1
00:00:02,000 --> 00:00:07,000
Downloaded from
YTS.MX

2
00:00:03,267 --> 00:00:08,267
[Man] An island
is one great eye, gazing out,

3
00:00:08,000 --> 00:00:13,000
Official YIFY movies site:
YTS.MX

4
00:00:08,300 --> 00:00:11,600
a beckoning lighthouse,
searchlight,

5
00:00:11,633 --> 00:00:16,667
a wishbone compass,
or counterweight to the stars.

6
00:00:16,700 --> 00:00:20,500
When it comes to outlook
and point of view,

7
00:00:20,533 --> 00:00:23,667
a figure stands
on a rocky ledge peering out

8
00:00:23,700 --> 00:00:28,300
towards an archipelago of glass
on the mainland,

9
00:00:28,333 --> 00:00:32,533
a seagull's wings
touching the tip of a high wave,

10
00:00:32,567 --> 00:00:35,000
out to where
the brain may stumble.

11
00:02:33,633 --> 00:02:36,633
[Violin music]

12
00:04:31,200 --> 00:04:33,200
[Music fades]

13
00:05:59,167 --> 00:06:02,133
[Woman] Once you can speak,
you can learn to sing.

14
00:06:02,167 --> 00:06:04,067
[Piano flourish]

15
00:06:05,433 --> 00:06:08,433
[Piano music]

16
00:06:11,900 --> 00:06:13,800
[Piano music stops, resonates]

17
00:06:13,833 --> 00:06:19,100
- [Operatic singing]
- Oh, I began teaching
in... er... 1971.

18
00:06:20,133 --> 00:06:25,867
I returned to Vienna
and then I built up a choir.

19
00:06:25,900 --> 00:06:28,733
But I had a 40-voice choir.

20
00:06:29,800 --> 00:06:34,167
And this choir
was so professional.

21
00:06:34,200 --> 00:06:38,533
They sang in about
seven languages.

22
00:06:38,567 --> 00:06:42,633
Because I taught them
to sing in German, in Italian,

23
00:06:42,667 --> 00:06:47,000
in French and even Russian.

24
00:06:47,033 --> 00:06:49,000
So, the first thing
I asked them to do,

25
00:06:49,033 --> 00:06:51,867
I said, "Sing anything."

26
00:06:51,900 --> 00:06:54,433
And then when I hear
where the voice is

27
00:06:54,467 --> 00:06:58,733
I know whether it's a low voice,
or a middle voice,

28
00:06:58,767 --> 00:07:00,833
or a high voice; I can tell.

29
00:07:10,767 --> 00:07:15,567
The power, actually,
you can use in the right way.

30
00:07:15,600 --> 00:07:19,433
Because you don't always
have to sing very loud...

31
00:07:19,467 --> 00:07:23,000
you can control
the singing, sing softly

32
00:07:23,033 --> 00:07:28,467
but yet that could
reach out beyond. You know.

33
00:07:36,867 --> 00:07:39,867
[Clattering, reverberation]

34
00:07:46,400 --> 00:07:48,400
[Clattering stops, resonates]

35
00:07:50,000 --> 00:07:53,000
[Slow, ominous
instrumental music]

36
00:08:42,333 --> 00:08:44,900
- [Music stops]
- [Woman] Uh, I met Ed
when I was 15.

37
00:08:44,967 --> 00:08:46,967
And we just...
we travelled around.

38
00:08:47,000 --> 00:08:48,700
There was no work
in this country.

39
00:08:48,767 --> 00:08:51,000
People were absolutely
starving to death.

40
00:08:53,200 --> 00:08:55,300
And then a friend of mine
gave me a copy

41
00:08:55,333 --> 00:08:56,967
of Grapes of Wrath.

42
00:08:57,033 --> 00:08:59,300
And I read it and thought it was
the most beautiful thing.

43
00:08:59,333 --> 00:09:01,900
It was like my life story.

44
00:09:01,933 --> 00:09:04,600
It was like being blind
and all at once you can see,

45
00:09:04,667 --> 00:09:08,767
because it just showed me a...

46
00:09:08,800 --> 00:09:13,033
a whole new side
of myself and my family.

47
00:09:13,100 --> 00:09:17,733
I had never seen us as a people.

