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00:00:37,287 --> 00:00:38,537
NARRATOR: The film
which you are about to see

2
00:00:38,664 --> 00:00:43,754
is an account of the crimes committed
by Karen Bird and Jack Blueblood.

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00:00:43,877 --> 00:00:49,627
By June of 1974, they would
be responsible for 11 homicides

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00:00:49,758 --> 00:00:52,678
and wanted dead or alive
in six USS states.

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00:01:04,940 --> 00:01:08,230
Karen Bird was born in the shadow
of the Appalachian Mountains

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00:01:08,360 --> 00:01:12,780
in Chattanooga, Tennessee,
on January 24th 1956.

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00:01:12,906 --> 00:01:14,946
She weighed six pounds eight ounces

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00:01:15,075 --> 00:01:19,745
and was described by the hospital staff
as being a particularly pleasant baby.

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00:01:21,331 --> 00:01:24,211
Jack Blueblood was born a half-breed
seven years earlier

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00:01:24,334 --> 00:01:27,424
on an Indian reservation
in South Dakota.

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00:01:28,297 --> 00:01:30,377
His dather was a Lakota Sioux

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and his mother, who died giving birth,
was Irish Catholic.

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Try as he might, Jack's father
could never forgive his son

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00:01:39,767 --> 00:01:42,057
for taking away the love of his life.

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00:01:42,186 --> 00:01:44,266
(BEATING)

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00:01:45,856 --> 00:01:50,486
Not a day went by that young Jack
wasn't reminded of his guilt.

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00:01:50,611 --> 00:01:56,621
Unlike Jack, Karen grew up
a model child in a model American town.

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The only symptom of her budding
misbehavior was an aversion to church,

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and CCD,
and an obsession with guns.

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(CLATTERS)

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00:02:08,170 --> 00:02:11,130
Jack inherited from his mother
a sweet tooth,

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00:02:11,256 --> 00:02:14,676
her good looks,
and an extensive record collection.

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00:02:16,011 --> 00:02:22,601
When Elvis Presley broke in 1955,
Jack became his disciple.

24
00:02:25,646 --> 00:02:29,396
ln EIvis and his music,
Jack felt something ancient.

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00:02:29,525 --> 00:02:33,605
Something primal.
He feIt freedom.

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Both Jack and Karen would continue
to lead aimless, reckless lives

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throughout their adolescence,

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both searching for something better,
something more,

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00:02:48,252 --> 00:02:52,302
something elusive
they couldn't quite define.

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00:02:52,422 --> 00:02:56,432
lt was only a matter of time before
this yearning led them to one another.

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00:02:58,512 --> 00:02:59,972
They would eventually meet

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00:03:00,097 --> 00:03:02,137
at the Second Chances
RehabiIitation CIinic

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00:03:02,266 --> 00:03:04,136
located in Floodwood, Michigan.

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00:03:05,310 --> 00:03:08,310
Karen was sent there involuntarily
by her parents

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after she was suspended
from high school

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and turned to nicotine,
vodka and teenage boys.

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00:03:15,863 --> 00:03:19,533
Jack was sent there by the state
for his barbiturate addiction

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00:03:19,658 --> 00:03:23,828
and an increasingly abnormal obsession
with Elvis Presley.

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00:03:23,954 --> 00:03:26,254
WeII, at the time of your evaIuation,

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00:03:26,373 --> 00:03:29,503
you said that EIvis
was straying from the righteous path

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and it was your duty
to guide his souI to saIvation.

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00:03:33,714 --> 00:03:35,214
Yep.

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Diagnosed with a delusional disorder,

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00:03:39,678 --> 00:03:44,678
Jack was prescribed daily sessions
of electroshock therapy

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00:03:44,808 --> 00:03:46,978
at twice the recommended dosage.

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00:03:47,102 --> 00:03:48,732
(SIZZLES)

47
00:03:51,064 --> 00:03:56,944
on March 13th 1974, Karen and Jack
would cross paths for the first time,

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00:03:57,070 --> 00:03:59,780
setting in motion one
of the most destructive love affairs

49
00:03:59,907 --> 00:04:02,197
in the annals of US crime.

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00:04:02,326 --> 00:04:03,826
JACK: Get your fuckin' paws off me, man!

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00:04:03,952 --> 00:04:07,832
My peopIe was born here in this dirt
and I'II do as I goddamn pIease!

52
00:04:08,916 --> 00:04:10,286
Can I heIp you?

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00:04:10,417 --> 00:04:11,417
(CLATTERS)

54
00:04:37,778 --> 00:04:42,908
So what's a pretty girl Iike you doing
here stuck with aII these juggIe heads?

55
00:04:43,033 --> 00:04:45,373
I don't know.

56
00:04:45,494 --> 00:04:49,334
My parents thought I shouId take it easy
for a whiIe, I guess.

57
00:04:49,456 --> 00:04:52,536
- I got nerves.
- Yeah, they say I got the nerves too.

58
00:04:53,752 --> 00:04:57,092
I mean, how can't a smart person
with a brain have the nerves?

59
00:04:57,214 --> 00:05:00,054
You see the world we Iive in?
You gotta wonder.

60
00:05:00,175 --> 00:05:02,295
It's the peopIe that don't have nerves

61
00:05:02,427 --> 00:05:05,047
who shouId be Iocked up in here,
I think.

62
00:05:05,180 --> 00:05:09,310
- They're the reaI suspicious ones.
- Yeah, I guess.

63
00:05:11,603 --> 00:05:14,733
- So what's your name?
- Karen.

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00:05:14,856 --> 00:05:17,976
- That's a pretty name.
- Thanka.

65
00:05:18,902 --> 00:05:21,322
My name's Jack BIuebIood.

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00:05:21,446 --> 00:05:23,446
(CHATTER OVER WALKIE-TALKIE)

67
00:05:27,703 --> 00:05:28,833
Can I see you again?

68
00:05:30,080 --> 00:05:32,960
- Maybe.
- I gotta get.

69
00:05:41,800 --> 00:05:45,220
Hey. He's in the Iadies' room.

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00:05:51,601 --> 00:05:53,021
(MUFFLED VOICES)

71
00:05:53,145 --> 00:05:54,185
- (LOUD THUD)
- GUARD: Ow!

72
00:05:54,312 --> 00:05:56,522
(GLASS SHATTERS)

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00:05:56,648 --> 00:06:00,858
I just don't wanna be some...

74
00:06:02,029 --> 00:06:03,859
Chattanooga chambermaid.

75
00:06:04,656 --> 00:06:06,906
I want something different.

76
00:06:08,035 --> 00:06:09,655
Like what, Karen?

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00:06:11,621 --> 00:06:16,331
- I don't know reaIIy.
- And that is the crux of your anxiety.

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00:06:17,377 --> 00:06:19,207
The unknown.

79
00:06:21,256 --> 00:06:24,126
- You mind if I have a smoke?
- No.

80
00:06:34,853 --> 00:06:37,693
- Dr Sanborn, can I ask you something?
- Of course.

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00:06:38,940 --> 00:06:42,150
Why is that Jack BIuebIood guy here?

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00:06:42,277 --> 00:06:45,817
Because he hears voices in his head
that teII him to kiII.

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- I aIso think he might be queer.
- (LAUGHS)

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00:06:49,785 --> 00:06:52,745
You can Iaugh if you want to but
Jack BIuebIood is a very dangerous man.

85
00:06:52,871 --> 00:06:56,581
You need to stay away from him.
Trust me.

86
00:07:06,802 --> 00:07:10,512
On top of soIar fkares and sun spots,

87
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what I'm reaIIy most freaked about
is pandemics.

88
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Toby! Get!

89
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Checkmate.

90
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LittIe birdie toId me
you snitched on my hiding spot.

91
00:07:29,324 --> 00:07:30,574
Oh, yeah?

92
00:07:30,700 --> 00:07:35,290
Look, sugar tits, I don't know
who the fuck you think you are,

93
00:07:35,413 --> 00:07:37,123
but there's ruIes around here.

94
00:07:37,249 --> 00:07:39,039
Don't caII me sugar tits.

95
00:07:39,167 --> 00:07:43,417
RuIe number one, I'II caII you
whatever the fuck I wanna caII you.

96
00:07:43,547 --> 00:07:46,467
RuIe two, do not cross me.

97
00:07:49,136 --> 00:07:52,926
I carry artiIIery in my boot just Iike
the King and I ain't afraid to use it.

98
00:07:54,057 --> 00:07:57,057
I'm 50% Irish, 50% Lakota Sioux.

99
00:08:02,107 --> 00:08:04,277
I'm 100% white trash.

100
00:08:08,363 --> 00:08:11,203
NARRATOR: Jack and Karen
fell for each other quickly.

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00:08:16,538 --> 00:08:19,458
According to an entry
in Karen's diary at the time,

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00:08:19,583 --> 00:08:22,543
Jack is unlike anyone
she'd ever met before.

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KAREN: Sure, he's crazy but he's alive.

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He's got mercury for blood
and fire in his eyes.

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00:08:28,466 --> 00:08:30,966
And although he might look rough
and primitive,

106
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deep down he's sensitive and kind.

107
00:08:33,722 --> 00:08:36,972
Last week at movie night,
he cried during "Pride of the Yankees",

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00:08:37,100 --> 00:08:41,770
and he whittled me a statuette of
the Virgin Mary out of a bar of Lava.

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He says that sometimes
his head feels like it's crowded

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00:08:45,901 --> 00:08:49,821
with a bunch of black dogs who won't
quit barking. lt drives him mad.

111
00:08:50,947 --> 00:08:52,867
And l can relate to that feeling.

112
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Plus we tell each other secrets
we ain't never told anyone before.

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00:08:57,746 --> 00:09:02,786
When I was eight years oId, I kiIIed
a baby bIuebird just to watch it die.

114
00:09:02,918 --> 00:09:04,498
I feeI bad about that.

115
00:09:05,837 --> 00:09:08,707
I Iike The Beach Boys
more than The BeatIes.

116
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Don't teII anyone. It's controversiaI.

117
00:09:13,053 --> 00:09:17,933
My one true dream in Iife
is to step foot into the Pacific Ocean,

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feeI the warm frothy water on my Iegs,
breathe in the fresh saIty air.

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Your turn.

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00:09:29,110 --> 00:09:31,030
I hate my daddy.

