WEBVTT FILE

1
00:00:02.000 --> 00:00:07.000
Downloaded from
YTS.MX

2
00:00:08.000 --> 00:00:13.000
Official YIFY movies site:
YTS.MX

3
00:00:11.520 --> 00:00:14.000
[INDISTINCT RADIO CHATTER]

4
00:00:19.800 --> 00:00:23.080
I spent five years in Iraq
reconciling bad actors,

5
00:00:23.120 --> 00:00:25.320
getting bad people
to come to our side.

6
00:00:25.360 --> 00:00:27.720
-[GUNSHOTS]
-[INDISTINCT SHOUTING]

7
00:00:30.040 --> 00:00:31.480
You had to meet
with the bad people

8
00:00:31.520 --> 00:00:35.040
in order to find out
how to get the worst people.

9
00:00:35.080 --> 00:00:36.720
[INDISTINCT CHATTER]

10
00:00:36.760 --> 00:00:39.280
[INDISTINCT RADIO CHATTER]

11
00:00:46.120 --> 00:00:49.640
PREGENT: Make sure
your weapon's clean,
your magazine's full,

12
00:00:49.680 --> 00:00:51.200
your magazine's been tested,

13
00:00:51.240 --> 00:00:53.720
make sure you have batteries
in your night-vision googles.

14
00:00:55.560 --> 00:00:57.640
It is one thing to die
by the enemy's hand,

15
00:00:57.680 --> 00:01:00.680
the other is to die stupid,
in some sort of accident

16
00:01:00.720 --> 00:01:04.320
that you didn't prepare for
by doing your pre-combat checks.

17
00:01:04.360 --> 00:01:06.320
[HELICOPTER HOVERING]

18
00:01:13.680 --> 00:01:17.000
You get on a helicopter
in the morning,
fly somewhere,

19
00:01:17.040 --> 00:01:21.280
meet with a tribal sheik
that used to be
part of al-Qaeda,

20
00:01:21.320 --> 00:01:23.680
then you'll go back
to the international zone,

21
00:01:23.720 --> 00:01:26.680
you'll put on a suit,
and you'll meet
with an Iraqi official.

22
00:01:31.120 --> 00:01:34.040
The worst part of it is
they knew you were coming

23
00:01:34.080 --> 00:01:35.800
because you had to
plan the meeting.

24
00:01:37.520 --> 00:01:38.720
You'll be invited in the house,

25
00:01:38.760 --> 00:01:40.640
the tea will start being
passed around,

26
00:01:40.680 --> 00:01:42.960
the conversation
will start flowing.

27
00:01:43.000 --> 00:01:46.520
And then you just
got to make sure
your bull [BLEEP] detector is on

28
00:01:46.560 --> 00:01:47.920
so you know when
they're lying to you

29
00:01:47.960 --> 00:01:49.280
or when they're
telling you the truth.

30
00:01:52.720 --> 00:01:56.520
After a while,
there's an invitation
from the Iraqi,

31
00:01:56.560 --> 00:01:58.480
"Okay, let's drink."

32
00:01:58.520 --> 00:02:03.840
And at that point,
it's neat, two fingers,

33
00:02:03.880 --> 00:02:07.760
everybody has a sip,
the conversation
is still tentative.

34
00:02:07.800 --> 00:02:10.120
And then you get
to that second round,

35
00:02:10.160 --> 00:02:12.120
and then that second round,

36
00:02:12.160 --> 00:02:13.760
that's where
the truth comes out.

37
00:02:19.160 --> 00:02:22.160
What was served
to drink in that meeting?

38
00:02:22.200 --> 00:02:26.080
We had a budget of $250
to go and find whiskey.

39
00:02:30.720 --> 00:02:33.240
It honors them.
You brought a gift.

40
00:02:33.280 --> 00:02:36.880
And you brought something
that is forbidden,

41
00:02:36.920 --> 00:02:38.240
is mamnue.

42
00:02:41.080 --> 00:02:44.040
But in Baghdad,
it had to be
Johnnie Walker Blue.

43
00:02:49.400 --> 00:02:51.520
[LOOK AT ME NOWBY KING FLEXX]

44
00:02:57.480 --> 00:03:02.360
KEVIN KOSAR:
It signifies style,
it signifies success.

45
00:03:02.400 --> 00:03:04.440
JOHN HEGARTY: You've got to
think about it as a movement.

46
00:03:06.120 --> 00:03:08.320
KOSAR: There is
an entire demographic

47
00:03:08.360 --> 00:03:10.920
who wants to have a good time.

48
00:03:10.960 --> 00:03:15.320
Conquered much
of the Western world,
America, Europe.

49
00:03:15.360 --> 00:03:18.120
NASIR KHAN: It's a demigod
kind of a status.

50
00:03:18.160 --> 00:03:20.000
EKOW ESHUN: Turns up
in a Lady Gaga song,

51
00:03:20.040 --> 00:03:21.840
turns up
in a Leonard Cohen song.

52
00:03:23.160 --> 00:03:24.800
BARRIE WILSON:
Churchill, Nixon...

53
00:03:26.800 --> 00:03:29.760
JASON SOLOMONS: Someone
somewhere had some
Superman balls, didn't they,

54
00:03:29.800 --> 00:03:32.920
to sort of say,
"Yeah, yeah, we can do this."

55
00:03:32.960 --> 00:03:37.280
Did whiskey have the same
mystique before it became
a star in the movies?

56
00:03:37.320 --> 00:03:39.160
I don't think it did.

57
00:03:39.200 --> 00:03:40.840
NEWSREADER: This story
is criminal.

58
00:03:43.520 --> 00:03:46.760
NARRATOR: Whiskey
is the reward of a long,
unhurried process.

59
00:03:54.640 --> 00:03:58.720
HEGARTY: To make it
a part of culture,
a cultural phenomenon.

60
00:04:00.520 --> 00:04:01.640
CAPPADONNA:
To come from nothing

61
00:04:01.680 --> 00:04:04.160
and make something
out of ourselves, man.

62
00:04:04.200 --> 00:04:05.840
That's iconic in itself.

63
00:04:08.480 --> 00:04:10.200
ZAKK WYLDE: We can't have
these scumbags

64
00:04:10.240 --> 00:04:11.840
representing our product.

65
00:04:11.880 --> 00:04:13.280
[CHUCKLING] Get out of here.

66
00:04:24.760 --> 00:04:26.720
AFSHIN MOLAVI: Probably
had my first taste of it

67
00:04:26.760 --> 00:04:28.680
in Riyadh, Saudi Arabia,
of all places.

68
00:04:28.720 --> 00:04:31.840
Now Riyadh, of course,
is a place where
alcohol is banned.

69
00:04:33.320 --> 00:04:36.680
Often at diplomatic gatherings, where alcohol was legal,

70
00:04:36.720 --> 00:04:40.240
they would try to hide
the fact that they were
drinking whiskey.

71
00:04:41.600 --> 00:04:43.560
We called it the golden
Coca-Cola

72
00:04:43.600 --> 00:04:46.680
because it would develop
this golden look about it.

73
00:04:48.600 --> 00:04:51.800
By the second or third
golden Coca-Cola,

74
00:04:51.840 --> 00:04:55.920
the deputy military attache,
the first secretary
were swaying,

75
00:04:55.960 --> 00:04:58.560
and we called it
the Coca-Cola sway.

76
00:05:04.480 --> 00:05:06.960
Oh, if this bottle could talk.

77
00:05:07.000 --> 00:05:12.600
This bottle has been witness
to so much history
over the past two centuries.

78
00:05:12.640 --> 00:05:15.760
This bottle has been a witness
to the Industrial Revolution.

79
00:05:15.800 --> 00:05:21.000
This bottle has been witness
to Winston Churchill's
wartime conversations.

80
00:05:21.040 --> 00:05:25.200
This bottle was on the table as Iraqi Ba'ath Party officials

81
00:05:25.240 --> 00:05:28.480
in the Saddam Hussein era were debating their next moves

82
00:05:28.520 --> 00:05:32.360
on repressing their own people
or handling the US military.

83
00:05:32.400 --> 00:05:37.480
So, in so many ways, the bottle
itself, if it could talk,

84
00:05:37.520 --> 00:05:42.440
it would tell us
an extraordinary history
of the past two centuries.

85
00:05:42.480 --> 00:05:43.600
Hiya, Bill, what do you know?

86
00:05:44.440 --> 00:05:46.240
Hello, Rocky, what's new?

87
00:05:46.280 --> 00:05:48.280
Nothing much.
A couple of whiskies.

88
00:05:53.960 --> 00:05:56.640
BARRIE WILSON:
Every single country
pretty much around the world

89
00:05:56.680 --> 00:05:59.640
has this iconic
Scottish product.

90
00:06:00.760 --> 00:06:01.800
However, Scottish people

91
00:06:01.840 --> 00:06:03.880
can be a little bit miserable
sometimes,

92
00:06:03.920 --> 00:06:05.440
and it's very, very hard to tell

93
00:06:05.480 --> 00:06:07.720
if they're happy
or unhappy half the time.

94
00:06:07.760 --> 00:06:10.320
So, I think they're proud.
I'm proud.

95
00:06:11.880 --> 00:06:15.920
Och! No, no, laddie.
That's no way to take a dram.

96
00:06:15.960 --> 00:06:19.200
This is something that
time and history has given us,

97
00:06:19.240 --> 00:06:24.960
the Scot has been marked out
as the custodian
of ultimate perfection.

98
00:06:29.160 --> 00:06:33.040
NICHOLAS MORGAN: For someone
whose name is now known
all over the world,

99
00:06:33.080 --> 00:06:35.880
John Walker is
one of the most remarkably

100
00:06:35.920 --> 00:06:38.360
anonymous characters in history.

101
00:06:41.560 --> 00:06:44.240
So John's father
was a tenant at a farm

102
00:06:44.280 --> 00:06:46.640
just outside Kilmarnock
called Todriggs Farm.

103
00:06:46.680 --> 00:06:48.720
He died young.

104
00:06:48.760 --> 00:06:52.200
John was only 14,
and the goods of the farm,

105
00:06:52.240 --> 00:06:54.840
the cows and the seeds
and all that, were sold,

106
00:06:54.880 --> 00:06:56.960
and that was
John's inheritance.

107
00:06:57.000 --> 00:07:01.240
And that money is invested
in 1820 in a grocer's shop
in Kilmarnock

108
00:07:02.800 --> 00:07:07.040
that is a very prosperous
grocery business,

109
00:07:07.080 --> 00:07:09.520
which specializes in blending.

110
00:07:09.560 --> 00:07:11.080
[PEPPY MUSIC]

111
00:07:16.960 --> 00:07:20.360
It was incumbent upon grocers to bring things in, blend them,

112
00:07:20.400 --> 00:07:25.440
mix them to get
the distinctive product
to give to their customers.

113
00:07:25.480 --> 00:07:28.720
Tea, principally,
was the product in the 1820s.

114
00:07:28.760 --> 00:07:30.840
When John started
blending whiskey,

115
00:07:30.880 --> 00:07:34.640
he would have been
applying those skills
that he learned from tea.

116
00:07:36.240 --> 00:07:39.720
WILSON: You're taking over 40 different whiskies together,

117
00:07:39.760 --> 00:07:41.040
and each of these whiskies

118
00:07:41.080 --> 00:07:44.200
has a completely unique
and different character.

119
00:07:44.240 --> 00:07:48.880
Bunches of apples and pears,
chocolate and honey...

120
00:07:48.920 --> 00:07:52.440
So you're actually blending
these together to create
something quite magical.

121
00:07:57.320 --> 00:08:00.040
Blending was illegal back then.

122
00:08:00.080 --> 00:08:02.720
But even ten years ago,
I nearly got punched

123
00:08:02.760 --> 00:08:05.880
for mixing a ginger ale
in a Johnnie Walker.

124
00:08:05.920 --> 00:08:10.120
So imagine 200 years ago
what would have happened.

125
00:08:10.160 --> 00:08:12.360
MAN: It's alive! It's loose!

126
00:08:12.400 --> 00:08:15.200
We've done it, Charles.
We've done it.

127
00:08:15.240 --> 00:08:17.360
You've got to ruffle
a few feathers, I think,

128
00:08:17.400 --> 00:08:20.440
if you're a creative genius
like he was.

129
00:08:23.080 --> 00:08:25.600
ALICE LASCELLES:
There's an amazing
alchemy that happens.

130
00:08:25.640 --> 00:08:28.120
As you bring those
different components together,

131
00:08:28.160 --> 00:08:30.320
they'll often create
a new thing.

132
00:08:30.360 --> 00:08:34.120
There's this mystery at the heart of whiskey-making.

133
00:08:34.160 --> 00:08:37.960
There's a whole lot about
distilling we don't understand.
Nobody does.

134
00:08:38.000 --> 00:08:40.400
[ELECTRICITY CRACKLES]

135
00:08:40.440 --> 00:08:44.960
JOHN WILLIAMS: In 200 years,
we've only had
six master blenders.

136
00:08:45.000 --> 00:08:49.600
In that same period of time,
there's been 40 US Presidents.

