17.697 --> 29:20.372
I am the subject. My mind populates it

29:20.534 --> 29:22.445
You can literally talk
to my subconscious.

29:22.603 --> 29:25.517
That's one of the ways we extract
information from the subject.

29:25.674 --> 29:26.948
How else do you do it?

29:27.142 --> 29:31.114
By creating something secure
like a bank vault or a jail.

29:31.281 --> 29:35.025
The mind automatically fills it
with information it's trying to protect

29:35.185 --> 29:37.961
- You understand?
- Then you break in and steal it?

29:38.122 --> 29:39.158
Well

29:39.324 --> 29:43.830
I guess I thought that the dream space
would be all about the visual...

29:43.996 --> 29:45.873
But it's more about the feel of it

29:46.332 --> 29:50.475
My question is what happens when you
start messing with the physics of it all?

29:52.139 --> 29:54.051
[RUMBLING THEN METAL GROANING]

30:31.820 --> 30:33.390
it's something, isn't it?

30:34.490 --> 30:35.798
Yes, it is

30:59.719 --> 31:01.256
ARIADNE:
Why are they all looking at me?

31:01.422 --> 31:04.927
Because my subconscious feels that
someone else is creating this world.

31:05.093 --> 31:09.405
The more you change things, the quicker
the projections start to converge on you.

31:09.564 --> 31:10.635
Converge?

31:10.800 --> 31:12.871
They sense the foreign nature
of the dreamer.

31:13.035 --> 31:15.710
They attack, like white blood cells
fighting an infection.

31:15.873 --> 31:18.717
- What, they're gonna attack us?
- No, no.

31:19.276 --> 31:20.847
Just you

31:22.080 --> 31:23.559
[METAL CREAKING]

31:24.749 --> 31:29.028
This is great, but I'm telling you,
if you keep changing things like this

31:32.526 --> 31:35.508
Jeez, mind telling your subconscious
to take it easy?

31:35.663 --> 31:38.337
It's my subconscious.
Remember? I can't control it

32:31.997 --> 32:33.374
Very impressive

32:45.112 --> 32:48.651
I know this bridge.
This place is real, isn't it?

32:48.817 --> 32:51.162
Yeah, I cross it every day
to get to the college.

32:51.320 --> 32:54.767
Never re-create places from your memory
Always imagine new places.

32:54.924 --> 32:56.768
You draw from stuff you know, right?

32:56.927 --> 33:01.137
Only use details. A streetlamp
or a phone booth. Never entire areas

33:01.299 --> 33:03.438
- Why not?
- Building a dream from your memory

33:03.601 --> 33:07.106
is the easiest way to lose your grasp
on what's real and what is a dream.

33:07.273 --> 33:09.344
Is that what happened to you?
Listen to me.

33:09.508 --> 33:11.511
This has nothing to do
with me, understand?

33:11.678 --> 33:13.658
That why you need me
to build your dreams?

33:13.813 --> 33:16.350
Hey, get off of her. Back up. Back up

33:16.517 --> 33:18.155
Cobb! Cobb!
Get off of her!

33:18.319 --> 33:20.265
Let me go! Let me go!
Mal!

33:20.755 --> 33:22.861
Mal!
Cobb! Wake me up!

33:23.025 --> 33:24.834
- Wake me up! Wake me up!
- No!

33:24.993 --> 33:26.495
- Mal, no! No!
- Wake me up!

33:26.663 --> 33:27.971
[GASPING]

33:28.131 --> 33:32.103
Hey, hey, hey. Look at me
You're okay. You're okay.

33:32.269 --> 33:35.512
- Hey.
- Why wouldn't I wake up?

33:35.806 --> 33:37.411
There was still time on the clock

33:37.576 --> 33:40.113
You can't wake up from
within the dream unless you die

33:40.278 --> 33:41.883
- She'll need a totem
ARIADNE: What?

33:42.048 --> 33:43.527
A totem, it's a small personal

33:43.683 --> 33:46.220
That's some subconscious
you've got on you, Cobb!

33:46.385 --> 33:48.229
She's a real charmer
Oh.

33:48.388 --> 33:51.028
I see you met Mrs. Cobb
She's his wife?

33:51.191 --> 33:54.935
Yeah. So a totem. You need
a small object, potentially heavy

33:55.096 --> 33:57.577
Something you can have on you
that no one else knows.

33:57.733 --> 33:59.007
ARIADNE: Like a coin?
ARTHUR: No.

33:59.168 --> 34:03.811
It needs to be more unique than that
Like, this is a loaded die.

34:04.908 --> 34:07.822
No, I can't let you touch it.
That would defeat the purpose

34:07.979 --> 34:12.190
See, only I know the balance and
the weight of this particular loaded die

34:12.351 --> 34:14.194
That way,
when you look at your totem

34:14.353 --> 34:17.460
...you know beyond a doubt that
you're not in someone else's dream

34:20.893 --> 34:25.206
I don't know if you can't see what's
going on, or if you just don't want to.

34:25.366 --> 34:28.905
But Cobb has some serious problems
that he's tried to bury down there.

34:29.070 --> 34:33.019
And I'm not about to just open my mind
to someone like that.

34:37.881 --> 34:38.985
[DOOR CLOSES]

34:39.149 --> 34:42.563
She'll he back. I've never seen anyone
pick it up that quickly before.

34:43.021 --> 34:47.231
Reality's not gonna be enough for her now
and when she comes back...

34:47.893 --> 34:50.567
When she comes back,
you're gonna have her building mazes

34:50.729 --> 34:53.006
- Where are you gonna be?
- I gotta go visit Eames.

34:53.166 --> 34:56.306
Eames? No, he's in Mombasa
it's Cobol's back yard.

34:56.469 --> 34:58.074
It's a necessary risk

34:58.472 --> 35:01.715
- Well, there's plenty of good thieves
- We don't just need a thief.

35:02.844 --> 35:03.879
We need a forger

35:12.588 --> 35:15.160
Rub them together all you want
they're not gonna breed.

35:15.726 --> 35:16.761
You never know

35:17.695 --> 35:19.733
COBB:
I'm gonna get you a drink

35:21.900 --> 35:23.278
You're buying

35:29.743 --> 35:32.053
- Your spelling hasn't improved
- Piss off.

35:32.212 --> 35:34.193
How's your handwriting?

35:34.348 --> 35:36.191
It's versatile
Good.

35:36.350 --> 35:37.590
Thank you very much

35:38.253 --> 35:39.630
Inception

35:39.855 --> 35:42.699
Now, before you bother telling me
it's impossible, let me-

35:42.858 --> 35:46.170
No, it's perfectly possible
it's just bloody difficult.

35:46.329 --> 35:49.607
Interesting. Because Arthur keeps
telling me it can't be done.

35:50.034 --> 35:53.015
Hmm. Arthur. You still working
with that stick in the mud?

35:53.170 --> 35:54.878
He is good at what he does, right?

35:55.040 --> 35:57.111
Oh, he's the best,
but he has no imagination

35:57.275 --> 35:58.311
Not like you

35:58.478 --> 36:01.459
Listen, if you're gonna perform inception
you need imagination.

36:01.614 --> 36:05.188
Let me ask you something
Have you done it before?

36:05.352 --> 36:08.994
We tried it. Uh, we got the idea in place
but it didn't take.

36:09.157 --> 36:12.502
- You didn't plant it deep enough?
- No, it's not just about depth.

36:12.660 --> 36:14.663
You need the simplest version
of the idea...

36:14.830 --> 36:18.505
...in order for it to grow naturally
in your subject's mind. it's a subtle art

36:18.668 --> 36:21.205
So, what is this idea
that you need to plant?

36:21.371 --> 36:25.582
We need the heir of a major corporation
to dissolve his father's empire.

36:25.743 --> 36:28.189
Right there you have
various political motivations

36:28.346 --> 36:30.349
and anti-monopolistic sentiments
and so forth.

36:30.516 --> 36:32.359
But all of that stuff, it's, um

36:32.518 --> 36:35.398
it's really at the mercy of your
subject's prejudice, you see?

36:35.555 --> 36:38.058
What you have to do is
start at the absolute basic

36:38.224 --> 36:39.795
Which is what?

36:40.294 --> 36:42.205
The relationship with the father

36:44.399 --> 36:46.072
Do you have a chemist?
No, not yet.

36:46.234 --> 36:49.307
Right. Okay, well,
there's a man here, Yusuf

36:49.472 --> 36:52.919
He, uh, formulates his own versions
of the compounds.

36:53.075 --> 36:54.384
Why don't you take me there?

36:54.545 --> 36:57.617
Once you've lost your tail
The man at the bar.

36:57.781 --> 36:59.261
COBB:
Cobol Engineering

36:59.417 --> 37:01.761
That price on my head,
was that dead or alive?

37:01.920 --> 37:04.458
Don't remember.
Let's see if he starts shooting

37:04.623 --> 37:08.264
Run interference. I'll meet you downstairs
in the bar in, say, uh, half an hour?

37:08.427 --> 37:10.430
Back here?
This is the last place they'd suspect

37:10.597 --> 37:11.871
[CHUCKLES]

37:12.966 --> 37:14.310
All right

37:15.469 --> 37:17.312
Freddy. Freddy Simmonds

37:17.471 --> 37:18.950
My God, it's you, isn't it?

37:20.442 --> 37:21.614
[GRUNTS]

37:22.477 --> 37:23.547
No, it isn't you

37:23.712 --> 37:25.158
Not dreaming now, are you?

37:25.315 --> 37:27.022
[GRUNTS THEN PEOPLE SHOUTING]

37:27.350 --> 37:28.954
MAN:
Get him!

37:44.470 --> 37:45.609
There!

38:03.827 --> 38:05.865
[WAITER SPEAKING
IN FOREIGN LANGUAGE]

38:12.204 --> 38:13.376
Shh

38:15.174 --> 38:16.949
[WAITER SHOUTING]

38:24.118 --> 38:25.291
[MEN SHOUTING]

38:42.607 --> 38:43.642
[HORN HONKS]

38:57.458 --> 38:58.698
[GRUNTING]

39:12.209 --> 39:13.517
[TIRES SCREECH]

39:17.582 --> 39:19.061
Care for a lift, Mr. Cobb?

39:20.652 --> 39:24.760
- What are you doing in Mombasa?
- I'm here to protect my investment

39:25.424 --> 39:26.802
[WHISTLE]

39:27.260 --> 39:30.207
Ah. So this is your idea
of losing a tail, huh?

39:30.364 --> 39:31.400
Different tail

39:34.235 --> 39:35.737
[ARIADNE CLEARS THROAT]

39:42.979 --> 39:46.518
I tried not to come, but...
But there's nothing quite like it

39:46.684 --> 39:48.357
it's just

39:49.854 --> 39:51.198
pure creation

39:51.356 --> 39:53.859
Shall we take a look
at some paradoxical architecture?

39:54.026 --> 39:56.028
ARTHUR: You're gonna have to master
a few tricks...

39:56.195 --> 39:59.733
If you're gonna build three complete
dream levels. Excuse me.

39:59.899 --> 40:01.345
ARIADNE:
What kind of tricks?

40:01.502 --> 40:05.006
In a dream, you can cheat architecture
into impossible shapes.

40:05.172 --> 40:09.087
That lets you create closed loops
like the Penrose Steps.

40:09.944 --> 40:11.947
The infinite staircase

40:14.650 --> 40:16.095
See?

40:20.257 --> 40:21.327
Paradox

40:21.492 --> 40:22.903
So a closed loop like that

40:23.061 --> 40:26.167
will help you disguise the boundaries
of the dream you create.

40:26.330 --> 40:28.311
But how big do these levels have to be?

40:28.467 --> 40:31.608
It could be anything
from the floor of a building to an entire city

40:31.771 --> 40:35.218
They have to be complicated enough
that we can hide from the projections

40:35.375 --> 40:36.787
- A maze?
- Right, a maze

40:36.944 --> 40:38.287
And the better the maze

40:38.479 --> 40:41.153
Then the longer we have
before the projections catch us?

40:41.315 --> 40:42.590
Exactly

40:43.251 --> 40:46.893
My subconscious seems polite enough
Ha, ha. You wait, they'll turn ugly.

40:47.056 --> 40:49.969
No one likes to feel someone else
messing around in their mind.

40:50.126 --> 40:52.232
Cobb can't build anymore, can he?

40:54.064 --> 40:55.907
I don't know if he can't, but he won't

40:58.636 --> 40:59.740
why?

41:02.575 --> 41:04.885
His ex-wife?
No, not his ex

41:05.044 --> 41:08.219
They're still together?
No.

41:09.449 --> 41:10.951
No, she's dead

41:12.920 --> 41:15.662
What you see in there
is just his projection of her

41:19.194 --> 41:20.673
What was she like in real life?

41:21.330 --> 41:22.867
She was lovely

41:26.569 --> 41:28.948
YUSUF: You are seeking a chemist?
COBB: Yes.

41:29.106 --> 41:31.245
To formulate compounds for a job?

41:31.909 --> 41:33.787
And to go into the field with us

41:33.945 --> 41:36.186
No, I rarely go into the field, Mr. Cobb

41:36.348 --> 41:40.092
Well, we'd need you there to tailor
compounds specific to our needs.

41:40.253 --> 41:42.359
- Which are?
- Great depth

41:42.523 --> 41:45.800
A dream within a dream? Two levels?

41:48.563 --> 41:49.598
Three

41:49.764 --> 41:53.338
Not possible. That many dreams
within dreams is too unstable.

41:53.502 --> 41:57.473
It is possible.
You just have to add a sedative

41:57.641 --> 42:00.315
A powerful sedative

42:02.112 --> 42:04.354
How many team members?
Five.

42:04.515 --> 42:06.256
SAITO
Six.