121
00:09:31,154 --> 00:09:35,744
My favorite month of the year is October
when the air smeIIs aII wet and fun.

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00:09:36,660 --> 00:09:39,410
When I Iisten to EIvis,
it's Iike the gospeI.

123
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Those two minutes and 30 seconds

124
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I forget I'm just a kid trapped
in a box somewhere waiting to die.

125
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I'm free, baby.

126
00:10:08,733 --> 00:10:13,903
You are the most beautifuI, most far-out
chick I've ever seen in my whoIe Iife.

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00:10:17,409 --> 00:10:21,039
NARRATOR: Karen had never felt this way
about a boy before.

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00:10:22,205 --> 00:10:27,415
When she was with him she didn't feel
that funny, lonesome feeling,

129
00:10:27,544 --> 00:10:29,754
and neither did he.

130
00:10:30,880 --> 00:10:36,180
But this carefree time
would soon come to an end.

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00:10:47,188 --> 00:10:49,398
PATIENT: FeIt Iike the waIIs
were caving in,

132
00:10:49,524 --> 00:10:53,994
Iike the air was disappearing
and the sky was faIIing.

133
00:10:54,112 --> 00:10:58,782
Like nothing was reaI no more
and I was being erased from it aII.

134
00:11:00,410 --> 00:11:02,370
Like I was being rubbed out.

135
00:11:03,580 --> 00:11:05,790
DOCTOR: Very courageous.
Thank you for sharing that.

136
00:11:05,915 --> 00:11:09,535
DOCTOR: AII right, everyone,
Iet's discuss what Toby toId us.

137
00:11:14,716 --> 00:11:16,376
(KNOCKING)

138
00:11:20,930 --> 00:11:24,270
- Who's there?
- JACK: It's me, baby. Open up.

139
00:11:24,392 --> 00:11:28,062
- What's the password?
- JACK: Pretty pIease. Open up.

140
00:11:35,320 --> 00:11:39,280
I gotta teII you something.
I gotta teII you something. HoId on.

141
00:11:39,783 --> 00:11:41,033
What?

142
00:11:42,077 --> 00:11:45,697
Now, we've been going steady
for a coupIe of weeka now. Right?

143
00:11:45,830 --> 00:11:48,000
So there's something
you shouId know about me.

144
00:11:48,124 --> 00:11:51,884
- OK.
- A coupIe of years back...

145
00:11:52,837 --> 00:11:55,917
My dead mama made contact with me.

146
00:11:56,049 --> 00:12:01,509
She toId me that I gotta kiII EIvis.

147
00:12:03,681 --> 00:12:06,811
NARRATOR: By 1972,
it had become clear to Jack

148
00:12:06,935 --> 00:12:11,895
that a distinct change had occurred
in EIvis and his music.

149
00:12:12,023 --> 00:12:16,943
Shortly after the "Aloha From Hawaii"
special, while high on mezcal...

150
00:12:17,070 --> 00:12:18,400
(BACKWARDS SINGING)

151
00:12:18,530 --> 00:12:21,990
...Jack accidentally spun
his davorite Elvis record backwards,

152
00:12:22,117 --> 00:12:24,787
and claimed to have heard a message
from his dead mother

153
00:12:24,911 --> 00:12:27,001
spinning in the grooves of the wax.

154
00:12:27,997 --> 00:12:30,957
(DISTORTED VOICE)
Kill Elvis.

155
00:12:31,751 --> 00:12:48,431
Kill Elvis.

156
00:12:51,896 --> 00:12:55,066
EIvis, Iike EIvis EIvis?

157
00:12:55,191 --> 00:12:57,901
Look, I knew you were gonna say that
and I know it sounds crazy, baby,

158
00:12:58,027 --> 00:13:02,407
but you gotta trust me on this one, OK?
Look, I got proof.

159
00:13:03,992 --> 00:13:09,662
Elvis is pIaying the Sports CoIiseum
in Los AngeIes, CaIifornia, on May 11th.

160
00:13:10,832 --> 00:13:14,382
Which aIso happens
to be my dead mama's birthday.

161
00:13:14,502 --> 00:13:18,302
Now, does that sound Iike a coincidence
to you? Cos it don't to me.

162
00:13:18,423 --> 00:13:21,133
- What are you trying to say?
- I'm gonna bust out of here.

163
00:13:21,259 --> 00:13:24,429
I'm gonna hitch west
and I'm gonna kiII the son of a bitch.

164
00:13:25,889 --> 00:13:28,349
Are you gonna come with me, sunshine?

165
00:13:28,475 --> 00:13:30,725
You always said
you wanted to see the ocean.

166
00:13:34,898 --> 00:13:39,028
The beaches and the sunscreen.
Don't you just Iove that smeII?

167
00:13:40,028 --> 00:13:42,148
I thought you Ioved EIvis, Jack.

168
00:13:43,948 --> 00:13:45,278
I do.

169
00:13:46,284 --> 00:13:48,914
So then why wouId your mama
want you to kiII him?

170
00:13:49,871 --> 00:13:51,791
I don't know, Karen.

171
00:13:51,915 --> 00:13:56,745
I've been waiting on a sign from my mama
just to make sure this is 100%,

172
00:13:56,878 --> 00:13:58,458
and then this came in the maiI today.

173
00:13:58,588 --> 00:14:02,128
This is my destiny, Karen.
It's my caIIing.

174
00:14:07,764 --> 00:14:10,274
I need you to come with me.

175
00:14:12,602 --> 00:14:16,612
Look, I ain't never had the courage
to do this tiII I met you.

176
00:14:19,484 --> 00:14:21,944
Hey. What I teII you two about
being in each other's rooms, huh?

177
00:14:22,070 --> 00:14:24,990
Fuck off. Get off me.
Hey, just think about it, OK?

178
00:14:25,114 --> 00:14:27,454
Dr Sanborn
wouId Iike to see you in his office.

179
00:14:27,575 --> 00:14:30,445
- It's time for your 'sis. Let's go.
- (JACK RANTS)

180
00:14:33,289 --> 00:14:34,999
(DOOR SHUTS)

181
00:14:41,464 --> 00:14:42,974
(JACK GRUNTS)

182
00:14:43,091 --> 00:14:44,091
(SIZZLES)

183
00:14:55,186 --> 00:14:58,356
Miss Bird. Come in.

184
00:15:00,191 --> 00:15:01,821
Have a seat.

185
00:15:07,949 --> 00:15:08,949
(LOCK CLICKS)

186
00:15:13,538 --> 00:15:17,418
I want to taIk to you about your affairs
with Jack BIuebIood.

187
00:15:20,503 --> 00:15:22,003
- (SIZZLES)
- (GRUNTS)

188
00:15:23,840 --> 00:15:25,050
- (SIZZLES)
- (GROANS)

189
00:15:27,135 --> 00:15:28,885
(SIZZLES)

190
00:15:29,012 --> 00:15:30,472
(PROLONGED GROANS)

191
00:15:48,781 --> 00:15:50,701
(KNOCKS ON DOOR)

192
00:15:56,372 --> 00:15:58,462
What's the matter, baby?

193
00:15:59,542 --> 00:16:01,292
(VOICE BREAKS) Dr Sanborn.

194
00:16:02,503 --> 00:16:06,213
- What?
- He... He touched me.

195
00:16:06,341 --> 00:16:07,631
He did what?

196
00:16:26,694 --> 00:16:31,994
Hey, Doc. I think that therapy
is working out reaI great.

197
00:16:37,330 --> 00:16:38,910
(GLASS TINKLES)

198
00:16:39,874 --> 00:16:41,334
(PILLS RATTLE)

199
00:16:42,001 --> 00:16:43,291
(ALARM BELL RINGS)

200
00:16:44,379 --> 00:16:48,339
AII right, everybody. Time to go home.

201
00:16:49,509 --> 00:16:52,009
TeII your friends, you whackos,
this party's over.

202
00:16:59,268 --> 00:17:00,888
Baby, it's me.

203
00:17:05,608 --> 00:17:09,148
I kiIIed that scumbag piece of shit,
cos he deserved it,

204
00:17:09,278 --> 00:17:11,988
and I ain't ever gonna Iet anyone
touch you

205
00:17:12,115 --> 00:17:15,865
or Iook at you funny
or say a bad thing ever again.

206
00:17:16,911 --> 00:17:18,451
I Iove you.

207
00:17:19,872 --> 00:17:21,422
I Iove you too.

208
00:17:25,044 --> 00:17:28,424
Pack your shit.
We're going to CaIifornia.

209
00:17:34,971 --> 00:17:36,641
NARRATOR: By the time
the police arrived,

210
00:17:36,764 --> 00:17:41,944
Jack and Karen had hotwired a 1961
Cadillac DeVille and hit the road.

211
00:17:42,061 --> 00:17:44,731
They would arrive in LA eventually,

212
00:17:44,856 --> 00:17:48,566
but first they would enjoy the sights
and sounds of America.

213
00:17:52,280 --> 00:17:55,780
Dr Guido Nash,
an expert on adolescent psychology.

214
00:17:55,908 --> 00:17:59,368
Look, in rare cases,
patients of his sort

215
00:17:59,495 --> 00:18:04,165
receiving experimentaI therapies
can have vioIent reactions, sure.

216
00:18:12,508 --> 00:18:16,928
DR NASH: But the girl, she haunts me.

217
00:18:20,057 --> 00:18:22,057
l don't know what to say about her.

218
00:18:26,397 --> 00:18:28,727
Her file reads like Jackie onassis's.

219
00:18:34,989 --> 00:18:39,329
She had parents who loved her,
affluence, good looks.

220
00:18:47,376 --> 00:18:49,626
She had every privilege in life.

221
00:18:52,089 --> 00:18:54,129
She should have been a debutante.

222
00:19:10,983 --> 00:19:12,363
Jack?

223
00:19:15,780 --> 00:19:18,160
You think you're going
to heaven or heII?

224
00:19:24,497 --> 00:19:27,117
Eternity anywhere sounds Iike heII.

225
00:19:28,292 --> 00:19:31,712
After 2,000 years of pIaying basebaII
and fkying around,

226
00:19:31,838 --> 00:19:34,508
I think I'd be Iooking for a way out.

227
00:19:38,886 --> 00:19:40,676
You know what I think?

228
00:19:42,765 --> 00:19:44,345
CIose your eyes.