137
00:08:49.640 --> 00:08:55.560
I just love that dichotomy
of the scale and availability
of Johnnie Walker.

138
00:08:55.600 --> 00:09:00.680
But yet, it's led
by this small group
of passionate people.

139
00:09:03.600 --> 00:09:05.360
We're working
with this ever-changing palate,

140
00:09:05.400 --> 00:09:06.920
so it's never the same.

141
00:09:06.960 --> 00:09:09.440
Every time you look at it,
it's a snapshot in time.

142
00:09:09.480 --> 00:09:12.480
And each time they're
being brought together
in a slightly different way,

143
00:09:12.520 --> 00:09:15.080
but always creates
the same whiskey that you get
in the bottle each time.

144
00:09:16.920 --> 00:09:19.840
You always learn from the past,
but then you think
about the future

145
00:09:19.880 --> 00:09:21.320
because we're laying down stocks

146
00:09:21.360 --> 00:09:24.240
that may not be consumed
for another, say, 12 years.

147
00:09:26.920 --> 00:09:28.920
People in the past have been
snooty about blends,

148
00:09:28.960 --> 00:09:30.960
but actually when you think
about what it takes

149
00:09:31.000 --> 00:09:33.720
in terms of gathering
from different sources,

150
00:09:33.760 --> 00:09:35.480
they were really smart.

151
00:09:35.520 --> 00:09:37.320
The only whiskey
they had available before

152
00:09:37.360 --> 00:09:39.280
would change
every time they tried it.

153
00:09:39.320 --> 00:09:43.480
And they were able to ensure that the blend tasted the same.

154
00:09:43.520 --> 00:09:47.040
WILSON: Unfortunately,
right now, blends
are seen inferior

155
00:09:47.080 --> 00:09:51.920
to single malts by, you know,
those people who just see
an age statement

156
00:09:51.960 --> 00:09:54.600
and think that, you know,
the older, the better.

157
00:09:54.640 --> 00:09:56.280
Don't listen to these guys.

158
00:09:56.320 --> 00:10:00.640
It's about the bartenders,
the chefs,
the guys who make it.

159
00:10:00.680 --> 00:10:04.360
[CHUCKLES] Listen to them,
you know, don't listen
to Tony in the pub.

160
00:10:04.400 --> 00:10:06.960
Tony knows [BLEEP] all.
[LAUGHING]

161
00:10:07.000 --> 00:10:08.520
What can I get you, sir?

162
00:10:08.560 --> 00:10:10.680
Oh, uh, whisky and gin.

163
00:10:10.720 --> 00:10:12.360
Whiskey and gin.

164
00:10:15.600 --> 00:10:17.680
CAPPADONNA: To create
these iconic blends

165
00:10:17.720 --> 00:10:21.560
you have to keep poking at it
and poking at it.

166
00:10:21.600 --> 00:10:25.200
The more you blend it in
and blend it up together,

167
00:10:25.240 --> 00:10:28.920
I mean, you are guaranteed
to come with something good,
man.

168
00:10:31.920 --> 00:10:35.440
To come from nothing
and make something
out of ourselves, man.

169
00:10:35.480 --> 00:10:37.680
That's iconic in itself.

170
00:10:41.960 --> 00:10:45.720
MORGAN: The most important
asset that you have
as a grocer is your name.

171
00:10:45.760 --> 00:10:49.320
Because with your name
comes all the trust
and the respect.

172
00:10:49.360 --> 00:10:51.320
So, it's natural that
when you make your whiskey,

173
00:10:51.360 --> 00:10:53.240
you are going to call it
"John Walker's whiskey."

174
00:10:57.000 --> 00:11:00.200
Brands existed
because we industrialized.

175
00:11:00.240 --> 00:11:03.480
We moved from the countryside
into cities.

176
00:11:03.520 --> 00:11:06.120
So, if you were buying something
from your neighbor,

177
00:11:06.160 --> 00:11:08.080
if it was wrong,
you'd go over and,

178
00:11:08.120 --> 00:11:10.240
"Oi! You've just sold me
something that is no good."

179
00:11:10.280 --> 00:11:11.560
Whereas, once
you moved to a city,

180
00:11:11.600 --> 00:11:13.480
you weren't necessarily
buying from around you.

181
00:11:13.520 --> 00:11:18.200
So brands emerged as a way
of providing you
with the things you needed,

182
00:11:18.240 --> 00:11:21.440
but at their core, their trust.

183
00:11:21.480 --> 00:11:27.400
I can trust that company,
that person to deliver
what they're saying.

184
00:11:32.000 --> 00:11:35.240
MORGAN:
Behind his grocery shop,
the Kilmarnock Water runs.

185
00:11:35.280 --> 00:11:38.680
and in 1852, out of nowhere,
there's a massive flood.

186
00:11:38.720 --> 00:11:43.520
Businesses where
John Walker's were
would have been washed away.

187
00:11:43.560 --> 00:11:46.000
But five years later,
when John dies,

188
00:11:46.040 --> 00:11:48.800
he leaves behind him
this very prosperous business.

189
00:11:50.800 --> 00:11:53.000
These people are
from Kilmarnock.
It's a tough place.

190
00:11:53.040 --> 00:11:55.400
West of Scotland's
a tough place.

191
00:11:55.440 --> 00:11:58.880
I mean,
people are very resilient
to what life throws at you.

192
00:11:58.920 --> 00:12:00.040
You have to be.

193
00:12:01.080 --> 00:12:02.560
It's all about resilience.

194
00:12:09.440 --> 00:12:12.880
CAPPADONNA:
You gotta be resilient, man.
You gotta be flexible.

195
00:12:13.680 --> 00:12:15.200
When times are hard, man,

196
00:12:15.240 --> 00:12:19.720
you just got to be ready
for the changes when they come.

197
00:12:19.760 --> 00:12:23.840
You know, there's another name for the whiskey.
They call it spirits.

198
00:12:23.880 --> 00:12:26.120
It's good spirits, man.
[CHUCKLES]

199
00:12:29.040 --> 00:12:31.600
MOLAVI: As Johnnie Walker
began to rise,

200
00:12:31.640 --> 00:12:34.960
in many ways, it mimicked
the rise of Europe,

201
00:12:35.000 --> 00:12:39.040
Johnnie Walker rode the wave
of the Industrial Revolution.

202
00:12:39.080 --> 00:12:43.440
Johnnie Walker also rode the wave of the British Empire.

203
00:12:43.480 --> 00:12:45.760
[CHUCKLING] It was always
5:00 somewhere.

204
00:12:52.840 --> 00:12:56.360
One of the biggest changes
during that period

205
00:12:56.400 --> 00:13:04.680
is this sense of opportunity
that this expanding world
brings with it.

206
00:13:04.720 --> 00:13:08.520
The interesting thing,
if you look at how these
markets seem to grow,

207
00:13:08.560 --> 00:13:11.360
is that it follows
the discovery
of mineral wealth,

208
00:13:11.400 --> 00:13:14.040
and in 19th century,
that is gold.

209
00:13:16.400 --> 00:13:21.600
The British Empire
is the biggest trading unit
the world has ever seen

210
00:13:21.640 --> 00:13:24.560
and taking expat Scots
all over the world,

211
00:13:24.600 --> 00:13:27.040
and one of the things
that many expat Scots

212
00:13:27.080 --> 00:13:30.560
take with them
is a liking of whiskey.

213
00:13:33.000 --> 00:13:34.680
WILSON: It was
the first global brand,

214
00:13:34.720 --> 00:13:38.920
even before Coca-Cola
was on the shores
of multiple countries,

215
00:13:38.960 --> 00:13:43.160
and the way they've done that
is basically bartering and bargaining with the ships.

216
00:13:44.560 --> 00:13:46.720
I can just imagine
these ships, you know,

217
00:13:46.760 --> 00:13:50.240
sailing across the oceans,
and the Johnnie Walker
in those ships

218
00:13:50.280 --> 00:13:53.280
must have been very tempting
to the whole crew. [CHUCKLES]

219
00:13:53.320 --> 00:13:55.680
And it'd be interesting
to see the depletions
by the time

220
00:13:55.720 --> 00:13:57.600
they got to somewhere
like Australia.

221
00:14:02.520 --> 00:14:04.800
[SERENE MUSIC]

222
00:14:24.920 --> 00:14:26.800
[INDISTINCT ANNOUNCEMENT ON PA]

223
00:14:34.480 --> 00:14:36.480
[SITHU THET SPEAKING BURMESE]

224
00:16:11.680 --> 00:16:13.120
[INDISTINCT CHEERING]

225
00:16:44.840 --> 00:16:46.280
SOPHIA BUSH: [IN ENGLISH]
When you think
about human history

226
00:16:46.320 --> 00:16:49.200
and all the terrible things
we've done to each other,

227
00:16:49.240 --> 00:16:50.760
when something
for hundreds of years

228
00:16:50.800 --> 00:16:54.600
can carry
a positive connotation,

229
00:16:54.640 --> 00:16:58.880
is something that people
can continue to be proud of,
that's rare.

230
00:16:58.920 --> 00:17:03.080
For an idea
to survive for that long

231
00:17:03.120 --> 00:17:06.560
means it's got something
kind of magic about it.

232
00:17:06.600 --> 00:17:09.040
That's why certain books
are classics,

233
00:17:09.080 --> 00:17:11.200
that's why certain movies
never got old.

234
00:17:11.240 --> 00:17:14.240
That's why Johnnie Walker is,
we talk about the iconography,

235
00:17:14.280 --> 00:17:18.400
but it's iconic.
The brand is actually iconic.

236
00:17:24.280 --> 00:17:26.400
When you are
a part of someone's life,

237
00:17:26.440 --> 00:17:29.440
as you are when you are
the whiskey people drink
at home,

238
00:17:29.480 --> 00:17:31.960
or the whiskey they drink
after work with friends,

239
00:17:32.000 --> 00:17:35.440
you're actually present
for really intimate moments,

240
00:17:35.480 --> 00:17:39.600
and thus, you're a part
of that intimacy itself.

241
00:17:43.640 --> 00:17:46.960
When you become part
of someone's experience,

242
00:17:47.000 --> 00:17:49.080
part of someone's story,

243
00:17:49.120 --> 00:17:51.600
you mean something
to those people.

244
00:17:55.640 --> 00:17:57.480
[INAUDIBLE]

245
00:18:01.800 --> 00:18:07.280
It was John Walker's son
Alexander that really
took the brand global.

246
00:18:07.320 --> 00:18:12.720
He set up shop in London,
and he created this myth
around Johnnie Walker.

247
00:18:12.760 --> 00:18:15.880
This myth around
this idea that this is
an aspirational drink.

248
00:18:15.920 --> 00:18:19.280
You have arrived
if you can drink
Johnnie Walker.

249
00:18:19.320 --> 00:18:21.520
So he was a marketing genius.

250
00:18:23.600 --> 00:18:25.320
MORGAN: You have
a growing middle class

251
00:18:25.360 --> 00:18:30.520
who've got increasingly
disposable income
to spend on small luxuries.

252
00:18:30.560 --> 00:18:35.120
It's this idea that whiskey
is associated with status,

253
00:18:35.160 --> 00:18:37.480
is a sign
that you have arrived.

254
00:18:40.840 --> 00:18:43.400
CHRISTINE McCAFFERTY:
Alexander's one of my heroes.

255
00:18:43.440 --> 00:18:45.320
John Walker
is our founding father.

256
00:18:45.360 --> 00:18:48.840
He set up the business.
He started making his whiskies.

257
00:18:48.880 --> 00:18:50.680
It's John's name on the bottle.

258
00:18:50.720 --> 00:18:54.040
But without Alexander, his son,
and then the generation
that came after,

259
00:18:54.080 --> 00:18:55.240
we wouldn't have the business.

260
00:18:56.120 --> 00:18:57.800
And I think Alexander was key

261
00:18:57.840 --> 00:19:01.280
in making what was
quite a small grocery shop
selling whiskies

262
00:19:01.320 --> 00:19:03.160
a much more commercial venture.

263
00:19:07.080 --> 00:19:08.400
MORGAN: The first thing
that he did

264
00:19:08.440 --> 00:19:12.440
was have this label at a funny angle on the bottle.

265
00:19:12.480 --> 00:19:16.280
And it very simply said,
"John Walker & Sons
Old Highland Whiskey."

266
00:19:16.320 --> 00:19:20.240
Around the same time, he introduced a square bottle.

267
00:19:20.280 --> 00:19:23.200
You could get more
square bottles into a case,

268
00:19:23.240 --> 00:19:25.800
and therefore,
more cases onto a boat.

269
00:19:27.320 --> 00:19:29.000
There were no rules.

270
00:19:29.040 --> 00:19:33.000
No one had done
what people like John,
Alexander Walker,

271
00:19:33.040 --> 00:19:35.160
in particular
Alexander Walker, did.

272
00:19:35.200 --> 00:19:40.080
No one had done it in the past,
so they made the rules
as they went on.

