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[rocket whooshes]
[indistinct chatter]
♪♪♪
[pulley rattling]
[gong sounds]
[clapperboard claps]
Man: And uh, can you guys tell me,
which one found the tape? Which one of you?
- Uh well, we found the tape-- - I found,
I found the tape when um,
we were doing a routine exercise to find
more potential projects for our company,
and um, basically it started on, I think it was a Monday.
- Yeah, and as soon as, you know,
Adam showed me the video online, you know,
alarm bells were going off because you know,
if there's one thing that I can tell you about myself
for certain is that I am an expert in true crime.
You know, I've read all the books,
I've seen all the TV shows, I've, you know,
binge watched all the movies, and uh, you know,
the bottom line is,
David Stoner is a killer.
[match scrapes]
[cackles]
Where the fuck did Stacy go?
♪♪♪
[blood splatters]
♪♪♪
Producer: So what made you think
that this was a bad person?
- I mean, going through the footage,
you know there was 30 hours of it,
so we were constantly reviewing,
and reviewing the material.
- Yeah, well, I guess maybe we should take a step back here
and you should kinda hear about maybe
how we got started, you know, like--
- Yeah, I mean we do horror movies, documentaries, um...
Stu: Sure, but that's,
that's not what I meant by starting from the beginning.
I thought like maybe that you'd wanna know
how we work together, and I think that's because Adam
forced his way into my family and married my sister.
Um, you know, Adam is actually my brother-in-law.
You know, Adam went behind my back,
started dating my sister,
and eventually they got married.
You know, we're family.
- I mean, that's probably a best, the best place to start.
- Is with our family, right,
because that's actually how we did start this whole journey.
To be honest with you,
we decided before we were gonna pitch it to any companies,
we would do a practice pitch with our family.
[indistinct chatter]
- We're doing a production. In fact--
- This could be our next movie.
- Those two cameras right here, they're gonna film us,
and we're gonna practice our pitch,
because we have our other, our next pitch--
Stu: Our real pitch. - Our real one is gonna happen.
- But we don't want anybody to be like,
act that it's good or it's bad,
just be real, and tell us what you really think.
- Okay, so what I'm gonna do is,
I'm gonna hand out a couple piece of paper,
you just pass them down, all the way down. Karie?
- Yes? - Who do you have?
- I have Steven Avery. - Steven Avery.
Stu: Just when you have it -
wait, I thought there were supposed to be pictures?
- Why would there be pictures?
- You just printed out names?
- We've come across a man who's been uploading
about 30 hours of content onto his social media.
- And as he gets more inebriated in these videos,
it sounds like he is confessing to a crime.
David Stoner: Mmm k.
Adam: We, we subtitled all this stuff.
- Shut up!
I could have fuckin' fried you...
I could have drowned you up. Trudy: He's sick.
Ugh! - I'm gonna have nightmares.
- But don't check the Trunk...
don't check the fuckin' Burn Barrels! [laughs]
- I hate him. - That was so creepy.
- He is really creepy. - I don't think
I could watch him, like more than this.
- I don't feel like he has the same charm or charisma
as like, Steven Avery.
Almost like, you feel bad for at times.
Like, almost like, you know, he didn't do it,
he's got this sweet side. - So simple.
- Da, da, da. This guy is like a fucking animal.
He's a zero. When you show this reel,
there's gotta-you gotta show something a little more
charming about him.
- Like maybe there's a transformation from like,
him being a normal person and then slowly going into this--
Karie: Can't be like that 24 hours a day.
- Right, so just to address that,
like I think the entertainment aspect of it
that you're looking for, the endearing stuff, and all that,
wouldn't come from him, it would come from us.
Samara: Come from you guys.
- The movie's about us trying to go find a killer.
Adam and I are going to go and look for this guy,
find out where he lives. If he did--
- I don't think that's a good idea.
Stu: It's not a good idea? - No.
- Why? - Who, who are you to go--
if this guy's really a criminal,
you and Stu are gonna go over and get killed!
- Do you have anything more to go on
besides what we've seen here to,
to convince you that this guy is a murderer?
Stu: No. - This is all you got?
- This is what we got.
- I also listen a lot of murder podcasts...
Stu: Yes? - I love you guys,
but you're not investigators.
Like, you don't have any of that experience.
- We think, we watched that video,
and we think he did kill somebody.
- What happens if you're wrong, though?
Stu: Then we lose all our money and it ends wrong.
[kids crying in the distance]
- So, as our kids are crying downstairs,
we put in about $22,000. - [gasps]
- Of our own money to go and make this,
so we really think - we split it down the middle.
Trudy: But wait a second... - Are you crying?
- I disagree because we're emotionally involved
with you guys. - Okay, but you don't have to cry.
Stu: Will Breakthrough cry? - Okay.
- Is going to be-no, it's not. This is going--
- Is this what's gonna happen the whole time?
- I hope not. Yeah, that didn't go well at all,
but the thing that we had going for us is,
we had another chance to do it for real
when we pitched to Breakthrough Entertainment,
the company that we thought might pick this up.
- Yeah, because I mean, we had to have another opportunity,
because if that was it, I mean we would've been done.
Our company can't survive on its own,
um, we need, we need a big success.
Now you turn. Stu: This is not a spot, man.
Adam: It's fine.
Stu: This is big for us. Adam: Yeah.
However, I will say that if for whatever reason
this doesn't go well, this might be the last,
like this might be a short feature.
- But they would never even see this part of it.
Don't jinx it. Everything's gonna go fine.
- I'm not jinxing. It's gonna go well,
and it's gonna full movie, I'm just saying, just in case.
- Stop being so pessimistic.
Every single time you open your mouth first,
things turn into a disaster. - That's not true.
I am going to speak first.
- If I don't lead this discussion, [door opens]
this whole thing's gonna fucking go amiss--
- Hey. - How are ya?
- What's up man, how ya doing?
Both: Good to see you.
Genevee, how ya doin'?
- We're uh, filming you guys. Sorry about that.
- How are you, gentlemen? - Hi, Stu.
Stu: This is gonna be a little bit different
than what you're used to. Nat: Okay. I like different.
Stu: Okay, so we're gonna show you some pictures.
If you know who the person is, you can say it.
- Well, number one-- - Do you know who that is?
- Charles Manson. - Charles Manson, yeah.
Steven Avery. - Dahmer.
- Jeffrey Dahmer.
Do you know what all of these people that you see here,
have in common?
They were all the subject of hugely successful movies,
television shows, miniseries. Huge success.
- Not to mention that every single one of these
are all tied to an award-winning program.
So, I know that, before we go out and make our films,
the best thing to do - I guess we could sit down -
the best thing to do is-- - Well, hold on, hold on,
hold on, true crime is the number one genre right now.
I mean you've been out there.
It's the hottest thing out there. For real.
- We've found a uh, a video,
multiple videos online.
We've compiled them.
- Wait, wait, just to back up, 'cause you look confused,
we found these videos.
You know, we're always searching for things,
like our stoner movies, right--
- I'm pretty sure I just said the exact same thing,
so he can't be confused. - No, well--
- The fuckin' dog's dead. [laughs]
No, it's a family show. Kiss my grits.
Where the fuck did Stacy go?
- I'm not seeing the point, counterpoint here,
you know what I'm saying? That's--
For a dramatic kind of presentation, you need that,
you almost need to get inside a personality,
as opposed to this guy's just a mean bastard.
- We have found two people that are willing to go on camera,
and to put everything on the line, and like,
do whatever needs to be done to track down this guy,
bring him to justice.
Nat: Are they investigators, professional investigators?
Stu: Well no, they're not professional investigators,
because the two people are... us.
We've done the investigation with the baseball cards,
and stuff like that. - The next logical step
is for us to investigate murder, like that's--
- What if he's dead? - Then--
- So, it's a short. - It's a short. [laughs]
Goodie!
I don't think there's, there's enough of a show there
to engage somebody. Stu: Yet.
- Finding out that he's a guy that may have killed somebody
is not good enough. - Is it a yes, is it a no?
Nat: I don't know that it's a yes.
We're always here to encourage great, new stories.
We're here, that's our business, that's what we do.
- Right. - So, saying no to something
would be silly of us to do, that's our business,
that's what we do. - Right. So, it's not a no--
- But we also have to be in the position to advise you
to say that, let's not go down the wrong road here,
without doing the proper research around it,
and without knowing that it's going to take perhaps,
on the outside, at worst,
a year and a half to find this guy.
You need to put a timeline on this.
- Yeah, we have that. Okay, so how about this -
we have stuff, we'll send you, as soon as we leave here,
we'll send you the stuff that we have.
We'll send it to Craig, and he can distribute.
Uh, just we have a timeline, a production schedule.
We sort of have an idea. - Okay.
