1 00:00:00,320 --> 00:00:02,320 THIS IS THE BBC HOME SERVICE HERE IS THE 2 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 3 00:00:02,320 --> 00:00:03,439 THIS IS THE BBC HOME SERVICE HERE IS THE NEWS 4 00:00:03,439 --> 00:00:05,279 NEWS MOSCOW RADIO HAS JUST ANNOUNCED THE 5 00:00:05,279 --> 00:00:06,960 MOSCOW RADIO HAS JUST ANNOUNCED THE SUCCESSFUL LAUNCHING OF ANOTHER ROCKET 6 00:00:06,960 --> 00:00:08,480 SUCCESSFUL LAUNCHING OF ANOTHER ROCKET RAILWAY MODERNIZATION 7 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 8 00:00:08,480 --> 00:00:09,840 RAILWAY MODERNIZATION AS YOU MAY HAVE HEARD IN THE NATIONAL 9 00:00:09,840 --> 00:00:12,000 AS YOU MAY HAVE HEARD IN THE NATIONAL NEWS A BIG SEARCH IS GOING ON 10 00:00:12,000 --> 00:00:13,920 NEWS A BIG SEARCH IS GOING ON PRESENT IN THE FOREST - THOUSANDS OF 11 00:00:13,920 --> 00:00:16,560 PRESENT IN THE FOREST - THOUSANDS OF BRITONS GAZE TO THE STARS LAST NIGHT TO 12 00:00:16,560 --> 00:00:18,880 BRITONS GAZE TO THE STARS LAST NIGHT TO WHAT'S THE CELESTIAL PASSING OF JUNE'S 13 00:00:18,880 --> 00:00:29,970 WHAT'S THE CELESTIAL PASSING OF JUNE'S COMET - PIECES OF WRECKAGE HAVE BEEN SIGHTED 14 00:00:29,970 --> 00:00:34,320 COMET - PIECES OF WRECKAGE HAVE BEEN SIGHTED [MUSIC] 15 00:00:34,320 --> 00:00:36,960 [MUSIC] IN 1999 ME AND A SMALL DOCUMENTARY CREW 16 00:00:36,960 --> 00:00:38,399 IN 1999 ME AND A SMALL DOCUMENTARY CREW LIVED AMONGST FRIENDS AT THE END 17 00:00:38,399 --> 00:00:40,239 LIVED AMONGST FRIENDS AT THE END A MYSTERIOUS RELIGIOUS GROUP BASED IN A 18 00:00:40,239 --> 00:00:42,000 A MYSTERIOUS RELIGIOUS GROUP BASED IN A REMOTE VILLAGE IN CORNWALL 19 00:00:42,000 --> 00:00:44,640 REMOTE VILLAGE IN CORNWALL IN THE FOUR PERSON TEAM IT WAS MYSELF 20 00:00:44,640 --> 00:00:46,800 IN THE FOUR PERSON TEAM IT WAS MYSELF CAMERA OPERATOR MAX SIGURDSSON 21 00:00:46,800 --> 00:00:49,200 CAMERA OPERATOR MAX SIGURDSSON STEPHEN LONG ON SECONDARY CAMERA AND 22 00:00:49,200 --> 00:00:50,079 STEPHEN LONG ON SECONDARY CAMERA AND KIERAN BINKS 23 00:00:50,079 --> 00:00:52,000 KIERAN BINKS MY COUSIN WHO DOUBLED AS SOUND RECORDIST 24 00:00:52,000 --> 00:00:56,480 MY COUSIN WHO DOUBLED AS SOUND RECORDIST AND RUNNER WHO I HIRED AS A FAVOUR TO MY 25 00:00:56,840 --> 00:00:59,840 AUNTIE 26 00:01:01,000 --> 00:01:10,960 [MUSIC] 27 00:01:10,960 --> 00:01:12,799 [MUSIC] SINCE THEIR FORMATION FATE HAVE BECOME 28 00:01:12,799 --> 00:01:14,400 SINCE THEIR FORMATION FATE HAVE BECOME INFAMOUS FOR THEIR STRANGE BELIEFS 29 00:01:14,400 --> 00:01:14,960 INFAMOUS FOR THEIR STRANGE BELIEFS INVOLVING 30 00:01:14,960 --> 00:01:17,040 INVOLVING ALIENS COMETS AND BEING LINKED TO THE 31 00:01:17,040 --> 00:01:18,000 ALIENS COMETS AND BEING LINKED TO THE DISAPPEARANCES 32 00:01:18,000 --> 00:01:21,439 DISAPPEARANCES OF FORMER MEMBERS FRIENDS AT THE END 33 00:01:21,439 --> 00:01:23,119 OF FORMER MEMBERS FRIENDS AT THE END WERE PROBABLY THE MOST CONTROVERSIAL 34 00:01:23,119 --> 00:01:26,700 WERE PROBABLY THE MOST CONTROVERSIAL CHURCH IN BRITAIN 35 00:01:26,700 --> 00:01:30,560 CHURCH IN BRITAIN [MUSIC] 36 00:01:30,560 --> 00:01:32,400 [MUSIC] ARE YOU STUCK IN A ROUTINE WHICH MAKES 37 00:01:32,400 --> 00:01:34,400 ARE YOU STUCK IN A ROUTINE WHICH MAKES YOU YEARN FOR SOMETHING GREATER? 38 00:01:34,400 --> 00:01:37,680 YOU YEARN FOR SOMETHING GREATER? WELL WE MAY HAVE THE ANSWER FOR YOU FATE 39 00:01:37,680 --> 00:01:40,240 WELL WE MAY HAVE THE ANSWER FOR YOU FATE STANDS FOR FRIENDS AT THE END WE'RE A 40 00:01:40,240 --> 00:01:42,000 STANDS FOR FRIENDS AT THE END WE'RE A FAMILY OF LIKE-MINDED PEOPLE 41 00:01:42,000 --> 00:01:45,040 FAMILY OF LIKE-MINDED PEOPLE ALL STRIVING TOWARDS THE SAME GOAL. YOU 42 00:01:45,040 --> 00:01:46,720 ALL STRIVING TOWARDS THE SAME GOAL. YOU MAY HAVE HEARD SOME MISCONCEPTIONS ABOUT 43 00:01:46,720 --> 00:01:47,600 MAY HAVE HEARD SOME MISCONCEPTIONS ABOUT FATE 44 00:01:47,600 --> 00:01:50,640 FATE BUT THESE ARE UNSUBSTANTIATED LIES. 45 00:01:50,640 --> 00:01:52,880 BUT THESE ARE UNSUBSTANTIATED LIES. DON'T TAKE MY WORD ASK THIS LEGITIMATE 46 00:01:52,880 --> 00:01:54,880 DON'T TAKE MY WORD ASK THIS LEGITIMATE SCIENTIST - FATES BELIEFS ARE GROUNDED IN 47 00:01:54,880 --> 00:01:55,600 SCIENTIST - FATES BELIEFS ARE GROUNDED IN SCIENCE 48 00:01:55,600 --> 00:01:57,600 SCIENCE EVERY 40 YEARS A SHORT PERIOD COMET 49 00:01:57,600 --> 00:01:58,799 EVERY 40 YEARS A SHORT PERIOD COMET PASSES OVER THE EARTH 50 00:01:58,799 --> 00:02:01,119 PASSES OVER THE EARTH AND WE KNOW THROUGH SCIENCE THAT THIS IS 51 00:02:01,119 --> 00:02:02,399 AND WE KNOW THROUGH SCIENCE THAT THIS IS IN FACT A SPACESHIP 52 00:02:02,399 --> 00:02:04,079 IN FACT A SPACESHIP WHERE A SOCIETY OF HIGHLY INTELLIGENT 53 00:02:04,079 --> 00:02:06,159 WHERE A SOCIETY OF HIGHLY INTELLIGENT SUPER BEINGS TRAVEL THE GALAXY 54 00:02:06,159 --> 00:02:08,080 SUPER BEINGS TRAVEL THE GALAXY WAITING TO TAKE A SELECT FEW SOULS ON 55 00:02:08,080 --> 00:02:11,200 WAITING TO TAKE A SELECT FEW SOULS ON THEIR INTERPLANETARY QUEST 56 00:02:11,520 --> 00:02:13,200 FATE WERE ONCE THE FASTEST GROWING RELIGION 57 00:02:13,200 --> 00:02:14,560 FATE WERE ONCE THE FASTEST GROWING RELIGION IN BRITAIN BUT HAD BEEN IN STEADY 58 00:02:14,560 --> 00:02:16,560 IN BRITAIN BUT HAD BEEN IN STEADY DECLINE FOR THE LAST 40 YEARS 59 00:02:16,560 --> 00:02:17,680 DECLINE FOR THE LAST 40 YEARS AFTER WHAT THEY CLAIMED WAS A 60 00:02:17,680 --> 00:02:21,440 AFTER WHAT THEY CLAIMED WAS A MISCALCULATED DOOMSDAY PREDICTION 61 00:02:21,520 --> 00:02:24,160 THIS DOCUMENTARY WAS MADE 20 YEARS AGO 62 00:02:24,160 --> 00:02:26,959 THIS DOCUMENTARY WAS MADE 20 YEARS AGO AND HASN'T BEEN SHOWN UNTIL TODAY 63 00:02:26,959 --> 00:02:28,879 AND HASN'T BEEN SHOWN UNTIL TODAY I HOPE THIS CAN FINALLY SHED SOME LIGHT 64 00:02:28,879 --> 00:02:30,000 I HOPE THIS CAN FINALLY SHED SOME LIGHT ON WHAT HAPPENED 65 00:02:30,000 --> 00:02:37,840 ON WHAT HAPPENED ALL THOSE YEARS AGO 66 00:02:47,270 --> 00:02:56,740 [MUSIC] 67 00:02:57,680 --> 00:03:01,200 WHERE ARE YOUR ROBES? I COULDN'T FIND 68 00:03:01,200 --> 00:03:02,080 WHERE ARE YOUR ROBES? I COULDN'T FIND THEM 69 00:03:02,080 --> 00:03:04,080 THEM YOU CAN'T BE A PART OF THE CEREMONY IF 70 00:03:04,080 --> 00:03:06,879 YOU CAN'T BE A PART OF THE CEREMONY IF YOU DON'T HAVE YOUR ROBES DARREN 71 00:03:06,879 --> 00:03:09,440 YOU DON'T HAVE YOUR ROBES DARREN WHERE DID YOU SEE THEM LAST? I DON'T KNOW 72 00:03:09,440 --> 00:03:10,560 WHERE DID YOU SEE THEM LAST? I DON'T KNOW MAYBE IN THE KITCHEN 73 00:03:10,560 --> 00:03:19,840 MAYBE IN THE KITCHEN WELL GO AND CHECK THE KITCHEN 74 00:03:22,420 --> 00:03:26,240 [MUSIC] 75 00:03:38,959 --> 00:03:47,840 YEAH I WANT A GREEN TEA PLEASE 76 00:03:54,480 --> 00:03:57,519 DON'T TOUCH IT. COME ON. ALL RIGHT YOU'RE 77 00:03:57,519 --> 00:03:58,239 DON'T TOUCH IT. COME ON. ALL RIGHT YOU'RE GOING TO HAVE TO PUT THE 78 00:03:58,239 --> 00:04:01,280 GOING TO HAVE TO PUT THE CLIP MIC ON HIM. THIS IS COMET 79 00:04:01,280 --> 00:04:02,550 CLIP MIC ON HIM. THIS IS COMET WE DIDN'T ASK FOR AN INTERVIEW 80 00:04:02,550 --> 00:04:08,000 WE DIDN'T ASK FOR AN INTERVIEW [MUSIC] 81 00:04:08,000 --> 00:04:10,239 [MUSIC] SO WE'VE JUST DONE OUR DAILY PRAYER. DON'T DON'T 82 00:04:10,239 --> 00:04:11,200 SO WE'VE JUST DONE OUR DAILY PRAYER. DON'T DON'T SPEAK INTO IT 83 00:04:11,200 --> 00:04:12,799 SPEAK INTO IT SO WE'VE JUST DONE OUR DAILY PRAYER TO 84 00:04:12,799 --> 00:04:14,640 SO WE'VE JUST DONE OUR DAILY PRAYER TO THE COMET IT'S TO REMIND THEM 85 00:04:14,640 --> 00:04:17,359 THE COMET IT'S TO REMIND THEM WE'RE HERE WAITING - NOW WE HAVE TO GET ON 86 00:04:17,359 --> 00:04:18,720 WE'RE HERE WAITING - NOW WE HAVE TO GET ON WITH OUR DAILY CHORES 87 00:04:18,720 --> 00:04:20,579 WITH OUR DAILY CHORES COME ON I'LL SHOW YOU AROUND 88 00:04:20,579 --> 00:04:25,360 COME ON I'LL SHOW YOU AROUND [MUSIC] 89 00:04:25,360 --> 00:04:27,440 [MUSIC] THIS IS THE LOUNGE WHERE WE RELAX AND 90 00:04:27,440 --> 00:04:29,199 THIS IS THE LOUNGE WHERE WE RELAX AND HAVE FUN 91 00:04:29,199 --> 00:04:30,800 HAVE FUN THIS IS THE KITCHEN WHERE WE COOK OUR 92 00:04:30,800 --> 00:04:32,800 THIS IS THE KITCHEN WHERE WE COOK OUR FOOD - THIS IS BECK OUR COOK 93 00:04:32,800 --> 00:04:35,120 FOOD - THIS IS BECK OUR COOK IT'S NORMALLY POTATOES WE'D LIKE TO HAVE 94 00:04:35,120 --> 00:04:37,199 IT'S NORMALLY POTATOES WE'D LIKE TO HAVE OTHER THINGS BUT ONLY POTATOES GROW FOR 95 00:04:37,199 --> 00:04:39,120 OTHER THINGS BUT ONLY POTATOES GROW FOR SOME REASON 96 00:04:39,120 --> 00:04:43,840 SOME REASON ISN'T THAT RIGHT BECK? 97 00:04:44,479 --> 00:04:46,320 THIS IS LEADERS ROOM, WE'RE NOT ALLOWED 98 00:04:46,320 --> 00:04:48,240 THIS IS LEADERS ROOM, WE'RE NOT ALLOWED TO GO IN, HE'S BEEN IN THERE 99 00:04:48,240 --> 00:04:50,320 TO GO IN, HE'S BEEN IN THERE FOR YEARS, HE'S WORKING ON A REALLY 100 00:04:50,320 --> 00:04:51,440 FOR YEARS, HE'S WORKING ON A REALLY IMPORTANT PROJECT 101 00:04:51,440 --> 00:04:52,960 IMPORTANT PROJECT AND WE'RE NOT SUPPOSED TO KNOW WHAT IT 102 00:04:52,960 --> 00:04:54,479 AND WE'RE NOT SUPPOSED TO KNOW WHAT IT IS - THIS IS THE SHEDS 103 00:04:54,479 --> 00:04:55,840 IS - THIS IS THE SHEDS IT'S WHERE WE GO WHENEVER WE BREAK A 104 00:04:55,840 --> 00:04:57,840 IT'S WHERE WE GO WHENEVER WE BREAK A RULE YOU CAN SPEND UP TO SIX WEEKS IN 105 00:04:57,840 --> 00:05:00,639 RULE YOU CAN SPEND UP TO SIX WEEKS IN HERE DEPENDING ON WHAT RULE YOU BROKE. 106 00:05:00,639 --> 00:05:02,120 HERE DEPENDING ON WHAT RULE YOU BROKE. DARREN I BROUGHT THE BUCKET 107 00:05:02,120 --> 00:05:04,000 DARREN I BROUGHT THE BUCKET [MUSIC] 108 00:05:04,000 --> 00:05:06,160 [MUSIC] THIS IS OUR GARDEN AND FARM WE ARE A 109 00:05:06,160 --> 00:05:08,000 THIS IS OUR GARDEN AND FARM WE ARE A COMPLETELY SELF-SUFFICIENT COMMUNITY 110 00:05:08,000 --> 00:05:10,320 COMPLETELY SELF-SUFFICIENT COMMUNITY WE MAKE OUR OWN CROPS CULTIVATE OUR OWN 111 00:05:10,320 --> 00:05:11,919 WE MAKE OUR OWN CROPS CULTIVATE OUR OWN WATER 112 00:05:11,919 --> 00:05:13,190 WATER MAKE OUR OWN MANURE 113 00:05:13,190 --> 00:05:16,639 MAKE OUR OWN MANURE [MUSIC] 114 00:05:16,639 --> 00:05:19,199 [MUSIC] THIS IS MY BEDROOM I SHARE WITH DARREN 115 00:05:19,199 --> 00:05:20,160 THIS IS MY BEDROOM I SHARE WITH DARREN IT'S 116 00:05:20,160 --> 00:05:23,280 IT'S A BIT EMPTY NOW WITHOUT HIM. I I LOVE 117 00:05:23,280 --> 00:05:24,240 A BIT EMPTY NOW WITHOUT HIM. I I LOVE PAINTING 118 00:05:24,240 --> 00:05:27,919 PAINTING I FIND IT CATHARTIC 119 00:05:27,919 --> 00:05:30,000 I FIND IT CATHARTIC I TAUGHT MYSELF. UH THIS IS THE WORLD 120 00:05:30,000 --> 00:05:31,680 I TAUGHT MYSELF. UH THIS IS THE WORLD AFTER OUR SOULS HAVE BEEN TRANSPORTED 121 00:05:31,680 --> 00:05:33,360 AFTER OUR SOULS HAVE BEEN TRANSPORTED ONTO JUNE'S COMET 122 00:05:33,360 --> 00:05:36,479 ONTO JUNE'S COMET YOU CAN SEE PEOPLE ON FIRE 123 00:05:36,479 --> 00:05:39,919 YOU CAN SEE PEOPLE ON FIRE BUILDINGS ON FIRE, A LOT OF FIRE. 124 00:05:39,919 --> 00:05:42,240 BUILDINGS ON FIRE, A LOT OF FIRE. THIS IS US SAFE ON THE COMET WE'RE NOT 125 00:05:42,240 --> 00:05:43,360 THIS IS US SAFE ON THE COMET WE'RE NOT ON FIRE 126 00:05:43,360 --> 00:05:48,000 ON FIRE BUT IF YOU LOOK UP HERE - FIRE. 127 00:05:48,000 --> 00:05:50,720 BUT IF YOU LOOK UP HERE - FIRE. THIS IS A HORSE I SAW ONE TIME, I THOUGHT 128 00:05:50,720 --> 00:05:53,520 THIS IS A HORSE I SAW ONE TIME, I THOUGHT IT WAS PRETTY COOL 129 00:05:53,520 --> 00:05:55,360 IT WAS PRETTY COOL AND HERE HE IS AGAIN AFTER THE COMET 130 00:05:55,360 --> 00:05:56,800 AND HERE HE IS AGAIN AFTER THE COMET PASSES 131 00:05:56,800 --> 00:05:59,600 PASSES HE'S ON FIRE 132 00:06:00,319 --> 00:06:02,960 COMET THESE ARE REALLY GOOD UH DO YOU 133 00:06:02,960 --> 00:06:03,680 COMET THESE ARE REALLY GOOD UH DO YOU HAVE ANY 134 00:06:03,680 --> 00:06:05,039 HAVE ANY WHICH AREN'T ABOUT THE END OF THE WORLD 135 00:06:05,039 --> 00:06:07,600 WHICH AREN'T ABOUT THE END OF THE WORLD OR HAVE FIRE IN THEM? UM 136 00:06:07,600 --> 00:06:10,400 OR HAVE FIRE IN THEM? UM NO NOT REALLY MOTHER SAID I CAN'T PAINT 137 00:06:10,400 --> 00:06:11,759 NO NOT REALLY MOTHER SAID I CAN'T PAINT ABOUT ANYTHING ELSE AS IT'S A WASTE OF 138 00:06:11,759 --> 00:06:13,520 ABOUT ANYTHING ELSE AS IT'S A WASTE OF TIME 139 00:06:13,520 --> 00:06:16,560 TIME WELL THEY’RE REALLY GOOD, REALLY GOOD - THANK 140 00:06:16,560 --> 00:06:17,600 WELL THEY’RE REALLY GOOD, REALLY GOOD - THANK YOU 141 00:06:17,600 --> 00:06:21,039 YOU YEAH SO HOW LONG HAVE YOU BEEN IN FATE? 142 00:06:21,039 --> 00:06:24,240 YEAH SO HOW LONG HAVE YOU BEEN IN FATE? I'VE BEEN IN FATE SINCE 1960. I MET THE 143 00:06:24,240 --> 00:06:26,080 I'VE BEEN IN FATE SINCE 1960. I MET THE LEADER WHEN I WAS AT UNIVERSITY 144 00:06:26,080 --> 00:06:27,840 LEADER WHEN I WAS AT UNIVERSITY HE SAID HE SAW SOMETHING SPECIAL IN ME 145 00:06:27,840 --> 00:06:29,680 HE SAID HE SAW SOMETHING SPECIAL IN ME AND INVITED ME TO JOIN 146 00:06:29,680 --> 00:06:32,880 AND INVITED ME TO JOIN HE COULD SEE MY QUALITIES - AND UH WHAT IS 147 00:06:32,880 --> 00:06:34,479 HE COULD SEE MY QUALITIES - AND UH WHAT IS YOUR QUALITIES? 148 00:06:34,479 --> 00:06:38,400 YOUR QUALITIES? I'M GOOD WITH PEOPLE, I'M A MOTIVATOR 149 00:06:38,400 --> 00:06:42,000 I'M GOOD WITH PEOPLE, I'M A MOTIVATOR I LEAD BY EXAMPLE, I MAY BE HARSH BUT 150 00:06:42,000 --> 00:06:43,840 I LEAD BY EXAMPLE, I MAY BE HARSH BUT IT'S FOR THE GREATER GOOD. 151 00:06:43,840 --> 00:06:46,639 IT'S FOR THE GREATER GOOD. ALL THINGS BEGIN AND END WITH THE COMET 152 00:06:46,639 --> 00:06:48,800 ALL THINGS BEGIN AND END WITH THE COMET ALL OTHER THINGS ARE TRIVIAL. 