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Downloaded from
YTS.MX

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Official YIFY movies site:
YTS.MX

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Reese: Picture this if you will....

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It had been three days. And the last drop of water I'd had was to

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wash down the sacred cactus that I received from father crow.

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There I am, riding a burro dick-first into the belly of Death Valley

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when all of a sudden the great snake, Quetzalcoatl, cracked the sky like a son of a-

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Christian: Shut up, shut up, he's turning, he's turning.

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Reese: Yeah, we don't have to talk about it right now.

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We've been following this subject for the past two hours

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He hasn't caught on to us yet. if we could follow him back to his house that

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would be a big deal because as of right now nobody knows where he lives.

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Alright. All clear.

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[mic feedback]

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[Suspenseful music]

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Christian: Shut up for a minute, okay?

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We're here.

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[Excited murmuring]

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Christian: Go go go go!

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Okay! if any of you made a fucking sound I will personally skin your face,

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Turn that skin into leather, and use that leather to sew your lip shut.

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Mike: Woah woah wait. Shouldn't we just knock first?

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Don't be chickenshit, Mike.

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Yeah, Mike.

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Yeah, Mike!

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I'm sorry. That was really inappropriate of me.

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[Kissing sound]

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[Foreboding music]

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[Muffled singing]

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Christian: What the... fuck?

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Where's that coming from?

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Reese: you hear that too?

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[Singing getting louder]

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Out of the way! Out of the way! Mr. Wood!

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Will Wood: What the f***? [Unintelligible] Who the f*** are you? Who are you? What the f***? No, get that the f*** out of my face [Unintelligible]

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[Unintelligible shouting]

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Christian: I just want to ask you a couple -

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[Yelling and splashing]

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No, get that the f*** out of

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What are you doing?

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Christian:For this documentary we're making about you. Will: No no no no no no [bubbles] stop stop stop

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Christian: If you could just come out of the tub for a second I won't take a lot of your time

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[Cry of despair]

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[Shouting over each other]

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Christian: Five minutes of your time!

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Christian: We're making a documentary... [unintelligible] Will: Ow!

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Now it's kicking in!

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[Sirens and horns]

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[Band plays "6-up 5-Oh Copout Pro/Con" by Will Wood]

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I'm Christian Dunning, documentarian. Documentarian and founder of Danger Baby Films.

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I've directed several noteworthy investigative features, including Peanut Boy: A Lifestyle

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Film festival favorite The Lonely Eyes

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And Fuck Dog.

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I've always been fascinated by fringe individuals. Subcultures. The enigmatic personalities who thrive

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within the shadows of society, unhindered by the status quo.

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And in the underbelly of the living, breathing organism that is the state of New Jersey

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One man is setting out to create a world of his own.

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Guiding his cult-like followers into a world outside of what we perceive as real.

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Which begs the question: who is the real Will Wood?

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This is what we know.

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Will: I'm off my medication.

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[Bottle breaking, crowd groaning]

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Interviewer: Love this outfit.

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Will: [gurgling] thank you.

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Maybe the fucking mood stabilizers aren't quite fucking working.

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Will [Voice Over]: I wish you were my daughter, I wish you were my daughter, I wish you were my daughter.

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Interviewer: You're not on acid, are you?

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Will Wood is a notoriously eccentric singer-songwriter with a growing cult following.

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But despite his increasing notoriety, it's almost impossible to find any definitive information about him.

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Different sources give different accounts on even the most basic facts of his life, he's been known to shy away from public appearances,

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And even his fans seem to know almost nothing about him. Who is the real Will Wood?

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He's a rap scallion of the highest order, do not trust this man.

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Damned if I know, damned if I could tell you.

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I don't know how to explain it. It's like just being you and me. Without being, uh, no doubt, by being pushed around by anybody else.

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Lives out in the woods, eating frozen waffles man, I don't know.

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He's out there man, real cat.

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I don't think anybody really knows.

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A mystery, an enigma.

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Exactly.

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Can't put it any other way.

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Which way are we going?

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[Confused mumbling]

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I like your microphone. It's a nice touch.

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I'm excited to find out.

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That's a fancy camera, nice lights.

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Christian: Excuse me, sir?

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Well that's a horrifying question, I have no idea.

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He's the realest.

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He's not real!

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Excuse me sir, excuse me, who is the real Will Wood?

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Will: are you fucking--

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[Shrieks]

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Hello who is the Real Will Wood?

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What?

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Say something, Mike.

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Where am I?

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Just make it up!

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Dude, come on.

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We need one shot. We need one shot!

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Mike! Mike! Mike!

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What we do know is that he's between the ages of 22 and 28, and that he lives in New Jersey, with his most-likely adopted daughter.

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Who may or may not exist.

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And that's about all we know.

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But here at Danger Baby Films, we have a saying.