- Perfect. Thanks, guy. - Thanks.
- You wanna keep the, oh, we'll take the pictures.
So, we'll just have to send them something today.
Let's get outta here. - It's a hand.
- Alright, you guys can cut.
Nat seemed like he was really into it, um--
- Like, into it as like not into it.
- No, I felt like that he was into it, and uh--
- But, but not really,
like he was probably playing like he was into it,
but he wasn't, he wasn't-- - Well, either way, you know,
we're waiting at that point,
and that's what you do in this business.
You hurry up, and you wait.
I think that we should have the option
to maybe take it elsewhere. - Yeah.
- I gotta eat, I gotta, you know.
- No, no, I agree. - I got-I got bills to pay,
and we got, we gotta--
Maybe we take it somewhere else.
- Mhmm. It's definitely something to consider.
Mhmm. - Are you talking to me?
- What?
Yeah. Okay.
- I bet you in this neighbourhood,
they sell more with no bacon. - You wanna make a bet?
- Yeah, I do. - Okay.
- You're telling me in this neighbourhood,
that you grew up in-- You grew up here.
You said you come here every Saturday.
- All bacon. - No bacon.
- All bacon. - It's a Jewish neighbourhood.
- All bacon. - No way. - Absolutely.
- Excuse me, I have a question about your homestyle burger.
- Yeah? - Do more people order it,
around this neighbourhood, with bacon or without bacon?
- Uh, I'd say probably with bacon.
- With bacon. [phone rings]
- With bacon? In this neighbourhood?
- Hold on, sorry. Sorry, can we just--
One second. Hello?
- What is all this about?
- Oh, we're actually uh, we're making a movie.
- Oh yeah.
- We have found the next big name
in true crime.
- What are you looking at? - They're trying to find this--
- Yeah, we're, we're shooting this movie,
and yeah, take a look. We're uh--
[video plays]
- So, we just pitched this project to a big company,
hoping to be able to go find this guy.
- Have you ever done anything like that before?
- No. - What are you guys doing?
- Uh yeah, I was just showing them the uh,
you know, the video and--
- Do you wanna know the good news, or the bad news?
- I mean I want the good news.
- So, that was Breakthrough. - Yeah?
- Oh, they're gonna order the show.
- What?! They're gonna order the show?!
- They order the show! - Are you serious?
- Yes. - Are you serious?
- [laughing] - She's serious?
- Yes! Yes! Yes! Yes!
So, Breakthrough Entertainment picks up the movie.
Um, they brought on a fantastic broadcaster,
Hollywood Suite, and uh, you know.
- That was a dream come true for us.
- I mean, it was. - Yeah, no Hollywood Suite
is a great, a great broadcaster, and you know,
they were actually so pumped up about this project
that they invited us to uh, the film festival in Toronto,
- That's right. - ...to uh, you know,
make a big announcement at their gala in front of uh,
you know, all of our industry peers.
- Yeah.
Do you have your speech ready, or no?
- Of course. No, the sunglasses are good.
Now people might think you're uh, like...
- Shia LeBeouf? - Shia LeBeouf.
Shia! Shia, say something for the camera!
Man: Shia, one photo! Shia, one photo!
- You guys are actually ridiculous.
- Perfect. - Alright guys,
enjoy the festival. Take care. - Thank you.
- Hey, no problem.
- You guys know where the King Eddy Hotel is?
[cars whooshing]
[indistinct chatter]
[cameras click]
- I mean, this was pretty much the biggest moment
of our career together, so far.
Um, you know, this was absolutely huge.
[indistinct chatter]
David: Thank you, and welcome to the 9th annual
Hollywood Suite Breakfast.
For our first-time guests here this morning, welcome,
and in the case of returning friends, welcome back.
We at Hollywood Suite are excited
about announcing an exciting new collaboration
with the guys at 5'7 Films.
We have the filmmakers in attendance here today.
[applause]
- Please welcome Stu Stone and Adam Rodness
to say a few words about their new project.
[applause and cheering]
- [clears throat] Good morning, everybody.
Uh, thank you - oh, sorry -
for inviting us here, this morning.
Love the event.
My name is Adam, this is Stu.
5'7 Films.
He said that, didn't he?
Uh, we're both 5'7,
so that's why we named the company 5'7 Films.
[silence]
Thank you to uh, Hollywood Suite.
The last movie we did is called "Jack of all Trades",
which investigated uh, baseball cards.
We thought that the next logical step
would be to investigate a little bit...
- Murder.
[silence]
Uh, actually we, our new project,
we are going to be investigating a potential murderer.
Uh, this is, this is the guy, right here,
that we are going to be investigating,
and hopefully finding.
If you happen to see this guy,
definitely do not approach him,
and contact your local Crime Stoppers,
or us. [chuckles]
[silence]
So, thank you very much again,
and enjoy the rest of the event. Thank you.
- Thanks, guys.
- Oh, I was-- - Oh, go ahead. Yeah, sure.
- Thank you.
- Thank you, guys. Thank you.
Important project for us. We know you can deliver.
We've put a lot into this, so uh, don't mess it up.
I know you won't.
So, turning to other business--
- Uh, something that maybe people who are movie lovers,
maybe they don't know who, who are watching this,
is that in order for any movie to get green lit,
or go, or to shoot, or to film,
you need to show that you have insurance.
- But why are you talking about the insurance?
- Because that's where we're at in the story.
- I know. The producer gets the insurance.
You have to go, you have to find an insurer,
you have to find a medical doctor,
- In order to get the money. - I know, but why -
again like just let me explain it
because you've never done it before.
This was my idea, and I had a plan.
- And what brings you in today?
- Uh, we're getting checked up for uh,
insurance purposes.
- Okay. - Is this a doctor's office?
- It is. - But it's a dentist's office.
- Yes. - Yeah, but it's still a doctor.
- Yeah, still a doctor. Okay, give me one sec.
Let me go call Dr. Matt.
- Dude, this is a fucking dentist's office.
- It's a doctor's office, yeah. - This is a dentist's office.
- Which is a doctor's office.
- Hey buddy, how's it goin'? - How's it goin'? Not bad.
What's up, buddy? - Good to see you. Stu.
- We have to get insurance signed off
and we have to have a doctor sign off, so--
- But you're a dentist, right?
- Yeah, I could recommend some doctors for you guys, if--
- Well, no, no, no, we wanted you to do the--
Matt: Do they care, if like you know,
my degree is Doctor of Dental Surgery?
- Doc-- sorry, just say the first part.
- Doctor. Okay. - Yeah. That's is.
- Dr. Matt. - But you are a doctor.
- Yeah, they call me Dr. Matt. - But they call you,
I mean, is that how it works? - Yeah, Dr. Matt Grinstein.
You guys saw the name on the door.
- I saw the name on the door, but I just--
- Okay, I wanna see you bite down. Teeth together.
We've got quite a bit. Just a bit of a margin
from where the crown ends to where your tooth starts.
[chair whirs]
[indistinct chatter]
[machine beeps]
- That beeping is a good sound? - Yeah.
[velcro tears]
- So, when I'm checking my pulse and it's,
and it would be like 120--
- You don't usually check it over the ear though--
- So, it's like the forearm?
- Yeah, we could do the radial pulse,
or we can actually get a pulse up here, so.
- Where's the weirdest place to check a pulse?
- Honestly, the weirdest would be your groin.
- Okay. - Check my pulse?
- No, your groin would be - it has a strong pulse.
- So, Stu and I have found a confession tape of um,
what we think is an alleged murderer.
- I told you about Ted Bundy,
one of the ways they were able to kind of pinpoint him, right?
- How? - Forensic odontology.
He bit one of his victims on the shoulder,
and they actually were able to take models from the,
the bite marks on his shoulder, and the poured them up.
They were able to match his mouth with the bite mark
on the, on the female shoulder, which is super cool.
- Wait, so look at this guy, if he bit somebody,
it would be pretty easy to tell.
- Dude, it looks like he's missing several teeth,
which is rare.
Do you know what, this isn't the best picture,
but if he actually has congenitally missing lateral incisors,
this puts him down to like 3 or 4 percent of the people.
- So, this is rare; he's rare. - Yeah, I would say so.
- Uh, we were, we were pretty excited at this point.
You know, the money hits our account, you know our,
our shoot is officially happening,
the investigation is officially underway.
And the uh, the first thing you do
when you have an investigation, you go to the cops.
- You know, thanks so much for letting us ride along with you.
Obviously, this is incredible.
- We think that the-that we might've found
the next true crime phenomenon.
What does it take for the police hop on a case to assist?
- Do you want to show me that uh, piece?
- I could show you. - I'll pull up here.
- This is the guy. He goes by David Stoner,
is what he calls himself. - Hmm.
