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Downloaded from
YTS.MX

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Official YIFY movies site:
YTS.MX

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[shutter clicks]

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[cheering]

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[orchestral music]

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- [Sylvester] It was early in
the morning

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on the streets of Philadelphia.

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It was freezing cold.

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And I just started to feel
something welling inside.

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And they go, "Sly, are you
ready?"

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I go, "I'm not.

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"But Rocky is."

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[inspirational orchestral music]

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I was a complete unknown,
even unknown to myself.

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And I had this idea.

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A lot of people were feeling
kind of the way I was,

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going nowhere fast.

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And I didn't know whether I had
it or not.

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So I wrote this story about an
underdog,

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a person who wasn't very
appreciated,

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and I was given a break by
United Artist

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and now, you had to put up or
shut up,

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00:02:03,035 --> 00:02:05,777
so I couldn't believe my good
fortune

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and every day we'd go to the
studio

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and work on the script a littlebit.

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Of course, I had a bit of
an odd personality I guess.

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Maybe I was born to play
this part, I don't know,

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but it just seemed to
fit into all the things

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that I sort of believed in.

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Anyway, we started working on

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experimental ideas about boxing.

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There had been many boxing filmslike,

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maybe over 300 made in Hollywood

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and they weren't very successfulso

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I couldn't believe my good luck
here

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when they're doing a boxing
film about this character.

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But the point is, it wasn't a
boxing film.

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It was a story about
obsolescence,

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about not getting an opportunityin life,

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and more importantly,
eventually, a serious love
story.

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And he happens to be a boxer.

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So the relationship comes
a little bit later on

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00:03:02,486 --> 00:03:04,314
but it's the key to the whole
movie.

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John Avildsen in the background.

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He always took these,
he's driving me crazy

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with these eight millimeter
films

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but here we are, so I'm glad he
did it.

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But at the time I thought,
what a waste of film.

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Now, Mike Westmore, who
was a great, great, great

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makeup artist, part of
the Westmore family,

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he started doing all of the
experiments.

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Here again, I'm just overdoing
everything.

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Makeup tests.

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And it was great, but I ended
up with barely any eyebrows

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left the rest of my
life, so there is that.

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At one time I actually
wanted Rocky to look

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very, very punchy and I thought,

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why don't you glue my nose
to the side of my face?

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So they got this kind
of colostomy bad glue

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and it was so bad, it
looked like a cartoon,

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like I had run into a wall like
Gumby.

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So anyway as you can see, Itook things to kind of extremes.

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I mean, it looks like a lost
clam.

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We got lucky with Burgess
Meredith

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who was a world class actor
with 50 years experience

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and he took it very serious.

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He was fantastic and
developed his character

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that was based on a real
character

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and he had all the mannerisms.

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'Cause I did real good last
night,

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and you should've seen me.

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- Big deal.

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- You should've seen me, too.

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- Hey, kid.

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You ever think about retiring?

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- No.

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- You think about it.

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- [Sylvester] My friend
Stan Shaw in the back.

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Great guy.

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[dramatic music]

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I didn't know anything.

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You know, I talked a good game
like, yeah, I'm a good boxer.

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I didn't know how to box
anything, except maybe oranges.

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But I was willing to try.

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The character was not supposed
to be a gifted fighter.

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He was gifted in other ways.

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He just could take anincredible amount of punishment,

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and he was fighting for an
ideal.

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He had no allusions that he was
a winner,

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he just wanted an opportunity.

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Then we came across this
amazing guy, Carl Weathers,

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the greatest film boxer of all
time.

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This man could move.

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Well, he was a world class
athlete and a great actor,

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but God, could he move.

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This is us really
beginning to figure it out.

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There was a situation happening.

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They had hired a choreographer

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and the choreographer was used
to doing old-fashioned films

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like you hit me, I hit
you, you hit me, I hit you.

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And that's what was normally
done in a closeup of two guys

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just sort of, as we say,
shoe-shining.

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One-two, one-two, one-two,
one-two.

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And I thought you know, let's
try to do something different.

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Oh, look who just popped up.

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My brother.

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He was a great singer, is a
great singer,

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and I thought well,since I can't affordanyone else,

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I'll use him.

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♪ I said I been told by

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♪ Do do do do

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♪ Some people and they all

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Now here's him in the ring,

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really showing his love and
appreciation for the job.

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Appreciate it, like start
tackling me, knocking me down.

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Of course I'm trying to
make him feel good here

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by getting a concussion.

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Back to Carl, he's improving a
great deal.

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And I said to the stunt
coordinator,

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I said, "Why doesn't Carl come
out

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"and hit me like four jabs on
the right?

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He goes, "That isn't the way it
is."

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I said, "Well how about
three jabs on the right?"

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He goes, "No, just follow my
thing."

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I said, "Well, I wanna
see something different."

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He goes, "Okay.

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"I quit."

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So he left, and I was stuck,

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and Irwin looked at me
like hey, who are you to...

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Well this is the guy actually
right before he left.

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His name was I think Stackler
or something like that.