229
00:19:52,483 --> 00:19:56,153
KAREN: I think it's Iike this.
But forever.

230
00:19:57,864 --> 00:20:11,794
# Hmm, mm-mm-mm

231
00:20:12,837 --> 00:20:18,877
# Will you walk along with me

232
00:20:21,262 --> 00:20:24,062
# To the dark side

233
00:20:24,181 --> 00:20:28,561
# Of the twilight

234
00:20:30,229 --> 00:20:37,439
# Will you come along with me

235
00:20:39,071 --> 00:20:46,371
# Stay by my side

236
00:20:47,371 --> 00:20:48,371
(HUMS)

237
00:21:13,439 --> 00:21:14,979
(RADIO JINGLE)

238
00:21:20,571 --> 00:21:22,951
OVER RADIO: A seIect committee
of the United States Senate

239
00:21:23,074 --> 00:21:26,744
is about to begin pubic hearings
on something called Watergate.

240
00:21:26,869 --> 00:21:29,369
one year ago today,
Watergate was just an address,

241
00:21:29,497 --> 00:21:32,417
a rather fancy, expensive address
in this capital city,

242
00:21:32,541 --> 00:21:35,211
but now it has come to symbolize
much more.

243
00:21:35,336 --> 00:21:39,586
The word "crisis" is perhaps too mild
to apply to Watergate.

244
00:21:39,715 --> 00:21:41,835
President Nixon's White House
has been shaken,

245
00:21:41,968 --> 00:21:44,968
indeed the entire executive branch
of the government

246
00:21:45,096 --> 00:21:49,096
has been jolted by the continuing
accusations and revelations.

247
00:21:49,225 --> 00:21:52,685
Most of them, it must be kept in mind,
not yet proved.

248
00:21:52,812 --> 00:21:54,482
Seven men, only seven men,

249
00:21:54,605 --> 00:21:56,855
have been convicted
for their part in the burglary.

250
00:21:56,983 --> 00:22:02,703
We see now Senator Sam Ervin,
who is the chairman of the...

251
00:22:08,911 --> 00:22:12,871
NARRATOR: Elvis Presley,
despite all his trying otherwise,

252
00:22:12,999 --> 00:22:16,539
had somehow gotten caught
in the lazy river of time.

253
00:22:17,586 --> 00:22:20,756
At 39 years old,
he had more than betrayed

254
00:22:20,881 --> 00:22:23,761
the fresh-faced boy from Memphis
he once was.

255
00:22:23,884 --> 00:22:26,804
You know, l just sing the only way
l know how to, really.

256
00:22:26,929 --> 00:22:30,929
And people seem to like that,
so l'm real glad about that. l'm lucky.

257
00:22:31,058 --> 00:22:32,428
What do you plan on doing

258
00:22:32,560 --> 00:22:34,940
after this whole rock and roll thing
has run its course?

259
00:22:36,564 --> 00:22:39,694
Well, um... I don't know, sir.

260
00:22:39,817 --> 00:22:42,397
Maybe l'll go back to being
an electrician or something like that.

261
00:22:42,528 --> 00:22:45,358
NARRATOR: But rock and roll
had never run its course.

262
00:22:45,489 --> 00:22:48,159
For better or for worse,
it was here for good,

263
00:22:48,284 --> 00:22:50,874
and Elvis was its accidental king.

264
00:22:50,995 --> 00:22:52,445
(GIRLS SCREAM)

265
00:22:53,914 --> 00:22:58,084
A king navigating the zeitgeist
of a time and people

266
00:22:58,210 --> 00:22:59,840
he didn't always understand.

267
00:23:01,255 --> 00:23:05,715
After this rehearsaI, you have
a one o'cIock meeting with Mr Beefy.

268
00:23:05,843 --> 00:23:10,853
People who had led him astray, who had
made him their song-and-dance man,

269
00:23:10,973 --> 00:23:13,523
and when they got bored,
stopped seeing his movies,

270
00:23:13,642 --> 00:23:15,982
stopped listening, really listening,

271
00:23:16,103 --> 00:23:19,443
to the voice that had grabbed them
by the shirt collars

272
00:23:19,565 --> 00:23:21,645
and shook their souls.

273
00:23:31,118 --> 00:23:34,658
The summer tour of 1974,
his first in years,

274
00:23:34,789 --> 00:23:39,209
was a concentrated effort to win back
those who had strayed from the King.

275
00:23:39,335 --> 00:23:42,295
To reassert his seat at the throne.

276
00:23:42,421 --> 00:23:45,801
The first date,
at the Los Angeles Sports Coliseum,

277
00:23:45,925 --> 00:23:50,505
was to be the big send-off.
They had been planning it for weeks.

278
00:23:55,684 --> 00:23:57,484
What is it?

279
00:23:57,937 --> 00:24:01,307
# That powers throughout

280
00:24:01,440 --> 00:24:06,190
# The universe displayed

281
00:24:06,320 --> 00:24:08,360
That's it.

282
00:24:08,489 --> 00:24:11,319
MAN: AII right, EIvis,
we shouId take ten, I think.

283
00:24:14,620 --> 00:24:16,120
AII right, damn it, don't...

284
00:24:19,708 --> 00:24:20,998
(CLATTERS)

285
00:24:21,127 --> 00:24:22,877
Don't teII me
when to take a break, aII right?

286
00:24:23,003 --> 00:24:25,463
We're doing a song up here,
we finish the song.

287
00:24:25,589 --> 00:24:27,509
And yet mere days away from the show...

288
00:24:27,633 --> 00:24:28,723
That's just unheard of.

289
00:24:28,843 --> 00:24:32,513
...Elvis was ill prepared.
He was 20 pounds too heavy.

290
00:24:32,638 --> 00:24:34,428
You boys don't Iisten to him,
you Iisten to me.

291
00:24:34,557 --> 00:24:36,927
And his voice was unrehearsed.

292
00:24:37,059 --> 00:24:40,649
Perhaps worst of all,
he didn't really care.

293
00:24:40,771 --> 00:24:44,861
And it was that nihiIism,
that black-hole feeling in his chest,

294
00:24:44,984 --> 00:24:46,734
that scared him the most.

295
00:24:46,861 --> 00:24:48,151
AII right, take ten, Iet's do it.

296
00:24:48,279 --> 00:24:50,989
- MAN 1 : Cut. SIate.
- MAN 2: 634, 278 to nine.

297
00:24:52,158 --> 00:24:57,248
But Elvis was a religious man.
He prayed for redemption.

298
00:24:57,371 --> 00:25:00,371
He prayed for a return to glory.

299
00:25:01,333 --> 00:25:03,463
Somebody get me another Coke, pIease?

300
00:25:03,586 --> 00:25:08,336
And little did he know...
salvation was on its way.

301
00:25:10,134 --> 00:25:15,474
KAREN: Our Father, who art in heaven,
haIIowed be thy name.

302
00:25:15,598 --> 00:25:20,728
Thy kingdom come, thy wiII be done
on earth as it is in heaven.

303
00:25:20,853 --> 00:25:25,733
Give us this day our daiIy bread
and forgive us our trespasses,

304
00:25:25,858 --> 00:25:28,858
as we forgive those
that trespass against us.

305
00:25:30,196 --> 00:25:34,066
And Iead us not into temptation
but deIiver us from eviI.

306
00:25:35,117 --> 00:25:36,577
Amen.

307
00:25:39,163 --> 00:25:40,873
(SIGHS) OK.

308
00:25:47,880 --> 00:25:49,510
(HORN BEEPS)

309
00:25:53,260 --> 00:25:54,640
(ENGINE TURNS OFF)

310
00:26:01,268 --> 00:26:02,808
Jack?

311
00:26:04,688 --> 00:26:06,148
- Jack!
- Hey there, T.

312
00:26:06,273 --> 00:26:07,903
Hey!

313
00:26:08,025 --> 00:26:10,105
NARRATOR: Jack's only companion
on the reservation

314
00:26:10,236 --> 00:26:11,146
was another outsider,

315
00:26:11,278 --> 00:26:15,198
a slight-figured nancy boy
by the name of Teijo Littlefoot.

316
00:26:15,324 --> 00:26:18,534
I was going for a kind of ethereaI
Joni MitcheII by way of PauI Bunyan

317
00:26:18,661 --> 00:26:20,251
for the decorating scheme.

318
00:26:20,371 --> 00:26:25,791
A Iot of kinda Iike feminine trinkets
next to mascuIine knick-knacka.

319
00:26:25,918 --> 00:26:27,338
I made that one.

320
00:26:27,461 --> 00:26:31,341
Oh! And I got these cute IittIe
thingamajigs at the doIIar store.

321
00:26:31,465 --> 00:26:33,045
- Aren't they cute?
- Mm-hmm.

322
00:26:33,175 --> 00:26:36,425
They remind me aIways to smiIe
even if I'm feeIing bIue.

323
00:26:37,763 --> 00:26:41,393
So, Jack, what you in town for, huh?
You aII right?

324
00:26:41,517 --> 00:26:42,977
Right as rain, Teijo.

325
00:26:43,894 --> 00:26:46,904
We had to kiII a few foIka back
at the Ioony bin so we're on the Iam.

326
00:26:47,022 --> 00:26:51,862
- We're headed to LA.
- Los AngeIes. Oh, my goodness!

327
00:26:53,612 --> 00:26:57,242
Hey, Jack, couId you take me with you?

328
00:26:57,366 --> 00:26:58,616
(LAUGHS)

329
00:26:58,742 --> 00:27:00,412
I don't think so, Teej.

330
00:27:00,536 --> 00:27:02,616
Oh, come on, pIease.
I get so bored here.

331
00:27:02,746 --> 00:27:04,866
AII I do is watch
this stupid teIevision.

332
00:27:04,999 --> 00:27:06,999
And when nothing's on,
I hang out with Kimbo.

333
00:27:07,126 --> 00:27:09,246
Do you remember Kimbo,
the IittIe handicapped kid?

334
00:27:09,378 --> 00:27:12,128
He's so annoying.

335
00:27:12,256 --> 00:27:16,966
Look, you don't wanna get yourseIf
mixed up or kiIIed on our account, OK?

336
00:27:17,094 --> 00:27:21,144
We got an objective. We can't have
any dead weight. I'm sorry, buddy.

337
00:27:21,265 --> 00:27:26,685
- Oh, my. You're finaIIy doing it, huh?
- That's right.