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You can't spell documentary without cum.

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Nope.

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No seriously, it's right there. D-O-C-U-M...

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The point is; we don't shy away from a challenge.

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It's right there.

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So when my curiosity got the better of me, I set out to answer that question. Who is the real Will--

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I thought I was going to say it.

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[talking over each other] Who is the real--

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[Talking over each other] Who is--

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The real Will Wood?

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I thought I saw a ghost.

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[Will Wood plays "Black Box Warrant"]

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[Music pauses]

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Well he was uh. He was uh. He was, he was carrying the

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skin of a cat that he grew up with and

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then had stuffed to preserve its memory in

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physical form but decided that with the

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skeleton inside the cat and all the stuff stuffing it it was too heavy so he removed the skin from the wireframe

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of the taxidermy thing and slung it around his neck like a scarf. And um.

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He was... [song resumes]

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I settled into a new mind in a flea-bitten tub-ring paradise of a queen size suite

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of a Wyndham Microtel Econolodge Red Roof Inn Knights Inn Super 8 whatever outside Richmond Virginia.

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Curled up with an old Showtime softcore porno and flipped through my phone for a few hours.

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Picked up a bag of swedish fish and a fistful of chocolate-covered cherries and a pack of Marlboro next for three dollars and ninety cents in the bodega by the Waffle House.

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I spun my eyes over the beautiful floral arrangements blooming and tessellating in the stucco on the walls.

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anything I figured to keep my mind off those goose bumps that were rising and squeaking and cracking and

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quacking and threatening anaphylaxis and asphyxiation with every sharp inhale that I took.

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With the threat of Stevens-Johnson syndrome behind my flesh.

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And I watched as my skin crawled upwards to form a flesh noose to hang me from the rafters of that place I had found myself in

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And I watched as my epidermis took on the shape whatever I feared the most in that moment. And I sat there down in that

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flytrap-ashtray contemplating my next move, and weighing out the pros and cons

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of every last rotten pulse.

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It was either Wilmington North Carolina or the nearest hospital.

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Kevin: Little-known fact, we used... I have a really old piano that we used for the recording.

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He broke it, from playing it too hard. And then there was somehow blood on the upper half of the keys from all the sliding.

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So, the blister juice... still haven't cleaned that off.

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I think the first day we had booked he didn't even show up?

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I tried to contact his people, could not get a response. Eventually somehow I got a hold of him.

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Can't remember how that happened but he said

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he was using a different calendar. Like Mayan? I don't understand

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I don't know, we haven't let him back.

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the whole time he was on stilts. so sometimes he would come

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with to the sessions in different characters and one time he was like a

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greaser type character and just acted like an asshole the whole time. He would

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not get out of character, he would kick over garbage cans and not pick it up.

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Uh... I mean there's the infamous clown I mean that needs no explanation.

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what you have to do is become somebody other than what you thought you were in order to become somebody that somebody else could want

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He would nourish himself from this like, plastic bone.

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He brought like all these huge books and he had like four or five of those and he

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would just like have them all set up and he'd flip through them and when he left

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the room and I was able to go in there without him seeing me, without his entourage,

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I like quickly like glanced at them and there was nothing in there it was all blank. And I was just...

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That was weird to me.

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He would watch videos... I think it was YouTube about trains like old-timey train videos. Which is...

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I don't know what that does for him.

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he had like these weird little like gadgets that were like

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alarm clocks and he would hide them all

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around the room and I could never find them and they still go off and I can't find all of them,

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So I think he may have hid some in the walls when we were doing construction and now they're sealed up in there

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it's pretty fucking annoying

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[Muffled beeping sound]

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I majored in Chinese literature at um...

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somebody name a college.

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He had an entourage of people with him and he was cloaked

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so when he went in the room I couldn't even see him.

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I don't know if I've met him yet.

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I don't have an identity, I have an aesthetic.

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He's incredible at basketball. Particularly three points. Nothing but net every time.

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I think he's a...

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tall, but...

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but sad man.

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[The band plays "Red Moon" by Will Wood]

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[Applause]

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We're here at Roxy and Dukes, de facto home base for Will Wood and his cult. If you look through here--

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Vernon: step lively breeders, I have more pressing matters to attend to. Hey Griffin, that doesn't go there. Stage left. Left.

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Christan: He is going to see us though, right?

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Vernon: Well I don't know, William doesn't exactly love doing interviews during his pre-show rituals so you

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have as much time as he's willing to give you.

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Christan: But he will see us?

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Vernon: Well I don't know, I haven't made an appointment in the 90 seconds that you've been here.

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Plus ever since his daughter showed up--

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Okay, okay, so he does have a daughter, then.

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Of course he has a fucking daughter, what kind of a person would lie about have a daughter?

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Uh, this is my daughter, Millicent K. Wood.