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Nice guy, but he had his

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old-fashioned way of doing
something,

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and I wanted it to look as
close to real as possible,

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and usually boxing films,

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the actors really were not
in any kind of great shape

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and they didn't work any
kind of choreography,

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it was sort of done on the fly.

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You hit me, I hit you,

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and no one was ever in
really excellent shape

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so we started writing it up.

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The director said hey, why
don't you write it out?

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And I thought okay, you mean
like a dance?

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Absolutely like a dance.

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00:07:51,732 --> 00:07:53,821
Then we hired Jimmy Nickerson

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00:07:53,864 --> 00:07:56,563
and he got in some semi-pros
here

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00:07:56,606 --> 00:07:59,566
who blocked out the actual real
boxing

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and I would study it and go hmm,

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00:08:01,306 --> 00:08:03,570
that's believable, that's
believable.

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00:08:04,658 --> 00:08:06,181
And then I started to borrow
things

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00:08:06,224 --> 00:08:08,313
from the world's greatest fights

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00:08:08,357 --> 00:08:12,143
and condense them into
moments in our film.

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So everything you've ever seen
in Rocky

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00:08:14,363 --> 00:08:15,799
has actually happened before.

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In the back there's famous Gene
LeBell,

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00:08:17,845 --> 00:08:20,978
world famous stuntman and Judo
champion.

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This is all practice footage,

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and he's working on Jimmy
Nickerson

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who insists on him
actually hitting him a lot,

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which I don't know what was
going through Jimmy's head.

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He actually did get knocked out.

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00:08:36,516 --> 00:08:39,301
There's Gene LeBell practicing.

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He's overacting as his [laughs]

164
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as a referee.

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I never saw a referee
get into a full squat,

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but why not?

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This is footage that was
never seen in the movie.

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00:08:54,055 --> 00:08:55,665
It was supposed to be in the
movie.

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00:08:55,709 --> 00:08:59,800
Rocky is watching Apollo
knock all these people out.

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00:08:59,843 --> 00:09:02,106
Mickey is going, "You don't
have a chance," basically.

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00:09:02,150 --> 00:09:04,848
This is a real fighter
named Sonny Shields,

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00:09:04,892 --> 00:09:08,373
father of the world class
fighter named Randy Shields.

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00:09:08,417 --> 00:09:10,462
He thought Carl was just an
actor,

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00:09:10,506 --> 00:09:14,336
I said he's a powerful
man, and he blasted him,

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00:09:14,379 --> 00:09:17,339
and eventually knocked
him down again, for real.

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We never used this footage,
which is unfortunate.

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00:09:24,389 --> 00:09:26,043
It was a work in progress.

178
00:09:26,087 --> 00:09:30,308
So in between setups, I would
constantly be re-writing

179
00:09:30,352 --> 00:09:32,920
and re-writing [laughs]

180
00:09:32,963 --> 00:09:35,792
and trying to make this thing
work

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00:09:35,836 --> 00:09:38,621
for the budget that we
had, which was nothing.

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00:09:38,665 --> 00:09:41,015
And our locations were pretty,

183
00:09:41,058 --> 00:09:42,756
you know, pretty sparse.

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00:09:42,799 --> 00:09:46,455
But you know, I think that
worked out for the best.

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00:09:51,286 --> 00:09:53,375
I hadn't figured out
Rocky's color combination,

186
00:09:53,418 --> 00:09:58,336
so this is just us practicing
basically choreography

187
00:09:58,380 --> 00:10:00,469
and makeup tests.

188
00:10:00,512 --> 00:10:02,819
And you can see like the
ropes hanging on the ground.

189
00:10:02,863 --> 00:10:04,342
This was again, just for us,

190
00:10:04,386 --> 00:10:06,823
too much smoke or too much
makeup,

191
00:10:06,867 --> 00:10:07,955
we were trying to figure out.

192
00:10:07,998 --> 00:10:09,652
Like this.

193
00:10:09,696 --> 00:10:11,349
Hey, anybody want a hamburger?

194
00:10:11,393 --> 00:10:12,263
How you doin'?

195
00:10:13,656 --> 00:10:15,658
Like, little bit of overacting

196
00:10:15,702 --> 00:10:18,008
putting the cart in
front of the horse here.

197
00:10:22,839 --> 00:10:25,189
I think Carl again, this
was mostly a makeup test.

198
00:10:25,233 --> 00:10:26,582
This place was freezing by the
way,

199
00:10:26,626 --> 00:10:28,802
it was in the dead of winter,
so.

200
00:10:30,891 --> 00:10:35,069
It was not conducive
to moving around a lot.

201
00:10:35,112 --> 00:10:37,375
But again, we did what we could

202
00:10:37,419 --> 00:10:39,856
because we were borrowing
the Olympic Auditorium.

203
00:10:43,294 --> 00:10:45,819
And we're seeing how close we
could get with the punches.

204
00:10:45,862 --> 00:10:48,038
Those are actual eight ounce
gloves

205
00:10:48,082 --> 00:10:50,084
that are not doctored up,

206
00:10:50,127 --> 00:10:52,913
and when you get hit with them,
it's...