- And this is him. - You gotta know what you're,
what you see, and what you have,
before you can actually um,
make a decision on it. And um--
- We don't have enough yet. - I don't, I don't think so.
- Like you, specifically, cannot help us?
- Specifically, I couldn't. - Silky, smooth voice.
It'd be great to have you on our side.
Constable Wright: At the end of the day,
what you have right now is,
is a drunken idiot flapping his gums.
[siren wails]
Stu: So, could we find somebody to pull over?
Could we scare somebody, like?
Constable Wright: No, no.
- So, the cops wouldn't work with us.
- No, the cops uh, they had no interest in helping us.
- I just said that. - I'm just reiterating it.
- I had to go and like, find another way to keep it going,
and that was to hire a private investigator,
so we lined up the best ones possible.
Stu: How are ya, man? Brian: Not bad, how are you?
- I'm Stu, nice to meet you. - Stu?
- Yeah. - Adam.
I feel like I'm walking into a trap, here. [laughs]
- It's a trap, man. So, basically we--
- You good with this? - What?
- This seat? Does this look weird?
I feel like I'm higher up than you.
- Sorry. - Maybe this one, too?
Is that better? Man: That's great, actually.
- Is it a comedy show? [laughs] - No.
- No, I just don't want him to look like,
it's like we're shooting--
- I mean, I investigate murder cases all the time.
- Okay. - Right.
This guy's name is David Stoner, and he has like a--
- It's a pseudonym? - I guess so.
- The logical step would be to see where these videos
were uploaded from. Can we find an IP address
that would link us to the city or the country that he's in?
- So, we have about 20 guys that do nothing
but surveillance. - Like stakeouts?
- That's what they do. Yes, all day long.
- I love stakeouts.
- But don't check the Trunk...
don't check the fuckin' burn barrels. [laughs]
- Where the fuck did Stacy go?
- First thing I see, is he mentions Stacy.
- Yeah, that's the thing that we're kind of circling around.
- It's not as easy as you think. There's a lot of work.
You guys, of course, you're probably on a light budget,
so we'd want a retainer up front.
- So, a case like this,
how much would something like this cost?
- Hundred grand.
Brad: But guys absolutely think
that you might-that this guy might be real.
And with your empathy, and humanity,
and all that bullshit, you wanna put him jail.
- Yeah, that's exactly--
- That's exactly what we want to do.
- Well, you get points for that.
David Stoner: What do you like the most about me, mom?
I did clean my room! Kiss my grits.
- First of all, have you been to the cops?
- We've been to the cops, yes. - And what did they tell you?
- They said that, that we didn't really have anything.
- Well, ya don't! What if I don't find him?
[silence]
You look a little deflated.
- Well, I mean I feel like, if the job was to not find him...
[in unison] We could do that.
- You know, we need to find somebody that can...
- Actually find him. - find him.
- Well, I know you need me to find him, but I might not.
I might not.
- Hey, Mr. Lynn? - Are you sure this is--
- No we're, we're in the-- - We're in the lot.
- We're in the, we're in that south lot.
Adam.
- Okay, okay. Sorry. Okay, okay, just put the camera--
- Yo, yo, yo, yo, yo! - Okay, sir, sir, sir!
- Cut it, cut it.
Adam: Sir, just put the camera down.
- Didn't somebody tell you that we were gonna be filming?
- Nobody told me they would be filming.
Don't you know what I do for a living, boy?
- The whole point of this was-- - Nobody said they are filming.
And the next thing is, anything can happen on camera,
you have to pay my rate, plus. - Okay.
- Alright? - Yeah, that makes sense.
- So, a bottom line is,
a retainer is gonna take $1,000 more.
- $1,000. - Sorry, sorry, sorry.
- And things will come true. What?
- How, how much was the retainer in the first place?
- Well, I mean, we speak about a retainer then,
because I'm always flexible
and we didn't know what you guys got goin' on.
Now that we, now that we know the situation, right,
it's gonna take at least $1,000 more. Alright?
Cool, sounds good? Because I always deliver.
So, show me what you got. - Okay, this is the guy.
His name is David Stoner, and this is--
- Let me see this David Stoner. - This is the guy.
- David Stoner. Ras clot.
And he's from the internet? - Yes, he's from the internet.
- Kiss my grits. [laughs]
- You guys are too into this, man.
This is fake news, fake video.
You'd have to convince me that this is real.
David Stoner: [moans]
- The way I work, I need to have facts, right?
- Yeah.
- We need to find out who Stacy is.
Now, get the fuck outta the car. Alright.
- Okay. We're not hiring that guy.
- Why, are you scared of him? - Yes! Very.
Just so you know, we are so excited,
because you take no shit from anybody,
and we're gonna catch this guy.
Brad: I like your enthusiasm. I will catch him.
Just want to talk about like the um, monetary values
and the compensation.
So, you tell us, where are we at?
- Well, uh what I'm expecting is a $30,0000 retainer
online in the next day or so, and then I'm working for you.
And the balance when I find him.
- Sorry, 30--
are you saying it's like 30 grand, and less the 25%?
- No, I've already, I've already taken the discount off.
We're looking at $75,000 total. I need $30,000 up front.
- Um, it was pretty clear at that point,
that Adam did not budget this movie properly.
Um, you know, he didn't take into account obviously
that the detectives cost money. Um...
because you know, people wanna get paid for their work.
So.
- I'm pretty sure that was my plan the entire time.
- What, be in the hole? That was your plan?
- Yeah. I got a strategy. - Huh, you did great.
Either way, it was pretty obvious who we needed to hire.
- Yeah.
[gunshot blasts] - Geez. Christ!
What the fuck was that?
- All you gotta do is pay my rate. Everything goes good.
- Okay. Was that a gunshot?
- You tell me what you know.
- Uh, what we know is this, we have his online channel
is called "Bait and Tackle Mondays".
So, we have, there's a white car.
- A white car. - There's a dead dog,
I'm sure there's-- - Hold on, hold on a second.
A white car-- - A white car.
- It's a white car. - Someone named Stacy,
that's the potential victim.
- If this is a potential victim, did you guys
even try to track to down any MPRs?
- What's that?
- That's a missing person's report.
You've gotta check out MPRs from everywhere.
Could be from this city, from Newfoundland,
and this is what Richard Lynn will do.
- And you can do that?
- Oh yeah, we can do that. I'll tell ya,
that kind of search, add about $2,800 for a search like that,
because that's a deep search. - How much?
- $2,800, and that's cheap, boys.
You know, you know that. - On top of the 35.
- Of course! Let's go outside and look at it on the hood.
Come on, okay? Just be careful of the paint.
- This is, this is, this is our guy.
- What your dirty fingernails.
- Seems like, maybe he's a hunter, or something,
because that's like-- and as you can see,
he's got this like, tattoo, right?
- That says "Ella" on it. - That says "Ella."
Are those guys here with you?
[siren wails] - Should we--
- No, no, we're okay here. We're okay here.
We're okay here, guys. Alright.
So, let's get all of the facts here. When my guy gets on it.
And he runs the IP address. Alright?
From where it was uploaded from, get our first step there.
- So, what do you need us to do?
- Sit tight, alright. Don't say nothin' to nobody.
I'm gonna have some answers for ya, for sure,
because Richard Lynn always delivers.
- Okay.
- He's just that crazy that he might actually find him.
- Look at him. See ya, buddy.
[engine rumbles]
- Now, how the fuck do we get out of here? Oh my god.
- Yeah, yeah.
No, I received the cheque that you guys sent to us,
I just um,
yeah, I just wanted to know,
is there supposed to be another zero in that cheque?
No, it's going, it's going really well, actually.
It's going-- No, we're not out of money.
We're not out of money.
Um, I just wanted to know like,
if we do need more money in the future though,
like how would we go about to--
- So, what is this?
- So, this is the brand we're representing, um,
I was telling you about, called Ziggi Papers.
- Ziggi Papers? - Ziggi Papers.
- These are rolling papers. - Yeah. They're rolling papers,
and I was hoping you guys could get them in the movie somehow.
What's up, brother?
- What's up, brother? How are ya?
- Yeah, he's saying that if we show,
somehow can show these rolling papers in the movie...
- Yeah.
- ...they'll pay us every time we show it.
- Big dollars. - Big dollars. Great.
- Thanks, Adam. - Thanks, buddy.
- Yeah. - Hello?
Okay, I'll talk to you after. Thank you. Hello?
- It would have to be an organic kind of thing.
Because I want this movie to be-- right,
so whatever it is, it's going to be organic.
It's not just gonna be like hey, here's the papers,
you owe us money!
I just don't know anybody that smokes um, weed.
There was a, uh lull in the case at that point.
- What the heck is a lull? - A lull.