42:11.323 --> 42:14.430
There's no room for tourists
on a job like this, Mr. Saito.

42:14.594 --> 42:16.972
This time, it seems there is

42:17.898 --> 42:21.641
This, I think, is a good place to start
I use it every day.

42:21.802 --> 42:23.942
COBB: What for?
- Here, I'll show you

42:28.244 --> 42:29.985
Perhaps you will not want to see

42:32.915 --> 42:34.520
After you

42:34.718 --> 42:36.391
[MACHINE HISSING]

42:43.829 --> 42:46.833
EAMES:
Ten. Twelve. All connected. Bloody hell

42:46.999 --> 42:48.775
They come every day to share the dream

42:51.805 --> 42:54.377
You see? Very stable

43:00.082 --> 43:04.156
- How long do they dream for?
YUSUF: Three, four hours, each day

43:04.420 --> 43:05.455
In dream time?

43:05.622 --> 43:09.298
With this compound? About 40 hours
each and every day.

43:09.460 --> 43:12.771
- Why do they do it?
YUSUF: Tell him, Mr. Cobb

43:14.299 --> 43:16.745
After a while, it becomes
the only way you can dream

43:16.901 --> 43:18.848
Do you still dream, Mr. Cobb?

43:19.472 --> 43:22.885
- They come here every day to sleep?
MAN: No.

43:24.611 --> 43:27.319
They come to be woken up

43:28.315 --> 43:31.627
The dream has become their reality

43:32.553 --> 43:34.932
Who are you to say otherwise, sir?

43:37.226 --> 43:38.865
Let's see what you can do

43:46.337 --> 43:47.782
[METAL GROANING]

43:49.841 --> 43:51.445
You know how to find me

43:54.047 --> 43:56.049
You know what you have to do

44:01.288 --> 44:02.358
Sharp, no?

44:17.941 --> 44:20.786
SAITO:
Are you all right, Mr. Cobb?

44:21.312 --> 44:25.090
Yeah, yeah. Everything's just fine

44:33.526 --> 44:37.236
Robert Fischer, heir to the Fischer Morrow
energy conglomerate.

44:37.398 --> 44:39.309
COBB:
What's your problem with this Mr. Fischer?

44:39.468 --> 44:41.072
That's not your concern

44:41.470 --> 44:45.851
Mr. Saito, this isn't your typical
corporate espionage.

44:46.008 --> 44:47.612
You asked me for inception

44:47.777 --> 44:51.157
I do hope you understand
the gravity of that request.

44:51.315 --> 44:55.287
Now, the seed that we plant
in this man's mind will grow into an idea

44:55.453 --> 44:57.330
This idea will define him

44:57.489 --> 44:59.332
It may come to change

44:59.491 --> 45:01.802
Well, it may come to change
everything about him.

45:01.961 --> 45:06.308
We're the last company standing
between them and total energy dominance

45:06.466 --> 45:08.537
And we can no longer compete

45:08.702 --> 45:12.173
Soon, they'll control the energy supply
of half the world.

45:12.340 --> 45:14.718
In effect, they become
a new superpower.

45:16.111 --> 45:19.456
The world needs Robert Fischer
to change his mind.

45:19.615 --> 45:21.186
EAMES:
That's where we come in

45:21.351 --> 45:24.628
How is Robert Fischer's relationship
with his father?

45:24.788 --> 45:27.531
Rumor is the relationship
is quite complicated.

45:27.691 --> 45:30.195
Well, we can't work based
solely on rumor, can we?

45:30.362 --> 45:33.571
Can you get me access to this man here?
Browning.

45:33.732 --> 45:37.909
Fischer Senior's right-hand man
Fischer Junior's godfather.

45:38.070 --> 45:41.348
It should be possible,
if you can get the right references

45:41.508 --> 45:45.980
References are something
of a specialty for me, Mr. Saito

45:46.614 --> 45:49.561
BROWNING: I'm not smelling
settlement here. Take them down

45:49.717 --> 45:50.822
LAWYER:
Mr. Browning

45:50.986 --> 45:54.832
...Maurice Fischer's policy
is always one of avoiding litigation

45:57.394 --> 46:01.866
Well, shall we voice your concerns
with Maurice directly?

46:02.033 --> 46:03.444
Not sure that's necessary

46:03.601 --> 46:06.276
No, no, no. I think we should

46:27.563 --> 46:29.133
BROWNING
How is he?

46:29.966 --> 46:32.743
I don't want to bother him
unnecessarily, but...

46:32.903 --> 46:38.377
MAURICE: Robert, I told you keep out
the damn- Wait. So do it. Get-

46:38.643 --> 46:41.750
NURSE: Mr. Fischer.
MAURICE: Put it through

46:42.114 --> 46:45.721
Never, never.
Never do the same as I asked

46:47.020 --> 46:48.693
Leave that

46:52.393 --> 46:53.770
Here

46:56.030 --> 46:58.443
BROWNING:
Must be a cherished memory of his

46:59.535 --> 47:04.076
I put it beside his bed.
He hasn't even noticed

47:04.240 --> 47:05.913
Ruben

47:08.279 --> 47:10.691
we need to talk about
a power of attorney.

47:10.848 --> 47:14.160
I know this is hard, but it's imperative
Not now, Uncle Peter.

47:18.157 --> 47:19.966
EAMES:
The vultures are circling

47:20.126 --> 47:24.542
And the sicker Maurice Fischer becomes,
the more powerful Peter Browning becomes

47:24.698 --> 47:27.111
I've had ample opportunity
to observe Browning...

47:27.735 --> 47:32.116
And adopt his physical presence, study his
mannerisms, and so on and so forth.

47:32.274 --> 47:36.154
So now in the first layer of the dream
I can impersonate Browning.

47:36.312 --> 47:39.556
And suggest concepts
to Fischer's conscious mind

47:39.716 --> 47:41.559
Then, when we take him
a level deeper...

47:41.719 --> 47:45.223
...his own projection of Browning
should feed that right back to him

47:45.389 --> 47:47.336
So he gives himself the idea

47:47.492 --> 47:51.737
Precisely. That's the only way it will stick
It has to seem self-generated.

47:51.898 --> 47:55.311
Eames, I am impressed

47:55.468 --> 47:59.042
Your condescension, as always,
is much appreciated, Arthur, thank you

48:11.354 --> 48:12.561
[DOOR OPENS]

48:20.398 --> 48:22.401
Were you going under on your own?

48:22.568 --> 48:26.072
No, no, I was just, uh, running
some experiments.

48:26.238 --> 48:28.219
I didn't realize anyone was here, so

48:28.375 --> 48:31.049
Yeah, I was just-
I was working on my totem, actually

48:31.211 --> 48:32.384
Here, let me take a look

48:34.548 --> 48:35.856
So you're learning, huh?

48:36.017 --> 48:39.522
An elegant solution
for keeping track of reality

48:40.155 --> 48:42.568
- Was it your idea?
- No, it was, uh...

48:42.792 --> 48:44.863
It was Mal's, actually. This

48:45.561 --> 48:49.339
This one was hers. She would spin it
in the dream and it would never topple

48:49.533 --> 48:52.447
Just spin and spin

48:53.972 --> 48:55.918
Arthur told me she passed away

48:57.810 --> 48:59.881
How are the mazes coming along?

49:00.046 --> 49:02.960
Each level relates to the part
of the subject's subconscious.

49:03.116 --> 49:04.595
That we are trying to access

49:04.751 --> 49:10.202
So I'm making the bottom level a hospital
so Fischer will bring his father.

49:10.558 --> 49:13.335
You know, l- Actually, I have a question
about this layout.

49:13.495 --> 49:18.241
No, no, no. Don't show me specifics.
Only the dreamer should know the layout

49:18.401 --> 49:19.573
Why is that so important?

49:19.736 --> 49:21.738
In case one of us brings in
our projections.

49:21.905 --> 49:24.250
We don't want them knowing
the details of the maze.

49:25.643 --> 49:28.124
You mean in case you bring Mal in

49:28.280 --> 49:30.692
You can't keep her out, can you?

49:31.583 --> 49:33.120
- Right.
- You can't build

49:33.286 --> 49:36.597
because if you know the maze
then she knows it.

49:36.756 --> 49:38.964
Well, she'd sabotage
the whole operation.

49:39.126 --> 49:41.936
Cobb, do the others know?
No. No, they don't.

49:42.096 --> 49:44.338
You've gotta warn them
if this is getting worse.

49:44.499 --> 49:46.445
No one said it's getting worse

49:47.635 --> 49:50.947
I need to get home.
That's all I care about right now

49:51.807 --> 49:53.879
Why can't you go home?

49:56.980 --> 49:59.018
Because they think I killed her

50:02.253 --> 50:04.530
Thank you
For what?

50:04.723 --> 50:06.999
For not asking whether I did

50:07.159 --> 50:09.333
I will split up my father's empire

50:09.496 --> 50:13.707
Now, this is obviously an idea that
Robert himself would choose to reject

50:13.868 --> 50:16.678
which is why we need to plant it deep
in his subconscious.

50:16.837 --> 50:20.376
The subconscious is motivated
by emotion, right? Not reason.

50:20.542 --> 50:24.320
We need to find a way to translate this
into an emotional concept.

50:24.480 --> 50:26.926
How do you translate business strategy
into emotion?

50:27.083 --> 50:30.691
That's what we're here to figure out
Robert's relationship with his father.

50:30.854 --> 50:33.596
...is stressed, to say the least
Can we run with that?

50:33.758 --> 50:37.365
We suggest breaking up his father's
company as a "screw you" to the old man

50:37.529 --> 50:41.000
No, because I think positive emotion
trumps negative emotion every time.

50:41.400 --> 50:45.110
We all yearn for reconciliation,
for catharsis.

50:45.272 --> 50:49.050
We need Robert Fischer to have
a positive emotional reaction to all this

50:49.210 --> 50:51.053
All right, well, try this. Um

50:51.212 --> 50:55.958
"My father accepts that I want to create
for myself, not follow in his footsteps."

50:56.351 --> 50:57.421
That might work

50:57.586 --> 51:00.761
Might? We're gonna need to do
a little better than "might."

51:00.924 --> 51:02.904
Thank you for your contribution, Arthur

51:03.059 --> 51:06.007
Forgive me for wanting
a little specificity, Eames

51:06.197 --> 51:07.301
Specificity?

51:07.464 --> 51:09.308
Inception's not about being specific

51:09.467 --> 51:13.438
When we get inside his mind, we're
gonna have to work with what we find

51:14.740 --> 51:17.744
EAMES: On the top level, we open up
his relationship with his father...

51:17.910 --> 51:20.983
.and say, "I will not follow
in my father's footsteps."

51:21.148 --> 51:25.825
Then the next level down, we feed him
"I will create something for myself."

51:25.987 --> 51:29.333
Then, by the time we hit the bottom level
we bring out the big guns.

51:32.061 --> 51:33.096
[MACHINE HISSING]

51:33.262 --> 51:37.268
Three layers down, the dreams are gonna
collapse with the slightest disturbance.

51:37.434 --> 51:38.606
Sedation

51:38.768 --> 51:41.613
For sleep stable enough to create
three layers of dreaming...

51:41.772 --> 51:45.687
...we'll have to combine it with
an extremely powerful sedative

51:46.011 --> 51:47.615
[MACHINE HISSING]

51:57.124 --> 51:58.194
Good night

51:58.792 --> 52:01.000
YUSUF: The compound we'll be using
to share the dream...

52:01.162 --> 52:03.108
Creates a clear connection
between dreamers...

52:03.265 --> 52:07.510
...whilst accelerating brain function.
In other words, more time on each level

52:07.670 --> 52:10.845
Brain function in the dream will be
about 20 times normal.

52:11.008 --> 52:14.512
And when you enter a dream within
that dream, the effect is compounded

52:14.678 --> 52:16.784
it's three dreams,
that's 10 hours times 20

52:16.948 --> 52:19.861
Math was never my strong subject
How much time is that?

52:20.019 --> 52:22.693
It's a week, the first level down

52:23.389 --> 52:26.234
Six months the second level down
and the third level-

52:26.393 --> 52:27.838
That's 10 years

52:30.464 --> 52:32.637
Who'd wanna be stuck
in a dream for 10 years?

52:33.034 --> 52:34.206
Depends on the dream

52:34.368 --> 52:36.679
So once we've made the plant
how do we get cut?

52:36.838 --> 52:40.184
I'm hoping you have something more
elegant than shooting me in the head.

52:40.343 --> 52:43.119
- A kick.
- What's a kick?

52:43.279 --> 52:45.988
EAMES:
This, Ariadne, would be a kick

52:48.118 --> 52:50.827
it's that feeling of falling you get
that jolts you awake.

52:50.989 --> 52:54.232
- Snaps you out of the dream.
- We gonna feel a kick with this sedation?

52:54.392 --> 52:55.599
YUSUF:
That's the clever part

52:55.761 --> 52:59.004
I customized the sedative to leave
inner-ear function unimpaired.

52:59.165 --> 53:04.013
That way, however deep the sleep
the sleeper still feels falling.

53:04.171 --> 53:06.550
Or tipping

53:07.175 --> 53:11.352
The trick is to synchronize a kick
that can penetrate all three levels.

53:11.880 --> 53:15.418
We could use a musical countdown
to synchronize the different kicks.

53:15.585 --> 53:17.929
["NON, JE NE REGRETTE RIEN" PLAYING]

53:23.294 --> 53:26.799
EAMES: He hasn't got any surgery
scheduled, no dental, nothing.

53:26.965 --> 53:28.967
COBB: Wasn't he supposed to have
a knee operation?

53:29.134 --> 53:32.378
Nothing. Nothing that they'll
put him under for, anyway. And we need

53:32.538 --> 53:34.484
We need at least a good 10 hours

53:34.640 --> 53:35.984
Sydney to Los Angeles

53:37.311 --> 53:41.590
One of the longest flights in the world
He makes it every two weeks.