207
00:10:54,218 --> 00:10:58,222
My eye is closed, your depth
perception

208
00:10:58,266 --> 00:10:59,833
is way off.

209
00:10:59,876 --> 00:11:03,358
So this is what these
rehearsals helped with,

210
00:11:03,401 --> 00:11:05,665
figuring out what works
and what doesn't work.

211
00:11:10,278 --> 00:11:11,671
Oh there's my father.

212
00:11:11,714 --> 00:11:14,891
We're sitting around before the
film

213
00:11:14,935 --> 00:11:19,113
kind of figuring out thelogistics with the set designer

214
00:11:19,156 --> 00:11:21,942
and it was great to be
part of all of this.

215
00:11:21,985 --> 00:11:24,466
I didn't know what I was
doing, but it sounded good

216
00:11:24,509 --> 00:11:25,989
and it looked good.

217
00:11:26,033 --> 00:11:28,992
And we were pretty passionate
about it.

218
00:11:29,036 --> 00:11:30,515
But really there's something
good

219
00:11:30,559 --> 00:11:32,126
about not knowing everything,

220
00:11:32,169 --> 00:11:35,303
you're just throwing
yourself headlong into it.

221
00:11:35,346 --> 00:11:38,262
Made my father the bell
ringer, that was interesting.

222
00:11:38,306 --> 00:11:40,395
He'd always ring the bell
about 20 seconds late

223
00:11:40,438 --> 00:11:42,223
and I would take a beating.

224
00:11:42,266 --> 00:11:44,921
And I kept going, is this kind
of Freudian by any chance?

225
00:11:46,575 --> 00:11:49,709
That's me wearing my incredibly
expensive York shirt.

226
00:11:51,058 --> 00:11:53,451
Kind of hung up on the
tank tops at the time,

227
00:11:53,495 --> 00:11:54,322
I don't know why.

228
00:12:02,504 --> 00:12:04,898
Storyboards are something
I'd never seen before.

229
00:12:04,941 --> 00:12:06,682
It was very interesting.

230
00:12:06,726 --> 00:12:09,424
It was laid out what
we were supposed to do.

231
00:12:09,467 --> 00:12:12,035
This whole kind of ritual of twomen

232
00:12:12,079 --> 00:12:13,863
getting ready to face one
another,

233
00:12:13,907 --> 00:12:16,344
Rocky being incredibly inferior

234
00:12:16,387 --> 00:12:20,478
and Carl, or Apollo Creed,
just taking it as another day

235
00:12:21,871 --> 00:12:25,048
in the life of a champion, no
big deal.

236
00:12:25,092 --> 00:12:27,137
But all these maneuvers
here like the Vick's

237
00:12:27,181 --> 00:12:29,183
and the greasing up, this is
pretty much

238
00:12:29,226 --> 00:12:32,316
what we were taught by authentictrainers.

239
00:12:34,057 --> 00:12:36,668
Rocky knows he's basically
going to get slaughtered

240
00:12:36,712 --> 00:12:39,889
so he's just praying he
doesn't get hurt too much.

241
00:12:39,933 --> 00:12:42,326
And Carl, this is the first
time we actually see him

242
00:12:42,370 --> 00:12:45,025
get serious in the film as
Apollo Creed.

243
00:12:48,680 --> 00:12:50,030
You won't believe this camera.

244
00:12:50,073 --> 00:12:51,814
This is so gigantic.

245
00:12:53,598 --> 00:12:56,863
Everything we had was, I don't
know,

246
00:12:56,906 --> 00:12:58,821
just scraping things together.

247
00:12:58,865 --> 00:13:02,738
This gigantic camera, that
we had to lash to the car.

248
00:13:02,782 --> 00:13:04,392
They don't even exist anymore.

249
00:13:11,268 --> 00:13:13,140
This fella here, his
name was Jimmy Gambina,

250
00:13:13,183 --> 00:13:15,751
he was also a trainer,
his father's a trainer,

251
00:13:15,795 --> 00:13:17,318
and I thought I'd put him in a
movie

252
00:13:17,361 --> 00:13:19,537
'cause he was really
some kind of character.

253
00:13:19,581 --> 00:13:21,017
And it worked out.

254
00:13:21,061 --> 00:13:22,192
- Don't you think you oughta
take a rest?

255
00:13:22,236 --> 00:13:23,498
- No, my back is hurt.

256
00:13:23,541 --> 00:13:24,368
- Your back?

257
00:13:24,412 --> 00:13:25,108
- My back is hurt.

258
00:13:25,152 --> 00:13:26,327
You deaf?

259
00:13:26,370 --> 00:13:27,284
- No, I'm short.

260
00:13:30,897 --> 00:13:32,594
- [Sylvester] As I was
getting prepared again,

261
00:13:32,637 --> 00:13:35,205
me being very mature between
takes,

262
00:13:36,206 --> 00:13:37,729
this is how I prepare for a
movie,

263
00:13:37,773 --> 00:13:39,993
by chasing Adrian with a meat
cleaver.

264
00:13:40,036 --> 00:13:43,866
You think it's a little odd
perhaps.

265
00:13:43,910 --> 00:13:45,868
We tried to keep it loose.

