WEBVTT FILE 1 00:00:05.059 --> 00:00:05.080 . 2 00:00:05.259 --> 00:00:08.279 ♪♪♪ 3 00:00:08.279 --> 00:00:12.189 Announcer: Ladies and gentlemen, 4 00:00:08.279 --> 00:00:12.189 Tony winner for Best Musical, 5 00:00:12.189 --> 00:00:15.080 "Jersey Boys." 6 00:00:15.080 --> 00:00:18.179 ♪ Who loves you, pretty baby ♪ 7 00:00:18.179 --> 00:00:21.289 ♪ Who's gonna help you 8 00:00:18.179 --> 00:00:21.289 through the night? ♪ 9 00:00:21.289 --> 00:00:25.109 ♪ Who loves you, pretty mama ♪ 10 00:00:25.109 --> 00:00:28.179 ♪ Who's always there 11 00:00:25.109 --> 00:00:28.179 to make it right? ♪ 12 00:00:28.179 --> 00:00:32.030 ♪ Who loves you, pretty baby ♪ 13 00:00:32.030 --> 00:00:35.130 ♪ Who's gonna help you 14 00:00:32.030 --> 00:00:35.130 through the night? ♪ 15 00:00:35.130 --> 00:00:38.270 ♪ Who loves you, pretty mama ♪ 16 00:00:38.270 --> 00:00:42.060 ♪ Who's always there 17 00:00:38.270 --> 00:00:42.060 to make it right? ♪ 18 00:00:42.060 --> 00:00:43.289 ♪ Who loves you ♪ 19 00:00:43.289 --> 00:00:47.109 ♪ Who loves you, pretty baby? ♪ 20 00:00:47.109 --> 00:00:49.000 ♪ Who's gonna love you, mama? ♪ 21 00:00:49.000 --> 00:00:50.240 ♪ Who loves you ♪ 22 00:00:50.240 --> 00:00:53.090 ♪ Who loves you, pretty baby? ♪ 23 00:00:53.090 --> 00:00:57.090 ♪♪♪ 24 00:00:57.090 --> 00:01:04.040 ♪ When tears are in your eyes, 25 00:00:57.090 --> 00:01:04.040 and you can't find the way ♪ 26 00:01:04.040 --> 00:01:10.189 ♪ It's hard to make believe 27 00:01:04.040 --> 00:01:10.189 you're happy when you're gray ♪ 28 00:01:10.189 --> 00:01:13.109 ♪ Baby, when you're 29 00:01:10.189 --> 00:01:13.109 feelin' like ♪ 30 00:01:13.109 --> 00:01:17.280 ♪ You'll never see 31 00:01:13.109 --> 00:01:17.280 the morning light ♪ 32 00:01:17.280 --> 00:01:20.219 ♪ Come to me ♪ 33 00:01:20.219 --> 00:01:22.260 ♪ Baby, you'll see ♪ 34 00:01:22.260 --> 00:01:26.039 ♪ Who loves you, pretty baby ♪ 35 00:01:26.039 --> 00:01:29.150 ♪ Who's gonna help you 36 00:01:26.039 --> 00:01:29.150 through the night? ♪ 37 00:01:29.150 --> 00:01:32.280 ♪ Who loves you, pretty mama ♪ 38 00:01:32.280 --> 00:01:36.099 ♪ Who's always there 39 00:01:32.280 --> 00:01:36.099 to make it ♪ 40 00:01:36.099 --> 00:01:37.289 ♪ Who loves you ♪ 41 00:01:37.289 --> 00:01:39.229 ♪ Who loves you, pretty baby? ♪ 42 00:01:39.229 --> 00:01:41.159 ♪ Who's gonna 43 00:01:39.229 --> 00:01:41.159 love you, love you ♪ 44 00:01:41.159 --> 00:01:43.069 ♪ Who's gonna love you, mama? ♪ 45 00:01:43.069 --> 00:01:44.229 ♪ Who loves you ♪ 46 00:01:44.229 --> 00:01:46.150 ♪ Who loves you, pretty baby? ♪ 47 00:01:46.150 --> 00:01:47.289 ♪ Who's gonna 48 00:01:46.150 --> 00:01:47.289 love you, love you ♪ 49 00:01:47.289 --> 00:01:49.189 [ All vocalizing ] 50 00:01:49.189 --> 00:01:55.289 ♪♪♪ 51 00:01:55.289 --> 00:02:02.090 ♪♪♪ 52 00:02:02.090 --> 00:02:05.099 ♪ Oh, what a night ♪ 53 00:02:05.099 --> 00:02:09.199 ♪ Late December 54 00:02:05.099 --> 00:02:09.199 back in '63 ♪ 55 00:02:09.199 --> 00:02:13.259 ♪ What a very special 56 00:02:09.199 --> 00:02:13.259 time for me ♪ 57 00:02:13.259 --> 00:02:17.020 ♪ 'Cause I remember 58 00:02:13.259 --> 00:02:17.020 what a night ♪ 59 00:02:17.020 --> 00:02:19.210 ♪♪♪ 60 00:02:19.210 --> 00:02:22.129 ♪ Oh, what a night ♪ 61 00:02:22.129 --> 00:02:26.219 ♪ You know, I didn't even 62 00:02:22.129 --> 00:02:26.219 know her name ♪ 63 00:02:26.219 --> 00:02:31.090 ♪ But I was never gonna 64 00:02:26.219 --> 00:02:31.090 be the same ♪ 65 00:02:31.090 --> 00:02:34.280 ♪ What a lady, 66 00:02:31.090 --> 00:02:34.280 what a night ♪ 67 00:02:34.280 --> 00:02:37.069 ♪♪♪ 68 00:02:37.069 --> 00:02:39.229 ♪ Oh, I ♪ 69 00:02:39.229 --> 00:02:45.180 ♪ I got a funny feeling 70 00:02:39.229 --> 00:02:45.180 when she walked in the room 71 00:02:45.180 --> 00:02:48.159 ♪ Yeah, and I ♪ 72 00:02:48.159 --> 00:02:54.090 ♪ As I recall, 73 00:02:48.159 --> 00:02:54.090 it ended much too soon ♪ 74 00:02:54.090 --> 00:02:57.079 ♪ Oh, what a night ♪ 75 00:02:57.079 --> 00:03:01.139 ♪ Why'd it take so long 76 00:02:57.079 --> 00:03:01.139 to see the light? ♪ 77 00:03:01.139 --> 00:03:05.210 ♪ Seemed so wrong, 78 00:03:01.139 --> 00:03:05.210 but now it seems so right ♪ 79 00:03:05.210 --> 00:03:08.080 ♪ Sweet surrender, 80 00:03:05.210 --> 00:03:08.080 what a night ♪ 81 00:03:08.080 --> 00:03:12.180 ♪ I felt a rush 82 00:03:08.080 --> 00:03:12.180 like a rolling bolt of thunder ♪ 83 00:03:12.180 --> 00:03:15.280 ♪ Spinnin' my head around 84 00:03:12.180 --> 00:03:15.280 and taking my body under ♪ 85 00:03:15.280 --> 00:03:17.060 ♪ What a night ♪ 86 00:03:17.060 --> 00:03:20.079 ♪ Do, do, do, do, do, 87 00:03:17.060 --> 00:03:20.079 do, do, do, do, do, do ♪ 88 00:03:20.079 --> 00:03:21.159 ♪ Oh, what a night ♪ 89 00:03:21.159 --> 00:03:24.159 ♪ Do, do, do, do, do, 90 00:03:21.159 --> 00:03:24.159 do, do, do, do, do, do ♪ 91 00:03:24.159 --> 00:03:25.240 ♪ Oh, what a night ♪ 92 00:03:25.240 --> 00:03:28.210 ♪ Do, do, do, do, do, 93 00:03:25.240 --> 00:03:28.210 do, do, do, do, do, do ♪ 94 00:03:28.210 --> 00:03:29.289 ♪ Oh, what a night ♪ 95 00:03:29.289 --> 00:03:33.039 ♪ Do, do, do, do, do, 96 00:03:29.289 --> 00:03:33.039 do, do, do, do, do, do ♪ 97 00:03:33.039 --> 00:03:35.110 ♪ Oh, what a night ♪ 98 00:03:35.110 --> 00:03:37.159 ♪♪♪ 99 00:03:37.159 --> 00:03:38.170 Announcer: From the heart 100 00:03:38.170 --> 00:03:40.210 of New York City's 101 00:03:38.170 --> 00:03:40.210 Theater District, 102 00:03:40.210 --> 00:03:45.139 it's "One Night Only: 103 00:03:40.210 --> 00:03:45.139 The Best of Broadway," 104 00:03:45.139 --> 00:03:47.210 with the casts 105 00:03:45.139 --> 00:03:47.210 of "A Chorus Line," 106 00:03:47.210 --> 00:03:51.099 "Ain't Too Proud: The Life 107 00:03:47.210 --> 00:03:51.099 and Times of The Temptations," 108 00:03:51.099 --> 00:03:54.060 "Chicago," 109 00:03:51.099 --> 00:03:54.060 "Diana: A New Musical," 110 00:03:54.060 --> 00:03:56.110 "Harry Potter 111 00:03:54.060 --> 00:03:56.110 and the Cursed Child," 112 00:03:56.110 --> 00:03:58.259 "Jagged Little Pill," 113 00:03:56.110 --> 00:03:58.259 "Jersey Boys," 114 00:03:58.259 --> 00:04:02.280 "Mean Girls," 115 00:03:58.259 --> 00:04:02.280 and a classic from "Rent." 116 00:04:02.280 --> 00:04:07.120 Performances by international 117 00:04:02.280 --> 00:04:07.120 superstar Antonio Banderas, 118 00:04:07.120 --> 00:04:09.020 pop great Kelly Clarkson, 119 00:04:09.020 --> 00:04:11.110 country recording artist 120 00:04:09.020 --> 00:04:11.110 Brett Eldredge, 121 00:04:11.110 --> 00:04:13.229 R&B icon Patti LaBelle, 122 00:04:13.229 --> 00:04:17.170 and the legendary 123 00:04:13.229 --> 00:04:17.170 Barbra Streisand. 124 00:04:17.170 --> 00:04:19.269 Appearances 125 00:04:17.170 --> 00:04:19.269 by Annaleigh Ashford, 126 00:04:19.269 --> 00:04:23.009 Lance Bass, Kristen Bell, 127 00:04:19.269 --> 00:04:23.009 Jesse Tyler Ferguson, 128 00:04:23.009 --> 00:04:26.269 Sutton Foster, Peter Gallagher, 129 00:04:23.009 --> 00:04:26.269 Josh Groban, Jake Gyllenhaal, 130 00:04:26.269 --> 00:04:29.079 Sean Hayes, Ron Cephas Jones, 131 00:04:29.079 --> 00:04:30.259 Nathan Lane, Brittney Mack, 132 00:04:30.259 --> 00:04:32.000 Camryn Manheim, 133 00:04:32.000 --> 00:04:34.000 Alanis Morissette, Rob McClure, 134 00:04:34.000 --> 00:04:36.050 Leslie Odom Jr, Jerry O'Connell, 135 00:04:36.050 --> 00:04:37.100 Mary-Louise Parker, 136 00:04:37.100 --> 00:04:39.009 Billy Porter, John Stamos, 137 00:04:39.009 --> 00:04:40.240 Aaron Tveit, Blair Underwood, 138 00:04:40.240 --> 00:04:42.100 Susan Kelechi Watson, 139 00:04:42.100 --> 00:04:45.050 and Vanessa Williams. 140 00:04:45.050 --> 00:04:49.170 And now our host Tina Fey. 141 00:04:49.170 --> 00:04:52.040 Tonight is a one-night-only 142 00:04:49.170 --> 00:04:52.040 salute to an art form 143 00:04:52.040 --> 00:04:54.060 that has been a driving force 144 00:04:52.040 --> 00:04:54.060 in American life 145 00:04:54.060 --> 00:04:56.259 for over a century -- 146 00:04:54.060 --> 00:04:56.259 the Broadway show. 147 00:04:56.259 --> 00:05:00.029 Over 14 million people came here 148 00:04:56.259 --> 00:05:00.029 to see live performances 149 00:05:00.029 --> 00:05:02.240 in the Theater District 150 00:05:00.029 --> 00:05:02.240 during the last Broadway season. 151 00:05:02.240 --> 00:05:05.019 But as we all know, 152 00:05:02.240 --> 00:05:05.019 for health and safety reasons, 153 00:05:05.019 --> 00:05:06.149 last March 12th, 154 00:05:06.149 --> 00:05:09.060 the doors of these 155 00:05:06.149 --> 00:05:09.060 lovely theaters were shuttered. 156 00:05:09.060 --> 00:05:11.189 The impact on Broadway 157 00:05:09.060 --> 00:05:11.189 has been devastating -- 158 00:05:11.189 --> 00:05:13.170 thousands of theater jobs lost, 159 00:05:13.170 --> 00:05:15.019 and each week 160 00:05:13.170 --> 00:05:15.019 Broadway is closed, 161 00:05:15.019 --> 00:05:18.220 it loses tens of millions 162 00:05:15.019 --> 00:05:18.220 in ticket sales. 163 00:05:18.220 --> 00:05:22.009 But one day soon, Broadway will 164 00:05:18.220 --> 00:05:22.009 be back and better than ever. 165 00:05:22.009 --> 00:05:24.129 But until that time, 166 00:05:22.009 --> 00:05:24.129 theater professionals 167 00:05:24.129 --> 00:05:27.050 are turning to Broadway Cares 168 00:05:24.129 --> 00:05:27.050 to stay afloat. 169 00:05:27.050 --> 00:05:29.060 Throughout the night, we'll be 170 00:05:27.050 --> 00:05:29.060 sharing more of their work 171 00:05:29.060 --> 00:05:33.009 and how you can join in 172 00:05:29.060 --> 00:05:33.009 and support this great cause. 173 00:05:33.009 --> 00:05:36.189 Thank you, Tina. And by the way, 174 00:05:33.009 --> 00:05:36.189 I loved you in "The Crown." 175 00:05:36.189 --> 00:05:40.180 As you may or may not know, 176 00:05:36.189 --> 00:05:40.180 I made my Broadway debut in 1982 177 00:05:40.180 --> 00:05:42.149 at the Circle 178 00:05:40.180 --> 00:05:42.149 in the Square Theatre 179 00:05:42.149 --> 00:05:45.100 in a revival of Noel Coward's 180 00:05:42.149 --> 00:05:45.100 "Present Laughter" 181 00:05:45.100 --> 00:05:49.079 starring and directed by the 182 00:05:45.100 --> 00:05:49.079 late, great George C. Scott. 183 00:05:49.079 --> 00:05:52.250 I've appeared in 184 00:05:49.079 --> 00:05:52.250 23 Broadway shows since then 185 00:05:52.250 --> 00:05:54.149 and at least as many 186 00:05:52.250 --> 00:05:54.149 off-Broadway, 187 00:05:54.149 --> 00:05:57.019 so my connection 188 00:05:54.149 --> 00:05:57.019 to the New York theater 189 00:05:57.019 --> 00:05:59.079 and its people runs deep. 190 00:05:59.079 --> 00:06:01.259 One of the many reasons 191 00:05:59.079 --> 00:06:01.259 I love theater people 192 00:06:01.259 --> 00:06:06.189 is because you can always 193 00:06:01.259 --> 00:06:06.189 count on them to be there, 194 00:06:06.189 --> 00:06:10.100 which brings me to Broadway 195 00:06:06.189 --> 00:06:10.100 Cares/Equity Fights AIDS. 196 00:06:10.100 --> 00:06:13.050 It's the philanthropic heart 197 00:06:10.100 --> 00:06:13.050 of Broadway. 198 00:06:13.050 --> 00:06:15.079 When the theater community 199 00:06:13.050 --> 00:06:15.079 is hurting, 200 00:06:15.079 --> 00:06:17.139 we turn to Broadway Cares. 201 00:06:17.139 --> 00:06:19.060 They're the helping hand 202 00:06:17.139 --> 00:06:19.060 we reach for 203 00:06:19.060 --> 00:06:20.259 and the shoulder we lean on. 204 00:06:20.259 --> 00:06:23.139 I've been a part of Broadway 205 00:06:20.259 --> 00:06:23.139 Cares/Equity Fights AIDS 206 00:06:23.139 --> 00:06:27.019 for 25 years as a member 207 00:06:23.139 --> 00:06:27.019 of its Board of Trustees 208 00:06:27.019 --> 00:06:30.160 and as an actor holding 209 00:06:27.019 --> 00:06:30.160 one of these iconic red buckets 210 00:06:30.160 --> 00:06:34.050 asking for donations 211 00:06:30.160 --> 00:06:34.050 as folks leave the theater. 212 00:06:34.050 --> 00:06:37.120 Today, though, 213 00:06:34.050 --> 00:06:37.120 those theaters are closed. 214 00:06:37.120 --> 00:06:41.009 That has left friends 215 00:06:37.120 --> 00:06:41.009 and colleagues out of work, 216 00:06:41.009 --> 00:06:43.129 no paycheck since March. 217 00:06:43.129 --> 00:06:45.209 But thanks 218 00:06:43.129 --> 00:06:45.209 to this incredible evening, 219 00:06:45.209 --> 00:06:47.240 you can be in the spotlight. 220 00:06:47.240 --> 00:06:51.240 You can be the star that helps 221 00:06:47.240 --> 00:06:51.240 an actor or stage manager 222 00:06:51.240 --> 00:06:53.209 get groceries next week 223 00:06:53.209 --> 00:06:57.230 or an usher or musician 224 00:06:53.209 --> 00:06:57.230 see a doctor next month. 225 00:06:57.230 --> 00:07:00.230 Help make someone's tomorrow 226 00:06:57.230 --> 00:07:00.230 brighter than their today. 227 00:07:00.230 --> 00:07:04.269 Go to broadwaycares.org/help2020 228 00:07:04.269 --> 00:07:07.269 and donate whatever you can. 229 00:07:07.269 --> 00:07:09.250 Thank you. 230 00:07:09.250 --> 00:07:11.129 Announcer: Ladies and gentlemen, 231 00:07:11.129 --> 00:07:14.250 "Ain't Too Proud: The Life 232 00:07:11.129 --> 00:07:14.250 and Times of The Temptations." 233 00:07:14.250 --> 00:07:17.000 ♪♪♪ 234 00:07:17.000 --> 00:07:20.199 ♪ You've got a smile so bright ♪ 235 00:07:20.199 --> 00:07:24.069 ♪ You know 236 00:07:20.199 --> 00:07:24.069 you could have been a candle ♪ 237 00:07:24.069 --> 00:07:27.250 ♪ I'm holding you so tight ♪ 238 00:07:27.250 --> 00:07:31.110 ♪ You know 239 00:07:27.250 --> 00:07:31.110 you could have been a handle ♪ 240 00:07:31.110 --> 00:07:35.019 ♪ The way you swept me 241 00:07:31.110 --> 00:07:35.019 off my feet ♪ 242 00:07:35.019 --> 00:07:38.180 ♪ You know 243 00:07:35.019 --> 00:07:38.180 you could have been a broom ♪ 244 00:07:38.180 --> 00:07:42.060 ♪ The way you smell so sweet ♪ 245 00:07:42.060 --> 00:07:46.009 ♪ You know you could have been 246 00:07:42.060 --> 00:07:46.009 some perfume ♪ 247 00:07:46.009 --> 00:07:50.110 ♪ Well, you could have been 248 00:07:46.009 --> 00:07:50.110 anything that you wanted to ♪ 249 00:07:50.110 --> 00:07:53.040 ♪ And I can tell ♪ 250 00:07:53.040 --> 00:07:54.279 ♪ The way you do 251 00:07:53.040 --> 00:07:54.279 the things you do ♪ 252 00:07:54.279 --> 00:07:56.250 ♪ The way you do 253 00:07:54.279 --> 00:07:56.250 the things you do ♪ 254 00:07:54.279 --> 00:07:56.250 ♪ Oh, yeah ♪ 255 00:07:56.250 --> 00:07:58.230 ♪ The way you do 256 00:07:56.250 --> 00:07:58.230 the things you do ♪ 257 00:07:58.230 --> 00:08:02.069 ♪ As pretty as you are ♪ 258 00:08:02.069 --> 00:08:05.220 ♪ You know 259 00:08:02.069 --> 00:08:05.220 you could have been a flower ♪ 260 00:08:05.220 --> 00:08:09.100 ♪ If good looks was a minute ♪ 261 00:08:09.100 --> 00:08:12.170 ♪ You know 262 00:08:09.100 --> 00:08:12.170 you could have been an hour ♪ 263 00:08:12.170 --> 00:08:16.160 ♪ Oh, the way 264 00:08:12.170 --> 00:08:16.160 you stole my heart ♪ 265 00:08:16.160 --> 00:08:20.050 ♪ You know you could have been 266 00:08:16.160 --> 00:08:20.050 a cool crook ♪ 267 00:08:20.050 --> 00:08:23.250 ♪ And, baby, you're so smart ♪ 268 00:08:23.250 --> 00:08:27.209 ♪ You know you should have been 269 00:08:23.250 --> 00:08:27.209 a schoolbook ♪ 270 00:08:27.209 --> 00:08:31.290 ♪ Well, you could have been 271 00:08:27.209 --> 00:08:31.290 anything that you wanted to ♪ 272 00:08:31.290 --> 00:08:34.200 ♪ And I can tell ♪ 273 00:08:34.200 --> 00:08:36.129 ♪ The way you do 274 00:08:34.200 --> 00:08:36.129 the things you do ♪ 275 00:08:36.129 --> 00:08:38.250 ♪ The way you do 276 00:08:36.129 --> 00:08:38.250 the things you do ♪ 277 00:08:38.250 --> 00:08:45.149 ♪♪♪ 278 00:08:45.149 --> 00:08:52.049 ♪♪♪ 279 00:08:52.049 --> 00:08:54.269 ♪ I know you wanna leave me ♪ 280 00:08:54.269 --> 00:08:58.120 ♪ But I refuse to let you go ♪ 281 00:08:58.120 --> 00:09:02.059 ♪ If I have to beg and plead 282 00:08:58.120 --> 00:09:02.059 for your sympathy ♪ 283 00:09:02.059 --> 00:09:06.000 ♪ I don't mind 'cause 284 00:09:02.059 --> 00:09:06.000 you mean that much to me ♪ 285 00:09:06.000 --> 00:09:08.049 ♪ Ain't too proud to beg ♪ 286 00:09:08.049 --> 00:09:09.220 ♪ And you know that ♪ 287 00:09:08.049 --> 00:09:09.220 ♪ Sweet darlin' ♪ 288 00:09:09.220 --> 00:09:13.070 ♪ Please don't leave me, girl ♪ 289 00:09:09.220 --> 00:09:13.070 ♪ Don't you go ♪ 290 00:09:13.070 --> 00:09:17.070 ♪ Ain't too proud 291 00:09:13.070 --> 00:09:17.070 to plead, baby, baby ♪ 292 00:09:17.070 --> 00:09:21.080 ♪ Please don't leave me, girl ♪ 293 00:09:17.070 --> 00:09:21.080 ♪ Don't you go ♪ 294 00:09:21.080 --> 00:09:25.179 ♪ Now I heard a cryin' man 295 00:09:21.080 --> 00:09:25.179 is half a man ♪ 296 00:09:25.179 --> 00:09:28.139 ♪ With no sense of pride ♪ 297 00:09:28.139 --> 00:09:31.070 ♪ But if I have to cry 298 00:09:28.139 --> 00:09:31.070 to keep you ♪ 299 00:09:31.070 --> 00:09:36.000 ♪ I don't mind weepin' 300 00:09:31.070 --> 00:09:36.000 if it keeps you by my side ♪ 301 00:09:36.000 --> 00:09:39.220 ♪ Ain't too proud to beg, 302 00:09:36.000 --> 00:09:39.220 sweet darlin' ♪ 303 00:09:39.220 --> 00:09:43.139 ♪ Please don't leave me, girl, 304 00:09:39.220 --> 00:09:43.139 don't you go ♪ 305 00:09:43.139 --> 00:09:47.129 ♪ Ain't too proud 306 00:09:43.139 --> 00:09:47.129 to plead, baby, baby ♪ 307 00:09:47.129 --> 00:09:51.110 ♪ Please don't leave me, girl ♪ 308 00:09:47.129 --> 00:09:51.110 ♪ Don't you go ♪ 309 00:09:51.110 --> 00:09:55.240 ♪ Now, I've got a love so deep 310 00:09:51.110 --> 00:09:55.240 in the pit of my heart ♪ 311 00:09:55.240 --> 00:09:59.009 ♪ And each day 312 00:09:55.240 --> 00:09:59.009 it grows more and more ♪ 313 00:09:59.009 --> 00:10:03.139 ♪ I'm not ashamed 314 00:09:59.009 --> 00:10:03.139 to come and plead to you, baby ♪ 315 00:10:03.139 --> 00:10:07.049 ♪ If pleadin' keeps you 316 00:10:03.139 --> 00:10:07.049 from walkin' out that door ♪ 317 00:10:07.049 --> 00:10:09.279 ♪ Ain't too proud to beg, 318 00:10:07.049 --> 00:10:09.279 sweet darlin' ♪ 319 00:10:09.279 --> 00:10:13.269 ♪ Please don't leave me, girl, 320 00:10:09.279 --> 00:10:13.269 don't you go ♪ 321 00:10:13.269 --> 00:10:17.210 ♪ Ain't too proud 322 00:10:13.269 --> 00:10:17.210 to plead, baby, baby ♪ 323 00:10:17.210 --> 00:10:21.049 ♪ Please don't leave me, girl ♪ 324 00:10:17.210 --> 00:10:21.049 ♪ Don't you go ♪ 325 00:10:21.049 --> 00:10:28.100 ♪♪♪ 326 00:10:28.100 --> 00:10:30.129 Announcer: 327 00:10:28.100 --> 00:10:30.129 Pop superstar Kelly Clarkson, 328 00:10:30.129 --> 00:10:33.019 15-time Tony nominee, 329 00:10:30.129 --> 00:10:33.019 "Jagged Little Pill," 330 00:10:33.019 --> 00:10:35.220 and a performance 331 00:10:33.019 --> 00:10:35.220 from the cast of "Mean Girls," 332 00:10:35.220 --> 00:10:38.210 when "One Night Only: 333 00:10:35.220 --> 00:10:38.210 The Best of Broadway" returns. 