273
00:19:40.120 --> 00:19:44.560
The Johnnie Walker bottle
has by and large stayed the same

274
00:19:44.600 --> 00:19:47.680
for most of its history.
And so what that means is,

275
00:19:47.720 --> 00:19:50.360
Johnnie Walker itself
has this Zelig-like quality,

276
00:19:50.400 --> 00:19:54.000
which is to say that it could
appear at different moments
in time and culture,

277
00:19:54.040 --> 00:19:57.440
but it can also be the same
across all of those.

278
00:19:57.480 --> 00:20:01.400
I think it speaks
trans-historically.

279
00:20:01.440 --> 00:20:07.240
NARRATOR: People, people
from all walks of life
on any old street,

280
00:20:07.280 --> 00:20:10.840
wherever they might be,
people like...

281
00:20:10.880 --> 00:20:12.560
Good old Johnnie Walker.

282
00:20:13.480 --> 00:20:15.560
It was something
more than luck

283
00:20:15.600 --> 00:20:17.840
that brought us up
through the years

284
00:20:17.880 --> 00:20:20.240
Though Lady Luck
had a lot to do with it.

285
00:20:21.640 --> 00:20:23.880
[GENTLE MUSIC]

286
00:20:29.760 --> 00:20:31.720
MOLAVI: In the
mid-to-late 19th century,

287
00:20:31.760 --> 00:20:34.960
there was
a devastating insect pest

288
00:20:35.000 --> 00:20:38.080
that hit most
of France's vineyards,

289
00:20:38.120 --> 00:20:42.840
and something like three-fourths
of France's vineyards
lost their production.

290
00:20:42.880 --> 00:20:44.960
Well, what did that mean?

291
00:20:45.000 --> 00:20:47.520
That meant that
a lot of the wine

292
00:20:47.560 --> 00:20:50.080
that made its way
to Victorian England,

293
00:20:50.120 --> 00:20:52.360
and particularly
a lot of the brandy

294
00:20:52.400 --> 00:20:54.640
that made its way
to Victorian England,

295
00:20:54.680 --> 00:20:56.880
was no longer available.

296
00:20:56.920 --> 00:21:00.560
Enter whiskey.
Enter Johnnie Walker.

297
00:21:00.600 --> 00:21:04.800
It was a market opportunity
that was created

298
00:21:04.840 --> 00:21:06.960
by the loss
of another competitor.

299
00:21:14.520 --> 00:21:17.240
It's a very interesting one.
How does a brand go from

300
00:21:17.280 --> 00:21:21.760
being a regarded brand
to being an iconic brand?

301
00:21:21.800 --> 00:21:23.880
You have to have
a sense of purpose.

302
00:21:23.920 --> 00:21:27.240
You have to have
a sense of value.

303
00:21:27.280 --> 00:21:33.680
And in a way, you're that
sort of captain of a ship in a stormy sea. You stay calm,

304
00:21:33.720 --> 00:21:36.440
you stay certain,
certain in your ways.

305
00:21:36.480 --> 00:21:38.560
And over time,
you then become iconic.

306
00:21:38.600 --> 00:21:40.560
You become somebody
that people want to follow,

307
00:21:40.600 --> 00:21:43.120
because you have
a certainty about you.

308
00:21:43.160 --> 00:21:44.960
[HEAVY METAL MUSIC]

309
00:21:53.800 --> 00:21:56.760
I guess it's one of the few jobs
that it's not frowned upon

310
00:21:56.800 --> 00:21:59.200
when you're drinking
on the job. [CHUCKLES]

311
00:21:59.240 --> 00:22:02.920
If you stick three bottles
of booze in your body,
and then

312
00:22:02.960 --> 00:22:06.440
a case of beer and spin them
around a couple of times
and just watch them go,

313
00:22:06.480 --> 00:22:08.640
pretty much gonna be chances
of more chaos happening

314
00:22:08.680 --> 00:22:12.320
than, you know,
having maybe a double espresso.

315
00:22:14.800 --> 00:22:16.920
Well, the reason
why it was called
Black Label Society,

316
00:22:16.960 --> 00:22:18.920
we like music
and we like getting hammered.

317
00:22:20.520 --> 00:22:22.800
We had these grand plans.

318
00:22:22.840 --> 00:22:26.800
I go, "Hopefully, we'll get
an endorsement
from Johnnie Walker."

319
00:22:26.840 --> 00:22:29.240
[CHUCKLES] And then
we'll have it served
at all the gigs,

320
00:22:29.280 --> 00:22:30.800
and then we'll get, you know...

321
00:22:30.840 --> 00:22:32.800
We'll just be swimming
in the stuff,
you know what I mean?

322
00:22:32.840 --> 00:22:35.080
Actually, we'll have
a pool in the backyard

323
00:22:35.120 --> 00:22:39.520
which is shaped
like Johnnie Walker
with Johnnie Walker.

324
00:22:39.560 --> 00:22:43.320
What they said was,
"We have
a reputable brand here.

325
00:22:43.360 --> 00:22:47.240
"We can't have these scumbags
representing our product.

326
00:22:47.280 --> 00:22:49.080
"Get out of here."

327
00:22:49.120 --> 00:22:53.040
I could see that board meeting. That lasted about
maybe three seconds.

328
00:22:53.080 --> 00:22:55.120
[LAUGHING]

329
00:23:05.320 --> 00:23:10.480
MORGAN: When Alexander dies,
Alexander's two sons,
Jack and George,

330
00:23:10.520 --> 00:23:15.360
his younger son Alexander
is also brought
into the business.

331
00:23:15.400 --> 00:23:20.800
Flamboyant, they were not,
and they were also,
I think, very put out

332
00:23:20.840 --> 00:23:24.160
when they began to realize
that their consumers, in fact,

333
00:23:24.200 --> 00:23:27.880
had given their business a name,
which was Johnnie Walker,

334
00:23:27.920 --> 00:23:34.840
which the family hated
because they felt it was
disrespectful to the founder.

335
00:23:34.880 --> 00:23:38.720
But to exploit this name
that already existed
in popular culture

336
00:23:38.760 --> 00:23:40.880
was the thing that
the business had to do

337
00:23:40.920 --> 00:23:43.000
for the huge success
of the brand.

338
00:23:49.200 --> 00:23:53.240
WILSON: It was
in a restaurant/cafe in 1909

339
00:23:53.280 --> 00:23:55.400
where the family met

340
00:23:55.440 --> 00:23:58.680
an illustrator
called Tom Browne.

341
00:23:58.720 --> 00:24:00.480
Back in 1909,

342
00:24:00.520 --> 00:24:02.640
just over a drink
and over a lunch

343
00:24:02.680 --> 00:24:04.080
and within 10 minutes,

344
00:24:04.120 --> 00:24:06.360
he sketched the striding man,

345
00:24:06.400 --> 00:24:10.840
which is still
on every single bottle
of Johnnie Walker to this day.

346
00:24:10.880 --> 00:24:15.360
That, for me, was that moment
that Johnnie Walker
really started walking.

347
00:24:18.120 --> 00:24:20.360
[UPBEAT MUSIC]

348
00:24:27.600 --> 00:24:29.880
McCAFFERTY: A lot
of Scotch whiskey brands
around at that time,

349
00:24:29.920 --> 00:24:32.240
a lot of them
using quite traditional cues

350
00:24:32.280 --> 00:24:36.120
to communicate
about their brands,
"How can we be different?

351
00:24:36.160 --> 00:24:40.880
"But how can we have something that people can really
build a relationship with?"

352
00:24:40.920 --> 00:24:43.080
So he is like a living,
breathing character

353
00:24:43.120 --> 00:24:45.320
of the brand.
He is Johnnie Walker.

354
00:24:47.400 --> 00:24:50.080
What Johnnie Walker did
was they said,
"We want a symbol

355
00:24:50.120 --> 00:24:52.720
"that stands for what we are."

356
00:24:52.760 --> 00:24:55.080
The striding man became that,

357
00:24:55.120 --> 00:24:59.840
that symbol of progress,
that symbol of moving forward.

358
00:24:59.880 --> 00:25:02.680
The great thing for
Johnnie Walker is
you've gone beyond whiskey,

359
00:25:02.720 --> 00:25:05.320
you're now Johnnie Walker, and that's a great achievement.

360
00:25:10.840 --> 00:25:14.440
Oh, man, the spirit
of the striding man
is to keep moving.

361
00:25:15.600 --> 00:25:17.720
You've got to keep moving,
you know.

362
00:25:17.760 --> 00:25:20.200
If you stop, you drop.

363
00:25:21.360 --> 00:25:23.240
That's what the walk
is all about.

364
00:25:26.400 --> 00:25:28.840
SEAN MIYASHIRO: Striding is...
You're not walking.

365
00:25:28.880 --> 00:25:31.640
You're striding,
you're walking confidently
with a purpose,

366
00:25:31.680 --> 00:25:33.480
with a little pep in your step.

367
00:25:33.520 --> 00:25:37.640
And I think that, you know,
the striding man
is fashionable,

368
00:25:37.680 --> 00:25:40.080
he's got some zest,
he's got some swagger.

369
00:25:40.120 --> 00:25:43.400
And I think that individuality and being a visionary,

370
00:25:43.440 --> 00:25:46.800
and having a place to go
and all those things combined

371
00:25:46.840 --> 00:25:48.280
make it
incredibly aspirational.

372
00:25:53.680 --> 00:25:56.640
MOLAVI: The key moment
of alchemy
is when Johnnie Walker

373
00:25:56.680 --> 00:25:59.520
fused its brand
with aspiration.

374
00:25:59.560 --> 00:26:03.240
Because there is nothing
more human than aspiring
to a better life,

375
00:26:03.280 --> 00:26:05.760
to walking forward,
to leaning forward.

376
00:26:08.520 --> 00:26:10.840
You are not drinking
a glass of whiskey,

377
00:26:10.880 --> 00:26:13.800
you are drinking
a glass of aspiration.

378
00:26:27.520 --> 00:26:30.840
ED DAVIES: Johnnie Walker
has always been a huge brand
here in Brazil.

379
00:26:30.880 --> 00:26:32.560
It's one of the most
name-checked brands

380
00:26:32.600 --> 00:26:35.840
in a funk ostentacao
style of music,

381
00:26:35.880 --> 00:26:39.200
which is a kind of
Brazilian hip-hop.

382
00:26:39.240 --> 00:26:41.480
It appears
in all the music videos,

383
00:26:41.520 --> 00:26:43.200
you'll see a bunch
of dancing girls

384
00:26:43.240 --> 00:26:45.160
and they'll be
literally holding
the bottle in their hand,

385
00:26:45.200 --> 00:26:47.760
waving it at the camera.

386
00:26:47.800 --> 00:26:50.040
Johnnie Walker is a brand
that kind of cuts across

387
00:26:50.080 --> 00:26:53.880
all the different strata
of Brazilian society, you know?

388
00:26:53.920 --> 00:26:56.680
And Brazil is a really
stratified society.

389
00:26:58.320 --> 00:27:01.080
Brazil since the '90s
had a huge economic leap

390
00:27:01.120 --> 00:27:03.880
where a lot of people
suddenly had spending power

391
00:27:03.920 --> 00:27:05.440
that they didn't have before.

392
00:27:05.480 --> 00:27:08.160
And so the way for them
to express that,

393
00:27:08.200 --> 00:27:10.680
their new kind of success
and their new affluence

394
00:27:10.720 --> 00:27:13.520
is exactly through these brands that they can now afford,

395
00:27:13.560 --> 00:27:15.120
that they never
used to be able to.

396
00:27:16.120 --> 00:27:18.120
[SPEAKING PORTUGUESE]

397
00:27:36.080 --> 00:27:38.040
[INSPIRATIONAL MUSIC]

398
00:27:47.200 --> 00:27:49.200
[SPEAKING PORTUGUESE]

399
00:28:09.160 --> 00:28:10.840
[ALL CHANTING IN PORTUGUESE]

400
00:28:25.360 --> 00:28:28.680
DAVIES: [IN ENGLISH]
The protest started off
about a 20-cent rise

401
00:28:28.720 --> 00:28:30.680
in the price of a bus fare
in Sao Paulo.

402
00:28:32.160 --> 00:28:33.440
And the impact
that would have,

403
00:28:33.480 --> 00:28:35.120
particularly
on the poor communities

404
00:28:35.160 --> 00:28:38.480
who have to travel a long way to get to and from their jobs.

405
00:28:45.960 --> 00:28:49.360
It was really violently
subdued by the police.

406
00:28:49.400 --> 00:28:52.200
They fired tear gas,
rubber bullets.

407
00:28:57.360 --> 00:28:58.880
[LOUD GUNSHOT]

408
00:28:58.920 --> 00:29:01.760
More and more people
started coming out
in the streets.

409
00:29:01.800 --> 00:29:05.440
The larger the protest got,
the more it started
to become just about

410
00:29:05.480 --> 00:29:08.360
the social
and political problems
that Brazil has.

411
00:29:10.520 --> 00:29:13.560
The phrase
gigante esta acordado,
the giant has awoken,

412
00:29:13.600 --> 00:29:17.120
became one of
the kind of catchphrases
of that protest movement.