153 00:06:48,800 --> 00:06:52,720 ALL OTHER THINGS ARE TRIVIAL. BECK DO YOU MIND SITTING DOWN - YES 154 00:06:52,720 --> 00:06:56,000 BECK DO YOU MIND SITTING DOWN - YES CAN YOU TAKE YOUR HOOD OFF PLEASE JUST 155 00:06:56,000 --> 00:06:58,479 CAN YOU TAKE YOUR HOOD OFF PLEASE JUST JUST FOR THE INTERVIEW? 156 00:06:58,479 --> 00:07:00,160 JUST FOR THE INTERVIEW? I'VE BEEN IN FATE FOR ABOUT TWO YEARS 157 00:07:00,160 --> 00:07:01,599 I'VE BEEN IN FATE FOR ABOUT TWO YEARS NOW 158 00:07:01,599 --> 00:07:03,199 NOW BEFORE THAT I WAS IN A FEW DIFFERENT 159 00:07:03,199 --> 00:07:07,120 BEFORE THAT I WAS IN A FEW DIFFERENT GROUPS. THERE WAS THE PRISM OF LIGHT 160 00:07:07,120 --> 00:07:11,120 GROUPS. THERE WAS THE PRISM OF LIGHT BEFORE THAT THERE WAS JEBODIAH'S TEMPLE 161 00:07:11,360 --> 00:07:12,560 AFTER THAT THERE WAS THE CHURCH OF 162 00:07:12,560 --> 00:07:14,479 AFTER THAT THERE WAS THE CHURCH OF APHRODITE 163 00:07:14,479 --> 00:07:18,479 APHRODITE THAT WAS FUN, THEN I FELL IN WITH THE 164 00:07:18,479 --> 00:07:21,440 THAT WAS FUN, THEN I FELL IN WITH THE BENSON FAMILY LOVE - IN 165 00:07:21,440 --> 00:07:22,880 BENSON FAMILY LOVE - IN AND THAT WAS BEFORE MR BENSON GOT 166 00:07:22,880 --> 00:07:24,800 AND THAT WAS BEFORE MR BENSON GOT ARRESTED 167 00:07:24,800 --> 00:07:26,720 ARRESTED THEN SOMEHOW I STARTED HANGING OUT WITH 168 00:07:26,720 --> 00:07:28,240 THEN SOMEHOW I STARTED HANGING OUT WITH THE CHURCH OF LUCIFER AND HIS CHILDREN 169 00:07:28,240 --> 00:07:29,120 THE CHURCH OF LUCIFER AND HIS CHILDREN OF THE DAMNED 170 00:07:29,120 --> 00:07:32,639 OF THE DAMNED THEY WERE INTENSE. 171 00:07:32,639 --> 00:07:35,280 THEY WERE INTENSE. AND THEN THERE WAS THE PAULA ABDUL FAN 172 00:07:35,280 --> 00:07:37,520 AND THEN THERE WAS THE PAULA ABDUL FAN CLUB 173 00:07:40,080 --> 00:07:43,360 YEAH I KIND OF MISUNDERSTOOD THAT ONE 174 00:07:43,360 --> 00:07:46,879 YEAH I KIND OF MISUNDERSTOOD THAT ONE THAT WAS JUST A CLUB FOR PAUL ABDUL FANS 175 00:07:46,879 --> 00:07:49,759 THAT WAS JUST A CLUB FOR PAUL ABDUL FANS FREAKS - WELL BEFORE THIS I WAS IN A BAND 176 00:07:49,759 --> 00:07:51,440 FREAKS - WELL BEFORE THIS I WAS IN A BAND WE'RE LIKE A COVER BAND 177 00:07:51,440 --> 00:07:54,160 WE'RE LIKE A COVER BAND UM WE WOULD TAKE FAMOUS SONGS AND CHANGE 178 00:07:54,160 --> 00:07:56,160 UM WE WOULD TAKE FAMOUS SONGS AND CHANGE THE LYRICS EVER SO SLIGHTLY SO WE GET 179 00:07:56,160 --> 00:07:58,560 THE LYRICS EVER SO SLIGHTLY SO WE GET AROUND THE COPYRIGHT INFRINGEMENT 180 00:07:58,560 --> 00:08:00,879 AROUND THE COPYRIGHT INFRINGEMENT AND THEN SELL THEM TO ADVERT COMPANIES. 181 00:08:00,879 --> 00:08:03,120 AND THEN SELL THEM TO ADVERT COMPANIES. WE WERE LIVING A SEMI-ROCK STAR LIFE 182 00:08:03,120 --> 00:08:05,919 WE WERE LIVING A SEMI-ROCK STAR LIFE ‘I WANT TO KNOW WHAT GLOVE IS’ IT WAS A 183 00:08:05,919 --> 00:08:06,560 ‘I WANT TO KNOW WHAT GLOVE IS’ IT WAS A RUBBER 184 00:08:06,560 --> 00:08:09,360 RUBBER RUBBER GLOVES ADVERT. ‘DON'T STOP BLEEDING’ 185 00:08:09,360 --> 00:08:10,639 RUBBER GLOVES ADVERT. ‘DON'T STOP BLEEDING’ THAT WAS FOR A TAMPON 186 00:08:10,639 --> 00:08:13,599 THAT WAS FOR A TAMPON ADVERT. THERE WAS ALSO PHIL COLLIN’S ‘IN 187 00:08:13,599 --> 00:08:14,240 ADVERT. THERE WAS ALSO PHIL COLLIN’S ‘IN YOUR HAIR 188 00:08:14,240 --> 00:08:16,879 YOUR HAIR TONIGHT’ - THAT WAS FOR A SHAMPOO ADVERT 189 00:08:16,879 --> 00:08:18,800 TONIGHT’ - THAT WAS FOR A SHAMPOO ADVERT AND OUR GREATEST HIT WAS 190 00:08:18,800 --> 00:08:20,479 AND OUR GREATEST HIT WAS ‘I DON'T WANT A DESSERT I JUST WANT MY 191 00:08:20,479 --> 00:08:24,240 ‘I DON'T WANT A DESSERT I JUST WANT MY MAIN’ LIKE A ‘HORSE WITH NO NAME’. 192 00:08:25,039 --> 00:08:27,759 JUST WANT MY MAIN, IT FELT GOOD TO BE 193 00:08:27,759 --> 00:08:30,319 JUST WANT MY MAIN, IT FELT GOOD TO BE EATING MY MAIN 194 00:08:30,319 --> 00:08:33,200 EATING MY MAIN WITH A DESSERT EVERYONE KNOWS THAT 195 00:08:33,200 --> 00:08:34,000 WITH A DESSERT EVERYONE KNOWS THAT THEY'RE LAME 196 00:08:34,000 --> 00:08:36,399 THEY'RE LAME BECAUSE YOU CAN'T STOP THINKING ABOUT 197 00:08:36,399 --> 00:08:41,299 BECAUSE YOU CAN'T STOP THINKING ABOUT WHEN YOU JUST WANT ANOTHER MAIN 198 00:08:41,299 --> 00:08:51,760 WHEN YOU JUST WANT ANOTHER MAIN [MUSIC] 199 00:08:51,760 --> 00:08:54,240 [MUSIC] SO WE END UP SPLITTING AND THAT WAS 200 00:08:54,240 --> 00:08:55,279 SO WE END UP SPLITTING AND THAT WAS REALLY HARD FOR ME 201 00:08:55,279 --> 00:08:58,480 REALLY HARD FOR ME I WENT INTO A TAIL SPIN I GOT REALLY INTO 202 00:08:58,480 --> 00:09:02,080 I WENT INTO A TAIL SPIN I GOT REALLY INTO LSD AND I THINK I 203 00:09:02,080 --> 00:09:04,240 LSD AND I THINK I GOT A BAD BATCH BECAUSE ONE DAY I TOOK 204 00:09:04,240 --> 00:09:05,279 GOT A BAD BATCH BECAUSE ONE DAY I TOOK JUST 205 00:09:05,279 --> 00:09:08,399 JUST A QUARTER OF A TAB AND THEN I WOKE UP 206 00:09:08,399 --> 00:09:09,440 A QUARTER OF A TAB AND THEN I WOKE UP TWO DAYS LATER 207 00:09:09,440 --> 00:09:12,080 TWO DAYS LATER AND I'M WEARING THESE CLOTHES, I'M IN THIS 208 00:09:12,080 --> 00:09:14,320 AND I'M WEARING THESE CLOTHES, I'M IN THIS HOUSE 209 00:09:14,320 --> 00:09:16,000 HOUSE THIS IS WHAT WE CALL THE FIVE BLESSED 210 00:09:16,000 --> 00:09:17,760 THIS IS WHAT WE CALL THE FIVE BLESSED RULES, THEY'RE THE CODE WE LIVE BY 211 00:09:17,760 --> 00:09:20,320 RULES, THEY'RE THE CODE WE LIVE BY IT STARTED WITH FIVE AND THEN IRMA KEPT 212 00:09:20,320 --> 00:09:21,360 IT STARTED WITH FIVE AND THEN IRMA KEPT ADDING TO THEM 213 00:09:21,360 --> 00:09:23,760 ADDING TO THEM IF YOU DISOBEY THE RULES YOU'RE PUNISHED 214 00:09:23,760 --> 00:09:24,560 IF YOU DISOBEY THE RULES YOU'RE PUNISHED WITH THE SHED 215 00:09:24,560 --> 00:09:27,040 WITH THE SHED I BROKE THE NO HAT RULE, IF YOU BREAK 216 00:09:27,040 --> 00:09:27,920 I BROKE THE NO HAT RULE, IF YOU BREAK THREE RULES 217 00:09:27,920 --> 00:09:30,480 THREE RULES YOU GET THE WORST PUNISHMENT OF ALL THE 218 00:09:30,480 --> 00:09:31,279 YOU GET THE WORST PUNISHMENT OF ALL THE SHUNNING 219 00:09:31,279 --> 00:09:35,600 SHUNNING WHAT'S THE SHUNNING? - YOU DON'T WANT TO KNOW 220 00:09:42,480 --> 00:09:44,000 THE WORST THING ABOUT THE GROUP ARE THE 221 00:09:44,000 --> 00:09:46,480 THE WORST THING ABOUT THE GROUP ARE THE RULES, SOME OF THEM ARE RIDICULOUS 222 00:09:46,480 --> 00:09:50,480 RULES, SOME OF THEM ARE RIDICULOUS UM WE'RE NOT EVEN ALLOWED TO SWEAR 223 00:09:50,480 --> 00:09:52,720 UM WE'RE NOT EVEN ALLOWED TO SWEAR SOME PEOPLE DON'T LIKE THE NO SWEARING 224 00:09:52,720 --> 00:09:54,480 SOME PEOPLE DON'T LIKE THE NO SWEARING RULE BUT I DO 225 00:09:54,480 --> 00:09:56,880 RULE BUT I DO SOME HAVE MADE UP SWEAR WORDS IN ORDER 226 00:09:56,880 --> 00:09:57,519 SOME HAVE MADE UP SWEAR WORDS IN ORDER TO 227 00:09:57,519 --> 00:10:00,160 TO GET AROUND THE RULE - DICK BECOMES DINK OR 228 00:10:00,160 --> 00:10:01,200 GET AROUND THE RULE - DICK BECOMES DINK OR DINK HEAD 229 00:10:01,200 --> 00:10:04,480 DINK HEAD FUCK BECOMES FUNK -WANK BECOMES WAMP 230 00:10:04,480 --> 00:10:07,200 FUCK BECOMES FUNK -WANK BECOMES WAMP OR WAMPKA BITCH BECOMES BINCH SHIT 231 00:10:07,200 --> 00:10:08,079 OR WAMPKA BITCH BECOMES BINCH SHIT BECOMES SHIT 232 00:10:08,079 --> 00:10:11,120 BECOMES SHIT TWAT BECOMES TWART - A FEW PEOPLE ON THE 233 00:10:11,120 --> 00:10:12,240 TWAT BECOMES TWART - A FEW PEOPLE ON THE OUTSIDE 234 00:10:12,240 --> 00:10:14,480 OUTSIDE THINK YOU'RE A BIT… PEOPLE OUTSIDE CAN 235 00:10:14,480 --> 00:10:16,000 THINK YOU'RE A BIT… PEOPLE OUTSIDE CAN CHOOSE TO THINK OF US HOWEVER THEY 236 00:10:16,000 --> 00:10:16,480 CHOOSE TO THINK OF US HOWEVER THEY PLEASE 237 00:10:16,480 --> 00:10:19,680 PLEASE IT'S NO CONCERN OF MINE WE'RE A RELIGION 238 00:10:19,680 --> 00:10:21,360 IT'S NO CONCERN OF MINE WE'RE A RELIGION AND SHOULD BE TREATED WITH THE SAME 239 00:10:21,360 --> 00:10:23,360 AND SHOULD BE TREATED WITH THE SAME RESPECT AND DIGNITY 240 00:10:23,360 --> 00:10:26,880 RESPECT AND DIGNITY AS ANY OTHER - YOU YES 241 00:10:26,880 --> 00:10:30,399 AS ANY OTHER - YOU YES YOU TAKE OFF THAT HAT WHAT KIND OF PLACE 242 00:10:30,399 --> 00:10:33,200 YOU TAKE OFF THAT HAT WHAT KIND OF PLACE DO YOU THINK THIS IS? 243 00:10:33,200 --> 00:10:35,920 DO YOU THINK THIS IS? TAKE IT OFF STEVE 244 00:10:37,600 --> 00:10:40,640 SORRY I DON'T KNOW IF YOU'RE AWARE OF 245 00:10:40,640 --> 00:10:42,160 SORRY I DON'T KNOW IF YOU'RE AWARE OF THIS BUT ON THE OUTSIDE 246 00:10:42,160 --> 00:10:43,440 THIS BUT ON THE OUTSIDE A LOT OF PEOPLE HAVE A NOTION THAT 247 00:10:43,440 --> 00:10:45,760 A LOT OF PEOPLE HAVE A NOTION THAT YOU'RE A CULT, UH WHAT DO YOU THINK ABOUT 248 00:10:45,760 --> 00:10:48,079 YOU'RE A CULT, UH WHAT DO YOU THINK ABOUT WORD AND ITS CONNOTATIONS? 249 00:10:48,079 --> 00:10:50,880 WORD AND ITS CONNOTATIONS? I THINK IT'S A DISGUSTING WORD, THE WORST 250 00:10:50,880 --> 00:10:52,800 I THINK IT'S A DISGUSTING WORD, THE WORST ONE YOU SHOULDN'T SAY IT 251 00:10:52,800 --> 00:10:56,480 ONE YOU SHOULDN'T SAY IT OH SORRY COMET, ‘CULT’. 252 00:10:56,480 --> 00:11:00,959 OH SORRY COMET, ‘CULT’. YOU MENTIONED THE LEADER DANIEL LOVE IS HE? 253 00:11:04,640 --> 00:11:06,720 NO THAT WOULDN'T BE POSSIBLE HE'S HE'S 254 00:11:06,720 --> 00:11:09,360 NO THAT WOULDN'T BE POSSIBLE HE'S HE'S VERY BUSY 255 00:11:11,440 --> 00:11:14,560 IT'S A VERY 256 00:11:14,560 --> 00:11:18,560 IT'S A VERY COMPLEX PROJECT THAT HE'S WORKING ON 257 00:11:18,560 --> 00:11:21,680 COMPLEX PROJECT THAT HE'S WORKING ON WE ALL DEPEND ON HIM FOR OUR 258 00:11:21,680 --> 00:11:24,320 WE ALL DEPEND ON HIM FOR OUR MISSION. DANIEL LOVE IS THE FOUNDER AND 259 00:11:24,320 --> 00:11:26,079 MISSION. DANIEL LOVE IS THE FOUNDER AND LEADER OF FRIENDS AT THE END WHO HAS NOT 260 00:11:26,079 --> 00:11:27,760 LEADER OF FRIENDS AT THE END WHO HAS NOT BEEN SEEN IN THE PUBLIC EYE FOR SEVERAL 261 00:11:27,760 --> 00:11:29,360 BEEN SEEN IN THE PUBLIC EYE FOR SEVERAL YEARS 262 00:11:29,360 --> 00:11:31,680 YEARS MR LOVE GAINED NATIONWIDE NOTORIETY 263 00:11:31,680 --> 00:11:33,120 MR LOVE GAINED NATIONWIDE NOTORIETY AFTER THE RELEASE OF HIS BOOK 264 00:11:33,120 --> 00:11:35,680 AFTER THE RELEASE OF HIS BOOK HOW TO REACH ETERNITY - IN IT HE 265 00:11:35,680 --> 00:11:37,360 HOW TO REACH ETERNITY - IN IT HE CLAIMED THAT A COMET WHICH PASSES EVERY 266 00:11:37,360 --> 00:11:38,240 CLAIMED THAT A COMET WHICH PASSES EVERY FORTY YEARS 267 00:11:38,240 --> 00:11:41,519 FORTY YEARS IS IN FACT AN ALIEN SPACESHIP. 268 00:11:41,519 --> 00:11:43,839 IS IN FACT AN ALIEN SPACESHIP. YOU LIVE TOGETHER WITH YOUR FOLLOWERS IS 269 00:11:43,839 --> 00:11:45,440 YOU LIVE TOGETHER WITH YOUR FOLLOWERS IS THAT CORRECT? 270 00:11:45,440 --> 00:11:48,959 THAT CORRECT? IN SEPARATE BEDROOMS OF COURSE. 271 00:11:48,959 --> 00:11:52,240 IN SEPARATE BEDROOMS OF COURSE. NOW SOME PUBLICATIONS HAVE UH 272 00:11:52,240 --> 00:11:55,279 NOW SOME PUBLICATIONS HAVE UH CLAIMED THAT THE PRACTICES AT 273 00:11:55,279 --> 00:11:59,120 CLAIMED THAT THE PRACTICES AT FATES COMPOUND ARE AND I QUOTE 274 00:11:59,120 --> 00:12:01,519 FATES COMPOUND ARE AND I QUOTE ‘THE DISTURBING CONSEQUENCES OF A 275 00:12:01,519 --> 00:12:02,399 ‘THE DISTURBING CONSEQUENCES OF A DELUSIONAL 276 00:12:02,399 --> 00:12:05,920 DELUSIONAL MADMAN WHERE MEMBERS ARE TREATED LIKE 277 00:12:05,920 --> 00:12:08,480 MADMAN WHERE MEMBERS ARE TREATED LIKE SLAVES, PROCREATION OUT OF WEDLOCK IS 278 00:12:08,480 --> 00:12:09,680 SLAVES, PROCREATION OUT OF WEDLOCK IS ENCOURAGED AND 279 00:12:09,680 --> 00:12:12,560 ENCOURAGED AND ANIMAL SACRIFICES ARE A WEEKLY 280 00:12:12,560 --> 00:12:15,279 ANIMAL SACRIFICES ARE A WEEKLY OCCURRENCE’. 281 00:12:16,720 --> 00:12:20,240 I'M SORRY WHAT WAS THE QUESTION? 282 00:12:20,480 --> 00:12:23,760 HOW DO YOU REACT TO THAT? 283 00:12:23,760 --> 00:12:28,639 HOW DO YOU REACT TO THAT? I ASSURE YOU WE DO NOT SACRIFICE ANIMALS 284 00:12:28,639 --> 00:12:31,360 I ASSURE YOU WE DO NOT SACRIFICE ANIMALS DO YOU THINK THAT THE WORLD WILL ONE DAY 285 00:12:31,360 --> 00:12:31,760 DO YOU THINK THAT THE WORLD WILL ONE DAY LOOK 286 00:12:31,760 --> 00:12:35,200 LOOK BACK AT FATE WITH THE SAME 287 00:12:35,200 --> 00:12:38,880 BACK AT FATE WITH THE SAME ESTEEM AS UH CHRISTIANITY 288 00:12:38,880 --> 00:12:42,320 ESTEEM AS UH CHRISTIANITY JUDAISM ISLAM? - I’M SAYING MY DEAR 289 00:12:42,320 --> 00:12:44,959 JUDAISM ISLAM? - I’M SAYING MY DEAR THAT WHEN A COMET PASSES OVERHEAD THE 290 00:12:44,959 --> 00:12:46,959 THAT WHEN A COMET PASSES OVERHEAD THE WORLD WILL NOT HAVE THE CAPACITY 291 00:12:46,959 --> 00:12:51,120 WORLD WILL NOT HAVE THE CAPACITY TO LOOK BACK IT WILL CEASE 292 00:12:51,120 --> 00:12:55,360 TO LOOK BACK IT WILL CEASE TO BE. WHAT IS IT YOU'RE SAYING? 293 00:12:55,360 --> 00:13:00,399 TO BE. WHAT IS IT YOU'RE SAYING? THAT THE COMET WILL BRING THE RECKONING 294 00:13:01,360 --> 00:13:04,720 ON JUNE THE 10TH THIS COMET WILL BRING 295 00:13:04,720 --> 00:13:05,440 ON JUNE THE 10TH THIS COMET WILL BRING ABOUT THE 296 00:13:05,440 --> 00:13:07,580 ABOUT THE END OF THE WORLD? 