266
00:13:45,912 --> 00:13:49,176
It was a lot of fun in
a way, and I tend to

267
00:13:49,219 --> 00:13:54,659
not want to walk around all
moody, and I just try to

268
00:13:54,703 --> 00:13:56,748
keep it relaxed 'cause if you'rerelaxed,

269
00:13:56,792 --> 00:13:58,663
the rest of the crew is relaxed.

270
00:13:58,707 --> 00:14:00,491
And then you turn it on when youhave to,

271
00:14:00,535 --> 00:14:03,973
so you can see me with Joe
Spinell who played Mr. Gazzo

272
00:14:04,017 --> 00:14:06,671
and John Avildsen,
makeup man Mike Westmore,

273
00:14:06,715 --> 00:14:08,673
and we're just having a good
time.

274
00:14:11,024 --> 00:14:13,069
That hat was a real bone of
contention.

275
00:14:13,113 --> 00:14:15,115
Nobody wanted me to wear the
hat.

276
00:14:15,158 --> 00:14:17,073
They wanted me to just
be, you know, bareheaded.

277
00:14:17,117 --> 00:14:18,770
I go, [groans]

278
00:14:18,814 --> 00:14:20,468
So there was a store there
and I bought the hat,

279
00:14:20,511 --> 00:14:22,035
there's the director's children,

280
00:14:22,078 --> 00:14:24,080
bought that hat for like $3

281
00:14:24,124 --> 00:14:26,126
and I wanna wear the hat.

282
00:14:26,169 --> 00:14:27,736
And the producer goes,
"You can't wear this hat."

283
00:14:27,779 --> 00:14:28,606
and I go, "Why?"

284
00:14:28,650 --> 00:14:30,173
He says, "Because,

285
00:14:30,217 --> 00:14:32,132
"Gene Hackman wore it
in French Connection."

286
00:14:32,175 --> 00:14:34,003
I says, "So, that's the end of
hats?

287
00:14:34,047 --> 00:14:35,700
"So, hats are banned?"

288
00:14:35,744 --> 00:14:38,051
I said, "It kind of
tops off the character."

289
00:14:38,094 --> 00:14:41,663
And I just went ahead and used
the hat.

290
00:14:41,706 --> 00:14:43,230
I'd never seen a hat like it,

291
00:14:43,273 --> 00:14:45,406
it was like this cheap,
felt, cardboard hat,

292
00:14:45,449 --> 00:14:48,017
but it just worked perfectly,

293
00:14:48,061 --> 00:14:50,977
and I think made a great
impression on the character.

294
00:14:51,020 --> 00:14:54,719
I think it just set the whole
thing like a suit of armor.

295
00:14:54,763 --> 00:14:58,680
It was a costume that he
was sort of hiding behind.

296
00:14:58,723 --> 00:15:00,595
And then when you see
him put on the glasses

297
00:15:00,638 --> 00:15:03,511
like they should realize, he's
not this real tough specimen,

298
00:15:03,554 --> 00:15:06,427
he's kind of nerdy in a way.

299
00:15:10,257 --> 00:15:14,783
Oh yeah, this is us in between
takes, just hanging out.

300
00:15:17,003 --> 00:15:18,874
This is a scene that was
amazing.

301
00:15:18,918 --> 00:15:20,745
I wrote it for 300 extras.

302
00:15:21,703 --> 00:15:24,575
And Adrian was supposed
to be taken out on the ice

303
00:15:24,619 --> 00:15:27,274
by this incredible ice
skater and he's showing off

304
00:15:27,317 --> 00:15:28,971
and I'm sort of humiliated

305
00:15:29,015 --> 00:15:33,367
and then I get into sort
of a beef with the fella.

306
00:15:33,410 --> 00:15:35,064
I show up on the set, they said,

307
00:15:35,108 --> 00:15:37,327
"Well, we've had to cut the
extras back a little bit."

308
00:15:37,371 --> 00:15:38,241
I go, "To what?"

309
00:15:38,285 --> 00:15:39,634
He goes, "To none."

310
00:15:39,677 --> 00:15:40,765
You're kidding me!

311
00:15:40,809 --> 00:15:42,942
How about a heads up?

312
00:15:42,985 --> 00:15:46,206
So I went back and I started
re-writing immediately

313
00:15:46,249 --> 00:15:50,514
and, well, the proof is in the
pudding.

314
00:15:50,558 --> 00:15:53,039
It became just the two of us on
the ice

315
00:15:53,082 --> 00:15:57,739
and since I can't ice skate,
Rocky runs alongside of her.

316
00:15:57,782 --> 00:15:59,828
That's George Memmoli who
was a great character,

317
00:15:59,871 --> 00:16:01,482
actor and a friend,

318
00:16:01,525 --> 00:16:04,398
and it turned out to be
a thousand times better

319
00:16:04,441 --> 00:16:07,096
if there had been a big, big
crowd here.

320
00:16:07,140 --> 00:16:11,361
So, again, taking the negative
and making it a positive.

321
00:16:11,405 --> 00:16:13,407
Got very lucky on that day.

322
00:16:13,450 --> 00:16:17,150
But that scene sort of set the
tone for Rocky's first date.