413
00:29:22.560 --> 00:29:24.120
[SPEAKING PORTUGUESE]

414
00:29:46.640 --> 00:29:49.000
[INDISTINCT SHOUTING
AND CHANTING]

415
00:29:51.320 --> 00:29:56.280
[IN ENGLISH] The movement
started to get appropriated by
so many different groups.

416
00:29:56.320 --> 00:29:58.880
You know, you had
communists on one side

417
00:29:58.920 --> 00:30:02.960
and white supremacists
on the other side,

418
00:30:03.000 --> 00:30:06.160
instead of being a movement
that unified
the whole of Brazil,

419
00:30:06.200 --> 00:30:09.000
it became something
that actually divided brazil
even more.

420
00:30:13.680 --> 00:30:16.240
[SPEAKING PORTUGUESE]

421
00:30:23.560 --> 00:30:24.640
[CHUCKLES]

422
00:30:26.560 --> 00:30:27.680
[LAUGHS]

423
00:30:43.520 --> 00:30:45.600
MORGAN: [IN ENGLISH]
During the First World War,

424
00:30:45.640 --> 00:30:48.120
the price of whiskey
had soared

425
00:30:48.160 --> 00:30:51.960
through constant increases
in government duty.

426
00:30:52.000 --> 00:30:54.360
The availability of whiskey
had declined

427
00:30:54.400 --> 00:30:57.440
because distilling
was almost entirely stopped.

428
00:30:57.480 --> 00:31:00.920
The fear
that the government had
was that munitions workers

429
00:31:00.960 --> 00:31:03.440
in industrial areas
such as Clydeside

430
00:31:03.480 --> 00:31:07.600
were going into pubs,
buying cheaper, young whiskies,

431
00:31:07.640 --> 00:31:11.360
and as a result
of excessive consumption,

432
00:31:11.400 --> 00:31:15.600
unable to work,
and therefore putting
the war effort in danger,

433
00:31:15.640 --> 00:31:18.160
which leads
to a number of restrictions

434
00:31:18.200 --> 00:31:19.960
that are placed
on the industry.

435
00:31:22.400 --> 00:31:24.400
Already a very complex
backdrop

436
00:31:24.440 --> 00:31:27.000
onto which
the influenza pandemic

437
00:31:27.040 --> 00:31:29.920
following the First World
War was added.

438
00:31:31.840 --> 00:31:36.360
When it came to celebrating
the company's centenary
in 1920,

439
00:31:36.400 --> 00:31:40.000
in some respects, they were very muted about it.

440
00:31:40.040 --> 00:31:43.760
But the one thing
I think they did do
was go out to the world

441
00:31:43.800 --> 00:31:46.600
with a very optimistic message.

442
00:31:52.040 --> 00:31:55.040
It's interesting that
during the first centennial

443
00:31:55.080 --> 00:31:57.680
of Johnnie Walker in 1920,

444
00:31:57.720 --> 00:31:58.920
their advertisements

445
00:31:58.960 --> 00:32:01.320
were quite clear
on the philosophy,

446
00:32:01.360 --> 00:32:04.120
which was "Still going strong."

447
00:32:04.160 --> 00:32:08.040
These were people who
kept looking for ways
to move the product.

448
00:32:09.800 --> 00:32:11.640
[BUGLE JINGLE PLAYS]

449
00:32:11.680 --> 00:32:13.080
NEWSREADER: And this story
is criminal.

450
00:32:13.120 --> 00:32:14.760
Ten thousand gallons
of whiskey,

451
00:32:14.800 --> 00:32:16.400
wine, and beer
are chucked away,

452
00:32:16.440 --> 00:32:19.680
bust up, destroyed
and wasted in New York.

453
00:32:19.720 --> 00:32:23.280
LASCELLES: During Prohibition,
from 1920 to 1933,

454
00:32:23.320 --> 00:32:27.440
it was illegal
for American distilleries
to make whiskey,

455
00:32:27.480 --> 00:32:29.960
but people still wanted
to drink hard liquor.

456
00:32:30.000 --> 00:32:32.680
So there was suddenly
this big gap in the market
for booze.

457
00:32:34.880 --> 00:32:38.280
KOSAR: On the books,
we had laws saying,

458
00:32:38.320 --> 00:32:42.920
you're not allowed to drink,
but everyone was drinking.

459
00:32:42.960 --> 00:32:47.280
A lot of what was being sold
by illicit producers
was dangerous.

460
00:32:47.320 --> 00:32:50.560
So Johnnie Walker
was moved in through
the country through Canada

461
00:32:50.600 --> 00:32:54.200
and also through
the Gulf of Mexico,
came on up through the South.

462
00:32:55.840 --> 00:32:59.720
When you have a small
Caribbean nation
that's largely poor,

463
00:32:59.760 --> 00:33:04.040
there's no way that
that population is consuming
all that alcohol.

464
00:33:04.080 --> 00:33:06.640
It's clearly coming in
and moving off.

465
00:33:10.440 --> 00:33:13.800
You had a lot of
whiskey smugglers
who were bringing whiskey

466
00:33:13.840 --> 00:33:18.320
into the United States,
and the square bottle
fit very neatly

467
00:33:18.360 --> 00:33:20.280
inside a hollowed-out
loaf of bread.

468
00:33:30.200 --> 00:33:33.440
LASCELLES: When Scotch
was being tasted
against bathtub gin,

469
00:33:33.480 --> 00:33:36.080
it probably came out
of the comparison pretty well.

470
00:33:36.120 --> 00:33:37.520
And so it gained
this real reputation

471
00:33:37.560 --> 00:33:40.600
for quality and finesse
and desirability.

472
00:33:40.640 --> 00:33:43.200
And so,
by the end of Prohibition,

473
00:33:43.240 --> 00:33:46.200
there was this whole
new generation
of Scotch whiskey drinkers

474
00:33:46.240 --> 00:33:49.480
and I believe
that by the end of the '30s,

475
00:33:49.520 --> 00:33:55.280
America accounted for
something like 60%
of all Scotch whiskey exports.

476
00:33:55.320 --> 00:33:57.840
[INQUISITIVE MUSIC]

477
00:34:05.520 --> 00:34:08.760
NARRATOR: Whiskey
is the reward of a long,
unhurried process,

478
00:34:08.800 --> 00:34:11.760
during which the utmost care
is taken to ensure

479
00:34:11.800 --> 00:34:15.000
that the highest standard
of quality is maintained,

480
00:34:15.040 --> 00:34:18.320
then and only then
is the blended whiskey ready

481
00:34:18.360 --> 00:34:21.840
for bottling, inspection,
and packing into the cases

482
00:34:21.880 --> 00:34:25.040
in which it will find its way
to every part of the world.

483
00:34:26.920 --> 00:34:32.120
Whiskey distillers
must be the best
geopolitical risk practitioners

484
00:34:32.160 --> 00:34:35.000
to think that 12 years from now,
15 years from now,

485
00:34:35.040 --> 00:34:36.560
there's going to be a market.

486
00:34:36.600 --> 00:34:39.080
You either have extraordinary
confidence in your product,

487
00:34:39.120 --> 00:34:44.120
or you have
an extraordinary ability
to forecast geopolitical events.

488
00:34:44.160 --> 00:34:46.720
I think it's the former
rather than the latter.

489
00:34:50.640 --> 00:34:53.560
BEVERIDGE: I think
if you look at the history
of Johnnie Walker,

490
00:34:53.600 --> 00:34:55.080
it is the story of adaption

491
00:34:55.120 --> 00:34:58.080
-to what prevails
at the current time.
-Mmm.

492
00:34:58.120 --> 00:35:01.360
We have to adapt to the present,
but we also have to think about

493
00:35:01.400 --> 00:35:02.920
what the future
might look as well

494
00:35:02.960 --> 00:35:04.360
and begin
to adapt for that.

495
00:35:04.400 --> 00:35:06.960
But I think there's
a certain optimism
behind all that.

496
00:35:07.000 --> 00:35:08.240
Yeah.

497
00:35:08.280 --> 00:35:10.160
The belief that, yes,
things are going to change

498
00:35:10.200 --> 00:35:12.160
as they have done in the past,

499
00:35:12.200 --> 00:35:16.440
but we have the skills
and the ability
to deal with that.

500
00:35:16.480 --> 00:35:20.800
And that, I think, is the sense
of where Johnnie Walker
is just now.

501
00:35:20.840 --> 00:35:22.280
MAN: [ON LOUDSPEAKER]
Fire at will!

502
00:35:32.080 --> 00:35:35.040
MORGAN: 1920s and 1930s
and 1940s period

503
00:35:35.080 --> 00:35:38.400
is one of real difficulty
for the businesses.

504
00:35:40.760 --> 00:35:44.440
Each time they go
into one of those
troughs of despond,

505
00:35:44.480 --> 00:35:49.160
business emerges stronger,
remarkably stronger
on each occasion.

506
00:35:49.200 --> 00:35:51.440
So the graph, if you will,
goes like this.

507
00:35:53.080 --> 00:35:54.800
It's all about resilience.

508
00:35:56.200 --> 00:35:58.840
[FULL STAR
BY DAN THE AUTOMATOR]

509
00:36:03.720 --> 00:36:05.400
CAPPADONNA: As long as
you're consistent,

510
00:36:05.440 --> 00:36:07.760
don't change
what you're doing.

511
00:36:07.800 --> 00:36:12.920
Though sometimes
it's not necessarily
the product itself

512
00:36:12.960 --> 00:36:15.760
that needs to change
with the times,

513
00:36:15.800 --> 00:36:17.600
sometimes
it's just the wrapping.

514
00:36:17.640 --> 00:36:19.000
[CHUCKLES] You know?

515
00:36:19.040 --> 00:36:20.760
The presentation.

516
00:36:20.800 --> 00:36:22.960
Instead of having
a blue bottle,

517
00:36:23.000 --> 00:36:24.840
you might want to
change it to silver.

518
00:36:25.520 --> 00:36:27.120
[CHUCKLES] You know?

519
00:36:27.160 --> 00:36:29.520
Like my new look.

520
00:36:29.560 --> 00:36:31.440
You know, they think
this is gray right here,

521
00:36:31.480 --> 00:36:33.560
but this is just platinum.

522
00:36:33.600 --> 00:36:35.920
I'm going platinum
right now, you know?

523
00:36:38.840 --> 00:36:41.800
For me, consistency is key
behind a brand,

524
00:36:41.840 --> 00:36:44.080
and you see so many brands
failing nowadays

525
00:36:44.120 --> 00:36:45.400
by changing every year.

526
00:36:45.440 --> 00:36:47.120
Changing, it's not working.

527
00:36:47.160 --> 00:36:50.640
Give it time, give it time,
and sell it to the Americans.

528
00:36:50.680 --> 00:36:52.160
[LAUGHS]

529
00:36:57.480 --> 00:37:01.520
NARRATOR: To the United States
went the best that Britain
could produce.

530
00:37:01.560 --> 00:37:05.320
And in its going,
many a bitter tear was shed.

531
00:37:08.000 --> 00:37:10.960
KOSAR: So after the horrors
of World War II,

532
00:37:11.000 --> 00:37:14.720
the Johnnie Walker brand
came into an America

533
00:37:14.760 --> 00:37:20.560
that was able to start
spending money
on the good things in life.

534
00:37:20.600 --> 00:37:24.400
So in its advertisements,
you would see
the guy of leisure,

535
00:37:24.440 --> 00:37:28.840
who's always going places
and always having fun,
no matter where he's at.

536
00:37:28.880 --> 00:37:30.920
Being a playboy,
being a player,

537
00:37:30.960 --> 00:37:35.040
being this dandy-esque figure
became accepted.

538
00:37:41.320 --> 00:37:44.560
While America was tearing itself
apart over race,

539
00:37:44.600 --> 00:37:49.040
Johnnie Walker drops an ad
which doesn't take a stand

540
00:37:49.080 --> 00:37:52.360
on separate schools
or anything like that.

541
00:37:52.400 --> 00:37:54.480
They didn't mention
politics at all.

542
00:37:54.520 --> 00:37:57.560
They simply showed
successful black men

543
00:37:58.480 --> 00:38:00.840
dressed in ties and suits,

544
00:38:00.880 --> 00:38:04.720
behaving like
good executives would.

545
00:38:04.760 --> 00:38:08.080
This was a time when schools
were still segregated here,

546
00:38:08.120 --> 00:38:10.360
when a black man who dared

547
00:38:10.400 --> 00:38:11.880
to walk into
a white neighborhood

548
00:38:11.920 --> 00:38:13.840
may not walk out.

549
00:38:13.880 --> 00:38:16.520
It was very brave.

550
00:38:16.560 --> 00:38:20.560
I think it just fits with the
entire enterprising character
of the company,

551
00:38:20.600 --> 00:38:24.680
to realize that there's
an entire demographic

552
00:38:24.720 --> 00:38:27.480
who is growing more affluent

553
00:38:27.520 --> 00:38:29.920
and who wants to have
a good time.

554
00:38:29.960 --> 00:38:31.880
And so, it only made sense

555
00:38:31.920 --> 00:38:34.080
to make that leap
and market to them.