334 00:10:38.210 --> 00:10:40.120 ♪ On the nights on Broadway ♪ 335 00:10:40.120 --> 00:10:41.200 ♪ Blame it 336 00:10:40.120 --> 00:10:41.200 on the nights on Broadway ♪ 337 00:10:41.200 --> 00:10:42.230 ♪ Singin' them love ♪ 338 00:10:46.070 --> 00:10:46.090 . 339 00:10:47.070 --> 00:10:51.110 ♪♪♪ 340 00:10:55.070 --> 00:10:57.019 Welcome back to 341 00:10:55.070 --> 00:10:57.019 "The Best of Broadway." 342 00:10:57.019 --> 00:10:58.279 Our next performer 343 00:10:57.019 --> 00:10:58.279 is the nicest, 344 00:10:58.279 --> 00:11:01.049 hardest-working person 345 00:10:58.279 --> 00:11:01.049 on television. 346 00:11:01.049 --> 00:11:02.279 She's on "The Voice," 347 00:11:01.049 --> 00:11:02.279 has her own talk show, 348 00:11:02.279 --> 00:11:04.230 just hosted 349 00:11:02.279 --> 00:11:04.230 the "Billboard Music Awards," 350 00:11:04.230 --> 00:11:07.070 and is one of the biggest stars 351 00:11:04.230 --> 00:11:07.070 in the world of music. 352 00:11:07.070 --> 00:11:09.240 Here is Kelly Clarkson. 353 00:11:09.240 --> 00:11:12.169 I have always loved the song 354 00:11:09.240 --> 00:11:12.169 "White Christmas." 355 00:11:12.169 --> 00:11:14.169 It was originally written 356 00:11:12.169 --> 00:11:14.169 by Irving Berlin 357 00:11:14.169 --> 00:11:17.070 for the 1942 film "Holiday Inn," 358 00:11:17.070 --> 00:11:19.149 and it went on 359 00:11:17.070 --> 00:11:19.149 to win an Oscar that year. 360 00:11:19.149 --> 00:11:22.149 The film was later adapted for 361 00:11:19.149 --> 00:11:22.149 the bright lights of Broadway, 362 00:11:22.149 --> 00:11:23.230 and the song "White Christmas" 363 00:11:23.230 --> 00:11:27.190 is still one of the most 364 00:11:23.230 --> 00:11:27.190 beloved songs of all time. 365 00:11:27.190 --> 00:11:34.240 ♪♪♪ 366 00:11:34.240 --> 00:11:46.029 ♪ I'm dreaming 367 00:11:34.240 --> 00:11:46.029 of a white Christmas ♪ 368 00:11:46.029 --> 00:11:54.049 ♪ Just like the ones 369 00:11:46.029 --> 00:11:54.049 I used to know ♪ 370 00:11:54.049 --> 00:11:59.230 ♪ Where the tree tops glisten ♪ 371 00:11:59.230 --> 00:12:04.149 ♪ And children listen ♪ 372 00:12:04.149 --> 00:12:13.169 ♪ To hear sleigh bells 373 00:12:04.149 --> 00:12:13.169 in the snow ♪ 374 00:12:13.169 --> 00:12:24.169 ♪ I'm dreaming 375 00:12:13.169 --> 00:12:24.169 of a white Christmas ♪ 376 00:12:24.169 --> 00:12:32.169 ♪ With every Christmas card 377 00:12:24.169 --> 00:12:32.169 I write ♪ 378 00:12:32.169 --> 00:12:43.159 ♪ May your days be merry 379 00:12:32.169 --> 00:12:43.159 and bright ♪ 380 00:12:43.159 --> 00:12:53.169 ♪ And may all your Christmases 381 00:12:43.159 --> 00:12:53.169 be white ♪ 382 00:12:53.169 --> 00:13:02.080 ♪♪♪ 383 00:13:02.080 --> 00:13:10.279 ♪♪♪ 384 00:13:10.279 --> 00:13:24.070 ♪ May your days be merry 385 00:13:10.279 --> 00:13:24.070 and bright ♪ 386 00:13:25.179 --> 00:13:39.100 ♪ And may all your Christmases 387 00:13:25.179 --> 00:13:39.100 be white ♪ 388 00:13:39.100 --> 00:13:42.090 ♪♪♪ 389 00:13:42.090 --> 00:13:46.059 Whoo-whoo! Happy holidays! 390 00:13:46.059 --> 00:13:48.000 Happy holi-Broadway! 391 00:13:48.000 --> 00:13:51.029 Nope, doesn't work. 392 00:13:51.029 --> 00:13:53.190 Just hap-happy holidays, 393 00:13:51.029 --> 00:13:53.190 plus Broadway. 394 00:13:53.190 --> 00:13:55.120 So much goes on 395 00:13:53.190 --> 00:13:55.120 behind the scenes 396 00:13:55.120 --> 00:13:58.080 to get a Broadway show 397 00:13:55.120 --> 00:13:58.080 ready for a big premiere. 398 00:13:58.080 --> 00:13:59.279 You're in rehearsals 399 00:13:58.080 --> 00:13:59.279 for six weeks, 400 00:13:59.279 --> 00:14:01.259 two weeks of tech 401 00:13:59.279 --> 00:14:01.259 in the theater, 402 00:14:01.259 --> 00:14:04.240 four weeks of previews before 403 00:14:01.259 --> 00:14:04.240 you make it to opening night. 404 00:14:04.240 --> 00:14:07.070 There's the run-through, 405 00:14:04.240 --> 00:14:07.070 and you got to be off-book 406 00:14:07.070 --> 00:14:08.120 and have all your lines 407 00:14:07.070 --> 00:14:08.120 together. 408 00:14:08.120 --> 00:14:09.200 Then we're going to layer in 409 00:14:08.120 --> 00:14:09.200 the audience, 410 00:14:09.200 --> 00:14:10.279 and then the critics are coming. 411 00:14:10.279 --> 00:14:13.000 All of those steps 412 00:14:10.279 --> 00:14:13.000 leading up to opening night 413 00:14:13.000 --> 00:14:14.129 was a wonderful tightrope walk, 414 00:14:14.129 --> 00:14:17.080 and it's such 415 00:14:14.129 --> 00:14:17.080 an incredible community. 416 00:14:17.080 --> 00:14:19.200 We all keep each other 417 00:14:17.080 --> 00:14:19.200 from falling off the rope. 418 00:14:19.200 --> 00:14:22.000 ♪♪♪ 419 00:14:22.000 --> 00:14:23.259 There's nothing like 420 00:14:22.000 --> 00:14:23.259 an opening night on Broadway. 421 00:14:23.259 --> 00:14:25.230 We're at the opening 422 00:14:23.259 --> 00:14:25.230 of "Girl from the North Country" 423 00:14:25.230 --> 00:14:27.019 on Broadway. 424 00:14:27.019 --> 00:14:28.159 Ferguson: That's when 425 00:14:27.019 --> 00:14:28.159 all the famous people come. 426 00:14:28.159 --> 00:14:30.019 It's just -- It's really, 427 00:14:28.159 --> 00:14:30.019 really special. 428 00:14:30.019 --> 00:14:32.110 -[ Chanting ] Tina! Tina! 429 00:14:30.019 --> 00:14:32.110 -[ Chanting ] Tina! Tina! 430 00:14:32.110 --> 00:14:34.279 I could never be as happy 431 00:14:32.110 --> 00:14:34.279 as I am now. 432 00:14:34.279 --> 00:14:38.110 One of my cast mates, Tina Ou, 433 00:14:34.279 --> 00:14:38.110 she said, you know, 434 00:14:38.110 --> 00:14:41.169 "You only make 435 00:14:38.110 --> 00:14:41.169 your Broadway debut once. 436 00:14:41.169 --> 00:14:45.019 Remember this moment. 437 00:14:41.169 --> 00:14:45.019 Honor this moment." 438 00:14:45.019 --> 00:14:47.009 I was 24 years old, 439 00:14:47.009 --> 00:14:50.090 and I still have the earrings 440 00:14:47.009 --> 00:14:50.090 that I wore that night. 441 00:14:50.090 --> 00:14:54.039 I remember my parents being 442 00:14:50.090 --> 00:14:54.039 there and, yeah, it was magic. 443 00:14:54.039 --> 00:14:55.230 Opening night 444 00:14:54.039 --> 00:14:55.230 of "The Great Comet" was -- 445 00:14:55.230 --> 00:14:57.230 It was just such a par-- 446 00:14:55.230 --> 00:14:57.230 It was such a party. 447 00:14:57.230 --> 00:15:01.080 But we all knew that reviews 448 00:14:57.230 --> 00:15:01.080 were going to be coming in, 449 00:15:01.080 --> 00:15:02.190 which is such a cruel thing. 450 00:15:02.190 --> 00:15:04.029 To any reviewer watching, 451 00:15:02.190 --> 00:15:04.029 I love you. 452 00:15:04.029 --> 00:15:06.169 I respect what you do. 453 00:15:04.029 --> 00:15:06.169 You are so necessary. 454 00:15:06.169 --> 00:15:08.009 But do they have to come in 455 00:15:06.169 --> 00:15:08.009 at intermission? 456 00:15:08.009 --> 00:15:09.149 We're opening tonight! 457 00:15:09.149 --> 00:15:11.110 -Aah! 458 00:15:09.149 --> 00:15:11.110 -♪ Opening night ♪ 459 00:15:11.110 --> 00:15:13.269 ♪ Finally ♪ 460 00:15:13.269 --> 00:15:17.120 I was really nervous 461 00:15:13.269 --> 00:15:17.120 my first Broadway opening night. 462 00:15:17.120 --> 00:15:21.080 You get a bad review, 463 00:15:17.120 --> 00:15:21.080 you open, and you close. 464 00:15:21.080 --> 00:15:24.059 There's no gentle hand-holding 465 00:15:21.080 --> 00:15:24.059 on Broadway. 466 00:15:24.059 --> 00:15:29.009 I remember before I stepped out 467 00:15:24.059 --> 00:15:29.009 there on opening night thinking, 468 00:15:29.009 --> 00:15:32.070 "My God. I'm on Broadway." 469 00:15:32.070 --> 00:15:36.169 I made my Broadway debut 470 00:15:32.070 --> 00:15:36.169 in the first revival of "Hair." 471 00:15:36.169 --> 00:15:37.279 I remember my mother 472 00:15:36.169 --> 00:15:37.279 was out there, 473 00:15:37.279 --> 00:15:39.129 and I was going to be naked! 474 00:15:39.129 --> 00:15:41.000 [ Laughs ] 475 00:15:41.000 --> 00:15:43.000 My dad, too! 476 00:15:43.000 --> 00:15:45.279 It was a dilemma 477 00:15:43.000 --> 00:15:45.279 I hadn't quite anticipated. 478 00:15:45.279 --> 00:15:48.220 The opening night jitters 479 00:15:45.279 --> 00:15:48.220 are no joke. 480 00:15:48.220 --> 00:15:51.179 When I was in "Tom Sawyer," 481 00:15:48.220 --> 00:15:51.179 my first Broadway show, 482 00:15:51.179 --> 00:15:54.250 I remember, like, coming 483 00:15:51.179 --> 00:15:54.250 offstage after my first number, 484 00:15:54.250 --> 00:15:56.269 and I just was kind of 485 00:15:54.250 --> 00:15:56.269 having a panic attack, 486 00:15:56.269 --> 00:15:59.090 and I had to have the costumer 487 00:15:56.269 --> 00:15:59.090 rip off my corset 488 00:15:59.090 --> 00:16:00.220 so I could breathe. 489 00:16:00.220 --> 00:16:03.070 Ashford: I remember the first 490 00:16:00.220 --> 00:16:03.070 night of my Broadway debut, 491 00:16:03.070 --> 00:16:04.159 it was crazy. 492 00:16:04.159 --> 00:16:08.190 I cried, and I think I peed 493 00:16:04.159 --> 00:16:08.190 a little bit in my pants. 494 00:16:08.190 --> 00:16:10.049 It's like being shot 495 00:16:08.190 --> 00:16:10.049 out of a cannon, 496 00:16:10.049 --> 00:16:12.220 and it just keeps going 497 00:16:10.049 --> 00:16:12.220 and going and going. 498 00:16:12.220 --> 00:16:14.220 It's a runaway train, 499 00:16:12.220 --> 00:16:14.220 and you jump on it, 500 00:16:14.220 --> 00:16:18.059 and you hold on for dear life, 501 00:16:14.220 --> 00:16:18.059 'cause it doesn't stop. 502 00:16:18.059 --> 00:16:20.080 But it was the most -- 503 00:16:18.059 --> 00:16:20.080 one of the most fulfilling, 504 00:16:20.080 --> 00:16:22.200 gratifying moments 505 00:16:20.080 --> 00:16:22.200 of my life ever. 506 00:16:22.200 --> 00:16:25.019 [ Cheers and applause ] 507 00:16:25.019 --> 00:16:27.279 ♪♪♪ 508 00:16:27.279 --> 00:16:30.100 [ Cheers and applause continue ] 509 00:16:35.090 --> 00:16:43.059 ♪♪♪ 510 00:16:43.059 --> 00:16:45.000 Now for our next performance, 511 00:16:45.000 --> 00:16:47.149 it's from a show 512 00:16:45.000 --> 00:16:47.149 that is definitely my favorite, 513 00:16:47.149 --> 00:16:51.210 "Mean Girls" is a musical comedy 514 00:16:47.149 --> 00:16:51.210 sociology class about queen bees 515 00:16:51.210 --> 00:16:53.070 and why we fear them. 516 00:16:53.070 --> 00:16:56.090 This 12-time Tony nominee 517 00:16:53.070 --> 00:16:56.090 is packed with jokes, 518 00:16:56.090 --> 00:16:58.110 dance, and show-stopping songs. 519 00:16:58.110 --> 00:17:01.009 We opened at the August Wilson 520 00:16:58.110 --> 00:17:01.009 Theatre in 2018, 521 00:17:01.009 --> 00:17:02.059 and the national tour 522 00:17:02.059 --> 00:17:04.109 will hopefully be 523 00:17:02.059 --> 00:17:04.109 hitting the road again soon. 524 00:17:04.109 --> 00:17:06.150 Let's take a look at 525 00:17:04.109 --> 00:17:06.150 some behind-the-scenes footage 526 00:17:06.150 --> 00:17:09.019 from "Mean Girls" and then 527 00:17:06.150 --> 00:17:09.019 a performance by Dani Wade, 528 00:17:09.019 --> 00:17:11.019 Adante Carter, 529 00:17:09.019 --> 00:17:11.019 and Catherine Brunell 530 00:17:11.019 --> 00:17:12.220 of the song "Stupid with Love." 531 00:17:12.220 --> 00:17:18.029 I remember the audition process 532 00:17:12.220 --> 00:17:18.029 being so, so nervous 533 00:17:18.029 --> 00:17:19.289 and then when I got 534 00:17:18.029 --> 00:17:19.289 the part, feeling like, 535 00:17:19.289 --> 00:17:22.279 "How am I going to do this?" 536 00:17:19.289 --> 00:17:22.279 But as soon as we got a week in, 537 00:17:22.279 --> 00:17:25.269 I felt all these people 538 00:17:22.279 --> 00:17:25.269 just holding me and saying, 539 00:17:25.269 --> 00:17:28.119 like, "This is a collaboration. 540 00:17:25.269 --> 00:17:28.119 We're going to work together." 541 00:17:28.119 --> 00:17:31.150 Playing a high-schooler 542 00:17:28.119 --> 00:17:31.150 every night, 543 00:17:31.150 --> 00:17:34.269 and that was the exact time 544 00:17:31.150 --> 00:17:34.269 in my life 545 00:17:34.269 --> 00:17:37.049 where I was kind of deciding 546 00:17:34.269 --> 00:17:37.049 whether or not, like, 547 00:17:37.049 --> 00:17:39.240 this was going to be something 548 00:17:37.049 --> 00:17:39.240 that I was going to pursue. 549 00:17:39.240 --> 00:17:41.289 And so it just feels 550 00:17:39.240 --> 00:17:41.289 very full circle right now. 551 00:17:41.289 --> 00:17:43.109 Henson: 552 00:17:41.289 --> 00:17:43.109 It's such an amazing company, 553 00:17:43.109 --> 00:17:45.190 and there's so many newbies 554 00:17:43.109 --> 00:17:45.190 and so many Broadway debuts, 555 00:17:45.190 --> 00:17:48.109 and it's just -- 556 00:17:45.190 --> 00:17:48.109 It's unbelievable. 557 00:17:48.109 --> 00:17:50.250 ♪♪♪ 558 00:17:50.250 --> 00:17:54.279 Okay, friends, Chapter 1 -- 559 00:17:50.250 --> 00:17:54.279 "Limits and their properties." 560 00:17:54.279 --> 00:17:57.009 Now, if I write out 561 00:17:54.279 --> 00:17:57.009 this equation, 562 00:17:57.009 --> 00:17:59.240 the limit as X approaches 563 00:17:57.009 --> 00:17:59.240 2 of X plus 1, 564 00:17:59.240 --> 00:18:02.109 the function is what 565 00:17:59.240 --> 00:18:02.109 we're taking the limit of. 566 00:18:02.109 --> 00:18:04.230 X equals 3. 567 00:18:02.109 --> 00:18:04.230 That's right, actually. 568 00:18:04.230 --> 00:18:07.119 Wow, okay, 569 00:18:04.230 --> 00:18:07.119 let's try another one. 570 00:18:07.119 --> 00:18:10.279 Find the value of K for which 571 00:18:07.119 --> 00:18:10.279 the following limit exists. 572 00:18:10.279 --> 00:18:12.220 K equals negative-3. 573 00:18:12.220 --> 00:18:15.140 Wow. Are you trying to make 574 00:18:12.220 --> 00:18:15.140 the rest of us feel dumb? 575 00:18:15.140 --> 00:18:18.289 No, I'm not trying to. 576 00:18:15.140 --> 00:18:18.289 It's just happening. 577 00:18:18.289 --> 00:18:21.210 I'm Aaron. 578 00:18:18.289 --> 00:18:21.210 Hey, it's nice to meet -- 579 00:18:21.210 --> 00:18:25.150 ♪ When I was five, 580 00:18:21.210 --> 00:18:25.150 I fell in love ♪ 581 00:18:25.150 --> 00:18:29.039 ♪ It didn't last ♪ 582 00:18:29.039 --> 00:18:32.279 ♪ He ran from me, 583 00:18:29.039 --> 00:18:32.279 literally ran from me ♪ 584 00:18:32.279 --> 00:18:37.009 ♪ And being Kenyan, 585 00:18:32.279 --> 00:18:37.009 he ran fast ♪ 586 00:18:37.009 --> 00:18:40.259 ♪ When I was ten, 587 00:18:37.009 --> 00:18:40.259 in love again ♪ 588 00:18:40.259 --> 00:18:43.089 ♪ This Peace Corps guy ♪ 589 00:18:43.089 --> 00:18:44.220 [ Laughs ] 590 00:18:44.220 --> 00:18:48.079 ♪ I waited hours 591 00:18:44.220 --> 00:18:48.079 inside his tent with flowers ♪ 592 00:18:48.079 --> 00:18:51.289 ♪ Which made him laugh, 593 00:18:48.079 --> 00:18:51.289 which made me cry ♪ 594 00:18:51.289 --> 00:18:54.180 ♪ By thirteen, 595 00:18:51.289 --> 00:18:54.180 I gave up trying ♪ 596 00:18:54.180 --> 00:18:58.170 ♪ I decided I would be 597 00:18:54.180 --> 00:18:58.170 a mathematician ♪ 598 00:18:58.170 --> 00:19:00.289 ♪ Because math is real ♪ 599 00:19:00.289 --> 00:19:03.029 ♪ I memorized a lot of pi ♪ 600 00:19:03.029 --> 00:19:06.119 ♪ Because addition 601 00:19:03.029 --> 00:19:06.119 and subtraction and division ♪ 602 00:19:06.119 --> 00:19:10.250 ♪ Would never make me feel 603 00:19:06.119 --> 00:19:10.250 so stupid with love ♪ 604 00:19:10.250 --> 00:19:12.240 ♪ Like I didn't get it ♪ 605 00:19:12.240 --> 00:19:16.220 ♪ I didn't get it somehow ♪ 606 00:19:16.220 --> 00:19:20.220 ♪ Smart with math 607 00:19:16.220 --> 00:19:20.220 but stupid with love ♪ 608 00:19:20.220 --> 00:19:23.029 ♪ I didn't get it ♪ 609 00:19:23.029 --> 00:19:25.000 ♪ I didn't get it till now ♪ 610 00:19:25.000 --> 00:19:26.009 Do you have an eraser? 611 00:19:26.009 --> 00:19:28.230 I would love to. 612 00:19:28.230 --> 00:19:32.200 ♪ So, thank you, math, 613 00:19:28.230 --> 00:19:32.200 for being there ♪ 614 00:19:32.200 --> 00:19:34.210 ♪ To bring me joy ♪ 615 00:19:34.210 --> 00:19:36.210 ♪♪♪ 616 00:19:36.210 --> 00:19:38.119 ♪ And thank you, math ♪ 617 00:19:38.119 --> 00:19:41.190 ♪ 'Cause now brought me 618 00:19:38.119 --> 00:19:41.190 this cute boy ♪ 619 00:19:41.190 --> 00:19:43.029 Is it 2? 