338
00:27:26,812 --> 00:27:30,232
This is big. This is big.
He's been thinking about this for years.

339
00:27:30,357 --> 00:27:31,607
That's exactIy right.

340
00:27:31,734 --> 00:27:34,324
That's why I'm gonna
need to get that map I gave to you.

341
00:27:36,030 --> 00:27:37,740
Yeah.

342
00:27:37,865 --> 00:27:39,735
NARRATOR: Before Jack was committed,

343
00:27:39,867 --> 00:27:42,867
he had buried
a duffel bag full of guns,

344
00:27:42,995 --> 00:27:46,455
money
and rare first-edition comic books.

345
00:27:46,582 --> 00:27:49,542
He drew out a map of its location
and wrote the directions in pig Latin

346
00:27:49,668 --> 00:27:52,168
and entrusted it
in Teijo's safe-keeping

347
00:27:52,296 --> 00:27:53,836
while he was away from home.

348
00:27:53,964 --> 00:27:57,764
Teijo, this is aII I have.

349
00:27:58,635 --> 00:28:01,095
This is everything.

350
00:28:01,221 --> 00:28:06,101
You're my best friend but if you
fuck this up, I wiII kiII you.

351
00:28:07,853 --> 00:28:09,563
You can trust me, Jack.

352
00:28:14,568 --> 00:28:17,648
TEIJO: Oh, I must have seen that movie,
Midnight Cowboy, I don't know,

353
00:28:17,780 --> 00:28:20,240
Iike seven times in the theater.
It was so good.

354
00:28:20,366 --> 00:28:22,236
KAREN: Is that the one about
the two queer men?

355
00:28:22,368 --> 00:28:24,328
- TEIJO: Yeah.
- KAREN: Yeah, I Iike that one too.

356
00:28:24,453 --> 00:28:27,583
JACK: They were not queer in that movie,
they were friends.

357
00:28:27,706 --> 00:28:31,786
It was about friendship. Get y'aII's
heads out of the gutter, man.

358
00:28:33,587 --> 00:28:34,877
(KAREN LAUGHS)

359
00:28:35,005 --> 00:28:37,915
- JACK: What's so funny?
- KAREN: Nothing.

360
00:28:42,179 --> 00:28:45,889
Goddammit, Teijo.
This don't make no sense.

361
00:28:47,017 --> 00:28:49,267
We shouId have found it by now.

362
00:28:49,395 --> 00:28:52,645
Things move. The earth moves.
You never heard of pIate tectonics?

363
00:29:05,953 --> 00:29:07,793
(DULL THUD)

364
00:29:07,913 --> 00:29:08,963
JACK: Sweet mother Mary.

365
00:29:12,418 --> 00:29:13,418
(LAUGHS)

366
00:29:25,139 --> 00:29:28,769
Teijo, where's the money?

367
00:29:29,893 --> 00:29:31,773
Oh, I don't know.

368
00:29:34,231 --> 00:29:37,821
- What do you mean, you don't know?
- I don't know.

369
00:29:38,861 --> 00:29:42,411
Teijo, you got about five seconds
before I come over there.

370
00:29:43,449 --> 00:29:47,829
It's gone. OK? It's gone.
I used it aII, it's gone.

371
00:29:50,497 --> 00:29:51,787
No!

372
00:29:51,915 --> 00:29:53,245
- Come here.
- KAREN: Jack!

373
00:29:54,168 --> 00:29:56,668
- Gonna whup your ass, boy.
- Jack! Stop it!

374
00:29:57,713 --> 00:29:58,713
Come here.

375
00:30:00,382 --> 00:30:01,382
(PANTS)

376
00:30:05,471 --> 00:30:08,931
- I bought piIIs, OK?
- What kind of piIIs?

377
00:30:09,057 --> 00:30:12,387
Estrogen piIIs. Lots of them.

378
00:30:13,645 --> 00:30:15,765
What the fuck are you taIking about?!

379
00:30:15,898 --> 00:30:20,738
Read about it in Newsweek. They're
supposed to make you more womanIy.

380
00:30:20,861 --> 00:30:25,281
So if I get my operation, I want my body
to accept my new girly parts.

381
00:30:27,743 --> 00:30:31,253
- Are you out of your goddamn mind?!
- That's not fair.

382
00:30:31,371 --> 00:30:33,621
I wasn't gonna Ieave the money in there
for aII the wormies.

383
00:30:33,749 --> 00:30:34,869
Fuck you, Teijo.

384
00:30:35,959 --> 00:30:38,669
Jack. Jack. Jack.

385
00:30:38,795 --> 00:30:40,755
- Be reasonabIe, Jack. Come on.
- Come on, Karen.

386
00:30:40,881 --> 00:30:42,761
- Not you, bro.
- Oh, yes, me.

387
00:30:42,883 --> 00:30:45,263
You're not Ieaving me out here
with aII this shit.

388
00:31:02,194 --> 00:31:03,194
(EXHALES)

389
00:31:06,114 --> 00:31:10,544
Daddy. It's Jack. Open up.

390
00:31:13,205 --> 00:31:15,205
I know you're in there.

391
00:31:15,332 --> 00:31:17,382
CaIifornia, huh?

392
00:31:17,501 --> 00:31:19,091
- (RAPS ON DOOR)
- Daddy, it's Jack.

393
00:31:19,211 --> 00:31:21,051
I need to taIk to you.

394
00:31:21,171 --> 00:31:23,421
There's a Iot of peopIe there
that can heIp me.

395
00:31:23,549 --> 00:31:26,969
- Yeah?
- Yeah. Doctors and stuff.

396
00:31:28,220 --> 00:31:30,890
- (TAPS LOUDLY ON WINDOW)
- Open up, you drunk son of a bitch.

397
00:31:31,014 --> 00:31:38,484
WeII, I wouIdn't get any ideas, Teijo.
I mean, you know Jack.

398
00:31:41,108 --> 00:31:42,608
(FOOTSTEPS APPROACH)

399
00:31:51,785 --> 00:31:52,825
Daddy.

400
00:31:52,953 --> 00:31:55,833
NARRATOR: Jack hadn't looked his dather
in the eyes for many years.

401
00:31:55,956 --> 00:31:58,416
Doing so then
was the closest he ever came

402
00:31:58,542 --> 00:32:01,382
to feeling
a sense of love for the old man.

403
00:32:03,088 --> 00:32:04,508
(SNIFFS)

404
00:32:04,631 --> 00:32:05,921
Hey, K!

405
00:32:11,054 --> 00:32:15,314
Daddy, this is my femaIe friend Karen.
Karen, say hi.

406
00:32:15,434 --> 00:32:16,684
Hi.

407
00:32:17,936 --> 00:32:19,556
Don't she Iook an awfuI Iot Iike Mama?

408
00:32:25,235 --> 00:32:26,895
Kiggy, what do you want?

409
00:32:27,821 --> 00:32:31,871
Look... We ain't here for no troubIe,
aII right?

410
00:32:31,992 --> 00:32:34,332
It's just that... You remember Teijo.

411
00:32:36,455 --> 00:32:38,495
He used aII my money to...

412
00:32:40,834 --> 00:32:43,714
WeII, we need to borrow some bread.

413
00:32:44,546 --> 00:32:45,956
Goddamn it, no!

414
00:32:46,089 --> 00:32:49,379
Goddamn it! Hey!
Open the fucking door!

415
00:32:49,509 --> 00:32:50,509
(RAPS)

416
00:32:51,428 --> 00:32:52,718
Open up!

417
00:33:00,604 --> 00:33:02,944
That ain't who I think it was, was it?

418
00:33:06,943 --> 00:33:07,943
(SIGHS)

419
00:33:09,404 --> 00:33:12,874
Goddamn it,
I toId you I didn't want any troubIe.

420
00:33:12,991 --> 00:33:16,201
You have been troubIe
since the day you were born.

421
00:33:19,414 --> 00:33:20,414
(GUNSHOT)

422
00:33:37,474 --> 00:33:38,894
Oh, God.

423
00:33:43,563 --> 00:33:45,023
Where's the money?

424
00:33:47,859 --> 00:33:49,319
Where's the fucking money?!

425
00:33:57,285 --> 00:33:58,365
(RATTLES)

426
00:34:17,055 --> 00:34:20,805
You know, if you think about it,
I kinda did you a favor here.

427
00:34:22,811 --> 00:34:25,441
You're gonna be reunited
with Mama again.

428
00:34:27,274 --> 00:34:32,154
WiII you teII her I said I Iove her?
I can hear her Ioud and cIear.

429
00:34:36,825 --> 00:34:39,325
It's a shame we never got on right.

430
00:34:49,421 --> 00:34:51,131
It's too Iate now, I guess.

431
00:34:57,971 --> 00:35:00,011
There's cops. There's cops out...

432
00:35:01,391 --> 00:35:02,851
TEIJO: Shit!

433
00:35:03,727 --> 00:35:07,187
- Fuck, is he dead?
- JACK: Yeah, he's dead.

434
00:35:07,314 --> 00:35:10,154
OK, no, no,
you both are taking me with you to LA.

435
00:35:10,275 --> 00:35:12,395
- AbsoIuteIy not.
- No! You can't Ieave me with this.

436
00:35:12,527 --> 00:35:13,937
I said no, Teijo.

437
00:35:14,070 --> 00:35:17,410
Jack, Iet him come with.
I couId use a friend on the road.

438
00:35:18,575 --> 00:35:20,615
Ah, come on.

439
00:35:23,288 --> 00:35:26,538
AII right, Iook, you guys go out back.
I'II take the pigs in the front.

440
00:35:26,666 --> 00:35:27,916
You go on my signaI, OK?

441
00:35:29,711 --> 00:35:33,421
- Is everything cooI, baby?
- I'm wiIIing.

442
00:35:47,395 --> 00:35:49,095
(DRAMATIC MUSIC)

443
00:36:32,357 --> 00:36:34,017
(GUNSHOT)

444
00:36:44,619 --> 00:36:46,289
(BANG)

445
00:36:51,293 --> 00:36:53,633
(WHOOPS AND LAUGHS)

446
00:37:09,603 --> 00:37:13,943
NARRATOR: Karen's usually sedated suburb
found itself in a media frenzy

447
00:37:14,065 --> 00:37:19,855
not seen since the high-school
football team won state 16 years prior.

448
00:37:19,988 --> 00:37:22,198
The death count is now five.