You know, like a lull.
- Like, you're laughing out loud?
- No. Like a l-u-l-l, lull,
like a pause, like a break.
- Oh yeah, there was a break in the case.
Richard called us and he had an update.
- Well, that's not what I was--
- Alright, can we get a mic on him?
- So I talk into this little part, right here? There it is.
- It's good to see you. - Testing, testing, 1, 2, 3.
You guys got me? - Yeah, I think so.
- Alright.
- Who doesn't want the bacon? - No bacon, over here.
- Alright, pancakes. I'll take- - One more coming up.
- Here, you can have this one.
- Alright, good, good, good, good.
So, I got a lead on something really good.
- Thanks, man. - Look at this, alright.
So, these are the different areas we heard him in, alright.
So, this is where there the original ping come from,
alright, but there's an eight mile radius
of where it could be. Right?
But see, also this tower is also hooked up over here.
- I feel like uh, you know,
we have, clock is ticking here, you know.
- No, no, no, no, no. - What, do you have more leads?
- No, I'll tell you what.
In order for things to happen, right?
And go a little bit faster. - Yes. Right.
- Right? A teeny bit more cash is all I'm gonna need.
- I can't keep opening up my bank account.
- Well, you're gonna have to. Look how close we are on this.
And we already know the area, basically, right.
And that's all it is, right now. Right, okay?
So, I will dig a little bit deeper,
find out exactly where this address should be, right,
and how safe the situation is. - Mhm.
- Because right now, I don't think it's a safe situation.
- Right. - Do not go here.
You hear that? - Yeah.
- Do not go here.
It's dangerous.
- We won't go there. - Right on.
- So, Richard told us to lay low.
- Yeah, and he also told us that David Stoner
was seven hours away from us by car,
I mean, there's no way we weren't gonna go there.
It felt like uh, my whole life was leading up to this moment,
you know. Like, after all of the research,
and all of the dreaming, and all of the obsessing,
you know, we were actually getting to do this.
It was real now. And, and here we are.
We're gonna get to go and hunt for a killer.
It's crazy. Lot more vans.
What's up? Man: Hey.
Woman: What's up? - You guys ready?
- Where's, where's Adam? [car horn honks]
♪ I got a brand new car!
- What the hell is this?
- Detectives don't drive minivans?
- Let's go. It's rolling. - It's going?
[car engine hums]
- Are you wearing makeup? - Huh?
- Are you wearing makeup?
♪♪♪
[engine roars]
♪♪♪
- Just gonna stop in the middle of nowhere?
[door ajar chimes]
[trunk slams] - Huh?
- You've had a drone this whole time?
- Yeah, of course we have a drone.
We have the best cars, we have the best equipment,
the best crew, the best everything.
You gotta get those aerial views,
those sneaky detective views. - Angles.
- It's the, the drone.
♪ Hey diddle diddle I'm back in the middle ♪
♪ It's the return of the jiddle ♪
♪ Call it the end of the riddle ♪
♪ So, skididdle skedaddle I'm back in the saddle ♪
♪ And revved dead ready to--
- I think I lost it. I'm not touching--
did you see where it went? - Didn't go that way.
- I, it's 100% it went in there.
- Literally needle in a haystack.
- I-I hate you, so much. [stalks rustle]
- Should we go in and help him?
- You guys wanna help us look for the drone?
- We could use some extra eyes.
He's just peeing. - Why is he peeing?
- He's not even really looking. - [laughs]
There's trucks coming on this road.
- I see that. We have a truck coming behind us.
Everybody watch out-- - This is fucking awful.
[horn blares]
- Oh. Jesus! Christ!
- You got it! - Yeah, it's fucking broken.
- Yeah, that's definitely broken.
That's a wrap on the drone.
- Well, at that point, Stu broke the drone, and uh--
- I-I broke the drone? I didn't break the drone.
- Well then, you just admitted that you broke it.
- No, I said I did not break the drone.
How would I break the drone? - Who was holding the remote?
- Well, who gave me the remote? You!
- Who was holding the--
- That thing fucking fell out of the sky.
- I'm pretty sure, when someone's holding the remote,
they are in physical control of the drone.
- I-I did not break that drone. We, we called it a day,
at that point, and decided to do some,
some more detecting in the morning.
- Yeah, because we're both 5'7" - Oh.
[door creaks]
- Look at that-- - Does that guy look familiar?
- No, I haven't seen him. - No?
- So, you have looked for him. - That's why we're here.
[door creaks]
- This one smells a little bit better.
So, we'll take the whole floor. - Yes.
- Perfect.
I mean, I was told we were staying in a hotel.
Not to be like, you know, I'm not like spoiled.
- We are 31 years. - 31 years? - Yes.
- Wow. Do you have kids? - I'm 82 years old.
- You're not 82. Are you? - Yes.
- You look fantastic. - You see.
- We've gotten our crew here to set up a giant black light,
so that Adam can really see this place
that he booked us to stay.
Adam bought a lot of expensive crime scene equipment.
- I don't recall that. - And uh, you know,
I wanted to get a chance to practice with it
because, you know, practice makes perfect.
Then, when we get to the real crime scene,
we'll know how to use the crime scene equipment.
- What high tech crime scene equipment did I buy?
- But before you turn it on,
get him to tell us what this is gonna show us.
Man: Many bodily fluids including semen,
sweat, saliva, blood.
- My hands have not--
- Ugh, ew! What's that?
- Ahh! - Where is it?
- No, there's definitely stuff over here.
- This actually isn't so bad. - This is clean.
- That's a little sketchy.
[screaming]
- What the hell is that? - Whoa, that's squirt.
- Look at the wall.
What the fuck is going on here?
Ugh!
Ugh! Oh whoa, right here,
there's a crazy amount of semen.
We could've got hotels. We could've got hotels.
We should've gotten a hotel.
I'm staying in the fucking car
that you paid money for.
- We have to stay here. - I'm not staying here.
Holy shit.
- This one, this one, this one's fine.
Dena: What is going on right now?
- So, I have to stay um, I have to stay up here a bit longer.
- Okay, great. What do you want me to tell you?
I'm not interested in even hearing it.
Like, this is annoying. You're annoying me.
- Did, did the bank call by any chance, or no?
- No. Why?
- No, they're not supposed to, they're not supposed to call.
- Why is the bank calling me?
- I just wanted to see if the bank, if they called you.
The budget, or the bucket? The bucket?
There's no, the bucket's fine. There's no whole in the bucket.
The bucket's, the bucket's full. The bucket's good.
- But there was a hole in the bucket.
- Listen, um, first off just thanks so much
for not calling my wife or--
- No, no, no, I don't want you to call my wife at all.
I just want this to be between you and I.
So, listen, the loan,
I mean that second loan I need to take out.
- The second mortgage, yeah.
Um, so I'd like to probably go all the way with it then
if that's, I'll take the max. Um...
I know.
I know. You said you got my car, you got the house, you...
you know, you got it all.
Is it possible by Monday?
It's not possible by Monday.
Can I get it Monday night?
Look, I know what I signed up for,
and there's no secrets here.
I mean, I knew exactly what I had to do. I'm the producer.
Take drastic measures sometimes.
- Except there was secrets.
When you don't tell my sister, your wife,
what you're doing to get money,
when you don't tell her, that's a secret.
- Yeah, totally that's a secret from her, for sure. Yeah.
- That's right.
- We're here, you know walking the streets,
trying to see if anybody recognizes this guy.
Do you recognize him at all? - No.
- Is there any crimes that you've heard of that--
Yeah. Not really, huh? Does he look familiar to you?
- No. - Not at all?
- There was one murder a few years ago.
- Yeah? No?
Never seen that guy?
Seen this man? - No, I have not.
- No? Is there a part of town where
you sort of stay away from, or, pretty safe?
♪♪♪
- Does he look familiar? Not at all.
Man: Why? What has he done? - Well, we don't know,
but we think that he might be in this town.
Guys, let's go!
[cars whoosh]
- Is this guy hiding?
- Well, I think he probably sees the cameras,
but we'll ask him.
Hi, sorry. How ya doin'?
- I'm fine. - I'm Adam.
How are you? Do you mind if we ask you a couple questions?
- Okay. What's this about?
- Just gonna put a sticker on ya,
so we can't really show that on television.
Does this look familiar to you?
- No, but he, you know, he looks like a lurker, to me.
- Yeah, definitely-- - He's definitely a lurker.
- Sir, can you just define what a lurker is?
- Right, so now I'm lurking. Right?
- Yes.
Stu: Oh, you do? How do you lurk? Can you show us?
- He knows what a lurker is.
You know where he might be? I've got a brother-in-law who,
where he lives, there's a lot of--
Listen, there's a couple of guys I wanna send over to you,
because they're looking for one of the lurkers.