620 00:19:41.190 --> 00:19:43.029 Norbury: Yes. 621 00:19:43.029 --> 00:19:45.049 Good. Nice. 622 00:19:43.029 --> 00:19:45.049 ♪ He's like someone from TV ♪ 623 00:19:45.049 --> 00:19:49.200 ♪ He's like that guy who 624 00:19:45.049 --> 00:19:49.200 gives out roses to those women ♪ 625 00:19:49.200 --> 00:19:52.029 ♪ His clothes, his grooming ♪ 626 00:19:52.029 --> 00:19:54.029 ♪ And he's a foot away from me ♪ 627 00:19:54.029 --> 00:19:57.170 ♪ With dreamy smile and shiny 628 00:19:54.029 --> 00:19:57.170 eyes that I could swim in ♪ 629 00:19:57.170 --> 00:20:00.000 ♪ He's livening the room ♪ 630 00:20:00.000 --> 00:20:03.289 ♪ And I'm stupid with love ♪ 631 00:20:03.289 --> 00:20:09.250 ♪ I wanna get it, 632 00:20:03.289 --> 00:20:09.250 I wanna get it, but how? ♪ 633 00:20:09.250 --> 00:20:13.200 ♪ Smart with math 634 00:20:09.250 --> 00:20:13.200 but stupid with love ♪ 635 00:20:13.200 --> 00:20:18.009 ♪ I wanna get it, 636 00:20:13.200 --> 00:20:18.009 I didn't get it till now ♪ 637 00:20:18.009 --> 00:20:19.250 2 over zero is undefined. 638 00:20:18.009 --> 00:20:19.250 2 over zero is undefined. 639 00:20:19.250 --> 00:20:21.150 Jinx. 640 00:20:21.150 --> 00:20:25.109 ♪ I'm astounded and nonplussed, 641 00:20:21.150 --> 00:20:25.109 I am filled with "calculust" ♪ 642 00:20:25.109 --> 00:20:29.150 ♪ Does this guy work out? 643 00:20:25.109 --> 00:20:29.150 He must, all sweaty at the gym ♪ 644 00:20:29.150 --> 00:20:33.099 ♪ Could that image be more hot? 645 00:20:29.150 --> 00:20:33.099 Let me just enjoy that thought ♪ 646 00:20:33.099 --> 00:20:36.009 ♪ School was rough, 647 00:20:33.099 --> 00:20:36.009 but now it's not ♪ 648 00:20:36.009 --> 00:20:40.000 ♪ 'Cause now there's him ♪ 649 00:20:40.000 --> 00:20:43.109 ♪ It's all so simple ♪ 650 00:20:43.109 --> 00:20:47.170 ♪ Stupid with love, 651 00:20:43.109 --> 00:20:47.170 but I can get it ♪ 652 00:20:47.170 --> 00:20:51.140 ♪ Watch this girl self-educate ♪ 653 00:20:51.140 --> 00:20:55.269 ♪ I learned math, 654 00:20:51.140 --> 00:20:55.269 so I can learn love ♪ 655 00:20:55.269 --> 00:20:57.250 ♪ You wanna bet it ♪ 656 00:20:57.250 --> 00:21:00.190 ♪ That I can get it, just wait ♪ 657 00:21:00.190 --> 00:21:02.190 ♪♪♪ 658 00:21:02.190 --> 00:21:06.150 ♪ Just wait ♪ 659 00:21:06.150 --> 00:21:14.190 ♪ Just wait ♪ 660 00:21:18.000 --> 00:21:20.210 ♪♪♪ 661 00:21:20.210 --> 00:21:22.240 Announcer: 662 00:21:20.210 --> 00:21:22.240 The legendary Barbra Streisand, 663 00:21:22.240 --> 00:21:25.240 15-time Tony nominee 664 00:21:22.240 --> 00:21:25.240 "Jagged Little Pill," 665 00:21:25.240 --> 00:21:28.259 and a special performance 666 00:21:25.240 --> 00:21:28.259 of a classic from "Rent" 667 00:21:28.259 --> 00:21:32.119 when "One Night Only: 668 00:21:28.259 --> 00:21:32.119 The Best of Broadway" continues. 669 00:21:32.119 --> 00:21:33.230 ♪ Blame it 670 00:21:32.119 --> 00:21:33.230 on the nights on Broadway ♪ 671 00:21:33.230 --> 00:21:37.069 ♪ Singin' them love songs, 672 00:21:33.230 --> 00:21:37.069 singin' them ♪ 673 00:21:40.059 --> 00:21:40.079 . 674 00:21:41.119 --> 00:21:41.150 ♪♪♪ 675 00:21:44.160 --> 00:21:46.200 When COVID hit, I -- 676 00:21:46.200 --> 00:21:49.240 After the initial 677 00:21:46.200 --> 00:21:49.240 shock and sadness 678 00:21:49.240 --> 00:21:51.059 for what was happening 679 00:21:49.240 --> 00:21:51.059 in the world, 680 00:21:51.059 --> 00:21:53.009 then I just thought, 681 00:21:51.059 --> 00:21:53.009 "Oh my theater friends. 682 00:21:53.009 --> 00:21:54.259 Like, how is this 683 00:21:53.009 --> 00:21:54.259 ever going to -- 684 00:21:54.259 --> 00:21:56.130 How are they ever 685 00:21:54.259 --> 00:21:56.130 going to recover?" 686 00:21:56.130 --> 00:21:59.119 O'Connell: It not only affects 687 00:21:56.130 --> 00:21:59.119 my performer friends. 688 00:21:59.119 --> 00:22:02.289 It affects all the customers, 689 00:22:02.289 --> 00:22:07.089 all the crew people 690 00:22:02.289 --> 00:22:07.089 who work on a show, 691 00:22:07.089 --> 00:22:10.170 all the ushers, 692 00:22:07.089 --> 00:22:10.170 the box office people, 693 00:22:10.170 --> 00:22:13.049 the ticket people. 694 00:22:10.170 --> 00:22:13.049 TV still goes on. 695 00:22:13.049 --> 00:22:16.220 Streaming services 696 00:22:13.049 --> 00:22:16.220 still release things. 697 00:22:16.220 --> 00:22:19.109 But in order 698 00:22:16.220 --> 00:22:19.109 for Broadway to go on, 699 00:22:19.109 --> 00:22:21.039 there has to be butts in seats. 700 00:22:21.039 --> 00:22:25.019 Manheim: I do have a very soft 701 00:22:21.039 --> 00:22:25.019 spot in my heart for theater. 702 00:22:25.019 --> 00:22:28.259 It is my first and truest love, 703 00:22:28.259 --> 00:22:32.029 and I could actually 704 00:22:28.259 --> 00:22:32.029 get emotional about it, 705 00:22:32.029 --> 00:22:34.170 knowing that it's 706 00:22:32.029 --> 00:22:34.170 in peril right now. 707 00:22:36.269 --> 00:22:40.240 Banderas: I wanted "A Chorus 708 00:22:36.269 --> 00:22:40.240 Line" to be the first company 709 00:22:40.240 --> 00:22:43.190 that can perform 710 00:22:40.240 --> 00:22:43.190 an American play, 711 00:22:43.190 --> 00:22:46.099 but to do it in Spanish 712 00:22:43.190 --> 00:22:46.099 on Broadway. 713 00:22:46.099 --> 00:22:48.190 Producer with me, John Breglio, 714 00:22:46.099 --> 00:22:48.190 called me 715 00:22:48.190 --> 00:22:50.009 and said to me, "It's done. 716 00:22:50.009 --> 00:22:53.079 We are going to be on Broadway 717 00:22:50.009 --> 00:22:53.079 with the show." 718 00:22:53.079 --> 00:22:57.200 Two weeks after, 719 00:22:53.079 --> 00:22:57.200 everything was shut down. 720 00:22:57.200 --> 00:23:00.079 When we found out "Moulin Rouge" 721 00:22:57.200 --> 00:23:00.079 was going to temporary close 722 00:23:00.079 --> 00:23:02.150 because of 723 00:23:00.079 --> 00:23:02.150 the COVID-19 pandemic, 724 00:23:02.150 --> 00:23:06.009 our company had been about 725 00:23:02.150 --> 00:23:06.009 eight months into our run. 726 00:23:06.009 --> 00:23:08.059 It was -- Yeah, it was -- 727 00:23:06.009 --> 00:23:08.059 It was devastating, 728 00:23:08.059 --> 00:23:10.039 for every reason 729 00:23:08.059 --> 00:23:10.039 you can imagine. 730 00:23:10.039 --> 00:23:11.160 You get to your opening night, 731 00:23:11.160 --> 00:23:17.210 and something like 732 00:23:11.160 --> 00:23:17.210 the COVID-19 pandemic, 733 00:23:17.210 --> 00:23:19.269 this virus, happens. 734 00:23:19.269 --> 00:23:21.089 I was the only one 735 00:23:19.269 --> 00:23:21.089 at the theater, 736 00:23:21.089 --> 00:23:24.130 and I had never felt so alone 737 00:23:24.130 --> 00:23:28.049 when I found out 738 00:23:24.130 --> 00:23:28.049 that we would not be having 739 00:23:28.049 --> 00:23:30.289 our big opening night 740 00:23:28.049 --> 00:23:30.289 on Broadway. 741 00:23:30.289 --> 00:23:32.200 I will never forget it 742 00:23:30.289 --> 00:23:32.200 as long as I live. 743 00:23:32.200 --> 00:23:34.089 We were in the middle 744 00:23:32.200 --> 00:23:34.089 of rehearsal 745 00:23:34.089 --> 00:23:35.220 in the Stephen Sondheim theater, 746 00:23:35.220 --> 00:23:38.190 implementing changes 747 00:23:35.220 --> 00:23:38.190 to go in that night. 748 00:23:38.190 --> 00:23:41.130 And our producer came into 749 00:23:38.190 --> 00:23:41.130 the theater, sat us all down, 750 00:23:41.130 --> 00:23:46.029 told us to leave everything 751 00:23:41.130 --> 00:23:46.029 where it is, and go home. 752 00:23:46.029 --> 00:23:49.119 Mrs. Doubtfire's face is sitting 753 00:23:46.029 --> 00:23:49.119 on my dressing room station 754 00:23:49.119 --> 00:23:51.059 next to a picture of my family. 755 00:23:51.059 --> 00:23:52.279 Morissette: 756 00:23:51.059 --> 00:23:52.279 This pandemic is so serious 757 00:23:52.279 --> 00:23:54.049 that Broadway's going dark. 758 00:23:54.049 --> 00:23:56.019 I mean, Broadway 759 00:23:54.049 --> 00:23:56.019 doesn't go dark. 760 00:23:56.019 --> 00:23:57.119 [ Laughing ] 761 00:23:56.019 --> 00:23:57.119 You know? It's like -- 762 00:23:57.119 --> 00:23:59.009 So it was really shocking. 763 00:23:59.009 --> 00:24:00.269 And it really brought home 764 00:23:59.009 --> 00:24:00.269 the reality 765 00:24:00.269 --> 00:24:04.130 of how many people's lives 766 00:24:00.269 --> 00:24:04.130 are being affected. 767 00:24:04.130 --> 00:24:05.250 Performed by Broadway actors 768 00:24:05.250 --> 00:24:07.230 who represent the entire 769 00:24:05.250 --> 00:24:07.230 theater community, 770 00:24:07.230 --> 00:24:11.029 from "Rent," 771 00:24:07.230 --> 00:24:11.029 here is "Seasons of Love." 772 00:24:11.029 --> 00:24:16.190 ♪♪♪ 773 00:24:16.190 --> 00:24:22.049 ♪♪♪ 774 00:24:22.049 --> 00:24:27.180 ♪ Five hundred twenty-five 775 00:24:22.049 --> 00:24:27.180 thousand six hundred minutes ♪ 776 00:24:27.180 --> 00:24:33.000 ♪ Five hundred twenty-five 777 00:24:27.180 --> 00:24:33.000 thousand moments so dear ♪ 778 00:24:33.000 --> 00:24:38.140 ♪ Five hundred twenty-five 779 00:24:33.000 --> 00:24:38.140 thousand six hundred minutes ♪ 780 00:24:38.140 --> 00:24:43.049 ♪ How do you measure, 781 00:24:38.140 --> 00:24:43.049 measure a year? ♪ 782 00:24:43.049 --> 00:24:49.059 ♪ In daylights, in sunsets, in 783 00:24:43.049 --> 00:24:49.059 midnights, in cups of coffee ♪ 784 00:24:49.059 --> 00:24:53.279 ♪ In inches, in miles, 785 00:24:49.059 --> 00:24:53.279 in laughter, in strife ♪ 786 00:24:53.279 --> 00:24:59.089 ♪ In five hundred twenty-five 787 00:24:53.279 --> 00:24:59.089 thousand six hundred minutes ♪ 788 00:24:59.089 --> 00:25:04.130 ♪ How do you measure 789 00:24:59.089 --> 00:25:04.130 a year in the life? ♪ 790 00:25:04.130 --> 00:25:09.250 ♪ How about love? ♪ 791 00:25:09.250 --> 00:25:15.049 ♪ How about love? ♪ 792 00:25:15.049 --> 00:25:20.160 ♪ How about love? ♪ 793 00:25:20.160 --> 00:25:24.160 ♪ Measure in love ♪ 794 00:25:24.160 --> 00:25:27.140 ♪ Seasons of love ♪ 795 00:25:27.140 --> 00:25:31.009 ♪ Love ♪ 796 00:25:31.009 --> 00:25:32.240 ♪ Seasons of love ♪ 797 00:25:32.240 --> 00:25:37.250 ♪ Love ♪ 798 00:25:37.250 --> 00:25:43.059 ♪ Five hundred twenty-five 799 00:25:37.250 --> 00:25:43.059 thousand six hundred minutes ♪ 800 00:25:43.059 --> 00:25:48.170 ♪ Five hundred twenty-five 801 00:25:43.059 --> 00:25:48.170 thousand journeys to plan ♪ 802 00:25:48.170 --> 00:25:53.099 ♪ Five hundred twenty-five 803 00:25:48.170 --> 00:25:53.099 thousand six hundred minutes ♪ 804 00:25:53.099 --> 00:25:58.230 ♪ How do you measure the life 805 00:25:53.099 --> 00:25:58.230 of a woman or a man? ♪ 806 00:25:58.230 --> 00:26:04.109 ♪ In truths that she learned 807 00:25:58.230 --> 00:26:04.109 or in times that he cried ♪ 808 00:26:04.109 --> 00:26:09.170 ♪ The bridges he burned 809 00:26:04.109 --> 00:26:09.170 or the way that she died ♪ 810 00:26:09.170 --> 00:26:14.269 ♪ It's time now to sing out, 811 00:26:09.170 --> 00:26:14.269 though the story never ends ♪ 812 00:26:14.269 --> 00:26:19.269 ♪ Let's celebrate, remember 813 00:26:14.269 --> 00:26:19.269 a year in the life of friends ♪ 814 00:26:19.269 --> 00:26:23.059 ♪ Remember the love ♪ 815 00:26:23.059 --> 00:26:25.099 ♪ You got to, you got to 816 00:26:23.059 --> 00:26:25.099 remember the love ♪ 817 00:26:25.099 --> 00:26:27.220 ♪ Remember the love ♪ 818 00:26:27.220 --> 00:26:30.230 ♪ You know that life 819 00:26:27.220 --> 00:26:30.230 is a gift from up above ♪ 820 00:26:30.230 --> 00:26:32.170 ♪ Remember the love ♪ 821 00:26:32.170 --> 00:26:36.039 ♪ Give love, 822 00:26:32.170 --> 00:26:36.039 share love, celebrate ♪ 823 00:26:36.039 --> 00:26:37.160 ♪ Measure in love ♪ 824 00:26:37.160 --> 00:26:42.279 ♪ Measure your life in, 825 00:26:37.160 --> 00:26:42.279 measure your life in love ♪ 826 00:26:42.279 --> 00:26:45.220 ♪ Seasons of love ♪ 827 00:26:45.220 --> 00:26:49.109 ♪ Love ♪ 828 00:26:49.109 --> 00:26:51.029 ♪ Seasons of love ♪ 829 00:26:51.029 --> 00:26:53.009 ♪ Love ♪ 830 00:26:53.009 --> 00:26:57.269 ♪ Measure your life 831 00:26:53.009 --> 00:26:57.269 in love ♪ 832 00:26:57.269 --> 00:27:03.180 ♪♪♪ 833 00:27:03.180 --> 00:27:05.190 Announcer: 834 00:27:03.180 --> 00:27:05.190 Broadway great Billy Porter, 835 00:27:05.190 --> 00:27:08.099 a sneak peek from "Diana," 836 00:27:05.190 --> 00:27:08.099 the new musical, 837 00:27:08.099 --> 00:27:11.009 and the legendary 838 00:27:08.099 --> 00:27:11.009 Barbra Streisand, 839 00:27:11.009 --> 00:27:14.230 when "One Night Only: 840 00:27:11.009 --> 00:27:14.230 The Best of Broadway" returns. 841 00:27:14.230 --> 00:27:16.029 ♪ Blame it 842 00:27:14.230 --> 00:27:16.029 on the nights on Broadway ♪ 843 00:27:16.029 --> 00:27:17.059 ♪ Singin' them love ♪ 844 00:27:20.049 --> 00:27:20.069 . 845 00:27:21.099 --> 00:27:21.130 ♪♪♪ 846 00:27:24.140 --> 00:27:27.269 My first time seeing a Broadway 847 00:27:24.140 --> 00:27:27.269 show was "Dreamgirls." 848 00:27:27.269 --> 00:27:29.099 I was in New York, 849 00:27:29.099 --> 00:27:32.000 and it was my first time, 850 00:27:29.099 --> 00:27:32.000 really, in the big city, 851 00:27:32.000 --> 00:27:35.009 and I said, I just want to be 852 00:27:32.000 --> 00:27:35.009 around kind of Broadway and what 853 00:27:32.000 --> 00:27:35.009 it's like." 854 00:27:35.009 --> 00:27:37.230 And I went by 855 00:27:35.009 --> 00:27:37.230 the Dreamgirls theater, 856 00:27:37.230 --> 00:27:39.000 and I saw the backstage door, 857 00:27:39.000 --> 00:27:40.220 and I knocked 858 00:27:39.000 --> 00:27:40.220 on the backstage door. 859 00:27:40.220 --> 00:27:42.109 And one of the actors came out 860 00:27:40.220 --> 00:27:42.109 by the name of -- 861 00:27:42.109 --> 00:27:44.200 the great Obba Babatunde, 862 00:27:44.200 --> 00:27:46.190 and he came in -- 863 00:27:44.200 --> 00:27:46.190 He didn't know me from Adam. 864 00:27:46.190 --> 00:27:48.119 I didn't know him, either. 865 00:27:46.190 --> 00:27:48.119 I said, "Listen, man, 866 00:27:48.119 --> 00:27:51.160 I'm college right now, 867 00:27:48.119 --> 00:27:51.160 and I just want to kind of see 868 00:27:51.160 --> 00:27:53.200 kind of 869 00:27:51.160 --> 00:27:53.200 what Broadway feels like. 870 00:27:53.200 --> 00:27:54.269 Is it possible? 871 00:27:53.200 --> 00:27:54.269 Can I just peek in?" 872 00:27:54.269 --> 00:27:56.049 He said, 873 00:27:54.269 --> 00:27:56.049 "Yeah, man, come on in." 874 00:27:56.049 --> 00:27:57.250 He showed me the stage 875 00:27:56.049 --> 00:27:57.250 and everything. 876 00:27:57.250 --> 00:28:00.160 And I think Obba saw 877 00:27:57.250 --> 00:28:00.160 just the eagerness in my eyes 878 00:28:00.160 --> 00:28:01.220 and just the naivete, 879 00:28:01.220 --> 00:28:03.190 and he's like, 880 00:28:01.220 --> 00:28:03.190 "Ah, let me help this kid out. 881 00:28:03.190 --> 00:28:07.230 First experience with musical 882 00:28:03.190 --> 00:28:07.230 theater was going to see "Cats." 883 00:28:07.230 --> 00:28:09.250 I was like, 884 00:28:09.250 --> 00:28:13.039 "What is happening? 885 00:28:09.250 --> 00:28:13.039 [ Chuckles ] 886 00:28:13.039 --> 00:28:17.059 These are adults, and 887 00:28:13.039 --> 00:28:17.059 they're in spandex and makeup, 888 00:28:17.059 --> 00:28:20.089 and they're just being 889 00:28:17.059 --> 00:28:20.089 kitty-cats onstage, 890 00:28:20.089 --> 00:28:22.250 and that's a job? 891 00:28:22.250 --> 00:28:24.059 I want that job." 892 00:28:24.059 --> 00:28:28.240 I saw "Rent" 893 00:28:24.059 --> 00:28:28.240 when they came to Philadelphia, 894 00:28:28.240 --> 00:28:32.119 The top of Act II starts, 895 00:28:32.119 --> 00:28:35.170 and a guy enters 896 00:28:32.119 --> 00:28:35.170 from stage left, 897 00:28:35.170 --> 00:28:39.269 and he winks at this girl 898 00:28:35.170 --> 00:28:39.269 entering from stage right. 899 00:28:39.269 --> 00:28:44.049 I can't even tell you 900 00:28:39.269 --> 00:28:44.049 the light bulbs that went off. 901 00:28:44.049 --> 00:28:46.150 I was interested in the life 902 00:28:44.049 --> 00:28:46.150 that was happening 903 00:28:46.150 --> 00:28:48.150 before they came on the stage. 904 00:28:48.150 --> 00:28:50.049 I didn't just want to be 905 00:28:48.150 --> 00:28:50.049 onstage with them. 906 00:28:50.049 --> 00:28:52.029 I wanted to be offstage 907 00:28:50.049 --> 00:28:52.029 with them, too. 908 00:28:52.029 --> 00:28:55.039 A little wink changed my life. 909 00:28:55.039 --> 00:28:57.130 There are stars, 910 00:28:55.039 --> 00:28:57.130 and there are superstars, 911 00:28:57.130 --> 00:28:59.079 and then there are 912 00:28:57.130 --> 00:28:59.079 a select few artists 913 00:28:59.079 --> 00:29:01.190 who transcend 914 00:28:59.079 --> 00:29:01.190 even those descriptions. 915 00:29:01.190 --> 00:29:03.039 She is one of 916 00:29:01.190 --> 00:29:03.039 the greatest performers 917 00:29:03.039 --> 00:29:04.180 in the history of Broadway 918 00:29:04.180 --> 00:29:07.259 and a recipient of an Emmy, 919 00:29:04.180 --> 00:29:07.259 Grammy, Oscar, and Tony. 920 00:29:07.259 --> 00:29:10.230 She was Miss Marmelstein 921 00:29:07.259 --> 00:29:10.230 and Fanny Brice onstage, 922 00:29:10.230 --> 00:29:13.210 but the world knows her better 923 00:29:10.230 --> 00:29:13.210 as Barbra Streisand. 924 00:29:13.210 --> 00:29:20.089 ♪♪♪ 925 00:29:20.089 --> 00:29:22.069 ♪ People ♪ 926 00:29:22.069 --> 00:29:25.089 [ Cheers and applause ] 927 00:29:25.089 --> 00:29:32.000 ♪ People who need people ♪ 928 00:29:32.000 --> 00:29:37.029 ♪ Are the luckiest people ♪ 929 00:29:37.029 --> 00:29:43.160 ♪ In the world ♪ 930 00:29:43.160 --> 00:29:48.009 ♪ A feeling deep in your soul ♪ 931 00:29:48.009 --> 00:29:52.170 ♪ Says you were half, 932 00:29:48.009 --> 00:29:52.170 now you're whole ♪ 933 00:29:52.170 --> 00:29:56.240 ♪ No more hunger and thirst ♪ 934 00:29:56.240 --> 00:30:03.089 ♪ But first be a person 935 00:29:56.240 --> 00:30:03.089 who needs people ♪ 936 00:30:03.089 --> 00:30:10.009 ♪ People who need people ♪ 937 00:30:10.009 --> 00:30:15.269 ♪ Are the luckiest people ♪ 938 00:30:15.269 --> 00:30:29.000 ♪ In the world ♪ 939 00:30:29.000 --> 00:30:31.170 [ Cheers and applause ] 940 00:30:31.170 --> 00:30:33.190 ♪♪♪ 941 00:30:33.190 --> 00:30:36.000 Thank you. 942 00:30:36.000 --> 00:30:37.279 Thank you. 943 00:30:37.279 --> 00:30:40.130 ♪♪♪ 944 00:30:40.130 --> 00:30:43.279 Good words that are 945 00:30:40.130 --> 00:30:43.279 just as relevant today. 