449
00:37:22,324 --> 00:37:28,124
Jack Blueblood and Karen Bird,
Iovers, dreamers, seriaI kiIIers.

450
00:37:28,246 --> 00:37:30,826
FEMALE REPORTER: Karen Bird,
the silver-spoon delinquent,

451
00:37:30,957 --> 00:37:31,997
enjoyed riding her bike,

452
00:37:32,125 --> 00:37:36,835
donating to charity, and participating
in religious education.

453
00:37:36,963 --> 00:37:38,553
Then something went astray.

454
00:37:38,673 --> 00:37:40,423
l didn't really know her.

455
00:37:40,550 --> 00:37:42,090
My dad said l couldn't talk to her

456
00:37:42,218 --> 00:37:45,098
after she supported McGovern
in our school's mock election.

457
00:37:45,221 --> 00:37:48,891
Just fun, l guess. l don't know.

458
00:37:51,019 --> 00:37:56,189
The Bird family has been kind enough
to open up their home to our cameras.

459
00:37:56,316 --> 00:37:58,936
l'm in Karen's room right now.

460
00:37:59,069 --> 00:38:00,739
l want to show you all
something we found

461
00:38:00,862 --> 00:38:03,032
while investigating
her record collection.

462
00:38:05,533 --> 00:38:08,163
NARRATOR: A poem Karen had written
on the inside sleeve

463
00:38:08,286 --> 00:38:12,536
of Karen Dalton's "ln My Own Time"
was analyzed for clues.

464
00:38:15,627 --> 00:38:19,207
KAREN: Moonbeams and daydreams
and buttons and bows.

465
00:38:21,716 --> 00:38:24,836
Saltwater kisses
and hot sand between toes.

466
00:38:31,142 --> 00:38:33,892
My mom in her summer dress
and the smell of her hair.

467
00:38:39,943 --> 00:38:43,033
The sounds of July
and life without care.

468
00:39:20,025 --> 00:39:23,235
NARRATOR: Amid Jack and Karen's
honeymoon of bloodshed,

469
00:39:23,361 --> 00:39:25,611
the law was hot on their tail.

470
00:39:27,323 --> 00:39:31,793
They were traced to a motel
only seven hours from the reservation

471
00:39:31,911 --> 00:39:35,291
where they had signed into the guest
registrar with phony names.

472
00:40:05,570 --> 00:40:07,490
Having been informed that his client

473
00:40:07,614 --> 00:40:10,284
was on the precipice
of a nervous breakdown,

474
00:40:10,408 --> 00:40:12,658
Colonel Tom Parker flew to Los Angeles

475
00:40:12,786 --> 00:40:17,496
in hopes of interceding a mental
collapse and protecting investments.

476
00:40:24,839 --> 00:40:26,219
Hey.

477
00:40:29,427 --> 00:40:32,047
What did I teII you about sungIasses
where I can't see your eyes?

478
00:40:32,180 --> 00:40:34,310
- Take 'em off.
- Yes, sir.

479
00:40:36,976 --> 00:40:41,186
Now, what's this I hear from Charlie
about you not hitting your notes?

480
00:40:43,775 --> 00:40:46,235
Tour starts in two days, EIvis.

481
00:40:48,113 --> 00:40:50,163
How is everything?

482
00:40:53,409 --> 00:40:55,489
CoIoneI, you remember when we first met?

483
00:40:55,620 --> 00:40:57,200
Of course.

484
00:40:59,374 --> 00:41:02,674
You toId me I'd be the brightest star
ever did shine.

485
00:41:02,794 --> 00:41:04,554
Yes, I did.

486
00:41:05,713 --> 00:41:07,013
And I was.

487
00:41:07,132 --> 00:41:10,632
You are stiII the brightest star,
EIvis.

488
00:41:10,760 --> 00:41:13,430
No, sir, I... I think...

489
00:41:13,555 --> 00:41:17,345
What do they caII them oId dead stars
burned out a Iong time ago?

490
00:41:17,475 --> 00:41:22,395
Dwarfs. I'm Iike...
I'm Iike a dwarf star.

491
00:41:23,189 --> 00:41:25,189
What are you taIking about?

492
00:41:27,193 --> 00:41:30,453
Sir, I'm taIking about quitting.
Quitting the whoIe racket.

493
00:41:33,283 --> 00:41:37,493
Do you have any idea what kind of money
is tied up in this tour?

494
00:41:37,620 --> 00:41:40,580
Contracts, the tickets, the paychecka?

495
00:41:40,707 --> 00:41:43,417
Not to mention
that canceIing such an event

496
00:41:43,543 --> 00:41:47,253
wouId cause an irreparabIe rift
between you and the pubIic,

497
00:41:47,380 --> 00:41:50,010
and we don't need any more of that.

498
00:41:53,678 --> 00:41:55,798
EIvis, Iisten.

499
00:41:57,515 --> 00:42:03,395
Once this tour is through,
by aII means, take some time off.

500
00:42:03,521 --> 00:42:06,731
That Lisa Marie, she ain't gonna be
a IittIe girl forever.

501
00:42:09,903 --> 00:42:14,743
Mama came to see me in a dream.
CoupIe of nights back.

502
00:42:17,285 --> 00:42:20,945
I think she was trying to teII me
something but I don't understand what.

503
00:42:26,711 --> 00:42:29,591
Things just ain't the same
since she passed, sir.

504
00:42:30,590 --> 00:42:34,930
- That's when aII this reaIIy started.
- AII what started?

505
00:42:40,183 --> 00:42:42,103
Just aII this sorrow.

506
00:43:37,240 --> 00:43:39,700
NIXON ON TV: ...that l weIcome
this kind of examination,

507
00:43:39,826 --> 00:43:43,446
because people have got to know whether
or not their president's a crook.

508
00:43:43,579 --> 00:43:47,789
Well, I'm not a crook.
l've earned everything l've got.

509
00:44:20,325 --> 00:44:22,485
(MUSIC PLAYS IN BACKGROUND)

510
00:44:37,592 --> 00:44:39,222
Can I heIp you?

511
00:44:39,344 --> 00:44:42,974
- HeIIo. My name's Jack BIuebIood.
- What do you want?

512
00:44:43,097 --> 00:44:46,267
WeII, sir, I don't know if you remember
me but we met a few years back.

513
00:44:46,392 --> 00:44:50,232
Sioux FaIIs EIvis convention.
You gave me your address here

514
00:44:50,355 --> 00:44:52,975
and toId me you might be abIe
to heIp me find Elvis.

515
00:44:54,192 --> 00:44:55,692
Yeah.

516
00:44:56,778 --> 00:45:01,108
Jack BIuebIood.
We got shithoused that night, didn't we?

517
00:45:01,240 --> 00:45:03,780
- Yeah, we certainIy did, sir.
- How are you, man?

518
00:45:03,910 --> 00:45:09,160
- Doing good. Do you mind if we come in?
- Yeah, you can aII come in. Come on in.

519
00:45:09,290 --> 00:45:12,290
It's been a whiIe since
I've been on that convention circuit.

520
00:45:12,418 --> 00:45:15,208
I don't know,
been what, four or five years, Jack?

521
00:45:15,338 --> 00:45:18,298
Oh, that was... That was 1970, sir.

522
00:45:18,424 --> 00:45:22,224
- Long time.
- AwfuI cooI pIace you got here, man.

523
00:45:22,345 --> 00:45:26,005
Yeah, thank you.
My wife had a reaI eye for things.

524
00:45:27,058 --> 00:45:31,478
It's reaIIy aII herjunk. Yeah.

525
00:45:32,438 --> 00:45:34,398
She's in a better pIace.

526
00:45:35,733 --> 00:45:39,193
So, what brings you out west?
Where y'aII heading?

527
00:45:39,320 --> 00:45:41,860
Oh, we're just passing through
on our way to LA.

528
00:45:41,989 --> 00:45:44,659
Ooh! City of AngeIs.

529
00:45:44,784 --> 00:45:47,794
Who's this girl standing next to EIvis?

530
00:45:48,996 --> 00:45:53,746
Oh, yeah.
That wouId be Miss Dixie Locke.

531
00:45:53,876 --> 00:45:57,456
Yes.
That was EIvis's high-schooI sweetheart.

532
00:45:57,588 --> 00:46:01,678
Mr X knew EIvis way back when, Karen.
Ain't that something?

533
00:46:01,801 --> 00:46:04,851
Yeah. OId, oId friends.

534
00:46:04,971 --> 00:46:06,431
And where is she now?

535
00:46:06,556 --> 00:46:10,056
I don't know. Suppose
just another name in the phonebook.

536
00:46:11,269 --> 00:46:15,559
Just a footnote in the Iife story
of a boy that she Ioved when she was 16.

537
00:46:17,900 --> 00:46:22,990
Huh. I'm getting aII sentimentaI.
Sorry about that.

538
00:46:25,908 --> 00:46:29,488
Let's taIk shop.
What can I do you for, Mr Jack?

539
00:46:29,620 --> 00:46:34,370
WeII, I came here to get the name
of the hoteI EIvis stays at in LA.

540
00:46:34,500 --> 00:46:36,250
(LAUGHS)

541
00:46:36,377 --> 00:46:39,747
As weII as his room number and whatever
name he uses for the reservation.

542
00:46:39,881 --> 00:46:42,971
Why wouId you need
that information, son?

543
00:46:43,092 --> 00:46:46,512
You toId me a coupIe of years ago
I couId buy that information off of you.

544
00:46:46,637 --> 00:46:49,757
80 bucka. That's what you toId me
a few years back.

545
00:46:49,891 --> 00:46:52,391
Jack, we was Iaid out drunk.

546
00:46:52,518 --> 00:46:54,848
I might have said a few things
that I reaIIy couIdn't...

547
00:46:56,939 --> 00:46:59,769
Look, man, we both know
I didn't drive out here

548
00:46:59,901 --> 00:47:02,901
in the middIe of goddamn nowhere
to shoot the shit with you.

549
00:47:04,947 --> 00:47:06,617
What's the name of the hoteI?

550
00:47:12,914 --> 00:47:16,504
I heard about y'aII on the radio.
Oh, yeah.

551
00:47:16,626 --> 00:47:21,296
I heard your name, Jack BIuebIood.
I remembered our IittIe conversation.

552
00:47:21,422 --> 00:47:24,012
You son of a bitch. I teII you what.