What's your name again? - Stu.
- Stu and? - Adam.
- Adam. Stu and Adam. You wanna talk to him?
- He's used the word lurkers. Sorta hang out.
Sure. Well, we could actually come meet your right now.
[rhythmic hand tapping]
- Hey, buddy. How are ya?
So, what's over there? - What's-what do you mean?
- What's over there? - A house.
It's right behind these trees, but at the end of this lane,
you'll see it. - We can all go?
- Yeah! Yeah, go on up.
- Alright. This is uh, possibly a lead.
[footsteps crunch]
Right here, that's the house. Man: Is that it?
- What is this place? For sure?
- How long has it been vacant for, do you think?
- Well, people got killed here.
- Yeah. So, it's been vacant since then?
- Yeah. - And it's in there?
Or in, where did it happen? Do you know?
- In the house.
[grass rustles]
- No trespassing by Order of Canada.
Just watch your step.
[knocking on door]
- Hello?
Hello?
Where are you? - I'm right here.
There's nobody living there, for sure?
- No, that's for sure.
- Do you know someone named uh, David Stoner?
- No. - You've never heard of that--
- That name does not ring a bell.
- A guy with like, he's got like, two teeth?
- Mhm. I know guys like that. - Yeah, that's what I'm saying.
We're gonna go. False alarm.
Alright.
Definitely an eventful day.
We uh, you know we had a false alarm.
But uh,
I feel really good about, about this town.
I feel really good.
I think that we're close,
because you don't want your bare skin touching
anything on this mattress
when you're sleeping head to toe with your brother-in-law.
[phone rings]
Oh. Hey! - Hey!
- How are ya?
- How you guys doin'? - Good, how are you?
- Yeah, man. Yeah, yeah.
Just dropped by the office to bring some information.
Where are you guys? - Oh, we're uh,
we're not at the office. - Yeah, I know.
I know, you're up in that town where I told you--
- No, we're not, we're not up there.
- Oh yes you are. - No, we're not.
- I see you bouncing around with the chap [unclear].
- No, we're not.
- Let me tell you something, man. You guys are blowin' it.
Yeah, you really are blowing it.
I want you to stay out of the way!
You got that?!
- I mean, you told us to lay low. We're laying low.
- You're lying to me again! You wanna catch somebody,
it's better for them not to know you're coming!
You got that?!
I'm telling ya, boy!
Still a cold case out there that could be related to Stacy.
- Really? Yeah. - You hear that?
- So, what me want you to do now.
Me want you to either go home, that means back away!
Back away from this whole scene, right?
Or, you can stay put. Alright?
- I mean, we'll stay put. You're gonna call -
are you gonna call and tell us when we can stop stay-putting?
- Oh, I'm-I'm gonna get back to you, right?
- How the fuck did he know we were here?
How did he know that we were here?
That's fucking crazy. We gotta lay low.
- One second.
[door slams]
- Did he just show his ass hole?
- I mean, you gotta, you gotta keep going.
You can't just lay low, you gotta,
you gotta keep on track. You gotta go, go, go.
- Yeah, well I actually took laying low to mean sleep in,
and uh you know, if that's what he meant, I could do that.
- He could, he could do that. - Yeah.
[humming]
- Establishing shots?
Where's Stu?
Man: Still sleeping. - Sleeping?
Man: Yep. - Yeah?
Let's go wake that piece of shit up.
As suspected.
Yo!
These guys have been working for like, an hour already.
- Stop it, man. - We're all waiting for you.
Come on. - Please.
- I went for a jog, went to town.
- Take a break. - It's actually really nice.
- Take five. - Look what I got.
Illegal fireworks. - Those are sparklers.
- They're still illegal.
- How are you doing this to me? - You wanted to make a movie.
- I'm so, just take, it's just like, I'm sleeping.
- Well, sorry, bud. It's the biz.
- Can I, can I pee? - Go, pee!
- The white car, the body in the trunk,
the dog collar.
Is he dead?
Burn barrel.
And Stacy. Okay. What?
- Tattoo.
- The tattoo.
[ominous music]
- Alright, great. We have it all.
- Right. Right.
- Like, it's all there. - I agree.
We just need one of those dominoes to fall,
and then everything comes into place.
That's how these movies work.
So, now we just, we're supposed to lay low and do nothing.
- Well-- Zephyr? - Zephyr.
- The hamlet of Zephyr.
- What's a hamlet?
- I need gas.
Perfect.
And then, if I, if I have it for just like a few weeks
then we kind of pay it back.
Like, a short-term loan. Exactly. Okay.
- Do you have the keys?
- Uh, yeah.
Yeah, I can. I could totally get that to you.
[footsteps thud]
[rapping on counter] - Hello?
- Sorry about that. Hey there.
- How's it goin', man? - Hey, how are ya?
- Good. - Good to see ya.
- Protein bars or anything like that?
I saw there was in Aisle 4. - Pizza!
- That's not healthy. - Yeah, we've got pizza.
- This pizza looks good!
- Yeah, and there's protein on, on it. There's some--
- There's protein on the pizza.
- What are you guys uh, what are you guys filming here?
- It's more like, like a manhunt kind of thing.
- Oh, like a house hunting show.
- Like house hunting. - Right.
- Except for, for a person.
- Oh, okay. So, like a dating show.
- Like a dating show. Exactly. - Right.
- You guys are looking for love.
- No, no, we're just looking for this guy.
- This guy.
Oh, I know that guy.
- You know this guy? - Yeah. Yeah.
Yeah, I don't like him, but I know him.
What'd he do this time? Huh?
- Adam!
- Sorry, you like, personally know him?
- Yeah, again, I would not go hunting him or his,
his house. I've delivered pizza there many times,
but I wouldn't wanna go there, just for fun.
- Why not? He's not a good guy?
- No, his name is Glenn Santos.
- Glenn Santos. - Glenn Santos.
- We're investigating him. - Oh.
- So, you are 100% certain
that this is Glenn Santos?
- I'm 100% sure on my mother's life,
that that is Glenn Santos.
- Do you know his address?
- Am I gonna be in the film? - Yes!
- Yeah, yeah, absolutely. - 100%.
- Right now? - Yeah, yeah, that'd be great.
- This is happening.
Okay, we'll follow you. - Yeah just--
- You sure you don't want a ride in the car?
- Not too close. No, no, no, no, no, I'm good.
- Okay. - Thank you, though.
- Cool, it's like a chase scene.
- Whoa, whoa, whoa.
[engine roars]
- He doesn't wanna get in the car?
- No.
[tires crunch on road]
- Hey, you sure you don't wanna hop in here?
- Hop in? Uh no, I'm good.
- How much further?
- Watch out, there's a car! - Yeah, we see.
Can you just slow down? You're about to hit his tire.
- I'm not gonna hit him. He's fine!
- Why don't you just put your bike in,
put your bike in the trunk?
- You're gonna put that bike in that trunk?
- Move your bag. I'm good with that.
- Yeah, that's fine. - That's good.
- Do you want me to drive? - No, no, no.
- Okay.
[engine roars]
- So, just up ahead here? - Yeah, just keep going.
- Next stop, Glenn Santos.
- You guys can continue on, it's just there, but I'm out.
- Wait, wait, wait, where are going?
- Uh, this is, this is it, this is the house.
I just, I'm good. - You don't wanna see--
- No, I'm good.
Sorry.
- You're just gonna leave us?
- Yeah, I'm-you wanted to be here, I brought you here.
Um, but unless I gotta pizza in my basket,
I'm not going near the place.
Sorry about that.
Good luck, though. Thanks.
- Okay. - Weirdest guy.
So, now what do we do?
Okay, so this right here, this is crunch time, right now.
You know, everything is riding--
- Just say it, just say it so you're recalling it.
Don't say it like it's happening now,
say it like it, like it happened,
because you're telling them what happened.
- That's right. So, it's crunch time, right now,
in the story that I'm telling, it is crunch time.
If we don't move forward, we lose all our money.
Game over.
- And if we don't have a movie to sell with our distributor,
then there's no sale to a broadcaster,
and there's no money for us, and there's company left over.
- Right, and it's a real chicken and egg kind of thing.
You know, you have to have a project to make the sale
in order to have a project to finish movies--
- Enough with the analogies just we have to go
find the killer. - You need to find the killer.
[crickets chirp]
[engine hums]
- Can you see the front of that house?
- No. You wanna get out?
- No. Just see if someone's here.
[owl hoots]
- Okay, let's go. - Give it a second.
We just pulled up, we made all this commotion,
if someone's here, now's the time we're gonna know.
Stop, stop, stop, stop. Jesus Christ, man.
Here's what we're gonna do.
Stick together, just be quiet,
and just keep rolling.
