WEBVTT FILE 1 00:00:02.000 --> 00:00:07.000 Downloaded from YTS.MX 2 00:00:06.000 --> 00:00:09.750 WARNING: THIS DOCUMENTARY CONTAINS SPOILERS FROM THE FOURTH SEASON 3 00:00:08.000 --> 00:00:13.000 Official YIFY movies site: YTS.MX 4 00:00:10.000 --> 00:00:12.708 A NETFLIX ORIGINAL DOCUMENTARY 5 00:00:18.166 --> 00:00:20.083 This series was a surprise from the start. 6 00:00:22.375 --> 00:00:24.416 Money Heist is a story of failure. 7 00:00:29.125 --> 00:00:31.458 Because the series flopped. 8 00:00:33.125 --> 00:00:36.708 "Okay, I'll see you around in other projects." And suddenly... 9 00:00:39.541 --> 00:00:41.208 "Awesome. Netflix bought it." 10 00:00:44.000 --> 00:00:47.250 Suddenly, it was being watched abroad, and even more so than in Spain. 11 00:00:50.250 --> 00:00:52.916 That's when it started to really take off. 12 00:00:54.416 --> 00:00:58.208 And you realize that a tsunami is about to hit. 13 00:00:58.291 --> 00:01:01.500 In the team, we couldn't believe it. 14 00:01:01.583 --> 00:01:04.625 We realized that people had a bond with the series 15 00:01:04.708 --> 00:01:06.583 that went beyond just entertainment. 16 00:01:06.666 --> 00:01:10.250 The impact that it has had on people around the world 17 00:01:10.333 --> 00:01:14.666 and their expectations for the series put you to the test. 18 00:01:14.750 --> 00:01:18.291 None of us realized until we had the chance to get out there. 19 00:01:18.375 --> 00:01:20.125 Your life changes completely. 20 00:01:20.625 --> 00:01:22.625 Your reality changes. 21 00:01:22.708 --> 00:01:23.875 Yes, there are changes. 22 00:01:25.041 --> 00:01:27.625 "We have to come back with a bang." 23 00:01:28.041 --> 00:01:30.083 Let them see what we can do, right? 24 00:01:30.166 --> 00:01:31.791 So, we brought out the big guns. 25 00:01:33.083 --> 00:01:33.916 And we did. 26 00:01:56.750 --> 00:01:59.000 Our story begins in 2017, 27 00:01:59.083 --> 00:02:02.500 on a Spanish free-to-air TV channel, Antena 3. 28 00:02:02.583 --> 00:02:04.083 You're on TV. 29 00:02:04.166 --> 00:02:08.041 We started off well with 4.5 million viewers. 30 00:02:08.125 --> 00:02:08.958 Good. 31 00:02:09.291 --> 00:02:10.375 But... 32 00:02:10.458 --> 00:02:13.958 The first season did very well, especially at the start of the series, 33 00:02:14.041 --> 00:02:16.875 but viewership gradually declined in the second season. 34 00:02:16.958 --> 00:02:18.208 It started to wane. 35 00:02:18.291 --> 00:02:19.333 It dropped by half. 36 00:02:20.875 --> 00:02:22.416 The audience kept getting smaller. 37 00:02:22.500 --> 00:02:23.750 It was plummeting. 38 00:02:23.833 --> 00:02:24.958 Falling... 39 00:02:25.041 --> 00:02:25.875 And suddenly... 40 00:02:25.958 --> 00:02:27.041 -It died. -...it ended. 41 00:02:27.125 --> 00:02:28.333 It was over. 42 00:02:29.916 --> 00:02:32.333 And, in our minds, the series had ended. 43 00:02:32.416 --> 00:02:34.458 I cried a lot on the last day. 44 00:02:34.541 --> 00:02:36.625 I feel as though I've killed her. 45 00:02:36.708 --> 00:02:40.125 -It was hard. -I went through a real grieving process. 46 00:02:41.041 --> 00:02:43.666 I cried over my character. It was hard to say goodbye. 47 00:02:45.625 --> 00:02:47.083 "It's the end of the road." 48 00:02:47.166 --> 00:02:50.208 Yeah, it was pretty crazy. 49 00:02:50.291 --> 00:02:51.166 It was tough. 50 00:02:51.958 --> 00:02:53.958 And then Netflix comes along 51 00:02:54.041 --> 00:02:58.166 and buys those seasons to broadcast them in the rest of the world. 52 00:02:58.708 --> 00:03:02.083 Netflix included it in its international catalog. 53 00:03:02.166 --> 00:03:03.041 Cool. 54 00:03:03.125 --> 00:03:06.250 It went to Netflix, but it was no big deal. 55 00:03:06.333 --> 00:03:10.291 I don't think we, Netflix, or anyone expected... anything. 56 00:03:10.375 --> 00:03:12.583 In fact, it was launched without advertising. 57 00:03:12.666 --> 00:03:14.791 It simply appeared in the catalog. 58 00:03:14.875 --> 00:03:18.458 It was filler in Netflix's basic catalog, and then... 59 00:03:19.666 --> 00:03:21.666 Suddenly, something starts to happen. 60 00:03:21.750 --> 00:03:25.291 I hardly had any followers, and then I suddenly had 15,000, 61 00:03:25.375 --> 00:03:27.500 then 30,000, 50,000, 60,000. 62 00:03:27.583 --> 00:03:30.875 I suddenly had half a million followers, 600,000, 700,000... 63 00:03:30.958 --> 00:03:32.000 From many countries. 64 00:03:32.083 --> 00:03:34.625 I'd look, and then two hours later, another 2,000. 65 00:03:34.708 --> 00:03:36.708 We all started getting more followers. 66 00:03:36.791 --> 00:03:39.875 That's what tipped us off. "Damn, something's happening here." 67 00:03:40.416 --> 00:03:43.500 Exactly. A boom, to be precise. 68 00:03:50.458 --> 00:03:53.375 Enormous banners in Saudi Arabia. I couldn't believe it. 69 00:03:53.458 --> 00:03:56.166 In Brazil, in Mexico, in Colombia. 70 00:03:57.375 --> 00:03:59.041 On the other side of the world. 71 00:03:59.125 --> 00:04:02.000 We started getting photographs from the carnival in Rio. 72 00:04:02.083 --> 00:04:03.583 All in Money Heist costumes. 73 00:04:03.666 --> 00:04:06.000 Some crazy guy has a tattoo of Úrsula. 74 00:04:06.083 --> 00:04:10.000 -Where? -A full-leg tattoo, in color, this big. 75 00:04:10.083 --> 00:04:13.291 "You what? What are you going on about? I mean, what is this?" 76 00:04:13.375 --> 00:04:15.250 We're raising hell! 77 00:04:15.333 --> 00:04:16.291 And it gets bigger. 78 00:04:16.375 --> 00:04:20.458 We made it to second most popular in the main global ranking, 79 00:04:20.541 --> 00:04:23.250 competing against every series in history. 80 00:04:24.041 --> 00:04:26.916 My goodness! Not even the Americans would do this. 81 00:04:27.000 --> 00:04:31.916 Netflix's head honchos started talking about us in their meetings. 82 00:04:39.208 --> 00:04:42.958 Stephen King, Benzema, and Mbappé put the mask on. 83 00:04:43.041 --> 00:04:47.000 Neymar, too. He liked it so much that he ended up being a monk. 84 00:04:47.541 --> 00:04:50.000 Oh, heavenly, Mr. Andrés. 85 00:04:50.083 --> 00:04:52.041 I'm a fan. 86 00:04:52.125 --> 00:04:54.458 -After that... -A bit of suspense. 87 00:04:54.541 --> 00:04:56.125 ...can anything else happen? 88 00:04:57.750 --> 00:04:59.500 Yes! We get an Emmy. 89 00:04:59.583 --> 00:05:00.958 ...Money Heist. 90 00:05:01.041 --> 00:05:04.375 And a strange honor: we start to inspire robberies. 91 00:05:05.125 --> 00:05:09.000 With red overalls, the famous Dalí masks and guns... 92 00:05:09.083 --> 00:05:09.916 Several of them. 93 00:05:10.000 --> 00:05:11.958 A million-dollar gold heist. 94 00:05:12.041 --> 00:05:14.750 ...as characters from the series Money Heist. 95 00:05:14.833 --> 00:05:17.416 It's been imitated, copied, using similar masks. 96 00:05:19.208 --> 00:05:22.541 But the most exciting thing starts happening on the streets. 97 00:05:23.500 --> 00:05:28.083 The red jumpsuits and the mask are paraded around America, Europe, and Asia. 98 00:05:28.500 --> 00:05:31.041 They're used in protest marches for social rights 99 00:05:31.125 --> 00:05:34.500 in Lebanon, Iraq, France, and Chile. 100 00:05:34.583 --> 00:05:36.666 And along with the rediscovered "Bella Ciao," 101 00:05:36.750 --> 00:05:39.750 they travel the world for causes such as democracy, 102 00:05:39.833 --> 00:05:41.875 feminism, and the environment. 103 00:05:53.541 --> 00:05:56.458 "OPEN ARMS" RESCUE SHIP ARRIVES AT THE PORT OF LAMPEDUSA 104 00:05:56.541 --> 00:05:57.625 AUGUST 2019 105 00:05:57.708 --> 00:06:02.875 But when an NGO rescues a boat full of immigrants, 106 00:06:02.958 --> 00:06:06.958 and as soon as they are brought to safety, they start to sing "Bella Ciao"... 107 00:06:11.125 --> 00:06:13.750 that's much more important than everything else. 108 00:06:13.833 --> 00:06:18.333 Then Netflix asks us, "Guys, can you carry out another robbery?" 109 00:06:18.833 --> 00:06:19.708 What? 110 00:06:20.250 --> 00:06:22.333 Wow. Wait a second. 111 00:06:22.416 --> 00:06:27.208 I think we took two months to reply because we wanted something... 112 00:06:28.000 --> 00:06:32.666 that would likely guarantee we wouldn't let the viewers down, 113 00:06:32.750 --> 00:06:35.583 something that wouldn't disappoint all those people. 114 00:06:36.125 --> 00:06:37.750 We have to get the gang together. 115 00:06:39.041 --> 00:06:40.791 "I can't believe it. How cool." 116 00:06:40.875 --> 00:06:42.500 We're the Resistance, right? 117 00:06:42.583 --> 00:06:45.875 But when we started filming again, we realized for the first time 118 00:06:45.958 --> 00:06:47.750 how much our lives had changed. 119 00:06:47.833 --> 00:06:49.750 This was fame. 120 00:06:49.833 --> 00:06:51.750 JANUARY 2019, DUOMO SQUARE FLORENCE, ITALY 121 00:06:51.833 --> 00:06:55.375 When we got to Duomo Square, which was our first filming location, 122 00:06:55.458 --> 00:06:57.000 it was already full of people. 123 00:06:57.416 --> 00:06:58.916 We can see all of that. 124 00:06:59.625 --> 00:07:01.916 "What's going on? We have to film here?" 125 00:07:08.125 --> 00:07:10.666 They surrounded us as if it were a soccer stadium. 126 00:07:10.750 --> 00:07:14.625 They stayed deathly silent, which was wonderful. 127 00:07:16.916 --> 00:07:20.166 I said to myself, "Okay, concentrate. 