297 00:13:07,580 --> 00:13:10,399 END OF THE WORLD? [MUSIC] 298 00:13:10,399 --> 00:13:14,320 [MUSIC] AND ONLY THOSE WHO FOLLOW OUR PATH 299 00:13:14,320 --> 00:13:17,040 AND ONLY THOSE WHO FOLLOW OUR PATH WILL BE SAVED 300 00:13:19,120 --> 00:13:21,760 UM SO WHAT'S IT LIKE LIVING NEXT DOOR TO 301 00:13:21,760 --> 00:13:22,240 UM SO WHAT'S IT LIKE LIVING NEXT DOOR TO FATE? 302 00:13:22,240 --> 00:13:25,040 FATE? THEY'RE A NUISANCE I CAN HEAR THEM WITH 303 00:13:25,040 --> 00:13:28,399 THEY'RE A NUISANCE I CAN HEAR THEM WITH THEIR UNGODLY CHANTING 304 00:13:28,399 --> 00:13:31,279 THEIR UNGODLY CHANTING AND I'M SURE THEY TOOK MY CAT DONNA BUT 305 00:13:31,279 --> 00:13:31,600 AND I'M SURE THEY TOOK MY CAT DONNA BUT THEY 306 00:13:31,600 --> 00:13:33,279 THEY THEY SAID THEY DIDN'T TAKE HER BUT I'M 307 00:13:33,279 --> 00:13:34,959 THEY SAID THEY DIDN'T TAKE HER BUT I'M SURE THEY HAVE AND 308 00:13:34,959 --> 00:13:37,360 SURE THEY HAVE AND HEAVEN KNOWS WHAT THEY'VE DONE TO HER 309 00:13:37,360 --> 00:13:38,160 HEAVEN KNOWS WHAT THEY'VE DONE TO HER WELL I DON'T KNOW 310 00:13:38,160 --> 00:13:39,680 WELL I DON'T KNOW WHY NO ONE IS LISTENING TO MY IDEA ABOUT 311 00:13:39,680 --> 00:13:42,079 WHY NO ONE IS LISTENING TO MY IDEA ABOUT SACRIFICING AN ANIMAL TO THE COMET 312 00:13:42,079 --> 00:13:45,120 SACRIFICING AN ANIMAL TO THE COMET TO SUPPLY US WITH MONEY. HAVE YOU DONE 313 00:13:45,120 --> 00:13:48,399 TO SUPPLY US WITH MONEY. HAVE YOU DONE THAT BEFORE? 314 00:13:48,399 --> 00:13:53,199 THAT BEFORE? NO HEY 315 00:13:53,199 --> 00:13:58,320 NO HEY ARE YOU SMILING? IS THAT A YES? 316 00:14:01,040 --> 00:14:04,160 UH DO YOU EVER GET LONELY? WHAT 317 00:14:04,160 --> 00:14:06,399 UH DO YOU EVER GET LONELY? WHAT NO. 318 00:14:07,839 --> 00:14:10,560 HOW ARE YOU DOING? TODAY I'M DOING WELL 319 00:14:10,560 --> 00:14:17,839 HOW ARE YOU DOING? TODAY I'M DOING WELL THANK YOU HOW ARE YOU DOING 320 00:14:19,040 --> 00:14:21,600 I'M SURROUNDED BY MY FRIENDS AND MOTHER 321 00:14:21,600 --> 00:14:22,959 I'M SURROUNDED BY MY FRIENDS AND MOTHER SHE'S MY BEST FRIEND 322 00:14:22,959 --> 00:14:24,800 SHE'S MY BEST FRIEND I COULDN'T HAVE BEEN BORN ANYWHERE 323 00:14:24,800 --> 00:14:27,600 I COULDN'T HAVE BEEN BORN ANYWHERE BETTER - YOU WERE BORN HERE? 324 00:14:27,600 --> 00:14:30,079 BETTER - YOU WERE BORN HERE? MOTHER GAVE BIRTH TO ME HERE SHE SAID I 325 00:14:30,079 --> 00:14:32,000 MOTHER GAVE BIRTH TO ME HERE SHE SAID I SHONE ALMOST AS BRIGHT AS THE COMET THAT 326 00:14:32,000 --> 00:14:33,199 SHONE ALMOST AS BRIGHT AS THE COMET THAT DAY 327 00:14:33,199 --> 00:14:35,680 DAY SO SHE NAMED YOU AFTER IT? WHAT ABOUT 328 00:14:35,680 --> 00:14:36,800 SO SHE NAMED YOU AFTER IT? WHAT ABOUT YOUR FATHER? 329 00:14:36,800 --> 00:14:39,360 YOUR FATHER? I DON'T HAVE A FATHER - YOU DON'T HAVE A 330 00:14:39,360 --> 00:14:40,320 I DON'T HAVE A FATHER - YOU DON'T HAVE A FATHER? 331 00:14:40,320 --> 00:14:42,800 FATHER? I DON'T HAVE A ‘HUMAN FATHER’ I'M THE 332 00:14:42,800 --> 00:14:45,839 I DON'T HAVE A ‘HUMAN FATHER’ I'M THE CHILD OF MOTHER AND THE COMET. 333 00:14:49,040 --> 00:14:51,279 DO YOU GUYS EVER GET OUT AND MEET OTHER 334 00:14:51,279 --> 00:14:59,600 DO YOU GUYS EVER GET OUT AND MEET OTHER PEOPLE? - OF COURSE WE DO. 335 00:14:59,600 --> 00:15:01,600 PEOPLE? - OF COURSE WE DO. I FELT SORRY FOR COMET HE LIVED AN 336 00:15:01,600 --> 00:15:03,199 I FELT SORRY FOR COMET HE LIVED AN ISOLATED LIFE AND THIS WAS OBVIOUSLY 337 00:15:03,199 --> 00:15:06,959 ISOLATED LIFE AND THIS WAS OBVIOUSLY SOME WAY TO CONNECT TO THE OUTSIDE WORLD 338 00:15:06,959 --> 00:15:08,560 SOME WAY TO CONNECT TO THE OUTSIDE WORLD BECK ON THE OTHER HAND COULDN'T SEEM TO 339 00:15:08,560 --> 00:15:10,959 BECK ON THE OTHER HAND COULDN'T SEEM TO CARE ABOUT CONNECTING TO OTHER PEOPLE 340 00:15:10,959 --> 00:15:12,639 CARE ABOUT CONNECTING TO OTHER PEOPLE WE DO THIS EVERY WEEK WHOEVER GIVES OUT 341 00:15:12,639 --> 00:15:14,560 WE DO THIS EVERY WEEK WHOEVER GIVES OUT THE MOST FLYERS GETS A STAR NEXT SERVING 342 00:15:14,560 --> 00:15:16,480 THE MOST FLYERS GETS A STAR NEXT SERVING OF POTATO 343 00:15:16,480 --> 00:15:19,839 OF POTATO I'VE NEVER LOST. - AND SHE DID KIND OF 344 00:15:19,839 --> 00:15:22,320 I'VE NEVER LOST. - AND SHE DID KIND OF SCARE ME. 345 00:15:24,959 --> 00:15:27,680 EXCUSE ME WOULD YOU LIKE A FLYER EXCUSE 346 00:15:27,680 --> 00:15:28,720 EXCUSE ME WOULD YOU LIKE A FLYER EXCUSE ME MADAM DO YOU KNOW THE END OF THE 347 00:15:28,720 --> 00:15:30,240 ME MADAM DO YOU KNOW THE END OF THE WORLD IS COMING SOON UM WOULD YOU LIKE A 348 00:15:30,240 --> 00:15:31,519 WORLD IS COMING SOON UM WOULD YOU LIKE A FLYER? 349 00:15:31,519 --> 00:15:35,759 FLYER? NO MAYBE ON YOUR WAY BACK 350 00:15:36,240 --> 00:15:38,839 MOTHER SAID I SHOULD BE A BIT MORE 351 00:15:38,839 --> 00:15:40,880 MOTHER SAID I SHOULD BE A BIT MORE FORCEFUL 352 00:15:40,880 --> 00:15:43,759 FORCEFUL DID YOU KNOW THE END IS COMING SIR NO NO 353 00:15:43,759 --> 00:15:44,959 DID YOU KNOW THE END IS COMING SIR NO NO I DIDN'T 354 00:15:44,959 --> 00:15:55,040 I DIDN'T I WILL EAT YOUR FACE UNLESS YOU TAKE A FLYER. 355 00:15:55,040 --> 00:15:56,160 I WILL EAT YOUR FACE UNLESS YOU TAKE A FLYER. EXCUSE ME SIR WOULD YOU LIKE A 356 00:15:56,160 --> 00:15:59,040 EXCUSE ME SIR WOULD YOU LIKE A FLYER? 357 00:15:59,920 --> 00:16:03,839 HEY SUCK IT ASTEROID 358 00:16:03,839 --> 00:16:09,839 HEY SUCK IT ASTEROID OH GOD 359 00:16:14,000 --> 00:16:15,600 IT WAS CLEAR THAT BECK HAD SOME 360 00:16:15,600 --> 00:16:19,120 IT WAS CLEAR THAT BECK HAD SOME OBSESSIVE PERSONALITY TRAITS 361 00:16:19,680 --> 00:16:23,120 NUMBER 18 IS OUT FOR HIS WALK AGAIN 362 00:16:23,120 --> 00:16:27,759 NUMBER 18 IS OUT FOR HIS WALK AGAIN I LIKE HIM. I'LL HAVE HIM. 363 00:16:27,759 --> 00:16:37,839 I LIKE HIM. I'LL HAVE HIM. HE’LL MAKE THE PERFECT SACRIFICE 364 00:16:44,240 --> 00:16:48,839 OH HELLO BOYS COME ON IN MAKE YOURSELF AT 365 00:16:48,839 --> 00:16:50,480 OH HELLO BOYS COME ON IN MAKE YOURSELF AT HOME 366 00:16:50,480 --> 00:16:53,839 HOME YEAH I JOINED FATE IN THE EARLY 90S 367 00:16:53,839 --> 00:16:58,800 YEAH I JOINED FATE IN THE EARLY 90S BEFORE THAT I WAS A BIT OF A WILD CHILD 368 00:16:59,120 --> 00:17:02,880 THE STORIES I COULD TELL I WAS WORKING 369 00:17:02,880 --> 00:17:06,480 THE STORIES I COULD TELL I WAS WORKING AT A ESTABLISHMENT, A CLASSY PLACE 370 00:17:06,480 --> 00:17:08,720 AT A ESTABLISHMENT, A CLASSY PLACE THERE WAS A LOT OF FAMOUS CLIENTS WHO I 371 00:17:08,720 --> 00:17:10,240 THERE WAS A LOT OF FAMOUS CLIENTS WHO I PERSONALLY DEALT WITH 372 00:17:10,240 --> 00:17:14,160 PERSONALLY DEALT WITH ACTORS, ROCK STARS, POLITICIANS. 373 00:17:14,160 --> 00:17:17,199 ACTORS, ROCK STARS, POLITICIANS. I CAN'T NAME NAMES LET'S JUST SAY 374 00:17:17,199 --> 00:17:19,520 I CAN'T NAME NAMES LET'S JUST SAY THAT ONE OF MY CLIENTS WAS FAMOUS FOR 375 00:17:19,520 --> 00:17:21,039 THAT ONE OF MY CLIENTS WAS FAMOUS FOR KNOWING A GIRL CALLED 376 00:17:21,039 --> 00:17:33,840 KNOWING A GIRL CALLED ‘MANDY’. WAS THAT BARRY MANILOW? 377 00:17:42,320 --> 00:17:44,080 I SHOULDN'T HAVE LET YOU BOYS IN MY ROOM 378 00:17:44,080 --> 00:17:48,080 I SHOULDN'T HAVE LET YOU BOYS IN MY ROOM THIS LATE, IT'S AGAINST THE RULES 379 00:17:48,080 --> 00:17:50,320 THIS LATE, IT'S AGAINST THE RULES NOT THE FIRST TIME I'VE BROKEN THE RULES 380 00:17:50,320 --> 00:17:51,200 NOT THE FIRST TIME I'VE BROKEN THE RULES OH 381 00:17:51,200 --> 00:17:54,000 OH DO YOU WANT TO HEAR SOME OF MY STORIES 382 00:17:54,000 --> 00:18:01,840 DO YOU WANT TO HEAR SOME OF MY STORIES UH WE REALLY SHOULDN'T WE'RE QUITE BUSY 383 00:18:12,960 --> 00:18:15,039 SHE'S GETTING BETTER THIS ONE'S MORE 384 00:18:15,039 --> 00:18:18,000 SHE'S GETTING BETTER THIS ONE'S MORE LEGIBLE THAN THE REST 385 00:18:20,960 --> 00:18:23,840 SHE'D LAY ON HER KNEES BEGGING FOR HIS 386 00:18:23,840 --> 00:18:26,240 SHE'D LAY ON HER KNEES BEGGING FOR HIS FLESH SNAKE. 387 00:18:26,240 --> 00:18:28,960 FLESH SNAKE. SHE QUIVERED AS SHE RUBBED HER HANDS 388 00:18:28,960 --> 00:18:30,640 SHE QUIVERED AS SHE RUBBED HER HANDS ALONG HIS TROUSERS 389 00:18:30,640 --> 00:18:33,360 ALONG HIS TROUSERS UNZIPPING THE SHREW'S CAGE HER WOMANHOOD 390 00:18:33,360 --> 00:18:33,840 UNZIPPING THE SHREW'S CAGE HER WOMANHOOD WAS 391 00:18:33,840 --> 00:18:37,600 WAS TINGLING WITH ANTICIPATION. SHE RELEASED 392 00:18:37,600 --> 00:18:40,640 TINGLING WITH ANTICIPATION. SHE RELEASED THE MEATY BEAST 393 00:18:40,640 --> 00:18:44,400 THE MEATY BEAST AND GRASPED HIS THROBBING MEMBER, IT GREW 394 00:18:44,400 --> 00:18:48,240 AND GRASPED HIS THROBBING MEMBER, IT GREW AND GREW AND GREW AND GREW 395 00:18:48,240 --> 00:18:56,080 AND GREW AND GREW AND GREW AND GREW AND GREW AND GREW 396 00:18:56,080 --> 00:18:59,120 AND GREW AND GREW AND GREW COME ON I WANT TO SHOW YOU SOMETHING 397 00:18:59,120 --> 00:19:00,240 COME ON I WANT TO SHOW YOU SOMETHING YOU HAVE TO PROMISE YOU'RE NOT GOING TO 398 00:19:00,240 --> 00:19:02,080 YOU HAVE TO PROMISE YOU'RE NOT GOING TO TELL ANYONE OTHERWISE I'M GOING TO END 399 00:19:02,080 --> 00:19:03,890 TELL ANYONE OTHERWISE I'M GOING TO END UP IN THE SHED 400 00:19:03,890 --> 00:19:06,400 UP IN THE SHED [APPLAUSE] 401 00:19:06,400 --> 00:19:09,280 [APPLAUSE] THEY GROW IN THE GARDEN THEY'RE PRETTY 402 00:19:09,280 --> 00:19:10,240 THEY GROW IN THE GARDEN THEY'RE PRETTY TRIPPY 403 00:19:10,240 --> 00:19:13,200 TRIPPY JUST ONE WOULD TAKE YOU ON A WILD RIDE 404 00:19:13,200 --> 00:19:14,880 JUST ONE WOULD TAKE YOU ON A WILD RIDE ONCE I HAD ONE OF THE BIG ONES 405 00:19:14,880 --> 00:19:18,960 ONCE I HAD ONE OF THE BIG ONES I WAS PRETTY CONVINCED I WAS IN A CULT. 406 00:19:18,960 --> 00:19:21,840 I WAS PRETTY CONVINCED I WAS IN A CULT. CRAZY SHIP 407 00:19:22,640 --> 00:19:26,559 AND GREW AND GREW AND GREW 408 00:19:26,559 --> 00:19:30,000 AND GREW AND GREW AND GREW AND GREW AND GREW OKAY 409 00:19:30,000 --> 00:19:31,200 AND GREW AND GREW OKAY ALL RIGHT GUYS WE'RE GOING TO HAVE TO 410 00:19:31,200 --> 00:19:32,400 ALL RIGHT GUYS WE'RE GOING TO HAVE TO SHOOT OFF NOW THERE'S PLENTY MORE 411 00:19:32,400 --> 00:19:33,919 SHOOT OFF NOW THERE'S PLENTY MORE FILMING WE'VE GOT TO DO 412 00:19:33,919 --> 00:19:35,520 FILMING WE'VE GOT TO DO AND UH YEAH WE'RE GOING TO MAKE IT ALL 413 00:19:35,520 --> 00:19:37,039 AND UH YEAH WE'RE GOING TO MAKE IT ALL RIGHT BUT THANK YOU YEAH 414 00:19:37,039 --> 00:19:40,080 RIGHT BUT THANK YOU YEAH DO YOU WANT A COPY? NO OH OKAY - HE ROLLS 415 00:19:40,080 --> 00:19:41,440 DO YOU WANT A COPY? NO OH OKAY - HE ROLLS THE DICE 416 00:19:41,440 --> 00:19:44,000 THE DICE THE FLOOR TURNS INTO QUICKSAND ALAN 417 00:19:44,000 --> 00:19:45,360 THE FLOOR TURNS INTO QUICKSAND ALAN BEGINS TO FALL 418 00:19:45,360 --> 00:19:48,640 BEGINS TO FALL THE CHILDREN STARTS TO SCREAM 419 00:19:49,600 --> 00:19:51,520 ALAN NEEDS TO DO SOMETHING HE NEEDS TO 420 00:19:51,520 --> 00:19:52,640 ALAN NEEDS TO DO SOMETHING HE NEEDS TO ROLL THE DICE AGAIN 421 00:19:52,640 --> 00:19:54,960 ROLL THE DICE AGAIN BUT HOW CAN HE DO IT THEY PICK UP THE 422 00:19:54,960 --> 00:19:56,320 BUT HOW CAN HE DO IT THEY PICK UP THE DICE 423 00:19:56,320 --> 00:19:58,880 DICE AND THEY PUT IN HIS MOUTH AND THEN HE 424 00:19:58,880 --> 00:20:01,360 AND THEY PUT IN HIS MOUTH AND THEN HE SPITS 425 00:20:02,000 --> 00:20:07,039 WHAT COMES OUT A FOUR - OH MY GOD 426 00:20:07,039 --> 00:20:11,440 WHAT COMES OUT A FOUR - OH MY GOD YOU CAN HEAR SOME NOISES 427 00:20:12,240 --> 00:20:15,679 SPIDERS ARE CRAWLING 428 00:20:17,679 --> 00:20:20,159 FILMMAKING 429 00:20:26,320 --> 00:20:29,200 HEY EVERYONE LET US SING TO THE COMET IN 430 00:20:29,200 --> 00:20:30,880 HEY EVERYONE LET US SING TO THE COMET IN THE HOPE THAT WILL BRING US A BOUNTY OF 431 00:20:30,880 --> 00:20:31,440 THE HOPE THAT WILL BRING US A BOUNTY OF WEALTH 432 00:20:31,440 --> 00:20:34,559 WEALTH I STILL SAY WE SACRIFICE SOMETHING A 433 00:20:34,559 --> 00:20:35,760 I STILL SAY WE SACRIFICE SOMETHING A SHEEP? 434 00:20:35,760 --> 00:20:37,360 SHEEP? NOTHING TOO BIG WE CAN GRAB ONE FROM THE 435 00:20:37,360 --> 00:20:39,200 NOTHING TOO BIG WE CAN GRAB ONE FROM THE FARM TWO STREETS OVER WE'RE NOT THAT 436 00:20:39,200 --> 00:20:40,640 FARM TWO STREETS OVER WE'RE NOT THAT DESPERATE 437 00:20:40,640 --> 00:20:49,840 DESPERATE YET - STEELO 438 00:20:55,850 --> 00:20:57,760 [MUSIC] 439 00:20:57,760 --> 00:21:02,640 [MUSIC] YOUR FIRE BRINGS THE END OF DAYS 440 00:21:10,400 --> 00:21:12,400 I WAS NOW A FEW WEEKS INTO MY STAY WITH 441 00:21:12,400 --> 00:21:14,480 I WAS NOW A FEW WEEKS INTO MY STAY WITH FATE AND I COULD STILL SENSE A DISTANCE 442 00:21:14,480 --> 00:21:15,679 FATE AND I COULD STILL SENSE A DISTANCE BETWEEN US 443 00:21:15,679 --> 00:21:17,679 BETWEEN US I DECIDED TO TAG ALONG FOR ONE OF THEIR 444 00:21:17,679 --> 00:21:19,760 I DECIDED TO TAG ALONG FOR ONE OF THEIR RECRUITMENT DAYS TO GET A BETTER SENSE 445 00:21:19,760 --> 00:21:21,919 RECRUITMENT DAYS TO GET A BETTER SENSE OF HOW THEY DRAFT NEW MEMBERS 446 00:21:21,919 --> 00:21:25,360 OF HOW THEY DRAFT NEW MEMBERS SO GUYS WHERE ARE WE GOING? - WE'RE GOING 447 00:21:25,360 --> 00:21:25,760 SO GUYS WHERE ARE WE GOING? - WE'RE GOING TO A 448 00:21:25,760 --> 00:21:28,240 TO A PLACE WHERE SOME REALLY SAD PEOPLE ARE 449 00:21:28,240 --> 00:21:30,080 PLACE WHERE SOME REALLY SAD PEOPLE ARE AND WE'RE GOING TO HELP THEM YEAH 450 00:21:30,080 --> 00:21:32,400 AND WE'RE GOING TO HELP THEM YEAH SAD PEOPLE UM YEAH WE JUST WANT TO GIVE 451 00:21:32,400 --> 00:21:33,600 SAD PEOPLE UM YEAH WE JUST WANT TO GIVE THEM A HELPING HAND 452 00:21:33,600 --> 00:21:45,280 THEM A HELPING HAND YEAH YEAH BUT IT'S A REHAB CENTRE YEAH 453 00:21:45,280 --> 00:21:46,799 YEAH YEAH BUT IT'S A REHAB CENTRE YEAH OKAY THEY SHOULD BE LEAVING ANY SECOND 454 00:21:46,799 --> 00:21:49,039 OKAY THEY SHOULD BE LEAVING ANY SECOND NOW 455 00:21:54,320 --> 00:21:59,840 GO GO GO GO 456 00:22:10,840 --> 00:22:13,840 UM 457 00:22:20,640 --> 00:22:22,320 EXCUSE ME SIR I'M JUST WONDERING IF I 458 00:22:22,320 --> 00:22:23,679 EXCUSE ME SIR I'M JUST WONDERING IF I COULD TAKE A MOMENT OF YOUR TIME 459 00:22:23,679 --> 00:22:25,600 COULD TAKE A MOMENT OF YOUR TIME WE'RE PART OF A COMMUNITY CALLED FATE 460 00:22:25,600 --> 00:22:26,960 WE'RE PART OF A COMMUNITY CALLED FATE WHICH IS DEDICATED FOR 461 00:22:26,960 --> 00:22:29,039 WHICH IS DEDICATED FOR