323
00:16:17,193 --> 00:16:20,370
He wasn't used to you know,
being very... [laughs]

324
00:16:20,414 --> 00:16:22,372
Well we'll just say
sophisticated,

325
00:16:22,416 --> 00:16:26,507
but I think that was part of
his charm was his honesty.

326
00:16:26,550 --> 00:16:28,161
No it's okay, it's okay.

327
00:16:28,204 --> 00:16:29,901
Hey listen, are you closed
to the general public,

328
00:16:29,945 --> 00:16:31,860
or are you just closed toeverybody, you know what I mean?

329
00:16:33,818 --> 00:16:36,604
You can see here, we really
struggling.

330
00:16:36,647 --> 00:16:41,000
She was not exactly you
know, Ice Capades either.

331
00:16:41,043 --> 00:16:42,479
We're just struggling
out there which I thought

332
00:16:42,523 --> 00:16:45,265
kind of reflected on who they
were, too.

333
00:16:45,308 --> 00:16:50,313
It's like, neither one of
them is very graceful in life.

334
00:16:50,357 --> 00:16:54,230
But together, they're a perfect
fit, they really really are.

335
00:16:55,231 --> 00:16:57,494
I almost broke my neck
on this about 10 times.

336
00:16:57,538 --> 00:16:59,148
This turned out to be very, verygood.

337
00:16:59,192 --> 00:17:01,803
You can see where John's
rehearsals

338
00:17:01,846 --> 00:17:04,893
were absolutely duplicated in
reality,

339
00:17:04,936 --> 00:17:06,199
so it was a perfect thing.

340
00:17:07,635 --> 00:17:10,029
I tell you, things get
pretty rough in the rink.

341
00:17:13,423 --> 00:17:17,253
Again, this is the
makeup with Mike Westmore

342
00:17:17,297 --> 00:17:18,907
and we'd be running lines here.

343
00:17:18,950 --> 00:17:21,518
So we've hit the ground running.

344
00:17:21,562 --> 00:17:23,912
I like to learn a lot of
dialogue

345
00:17:23,955 --> 00:17:26,567
a long time before the
production

346
00:17:26,610 --> 00:17:30,005
so you can let it go and ad lib

347
00:17:30,049 --> 00:17:31,876
and then come back to the
script.

348
00:17:31,920 --> 00:17:35,793
And Burgess, who's a classicallytrained actor and I wasn't,

349
00:17:35,837 --> 00:17:38,013
was totally on board with that.

350
00:17:38,057 --> 00:17:40,363
And he was just fantastic.

351
00:17:40,407 --> 00:17:43,192
He's really a consummate
performer.

352
00:17:43,236 --> 00:17:44,802
I didn't realize it at the time

353
00:17:44,846 --> 00:17:46,326
'cause I had never worked
with anyone that good,

354
00:17:46,369 --> 00:17:49,851
but now, as I reflect on
it, one of the greatest.

355
00:17:52,549 --> 00:17:55,335
This was an actual
apartment, believe it or not,

356
00:17:55,378 --> 00:17:59,165
and I thought we should add
some things that are a bit odd,

357
00:17:59,208 --> 00:18:02,559
like a mattress stuck to
the wall full of bayonets.

358
00:18:02,603 --> 00:18:05,345
Don't explain it, just,
that's the way he lives.

359
00:18:05,388 --> 00:18:07,869
And a bowl full of turtles and
so on.

360
00:18:09,958 --> 00:18:13,092
[inspirational music]

361
00:18:21,839 --> 00:18:23,754
We couldn't afford a hose
to wet down the street,

362
00:18:23,798 --> 00:18:25,843
so we'd do it by buckets.

363
00:18:28,150 --> 00:18:31,284
Rocky solidifies his
relationship with Mickey

364
00:18:31,327 --> 00:18:34,678
after a tempestuous brawl
a few moments earlier

365
00:18:34,722 --> 00:18:37,942
where he just unloaded on
Mickey about being ignored.

366
00:18:37,986 --> 00:18:39,379
But that's what made the
character,

367
00:18:39,422 --> 00:18:41,032
he's just always forgiving.

368
00:18:42,469 --> 00:18:44,949
This is my friend Gene Kirkwood,he was very, very important

369
00:18:44,993 --> 00:18:46,864
in having the film actually
made.

370
00:18:46,908 --> 00:18:49,128
And Burt Young, who was
fantastic.

371
00:18:54,916 --> 00:18:59,094
We start in Philadelphia and
we end up here, this is L.A.,

372
00:18:59,138 --> 00:19:02,402
running along the side of
the meat packing place.

373
00:19:02,445 --> 00:19:07,233
I don't know exactly why
I wrote in a slider house,

374
00:19:07,276 --> 00:19:10,671
but it was just an idea.

375
00:19:10,714 --> 00:19:14,544
Like boxers are considered meat,you know,

376
00:19:14,588 --> 00:19:17,330
we don't think of them as you
know,

377
00:19:17,373 --> 00:19:19,810
regular human beings, but they
are.