48
00:09:17,767 --> 00:09:20,633
Poor people are very fragmented.

49
00:09:20,667 --> 00:09:25,233
They don't tend
to identify with each other.

50
00:09:25,267 --> 00:09:27,500
It was like somebody
was writing about me

51
00:09:27,567 --> 00:09:29,467
and about my grandmother,
Molly Bell.

52
00:09:29,500 --> 00:09:32,500
[Sparse instrumental music]

53
00:09:32,533 --> 00:09:38,267
I know when I first became aware
of my own racism

54
00:09:38,300 --> 00:09:44,000
was when the bus boycott
was in Montgomery Alabama,

55
00:09:44,067 --> 00:09:45,667
I was living there at the time

56
00:09:45,700 --> 00:09:50,900
and I saw Reverend King
knocked down and beaten

57
00:09:50,933 --> 00:09:54,600
and I saw grown men
pick black women up

58
00:09:54,633 --> 00:09:59,567
and throw them into the buses
to try to force them to ride.

59
00:09:59,600 --> 00:10:06,100
I saw things
that I had never seen before.

60
00:10:06,167 --> 00:10:09,800
Um, I like to think
that I was human enough

61
00:10:09,833 --> 00:10:14,200
that when I saw some of the...

62
00:10:14,233 --> 00:10:18,633
violence that goes along
with racism...

63
00:10:18,667 --> 00:10:23,500
that I... understood...

64
00:10:23,533 --> 00:10:28,667
what it had done to me
and my people, southern whites.

65
00:10:28,700 --> 00:10:31,733
[Music continues]

66
00:10:31,767 --> 00:10:34,500
[Man] And what do you think
it was about you

67
00:10:34,533 --> 00:10:37,767
that made you change
and hasn't made

68
00:10:37,800 --> 00:10:41,467
other members of your own family
change in the same way?

69
00:10:41,533 --> 00:10:45,900
[Woman] I don't know.
I truly don't.

70
00:10:45,967 --> 00:10:48,800
I wish I knew.

71
00:10:48,833 --> 00:10:50,833
[Music continues]

72
00:10:57,267 --> 00:11:01,700
[Man] Is it possible
to have love without justice?

73
00:11:01,733 --> 00:11:07,500
Is it possible that we think
too much in terms of charity,

74
00:11:07,533 --> 00:11:10,567
in terms of
Thanksgiving Day baskets,

75
00:11:10,600 --> 00:11:13,100
in terms of Christmas baskets

76
00:11:13,133 --> 00:11:16,400
and not in terms enough

77
00:11:16,433 --> 00:11:18,200
of eliminating poverty?

78
00:11:18,233 --> 00:11:21,233
[Music continues, intensifies]

79
00:11:24,567 --> 00:11:27,567
[Music stops, low drone]

80
00:11:29,967 --> 00:11:33,000
[Man] Well, most of
the young patriots,

81
00:11:33,033 --> 00:11:37,100
they were part of a migration
from the South

82
00:11:37,133 --> 00:11:40,367
that went to the North,
looking for a job.

83
00:11:40,433 --> 00:11:44,100
Uh, there were probably,
any given time,

84
00:11:44,133 --> 00:11:49,167
40,000 to 80,000 people
from the South from this
one community called Uptown.

85
00:11:49,200 --> 00:11:53,800
Uh, and that's where
the people went because

86
00:11:53,833 --> 00:11:59,033
of the... uh... you know,
the rent, it was pretty much,

87
00:11:59,067 --> 00:12:01,433
a slum neighbourhood.

88
00:12:01,467 --> 00:12:06,067
Uh... And I went there
when I was about 17 years old,

89
00:12:06,100 --> 00:12:10,667
just turned 17,
I'm from Tennessee.

90
00:12:10,700 --> 00:12:14,500
And went there
looking for a job...

91
00:12:14,533 --> 00:12:17,233
and my elder brother,
he was already there.

92
00:12:17,267 --> 00:12:20,900
But he had already been
involved with a street gang,

93
00:12:20,933 --> 00:12:23,067
called Peacemakers.

94
00:12:23,100 --> 00:12:25,367
And through the Peacemakers

95
00:12:25,400 --> 00:12:28,700
they got involved with a group

96
00:12:28,733 --> 00:12:33,800
from Students for
a Democratic Society,
called JOIN.