No matter what, keep rolling.
[grass rustles]
- What is that? What is that?
[grass rustles]
[twigs crack]
- What do you see?
What?
- It's the burn barrels. - What?
- The burn barrels. I'm not hopping that fence.
- Just go hop the fence. Just go.
- No, it's so fucking scary.
Just go there and hop in. Just go and hop.
[footsteps crunch]
- I don't think there's anybody here.
- Oh my god. - Is that a car?
- That's our fucking car. Shh!
- Shut the fuck up. Stop. Stop.
- Wait, wait, wait, wait,
let's just see if someone's here. Okay?
- Oh my god!
[lights click] [ominous music]
[screaming]
[ominous music]
♪♪♪
- Go! Get the fuck out of here.
Go! Go! Go! Go! Go! Go! Go!
- Wait, go, go, go! - Just go.
[running footsteps crunch]
- Do you think someone was there?
- Ugh!
[panting]
- Fucking, Glenn Santos.
Glenn fucking Santos.
Glenn Santos.
We got him! So, now we just come back tomorrow.
- We forgot the car.
[ominous music]
[grass rustles]
[night insects buzz]
- Okay.
Shh.
[latch clicks]
- Maybe that was just a motion detector.
I say we stay here
and just watch the house and see if he comes out.
Like a stakeout.
- You just wanna stay here overnight?
[owl hoots]
[roof motor hums]
- You guys wanna just hang back?
We're gonna stay up here and do a little stakeout,
and uh, keep an eye up here.
So, you guys just stay down there,
and we will keep you posted.
But definitely do not come up here.
Woman: Okay, copy that.
So, what do we do, we just sit here?
[paper crinkles]
We should open one of these.
- No, you can't open it.
- Why not? - It's against the law.
[bottle cap cracks]
- I'm so parched. Gimme a sip of that.
- I don't share drinks.
- Dude, just gimme it. Gimme a sip.
- What, I don't share drinks.
- I'm asking you for a sip.
[drink burbles]
[exhales]
There's way too much sugar in that. Thanks.
- No thank you. You can keep it.
[hands tap rhythmically]
[drumming]
- Wait, do you wanna know,
like really fast way to make like, 15, 20 grand?
- Oh.
[lighter snicks]
[night insects buzz and chirp]
[roof motor hums]
[paper sizzles]
Stu: The problem with it, is that it's at the hospital,
so when you're trying to take people,
and you're like hey,
I got this great fucking new deli that you've gotta try,
but then it's like,
you've gotta take them to the hospital.
So, it's kind of-- - Out of the way.
- It kinda, well it just kinda kills the vibe.
[blowing into bottle]
- Is he sleeping?
- Uh, I'm down to just stay up
and I'll keep lookout.
You can sleep if you want.
[crickets chirp]
Adam: [waking grunts]
[screaming violently]
- Start the car!
[indistinct screaming]
Everybody, wake up. Everybody, 911.
Stop, stop, stop. Wake up everybody.
We gotta get the fuck outta here!
- Go! Just go, just go, just go!
- Go back to the hotel, now! Everybody leave!
Fucking blew it. - Oh my god!
- We blew the whole thing. We blew the whole thing.
- We blew it. - Yeah.
- Um, you know, he saw us. He, for sure, saw us.
- He, he saw us.
- We went and we staked out this guy's house last night.
- It's enough. Like, I don't even know what you're doing.
You're like, doing sketchy things,
so it's time to come home. - Can't get enough---
- The children are going to be very upset.
They're like, crying for you in the middle of the night.
It's rude. Enough. Like, come home.
- Ask him if Stuart-- - Can I hang up?
My mom is screaming in the background about Stuart.
- What's she saying?
- She wants to know why Stuart hasn't called her
to say if he's safe, or not.
- You didn't talk to your mother?
- Uh uh. I'm in the bathroom.
- Yeah, you know, at that point,
like everyone's just mad at us,
so my wife, Dena, she's mad at us.
- Richard Lynn. - He's mad at us.
- Come on. - What's the new info?
- Richard, Richard, Richard, calm down, man,
we want, we want the information.
- But, what is it? - Let me talk. What is it?
- Richard! - Here's Stu.
- What, what's TTFN?
- Ta ta for now?
All I know is this,
this guy right here, we got him.
We need to go into the trunk. - Yeah.
- If we can get into the trunk and we can see
that there is a body in that trunk,
it is game over.
Stacy's in that trunk.
- You're probably right.
- But it can't be us because he's seen us.
- Okay.
- This really opened up an opportunity
for someone on our crew to step up
and be a hero, like us.
Um, you know, and they can also get a credit upgrade.
- Hold on, who's giving credit upgrades?
- That's what we are offering.
- I hope that you're not giving the upgrade, though.
- No, no, you could--
- Did you promise her a certain credit?
- We found this guy. We are gonna go there.
We basically need to just confirm one thing.
There is something that we saw on the front lawn
that led me and us to believe
that there is potentially the white car.
Man: Right.
- So, obviously, if you don't wanna go, you don't have to.
- I'm kinda scared. I have goosebumps.
- Really? So do I. Like, literally,
like literally I'm like--yeah. - Oh my god.
[door opens] - Sorry.
Okay. Hi. Man: Oh, fuck.
- Sorry, sorry, sorry. - Jesus Christ, bro!
- Okay. What we're about to do is a little risky, okay,
so safety first.
I want everyone to come in here.
Here, Stu-- - Whoa, Jesus.
- Grab that. Chest protectors.
Mikayla, those will fit you.
- What is this?
- It's a bat! - I know, but what do you--
- I had to get some non-traditional weapons.
What, did you think this was a weapons store?
I did get this, though. Man: Oh Jesus--
- Okay, everyone good? Let's go.
- Guys, we've worked fucking so hard on this.
This is the night that we're gonna fucking go
and we're gonna catch Glenn Santos,
and we're gonna tell him to kiss my grits, on three.
One, two three!
All: Kiss my grits!
[rock music]
♪♪♪
[engine rumbles]
- I think it's like, literally up here.
- Do you see anything?
- Nothin's gonna happen because the guy's not there,
there's been nobody there the whole night.
Remember I told we were gonna be doing some crazy shit?
- I don't know, man. - This is the crazy shit.
- Oh no!
[engine hums]
[brakes squeak]
- Dragon, are you there? When's the last time you saw
anybody come in or out of this place?
- Alright, copy.
- What the fuck are you doing? - Hold on. Just shut up!
Just come with me for one second.
- Me? - Yeah.
- You're gonna go over there with a baseball bat?
- No, for one second.
[seatbelt unclicks, door opens]
[twigs snap]
Stu: We gotta get in that trunk.
[footsteps rustle]
[plastic crinkles]
[ominous music]
Adam: Guys, guys, get back! Stu! Get back!
[indistinct panicked chatter]
- I just saw, I just saw fucking lights.
Shh! Shh! Shh! Just quiet, just quiet.
I just saw someone go in the house.
Did you see that?
- Oh shit, I did not see fucking anything.
- Shut up! Shh! - Did you see it? No?
I saw nothing.
- Just get in the car. Just get in the car.
- I didn't see anything. - Just, I saw it.
- Dude, we were right fucking there.
- Dude, get in the car.
- You okay? - Yeah, yeah.
- Get in the car. - Did you see somebody?
- I didn't see anything. - Guys, I looked,
I saw someone cross in that fucking window.
Get in the car. - Fuck that.
- She's not going out there. - You go.
- I'm not going!
- You're the one who fucking called us back here.
There's nobody here.
- Dude, okay so my eyes are playing tricks on me.
- I guess so, because there's nobody here.
- But she's not going, and I'm not going.
- I'm the producer. She's not fucking going.
- Well, I'm the director, so Mikayla, do you wanna come?
- Honestly like, this is too, this is kinda fucked up for me.
- Okay. I'm gonna go, then.
- All of a sudden, so fucking brave.
[crickets chirp]
[plastic crinkles]
[door lock clicks]
- Door's in the front of the car.
The door's in the front of the car.
Door's in the front of the car.
[latch clicks]
- Well, oh my god. - Oh my god. Oh my god.
- Did he get it?
- Oh my god! Oh my god! Oh my god!
- What the fuck is that? - Oh my god.
[ominous music]
[latch clicks]
- Are you Dave?
- I'm, I'm just, is this car for sale?
- Huh?
- Can't we just talk about this--
[footsteps thud]
[screen door creaks] - Come on, go!
[door slams shut]
- Where's my fucking knife? Where's my fucking knife?
[panting]
I have to go fucking find him.
Fuck! Fuck! Fuck!
[panting]
[readying inhales]
Oh fuck.
[door rattle open]
- Just come in. Just come inside.
- Yes.
- Come out! Come! Come out!