378
00:19:19,854 --> 00:19:21,203
They have a lot of heart and
soul,

379
00:19:21,247 --> 00:19:23,945
they're not just flesh to be hitupon.

380
00:19:23,988 --> 00:19:27,296
And so that was somewhat a
symbolic move,

381
00:19:27,340 --> 00:19:29,777
a little heavy-handed
but I think it worked.

382
00:19:34,564 --> 00:19:38,046
And here we are outside.

383
00:19:38,089 --> 00:19:41,919
Yeah, with my dog Butkus
which was actually my dog

384
00:19:41,963 --> 00:19:45,271
and I thought Rocky and the
dog looked very much alike,

385
00:19:45,314 --> 00:19:47,229
so I wanted him in the movie.

386
00:19:47,273 --> 00:19:49,710
And I thought it again added
a little bit of character

387
00:19:49,753 --> 00:19:52,582
to who Rocky was, and it
was a gift from Adrian.

388
00:19:55,498 --> 00:19:58,109
This is a scene that
was made up on the spot.

389
00:19:58,153 --> 00:19:59,763
What's that, Butkus, huh?

390
00:19:59,807 --> 00:20:00,895
Whose truck is this?

391
00:20:00,938 --> 00:20:02,244
Come on.

392
00:20:02,288 --> 00:20:03,985
I was supposed to just be in
there.

393
00:20:04,028 --> 00:20:06,205
I thought, you know, it'd
be great if he just shows up

394
00:20:06,248 --> 00:20:08,816
and there's Burt saying,
"Hey, hope you don't mind,

395
00:20:08,859 --> 00:20:11,732
"I called your television
network,

396
00:20:11,775 --> 00:20:14,735
"and I'm basically here to
embarrass you."

397
00:20:14,778 --> 00:20:16,737
And of course, Rocky takes it instride

398
00:20:16,780 --> 00:20:19,740
and goes along with it 'cause
he's that kind of a guy.

399
00:20:25,659 --> 00:20:26,747
This place was so magical.

400
00:20:26,790 --> 00:20:28,662
I mean just these streets,

401
00:20:28,705 --> 00:20:31,230
I go back there every now and
then.

402
00:20:31,273 --> 00:20:32,840
It's amazing.

403
00:20:32,883 --> 00:20:35,364
They're so small, so
narrow, so claustrophobic,

404
00:20:35,408 --> 00:20:38,541
the terrain is just so
graphically interesting.

405
00:20:38,585 --> 00:20:39,412
Yo.

406
00:20:40,804 --> 00:20:42,371
- Yo.

407
00:20:42,415 --> 00:20:44,112
- Yo, you look great.

408
00:20:44,155 --> 00:20:47,028
And then, right here, this
is where she just exploded.

409
00:20:47,071 --> 00:20:49,770
I mean, she became Cinderella.

410
00:20:49,813 --> 00:20:51,598
This is what he saw.

411
00:20:51,641 --> 00:20:53,774
When he's here to pesh up,
everyone else saw this homely,

412
00:20:53,817 --> 00:20:55,558
very, very shy woman.

413
00:20:55,602 --> 00:20:59,040
He saw really a beautiful
person, inside and out.

414
00:20:59,083 --> 00:21:01,869
And she really sold it in that
moment.

415
00:21:04,480 --> 00:21:05,786
This is the game changer.

416
00:21:07,266 --> 00:21:09,006
This man's name is Garrett
Brown, he's an inventor,

417
00:21:09,050 --> 00:21:12,053
he lives in Philadelphia
and just out of luck,

418
00:21:12,096 --> 00:21:14,751
he goes, "I got this camera
called the Steadicam."

419
00:21:14,795 --> 00:21:17,319
I go, "Excuse me?" It kinda
looks like a vacuum cleaner.

420
00:21:17,363 --> 00:21:20,017
But no, this thing was amazing.

421
00:21:20,061 --> 00:21:24,326
You could run as fast as you
could, be on a bouncy truck,

422
00:21:24,370 --> 00:21:27,547
yet the picture is incredibly
level.

423
00:21:27,590 --> 00:21:30,506
And here we are in this
very, very inexpensive film

424
00:21:30,550 --> 00:21:33,509
using a revolutionary
camera, which really,

425
00:21:33,553 --> 00:21:35,685
basically revolutionized the
business

426
00:21:35,729 --> 00:21:38,384
and is used probably
on every movie there is

427
00:21:38,427 --> 00:21:39,820
around the world.

428
00:21:39,863 --> 00:21:40,734
Extraordinary.

429
00:21:46,348 --> 00:21:48,263
Oh yeah, fight night.

430
00:21:49,395 --> 00:21:51,745
Carl, we had this idea
of him being Uncle Sam.

431
00:21:51,788 --> 00:21:53,964
I thought, we're gonna
push the envelope here.

432
00:21:54,008 --> 00:21:56,271
This probably was so
much out of our budget

433
00:21:56,315 --> 00:21:57,664
we could barely afford it.

434
00:21:57,707 --> 00:21:59,056
The robe they made for me

435
00:21:59,100 --> 00:22:00,971
was for a guy who was six foot
five

436
00:22:01,015 --> 00:22:03,017
but again, we work it into the
movie.