946 00:30:43.279 --> 00:30:47.210 That song brings back 947 00:30:43.279 --> 00:30:47.210 a lot of memories to me. 948 00:30:47.210 --> 00:30:50.190 My love affair with Broadway 949 00:30:50.190 --> 00:30:54.200 started when I was actually 950 00:30:50.190 --> 00:30:54.200 14 years old, 951 00:30:54.200 --> 00:30:56.240 and I saw 952 00:30:54.200 --> 00:30:56.240 my first Broadway show, 953 00:30:56.240 --> 00:30:59.140 "The Diary of Anne Frank." 954 00:30:59.140 --> 00:31:01.220 I remember the price 955 00:30:59.140 --> 00:31:01.220 of the ticket. 956 00:31:01.220 --> 00:31:04.259 It was a $1.89 957 00:31:01.220 --> 00:31:04.259 for a balcony seat. 958 00:31:04.259 --> 00:31:06.160 From then on, every Saturday, 959 00:31:06.160 --> 00:31:09.089 I took the subway 960 00:31:06.160 --> 00:31:09.089 from Brooklyn to Manhattan 961 00:31:09.089 --> 00:31:10.250 to see another show. 962 00:31:10.250 --> 00:31:14.160 After I moved to Manhattan 963 00:31:10.250 --> 00:31:14.160 when I was 16, 964 00:31:14.160 --> 00:31:18.150 I was so happy to get a job 965 00:31:14.160 --> 00:31:18.150 on New Year's Eve 966 00:31:18.150 --> 00:31:21.059 as an usher 967 00:31:18.150 --> 00:31:21.059 in a Broadway theater, 968 00:31:21.059 --> 00:31:23.259 where I was paid -- I remember 969 00:31:21.059 --> 00:31:23.259 that, too -- 970 00:31:23.259 --> 00:31:26.259 $4.15 an hour 971 00:31:26.259 --> 00:31:29.210 and got to see the show 972 00:31:26.259 --> 00:31:29.210 for free. 973 00:31:29.210 --> 00:31:32.049 Little did they know 974 00:31:29.210 --> 00:31:32.049 I would have paid them. 975 00:31:32.049 --> 00:31:34.289 When I was 19, 976 00:31:34.289 --> 00:31:39.019 I was lucky to be cast 977 00:31:34.289 --> 00:31:39.019 in my first Broadway role, 978 00:31:39.019 --> 00:31:43.049 as the lovelorn secretary 979 00:31:39.019 --> 00:31:43.049 Miss Marmelstein 980 00:31:43.049 --> 00:31:45.289 in "I Can Get It 981 00:31:43.049 --> 00:31:45.289 For You Wholesale." 982 00:31:45.289 --> 00:31:48.240 Two years later, 983 00:31:45.289 --> 00:31:48.240 I found myself playing 984 00:31:48.240 --> 00:31:52.019 the lead role of Fanny Brice 985 00:31:48.240 --> 00:31:52.019 in "Funny Girl." 986 00:31:52.019 --> 00:31:54.059 What I think about it, 987 00:31:52.019 --> 00:31:54.059 I can still feel 988 00:31:54.059 --> 00:31:57.059 the excitement 989 00:31:54.059 --> 00:31:57.059 of the creative process, 990 00:31:57.059 --> 00:32:00.099 working on the script, 991 00:31:57.059 --> 00:32:00.099 or rehearsing the songs. 992 00:32:00.099 --> 00:32:04.289 And it makes me think 993 00:32:00.099 --> 00:32:04.289 of all the young people today 994 00:32:04.289 --> 00:32:07.210 who dream of being on the stage 995 00:32:07.210 --> 00:32:12.069 but have no outlet for their 996 00:32:07.210 --> 00:32:12.069 talent and creative energy. 997 00:32:12.069 --> 00:32:17.150 I'm worried about the thousands 998 00:32:12.069 --> 00:32:17.150 of dedicated professionals 999 00:32:17.150 --> 00:32:22.099 who have lost their jobs -- 1000 00:32:17.150 --> 00:32:22.099 actors, writers, directors, 1001 00:32:22.099 --> 00:32:24.210 choreographers, costume people, 1002 00:32:24.210 --> 00:32:28.079 set designers, 1003 00:32:24.210 --> 00:32:28.079 sound and lighting technicians, 1004 00:32:28.079 --> 00:32:32.140 makeup artists, 1005 00:32:28.079 --> 00:32:32.140 musicians, stagehands. 1006 00:32:32.140 --> 00:32:35.029 And what about the audience -- 1007 00:32:32.140 --> 00:32:35.029 all of the people 1008 00:32:35.029 --> 00:32:39.079 who simply want a break 1009 00:32:35.029 --> 00:32:39.079 from their daily lives, 1010 00:32:39.079 --> 00:32:42.000 who go to a show 1011 00:32:39.079 --> 00:32:42.000 to be transported 1012 00:32:42.000 --> 00:32:45.210 into another reality 1013 00:32:42.000 --> 00:32:45.210 for a few hours? 1014 00:32:45.210 --> 00:32:50.240 Because there is nothing more 1015 00:32:45.210 --> 00:32:50.240 exhilarating than live theater, 1016 00:32:50.240 --> 00:32:53.170 when we're all 1017 00:32:50.240 --> 00:32:53.170 in a moment together. 1018 00:32:53.170 --> 00:32:55.279 That's why I'm such 1019 00:32:53.170 --> 00:32:55.279 a passionate believer 1020 00:32:55.279 --> 00:32:58.279 in the mission 1021 00:32:55.279 --> 00:32:58.279 of Broadway Cares. 1022 00:32:58.279 --> 00:33:00.059 For decades, 1023 00:33:00.059 --> 00:33:03.220 it has been a resource 1024 00:33:00.059 --> 00:33:03.220 for the theater community. 1025 00:33:03.220 --> 00:33:06.079 Your donations 1026 00:33:03.220 --> 00:33:06.079 during this broadcast 1027 00:33:06.079 --> 00:33:11.019 will help provide medications, 1028 00:33:06.079 --> 00:33:11.019 groceries, healthcare, 1029 00:33:11.019 --> 00:33:14.049 and emergency 1030 00:33:11.019 --> 00:33:14.049 financial assistance 1031 00:33:14.049 --> 00:33:17.069 to those struggling 1032 00:33:14.049 --> 00:33:17.069 through a pandemic 1033 00:33:17.069 --> 00:33:20.289 that will have shut down this 1034 00:33:17.069 --> 00:33:20.289 industry for more than a year. 1035 00:33:20.289 --> 00:33:23.269 So if you love Broadway 1036 00:33:23.269 --> 00:33:29.000 and want to support the people 1037 00:33:23.269 --> 00:33:29.000 who are its lifeblood, 1038 00:33:29.000 --> 00:33:34.049 please give what you can 1039 00:33:29.000 --> 00:33:34.049 and donate today. 1040 00:33:34.049 --> 00:33:40.079 ♪♪♪ 1041 00:33:40.079 --> 00:33:43.240 Chicago opened 45 years ago 1042 00:33:40.079 --> 00:33:43.240 at the 46th Street Theatre, 1043 00:33:43.240 --> 00:33:46.240 now called the Richard Rodgers 1044 00:33:43.240 --> 00:33:46.240 Theatre, to huge acclaim, 1045 00:33:46.240 --> 00:33:49.140 and its 1996 production 1046 00:33:46.240 --> 00:33:49.140 holds the record 1047 00:33:49.140 --> 00:33:52.220 as the longest running American 1048 00:33:49.140 --> 00:33:52.220 musical in Broadway history, 1049 00:33:52.220 --> 00:33:55.210 celebrating its 25th 1050 00:33:52.220 --> 00:33:55.210 anniversary next year. 1051 00:33:55.210 --> 00:33:57.099 I'm going to guess 1052 00:33:55.210 --> 00:33:57.099 that when Broadway reopens, 1053 00:33:57.099 --> 00:33:59.119 it'll pick up 1054 00:33:57.099 --> 00:33:59.119 right where it left off. 1055 00:33:59.119 --> 00:34:01.279 Here with "All That Jazz" 1056 00:33:59.119 --> 00:34:01.279 is Lana Gordon 1057 00:34:01.279 --> 00:34:04.059 and the cast of "Chicago." 1058 00:34:04.059 --> 00:34:11.050 ♪♪♪ 1059 00:34:11.050 --> 00:34:18.039 ♪♪♪ 1060 00:34:18.039 --> 00:34:25.030 ♪♪♪ 1061 00:34:25.030 --> 00:34:29.019 ♪ Come on, babe, 1062 00:34:25.030 --> 00:34:29.019 why don't we paint the town? ♪ 1063 00:34:29.019 --> 00:34:31.070 ♪♪♪ 1064 00:34:31.070 --> 00:34:32.219 ♪ And all that jazz ♪ 1065 00:34:32.219 --> 00:34:37.130 ♪ I'm gonna rouge my knees 1066 00:34:32.219 --> 00:34:37.130 and roll my stockings down ♪ 1067 00:34:37.130 --> 00:34:39.150 ♪♪♪ 1068 00:34:39.150 --> 00:34:41.139 ♪ And all that jazz ♪ 1069 00:34:41.139 --> 00:34:45.119 ♪ Start the car, 1070 00:34:41.139 --> 00:34:45.119 I know a whoopee spot ♪ 1071 00:34:45.119 --> 00:34:49.110 ♪ Where the gin is cold 1072 00:34:45.119 --> 00:34:49.110 but the piano's hot ♪ 1073 00:34:49.110 --> 00:34:53.170 ♪ It's just a noisy hall 1074 00:34:49.110 --> 00:34:53.170 where there's a nightly brawl ♪ 1075 00:34:53.170 --> 00:35:03.150 ♪ And all that jazz ♪ 1076 00:35:03.150 --> 00:35:05.280 ♪♪♪ 1077 00:35:05.280 --> 00:35:11.219 ♪ Slick your hair, 1078 00:35:05.280 --> 00:35:11.219 wear your buckled shoes ♪ 1079 00:35:11.219 --> 00:35:13.050 ♪ And all that jazz ♪ 1080 00:35:13.050 --> 00:35:19.170 ♪ I hear that Father Dip 1081 00:35:13.050 --> 00:35:19.170 is gonna blow the blues ♪ 1082 00:35:19.170 --> 00:35:21.210 ♪ And all that jazz ♪ 1083 00:35:21.210 --> 00:35:25.000 ♪ Hold on, hon, 1084 00:35:21.210 --> 00:35:25.000 we're gonna bunny hug ♪ 1085 00:35:25.000 --> 00:35:28.230 ♪ I bought some aspirin 1086 00:35:25.000 --> 00:35:28.230 down at United Drug ♪ 1087 00:35:28.230 --> 00:35:32.250 ♪ In case you shake apart 1088 00:35:28.230 --> 00:35:32.250 and want a brand new start ♪ 1089 00:35:32.250 --> 00:35:43.039 ♪ To do that jazz-skeedo ♪ 1090 00:35:43.039 --> 00:35:45.050 ♪ And all that jazz ♪ 1091 00:35:45.050 --> 00:35:47.050 ♪ Watch out ♪ 1092 00:35:47.050 --> 00:35:49.030 ♪ Whoopee! ♪ 1093 00:35:49.030 --> 00:35:50.250 ♪♪♪ 1094 00:35:50.250 --> 00:35:54.179 ♪ And all that jazz ♪ 1095 00:35:54.179 --> 00:35:59.239 ♪♪♪ 1096 00:35:59.239 --> 00:36:04.079 ♪ It's just a noisy hall where 1097 00:35:59.239 --> 00:36:04.079 there's a nightly brawl and ♪ 1098 00:36:04.079 --> 00:36:11.280 ♪ All that jazz ♪ 1099 00:36:11.280 --> 00:36:16.150 ♪ Oh, you're gonna see 1100 00:36:11.280 --> 00:36:16.150 your Sheba shimmy shake ♪ 1101 00:36:16.150 --> 00:36:18.250 ♪ And all that jazz ♪ 1102 00:36:18.250 --> 00:36:22.280 ♪ Oh, she's gonna shimmy 1103 00:36:18.250 --> 00:36:22.280 till her garters break ♪ 1104 00:36:22.280 --> 00:36:25.210 ♪ Oh, and all that jazz ♪ 1105 00:36:25.210 --> 00:36:29.059 ♪ Show her 1106 00:36:25.210 --> 00:36:29.059 where to park her girdle ♪ 1107 00:36:29.059 --> 00:36:32.059 ♪ Oh, her mother's 1108 00:36:29.059 --> 00:36:32.059 blood'll curdle ♪ 1109 00:36:32.059 --> 00:36:35.059 ♪ If she'd hear 1110 00:36:32.059 --> 00:36:35.059 her baby's queer ♪ 1111 00:36:35.059 --> 00:36:42.219 ♪ For all that jazz ♪ 1112 00:36:42.219 --> 00:36:46.000 ♪ Come on, babe, 1113 00:36:42.219 --> 00:36:46.000 why don't we paint the town? ♪ 1114 00:36:42.219 --> 00:36:46.000 ♪ Oh, you're gonna see 1115 00:36:42.219 --> 00:36:46.000 your Sheba ♪ 1116 00:36:46.000 --> 00:36:48.260 ♪ And all that jazz ♪ 1117 00:36:46.000 --> 00:36:48.260 ♪ Shimmy shake, 1118 00:36:46.000 --> 00:36:48.260 and all that jazz ♪ 1119 00:36:48.260 --> 00:36:52.139 ♪ I'm gonna rouge my knees 1120 00:36:48.260 --> 00:36:52.139 and roll my stockings down ♪ 1121 00:36:48.260 --> 00:36:52.139 ♪ Oh, she's gonna shimmy ♪ 1122 00:36:52.139 --> 00:36:56.039 ♪ And all that jazz ♪ 1123 00:36:52.139 --> 00:36:56.039 ♪ Till her garters break 1124 00:36:52.139 --> 00:36:56.039 and all that jazz ♪ 1125 00:36:56.039 --> 00:36:59.079 ♪ Start the car, 1126 00:36:56.039 --> 00:36:59.079 I know a whoopee spot ♪ 1127 00:36:56.039 --> 00:36:59.079 ♪ Show her where 1128 00:36:56.039 --> 00:36:59.079 to park her girdle ♪ 1129 00:36:59.079 --> 00:37:02.179 ♪ Where the gin is cold 1130 00:36:59.079 --> 00:37:02.179 but the piano's hot ♪ 1131 00:36:59.079 --> 00:37:02.179 ♪ Oh, her mother's 1132 00:36:59.079 --> 00:37:02.179 blood'll curdle ♪ 1133 00:37:02.179 --> 00:37:05.289 ♪ It's just a noisy hall 1134 00:37:02.179 --> 00:37:05.289 where there's a nightly brawl ♪ 1135 00:37:02.179 --> 00:37:05.289 ♪ If she'd hear 1136 00:37:02.179 --> 00:37:05.289 her baby's queer ♪ 1137 00:37:05.289 --> 00:37:09.019 ♪ And all that ♪ 1138 00:37:05.289 --> 00:37:09.019 ♪ For all that ♪ 1139 00:37:09.019 --> 00:37:11.269 ♪♪♪ 1140 00:37:11.269 --> 00:37:14.119 ♪ No, I'm no one's wife ♪ 1141 00:37:14.119 --> 00:37:18.199 ♪ But, oh, I love my life ♪ 1142 00:37:18.199 --> 00:37:24.289 ♪ And all that ♪ 1143 00:37:24.289 --> 00:37:30.139 ♪ Jazz ♪ 1144 00:37:30.139 --> 00:37:33.289 ♪ That jazz ♪ 1145 00:37:33.289 --> 00:37:36.159 ♪♪♪ 1146 00:37:36.159 --> 00:37:39.039 Announcer: A performance 1147 00:37:36.159 --> 00:37:39.039 from the 15-time Tony nominee 1148 00:37:39.039 --> 00:37:41.019 "Jagged Little Pill" 1149 00:37:39.039 --> 00:37:41.019 and more from 1150 00:37:41.019 --> 00:37:44.059 "Ain't Too Proud: The Life 1151 00:37:41.019 --> 00:37:44.059 and Times of The Temptations," 1152 00:37:44.059 --> 00:37:48.090 when "One Night Only: 1153 00:37:44.059 --> 00:37:48.090 The Best of Broadway" continues. 1154 00:37:48.090 --> 00:37:50.070 ♪ Blame it 1155 00:37:48.090 --> 00:37:50.070 on the nights on Broadway ♪ 1156 00:37:53.039 --> 00:37:53.059 . 1157 00:37:54.090 --> 00:37:54.250 ♪♪♪ 1158 00:37:58.139 --> 00:38:00.010 Inspired by Alanis Morissette's 1159 00:38:00.010 --> 00:38:02.170 legendary 1995 1160 00:38:00.010 --> 00:38:02.170 Grammy-winning album, 1161 00:38:02.170 --> 00:38:05.269 this powerful and empowering 1162 00:38:02.170 --> 00:38:05.269 story of pain and hurt, 1163 00:38:05.269 --> 00:38:09.000 joy, and redemption 1164 00:38:05.269 --> 00:38:09.000 opened on Broadway in 2019 1165 00:38:09.000 --> 00:38:11.130 and received 1166 00:38:09.000 --> 00:38:11.130 15 Tony nominations. 1167 00:38:11.130 --> 00:38:13.070 With the song "You Oughta Know," 1168 00:38:13.070 --> 00:38:15.230 here is the cast 1169 00:38:13.070 --> 00:38:15.230 of "Jagged Little Pill." 1170 00:38:15.230 --> 00:38:20.250 ♪ I want you to know ♪ 1171 00:38:20.250 --> 00:38:27.079 ♪ That I'm happy for you ♪ 1172 00:38:27.079 --> 00:38:31.289 ♪ I wish nothing but ♪ 1173 00:38:31.289 --> 00:38:37.090 ♪ The best for you both ♪ 1174 00:38:37.090 --> 00:38:42.000 ♪ The perfect version of me, 1175 00:38:37.090 --> 00:38:42.000 is he perverted like me? ♪ 1176 00:38:42.000 --> 00:38:46.210 ♪ Would he go down 1177 00:38:42.000 --> 00:38:46.210 in a theater? ♪ 1178 00:38:46.210 --> 00:38:51.139 ♪ So he speaks eloquently 1179 00:38:46.210 --> 00:38:51.139 and you can have his baby? ♪ 1180 00:38:51.139 --> 00:38:56.269 ♪ I'm sure you'd make 1181 00:38:51.139 --> 00:38:56.269 a really excellent mother ♪ 1182 00:38:56.269 --> 00:38:58.179 ♪ 'Cause the love 1183 00:38:56.269 --> 00:38:58.179 that you gave that we made ♪ 1184 00:38:58.179 --> 00:39:03.070 ♪ Wasn't able to make it enough 1185 00:38:58.179 --> 00:39:03.070 for you to be open wide ♪ 1186 00:39:03.070 --> 00:39:06.090 ♪♪♪ 1187 00:39:06.090 --> 00:39:08.150 ♪ And every time 1188 00:39:06.090 --> 00:39:08.150 you speak his name ♪ 1189 00:39:08.150 --> 00:39:12.030 ♪ Does he know why you told me 1190 00:39:08.150 --> 00:39:12.030 you'd be there until you died ♪ 1191 00:39:12.030 --> 00:39:15.000 ♪ Till you died, 1192 00:39:12.030 --> 00:39:15.000 but you're still alive ♪ 1193 00:39:15.000 --> 00:39:19.230 ♪ And I'm here to remind you ♪ 1194 00:39:19.230 --> 00:39:24.159 ♪ Of the mess you left 1195 00:39:19.230 --> 00:39:24.159 when you went away ♪ 1196 00:39:24.159 --> 00:39:29.050 ♪ It's not fair to deny me ♪ 1197 00:39:29.050 --> 00:39:33.059 ♪ Of the cross I bear 1198 00:39:29.050 --> 00:39:33.059 that you gave to me ♪ 1199 00:39:33.059 --> 00:39:37.039 ♪ You, you, you oughta know ♪ 1200 00:39:37.039 --> 00:39:41.219 ♪ You seem very well ♪ 1201 00:39:41.219 --> 00:39:46.150 ♪ Things look peaceful ♪ 1202 00:39:46.150 --> 00:39:50.179 ♪ I'm not quite as well ♪ 1203 00:39:50.179 --> 00:39:55.030 ♪ I thought you should know ♪ 1204 00:39:55.030 --> 00:39:59.190 ♪ Did you forget about me, 1205 00:39:55.030 --> 00:39:59.190 Mrs. Duplicity? ♪ 1206 00:39:59.190 --> 00:40:04.130 ♪ I hate to give him 1207 00:39:59.190 --> 00:40:04.130 so much to live up to ♪ 1208 00:40:04.130 --> 00:40:09.039 ♪ It was a slap in the face 1209 00:40:04.130 --> 00:40:09.039 how quickly I was replaced ♪ 1210 00:40:09.039 --> 00:40:13.269 ♪ And are you thinking of me 1211 00:40:09.039 --> 00:40:13.269 when he ♪ 1212 00:40:13.269 --> 00:40:18.159 ♪ And I'm here to remind you ♪ 1213 00:40:18.159 --> 00:40:23.090 ♪ Of the mess you left 1214 00:40:18.159 --> 00:40:23.090 when you went away ♪ 1215 00:40:23.090 --> 00:40:27.260 ♪ It's not fair to deny me ♪ 1216 00:40:27.260 --> 00:40:32.019 ♪ Of the cross I bear 1217 00:40:27.260 --> 00:40:32.019 that you gave to me ♪ 1218 00:40:32.019 --> 00:40:36.039 ♪ You, you, you oughta know ♪ 1219 00:40:36.039 --> 00:40:37.260 ♪♪♪ 1220 00:40:37.260 --> 00:40:40.269 [ All vocalizing ] 1221 00:40:40.269 --> 00:40:47.190 ♪♪♪ 1222 00:40:47.190 --> 00:40:54.110 ♪♪♪ 1223 00:40:54.110 --> 00:40:56.230 ♪ 'Cause the joke that you laid 1224 00:40:54.110 --> 00:40:56.230 in the bed, that was me ♪ 1225 00:40:56.230 --> 00:41:00.250 ♪ And I'm not gonna fade 1226 00:40:56.230 --> 00:41:00.250 as soon as you close your eyes ♪ 1227 00:41:00.250 --> 00:41:02.019 ♪ And you know it ♪ 1228 00:41:02.019 --> 00:41:04.000 ♪ And you know it, 1229 00:41:02.019 --> 00:41:04.000 and you know ♪ 1230 00:41:04.000 --> 00:41:06.050 ♪ And every time 1231 00:41:04.000 --> 00:41:06.050 I scratch my nails ♪ 1232 00:41:06.050 --> 00:41:10.090 ♪ Down someone else's back, 1233 00:41:06.050 --> 00:41:10.090 I hope you feel it ♪ 1234 00:41:10.090 --> 00:41:12.210 ♪ Well, can you feel it? ♪ 1235 00:41:12.210 --> 00:41:17.099 ♪ And I'm here to remind you ♪ 1236 00:41:17.099 --> 00:41:21.099 ♪ Of the mess you left 1237 00:41:17.099 --> 00:41:21.099 when you went away ♪ 1238 00:41:21.099 --> 00:41:24.119 ♪ You, you, you oughta know ♪ 1239 00:41:24.119 --> 00:41:28.260 ♪ That I'm here to remind you ♪ 1240 00:41:28.260 --> 00:41:33.179 ♪ Of the mess you left 1241 00:41:28.260 --> 00:41:33.179 when you went away ♪ 1242 00:41:33.179 --> 00:41:38.059 ♪ It's not fair to deny me ♪ 1243 00:41:38.059 --> 00:41:42.099 ♪ Of the cross I bear 1244 00:41:38.059 --> 00:41:42.099 that you gave to me ♪ 1245 00:41:42.099 --> 00:41:46.210 ♪ You, you, you oughta know ♪ 1246 00:41:49.210 --> 00:41:51.269 "Ain't Too Proud," 1247 00:41:49.210 --> 00:41:51.269 the electrifying musical 1248 00:41:51.269 --> 00:41:54.130 about the life and times 1249 00:41:51.269 --> 00:41:54.130 of the Temptations, opened 1250 00:41:54.130 --> 00:41:57.239 at Broadway's Imperial Theatre 1251 00:41:54.130 --> 00:41:57.239 in March of 2019. 