HELPING THOSE WHO ARE UNSURE OF WHICH 462 00:22:29,039 --> 00:22:30,480 HELPING THOSE WHO ARE UNSURE OF WHICH DIRECTION TO TAKE 463 00:22:30,480 --> 00:22:32,640 DIRECTION TO TAKE WE ARE THERE FOR PEOPLE EITHER TO BE A 464 00:22:32,640 --> 00:22:34,640 WE ARE THERE FOR PEOPLE EITHER TO BE A SHOULDER TO CRY ON AN EAR TO LISTEN AND 465 00:22:34,640 --> 00:22:36,320 SHOULDER TO CRY ON AN EAR TO LISTEN AND A HAND TO HOLD AT NIGHT 466 00:22:36,320 --> 00:22:39,039 A HAND TO HOLD AT NIGHT WE OFFER FREE BOARD FOOD AND A REASON TO 467 00:22:39,039 --> 00:22:40,159 WE OFFER FREE BOARD FOOD AND A REASON TO GET UP IN THE MORNING 468 00:22:40,159 --> 00:22:42,400 GET UP IN THE MORNING NOW WE DO HAVE A SMALL SIGNING ON FEE 469 00:22:42,400 --> 00:22:43,919 NOW WE DO HAVE A SMALL SIGNING ON FEE WOULD YOU BE INTERESTED IN JOINING US IN 470 00:22:43,919 --> 00:22:45,360 WOULD YOU BE INTERESTED IN JOINING US IN OUR MISSION TODAY 471 00:22:45,360 --> 00:22:55,840 OUR MISSION TODAY NO - NO - NO - FUCK OFF 472 00:22:56,060 --> 00:22:58,240 [APPLAUSE] 473 00:22:58,240 --> 00:23:00,320 [APPLAUSE] EXCUSE ME MAY I TAKE A MOMENT OF YOUR 474 00:23:00,320 --> 00:23:01,840 EXCUSE ME MAY I TAKE A MOMENT OF YOUR TIME YOU SEE 475 00:23:01,840 --> 00:23:05,360 TIME YOU SEE WE REPRESENT A GROUP HEY UM THE NUMBER 476 00:23:05,360 --> 00:23:05,919 WE REPRESENT A GROUP HEY UM THE NUMBER 18 477 00:23:05,919 --> 00:23:07,600 18 NEIGHBOUR IS JUST AROUND THE CORNER 478 00:23:07,600 --> 00:23:09,530 NEIGHBOUR IS JUST AROUND THE CORNER LOOKING VULNERABLE 479 00:23:09,530 --> 00:23:12,700 LOOKING VULNERABLE [GRAVEL] 480 00:23:19,520 --> 00:23:24,880 HEY HI I'M COMET 481 00:23:26,240 --> 00:23:29,840 RACHEL OH HERE, TAKE A FLYER 482 00:23:29,840 --> 00:23:31,679 RACHEL OH HERE, TAKE A FLYER IT'S ALL ABOUT US WE'RE LIKE A FAMILY 483 00:23:31,679 --> 00:23:33,200 IT'S ALL ABOUT US WE'RE LIKE A FAMILY DEDICATED TO HELPING 484 00:23:33,200 --> 00:23:36,159 DEDICATED TO HELPING THOSE WHO ARE MAYBE UNSURE AS WHAT IS 485 00:23:36,159 --> 00:23:37,280 THOSE WHO ARE MAYBE UNSURE AS WHAT IS THAT - IS THAT YOUR VAN? 486 00:23:37,280 --> 00:23:40,559 THAT - IS THAT YOUR VAN? WHAT YOU KNOW YEAH 487 00:23:40,559 --> 00:23:43,039 WHAT YOU KNOW YEAH LET'S GO THEN REALLY. - YEAH YOU'RE SERIOUS? 488 00:23:43,039 --> 00:23:44,240 LET'S GO THEN REALLY. - YEAH YOU'RE SERIOUS? GUYS 489 00:23:44,240 --> 00:23:51,840 GUYS GUYS I GOT ONE I GOT ONE 490 00:23:55,440 --> 00:24:05,840 SHE'S NOT ALLOWED TO LEAVE 491 00:24:16,840 --> 00:24:19,840 UH 492 00:24:24,090 --> 00:24:27,170 [MUSIC] 493 00:24:35,360 --> 00:24:37,200 I WAS VERY TAKEN ABACK BY WHAT JUST 494 00:24:37,200 --> 00:24:39,279 I WAS VERY TAKEN ABACK BY WHAT JUST HAPPENED AND I WONDERED IF THIS WAS 495 00:24:39,279 --> 00:24:42,159 HAPPENED AND I WONDERED IF THIS WAS COMMONPLACE FOR FATE 496 00:24:42,159 --> 00:24:44,799 COMMONPLACE FOR FATE ON TOP OF THAT I WAS SAD TO LOSE STEVE 497 00:24:44,799 --> 00:24:46,559 ON TOP OF THAT I WAS SAD TO LOSE STEVE AS WE'D HAVE TO CARRY ON FOR A WHILE 498 00:24:46,559 --> 00:24:49,600 AS WE'D HAVE TO CARRY ON FOR A WHILE WITH JUST ONE CAMERA 499 00:24:49,840 --> 00:24:53,039 THIS IS THE HALLWAY - IT'S LOVELY - SHE CAN 500 00:24:53,039 --> 00:24:54,080 THIS IS THE HALLWAY - IT'S LOVELY - SHE CAN TELL IT'S A HALL WAY 501 00:24:54,080 --> 00:24:58,840 TELL IT'S A HALL WAY BELLMEND - CAN'T WAIT FOR YOU TO MEET 502 00:24:58,840 --> 00:25:00,799 BELLMEND - CAN'T WAIT FOR YOU TO MEET MOTHER 503 00:25:00,799 --> 00:25:03,120 MOTHER THIS IS THE LOUNGE AND THAT'S STILO HE 504 00:25:03,120 --> 00:25:04,080 THIS IS THE LOUNGE AND THAT'S STILO HE PLAYS GUITAR AND 505 00:25:04,080 --> 00:25:08,480 PLAYS GUITAR AND WRITES ALL OUR SONGS. THAT'S CRONE SHE'S 506 00:25:08,480 --> 00:25:12,159 WRITES ALL OUR SONGS. THAT'S CRONE SHE'S OLD - THEY SEEM VERY NICE 507 00:25:12,159 --> 00:25:15,520 OLD - THEY SEEM VERY NICE I'LL INTRODUCE TO MOTHER NOW 508 00:25:15,520 --> 00:25:18,480 I'LL INTRODUCE TO MOTHER NOW MOTHER MOTHER I GOT SOMEONE ME AND IT'S 509 00:25:18,480 --> 00:25:19,120 MOTHER MOTHER I GOT SOMEONE ME AND IT'S RACHEL 510 00:25:19,120 --> 00:25:20,960 RACHEL HOW MANY TIMES HAVE I TOLD YOU YOU 511 00:25:20,960 --> 00:25:22,159 HOW MANY TIMES HAVE I TOLD YOU YOU STUPID CHILD 512 00:25:22,159 --> 00:25:25,360 STUPID CHILD NOT TO DISTURB THE LEADER YOU ABSOLUTE 513 00:25:25,360 --> 00:25:26,000 NOT TO DISTURB THE LEADER YOU ABSOLUTE FOOL 514 00:25:26,000 --> 00:25:30,159 FOOL GET DOWNSTAIRS NOW 515 00:25:30,159 --> 00:25:32,720 GET DOWNSTAIRS NOW UH SHE'S A LITTLE BUSY AT THE MOMENT UH 516 00:25:32,720 --> 00:25:35,039 UH SHE'S A LITTLE BUSY AT THE MOMENT UH SHE’LL MEET YOU LATER 517 00:25:35,039 --> 00:25:38,400 SHE’LL MEET YOU LATER COME ON I'LL SHOW YOU THE REST OF THE 518 00:25:40,840 --> 00:25:42,640 PLACE 519 00:25:42,640 --> 00:25:46,080 PLACE YOU'RE LUCKY TO GET A ROOM TO YOURSELF 520 00:25:46,240 --> 00:25:47,440 THIS IS WHERE WE USED TO KEEP ALL THE 521 00:25:47,440 --> 00:25:50,960 THIS IS WHERE WE USED TO KEEP ALL THE OLDER SICK PEOPLE SOME DIED IN HERE 522 00:25:50,960 --> 00:25:52,720 OLDER SICK PEOPLE SOME DIED IN HERE IT'S FINE ANY PLACE WHERE THEY DON'T 523 00:25:52,720 --> 00:25:54,840 IT'S FINE ANY PLACE WHERE THEY DON'T LOCK THE DOOR BEHIND ME IS AN 524 00:25:54,840 --> 00:25:57,840 LOCK THE DOOR BEHIND ME IS AN IMPROVEMENT 525 00:25:58,640 --> 00:26:11,840 ANYWAY I'LL LET YOU GET SETTLED 526 00:26:22,559 --> 00:26:26,480 SO WHY DID YOU DECIDE TO COME HERE? 527 00:26:26,480 --> 00:26:28,559 SO WHY DID YOU DECIDE TO COME HERE? ANY PLACE WAS BETTER THAN WHERE I WAS I 528 00:26:28,559 --> 00:26:30,799 ANY PLACE WAS BETTER THAN WHERE I WAS I COULDN'T STAY THERE ANY LONGER 529 00:26:30,799 --> 00:26:33,039 COULDN'T STAY THERE ANY LONGER I FELT LIKE A PRISONER - IT LOOKED LIKE A 530 00:26:33,039 --> 00:26:34,240 I FELT LIKE A PRISONER - IT LOOKED LIKE A REHAB CENTER TO ME 531 00:26:34,240 --> 00:26:36,840 REHAB CENTER TO ME WELL NOT ALL PRISONS HAVE BARS ON THE 532 00:26:36,840 --> 00:26:38,559 WELL NOT ALL PRISONS HAVE BARS ON THE WINDOWS 533 00:26:38,559 --> 00:26:41,520 WINDOWS DO YOU KNOW WHERE YOU ARE NOW? 534 00:26:41,679 --> 00:26:46,400 YEAH IS IT LIKE A YMCA 535 00:26:46,640 --> 00:26:48,960 CLOTHES THREW ME OFF THOUGH UM I THOUGHT 536 00:26:48,960 --> 00:26:52,000 CLOTHES THREW ME OFF THOUGH UM I THOUGHT THEY WERE SIGNING PEOPLE UP TO A CHURCH 537 00:26:52,000 --> 00:26:54,400 THEY WERE SIGNING PEOPLE UP TO A CHURCH ANYWAY I'M SURE IT'S A LOT MORE SANE 538 00:26:54,400 --> 00:27:06,040 ANYWAY I'M SURE IT'S A LOT MORE SANE THAN WHERE IT JUST WAS 539 00:27:06,040 --> 00:27:16,619 THAN WHERE IT JUST WAS [MUSIC] 540 00:27:17,360 --> 00:27:20,960 OKAY EVERYONE READY ONE TWO 541 00:27:20,960 --> 00:27:23,279 OKAY EVERYONE READY ONE TWO THREE 542 00:27:27,120 --> 00:27:30,320 IT'S OKAY I'LL COME WILLINGLY 543 00:27:30,320 --> 00:27:35,840 IT'S OKAY I'LL COME WILLINGLY OH MY GOD 544 00:27:38,159 --> 00:27:39,679 YOU DON'T NEED TO TIE ME DOWN I'M NOT 545 00:27:39,679 --> 00:27:41,600 YOU DON'T NEED TO TIE ME DOWN I'M NOT GOING ANYWHERE - SILENCE 546 00:27:41,600 --> 00:27:44,159 GOING ANYWHERE - SILENCE FROM HERE THERE ARE TWO PATHS ONE TO 547 00:27:44,159 --> 00:27:45,200 FROM HERE THERE ARE TWO PATHS ONE TO ENLIGHTENMENT 548 00:27:45,200 --> 00:27:47,520 ENLIGHTENMENT AND ONE OUT THE DOOR THIS ROOM IS WHERE 549 00:27:47,520 --> 00:27:50,080 AND ONE OUT THE DOOR THIS ROOM IS WHERE YOU WOULD CHOOSE 550 00:27:50,080 --> 00:27:51,279 YOU WOULD CHOOSE THIS IS WHERE YOU'RE SUPPOSED TO TAKE 551 00:27:51,279 --> 00:27:54,320 THIS IS WHERE YOU'RE SUPPOSED TO TAKE OFF THE BAG OH SORRY 552 00:28:00,840 --> 00:28:03,840 READY 553 00:28:06,280 --> 00:28:08,480 [MUSIC] 554 00:28:08,480 --> 00:28:11,679 [MUSIC] MY NAME IS TERENCE WOLFE 555 00:28:11,679 --> 00:28:14,960 MY NAME IS TERENCE WOLFE ACTOR AND PHILANTHROPIST 556 00:28:14,960 --> 00:28:19,120 ACTOR AND PHILANTHROPIST MY MOST FAMOUS ROLE WAS A CUTTING-EDGE 557 00:28:19,120 --> 00:28:24,399 MY MOST FAMOUS ROLE WAS A CUTTING-EDGE SCIENCE FICTION POLICE DRAMA DEATH STALK 558 00:28:24,480 --> 00:28:27,520 TO TAKE ANOTHER MAN'S SOUL 559 00:28:27,520 --> 00:28:30,640 TO TAKE ANOTHER MAN'S SOUL IS THE DEVIL'S WORK 560 00:28:30,640 --> 00:28:33,520 IS THE DEVIL'S WORK WELL THEN LOOKS LIKE I'LL BE WORKING A 561 00:28:33,520 --> 00:28:44,580 WELL THEN LOOKS LIKE I'LL BE WORKING A LOT OF OVERTIME 562 00:28:44,580 --> 00:28:47,670 LOT OF OVERTIME [MUSIC] 563 00:28:50,000 --> 00:28:53,840 WITH EVERY SOUL HE COLLECTS HIS POWERS 564 00:28:53,840 --> 00:28:55,840 WITH EVERY SOUL HE COLLECTS HIS POWERS INCREASE 565 00:28:55,840 --> 00:28:57,990 INCREASE AND HIS LEGEND GROWS 566 00:28:57,990 --> 00:29:00,559 AND HIS LEGEND GROWS [MUSIC] 567 00:29:00,559 --> 00:29:02,720 [MUSIC] ON A MISSION TO CLEAN UP THE STREETS 568 00:29:02,720 --> 00:29:03,679 ON A MISSION TO CLEAN UP THE STREETS FROM THE DRUG'S 569 00:29:03,679 --> 00:29:06,799 FROM THE DRUG'S BATH STORK STRIKES FEAR 570 00:29:06,799 --> 00:29:10,799 BATH STORK STRIKES FEAR INTO THE COLD HEARTS OF CRIMINALS 571 00:29:10,799 --> 00:29:15,279 INTO THE COLD HEARTS OF CRIMINALS FORGIVE ME FATHER FOR I HAVE SINNED 572 00:29:15,279 --> 00:29:27,840 FORGIVE ME FATHER FOR I HAVE SINNED WHAT IS IT MY CHILD? - THIS 573 00:29:28,720 --> 00:29:31,840 STALK WAS CANCELLED AFTER THREE EPISODES 574 00:29:31,840 --> 00:29:36,000 STALK WAS CANCELLED AFTER THREE EPISODES I SPIRALLED INTO A DEEP DEPRESSION 575 00:29:36,480 --> 00:29:39,840 JOHNNY STALK MAY HAVE BEEN UNDEAD BUT I 576 00:29:39,840 --> 00:29:42,880 JOHNNY STALK MAY HAVE BEEN UNDEAD BUT I WAS DEAD ON THE INSIDE 577 00:29:42,880 --> 00:29:46,799 WAS DEAD ON THE INSIDE THAT WAS UNTIL I STUMBLED UPON A BOOK 578 00:29:47,760 --> 00:29:50,799 HOW TO REACH ETERNITY BY DANIEL LOVE 579 00:29:50,799 --> 00:29:53,520 HOW TO REACH ETERNITY BY DANIEL LOVE THE BOOK TAUGHT ME THAT MY PROBLEMS 580 00:29:53,520 --> 00:29:54,000 THE BOOK TAUGHT ME THAT MY PROBLEMS DON'T 581 00:29:54,000 --> 00:29:57,279 DON'T COME FROM WITHIN THEY ACTUALLY COME FROM 582 00:29:57,279 --> 00:29:58,240 COME FROM WITHIN THEY ACTUALLY COME FROM FACTORS 583 00:29:58,240 --> 00:30:02,559 FACTORS OUTSIDE, NOW I KNOW WHAT YOU THINK 584 00:30:03,039 --> 00:30:07,440 THIS CAN'T BE TRUE 585 00:30:07,440 --> 00:30:11,760 THIS CAN'T BE TRUE WELL DON'T ASK ME ASK THIS SCIENTIST 586 00:30:11,760 --> 00:30:13,679 WELL DON'T ASK ME ASK THIS SCIENTIST IT'S TRUE WE CONDUCTED RADIO WAVE 587 00:30:13,679 --> 00:30:15,200 IT'S TRUE WE CONDUCTED RADIO WAVE TESTING ON THE COMET AND WITHIN THE 588 00:30:15,200 --> 00:30:15,760 TESTING ON THE COMET AND WITHIN THE SIGNALS 589 00:30:15,760 --> 00:30:17,240 SIGNALS WE GOT A 590 00:30:17,240 --> 00:30:20,470 WE GOT A [MUSIC] 591 00:30:21,600 --> 00:30:23,120 A RESPONSE A TEAM OF TOP SCIENTISTS INCLUDING 592 00:30:23,120 --> 00:30:24,960 A RESPONSE A TEAM OF TOP SCIENTISTS INCLUDING MYSELF WORKED ON AN EQUATION TO DEDUCT 593 00:30:24,960 --> 00:30:26,159 MYSELF WORKED ON AN EQUATION TO DEDUCT NEGATIVE THOUGHTS 594 00:30:26,159 --> 00:30:27,600 NEGATIVE THOUGHTS THROUGH THIS WE WERE ABLE TO DETECT 595 00:30:27,600 --> 00:30:29,200 THROUGH THIS WE WERE ABLE TO DETECT MICROBIOTICS 596 00:30:29,200 --> 00:30:31,760 MICROBIOTICS THESE ARE WHAT CONTAIN NEGATIVE THOUGHTS 597 00:30:31,760 --> 00:30:37,840 THESE ARE WHAT CONTAIN NEGATIVE THOUGHTS SORTS THOUGHTS SORTS SORTS SORTS SORTS 598 00:30:46,799 --> 00:30:51,840 YOU IDIOTS PULL THE PLUG 599 00:30:52,640 --> 00:30:55,679 IGNORE THAT LAST BIT 600 00:30:56,320 --> 00:30:59,440 THIS IS THE MENDACIUM IT'S A LIE 601 00:30:59,440 --> 00:31:02,000 THIS IS THE MENDACIUM IT'S A LIE DETECTOR 602 00:31:03,039 --> 00:31:07,440 HOLD THES, THEY MEASURE YOUR BRAIN WAVES. 603 00:31:16,960 --> 00:31:20,320 QUESTION NUMBER ONE WHAT IS YOUR NAME? 604 00:31:20,320 --> 00:31:23,840 QUESTION NUMBER ONE WHAT IS YOUR NAME? RACHEL ABIGAIL DARLINGTON - QUESTION TWO 605 00:31:23,840 --> 00:31:26,880 RACHEL ABIGAIL DARLINGTON - QUESTION TWO HOW OLD ARE YOU? - TWENTY-ONE 606 00:31:26,880 --> 00:31:32,000 HOW OLD ARE YOU? - TWENTY-ONE QUESTION THREE DO YOU LIKE POTATOES? 607 00:31:32,000 --> 00:31:33,210 QUESTION THREE DO YOU LIKE POTATOES? SWANTOFF 608 00:31:33,210 --> 00:31:35,679 SWANTOFF [MUSIC] 609 00:31:35,679 --> 00:31:38,559 [MUSIC] QUESTION FOUR ARE YOU INTERESTED IN 610 00:31:38,559 --> 00:31:41,120 QUESTION FOUR ARE YOU INTERESTED IN MILLINERY? 611 00:31:42,320 --> 00:31:45,200 QUESTION 45 HAVE YOU EVER HAD ANY 612 00:31:45,200 --> 00:31:46,000 QUESTION 45 HAVE YOU EVER HAD ANY DEPRAVED 613 00:31:46,000 --> 00:31:49,760 DEPRAVED SEXUAL THOUGHTS? - OH YEAH 614 00:31:49,760 --> 00:31:51,919 SEXUAL THOUGHTS? - OH YEAH A COUPLE OF STRANGE ONES I GUESS BUT NO 615 00:31:51,919 --> 00:31:53,760 A COUPLE OF STRANGE ONES I GUESS BUT NO STRANGER THAN THE AVERAGE PERSON 616 00:31:53,760 --> 00:31:58,000 STRANGER THAN THE AVERAGE PERSON THAT'S ENOUGH SMUT, QUESTION 46 617 00:31:58,000 --> 00:32:01,039 THAT'S ENOUGH SMUT, QUESTION 46 ARE YOU ABLE TO PAY THE ENTRY FEE? 618 00:32:01,039 --> 00:32:03,200 ARE YOU ABLE TO PAY THE ENTRY FEE? WE SHOULD REALLY PUT THAT ONE FIRST - HOW 619 00:32:03,200 --> 00:32:05,679 WE SHOULD REALLY PUT THAT ONE FIRST - HOW MUCH IS IT? 620 00:32:07,360 --> 00:32:10,399 HOW MUCH DO YOU THINK IT IS? MY DAD IS 621 00:32:10,399 --> 00:32:12,559 HOW MUCH DO YOU THINK IT IS? MY DAD IS STEPHEN DARLINGTON 622 00:32:12,559 --> 00:32:14,240 STEPHEN DARLINGTON THE OWNER OF DARLINGTON PETROLEUM YOU 623 00:32:14,240 --> 00:32:15,840 THE OWNER OF DARLINGTON PETROLEUM YOU KNOW THE BIGGEST PETROL COMPANY IN 624 00:32:15,840 --> 00:32:16,720 KNOW THE BIGGEST PETROL COMPANY IN BRITAIN 625 00:32:16,720 --> 00:32:19,039 BRITAIN ME AND HIM DON'T GET ON AND I HAVE HIS 626 00:32:19,039 --> 00:32:19,919 ME AND HIM DON'T GET ON AND I HAVE HIS CHECKBOOK SO 627 00:32:19,919 --> 00:32:23,200 CHECKBOOK SO I'M WILLING TO PAY WHATEVER REALLY 628 00:32:25,600 --> 00:32:29,840 FUNKY NECK 629 00:32:40,559 --> 00:32:43,840 I THINK THAT MEANS YOU PASSED 630 00:32:43,840 --> 00:32:46,930 I THINK THAT MEANS YOU PASSED [APPLAUSE] 631 00:32:48,670 --> 00:32:51,759 [MUSIC] 632 00:33:00,880 --> 00:33:04,090 THIS WENT ON FOR 12 MINUTES 633 00:33:04,090 --> 00:33:07,160 THIS WENT ON FOR 12 MINUTES [MUSIC] 634 00:33:09,039 --> 00:33:11,840 STOP 635 00:33:13,279 --> 00:33:15,600 KNEEL 636 00:33:17,200 --> 00:33:20,559 RACHEL DARLINGTON DO YOU SWEAR TO GIVE 637 00:33:20,559 --> 00:33:22,840 RACHEL DARLINGTON DO YOU SWEAR TO GIVE YOURSELF HOLY TO THE WHIM OF JUNE'S 638 00:33:22,840 --> 00:33:25,840 YOURSELF HOLY TO THE WHIM OF JUNE'S COMET? 