53:41.750 --> 53:43.923
He must be flying private, then

53:44.419 --> 53:47.594
SAITO: Not if there were unexpected
maintenance with his plane.

53:47.757 --> 53:49.998
ARTHUR: It would have to be a 747
- Why's that?

53:51.795 --> 53:55.004
the first-class cabin's in the nose
so no one would walk through.

53:55.165 --> 53:58.670
You'd have to buy out the entire cabin
and the first-class flight attendant.

53:58.836 --> 54:00.406
I bought the airline

54:01.974 --> 54:03.783
It seemed neater

54:05.377 --> 54:08.188
Well, looks like we have our 10 hours

54:08.848 --> 54:11.989
Ariadne? Terrific work, by the way

54:14.755 --> 54:16.463
[MACHINE HISSING]

55:00.009 --> 55:02.183
MAL:
You know how to find me

55:03.647 --> 55:05.092
You know what you have to do

55:08.920 --> 55:12.391
You remember when you asked me
to marry you?

55:13.259 --> 55:15.296
Of course I do

55:16.395 --> 55:18.899
You said you had a dream

55:21.835 --> 55:24.612
That we'd grow old together

55:26.040 --> 55:27.748
And we can

55:40.124 --> 55:43.595
Just wanted to see what kind of tests
you're doing on your own every night.

55:43.762 --> 55:46.971
This has nothing to do with you.
This has everything to do with me

55:47.132 --> 55:52.948
- You've asked me to share dreams with you
- Not these. These are my dreams.

56:03.819 --> 56:06.231
ARIADNE:
Why do you do this to yourself?

56:06.389 --> 56:09.337
It's the only way I can still dream

56:11.094 --> 56:13.302
Why is it so important to dream?

56:14.199 --> 56:16.475
In my dreams, we're still together

56:30.818 --> 56:32.559
These aren't just dreams

56:34.356 --> 56:37.394
These are memories.
And you said never to use memories

56:37.559 --> 56:38.630
I know I did

56:39.262 --> 56:43.803
You're trying to keep her alive
You can't let her go.

56:43.968 --> 56:46.972
You don't understand.
These are moments I regret

56:47.137 --> 56:49.709
They're memories that I have to change

56:50.942 --> 56:53.423
Well, what's down there that you regret?

56:53.813 --> 56:56.953
Listen, there's only one thing
you need to understand about me

57:05.426 --> 57:07.030
ARIADNE:
This is your house?

57:07.695 --> 57:10.176
Mine and Mal's, yes

57:10.332 --> 57:12.039
Where is she?

57:12.701 --> 57:14.704
She's already gone

57:19.443 --> 57:20.979
That's my son, James

57:21.145 --> 57:24.252
He's digging for something
maybe a worm.

57:24.416 --> 57:25.451
[JAMES GIGGLING]

57:25.617 --> 57:26.755
That's Phillipa

57:27.286 --> 57:29.164
I thought about calling out to them

57:29.322 --> 57:32.098
so they'd turn and smile
and I could see...

57:32.792 --> 57:37.936
Those beautiful faces of theirs
but it's all too late.

57:38.098 --> 57:40.943
MAN:
Right now or never, Cobb

57:45.408 --> 57:47.217
COBB:
Then I start to panic

57:47.376 --> 57:50.085
I realize I'm gonna regret this moment

57:50.914 --> 57:53.258
that I need to see their faces
one last time.

57:53.417 --> 57:55.921
WOMAN:
James! Phillipa! Come on in!

57:56.087 --> 57:58.124
COBB:
But the moment's past

58:00.326 --> 58:03.705
And whatever I do,
I can't change this moment

58:04.597 --> 58:06.770
As I'm about to call out to them

58:07.801 --> 58:08.905
they run away

58:11.639 --> 58:14.917
If I'm ever gonna see their faces again
I've gotta get back home.

58:15.944 --> 58:17.446
The real world

58:23.086 --> 58:24.725
[TRAIN APPROACHING]

58:46.481 --> 58:48.483
[SIREN WAILING IN THE DISTANCE]

58:59.028 --> 59:00.508
What are you doing here?

59:01.332 --> 59:02.436
My name is

59:02.600 --> 59:05.912
I know who you are.
What are you doing here?

59:14.080 --> 59:16.527
I'm just trying to understand

59:16.683 --> 59:18.822
How could you understand?

59:20.021 --> 59:22.160
Do you know what it is to be a lover?

59:24.159 --> 59:26.299
To be half of a whole?

59:27.530 --> 59:29.100
O

59:30.567 --> 59:32.569
I'll tell you a riddle

59:34.037 --> 59:36.348
You're waiting for a train

59:37.375 --> 59:40.550
A train that will take you far away

59:41.914 --> 59:44.895
You know where you hope
this train will take you...

59:45.919 --> 59:48.195
But you don't know for sure

59:51.225 --> 59:54.638
How can it not matter to you
where that train will take you?

59:54.795 --> 59:56.571
COBB:
Because you'll be together

59:57.599 --> 1:00:00.706
MAL: How could you bring her here, Dom?
- What is this place?

1:00:01.103 --> 1:00:04.277
This is a hotel suite where we
used to spend our anniversary

1:00:04.440 --> 1:00:05.784
What happened here?

1:00:07.678 --> 1:00:10.523
You promised!
You promised we'd be together!

1:00:10.949 --> 1:00:13.020
Please, I need you to stay here
just for now!

1:00:13.184 --> 1:00:16.428
You said we'd be together!
You said we'd grow old together!

1:00:16.589 --> 1:00:19.069
I'll come back for you. I promise

1:00:19.225 --> 1:00:20.728
[YELLING]

1:00:37.280 --> 1:00:42.663
Do you think you can just build
a prison of memories to lock her in?

1:00:43.287 --> 1:00:45.665
Dc you really think that
that's gonna contain her?

1:00:46.558 --> 1:00:47.832
SAITO:
it's time

1:00:49.060 --> 1:00:51.405
Maurice Fischer just died in Sydney

1:00:51.564 --> 1:00:53.737
- When's the funeral?
- Thursday. In Los Angeles

1:00:53.900 --> 1:00:57.178
Robert should accompany the body
no later than Tuesday. We should move

1:00:57.337 --> 1:00:58.816
All right

1:00:59.406 --> 1:01:02.445
Cobb, I'm coming with you
I promised Miles. No.

1:01:02.610 --> 1:01:05.750
The team needs someone who
understands what you're struggling with

1:01:10.653 --> 1:01:13.965
but then you have to show Arthur
what I just saw.

1:01:19.730 --> 1:01:21.438
Get us another seat on the plane

1:01:25.504 --> 1:01:28.543
COBB: If I get on this plane
and you don't honor our agreement

1:01:28.708 --> 1:01:32.384
...when we land,
I go to jail for the rest of my life

1:01:33.047 --> 1:01:35.254
Complete the job en route

1:01:35.416 --> 1:01:37.897
I make one phone call from the plane

1:01:38.053 --> 1:01:40.966
...you have no trouble
getting through Immigration

1:01:54.706 --> 1:01:57.210
I'm sorry.
Oh, yeah, absolutely

1:01:57.376 --> 1:01:58.946
Thank you

1:02:32.551 --> 1:02:35.862
Excuse me, I think this is yours?
You must have dropped it.

1:02:36.022 --> 1:02:37.934
FLIGHT ATTENDANT:
Would you care for a drink?

1:02:38.091 --> 1:02:39.399
Oh. Water, please

1:02:39.559 --> 1:02:41.869
Oh, um, same, please

1:02:42.830 --> 1:02:44.138
um

1:02:44.866 --> 1:02:45.970
Thank you

1:02:46.134 --> 1:02:48.012
You know, I couldn't help but notice

1:02:48.170 --> 1:02:51.777
but you wouldn't happen to be related
to the Maurice Fischer, would you?

1:02:51.940 --> 1:02:53.443
Yes, he, um

1:02:54.377 --> 1:02:56.379
He was my father

1:02:56.813 --> 1:03:00.853
Well, he was a very inspiring figure
I'm sorry for your loss.

1:03:03.822 --> 1:03:05.495
Here you go
Thank you.

1:03:05.657 --> 1:03:07.000
COBB
Hey.

1:03:07.392 --> 1:03:09.031
To your father

1:03:09.629 --> 1:03:11.870
May he rest in peace, huh?

1:04:03.360 --> 1:04:04.862
[MACHINE HISSING]

1:04:15.674 --> 1:04:17.017
[HORN HONKS]

1:04:20.347 --> 1:04:22.657
Couldn't have peed before you went under?
Sorry.

1:04:22.816 --> 1:04:24.888
Bit too much free champagne
before takeoff?

1:04:25.052 --> 1:04:26.156
Ha, ha, bloody ha

1:04:26.320 --> 1:04:29.302
We know he's gonna be looking for a taxi
in this weather.

1:04:40.971 --> 1:04:45.011
- Asshole! Hey, man, why don't you try-?
- Walk away.

1:04:57.124 --> 1:04:59.469
[MAN SINGING IN FOREIGN LANGUAGE
ON RADIO]

1:04:59.627 --> 1:05:00.731
[TURNS OFF RADIO]

1:05:00.895 --> 1:05:02.306
Just have him ca- I gotta go

1:05:02.463 --> 1:05:04.603
All right. Taxi. Thank you

1:05:07.536 --> 1:05:10.416
All right, Third and Market. Snappy

1:05:10.974 --> 1:05:13.318
- What are you doing?
- Sorry, I thought it was free

1:05:13.476 --> 1:05:14.979
it's not.
Maybe we could share

1:05:15.146 --> 1:05:17.990
Maybe not.
Can you pull over and get this-?

1:05:20.953 --> 1:05:22.296
Great

1:05:27.227 --> 1:05:28.706
Come on

1:05:39.809 --> 1:05:42.449
There's $500 in there.
The wallet's worth more than that

1:05:42.612 --> 1:05:44.319
You might at least
drop me at my stop

1:05:45.749 --> 1:05:47.319
[GUNFIRE THEN EAMES GRUNTS]

1:05:48.585 --> 1:05:50.259
[TIRES SCREECHING]

1:05:55.294 --> 1:05:57.103
- Cover him!
EAMES: Down! Down now!

1:05:57.263 --> 1:05:58.901
What the hell is going on?

1:06:02.636 --> 1:06:04.878
ARIADNE:
This wasn't in the design

1:06:05.806 --> 1:06:07.183
Cobb?

1:06:07.408 --> 1:06:08.443
Cobb?

1:06:13.916 --> 1:06:15.487
[GUNFIRE]

1:06:52.128 --> 1:06:53.266
[YELLS]

1:06:59.370 --> 1:07:00.577
Get him!

1:07:07.246 --> 1:07:08.691
Are you all right?

1:07:08.881 --> 1:07:11.055
Yeah, I'm okay. I'm okay

1:07:11.218 --> 1:07:13.129
Fischer's okay, unless he gets carsick

1:07:13.287 --> 1:07:14.527
Saito?

1:07:33.444 --> 1:07:35.583
COBB:
Get Fischer in the back room now

1:07:35.881 --> 1:07:38.589
- Get him in the back room. Move.
ARTHUR: What the hell happened?

1:07:39.018 --> 1:07:40.497
COBB:
Has he been shot? Is he dying?

1:07:40.652 --> 1:07:42.394
ARTHUR: I don't know
- Jesus Christ.

1:07:42.555 --> 1:07:45.001
ARTHUR: What happened to you?
- Blocked by a freight train.

1:07:45.158 --> 1:07:47.139
Why put a train
in a downtown intersection?

1:07:47.294 --> 1:07:48.898
- I didn't.
ARTHUR: Where'd it come from?

1:07:49.063 --> 1:07:50.736
Why the hell were we ambushed?

1:07:50.899 --> 1:07:54.312
Those were not normal projections.
They'd been trained, for God's sakes

1:07:54.469 --> 1:07:57.041
How could he be trained?
Fischer's had an extractor

1:07:57.206 --> 1:08:01.417
teach his subconscious to defend itself
so his subconscious is militarized.

1:08:01.578 --> 1:08:03.216
It should've shown in the research

1:08:03.380 --> 1:08:05.189
COBB: Why the hell didn't it?
- Calm down.

1:08:06.851 --> 1:08:09.798
This was your job, goddamn it!
This was your responsibility!

1:08:09.954 --> 1:08:12.026
You were meant to check
Fischer's background!

1:08:12.191 --> 1:08:15.536
- We are not prepared for this!
- We have dealt with sub-security before!

1:08:15.694 --> 1:08:17.800
We'll be more careful
and we're gonna be fine!

1:08:17.964 --> 1:08:19.773
This was not a part of the plan!
He's dying.

1:08:19.933 --> 1:08:21.003
Put him out his misery

1:08:24.172 --> 1:08:26.277
He's in agony. I'm waking him up

1:08:26.442 --> 1:08:28.353
No. It won't wake him up

1:08:28.510 --> 1:08:32.118
What do you mean, it won't wake him up?
When we die in a dream, we wake up.

1:08:32.282 --> 1:08:33.556
Not from this

1:08:33.716 --> 1:08:36.253
We're too heavily sedated
to wake up that way.

1:08:36.854 --> 1:08:38.561
Right. Sc, what happens when we die?

1:08:38.722 --> 1:08:40.565
- We drop into limbo
- Are you serious?

1:08:40.724 --> 1:08:43.262
- Limbo?
ARTHUR: Unconstructed dream space

1:08:43.428 --> 1:08:46.706
ARIADNE: Well, what the hell is down there?
- Just raw, infinite subconscious.

1:08:46.866 --> 1:08:50.075
Nothing is down there, except for
what might have been left behind..