556
00:38:34.120 --> 00:38:36.400
[SWING MUSIC]

557
00:38:47.120 --> 00:38:51.120
MORGAN: In the '50s and '60s,
they bring in new people

558
00:38:51.160 --> 00:38:54.040
who are very often
public school educated,

559
00:38:54.080 --> 00:38:55.920
very often
good military background,

560
00:38:55.960 --> 00:38:58.240
guards was always considered
to be pretty good.

561
00:38:58.280 --> 00:39:02.960
And these guys
travelled the world
in the 1960s and 1970s,

562
00:39:03.000 --> 00:39:05.680
to use a Walker word,
relentlessly.

563
00:39:08.440 --> 00:39:10.680
They were never off airplanes.

564
00:39:10.720 --> 00:39:13.360
It's like those films
you used to see in the 1960s,

565
00:39:13.400 --> 00:39:16.800
which always had shots
of airplanes taking off
and airplanes landing

566
00:39:16.840 --> 00:39:19.080
and airplanes taking off,
airplanes landing,

567
00:39:19.120 --> 00:39:21.320
that was what
these Walker guys did.

568
00:39:25.320 --> 00:39:30.360
They were, in a sense,
a sort of a symbol
of the striding man.

569
00:39:30.400 --> 00:39:31.840
I could actually
go anywhere,

570
00:39:31.880 --> 00:39:33.280
I could go into
any environment,

571
00:39:33.320 --> 00:39:35.520
and I could succeed,
I could be accepted.

572
00:39:35.560 --> 00:39:41.120
I would be able to navigate
my way through the culture
or whatever it was,

573
00:39:41.160 --> 00:39:46.720
and be able to kind of
talk in a very urbane
and stylish way.

574
00:39:48.520 --> 00:39:51.160
MORGAN: I think there was
certainly an expectation

575
00:39:51.200 --> 00:39:53.920
that these people
had the ability

576
00:39:53.960 --> 00:39:57.160
to withstand the most hostile
business entertainment

577
00:39:57.200 --> 00:39:58.920
and still be at work
the next day.

578
00:39:58.960 --> 00:40:00.880
[SWING MUSIC]

579
00:40:02.560 --> 00:40:04.600
[INAUDIBLE]

580
00:40:22.280 --> 00:40:24.360
HOST: We have
a number of questions,
curiously enough,

581
00:40:24.400 --> 00:40:27.160
about your favorite things.

582
00:40:27.200 --> 00:40:31.000
One wants to know
things you can't live without
when travelling.

583
00:40:31.040 --> 00:40:34.960
And one person,
one well-informed
audience member, of course,

584
00:40:35.000 --> 00:40:37.240
wants to know
what your favorite whiskey is.

585
00:40:37.280 --> 00:40:39.280
[AUDIENCE CHUCKLES]

586
00:40:39.320 --> 00:40:42.200
Well, I don't see
what the difference
between the two questions.

587
00:40:42.240 --> 00:40:44.600
[HOST AND AUDIENCE LAUGHING]

588
00:40:44.640 --> 00:40:46.840
[APPLAUSE]

589
00:40:48.640 --> 00:40:49.960
The favorite blended,

590
00:40:50.000 --> 00:40:52.320
the best blended Scotch
in the history of the world,

591
00:40:52.360 --> 00:40:53.880
which was also
the favorite drink

592
00:40:53.920 --> 00:40:55.240
of the Iraqi Ba'ath Party,

593
00:40:55.280 --> 00:40:58.680
as it is still
of the Palestinian Authority

594
00:40:58.720 --> 00:41:01.360
and the Libyan dictatorship

595
00:41:01.400 --> 00:41:04.040
and large branches

596
00:41:04.080 --> 00:41:05.960
of the Saudi Arabian
royal family.

597
00:41:06.000 --> 00:41:09.400
Johnnie Walker Black,
breakfast of champions.

598
00:41:09.440 --> 00:41:12.960
-Accept no substitutes.
-[LAUGHTER]

599
00:41:25.560 --> 00:41:30.160
I'm a photojournalist,
storyteller, filmmaker.

600
00:41:30.200 --> 00:41:34.080
I work mostly in war zones,
conflict areas,

601
00:41:34.120 --> 00:41:38.200
covering a humanitarian
catastrophe.

602
00:41:38.240 --> 00:41:41.880
Right now
I am in Baghdad Hotel,
here in the bar.

603
00:41:43.720 --> 00:41:47.760
This is a special place
for us that cover
the situation in Iraq.

604
00:41:47.800 --> 00:41:52.160
During many years,
the Baghdad Hotel
has been hosting

605
00:41:52.200 --> 00:41:56.320
a lot of journalists
and also a lot of
military people

606
00:41:56.360 --> 00:41:58.840
drinking some shots
of whiskey

607
00:41:58.880 --> 00:42:03.080
and having meetings
and planning
for the next development,

608
00:42:03.120 --> 00:42:05.000
the next job,
the next assignment.

609
00:42:08.080 --> 00:42:10.800
I would like to be sometimes
a bottle of whiskey

610
00:42:10.840 --> 00:42:12.560
to know what
they are talking about.

611
00:42:16.200 --> 00:42:19.720
It's very important for us
who do this kind of job

612
00:42:19.760 --> 00:42:22.560
to find a safe place.

613
00:42:22.600 --> 00:42:27.880
No matter where we go,
and no matter
how dangerous it is

614
00:42:27.920 --> 00:42:29.960
the place that we are going,

615
00:42:30.000 --> 00:42:33.040
it's very important
we have a place to come back.

616
00:42:35.520 --> 00:42:40.240
If you go to anywhere in Iraq, there is a lot of
fake whiskey going on.

617
00:42:40.280 --> 00:42:43.240
The one that
you're going to trust
on the table

618
00:42:43.280 --> 00:42:45.720
is Johnnie Walker
for everyone.

619
00:42:45.760 --> 00:42:48.480
People don't know
the name of the car.

620
00:42:48.520 --> 00:42:52.720
They don't know the name
even of some villages
here in Iraq.

621
00:42:52.760 --> 00:42:56.600
But everyone knows
when you talk about whiskey

622
00:42:56.640 --> 00:42:59.200
that the most important one here
is Johnnie Walker.

623
00:43:02.920 --> 00:43:06.720
I cannot tell you right now
how many times I almost died,

624
00:43:06.760 --> 00:43:10.480
bombs exploding nearby me
a hundred times,

625
00:43:10.520 --> 00:43:14.360
and so every time
that I am back,
it is time to celebrate

626
00:43:14.400 --> 00:43:16.360
because I have my life.

627
00:43:18.480 --> 00:43:20.400
When you come back
to the real life,

628
00:43:20.440 --> 00:43:23.000
and you sit
in the normal table,

629
00:43:23.040 --> 00:43:25.760
and you get
some shots of whiskey,

630
00:43:25.800 --> 00:43:27.840
and you drink this whiskey,
it's like,

631
00:43:29.360 --> 00:43:32.160
you made it up, you survived.

632
00:43:39.280 --> 00:43:40.600
BARTENDER 1: Whiskey
is a conversation.

633
00:43:40.640 --> 00:43:42.360
That's the whole point
of whiskey.

634
00:43:42.400 --> 00:43:45.200
Whiskey is for everybody.
It's made by a bunch
of farmers in Scotland.

635
00:43:45.240 --> 00:43:47.920
It's a drink for the people.
For some strange reason,

636
00:43:47.960 --> 00:43:51.440
when it came down south,
it was just like
it came really...

637
00:43:51.480 --> 00:43:54.080
I don't know,
just like uppity class.

638
00:43:54.120 --> 00:43:56.960
-I think we used the term
[BLEEP] a lot.
-[OTHERS LAUGH]

639
00:43:57.000 --> 00:44:03.040
The stigma is just old white men
in smoking jackets,
drinking whiskey.

640
00:44:03.080 --> 00:44:05.040
Everybody experiences
some stigma

641
00:44:05.080 --> 00:44:08.080
and some very strange
and perhaps dated opinions,

642
00:44:08.120 --> 00:44:11.000
and where do these
opinions come from?

643
00:44:11.040 --> 00:44:12.920
That there's certain
flavors for women,

644
00:44:12.960 --> 00:44:15.040
or that women are not
going to enjoy whiskey,
for example.

645
00:44:15.080 --> 00:44:16.600
It's about education for me.

646
00:44:16.640 --> 00:44:19.160
A lot of people now
are open-minded
to that changing.

647
00:44:19.200 --> 00:44:22.040
But I've seen that
there's no correlation
at all to who you are

648
00:44:22.080 --> 00:44:23.680
and what flavors
you're going to enjoy.

649
00:44:23.720 --> 00:44:25.440
BARTENDER 1: Get rid of
that stigma behind whiskey

650
00:44:25.480 --> 00:44:27.440
because there's so much stigma

651
00:44:27.480 --> 00:44:31.280
and so much [BLEEP]
around whiskey that it is
just a good quality drink.

652
00:44:31.320 --> 00:44:32.840
-Thank you very much.
-Pleasure.

653
00:44:32.880 --> 00:44:34.760
-Slainte.
-[LAUGHING]

654
00:44:40.240 --> 00:44:43.280
LASCELLES: There's quite a lot
of peacocking around whiskey

655
00:44:43.320 --> 00:44:45.680
and sort of bashing each other over the head

656
00:44:45.720 --> 00:44:48.360
with knowledge
and showing off,

657
00:44:48.400 --> 00:44:53.720
and just very broadly speaking,
I think women tend to go in
for less of that.

658
00:44:53.760 --> 00:44:56.640
It's still seen as a bit racy
for a woman to go into a bar

659
00:44:56.680 --> 00:44:59.160
and order
a neat whiskey even now,

660
00:44:59.200 --> 00:45:02.320
but that is
gradually changing.

661
00:45:14.840 --> 00:45:16.040
KOSAR: A lot
of the advertisements

662
00:45:16.080 --> 00:45:18.280
for liquor that included women

663
00:45:18.320 --> 00:45:21.240
had women basically
as elbow candy.

664
00:45:21.280 --> 00:45:25.120
They were, you know,
what the successful man gets.

665
00:45:25.160 --> 00:45:30.560
Instead, Johnnie Walker
put an ad out there
just showing successful women

666
00:45:30.600 --> 00:45:32.760
behaving as equals,

667
00:45:32.800 --> 00:45:36.520
and one woman would say,
"He respects me for my mind,

668
00:45:36.560 --> 00:45:40.440
"He doesn't mind that I earn more than he does.

669
00:45:40.480 --> 00:45:44.160
"He's not married or anything,
and he drinks Johnnie Walker."

670
00:45:48.680 --> 00:45:51.760
BUSH: I am a longtime
whiskey drinker, actually,
and it's funny,

671
00:45:51.800 --> 00:45:55.040
I think it's become a bit more
popular with women

672
00:45:55.080 --> 00:45:58.560
and, you know,
the craft cocktail movement
has certainly changed things.

673
00:45:58.600 --> 00:46:01.400
But there was nothing
like ten years ago,

674
00:46:01.440 --> 00:46:03.680
ordering an Old Fashioned
at a bar,

675
00:46:03.720 --> 00:46:06.160
and every guy at the bar's
head turns and goes,

676
00:46:06.200 --> 00:46:09.680
"Who are you ordering that for?"
And my answer always was, "Me."

677
00:46:09.720 --> 00:46:10.760
[LAUGHS]

678
00:46:13.040 --> 00:46:16.080
I think perhaps
it's theMad Men era
that did some of that.

679
00:46:16.120 --> 00:46:18.760
You know,
a bunch of guys in suits.

680
00:46:18.800 --> 00:46:22.200
We were always in the room.
We just weren't being
given access to the power,

681
00:46:22.240 --> 00:46:23.920
and we weren't
being given the credit.

682
00:46:23.960 --> 00:46:25.960
[DANCE MUSIC]

683
00:46:39.640 --> 00:46:42.920
ESHUN: In the 1980s,
the brand makes
a conscious effort

684
00:46:42.960 --> 00:46:48.480
to be actively, visibly
part of the culture.

685
00:46:48.520 --> 00:46:50.960
And so, you start
to see it turn up

686
00:46:51.000 --> 00:46:56.720
in movies and in advertising
much more visibly.

687
00:47:01.400 --> 00:47:04.640
SOLOMONS: I think whiskey
is the drink of the movies.

688
00:47:04.680 --> 00:47:06.960
I mean, did whiskey
have the same mystique

689
00:47:07.000 --> 00:47:09.600
before it became a star
in the movies?

690
00:47:09.640 --> 00:47:11.040
I don't think it did.

691
00:47:12.480 --> 00:47:13.520
I think the smartest move

692
00:47:13.560 --> 00:47:14.920
that Johnnie Walker
probably ever made

693
00:47:14.960 --> 00:47:19.640
was to make the label
at that 24 angle degree

694
00:47:19.680 --> 00:47:22.680
because even when
it's blurred in a film

695
00:47:22.720 --> 00:47:24.440
or turned around in a film,

696
00:47:24.480 --> 00:47:26.520
you can still see
the label creeping around.

697
00:47:26.560 --> 00:47:27.640
You immediately know

698
00:47:27.680 --> 00:47:30.080
that that's a bottle
of Johnnie Walker.