639 00:33:26,399 --> 00:33:28,880 AND DO YOU DISMISS ALL OF THE OUTSIDE 640 00:33:28,880 --> 00:33:29,760 AND DO YOU DISMISS ALL OF THE OUTSIDE WORLD? 641 00:33:29,760 --> 00:33:32,480 WORLD? I DO - WILL YOU SHED THE CHAINS OF THE 642 00:33:32,480 --> 00:33:33,440 I DO - WILL YOU SHED THE CHAINS OF THE OUTSIDE WORLD? 643 00:33:33,440 --> 00:33:37,440 OUTSIDE WORLD? I WILL WELL? 644 00:33:37,440 --> 00:33:40,799 I WILL WELL? SHE MEANS TAKE YOUR KIT OFF LOVE - HERE 645 00:33:40,799 --> 00:33:43,120 SHE MEANS TAKE YOUR KIT OFF LOVE - HERE YES 646 00:33:44,480 --> 00:33:47,120 CANNOT DO IT IN PRIVATE IF YOU DO NOT 647 00:33:47,120 --> 00:33:47,760 CANNOT DO IT IN PRIVATE IF YOU DO NOT RENOUNCE 648 00:33:47,760 --> 00:33:50,840 RENOUNCE EVERYTHING YOU OWN YOU CANNOT HAVE TRUE 649 00:33:50,840 --> 00:33:53,840 EVERYTHING YOU OWN YOU CANNOT HAVE TRUE ENLIGHTENMENT 650 00:34:04,990 --> 00:34:07,200 [MUSIC] 651 00:34:07,200 --> 00:34:10,079 [MUSIC] RACHEL YOU WILL NOW WEAR THESE ROBES 652 00:34:10,079 --> 00:34:10,960 RACHEL YOU WILL NOW WEAR THESE ROBES EVERY DAY 653 00:34:10,960 --> 00:34:14,000 EVERY DAY FOR THE REST OF ETERNITY. DON'T WORRY 654 00:34:14,000 --> 00:34:20,550 FOR THE REST OF ETERNITY. DON'T WORRY WE WASH THEM UM 655 00:34:20,550 --> 00:34:26,630 WE WASH THEM UM [APPLAUSE] 656 00:34:28,590 --> 00:34:31,520 [MUSIC] 657 00:34:31,520 --> 00:34:34,399 [MUSIC] THE FIRST THING I ATE WAS A PIE WITH A 658 00:34:34,399 --> 00:34:35,359 THE FIRST THING I ATE WAS A PIE WITH A CRUST 659 00:34:35,359 --> 00:34:39,280 CRUST WITH MASHED GRAVY AND PEAS 660 00:34:39,280 --> 00:34:42,960 WITH MASHED GRAVY AND PEAS THE MEAT WAS HOT AND THE PASTRY WAS DRY 661 00:34:42,960 --> 00:34:46,960 THE MEAT WAS HOT AND THE PASTRY WAS DRY AND I'VE NEVER LOOKED BACK SINCE THEN 662 00:34:46,960 --> 00:34:50,000 AND I'VE NEVER LOOKED BACK SINCE THEN I DON'T WANT A DESSERT I JUST WANT MY 663 00:34:50,000 --> 00:34:50,480 I DON'T WANT A DESSERT I JUST WANT MY MAIN 664 00:34:50,480 --> 00:34:54,560 MAIN IT FELT GOOD TO BE EATING MY MAIN 665 00:34:54,560 --> 00:34:57,440 IT FELT GOOD TO BE EATING MY MAIN WITH A DESSERT EVERYONE KNOWS THAT 666 00:34:57,440 --> 00:34:58,400 WITH A DESSERT EVERYONE KNOWS THAT THEY'RE LAME 667 00:34:58,400 --> 00:35:00,720 THEY'RE LAME CAUSE YOU CAN'T STOP THINKING ABOUT WHEN 668 00:35:00,720 --> 00:35:03,040 CAUSE YOU CAN'T STOP THINKING ABOUT WHEN YOU JUST 669 00:35:03,080 --> 00:35:12,370 [MUSIC] 670 00:35:12,960 --> 00:35:14,800 I WAS FINALLY FEELING THAT I WAS BEING 671 00:35:14,800 --> 00:35:16,960 I WAS FINALLY FEELING THAT I WAS BEING ACCEPTED IN BY THE GROUP 672 00:35:16,960 --> 00:35:18,800 ACCEPTED IN BY THE GROUP ALTHOUGH RACHEL WOULD INGRATIATE HERSELF 673 00:35:18,800 --> 00:35:21,680 ALTHOUGH RACHEL WOULD INGRATIATE HERSELF IN A LOT QUICKER THAN I DID 674 00:35:21,680 --> 00:35:23,200 IN A LOT QUICKER THAN I DID WHICH WAS SURPRISING IS I DON'T THINK 675 00:35:23,200 --> 00:35:25,119 WHICH WAS SURPRISING IS I DON'T THINK SHE BELIEVED IN ANY OF THIS 676 00:35:25,119 --> 00:35:28,240 SHE BELIEVED IN ANY OF THIS I THINK SHE JUST WANTED A 677 00:35:29,119 --> 00:35:33,119 HOME - I’D RATHER BE DEAD 678 00:35:33,119 --> 00:35:36,320 HOME - I’D RATHER BE DEAD AND FLAVOURS OF DOCTOR FOALS MICROWAVABLE 679 00:35:36,320 --> 00:35:37,280 AND FLAVOURS OF DOCTOR FOALS MICROWAVABLE MEALS MEANS 680 00:35:37,280 --> 00:35:40,320 MEALS MEANS I CAN'T GET MAINS OUT MY HEAD 681 00:35:40,320 --> 00:35:42,240 I CAN'T GET MAINS OUT MY HEAD I WENT IN WITH A PRECONCEIVED NOTION 682 00:35:42,240 --> 00:35:44,640 I WENT IN WITH A PRECONCEIVED NOTION ABOUT FATE 683 00:35:44,640 --> 00:35:46,400 ABOUT FATE I WAS A LITTLE BIT DISAPPOINTED AND 684 00:35:46,400 --> 00:35:48,000 I WAS A LITTLE BIT DISAPPOINTED AND THOUGHT THE DOCUMENTARY MIGHT NOT HAVE 685 00:35:48,000 --> 00:35:49,380 THOUGHT THE DOCUMENTARY MIGHT NOT HAVE ENOUGH DRAMA 686 00:35:49,380 --> 00:35:51,920 ENOUGH DRAMA [MUSIC] 687 00:35:51,920 --> 00:35:59,839 [MUSIC] AND LOOKING BACK I WISH I WAS RIGHT 688 00:36:00,250 --> 00:36:19,599 [MUSIC] 689 00:36:19,599 --> 00:36:23,040 [MUSIC] UH WHERE ARE YOU GOING OVER UH I ALMOST 690 00:36:23,040 --> 00:36:23,280 UH WHERE ARE YOU GOING OVER UH I ALMOST GO 691 00:36:23,280 --> 00:36:27,119 GO IN TO THE CITY UM SHE HAS TO 692 00:36:27,119 --> 00:36:29,839 IN TO THE CITY UM SHE HAS TO CASH THE CHECK AND BUY SOME SUPPLIES 693 00:36:29,839 --> 00:36:33,119 CASH THE CHECK AND BUY SOME SUPPLIES THEN HEADING UP TO SCOTLAND 694 00:36:33,119 --> 00:36:35,839 THEN HEADING UP TO SCOTLAND SHE'LL BE GONE UH FOUR DAYS? SHUT UP 695 00:36:35,839 --> 00:36:36,480 SHE'LL BE GONE UH FOUR DAYS? SHUT UP ANGELO 696 00:36:36,480 --> 00:36:38,320 ANGELO I'M GOING FOR SOME BASIC SUPPLIES 697 00:36:38,320 --> 00:36:39,839 I'M GOING FOR SOME BASIC SUPPLIES NOTHING UNUSUAL UH 698 00:36:39,839 --> 00:36:42,880 NOTHING UNUSUAL UH BEANS SEEDS AND A THIRD THING 699 00:36:42,880 --> 00:36:45,040 BEANS SEEDS AND A THIRD THING YOU'VE BEEN GOING FOR FOUR DAYS FOR THAT 700 00:36:45,040 --> 00:36:47,760 YOU'VE BEEN GOING FOR FOUR DAYS FOR THAT SHUT UP STUPID QUESTION 701 00:36:47,760 --> 00:36:49,520 SHUT UP STUPID QUESTION IT WAS CLEAR THEY WERE HIDING SOMETHING 702 00:36:49,520 --> 00:36:51,040 IT WAS CLEAR THEY WERE HIDING SOMETHING FROM ME 703 00:36:51,040 --> 00:36:52,720 FROM ME YOU AND RACHEL SEEM TO BE GETTING ON 704 00:36:52,720 --> 00:36:54,480 YOU AND RACHEL SEEM TO BE GETTING ON VERY WELL 705 00:36:54,480 --> 00:36:58,079 VERY WELL I THINK RACHEL'S GREAT I THINK 706 00:36:58,079 --> 00:37:01,280 I THINK RACHEL'S GREAT I THINK JUST MAYBE SHE'S MY BEST FRIEND IN THE 707 00:37:01,280 --> 00:37:02,800 JUST MAYBE SHE'S MY BEST FRIEND IN THE WHOLE WIDE WORLD AND I WANT TO SPEND 708 00:37:02,800 --> 00:37:05,280 WHOLE WIDE WORLD AND I WANT TO SPEND EVERY SECOND WITH HER 709 00:37:05,280 --> 00:37:09,839 EVERY SECOND WITH HER BUT I THINK MAYBE 710 00:37:11,440 --> 00:37:15,680 TIME TO WAKE UP YOU'RE LATE 711 00:37:17,040 --> 00:37:21,040 HEY GUYS UM I'M NOT FEELING TOO GOOD 712 00:37:21,040 --> 00:37:24,240 HEY GUYS UM I'M NOT FEELING TOO GOOD YOU DON'T LOOK TOO WELL - YEAH I I THINK I 713 00:37:24,240 --> 00:37:25,760 YOU DON'T LOOK TOO WELL - YEAH I I THINK I NEED TO GET SOME MORE SLEEP. 714 00:37:25,760 --> 00:37:27,599 NEED TO GET SOME MORE SLEEP. I'M AFRAID YOU CAN'T SHIRK OFF YOUR 715 00:37:27,599 --> 00:37:29,680 I'M AFRAID YOU CAN'T SHIRK OFF YOUR RESPONSIBILITIES MY GIRL 716 00:37:29,680 --> 00:37:31,040 RESPONSIBILITIES MY GIRL CAN'T WE LET HER REST A LITTLE BIT 717 00:37:31,040 --> 00:37:33,839 CAN'T WE LET HER REST A LITTLE BIT LONGER? - NO 718 00:37:34,839 --> 00:37:37,839 UGH 719 00:37:40,079 --> 00:37:43,200 THEY'RE GREAT YOU CAN DO ANYTHING 720 00:37:43,200 --> 00:37:44,800 THEY'RE GREAT YOU CAN DO ANYTHING WITH THEM YOU CAN BOIL THEM YOU MASH 721 00:37:44,800 --> 00:37:45,920 WITH THEM YOU CAN BOIL THEM YOU MASH THEM YOU CAN 722 00:37:45,920 --> 00:37:49,760 THEM YOU CAN FRY THEM BAKE THEM ROAST THEM 723 00:37:49,760 --> 00:37:52,320 FRY THEM BAKE THEM ROAST THEM ARE YOU OKAY? 724 00:37:54,320 --> 00:37:58,320 YOU'RE RIGHT 725 00:38:02,839 --> 00:38:04,820 OKAY 726 00:38:04,820 --> 00:38:08,079 OKAY [MUSIC] 727 00:38:08,079 --> 00:38:10,240 [MUSIC] I LATER FOUND OUT THAT THE REHAB CENTRE 728 00:38:10,240 --> 00:38:12,240 I LATER FOUND OUT THAT THE REHAB CENTRE FATE TOOK RACHEL FROM WAS TREATING HER 729 00:38:12,240 --> 00:38:14,079 FATE TOOK RACHEL FROM WAS TREATING HER FOR AN ADDICTION TO A NUMBER OF CLASS A 730 00:38:14,079 --> 00:38:15,440 FOR AN ADDICTION TO A NUMBER OF CLASS A DRUGS 731 00:38:15,440 --> 00:38:17,280 DRUGS AFTER A FEW DAYS ON THE OUTSIDE HER 732 00:38:17,280 --> 00:38:20,880 AFTER A FEW DAYS ON THE OUTSIDE HER STASH MUST HAVE FINALLY RUN OUT. 733 00:38:21,280 --> 00:38:23,040 I WAS SURPRISED BY HOW THE GROUP CAME 734 00:38:23,040 --> 00:38:24,560 I WAS SURPRISED BY HOW THE GROUP CAME TOGETHER TO HELP RACHEL THROUGH THIS 735 00:38:24,560 --> 00:38:25,599 TOGETHER TO HELP RACHEL THROUGH THIS TIME 736 00:38:25,599 --> 00:38:30,000 TIME IN THREE DAYS NOT ONCE WAS SHE LEFT 737 00:38:30,839 --> 00:38:32,560 ALONE 738 00:38:32,560 --> 00:38:46,830 ALONE THE RAPTOR PUT HIS CLAWS 739 00:38:46,830 --> 00:38:51,359 THE RAPTOR PUT HIS CLAWS [MUSIC] 740 00:38:51,359 --> 00:39:01,839 [MUSIC] THE WHITE HOUSE 741 00:39:02,340 --> 00:39:16,570 [MUSIC] 742 00:39:17,599 --> 00:39:20,240 THE JAPANESE HAVE A TERM KENZOKU WHICH 743 00:39:20,240 --> 00:39:21,839 THE JAPANESE HAVE A TERM KENZOKU WHICH TRANSLATES TO LITERALLY MEAN 744 00:39:21,839 --> 00:39:24,320 TRANSLATES TO LITERALLY MEAN FAMILY CONNOTATION SUGGESTS A BOND 745 00:39:24,320 --> 00:39:25,760 FAMILY CONNOTATION SUGGESTS A BOND BETWEEN PEOPLE WHO MADE A SIMILAR 746 00:39:25,760 --> 00:39:26,560 BETWEEN PEOPLE WHO MADE A SIMILAR COMMITMENT 747 00:39:26,560 --> 00:39:28,000 COMMITMENT AND WHO THEREFORE SHARE A SIMILAR 748 00:39:28,000 --> 00:39:30,160 AND WHO THEREFORE SHARE A SIMILAR DESTINY IT IMPLIES THE PRESENCE OF THE 749 00:39:30,160 --> 00:39:31,839 DESTINY IT IMPLIES THE PRESENCE OF THE DEEPEST CONNECTION OF FRIENDSHIP 750 00:39:31,839 --> 00:39:33,520 DEEPEST CONNECTION OF FRIENDSHIP OF LIVES LIVED AS COMRADES FROM THE 751 00:39:33,520 --> 00:39:35,040 OF LIVES LIVED AS COMRADES FROM THE DISTANT PAST 752 00:39:35,040 --> 00:39:37,040 DISTANT PAST FOUR THOUSAND MILES OVER OUR HEADS IS A 753 00:39:37,040 --> 00:39:38,320 FOUR THOUSAND MILES OVER OUR HEADS IS A NEW DESTINY 754 00:39:38,320 --> 00:39:41,599 NEW DESTINY AND TOGETHER OUR FAMILY WILL BE THERE TO 755 00:39:41,599 --> 00:39:42,000 AND TOGETHER OUR FAMILY WILL BE THERE TO EMBRACE 756 00:39:42,000 --> 00:39:44,160 EMBRACE IT 757 00:39:44,410 --> 00:39:46,160 [MUSIC] 758 00:39:46,160 --> 00:39:49,280 [MUSIC] YOU LOOK GREAT I MEAN BETTER YOU LOOK 759 00:39:49,280 --> 00:39:49,839 YOU LOOK GREAT I MEAN BETTER YOU LOOK GOOD 760 00:39:49,839 --> 00:39:52,320 GOOD NOT ATTRACTIVE THAT DOESN'T MEAN 761 00:39:52,320 --> 00:39:52,880 NOT ATTRACTIVE THAT DOESN'T MEAN ANYTHING 762 00:39:52,880 --> 00:39:54,960 ANYTHING TO ME I DON'T THINK ANYONE HAS EVER BEEN 763 00:39:54,960 --> 00:39:56,240 TO ME I DON'T THINK ANYONE HAS EVER BEEN THIS NICE TO ME 764 00:39:56,240 --> 00:39:58,960 THIS NICE TO ME DON'T WORRY ABOUT IT HOW MUCH BETTER DO 765 00:39:58,960 --> 00:40:00,800 DON'T WORRY ABOUT IT HOW MUCH BETTER DO YOU FEEL? 766 00:40:00,800 --> 00:40:04,380 YOU FEEL? TERRIBLE BUT BETTER TERRIBLE 767 00:40:04,380 --> 00:40:07,649 TERRIBLE BUT BETTER TERRIBLE [MUSIC] 768 00:40:08,480 --> 00:40:11,520 IT ENLARGED IN HER CLUTCHES 769 00:40:11,520 --> 00:40:14,960 IT ENLARGED IN HER CLUTCHES IT GREW AND GREW AND GREW 770 00:40:14,960 --> 00:40:18,319 IT GREW AND GREW AND GREW AND GREW AND GREW AND GREW 771 00:40:18,319 --> 00:40:24,950 AND GREW AND GREW AND GREW AND GREW 772 00:40:24,950 --> 00:40:30,230 AND GREW [MUSIC] 773 00:40:31,359 --> 00:40:39,640 HI CAN I JUST FUCK OFF 774 00:40:39,640 --> 00:40:49,980 HI CAN I JUST FUCK OFF [MUSIC] 775 00:40:50,839 --> 00:40:53,839 FOREIGN 776 00:40:54,180 --> 00:40:57,390 [MUSIC] 777 00:40:58,240 --> 00:41:02,319 THIS IS A HORSE I ALWAYS SAW AND UH 778 00:41:02,319 --> 00:41:05,520 THIS IS A HORSE I ALWAYS SAW AND UH THIS IS THE SAME HORSE ON FIRE I CAN SEE 779 00:41:05,520 --> 00:41:06,960 THIS IS THE SAME HORSE ON FIRE I CAN SEE THAT, THESE ARE GREAT COMET 780 00:41:06,960 --> 00:41:08,800 THAT, THESE ARE GREAT COMET YOU THINK SO? - YEAH THEY'RE REALLY GREAT 781 00:41:08,800 --> 00:41:10,319 YOU THINK SO? - YEAH THEY'RE REALLY GREAT HAVE YOU EVER PAINTED BEFORE 782 00:41:10,319 --> 00:41:12,240 HAVE YOU EVER PAINTED BEFORE I GOT PAINTING CLASSES FOR MY BIRTHDAY 783 00:41:12,240 --> 00:41:13,760 I GOT PAINTING CLASSES FOR MY BIRTHDAY ONE YEAR UM 784 00:41:13,760 --> 00:41:15,760 ONE YEAR UM BUT I COULD NEVER GET THE HANG OF IT 785 00:41:15,760 --> 00:41:18,240 BUT I COULD NEVER GET THE HANG OF IT YOUR WHAT? - MY BIRTHDAY 786 00:41:18,240 --> 00:41:20,960 YOUR WHAT? - MY BIRTHDAY YOU KNOW BIRTHDAY YOU'VE NEVER HEARD OF 787 00:41:20,960 --> 00:41:23,520 YOU KNOW BIRTHDAY YOU'VE NEVER HEARD OF A BIRTHDAY BEFORE? 