97
00:12:33,833 --> 00:12:36,367
Jobs Or Income Now.

98
00:12:36,400 --> 00:12:41,033
We had gotten recognised
for some of the things

99
00:12:41,067 --> 00:12:42,600
that we had done.

100
00:12:42,633 --> 00:12:45,400
- [Tense violin music]
- And, uh...

101
00:12:45,433 --> 00:12:50,200
And so we were approached
by the Peace and Freedom Party

102
00:12:50,233 --> 00:12:53,067
out there from California,

103
00:12:53,100 --> 00:12:56,633
they were looking to run
somebody for President
of the United States.

104
00:12:56,667 --> 00:13:00,367
Uh... so they wanted
to choose a black person

105
00:13:00,433 --> 00:13:02,467
and a white person.

106
00:13:02,500 --> 00:13:08,567
And they chose Eldridge Cleaver
to be running for President

107
00:13:08,600 --> 00:13:14,333
and they asked Peggy Terry,
who was a poor welfare mother

108
00:13:14,367 --> 00:13:17,733
part of the Young Patriots too.

109
00:13:17,767 --> 00:13:20,667
We were recognised
by the Black Panthers

110
00:13:20,733 --> 00:13:25,267
and we started
forming a coalition with them.

111
00:13:25,300 --> 00:13:30,833
And eventually set up some
free health clinics

112
00:13:30,867 --> 00:13:34,467
and breakfast for children
programme, legal services,

113
00:13:34,500 --> 00:13:39,733
and followed their model,
police patrol units, all that.

114
00:13:40,900 --> 00:13:45,567
And that's what
really pissed Mayor Daley off.

115
00:13:47,000 --> 00:13:50,367
And so he came out
with the war on gangs,

116
00:13:50,400 --> 00:13:55,500
criminalised us and
he brought in J Edgar
Hoover and COINTELPRO.

117
00:13:55,533 --> 00:13:58,533
[Muffled, resonating beat]

118
00:14:33,100 --> 00:14:36,600
[Applause, cheering]

119
00:14:46,433 --> 00:14:49,567
Freedom is something
to be cherished.

120
00:14:49,600 --> 00:14:52,133
I mean like, we are free
to a certain extent,

121
00:14:52,200 --> 00:14:55,600
we can have functions like this,
and we can enjoy it.

122
00:14:55,633 --> 00:14:59,567
People have come out to
show solidarity and bands
have gone up there to play

123
00:14:59,633 --> 00:15:01,833
and show how much they care,
you know.

124
00:15:01,867 --> 00:15:05,067
South Africa, they couldn't have
a thing like this happening.

125
00:15:06,400 --> 00:15:09,967
[Piano note resonates]

126
00:15:10,000 --> 00:15:14,767
[Woman] The Anti Apartheid
Movement really took off
in the mid 1980s

127
00:15:14,800 --> 00:15:17,433
and it was because
of two things, really.

128
00:15:17,467 --> 00:15:20,367
Um... the first was because
of the Conservative
government here,

129
00:15:20,400 --> 00:15:22,433
led by Margaret Thatcher,

130
00:15:22,467 --> 00:15:25,900
who was a hugely
oppositional leader

131
00:15:25,967 --> 00:15:28,300
although she won
three elections in a row,

132
00:15:28,367 --> 00:15:31,267
but the international dimension
of that

133
00:15:31,300 --> 00:15:33,433
was largely people
joining in and saying

134
00:15:33,467 --> 00:15:35,800
we want to do something
about apartheid.

135
00:15:35,833 --> 00:15:39,733
Linking up with anti-racist
struggles here to do that.

136
00:15:39,767 --> 00:15:43,900
And then the other thing
was that the movement
inside South Africa

137
00:15:43,933 --> 00:15:46,900
became really,
really big in the '80s.

138
00:15:46,933 --> 00:15:50,900
And then there was a kind
of eruption in, like, music

139
00:15:50,933 --> 00:15:53,233
and you know T-shirts and badges

140
00:15:53,300 --> 00:15:58,833
and just kind of symbols
here of what you could do.

141
00:15:58,867 --> 00:16:02,867
You know, it was very easy, kind
of, to go and boycott oranges

142
00:16:02,933 --> 00:16:05,300
or to wear your
Boycott South Africa,

143
00:16:05,367 --> 00:16:07,967
Boycott Apartheid T-shirt
and your badge.