1252 00:41:57.239 --> 00:41:59.269 It won the Tony Award 1253 00:41:57.239 --> 00:41:59.269 for Best Choreography. 1254 00:41:59.269 --> 00:42:02.059 And if you're a fan of Motown, 1255 00:41:59.269 --> 00:42:02.059 like my friend Laura, 1256 00:42:02.059 --> 00:42:04.219 who's obsessed with this show, 1257 00:42:02.059 --> 00:42:04.219 you will love hearing 1258 00:42:04.219 --> 00:42:08.019 the cast's performances 1259 00:42:04.219 --> 00:42:08.019 of the group's greatest songs. 1260 00:42:08.019 --> 00:42:11.219 I think that the place that The 1261 00:42:08.019 --> 00:42:11.219 Temptations have in our history 1262 00:42:11.219 --> 00:42:13.090 is a really unique one. 1263 00:42:13.090 --> 00:42:15.230 One of the wonderful things 1264 00:42:13.090 --> 00:42:15.230 about Motown was the start 1265 00:42:15.230 --> 00:42:18.030 of the intersection 1266 00:42:15.230 --> 00:42:18.030 of arts and activism. 1267 00:42:18.030 --> 00:42:21.019 These young men were 1268 00:42:18.030 --> 00:42:21.019 at the precipice of something, 1269 00:42:21.019 --> 00:42:23.099 not knowing what the other end 1270 00:42:21.019 --> 00:42:23.099 of it looks like, 1271 00:42:23.099 --> 00:42:24.289 but knowing they got 1272 00:42:23.099 --> 00:42:24.289 to say something. 1273 00:42:24.289 --> 00:42:26.050 There's speaking the message, 1274 00:42:26.050 --> 00:42:27.250 and then there's just 1275 00:42:26.050 --> 00:42:27.250 being the message. 1276 00:42:27.250 --> 00:42:29.219 And this show is the message. 1277 00:42:29.219 --> 00:42:32.260 Jackson: You know, it's just 1278 00:42:29.219 --> 00:42:32.260 so much history with this music, 1279 00:42:32.260 --> 00:42:35.199 and it's through everything 1280 00:42:32.260 --> 00:42:35.199 that's going on in America, 1281 00:42:35.199 --> 00:42:38.159 The Temptations 1282 00:42:35.199 --> 00:42:38.159 are a blueprint of that. 1283 00:42:38.159 --> 00:42:43.190 Singing "Rain" 1284 00:42:38.159 --> 00:42:43.190 is a cathartic moment for me, 1285 00:42:43.190 --> 00:42:47.099 that moment of when everyone 1286 00:42:43.190 --> 00:42:47.099 finds out the terrible news 1287 00:42:47.099 --> 00:42:50.159 that Martin Luther King Jr. 1288 00:42:47.099 --> 00:42:50.159 has been shot. 1289 00:42:50.159 --> 00:42:53.059 I feel responsible 1290 00:42:50.159 --> 00:42:53.059 in that moment of caring, 1291 00:42:53.059 --> 00:42:57.110 and I'm hoping somebody walks 1292 00:42:53.059 --> 00:42:57.110 away with an answer to something 1293 00:42:57.110 --> 00:43:00.250 or or at least hope 1294 00:42:57.110 --> 00:43:00.250 that they're not alone. 1295 00:43:00.250 --> 00:43:09.170 ♪♪♪ 1296 00:43:09.170 --> 00:43:18.099 ♪♪♪ 1297 00:43:18.099 --> 00:43:24.050 ♪ Sunshine, blue skies, 1298 00:43:18.099 --> 00:43:24.050 please go away ♪ 1299 00:43:24.050 --> 00:43:29.070 ♪ My girl has found another 1300 00:43:24.050 --> 00:43:29.070 and gone away ♪ 1301 00:43:29.070 --> 00:43:34.099 ♪ With her went my future, 1302 00:43:29.070 --> 00:43:34.099 my life is filled with gloom ♪ 1303 00:43:34.099 --> 00:43:39.130 ♪ So day after day, 1304 00:43:34.099 --> 00:43:39.130 I stay locked up in my room ♪ 1305 00:43:39.130 --> 00:43:44.050 ♪ I know to you, 1306 00:43:39.130 --> 00:43:44.050 it might sound strange ♪ 1307 00:43:44.050 --> 00:43:45.179 ♪ But I wish it would rain ♪ 1308 00:43:45.179 --> 00:43:50.280 ♪ Oh, how I wish 1309 00:43:45.179 --> 00:43:50.280 that it would rain ♪ 1310 00:43:50.280 --> 00:43:54.250 ♪ 'Cause so badly 1311 00:43:50.280 --> 00:43:54.250 I wanna go outside ♪ 1312 00:43:54.250 --> 00:43:56.079 ♪ Such a lovely day ♪ 1313 00:43:56.079 --> 00:44:00.139 ♪ But everyone knows that a man 1314 00:43:56.079 --> 00:44:00.139 ain't supposed to cry ♪ 1315 00:44:00.139 --> 00:44:02.010 ♪ But listen ♪ 1316 00:44:02.010 --> 00:44:11.059 ♪ I gotta cry 'cause crying 1317 00:44:02.010 --> 00:44:11.059 eases the pain, oh, yeah ♪ 1318 00:44:11.059 --> 00:44:14.000 ♪ People, this hurt 1319 00:44:11.059 --> 00:44:14.000 I feel inside ♪ 1320 00:44:14.000 --> 00:44:17.199 ♪ Words could never explain, 1321 00:44:14.000 --> 00:44:17.199 I wish it would rain ♪ 1322 00:44:17.199 --> 00:44:22.070 ♪ Oh, how I wish 1323 00:44:17.199 --> 00:44:22.070 that it would rain ♪ 1324 00:44:22.070 --> 00:44:25.070 ♪ Day in, day out, 1325 00:44:22.070 --> 00:44:25.070 my tear-stained face ♪ 1326 00:44:25.070 --> 00:44:27.199 ♪ Pressed against 1327 00:44:25.070 --> 00:44:27.199 the window pane ♪ 1328 00:44:27.199 --> 00:44:32.179 ♪ My eyes search the skies 1329 00:44:27.199 --> 00:44:32.179 desperately for rain ♪ 1330 00:44:32.179 --> 00:44:35.159 ♪ 'Cause rain drops 1331 00:44:32.179 --> 00:44:35.159 will hide my tear drops ♪ 1332 00:44:35.159 --> 00:44:39.079 ♪ And no one will ever know 1333 00:44:35.159 --> 00:44:39.079 that I'm crying ♪ 1334 00:44:39.079 --> 00:44:40.250 ♪ Crying, crying ♪ 1335 00:44:40.250 --> 00:44:43.159 ♪ When I go outside ♪ 1336 00:44:43.159 --> 00:44:47.280 ♪ To the world outside my tears, 1337 00:44:43.159 --> 00:44:47.280 I refuse to explain ♪ 1338 00:44:47.280 --> 00:44:49.179 ♪ Ooh, I wish it would rain ♪ 1339 00:44:49.179 --> 00:44:53.130 ♪ Oh, how I wish 1340 00:44:49.179 --> 00:44:53.130 that it would rain ♪ 1341 00:44:53.130 --> 00:44:56.289 ♪♪♪ 1342 00:44:56.289 --> 00:45:00.010 There was nowhere for sanctuary. 1343 00:45:00.010 --> 00:45:02.119 Outside, the world 1344 00:45:00.010 --> 00:45:02.119 was exploding, 1345 00:45:02.119 --> 00:45:05.230 and inside, so were we. 1346 00:45:05.230 --> 00:45:08.239 ♪ Ooh, baby ♪ 1347 00:45:08.239 --> 00:45:12.210 ♪ Let it rain, let it rain ♪ 1348 00:45:08.239 --> 00:45:12.210 ♪ Let it rain ♪ 1349 00:45:12.210 --> 00:45:19.110 ♪ I need rain to disguise 1350 00:45:12.210 --> 00:45:19.110 the tears in my eyes, whoa ♪ 1351 00:45:19.110 --> 00:45:23.099 ♪ Let it rain, let it rain ♪ 1352 00:45:19.110 --> 00:45:23.099 ♪ Let it rain ♪ 1353 00:45:23.099 --> 00:45:27.230 ♪ I'm a man, and I got my pride, 1354 00:45:23.099 --> 00:45:27.230 I'm a man ♪ 1355 00:45:27.230 --> 00:45:31.079 ♪♪♪ 1356 00:45:31.079 --> 00:45:34.230 ♪ Let it rain ♪ 1357 00:45:34.230 --> 00:45:38.260 ♪♪♪ 1358 00:45:41.019 --> 00:45:43.250 ♪♪♪ 1359 00:45:43.250 --> 00:45:46.230 Announcer: Broadway superstar 1360 00:45:43.250 --> 00:45:46.230 Billy Porter and a performance 1361 00:45:46.230 --> 00:45:49.139 from the upcoming "Diana," 1362 00:45:46.230 --> 00:45:49.139 the new musical, 1363 00:45:49.139 --> 00:45:52.260 when "One Night Only: 1364 00:45:49.139 --> 00:45:52.260 The Best of Broadway" returns. 1365 00:45:52.260 --> 00:45:55.170 ♪ Blame it all ♪ 1366 00:45:52.260 --> 00:45:55.170 ♪ On the nights on Broadway ♪ 1367 00:45:55.170 --> 00:45:57.050 ♪ Blame it 1368 00:45:55.170 --> 00:45:57.050 on the nights on Broadway ♪ 1369 00:46:00.039 --> 00:46:00.059 . 1370 00:46:01.079 --> 00:46:01.110 ♪♪♪ 1371 00:46:04.130 --> 00:46:07.130 Hey, everybody. 1372 00:46:04.130 --> 00:46:07.130 Billy Porter here. 1373 00:46:07.130 --> 00:46:11.150 So, I made my Broadway debut 1374 00:46:07.130 --> 00:46:11.150 back in 1991 1375 00:46:11.150 --> 00:46:15.190 in the ensemble 1376 00:46:11.150 --> 00:46:15.190 of the musical "Miss Saigon." 1377 00:46:15.190 --> 00:46:20.000 At the time, our nation 1378 00:46:15.190 --> 00:46:20.000 was facing the scourge 1379 00:46:20.000 --> 00:46:21.159 of another pandemic. 1380 00:46:21.159 --> 00:46:25.090 That's when, from the hearts of 1381 00:46:21.159 --> 00:46:25.090 those in the theater community, 1382 00:46:25.090 --> 00:46:29.010 Broadway Cares/Equity 1383 00:46:25.090 --> 00:46:29.010 Fights AIDS was born. 1384 00:46:29.010 --> 00:46:32.239 And now here we are today in 1385 00:46:29.010 --> 00:46:32.239 the midst of another pandemic, 1386 00:46:32.239 --> 00:46:35.139 one that has shut down 1387 00:46:32.239 --> 00:46:35.139 our beloved theaters 1388 00:46:35.139 --> 00:46:37.190 for what will be 1389 00:46:35.139 --> 00:46:37.190 more than a year, 1390 00:46:37.190 --> 00:46:39.269 leaving many without a paycheck, 1391 00:46:39.269 --> 00:46:42.090 with health insurance 1392 00:46:39.269 --> 00:46:42.090 in jeopardy, 1393 00:46:42.090 --> 00:46:44.019 and with futures uncertain. 1394 00:46:44.019 --> 00:46:47.019 So again, 1395 00:46:44.019 --> 00:46:47.019 led by Broadway Cares, 1396 00:46:47.019 --> 00:46:50.210 we're turning our anger 1397 00:46:47.019 --> 00:46:50.210 and our sorrow into action 1398 00:46:50.210 --> 00:46:54.110 to help those struggling 1399 00:46:50.210 --> 00:46:54.110 during this pandemic. 1400 00:46:54.110 --> 00:46:56.119 When we're in the theater, 1401 00:46:56.119 --> 00:46:59.079 we have little red buckets 1402 00:46:56.119 --> 00:46:59.079 like these from Broadway Cares 1403 00:46:59.079 --> 00:47:01.269 that symbolize help and hope. 1404 00:47:01.269 --> 00:47:03.219 It's how audiences 1405 00:47:01.269 --> 00:47:03.219 make a difference 1406 00:47:03.219 --> 00:47:06.210 by donating on their way 1407 00:47:03.219 --> 00:47:06.210 out of the theater. 1408 00:47:06.210 --> 00:47:10.090 Tonight, your contribution 1409 00:47:06.210 --> 00:47:10.090 to the online red bucket 1410 00:47:10.090 --> 00:47:13.210 ensures those onstage 1411 00:47:10.090 --> 00:47:13.210 and behind the scenes 1412 00:47:13.210 --> 00:47:15.099 can pay for groceries, 1413 00:47:15.099 --> 00:47:17.199 see a doctor, 1414 00:47:15.099 --> 00:47:17.199 and get emergency help. 1415 00:47:17.199 --> 00:47:19.219 So join me by going to 1416 00:47:19.219 --> 00:47:24.210 broadwaycares.org/help2020. 1417 00:47:24.210 --> 00:47:28.159 And we thank you in advance 1418 00:47:24.210 --> 00:47:28.159 for your help 1419 00:47:28.159 --> 00:47:31.030 and your love 1420 00:47:28.159 --> 00:47:31.030 and your generosity. 1421 00:47:31.030 --> 00:47:33.210 God bless you all. 1422 00:47:33.210 --> 00:47:37.130 Just 19 days before its 1423 00:47:33.210 --> 00:47:37.130 scheduled March 31st opening, 1424 00:47:37.130 --> 00:47:40.239 the much-anticipated musical 1425 00:47:37.130 --> 00:47:40.239 about Diana, Princess of Wales, 1426 00:47:40.239 --> 00:47:43.090 was shut down 1427 00:47:40.239 --> 00:47:43.090 like so many other productions. 1428 00:47:43.090 --> 00:47:45.150 But tonight, we are lucky 1429 00:47:43.090 --> 00:47:45.150 to be able to bring you 1430 00:47:45.150 --> 00:47:48.199 one of its big numbers, a song 1431 00:47:45.150 --> 00:47:48.199 about Diana's relief and joy 1432 00:47:48.199 --> 00:47:51.050 about being freed 1433 00:47:48.199 --> 00:47:51.050 from the royal family. 1434 00:47:51.050 --> 00:47:53.190 Accompanied by Tony Award 1435 00:47:51.050 --> 00:47:53.190 winner David Bryan, 1436 00:47:53.190 --> 00:47:56.289 with the song "If," 1437 00:47:53.190 --> 00:47:56.289 here is Jeanna de Waal. 1438 00:47:56.289 --> 00:48:03.039 ♪♪♪ 1439 00:48:03.039 --> 00:48:09.090 ♪♪♪ 1440 00:48:09.090 --> 00:48:15.050 ♪ I offer my goodbyes 1441 00:48:09.090 --> 00:48:15.050 without compromise ♪ 1442 00:48:15.050 --> 00:48:21.139 ♪ A princess moving on ♪ 1443 00:48:21.139 --> 00:48:26.190 ♪ Beyond the palace staffs, 1444 00:48:21.139 --> 00:48:26.190 beyond the photographs ♪ 1445 00:48:26.190 --> 00:48:33.030 ♪ A fairy tale come and gone ♪ 1446 00:48:33.030 --> 00:48:39.010 ♪ All I shall do again, 1447 00:48:33.030 --> 00:48:39.010 stand in a queue again ♪ 1448 00:48:39.010 --> 00:48:45.050 ♪ Here's to not making news ♪ 1449 00:48:45.050 --> 00:48:50.139 ♪ A mother full of pride, 1450 00:48:45.050 --> 00:48:50.139 her prince is by her side ♪ 1451 00:48:50.139 --> 00:48:56.170 ♪ Her life finally hers 1452 00:48:50.139 --> 00:48:56.170 to choose ♪ 1453 00:48:56.170 --> 00:49:01.159 ♪ And I choose happiness, 1454 00:48:56.170 --> 00:49:01.159 I choose a fresh new start ♪ 1455 00:49:01.159 --> 00:49:08.090 ♪ I choose whatever lies ahead ♪ 1456 00:49:08.090 --> 00:49:11.119 ♪ If ♪ 1457 00:49:08.090 --> 00:49:11.119 ♪ If I can carry on ♪ 1458 00:49:11.119 --> 00:49:14.130 ♪ If ♪ 1459 00:49:11.119 --> 00:49:14.130 ♪ Stay calm and simply breathe ♪ 1460 00:49:14.130 --> 00:49:17.119 ♪ If ♪ 1461 00:49:14.130 --> 00:49:17.119 ♪ If I devote my soul ♪ 1462 00:49:17.119 --> 00:49:20.099 ♪ If ♪ 1463 00:49:17.119 --> 00:49:20.099 ♪ To every child in need ♪ 1464 00:49:20.099 --> 00:49:23.119 ♪ If ♪ 1465 00:49:20.099 --> 00:49:23.119 ♪ The Queen bestows her grace ♪ 1466 00:49:23.119 --> 00:49:26.099 ♪ If ♪ 1467 00:49:23.119 --> 00:49:26.099 ♪ And places me in charge ♪ 1468 00:49:26.099 --> 00:49:29.119 ♪ If ♪ 1469 00:49:26.099 --> 00:49:29.119 ♪ To represent the crown ♪ 1470 00:49:29.119 --> 00:49:32.150 ♪ If ♪ 1471 00:49:29.119 --> 00:49:32.150 ♪ Ambassador at large ♪ 1472 00:49:32.150 --> 00:49:35.119 ♪ If ♪ 1473 00:49:32.150 --> 00:49:35.119 ♪ I'll be their English rose ♪ 1474 00:49:35.119 --> 00:49:38.119 ♪ If ♪ 1475 00:49:35.119 --> 00:49:38.119 ♪ Their proudest 1476 00:49:35.119 --> 00:49:38.119 shining knight ♪ 1477 00:49:38.119 --> 00:49:39.139 ♪ If ♪ 1478 00:49:39.139 --> 00:49:42.260 ♪ And I'll light the world ♪ 1479 00:49:42.260 --> 00:49:45.139 ♪ I'll light the world ♪ 1480 00:49:45.139 --> 00:49:48.110 ♪♪♪ 1481 00:49:48.110 --> 00:49:54.010 ♪ But how does one begin 1482 00:49:48.110 --> 00:49:54.010 to shed her royal skin ♪ 1483 00:49:54.010 --> 00:49:57.289 ♪ Be better than before ♪ 1484 00:49:57.289 --> 00:50:00.099 ♪♪♪ 1485 00:50:00.099 --> 00:50:05.110 ♪ She discards her past, 1486 00:50:00.099 --> 00:50:05.110 all that she's amassed ♪ 1487 00:50:05.110 --> 00:50:11.190 ♪ Set free, 1488 00:50:05.110 --> 00:50:11.190 she'll do even more ♪ 1489 00:50:11.190 --> 00:50:16.150 ♪ I choose happiness, 1490 00:50:11.190 --> 00:50:16.150 I choose a fresh new start ♪ 1491 00:50:16.150 --> 00:50:23.099 ♪ I choose whatever lies ahead ♪ 1492 00:50:23.099 --> 00:50:26.099 ♪ If ♪ 1493 00:50:23.099 --> 00:50:26.099 ♪ I'll have another child ♪ 1494 00:50:26.099 --> 00:50:29.110 ♪ If ♪ 1495 00:50:26.099 --> 00:50:29.110 ♪ An answer to my prayer ♪ 1496 00:50:29.110 --> 00:50:32.130 ♪ If ♪ 1497 00:50:29.110 --> 00:50:32.130 ♪ Perhaps a baby girl ♪ 1498 00:50:32.130 --> 00:50:35.099 ♪ If ♪ 1499 00:50:32.130 --> 00:50:35.099 ♪ Or better yet a pair ♪ 1500 00:50:35.099 --> 00:50:38.119 ♪ If ♪ 1501 00:50:35.099 --> 00:50:38.119 ♪ If Charles steps aside ♪ 1502 00:50:38.119 --> 00:50:41.110 ♪ If ♪ 1503 00:50:38.119 --> 00:50:41.110 ♪ And lets my William reign ♪ 1504 00:50:41.110 --> 00:50:44.110 ♪ If ♪ 1505 00:50:41.110 --> 00:50:44.110 ♪ Then all this suffering ♪ 1506 00:50:44.110 --> 00:50:47.099 ♪ If ♪ 1507 00:50:44.110 --> 00:50:47.099 ♪ Will not have been in vain ♪ 1508 00:50:47.099 --> 00:50:50.110 ♪ If ♪ 1509 00:50:47.099 --> 00:50:50.110 ♪ My future's my design ♪ 1510 00:50:50.110 --> 00:50:53.099 ♪ If ♪ 1511 00:50:50.110 --> 00:50:53.099 ♪ My story's finally mine ♪ 1512 00:50:53.099 --> 00:50:54.150 ♪ If ♪ 1513 00:50:54.150 --> 00:50:59.139 ♪ And I'll light the world ♪ 1514 00:51:00.289 --> 00:51:04.150 ♪ I'll light the world ♪ 1515 00:51:04.150 --> 00:51:11.260 ♪♪♪ 1516 00:51:11.260 --> 00:51:14.159 ♪ Blame it all ♪ 1517 00:51:11.260 --> 00:51:14.159 ♪ On the nights on Broadway ♪ 1518 00:51:14.159 --> 00:51:16.039 ♪ Blame it 1519 00:51:14.159 --> 00:51:16.039 on the nights on Broadway ♪ 1520 00:51:19.059 --> 00:51:19.079 . 1521 00:51:20.110 --> 00:51:20.139 ♪♪♪ 1522 00:51:23.179 --> 00:51:25.250 Sometimes the most 1523 00:51:23.179 --> 00:51:25.250 painful breakup 1524 00:51:25.250 --> 00:51:27.139 is a friendship breakup. 1525 00:51:27.139 --> 00:51:28.280 Here with a fiery anthem 1526 00:51:28.280 --> 00:51:31.210 about that very specific 1527 00:51:28.280 --> 00:51:31.210 kind of heartbreak 1528 00:51:31.210 --> 00:51:34.110 is Mary Kate Morrissey 1529 00:51:31.210 --> 00:51:34.110 from the cast of "Mean Girls" 1530 00:51:34.110 --> 00:51:36.190 singing "I'd Rather Be Me." 1531 00:51:36.190 --> 00:51:43.090 ♪♪♪ 1532 00:51:43.090 --> 00:51:44.210 ♪ So your best friend 1533 00:51:43.090 --> 00:51:44.210 screwed you over ♪ 1534 00:51:44.210 --> 00:51:46.190 ♪ Acted nice when she not nice ♪ 1535 00:51:46.190 --> 00:51:48.090 ♪ Well, I have some advice ♪ 1536 00:51:48.090 --> 00:51:50.010 ♪ 'Cause it's happened 1537 00:51:48.090 --> 00:51:50.010 to me twice ♪ 1538 00:51:50.010 --> 00:51:53.190 ♪ Here's my secret strategy, 1539 00:51:50.010 --> 00:51:53.190 it always works because ♪ 1540 00:51:53.190 --> 00:51:56.179 ♪ The world doesn't end, 1541 00:51:53.190 --> 00:51:56.179 it just feels like it does ♪ 1542 00:51:56.179 --> 00:52:00.070 ♪ So raise your right finger ♪ 1543 00:52:00.070 --> 00:52:03.250 ♪ And solemnly swear ♪ 1544 00:52:03.250 --> 00:52:07.070 ♪ "Whatever they say about me ♪ 1545 00:52:07.070 --> 00:52:10.170 ♪ I don't care!" ♪ 1546 00:52:10.170 --> 00:52:12.099 ♪ I won't twist in knots 1547 00:52:10.170 --> 00:52:12.099 to join your game ♪ 1548 00:52:12.099 --> 00:52:13.260 ♪ I will say, 1549 00:52:12.099 --> 00:52:13.260 "You make me mad" ♪ 1550 00:52:13.260 --> 00:52:17.110 ♪ And if you treat me bad, 1551 00:52:13.260 --> 00:52:17.110 I'll say "you're bad" ♪ 1552 00:52:17.110 --> 00:52:19.070 ♪ And if I eat alone 1553 00:52:17.110 --> 00:52:19.070 from this moment on ♪ 1554 00:52:19.070 --> 00:52:20.280 ♪ That's just what I'll do ♪ 1555 00:52:20.280 --> 00:52:24.130 ♪ 'Cause I'd rather be me, 1556 00:52:20.280 --> 00:52:24.130 I'd rather be me ♪ 1557 00:52:24.130 --> 00:52:29.070 ♪ I'd rather be me 1558 00:52:24.130 --> 00:52:29.070 than be with you ♪ 1559 00:52:29.070 --> 00:52:30.159 [ Laughs ] 1560 00:52:30.159 --> 00:52:32.239 Oh, we're supposed 1561 00:52:30.159 --> 00:52:32.239 to all be ladies 1562 00:52:32.239 --> 00:52:34.219 and be nurturing and care. 1563 00:52:34.219 --> 00:52:35.269 But is that really fair? 1564 00:52:35.269 --> 00:52:38.010 Boys get to fight, 1565 00:52:35.269 --> 00:52:38.010 and we have to share. 