788 00:41:23,520 --> 00:41:25,119 A BIRTHDAY BEFORE? UH IT'S A CELEBRATION OF THE DAY YOU 789 00:41:25,119 --> 00:41:26,560 UH IT'S A CELEBRATION OF THE DAY YOU WERE BORN OH 790 00:41:26,560 --> 00:41:29,280 WERE BORN OH WE ONLY CELEBRATE JUNE THE 10TH DO YOU 791 00:41:29,280 --> 00:41:32,000 WE ONLY CELEBRATE JUNE THE 10TH DO YOU NOT KNOW WHEN YOU WERE BORN 792 00:41:32,000 --> 00:41:35,440 NOT KNOW WHEN YOU WERE BORN NO. - WOW 793 00:41:35,440 --> 00:41:38,240 NO. - WOW BUT THESE ARE AMAZING I REALLY UM I LIKE 794 00:41:38,240 --> 00:41:38,880 BUT THESE ARE AMAZING I REALLY UM I LIKE THE FIRE 795 00:41:38,880 --> 00:41:40,560 THE FIRE I'M PARTICULARLY PROUD OF THAT YEAH IT 796 00:41:40,560 --> 00:41:43,440 I'M PARTICULARLY PROUD OF THAT YEAH IT SEEMS HOT 797 00:41:46,839 --> 00:41:48,960 WOW 798 00:41:48,960 --> 00:41:51,920 WOW WHERE'S RACHEL? - WHY DO YOU HAVE A CRUSH 799 00:41:51,920 --> 00:41:54,160 WHERE'S RACHEL? - WHY DO YOU HAVE A CRUSH ON HER 800 00:41:54,160 --> 00:41:57,920 ON HER THUNKING HECK YOU DO OH MY GOD 801 00:41:57,920 --> 00:42:02,000 THUNKING HECK YOU DO OH MY GOD THIS IS AMAZING YOU LOSER OH NO I DON'T 802 00:42:02,000 --> 00:42:05,280 THIS IS AMAZING YOU LOSER OH NO I DON'T LEAVE HIM ALONE BAG 803 00:42:06,880 --> 00:42:08,160 AT LEAST I DON'T HAVE A CRUSH ON THE 804 00:42:08,160 --> 00:42:10,079 AT LEAST I DON'T HAVE A CRUSH ON THE NEIGHBOR OH 805 00:42:10,079 --> 00:42:13,440 NEIGHBOR OH AND AT LEAST I TALK TO MY CRUSH 806 00:42:13,440 --> 00:42:17,100 AND AT LEAST I TALK TO MY CRUSH I THINK YOU'VE JUST BEEN DONE 807 00:42:17,100 --> 00:42:20,190 I THINK YOU'VE JUST BEEN DONE [MUSIC] 808 00:42:23,040 --> 00:42:24,960 DUE TO COPYRIGHT REASONS WE ASKED THEM 809 00:42:24,960 --> 00:42:26,319 DUE TO COPYRIGHT REASONS WE ASKED THEM TO SING SOMETHING OTHER THAN HAPPY 810 00:42:26,319 --> 00:42:27,280 TO SING SOMETHING OTHER THAN HAPPY BIRTHDAY AND 811 00:42:27,280 --> 00:42:30,110 BIRTHDAY AND THIS IS WHAT THEY CAME UP WITH 812 00:42:30,110 --> 00:42:33,189 THIS IS WHAT THEY CAME UP WITH [MUSIC] 813 00:42:34,079 --> 00:42:44,160 YOU GUYS 814 00:42:44,160 --> 00:42:46,000 YOU GUYS WHAT WERE THESE LITTLE BROWN THINGS THEY 815 00:42:46,000 --> 00:42:47,839 WHAT WERE THESE LITTLE BROWN THINGS THEY WERE DELICIOUS? - I FOUND THEM UNDER MY 816 00:42:47,839 --> 00:42:49,040 WERE DELICIOUS? - I FOUND THEM UNDER MY MANAU’S PILLOW 817 00:42:49,040 --> 00:42:50,640 MANAU’S PILLOW I'VE BEEN STASHING AWAY FOOD 818 00:42:50,640 --> 00:42:52,480 I'VE BEEN STASHING AWAY FOOD YOU CHEEKY GET 819 00:42:52,480 --> 00:42:57,760 YOU CHEEKY GET OH DEAR DOES ANYONE ELSE'S STOMACH FEEL 820 00:42:57,760 --> 00:43:00,079 OH DEAR DOES ANYONE ELSE'S STOMACH FEEL PLAY 821 00:43:05,359 --> 00:43:12,880 ROOF OKAY WORKING 822 00:43:12,880 --> 00:43:13,390 ROOF OKAY WORKING [MUSIC] 823 00:43:13,390 --> 00:43:16,580 [MUSIC] [APPLAUSE] 824 00:43:16,870 --> 00:43:17,270 [MUSIC] 825 00:43:17,270 --> 00:43:20,320 [MUSIC] [APPLAUSE] 826 00:43:20,320 --> 00:43:24,839 [APPLAUSE] [MUSIC] 827 00:43:24,839 --> 00:43:26,079 [MUSIC] UH 828 00:43:26,079 --> 00:43:40,830 UH YOU'RE IN THE SKY 829 00:43:40,830 --> 00:43:42,260 YOU'RE IN THE SKY [MUSIC] 830 00:43:42,260 --> 00:43:45,449 [MUSIC] [MUSIC] 831 00:43:46,270 --> 00:43:47,650 [MUSIC] 832 00:43:47,650 --> 00:43:51,350 [MUSIC] [MUSIC] 833 00:43:51,350 --> 00:43:55,940 [MUSIC] [MUSIC] 834 00:43:55,940 --> 00:43:56,950 [MUSIC] [MUSIC] 835 00:43:56,950 --> 00:43:58,580 [MUSIC] [MUSIC] 836 00:43:58,580 --> 00:43:59,490 [MUSIC] [MUSIC] 837 00:43:59,490 --> 00:44:02,140 [MUSIC] [MUSIC] 838 00:44:02,140 --> 00:44:02,850 [MUSIC] [APPLAUSE] 839 00:44:02,850 --> 00:44:04,740 [APPLAUSE] [MUSIC] 840 00:44:04,740 --> 00:44:07,359 [MUSIC] [APPLAUSE] 841 00:44:07,359 --> 00:44:08,180 [APPLAUSE] I 842 00:44:08,180 --> 00:44:14,490 I [APPLAUSE] 843 00:44:14,490 --> 00:44:14,650 [APPLAUSE] [MUSIC] 844 00:44:14,650 --> 00:44:21,890 [MUSIC] [APPLAUSE] 845 00:44:30,880 --> 00:44:37,680 YOU ARE A BEAUTIFUL BUTTERFLY 846 00:44:37,680 --> 00:44:41,119 YOU ARE A BEAUTIFUL BUTTERFLY BUT YOU DON'T HAVE WINGS 847 00:44:41,760 --> 00:44:44,640 YOU CAN'T FLY 848 00:44:47,680 --> 00:44:51,839 WHAT ARE YOU 849 00:44:54,079 --> 00:44:57,359 WHAT ARE YOU 850 00:45:01,599 --> 00:45:05,839 YOU'RE BUTTER 851 00:45:08,960 --> 00:45:11,839 WHO ARE YOU 852 00:45:13,200 --> 00:45:16,240 HOW OLD ARE YOU NOW? 853 00:45:16,800 --> 00:45:33,040 I DON'T KNOW - OLD ENOUGH I HOPE 854 00:45:33,040 --> 00:45:36,560 I DON'T KNOW - OLD ENOUGH I HOPE I WAS SCARED OF YOU WHAT YEAH 855 00:45:36,560 --> 00:45:40,960 I WAS SCARED OF YOU WHAT YEAH YEAH I WAS INSECURE YOU'RE JUST SO 856 00:45:40,960 --> 00:45:44,240 YEAH I WAS INSECURE YOU'RE JUST SO NICE AND PRETTY WE'RE JUST MEAN AND UGLY 857 00:45:44,240 --> 00:45:47,440 NICE AND PRETTY WE'RE JUST MEAN AND UGLY NO YOU'RE GORGEOUS SHUT UP - OH YOU 858 00:45:47,440 --> 00:45:52,800 NO YOU'RE GORGEOUS SHUT UP - OH YOU OH I WISH I COULD WEAR YOUR SKIN 859 00:45:52,800 --> 00:45:56,000 OH I WISH I COULD WEAR YOUR SKIN THAT'S NICE - SORRY I APOLOGIZE 860 00:45:56,000 --> 00:46:01,040 THAT'S NICE - SORRY I APOLOGIZE I DON'T KNOW WHY I SAID THAT WHY DID YOU 861 00:46:01,040 --> 00:46:04,000 I DON'T KNOW WHY I SAID THAT WHY DID YOU I DON'T KNOW IT'S JUST 862 00:46:07,359 --> 00:46:09,520 SOMETIMES I HAVE THESE THOUGHTS AND THEY 863 00:46:09,520 --> 00:46:11,440 SOMETIMES I HAVE THESE THOUGHTS AND THEY NOT MY OWN 864 00:46:11,440 --> 00:46:15,119 NOT MY OWN THEY'RE STRONGER THAN MINE 865 00:46:15,119 --> 00:46:18,800 THEY'RE STRONGER THAN MINE WHY DO YOU THINK IT IS HOW DO I KNOW 866 00:46:19,760 --> 00:46:22,400 OVER THE YEARS ALL THESE GROUPS HAVE 867 00:46:22,400 --> 00:46:23,359 OVER THE YEARS ALL THESE GROUPS HAVE TAKEN ME IN 868 00:46:23,359 --> 00:46:29,440 TAKEN ME IN AND TOLD ME DIFFERENT THINGS 869 00:46:29,440 --> 00:46:43,730 AND TOLD ME DIFFERENT THINGS NOW I DON'T KNOW WHAT TO THINK 870 00:46:43,730 --> 00:46:46,640 NOW I DON'T KNOW WHAT TO THINK [MUSIC] 871 00:46:46,640 --> 00:46:50,000 [MUSIC] YOU'RE MORE THAN JUST THE CAMERA GUY 872 00:46:50,000 --> 00:46:57,839 YOU'RE MORE THAN JUST THE CAMERA GUY I I CAN STAY FOREVER - ME TOO 873 00:47:00,250 --> 00:47:03,380 [MUSIC] 874 00:47:04,880 --> 00:47:07,119 HEY 875 00:47:09,359 --> 00:47:13,680 YOU HAVE BEEN STOP IT YOU HAVE BEEN 876 00:47:13,680 --> 00:47:16,800 YOU HAVE BEEN STOP IT YOU HAVE BEEN SO AMAZING TO ME SINCE I CAME HERE YOU 877 00:47:16,800 --> 00:47:19,359 SO AMAZING TO ME SINCE I CAME HERE YOU ARE AMAZING 878 00:47:19,599 --> 00:47:25,839 COME ON ME I WANT TO SHOW YOU SOMETHING 879 00:47:26,870 --> 00:47:30,060 [MUSIC] 880 00:47:36,839 --> 00:47:39,520 OKAY 881 00:47:39,520 --> 00:47:42,800 OKAY I DON'T WANT A DESSERT NOW I JUST WANT A 882 00:47:42,800 --> 00:47:43,680 I DON'T WANT A DESSERT NOW I JUST WANT A MY MAIN 883 00:47:43,680 --> 00:47:47,760 MY MAIN WITH A DESSERT YOU CAN ENJOY 884 00:47:47,760 --> 00:47:50,480 WITH A DESSERT YOU CAN ENJOY YOUR NAME 885 00:47:51,359 --> 00:47:55,839 YOU NEED A BATH - I FEEL FUNNY 886 00:47:55,839 --> 00:47:57,920 YOU NEED A BATH - I FEEL FUNNY IT'S BEST NOT TO THINK ABOUT IT AND JUST 887 00:47:57,920 --> 00:48:00,480 IT'S BEST NOT TO THINK ABOUT IT AND JUST GO WITH IT 888 00:48:01,280 --> 00:48:04,640 OH I GOT YOU SOMETHING 889 00:48:05,280 --> 00:48:10,240 WHAT IS IT? - IT'S A GIFT GO ON OPEN IT 890 00:48:15,359 --> 00:48:18,160 IT'S A CASSETTE PLAYER YOU LISTEN TO 891 00:48:18,160 --> 00:48:20,160 IT'S A CASSETTE PLAYER YOU LISTEN TO MUSIC ON IT 892 00:48:20,160 --> 00:48:24,480 MUSIC ON IT LIKE AN INSTRUMENT? - NO I'LL SHOW YOU 893 00:48:24,480 --> 00:48:28,880 LIKE AN INSTRUMENT? - NO I'LL SHOW YOU SO YOU HOLD THAT THEN LOOK AT ME 894 00:48:29,040 --> 00:48:31,680 PERFECT 895 00:48:32,079 --> 00:48:35,839 OKAY READY 896 00:48:49,280 --> 00:49:03,839 THIS IS AMAZING 897 00:49:14,839 --> 00:49:16,950 UGH 898 00:49:16,950 --> 00:49:20,100 UGH [MUSIC] 899 00:49:24,160 --> 00:49:28,839 [MUSIC] 900 00:49:28,839 --> 00:49:31,740 [MUSIC] OH 901 00:49:31,740 --> 00:49:34,900 OH [MUSIC] 902 00:49:39,670 --> 00:49:44,940 [LAUGHTER] 903 00:49:44,940 --> 00:49:48,170 [LAUGHTER] [MUSIC] 904 00:49:56,839 --> 00:49:59,839 OH 905 00:50:11,520 --> 00:50:16,000 I HAVE AN IDEA LET'S PAINT - YES 906 00:50:16,000 --> 00:50:18,640 I HAVE AN IDEA LET'S PAINT - YES THAT'S A GREAT IDEA - WHAT SHOULD WE PAINT? 907 00:50:18,640 --> 00:50:20,079 THAT'S A GREAT IDEA - WHAT SHOULD WE PAINT? I DON'T KNOW 908 00:50:20,079 --> 00:50:24,400 I DON'T KNOW SOMETHING ON FIRE? - CRAZY IDEA 909 00:50:24,400 --> 00:50:40,000 SOMETHING ON FIRE? - CRAZY IDEA BUT LET'S GIVE IT A GO - YEAH 910 00:50:40,000 --> 00:50:44,000 BUT LET'S GIVE IT A GO - YEAH WHOA DID YOU FEEL THAT 911 00:50:44,640 --> 00:50:47,440 OUR SPIRITS 912 00:50:49,760 --> 00:50:52,880 THAT CONNECTION OH YEAH 913 00:50:52,880 --> 00:50:56,480 THAT CONNECTION OH YEAH I FEEL IT I REALLY NEEDED A NEW CAMERA 914 00:50:56,480 --> 00:50:58,720 I FEEL IT I REALLY NEEDED A NEW CAMERA CREW 915 00:51:00,000 --> 00:51:02,800 STUPID COWS WHO KNEW THEY COULD RUN SO 916 00:51:02,800 --> 00:51:05,200 STUPID COWS WHO KNEW THEY COULD RUN SO FAST 917 00:51:07,760 --> 00:51:10,640 NUMBER 18 918 00:51:11,440 --> 00:51:23,140 I'M POSEIDON GOD OF SEA 919 00:51:23,140 --> 00:51:35,499 I'M POSEIDON GOD OF SEA [MUSIC] 920 00:51:46,400 --> 00:51:49,599 I FEEL FUNNY - ME TOO 921 00:51:49,599 --> 00:51:51,440 I FEEL FUNNY - ME TOO I THINK IT WAS THOSE MUSHROOMS WERE THEY 922 00:51:51,440 --> 00:51:53,520 I THINK IT WAS THOSE MUSHROOMS WERE THEY BAD? 923 00:51:53,520 --> 00:51:57,839 BAD? NO THEY WERE GREAT I FEEL AMAZING 924 00:51:58,400 --> 00:52:02,240 I NEED YOU TO KEEP STILL OKAY OKAY 925 00:52:02,240 --> 00:52:04,079 I NEED YOU TO KEEP STILL OKAY OKAY UM HOW LONG DO I HAVE TO HOLD THIS FOR? 926 00:52:04,079 --> 00:52:06,559 UM HOW LONG DO I HAVE TO HOLD THIS FOR? THOUGH I COULD PAINT YOU WITH MY EYES CLOSED 927 00:52:06,559 --> 00:52:08,559 THOUGH I COULD PAINT YOU WITH MY EYES CLOSED RACHEL 928 00:52:08,559 --> 00:52:11,680 RACHEL BUT UM BUT KEEP STILL I NEED TO GET YOUR 929 00:52:11,680 --> 00:52:13,920 BUT UM BUT KEEP STILL I NEED TO GET YOUR CHIN 930 00:52:14,800 --> 00:52:19,839 WHAT WAS THAT 931 00:52:22,720 --> 00:52:25,440 WHAT ARE YOU DOING? - I HAVE A SACRIFICE I 932 00:52:25,440 --> 00:52:26,640 WHAT ARE YOU DOING? - I HAVE A SACRIFICE I HAVE A SACRIFICE 933 00:52:26,640 --> 00:52:29,839 HAVE A SACRIFICE WHAT ARE YOU? YOU SACRIFICE PEOPLE 934 00:52:29,839 --> 00:52:32,960 WHAT ARE YOU? YOU SACRIFICE PEOPLE NO THIS ISN'T A REGULAR THING 935 00:52:41,090 --> 00:52:44,160 [MUSIC] 936 00:52:44,160 --> 00:52:46,760 [MUSIC] THIS WAY 937 00:52:46,760 --> 00:52:48,960 THIS WAY [MUSIC] 938 00:52:48,960 --> 00:52:52,400 [MUSIC] SAY HELLO TO MY FRIENDS NUMBER 18. 939 00:52:52,400 --> 00:52:55,680 SAY HELLO TO MY FRIENDS NUMBER 18. WE'RE GONNA SACRIFICE HIM WE USED TO DO 940 00:52:55,680 --> 00:52:56,720 WE'RE GONNA SACRIFICE HIM WE USED TO DO IT ALL THE TIME 941 00:52:56,720 --> 00:52:58,000 IT ALL THE TIME IN THE CHURCH OF LUCIFER AND HIS 942 00:52:58,000 --> 00:52:59,839 IN THE CHURCH OF LUCIFER AND HIS CHILDREN OF THE DAMNED OH 943 00:52:59,839 --> 00:53:02,559 CHILDREN OF THE DAMNED OH WAS IT THE PAULA ABDUL FAN CLUB I COULD 944 00:53:02,559 --> 00:53:04,079 WAS IT THE PAULA ABDUL FAN CLUB I COULD NEVER REMEMBER 945 00:53:04,079 --> 00:53:06,880 NEVER REMEMBER I WAS THINKING WE MAKE A GIANT WICKER 946 00:53:06,880 --> 00:53:08,240 I WAS THINKING WE MAKE A GIANT WICKER EFFIGY OF THE COMET 947 00:53:08,240 --> 00:53:10,000 EFFIGY OF THE COMET AND SET IT ABLAZE WITH HIM INSIDE I 948 00:53:10,000 --> 00:53:12,640 AND SET IT ABLAZE WITH HIM INSIDE I THINK THAT'S A GOOD IDEA 949 00:53:12,640 --> 00:53:15,200 THINK THAT'S A GOOD IDEA I THOUGHT YOU COULDN'T INTERFERE IN OUR 950 00:53:15,200 --> 00:53:16,240 I THOUGHT YOU COULDN'T INTERFERE IN OUR BUSINESS? 951 00:53:16,240 --> 00:53:19,920 BUSINESS? YOU'RE A FLY BUZZ OFF - I THINK SHE MEANT 952 00:53:19,920 --> 00:53:22,880 YOU'RE A FLY BUZZ OFF - I THINK SHE MEANT FLY ON THE WALL - I I THINK I THINK HE'S 953 00:53:22,880 --> 00:53:24,079 FLY ON THE WALL - I I THINK I THINK HE'S RIGHT 954 00:53:24,079 --> 00:53:27,760 RIGHT YOU NEED TO CALM DOWN YEAH PUT THE KNIFE 955 00:53:27,760 --> 00:53:28,160 YOU NEED TO CALM DOWN YEAH PUT THE KNIFE DOWN 956 00:53:28,160 --> 00:53:30,880 DOWN OKAY YOU WE WE CAN'T DO THIS WHAT IF 957 00:53:30,880 --> 00:53:32,000 OKAY YOU WE WE CAN'T DO THIS WHAT IF HE'S GOT A FAMILY? 