128 00:07:20.833 --> 00:07:23.541 No eye contact until you finish." 129 00:07:27.125 --> 00:07:29.458 When we were finishing up the sequence, 130 00:07:29.541 --> 00:07:33.125 I said to Álvaro, "Hey, Álvaro. Let's go say hi to everyone." 131 00:07:33.208 --> 00:07:35.666 Should we say hi to everyone? 132 00:07:38.291 --> 00:07:40.250 And we took three or four steps, 133 00:07:40.916 --> 00:07:46.333 and as we approached them, suddenly, they were coming from all sides... 134 00:07:51.166 --> 00:07:54.125 Grazie mille. We have to get back. 135 00:07:54.208 --> 00:07:56.083 We couldn't finish filming. 136 00:07:56.791 --> 00:07:59.500 We had to stop filming. A tragedy. 137 00:07:59.583 --> 00:08:01.750 We ended up hiding out in a building. 138 00:08:01.833 --> 00:08:04.166 There was no way we could continue. 139 00:08:04.250 --> 00:08:07.166 ...not from any angle, the reflection in the window... 140 00:08:07.250 --> 00:08:10.750 It's packed. There are 4,000 people in the square right now. 141 00:08:10.833 --> 00:08:13.708 -Seriously. We're laughing, but... -Jesús! 142 00:08:13.791 --> 00:08:15.291 But it's a nightmare. 143 00:08:15.375 --> 00:08:18.416 -We can't film. -...where we still find it funny. 144 00:08:19.333 --> 00:08:21.041 This is going to turn tragic. 145 00:08:21.666 --> 00:08:24.083 And it did. It was difficult getting to the car. 146 00:08:24.166 --> 00:08:27.083 People started running after us. 147 00:08:27.791 --> 00:08:29.791 If I get out, there'll be a scene. Watch out! 148 00:08:30.875 --> 00:08:32.333 We were like The Beatles. 149 00:08:32.750 --> 00:08:35.833 And at the next location, which should have been peaceful... 150 00:08:36.291 --> 00:08:38.250 I don't like to have to tell you this. 151 00:08:38.333 --> 00:08:39.291 FLORENCE, ITALY 152 00:08:39.375 --> 00:08:40.875 ...something big was waiting. 153 00:08:45.166 --> 00:08:46.041 Cut! 154 00:08:46.125 --> 00:08:49.208 I think there was a point when we had gone in there, 155 00:08:49.291 --> 00:08:51.416 saved the sequence, made it work... 156 00:08:51.500 --> 00:08:52.625 and Álvaro said... 157 00:08:52.708 --> 00:08:56.083 "Pedro, maybe it'd be cool to say thanks to these people." 158 00:08:57.000 --> 00:08:58.416 I said, "Álvaro, no. 159 00:08:58.500 --> 00:09:01.208 Look what happened at the Duomo. We could die." 160 00:09:01.291 --> 00:09:02.666 I'm fucking with you. 161 00:09:02.750 --> 00:09:05.250 And we had this idea to stand on a bench. 162 00:09:09.666 --> 00:09:12.250 And someone jumped over the barrier. 163 00:09:22.625 --> 00:09:27.083 We started to see people running like there was no tomorrow. 164 00:09:41.333 --> 00:09:44.083 All of a sudden, my face is all over the world. 165 00:09:44.166 --> 00:09:45.458 This is insane. 166 00:09:45.541 --> 00:09:49.750 It's very unsettling because you stop being anonymous. 167 00:09:50.791 --> 00:09:51.916 It's extraordinary. 168 00:09:52.625 --> 00:09:55.125 It would take its toll on all of us. 169 00:09:56.041 --> 00:10:00.041 Cars with tinted windows, being escorted by bodyguards when you go abroad... 170 00:10:01.166 --> 00:10:05.500 It's suddenly reached a whole new level. 171 00:10:05.583 --> 00:10:11.583 Everyone who sees you on the street says, "You're awesome." 172 00:10:12.250 --> 00:10:14.791 Then you get home, and you might start thinking, 173 00:10:14.875 --> 00:10:15.708 "I am awesome." 174 00:10:15.791 --> 00:10:17.541 I went from being totally anonymous 175 00:10:17.625 --> 00:10:21.291 to suddenly having to ask to be allowed in the VIP lounge 176 00:10:21.375 --> 00:10:26.250 because people wouldn't stop asking for photos with me. No. 177 00:10:26.333 --> 00:10:30.416 Unless you really keep yourself in check, you become an asshole. 178 00:10:31.083 --> 00:10:32.791 A real asshole. 179 00:10:35.458 --> 00:10:38.208 All this popularity means good numbers. 180 00:10:38.291 --> 00:10:42.000 Today, Money Heist is Netflix's most-watched production, 181 00:10:42.083 --> 00:10:44.708 including films, including English productions... 182 00:10:46.291 --> 00:10:48.083 in the company's history in France... 183 00:10:50.000 --> 00:10:51.000 Italy... 184 00:10:52.625 --> 00:10:54.208 Argentina, Chile... 185 00:10:56.166 --> 00:10:57.666 Brazil, and Portugal. 186 00:11:00.041 --> 00:11:04.291 It's also a huge success in North Africa, the Middle East, and Turkey. 187 00:11:05.625 --> 00:11:07.166 And, in general, 188 00:11:07.250 --> 00:11:10.458 it's among the most-watched shows all around the world. 189 00:11:10.958 --> 00:11:13.166 This is a worldwide phenomenon. 190 00:11:13.250 --> 00:11:16.458 The nicest thing about it is that it came from the viewers. 191 00:11:16.541 --> 00:11:18.791 This was on another level. 192 00:11:18.875 --> 00:11:21.416 It came about spontaneously. 193 00:11:21.500 --> 00:11:24.875 I think there's a kind of "love attack." 194 00:11:24.958 --> 00:11:28.041 We realized that people had a connection with the series 195 00:11:28.125 --> 00:11:30.000 that went beyond just entertainment. 196 00:11:30.083 --> 00:11:32.541 It was almost a philosophical connection. 197 00:11:32.625 --> 00:11:34.250 It's a bit overwhelming. 198 00:11:34.333 --> 00:11:37.083 It's hard to believe, but that's how it is. 199 00:11:37.166 --> 00:11:39.625 It was reaffirming for us, like, 200 00:11:39.708 --> 00:11:42.375 "We weren't crazy. We were doing something cool." 201 00:11:42.458 --> 00:11:45.208 Because the craziness begins in the first episode 202 00:11:45.291 --> 00:11:46.833 of the first season. 203 00:11:46.916 --> 00:11:48.625 It was a national series, 204 00:11:48.708 --> 00:11:51.333 but we had our sights set on the world. 205 00:11:52.416 --> 00:11:56.625 I remember there was less money before, but there was the same energy. 206 00:11:56.708 --> 00:11:58.291 From the very start, 207 00:11:58.833 --> 00:12:02.375 our idea was to make an international series. 208 00:12:02.458 --> 00:12:03.750 We went all out. 209 00:12:03.833 --> 00:12:05.250 Everyone was crazy about it. 210 00:12:05.333 --> 00:12:08.458 END OF FILMING THE SECOND SEASON AUGUST 2017 211 00:12:08.541 --> 00:12:10.125 We've done it! 212 00:12:13.416 --> 00:12:17.333 So, for some time, my idea had been, "This is the time to do it. 213 00:12:17.416 --> 00:12:18.833 Let's do something..." 214 00:12:19.750 --> 00:12:20.875 It was very ambitious. 215 00:12:20.958 --> 00:12:26.291 Although, of course, in some respects, Netflix's arrival has changed our lives. 216 00:12:26.375 --> 00:12:29.583 Before, when we had to go to the Philippines, we went, 217 00:12:29.666 --> 00:12:32.458 but by using a computer. That sea didn't exist. 218 00:12:32.875 --> 00:12:35.458 In fact, we hadn't even left Madrid. 219 00:12:36.958 --> 00:12:40.541 Now, if we want a private island, it's ours. 220 00:12:43.541 --> 00:12:44.875 We'll do a global show. 221 00:12:44.958 --> 00:12:48.708 If we want a Thai Buddhist temple, it's ours. 222 00:12:48.791 --> 00:12:49.958 Elephant included. 223 00:12:50.041 --> 00:12:50.958 PATTAYA, THAILAND 224 00:12:51.041 --> 00:12:52.375 We'll do a super series. 225 00:12:52.458 --> 00:12:54.083 We want a military helicopter? 226 00:12:54.166 --> 00:12:55.958 Get that fucking helicopter down now! 227 00:12:56.041 --> 00:12:57.458 -It's ours! -All out. 228 00:12:57.541 --> 00:13:01.458 And if we want a shower of bills to bring downtown Madrid to a standstill, 229 00:13:01.541 --> 00:13:02.875 we'll do that too. 230 00:13:03.958 --> 00:13:07.083 All this seems pretty good, right? Well, it isn't. 231 00:13:07.875 --> 00:13:09.583 When we closed off downtown Madrid, 232 00:13:09.666 --> 00:13:13.583 we discovered that big film sets can become... 233 00:13:13.666 --> 00:13:14.916 More bills! 234 00:13:15.000 --> 00:13:16.000 ...absolute hell. 235 00:13:16.083 --> 00:13:17.916 More bills! 236 00:13:18.000 --> 00:13:19.500 Bills! 237 00:13:22.625 --> 00:13:25.333 The machine isn't working. What the hell's going on? 238 00:13:27.083 --> 00:13:29.625 The damn fan is jammed, man. 239 00:13:29.708 --> 00:13:31.541 The bills only fall on one side. 240 00:13:31.625 --> 00:13:34.041 It's the wind. We can't control it. 241 00:13:34.125 --> 00:13:35.583 The fan isn't spinning well. 242 00:13:35.666 --> 00:13:41.458 It was sheer despair. Just imagine Jesús, the director, was going crazy. 243 00:13:42.500 --> 00:13:44.750 It's not working. It doesn't look real. 244 00:13:44.833 --> 00:13:47.416 When we cut, the bills got stuck underneath. 245 00:13:47.833 --> 00:13:50.208 You know this won't end well, don't you? 246 00:13:51.375 --> 00:13:54.250 For each unsuccessful take, they have to pick them up... 247 00:13:54.791 --> 00:13:56.166 and do it again. 248 00:13:56.250 --> 00:13:57.125 Pick them up... 249 00:13:58.333 --> 00:13:59.625 and do it again. 250 00:14:00.875 --> 00:14:04.000 And then, somebody has a great idea. 251 00:14:04.083 --> 00:14:06.041 Vacuum up the bills. 252 00:14:06.125 --> 00:14:07.375 But hang on a minute. 253 00:14:07.458 --> 00:14:09.750 Is that as clever as it seems? 254 00:14:10.166 --> 00:14:13.375 You're tearing up the bills. This has a turbine that shreds them. 255 00:14:13.458 --> 00:14:17.708 I told you to blow them into piles, not to vacuum them up. 256 00:14:18.833 --> 00:14:19.833 My God. 257 00:14:19.916 --> 00:14:22.750 Three million euros shredded into confetti. 