553
00:47:24,133 --> 00:47:28,013
I was mad at EIvis way back then but
I'm not now. I found it in my heart--

554
00:47:28,137 --> 00:47:29,217
(GUNSHOTS)

555
00:47:32,558 --> 00:47:34,348
Come again?

556
00:47:40,358 --> 00:47:44,568
PresidentiaI suite.
Beverly Canyon HoteI.

557
00:47:44,695 --> 00:47:45,695
(CLICK)

558
00:47:52,119 --> 00:47:53,789
Directory assistance.

559
00:47:53,913 --> 00:47:58,713
I need the Beverly Canyon HoteI
in Los AngeIes, CaIifornia, pIease.

560
00:47:59,794 --> 00:48:04,054
Hi, uh... Can I be connected to...
What's the name on the room?

561
00:48:04,173 --> 00:48:05,843
Mr X: Woodrow WiIson.

562
00:48:05,967 --> 00:48:08,257
To Woodrow WiIson's suite?

563
00:48:09,512 --> 00:48:12,102
One second, darling. Password?

564
00:48:13,516 --> 00:48:16,806
- Sea saIt.
- Sea saIt.

565
00:48:18,688 --> 00:48:20,478
(CHUCKLES)

566
00:48:21,482 --> 00:48:25,782
That wasn't so hard, was it?
AII right, deaI's a deaI, man. 80 bucka.

567
00:48:25,903 --> 00:48:27,573
I'm gonna need to take your phone.

568
00:48:27,697 --> 00:48:31,577
I'm aIso gonna sIash the tires
on your Dodge out there.

569
00:48:31,701 --> 00:48:33,451
I'm reaIIy sorry about that.

570
00:48:33,578 --> 00:48:36,788
So here's 140. That shouId cover it.

571
00:48:36,914 --> 00:48:39,004
That shouId pay for everything.
Let's go.

572
00:48:44,255 --> 00:48:46,205
He's just a man, Jack.

573
00:48:51,178 --> 00:48:55,808
He's just a sad, poor oId man.

574
00:49:20,625 --> 00:49:22,915
NARRATOR: That afternoon,
Karen felt a sensation in her gut

575
00:49:23,044 --> 00:49:25,464
she hadn't felt for a long time.

576
00:49:29,091 --> 00:49:32,891
She looked for familiar shapes
and daces in the desert clouds,

577
00:49:33,012 --> 00:49:35,062
but there were none to be found.

578
00:49:39,352 --> 00:49:41,772
At a truck stop in Mexican Hat, Utah,

579
00:49:41,896 --> 00:49:46,476
she stole from the book rack
a "Vixen" magazine for Jack,

580
00:49:46,609 --> 00:49:50,029
a "Total Teen" for Teijo,

581
00:49:50,154 --> 00:49:53,624
and a picture book
on Ancient Egypt for herself.

582
00:50:00,581 --> 00:50:04,171
on their long car ride
to the Grand Canyon,

583
00:50:04,293 --> 00:50:07,843
she wrote a short memoir about herself
in hieroglyphics.

584
00:50:09,215 --> 00:50:11,835
She didn't share it with Jack or Teijo,

585
00:50:11,967 --> 00:50:14,717
and when she arrived
at the Grand Canyon later that day

586
00:50:14,845 --> 00:50:16,965
she ripped it up into a million pieces

587
00:50:17,098 --> 00:50:21,728
and watched as her biography fell
to the bottom of the earth like snow.

588
00:50:37,493 --> 00:50:40,253
KAREN: Did you know the sun's gonna
burn out one day?

589
00:50:40,371 --> 00:50:43,871
- TEIJO: My God. ReaIIy?
- KAREN: True story.

590
00:50:43,999 --> 00:50:45,789
When?

591
00:50:45,918 --> 00:50:48,208
About five biIIion years, give or take.

592
00:50:49,463 --> 00:50:50,803
That's crazy.

593
00:50:50,923 --> 00:50:56,973
Yeah, once it runs out of hydrogen,
it'II become, Iike, a red giant,

594
00:50:57,096 --> 00:51:01,596
and then expand and swaIIow the Earth
and aII the other pIanets.

595
00:51:01,726 --> 00:51:04,726
And then it'II expIode and turn
into a bIack dwarf or something.

596
00:51:04,854 --> 00:51:07,234
BIack dwarf? No, thank you.

597
00:51:08,357 --> 00:51:11,897
Yeah. It used to reaIIy scare me
when I was a IittIe girl, but...

598
00:51:12,695 --> 00:51:15,405
Now five biIIion years
seems Iike an eternity.

599
00:51:25,666 --> 00:51:28,746
Teijo, can I teII you something?
You promise you won't teII anyone eIse?

600
00:51:28,878 --> 00:51:31,628
Oh, my God, secrets. Yes.

601
00:51:35,718 --> 00:51:37,428
I missed my monthIies.

602
00:51:39,889 --> 00:51:42,469
WeII, when were you supposed to get 'em?

603
00:51:42,600 --> 00:51:47,350
I don't know. CoupIe of days ago.
I haven't reaIIy been keeping track.

604
00:51:53,319 --> 00:51:56,989
Baby Jack. Imagine that.

605
00:52:01,202 --> 00:52:04,832
I... I think you're gonna make
a great mama one day, Karen.

606
00:52:06,624 --> 00:52:07,794
Thank you.

607
00:52:09,335 --> 00:52:15,585
I Iook at you and you're just...
You're so cooI and confident and pretty.

608
00:52:18,844 --> 00:52:22,854
You're an inspiration to someone Iike me
who doesn't have a Iot of confidence.

609
00:52:22,973 --> 00:52:24,933
No, that's not true, Teijo.

610
00:52:26,185 --> 00:52:31,975
It is.

611
00:52:38,531 --> 00:52:42,121
You know what?
You don't need to worry anymore, Teijo.

612
00:52:42,243 --> 00:52:44,993
Cos in CaIifornia
everything's gonna be different.

613
00:52:45,120 --> 00:52:50,880
There's a Iot of peopIe Iike you there.
A Iot of peopIe Iike us.

614
00:53:08,394 --> 00:53:13,064
# There's a city of light

615
00:53:13,190 --> 00:53:17,990
# Where there cometh no night

616
00:53:18,112 --> 00:53:22,072
# For the sun never sets

617
00:53:22,199 --> 00:53:27,409
# ln the sky

618
00:53:27,538 --> 00:53:31,998
# In the Bible we are told

619
00:53:32,126 --> 00:53:36,836
# That the streets are pure gold

620
00:53:36,964 --> 00:53:41,724
# And a cool genfle river

621
00:53:41,844 --> 00:53:46,064
# Runs by

622
00:53:46,181 --> 00:53:48,771
# oh, l'm bound for that city

623
00:53:48,893 --> 00:53:52,943
# God's holy white city

624
00:53:53,063 --> 00:53:55,113
# oh, yes, l am

625
00:53:55,232 --> 00:53:57,612
# I'll never turn back

626
00:53:57,735 --> 00:54:04,025
# To this world anymore

627
00:54:04,158 --> 00:54:08,618
# No matter how rough may be the way

628
00:54:08,746 --> 00:54:12,866
# No matter how oft l stop to pray

629
00:54:13,000 --> 00:54:15,420
# l'm bound for that city

630
00:54:15,544 --> 00:54:22,434
# on that evergreen shore

631
00:54:25,930 --> 00:54:27,680
(BUOY BELL RINGS)

632
00:54:33,771 --> 00:54:35,271
(LIFT BELL DINGS)

633
00:54:35,397 --> 00:54:37,187
(DOORS SLIDE OPEN)

634
00:54:40,736 --> 00:54:43,446
- Daddy!
- Hey, babies.

635
00:54:43,572 --> 00:54:46,822
- You aII right?
- Yeah.

636
00:54:46,951 --> 00:54:49,871
The CoIoneI said you were having
a nervous speII or something.

637
00:54:49,995 --> 00:54:52,325
No, I ain't having
any damn nervous speII.

638
00:54:52,456 --> 00:54:53,956
AII right.

639
00:54:57,962 --> 00:55:00,592
Hope you're being heaIthy.

640
00:55:00,714 --> 00:55:04,434
Yeah. I am, PrisciIIa.

641
00:55:05,886 --> 00:55:08,756
Good. Let's go, sweetie.

642
00:55:10,474 --> 00:55:12,564
WeII, hoId on there. Where you going?

643
00:55:12,685 --> 00:55:14,845
It's Lisa's bedtime.
Got a big day tomorrow.

644
00:55:14,979 --> 00:55:16,019
(BELL DINGS)

645
00:55:16,146 --> 00:55:18,646
We're gonna go to the beach
before Daddy's show, aren't we, Lisa?

646
00:55:18,774 --> 00:55:20,154
Mm-hmm.

647
00:55:20,275 --> 00:55:23,185
AII right, why don't you put her on
the bed and come on back for a whiIe?

648
00:55:23,320 --> 00:55:24,740
EIvis, I can't.

649
00:55:26,532 --> 00:55:28,452
Enjoy your party.

650
00:55:28,575 --> 00:55:31,535
- Night, Injun.
- Good night, Daddy.

651
00:55:36,834 --> 00:55:38,584
Party's this way, EIvis.

652
00:55:44,258 --> 00:55:45,968
Want one of these?

653
00:55:46,093 --> 00:55:47,473
What's that?

654
00:55:47,594 --> 00:55:49,434
Doctor dropped by this afternoon.

655
00:55:49,555 --> 00:55:51,885
- Which doc?
- New guy.

656
00:55:53,851 --> 00:55:55,021
(MUSIC PLAYS)

657
00:55:55,144 --> 00:55:57,604
- You go ahead, I'II be right in.
- AII right.

658
00:56:15,080 --> 00:56:17,920
(PSYCHEDELIC MUSIC PLAYS)

659
00:57:09,218 --> 00:57:11,218
(ENGINE HUMS)

660
00:57:28,695 --> 00:57:31,025
Jack, I need to say something.

661
00:57:35,285 --> 00:57:37,865
I don't think you shouId kiII EIvis.

662
00:57:39,248 --> 00:57:41,578
(CHUCKLES)

663
00:57:41,708 --> 00:57:44,038
You're a reaI riot, Karen.

664
00:57:45,045 --> 00:57:47,045
I ain't kidding.