Just come!
Stu: Hurry up!
[running footsteps]
- He's coming, he's coming, he's coming.
This, this is everybody. This is everybody.
This is--This is everyone.
- Okay.
[silence]
[footsteps shuffle]
[bottle thuds]
[chair creaks]
- I--
- He doesn't like to share drinks.
- I don't, I don't, I don't like to share drinks.
- He doesn't like to share drinks.
- [laughs]
- Here, I can do that.
No, no, I'll do it, I'll do it for you. He's--I'll, I'll--
[tape rips]
- Test, test.
Loud and clear? Okay.
So, tell me again how you've never heard of me,
but you just showed up at my house
and make a documentary where you wanna buy my car.
[laughs]
Okay, you found me. [laughs]
You don't have to be shy about it.
Let's all just be open and honest
about our feelings and what we're here for.
I should've known,
I should've known that eventually some crazed fans
were gonna come up here and try to meet the fucking legend.
Anything you wanna know about me?
Too bad! [laughs]
[foot thuds on floor]
Get outside. We're gonna go take a tour.
You're gonna love it.
Go, track pants, go! [laughs]
Who the fuck wears camouflage track pants? [laughs]
Where'd he go? Where'd he go? [laughs]
It's working! I can't see ya!
Where are ya? Oh, there ya are.
Okay, fucking move, it's just trees here.
Alright. [laughs] Come on in.
Can you believe you're fucking here?
- I can't believe we're here. - There's mama.
You seen her on the podcast. - Yeah, I've seen here.
- There's a dead dog. - That's the dog?
- Mhmm.
Sit in the chair. Sit in my chair.
We'll take turns, take turns. - Go ahead.
- No, you go ahead. - Go ahead.
- Sit in the chair. - Okay.
- How's it feel? You feel famous?
- Yeah. - You look good.
Doesn't he look good?
Doesn't he look good, boys?
Look at that! [laughs] - Whoa, whoa, whoa.
- Yeah, I'm gonna fucking shoot ya!
Make sure I'm in focus, or I'll shoot ya! [laughs]
Where's your focus, motherfucker?
[laughs] Okay, come on.
- Beautiful. - Fucking water boy.
- Beautiful. Look at this. - She's a beauty, isn't she?
- This is what we were here for.
- She's a beauty. My mama loved this car.
- I love this car. Can I look in the trunk?
- No, you can't look in the trunk.
You don't look in that trunk
until you purchase this vehicle.
- Okay. How, how much do you want for the car?
How much, how much do you want for the car?
- $27,000.
- I was thinking more like, 17.
- 17. Okay, you know what, because I like you,
$27-fucking-thousand. [spits]
- I-- - I--
- am buying this motherfucking car--it's yours.
Keys are in it.
- Really? - Yeah.
That's evidence, motherfucker.
- And now, the final domino, my friend.
- There ya go, pop 'er open.
- Whoa.
What the f--
- I know, I know. - Is that Stacy?
- No, man. Stacy's a motherfucking mechanic.
I told Stacy, don't open the fuckin' trunk.
Don't open the fuckin' trunk,
which I probably shouldn't have said, in hindsight.
- So, what happened to Stacy?
- Well, you know, he spread some shit
around town about me, never fixed the car.
But I'm gonna get him back.
- How are you gonna get him back?
- I'm gonna take him to small claims court.
[laughs]
I'm gonna fuckin' kill him in small claims court.
[laughs]
Alright, you guys should go now.
Uh, good luck startin' her. [laughs]
- I don't even know what just happened.
- Oh yeah, I forgot - kiss my grits! [laughs]
- Mikayla's gone.
- Oh fuck.
Mikayla!
[Stu's phone buzzes] Oh, she just texted me.
- Mikayla! - She quit.
[silence]
- You, you've destroyed this whole fucking thing.
- I did? - You brought me on
to this whole fucking, this is nothing.
This is absolutely nothing. - Oh, okay.
- You wanted to fucking play fucking detective.
And have all this fucking shit come to life,
and now, look where the f--
[crickets chirp]
- You fucking bought a car, okay?
You're gonna blame me?
You spent that fucking money, not me!
- Dena's gonna fucking--
she is gonna fucking kill me.
- It's just money, man.
It's just fucking money.
This is what we have to do.
I mean, he's not a murderer,
so we make him a murderer.
We have to kill him.
We have to fucking kill him. We kill him, we find--
- What the fuck are you talking about?
- Just listen, just hear me out.
We fucking kill him, we find somebody to be a victim.
We've put him, people think-- we have a tape saying
he's a fucking killer! What do you mean?
We fucking kill him. We kill him!
We fucking kill him! We kill him!
And then he's dead. - Have you officially lost--
- And then there's a victim.
And we are there to save the fucking day, and it's not over.
- Who's gonna take care of my wife and my kids
and my family? My fucking house?
- This is going to sound like a fucking idiot, okay?
This is what you wanna do. You gonna walk away?
You gonna pay this-- - I swear to god,
I'm gonna fucking kill you. - Hey, hey, hey. Hey.
- You think this is a fucking game?
- You do! You fucking do! - A fucking game!
- Are you-are you crazy? I have a fucking bat, man,
and I'll fucking swing-- - You think I'm fucking scared
of that fucking bat, little fucker!
- Yeah, fuck off! Just go.
[footsteps thud]
- Fucking idiot.
Fucking going to kill somebody. You fucking--
[door slams]
[deep breathing]
[engine revs]
- Thinking about faking a murderer?
I'm done with him. I'm--
[door creaks]
[breathing quickens]
- Did he leave?
[ominous music]
Larry: Do you have anything more to go on besides
what you've seen here?
Jodi: Who are you to go? If this guy's really a criminal...
- You and Stuart are gonna go--
[overlapping voices]
[sobbing]
- We've been to the cops, yes. Brad: What did they tell ya?
Adam: That we didn't really have anything.
Brad: Well, you don't.
Adam: You wanted to play fucking detective.
Richard: Do not go here. It's dangerous.
Glenn: Kiss my grits.
[ominous music]
- We go back there.
You just keep rolling.
[panting]
I'm gonna kill him.
[ominous music]
♪♪♪
Still got Adam's card on the, on the account.
Shaw: Hello.
- You know where you're going? - Uh yes, uh, yeah.
- Yeah? Okay.
[gulping]
- You play baseball? Like, the bat is with you.
- Oh, no, no.
When I was a kid, I played baseball.
- It's like a jungle. - Yeah.
[engine hums]
[tires crunch on gravel]
- Hold these.
[grass rustles]
[footsteps shuffle]
[nervous panting]
And do not stop rolling.
[door creaks]
[bat thuds on door, door slams back]
[door creaks]
[fast breathing]
[floorboard creak]
[faint music plays]
♪♪♪
- Yeah!
♪♪♪
Ah!
[fast breathing]
[electricity fizzles]
[floorboards creak]
[door crashes]
[fast breathing]
[footsteps thud]
[fast breathing]
- Surprise! - [screams]
[grunting and screaming]
- Oh, you brought an old baseball bat,
did you, slugger? - No, no, no. No, no.
- Strike one!
[hitting thuds]
- Oh! Oh! - Strike two!
- [pained gasping] - [spits]
Strike three!
You're fucking out!
[laughs]
- [gasping]
Oh fucker.
- Oh!
Did you get all that? [laughs]
The baseball - strike one?
Get up, motherfucker.
- Wait, I'm sorry. - Get up.
- No, I don't wanna-- - Get the fuck up!
- No. [gasping]
- Coming in to my house to fuck me up?
- No. No, I'm sorry.
I'm sorry.
- Guess who's gonna get fucked?
- [panting]
I don't wanna get-- - [laughs]
- No, no. No, please. - There we go.
- Ugh!
- Make yourself at home. - [choking, sputtering]
- Come on, get in here!
This is the fucking money shot, this is! [laughs]
- [gasping]
- [grunting] - [gasping] I can't--
- What the fuck are you doing? - I can't br--
- What the fuck are you doing, huh?
[growling, laughing]
[barking]
[laughs]
- Ow!
Fuck!
Ah! Ah!
- No--
What?
- You motherfucker-- [Glenn thuds]
- Stuart, come on, come on, come on. Get up.
- You came back. - I came back, I came back.
- You came. I love you, man. - I came.
Let's get the fuck outta here. Let's go!
- You motherfucker!
- You stabbed me. Eh?
- Just--yeah.
- You fucking stabbed me? [laughs]
[knife clatters]
- Ugh!
- [screams] Ah!
- [laughs]
- Ugh! Fuck!
[crashes]
[fast breathing]
- Let's go. Let's go. Come on.
- Wait. - Get up. - Wait.
- What? - Is he dead? Is he dead?