1566 00:52:38.010 --> 00:52:39.119 Here's the way that turns out. 1567 00:52:39.119 --> 00:52:41.139 ♪ We always understand ♪ 1568 00:52:41.139 --> 00:52:44.170 ♪ How to slap someone down 1569 00:52:41.139 --> 00:52:44.170 with our underhand ♪ 1570 00:52:44.170 --> 00:52:48.099 ♪ So here's my right finger ♪ 1571 00:52:48.099 --> 00:52:52.019 ♪ To how girls should behave ♪ 1572 00:52:52.019 --> 00:52:55.070 ♪ Sometimes what's meant 1573 00:52:52.019 --> 00:52:55.070 to break you ♪ 1574 00:52:55.070 --> 00:52:58.190 ♪ Makes you brave ♪ 1575 00:52:58.190 --> 00:53:00.090 ♪ So I will not act 1576 00:52:58.190 --> 00:53:00.090 all innocent ♪ 1577 00:53:00.090 --> 00:53:01.250 ♪ I won't fake apologize ♪ 1578 00:53:01.250 --> 00:53:05.159 ♪ Let's just fight and then 1579 00:53:01.250 --> 00:53:05.159 make up, not tell these lies ♪ 1580 00:53:05.159 --> 00:53:07.000 ♪ Let's call our damage even ♪ 1581 00:53:07.000 --> 00:53:08.280 ♪ Clean the slate 1582 00:53:07.000 --> 00:53:08.280 till it's like new ♪ 1583 00:53:08.280 --> 00:53:12.139 ♪ It's a new life for me 1584 00:53:08.280 --> 00:53:12.139 where I'd rather be me ♪ 1585 00:53:12.139 --> 00:53:17.230 ♪ I'd rather be me 1586 00:53:12.139 --> 00:53:17.230 than be with you ♪ 1587 00:53:17.230 --> 00:53:18.289 [ Chuckles ] 1588 00:53:18.289 --> 00:53:20.280 ♪ I'll say no, 1589 00:53:18.289 --> 00:53:20.280 I'll say knock it off ♪ 1590 00:53:20.280 --> 00:53:22.179 ♪ With your notes and your rules 1591 00:53:20.280 --> 00:53:22.179 and your games ♪ 1592 00:53:22.179 --> 00:53:24.090 ♪ And those sycophants 1593 00:53:22.179 --> 00:53:24.090 who follow you ♪ 1594 00:53:24.090 --> 00:53:25.250 ♪ I'll remember 1595 00:53:24.090 --> 00:53:25.250 all their names ♪ 1596 00:53:25.250 --> 00:53:29.199 ♪ And when they drag you down 1597 00:53:25.250 --> 00:53:29.199 as they inevitably do ♪ 1598 00:53:29.199 --> 00:53:31.090 ♪ I will not laugh 1599 00:53:29.199 --> 00:53:31.090 along with them ♪ 1600 00:53:31.090 --> 00:53:34.110 ♪ And approve their palace coup 1601 00:53:31.090 --> 00:53:34.110 'cause that's not me ♪ 1602 00:53:34.110 --> 00:53:36.070 [ Giggles ] 1603 00:53:36.070 --> 00:53:37.280 ♪ I don't need 1604 00:53:36.070 --> 00:53:37.280 their good opinions ♪ 1605 00:53:37.280 --> 00:53:39.260 ♪ I've got plenty of opinions ♪ 1606 00:53:39.260 --> 00:53:43.079 ♪ Everybody has opinions, 1607 00:53:39.260 --> 00:53:43.079 but it doesn't make them true ♪ 1608 00:53:43.079 --> 00:53:46.210 ♪ What's true is being me 1609 00:53:43.079 --> 00:53:46.210 and I'd rather be me ♪ 1610 00:53:46.210 --> 00:53:53.079 ♪ I'd rather be me 1611 00:53:46.210 --> 00:53:53.079 than be with you ♪ 1612 00:53:53.079 --> 00:53:56.199 ♪ So raise them high, 1613 00:53:53.079 --> 00:53:56.199 'cause playing nice and shy ♪ 1614 00:53:56.199 --> 00:54:01.079 ♪ Is insulting my IQ ♪ 1615 00:54:01.079 --> 00:54:04.190 ♪ I'd rather be me, 1616 00:54:01.079 --> 00:54:04.190 I'd rather be me ♪ 1617 00:54:04.190 --> 00:54:08.039 ♪ I'd rather be me 1618 00:54:04.190 --> 00:54:08.039 than be with you ♪ 1619 00:54:08.039 --> 00:54:11.139 ♪ I'd rather be me, 1620 00:54:08.039 --> 00:54:11.139 I'd rather be me ♪ 1621 00:54:11.139 --> 00:54:16.039 ♪ I'd rather be me than be ♪ 1622 00:54:16.039 --> 00:54:23.250 ♪ With you ♪ 1623 00:54:25.159 --> 00:54:30.070 My whole career has been 1624 00:54:25.159 --> 00:54:30.070 about being a Bro-- 1625 00:54:30.070 --> 00:54:33.000 It wasn't about being 1626 00:54:30.070 --> 00:54:33.000 a television or TV star. 1627 00:54:33.000 --> 00:54:35.019 It was about being 1628 00:54:33.000 --> 00:54:35.019 a Broadway star. 1629 00:54:35.019 --> 00:54:39.110 It was about being Broadway. 1630 00:54:35.019 --> 00:54:39.110 doing August Wilson on Broadway. 1631 00:54:39.110 --> 00:54:42.059 I was doing "Sunday in the Park" 1632 00:54:39.110 --> 00:54:42.059 with George 1633 00:54:42.059 --> 00:54:45.119 at the Hudson Theater. 1634 00:54:45.119 --> 00:54:47.269 I didn't know that Mandy 1635 00:54:45.119 --> 00:54:47.269 Patinkin was in the audience. 1636 00:54:47.269 --> 00:54:49.199 And sure enough, 1637 00:54:47.269 --> 00:54:49.199 at the end of the show, 1638 00:54:49.199 --> 00:54:52.050 Mandy came backstage. 1639 00:54:52.050 --> 00:54:54.150 And we said nothing. 1640 00:54:54.150 --> 00:54:57.070 He just opened his arms 1641 00:54:54.150 --> 00:54:57.070 and threw them around me. 1642 00:54:57.070 --> 00:55:00.230 To be there onstage playing 1643 00:54:57.070 --> 00:55:00.230 a role that he originated 1644 00:55:00.230 --> 00:55:02.019 and to have him see me in it 1645 00:55:02.019 --> 00:55:06.199 and to have him be moved 1646 00:55:02.019 --> 00:55:06.199 as much as he was, 1647 00:55:06.199 --> 00:55:10.019 I will never, ever 1648 00:55:06.199 --> 00:55:10.019 forget that moment. 1649 00:55:10.019 --> 00:55:11.170 Foster: There's nothing like 1650 00:55:10.019 --> 00:55:11.170 performing live. 1651 00:55:11.170 --> 00:55:14.099 There's nothing like 1652 00:55:11.170 --> 00:55:14.099 sharing an experience 1653 00:55:14.099 --> 00:55:18.019 with 1,000 other people. 1654 00:55:18.019 --> 00:55:20.139 Tveit: I grew up only about an 1655 00:55:18.019 --> 00:55:20.139 hour outside of New York City. 1656 00:55:20.139 --> 00:55:23.070 And so when I joined the 1657 00:55:20.139 --> 00:55:23.070 Broadway "Hairspray" company, 1658 00:55:23.070 --> 00:55:26.280 I found out that about 75 people 1659 00:55:23.070 --> 00:55:26.280 from my hometown 1660 00:55:26.280 --> 00:55:28.269 were coming to my opening night. 1661 00:55:28.269 --> 00:55:30.289 My high school chorus teacher 1662 00:55:28.269 --> 00:55:30.289 actually chartered a bus, 1663 00:55:30.289 --> 00:55:33.139 and a bunch of people piled in 1664 00:55:30.289 --> 00:55:33.139 and came down and supported. 1665 00:55:33.139 --> 00:55:37.159 I got entrance applause. 1666 00:55:33.139 --> 00:55:37.159 People were just going berserk. 1667 00:55:37.159 --> 00:55:39.050 Stamos: You don't want to know 1668 00:55:37.159 --> 00:55:39.050 who's in the audience. 1669 00:55:39.050 --> 00:55:41.070 Early on, it was like, 1670 00:55:39.050 --> 00:55:41.070 "Henry Kissinger's here." 1671 00:55:41.070 --> 00:55:43.039 It was like, "Oh --" 1672 00:55:41.070 --> 00:55:43.039 I said, "I'm nervous --" 1673 00:55:43.039 --> 00:55:45.110 "Just don't look at him. 1674 00:55:43.039 --> 00:55:45.110 Don't let the Secret Serv-- 1675 00:55:45.110 --> 00:55:46.219 You know, don't, 1676 00:55:45.110 --> 00:55:46.219 whatever you do --" 1677 00:55:46.219 --> 00:55:49.179 And I got through the first act 1678 00:55:46.219 --> 00:55:49.179 pretty well without -- 1679 00:55:49.179 --> 00:55:51.210 I didn't look. I was just -- 1680 00:55:49.179 --> 00:55:51.210 But I knew he was over there. 1681 00:55:51.210 --> 00:55:52.289 The second act comes up, 1682 00:55:52.289 --> 00:55:54.219 and I said, 1683 00:55:52.289 --> 00:55:54.219 "I got to look at Henry." 1684 00:55:54.219 --> 00:55:57.179 I look. He's like [Snoring] 1685 00:55:57.179 --> 00:56:02.260 ♪♪♪ 1686 00:56:02.260 --> 00:56:04.000 Announcer: Please welcome 1687 00:56:04.000 --> 00:56:07.010 country music superstar 1688 00:56:04.000 --> 00:56:07.010 Brett Eldredge. 1689 00:56:07.010 --> 00:56:09.280 I'm originally from Illinois, 1690 00:56:07.010 --> 00:56:09.280 but I love "Oklahoma." 1691 00:56:09.280 --> 00:56:11.059 Although the state is fine, 1692 00:56:11.059 --> 00:56:13.119 I'm talking about 1693 00:56:11.059 --> 00:56:13.119 the musical "Oklahoma." 1694 00:56:13.119 --> 00:56:15.179 Who doesn't love it? 1695 00:56:13.119 --> 00:56:15.179 It changed Broadway forever. 1696 00:56:15.179 --> 00:56:17.030 It was the first 1697 00:56:15.179 --> 00:56:17.030 American musical 1698 00:56:17.030 --> 00:56:18.210 to play around the world 1699 00:56:18.210 --> 00:56:21.119 and had its fifth revival 1700 00:56:18.210 --> 00:56:21.119 in 2019. 1701 00:56:21.119 --> 00:56:23.190 It has one of the greatest 1702 00:56:21.119 --> 00:56:23.190 Broadway opening numbers 1703 00:56:23.190 --> 00:56:25.139 of all time. 1704 00:56:25.139 --> 00:56:33.050 ♪♪♪ 1705 00:56:33.050 --> 00:56:40.010 ♪ There's a bright golden haze 1706 00:56:33.050 --> 00:56:40.010 on the meadow ♪ 1707 00:56:40.010 --> 00:56:46.079 ♪ There's a bright golden 1708 00:56:40.010 --> 00:56:46.079 haze on the meadow ♪ 1709 00:56:46.079 --> 00:56:53.289 ♪ The corn is as high 1710 00:56:46.079 --> 00:56:53.289 as an elephant's eye ♪ 1711 00:56:53.289 --> 00:57:02.260 ♪ And looks like its climbin' 1712 00:56:53.289 --> 00:57:02.260 clear up to the sky ♪ 1713 00:57:02.260 --> 00:57:08.050 ♪ Oh, what a beautiful morning ♪ 1714 00:57:08.050 --> 00:57:13.260 ♪ Oh, what a beautiful day ♪ 1715 00:57:13.260 --> 00:57:19.280 ♪ I got a beautiful feeling ♪ 1716 00:57:19.280 --> 00:57:25.250 ♪ Everything's going my way ♪ 1717 00:57:25.250 --> 00:57:30.280 ♪♪♪ 1718 00:57:30.280 --> 00:57:36.230 ♪ All the cattle are standing 1719 00:57:30.280 --> 00:57:36.230 like statues ♪ 1720 00:57:36.230 --> 00:57:42.039 ♪ All the cattle 1721 00:57:36.230 --> 00:57:42.039 are standing like statues ♪ 1722 00:57:42.039 --> 00:57:49.210 ♪ They don't turn their heads 1723 00:57:42.039 --> 00:57:49.210 as they see me ride by ♪ 1724 00:57:49.210 --> 00:57:59.010 ♪ But a little brown mav'rick 1725 00:57:49.210 --> 00:57:59.010 is winking her eye ♪ 1726 00:57:59.010 --> 00:58:04.269 ♪ Oh, what a beautiful morning ♪ 1727 00:58:04.269 --> 00:58:10.250 ♪ Oh, what a beautiful day ♪ 1728 00:58:10.250 --> 00:58:16.139 ♪ I got a beautiful feeling ♪ 1729 00:58:16.139 --> 00:58:22.199 ♪ Everything's going my way ♪ 1730 00:58:22.199 --> 00:58:25.099 [ Humming ] 1731 00:58:25.099 --> 00:58:27.150 ♪♪♪ 1732 00:58:27.150 --> 00:58:33.159 ♪ All the sounds of the earth 1733 00:58:27.150 --> 00:58:33.159 are like music ♪ 1734 00:58:33.159 --> 00:58:39.039 ♪ All the sounds 1735 00:58:33.159 --> 00:58:39.039 of the earth are like music ♪ 1736 00:58:39.039 --> 00:58:46.019 ♪ The breeze is so busy 1737 00:58:39.039 --> 00:58:46.019 it don't miss a tree ♪ 1738 00:58:46.019 --> 00:58:54.199 ♪ And an ol' Weepin' Willer 1739 00:58:46.019 --> 00:58:54.199 is laughin' at me ♪ 1740 00:58:54.199 --> 00:59:00.079 ♪ Oh, what a beautiful morning ♪ 1741 00:59:00.079 --> 00:59:05.250 ♪ Oh, what a beautiful day ♪ 1742 00:59:05.250 --> 00:59:11.030 ♪ I got a beautiful feeling ♪ 1743 00:59:11.030 --> 00:59:17.239 ♪ Everything's going my way ♪ 1744 00:59:17.239 --> 00:59:24.170 ♪ Oh, what a beautiful ♪ 1745 00:59:24.170 --> 00:59:34.070 ♪ Day ♪ 1746 00:59:34.070 --> 00:59:38.139 ♪♪♪ 1747 00:59:40.059 --> 00:59:42.260 ♪♪♪ 1748 00:59:42.260 --> 00:59:44.219 Announcer: A number 1749 00:59:42.260 --> 00:59:44.219 from Broadway's longest running 1750 00:59:44.219 --> 00:59:47.039 American musical "Chicago," 1751 00:59:47.039 --> 00:59:49.130 jukebox classic "Jersey Boys," 1752 00:59:49.130 --> 00:59:51.250 and a message from Sean Hayes, 1753 00:59:51.250 --> 00:59:55.250 when "One Night Only: 1754 00:59:51.250 --> 00:59:55.250 The Best of Broadway" continues. 1755 00:59:55.250 --> 00:59:59.059 ♪ Singin' them love songs, 1756 00:59:55.250 --> 00:59:59.059 singin' them ♪ 1757 01:00:02.070 --> 01:00:02.090 . 1758 01:00:03.119 --> 01:00:03.150 ♪♪♪ 1759 01:00:07.110 --> 01:00:09.039 We're back in New York's 1760 01:00:07.110 --> 01:00:09.039 Theater District 1761 01:00:09.039 --> 01:00:11.190 on "One Night Only: 1762 01:00:09.039 --> 01:00:11.190 The Best of Broadway." 1763 01:00:11.190 --> 01:00:13.289 One of the most iconic 1764 01:00:11.190 --> 01:00:13.289 characters ever to appear 1765 01:00:13.289 --> 01:00:15.239 on a Broadway stage 1766 01:00:13.289 --> 01:00:15.239 is Mama Morton, 1767 01:00:15.239 --> 01:00:19.000 the matron of the Cook County 1768 01:00:15.239 --> 01:00:19.000 Jail in the musical "Chicago." 1769 01:00:19.000 --> 01:00:21.219 Here to show exactly why 1770 01:00:19.000 --> 01:00:21.219 "Chicago" is the longest running 1771 01:00:21.219 --> 01:00:23.250 American musical 1772 01:00:21.219 --> 01:00:23.250 in Broadway history 1773 01:00:23.250 --> 01:00:26.019 is NaTasha Yvette Williams 1774 01:00:23.250 --> 01:00:26.019 performing 1775 01:00:26.019 --> 01:00:28.119 "When You're Good to Mama." 1776 01:00:28.119 --> 01:00:34.000 ♪♪♪ 1777 01:00:34.000 --> 01:00:39.190 ♪♪♪ 1778 01:00:39.190 --> 01:00:44.130 ♪ Ask any of the chickies 1779 01:00:39.190 --> 01:00:44.130 in my pen ♪ 1780 01:00:44.130 --> 01:00:50.119 ♪ They'll tell you 1781 01:00:44.130 --> 01:00:50.119 I'm the biggest mother hen ♪ 1782 01:00:50.119 --> 01:00:55.039 ♪ I love them all 1783 01:00:50.119 --> 01:00:55.039 and all of them love me ♪ 1784 01:00:55.039 --> 01:00:59.170 ♪ 'Cause the system works, 1785 01:00:55.039 --> 01:00:59.170 the system called ♪ 1786 01:00:59.170 --> 01:01:06.219 ♪ Reciprocity ♪ 1787 01:01:06.219 --> 01:01:09.079 ♪♪♪ 1788 01:01:09.079 --> 01:01:12.130 [ Laughs ] 1789 01:01:12.130 --> 01:01:15.139 ♪ Got a little motto ♪ 1790 01:01:15.139 --> 01:01:18.139 ♪ Always sees me through ♪ 1791 01:01:18.139 --> 01:01:21.119 ♪ When you're good to Mama ♪ 1792 01:01:21.119 --> 01:01:26.010 ♪ Mama's good to you ♪ 1793 01:01:26.010 --> 01:01:29.019 ♪ There's a lot of favors ♪ 1794 01:01:29.019 --> 01:01:32.030 ♪ I'm prepared to do ♪ 1795 01:01:32.030 --> 01:01:35.039 ♪ You do one for Mama ♪ 1796 01:01:35.039 --> 01:01:39.090 ♪ She'll do one for you ♪ 1797 01:01:39.090 --> 01:01:42.219 ♪ They say that life 1798 01:01:39.090 --> 01:01:42.219 is tit for tat ♪ 1799 01:01:42.219 --> 01:01:45.230 ♪ And that's the way I live ♪ 1800 01:01:45.230 --> 01:01:48.219 ♪ So I deserve a lot of tat ♪ 1801 01:01:48.219 --> 01:01:51.269 ♪ For what I got to give ♪ 1802 01:01:51.269 --> 01:01:54.260 ♪ Don't you know 1803 01:01:51.269 --> 01:01:54.260 that this hand ♪ 1804 01:01:54.260 --> 01:01:57.269 ♪ Washes that one, too? ♪ 1805 01:01:57.269 --> 01:02:00.269 ♪ When you're good to Mama ♪ 1806 01:02:00.269 --> 01:02:09.219 ♪ Mama's good to you ♪ 1807 01:02:09.219 --> 01:02:15.219 ♪ The folks atop the ladder 1808 01:02:09.219 --> 01:02:15.219 are the ones the world adores ♪ 1809 01:02:15.219 --> 01:02:19.050 ♪ So boost me 1810 01:02:15.219 --> 01:02:19.050 up my ladder, kid ♪ 1811 01:02:19.050 --> 01:02:22.079 ♪ And I'll boost you up yours ♪ 1812 01:02:22.079 --> 01:02:25.070 ♪ Let's all stroke together ♪ 1813 01:02:25.070 --> 01:02:28.090 ♪ Like the Princeton crew ♪ 1814 01:02:28.090 --> 01:02:31.150 ♪ When you're strokin' Mama ♪ 1815 01:02:31.150 --> 01:02:38.050 ♪ Mama's strokin' you ♪ 1816 01:02:38.050 --> 01:02:40.179 ♪ What's the one conclusion ♪ 1817 01:02:40.179 --> 01:02:45.239 ♪ I can bring this number to? ♪ 1818 01:02:45.239 --> 01:02:53.079 ♪ When you're good to Mama ♪ 1819 01:02:53.079 --> 01:02:57.190 ♪ Mama's good ♪ 1820 01:02:57.190 --> 01:03:03.130 ♪ To you ♪ 1821 01:03:03.130 --> 01:03:07.269 ♪ To you ♪ 1822 01:03:09.269 --> 01:03:15.059 When I got my first 1823 01:03:09.269 --> 01:03:15.059 Broadway show, I was thrilled. 1824 01:03:15.059 --> 01:03:18.159 I wanted to do 1825 01:03:15.059 --> 01:03:18.159 just a decent-enough job 1826 01:03:18.159 --> 01:03:21.179 to make my mom 1827 01:03:18.159 --> 01:03:21.179 not embarrassed of me. 1828 01:03:21.179 --> 01:03:23.199 But what was more important 1829 01:03:21.179 --> 01:03:23.199 than that 1830 01:03:23.199 --> 01:03:25.079 and any success I might achieve 1831 01:03:25.079 --> 01:03:28.260 was the way that the Broadway 1832 01:03:25.079 --> 01:03:28.260 community embraced me 1833 01:03:28.260 --> 01:03:30.150 and made me feel accepted. 1834 01:03:30.150 --> 01:03:31.280 They made me feel safe. 1835 01:03:31.280 --> 01:03:34.230 They made me feel taken care of. 1836 01:03:34.230 --> 01:03:37.010 So you can't know 1837 01:03:34.230 --> 01:03:37.010 how awesome it feels 1838 01:03:37.010 --> 01:03:40.019 to be a part of Broadway 1839 01:03:37.010 --> 01:03:40.019 Cares/Equity Fights AIDS 1840 01:03:40.019 --> 01:03:43.010 and return the favor 1841 01:03:40.019 --> 01:03:43.010 and take care of those people 1842 01:03:43.010 --> 01:03:45.250 that welcomed me 1843 01:03:43.010 --> 01:03:45.250 into their lives. 1844 01:03:45.250 --> 01:03:49.079 During the year, the casts 1845 01:03:45.250 --> 01:03:49.079 and crews of Broadway shows 1846 01:03:49.079 --> 01:03:51.119 will appeal to our inner good 1847 01:03:51.119 --> 01:03:54.239 and ask for donations 1848 01:03:51.119 --> 01:03:54.239 from the audience 1849 01:03:54.239 --> 01:03:58.039 in this little red bucket 1850 01:03:54.239 --> 01:03:58.039 as they leave the theater. 1851 01:03:58.039 --> 01:04:01.000 And tonight, 1852 01:03:58.039 --> 01:04:01.000 I'm asking you to help me 1853 01:04:01.000 --> 01:04:03.139 fill this red bucket again. 