665
00:57:52,678 --> 00:57:56,258
Mr X's story
and the photos on the waII,

666
00:57:56,390 --> 00:57:59,980
it made me reaIize EIvis is reaI.

667
00:58:00,978 --> 00:58:04,478
He's got bIood in his veins
and Iove in his heart just Iike us.

668
00:58:04,606 --> 00:58:09,236
Thank you, Karen. I know that.

669
00:58:09,361 --> 00:58:12,911
I think the Iaw wiII Iet you off easy
for kiIIing Sanborn.

670
00:58:13,031 --> 00:58:15,951
He was a perv and you protected me.

671
00:58:16,076 --> 00:58:17,486
And your daddy...

672
00:58:18,495 --> 00:58:21,575
WeII, he treated you wrong your
whoIe Iife and he got what was coming.

673
00:58:23,584 --> 00:58:25,174
But EIvis is an innocent man.

674
00:58:25,294 --> 00:58:29,214
Karen, there ain't nobody
that's innocent. AII right?

675
00:58:29,339 --> 00:58:30,799
Jack, you Iove EIvis.

676
00:58:30,924 --> 00:58:33,304
- That man is a fucking phony!
- Phony?

677
00:58:33,427 --> 00:58:35,967
You know that I have strict orders
from my mama to do this.

678
00:58:36,096 --> 00:58:37,386
Your mama's dead.

679
00:58:37,514 --> 00:58:39,144
(TIRES SCREECH)

680
00:58:42,102 --> 00:58:44,152
You better take it back.

681
00:58:44,271 --> 00:58:46,651
What? It's the truth.

682
00:58:46,773 --> 00:58:48,863
You take it back right now.

683
00:58:50,694 --> 00:58:51,694
No.

684
00:58:54,239 --> 00:58:57,029
Let go. Let go!

685
00:59:03,707 --> 00:59:04,957
You shouIdn't have done that.

686
00:59:07,336 --> 00:59:10,336
I'm sorry. AII right? I'm sorry.

687
00:59:10,464 --> 00:59:12,094
Karen, wiII you get back
in the goddamn car?

688
00:59:12,216 --> 00:59:13,296
- PIease?
- No!

689
00:59:13,425 --> 00:59:17,465
Karen, honey. Get back in the car.

690
00:59:19,598 --> 00:59:23,098
TurtIe dove.
Most beautifuI girl I've ever seen.

691
00:59:23,227 --> 00:59:26,227
WiII you pIease get back
in the fucking car right now?

692
00:59:28,106 --> 00:59:29,686
Karen, when you joined this thing,

693
00:59:29,816 --> 00:59:31,566
you knew fuII weII
what you were getting into

694
00:59:31,693 --> 00:59:34,903
and now you're just as much
a part of it as anybody eIse!

695
00:59:37,783 --> 00:59:41,583
Not true. I ain't kiIIed no one.

696
00:59:45,165 --> 00:59:46,955
- (LOUD GUNSHOT)
- (GASPS)

697
00:59:48,210 --> 00:59:50,420
- (ENGINE REVS)
- (LOUD METALLIC THUD)

698
00:59:55,259 --> 00:59:56,719
(GRUNTS)

699
01:00:13,694 --> 01:00:16,654
Teijo! Get back in the goddamn car!

700
01:00:21,493 --> 01:00:23,413
- (GRUNTS)
- AII right, BIuebIood.

701
01:00:23,537 --> 01:00:27,997
On the count of three, I'm gonna shoot
your queer IittIe companion.

702
01:00:30,585 --> 01:00:35,965
Three... two... one.

703
01:00:36,091 --> 01:00:37,221
JACK: OK!

704
01:00:44,558 --> 01:00:45,848
(METALLIC CLUNK)

705
01:00:59,448 --> 01:01:00,448
(COCKS GUN)

706
01:01:15,672 --> 01:01:19,052
# I don't know if

707
01:01:20,552 --> 01:01:26,852
# We're in a garden

708
01:01:32,064 --> 01:01:34,774
# or on

709
01:01:34,900 --> 01:01:41,610
# A crowded avenue

710
01:01:46,870 --> 01:01:48,250
# Sha bop sha bop

711
01:01:48,372 --> 01:01:50,712
# You are here

712
01:01:50,832 --> 01:01:51,832
# Sha bop sha bop

713
01:01:51,958 --> 01:01:54,878
# And so am I

714
01:01:55,003 --> 01:01:56,173
# Sha bop sha bop

715
01:01:56,296 --> 01:01:58,956
# Maybe millions of people

716
01:01:59,216 --> 01:02:00,256
# Sha bop sha bop

717
01:02:00,384 --> 01:02:02,264
# Go by

718
01:02:02,386 --> 01:02:07,846
# But they all disappear

719
01:02:09,684 --> 01:02:13,444
# From view

720
01:02:18,318 --> 01:02:25,658
# And l only have eyes

721
01:02:25,784 --> 01:02:28,584
# For you

722
01:02:28,703 --> 01:02:37,803
# Sha bop sha bop

723
01:02:42,217 --> 01:02:44,927
WouId you guys
Iike the Shangri-La Suite?

724
01:02:48,765 --> 01:02:50,595
It's for Iovers.

725
01:02:53,854 --> 01:02:55,234
Yeah, OK.

726
01:03:08,326 --> 01:03:22,916
(SIGHS)

727
01:03:28,555 --> 01:03:30,175
This is your thing.

728
01:03:31,933 --> 01:03:34,643
Your whoIe Iife's pIan, not mine.

729
01:03:35,729 --> 01:03:38,399
I thought maybe it was but it ain't.

730
01:03:41,234 --> 01:03:43,074
I aIways make that mistake.

731
01:03:49,826 --> 01:03:52,616
PIus I think I'm pregnant.

732
01:04:04,799 --> 01:04:06,589
How Iong have you known?

733
01:04:08,094 --> 01:04:10,014
I don't know-know.

734
01:04:11,264 --> 01:04:14,064
I just haven't had my Iady time
in a whiIe.

735
01:04:14,184 --> 01:04:16,564
It's been on my mind.

736
01:04:20,357 --> 01:04:23,227
I'm sorry
if this interferes with your destiny.

737
01:04:26,363 --> 01:04:28,073
It don't reaIIy.

738
01:04:30,033 --> 01:04:32,543
I'd just adopt it into my whoIe pIan.

739
01:04:33,662 --> 01:04:36,082
Destiny pIus baby.

740
01:04:37,958 --> 01:04:39,498
(EXHALES)

741
01:04:46,341 --> 01:04:47,341
(KNOCKS)

742
01:04:48,468 --> 01:04:51,098
- MAN: Yeah. Who is it?
- The CoIoneI.

743
01:04:58,562 --> 01:05:00,402
He's not in good shape, CoIoneI.

744
01:05:09,155 --> 01:05:11,065
COLONEL: Open the goddamn bIinds.

745
01:05:12,784 --> 01:05:15,664
Things got crazy.
I made sure he had a good time.

746
01:05:15,787 --> 01:05:18,617
I asked you to get his spirits up,
not Iay him out.

747
01:05:19,499 --> 01:05:22,079
EIvis. Wake up, son.

748
01:05:22,919 --> 01:05:25,629
EIvis, you got a concert in seven hours.

749
01:05:25,755 --> 01:05:28,665
Hey. Daddy.

750
01:05:29,676 --> 01:05:31,466
Just fkying...

751
01:05:34,472 --> 01:05:37,472
If he is not at the sports arena
for that soundcheck,

752
01:05:37,601 --> 01:05:39,271
you and the rest are fired.

753
01:05:39,394 --> 01:05:42,564
And I wiII bIackIist every singIe
one of you. Do you understand me?

754
01:05:42,689 --> 01:05:44,729
Loud and cIear, sir.

755
01:05:48,486 --> 01:05:51,606
Elvis! Hey! Come on, man,
you gotta work with me, brother.

756
01:05:51,740 --> 01:05:53,030
Gotta heIp me out.

757
01:06:02,876 --> 01:06:06,456
# ooh-ooh! ooh-ooh!

758
01:06:06,588 --> 01:06:09,968
# ooh-ooh-ooh-ooh!

759
01:06:10,091 --> 01:06:13,471
# When they gave out

760
01:06:13,595 --> 01:06:17,215
# Eyes like diamonds

761
01:06:17,766 --> 01:06:20,476
# That would shame...

762
01:06:20,602 --> 01:06:22,562
Are you sisters?

763
01:06:22,687 --> 01:06:26,017
Y'aII Iook Iike sisters.
You Iook Iike twins.

764
01:06:26,149 --> 01:06:27,519
# My darlin'...

765
01:06:27,651 --> 01:06:29,231
I'm a twin.

766
01:06:29,361 --> 01:06:32,701
# My darlin'

767
01:06:33,990 --> 01:06:41,290
# You were the first in line

768
01:06:41,414 --> 01:06:44,214
I had a brother, Jesse, he was...

769
01:06:44,334 --> 01:06:48,924
He was number one, he come first,
but he's... he's dead.

770
01:06:49,047 --> 01:06:55,337
# That hold a new thrill every time

771
01:06:56,179 --> 01:07:04,309
# My darlin'

772
01:07:04,437 --> 01:07:10,817
# You were the first in line

773
01:07:10,944 --> 01:07:14,614
# There may be others

774
01:07:14,739 --> 01:07:19,449
# That knew you longer

775
01:07:19,577 --> 01:07:26,497
# Who pledge their hearts to you

776
01:07:26,626 --> 01:07:30,046
# But there's no other

777
01:07:30,171 --> 01:07:35,591
# Could love you stronger...

778
01:07:35,719 --> 01:07:37,849
Are we going to the ocean, Jack?

779
01:07:39,097 --> 01:07:41,217
Soon as I get back, baby.

780
01:07:42,142 --> 01:07:45,562
- Don't you go without me, OK?
- OK.

781
01:07:45,687 --> 01:07:50,187
I put a .22 in the desk drawer
next to the BibIe, just in case.

782
01:07:54,821 --> 01:07:56,491
I Iove you.

783
01:07:57,407 --> 01:07:59,657
I Iove you too, baby.