258 00:14:22.833 --> 00:14:24.416 Good thing they were fake. 259 00:14:27.166 --> 00:14:30.208 We finally get the hang of the fan. 260 00:14:30.291 --> 00:14:31.500 The bills fly. 261 00:14:32.083 --> 00:14:34.500 Not even God could stop us. 262 00:14:37.041 --> 00:14:38.708 Well, he could. 263 00:14:40.791 --> 00:14:42.291 We didn't know what to do. 264 00:14:42.375 --> 00:14:45.958 We had goodness knows how many hundreds of extras there. 265 00:14:46.041 --> 00:14:48.000 This is work for special extras, you know? 266 00:14:48.416 --> 00:14:51.458 And the sense of desperation starts to become unbearable. 267 00:14:53.416 --> 00:14:57.916 It's started to rain, and our money's become soggy paper. 268 00:14:58.000 --> 00:14:59.541 No one can get it to fly now. 269 00:15:01.000 --> 00:15:02.750 And there's another problem. 270 00:15:02.833 --> 00:15:04.250 We have to dry the floor. 271 00:15:04.875 --> 00:15:05.916 Get to work. 272 00:15:06.375 --> 00:15:09.333 So, we set up some gazebos to act as umbrellas. 273 00:15:09.416 --> 00:15:12.250 What we were using to pick up the bills 274 00:15:12.333 --> 00:15:13.875 is now a dryer. 275 00:15:13.958 --> 00:15:15.208 What made them fly... 276 00:15:16.416 --> 00:15:18.000 is a dehumidifier. 277 00:15:18.541 --> 00:15:22.458 And the director of photography and the director of art 278 00:15:22.541 --> 00:15:26.208 are now pavement dryers. 279 00:15:26.625 --> 00:15:29.208 Well, it's an effective method. 280 00:15:29.291 --> 00:15:31.083 A bit rough, but it's effective. 281 00:15:31.166 --> 00:15:34.708 A lot of hard work and dedication for nothing. 282 00:15:35.458 --> 00:15:38.083 In the end, the floor was filmed wet. 283 00:15:38.166 --> 00:15:40.375 -I see blue sky. -It's blue, but... 284 00:15:40.458 --> 00:15:41.750 And suddenly... 285 00:15:44.000 --> 00:15:45.291 the sun comes out. 286 00:15:45.375 --> 00:15:46.666 No, that's not good. 287 00:15:47.458 --> 00:15:49.583 -Everything's wrong. -Cut! 288 00:15:49.666 --> 00:15:53.750 When you've filmed while it was overcast, then it suddenly looks like summer... 289 00:15:53.833 --> 00:15:56.916 We're struggling with the sky. It's a sunny day in March... 290 00:15:57.333 --> 00:15:58.416 ...it's a problem. 291 00:15:59.125 --> 00:16:01.208 ...so that the sun won't be in the shot. 292 00:16:01.625 --> 00:16:04.083 In the end, tensions rise. 293 00:16:04.166 --> 00:16:07.875 I'm finding solutions for you. You should come up with some too. 294 00:16:09.416 --> 00:16:12.625 Other than not filming, canceling the shoot and going home. 295 00:16:12.708 --> 00:16:13.875 Some kind of solution. 296 00:16:14.291 --> 00:16:15.458 It's been building up. 297 00:16:15.541 --> 00:16:17.541 I set the camera height, they change it. 298 00:16:17.625 --> 00:16:20.625 -And with the pressure... -Am I not the director of photography? 299 00:16:21.416 --> 00:16:22.333 ...it all comes out. 300 00:16:22.833 --> 00:16:24.791 Why am I director of photography? 301 00:16:24.875 --> 00:16:26.416 And sometimes, it's just... 302 00:16:26.500 --> 00:16:29.500 -José-- My walkie-talkie isn't working. -...one of those days. 303 00:16:29.583 --> 00:16:32.583 Here we go again. Fucking up this shot and that one. 304 00:16:32.666 --> 00:16:36.208 There's a guy with a yellow sleeve. Yellow isn't allowed, man. 305 00:16:36.291 --> 00:16:37.541 The batteries. 306 00:16:37.625 --> 00:16:42.375 This doesn't happen in Narcos, 13 Reasons Why, or Stranger Things. 307 00:16:42.458 --> 00:16:44.916 You'll take the rap anyway. 308 00:16:45.000 --> 00:16:48.083 Come on. Take it easy. Things can't get any worse. 309 00:16:48.708 --> 00:16:49.708 Or maybe they can. 310 00:16:50.750 --> 00:16:52.666 They haven't put up the green screen. 311 00:16:54.750 --> 00:16:55.583 No. 312 00:16:55.666 --> 00:16:58.291 The giant screens should be green 313 00:16:58.375 --> 00:17:00.458 so we can add the image of the Professor. 314 00:17:00.541 --> 00:17:02.291 They haven't requested extradition. 315 00:17:02.375 --> 00:17:04.083 It should be completely green. 316 00:17:04.166 --> 00:17:06.458 If it's not all green, it has to be black. 317 00:17:06.541 --> 00:17:10.291 But with so many interruptions, the allotted time has run out, 318 00:17:10.375 --> 00:17:12.458 and they're putting ads on. 319 00:17:12.541 --> 00:17:15.958 Obviously, it was total desperation then. 320 00:17:16.041 --> 00:17:18.291 They can't do a green screen for some reason. 321 00:17:18.375 --> 00:17:22.000 Me too, man. I don't know if you want to wait five minutes. 322 00:17:26.125 --> 00:17:27.875 They're going to give us more time. 323 00:17:27.958 --> 00:17:30.500 They're giving us at least another 40 minutes 324 00:17:30.583 --> 00:17:32.458 -of green screen. -Good. 325 00:17:32.541 --> 00:17:34.125 Hooray, we did it. 326 00:17:34.666 --> 00:17:36.291 The hard way, suffering. 327 00:17:38.041 --> 00:17:41.541 Extras, great job. Thank you very much to all of you. 328 00:17:41.625 --> 00:17:46.083 But in the end, millions of euros rained down on Madrid that day. 329 00:17:50.208 --> 00:17:52.500 Yes, this is a series with lots of money. 330 00:17:52.916 --> 00:17:55.166 Nine hundred and eighty-four million euros. 331 00:17:55.250 --> 00:17:56.208 Shooting. 332 00:17:58.000 --> 00:17:59.625 Great songs. 333 00:18:02.750 --> 00:18:04.541 And tons of gold. 334 00:18:04.958 --> 00:18:07.666 But no, that's not why you love us. 335 00:18:07.750 --> 00:18:10.750 The big question is: Why do you love us, then? 336 00:18:10.833 --> 00:18:14.208 Why has Money Heist been such a success? 337 00:18:14.291 --> 00:18:16.625 People have fallen in love with the characters. 338 00:18:16.708 --> 00:18:19.375 -You're not in love, are you? -I'll get to know them. 339 00:18:19.458 --> 00:18:21.750 The kindness and wickedness in each of them. 340 00:18:21.833 --> 00:18:24.416 -What is their past? -The stupidity of another. 341 00:18:24.500 --> 00:18:27.208 -Why are they here? -When they make mistakes... 342 00:18:28.041 --> 00:18:28.875 Sorry. 343 00:18:28.958 --> 00:18:31.666 That's what makes the viewer feel things. 344 00:18:32.208 --> 00:18:35.208 Any viewer could think, "I'm like Denver." 345 00:18:36.625 --> 00:18:39.291 -"I could be the Professor." -Going into the lion's den? 346 00:18:39.375 --> 00:18:42.416 Each has their own traits, and you can empathize with them. 347 00:18:42.500 --> 00:18:44.708 You don't connect with an unbelievable robbery, 348 00:18:44.791 --> 00:18:48.083 nor with the Professor's intelligence, even if you admire it. 349 00:18:48.166 --> 00:18:50.541 You connect with the fact that he's scared. 350 00:18:50.625 --> 00:18:52.583 Even if all this works out, I... 351 00:18:53.750 --> 00:18:55.083 I'm going to be screwed. 352 00:18:55.166 --> 00:18:58.125 When you get hooked on or addicted to a series, 353 00:18:58.208 --> 00:18:59.750 you're addicted to the characters. 354 00:18:59.833 --> 00:19:03.125 After a binge-watching session, you think, "I know these people. 355 00:19:03.208 --> 00:19:05.375 They're in my living room with me." 356 00:19:05.458 --> 00:19:09.458 So, the more emotionally powerful and complex the characters are, 357 00:19:10.500 --> 00:19:12.833 the more addicted the viewer gets. 358 00:19:12.916 --> 00:19:15.791 And how do you do that? The first key: 359 00:19:15.875 --> 00:19:17.541 What are we? Latinos or Germans? 360 00:19:17.625 --> 00:19:19.166 We're Latinos. 361 00:19:19.250 --> 00:19:21.041 There's passion here. 362 00:19:21.125 --> 00:19:22.666 WE HAVE PASSION 363 00:19:25.500 --> 00:19:29.791 The thing that sets the series apart is that it has heart. 364 00:19:30.208 --> 00:19:34.500 For a long time, there was an unwritten rule 365 00:19:34.583 --> 00:19:39.041 that action films were empty and superficial 366 00:19:39.125 --> 00:19:43.375 and intimist or emotional films were boring. 367 00:19:43.458 --> 00:19:45.875 So, what we did was mix those two concepts. 368 00:19:48.708 --> 00:19:49.833 -I love you! -Me too! 369 00:19:50.500 --> 00:19:54.583 That's why our heist story is full of romance. 370 00:19:57.916 --> 00:19:59.333 This is a love story. 371 00:19:59.750 --> 00:20:01.791 One of those beautiful love stories. 372 00:20:02.375 --> 00:20:04.125 And we're obsessed with that. 373 00:20:04.208 --> 00:20:08.208 No matter what it takes, we want all-out passion. 374 00:20:09.458 --> 00:20:12.166 Like with this kiss. Candid, right? 375 00:20:12.250 --> 00:20:14.041 Well, it took some time to get it. 376 00:20:15.166 --> 00:20:19.541 Maybe the director looking on, just inches from their lips, didn't help. 377 00:20:21.083 --> 00:20:22.583 You want us to make out. 378 00:20:23.791 --> 00:20:25.333 -A little bit. -Yeah. 379 00:20:25.416 --> 00:20:26.875 They try again. 380 00:20:29.375 --> 00:20:31.291 But it still isn't working. 381 00:20:31.875 --> 00:20:33.875 That kiss was kind of... 382 00:20:36.833 --> 00:20:39.291 It fit the scene. It was kind of motherly. 