144
00:16:08,000 --> 00:16:11,633
And that really took off and
music was a big part of that.

145
00:16:11,667 --> 00:16:14,667
[Cheering and applause]

146
00:16:20,933 --> 00:16:22,700
Erm... I'm here and
the band are here

147
00:16:22,733 --> 00:16:28,333
because we believe that
what today represented
was worthwhile.

148
00:16:28,367 --> 00:16:31,233
So, I mean,
that doesn't affect me,

149
00:16:31,300 --> 00:16:34,967
if it becomes a trend,
then that's not a bad thing.

150
00:16:35,000 --> 00:16:41,233
[Man] This one, true it do
so much for me in the charts...

151
00:16:41,267 --> 00:16:45,767
I personally I do it
for Africa. South Africa.

152
00:16:45,800 --> 00:16:48,200
[Woman] It's a long story
but I started off

153
00:16:48,233 --> 00:16:51,000
with an organisation
called Black Action

154
00:16:51,033 --> 00:16:52,833
to Liberate South Africa, BALSA,

155
00:16:52,867 --> 00:16:58,633
which used to meet in Lambeth
Town Hall in the mid '80s.

156
00:16:58,667 --> 00:17:04,267
And then I decided
I wanted something that felt

157
00:17:04,300 --> 00:17:06,733
a bit more like
it was heading towards

158
00:17:06,767 --> 00:17:10,833
the kind of pressure
and structures that were needed,

159
00:17:10,900 --> 00:17:13,733
so I then joined
the Anti-Apartheid
Movement, nationally.

160
00:17:13,767 --> 00:17:17,333
And they'd put you in touch
with your local groups,
because by that time

161
00:17:17,367 --> 00:17:19,133
there were local groups
all over the country.

162
00:17:19,167 --> 00:17:22,367
So I got put in touch
with Southwark local
group, where I lived.

163
00:17:22,400 --> 00:17:25,867
[Woman] I was very much
a grassroots activist,

164
00:17:25,900 --> 00:17:29,167
worker bee person
at Clapham Common.

165
00:17:29,200 --> 00:17:32,333
So, what I remember
is I wasn't on the big march

166
00:17:32,400 --> 00:17:35,700
because I had to go to the
Common to help set things up

167
00:17:35,733 --> 00:17:37,700
and we had a tent
with exhibitions

168
00:17:37,733 --> 00:17:41,500
because we wanted to use
the occasion to show people

169
00:17:41,533 --> 00:17:45,300
what apartheid was like and we
had this exhibition in a tent.

170
00:17:45,333 --> 00:17:48,767
And then what I remember most
is trying to collect some money

171
00:17:48,800 --> 00:17:51,200
because it was
a very expensive event.

172
00:17:55,000 --> 00:17:58,000
[Woman] People now assume that
Anti-Apartheid Movement was easy

173
00:17:58,033 --> 00:18:00,267
but it wasn't. It took decades
to get to the point

174
00:18:00,333 --> 00:18:02,400
where voices were
heard of any sort

175
00:18:02,433 --> 00:18:05,467
and there were some quite good,
powerful people involved.

176
00:18:05,500 --> 00:18:12,433
So, I am really now a believer
in collective voice

177
00:18:12,467 --> 00:18:16,100
as a mechanism to effect change.

178
00:18:20,500 --> 00:18:24,200
[Man] Free Nelson Mandela!
Free Nelson Mandela!

179
00:18:31,400 --> 00:18:38,367
Free Nelson Mandela!

180
00:18:38,400 --> 00:18:41,400
[Cheering, applause]

181
00:18:43,000 --> 00:18:45,000
[Applause stops, resonates]

182
00:18:52,067 --> 00:18:55,067
[Droning instrumental music]

183
00:20:03,433 --> 00:20:05,433
[Music stops, resonates]

184
00:20:08,500 --> 00:20:11,500
[Reverberant instrumental music]

185
00:20:35,800 --> 00:20:38,800
[Music fades, computers beep]

186
00:21:16,400 --> 00:21:18,833
[Man] To lie down
in remembrance,

187
00:21:18,867 --> 00:21:23,067
is to know each of us
is a prodigal son or daughter,

188
00:21:23,133 --> 00:21:25,767
looking out beyond land and sky,

189
00:21:25,800 --> 00:21:28,167
the chemical and metaphysical

190
00:21:28,200 --> 00:21:30,700
beyond falling
and turning waterwheels

191
00:21:30,733 --> 00:21:33,600
in the colossal brain
of damnable gods,

192
00:21:33,633 --> 00:21:37,067
a Eureka held up
to the sun's blinding eye,

193
00:21:37,100 --> 00:21:40,700
born to gaze into fire.