784
01:08:05,290 --> 01:08:11,590
# The first and the last in line

785
01:08:11,713 --> 01:08:15,303
# There may be others

786
01:08:15,425 --> 01:08:19,885
# That knew you longer

787
01:08:20,013 --> 01:08:26,893
# Who pledge their hearts to you

788
01:08:28,229 --> 01:08:30,109
# The first

789
01:08:30,231 --> 01:08:37,861
# And the last in line

790
01:08:37,989 --> 01:08:39,569
(STARTS ENGINE)

791
01:08:44,120 --> 01:08:47,330
ANNOUNCER: And here comes the biggest
news in entertainment history,

792
01:08:47,457 --> 01:08:52,287
for here in person comes the singing
sensation Elvis Presley in person.

793
01:08:52,420 --> 01:08:55,300
WeII, I just think he's stiII the King,
you know?

794
01:08:55,423 --> 01:08:58,633
Once the King, aIways the King.

795
01:08:58,760 --> 01:09:02,810
I just... I just...

796
01:09:02,931 --> 01:09:04,351
(GIGGLES)

797
01:09:04,474 --> 01:09:07,184
I just... I Iove him so much.

798
01:09:07,310 --> 01:09:12,190
Eer since that first time I saw him
sing on TV, I feIt the hoIy spirit, man.

799
01:09:12,315 --> 01:09:15,145
I saw the Iight, brother.
It was amazing.

800
01:09:15,276 --> 01:09:20,236
I Iove him so much. I Iove him so much.

801
01:09:35,129 --> 01:09:36,879
NARRATOR: The Pacific ocean was larger

802
01:09:37,006 --> 01:09:39,676
and more inspiring than
Karen had ever imagined.

803
01:09:39,801 --> 01:09:43,391
Looking upon it,
she thought of all the counfless waves

804
01:09:43,513 --> 01:09:45,973
which had crashed along the beach
throughout history.

805
01:09:46,099 --> 01:09:50,479
A natural process,
happening constanfly and endlessly,

806
01:09:50,603 --> 01:09:53,523
without her involvement or observation.

807
01:09:53,648 --> 01:09:56,858
This thought made her both happy
and sad at the same time.

808
01:09:59,362 --> 01:10:04,952
And then Karen said a prayer
for herseIf, and for EIvis,

809
01:10:05,076 --> 01:10:08,576
and for Teijo, and for Jack.

810
01:10:30,852 --> 01:10:33,852
- Pretty neat sandcastIe you got there.
- Thanka.

811
01:11:00,590 --> 01:11:02,420
Lisa. Hey.

812
01:11:30,203 --> 01:11:32,083
HeIIo.

813
01:11:32,205 --> 01:11:36,455
I'm Iooking for a Mr, uh...
Woodrow WiIson.

814
01:11:38,044 --> 01:11:41,174
KAREN: Dear Jack, it's not easy for me
to write this letter,

815
01:11:41,297 --> 01:11:44,167
though l feel
it's unlikely you'll ever read it.

816
01:11:44,300 --> 01:11:47,510
I don't beIieve we have a guest here
by that name, sir.

817
01:11:51,015 --> 01:11:52,715
Sea saIt?

818
01:11:52,850 --> 01:11:56,480
lt's been a whirlwind couple of months,
and this last week especially.

819
01:11:56,604 --> 01:11:58,314
I need your car keys.

820
01:11:58,439 --> 01:12:00,109
l love you, and l'm sorry.

821
01:12:00,233 --> 01:12:01,403
Now, pIease.

822
01:12:01,526 --> 01:12:06,026
But eternity anywhere sounds like hell.
KB.

823
01:12:07,240 --> 01:12:10,580
Mr WiIson can be accessed via
the service eIevator in the basement.

824
01:12:10,702 --> 01:12:13,162
That gentIeman at the veIvet rope
can show you the way.

825
01:12:13,287 --> 01:12:17,747
- And what's your name, sir?
- My name's Jack BIuebIood.

826
01:12:22,880 --> 01:12:26,170
P.S. l hope you found whatewer
it was you were looking for.

827
01:12:28,386 --> 01:12:30,506
XOXO.

828
01:12:32,098 --> 01:12:40,108
# I'm so hurt

829
01:12:44,027 --> 01:12:48,817
# To think that you, you lied to me

830
01:12:52,785 --> 01:12:58,415
# I'm hurt

831
01:12:59,751 --> 01:13:05,461
# Way down deep inside of me

832
01:13:10,678 --> 01:13:14,558
# You said your love was true

833
01:13:16,893 --> 01:13:22,653
# And we'd never, never, ever part

834
01:13:27,236 --> 01:13:31,696
# Now you want someone new

835
01:13:33,534 --> 01:13:38,874
# And it breaks my heart

836
01:13:38,998 --> 01:13:40,918
# whoa-oh

837
01:13:41,042 --> 01:13:47,842
# I'm so hurt

838
01:13:49,217 --> 01:13:53,677
# Much more than you'll ever know

839
01:13:57,892 --> 01:14:01,942
# Yes, darling, l'm so hurt

840
01:14:05,191 --> 01:14:08,321
# Because l still love you so

841
01:14:12,406 --> 01:14:13,406
# But

842
01:14:15,451 --> 01:14:22,871
# But even though you hurt me

843
01:14:23,668 --> 01:14:29,878
# Like nobody else could ever do

844
01:14:32,135 --> 01:14:35,045
# I would never

845
01:14:36,514 --> 01:14:43,194
# Ever hurt

846
01:14:44,188 --> 01:14:50,318
# Hurt you

847
01:15:05,626 --> 01:15:07,286
(SILENCE)

848
01:15:23,603 --> 01:15:25,103
(GUNSHOT)

849
01:15:52,548 --> 01:15:56,678
NARRATOR: Looking into Elvis's eyes,
it aII became cIear to Jack.

850
01:15:56,802 --> 01:16:00,812
This was the man who sang "That's All
Right" and "Blue Moon of Kentucky"

851
01:16:00,932 --> 01:16:04,982
and "Mystery Train."
This was his hero.

852
01:16:05,102 --> 01:16:09,062
lt was a voice that had gotten him
through many lonely nights.

853
01:16:09,190 --> 01:16:12,360
This was Elvis Aaron Presley.

854
01:16:12,485 --> 01:16:14,395
They were dream brothers,

855
01:16:14,528 --> 01:16:18,448
and they were connected
by some inextricable cosmic force.

856
01:16:23,454 --> 01:16:26,214
And then Jack died.

857
01:16:42,223 --> 01:16:44,143
lf you're just joining us,
we have breaking news

858
01:16:44,267 --> 01:16:45,847
from the Beverly Canyon Hotel,

859
01:16:45,977 --> 01:16:48,687
where there has been
an assassination attempt on Elvis.

860
01:16:48,813 --> 01:16:50,523
Elvis's unidentified assailant

861
01:16:50,648 --> 01:16:53,858
was shot down by one of
the Memphis Mafia, Judd Feathers,

862
01:16:53,985 --> 01:16:57,105
who we're hearing died soon after
by wounds sustained to his chest.

863
01:16:57,238 --> 01:16:59,608
We're going live
to an interview with Elvis now.

864
01:16:59,740 --> 01:17:02,490
My old friend J Feathers is, uh...

865
01:17:04,453 --> 01:17:07,543
Well, he's a hero and he saved my life.

866
01:17:08,833 --> 01:17:10,883
We're gonna dedicate
tonight's show to him.

867
01:17:11,002 --> 01:17:13,552
NARRATOR: The whole thing
was covered up by RCA and the Colonel,

868
01:17:13,671 --> 01:17:15,841
who feared that the incident
might tarnish

869
01:17:15,965 --> 01:17:19,585
Elvis's already tenuous relationship
with the public and his fans.

870
01:17:19,719 --> 01:17:23,429
The incident lives on
in Elvis's can of urban legends,

871
01:17:23,556 --> 01:17:26,346
along with his supposed abduction
by aliens

872
01:17:26,475 --> 01:17:30,095
and the faking of his own death
three years later.

873
01:17:30,521 --> 01:17:33,771
(ALSo SPRACH ZARATHUSTRA PLAYS)

874
01:18:03,846 --> 01:18:06,386
(AUDIENCE CHEERING)

875
01:18:09,226 --> 01:18:10,886
(WILD CHEERING)

876
01:18:37,671 --> 01:18:41,591
Elvis played to the Los Angeles crowd
that evening like he was 18.

877
01:18:43,010 --> 01:18:45,760
He had found his Shangri-La.

878
01:18:45,888 --> 01:18:50,808
He had found saIvation.
He had found the righteous path.

879
01:18:52,728 --> 01:18:54,598
And so had Jack.

880
01:18:58,859 --> 01:19:04,159
As for Karen, some say her car slid off
the highway and into the ocean,

881
01:19:04,281 --> 01:19:08,911
where she's still trapped underwater,
entombed by the sea.

882
01:19:09,036 --> 01:19:13,246
Others speculate she moved to Canada,
gave birth to Jack's child,

883
01:19:13,374 --> 01:19:18,174
and became what she ran away from
in the first place, her mother.

884
01:19:20,589 --> 01:19:23,879
The most popular story
is that she changed her name,

885
01:19:24,009 --> 01:19:27,469
laid low for a few years
and re-emerged a decade later

886
01:19:27,596 --> 01:19:33,346
as recording artist Jennifer Fever,
whose minor 1988 hit "Shangri-La Suite"

887
01:19:33,477 --> 01:19:36,977
was said to have been about
her brief affair with Jack Blueblood.

888
01:19:38,315 --> 01:19:41,725
As dar as the evidence is concerned,
she was Iast seen

889
01:19:41,861 --> 01:19:45,411
entering a gas-station bathroom
in Tulsa, oklahoma.

890
01:19:46,365 --> 01:19:49,275
Billy Freehall,
a transient male prostitute

891
01:19:49,410 --> 01:19:51,410
and the last person to see her alive,

892
01:19:51,537 --> 01:19:54,827
claimed he would never forget
the look on her dace.

893
01:19:54,957 --> 01:19:57,827
A mixture of freedom and despair.

894
01:19:57,960 --> 01:20:01,300
lt would stay with him
for the rest of his short life.

895
01:20:37,124 --> 01:20:40,844
Sure, the sun would burn out one day

896
01:20:40,961 --> 01:20:44,421
but that wasn't
for a very, very long time.

897
01:20:44,548 --> 01:20:47,838
The future was an endless highway,

898
01:20:47,968 --> 01:20:52,348
and Karen would follow the sun
untiI its end.