383 00:20:39.375 --> 00:20:42.416 But it has to be a damn good kiss. 384 00:20:42.500 --> 00:20:45.333 -The last kiss you'll ever share. -Okay. 385 00:20:45.416 --> 00:20:46.416 -Understand? -Yes. 386 00:20:47.208 --> 00:20:48.875 And they try. 387 00:20:51.958 --> 00:20:53.125 But it's no use. 388 00:20:53.666 --> 00:20:57.125 It's really hard because, on the one hand, I'm trying to... 389 00:20:58.250 --> 00:20:59.958 be like... 390 00:21:01.416 --> 00:21:02.458 -the mother. -Sure. 391 00:21:02.541 --> 00:21:06.291 -You have to keep it epic. -Okay. 392 00:21:06.375 --> 00:21:07.958 But it's a goodbye kiss. 393 00:21:08.041 --> 00:21:12.083 But in the end, when it comes to passion, if you put affection and effort into it... 394 00:21:12.166 --> 00:21:14.041 -Stop filming, you pest. -...it happens. 395 00:21:22.208 --> 00:21:23.291 Cut! 396 00:21:23.375 --> 00:21:26.500 There's another important aim in this series: 397 00:21:26.583 --> 00:21:28.750 to keep the viewer on edge. 398 00:21:28.833 --> 00:21:30.958 The fun is in here, for fuck's sake. 399 00:21:31.041 --> 00:21:33.083 Anything can happen here. 400 00:21:33.166 --> 00:21:36.333 We try to be unpredictable. 401 00:21:36.416 --> 00:21:38.750 WE ARE UNPREDICTABLE 402 00:21:39.208 --> 00:21:41.125 We try to do the unexpected, 403 00:21:41.208 --> 00:21:44.083 and it's been that way since we came up with these guys: 404 00:21:44.166 --> 00:21:45.250 the characters. 405 00:21:45.666 --> 00:21:48.125 We wanted characters that haven't been seen before. 406 00:21:48.208 --> 00:21:50.083 For example, our leader. 407 00:21:50.166 --> 00:21:51.333 The Professor! 408 00:21:51.750 --> 00:21:54.458 -Very clever, yes. -What an amazing man. 409 00:21:55.083 --> 00:21:57.458 Leader of a criminal gang, yes. 410 00:21:57.541 --> 00:22:00.500 But, deep down, he's a loser. 411 00:22:05.791 --> 00:22:08.250 It's that personality that makes him speak differently 412 00:22:08.333 --> 00:22:10.333 than the robbers we're used to. 413 00:22:10.416 --> 00:22:12.291 -It surprises us. -What are you wearing? 414 00:22:12.375 --> 00:22:14.541 Our professor, the gang leader, 415 00:22:16.000 --> 00:22:18.250 we wanted him to be almost like a nerd. 416 00:22:18.333 --> 00:22:20.250 He wants to be distanced from society. 417 00:22:20.333 --> 00:22:22.208 He's a sociopath in many ways. 418 00:22:22.291 --> 00:22:25.791 A shy man with problems interacting with some women. 419 00:22:26.250 --> 00:22:27.791 I've had relationships. 420 00:22:29.583 --> 00:22:30.416 Several. 421 00:22:30.500 --> 00:22:34.875 Seeing these characters evolve is interesting for the viewers 422 00:22:34.958 --> 00:22:36.375 because it's so surprising. 423 00:22:36.458 --> 00:22:38.041 That such an ordinary person... 424 00:22:38.125 --> 00:22:41.208 Well, let's see if I'm of some use at least. 425 00:22:41.291 --> 00:22:43.416 ...could create something so big. 426 00:22:43.500 --> 00:22:47.625 We must be able to stay in control. 427 00:22:47.708 --> 00:22:51.041 The more difficult it is to make the character do that, 428 00:22:51.125 --> 00:22:52.375 the more interesting it is. 429 00:22:56.041 --> 00:23:00.291 There is one character who epitomizes our ability to do the unexpected. 430 00:23:01.416 --> 00:23:03.875 I really feel like telling you everything. 431 00:23:04.291 --> 00:23:08.291 Tokyo can make any situation explosive. 432 00:23:08.750 --> 00:23:11.708 She's our Sputnik. Fuel for any script. 433 00:23:12.583 --> 00:23:14.583 I can be a good girl for a long time, 434 00:23:15.541 --> 00:23:19.458 but little by little, my naughty side starts to come out. 435 00:23:19.958 --> 00:23:22.333 Combining regular places with unexpected twists 436 00:23:22.416 --> 00:23:26.500 is a formula that, nowadays, 437 00:23:26.583 --> 00:23:27.583 works really well. 438 00:23:27.666 --> 00:23:29.875 Tokyo. 439 00:23:29.958 --> 00:23:33.250 So mature in some ways, yet so childish in others. 440 00:23:33.333 --> 00:23:35.083 She's a very impulsive person. 441 00:23:35.166 --> 00:23:37.083 Didn't you say, "No matter what"? 442 00:23:37.708 --> 00:23:44.125 She tries to control herself, but it goes against her nature. 443 00:23:44.208 --> 00:23:46.541 I'm not surprised he dumped me. 444 00:23:46.625 --> 00:23:49.041 -Here's a fact you don't know about Tokyo. -I'm Tokyo. 445 00:23:49.125 --> 00:23:50.833 She was the first city. 446 00:23:50.916 --> 00:23:52.583 That wasn't my name at the start. 447 00:23:52.666 --> 00:23:55.958 Why is Tokyo called Tokyo? I was going to tell her why. 448 00:23:56.041 --> 00:23:57.333 She doesn't know. 449 00:23:57.416 --> 00:23:59.541 I was really surprised... 450 00:24:00.666 --> 00:24:02.916 when I saw that my character's name was Tokyo. 451 00:24:03.000 --> 00:24:05.750 I remember Álex Pina was wearing a T-shirt 452 00:24:06.291 --> 00:24:07.583 that said "Tokyo" on it. 453 00:24:07.666 --> 00:24:08.583 I loved it. 454 00:24:08.666 --> 00:24:11.875 "It's a great name. The main character has to be called Tokyo." 455 00:24:11.958 --> 00:24:13.833 That's how I ended up being called Tokyo. 456 00:24:13.916 --> 00:24:17.083 Within 15 minutes, I said, "Berlin, Moscow, Denver." 457 00:24:17.166 --> 00:24:19.083 -Denver? -It was really quick. 458 00:24:19.166 --> 00:24:21.083 -Tokyo, Berlin, Moscow. -Denver, Moscow. 459 00:24:21.166 --> 00:24:22.875 What's this? Why are we called that? 460 00:24:22.958 --> 00:24:25.875 I think my friends with cities for names kick ass. 461 00:24:26.583 --> 00:24:28.500 We are emotional. 462 00:24:29.958 --> 00:24:32.333 Which brings us to the next key: 463 00:24:32.416 --> 00:24:35.208 this series is full of empathy. 464 00:24:35.291 --> 00:24:36.500 EMPATHY 465 00:24:36.583 --> 00:24:38.916 So much so that we've grown to love the bad guy. 466 00:24:40.125 --> 00:24:41.666 Why did he put you in charge? 467 00:24:42.250 --> 00:24:44.666 Because of my people skills. 468 00:24:44.750 --> 00:24:47.666 Berlin was the most hostile character. 469 00:24:47.750 --> 00:24:50.708 But he was also mysterious at the start. "Who is this man?" 470 00:24:51.208 --> 00:24:52.666 A special man. 471 00:24:52.750 --> 00:24:55.250 If I have coffee right now, I'll go crazy. 472 00:24:55.333 --> 00:24:57.208 Despicable most of the time... 473 00:24:57.625 --> 00:24:58.458 Dance. 474 00:24:59.291 --> 00:25:00.833 ...but sometimes admirable. 475 00:25:00.916 --> 00:25:03.250 I've spent my life being a bit of an asshole, 476 00:25:03.333 --> 00:25:06.708 but today, I think I feel like dying with dignity. 477 00:25:07.250 --> 00:25:10.541 It's incredible how a character with such negative traits... 478 00:25:11.208 --> 00:25:12.125 is loved. 479 00:25:13.000 --> 00:25:15.791 He's always in the top three in the polls. 480 00:25:15.875 --> 00:25:17.958 People need to get their heads checked. 481 00:25:21.000 --> 00:25:21.916 Because... 482 00:25:22.875 --> 00:25:26.916 I'm sure he's not the character you'd want your daughter to marry. 483 00:25:27.000 --> 00:25:29.708 You bastard! You son of a bitch! 484 00:25:31.750 --> 00:25:34.916 It's like holding a mirror up to society. You know, seriously, 485 00:25:35.000 --> 00:25:37.791 "Your favorite character in Money Heist is this guy." 486 00:25:37.875 --> 00:25:40.000 Let's see what balls you've got. 487 00:25:40.875 --> 00:25:46.083 The dominant way he leads 488 00:25:46.458 --> 00:25:51.458 repulses us, but it gives us a certain sense of safety. 489 00:25:52.000 --> 00:25:53.958 You and I are the Resistance. 490 00:25:54.041 --> 00:25:57.166 If television is bland, it's boring 491 00:25:57.250 --> 00:25:59.250 because less things happen. 492 00:25:59.333 --> 00:26:01.166 The audience wants things to happen, 493 00:26:01.250 --> 00:26:06.583 and there's nothing better than a villain who we can empathize with. 494 00:26:06.666 --> 00:26:10.041 For a moment, I thought it would be really good to feel... 495 00:26:11.333 --> 00:26:12.583 how my friend is feeling. 496 00:26:12.666 --> 00:26:14.875 But these characters are risky, 497 00:26:14.958 --> 00:26:16.500 and, in Berlin's case, 498 00:26:16.583 --> 00:26:19.708 that caused problems even before the series was released. 499 00:26:20.833 --> 00:26:21.666 Fear. 500 00:26:22.208 --> 00:26:23.750 Someone said to me, 501 00:26:23.833 --> 00:26:26.625 "This character doesn't fit with the times. 502 00:26:26.708 --> 00:26:28.750 You should take him out of the series." 503 00:26:28.833 --> 00:26:30.041 He's despicable. 504 00:26:30.125 --> 00:26:33.083 I said I had no intention of taking him out of the series. 505 00:26:33.166 --> 00:26:34.666 What the hell is in your head? 506 00:26:34.750 --> 00:26:37.375 He's a misogynist, narcissist, and psychopath in many ways, 507 00:26:37.458 --> 00:26:41.041 but we could have a character like that in the series 508 00:26:41.125 --> 00:26:45.458 and the audience could freely decide whose side they're on, right? 509 00:26:45.875 --> 00:26:48.625 The next characteristic of this series: 510 00:26:48.708 --> 00:26:51.125 nothing and no one is sacred. 511 00:26:51.208 --> 00:26:53.833 Any of the characters could be in danger. 512 00:26:55.208 --> 00:26:57.083 WE HAVE NO MERCY 513 00:26:59.750 --> 00:27:03.208 Gentlemen, you have to live to the very end. 514 00:27:06.083 --> 00:27:07.791 What kind of a kiss was that? 515 00:27:08.500 --> 00:27:11.458 Nairobi. How we loved Nairobi. 516 00:27:11.541 --> 00:27:13.708 Thank you. 517 00:27:13.791 --> 00:27:16.458 I've never had a boss like you, Miss Nairobi. 