194
00:21:40,733 --> 00:21:43,733
[Muffled beat resonates]

195
00:21:57,667 --> 00:22:00,667
[Tense instrumental music]

196
00:22:18,033 --> 00:22:22,733
Light edged along
salt-crusted stones,

197
00:22:22,767 --> 00:22:26,467
across a cataract of blue water,

198
00:22:26,500 --> 00:22:29,933
and lost sailor's parrots
spoke of sirens,

199
00:22:29,967 --> 00:22:33,767
the last words of
men buried at sea.

200
00:22:36,867 --> 00:22:38,867
[Music continues]

201
00:22:53,933 --> 00:22:56,933
[Music fades, computers beep]

202
00:23:18,967 --> 00:23:21,967
[Distorted, droning voices]

203
00:23:27,367 --> 00:23:33,133
[Computerised voices stutter]
The - the - the - the - stories

204
00:23:33,200 --> 00:23:40,167
Stories - of - of - our lives.

205
00:23:46,500 --> 00:23:53,500
[Multiple voices] The stories -
stories - of our lives...

206
00:23:54,733 --> 00:23:59,433
Of our lives...

207
00:24:22,667 --> 00:24:26,800
[Man] After
conquering frontiers,

208
00:24:26,867 --> 00:24:32,133
the mind comes back to
rest, stretching out
over the white sand.

209
00:24:37,167 --> 00:24:39,933
[Music - "Could this be magic"
by Barry Manilow]

210
00:24:39,967 --> 00:24:48,067
* Come, come,
come into my arms *

211
00:24:48,100 --> 00:24:54,033
* Let me know the wonder
Of all of you *

212
00:24:54,067 --> 00:24:59,967
* And baby I want you now
Now, oh now *

213
00:25:00,033 --> 00:25:03,867
* Oh now and hold on fast

214
00:25:03,900 --> 00:25:09,600
* Could this be the magic
At last *

215
00:25:09,667 --> 00:25:14,967
* And could it be magic
Oh come on, come on *

216
00:25:15,000 --> 00:25:19,733
* Oh come into my arms

217
00:25:19,767 --> 00:25:25,300
* Oh let me know the wonder
Of all of you *

218
00:25:25,367 --> 00:25:30,333
* Baby I want you now
Now oh now *

219
00:25:30,400 --> 00:25:35,233
* Now and hold on fast

220
00:25:35,267 --> 00:25:41,067
* Could this be the magic
At last *

221
00:25:41,100 --> 00:25:49,600
* Could it be magic, come on
Come on, come into my arms *

222
00:25:49,667 --> 00:25:56,100
* Oh, let me know the wonder
Of all of you *

223
00:25:56,133 --> 00:25:59,033
* Baby I want you now

224
00:25:59,067 --> 00:26:05,433
* Now, oh now
Oh, now and hold on fast *

225
00:26:05,467 --> 00:26:11,233
* Could this be the magic
At last *

226
00:26:11,267 --> 00:26:14,100
* Could it be magic

227
00:26:14,133 --> 00:26:20,167
* Come on, come on
Come, oh come into my arms *

228
00:26:20,233 --> 00:26:26,500
* Oh let me know the wonder
Of all of you *

229
00:26:26,533 --> 00:26:30,433
* Baby I want you now

230
00:26:30,500 --> 00:26:33,500
[Music continues]

231
00:26:54,233 --> 00:26:58,867
* Baby I want you!

232
00:26:58,900 --> 00:27:00,900
[Music continues]

233
00:27:21,333 --> 00:27:25,267
Subtitled by Elaine Lillian
Joseph and Adriana Hoyos

234
00:27:25,300 --> 00:27:27,300
[Music continues]

235
00:27:48,367 --> 00:27:50,367
[Music concludes, resonates]