1854 01:04:03.139 --> 01:04:05.199 Broadway is closed, 1855 01:04:05.199 --> 01:04:10.280 and those people who make 1856 01:04:05.199 --> 01:04:10.280 Broadway so magical need us. 1857 01:04:10.280 --> 01:04:15.170 So please help 1858 01:04:10.280 --> 01:04:15.170 and make a donation if you can. 1859 01:04:15.170 --> 01:04:19.130 You'll be providing groceries, 1860 01:04:15.170 --> 01:04:19.130 medicine, and hope 1861 01:04:19.130 --> 01:04:22.079 to all of those people 1862 01:04:19.130 --> 01:04:22.079 working offstage, onstage, 1863 01:04:22.079 --> 01:04:24.039 backstage, behind the scenes. 1864 01:04:24.039 --> 01:04:26.230 This entire awesome 1865 01:04:24.039 --> 01:04:26.230 community needs it. 1866 01:04:26.230 --> 01:04:28.230 So let's fill 1867 01:04:26.230 --> 01:04:28.230 this red bucket together 1868 01:04:28.230 --> 01:04:30.269 for the most awesome people 1869 01:04:28.230 --> 01:04:30.269 on the planet. 1870 01:04:30.269 --> 01:04:38.070 Please go to 1871 01:04:30.269 --> 01:04:38.070 broadwaycares.org/help2020 1872 01:04:38.070 --> 01:04:40.119 And now it's time 1873 01:04:38.070 --> 01:04:40.119 for our next performance. 1874 01:04:40.119 --> 01:04:42.070 It's from "Jersey Boys," 1875 01:04:40.119 --> 01:04:42.070 which might just be 1876 01:04:42.070 --> 01:04:45.110 the perfect jukebox musical, 1877 01:04:42.070 --> 01:04:45.110 bringing to the stage the songs 1878 01:04:45.110 --> 01:04:47.269 and story of Frankie Valli 1879 01:04:45.110 --> 01:04:47.269 and the Four Seasons, 1880 01:04:47.269 --> 01:04:50.030 whose talents took them 1881 01:04:47.269 --> 01:04:50.030 from the streets of New Jersey 1882 01:04:50.030 --> 01:04:52.010 to the Rock & Roll Hall of Fame. 1883 01:04:52.010 --> 01:04:54.110 The show opened 1884 01:04:52.010 --> 01:04:54.110 on Broadway in 2005 1885 01:04:54.110 --> 01:04:59.000 and ran for an incredible 1886 01:04:54.110 --> 01:04:59.000 4,642 performances 1887 01:04:59.000 --> 01:05:01.039 and will continue to play 1888 01:04:59.000 --> 01:05:01.039 at the New World Stages 1889 01:05:01.039 --> 01:05:03.269 in New York City 1890 01:05:01.039 --> 01:05:03.269 when theaters can reopen. 1891 01:05:03.269 --> 01:05:11.090 ♪♪♪ 1892 01:05:11.090 --> 01:05:15.000 ♪ Sherry, Sherry, baby ♪ 1893 01:05:15.000 --> 01:05:18.210 ♪ Sherry, Sherry, baby ♪ 1894 01:05:18.210 --> 01:05:22.130 ♪ Sherry ♪ 1895 01:05:18.210 --> 01:05:22.130 ♪ Sherry, Sherry, baby ♪ 1896 01:05:22.130 --> 01:05:24.210 ♪ Baby ♪ 1897 01:05:24.210 --> 01:05:26.010 ♪ Sherry, baby ♪ 1898 01:05:26.010 --> 01:05:30.070 ♪ Sherry, can you 1899 01:05:26.010 --> 01:05:30.070 come out tonight? ♪ 1900 01:05:30.070 --> 01:05:33.119 ♪ Come, come, come out tonight ♪ 1901 01:05:33.119 --> 01:05:39.139 ♪ Sherry, baby ♪ 1902 01:05:39.139 --> 01:05:40.250 ♪ Sherry, baby ♪ 1903 01:05:40.250 --> 01:05:46.269 ♪ Sherry, can you 1904 01:05:40.250 --> 01:05:46.269 come out tonight? ♪ 1905 01:05:46.269 --> 01:05:49.039 ♪ Why don't you come out ♪ 1906 01:05:49.039 --> 01:05:51.280 ♪ Come to my twist party ♪ 1907 01:05:51.280 --> 01:05:53.030 ♪ Come out ♪ 1908 01:05:53.030 --> 01:05:55.170 ♪ Where the bright moon shines ♪ 1909 01:05:55.170 --> 01:05:57.000 ♪ Come out ♪ 1910 01:05:57.000 --> 01:05:59.150 ♪ We'll dance the night away ♪ 1911 01:05:59.150 --> 01:06:03.030 ♪ I'm gonna make you mine ♪ 1912 01:06:03.030 --> 01:06:04.250 ♪♪♪ 1913 01:06:04.250 --> 01:06:12.030 ♪ Big girls don't cry, 1914 01:06:04.250 --> 01:06:12.030 big girls don't cry ♪ 1915 01:06:12.030 --> 01:06:14.269 ♪ Big girls ♪ 1916 01:06:14.269 --> 01:06:17.159 ♪ Don't cry ♪ 1917 01:06:17.159 --> 01:06:19.119 ♪ They don't cry ♪ 1918 01:06:19.119 --> 01:06:23.150 ♪ Big girls don't cry ♪ 1919 01:06:23.150 --> 01:06:26.179 ♪ Who said they don't cry ♪ 1920 01:06:26.179 --> 01:06:32.010 ♪ My girl said goodbye ♪ 1921 01:06:32.010 --> 01:06:33.230 ♪ My, oh, my ♪ 1922 01:06:33.230 --> 01:06:37.289 ♪ My girl didn't cry ♪ 1923 01:06:37.289 --> 01:06:40.030 ♪ I wonder why ♪ 1924 01:06:40.030 --> 01:06:41.190 ♪ Silly girl ♪ 1925 01:06:41.190 --> 01:06:43.269 ♪ Shame on you, 1926 01:06:41.190 --> 01:06:43.269 your mama said ♪ 1927 01:06:43.269 --> 01:06:45.079 ♪ Silly girl ♪ 1928 01:06:45.079 --> 01:06:47.159 ♪ Shame on you, 1929 01:06:45.079 --> 01:06:47.159 you cried in bed ♪ 1930 01:06:47.159 --> 01:06:48.280 ♪ Silly girl ♪ 1931 01:06:48.280 --> 01:06:52.019 ♪ Shame on you, you told a lie ♪ 1932 01:06:52.019 --> 01:06:55.230 ♪ Big girls do cry ♪ 1933 01:06:55.230 --> 01:06:58.159 ♪ Big girls ♪ 1934 01:06:58.159 --> 01:07:01.050 ♪ Don't cry ♪ 1935 01:07:01.050 --> 01:07:03.010 ♪ They don't cry ♪ 1936 01:07:03.010 --> 01:07:07.030 ♪ Big girls don't cry ♪ 1937 01:07:07.030 --> 01:07:10.090 ♪ That's just an alibi ♪ 1938 01:07:10.090 --> 01:07:18.030 ♪ Big girls don't cry, 1939 01:07:10.090 --> 01:07:18.030 big girls don't cry ♪ 1940 01:07:18.030 --> 01:07:21.219 [ High-pitched vocalizing ] 1941 01:07:21.219 --> 01:07:25.110 ♪ Walk, walk, walk, walk ♪ 1942 01:07:25.110 --> 01:07:28.119 [ High-pitched vocalizing ] 1943 01:07:28.119 --> 01:07:35.219 ♪ Walk like a man ♪ 1944 01:07:35.219 --> 01:07:39.110 ♪ Oh, how you tried 1945 01:07:35.219 --> 01:07:39.110 to cut me down to size ♪ 1946 01:07:39.110 --> 01:07:43.010 ♪ Tellin' dirty lies 1947 01:07:39.110 --> 01:07:43.010 to my friends ♪ 1948 01:07:43.010 --> 01:07:46.110 ♪ My own father said, 1949 01:07:43.010 --> 01:07:46.110 "Give her up, don't bother ♪ 1950 01:07:46.110 --> 01:07:48.269 ♪ The world isn't 1951 01:07:46.110 --> 01:07:48.269 comin' to an end" ♪ 1952 01:07:48.269 --> 01:07:50.070 ♪ He said ♪ 1953 01:07:50.070 --> 01:07:53.280 ♪ Walk like a man, 1954 01:07:50.070 --> 01:07:53.280 talk like a man ♪ 1955 01:07:53.280 --> 01:07:57.159 ♪ Walk like a man, my son ♪ 1956 01:07:57.159 --> 01:08:00.289 ♪ No woman's worth 1957 01:07:57.159 --> 01:08:00.289 crawlin' on the earth ♪ 1958 01:08:00.289 --> 01:08:05.090 ♪ So walk like a man, my son ♪ 1959 01:08:05.090 --> 01:08:08.280 [ High-pitched vocalizing ] 1960 01:08:08.280 --> 01:08:12.170 ♪ Walk, walk, walk, walk ♪ 1961 01:08:12.170 --> 01:08:15.199 [ High-pitched vocalizing ] 1962 01:08:15.199 --> 01:08:22.279 ♪ Walk like a man ♪ 1963 01:08:22.279 --> 01:08:32.060 ♪ Like a man ♪ 1964 01:08:32.060 --> 01:08:34.100 ♪♪♪ 1965 01:08:36.060 --> 01:08:39.029 ♪♪♪ 1966 01:08:39.029 --> 01:08:42.170 Announcer: Antonio Banderas in a 1967 01:08:39.029 --> 01:08:42.170 performance from "A Chorus Line" 1968 01:08:42.170 --> 01:08:45.119 and the magic of "Harry Potter 1969 01:08:42.170 --> 01:08:45.119 and the Cursed Child," 1970 01:08:45.119 --> 01:08:48.250 when "One Night Only: 1971 01:08:45.119 --> 01:08:48.250 The Best of Broadway" returns. 1972 01:08:48.250 --> 01:08:50.189 ♪ On the nights on Broadway ♪ 1973 01:08:50.189 --> 01:08:52.000 ♪ Blame it 1974 01:08:50.189 --> 01:08:52.000 on the nights on Broadway ♪ 1975 01:08:52.000 --> 01:08:54.079 ♪ Singin' them love songs ♪ 1976 01:08:57.050 --> 01:08:57.069 . 1977 01:08:58.060 --> 01:09:02.020 ♪♪♪ 1978 01:09:06.020 --> 01:09:08.189 For "Harry Potter" fans, 1979 01:09:06.020 --> 01:09:08.189 it was a dream come true 1980 01:09:08.189 --> 01:09:11.039 when "Harry Potter and the 1981 01:09:08.189 --> 01:09:11.039 Cursed Child" opened on Broadway 1982 01:09:11.039 --> 01:09:12.189 in 2018. 1983 01:09:12.189 --> 01:09:15.130 The play, the eighth story in 1984 01:09:12.189 --> 01:09:15.130 the series, was a huge success, 1985 01:09:15.130 --> 01:09:16.239 winning six Tony Awards, 1986 01:09:16.239 --> 01:09:19.090 and it gave fans of the books 1987 01:09:16.239 --> 01:09:19.090 and movies a chance 1988 01:09:19.090 --> 01:09:22.020 to see the magic 1989 01:09:19.090 --> 01:09:22.020 of "Harry Potter" live onstage. 1990 01:09:22.020 --> 01:09:23.289 And now let's check in 1991 01:09:22.020 --> 01:09:23.289 with three of the stars 1992 01:09:23.289 --> 01:09:26.189 of "Harry Potter and 1993 01:09:23.289 --> 01:09:26.189 the Cursed Child," James Romney, 1994 01:09:26.189 --> 01:09:29.069 Brady Dalton Richards, 1995 01:09:26.189 --> 01:09:29.069 and Nadia Brown. 1996 01:09:29.069 --> 01:09:30.260 Hi, Tina. 1997 01:09:29.069 --> 01:09:30.260 Hi, Tina. 1998 01:09:29.069 --> 01:09:30.260 Hi, Tina. 1999 01:09:30.260 --> 01:09:32.210 We are honored to be here 2000 01:09:32.210 --> 01:09:34.020 to help celebrate 2001 01:09:32.210 --> 01:09:34.020 Broadway tonight. 2002 01:09:34.020 --> 01:09:36.170 Guys, I'm having trouble 2003 01:09:34.020 --> 01:09:36.170 reading the teleprompter. 2004 01:09:36.170 --> 01:09:38.060 I should be wearing 2005 01:09:36.170 --> 01:09:38.060 my glasses. 2006 01:09:38.060 --> 01:09:40.079 James, 2007 01:09:38.060 --> 01:09:40.079 those aren't glasses. 2008 01:09:40.079 --> 01:09:42.260 [ Chuckles ] 2009 01:09:40.079 --> 01:09:42.260 Wait for it, Nadia. 2010 01:09:42.260 --> 01:09:44.289 James? 2011 01:09:42.260 --> 01:09:44.289 Brady? 2012 01:09:44.289 --> 01:09:47.189 Incendio! 2013 01:09:47.189 --> 01:09:49.289 Oh, he's -- 2014 01:09:49.289 --> 01:09:51.130 Ah. 2015 01:09:49.289 --> 01:09:51.130 He did it. Wow. 2016 01:09:51.130 --> 01:09:53.199 Now, that's more like it. 2017 01:09:53.199 --> 01:09:54.270 [ Laughing ] 2018 01:09:53.199 --> 01:09:54.270 No way. 2019 01:09:54.270 --> 01:09:56.119 As Tina mentioned, 2020 01:09:54.270 --> 01:09:56.119 our show 2021 01:09:56.119 --> 01:09:58.159 tells the eighth story 2022 01:09:56.119 --> 01:09:58.159 in the "Harry Potter" series. 2023 01:09:58.159 --> 01:10:01.060 It's an epic new adventure 2024 01:09:58.159 --> 01:10:01.060 in the wizarding world, 2025 01:10:01.060 --> 01:10:04.100 created exclusively 2026 01:10:01.060 --> 01:10:04.100 to be performed live onstage. 2027 01:10:04.100 --> 01:10:07.170 And truly, it's like nothing 2028 01:10:04.100 --> 01:10:07.170 else you'll see on Broadway. 2029 01:10:07.170 --> 01:10:08.260 And since it's a new story, 2030 01:10:08.260 --> 01:10:10.220 you'll meet new characters 2031 01:10:08.260 --> 01:10:10.220 along the way, 2032 01:10:10.220 --> 01:10:12.159 like the three we play, 2033 01:10:12.159 --> 01:10:15.020 the next generation 2034 01:10:12.159 --> 01:10:15.020 of witches and wizards. 2035 01:10:15.020 --> 01:10:17.109 Being a part of the show 2036 01:10:15.020 --> 01:10:17.109 is absolutely thrilling. 2037 01:10:17.109 --> 01:10:20.090 I mean, okay, who else can say 2038 01:10:17.109 --> 01:10:20.090 that they can perform spells 2039 01:10:20.090 --> 01:10:24.079 like Wingardium Leviosa 2040 01:10:20.090 --> 01:10:24.079 or travel through time and space 2041 01:10:24.079 --> 01:10:27.060 from Kings Cross Station 2042 01:10:24.079 --> 01:10:27.060 to Platform 9 3/4 2043 01:10:27.060 --> 01:10:29.279 live onstage eight times a week? 2044 01:10:29.279 --> 01:10:32.090 Now, when the shutdown 2045 01:10:29.279 --> 01:10:32.090 happened in March, 2046 01:10:32.090 --> 01:10:35.010 we were all together 2047 01:10:32.090 --> 01:10:35.010 at the Lyric Theatre 2048 01:10:35.010 --> 01:10:37.000 in our final rehearsals, 2049 01:10:37.000 --> 01:10:38.250 but days away 2050 01:10:38.250 --> 01:10:41.109 from our year-three company 2051 01:10:38.250 --> 01:10:41.109 taking their launch. 2052 01:10:41.109 --> 01:10:43.180 Now, these guys have been 2053 01:10:41.109 --> 01:10:43.180 on the show for a while, 2054 01:10:43.180 --> 01:10:45.210 and I was set 2055 01:10:43.180 --> 01:10:45.210 to make my Broadway debut. 2056 01:10:45.210 --> 01:10:48.060 So this is 2057 01:10:45.210 --> 01:10:48.060 a bit bittersweet, 2058 01:10:48.060 --> 01:10:51.130 but amazing to be back here 2059 01:10:48.060 --> 01:10:51.130 tonight in the Theater District 2060 01:10:51.130 --> 01:10:53.159 celebrating with 2061 01:10:51.130 --> 01:10:53.159 this incredible community. 2062 01:10:53.159 --> 01:10:56.140 We cannot wait to welcome you 2063 01:10:53.159 --> 01:10:56.140 back to Broadway 2064 01:10:56.140 --> 01:10:58.090 and to "Harry Potter 2065 01:10:56.140 --> 01:10:58.090 in the Cursed Child" 2066 01:10:58.090 --> 01:11:02.010 when performances 2067 01:10:58.090 --> 01:11:02.010 can finally resume. 2068 01:11:02.010 --> 01:11:05.229 I think theater actually 2069 01:11:05.229 --> 01:11:10.069 became more valuable 2070 01:11:05.229 --> 01:11:10.069 in our times. 2071 01:11:10.069 --> 01:11:11.130 It seems in our times 2072 01:11:11.130 --> 01:11:15.239 that things that are 2073 01:11:11.130 --> 01:11:15.239 not recorded don't exist. 2074 01:11:15.239 --> 01:11:18.170 But theater is something 2075 01:11:15.239 --> 01:11:18.170 that is present, is very alive. 2076 01:11:18.170 --> 01:11:22.109 You come, and you have to 2077 01:11:18.170 --> 01:11:22.109 see it live here. 2078 01:11:22.109 --> 01:11:25.000 Theater is something 2079 01:11:22.109 --> 01:11:25.000 that is unique. 2080 01:11:25.000 --> 01:11:26.069 It's a unique experience, 2081 01:11:26.069 --> 01:11:29.109 and it's almost 2082 01:11:26.069 --> 01:11:29.109 personalized for you. 2083 01:11:29.109 --> 01:11:32.149 In the moment that you're here, 2084 01:11:29.109 --> 01:11:32.149 you're watching, it is for you. 2085 01:11:32.149 --> 01:11:36.039 ♪ One singular sensation ♪ 2086 01:11:32.149 --> 01:11:36.039 ♪ She walks into a room, and 2087 01:11:32.149 --> 01:11:36.039 you know she's uncommonly rare ♪ 2088 01:11:36.039 --> 01:11:39.170 ♪ Every little step she takes ♪ 2089 01:11:36.039 --> 01:11:39.170 ♪ Very unique, peripatetic, 2090 01:11:36.039 --> 01:11:39.170 poetic, and chic ♪ 2091 01:11:39.170 --> 01:11:43.029 ♪ One thrilling combination ♪ 2092 01:11:39.170 --> 01:11:43.029 ♪ She walks into a room, 2093 01:11:39.170 --> 01:11:43.029 and you know from her ♪ 2094 01:11:43.029 --> 01:11:46.220 ♪ Every move that she makes ♪ 2095 01:11:43.029 --> 01:11:46.220 ♪ Maddening poise, effortless 2096 01:11:43.029 --> 01:11:46.220 whirl, she's a special girl ♪ 2097 01:11:46.220 --> 01:11:49.090 ♪ Strolling ♪ 2098 01:11:46.220 --> 01:11:49.090 ♪ One smile and suddenly ♪ 2099 01:11:49.090 --> 01:11:54.140 ♪ Nobody else will do ♪ 2100 01:11:49.090 --> 01:11:54.140 ♪ Can't help all of her 2101 01:11:49.090 --> 01:11:54.140 qualities extolling ♪ 2102 01:11:54.140 --> 01:11:57.020 ♪ You know 2103 01:11:54.140 --> 01:11:57.020 you'll never be lonely ♪ 2104 01:11:57.020 --> 01:12:01.010 ♪ With you-know-who ♪ 2105 01:11:57.020 --> 01:12:01.010 ♪ Loaded with charisma ♪ 2106 01:12:01.010 --> 01:12:04.149 Banderas: "A Chorus Line," 2107 01:12:01.010 --> 01:12:04.149 it was performed once in Spain, 2108 01:12:04.149 --> 01:12:06.130 but it was -- You know, 2109 01:12:04.149 --> 01:12:06.130 the music was in playback. 2110 01:12:06.130 --> 01:12:09.180 It was not entirely produced 2111 01:12:09.180 --> 01:12:11.140 as I thought that it should be. 2112 01:12:11.140 --> 01:12:13.149 When we sang at the end, 2113 01:12:13.149 --> 01:12:16.020 with the golden suits and hats 2114 01:12:13.149 --> 01:12:16.020 and everything, 2115 01:12:16.020 --> 01:12:19.100 I wanted to create the illusion 2116 01:12:16.020 --> 01:12:19.100 that, for a moment, 2117 01:12:19.100 --> 01:12:21.130 that we are actually 2118 01:12:19.100 --> 01:12:21.130 on Broadway. 2119 01:12:21.130 --> 01:12:26.260 And if it's possible and 2120 01:12:21.130 --> 01:12:26.260 when all of this is finished, 2121 01:12:26.260 --> 01:12:30.060 we will be there. 2122 01:12:30.060 --> 01:12:35.180 ♪♪♪ 2123 01:12:35.180 --> 01:12:41.010 ♪♪♪ 2124 01:12:41.010 --> 01:12:44.159 ♪ One singular sensation ♪ 2125 01:12:44.159 --> 01:12:48.050 ♪ Every little step she takes ♪ 2126 01:12:48.050 --> 01:12:51.220 ♪ One thrilling combination ♪ 2127 01:12:51.220 --> 01:12:55.229 ♪ Every move that she makes ♪ 2128 01:12:55.229 --> 01:12:57.270 ♪ One smile and suddenly ♪ 2129 01:12:57.270 --> 01:13:03.010 ♪ Nobody else will do ♪ 2130 01:13:03.010 --> 01:13:05.229 ♪ You know 2131 01:13:03.010 --> 01:13:05.229 you'll never be lonely ♪ 2132 01:13:05.229 --> 01:13:09.289 ♪ With you-know-who ♪ 2133 01:13:09.289 --> 01:13:13.189 ♪ One moment in her presence ♪ 2134 01:13:13.189 --> 01:13:17.090 ♪ And you can forget the rest ♪ 2135 01:13:17.090 --> 01:13:20.020 ♪ For the girl is second best ♪ 2136 01:13:20.020 --> 01:13:24.210 ♪ To none, son ♪ 2137 01:13:24.210 --> 01:13:28.119 ♪ Ooh! Sigh! 2138 01:13:24.210 --> 01:13:28.119 Give her your attention ♪ 2139 01:13:28.119 --> 01:13:32.010 ♪ Do I really have to mention ♪ 2140 01:13:32.010 --> 01:13:35.239 ♪ She's the ♪ 2141 01:13:35.239 --> 01:13:39.149 ♪ She's the ♪ 2142 01:13:39.149 --> 01:13:43.029 ♪ She's the ♪ 2143 01:13:43.029 --> 01:13:47.119 ♪ One ♪ 2144 01:13:47.119 --> 01:13:54.029 ♪♪♪ 2145 01:13:54.029 --> 01:14:00.250 ♪♪♪ 2146 01:14:00.250 --> 01:14:02.260 Announcer: 2147 01:14:00.250 --> 01:14:02.260 R&B legend Patti LaBelle, 2148 01:14:02.260 --> 01:14:04.279 superstar Vanessa Williams, 2149 01:14:04.279 --> 01:14:07.090 and more 2150 01:14:04.279 --> 01:14:07.090 from "Jagged Little Pill," 2151 01:14:07.090 --> 01:14:10.229 when "One Night Only: 2152 01:14:07.090 --> 01:14:10.229 The Best of Broadway" continues. 2153 01:14:10.229 --> 01:14:12.159 ♪ On the nights on Broadway ♪ 2154 01:14:12.159 --> 01:14:14.079 ♪ Blame it 2155 01:14:12.159 --> 01:14:14.079 on the nights on Broadway ♪ 2156 01:14:17.050 --> 01:14:17.069 . 2157 01:14:18.079 --> 01:14:18.109 ♪♪♪ 2158 01:14:21.210 --> 01:14:25.039 Hi, I'm Vanessa Williams, 2159 01:14:21.210 --> 01:14:25.039 and I am one of the lucky ones. 2160 01:14:25.039 --> 01:14:28.100 My childhood dream 2161 01:14:25.039 --> 01:14:28.100 came true to star on Broadway 2162 01:14:28.100 --> 01:14:31.020 with my name in lights 2163 01:14:28.100 --> 01:14:31.020 on the marquee. 