- He's dead! [fast breathing]
- Check his pulse.
[panting]
- Oh fuck. - Check his pulse.
- Damn.
- What do you feel?
What do you feel?!
- He's--he's not--
ah, fuck.
[ominous music]
[footsteps thud] [door creaks]
- [spits]
It was self defence. It's perfect.
- Yeah.
Except... - Okay.
- it wasn't self defence because you killed him.
- What? I'm finished.
I-I have-I wanna go home.
I wanna go home to my wife, I wanna go home to my kids,
I wanna leave. I'm done.
- Right now, he's the victim.
We're the killer. You're the killer.
You need a victim.
[bottle cap scratches]
[bottle thuds]
- I'm going home.
- Order a pizza right now.
Order a pizza.
- Fuck. Just get a pepperoni?
- No pork.
Just get a pizza over here.
- Get a cheese pizza.
Terrific. Alright.
- Fucking queers!
[shouting, glass breaks]
[indistinct shouting]
[glass breaking]
- I'm gonna fucking kill you!
- Stop it! - I got a plan.
- You're gonna fucking die here, motherfuckers!
- What kind of plan? - Create a diversion.
- Truce! Truce! - What the fuck is that?
[indistinct shouting]
- Truce!
Truce. Stop, I'm gonna come.
We're truce. - Okay, come up.
- Truce. Ahhh! - Fuck you.
- Jesus, man!
- Fuck your truce, motherfucker!
- Stop! It doesn't have to do this, just stop!
Truce! - You, fuck you!
- Truce. Let's just end this right now.
Both: What've you got behind your back?
- I don't got nothing behind my back.
What's behind your back? - Fuck you,
Both: What's behind your back! [indistinct yelling]
- Okay, on three. - On three. - On three.
One, - One.
- Two! [fast breathing]
I'm sorry. I'm sorry. I'm sorry. I'm sorry.
I'm sorry. I know. I'm sorry, I'm sorry.
[glass shatters]
- Jesus Christ! What the fuck did you do that for?
- Oh, did that hurt? - That fucking hurt!
- You been stabbed in the fucking back before.
That fucking hurt!
Now, you're saying you need a victim? [laughs]
Uh oh.
Uh oh. [laughs]
What have we got here?
What's this now?
The moment of truth? Is it? [spits]
Go ahead.
- Kiss my grits.
[shotgun blanks]
- Uh oh. [laughs]
[pulling trigger]
- Aw. Aw.
You cry again like a fucking baby.
I'm wanna go home.
What're you gonna do? Eh?
[punch thud]
[spits]
What're you gonna do? [spits] Huh?
[punch thuds] - Ugh!
- No! No!
Get him off of me!
Fuck!
[pounding blows and grunting]
- Watch out. Watch out. Watch out.
[bat thumps on back] [effort grunts]
Alright.
- Let's take him. - I need a moment.
[grunting]
- Motherfucker.
[fast breathing]
Fucking piece of shit.
How ya doin' there, pal?
- [laughs]
[pounding blows]
- Kiss...my...
- Hit him harder!
- ...grits!
- Do you give up yet? [laughs]
- Oh, it's funny? - You better give up yet.
You better give up soon. [laughs]
- Gah!
[fast breathing]
[knocking raps at door]
[fast breathing]
[footsteps shuffle on floor]
[fast breathing]
[footsteps thud]
- Hey, what's goin' on, man?
Wait outside for a minute there, guys.
- Hey, good to see you. Come on in.
[screaming and pounding blows]
- Just walk straight back here. Let's go.
- Hey. - Right there.
Right there. Beautiful.
What's up, man? You good?
- [mumbling] - You good?
[bat thuds, screaming]
[fast breathing]
- We have a victim.
- Hold on, gotta - [Objects clatter]
Oh, come on.
[panting]
[screams] Oh my god! Oh my god!
Holy fuck! Oh my god.
[panicked breathing]
Oh my god.
- Oh... oh... oh...
Look-look-look.
- That fucking--- - Who the hell is that?
- Is that fucking Stacy? Is that fucking Stacy!
Is that Stacy!
- Is that Stacy? That's Stacy!
- We were right!
[indistinct screaming]
- I can't fucking believe it. Dude, we were right!
I told you! I told you! I fucking told you!
- Hello, hello? Come out, come out. Pick up, pick up.
- What the fuck?
- Yes, yes, pick up. - Hello?
- Yes! Yes! Richard here. Yes, yes!
Come on boys, pick it up, pick it up.
Here. Hello? Yes! You pocket calling, boy! Yeah!
- What the fuck? - You fucked up.
- Richard? - Whoa!
You're lookin' pretty rancid, there.
Oh yes, man.
You did something stupid, didn't ya.
I know ya did something stupid.
You're in some deep shit now.
Oh yeah. But you know what,
I can get you out of it,
because Richard Lynn always delivers.
But you know, it's gonna cost you
three times the amount this time,
because you guys, you are messed.
You're done.
It's gonna be three times the rate, alright,
it's like when you're working with the government.
When you work a stat holiday, right? You get triple time?
Well, Richard Lynn is gonna cost you triple time.
But I'll get you out of it. Alright?
I can get you out of it. Alright?
- Believe it or not, um, in the end, we were heroes.
Yeah, because David Stoner was a killer.
Glenn Santos was a killer. We were right!
And we were able to get off on those charges
because of uh, self defence.
- But uh,
you know the pizza guy,
he, well he died.
We killed him, so.
- Yeah. Well, we definitely killed him.
- That's on us.
- But we're working on that right now.
We actually have a legal fund that we're putting together
to try to fight that case, and actually.
- Uh, show them. - If anyone from uh,
Ziggi Papers happens to be watching,
uh we can, oh, well, you can have those.
- Just get me the hell outta here. Thank you.
- Are we done is that it? - Just get me outta here.
I can't be one more second with this guy
or I'm gonna fucking kill myself.
- Hey, if you happen to speak to my mom,
can you tell her I'm good? Alright, man. Okay.
♪♪♪
- Welcome back, to tonight On Gord!
I'm your host, Gord.
What happens when life imitates art,
and what happens when during this imitation of art,
lives are lost?
With me tonight, in this world exclusive,
is world-renowned private investigator,
and bona fide film producer, Richard Lynn.
- Hey, thank you, Gordo. Thanks for having me here.
- Richard, good to have you here.
So, explain to me, at what point
you discovered you were on to something big?
- You see, as a producer,
I figured out that true crime
is the hottest thing coming up.
Right away, right from the first meeting,
me knew something was up.
But they were on to something
really, really, really good.
But they were too dumb,
so I figured I could stay ahead of 'em.
When they found out about the car,
I already knew about the white car,
but they left me with a perfect,
beautiful, true crime story,
which in the end,
they end up doing it themselves,
and now them paying the price for it.
- As a film producer, you need, you need footage.
So, how did you get the footage you needed
in order to produce the film? How did that happen?
- Oh, ya see, Gordo,
ya see when we catch him, right,
all me did was go to his camera guy,
we paid them, and we got the footage.
Simple. Buy cheap, and we sold high.
Exactly what a good producer does.
And these guys, they were so dumb,
they couldn't figure out what they had going on.
- What would you say is their greatest regret?
- If they would have paid my rate,
everything would have been so much different.
They'd be big ass movie producers right now,
I be in my car, working another job,
but instead, they didn't pay my rate.
- They're going to jail now. I've got a list here -
let's look at some of the things.
- So, what you got? Let me see what kind of stuff been done.
- Things they spent money on.
$7,500 on golf.
They had a Russian arm camera rig rental,
$25,000. - Ooh, true.
- But these two nitwits spent
$64,000 on a convertible car.
They also went to a dentist,
they got nitrous oxide tanks, $1,200.
They spent $1,100 on smoothies.
- Cheers!
- Their most careless, and quite frankly,
reckless, item was a massive house party.
These guys are fucking idiots.
- [laughs] You said it right, Gordo!
- Next week On Gord!
Our coverage of the trial begins,
and you too can tune in for the laughter,
because will justice be served hot and fresh,
or will it die a horrible,
cold death, like the poor pizza man?
We'll find out, next time On Gord!
- Yes, Gordo, that was good, man!
♪♪♪
- Or, get Tom in here. Man: I told Tom.
- Maybe just like-- Woman: Yeah, I'm gonna go--
- This guy's always, always doing a bit.
- Just get the T-zone. - The T-zone.
- [laughs] That is the best thing I've heard all day.
- That's not a good for this shoot.
If that's the best thing you've heard today, that's bad.
- [laughs] I'm kidding. - The T-zone?
- It was good for me. It was a good joke for me.
- I taught him about- I taught him about the T-zone.
- Yeah? - Yeah.
He didn't know about a T-zone. - He didn't know about--