WEBVTT FILE

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Downloaded from
YTS.MX

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Official YIFY movies site:
YTS.MX

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IF IT WERE LOVE

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Don't accelerate Vincent.
That's good, very good.

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Vincent, don't accelerate,
but that's very good.

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- Are we ready?
- Yes!

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Then, you see, you can really fall
into each other's arms...

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Then move back into these tensions.

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You're too quick, Massimo.
You're both too quick.

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Look, Marine and I are
miles behind you.

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Now, take time to caress each other.
There's no charge.

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Slower, slower, slower...
You need to go now. Go on.

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Marine will slow you down a little.

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And very...
Yes, keep the tension.

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That's right.

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Whilst you caress yourself,
caress his shoulder with your head.

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Stroke your arm against his arm.

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Don't accelerate. Move slowly.

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It's a very gentle fight.

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Don't accelerate, Sylvain.

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Yes, you can do that
but caress him, Sylvain.

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You strangle him and caress him.

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That's right.

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You struggle but you don't want to.

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Caress Massimo. Caress him.

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Don't accelerate.
Ground yourselves.

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Taste every touch.

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Really ground yourselves.

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Abandon yourselves.

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Caress each other.

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Release.

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When she, she...

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I don't know,
when you're in the intimate part,

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and you start to twitch.

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You see, it can be very slight?

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The tendency you have,
you're in slow motion,

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and everything is fine,
then you start to twitch,

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and it becomes something,

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you distance yourself.

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Stay with the same thing.

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It's the same thing, you see.

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Like they were moments where you...

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- What's your character?
- My scenario?

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Your story, yeah.

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- I go out a lot.
- Yeah?

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I like partying, and
I go with Rémi, my mate.

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He's the one who takes me
to the party.

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I really want to have fun.

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I really want it to be
not just another party, but the party.

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So you've got expectations, right?

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I've got expectations
for this party.

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I know quite a lot of people
as I go out a lot.

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And I'm joyful and friendly, you know.

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So, I like partying.

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During the course of the evening,

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I let loose a little,

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with the guys and the girls, and

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I pretend that I'm straight,

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that I date loads of girls.

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But in fact,

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what I'm evidently trying to do

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is get off with a guy,

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and preferably with Sylvain, you know,

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handsome, mysterious,
irresistible Sylvain.

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And at the end, being abandoned

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is really, really hard.

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Because we've all been through that,

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difficult breakups,

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and I bring that directly
into this situation.

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What about you?
Do you use things from your life?

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- From my life. Yeah. A lot.
- Like what?

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Everything in the show
that's to do with joy

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is really easy to bring up.

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Because I'm really happy
to play in this show

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and to be with you.

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So I don't need to feed that.

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But for all moments

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when the character breaks down,

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I use things from my own life.

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They're brief moments,

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where I see myself.

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I put myself in a state
where physically,

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I'm on the ground, crying...

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I've had loads of complicated times
in my life recently.

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So I've got a multitude...

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- I never use the same ones...

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...a multitude of times I broke down
that I can project myself back into.

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But I'm aware it's sublimated
by being on stage.

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And it's short but it's enough
to bring on tears.

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But I need that.

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I have to take something
from my own life.

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Oh, shit.

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So cotton buds...

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Shall I come in on the music,
or shall I wait a few seconds?

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Wait around 3 seconds.

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Come in straight away.
You're not immediately visible.

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- Can I go?
- They can't wait.

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Enjoy your trip.

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Bye, mom.

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It'll be fine.

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If only it were love.

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Sophie, more to the right.

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Not too much.

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Kiss!

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Jonathan, move around less.

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And when she comes here...

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- More static.
- It's really, here I go.

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- More anchored.
- I eye her up.

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Then, when you go, you go.

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My character is very withdrawn,

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because she's a little antisocial.

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She's a weird chick.

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And she's attracted by strange people,
like Théo.

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In that part, what do you bring
of yourself, of Katia,

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to the show, in general?

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- Which moment?
- For example this part.

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What do you bring of yourself?

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In particular, in this part?

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In particular, in this part,
it's totally me.

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It's not acting any more.
It's the only part.

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And it's hard.

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- Is it difficult?
- Yeah.

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Sometimes, yeah.

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Because things get mixed up.

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Luckily we can party.

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To forget.

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Luckily, there are the others.
To forget.

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Do you want to forget Théo, or... ?

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How handsome he is?

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What do you want to forget?

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I want to forget he's there.

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Maybe that's why I go nuts, after.

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I'm not very comfortable with it.

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I can't control it at all.

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In fact, we don't control it at all.

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But you know that.
That's why you're laughing.

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No, I don't know anything.
I just thought you looked good

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and I think it's a pity
to want to simply erase that.

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To just want to forget...

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Not controlling it,
doesn't matter.

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Yeah, but if things get out of hand.

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It's a party. It's okay
if things get out of hand.

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Yeah.

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But afterwards, it hurts.

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You know. You see.
You see everything.

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And that's why I'm telling you,
it doesn't matter.

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It was completely crazy.

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Last night.

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I remember everything.

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I was having fun and then
I saw you on the ground.

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I was really frightened.

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I saw you were completely stoned.

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I had the feeling that...

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everything was over.

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It was horrible.

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And then...

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It was such a relief
to see you smile.

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I thought you were dead.

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Would you like us to dance together
for the end of the film, Gisèle?

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I'll put on a record.