699
00:47:30.120 --> 00:47:31.840
-Thank you.
-MAN: [ON PHONE] Yes, sir.

700
00:47:31.880 --> 00:47:33.040
[PHONE BEEPS]

701
00:47:35.040 --> 00:47:36.360
I always loved Superman III.

702
00:47:36.400 --> 00:47:37.800
It was supposed to be
the silly one,

703
00:47:37.840 --> 00:47:39.280
but that's why it works.

704
00:47:39.320 --> 00:47:41.120
Richard Lester directs it,

705
00:47:41.160 --> 00:47:43.760
and it's got Pamela Stephenson
and Richard Pryor in it.

706
00:47:43.800 --> 00:47:46.400
And I always thought
it was hilarious,
Superman III.

707
00:47:46.440 --> 00:47:50.240
And it's really good to put
humor into what is essentially
a very serious genre,

708
00:47:50.280 --> 00:47:52.720
the superhero genre,
even still.

709
00:47:52.760 --> 00:47:55.040
And when Christopher Reeve's
Superman, in Superman III,

710
00:47:55.080 --> 00:47:58.360
goes to the dark side
because he's had
a dose of deadly kryptonite,

711
00:47:58.400 --> 00:48:02.520
he sits in a diner
and has a bottle
of Johnnie Walker Red Label

712
00:48:02.560 --> 00:48:05.400
very conspicuously
turned towards camera

713
00:48:05.440 --> 00:48:08.240
and uses it for sadness,
uses it to get drunk,

714
00:48:08.280 --> 00:48:10.520
uses it to contemplate evil.

715
00:48:10.560 --> 00:48:12.680
[CHUCKLES] And the evil
that's involved is

716
00:48:12.720 --> 00:48:14.160
trashing other brands,

717
00:48:14.200 --> 00:48:16.600
flicking peanuts
with his supercharged
Superman fingers

718
00:48:16.640 --> 00:48:19.680
and destroying other brands
right before your eyes.

719
00:48:21.200 --> 00:48:23.200
Hey, hey! Hey, come on.

720
00:48:23.240 --> 00:48:26.440
Someone somewhere had some
Superman balls, didn't they,

721
00:48:26.480 --> 00:48:28.040
to sort of say,
"Yeah, yeah, we can do this.

722
00:48:28.080 --> 00:48:31.320
"We can have Superman,"
who is in some way

723
00:48:31.360 --> 00:48:34.320
a sort of Christ figure
for saving America,

724
00:48:34.360 --> 00:48:36.680
"have him trashing
all the other brands."

725
00:48:39.920 --> 00:48:41.320
They jumped
the shuttle off-world.

726
00:48:41.360 --> 00:48:43.360
Killed the crew
and passengers.

727
00:48:43.400 --> 00:48:46.520
Harrison Ford in Blade Runner,
he drinks whiskey.

728
00:48:46.560 --> 00:48:49.280
RICK DECKARD:
Do you want a drink? No?

729
00:48:49.320 --> 00:48:51.920
SOLOMONS: He's the man that needs to do one last job.

730
00:48:51.960 --> 00:48:54.720
So he's going to need whiskey
to gird his loins.

731
00:48:54.760 --> 00:48:56.240
To solve this mystery,

732
00:48:56.280 --> 00:48:59.280
he needs Johnnie Walker
as his companion
to keep walking.

733
00:49:02.760 --> 00:49:05.720
He's using it medicinally
to get over a beating,

734
00:49:05.760 --> 00:49:07.920
he's using it
to soothe his mind,

735
00:49:07.960 --> 00:49:10.360
he's using it
to plaster over those wounds,

736
00:49:10.400 --> 00:49:12.920
but he's also using it
to concentrate.

737
00:49:18.560 --> 00:49:21.080
DECKARD: Enhance 224 to 176.

738
00:49:22.880 --> 00:49:24.600
[BEEPING]

739
00:49:28.120 --> 00:49:29.600
[AFFIRMATIVE BEEPS]

740
00:49:29.640 --> 00:49:31.440
[FILM CLICKING]

741
00:49:31.480 --> 00:49:33.000
SOLOMONS: It's interesting,
isn't it?

742
00:49:33.040 --> 00:49:37.240
He could do this
with a cup of tea,
but then we'd be comforted

743
00:49:37.280 --> 00:49:38.960
and I think we need
more than comfort.

744
00:49:39.800 --> 00:49:40.800
You like whiskey?

745
00:49:41.880 --> 00:49:43.320
I got millions

746
00:49:44.400 --> 00:49:47.160
of bottles of whiskey.
[SIGHS WEARILY]

747
00:49:47.200 --> 00:49:50.640
In the remake or the update,
the 2049 Blade Runner

748
00:49:50.680 --> 00:49:53.120
with Ryan Gosling in the lead,

749
00:49:53.160 --> 00:49:55.920
this is a much more
brand-oriented world.

750
00:49:55.960 --> 00:49:59.400
Some brands have survived
from the previous existence,

751
00:49:59.440 --> 00:50:00.920
and they have
followed it through.

752
00:50:00.960 --> 00:50:05.560
Some key markers
of Western civilization,
if you like,

753
00:50:05.600 --> 00:50:07.840
and some things will survive.

754
00:50:07.880 --> 00:50:10.960
Well, Johnnie Walker
has clearly survived.

755
00:50:11.000 --> 00:50:13.680
Still the same color, still burning brightly as ever,

756
00:50:13.720 --> 00:50:15.400
still promising that mystery.

757
00:50:15.440 --> 00:50:18.520
I think it is key that
the character must maintain
his whiskey brand

758
00:50:18.560 --> 00:50:20.400
though all
that he has gone through.

759
00:50:20.440 --> 00:50:23.120
Through all the iterations,
through all the disappointments,

760
00:50:23.160 --> 00:50:25.000
he is going to stick
to one brand.

761
00:50:25.040 --> 00:50:29.920
One thing he knows for sure
is he is going to get his joy
from that bottle.

762
00:50:29.960 --> 00:50:33.760
Everything else around us
watching the movie

763
00:50:33.800 --> 00:50:36.280
within the movie has changed.

764
00:50:36.320 --> 00:50:38.200
We're in the future.

765
00:50:38.240 --> 00:50:40.960
Johnnie Walker remains the same.

766
00:50:41.000 --> 00:50:45.680
Ultra-intelligent AI,
replicants, flying cars,

767
00:50:45.720 --> 00:50:48.800
none of these things
have quite come true yet.

768
00:50:48.840 --> 00:50:51.360
But the one thing
that remains true

769
00:50:51.400 --> 00:50:53.280
and visible and recognizable

770
00:50:53.320 --> 00:50:56.960
in both those films
is the bottle of Johnnie Walker.

771
00:50:57.000 --> 00:51:00.560
And, in a way, this is actually
quite a safe prediction
for the future.

772
00:51:00.600 --> 00:51:04.120
So perhaps
we won't have flying cars
anytime soon,

773
00:51:04.160 --> 00:51:07.840
but it is quite likely
that a bottle of Johnnie Walker
will look the same

774
00:51:07.880 --> 00:51:12.040
in 20, 50,
maybe 100 years' time

775
00:51:12.080 --> 00:51:13.960
as it did 100 years ago.

776
00:51:15.680 --> 00:51:17.240
People always say,
"Oh, it's terrible,

777
00:51:17.280 --> 00:51:20.280
"product placement,
and it's not right.

778
00:51:20.320 --> 00:51:21.880
"It shouldn't be done."

779
00:51:21.920 --> 00:51:23.600
And I do point out
that actually

780
00:51:23.640 --> 00:51:28.160
it was the Venetians
who invented product placement.

781
00:51:28.200 --> 00:51:31.520
And there's a very famous
painting by Titian.

782
00:51:31.560 --> 00:51:33.440
It's called The Annunciation.

783
00:51:33.480 --> 00:51:36.360
And if you look
at that painting,
in the right-hand corner,

784
00:51:36.400 --> 00:51:39.440
there's a clear decanter glass.

785
00:51:39.480 --> 00:51:41.080
Maybe Mary
wanted a drink?

786
00:51:41.120 --> 00:51:42.600
I don't know
what it was there for.

787
00:51:42.640 --> 00:51:44.760
[CHUCKLES] No, no, no.
It wasn't for that reason.

788
00:51:44.800 --> 00:51:48.880
It was there because
the Venetians were
very proud of their industry.

789
00:51:48.920 --> 00:51:53.760
So their artists used to
insert elements
of what they could do,

790
00:51:53.800 --> 00:51:57.560
so that they could say
to the Florentines,
or the Romans,

791
00:51:57.600 --> 00:51:59.360
"Look, see you might be able
to paint a picture,

792
00:51:59.400 --> 00:52:01.400
"but you can't do glass
the way we do it.

793
00:52:01.440 --> 00:52:02.800
"It's there, you can
have a look at it."

794
00:52:02.840 --> 00:52:05.440
It was the Venetians
who invented product placement.

795
00:52:06.920 --> 00:52:08.840
-DECKARD: Enhance. Stop.
-[FILM CLICKING]

796
00:52:11.520 --> 00:52:13.280
-[ALARM BEEPING]
-[ENERGETIC MUSIC]

797
00:52:18.840 --> 00:52:22.200
MORGAN: In 1997,
someone called Alice Avis

798
00:52:22.240 --> 00:52:23.640
was put in charge
of Johnnie Walker,

799
00:52:23.680 --> 00:52:24.920
and she took the view that

800
00:52:24.960 --> 00:52:27.520
a lot of the advertising
had become cliched

801
00:52:27.560 --> 00:52:30.160
and quite stereotyped
around the world.

802
00:52:32.760 --> 00:52:36.800
Alice realized
that masculinity
lay at the heart of

803
00:52:36.840 --> 00:52:38.640
what the brand was about,

804
00:52:38.680 --> 00:52:42.400
but didn't think that
people really understood
what masculinity meant

805
00:52:42.440 --> 00:52:44.680
in a modern world.

806
00:52:44.720 --> 00:52:47.720
So they did a massive
global study on masculinity.

807
00:52:47.760 --> 00:52:49.600
[INAUDIBLE]

808
00:52:49.640 --> 00:52:51.880
Now, you better start telling me
what happened.

809
00:52:51.920 --> 00:52:56.000
I was having a few drinks,
and I got into an argument
with some cat

810
00:52:56.040 --> 00:52:59.520
about the role
of modern man in society.

811
00:52:59.560 --> 00:53:01.320
Then things
began to get all foggy.

812
00:53:03.840 --> 00:53:05.520
HEGARTY: They came to us,
and at that time,

813
00:53:05.560 --> 00:53:07.920
whiskey advertising was all about "Be successful,"

814
00:53:07.960 --> 00:53:10.640
and they represented success
as a place,

815
00:53:10.680 --> 00:53:13.760
a penthouse, or somebody
who was always in a tuxedo,

816
00:53:13.800 --> 00:53:15.880
and it was maybe undone.
How daring.

817
00:53:15.920 --> 00:53:18.600
Oh, I'll just undo the tie.
Ooh, that'll be very daring.

818
00:53:18.640 --> 00:53:21.880
Or I'm on the back
of some boat in,
you know, Monaco

819
00:53:21.920 --> 00:53:23.360
or wherever it might be.

820
00:53:23.400 --> 00:53:28.680
But that was an increasingly
old-fashioned view of success.

821
00:53:28.720 --> 00:53:31.480
Success isn't a place,
it's a journey.

822
00:53:31.520 --> 00:53:34.560
And truly successful people
never arrive

823
00:53:34.600 --> 00:53:37.080
because they keep
moving forward.

824
00:53:37.120 --> 00:53:41.120
From that, you very,
very quickly
get to keep walking.

825
00:53:41.160 --> 00:53:43.760
And that, in a sense,
liberated the category

826
00:53:43.800 --> 00:53:46.360
from talking
like a conventional whiskey.

827
00:53:46.400 --> 00:53:48.680
And so, we created advertising

828
00:53:48.720 --> 00:53:50.960
that was unlike
a whiskey brand.

829
00:53:51.000 --> 00:53:54.960
It was a moment when the brand
really came back into itself,

830
00:53:55.000 --> 00:53:57.880
and it had confidence,
and it was able to kind of

831
00:53:57.920 --> 00:54:00.920
go into the marketplace
and put a bottle on the table

832
00:54:00.960 --> 00:54:03.200
and say,
"This is what we stand for."

833
00:54:03.240 --> 00:54:05.160
And people bought it,
and it succeeded.

834
00:54:05.200 --> 00:54:07.800
You can see it from,
you know, the sales figures.

835
00:54:07.840 --> 00:54:10.240
Then we got to
the man who walked
around the world,

836
00:54:10.280 --> 00:54:13.280
which is a lovely description
of the brand,

837
00:54:13.320 --> 00:54:16.360
and where it had come from,
and where it was going to.

838
00:54:16.400 --> 00:54:18.240
-[BAGPIPES PLAYING AND STOPPING]
-Hey, piper.

839
00:54:18.280 --> 00:54:19.280
Shut it.