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She is a few years old.

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And here she stands before you made of uh... uh... flesh. Um... and bones.

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And other gross...

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the things that inside the body.

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um alright that's enough you can go. Go.

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Seems kind of young?

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He's an old soul. He doesn't want public attention to do to Millie

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what it does so literally every other young girl the public eye.

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Constantly having to maintain parasocial relationships in your most formative years

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isn't exactly the best way to avoid developing a complex where you place

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too much self-worth on your value to others are some kind of commodity--

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Hey Griffin! What the fuck are you doing with that par can? Yeah. I can see you.

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And need constant external validation to function emotionally

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And fill that void with whatever distracts you from its existence.

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As far as William's concerned sticking a camera in his face

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is like offering his daughter cocaine.

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Anyways, he's through here.

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Thank you.

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[Whispers] Yeah, fine.

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But as far as your boss is concerned; you're a fucking coke dealer.

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Hey Griffin, why don't you take five for lunch

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and eat shit?

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Wait, did you say she has cocaine?

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No, Reese.

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Okay.

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Mr. Wood? Christian Dunning, documentarian. I'd like to--

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What is this?

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Traditional Yogic pose. Looks like Kundalini's reawakening exercise.

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[Sniffs cocaine]

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It's fucking weird

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Mike: we're rolling.

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You've been known for defying genre.

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Uh, you've been compared to Tom Waits, Elton John, My Chemical Romance...

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where do you find your influences?

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So uh...it's been half an hour and uh...

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I just saw you break into somebody's house I am not gonna sit here and indulge you

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idea that you're fucking enlightened or whatever.

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[Snapping fingers and slapping]

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I know you can hear me you little shit. I know you can hear me fuckface.

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I can't take this shit. Come on Siddhartha.

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I can't take this shit. Hey shithead.

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I can't take this shit.

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Time to be here now, Ram Dass.

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I won't take this shit!

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Mike where's my klonopin?

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Mike: I, uh...

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Did you not bring my fucking klonopin?

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Mike: I didn't know I was supposed to...

237
00:26:25,640 --> 00:26:27,820
Great. Fucking great model employee Mike.

238
00:26:27,820 --> 00:26:29,440
Mike: You never... paid me...

239
00:26:29,440 --> 00:26:31,120
Reese: you want a bump dude?

240
00:26:31,120 --> 00:26:32,040
Where did you get that?

241
00:26:32,040 --> 00:26:32,860
The coke dealer.

242
00:26:32,860 --> 00:26:34,240
Mike: I don't think you should be--

243
00:26:34,360 --> 00:26:35,320
Hey, shut the fuck up, Mike.

244
00:26:35,320 --> 00:26:36,420
Yeah, Mike!

245
00:26:36,420 --> 00:26:38,220
You too you fucking goblin!

246
00:26:38,220 --> 00:26:40,380
everyone of you is a fucking goblin you

247
00:26:40,400 --> 00:26:42,480
know that? Just...just...this is the problem

248
00:26:42,540 --> 00:26:45,440
no one here is willing to do anything more than the bare fucking minimum.

249
00:26:45,580 --> 00:26:49,940
Just passing off responsibility to everybody but themselves like...

250
00:26:50,180 --> 00:26:51,820
Like a fucking goblin!

251
00:26:52,520 --> 00:26:55,800
You're a goblin, you're all fucking goblins!

252
00:26:55,800 --> 00:26:58,620
I'm surrounded by goblins!

253
00:26:59,340 --> 00:27:01,340
[Microphone feedback]

254
00:27:05,760 --> 00:27:08,900
Okay. Okay.

255
00:27:10,520 --> 00:27:11,980
[Shouting]

256
00:27:11,980 --> 00:27:13,980
[Plate shattering]

257
00:27:17,960 --> 00:27:20,440
Yeah if you could just get here as soon as possible.

258
00:27:20,520 --> 00:27:24,180
I think he's concussed. There's a lot of blood.

259
00:27:24,340 --> 00:27:27,640
All right. Yeah. Please hurry. Thanks so much.

260
00:27:29,700 --> 00:27:32,440
Pizza will be here in 15.

261
00:27:32,440 --> 00:27:37,400
[The band plays "White Knuckle Jerk" by Will Wood]

262
00:31:58,940 --> 00:32:01,180
[Applause] Do you still like me? I'm feeling very vulnerable.

263
00:32:02,120 --> 00:32:03,680
[Applause]

264
00:32:08,340 --> 00:32:09,940
Audience member: Fuck!

265
00:32:11,900 --> 00:32:15,040
I no longer feel safe.

266
00:32:15,780 --> 00:32:18,640
Will can handle hecklers with the best of them

267
00:32:18,640 --> 00:32:24,400
[Booing] Will: Fuck you that fucking sucks dude! That was all bad notes!