518 00:27:22.416 --> 00:27:23.833 Today is my last day. 519 00:27:24.666 --> 00:27:25.708 It's tough. 520 00:27:31.208 --> 00:27:33.500 It's the end of an era for me. 521 00:27:45.083 --> 00:27:46.041 Yeah. 522 00:27:53.000 --> 00:27:55.875 They say when you die, your whole life flashes before you, 523 00:27:55.958 --> 00:27:59.416 and this is a bit like that, but with the character. 524 00:28:15.041 --> 00:28:20.833 I like to think that Nairobi wants her son to have a life with more opportunities 525 00:28:20.916 --> 00:28:24.791 than the one she could have given him, and a more peaceful one. 526 00:28:25.416 --> 00:28:28.791 Let's say goodbye to our colleague Alba Flores. 527 00:28:35.500 --> 00:28:39.250 I've been working with some of the team for many years now. 528 00:28:40.541 --> 00:28:41.583 And... 529 00:28:42.166 --> 00:28:45.833 I want to thank you all for everything you've taught me. 530 00:28:46.541 --> 00:28:50.958 I've grown here as an actress 531 00:28:51.041 --> 00:28:53.250 more than I ever imagined I would 532 00:28:54.000 --> 00:28:56.958 and as a person, too. And... 533 00:28:58.875 --> 00:29:02.875 and you're a fucking great team. 534 00:29:02.958 --> 00:29:04.083 Fucking great. 535 00:29:04.166 --> 00:29:08.166 I hope I get to film with you 16,000 more times. 536 00:29:15.583 --> 00:29:17.000 I'm going to miss you all. 537 00:29:29.708 --> 00:29:32.375 It's over, and I have nothing on the horizon. 538 00:29:32.458 --> 00:29:35.541 It's a really liberating feeling. 539 00:29:38.041 --> 00:29:40.333 Because... Well, I need a rest. 540 00:29:43.458 --> 00:29:46.791 That brings us to another essential characteristic: 541 00:29:47.333 --> 00:29:48.625 black humor. 542 00:29:48.708 --> 00:29:50.250 BLACK HUMOR 543 00:29:50.708 --> 00:29:51.833 PIN. 544 00:29:51.916 --> 00:29:53.250 One, two, three, four. 545 00:29:55.291 --> 00:29:59.708 Yes, you can laugh at a hostage who's being held at gunpoint. 546 00:29:59.791 --> 00:30:01.125 -Your name. -Arturo. 547 00:30:01.208 --> 00:30:02.666 -Arturo what? -Arturo Román. 548 00:30:02.750 --> 00:30:04.791 Arturo Román. All right. Arturito. 549 00:30:04.875 --> 00:30:11.000 He represents the meanness within all of us. 550 00:30:11.083 --> 00:30:12.375 I'll kill you, bastard. 551 00:30:12.458 --> 00:30:16.666 He's just so deplorable, you feel like adopting him. 552 00:30:16.750 --> 00:30:18.750 You couldn't be more pitiful. 553 00:30:18.833 --> 00:30:22.750 The viewers might see their own base desires in Arturo, 554 00:30:22.833 --> 00:30:25.708 and that's why you can't stand him, but in reality... 555 00:30:25.791 --> 00:30:27.166 He's the most human. 556 00:30:27.250 --> 00:30:31.416 And we hate when what we're ashamed of is pointed out to us. 557 00:30:31.500 --> 00:30:32.666 Speaking of shame, 558 00:30:33.250 --> 00:30:35.833 Arturo has had quite a few embarrassing moments. 559 00:30:37.000 --> 00:30:39.208 He's walking along with Helsinki... 560 00:30:42.458 --> 00:30:45.833 through the vaults, and they hear a woman moaning. 561 00:30:47.166 --> 00:30:48.375 Is that your lady? 562 00:30:50.041 --> 00:30:51.791 He says, "No, it's not my lady." 563 00:30:51.875 --> 00:30:54.708 Mónica isn't the loud type. It must be one of your colleagues. 564 00:30:54.791 --> 00:30:56.375 Then he goes in, and it is her. 565 00:30:59.791 --> 00:31:00.791 Don't stop! 566 00:31:02.375 --> 00:31:05.250 Fuck! What the hell are you doing here? 567 00:31:06.666 --> 00:31:09.500 Everything he does is really crazy, risky, and surprising. 568 00:31:09.583 --> 00:31:10.583 That makes it funny. 569 00:31:10.666 --> 00:31:14.666 I'm the... punching bag. 570 00:31:14.750 --> 00:31:18.208 If someone who is morally twisted is also socially awkward, 571 00:31:18.291 --> 00:31:19.250 they grow on you. 572 00:31:19.333 --> 00:31:21.666 He's deplorable, but you love to hate him. 573 00:31:21.750 --> 00:31:22.916 You know, 574 00:31:23.708 --> 00:31:25.333 men take care of men. 575 00:31:26.750 --> 00:31:28.625 Now we're on close terms, 576 00:31:28.708 --> 00:31:30.666 we're going to tell you a secret. 577 00:31:30.750 --> 00:31:32.333 Right. Listen up, everyone. 578 00:31:32.416 --> 00:31:33.916 We're obsessed... 579 00:31:34.666 --> 00:31:36.166 with veracity. 580 00:31:36.250 --> 00:31:37.958 VERACITY 581 00:31:38.041 --> 00:31:39.375 -Now! -For that reason, 582 00:31:39.458 --> 00:31:42.833 we would face many of the same problems that our robbers face 583 00:31:42.916 --> 00:31:46.708 if we robbed the Bank of Spain. 584 00:31:46.791 --> 00:31:48.208 The vault. 585 00:31:48.291 --> 00:31:50.500 Starting with the real gold vault. 586 00:31:50.583 --> 00:31:53.833 Just like in the series, it floods if there's a robbery. 587 00:31:53.916 --> 00:31:58.125 There's a lot of information that states that there is a system... 588 00:31:58.208 --> 00:32:01.083 Forty-five kilometers of reinforced pipes underground. 589 00:32:01.166 --> 00:32:03.458 ...that involves channeling two streams 590 00:32:03.541 --> 00:32:07.083 that would flood the vault should anyone decide to rob the bank. 591 00:32:07.166 --> 00:32:09.750 It's a great work of engineering. It's a marvel. 592 00:32:09.833 --> 00:32:11.375 So, to get the gold out... 593 00:32:11.458 --> 00:32:13.041 But we won't open that door. 594 00:32:13.125 --> 00:32:14.833 ...we had to invent something... 595 00:32:14.916 --> 00:32:15.958 Tube! 596 00:32:16.041 --> 00:32:17.833 ...that would work in real life. 597 00:32:17.916 --> 00:32:21.083 An interconnecting antechamber. 598 00:32:22.166 --> 00:32:25.916 That's why we called in a naval engineer to help us design it. 599 00:32:26.000 --> 00:32:28.583 He gave us a lesson, and we filmed it. 600 00:32:28.666 --> 00:32:29.958 Better than taking notes. 601 00:32:30.041 --> 00:32:31.250 Something like this. 602 00:32:31.875 --> 00:32:33.625 Get them to bring dinner in, please. 603 00:32:33.708 --> 00:32:35.916 But once the ingots are out... 604 00:32:36.000 --> 00:32:37.208 Sweet gold! 605 00:32:37.291 --> 00:32:38.625 ...we have to melt them. 606 00:32:40.916 --> 00:32:43.291 We could do that because in the foundry... 607 00:32:43.375 --> 00:32:45.666 I'll show you the beauty we've set up. 608 00:32:45.750 --> 00:32:47.166 ...there are real furnaces. 609 00:32:50.041 --> 00:32:53.416 They are identical to this one but a bit more glamorous. 610 00:32:53.500 --> 00:32:54.625 That's cinema for you. 611 00:32:54.708 --> 00:32:58.208 This is the Christian Lay jewelry workshop in Jerez de los Caballeros 612 00:32:58.291 --> 00:33:00.250 in Extremadura, Spain. 613 00:33:01.458 --> 00:33:05.333 This internal recording from the series' documentation service 614 00:33:05.416 --> 00:33:09.333 was used by the team to learn how to melt down gold the traditional way. 615 00:33:09.416 --> 00:33:12.541 "Can I record it?" And he said, "Yes, no problem at all." 616 00:33:12.625 --> 00:33:17.333 If I were to make a homemade version of this machinery, what would I need? 617 00:33:17.416 --> 00:33:19.375 They explained the whole process. 618 00:33:19.458 --> 00:33:23.375 Add the solid material, take out the liquid, and pour it out. 619 00:33:23.458 --> 00:33:25.833 Mind you, we didn't use real gold. 620 00:33:25.916 --> 00:33:28.541 We used brass, which is a bit cheaper. 621 00:33:28.625 --> 00:33:30.125 So beautiful! 622 00:33:30.208 --> 00:33:33.000 That's when we started asking them strange questions. 623 00:33:33.083 --> 00:33:35.708 If you were robbing the Bank of Spain 624 00:33:35.791 --> 00:33:39.666 and you had to turn the gold into nuggets, how would you do it? 625 00:33:39.750 --> 00:33:42.958 Bearing in mind the equipment must fit into a military truck. 626 00:33:43.041 --> 00:33:46.791 He starts pouring. He adds pressurized water... 627 00:33:47.333 --> 00:33:50.208 And then... 628 00:33:50.291 --> 00:33:52.000 He says, "That's how you'd do it." 629 00:33:52.083 --> 00:33:53.916 We do it all with bubbles. 630 00:33:55.666 --> 00:33:57.958 He takes it out, and we drained the water off, 631 00:33:58.041 --> 00:33:59.916 and there were brass nuggets. 632 00:34:00.000 --> 00:34:01.000 Nuggets. 633 00:34:01.083 --> 00:34:02.125 Like gold nuggets. 634 00:34:02.208 --> 00:34:03.875 Like grains of rice. 635 00:34:03.958 --> 00:34:06.083 I filmed it and sent it to the script team. 636 00:34:06.166 --> 00:34:08.416 "We've got it. We know how we can do it now." 637 00:34:08.500 --> 00:34:10.916 This is the good stuff, Governor. 638 00:34:11.000 --> 00:34:15.166 During filming, we had professionals doing the melting down, 639 00:34:15.250 --> 00:34:16.375 just in case. 640 00:34:16.458 --> 00:34:19.791 -Manuel Manceras Sr. -I'm Manuel Manceras Jr. 641 00:34:20.208 --> 00:34:23.125 And here they are, as extras, 642 00:34:23.916 --> 00:34:25.791 learning to be robbers. 643 00:34:25.875 --> 00:34:29.416 We wouldn't mind really, with things as they are, 644 00:34:29.500 --> 00:34:31.208 but not for the moment. 645 00:34:31.958 --> 00:34:33.541 How does it look, Doctor? 646 00:34:33.625 --> 00:34:35.875 Here's another obsession with realism. 647 00:34:35.958 --> 00:34:41.125 In this sequence, Arturo really gets a stitch. 648 00:34:41.208 --> 00:34:43.000 They shoot Arturito in the series. 