1:08:50.236 --> 1:08:53.150
...by anyone sharing the dream
who's been trapped there before

1:08:53.307 --> 1:08:55.218
Which, in our case, is just you

1:08:55.375 --> 1:08:58.084
- How long could we be stuck?
YUSUF: Can't even think about

1:08:58.246 --> 1:09:00.658
...trying to escape until the sedation
How long?

1:09:00.815 --> 1:09:04.059
Decades. It could be infinite.
Ask him, he's the one who's been there

1:09:04.220 --> 1:09:05.426
ARTHUR:
Let's get him upstairs

1:09:05.588 --> 1:09:06.897
[GROANING]

1:09:07.057 --> 1:09:08.502
Great

1:09:09.493 --> 1:09:10.972
Thank you

1:09:11.661 --> 1:09:14.905
So now we're trapped in Fischer's mind
battling his own private army.

1:09:15.066 --> 1:09:16.545
And if we get killed

1:09:16.701 --> 1:09:19.945
we'll be lost in limbo till our brains
turn to scrambled egg, hmm?

1:09:26.846 --> 1:09:28.690
ARTHUR:
Someone got first aid?

1:09:30.951 --> 1:09:34.422
- You knew these risks and didn't tell us?
- There weren't meant to be risks.

1:09:34.589 --> 1:09:37.537
- I didn't know we'd be dealing with gunfire
- You had no right.

1:09:37.693 --> 1:09:40.037
This was the only way
to go three layers deep

1:09:40.196 --> 1:09:42.234
You knew about this
and went along with it?

1:09:42.399 --> 1:09:43.434
I trusted him

1:09:43.600 --> 1:09:45.511
When? When he promised you
half his share?

1:09:45.669 --> 1:09:48.947
No. His whole share.
Besides, he said he'd done it before

1:09:49.107 --> 1:09:51.178
What, with Mal?
Because that worked so good?

1:09:51.342 --> 1:09:54.790
That has nothing to do with it.
I did what I had to, to get to my children

1:09:54.947 --> 1:09:56.858
You led us into a war zone
with no way cut?

1:09:57.016 --> 1:10:01.056
There is a way cut. We continue on with
the job, and we do it as fast as possible..

1:10:01.221 --> 1:10:03.566
And we get out using the kick
just like before.

1:10:03.724 --> 1:10:06.204
Forget it. We go any deeper
we just raise the stakes.

1:10:06.360 --> 1:10:08.238
I am sitting this one out on this level

1:10:08.397 --> 1:10:10.843
COBB: Fischer's security
is surrounding this place.

1:10:10.999 --> 1:10:13.276
Ten hours of flight time
is a week at this level.

1:10:13.436 --> 1:10:17.179
That means each and every one of us
will be killed. That I can guarantee you

1:10:17.775 --> 1:10:21.552
We have no other choice but to continue on
and do it as fast as possible.

1:10:23.148 --> 1:10:25.594
Downwards is the only way forwards

1:10:27.152 --> 1:10:28.291
Get ready

1:10:28.454 --> 1:10:30.661
You, come on. Let's go shake him up

1:10:35.495 --> 1:10:38.534
I'm insured against kidnapping
for up to 10 million.

1:10:38.700 --> 1:10:41.647
- This should be very simple
COBB: Shut up! It won't be.

1:10:41.803 --> 1:10:44.080
ARTHUR: In your father's office
below the bookshelves...

1:10:44.240 --> 1:10:46.311
...is his personal safe.
We need the combination

1:10:46.475 --> 1:10:47.510
[SIGHS]

1:10:47.676 --> 1:10:49.088
I don't know any safe

1:10:49.279 --> 1:10:52.158
COBB: That doesn't mean
you don't know the combination

1:10:53.784 --> 1:10:55.127
Tell us what it is

1:10:55.987 --> 1:10:57.728
I don't know

1:11:02.661 --> 1:11:04.801
We have it on good authority
you do know.

1:11:04.964 --> 1:11:07.308
Yeah? Whose authority?

1:11:08.802 --> 1:11:12.306
- Five hundred dollars, this cost
EAMES: What's inside it?

1:11:12.573 --> 1:11:16.351
Cash, cards, ID. And this

1:11:21.384 --> 1:11:22.886
Useful?

1:11:23.620 --> 1:11:24.655
Maybe

1:11:25.122 --> 1:11:26.931
You're on. You've got an hour

1:11:27.324 --> 1:11:28.359
An hour?

1:11:29.661 --> 1:11:31.937
I was supposed to have all night
to crack this.

1:11:32.096 --> 1:11:34.703
And Saito wasn't supposed
to be shot in the chest.

1:11:34.867 --> 1:11:38.041
You've got one hour,
now get us something useful, please

1:11:38.905 --> 1:11:40.407
[SCREAMING]

1:11:40.573 --> 1:11:43.019
- What's that?
- Good authority

1:11:47.248 --> 1:11:48.956
Uncle Peter

1:11:49.651 --> 1:11:51.790
Just make them stop

1:11:52.087 --> 1:11:54.432
The combination
I don't know it.

1:11:54.590 --> 1:11:57.264
- Why does Browning say you do?
- I don't know.

1:11:57.427 --> 1:11:59.908
Just let me talk to him
and I'll find cut.

1:12:02.266 --> 1:12:04.975
You have one hour. Start talking

1:12:06.971 --> 1:12:08.177
FISCHER:
You all right?

1:12:08.340 --> 1:12:09.911
[GROANING]

1:12:10.076 --> 1:12:11.384
You okay?

1:12:15.082 --> 1:12:18.757
Those bastards have had at me
for two days.

1:12:19.420 --> 1:12:21.900
They have someone with access
to your father's office.

1:12:22.056 --> 1:12:23.933
- They're trying to open his safe
- Yeah.

1:12:24.093 --> 1:12:26.835
They thought I'd know the combination
but I don't know it.

1:12:26.995 --> 1:12:29.738
- Yeah, well, neither do I, so
- What?

1:12:30.500 --> 1:12:33.743
Maurice told me that when he passed
you were the only one able to open it

1:12:33.903 --> 1:12:36.441
No, he never gave me any combination

1:12:37.174 --> 1:12:41.317
Maybe he did. I mean, maybe you
just didn't know it was a combination

1:12:41.480 --> 1:12:42.686
Well, what, then?

1:12:42.848 --> 1:12:45.386
I don't know, some meaningful
combination of numbers...

1:12:45.551 --> 1:12:49.500
Based on your experiences
with Maurice.

1:12:51.191 --> 1:12:55.140
We didn't have very many, uh,
meaningful experiences together

1:12:55.864 --> 1:12:57.343
Perhaps after your mother died

1:13:00.002 --> 1:13:02.141
After my mother died,
you know what he told me?

1:13:04.437 --> 1:13:09.410
"Robert,
there's really nothing to be said

1:13:09.577 --> 1:13:11.922
Oh, well, he was had with emotion

1:13:12.080 --> 1:13:14.789
I was 11, Uncle Peter

1:13:15.551 --> 1:13:18.794
How's he doing?
He's in a lot of pain

1:13:18.955 --> 1:13:22.563
When we get down to the lower levels
the pain will be less intense.

1:13:22.726 --> 1:13:23.966
And if he dies?

1:13:25.130 --> 1:13:26.609
Worst-case scenario?

1:13:26.765 --> 1:13:29.473
When he wakes up,
his mind is completely gone

1:13:29.634 --> 1:13:33.708
Cobb, I'll still honor the arrangement

1:13:33.873 --> 1:13:35.581
COBB:
I appreciate that, Saito

1:13:35.742 --> 1:13:39.815
But when you wake up, you won't even
remember that we had an arrangement.

1:13:39.980 --> 1:13:42.018
Limbo is gonna become your reality

1:13:42.183 --> 1:13:45.961
You're gonna be lost down there so long
that you're gonna become an old man.

1:13:46.422 --> 1:13:47.765
Filled with regret?

1:13:49.191 --> 1:13:50.296
Waiting to die alone

1:13:50.960 --> 1:13:52.064
O

1:13:52.629 --> 1:13:54.267
I'll come back

1:13:55.065 --> 1:13:57.740
And we'll be young men together again

1:14:03.709 --> 1:14:04.779
Breathe

1:14:04.943 --> 1:14:07.982
These people are gonna kill us
if we don't give them the combination

1:14:08.147 --> 1:14:10.058
They just wanna ransom us
I heard them.

1:14:10.216 --> 1:14:14.131
They're gonna lock us in that van
and then drive it into the river.

1:14:14.288 --> 1:14:15.768
All right. What is in the safe?

1:14:16.858 --> 1:14:18.030
Something for you

1:14:18.660 --> 1:14:22.803
Maurice always said
it was his most precious gift to you

1:14:23.532 --> 1:14:26.605
- A will.
- Maurice's will is with Port and Dunn

1:14:26.770 --> 1:14:28.010
That's an alternate

1:14:28.171 --> 1:14:30.549
This would supersede the other
if you want it to.

1:14:30.708 --> 1:14:33.348
It splits up the component businesses
of Fischer Morrow.

1:14:33.511 --> 1:14:37.221
It'd be the end of the entire empire
as we know it.

1:14:37.383 --> 1:14:39.863
Destroying my whole inheritance?

1:14:41.521 --> 1:14:44.695
- Why would he suggest such a thing?
- I just don't know.

1:14:47.561 --> 1:14:49.541
He loved you, Robert

1:14:50.097 --> 1:14:51.736
In his own way

1:14:51.900 --> 1:14:53.709
FISCHER:
In his own way

1:14:55.003 --> 1:14:56.540
At the end

1:14:57.673 --> 1:15:00.017
he called me into his deathbed

1:15:00.510 --> 1:15:02.354
He could barely speak

1:15:03.414 --> 1:15:07.659
But he took the trouble
to tell me one last thing

1:15:10.155 --> 1:15:11.794
He pulled me close

1:15:14.460 --> 1:15:16.566
And I could only make out

1:15:17.431 --> 1:15:18.876
one word

1:15:22.570 --> 1:15:24.550
Disappointed

1:15:28.710 --> 1:15:30.018
[SIGHS]

1:15:30.179 --> 1:15:31.386
When were you in limbo?

1:15:32.949 --> 1:15:36.454
You might have the rest of the team
convinced to carry on with this job.

1:15:36.620 --> 1:15:38.998
But they don't know the truth
Truth? What truth?

1:15:39.190 --> 1:15:43.333
The truth that, at any minute, you might
bring a freight train through the wall.

1:15:43.495 --> 1:15:47.569
The truth that Mal is bursting
through your subconscious.

1:15:47.733 --> 1:15:50.145
And the truth that,
as we go deeper into Fischer

1:15:50.303 --> 1:15:52.113
we're also going deeper into you

1:15:52.940 --> 1:15:56.217
And I'm not sure
we're gonna like what we find

1:16:00.215 --> 1:16:01.695
We were working together

1:16:01.851 --> 1:16:05.526
We were exploring the concept
of a dream within a dream.

1:16:05.721 --> 1:16:06.996
I kept pushing things

1:16:07.157 --> 1:16:10.832
I wanted to go deeper and deeper
I wanted to go further.

1:16:11.328 --> 1:16:16.210
I just didn't understand the concept that
hours could turn into years down there...

1:16:16.367 --> 1:16:19.110
That we could get trapped so deep

1:16:19.938 --> 1:16:23.250
that when we wound up on the shore
of our own subconscious...

1:16:23.843 --> 1:16:26.380
We lost sight of what was real

1:16:32.454 --> 1:16:35.025
We created.
We built the world for ourselves

1:16:36.658 --> 1:16:38.661
We did that for years

1:16:39.795 --> 1:16:41.775
We built our own world

1:16:43.133 --> 1:16:44.840
How long were you stuck there?

1:16:46.003 --> 1:16:48.109
Something like 50 years

1:16:51.509 --> 1:16:52.682
Jesus

1:16:54.980 --> 1:16:56.323
How could you stand it?

1:16:56.482 --> 1:16:59.125
It wasn't so had at first
feeling like gods.

1:16:59.179 --> 1:17:00.918
The problem was knowing
that none of it was real.

1:17:00.946 --> 1:17:05.356
Eventually, it just became impossible
for me to live like that.

1:17:05.519 --> 1:17:06.921
And what about for her?

1:17:10.392 --> 1:17:14.300
She had locked something away,
something deep inside her.

1:17:15.699 --> 1:17:20.943
A truth that she had once known,
but chose to forget.

1:17:23.876 --> 1:17:26.381
Limbo became her reality.

1:17:27.714 --> 1:17:29.517
What happened when you woke up?

1:17:30.050 --> 1:17:33.724
Well, to wake up from that
after years, after decades...

1:17:34.790 --> 1:17:39.299
...to become old souls thrown back
into youth like that?

1:17:40.195 --> 1:17:43.970
I knew something was wrong with her.
She just wouldn't admit it.

1:17:45.337 --> 1:17:47.607
Eventually, she told me the truth.

1:17:48.039 --> 1:17:51.413
She was possessed by an idea.

1:17:51.577 --> 1:17:57.289
This one very simple idea
that changed everything.

1:17:58.419 --> 1:18:00.891
That our world wasn't real.

1:18:01.824 --> 1:18:06.099
That she needed to wake up
to come back to reality...

1:18:06.629 --> 1:18:09.001
...that in order to get back home...

1:18:10.234 --> 1:18:12.036
...we had to kill ourselves.

1:18:18.678 --> 1:18:22.152
- What about your children?
- She thought they were projections...

1:18:22.315 --> 1:18:25.321
...that our real children were waiting
for us up there somewhere.

1:18:25.486 --> 1:18:27.189
MAL: I'm their mother!
COBB: Calm down.

1:18:27.354 --> 1:18:28.624
I can tell the difference.