840
00:54:20.600 --> 00:54:24.480
Here's a true story
about a young lad named John.

841
00:54:24.520 --> 00:54:27.840
Just a local farm boy.
There was something
special about the lad.

842
00:54:27.880 --> 00:54:30.200
-We were up at the...
-Druim M'Aodhaig.

843
00:54:30.240 --> 00:54:33.800
Yes, that's right.
We were up at the castle
in Scotland.

844
00:54:33.840 --> 00:54:35.600
-As you are.
-[CHUCKLING] As you are.

845
00:54:35.640 --> 00:54:38.840
I just had this idea
that I'd love
to be able to tell

846
00:54:38.880 --> 00:54:41.080
the Johnnie Walker story
without cutting.

847
00:54:41.120 --> 00:54:43.480
And at the time,
I remember thinking,

848
00:54:43.520 --> 00:54:46.240
I hope the story
doesn't take more than
about 60 to 90 seconds

849
00:54:46.280 --> 00:54:48.960
-because I think it would be
hard to do it otherwise.
-[BOTH LAUGH]

850
00:54:49.000 --> 00:54:52.600
Well, these were the days
when young boys
were sent into the fields,

851
00:54:52.640 --> 00:54:55.120
the mills, the mines,
tough times.

852
00:54:55.160 --> 00:54:57.840
But young John
was smart enough to be lucky.

853
00:54:57.880 --> 00:55:00.840
His father's farm,
where he was born and raised,
was sold,

854
00:55:00.880 --> 00:55:04.280
and the proceeds used
to open a grocers.

855
00:55:04.320 --> 00:55:09.240
You'd have one actor
talk non-stop,
eyeballing the camera

856
00:55:09.280 --> 00:55:11.840
for six and a half minutes
on point

857
00:55:11.880 --> 00:55:15.160
with, I think, something like
18 hit points along the way.

858
00:55:15.200 --> 00:55:17.880
No director,
no production company
wanted to take it on.

859
00:55:17.920 --> 00:55:22.200
He had to walk
a certain number of paces
out of the mist,

860
00:55:22.240 --> 00:55:25.680
towards the bagpiper,
to turn at that right moment

861
00:55:25.720 --> 00:55:29.200
and say, "Shut it,"
to walk a few more steps
to start the thing

862
00:55:29.240 --> 00:55:31.360
that had the cow turn its head,
that then...

863
00:55:31.400 --> 00:55:34.720
And when you look back on it,
you think, "What on Earth
were we thinking?"

864
00:55:34.760 --> 00:55:37.400
Does he get his hat
out of his pocket
at just the right moment?

865
00:55:37.440 --> 00:55:41.200
Isn't there just the right spot
to pick up the whiskey

866
00:55:41.240 --> 00:55:44.480
from the table where
he's talking about
Johnnie Walker Blue, or...

867
00:55:44.520 --> 00:55:46.160
Etcetera, etcetera, etcetera.

868
00:55:46.200 --> 00:55:49.280
Two hundred years later,
and Johnnie Walker's
still walking,

869
00:55:49.320 --> 00:55:51.520
and he's not showing
any signs of stopping.

870
00:55:51.560 --> 00:55:54.080
MAHONY: It was 42 takes
across the two days.

871
00:55:54.120 --> 00:55:55.760
I remember hearing,
I think it must have been

872
00:55:55.800 --> 00:55:57.600
just before lunch
on the final day.

873
00:55:57.640 --> 00:55:59.160
"Yeah, we still
haven't got one."

874
00:55:59.720 --> 00:56:01.480
[LAUGHING]

875
00:56:01.520 --> 00:56:04.800
Yeah, it was the last take?
The last take is the film.

876
00:56:04.840 --> 00:56:08.080
Because that was the only one
that actually really worked.

877
00:56:14.880 --> 00:56:17.920
ESHUN: I find brands
like Johnnie Walker
really fascinating

878
00:56:17.960 --> 00:56:20.160
because they, in a number of different ways,

879
00:56:20.200 --> 00:56:24.720
have managed to hold on
to a place in the world,

880
00:56:24.760 --> 00:56:31.560
despite how quickly
and how profoundly
the world continues to change.

881
00:56:31.600 --> 00:56:36.480
The identity is so strong
that it seems
to transcend time,

882
00:56:36.520 --> 00:56:38.000
it seems to transcend place,

883
00:56:38.040 --> 00:56:41.120
and it seems to speak
of universality,

884
00:56:41.160 --> 00:56:44.600
though it has this fascinating
symbolic quality to it,

885
00:56:44.640 --> 00:56:47.640
as well as just a simple thing
of being something expensive

886
00:56:47.680 --> 00:56:50.440
and something
that's perceived as luxury.

887
00:56:50.480 --> 00:56:56.640
It ends up
as this totemic item
that can be used in bargains,

888
00:56:56.680 --> 00:57:00.960
can be used in rituals,
can be used in music.

889
00:57:01.000 --> 00:57:02.440
So Johnnie Walker,
for instance,

890
00:57:02.480 --> 00:57:04.080
turns up
in a Lady Gaga song,

891
00:57:04.120 --> 00:57:06.600
turns up
in a Leonard Cohen song.

892
00:57:06.640 --> 00:57:10.000
This is one way of saying,
"We'll take the icons

893
00:57:10.040 --> 00:57:13.200
"and the brands
of Western culture
and Western society,

894
00:57:13.240 --> 00:57:16.800
"and we will make them over
in our own terms."

895
00:57:16.840 --> 00:57:21.840
And that, I think,
is how you get to be
part of the culture.

896
00:57:24.320 --> 00:57:28.480
It's that it's been able
to simplify its message,

897
00:57:28.520 --> 00:57:33.400
so if you're in India
or if you're in Afghanistan
or if you're in Myanmar

898
00:57:33.440 --> 00:57:35.040
or if you're in different
parts of Europe,

899
00:57:35.080 --> 00:57:36.680
if you're
in mid-century America,

900
00:57:36.720 --> 00:57:41.320
let's say, those perceived
values don't change.

901
00:57:44.000 --> 00:57:45.600
MIYASHIRO: Brands
connecting with culture,

902
00:57:45.640 --> 00:57:48.160
doesn't matter if it's sport
or music or whatever,

903
00:57:48.200 --> 00:57:49.760
you know,
is a decades-old thing,

904
00:57:49.800 --> 00:57:51.400
but you have to have everything.

905
00:57:51.440 --> 00:57:54.880
It's the cross-pollination
of traditional advertising,

906
00:57:54.920 --> 00:57:56.800
which is the amplification
of everything.

907
00:57:56.840 --> 00:58:03.120
But what is the core idea
actually is the genesis
of everything, right?

908
00:58:03.160 --> 00:58:05.720
It's not just
all about going to, "Hey.

909
00:58:05.760 --> 00:58:10.040
"Who's the number one actor
or the pop star?"

910
00:58:10.080 --> 00:58:12.600
The obvious choice
is really understanding

911
00:58:12.640 --> 00:58:15.400
who is creating
and innovating.

912
00:58:15.440 --> 00:58:17.600
Those brands do quite well.

913
00:58:20.360 --> 00:58:23.080
Well, you know,
you've always
got to be careful.

914
00:58:23.120 --> 00:58:25.000
There are many great brands
who've gone.

915
00:58:25.040 --> 00:58:26.760
You know?
I've worked on some of them.

916
00:58:26.800 --> 00:58:29.240
Polaroid, one of them,
didn't innovate, of course.

917
00:58:29.280 --> 00:58:32.080
And great brands can die.

918
00:58:33.560 --> 00:58:36.520
You get trapped
by your own success.

919
00:58:36.560 --> 00:58:40.720
I mean, you can look
at great bands, great...

920
00:58:40.760 --> 00:58:44.080
And you can look at
how they had to
keep moving forward.

921
00:58:44.120 --> 00:58:47.600
You know,
you look at the Beatles,
and how they started singing,

922
00:58:47.640 --> 00:58:51.240
"She loves you. Yeah. Yeah. "
And end up with Sgt. Pepper,

923
00:58:51.280 --> 00:58:53.680
and they constantly
move forward,

924
00:58:53.720 --> 00:58:55.680
whereas other bands didn't.

925
00:58:55.720 --> 00:58:57.640
[UPBEAT MUSIC]

926
00:59:06.800 --> 00:59:10.960
KOSAR: Johnnie Walker whiskey
has conquered
much of the Western world.

927
00:59:11.000 --> 00:59:13.760
The real action is in
the developing markets.

928
00:59:16.480 --> 00:59:18.200
[INDISTINCT CHEERING]

929
00:59:18.240 --> 00:59:20.920
LASCELLES: If you look
at emerging markets,

930
00:59:20.960 --> 00:59:24.640
where Johnnie Walker
is taking off is always
a good barometer

931
00:59:24.680 --> 00:59:27.440
of an emerging
economic market.

932
00:59:31.120 --> 00:59:33.520
MOLAVI: Any study of whiskey,
any study of Johnnie Walker

933
00:59:33.560 --> 00:59:35.120
has to focus on India.

934
00:59:35.160 --> 00:59:39.520
India is the largest
whiskey-consuming nation.

935
00:59:39.560 --> 00:59:43.240
In India, Johnnie Walker
has a localized nickname.

936
00:59:43.280 --> 00:59:45.000
They call it "Uncle Johnnie."

937
00:59:45.040 --> 00:59:47.040
[BOLLYWOOD MUSIC]

938
00:59:53.200 --> 00:59:56.640
Johnnie Walker
regularly appears
in Bollywood films,

939
00:59:56.680 --> 01:00:00.360
so much so that there is
a prominent Indian actor

940
01:00:00.400 --> 01:00:03.280
in Bollywood
who changed his name
to Johnny Walker.

941
01:00:05.920 --> 01:00:08.720
[INAUDIBLE]

942
01:00:08.760 --> 01:00:13.080
NASIR KHAN: It's a demigod
kind of a status
that film stars have here.

943
01:00:13.120 --> 01:00:17.040
There are so many temples
that are named after actors,

944
01:00:17.080 --> 01:00:18.720
and the statues are made,
and they worship them.

945
01:00:22.480 --> 01:00:26.400
He is one of the pillars
of the Indian cinema,
my father.

946
01:00:26.440 --> 01:00:28.080
And I turn around
and tell people

947
01:00:28.120 --> 01:00:30.440
that I have Johnny Walker
running in my veins.

948
01:00:30.480 --> 01:00:31.640
Ooh.

949
01:00:31.680 --> 01:00:34.400
[SPEAKING HINDI]

950
01:00:34.440 --> 01:00:35.720
Huh?

951
01:00:35.760 --> 01:00:37.200
KHAN: [IN ENGLISH]
As a teenager,

952
01:00:37.240 --> 01:00:38.640
he used to go to the studios,

953
01:00:38.680 --> 01:00:40.640
he used to look around
for work.

954
01:00:40.680 --> 01:00:44.120
So my dad used to act
like a drunk very, very well.

955
01:00:44.160 --> 01:00:45.920
[SPEAKING HINDI]

956
01:00:45.960 --> 01:00:49.680
[IN ENGLISH] So he barged in
the office as an alcoholic

957
01:00:49.720 --> 01:00:52.200
and started creating
a ruckus over there,

958
01:00:52.240 --> 01:00:54.360
went to Guru Dutt,
who was the director,

959
01:00:54.400 --> 01:00:56.600
started troubling him,
hassling him,

960
01:00:56.640 --> 01:01:00.400
to the point
where they had him
thrown out of the office.

961
01:01:00.440 --> 01:01:03.040
So Guru Dutt,
being the director,

962
01:01:03.080 --> 01:01:05.640
was extremely impressed
by my father.

963
01:01:05.680 --> 01:01:07.800
He said, "This is one scene
I can offer you."

964
01:01:07.840 --> 01:01:10.600
[SLURRING IN HINDI]

965
01:01:14.360 --> 01:01:15.960
KHAN: [IN ENGLISH] Guru Dutt
came up with the name.

966
01:01:16.000 --> 01:01:19.120
He said, "You need
a screen name, just call
yourself Johnny Walker."

967
01:01:19.160 --> 01:01:21.640
-[JOHNNY WALKER CLEARS THROAT]
-[CLEARS THROAT IN RESPONSE]

968
01:01:21.680 --> 01:01:23.520
-[JOHNNY WALKER CLEARS THROAT]
-[COUGHING]

969
01:01:23.560 --> 01:01:26.160
A lot of people
used to think that

970
01:01:26.200 --> 01:01:30.160
the whiskey was named
after my dad Johnny Walker.

971
01:01:30.200 --> 01:01:33.960
Irony, part of it
that my father,
he was a devout Muslim

972
01:01:34.000 --> 01:01:37.840
and because
it's not allowed
to drink in our religion,

973
01:01:37.880 --> 01:01:39.840
he never touched alcohol
in his life.

974
01:01:42.280 --> 01:01:44.840
[VIOLIN MUSIC]

975
01:01:58.440 --> 01:02:01.560
MARIE MACKLIN: Johnnie Walker
was always that beating heart
of the town.