649 00:34:45.000 --> 00:34:46.708 So, a surgeon comes in. 650 00:34:48.041 --> 00:34:51.541 A surgeon came so that an actor wouldn't have to do it. 651 00:34:51.625 --> 00:34:52.916 Now you stitch him up. 652 00:34:54.291 --> 00:34:56.750 -Who, me? -He really stitched him up. 653 00:34:58.500 --> 00:34:59.958 Easy now. Easy. 654 00:35:00.041 --> 00:35:01.125 We were all... 655 00:35:01.208 --> 00:35:02.458 I'm going to be sick. 656 00:35:02.541 --> 00:35:04.791 ...laughing our asses off. We couldn't believe it. 657 00:35:08.333 --> 00:35:11.291 And obviously, when he wiped off the makeup, 658 00:35:11.375 --> 00:35:13.791 "What's this?" He'd given him a stitch. 659 00:35:13.875 --> 00:35:15.041 Son of a bitch. 660 00:35:15.125 --> 00:35:17.041 But we still haven't mentioned 661 00:35:17.125 --> 00:35:20.750 one of the most important ingredients for this success: 662 00:35:21.208 --> 00:35:22.750 our symbols. 663 00:35:22.833 --> 00:35:24.583 THE SYMBOLS 664 00:35:24.666 --> 00:35:28.791 Money Heist has an anthem, a shield, and a color. 665 00:35:29.791 --> 00:35:33.833 The color red is associated with agitation, 666 00:35:33.916 --> 00:35:35.041 with passion. 667 00:35:35.125 --> 00:35:36.875 It puts you on alert 668 00:35:36.958 --> 00:35:40.708 when combined with the idea of 100 people locked up in one place. 669 00:35:40.791 --> 00:35:44.416 -Like a pressure cooker. -And for that pressure cooker to work, 670 00:35:44.500 --> 00:35:47.416 we need two teams to work together: 671 00:35:47.500 --> 00:35:49.500 photography and art. 672 00:35:49.583 --> 00:35:53.208 The artwork in this series is spectacular. 673 00:35:53.291 --> 00:35:56.208 Because it was made with care. 674 00:35:56.875 --> 00:36:01.333 We're quite clear that everything will be very dark, with tertiary colors 675 00:36:01.416 --> 00:36:03.875 so that the characters' skin 676 00:36:03.958 --> 00:36:07.666 and the jumpsuit, our color, our symbol, will stand out. 677 00:36:08.083 --> 00:36:09.958 We go with red. 678 00:36:10.041 --> 00:36:14.708 And in the end, that gives you an iconography of your own. 679 00:36:14.791 --> 00:36:16.583 That's Money Heist's greatest strength. 680 00:36:16.666 --> 00:36:19.541 And that iconography is linked to an anthem. 681 00:36:19.625 --> 00:36:22.458 You know how our anthem goes, right? 682 00:36:22.541 --> 00:36:24.166 We know that as soon as we go... 683 00:36:34.000 --> 00:36:35.750 Everyone's with you, I mean... 684 00:36:49.208 --> 00:36:53.166 This song, which was used as an anthem by the Italian anti-fascist Resistance 685 00:36:53.250 --> 00:36:54.375 during World War II, 686 00:36:54.458 --> 00:36:58.083 is being heard once again all over the world 75 years later. 687 00:36:58.166 --> 00:37:00.458 Although we had a hard job finding it. 688 00:37:00.541 --> 00:37:03.500 We were completely stuck. We didn't know how to get started. 689 00:37:03.583 --> 00:37:07.833 I did something that I tend to do: play the "Bella Ciao" song. 690 00:37:07.916 --> 00:37:09.541 Because it motivates me. 691 00:37:09.625 --> 00:37:12.166 As I was listening, I thought, "This is the song!" 692 00:37:12.250 --> 00:37:13.958 I went and told my colleagues... 693 00:37:14.041 --> 00:37:15.000 "This is the song." 694 00:37:15.083 --> 00:37:18.125 "We have to start this scene with 'Bella Ciao.'" 695 00:37:18.208 --> 00:37:19.041 It was awesome 696 00:37:19.125 --> 00:37:22.208 because the series talked about resistance, 697 00:37:22.291 --> 00:37:25.833 and suddenly, it was the Italian Partisan Resistance. 698 00:37:25.916 --> 00:37:28.916 It's their first contact with soil, with freedom... 699 00:37:29.000 --> 00:37:30.291 Soil! 700 00:37:30.958 --> 00:37:32.291 ...with the way out, 701 00:37:32.375 --> 00:37:35.458 and the partisan song will be playing because we're partisans. 702 00:37:37.083 --> 00:37:38.541 We did it, guys! 703 00:37:38.625 --> 00:37:40.958 It has the feel of an anthem. An epic feel. 704 00:37:41.458 --> 00:37:44.958 The notes, the tempo, the lyrics. 705 00:37:45.041 --> 00:37:48.750 It has that patriotic, anthem-like vibe to it. 706 00:37:50.750 --> 00:37:53.375 Then Berlin and the Professor start singing it. 707 00:38:00.000 --> 00:38:02.458 Then it takes on a new dimension in the series. 708 00:38:02.541 --> 00:38:04.000 You start to love "Bella Ciao." 709 00:38:07.458 --> 00:38:12.250 I can't remember any other sequence with such utter silence on set. 710 00:38:12.333 --> 00:38:15.000 It takes on a mythological dimension when you realize 711 00:38:15.083 --> 00:38:18.875 that it is emotional territory, sacred territory, for the characters. 712 00:38:18.958 --> 00:38:20.166 It was... 713 00:38:23.458 --> 00:38:26.583 mystical almost, the song in that sequence. 714 00:38:28.458 --> 00:38:31.583 All that iconography has been one of the reasons, 715 00:38:31.666 --> 00:38:35.500 if not the most important reason, behind its international success. 716 00:38:35.583 --> 00:38:39.166 If you do it in normal clothes, without the masks or "Bella Ciao," 717 00:38:39.250 --> 00:38:42.875 I'm totally convinced it wouldn't have the same impact. 718 00:38:42.958 --> 00:38:44.375 What are you dressing up as? 719 00:38:44.833 --> 00:38:49.291 Those three elements have created a new universe of symbols... 720 00:38:49.375 --> 00:38:50.458 An iconographic image. 721 00:38:50.541 --> 00:38:53.416 ...that people are using as a pop-culture symbol. 722 00:38:53.500 --> 00:38:55.583 I think people need symbols. 723 00:38:55.666 --> 00:38:58.000 And it's very easy to recreate and repeat. 724 00:38:58.083 --> 00:39:01.000 And people can adapt it to their own needs. 725 00:39:01.083 --> 00:39:05.083 People dress up for different reasons in different places. 726 00:39:05.166 --> 00:39:08.708 But there is always this kind of underlying fight against the system, 727 00:39:08.791 --> 00:39:09.958 which people love. 728 00:39:10.041 --> 00:39:12.416 What does all this mean? It means... 729 00:39:13.208 --> 00:39:15.166 that it's universal. It's an icon. 730 00:39:15.625 --> 00:39:20.333 Everyone can use the red jumpsuit, the Dalí mask, and "Bella Ciao" 731 00:39:20.416 --> 00:39:21.666 for their own fight. 732 00:39:21.750 --> 00:39:24.416 Those people are going to see us as their damn heroes. 733 00:39:25.708 --> 00:39:29.166 Do you know what else making this series requires? 734 00:39:29.250 --> 00:39:31.083 Making our lives difficult. 735 00:39:31.166 --> 00:39:34.375 In Money Heist, actors, directors, 736 00:39:34.458 --> 00:39:36.833 writers, technicians, and producers 737 00:39:36.916 --> 00:39:38.500 all live life on the edge. 738 00:39:38.583 --> 00:39:40.166 LIVING LIFE ON THE EDGE 739 00:39:40.666 --> 00:39:42.708 Starting with the actors. 740 00:39:43.458 --> 00:39:44.375 See that ship? 741 00:39:44.791 --> 00:39:46.541 We've entered international waters. 742 00:39:46.625 --> 00:39:49.416 We told you it was the North Atlantic, that it was cold. 743 00:39:49.833 --> 00:39:51.791 The gang was escaping, right? 744 00:39:51.875 --> 00:39:52.916 PHUKET, THAILAND 745 00:39:53.000 --> 00:39:56.375 Well, it was a lie. That ship was torture for the cast. 746 00:39:56.458 --> 00:39:57.791 It's so hot. 747 00:39:57.875 --> 00:40:01.916 We were in Thailand, in the sun, with temperatures above 40ºC, 748 00:40:02.000 --> 00:40:03.750 with really high humidity levels. 749 00:40:03.833 --> 00:40:05.125 I nearly passed out. 750 00:40:05.208 --> 00:40:08.541 -The Professor almost fainted. -About to have a heat stroke. 751 00:40:08.625 --> 00:40:11.208 Several people fan him because he can't sweat, 752 00:40:11.291 --> 00:40:13.250 or it'll show in the sequence. 753 00:40:13.791 --> 00:40:15.250 Yeah, give him air. 754 00:40:16.583 --> 00:40:20.333 Although by the looks of his shirt, it's a bit late for that. 755 00:40:21.208 --> 00:40:22.625 It was hot as hell. 756 00:40:22.708 --> 00:40:23.791 So hot. 757 00:40:23.875 --> 00:40:27.666 We all just wanted to die. It was so hot. 758 00:40:27.750 --> 00:40:30.041 The crew were all in T-shirts and tank tops, 759 00:40:30.125 --> 00:40:32.333 and we all had sweatshirts and coats on. 760 00:40:32.416 --> 00:40:34.666 Sweater, scarf, wool hat. 761 00:40:34.750 --> 00:40:39.333 It was 44ºC, and the sun was blazing down. 762 00:40:40.250 --> 00:40:43.333 Darko Peric plays the role of the tough Helsinki. 763 00:40:43.708 --> 00:40:45.208 -But here... -Cut! 764 00:40:45.291 --> 00:40:49.833 ...with the coat, the sun, and the rocking of the ship... 765 00:40:50.958 --> 00:40:53.000 he's on the verge of fainting. 766 00:40:54.375 --> 00:41:00.083 Some ended up rehearsing shirtless and slightly, let's say, disgruntled. 767 00:41:00.166 --> 00:41:04.375 I said, "Couldn't we have filmed this in January in Valencia?" 768 00:41:05.458 --> 00:41:09.500 I looked like a crab, man. Red and sweating, 769 00:41:09.583 --> 00:41:11.666 half dead, and experiencing tachycardia. 770 00:41:11.750 --> 00:41:13.458 That day was really tough. 771 00:41:13.541 --> 00:41:16.541 What about the script? Does that live on the edge too? 772 00:41:16.625 --> 00:41:17.458 Yes, it does. 773 00:41:17.541 --> 00:41:22.291 While most series of this scale are written out in full and then filmed, 774 00:41:22.375 --> 00:41:26.083 in Money Heist, we write in parallel to filming. 