1:18:28.791 --> 1:18:31.128
If this is my dream,
why can't I control this?

1:18:31.293 --> 1:18:32.995
You don't know you're dreaming!

1:18:33.161 --> 1:18:35.367
COBB: She was certain
there was nothing I could do...

1:18:35.532 --> 1:18:39.374
...no matter how much I begged,
no matter how much I pleaded.

1:18:42.340 --> 1:18:45.380
She wanted to do it,
but she could not do it alone.

1:18:45.544 --> 1:18:52.058
She loved me too much, so she came up
with a plan on our anniversary.

1:19:18.118 --> 1:19:20.924
- Sweetheart, what are you doing?
- Join me.

1:19:21.089 --> 1:19:25.365
Just- Just step back inside. All right?
Just step back inside now, come on.

1:19:25.528 --> 1:19:29.971
No. I'm going to jump,
and you're coming with me.

1:19:30.134 --> 1:19:31.837
No, I'm not.

1:19:32.003 --> 1:19:34.107
Now, you listen to me.

1:19:34.707 --> 1:19:38.948
If you jump, you're not gonna wake up,
remember? You're gonna die.

1:19:39.111 --> 1:19:41.049
Now, just step back inside.

1:19:41.215 --> 1:19:43.953
Come on. Step back inside
so we can talk about this.

1:19:44.118 --> 1:19:46.056
We've talked enough.

1:19:48.123 --> 1:19:49.793
- Mal.
- Come out onto the ledge...

1:19:49.960 --> 1:19:52.664
- ...or I'll jump right now.
- Okay.

1:19:56.934 --> 1:19:58.737
We're gonna talk about this.

1:19:59.605 --> 1:20:00.773
All right?

1:20:00.939 --> 1:20:06.017
- I'm asking you to take a leap of faith.
- No, honey.

1:20:06.981 --> 1:20:09.988
No, I can't. You know I can't do that.

1:20:10.152 --> 1:20:12.924
Take a second, think about our children.

1:20:13.089 --> 1:20:14.827
Think about James.

1:20:15.558 --> 1:20:17.194
Think about Phillipa, now.

1:20:17.360 --> 1:20:20.300
If I go without you,
they'll take them away anyway.

1:20:20.464 --> 1:20:23.771
- What does that mean?
- I filed a letter with our attorney...

1:20:24.201 --> 1:20:27.542
...explaining how I'm fearful
for my safety.

1:20:29.775 --> 1:20:31.913
How you've threatened to kill me.

1:20:34.714 --> 1:20:37.353
- Why did you do this?
- I love you, Dom.

1:20:37.518 --> 1:20:39.288
Why did-? Why would you do this to me?

1:20:39.453 --> 1:20:42.326
I've freed you from the guilt
of choosing to leave them.

1:20:42.491 --> 1:20:45.532
We're going home to our real children.

1:20:45.696 --> 1:20:49.336
Oh, no, no, no, Mal, you listen to me,
all right? Mal, look at me, please?

1:20:49.500 --> 1:20:50.803
You're waiting for a train.

1:20:51.303 --> 1:20:54.876
- Mal, goddamn it, don't do this!
- A train that will take you far away.

1:20:55.041 --> 1:20:57.045
James and Phillipa are waiting for you!

1:20:57.210 --> 1:21:01.052
You know where you hope this train
will take you, but you can't know for sure.

1:21:01.215 --> 1:21:03.419
- Mal, look at me!
- But it doesn't matter.

1:21:03.584 --> 1:21:06.792
- Mal, goddamn it! Mal, listen to me!
- Because you'll be together.

1:21:06.956 --> 1:21:10.798
Sweetheart! Look at me! Mal, no!

1:21:10.961 --> 1:21:12.398
Jesus Christ!

1:21:15.901 --> 1:21:19.642
She had herself declared sane
by three different psychiatrists.

1:21:19.805 --> 1:21:24.015
It made it impossible for me to try
to explain the nature of her madness.

1:21:24.178 --> 1:21:25.413
So I ran.

1:21:25.579 --> 1:21:27.082
[CHILDREN GIGGLING]

1:21:27.248 --> 1:21:29.486
MAN:
Right now, or never, Cobb.

1:21:35.859 --> 1:21:40.501
WOMAN:
James! Phillipa! Come on in! Come on!

1:21:40.765 --> 1:21:41.833
All right, let's go.

1:21:42.367 --> 1:21:46.175
I left my children behind and I've been
trying to buy my way back ever since.

1:21:46.740 --> 1:21:50.614
Your guilt defines her.
It's what powers her.

1:21:50.778 --> 1:21:54.084
But you are not responsible
for the idea that destroyed her.

1:21:55.315 --> 1:21:57.888
And if we are gonna succeed in this...

1:21:58.053 --> 1:22:03.031
...you have to forgive yourself,
and you're gonna have to confront her.

1:22:03.193 --> 1:22:05.030
But you don't have to do that alone.

1:22:05.195 --> 1:22:07.466
- No, you're not...
- I'm doing it for the others.

1:22:08.133 --> 1:22:13.244
Because they have no idea the risk
they've taken coming down here with you.

1:22:18.312 --> 1:22:19.814
We have to move.

1:22:19.980 --> 1:22:21.417
Time's up.

1:22:21.583 --> 1:22:24.322
All right. I don't know any combination.

1:22:24.486 --> 1:22:27.593
- Not consciously, anyway.
COBB: How about instinctively, huh?

1:22:27.757 --> 1:22:31.699
I got somebody in your father's office
right now ready to tap in the combination.

1:22:31.863 --> 1:22:34.768
Give me the first six numbers
that come to your head right now.

1:22:34.933 --> 1:22:37.171
- I have no idea.
- Right now!

1:22:37.336 --> 1:22:39.574
I said, right now! Right now!

1:22:39.739 --> 1:22:43.647
Five, two, eight, four, nine, one.

1:22:47.515 --> 1:22:49.518
You'll have to do better than that.

1:22:49.684 --> 1:22:53.025
All right. Bag them.
You're going for a ride.

1:22:57.394 --> 1:23:01.536
FISCHER: We're worth more to you alive.
You hear me?

1:23:06.806 --> 1:23:08.309
What'd you get?

1:23:08.708 --> 1:23:11.246
Relationship with his father
is worse than we imagined.

1:23:11.411 --> 1:23:12.447
This helps us how?

1:23:12.613 --> 1:23:15.719
The stronger the issues,
the more powerful the catharsis.

1:23:16.919 --> 1:23:20.025
- How are we gonna reconcile them?
- I'm working on that.

1:23:20.189 --> 1:23:23.730
Work faster.
The projections are closing in quick.

1:23:23.894 --> 1:23:27.469
We gotta break out of here
before we're totally boxed in.

1:24:02.576 --> 1:24:03.611
Damn it.

1:24:03.778 --> 1:24:06.783
You mustn't be afraid to dream
a little bigger, darling.

1:24:23.535 --> 1:24:26.540
We need to shift his animosity
from his father to his godfather.

1:24:26.706 --> 1:24:30.748
- Destroy his one positive relationship?
- No, repair his relationship with his father...

1:24:30.911 --> 1:24:33.216
...whilst exposing his godfather's
true nature.

1:24:33.381 --> 1:24:36.387
We should charge Fischer a lot more
than Saito for this job.

1:24:36.551 --> 1:24:38.923
His security is gonna
get worse as we go deeper.

1:24:39.088 --> 1:24:41.594
- I think we run with Mr. Charles.
- No.

1:24:41.992 --> 1:24:43.429
EAMES: Who's Mr. Charles?
- Bad idea.

1:24:43.595 --> 1:24:47.135
The second we get into that hotel
his security's gonna be all over us.

1:24:47.299 --> 1:24:49.404
We run with Mr. Charles
like on the Stein job.

1:24:49.568 --> 1:24:51.906
- You've done it before?
ARTHUR: Yeah, and it didn't work.

1:24:52.072 --> 1:24:55.580
The subject realized he was dreaming
and his subconscious tore us to pieces.

1:24:55.743 --> 1:24:57.780
Excellent. But you learned a lot, right?

1:24:57.945 --> 1:25:00.050
- I need some kind of distraction.
EAMES: No problem.

1:25:00.216 --> 1:25:02.420
How about a lovely lady
that I've used before?

1:25:02.584 --> 1:25:04.655
Listen to me.
You drive carefully, all right?

1:25:04.821 --> 1:25:07.293
Everything down there is
gonna be unstable as hell.

1:25:11.830 --> 1:25:15.204
Don't jump too soon. We only got
one shot at that kick. We gotta make it.

1:25:15.368 --> 1:25:18.676
I'll play the music to let you know
it's coming. The rest is on you.

1:25:18.839 --> 1:25:20.642
- You ready?
- Ready!

1:25:21.875 --> 1:25:22.977
Sweet dreams.

1:25:23.143 --> 1:25:25.047
WOMAN:
Am I boring you?

1:25:26.348 --> 1:25:29.555
I was telling you my story.
I guess it wasn't to your liking.

1:25:31.388 --> 1:25:34.061
Um, I have a lot on my mind.

1:25:35.592 --> 1:25:37.195
There goes Mr. Charles.

1:25:41.900 --> 1:25:44.539
Mr. Fischer, right?

1:25:44.704 --> 1:25:48.211
Pleasure to see you again.
Rod Green from marketing. I-

1:25:48.375 --> 1:25:49.512
Hmm.

1:25:49.678 --> 1:25:52.350
- And you must be?
- Leaving.

1:25:55.585 --> 1:25:56.720
In case you get bored.

1:26:01.960 --> 1:26:03.329
Must've blown you off.

1:26:03.495 --> 1:26:06.234
That is, unless her phone number
really is only six digits.

1:26:08.401 --> 1:26:12.843
Funny way to make friends,
someone stealing your wallet like that.

1:26:15.544 --> 1:26:16.612
[SCOFFS]

1:26:16.777 --> 1:26:19.116
Goddamn it. The wallet alone
is worth at least 500-

1:26:19.282 --> 1:26:20.417
About $500, right?

1:26:20.583 --> 1:26:23.556
Don't worry about it.
My people are already on it as we speak.

1:26:23.720 --> 1:26:25.658
Who or what is Mr. Charles?

1:26:25.856 --> 1:26:29.564
It's a gambit designed to turn Fischer
against his own subconscious.

1:26:29.728 --> 1:26:31.063
ARIADNE:
And why don't you approve?

1:26:31.230 --> 1:26:33.233
It involves telling the mark
that he's dreaming...

1:26:33.399 --> 1:26:35.537
...which involves attracting
a lot of attention to us.

1:26:35.701 --> 1:26:38.640
- Didn't Cobb say never to do that?
- Hmm.

1:26:38.804 --> 1:26:40.575
So now you've noticed how much time...

1:26:40.741 --> 1:26:43.379
...Cobb spends doing things
he says never to do.

1:26:45.114 --> 1:26:46.884
Mr. Saito, can I have a moment?

1:26:47.049 --> 1:26:49.488
- I'm sorry, but...
MAN: Hold on! Wait!

1:26:50.820 --> 1:26:52.122
You look a bit perkier.

1:26:52.289 --> 1:26:54.627
Very amusing, Mr. Eames.

1:26:58.964 --> 1:27:00.568
[RUMBLING]

1:27:00.867 --> 1:27:02.370
Turbulence on the plane?

1:27:02.536 --> 1:27:04.239
No, it's much closer.

1:27:04.405 --> 1:27:06.076
That's Yusuf's driving.

1:27:06.975 --> 1:27:08.177
[TIRES SCREECHING]

1:27:12.416 --> 1:27:13.785
[GLASSES CLINKING]

1:27:14.418 --> 1:27:16.890
Um, I'm sorry.
Who did you say you were?

1:27:17.054 --> 1:27:19.159
COBB:
Rod Green from marketing.

1:27:19.323 --> 1:27:20.926
But that's not true at all, is it?

1:27:23.028 --> 1:27:26.502
My name is Mr. Charles.
You remember me, don't you?

1:27:26.699 --> 1:27:28.669
I'm the head of your security down here.

1:27:29.937 --> 1:27:31.874
Get out on a different floor,
keep moving.

1:27:32.039 --> 1:27:34.376
Dump the wallet.
Security will be looking for that.

1:27:34.543 --> 1:27:38.050
- Okay.
- We need to buy Cobb a little more time.

1:27:39.848 --> 1:27:41.051
[COUGHING]

1:27:41.685 --> 1:27:43.255
Security, huh?

1:27:45.690 --> 1:27:47.861
- You work for the hotel?
- No, no.

1:27:48.026 --> 1:27:52.636
I specialize in a very specific type
of security.

1:27:53.032 --> 1:27:54.702
Subconscious security.

1:27:54.867 --> 1:27:56.972
You're talking about dreams?

1:27:57.137 --> 1:28:00.009
Are you talking about, um, extraction?

1:28:01.042 --> 1:28:02.445
I am here to protect you.

1:28:02.611 --> 1:28:04.214
[GLASS SHATTERS]

1:28:04.580 --> 1:28:06.151
[PEOPLE CHATTERING]

1:28:13.024 --> 1:28:14.526
[CHATTERING STOPS]

1:28:15.895 --> 1:28:18.432
Mr. Fischer, I'm here
to protect you in the event...

1:28:18.599 --> 1:28:21.973
...that someone tries to access
your mind through your dreams.

1:28:22.136 --> 1:28:24.774
You're not safe here.

1:28:25.608 --> 1:28:27.211
They're coming for you.

1:28:39.524 --> 1:28:40.961
[YELLS]

1:28:45.565 --> 1:28:47.603
Strange weather, isn't it?

1:28:52.440 --> 1:28:53.575
You feel that?

1:28:55.544 --> 1:28:56.747
What's happening?