437
00:22:03,060 --> 00:22:04,932
"Don't you think this
robe is kind of baggy?"

438
00:22:04,975 --> 00:22:07,151
"Eh it looks great, don't worry
about it."

439
00:22:12,287 --> 00:22:13,723
We don't have many extras,

440
00:22:13,767 --> 00:22:15,769
so the camera angles
are very, very important

441
00:22:15,812 --> 00:22:17,510
to be shooting up

442
00:22:17,553 --> 00:22:19,163
and these little lights which
you see in the background

443
00:22:19,207 --> 00:22:21,949
which add depth of field,
these Christmas lights,

444
00:22:21,992 --> 00:22:23,951
they're very effective.

445
00:22:23,994 --> 00:22:28,956
And out here, we're starting
out working on the choreography

446
00:22:28,999 --> 00:22:32,394
that eventually will be
almost punch for punch

447
00:22:32,438 --> 00:22:36,355
exactly what happens in the
final product.

448
00:22:36,398 --> 00:22:39,053
So it's interesting to see how,
bam bam.

449
00:22:39,096 --> 00:22:41,185
[cheers]

450
00:22:42,839 --> 00:22:43,710
It worked!

451
00:22:43,753 --> 00:22:45,189
I mean, it was shocking.

452
00:22:45,233 --> 00:22:47,757
I enjoy seeing this here.

453
00:22:47,801 --> 00:22:49,237
Of course, you never know
when you get out there.

454
00:22:49,280 --> 00:22:51,892
It could be the biggest waste oftime

455
00:22:51,935 --> 00:22:54,024
and you go oh, it looks really
phony,

456
00:22:54,068 --> 00:22:57,419
but we're able to take it from
the gym

457
00:22:58,681 --> 00:23:00,509
where you didn't know, I mean,

458
00:23:00,553 --> 00:23:02,859
you have to understand, we
didn't know what we were doing.

459
00:23:02,903 --> 00:23:05,688
No one ever rehearsed for
months and months and months

460
00:23:05,732 --> 00:23:07,255
and months and months.

461
00:23:07,298 --> 00:23:09,866
And boxing films weren't
very, very popular,

462
00:23:09,910 --> 00:23:12,652
so I thought, are we just
really wasting our time?

463
00:23:12,695 --> 00:23:15,263
Or is this actually going
to translate into something?

464
00:23:15,306 --> 00:23:17,396
So every day you go in there,
[grumbles]

465
00:23:17,439 --> 00:23:20,660
I hope this is just not
gonna be an embarrassment.

466
00:23:20,703 --> 00:23:23,793
From that little gym, it
worked in the big picture.

467
00:23:23,837 --> 00:23:25,665
Punch for punch.

468
00:23:25,708 --> 00:23:29,190
And we were able to do this
time and time and time again,

469
00:23:30,452 --> 00:23:33,063
which is why I always
advocate for a long, long,

470
00:23:33,107 --> 00:23:36,153
long rehearsal for boxing films.

471
00:23:36,197 --> 00:23:38,678
And most people don't do it.

472
00:23:38,721 --> 00:23:40,549
It's well worth the effort.

473
00:23:40,593 --> 00:23:43,378
[dramatic music]

474
00:23:45,075 --> 00:23:45,946
- [Announcer] He can't
even get his gloves up

475
00:23:45,989 --> 00:23:47,513
to protect himself.

476
00:23:47,556 --> 00:23:49,340
- [Sylvester] Here's Carl
just laying it on me.

477
00:23:49,384 --> 00:23:50,211
Oh!

478
00:23:50,254 --> 00:23:51,647
Beautiful.

479
00:23:51,691 --> 00:23:54,433
His timing is amazing, it reallyis.

480
00:23:54,476 --> 00:23:56,086
The canvas was interesting.

481
00:23:56,130 --> 00:23:58,611
We designed these stars
which was reminiscent

482
00:23:58,654 --> 00:24:00,134
of Apollo Creed's trunks.

483
00:24:02,049 --> 00:24:06,140
[inspirational orchestral music]

484
00:24:19,545 --> 00:24:23,157
The acting started six
months earlier in the gym,

485
00:24:23,200 --> 00:24:25,855
and you're just hoping it works
there.

486
00:24:29,555 --> 00:24:31,644
We've been building up
to this, right here.

487
00:24:31,687 --> 00:24:33,384
This is the harder part.

488
00:24:33,428 --> 00:24:36,736
How do you keep the audience
engaged with the drama

489
00:24:36,779 --> 00:24:38,302
that these men are going
through,

490
00:24:38,346 --> 00:24:41,044
and the trauma what they're
going through.

491
00:24:41,088 --> 00:24:43,482
[calm music]

492
00:24:48,791 --> 00:24:52,229
This I believe is after the
show.

493
00:24:52,273 --> 00:24:54,057
We're all pretty much wrapped up

494
00:24:54,101 --> 00:24:56,146
and having a little bit of
barbecue

495
00:24:56,190 --> 00:24:59,106
with John and his children.

496
00:25:01,282 --> 00:25:03,284
In my Howdy Doody shirt.