775 00:41:26.166 --> 00:41:27.708 WRITING WHILST IT'S BEING FILMED 776 00:41:27.791 --> 00:41:30.541 And that gets many people wound up. 777 00:41:31.208 --> 00:41:33.916 No one knows how it'll end, not even the screenwriters. 778 00:41:34.000 --> 00:41:38.041 You don't have a clue what you're doing, and it's like, "Well..." 779 00:41:38.125 --> 00:41:41.666 We try to keep it very close, with the shortest time possible 780 00:41:41.750 --> 00:41:46.125 because a lot happens watching the series in post-production. 781 00:41:46.208 --> 00:41:48.500 You don't know where they're taking the script. 782 00:41:48.583 --> 00:41:52.708 We think that you have to keep your ear to the ground... 783 00:41:53.458 --> 00:41:55.458 to sense where the train is coming from, 784 00:41:55.541 --> 00:41:59.541 so the closer the train is, the more information you have. 785 00:41:59.625 --> 00:42:01.875 -You watch a sequence and say... -Don't move! 786 00:42:01.958 --> 00:42:04.416 You see something marvelous, and it allows you... 787 00:42:04.500 --> 00:42:05.583 I was terrified. 788 00:42:05.666 --> 00:42:07.250 ...to change course, 789 00:42:07.333 --> 00:42:10.500 which you can't do if everything has already been filmed. 790 00:42:10.583 --> 00:42:14.000 Sometimes it's hard to understand because it's very stressful. 791 00:42:14.083 --> 00:42:16.875 I was scared shitless, thinking, "What are we doing?" 792 00:42:16.958 --> 00:42:18.708 But it's better for the series. 793 00:42:19.125 --> 00:42:20.500 Well, yes, to be honest. 794 00:42:21.250 --> 00:42:25.750 How do they write so close to filming? They write on the fly. 795 00:42:25.833 --> 00:42:28.833 Take, for example, the pig sequence. 796 00:42:31.458 --> 00:42:32.458 Any volunteers? 797 00:42:33.833 --> 00:42:37.375 I think the sequence falls apart here. I'd add a bit of comedy. 798 00:42:39.583 --> 00:42:41.416 What if Marseille says... 799 00:42:41.500 --> 00:42:44.125 Not me. I can't. 800 00:42:44.208 --> 00:42:47.166 What if we make him an animal rights activist? 801 00:42:47.250 --> 00:42:49.875 People are one thing, animals are another. 802 00:42:50.333 --> 00:42:52.041 I love animals. 803 00:42:52.125 --> 00:42:57.041 And Denver says, "You're a hit man and an animal rights activist?" 804 00:42:57.125 --> 00:43:00.625 You're a soldier. You kill people. What's the problem? I don't get it. 805 00:43:00.708 --> 00:43:03.583 "I have principles." 806 00:43:04.000 --> 00:43:05.250 I have my principles. 807 00:43:05.666 --> 00:43:08.041 I'm against animal cruelty. 808 00:43:09.166 --> 00:43:11.541 Can I believe what I want? Are you going to tell me? 809 00:43:11.625 --> 00:43:15.375 Can I believe in what I want, or will you tell me what to believe? 810 00:43:15.458 --> 00:43:18.208 "I've been to war. Animals are better than people." 811 00:43:18.291 --> 00:43:19.750 "When I was in the war..." 812 00:43:19.833 --> 00:43:20.958 I was in a war... 813 00:43:21.916 --> 00:43:24.666 with a dog at my side. 814 00:43:24.750 --> 00:43:26.416 These people annoy Bogotá. 815 00:43:26.500 --> 00:43:28.791 And Bogotá responds. 816 00:43:28.875 --> 00:43:31.333 -The vegan criminal! -Yeah. 817 00:43:32.250 --> 00:43:34.125 The animal activist killer. 818 00:43:35.083 --> 00:43:36.250 I won't cut open a pig. 819 00:43:37.500 --> 00:43:41.083 And the actors get the script at the last minute. 820 00:43:41.166 --> 00:43:45.291 They meet with the episode director to rehearse before filming. 821 00:43:45.375 --> 00:43:47.750 Cut the fucking pig open. You're a hit man. 822 00:43:47.833 --> 00:43:49.333 You're pissing me off. 823 00:43:49.416 --> 00:43:51.208 Open the fucking pig. You're a hit man! 824 00:43:52.958 --> 00:43:54.250 Stay away from me. 825 00:43:54.333 --> 00:43:56.875 And he goes and he puts a scalpel right here. 826 00:43:56.958 --> 00:44:00.666 Push me again, and I will slit you open. 827 00:44:01.083 --> 00:44:05.625 Push me again, and I will slit you open, 828 00:44:05.708 --> 00:44:06.666 from top to bottom. 829 00:44:06.750 --> 00:44:10.041 Then, on set, actions are included. 830 00:44:10.125 --> 00:44:12.125 Open the fucking pig. You're a hit man! 831 00:44:12.208 --> 00:44:15.875 Stop. He moves backwards, and you kind of grab him. 832 00:44:15.958 --> 00:44:18.625 -Okay. -So he doesn't get away, you bring him in. 833 00:44:18.708 --> 00:44:19.666 One more time. 834 00:44:19.750 --> 00:44:22.416 -I won't cut open the pig. -You're a fucking hit man. 835 00:44:22.500 --> 00:44:24.958 Open the fucking pig. You're fucking nuts-- 836 00:44:25.750 --> 00:44:26.875 Like this? Excuse me. 837 00:44:26.958 --> 00:44:28.333 From top to bottom. 838 00:44:28.416 --> 00:44:32.458 Some sequences are written so close to filming 839 00:44:32.541 --> 00:44:36.250 that there's no time to get together to explain the actions. 840 00:44:36.333 --> 00:44:38.250 We need to see her struggle because... 841 00:44:38.333 --> 00:44:40.750 But that's what phones are for. 842 00:44:40.833 --> 00:44:42.958 I'm Nairobi, and this is Gandía's hand, 843 00:44:43.041 --> 00:44:45.833 so it's like this. He pushes her forward like this... 844 00:44:48.125 --> 00:44:51.208 She bangs into the door, so he now knows where to aim. 845 00:44:54.916 --> 00:44:55.750 He shoots. 846 00:44:57.750 --> 00:44:59.583 He makes a circle. It doesn't fall. 847 00:45:02.875 --> 00:45:04.125 He bangs it through. 848 00:45:08.500 --> 00:45:12.333 Then he pushes Nairobi's head through that hole. 849 00:45:19.375 --> 00:45:23.208 Then it's: hand, hand. He ties her up with carabiners and ropes. 850 00:45:23.291 --> 00:45:24.625 And she's tied up. 851 00:45:32.875 --> 00:45:34.708 -Cut. -Cut. 852 00:45:37.916 --> 00:45:41.666 But if there's a time when living on the edge is painful... 853 00:45:41.750 --> 00:45:43.750 -Action! -...it's in the moment of truth. 854 00:45:44.416 --> 00:45:45.958 We're ready for filming. 855 00:45:46.041 --> 00:45:46.958 The filming. 856 00:45:47.041 --> 00:45:48.416 NOVEMBER 2018 KRABI, THAILAND 857 00:45:48.500 --> 00:45:50.625 We wanted this sequence at sunset, 858 00:45:51.166 --> 00:45:53.333 and we only had one day left in Thailand. 859 00:45:53.416 --> 00:45:56.625 -That's a big one, isn't it? -There's never been a bigger one. 860 00:45:56.708 --> 00:46:00.000 We had one shot, and we had to get it right. 861 00:46:03.000 --> 00:46:06.083 Silence now, please. Total concentration. 862 00:46:06.166 --> 00:46:07.916 Nothing can go wrong. 863 00:46:08.000 --> 00:46:11.458 Set... and... action. 864 00:46:12.375 --> 00:46:14.375 But things started badly. 865 00:46:14.833 --> 00:46:17.666 -Let's start again. -We've got all of his part, okay? 866 00:46:17.750 --> 00:46:21.083 Come on. We have to be quick. Twenty minutes of sunlight left. 867 00:46:22.750 --> 00:46:24.416 -Second attempt. -Action. 868 00:46:25.083 --> 00:46:27.583 But this time, an engine can be heard. 869 00:46:27.666 --> 00:46:28.833 Cut. 870 00:46:28.916 --> 00:46:31.416 -We have to go again because of the van. -The bike. 871 00:46:31.500 --> 00:46:33.916 -The sun is setting. -Come on. Concentrate. 872 00:46:34.000 --> 00:46:36.625 The director keeps looking at it, 873 00:46:36.708 --> 00:46:37.916 nervously. 874 00:46:38.000 --> 00:46:40.041 Okay. And action. 875 00:46:40.125 --> 00:46:41.458 -Cut. -Got it. 876 00:46:41.541 --> 00:46:42.541 Perfect. Let's go. 877 00:46:42.625 --> 00:46:45.041 But we still have to do the final tracking shot, 878 00:46:45.125 --> 00:46:47.458 so we hurry off with all our gear. 879 00:46:49.291 --> 00:46:51.958 There's no margin for error. The sun has already set. 880 00:46:52.041 --> 00:46:53.500 Come on. Let's do it! 881 00:46:54.083 --> 00:46:55.041 Silence! 882 00:46:55.791 --> 00:46:58.041 It has to be right first time. 883 00:46:58.708 --> 00:47:01.000 And... action! 884 00:47:03.625 --> 00:47:06.125 And when it's almost dark... 885 00:47:07.416 --> 00:47:08.916 -Cut! -...we've got it. 886 00:47:14.625 --> 00:47:17.833 All we have to do now is check the results on the monitor... 887 00:47:19.083 --> 00:47:19.916 Look at this. 888 00:47:22.250 --> 00:47:24.208 ...and breathe a sigh of relief. 889 00:47:26.708 --> 00:47:27.791 Always on the edge. 890 00:47:29.375 --> 00:47:31.375 Don't film this, please. 891 00:47:31.458 --> 00:47:35.541 It's always on the edge. That's where interesting things happen. 892 00:47:35.625 --> 00:47:39.291 It's like shooting a three-pointer. The bell rings, you shoot... 893 00:47:40.375 --> 00:47:42.125 and it goes in, and wow. 894 00:47:42.208 --> 00:47:46.208 The rush is awesome. 895 00:47:49.500 --> 00:47:51.791 And I film for those moments, really. 896 00:47:56.208 --> 00:47:58.333 Filming on the edge gets us great results, 897 00:47:58.416 --> 00:48:00.875 when things work out right because at times... 898 00:48:01.791 --> 00:48:04.708 -how can I put it? -...cell phones and-- Shit. 899 00:48:05.375 --> 00:48:08.791 Now for one of our most unfortunate days. 900 00:48:09.958 --> 00:48:13.625 Welcome to Pinewood Studios in the United Kingdom. 901 00:48:14.791 --> 00:48:16.208 It's amazing, man. 902 00:48:16.625 --> 00:48:20.458 Here they have the best water tank for underwater filming. 