1:28:56.913 --> 1:29:00.152
Cobb's drawing Fischer's attention
to the strangeness of the dream...

1:29:00.316 --> 1:29:03.189
...which is making his subconscious
Look for the dreamer.

1:29:03.353 --> 1:29:06.427
For me. Quick, give me a kiss.

1:29:11.431 --> 1:29:15.305
- They're still looking at us.
- Yeah, it was worth a shot.

1:29:15.969 --> 1:29:18.008
We should probably get out of here.

1:29:22.212 --> 1:29:23.314
[GUNFIRE]

1:29:33.292 --> 1:29:36.866
COBB: You feel that? You've actually
been trained for this, Mr. Fischer.

1:29:37.029 --> 1:29:41.037
Pay attention to the strangeness
of the weather, the shift in gravity.

1:29:41.201 --> 1:29:44.374
None of this is real. You're in a dream.

1:29:49.178 --> 1:29:51.415
Now, the easiest way
for you to test yourself...

1:29:51.616 --> 1:29:55.690
...is to try and remember how you arrived
at this hotel. Can you do that?

1:29:56.521 --> 1:29:57.823
Yeah, l...

1:29:57.989 --> 1:30:00.527
COBB: No, breathe, breathe.
Remember your training.

1:30:00.692 --> 1:30:05.870
Accept the fact that you're in a dream,
and I'm here to protect you. Go on.

1:30:07.869 --> 1:30:09.238
Mm-hm.

1:30:12.040 --> 1:30:13.877
- You're not real?
- No.

1:30:14.042 --> 1:30:17.417
No. I'm a projection
of your subconscious.

1:30:17.581 --> 1:30:19.685
I was sent here to protect you
in the event...

1:30:19.850 --> 1:30:22.756
...that extractors
tried to pull you into a dream.

1:30:22.920 --> 1:30:26.161
And I believe that's what's
going on right now, Mr. Fischer.

1:30:27.260 --> 1:30:28.295
Yeah.

1:30:28.461 --> 1:30:29.563
Okay.

1:30:30.463 --> 1:30:31.699
Okay.

1:30:34.536 --> 1:30:36.539
Can you get me out of here?

1:30:37.440 --> 1:30:40.044
Right away. Follow me.

1:30:54.260 --> 1:30:55.595
Hold on a second.

1:31:00.535 --> 1:31:02.373
Jesus Christ! What are you doing?

1:31:02.538 --> 1:31:04.808
These men were sent here
to abduct you, all right?

1:31:04.973 --> 1:31:07.546
If you want my help,
you have to remain calm.

1:31:09.279 --> 1:31:11.583
I need you to work with me, Mr. Fischer.

1:31:23.296 --> 1:31:26.903
If this is a dream, I should just
kill myself to wake up, right?

1:31:27.066 --> 1:31:29.172
I wouldn't do that if I were you,
Mr. Fischer.

1:31:29.337 --> 1:31:32.844
I believe they have you sedated,
and if you pull that trigger...

1:31:33.009 --> 1:31:34.178
...you may not wake up.

1:31:35.312 --> 1:31:39.621
You may go into a further dream state.
Now, you know what I'm talking about.

1:31:41.954 --> 1:31:43.625
You remember the training.

1:31:44.758 --> 1:31:46.160
Remember what I said to you.

1:31:47.026 --> 1:31:48.195
Give me the gun.

1:32:00.010 --> 1:32:02.614
- This room should be directly below 52$?
- Yeah.

1:32:03.882 --> 1:32:05.317
[SAFE BEEPS]

1:32:11.991 --> 1:32:13.495
Think, Mr. Fischer, think.

1:32:13.660 --> 1:32:17.501
What do you remember
from before this dream?

1:32:17.864 --> 1:32:20.503
There was, um, a lot of gunfire.

1:32:20.668 --> 1:32:23.274
There was rain.

1:32:23.807 --> 1:32:25.409
Uncle Peter.

1:32:25.675 --> 1:32:29.315
- Oh, my God, we've been kidnapped.
- Where were they holding you?

1:32:32.348 --> 1:32:35.622
- They had us in the back of a van.
- That explains the gravity shifts.

1:32:35.821 --> 1:32:37.891
You're in the back of a van.
Keep going.

1:32:38.056 --> 1:32:40.328
It had something to do with, um...

1:32:40.960 --> 1:32:43.834
Something to do with a safe.

1:32:44.466 --> 1:32:46.102
God, why is it so hard to remember?

1:32:46.267 --> 1:32:48.973
It's like trying to remember a dream
after you've woken up.

1:32:49.138 --> 1:32:50.875
Listen, it takes years of practice.

1:32:51.041 --> 1:32:53.446
You and Browning have been pulled
into this dream...

1:32:53.611 --> 1:32:56.383
...because they're trying to steal
something from your mind.

1:32:56.547 --> 1:33:00.121
I need you to focus and try
and remember what that is.

1:33:00.285 --> 1:33:01.920
What is it, Mr. Fischer? Think!

1:33:02.088 --> 1:33:05.829
A combination. They demanded
the first numbers to pop into my head.

1:33:05.993 --> 1:33:08.731
They're trying to extract a number
from your subconscious.

1:33:08.897 --> 1:33:12.671
It can represent anything.
We're in a hotel right now.

1:33:13.467 --> 1:33:16.608
We should try hotel rooms.
What was the number, Mr. Fischer?

1:33:16.772 --> 1:33:19.612
Try and remember for me.
This is very important.

1:33:19.776 --> 1:33:21.111
Five.

1:33:22.079 --> 1:33:24.518
Five, two- It was something,
it was a long number.

1:33:24.682 --> 1:33:26.786
That's good. We can start there.
Fifth floor.

1:33:26.951 --> 1:33:27.987
Yep.

1:33:28.153 --> 1:33:32.195
- So do you use a timer?
- No, I have to judge it for myself.

1:33:32.391 --> 1:33:35.665
While you're all asleep in 52$,
I wait for Yusuf's kick.

1:33:35.830 --> 1:33:37.967
- Well, how will you know?
- His music warns me.

1:33:38.132 --> 1:33:42.074
And then when the van hits the barrier
of the bridge, that should be unmistakable.

1:33:42.236 --> 1:33:45.444
So we get a nice synchronized kick.

1:33:45.608 --> 1:33:48.012
If it's too soon,
we won't get pulled out.

1:33:48.178 --> 1:33:51.451
But if it's too late,
I won't be able to drop us.

1:33:51.615 --> 1:33:55.424
- Well, why not?
- Because the van will be in freefall.

1:33:55.956 --> 1:33:58.795
- Can't drop you without gravity.
- Right.

1:34:04.433 --> 1:34:06.670
They're with me. Go on.

1:34:30.999 --> 1:34:32.034
Mr. Charles.

1:34:32.201 --> 1:34:35.174
- Do you know what that is, Mr. Fischer?
- Yeah, I think so.

1:34:35.338 --> 1:34:37.408
They were trying to put you under.

1:34:37.840 --> 1:34:39.912
- I'm already under.
- Under again.

1:34:40.078 --> 1:34:42.650
What do you mean,
a dream within a dream?

1:34:43.247 --> 1:34:45.720
Hey. I see you've changed.

1:34:45.884 --> 1:34:47.520
I'm sorry?

1:34:48.020 --> 1:34:51.895
Oh, I'm sorry.
I mistook you for a friend.

1:34:52.058 --> 1:34:53.327
Oh.

1:34:53.493 --> 1:34:55.631
Good-looking fellow, I'm sure.

1:34:56.297 --> 1:34:59.236
No, no, no. That's Fischer's
projection of Browning.

1:34:59.400 --> 1:35:01.272
Let's follow him
and see how he behaves.

1:35:01.437 --> 1:35:03.407
- Why?
- Because how he acts will tell us...

1:35:03.573 --> 1:35:06.914
...if Fischer is starting to suspect
his motives the way we want him to.

1:35:07.078 --> 1:35:08.113
Shh.

1:35:08.279 --> 1:35:09.715
[DOOR OPENS]

1:35:12.685 --> 1:35:15.189
- Uncle Peter.
- You said you were kidnapped together?

1:35:15.355 --> 1:35:18.794
Well, not exactly. They already had him.
They were torturing him.

1:35:18.959 --> 1:35:20.430
And you saw them torture him?

1:35:27.971 --> 1:35:29.808
The kidnappers are working for you?

1:35:30.775 --> 1:35:32.244
Robert.

1:35:32.409 --> 1:35:36.251
You're trying to get that safe open?
To get the alternate will?

1:35:36.648 --> 1:35:40.890
Fischer Morrow has been my entire life.
I can't let you destroy it.

1:35:41.054 --> 1:35:43.426
I'm not gonna throw away
my inheritance.

1:35:43.589 --> 1:35:47.764
I couldn't let you rise
to your father's last taunt.

1:35:48.562 --> 1:35:51.602
- What taunt?
- The will, Robert. That will?

1:35:51.767 --> 1:35:53.704
That's his last insult.

1:35:53.869 --> 1:35:57.510
A challenge for you to build something
for yourself...

1:35:57.674 --> 1:36:01.482
...by telling you you're not worthy
of his accomplishments.

1:36:07.153 --> 1:36:12.532
- What, but that he was, um, disappointed?
- I'm sorry.

1:36:13.895 --> 1:36:17.002
But he's wrong.

1:36:17.734 --> 1:36:20.372
You can build a better company
than he ever did.

1:36:20.536 --> 1:36:22.974
Mr. Fischer? He's lying.

1:36:23.140 --> 1:36:25.245
- How do you know?
- Trust me, it's what I do.

1:36:25.409 --> 1:36:28.182
He's hiding something,
and we need to find out what that is.

1:36:29.381 --> 1:36:32.788
I need you to do the same thing to him
that he was going to do to you.

1:36:35.355 --> 1:36:39.430
We'll enter his subconscious and find out
what he doesn't want you to know.

1:36:40.695 --> 1:36:42.165
All right.

1:36:42.564 --> 1:36:43.866
[MACHINE HISSING]

1:36:48.139 --> 1:36:49.407
COBB: He's out.
- Wait.

1:36:49.572 --> 1:36:51.643
Whose subconscious are
we going into exactly?

1:36:51.809 --> 1:36:53.145
We're going into Fischer's.

1:36:53.311 --> 1:36:56.016
I told him it was Browning's
so he'd be a part of our team.

1:36:56.181 --> 1:36:58.519
He's gonna help us break
into his own subconscious.

1:36:58.684 --> 1:37:00.253
COBB:
That's right.

1:37:00.419 --> 1:37:02.490
Security's gonna run you down hard.

1:37:02.656 --> 1:37:04.993
And I will lead them on a merry chase.

1:37:05.559 --> 1:37:08.197
- Just be back before the kick.
- Go to sleep, Mr. Eames.

1:37:13.403 --> 1:37:14.605
ARTHUR:
You good?

1:37:17.774 --> 1:37:19.111
Hey. You ready?

1:37:19.278 --> 1:37:22.886
Yes, yes. I'm fine. I'm ready.

1:37:35.431 --> 1:37:36.766
ARIADNE:
Cobb?

1:37:37.434 --> 1:37:39.872
Cobb? What's down there?

1:37:43.241 --> 1:37:45.846
Hopefully, the truth
we want Fischer to learn.

1:37:46.010 --> 1:37:47.914
I mean, what's down there for you?

1:37:55.889 --> 1:37:57.293
[SHOTGUN COCKS]

1:37:58.460 --> 1:37:59.962
[GUNFIRE THEN YUSUF YELLS]

1:38:10.808 --> 1:38:12.277
[ELEVATOR DINGS]

1:38:22.055 --> 1:38:23.324
[YUSUF YELLS]

1:38:33.938 --> 1:38:36.042
[BOTH GRUNTING]

1:38:59.102 --> 1:39:00.972
[METAL GROANING]

1:39:01.138 --> 1:39:02.941
[SECURITY GUARD SCREAMING]

1:39:11.650 --> 1:39:12.953
[YELLING]

1:40:15.532 --> 1:40:16.901
[GUNSHOT]

1:40:23.007 --> 1:40:24.377
[LAUGHS]

1:40:24.543 --> 1:40:26.313
Did you see that?

1:40:44.802 --> 1:40:46.639
COBB:
Eames, this is your dream.

1:40:46.805 --> 1:40:49.912
I need you to draw the security away
from the complex, understand?

1:40:50.076 --> 1:40:51.879
- Who guides Fischer in?
COBB: Not me.

1:40:52.044 --> 1:40:54.517
If I know the route,
everything could be compromised.

1:40:54.682 --> 1:40:57.220
- I designed the place.
COBB: No, you're with me.

1:40:57.385 --> 1:40:58.920
SAITO:
I could do it.

1:40:59.354 --> 1:41:01.791
All right. Brief him on the route
into the complex.

1:41:01.956 --> 1:41:06.166
- Fischer, you'll be going with him.
- All right. What about you?

1:41:06.329 --> 1:41:09.168
You keep this live.
I'll be listening in the whole time.

1:41:09.332 --> 1:41:13.474
The windows on that upper floor are big
enough for me to cover you from that tower.

1:41:13.638 --> 1:41:14.941
FISCHER:
You're not coming in?

1:41:15.107 --> 1:41:17.445
In order to find out the truth
about your father...

1:41:17.610 --> 1:41:20.650
...you're gonna need to break into
Browning's mind on your own.

1:41:21.515 --> 1:41:22.984
SAITO:
Come on, Fischer!

1:41:27.522 --> 1:41:29.525
[BUFFER SOUNDING]

1:42:18.085 --> 1:42:21.760
- Sound the alarm! Sound the alarm!
- Go, go, go!

1:42:21.924 --> 1:42:23.460
Move!

1:42:24.993 --> 1:42:26.062
Go!