976
01:02:01.600 --> 01:02:04.400
There were 700 jobs
employed in the town,

977
01:02:04.440 --> 01:02:06.240
and the money that was spent
wasn't just local,

978
01:02:06.280 --> 01:02:07.800
it was in local shops,

979
01:02:07.840 --> 01:02:10.040
but it was
in the surrounding
areas of Ayrshire.

980
01:02:12.880 --> 01:02:15.680
We were at the forefront
of the first
Industrial Revolution.

981
01:02:17.520 --> 01:02:21.440
REPORTER: Each bottle
proudly displays Kilmarnock
as its origin.

982
01:02:21.480 --> 01:02:25.600
The 700 people who work here
are part of the town's heritage,

983
01:02:25.640 --> 01:02:28.120
but soon, these gates
will be closed forever.

984
01:02:31.480 --> 01:02:34.680
MACKLIN: Johnnie Walker
wanted to be more commercial

985
01:02:34.720 --> 01:02:37.760
to retain the business
and make that business grow.

986
01:02:39.600 --> 01:02:41.240
At the time of exit,

987
01:02:41.280 --> 01:02:43.920
they would be the last
big industrial employer
in Kilmarnock.

988
01:02:43.960 --> 01:02:46.720
So that was
like the final nail
in the coffin.

989
01:02:46.760 --> 01:02:49.920
The Industrial Revolution
of the 1800s was now gone.

990
01:02:54.080 --> 01:02:58.000
Do you stand back
and do nothing?
That's just not an option.

991
01:03:02.680 --> 01:03:04.880
I remember going
buying the costumes,

992
01:03:04.920 --> 01:03:06.920
buying the ribbons,
buying placards.

993
01:03:10.520 --> 01:03:12.800
An hour before,
there was about 20 people.

994
01:03:12.840 --> 01:03:16.200
And then, all of a sudden,
the place just descended
with people.

995
01:03:16.240 --> 01:03:18.640
[INDISTINCT CHANTING]

996
01:03:25.840 --> 01:03:27.360
We needed a new college.

997
01:03:27.400 --> 01:03:30.480
The college
was from the 1960s.

998
01:03:30.520 --> 01:03:33.160
Eight acres of the site
was donated for a pound,

999
01:03:33.200 --> 01:03:36.080
and a new ÃÂ£50 million college
was built,

1000
01:03:36.120 --> 01:03:37.360
funded by the
Scottish government.

1001
01:03:39.080 --> 01:03:41.160
So the legacy
that Diageo is leaving

1002
01:03:41.200 --> 01:03:43.600
is just the start
of another journey

1003
01:03:43.640 --> 01:03:46.640
for that community that
we have been
at the forefront of driving.

1004
01:03:49.680 --> 01:03:52.760
That Johnnie Walker spirit
is still alive,

1005
01:03:52.800 --> 01:03:55.840
but it's just the different
shoes that keep on walking.

1006
01:04:01.600 --> 01:04:05.080
I think today...
I think a brand is much more

1007
01:04:05.120 --> 01:04:08.680
about a movement
than just about trust.

1008
01:04:08.720 --> 01:04:10.960
You gotta think about it
as a movement.

1009
01:04:11.000 --> 01:04:12.880
What are you
trying to change?

1010
01:04:12.920 --> 01:04:15.320
What are you trying
to bring to the world?

1011
01:04:15.360 --> 01:04:18.080
As an example, I think Apple
is a very good example
of that movement.

1012
01:04:18.120 --> 01:04:21.200
It was bringing computing
to the people.

1013
01:04:21.240 --> 01:04:25.960
That was its great thing.
And therefore,
a brand has to stand for more.

1014
01:04:26.000 --> 01:04:30.040
Are we about the future?
Are we making
this product in a way

1015
01:04:30.080 --> 01:04:32.600
which is sustainable?
Are we caring for the planet?

1016
01:04:32.640 --> 01:04:34.920
Are we... All those things
before you actually

1017
01:04:34.960 --> 01:04:36.480
get to,
"What does it taste like?"

1018
01:04:36.520 --> 01:04:39.800
The new consumer,
certainly the millennial
consumer

1019
01:04:39.840 --> 01:04:43.960
would like to see companies
giving back to communities.

1020
01:04:44.000 --> 01:04:47.640
I think they would also
like to see in some ways

1021
01:04:47.680 --> 01:04:53.120
an understanding
and an appreciation
for the heritage of a brand.

1022
01:04:55.080 --> 01:04:57.840
BUSH: I think the days
of just making something

1023
01:04:57.880 --> 01:05:01.200
and being a sort of
hazy figure in the distance,

1024
01:05:01.240 --> 01:05:03.240
that doesn't work
for people anymore.

1025
01:05:03.280 --> 01:05:05.120
We want to know
where our money's going

1026
01:05:05.160 --> 01:05:07.360
because every dollar
that we spend is a vote.

1027
01:05:07.400 --> 01:05:10.320
So we want to know
who's behind the brand?

1028
01:05:10.360 --> 01:05:12.320
What do they believe in?
What is their ethos?

1029
01:05:12.360 --> 01:05:14.120
How do they treat the people
at their company?

1030
01:05:14.160 --> 01:05:15.600
Do they pay them fair wages?

1031
01:05:15.640 --> 01:05:18.160
Do employees get maternity
and paternity leave?

1032
01:05:18.200 --> 01:05:21.200
These things are important
to consumers now.

1033
01:05:24.520 --> 01:05:28.280
I think the future is about
being thoughtfully inclusive.

1034
01:05:28.320 --> 01:05:29.680
I think the future is about

1035
01:05:29.720 --> 01:05:32.520
building bigger tables
and longer bars

1036
01:05:32.560 --> 01:05:35.000
for people to sit at
and toast together,

1037
01:05:35.040 --> 01:05:36.400
and dream up ideas

1038
01:05:36.440 --> 01:05:40.320
and innovations in ways
to advance the world for good.

1039
01:05:45.120 --> 01:05:47.800
They came to me
to talk about
leading for women.

1040
01:05:49.200 --> 01:05:51.280
And we opened
an exhibition.

1041
01:05:52.600 --> 01:05:54.280
Not every brand
is that willing to

1042
01:05:54.320 --> 01:05:58.160
"put their neck out there."

1043
01:05:58.200 --> 01:06:01.280
I only want to run in circles
with people who say,

1044
01:06:01.320 --> 01:06:04.640
"How much further
can we push this?
How much more can we

1045
01:06:04.680 --> 01:06:08.360
"yank on the end
of the moral arc
of the universe

1046
01:06:08.400 --> 01:06:10.600
"and continue to bend it
toward justice?"

1047
01:06:10.640 --> 01:06:13.000
If it's possible,
we have to contribute to that.

1048
01:06:20.360 --> 01:06:25.320
ESHUN: I think the old anxiety
was that in getting
into bed with a brand,

1049
01:06:25.360 --> 01:06:28.640
you'd have to change,
you'd have to become
a corporate shill

1050
01:06:28.680 --> 01:06:30.480
or something like that.
Now it's the opposite.

1051
01:06:30.520 --> 01:06:33.120
Now it feels like brands
spend a lot of time

1052
01:06:33.160 --> 01:06:37.880
trying to catch up with these
sort of powerfully totemic
individuals themselves

1053
01:06:37.920 --> 01:06:41.960
that can speak all around
the world at the same time.

1054
01:06:42.000 --> 01:06:48.160
Social media has disrupted
so many of these traditional
forms of communication,

1055
01:06:48.200 --> 01:06:50.280
so right now, you know,
you can go to Instagram

1056
01:06:50.320 --> 01:06:53.160
and you can have
a much more intimate
relationship with a star.

1057
01:06:55.440 --> 01:06:59.760
HEGARTY: I'm slightly
suspicious of those things.

1058
01:06:59.800 --> 01:07:02.600
Every other ad for a watch
has got a star in it.

1059
01:07:03.760 --> 01:07:06.080
The brand should be the hero.

1060
01:07:06.120 --> 01:07:08.640
Don't go and buy another hero.

1061
01:07:08.680 --> 01:07:11.440
The advertising world
is perhaps skeptical

1062
01:07:11.480 --> 01:07:14.920
of the role of brand ambassadors
and the environment we have

1063
01:07:14.960 --> 01:07:18.160
where culture and commerce
blend together
that much more easily.

1064
01:07:18.200 --> 01:07:22.040
Because what gets
left out of that game
is the idea

1065
01:07:22.080 --> 01:07:27.200
that the thing the brand needs
to do to sell itself
is a 30-second commercial.

1066
01:07:27.240 --> 01:07:30.960
That feels like a fantastically
anachronistic idea right now,

1067
01:07:31.000 --> 01:07:33.160
when in fact you can
cut out the middleman

1068
01:07:33.200 --> 01:07:36.080
and go straight
to the individual
at the heart of this.

1069
01:07:36.960 --> 01:07:38.840
[ELECTRONIC MUSIC PLAYING]

1070
01:07:44.000 --> 01:07:47.520
WILLIAMS: Johnnie Walker
was founded on the principle

1071
01:07:47.560 --> 01:07:52.480
that we'd make whiskey
for everybody.

1072
01:07:52.520 --> 01:07:56.000
And it was true 200 years ago,

1073
01:07:56.040 --> 01:07:59.480
and it remains true today.

1074
01:07:59.520 --> 01:08:03.000
What we have to do,
what we must do

1075
01:08:03.040 --> 01:08:05.880
is keep
Johnnie Walker vibrant,

1076
01:08:05.920 --> 01:08:10.200
so that we're making whiskey
exciting for everybody,

1077
01:08:10.240 --> 01:08:14.480
so that we're creating
the next generation
of whiskey lovers.

1078
01:08:17.640 --> 01:08:18.880
[INAUDIBLE]

1079
01:08:22.200 --> 01:08:24.280
Johnnie Walker, 200 years old.

1080
01:08:24.320 --> 01:08:26.480
Will they be here
in 100 years' time?

1081
01:08:26.520 --> 01:08:31.920
I hope so. They've got
to be distinctive,
be daring, be different.

1082
01:08:31.960 --> 01:08:33.280
Believe in me.

1083
01:08:40.360 --> 01:08:44.880
MOLAVI: Johnnie Walker
has been nimble over
the past 200 years, clearly.

1084
01:08:44.920 --> 01:08:50.200
They're going to have to show
that same nimbleness
over the next 100 years

1085
01:08:50.240 --> 01:08:53.960
in order to remain
an iconic brand,
like they are today.

1086
01:08:56.960 --> 01:08:58.920
They've got their ear
to the ground all the time,

1087
01:08:58.960 --> 01:09:00.840
and they really know
where stuff is happening.

1088
01:09:00.880 --> 01:09:03.000
I think that's probably
something that
they have done really well

1089
01:09:03.040 --> 01:09:04.280
over the decades.

1090
01:09:06.800 --> 01:09:10.160
Staying optimistic
is the way that you can
pull people together,

1091
01:09:10.200 --> 01:09:15.120
and the Johnnie Walker icon
has just become a symbol
of that in many places.

1092
01:09:15.160 --> 01:09:17.880
The strength of the idea
is infinite.

1093
01:09:17.920 --> 01:09:20.480
Keep walking, you know,
takes you everywhere.

1094
01:09:21.800 --> 01:09:25.720
[FULL STAR
BY DAN THE AUTOMATOR]

1095
01:09:27.360 --> 01:09:28.920
HEGARTY: People
need inspiration,

1096
01:09:28.960 --> 01:09:30.840
people need to
believe in something.

1097
01:09:30.880 --> 01:09:32.640
Keep walking.

1098
01:09:32.680 --> 01:09:34.120
Wear a face mask. Mmm.

1099
01:09:38.520 --> 01:09:41.600
WILLIAMS: It's a brand
that has existed
for 200 years.

1100
01:09:41.640 --> 01:09:45.720
There have been so many
global crises that have
been thrown at the world,

1101
01:09:45.760 --> 01:09:49.360
the Spanish Flu,
two world wars,
Prohibition.

1102
01:09:49.400 --> 01:09:54.840
But Johnnie Walker has grown
from strength to strength.

1103
01:09:54.880 --> 01:09:58.920
I believe that together
the global community
will overcome the crisis

1104
01:09:58.960 --> 01:10:01.560
and that we'll all
emerge stronger.

1105
01:10:01.600 --> 01:10:05.680
The human desire
to come together, to connect,

1106
01:10:05.720 --> 01:10:09.080
to socialize,
to share stories,

1107
01:10:09.120 --> 01:10:12.680
to laugh, to cry,
that will always exist.

1108
01:10:16.640 --> 01:10:19.960
CAPPADONNA: Just keep moving,
keep walking that walk.

1109
01:10:20.000 --> 01:10:22.560
Everything
don't got to be perfect.
Know what I mean?

1110
01:10:22.600 --> 01:10:25.760
You just got to do
the best that you can do.

1111
01:10:25.800 --> 01:10:28.800
Gotta keep walking, man,
and it's good for your health.

1112
01:10:28.840 --> 01:10:29.880
[CHUCKLES]

1113
01:10:36.160 --> 01:10:38.680
[FULL STARCONTINUES]