903 00:48:20.541 --> 00:48:22.666 Well, that bathtub is pretty cool. 904 00:48:22.750 --> 00:48:25.458 -What could go wrong? -Nothing will go wrong. 905 00:48:25.541 --> 00:48:27.625 -It was absolutely crazy. -It was crazy. 906 00:48:27.708 --> 00:48:30.458 We learned... 907 00:48:30.541 --> 00:48:33.333 -We went through it all. -...from our failures. 908 00:48:33.666 --> 00:48:35.708 But I had a great time. 909 00:48:36.458 --> 00:48:40.166 Step one: we bring the entire set from Madrid... 910 00:48:41.541 --> 00:48:43.250 and set it up over the water. 911 00:48:44.250 --> 00:48:45.083 There! 912 00:48:45.166 --> 00:48:48.083 Because the best way to simulate the vault being flooded... 913 00:48:49.916 --> 00:48:51.083 is to submerge it. 914 00:48:52.583 --> 00:48:55.791 Instead of pumping water into the vault... 915 00:48:55.875 --> 00:48:57.958 Seven thousand five hundred liters a minute. 916 00:48:58.041 --> 00:49:03.541 ...what we did was submerge the entire set in a swimming pool. 917 00:49:03.625 --> 00:49:07.291 Therefore, the effect, with a camera tied down on the inside, 918 00:49:07.375 --> 00:49:11.041 was that the water emerged from below 919 00:49:11.458 --> 00:49:12.916 and started to rise. 920 00:49:18.708 --> 00:49:20.083 The next day: catastrophe. 921 00:49:23.083 --> 00:49:27.791 It turns out that the ingots come loose and float. 922 00:49:28.791 --> 00:49:30.708 You learn from these things. 923 00:49:34.000 --> 00:49:38.083 We have to do some screwing and drilling, and everyone's involved. 924 00:49:38.875 --> 00:49:41.500 Everyone, including the director of photography. 925 00:49:41.583 --> 00:49:44.666 -Didn't you want a global show? -We're going to do a global show. 926 00:49:45.791 --> 00:49:48.416 All out. A global show, all the way. 927 00:49:49.500 --> 00:49:50.958 Well, here you have it. 928 00:49:51.458 --> 00:49:53.791 Photography? He's not great at photography, 929 00:49:53.875 --> 00:49:57.791 but he's damn good at putting in screws and drilling ingots. 930 00:49:59.333 --> 00:50:02.125 But when we'd finished, we discovered this... 931 00:50:03.708 --> 00:50:05.708 The shelves are getting rusty. 932 00:50:06.958 --> 00:50:10.666 We're trying out different liquids to remove the rust. 933 00:50:11.333 --> 00:50:13.416 We're using phosphoric acid, 934 00:50:13.916 --> 00:50:15.791 but when you use phosphoric acid, 935 00:50:16.916 --> 00:50:18.875 it leaves behind white marks. 936 00:50:20.125 --> 00:50:22.708 So, we're learning how to remove the marks. 937 00:50:22.791 --> 00:50:25.958 I'll dive into the lake, see if I can get anything done today. 938 00:50:26.041 --> 00:50:30.041 Is it me, or is there some tension in the air? 939 00:50:30.125 --> 00:50:33.958 You can say that again because what's coming next is even worse. 940 00:50:35.833 --> 00:50:37.083 The ingots... 941 00:50:38.500 --> 00:50:39.833 have shrunk. 942 00:50:40.916 --> 00:50:45.083 The ingots were made of foam so they'd weigh less. 943 00:50:45.166 --> 00:50:47.458 The weight made them difficult to get on set. 944 00:50:48.208 --> 00:50:49.708 The water pressure... 945 00:50:50.833 --> 00:50:52.500 has done this to our gold ingots. 946 00:50:52.583 --> 00:50:54.750 What happened? Pressure, once again. 947 00:50:54.833 --> 00:50:59.083 They'd never been two and a half meters underwater. 948 00:51:01.750 --> 00:51:04.333 We wanted to die. They looked like raisins. 949 00:51:04.416 --> 00:51:07.541 We'd been working on them for months. 950 00:51:08.041 --> 00:51:09.250 These things happen. 951 00:51:10.541 --> 00:51:14.083 Everything that happened was like one catastrophe after another. 952 00:51:16.916 --> 00:51:19.708 It was probably the most tense moment 953 00:51:19.791 --> 00:51:23.916 with the most pressure and responsibility involved for all of us 954 00:51:24.000 --> 00:51:26.041 because things weren't working out. 955 00:51:26.125 --> 00:51:29.000 Working underwater was giving us problems. 956 00:51:29.083 --> 00:51:30.625 But despite all this... 957 00:51:32.833 --> 00:51:33.791 ...we filmed. 958 00:51:36.375 --> 00:51:39.291 Down below, Alba, Hovik, and Jaime are taking the gold. 959 00:51:39.375 --> 00:51:42.458 From above, the directors are giving them orders 960 00:51:42.541 --> 00:51:44.250 through an underwater loudspeaker. 961 00:51:52.250 --> 00:51:53.541 However... 962 00:51:53.625 --> 00:51:56.458 In Spain, they didn't realize. "It's awesome." 963 00:51:56.541 --> 00:51:59.916 But then you'd say, "Look at that. Christ. Look at that." 964 00:52:00.000 --> 00:52:02.916 "Look at that. The ingot is bent." "You're right." 965 00:52:05.833 --> 00:52:09.625 Every ingot had to be digitally retouched in every shot. 966 00:52:10.250 --> 00:52:12.208 One after the other. 967 00:52:12.291 --> 00:52:15.041 We painted almost all the ingots one by one. 968 00:52:15.125 --> 00:52:18.083 We had to fix over 1,000 ingots. 969 00:52:18.166 --> 00:52:20.625 It was a crazy amount of shots. 970 00:52:20.708 --> 00:52:24.000 But the end result looks great and was worth the trouble. 971 00:52:24.083 --> 00:52:28.541 Well, I think the digital effects team will remember us. 972 00:52:28.625 --> 00:52:32.333 Let's say we lost a lot of sleep during that process. 973 00:52:36.166 --> 00:52:39.833 It was no easy task, but the material is fantastic. 974 00:52:42.500 --> 00:52:45.625 I think those images are what make all the difference. 975 00:52:45.708 --> 00:52:49.333 It's kind of a summary of how we make Money Heist. 976 00:52:49.416 --> 00:52:52.375 It was quite a risk. They could have left it out, 977 00:52:52.458 --> 00:52:55.708 avoided it, or scripted it differently, so hats off to them. 978 00:52:57.583 --> 00:52:59.916 Money Heist exists to make things difficult 979 00:53:00.000 --> 00:53:02.166 for us as screenwriters 980 00:53:02.250 --> 00:53:05.458 and for the directors who film on the edge. 981 00:53:06.666 --> 00:53:09.416 It always has to be pushed to the limit. 982 00:53:09.833 --> 00:53:10.833 Now! 983 00:53:12.541 --> 00:53:14.500 You have to be permanently terrified. 984 00:53:14.583 --> 00:53:15.416 Cut. 985 00:53:15.500 --> 00:53:20.375 I get up every morning to come to film, and I get up feeling terrified. Always. 986 00:53:23.375 --> 00:53:27.416 Each shot is everything to us when we're filming. 987 00:53:27.500 --> 00:53:29.541 So that the viewers enjoy it. 988 00:53:29.625 --> 00:53:32.250 -We've got it! -We've got it! 989 00:53:32.666 --> 00:53:35.291 We've finished. Zero casualties. 990 00:53:38.291 --> 00:53:40.500 Now you know us a little bit better. 991 00:53:42.125 --> 00:53:43.583 This is who we are. 992 00:53:43.666 --> 00:53:45.083 ...so that it sweats a bit. 993 00:53:45.166 --> 00:53:47.333 A strange group of robbers... 994 00:53:48.666 --> 00:53:51.833 ...on the greatest adventure of their lives, 995 00:53:51.916 --> 00:53:53.458 thanks to you. 996 00:53:53.541 --> 00:53:57.125 Thank you. 997 00:53:57.625 --> 00:53:59.041 People stop me in the street. 998 00:53:59.125 --> 00:54:01.916 Supporting this series, sending so many nice things. 999 00:54:02.000 --> 00:54:04.916 "Tokyo, Money Heist." 1000 00:54:05.000 --> 00:54:09.958 Thanking me for how happy they've been at home watching the series. 1001 00:54:10.041 --> 00:54:11.541 It's really amazing. 1002 00:54:11.625 --> 00:54:13.541 We've played as much as we can 1003 00:54:13.625 --> 00:54:16.875 and to the extreme with all the genres we know how to. 1004 00:54:16.958 --> 00:54:18.458 I think it shows in the series. 1005 00:54:18.541 --> 00:54:21.416 It's thrilling to see people taking your work... 1006 00:54:21.875 --> 00:54:23.583 and making it their own. 1007 00:54:23.666 --> 00:54:24.750 Really exciting. 1008 00:54:24.833 --> 00:54:26.875 It shows that stories are infinite 1009 00:54:26.958 --> 00:54:30.000 and people are really eager to hear them. 1010 00:54:31.083 --> 00:54:33.166 It has given me so much. 1011 00:54:34.625 --> 00:54:37.916 It has given me another career, another life. 1012 00:54:39.250 --> 00:54:41.208 That's what I'm most grateful for. 1013 00:54:41.833 --> 00:54:43.041 It's been a gift. 1014 00:54:44.250 --> 00:54:46.333 I swear, it gives me goose bumps. 1015 00:54:46.750 --> 00:54:49.916 A gift. It's a gift that life gives you. 1016 00:54:51.458 --> 00:54:53.083 It was like a gift. 1017 00:54:53.916 --> 00:54:54.916 It's a gift. 1018 00:54:55.958 --> 00:54:57.791 I take it like, "Wow!" 1019 00:54:58.583 --> 00:55:00.250 A privilege, really. 1020 00:55:01.583 --> 00:55:04.208 I'll cherish it forever. 1021 00:55:21.958 --> 00:55:25.291 Let's light one to see how much heat they can take, okay? 1022 00:55:29.333 --> 00:55:30.416 This doesn't go! 1023 00:55:32.083 --> 00:55:33.041 It's broken! 1024 00:55:40.375 --> 00:55:41.291 My grandfather. 1025 00:55:42.000 --> 00:55:44.000 He died filming The Pier. 1026 00:55:44.083 --> 00:55:46.333 The best cameo in the series. 1027 00:55:48.500 --> 00:55:51.208 -But I also think-- -"I'm going on vacation." 1028 00:55:52.208 --> 00:55:54.666 Cristina, Jesús, Olalla. 1029 00:55:55.541 --> 00:55:57.375 Yes, of course. Sorry, Titi. 1030 00:56:08.000 --> 00:56:09.208 Are you filming? 1031 00:56:09.916 --> 00:56:11.000 What do you think? 1032 00:56:12.875 --> 00:56:13.750 Valentina! 1033 00:56:15.083 --> 00:56:16.625 Look! I'm on the beach!