497
00:25:05,765 --> 00:25:07,941
This is uh, I guess, yeah,

498
00:25:07,984 --> 00:25:10,465
it has to be probably while
we're editing

499
00:25:10,509 --> 00:25:11,945
because my hair is longer in
this part.

500
00:25:11,988 --> 00:25:13,163
This is great.

501
00:25:18,299 --> 00:25:20,780
We tried to keep this as free tothe core,

502
00:25:20,823 --> 00:25:21,955
this kind of family group.

503
00:25:21,998 --> 00:25:24,479
Bill Conti, who I cannot express

504
00:25:24,523 --> 00:25:26,176
how important he was to this
movie.

505
00:25:26,220 --> 00:25:28,788
His music just took it to
another level.

506
00:25:28,831 --> 00:25:31,965
Yeah, classical music
in an un-classical film.

507
00:25:32,008 --> 00:25:33,967
Very interesting dynamic.

508
00:25:34,968 --> 00:25:37,231
They wanted to put in
rock music at one time

509
00:25:37,274 --> 00:25:39,929
and was talking about even Jimi
Hendrix

510
00:25:39,973 --> 00:25:43,498
and bringing in Bill,
he figured it all out.

511
00:25:54,074 --> 00:25:55,815
There's John's children [laughs]

512
00:25:55,858 --> 00:25:56,685
Hey Rufus.

513
00:26:01,647 --> 00:26:04,084
I believe we opened up
in maybe two theaters

514
00:26:04,127 --> 00:26:07,391
and this is the place where I
was an usher

515
00:26:08,697 --> 00:26:10,351
several years earlier.

516
00:26:10,394 --> 00:26:12,179
Two doors away at the Baronette,

517
00:26:12,222 --> 00:26:14,616
and I would also work
over there at Cinema 2.

518
00:26:16,096 --> 00:26:18,402
And now I'm back with a film.

519
00:26:18,446 --> 00:26:21,667
That was my beloved manager JaneOliver.

520
00:26:21,710 --> 00:26:22,755
She was great.

521
00:26:22,798 --> 00:26:24,670
And then John with his son.

522
00:26:24,713 --> 00:26:28,891
And the irony of being
in this movie theater

523
00:26:28,935 --> 00:26:30,937
where I used to go back
and forth with my brother

524
00:26:30,980 --> 00:26:32,721
there all the time

525
00:26:32,765 --> 00:26:35,419
and he was singing on the
corner and I'm carrying tickets

526
00:26:35,463 --> 00:26:39,032
and now I'm in the theater,
I'm on the marquis.

527
00:26:39,075 --> 00:26:40,555
How did this happen?

528
00:26:40,599 --> 00:26:41,425
It's amazing.

529
00:26:42,905 --> 00:26:46,866
And this was in also on the
West Coast, in Westwood.

530
00:26:48,737 --> 00:26:52,393
In one year, my life
exploded for the better.

531
00:26:53,612 --> 00:26:55,483
So I tell people, you never
know.

532
00:26:55,526 --> 00:27:00,314
You just never, never know if
you're gonna hit the lottery.

533
00:27:00,880 --> 00:27:02,142
You just gotta keep buying
tickets,

534
00:27:02,185 --> 00:27:03,578
you gotta keep going for it.

535
00:27:04,971 --> 00:27:07,408
Yeah, I used to cut my
own hair, I know, I know.

536
00:27:09,062 --> 00:27:10,672
Don't comment on it.

537
00:27:10,716 --> 00:27:12,805
I was too cheap to hire
a barber at the time.

538
00:27:12,848 --> 00:27:14,110
I didn't know any better.

539
00:27:15,938 --> 00:27:18,201
Here on the lobby just greeting
customers.

540
00:27:18,245 --> 00:27:21,422
I felt like hey, thank you for
showing up.

541
00:27:21,465 --> 00:27:22,989
I didn't know how long
it was going to last,

542
00:27:23,032 --> 00:27:25,774
I didn't know it was
going to be successful.

543
00:27:26,993 --> 00:27:29,038
You're a very lucky person
when you can find out

544
00:27:29,082 --> 00:27:31,345
the best friend you ever
had is some character

545
00:27:31,388 --> 00:27:33,739
that just popped out of your
mind,

546
00:27:33,782 --> 00:27:36,480
someone who was always
there when things got rough

547
00:27:36,524 --> 00:27:38,352
and never quit on you.

548
00:27:38,395 --> 00:27:41,094
That's what I look at
Rocky as, my best friend.

549
00:27:42,008 --> 00:27:44,271
[applause]

550
00:27:46,055 --> 00:27:50,103
- And the winner is, Rocky,
[cheering]

551
00:27:50,146 --> 00:27:53,410
Irwin Winkler and Robert
Chartoff

552
00:27:53,454 --> 00:27:56,239
- To all the Rockys in
the world, I love you.

553
00:27:56,283 --> 00:27:58,546
[applause]

554
00:27:59,721 --> 00:28:03,769
[inspirational orchestral music]

555
00:28:39,543 --> 00:28:43,156
[dramatic orchestral music]