958 00:53:32,000 --> 00:53:33,920 HE'S GOT A FAMILY? HOW WOULD YOU FEEL IF SOMEONE SACRIFICED 959 00:53:33,920 --> 00:53:42,400 HOW WOULD YOU FEEL IF SOMEONE SACRIFICED ONE OF US? WAIT 960 00:53:42,400 --> 00:53:44,559 ONE OF US? WAIT WE CAN'T LET HIM GO WHAT WHAT IF HE 961 00:53:44,559 --> 00:53:45,920 WE CAN'T LET HIM GO WHAT WHAT IF HE TELLS THE POLICE 962 00:53:45,920 --> 00:53:48,160 TELLS THE POLICE THE END OF DAYS IS SOON AND HE MIGHT 963 00:53:48,160 --> 00:53:49,440 THE END OF DAYS IS SOON AND HE MIGHT RUIN EVERYTHING 964 00:53:49,440 --> 00:53:51,520 RUIN EVERYTHING WE CAN'T LET HIM GO BUT WHAT IF HE 965 00:53:51,520 --> 00:53:52,960 WE CAN'T LET HIM GO BUT WHAT IF HE PROMISES NOT TO TELL ANYONE WILL YOU 966 00:53:52,960 --> 00:53:53,760 PROMISES NOT TO TELL ANYONE WILL YOU TELL ANYONE 967 00:53:53,760 --> 00:53:57,040 TELL ANYONE NO IT'S FINE WE CAN'T TRUST HIM WE 968 00:53:57,040 --> 00:53:59,370 NO IT'S FINE WE CAN'T TRUST HIM WE NEED TO KEEP A HOLD OF HIM 969 00:53:59,370 --> 00:54:01,920 NEED TO KEEP A HOLD OF HIM [LAUGHTER] 970 00:54:01,920 --> 00:54:05,040 [LAUGHTER] ME AND YOU LIKE I DON'T HAVE SOMEONE BUT 971 00:54:05,040 --> 00:54:07,280 ME AND YOU LIKE I DON'T HAVE SOMEONE BUT WE CAN ONLY KEEP HIM UNTIL THE COMET 972 00:54:07,280 --> 00:54:08,240 WE CAN ONLY KEEP HIM UNTIL THE COMET COMES 973 00:54:08,240 --> 00:54:10,960 COMES THEN HE'S FREE TO GO TO BURN FOREVER 974 00:54:10,960 --> 00:54:12,160 THEN HE'S FREE TO GO TO BURN FOREVER I'LL FEED HIM 975 00:54:12,160 --> 00:54:25,839 I'LL FEED HIM AND WATER HIM AND NOT LET HIM DIE 976 00:54:26,100 --> 00:54:27,850 [MUSIC] 977 00:54:27,850 --> 00:54:29,440 [MUSIC] [APPLAUSE] 978 00:54:29,440 --> 00:54:52,000 [APPLAUSE] [MUSIC] 979 00:54:52,000 --> 00:54:54,720 [MUSIC] WHAT THE FUCK 980 00:55:02,559 --> 00:55:07,839 ALL RIGHT OKAY SO YEAH FUCK 981 00:55:19,600 --> 00:55:27,650 [MUSIC] 982 00:55:34,880 --> 00:55:37,920 IT'S CALLED DANCE MUSIC I THINK I LIKE 983 00:55:37,920 --> 00:55:39,760 IT'S CALLED DANCE MUSIC I THINK I LIKE IT 984 00:55:39,760 --> 00:55:43,040 IT LAST NIGHT YOUR BIRTHDAY WENT WELL 985 00:55:43,040 --> 00:55:46,160 LAST NIGHT YOUR BIRTHDAY WENT WELL IT WAS GREAT IT WAS 986 00:55:46,160 --> 00:55:49,119 IT WAS GREAT IT WAS IT'S THE BEST BIRTHDAY I'VE EVER HAD IT 987 00:55:49,119 --> 00:55:52,000 IT'S THE BEST BIRTHDAY I'VE EVER HAD IT WAS THE ONLY BIRTHDAY I'VE EVER HAD 988 00:55:52,000 --> 00:55:54,420 WAS THE ONLY BIRTHDAY I'VE EVER HAD YEP COME ON 989 00:55:54,420 --> 00:55:57,440 YEP COME ON [MUSIC] 990 00:55:57,440 --> 00:56:00,720 [MUSIC] DARREN - I’M A LITTLE PREOCCUPIED OH I 991 00:56:00,720 --> 00:56:02,720 DARREN - I’M A LITTLE PREOCCUPIED OH I THOUGHT NUMBER 18 TO MEET YOU 992 00:56:02,720 --> 00:56:04,960 THOUGHT NUMBER 18 TO MEET YOU OH NUMBER 18. YOU FINALLY GOT HIM 993 00:56:04,960 --> 00:56:06,319 OH NUMBER 18. YOU FINALLY GOT HIM CONGRATULATIONS 994 00:56:06,319 --> 00:56:08,640 CONGRATULATIONS THANK YOU ALL RIGHT I'LL BRING HIM BACK 995 00:56:08,640 --> 00:56:09,520 THANK YOU ALL RIGHT I'LL BRING HIM BACK LATER WHEN YOU'RE 996 00:56:09,520 --> 00:56:12,799 LATER WHEN YOU'RE LESS BUSY OKAY GREAT AND BECK 997 00:56:12,799 --> 00:56:16,640 LESS BUSY OKAY GREAT AND BECK CAN YOU BRING THE BUCKET NO - MOTHER 998 00:56:16,640 --> 00:56:19,520 CAN YOU BRING THE BUCKET NO - MOTHER SHOULD BE BACK ANY MINUTE I'M A LITTLE 999 00:56:19,520 --> 00:56:20,160 SHOULD BE BACK ANY MINUTE I'M A LITTLE WORRIED 1000 00:56:20,160 --> 00:56:22,880 WORRIED WE BROKE QUITE A LOT OF THE RULES LAST 1001 00:56:22,880 --> 00:56:23,839 WE BROKE QUITE A LOT OF THE RULES LAST NIGHT 1002 00:56:23,839 --> 00:56:24,960 NIGHT WELL WE'RE NOT SUPPOSED TO LISTEN TO 1003 00:56:24,960 --> 00:56:26,880 WELL WE'RE NOT SUPPOSED TO LISTEN TO OUTSIDE MUSIC 1004 00:56:26,880 --> 00:56:30,079 OUTSIDE MUSIC OR CELEBRATE BIRTHDAYS 1005 00:56:30,079 --> 00:56:32,079 OR CELEBRATE BIRTHDAYS AND WE'RE NOT SUPPOSED TO TAKE DRUGS OR 1006 00:56:32,079 --> 00:56:33,359 AND WE'RE NOT SUPPOSED TO TAKE DRUGS OR DANCE OR 1007 00:56:33,359 --> 00:56:35,760 DANCE OR KIDNAP PEOPLE AND WE'RE NOT SUPPOSED TO 1008 00:56:35,760 --> 00:56:39,520 KIDNAP PEOPLE AND WE'RE NOT SUPPOSED TO DETOX SOMEONE AND DO THEIR HOUSEWORK 1009 00:56:39,520 --> 00:56:45,839 DETOX SOMEONE AND DO THEIR HOUSEWORK I'M PRETTY SURE MANAUS WORE A HAT 1010 00:56:56,839 --> 00:56:59,839 OH 1011 00:57:10,640 --> 00:57:15,040 WHO TOLD YOU? NO ONE TOLD ME ANYTHING 1012 00:57:16,319 --> 00:57:27,839 THIS ISN'T OVER 1013 00:57:52,839 --> 00:57:55,200 UH 1014 00:57:55,200 --> 00:57:57,680 UH WHAT'S THAT TATTOO MEANT TO BE A 1015 00:57:57,680 --> 00:58:00,240 WHAT'S THAT TATTOO MEANT TO BE A PENTAGRAM 1016 00:58:00,240 --> 00:58:03,839 PENTAGRAM BUT THAT HAS SIX SIDES YEAH A PENTAGRAM 1017 00:58:03,839 --> 00:58:05,599 BUT THAT HAS SIX SIDES YEAH A PENTAGRAM HAS FIVE SIDES 1018 00:58:05,599 --> 00:58:08,799 HAS FIVE SIDES SIX SIDES IS THE STAR OF DAVID 1019 00:58:08,799 --> 00:58:23,839 SIX SIDES IS THE STAR OF DAVID JEWISH THINGY? YEAH HUH 1020 00:58:41,760 --> 00:58:44,799 I NEED MORE COMPOST - OKAY 1021 00:58:44,799 --> 00:58:46,960 I NEED MORE COMPOST - OKAY IT'S ALL RIGHT I'LL GET IT NO IT'S OKAY 1022 00:58:46,960 --> 00:58:47,839 IT'S ALL RIGHT I'LL GET IT NO IT'S OKAY I'LL GO 1023 00:58:47,839 --> 00:58:50,079 I'LL GO NO IT'S FINE I'VE GOT IT DON'T WORRY 1024 00:58:50,079 --> 00:58:52,880 NO IT'S FINE I'VE GOT IT DON'T WORRY IT'S OUT THE FRONT 1025 00:59:00,880 --> 00:59:05,839 RACHEL I'M HERE TO TAKE YOU HOME YEAH 1026 00:59:27,610 --> 00:59:29,040 [MUSIC] 1027 00:59:29,040 --> 00:59:31,599 [MUSIC] FOR THE SAKE OF A DOCUMENTARY WE DECIDED 1028 00:59:31,599 --> 00:59:34,480 FOR THE SAKE OF A DOCUMENTARY WE DECIDED TO NOT INTERFERE 1029 00:59:37,839 --> 00:59:40,400 RACHEL 1030 00:59:44,839 --> 00:59:47,839 RACHEL 1031 01:00:00,079 --> 01:00:04,400 MAYBE SHE'S DONE A RUNNER 1032 01:00:04,480 --> 01:00:07,280 NEVER IT WOULDN'T BE THE FIRST TIME 1033 01:00:07,280 --> 01:00:08,400 NEVER IT WOULDN'T BE THE FIRST TIME SOMEONE DID 1034 01:00:08,400 --> 01:00:12,240 SOMEONE DID SHE'S DIFFERENT RACHEL LIKED US 1035 01:00:12,240 --> 01:00:15,119 SHE'S DIFFERENT RACHEL LIKED US MAYBE SHE WAS SICK OF COMET FOLLOWING 1036 01:00:15,119 --> 01:00:16,480 MAYBE SHE WAS SICK OF COMET FOLLOWING HER AROUND LIKE A PET 1037 01:00:16,480 --> 01:00:19,520 HER AROUND LIKE A PET DOG - SHUT UP BECK 1038 01:00:19,520 --> 01:00:22,559 DOG - SHUT UP BECK BECK IS RIGHT, HERE 1039 01:00:22,559 --> 01:00:27,040 BECK IS RIGHT, HERE READ THIS, DEAR FATE 1040 01:00:27,040 --> 01:00:28,799 READ THIS, DEAR FATE I'VE DECIDED I NO LONGER WANT TO BE WITH 1041 01:00:28,799 --> 01:00:30,720 I'VE DECIDED I NO LONGER WANT TO BE WITH YOU LOSERS 1042 01:00:30,720 --> 01:00:32,319 YOU LOSERS I WANT TO GO AND TAKE DRUGS AND HAVE 1043 01:00:32,319 --> 01:00:34,240 I WANT TO GO AND TAKE DRUGS AND HAVE NASTY SEXUAL ENCOUNTERS WITH MY REAL 1044 01:00:34,240 --> 01:00:35,760 NASTY SEXUAL ENCOUNTERS WITH MY REAL FRIENDS 1045 01:00:35,760 --> 01:00:37,280 FRIENDS THANKS FOR THE BED AND BOARD SEE YOU IN 1046 01:00:37,280 --> 01:00:40,160 THANKS FOR THE BED AND BOARD SEE YOU IN ANOTHER LIFE LOSERS 1047 01:00:40,160 --> 01:00:44,880 ANOTHER LIFE LOSERS P.S YOU'RE ALL LOSERS FOR A THIRD TIME 1048 01:00:45,440 --> 01:00:48,079 IT CAN'T BE 1049 01:00:49,200 --> 01:00:53,440 BITCH I KNEW SHE WAS USING US ALL ALONG 1050 01:00:53,440 --> 01:00:55,599 BITCH I KNEW SHE WAS USING US ALL ALONG I NEVER TRUSTED HER LET AND TAKE A LOOK 1051 01:00:55,599 --> 01:00:56,480 I NEVER TRUSTED HER LET AND TAKE A LOOK AT THAT 1052 01:00:56,480 --> 01:00:58,319 AT THAT IS THERE ANYTHING ELSE ABOUT THOSE NASTY 1053 01:00:58,319 --> 01:01:01,440 IS THERE ANYTHING ELSE ABOUT THOSE NASTY SEXUAL ENCOUNTERS 1054 01:01:01,450 --> 01:01:02,880 [MUSIC] 1055 01:01:02,880 --> 01:01:05,680 [MUSIC] I TOLD YOU WE COULDN'T TRUST HER - SHE WAS 1056 01:01:05,680 --> 01:01:07,190 I TOLD YOU WE COULDN'T TRUST HER - SHE WAS MY FRIEND 1057 01:01:07,190 --> 01:01:08,960 MY FRIEND [MUSIC] 1058 01:01:08,960 --> 01:01:11,760 [MUSIC] I'M THE ONLY FRIEND YOU NEED COMET 1059 01:01:11,760 --> 01:01:13,119 I'M THE ONLY FRIEND YOU NEED COMET [MUSIC] 1060 01:01:13,119 --> 01:01:25,839 [MUSIC] REMEMBER THAT 1061 01:01:26,400 --> 01:01:28,240 YOU SEEM A LITTLE BIT SKEPTICAL WHEN YOU 1062 01:01:28,240 --> 01:01:31,440 YOU SEEM A LITTLE BIT SKEPTICAL WHEN YOU SAY I SAW THAT NOTE FROM RACHEL 1063 01:01:31,440 --> 01:01:34,400 SAY I SAW THAT NOTE FROM RACHEL YEAH I DON'T WANT TO TALK TOO MUCH IN 1064 01:01:34,400 --> 01:01:35,839 YEAH I DON'T WANT TO TALK TOO MUCH IN FRONT OF THE CAMERA SO WE CAN CUT AND 1065 01:01:35,839 --> 01:01:38,480 FRONT OF THE CAMERA SO WE CAN CUT AND THEN WE TALK OKAY 1066 01:01:41,599 --> 01:01:43,760 I DON'T REALLY REMEMBER DOING THIS - NO 1067 01:01:43,760 --> 01:01:46,079 I DON'T REALLY REMEMBER DOING THIS - NO YEAH I WAS PRETTY SKEPTICAL IT WAS 1068 01:01:46,079 --> 01:01:48,640 YEAH I WAS PRETTY SKEPTICAL IT WAS SUPER WEIRD IT'S NOT RACHEL'S 1069 01:01:48,640 --> 01:01:50,880 SUPER WEIRD IT'S NOT RACHEL'S HANDWRITING IT'S NOT RACHEL'S 1070 01:01:50,880 --> 01:01:53,599 HANDWRITING IT'S NOT RACHEL'S WAY OF SAYING THE WORDS YOU KNOW SHE 1071 01:01:53,599 --> 01:01:56,559 WAY OF SAYING THE WORDS YOU KNOW SHE WROTE FOR RACHEL OR 1072 01:01:56,559 --> 01:02:00,960 WROTE FOR RACHEL OR UM BECAUSE THE WRITING WAS VERY SIMILAR 1073 01:02:00,960 --> 01:02:03,839 UM BECAUSE THE WRITING WAS VERY SIMILAR TO ONE OF THE RULES 1074 01:02:03,839 --> 01:02:08,000 TO ONE OF THE RULES I'M NOT ACCUSING ANYONE BUT UM 1075 01:02:08,000 --> 01:02:10,640 I'M NOT ACCUSING ANYONE BUT UM I HOPE THAT SHE'S FINE DO YOU THINK 1076 01:02:10,640 --> 01:02:20,559 I HOPE THAT SHE'S FINE DO YOU THINK SHE'S FINE 1077 01:02:20,559 --> 01:02:22,160 SHE'S FINE BELLMAN HAVE YOU SEEN THE NEIGHBOUR I'VE 1078 01:02:22,160 --> 01:02:24,079 BELLMAN HAVE YOU SEEN THE NEIGHBOUR I'VE MISPLACED HIM NO 1079 01:02:24,079 --> 01:02:27,520 MISPLACED HIM NO WHAT ARE YOU DOING? NOTHING 1080 01:02:28,240 --> 01:02:30,640 COME ON COMET DO YOU WANT TO HELP ME 1081 01:02:30,640 --> 01:02:33,200 COME ON COMET DO YOU WANT TO HELP ME FIND THE NEIGHBOUR? - PLEASE LEAVE ME ALONE 1082 01:02:33,200 --> 01:02:35,280 FIND THE NEIGHBOUR? - PLEASE LEAVE ME ALONE I'M ONLY TRYING TO - SHUT UP LEAVE ME 1083 01:02:35,280 --> 01:02:37,599 I'M ONLY TRYING TO - SHUT UP LEAVE ME ALONE 1084 01:02:43,680 --> 01:02:49,839 IT'S GOOD 1085 01:02:50,480 --> 01:02:53,359 NUMBER 18 1086 01:02:53,680 --> 01:03:03,839 WHERE ARE YOU 1087 01:03:14,839 --> 01:03:17,839 OH 1088 01:03:26,319 --> 01:03:31,839 RACHEL'S GONE HOW DO YOU FEEL? 1089 01:03:32,640 --> 01:03:36,000 IT'S A SHAME I WOULD HAVE LIKED 1090 01:03:36,000 --> 01:03:39,440 IT'S A SHAME I WOULD HAVE LIKED RACHEL TO STAY AND 1091 01:03:39,440 --> 01:03:41,359 RACHEL TO STAY AND OURSELVES TO SPEND ETERNITY TOGETHER ON 1092 01:03:41,359 --> 01:03:44,400 OURSELVES TO SPEND ETERNITY TOGETHER ON THE COMET 1093 01:03:44,400 --> 01:03:48,160 THE COMET BUT THAT'S THE WAY IT IS SHE LEFT AND 1094 01:03:48,160 --> 01:03:50,640 BUT THAT'S THE WAY IT IS SHE LEFT AND IT'S ALWAYS A SHAME WHEN WE CANNOT SAVE 1095 01:03:50,640 --> 01:03:52,160 IT'S ALWAYS A SHAME WHEN WE CANNOT SAVE PEOPLE 1096 01:03:52,160 --> 01:03:54,240 PEOPLE BUT IT'S THEIR CHOICE AND IT'S THEIR 1097 01:03:54,240 --> 01:03:56,400 BUT IT'S THEIR CHOICE AND IT'S THEIR CHOICE TO BURN 1098 01:03:56,400 --> 01:03:59,839 CHOICE TO BURN DO YOU MISS HER? 1099 01:04:01,599 --> 01:04:05,520 I GOTTA TAKE A LITTLE TIME 1100 01:04:06,079 --> 01:04:13,839 A LITTLE TIME TO MULL IT OVER 1101 01:04:14,799 --> 01:04:17,570 I REALLY NEED SOME NEWER GLOVES 1102 01:04:17,570 --> 01:04:19,280 I REALLY NEED SOME NEWER GLOVES [MUSIC] 1103 01:04:19,280 --> 01:04:27,730 [MUSIC] THE ONES I GOT ARE JUST TOO OLDER 1104 01:04:27,730 --> 01:04:33,110 THE ONES I GOT ARE JUST TOO OLDER [MUSIC] 1105 01:04:35,170 --> 01:04:37,119 [MUSIC] 1106 01:04:37,119 --> 01:04:41,680 [MUSIC] NOW THIS DECISION I MUST MAKE 1107 01:04:41,680 --> 01:04:46,720 NOW THIS DECISION I MUST MAKE IT'S A PROBLEM I'M A SOBER 1108 01:04:47,520 --> 01:04:51,760 ALL THE BRANDS I SEE ARE LIES 1109 01:04:51,760 --> 01:04:56,880 ALL THE BRANDS I SEE ARE LIES IT MAKES ME SAD AS MY HAND SCOLDER 1110 01:04:57,599 --> 01:05:09,750 ALL MY LIFE 1111 01:05:09,750 --> 01:05:10,460 ALL MY LIFE [MUSIC] 1112 01:05:10,460 --> 01:05:13,480 [MUSIC] [APPLAUSE] 1113 01:05:13,480 --> 01:05:20,260 [APPLAUSE] [MUSIC] 1114 01:05:21,839 --> 01:05:22,880 DID YOU KNOW THE WORLD IS ENDING 1115 01:05:22,880 --> 01:05:25,280 DID YOU KNOW THE WORLD IS ENDING TOMORROW SIR 1116 01:05:25,280 --> 01:05:27,680 TOMORROW SIR WHAT'S WRONG? - THE WORLD IS ENDING 1117 01:05:27,680 --> 01:05:28,960 WHAT'S WRONG? - THE WORLD IS ENDING TOMORROW 1118 01:05:28,960 --> 01:05:30,640 TOMORROW I GUESS I SHOULD BE MORE EXCITED TO BE 1119 01:05:30,640 --> 01:05:32,160 I GUESS I SHOULD BE MORE EXCITED TO BE HONEST MY HEART ISN'T IN IT LIKE IT ONCE 1120 01:05:32,160 --> 01:05:32,720 HONEST MY HEART ISN'T IN IT LIKE IT ONCE WAS 1121 01:05:32,720 --> 01:05:36,640 WAS WHY? - THE MOOD HAS CHANGED I SUPPOSE 1122 01:05:36,640 --> 01:05:38,720 WHY? - THE MOOD HAS CHANGED I SUPPOSE SINCE RACHEL LEFT WITH THE BETRAYAL AND 1123 01:05:38,720 --> 01:05:40,640 SINCE RACHEL LEFT WITH THE BETRAYAL AND ALL THAT 1124 01:05:40,640 --> 01:05:42,799 ALL THAT AND SEEING COMET LIKE THAT IT MAKES ME 1125 01:05:42,799 --> 01:05:44,079 AND SEEING COMET LIKE THAT IT MAKES ME FEEL 1126 01:05:44,079 --> 01:05:47,359 FEEL AN EMOTION I DON'T KNOW 1127 01:05:47,359 --> 01:05:51,599 AN EMOTION I DON'T KNOW QUITE WHAT THAT IS? - EMPATHY COMPASSION 1128 01:05:51,599 --> 01:05:53,680 QUITE WHAT THAT IS? - EMPATHY COMPASSION NO MORE LIKE I WANT TO STAB HIM IN THE 1129 01:05:53,680 --> 01:05:54,960 NO MORE LIKE I WANT TO STAB HIM IN THE BACK OF THE NECK 1130 01:05:54,960 --> 01:06:05,839 BACK OF THE NECK LESS - YEAH 1131 01:06:07,760 --> 01:06:11,119 DARREN IT'S TIME 1132 01:06:15,599 --> 01:06:17,039 JUNE'S COMET’S NEARLY HERE WE NEED TO 1133 01:06:17,039 --> 01:06:19,839 JUNE'S COMET’S NEARLY HERE WE NEED TO GET READY 1134 01:06:40,000 --> 01:06:43,200 I HEARD HE'S EIGHT FEET TALL I HEARD 1135 01:06:43,200 --> 01:06:46,720 I HEARD HE'S EIGHT FEET TALL I HEARD HE'S MORE HANDSOME THAN RICHARD GERE 1136 01:06:57,690 --> 01:06:59,440 [MUSIC] 1137 01:06:59,440 --> 01:07:04,799 [MUSIC] EVERYONE THIS IS THE LEADER 1138 01:07:04,799 --> 01:07:07,280 EVERYONE THIS IS THE LEADER DANIEL 1139 01:07:08,559 --> 01:07:15,440 YOU MAY ALL BEGIN 1140 01:07:15,440 --> 01:07:19,920 YOU MAY ALL BEGIN IT'S GREAT TO HAVE YOU WITH US GREAT 1141 01:07:26,839 --> 01:07:29,839 LEADER 1142 01:07:30,640 --> 01:07:33,039 LIFE 1143 01:07:38,799 --> 01:07:42,799 WE SIT HERE ON THE EDGE 1144 01:07:42,799 --> 01:07:45,520 WE SIT HERE ON THE EDGE OF GREATNESS 1145 01:07:50,880 --> 01:07:54,880 WE WILL BE THE ONLY HUMANS 1146 01:07:55,039 --> 01:07:57,839 TO VENTURE 1147 01:07:58,559 --> 01:08:02,400 ONTO THE GREAT BEYOND 1148 01:08:08,720 --> 01:08:11,839 WE CAN BRING 1149 01:08:12,799 --> 01:08:15,920 TO THE ALIENS 1150 01:08:18,640 --> 01:08:21,679 OUR COMPASSION 1151 01:08:23,120 --> 01:08:26,480 OUR INTEGRITY 1152 01:08:28,560 --> 01:08:31,440 AND MOST OF ALL 1153 01:08:32,799 --> 01:08:39,839 OUR LOVE 1154 01:08:47,520 --> 01:08:50,640 THIS GIFT THAT WE HAVE BEEN BESTOWED 1155 01:08:50,640 --> 01:08:52,080 THIS GIFT THAT WE HAVE BEEN BESTOWED COMES AT A PRICE THOUGH 1156 01:08:52,080 --> 01:08:54,799 COMES AT A PRICE THOUGH MY CHILDREN 1157 01:09:03,199 --> 01:09:06,480 FOR US TO TRAVEL THROUGH SPACE AND TIME 1158 01:09:06,480 --> 01:09:06,799 FOR US TO TRAVEL THROUGH SPACE AND TIME ON 1159 01:09:06,799 --> 01:09:09,199 ON JUNE 1160 01:09:10,080 --> 01:09:14,000 WE MUST SACRIFICE OUR BODY 1161 01:09:15,839 --> 01:09:21,839 THE PRISON FOR OUR MIND 1162 01:09:37,520 --> 01:09:39,759 IT MEANS FOR US TO VACATE OUR BODIES 1163 01:09:39,759 --> 01:09:42,000 IT MEANS FOR US TO VACATE OUR BODIES WHICH LOCK AWAY OUR SOUL 1164 01:09:42,000 --> 01:09:45,199 WHICH LOCK AWAY OUR SOUL BUT HE NEEDS TO DIE RIGHT HE MEANS FOR 1165 01:09:45,199 --> 01:09:49,839 BUT HE NEEDS TO DIE RIGHT HE MEANS FOR US TO LIVE 1166 01:09:51,839 --> 01:10:02,400 LET US ALL JOIN HANDS OH 1167 01:10:02,400 --> 01:10:17,840 LET US ALL JOIN HANDS OH HAIL THE COMET OH 1168 01:10:28,560 --> 01:10:31,840 YOU CAN GO NOW 1169 01:10:34,560 --> 01:10:37,120 YOU'RE FREE 1170 01:10:40,480 --> 01:10:45,840 DON'T YOU UNDERSTAND 1171 01:10:51,830 --> 01:10:55,430 [MUSIC] 1172 01:10:56,840 --> 01:10:59,840 GO 1173 01:11:26,239 --> 01:11:29,280 THIS IS EXCITING 1174 01:11:29,440 --> 01:11:33,920 I NEVER MUCH LIKE MY BODY ANYWAY I DID 1175 01:11:33,920 --> 01:11:36,159 I NEVER MUCH LIKE MY BODY ANYWAY I DID I'M SORRY GUYS BUT ARE YOU NOT AT LEAST 1176 01:11:36,159 --> 01:11:39,199 I'M SORRY GUYS BUT ARE YOU NOT AT LEAST A LITTLE BIT SCARED 1177 01:11:40,000 --> 01:11:43,360 WHY SHOULD WE BE SCARED 1178 01:11:47,199 --> 01:11:55,840 I GOT THE POISON 1179 01:12:03,440 --> 01:12:06,719 AGAIN FOR THE SAKE OF THE DOCUMENTARY 1180 01:12:06,719 --> 01:12:09,840 AGAIN FOR THE SAKE OF THE DOCUMENTARY I DIDN'T INTERFERE 1181 01:12:27,440 --> 01:12:30,880 WHO WANTS SUGAR NO THANKS THAT STUFF 1182 01:12:30,880 --> 01:12:37,350 WHO WANTS SUGAR NO THANKS THAT STUFF WILL KILL YOU 1183 01:12:37,350 --> 01:12:42,560 WILL KILL YOU [MUSIC] 1184 01:12:48,840 --> 01:12:50,800 SO 1185 01:12:50,800 --> 01:12:54,560 SO FIVE MINUTES UNTIL THE COMET 1186 01:13:00,880 --> 01:13:03,600 I GUESS THIS IS GOODBYE COMET - THIS ISN'T 1187 01:13:03,600 --> 01:13:06,239 I GUESS THIS IS GOODBYE COMET - THIS ISN'T GOODBYE BECK 1188 01:13:06,320 --> 01:13:09,280 IT'S JUST THE START 1189 01:13:09,780 --> 01:13:11,760 [MUSIC] 1190 01:13:11,760 --> 01:13:15,040 [MUSIC] UM COMET CAN I HAVE A WORD 1191 01:13:15,040 --> 01:13:18,159 UM COMET CAN I HAVE A WORD YEAH OF COURSE REALLY QUICK UH HURRY UP 1192 01:13:18,159 --> 01:13:19,840 YEAH OF COURSE REALLY QUICK UH HURRY UP OR YOU'RE GONNA MISS THE SUICIDE 1193 01:13:19,840 --> 01:13:21,600 OR YOU'RE GONNA MISS THE SUICIDE DON'T WORRY I WON'T MISS IT 1194 01:13:21,600 --> 01:13:23,760 DON'T WORRY I WON'T MISS IT MOTHER 1195 01:13:23,760 --> 01:13:25,120 MOTHER I DON'T KNOW WHAT HE SAID TO YOU BUT YOU 1196 01:13:25,120 --> 01:13:27,440 I DON'T KNOW WHAT HE SAID TO YOU BUT YOU DON'T HAVE TO DO THIS WHAT 1197 01:13:27,440 --> 01:13:29,040 DON'T HAVE TO DO THIS WHAT I KNOW YOU DON'T BELIEVE IN ANY OF THIS 1198 01:13:29,040 --> 01:13:30,719 I KNOW YOU DON'T BELIEVE IN ANY OF THIS OF COURSE I BELIEVE IT 1199 01:13:30,719 --> 01:13:47,840 OF COURSE I BELIEVE IT I'M NOT THEM, DON'T LIE TO ME 1200 01:13:49,660 --> 01:13:51,280 [MUSIC] 1201 01:13:51,280 --> 01:14:00,080 [MUSIC] IN HINDSIGHT I COULD HAVE DONE MORE - TWO 1202 01:14:00,080 --> 01:14:01,440 IN HINDSIGHT I COULD HAVE DONE MORE - TWO MINUTES 1203 01:14:01,440 --> 01:14:15,840 MINUTES TIME TO DRINK UP 1204 01:14:19,350 --> 01:14:28,819 [MUSIC] 1205 01:14:30,000 --> 01:14:33,120 HOW LONG WILL IT TAKE 1206 01:14:33,280 --> 01:14:43,840 NOT LONG - LOOK 1207 01:14:45,820 --> 01:14:53,200 [MUSIC] 1208 01:14:56,719 --> 01:15:11,840 IT'S BEAUTIFUL 1209 01:15:14,650 --> 01:15:17,360 [MUSIC] 1210 01:15:17,360 --> 01:15:22,400 [MUSIC] YOUR FIRE BRINGS THE END OF DAYS 1211 01:15:22,400 --> 01:15:28,560 YOUR FIRE BRINGS THE END OF DAYS WE PRAY TO YOU WE LOVE YOUR LIGHT 1212 01:15:29,280 --> 01:15:39,840 WE GIVE OURSELVES TO YOUR MIGHT 1213 01:15:39,890 --> 01:15:46,579 [MUSIC] 1214 01:15:49,920 --> 01:16:07,840 YOUR FIRE BRINGS THE END OF DAYS 1215 01:16:08,880 --> 01:16:10,880 IT'S BEEN A WHILE NOW SO DOES ANYONE 1216 01:16:10,880 --> 01:16:12,560 IT'S BEEN A WHILE NOW SO DOES ANYONE STILL RECOGNIZE YOU 1217 01:16:12,560 --> 01:16:15,600 STILL RECOGNIZE YOU NOT AS MUCH ANYMORE UH I REMEMBER AT THE 1218 01:16:15,600 --> 01:16:16,000 NOT AS MUCH ANYMORE UH I REMEMBER AT THE TIME 1219 01:16:16,000 --> 01:16:18,560 TIME PEOPLE COME UP TO ME AND SAY OH MY GOD 1220 01:16:18,560 --> 01:16:20,640 PEOPLE COME UP TO ME AND SAY OH MY GOD YOU'RE THE GIRL WHO SURVIVED THE SUICIDE 1221 01:16:20,640 --> 01:16:21,440 YOU'RE THE GIRL WHO SURVIVED THE SUICIDE CULT 1222 01:16:21,440 --> 01:16:23,520 CULT WHICH IS A VERY STRANGE THING TO HAVE 1223 01:16:23,520 --> 01:16:24,960 WHICH IS A VERY STRANGE THING TO HAVE SAID TO YOU 1224 01:16:24,960 --> 01:16:27,440 SAID TO YOU UM AND THEN I REMEMBER I WOULD SAY YOU 1225 01:16:27,440 --> 01:16:29,280 UM AND THEN I REMEMBER I WOULD SAY YOU KNOW THAT SUICIDE CULT WAS 1226 01:16:29,280 --> 01:16:30,239 KNOW THAT SUICIDE CULT WAS ONE OF THE BEST THINGS THAT EVER 1227 01:16:30,239 --> 01:16:32,480 ONE OF THE BEST THINGS THAT EVER HAPPENED TO ME SO THEIR FACE WOULD JUST 1228 01:16:32,480 --> 01:16:32,960 HAPPENED TO ME SO THEIR FACE WOULD JUST LIKE 1229 01:16:32,960 --> 01:16:36,080 LIKE FALL IN SHOCK I 1230 01:16:36,080 --> 01:16:39,040 FALL IN SHOCK I I DON'T THINK PEOPLE I TRIED AT THE TIME 1231 01:16:39,040 --> 01:16:40,719 I DON'T THINK PEOPLE I TRIED AT THE TIME TO MAKE PEOPLE UNDERSTAND BUT I DON'T 1232 01:16:40,719 --> 01:16:42,239 TO MAKE PEOPLE UNDERSTAND BUT I DON'T THINK IT WAS POSSIBLE TO MAKE PEOPLE 1233 01:16:42,239 --> 01:16:44,159 THINK IT WAS POSSIBLE TO MAKE PEOPLE UNDERSTAND WHAT IT WAS REALLY LIKE 1234 01:16:44,159 --> 01:16:47,440 UNDERSTAND WHAT IT WAS REALLY LIKE IT WAS REALLY UPSETTING, THEY WERE GOOD 1235 01:16:47,440 --> 01:16:50,239 IT WAS REALLY UPSETTING, THEY WERE GOOD PEOPLE AND I THINK THAT GOT LOST 1236 01:16:50,239 --> 01:16:53,600 PEOPLE AND I THINK THAT GOT LOST PEOPLE DON'T WANT TO READ ABOUT NICE 1237 01:16:53,600 --> 01:16:56,000 PEOPLE DON'T WANT TO READ ABOUT NICE YOU KNOW VULNERABLE PEOPLE WHO'VE BEEN 1238 01:16:56,000 --> 01:16:58,480 YOU KNOW VULNERABLE PEOPLE WHO'VE BEEN MANIPULATED BY A CON MAN THEY 1239 01:16:58,480 --> 01:17:00,840 MANIPULATED BY A CON MAN THEY JUST WANT TO THINK OH THEY WERE ALL 1240 01:17:00,840 --> 01:17:03,199 JUST WANT TO THINK OH THEY WERE ALL CRAZY 1241 01:17:03,199 --> 01:17:05,660 CRAZY WHICH ISN'T FAIR 1242 01:17:05,660 --> 01:17:07,040 WHICH ISN'T FAIR [MUSIC] 1243 01:17:07,040 --> 01:17:08,640 [MUSIC] THEY WERE VULNERABLE AND THEY THEY 1244 01:17:08,640 --> 01:17:10,159 THEY WERE VULNERABLE AND THEY THEY OPENED THEMSELVES UP TO SOMETHING 1245 01:17:10,159 --> 01:17:12,000 OPENED THEMSELVES UP TO SOMETHING BIGGER TO BELIEVE IN SOMETHING BIGGER 1246 01:17:12,000 --> 01:17:13,280 BIGGER TO BELIEVE IN SOMETHING BIGGER AND 1247 01:17:13,280 --> 01:17:16,400 AND I THINK YOU HAVE TO ADMIRE THAT 1248 01:17:16,400 --> 01:17:19,120 I THINK YOU HAVE TO ADMIRE THAT I ADMIRE THAT 1249 01:17:19,760 --> 01:17:22,800 HAVE YOU EVER BEEN BACK TO THE HOUSE 1250 01:17:22,800 --> 01:17:26,719 HAVE YOU EVER BEEN BACK TO THE HOUSE YEAH AFTER I GOT AWAY FROM MY FATHER I 1251 01:17:26,719 --> 01:17:27,199 YEAH AFTER I GOT AWAY FROM MY FATHER I WENT 1252 01:17:27,199 --> 01:17:31,120 WENT BACK TO VISIT THE HOUSE AND 1253 01:17:31,120 --> 01:17:32,560 BACK TO VISIT THE HOUSE AND I'D READ I DON'T KNOW WHAT HAPPENED IN 1254 01:17:32,560 --> 01:17:34,159 I'D READ I DON'T KNOW WHAT HAPPENED IN THE PAPER 1255 01:17:34,159 --> 01:17:36,239 THE PAPER AND I FELT LIKE I NEEDED TO BE CLOSER TO 1256 01:17:36,239 --> 01:17:38,239 AND I FELT LIKE I NEEDED TO BE CLOSER TO THEM 1257 01:17:38,239 --> 01:17:40,610 THEM IT WAS STRANGE SEEING THE HOUSE SO EMPTY 1258 01:17:40,610 --> 01:17:42,840 IT WAS STRANGE SEEING THE HOUSE SO EMPTY [MUSIC] 1259 01:17:42,840 --> 01:17:45,920 [MUSIC] I PART OF ME EXPECTED THEM TO BE THERE 1260 01:17:45,920 --> 01:17:47,140 I PART OF ME EXPECTED THEM TO BE THERE WAITING FOR ME YOU KNOW 1261 01:17:47,140 --> 01:17:52,000 WAITING FOR ME YOU KNOW [MUSIC] 1262 01:17:52,000 --> 01:17:53,440 [MUSIC] I HAD THE GOOD FORTUNE TO MEET YOUR 1263 01:17:53,440 --> 01:17:55,040 I HAD THE GOOD FORTUNE TO MEET YOUR LITTLE BOY AND UH 1264 01:17:55,040 --> 01:17:58,880 LITTLE BOY AND UH YOU NAMED HIM COME? - YEAH YEAH 1265 01:17:58,880 --> 01:18:01,360 YOU NAMED HIM COME? - YEAH YEAH I MEAN MY HUSBAND WASN'T SURE ABOUT IT 1266 01:18:01,360 --> 01:18:02,800 I MEAN MY HUSBAND WASN'T SURE ABOUT IT AT FIRST 1267 01:18:02,800 --> 01:18:05,360 AT FIRST BUT HE HE GOT USED TO IT AND NOW HE 1268 01:18:05,360 --> 01:18:08,159 BUT HE HE GOT USED TO IT AND NOW HE REALLY LIKES IT AND 1269 01:18:08,159 --> 01:18:11,360 REALLY LIKES IT AND I THINK IT'S A REALLY UNIQUE NAME 1270 01:18:11,360 --> 01:18:13,280 I THINK IT'S A REALLY UNIQUE NAME SO I WAS THERE THE DAY YOU YOU'VE GOT A 1271 01:18:13,280 --> 01:18:15,360 SO I WAS THERE THE DAY YOU YOU'VE GOT A HOUSE YOU NEVER 1272 01:18:15,360 --> 01:18:18,480 HOUSE YOU NEVER SEEM TO REALLY ALMOST CARE ABOUT WHAT 1273 01:18:18,480 --> 01:18:20,239 SEEM TO REALLY ALMOST CARE ABOUT WHAT THEY BELIEVED IN 1274 01:18:20,239 --> 01:18:22,159 THEY BELIEVED IN I WAS JUST SO HAPPY TO HAVE FOUND PEOPLE 1275 01:18:22,159 --> 01:18:23,840 I WAS JUST SO HAPPY TO HAVE FOUND PEOPLE THAT I 1276 01:18:23,840 --> 01:18:26,000 THAT I I WASN'T REALLY THINKING ABOUT WHAT IT 1277 01:18:26,000 --> 01:18:27,600 I WASN'T REALLY THINKING ABOUT WHAT IT ALL REALLY MEANT 1278 01:18:27,600 --> 01:18:30,880 ALL REALLY MEANT UM AND 1279 01:18:31,199 --> 01:18:32,800 I GUESS I DIDN'T REALIZE HOW SERIOUSLY 1280 01:18:32,800 --> 01:18:34,880 I GUESS I DIDN'T REALIZE HOW SERIOUSLY THEY TOOK IT EITHER WHICH 1281 01:18:34,880 --> 01:18:38,960 THEY TOOK IT EITHER WHICH I REGRET NOW I WANT PEOPLE TO REALIZE 1282 01:18:38,960 --> 01:18:41,840 I REGRET NOW I WANT PEOPLE TO REALIZE WHAT THEY WERE LIKE 1283 01:18:42,560 --> 01:18:44,159 BECAUSE WHEN YOU I SOMETIMES GO ONLINE 1284 01:18:44,159 --> 01:18:45,679 BECAUSE WHEN YOU I SOMETIMES GO ONLINE AND READ BLOGS ABOUT THEM 1285 01:18:45,679 --> 01:18:48,480 AND READ BLOGS ABOUT THEM IT'S JUST LIKE OH YOU DON'T GET IT YOU 1286 01:18:48,480 --> 01:18:48,960 IT'S JUST LIKE OH YOU DON'T GET IT YOU KNOW 1287 01:18:48,960 --> 01:18:50,960 KNOW I MEAN YOU SAID YOU FELT RESPONSIBLE AND 1288 01:18:50,960 --> 01:18:52,159 I MEAN YOU SAID YOU FELT RESPONSIBLE AND I I DID TOO 1289 01:18:52,159 --> 01:18:54,960 I I DID TOO YEAH PROBABLY MORE SO BECAUSE I COULD 1290 01:18:54,960 --> 01:18:57,120 YEAH PROBABLY MORE SO BECAUSE I COULD HAVE STOPPED IT 1291 01:18:57,120 --> 01:18:58,640 HAVE STOPPED IT YEAH BUT I DON'T KNOW IF YOU ACTUALLY 1292 01:18:58,640 --> 01:19:00,400 YEAH BUT I DON'T KNOW IF YOU ACTUALLY COULD HAVE BECAUSE 1293 01:19:00,400 --> 01:19:02,640 COULD HAVE BECAUSE YOU STOP IT ONE NIGHT THEY DO IT A 1294 01:19:02,640 --> 01:19:05,199 YOU STOP IT ONE NIGHT THEY DO IT A DIFFERENT NIGHT THAT WAS THE THING 1295 01:19:05,199 --> 01:19:08,800 DIFFERENT NIGHT THAT WAS THE THING DO YOU MISS THEM 1296 01:19:08,800 --> 01:19:11,120 DO YOU MISS THEM DO YOU 1297 01:19:13,310 --> 01:19:14,960 [MUSIC] 1298 01:19:14,960 --> 01:19:22,239 [MUSIC] OKAY YEAH I KNOW IT'S REALLY HARD 1299 01:19:22,239 --> 01:19:24,719 OKAY YEAH I KNOW IT'S REALLY HARD IT'S JUST 1300 01:19:26,400 --> 01:19:29,760 I NEVER GOT TO SAY GOODBYE 1301 01:19:32,560 --> 01:19:34,320 I DON'T I DON'T KNOW IF THEY WENT TO 1302 01:19:34,320 --> 01:19:36,640 I DON'T I DON'T KNOW IF THEY WENT TO LIVE ON A COMET I MEAN 1303 01:19:36,640 --> 01:19:39,760 LIVE ON A COMET I MEAN I DON'T THINK THEY DID 1304 01:19:40,719 --> 01:19:45,760 I THINK THEY BELIEVED THAT SO UM 1305 01:19:48,560 --> 01:19:52,320 I ALWAYS SAY TO MY HUSBAND UM 1306 01:19:52,320 --> 01:19:56,800 I ALWAYS SAY TO MY HUSBAND UM THAT I FEEL LIKE THEY NEVER LEFT ME 1307 01:19:56,800 --> 01:19:59,120 THAT I FEEL LIKE THEY NEVER LEFT ME SO THAT MEANS THEY DID GET TO LIVE 1308 01:19:59,120 --> 01:20:00,800 SO THAT MEANS THEY DID GET TO LIVE FOREVER 1309 01:20:00,800 --> 01:20:05,840 FOREVER BECAUSE I REMEMBER THEM 1310 01:20:12,560 --> 01:20:19,840 SORRY IT'S SO EMBARRASSING 1311 01:20:22,639 --> 01:20:33,830 YEAH THAT WOULD BE LOVELY 1312 01:20:33,830 --> 01:20:44,840 YEAH THAT WOULD BE LOVELY [MUSIC] 1313 01:20:44,840 --> 01:20:46,239 [MUSIC] IS 1314 01:20:46,239 --> 01:20:57,040 IS VILLAGES HOUSES AND VILLAGES 1315 01:20:57,280 --> 01:21:00,680 UNDER THE 1316 01:21:00,680 --> 01:21:08,080 UNDER THE [MUSIC] 1317 01:21:08,080 --> 01:21:12,840 [MUSIC] DREAMS LIE WITH MERMAIDS 1318 01:21:12,840 --> 01:21:15,840 DREAMS LIE WITH MERMAIDS CHILDREN 1319 01:21:16,230 --> 01:21:26,639 [MUSIC] 1320 01:21:26,639 --> 01:21:42,740 [MUSIC] OF YOUR RIGHT HAND SAYS 1321 01:21:42,740 --> 01:21:52,440 OF YOUR RIGHT HAND SAYS [MUSIC] 1322 01:21:52,440 --> 01:21:57,840 [MUSIC] UNDER THE BURN 1323 01:21:58,080 --> 01:22:03,560 EVERY YEAR LIFE SPRINGS AGAIN 1324 01:22:03,560 --> 01:22:07,320 EVERY YEAR LIFE SPRINGS AGAIN GIVING YOU CHANCES 1325 01:22:07,320 --> 01:22:10,960 GIVING YOU CHANCES GIVING NEW 1326 01:22:10,960 --> 01:22:16,239 GIVING NEW [MUSIC] 1327 01:22:16,239 --> 01:22:25,840 [MUSIC] EVERY YEAR 1328 01:22:26,320 --> 01:22:32,320 A NEW CHART