1:42:31.269 --> 1:42:32.604
[GUNFIRE]

1:42:41.281 --> 1:42:42.316
YUSUF:
Sod it.

1:42:53.496 --> 1:42:55.166
I hope you're ready.

1:42:55.465 --> 1:42:58.138
[''NON, JE NE REGRETTE RIEN'' PLAYING]

1:43:01.741 --> 1:43:03.744
[SONG ECHOING]

1:43:03.909 --> 1:43:05.680
No, it's too soon.

1:43:08.483 --> 1:43:10.319
[SONG ECHOING]

1:43:12.187 --> 1:43:13.390
Cobb, do you hear that?

1:43:13.556 --> 1:43:17.131
I first noticed it about 20 minutes ago,
I thought it was the wind up here.

1:43:17.661 --> 1:43:20.166
Yeah, I hear it. It's music.

1:43:20.330 --> 1:43:21.733
So, what do we do?

1:43:21.900 --> 1:43:23.302
We move fast.

1:43:28.808 --> 1:43:31.045
Yusuf's 10 seconds from the jump.

1:43:32.913 --> 1:43:35.285
Which gives Arthur three minutes.

1:43:36.218 --> 1:43:38.322
- Hey!
- That's him!

1:43:38.986 --> 1:43:40.723
- Which gives us what?
- Sixty minutes.

1:43:40.889 --> 1:43:44.163
- Can they make that route in an hour?
- They have to climb to the terrace.

1:43:44.327 --> 1:43:47.200
Then they need a new route,
a more direct route.

1:43:50.167 --> 1:43:51.771
[SHOUTS INDISTINCTLY]

1:43:58.412 --> 1:44:00.047
It's designed as a labyrinth.

1:44:00.213 --> 1:44:02.685
There must be access routes
that cut through the maze.

1:44:02.850 --> 1:44:04.453
Eames?

1:44:06.487 --> 1:44:08.091
[GUNFIRE]

1:44:27.549 --> 1:44:28.817
Did Eames add any features?

1:44:28.984 --> 1:44:30.453
I don't think I should tell you.

1:44:30.618 --> 1:44:32.924
We don't have time for this.
Did he add anything?

1:44:33.356 --> 1:44:36.128
He added an air-duct system
that can cut through the maze.

1:44:36.292 --> 1:44:37.495
Good. Explain it to them.

1:44:37.662 --> 1:44:38.897
ARIADNE: Saito?
- Go ahead.

1:45:05.996 --> 1:45:07.400
[SECURITY GUARD GRUNTS]

1:45:12.237 --> 1:45:13.807
Paradox.

1:45:13.974 --> 1:45:15.476
[SCREAMS THEN THUDS]

1:46:18.621 --> 1:46:20.124
[BOTH GASPING]

1:46:23.694 --> 1:46:25.764
ARIADNE: What was that?
- The kick.

1:46:26.363 --> 1:46:28.267
Cobb! Cobb, did we miss it?

1:46:28.433 --> 1:46:30.136
Yeah, we missed it.

1:46:30.301 --> 1:46:31.504
FISCHER:
Man.

1:46:31.671 --> 1:46:35.980
Couldn't someone have dreamt up
a goddamn beach? Huh?

1:46:36.143 --> 1:46:37.412
Uh-huh.

1:46:38.145 --> 1:46:40.317
EAMES [OVER RADIO]:
Well, what the hell do we do now?

1:46:40.482 --> 1:46:42.319
We finish the job before the next kick.

1:46:42.484 --> 1:46:44.589
- What next kick?
- When the van hits the water.

1:47:07.448 --> 1:47:10.889
WOMAN [ON RECORDING]: If you'd like to
make a call, please hang up and try again.

1:47:11.054 --> 1:47:12.891
If you need help, hang up...

1:47:13.123 --> 1:47:16.430
How do I drop you without gravity?

1:47:18.931 --> 1:47:21.603
Arthur has a couple minutes,
and we have about 20.

1:47:42.292 --> 1:47:43.728
[SAITO COUGHING]

1:47:45.030 --> 1:47:46.700
You okay?

1:47:51.172 --> 1:47:55.047
SOLDIER: Run! Turn around!
Move to base! Move to base!

1:47:55.210 --> 1:47:56.745
Go, go, go!

1:47:58.914 --> 1:48:00.083
There's something wrong.

1:48:00.249 --> 1:48:02.587
They're heading your way,
like they know something.

1:48:03.820 --> 1:48:06.058
Just buy us more time, all right?

1:48:06.223 --> 1:48:08.060
- Come on!
- On my way.

1:48:08.225 --> 1:48:09.929
SOLDIER:
Come on! Move!

1:48:23.377 --> 1:48:24.981
[SILENCED GUNSHOT]

1:48:36.894 --> 1:48:38.464
[BOTH GRUNTING]

1:49:34.133 --> 1:49:35.670
All right.

1:49:40.374 --> 1:49:41.910
[SILENCED GUNSHOT]

1:49:47.850 --> 1:49:50.656
Okay. That's the antechamber
outside the strong room.

1:49:50.821 --> 1:49:54.327
- Does the strong room have windows?
- It wouldn't be very strong if it did.

1:49:54.491 --> 1:49:56.730
Let's hope Fischer likes
what he finds in there.

1:49:58.363 --> 1:50:01.705
- Are those projections his subconscious?
- Yes.

1:50:01.869 --> 1:50:05.243
- Are you destroying parts of his mind?
- No. They're just projections.

1:50:18.956 --> 1:50:20.291
[COUGHS]

1:50:24.430 --> 1:50:25.865
[SAITO COUGHING]

1:50:31.539 --> 1:50:33.276
- We're here.
- You're clear, but hurry.

1:50:33.441 --> 1:50:35.278
There's an entire army headed your way.

1:51:02.110 --> 1:51:03.479
[WHISPERS]
I'm in.

1:51:04.112 --> 1:51:05.314
[STATIC OVER RADIO]

1:51:05.480 --> 1:51:06.951
[TURNS RADIO OFF]

1:51:08.786 --> 1:51:09.921
SOLDIER:
There he is.

1:51:52.508 --> 1:51:55.212
- There's someone in there.
- Fischer, it's a trap. Get out.

1:51:56.379 --> 1:51:58.951
Come on. Come on, a little lower.

1:52:04.688 --> 1:52:05.857
ARIADNE:
Cobb.

1:52:06.491 --> 1:52:09.030
No, she is not real.

1:52:09.627 --> 1:52:10.863
How do you know that?

1:52:11.030 --> 1:52:14.671
She is just a projection.
Fischer. Fischer is real.

1:52:17.473 --> 1:52:18.508
[GRUNTS]

1:52:18.674 --> 1:52:20.209
Hello.

1:52:24.881 --> 1:52:28.089
ARIADNE: Eames!
Eames, get to the antechamber now!

1:53:12.007 --> 1:53:14.880
EAMES: What happened?
- Mal killed Fischer.

1:53:17.146 --> 1:53:19.184
I couldn't shoot her.

1:53:19.850 --> 1:53:23.224
There's no use in reviving him.
His mind's already trapped down there.

1:53:23.388 --> 1:53:24.457
It's all over.

1:53:26.191 --> 1:53:27.827
So that's it, then? We failed?

1:53:28.462 --> 1:53:30.632
We're done. I'm sorry.

1:53:34.503 --> 1:53:37.141
It's not me that doesn't get back
to my family, is it?

1:53:37.839 --> 1:53:41.747
Shame. I wanted to know what was
gonna happen in there. I swear we had this.

1:53:41.911 --> 1:53:43.982
Let's set the charges.

1:53:45.816 --> 1:53:47.318
No, there's still another way.

1:53:48.621 --> 1:53:52.027
- We have to follow Fischer down there.
- Not enough time.

1:53:52.191 --> 1:53:55.030
No, but there will be enough time
down there.

1:53:56.163 --> 1:53:57.265
And we will find him.

1:53:57.431 --> 1:54:01.373
Okay, as soon as Arthur's music kicks in,
just use the defibrillator to revive him.

1:54:01.536 --> 1:54:04.442
We can give him his own kick
down below.

1:54:05.474 --> 1:54:07.177
Look, you get him in there.

1:54:07.342 --> 1:54:10.215
As soon as the music ends,
you blow up the hospital...

1:54:10.381 --> 1:54:13.185
...and we all ride the kick
back up the layers.

1:54:14.386 --> 1:54:19.163
It's worth a shot, if Saito can hold
the guards off while I set the charges.

1:54:19.325 --> 1:54:21.429
Saito will never make it, will he?

1:54:22.728 --> 1:54:25.936
- Cobb, come on. We've gotta try this.
- Go for it.

1:54:26.100 --> 1:54:29.040
If you are not back before the kick,
I am gone with or without you.

1:54:29.204 --> 1:54:32.444
She's right. She's right.
Come on. Let's go.

1:54:36.681 --> 1:54:38.885
Can I trust you to do
what needs to happen here?

1:54:39.050 --> 1:54:40.253
Mal's gonna be down there.

1:54:40.419 --> 1:54:42.856
I know where to find her.
She'll have Fischer.

1:54:43.021 --> 1:54:46.929
- How do you know?
- Because she wants me to come after him.

1:54:47.093 --> 1:54:49.264
She wants me back down there with her.

1:55:16.029 --> 1:55:17.064
All right?

1:55:24.306 --> 1:55:26.978
- This is your world?
- It was.

1:55:27.777 --> 1:55:29.715
And this is where she'll be.

1:55:30.514 --> 1:55:32.017
Come on.

1:56:14.902 --> 1:56:15.939
[GUNFIRE]

1:56:18.507 --> 1:56:20.980
Saito. Saito.

1:56:21.411 --> 1:56:25.386
I need you to take care of Fischer
while I go set some charges, okay?

1:56:25.551 --> 1:56:28.990
No room for tourists on these jobs.

1:56:31.625 --> 1:56:32.793
Don't be silly.

1:57:05.300 --> 1:57:07.371
ARIADNE:
You built all this? This is incredible.

1:57:07.837 --> 1:57:09.874
We built for years.

1:57:10.908 --> 1:57:12.911
Then we started in on the memories.

1:57:19.951 --> 1:57:21.355
This way.

1:58:03.039 --> 1:58:05.144
COBB:
This was our neighborhood.

1:58:05.309 --> 1:58:07.647
Places from our past.

1:58:07.812 --> 1:58:09.582
That was our first apartment.

1:58:09.748 --> 1:58:11.987
Then we moved to that building
right there.

1:58:12.151 --> 1:58:14.689
After Mal became pregnant,
that became our home.

1:58:14.855 --> 1:58:17.661
You reconstructed all of this
from memory?

1:58:17.825 --> 1:58:20.095
Like I told you, we had lots of time.

1:58:20.260 --> 1:58:21.864
ARIADNE:
What is that?

1:58:23.399 --> 1:58:25.168
That's the house Mal grew up in.

1:58:25.334 --> 1:58:27.772
- Well, will she be in there?
- No.

1:58:28.104 --> 1:58:29.139
Come on.

1:58:29.305 --> 1:58:32.645
We both wanted to live in a house,
but we loved this type of building.

1:58:32.810 --> 1:58:35.750
In the real world,
we'd have to choose, but not here.

1:58:41.119 --> 1:58:42.456
[GRUNTS]

1:58:43.590 --> 1:58:44.792
[GUNFIRE]

1:58:46.727 --> 1:58:47.830
[GRUNTS]

1:58:59.242 --> 1:59:00.344
[BEEPS]

1:59:09.556 --> 1:59:10.691
[BEEPS]

1:59:15.130 --> 1:59:16.165
[BEEPS]

1:59:16.331 --> 1:59:18.369
How are we gonna bring Fischer back?

1:59:18.768 --> 1:59:21.206
We're gonna have to come up
with some kind of a kick.

1:59:21.370 --> 1:59:22.774
What?

1:59:23.775 --> 1:59:24.877
I'm gonna improvise.

1:59:25.043 --> 1:59:29.720
Listen, there's something you should
know about me. About inception.

1:59:31.016 --> 1:59:32.386
[BOTH GRUNTING]

1:59:32.552 --> 1:59:33.754
[GUNFIRE]

1:59:42.799 --> 1:59:46.673
An idea is like a virus. Resilient.

1:59:47.503 --> 1:59:49.074
Highly contagious.

1:59:49.239 --> 1:59:52.579
And the smallest seed
of an idea can grow.

1:59:53.645 --> 1:59:55.615
It can grow to define...

1:59:56.648 --> 1:59:58.219
...or destroy you.

2:00:01.354 --> 2:00:04.127
MAL:
The smallest idea, such as:

2:00:04.725 --> 2:00:07.097
''Your world is not real.''

2:00:07.361 --> 2:00:11.136
Simple little thought
that changes everything.

2:00:12.367 --> 2:00:16.877
So certain of your world. Of what's real.

2:00:17.040 --> 2:00:18.844
Do you think he is?

2:00:20.646 --> 2:00:23.552
Or do you think he's as lost as I was?

2:00:24.684 --> 2:00:26.187
COBB:
I know what's real, Mal.

2:00:28.255 --> 2:00:30.559
No creeping doubts?

2:00:31.258 --> 2:00:33.897
Not feeling persecuted, Dom?

2:00:34.196 --> 2:00:35.532
Chased around the globe...

2:00:35.698 --> 2:00:38.371
...by anonymous corporations
and police forces...

2:00:38.535 --> 2:00:41.172
...the way the projections
persecute the dreamer?

2:00:42.773 --> 2:00:44.277
Admit it.

2:00:45.577 --> 2:00:48.417
You don't believe in one reality anymore.

2:00:48.581 --> 2:00:50.117
So choose.

2:00:50.282 --> 2:00:52.552
Choose to be here.

2:00:53.053 --> 2:00:54.556
Choose me.