2164 01:14:31.020 --> 01:14:33.039 There's nothing like the sound 2165 01:14:31.020 --> 01:14:33.039 of a full orchestra 2166 01:14:33.039 --> 01:14:35.119 anxiously awaiting 2167 01:14:33.039 --> 01:14:35.119 the downbeat of a score 2168 01:14:35.119 --> 01:14:37.159 they've been dying to play live 2169 01:14:37.159 --> 01:14:38.210 or the roar of laughter 2170 01:14:38.210 --> 01:14:41.109 when you say the perfect line 2171 01:14:38.210 --> 01:14:41.109 the perfect way. 2172 01:14:41.109 --> 01:14:44.220 That privilege and excitement 2173 01:14:41.109 --> 01:14:44.220 is on hold at the moment. 2174 01:14:44.220 --> 01:14:48.130 But we on Broadway are ready 2175 01:14:44.220 --> 01:14:48.130 to return to the stage. 2176 01:14:48.130 --> 01:14:50.159 Rooted deep in the history 2177 01:14:48.130 --> 01:14:50.159 and identity 2178 01:14:50.159 --> 01:14:53.000 of Broadway Cares/Equity 2179 01:14:50.159 --> 01:14:53.000 Fights AIDS 2180 01:14:53.000 --> 01:14:55.020 is a commitment to being a voice 2181 01:14:55.020 --> 01:14:59.140 for those who've been silenced, 2182 01:14:55.020 --> 01:14:59.140 marginalized, and oppressed. 2183 01:14:59.140 --> 01:15:01.210 Whether it's facing 2184 01:14:59.140 --> 01:15:01.210 the AIDS epidemic 2185 01:15:01.210 --> 01:15:04.170 or today's COVID-19 challenges, 2186 01:15:04.170 --> 01:15:08.079 Broadway Cares has never been 2187 01:15:04.170 --> 01:15:08.079 more committed in our fight. 2188 01:15:08.079 --> 01:15:10.000 And this red bucket, 2189 01:15:10.000 --> 01:15:13.069 it's the beacon 2190 01:15:10.000 --> 01:15:13.069 and the symbol of that fight, 2191 01:15:13.069 --> 01:15:15.050 the beacon people 2192 01:15:13.069 --> 01:15:15.050 see in the theaters, 2193 01:15:15.050 --> 01:15:16.100 the place where they know 2194 01:15:16.100 --> 01:15:19.079 their donation 2195 01:15:16.100 --> 01:15:19.079 can end up saving a life. 2196 01:15:19.079 --> 01:15:22.069 But right now, the entire 2197 01:15:19.079 --> 01:15:22.069 theater industry is shut down, 2198 01:15:22.069 --> 01:15:24.130 closed until further notice. 2199 01:15:24.130 --> 01:15:25.239 We need your help. 2200 01:15:25.239 --> 01:15:27.039 Please join me in making sure 2201 01:15:27.039 --> 01:15:29.229 those who devote their lives 2202 01:15:27.039 --> 01:15:29.229 to Broadway 2203 01:15:29.229 --> 01:15:33.100 have meals on the table, 2204 01:15:29.229 --> 01:15:33.100 heat for this winter, 2205 01:15:33.100 --> 01:15:36.039 and access to a doctor 2206 01:15:33.100 --> 01:15:36.039 when they're sick. 2207 01:15:36.039 --> 01:15:38.149 It's your turn 2208 01:15:36.039 --> 01:15:38.149 to be center stage. 2209 01:15:38.149 --> 01:15:39.210 You're the one 2210 01:15:39.210 --> 01:15:43.020 that can make this bucket 2211 01:15:39.210 --> 01:15:43.020 mean something today. 2212 01:15:43.020 --> 01:15:45.069 Lives truly depend on it. 2213 01:15:45.069 --> 01:15:49.199 Please visit 2214 01:15:45.069 --> 01:15:49.199 broadwaycares.org/help2020 2215 01:15:49.199 --> 01:15:51.229 to make a difference. 2216 01:15:51.229 --> 01:15:56.100 ♪♪♪ 2217 01:15:56.100 --> 01:16:00.039 Announcer: Ladies and gentlemen, 2218 01:15:56.100 --> 01:16:00.039 R&B legend Patti LaBelle. 2219 01:16:00.039 --> 01:16:03.020 There are so many songs 2220 01:16:00.039 --> 01:16:03.020 that inspire 2221 01:16:03.020 --> 01:16:06.250 and remind us 2222 01:16:03.020 --> 01:16:06.250 of the promise of America. 2223 01:16:06.250 --> 01:16:10.279 "The House I Live In" from 2224 01:16:06.250 --> 01:16:10.279 the musical "Let Freedom Sing" 2225 01:16:10.279 --> 01:16:12.260 does exactly that. 2226 01:16:12.260 --> 01:16:17.279 And 78 years after it made 2227 01:16:12.260 --> 01:16:17.279 its Broadway debut, 2228 01:16:17.279 --> 01:16:20.130 it still lifts us all up. 2229 01:16:20.130 --> 01:16:22.239 It's a fabulous song. 2230 01:16:22.239 --> 01:16:24.239 ♪♪♪ 2231 01:16:24.239 --> 01:16:32.010 ♪ What is America to me? ♪ 2232 01:16:32.010 --> 01:16:36.149 ♪ A name, a map ♪ 2233 01:16:36.149 --> 01:16:42.250 ♪ Or a flag I see? ♪ 2234 01:16:42.250 --> 01:16:47.060 ♪ A certain word ♪ 2235 01:16:47.060 --> 01:16:53.100 ♪ Ooh, "democracy," yes ♪ 2236 01:16:53.100 --> 01:16:59.180 ♪ What is America to me? ♪ 2237 01:16:59.180 --> 01:17:02.260 ♪♪♪ 2238 01:17:02.260 --> 01:17:10.289 ♪ The house I live in, 2239 01:17:02.260 --> 01:17:10.289 a plot of earth, a street ♪ 2240 01:17:10.289 --> 01:17:19.180 ♪ The grocer and the butcher, 2241 01:17:10.289 --> 01:17:19.180 and all people that I meet ♪ 2242 01:17:19.180 --> 01:17:24.140 ♪ The children 2243 01:17:19.180 --> 01:17:24.140 in the playground ♪ 2244 01:17:24.140 --> 01:17:28.229 ♪ Oh, the faces that I see ♪ 2245 01:17:28.229 --> 01:17:34.180 ♪ All races, all religions ♪ 2246 01:17:34.180 --> 01:17:39.130 ♪ That's America to me ♪ 2247 01:17:39.130 --> 01:17:44.050 ♪ The things I see about me ♪ 2248 01:17:44.050 --> 01:17:49.000 ♪ The big things and the small ♪ 2249 01:17:49.000 --> 01:17:53.229 ♪ The little corner newsstand ♪ 2250 01:17:53.229 --> 01:17:57.250 ♪ Or a house a mile tall ♪ 2251 01:17:57.250 --> 01:18:03.109 ♪ Oh, the wedding 2252 01:17:57.250 --> 01:18:03.109 in the churchyard ♪ 2253 01:18:03.109 --> 01:18:08.029 ♪ The laughter and the tears ♪ 2254 01:18:08.029 --> 01:18:12.239 ♪ And the dream 2255 01:18:08.029 --> 01:18:12.239 that we've been growin' ♪ 2256 01:18:12.239 --> 01:18:20.279 ♪ For a hundred 2257 01:18:12.239 --> 01:18:20.279 to two hundred years ♪ 2258 01:18:20.279 --> 01:18:24.130 ♪ Oh, mm ♪ 2259 01:18:24.130 --> 01:18:27.000 ♪ Oh ♪ 2260 01:18:27.000 --> 01:18:34.229 ♪ The town I live in, the 2261 01:18:27.000 --> 01:18:34.229 street, the house, the room ♪ 2262 01:18:34.229 --> 01:18:44.010 ♪ Oh, the pavement of the city, 2263 01:18:34.229 --> 01:18:44.010 or a garden all in bloom ♪ 2264 01:18:44.010 --> 01:18:48.289 ♪ The church, the school, 2265 01:18:44.010 --> 01:18:48.289 the clubhouse ♪ 2266 01:18:48.289 --> 01:18:54.170 ♪ A millions lights I see, oh ♪ 2267 01:18:54.170 --> 01:18:57.159 ♪ Especially the people ♪ 2268 01:18:57.159 --> 01:19:02.000 ♪ Oh, that's America, 2269 01:18:57.159 --> 01:19:02.000 that's America to me ♪ 2270 01:19:02.000 --> 01:19:09.130 ♪ Oh, especially 2271 01:19:02.000 --> 01:19:09.130 the good, old people ♪ 2272 01:19:09.130 --> 01:19:15.279 ♪ That's America, America ♪ 2273 01:19:15.279 --> 01:19:21.159 ♪ To ♪ 2274 01:19:21.159 --> 01:19:24.279 ♪ Me, yes! ♪ 2275 01:19:27.210 --> 01:19:30.100 ♪♪♪ 2276 01:19:30.100 --> 01:19:31.220 Announcer: 2277 01:19:30.100 --> 01:19:31.220 The Tony-nominated cast 2278 01:19:31.220 --> 01:19:33.260 of Broadway's 2279 01:19:31.220 --> 01:19:33.260 "Jagged Little Pill," 2280 01:19:33.260 --> 01:19:36.220 when "One Night Only: 2281 01:19:33.260 --> 01:19:36.220 The Best of Broadway" returns. 2282 01:19:36.220 --> 01:19:37.279 ♪ Blame it 2283 01:19:36.220 --> 01:19:37.279 on the nights on Broadway ♪ 2284 01:19:37.279 --> 01:19:40.170 ♪ Singin' them love songs ♪ 2285 01:19:40.170 --> 01:19:43.020 ♪ Singin' them 2286 01:19:40.170 --> 01:19:43.020 straight to the heart songs ♪ 2287 01:19:46.069 --> 01:19:46.090 . 2288 01:19:47.119 --> 01:19:50.220 ♪♪♪ 2289 01:19:54.250 --> 01:19:57.140 Ferguson: The Broadway community 2290 01:19:54.250 --> 01:19:57.140 is extremely resilient. 2291 01:19:57.140 --> 01:19:59.180 I mean, our motto is, 2292 01:19:57.140 --> 01:19:59.180 "The show must go on," 2293 01:19:59.180 --> 01:20:01.060 and that has always 2294 01:19:59.180 --> 01:20:01.060 been our motto, 2295 01:20:01.060 --> 01:20:02.260 and that will always 2296 01:20:01.060 --> 01:20:02.260 be our motto. 2297 01:20:02.260 --> 01:20:04.239 Bass: 2298 01:20:02.260 --> 01:20:04.239 Everyone that's on that stage, 2299 01:20:04.239 --> 01:20:07.029 they've gone through hell 2300 01:20:04.239 --> 01:20:07.029 just to even get there. 2301 01:20:07.029 --> 01:20:10.060 [ Chuckles ] 2302 01:20:07.029 --> 01:20:10.060 You're told no 99% of the time. 2303 01:20:10.060 --> 01:20:14.210 To audition and not get it, 2304 01:20:10.060 --> 01:20:14.210 you know, and can still go back, 2305 01:20:14.210 --> 01:20:16.039 there's a certain 2306 01:20:14.210 --> 01:20:16.039 resilience there. 2307 01:20:16.039 --> 01:20:18.090 Because a live performance 2308 01:20:16.039 --> 01:20:18.090 cannot exist 2309 01:20:18.090 --> 01:20:19.260 without everyone 2310 01:20:18.090 --> 01:20:19.260 working together, 2311 01:20:19.260 --> 01:20:23.029 it is no surprise to me 2312 01:20:19.260 --> 01:20:23.029 in moments of crisis 2313 01:20:23.029 --> 01:20:26.079 where people need the most help, 2314 01:20:23.029 --> 01:20:26.079 we are all together in it. 2315 01:20:26.079 --> 01:20:27.270 We will come back, 2316 01:20:27.270 --> 01:20:29.159 and we will be 2317 01:20:27.270 --> 01:20:29.159 stronger than ever. 2318 01:20:29.159 --> 01:20:30.270 I cannot wait to be on a stage, 2319 01:20:30.270 --> 01:20:33.100 and I cannot wait 2320 01:20:30.270 --> 01:20:33.100 to be in the audience. 2321 01:20:33.100 --> 01:20:35.109 Broadway will be back. 2322 01:20:33.100 --> 01:20:35.109 It just has to be back. 2323 01:20:35.109 --> 01:20:37.239 There's no experience like it. 2324 01:20:37.239 --> 01:20:41.079 We just have to get through 2325 01:20:37.239 --> 01:20:41.079 this, and...we will. 2326 01:20:41.079 --> 01:20:45.079 We will get back 2327 01:20:41.079 --> 01:20:45.079 up on the stage. 2328 01:20:45.079 --> 01:20:48.149 There's no doubt. We don't know 2329 01:20:45.079 --> 01:20:48.149 when. We don't know how, 2330 01:20:48.149 --> 01:20:51.010 but it will happen, 2331 01:20:48.149 --> 01:20:51.010 because we are a community 2332 01:20:51.010 --> 01:20:53.029 that makes it happen 2333 01:20:51.010 --> 01:20:53.029 no matter what. 2334 01:20:53.029 --> 01:20:55.090 Manheim: I have every faith 2335 01:20:55.090 --> 01:20:57.270 that Broadway will be back 2336 01:20:55.090 --> 01:20:57.270 in no time, 2337 01:20:57.270 --> 01:21:00.289 as soon as David slays Goliath, 2338 01:20:57.270 --> 01:21:00.289 and that's going to happen. 2339 01:21:00.289 --> 01:21:03.289 We know how that story ends, 2340 01:21:00.289 --> 01:21:03.289 so let's do this. 2341 01:21:03.289 --> 01:21:06.090 Bass: I feel like we're about 2342 01:21:03.289 --> 01:21:06.090 to enter our roaring '20s, 2343 01:21:06.090 --> 01:21:08.079 which was what happened 2344 01:21:06.090 --> 01:21:08.079 after the Spanish flu. 2345 01:21:08.079 --> 01:21:10.100 Like, everyone was so down 2346 01:21:08.079 --> 01:21:10.100 and pandemic, 2347 01:21:10.100 --> 01:21:11.109 and then all of a sudden, 2348 01:21:11.109 --> 01:21:13.079 everyone just wanted 2349 01:21:11.109 --> 01:21:13.079 to celebrate. 2350 01:21:13.079 --> 01:21:16.270 When "Moulin Rouge" 2351 01:21:13.079 --> 01:21:16.270 returns to the stage, 2352 01:21:16.270 --> 01:21:20.069 and all the other Broadway 2353 01:21:16.270 --> 01:21:20.069 shows, it's going to be -- 2354 01:21:20.069 --> 01:21:23.140 It's going to be a -- It's going 2355 01:21:20.069 --> 01:21:23.140 to be a big party that night. 2356 01:21:23.140 --> 01:21:26.029 Thanks for coming to our play! 2357 01:21:23.140 --> 01:21:26.029 I'll see you at the party! 2358 01:21:26.029 --> 01:21:28.039 [ Cheers and applause ] 2359 01:21:28.039 --> 01:21:30.159 ♪♪♪ 2360 01:21:30.159 --> 01:21:33.010 When it is safe to go 2361 01:21:30.159 --> 01:21:33.010 to the theater again, 2362 01:21:33.010 --> 01:21:35.170 it's going to be 2363 01:21:33.010 --> 01:21:35.170 exactly what we need, 2364 01:21:35.170 --> 01:21:38.149 because when theater works, 2365 01:21:38.149 --> 01:21:40.159 for a moment, 2366 01:21:38.149 --> 01:21:40.159 none of us feel alone. 2367 01:21:40.159 --> 01:21:44.279 For a moment, we're all members 2368 01:21:40.159 --> 01:21:44.279 of the same family. 2369 01:21:44.279 --> 01:21:49.289 After a time of having 2370 01:21:44.279 --> 01:21:49.289 so much separation, 2371 01:21:49.289 --> 01:21:55.060 when it's safe again, 2372 01:21:49.289 --> 01:21:55.060 the best thing for all people 2373 01:21:55.060 --> 01:21:57.149 would be to have 2374 01:21:55.060 --> 01:21:57.149 some community activities, 2375 01:21:57.149 --> 01:21:59.250 to be reminded 2376 01:21:57.149 --> 01:21:59.250 why we do things together. 2377 01:21:59.250 --> 01:22:05.180 And going to the theater is -- 2378 01:21:59.250 --> 01:22:05.180 is a perfect experience. 2379 01:22:05.180 --> 01:22:07.109 Well, we're almost at the end 2380 01:22:05.180 --> 01:22:07.109 of tonight's show. 2381 01:22:07.109 --> 01:22:08.239 We want to thank 2382 01:22:07.109 --> 01:22:08.239 all of our casts 2383 01:22:08.239 --> 01:22:10.039 and our guests for joining us. 2384 01:22:10.039 --> 01:22:12.270 And remember, Broadway 2385 01:22:10.039 --> 01:22:12.270 will be back better than ever, 2386 01:22:12.270 --> 01:22:14.180 and we'll see you here soon. 2387 01:22:14.180 --> 01:22:15.220 Before our curtain comes down, 2388 01:22:15.220 --> 01:22:17.100 we want to share 2389 01:22:15.220 --> 01:22:17.100 one more performance. 2390 01:22:17.100 --> 01:22:20.140 Here is the cast 2391 01:22:17.100 --> 01:22:20.140 of "Jagged Little Pill." 2392 01:22:20.140 --> 01:22:25.069 ♪ I recommend getting your heart 2393 01:22:20.140 --> 01:22:25.069 trampled on ♪ 2394 01:22:25.069 --> 01:22:29.050 ♪ To anyone ♪ 2395 01:22:29.050 --> 01:22:31.130 Yeah. 2396 01:22:31.130 --> 01:22:40.050 ♪ I recommend walking around 2397 01:22:31.130 --> 01:22:40.050 naked in your living room ♪ 2398 01:22:40.050 --> 01:22:41.119 Yeah. 2399 01:22:40.050 --> 01:22:41.119 Yeah. 2400 01:22:41.119 --> 01:22:42.149 [ Both laugh ] 2401 01:22:42.149 --> 01:22:45.159 ♪ Swallow it down ♪ 2402 01:22:45.159 --> 01:22:48.000 ♪ What a jagged 2403 01:22:45.159 --> 01:22:48.000 little pill ♪ 2404 01:22:48.000 --> 01:22:51.060 ♪ It feels so good ♪ 2405 01:22:51.060 --> 01:22:53.130 ♪ Swimming in your stomach ♪ 2406 01:22:53.130 --> 01:22:58.270 ♪ Wait until 2407 01:22:53.130 --> 01:22:58.270 the dust settles ♪ 2408 01:22:58.270 --> 01:23:04.180 ♪ You live, you learn, 2409 01:22:58.270 --> 01:23:04.180 you love, you learn ♪ 2410 01:23:04.180 --> 01:23:10.010 ♪ You cry, you learn, 2411 01:23:04.180 --> 01:23:10.010 you lose, you learn ♪ 2412 01:23:10.010 --> 01:23:14.050 ♪ You bleed, you learn, 2413 01:23:10.010 --> 01:23:14.050 you scream ♪ 2414 01:23:14.050 --> 01:23:21.039 ♪ You learn ♪ 2415 01:23:21.039 --> 01:23:27.279 ♪ I recommend biting off more 2416 01:23:21.039 --> 01:23:27.279 than you can chew to anyone ♪ 2417 01:23:27.279 --> 01:23:32.050 ♪ I certainly do ♪ 2418 01:23:32.050 --> 01:23:40.220 ♪ I recommend sticking your foot 2419 01:23:32.050 --> 01:23:40.220 in your mouth at any time ♪ 2420 01:23:40.220 --> 01:23:43.050 ♪ Feel free ♪ 2421 01:23:43.050 --> 01:23:45.239 ♪ Throw it down ♪ 2422 01:23:45.239 --> 01:23:48.189 ♪ The caution blocks you 2423 01:23:45.239 --> 01:23:48.189 from the wind ♪ 2424 01:23:48.189 --> 01:23:51.189 ♪ Hold it up ♪ 2425 01:23:51.189 --> 01:23:54.039 ♪ To the rays ♪ 2426 01:23:54.039 --> 01:23:59.220 ♪ You wait and see 2427 01:23:54.039 --> 01:23:59.220 when the smoke clears ♪ 2428 01:23:59.220 --> 01:24:01.010 ♪ You live ♪ 2429 01:24:01.010 --> 01:24:02.119 ♪ You learn ♪ 2430 01:24:02.119 --> 01:24:03.229 ♪ You scream ♪ 2431 01:24:03.229 --> 01:24:09.140 ♪ You learn ♪ 2432 01:24:09.140 --> 01:24:11.270 ♪♪♪ 2433 01:24:11.270 --> 01:24:13.180 [ All vocalize ] 2434 01:24:13.180 --> 01:24:20.140 ♪♪♪ 2435 01:24:20.140 --> 01:24:27.090 ♪♪♪ 2436 01:24:27.090 --> 01:24:29.260 ♪ Wear it out ♪ 2437 01:24:29.260 --> 01:24:32.239 ♪ The way 2438 01:24:29.260 --> 01:24:32.239 a three-year-old would do ♪ 2439 01:24:32.239 --> 01:24:35.140 ♪ Melt it down ♪ 2440 01:24:35.140 --> 01:24:38.100 ♪ You're gonna have to 2441 01:24:35.140 --> 01:24:38.100 eventually, anyway ♪ 2442 01:24:38.100 --> 01:24:43.239 ♪ The fire trucks are coming up 2443 01:24:38.100 --> 01:24:43.239 around the bend ♪ 2444 01:24:43.239 --> 01:24:49.109 ♪ You live, you learn, 2445 01:24:43.239 --> 01:24:49.109 you love, you learn ♪ 2446 01:24:49.109 --> 01:24:54.260 ♪ You cry, you learn, 2447 01:24:49.109 --> 01:24:54.260 you lose, you learn ♪ 2448 01:24:54.260 --> 01:24:59.000 ♪ You bleed, you learn, 2449 01:24:54.260 --> 01:24:59.000 you scream ♪ 2450 01:24:59.000 --> 01:25:04.050 ♪ You learn ♪ 2451 01:25:04.050 --> 01:25:05.260 ♪ Thank you, India ♪ 2452 01:25:04.050 --> 01:25:05.260 ♪ You learn ♪ 2453 01:25:05.260 --> 01:25:08.210 ♪ You grieve, you learn ♪ 2454 01:25:05.260 --> 01:25:08.210 ♪ Thank you, providence ♪ 2455 01:25:08.210 --> 01:25:11.140 ♪ You choke, you learn ♪ 2456 01:25:08.210 --> 01:25:11.140 ♪ Thank you, disillusionment ♪ 2457 01:25:11.140 --> 01:25:15.079 ♪ You laugh, you learn, 2458 01:25:11.140 --> 01:25:15.079 you choose ♪ 2459 01:25:15.079 --> 01:25:16.289 ♪ Thank you, clarity ♪ 2460 01:25:15.079 --> 01:25:16.289 ♪ You learn ♪ 2461 01:25:16.289 --> 01:25:19.220 ♪ You pray, you learn ♪ 2462 01:25:16.289 --> 01:25:19.220 ♪ Thank you, consequence ♪ 2463 01:25:19.220 --> 01:25:24.199 ♪ You ask, you learn, you live ♪ 2464 01:25:19.220 --> 01:25:24.199 ♪ Thank you, 2465 01:25:19.220 --> 01:25:24.199 thank you, silence ♪ 2466 01:25:24.199 --> 01:25:30.159 ♪ You learn ♪ 2467 01:25:30.159 --> 01:25:32.149 [ Vocalizing ] 2468 01:25:32.149 --> 01:25:42.159 ♪♪♪ 2469 01:26:05.260 --> 01:26:14.229 ♪♪♪ 2470 01:26:14.229 --> 01:26:23.199 ♪♪♪ 2471 01:26:23.199 --> 01:26:32.180 ♪♪♪