2:01:15.881 --> 2:01:16.916
[COUGHS]

2:01:20.419 --> 2:01:21.688
You know what I have to do.

2:01:21.855 --> 2:01:24.528
I have to get back to our children
because you left them.

2:01:25.860 --> 2:01:27.396
Because you left us.

2:01:27.562 --> 2:01:29.367
- You're wrong.
COBB: I'm not wrong.

2:01:29.532 --> 2:01:31.569
You're confused.

2:01:32.669 --> 2:01:34.740
Our children are here.

2:01:35.506 --> 2:01:38.779
And you'd like to see their faces again,
wouldn't you?

2:01:38.944 --> 2:01:42.017
Yes, but I'm gonna see them
up above, Mal.

2:01:42.181 --> 2:01:43.484
[GUNFIRE]

2:01:46.720 --> 2:01:47.755
[BEEPS]

2:01:51.893 --> 2:01:53.363
[FOOTSTEPS APPROACHING]

2:01:53.528 --> 2:01:54.931
[SAITO COUGHING]

2:01:55.665 --> 2:01:57.668
Up above?

2:01:58.567 --> 2:02:02.208
Listen to yourself.
These are our children.

2:02:02.740 --> 2:02:04.109
Watch.

2:02:04.610 --> 2:02:06.312
James? Phillipa?

2:02:06.478 --> 2:02:08.915
Don't do this, Mal. Please.
Those aren't my children.

2:02:09.081 --> 2:02:11.554
You keep telling yourself that,
but you don't believe it.

2:02:11.718 --> 2:02:13.621
- No, I know it.
- What if you're wrong?

2:02:14.020 --> 2:02:16.326
What if I'm what's real?

2:02:17.525 --> 2:02:19.763
You keep telling yourself what you know.

2:02:21.330 --> 2:02:23.567
But what do you believe?

2:02:24.534 --> 2:02:25.770
What do you feel?

2:02:27.905 --> 2:02:29.340
Guilt.

2:02:30.542 --> 2:02:32.779
I feel guilt, Mal.

2:02:33.312 --> 2:02:37.254
And no matter what I do,
no matter how hopeless I am...

2:02:37.416 --> 2:02:41.692
...no matter how confused,
that guilt is always there...

2:02:41.856 --> 2:02:44.394
...reminding me of the truth.

2:02:44.894 --> 2:02:46.196
What truth?

2:02:48.631 --> 2:02:53.875
That the idea that caused you to question
your reality came from me.

2:02:57.242 --> 2:03:00.383
You planted the idea in my mind?

2:03:01.881 --> 2:03:03.384
What is she talking about?

2:03:04.284 --> 2:03:09.561
The reason I knew inception was possible
was because I did it to her first.

2:03:10.592 --> 2:03:13.565
- I did it to my own wife.
- Why?

2:03:14.296 --> 2:03:15.800
We were lost in here.

2:03:16.733 --> 2:03:21.376
I knew we needed to escape,
but she wouldn't accept it.

2:03:24.575 --> 2:03:30.254
She had locked something away,
something deep inside.

2:03:31.018 --> 2:03:35.159
A truth that she had once known,
but chose to forget.

2:03:36.124 --> 2:03:38.261
And she couldn't break free.

2:03:40.963 --> 2:03:43.702
So I decided to search for it.

2:03:44.268 --> 2:03:49.146
I went deep into the recess of her mind
and found that secret place.

2:03:49.308 --> 2:03:51.212
And I broke in...

2:03:51.777 --> 2:03:53.948
...and I planted an idea.

2:03:54.680 --> 2:03:58.455
A simple little idea
that would change everything.

2:04:03.692 --> 2:04:06.064
That her world wasn't real.

2:04:18.878 --> 2:04:22.085
That death was the only escape.

2:04:29.491 --> 2:04:31.262
You're waiting for a train.

2:04:31.428 --> 2:04:32.897
[METAL GROANING]

2:04:33.562 --> 2:04:36.302
A train that'll take you far away.

2:04:37.468 --> 2:04:40.473
You know where you hope
this train will take you...

2:04:41.572 --> 2:04:43.610
...but you can't know for sure.

2:04:44.776 --> 2:04:46.312
Yet it doesn't matter.

2:04:47.747 --> 2:04:50.919
- Now, tell me why!
- Because you'll be together!

2:04:55.257 --> 2:04:59.333
COBB: But I never knew that that idea
would grow in her mind like a cancer...

2:04:59.496 --> 2:05:01.902
...that even after she woke...

2:05:04.802 --> 2:05:07.274
That even after
you came back to reality...

2:05:10.209 --> 2:05:13.182
...that you'd continue to believe
your world wasn't real.

2:05:15.949 --> 2:05:18.355
That death was the only escape.

2:05:18.520 --> 2:05:21.192
Mal, no! Jesus!

2:05:21.356 --> 2:05:25.064
- You infected my mind.
- I was trying to save you.

2:05:25.228 --> 2:05:26.630
You betrayed me.

2:05:27.464 --> 2:05:31.171
But you can make amends.
You can still keep your promise.

2:05:31.335 --> 2:05:34.376
We can still be together, right here...

2:05:34.540 --> 2:05:37.012
...in the world we built together.

2:05:43.318 --> 2:05:44.820
[COUGHING]

2:05:52.862 --> 2:05:53.897
[BEEPS]

2:05:54.064 --> 2:05:55.332
[GUNFIRE]

2:06:12.855 --> 2:06:14.157
[GRUNTS]

2:06:31.644 --> 2:06:34.250
[''NON, JE NE REGRETTE RIEN'' PLAYING]

2:06:42.525 --> 2:06:44.128
[SONG ECHOING]

2:06:49.967 --> 2:06:51.637
[DEFIBRILLATOR CHARGING]

2:06:54.673 --> 2:06:55.942
[THUNDER CRASHING]

2:06:57.844 --> 2:07:00.181
Cobb, we need to get Fischer.

2:07:01.048 --> 2:07:02.350
You can't have him.

2:07:03.384 --> 2:07:06.824
- If I stay here, will you let him go?
- What are you talking about?

2:07:11.294 --> 2:07:13.132
Fischer is on the porch.

2:07:13.697 --> 2:07:16.303
- Go check he's alive, Ariadne.
- Cobb, you can't do this.

2:07:16.468 --> 2:07:19.107
Go check he's alive right now. Do it.

2:07:32.655 --> 2:07:33.991
[ARIADNE GRUNTING]

2:07:34.757 --> 2:07:37.863
He's here! And it's time,
but you have to come now!

2:07:38.028 --> 2:07:41.702
COBB: You take Fischer with you, all right?
- You can't stay here to be with her.

2:07:44.269 --> 2:07:46.974
I'm not. Saito's dead by now.

2:07:47.139 --> 2:07:50.647
That means he's down here somewhere.
That means I have to find him.

2:07:52.646 --> 2:07:55.753
I can't stay with her anymore,
because she doesn't exist.

2:07:55.916 --> 2:07:59.324
I'm the only thing
you do believe in anymore.

2:07:59.489 --> 2:08:00.824
No.

2:08:01.991 --> 2:08:03.426
I wish.

2:08:05.028 --> 2:08:07.532
I wish more than anything, but...

2:08:08.634 --> 2:08:11.372
...I can't imagine you
with all your complexity...

2:08:11.537 --> 2:08:14.075
...all your perfection,
all your imperfection.

2:08:15.174 --> 2:08:16.209
- You all right?
- Yeah.

2:08:16.376 --> 2:08:18.213
Look at you.

2:08:19.447 --> 2:08:24.392
You're just a shade.
You're just a shade of my real wife.

2:08:24.820 --> 2:08:27.458
And you were the best
that I could do, but...

2:08:28.291 --> 2:08:30.730
...I'm sorry, you're just not good enough.

2:08:30.895 --> 2:08:32.531
Does this feel real?

2:08:32.963 --> 2:08:34.099
[GUNSHOT]

2:08:34.933 --> 2:08:37.538
- What are you doing?
- Improvising.

2:08:41.808 --> 2:08:43.043
[GASPING]

2:08:46.147 --> 2:08:47.849
No, no, no!

2:08:48.817 --> 2:08:51.222
In there, now. Go, go, go.

2:09:36.077 --> 2:09:37.980
I was dis-

2:09:39.682 --> 2:09:42.019
I was dis- Disa-

2:09:42.885 --> 2:09:45.424
- I know, Dad.
- Dis-

2:09:51.429 --> 2:09:53.533
I know you were disappointed...

2:09:54.332 --> 2:09:55.702
...I couldn't be you.

2:09:56.102 --> 2:09:57.604
No.

2:09:58.104 --> 2:09:59.339
No, no, no.

2:10:00.374 --> 2:10:02.377
I was disappointed...

2:10:04.111 --> 2:10:06.049
...that you tried.

2:10:23.168 --> 2:10:24.470
[BEEPING]

2:10:29.309 --> 2:10:30.980
What?

2:10:40.424 --> 2:10:41.560
Come on, come on.

2:11:11.797 --> 2:11:13.299
Dad?

2:11:15.100 --> 2:11:16.136
[SOBBING]

2:11:51.647 --> 2:11:54.720
That's the kick, Ariadne!
You have to go now!

2:12:07.567 --> 2:12:11.007
Don't lose yourself!
Find Saito and bring him back!

2:12:11.171 --> 2:12:12.841
I will!

2:12:52.590 --> 2:12:55.762
You remember when you asked me
to marry you?

2:12:55.926 --> 2:12:57.030
Yes.

2:12:57.195 --> 2:13:00.268
You said you dreamt
that we'd grow old together.

2:13:02.971 --> 2:13:04.473
But we did.

2:13:06.406 --> 2:13:08.779
We did. You don't remember?

2:13:13.450 --> 2:13:16.289
I miss you more than I can bear...

2:13:18.656 --> 2:13:20.659
...but we had our time together.

2:13:21.994 --> 2:13:24.065
And I have to let you go.

2:13:26.165 --> 2:13:27.969
I have to let you go.

2:14:19.232 --> 2:14:20.535
I'm sorry, Robert.

2:14:42.427 --> 2:14:43.930
[ARTHUR YELLS]

2:14:48.202 --> 2:14:51.877
You know, the will means that Dad
wanted me to be my own man...

2:14:52.941 --> 2:14:54.979
...not just to live for him.

2:14:56.578 --> 2:14:59.117
That's what I'm gonna do, Uncle Peter.

2:15:08.894 --> 2:15:10.130
What happened?

2:15:10.596 --> 2:15:12.299
- Cobb stayed.
- With Mal?

2:15:12.464 --> 2:15:13.733
No, to find Saito.

2:15:16.003 --> 2:15:17.774
He'll be lost.

2:15:20.309 --> 2:15:22.146
No, he'll be all right.

2:15:38.165 --> 2:15:40.136
SAITO:
Have you come to kill me?

2:15:44.405 --> 2:15:46.877
I'm waiting for someone.

2:15:51.348 --> 2:15:54.120
COBB:
Someone from a half-remembered dream.

2:15:56.854 --> 2:15:58.257
Cobb?

2:15:58.990 --> 2:16:00.026
[SCOFFS]

2:16:00.193 --> 2:16:01.963
Impossible.

2:16:02.494 --> 2:16:05.100
We were young men together.

2:16:06.700 --> 2:16:09.037
I'm an old man.

2:16:10.271 --> 2:16:12.342
Filled with regret.

2:16:15.478 --> 2:16:18.183
Waiting to die alone.

2:16:21.352 --> 2:16:23.522
I've come back for you.

2:16:26.793 --> 2:16:30.668
To remind you of something.

2:16:33.934 --> 2:16:36.307
Something you once knew.

2:16:39.175 --> 2:16:41.413
That this world is not real.

2:16:46.317 --> 2:16:50.827
To convince me to honor
our arrangement?

2:16:51.657 --> 2:16:54.428
To take a leap of faith, yes.

2:17:00.535 --> 2:17:01.870
Come back...

2:17:04.406 --> 2:17:07.780
...so we can be
young men together again.

2:17:11.548 --> 2:17:13.518
Come back with me.

2:17:16.621 --> 2:17:18.056
Come back.

2:17:27.801 --> 2:17:29.504
FLIGHT ATTENDANT:
Hot towel, sir?

2:17:30.138 --> 2:17:33.011
We'll be landing in Los Angeles
in about 20 minutes.

2:17:33.175 --> 2:17:35.481
Do you need immigration forms?

2:17:37.581 --> 2:17:38.917
Thank you.

2:17:39.383 --> 2:17:41.020
Hot towel, sir?

2:17:42.020 --> 2:17:45.025
- No.
- Do you need immigration forms?

2:18:56.415 --> 2:18:57.483
Welcome home, Mr. Cobb.

2:18:58.616 --> 2:19:00.252
Thank you, sir.

2:19:44.307 --> 2:19:45.676
Welcome.

2:19:46.142 --> 2:19:47.545
This way.

2:20:08.737 --> 2:20:12.212
MILES:
James? Phillipa?

2:20:15.946 --> 2:20:17.215
Look who's here.

2:20:22.822 --> 2:20:23.890
Hey.

2:20:24.991 --> 2:20:27.697
- Hey, guys! Hey! How are you?
PHILLIPA: Daddy! Daddy!

2:20:27.861 --> 2:20:30.132
JAMES: Daddy!
COBB: How are you?

2:20:31.232 --> 2:20:32.835
Look what I've been building!

2:20:33.002 --> 2:20:36.708
- What are you building?
JAMES: We're building a house on the cliff!

2:20:36.872 --> 2:20:39.745
COBB: On the cliff? Come on, I want you
to show me. Can you show me?

2:20:39.910 --> 2:20:42.482
JAMES: Let's go.
PHILLIPA: Come on, Daddy!

2:20:43.482 --> 2:20:53.482
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