268
00:32:24,400 --> 00:32:28,020
[Audience chanting] No talent! No talent! No talent!

269
00:32:28,260 --> 00:32:30,400
He is just calm and cool.

270
00:32:30,780 --> 00:32:33,460
I would rather be drawn and quartered by neo-nazis riding the backs of

271
00:32:33,460 --> 00:32:37,420
wildebeests then listen to another unholy marriage of consonant and vowel

272
00:32:37,420 --> 00:32:39,380
coming out of that foul hole you call mouth.

273
00:32:39,960 --> 00:32:42,760
He never loses the levity.

274
00:32:43,000 --> 00:32:46,460
That's the fucking dumbest thing I ever heard. You gotta shut the fuck up who the hell are you?

275
00:32:46,460 --> 00:32:47,640
Whatever I already have your money.

276
00:32:47,760 --> 00:32:52,620
When he's saying something on stage he really likes when the fans yell really loud.

277
00:32:52,620 --> 00:32:58,260
yeah that is the best contribution I've heard all night!

278
00:32:58,460 --> 00:33:01,560
Because um... it's an interruption of the

279
00:33:01,560 --> 00:33:04,560
thing that he worked so hard to produce

280
00:33:04,560 --> 00:33:07,200
Thank you so much. You taught me something.

281
00:33:07,360 --> 00:33:12,060
So he really enjoys the feeling of that sort of being snatched from his clutches.

282
00:33:13,200 --> 00:33:15,200
[Microphone feedback]

283
00:33:17,180 --> 00:33:22,200
Will put into place and name-your-own-price policy for merchandise.

284
00:33:26,360 --> 00:33:28,640
It was a short trial run.

285
00:33:38,700 --> 00:33:41,920
[Laughing hysterically]

286
00:33:41,920 --> 00:33:43,180
[Weeping softly]

287
00:33:43,280 --> 00:33:46,400
My balls are wet so. That usually means my work is done.

288
00:33:46,680 --> 00:33:48,860
[???]

289
00:33:49,460 --> 00:33:51,280
Will Wood is a f***ing lunatic.

290
00:33:52,720 --> 00:33:55,100
For those of you just tuning in yes those are teeth.

291
00:33:55,220 --> 00:33:56,580
Mike: Let's see 'em, how many did you get?

292
00:33:56,580 --> 00:33:58,080
Fan: He just has real teeth.

293
00:33:58,180 --> 00:33:59,240
Will is kind of strange.

294
00:33:59,300 --> 00:34:00,560
I have a few in my pocket.

295
00:34:00,700 --> 00:34:02,080
Wow! You got a lot!

296
00:34:02,720 --> 00:34:04,380
You definitely got more.

297
00:34:04,420 --> 00:34:05,800
Come here.

298
00:34:09,060 --> 00:34:11,400
Oh, where do I get the teeth? The internet. China.

299
00:34:11,500 --> 00:34:13,780
Welcome to the show, how you been, what's your name?

300
00:34:14,800 --> 00:34:16,480
Here I go, crowdsurfing.

301
00:34:16,740 --> 00:34:18,600
Let's open up this fucking pit.

302
00:34:19,640 --> 00:34:24,300
[The band plays "Front Street" by Will Wood]

303
00:34:31,180 --> 00:34:33,000
If you're not your worst behavior...

304
00:34:33,180 --> 00:34:34,300
Get the fuck out.

305
00:39:24,980 --> 00:39:28,600
Alright! Thanks to our tenacity,

306
00:39:28,840 --> 00:39:34,800
perseverance, and general strength of spirit we have moved forward!

307
00:39:34,800 --> 00:39:40,740
Undaunted by misfortune! we've secured another interview with Mr. Wood despite all the apparent

308
00:39:40,860 --> 00:39:45,760
challenges. Just took a little bit of persuasive language.

309
00:39:49,160 --> 00:39:51,420
You know, Reese can be difficult sometimes.

310
00:39:52,240 --> 00:39:53,460
[Yelling]

311
00:39:53,840 --> 00:39:54,920
No!

312
00:39:55,200 --> 00:39:56,840
Did I put it on the grill?

313
00:39:57,160 --> 00:39:57,940
[Screaming]

314
00:39:57,940 --> 00:39:58,900
[???]

315
00:40:00,900 --> 00:40:07,440
He's a habitual user of barbiturates, hard stimulants, hallucinogens, and weed

316
00:40:07,840 --> 00:40:15,600
and he always breaks at least $100 worth of equipment per shoot but god damn it if Reese Van Krueger isn't the finest line producer I've ever met.

317
00:40:15,600 --> 00:40:18,180
Yes, good afternoon, this is Detective R.L. Stine

318
00:40:18,220 --> 00:40:22,060
with the Endicott Sheriff's Department. We have reason to believe that there may

319
00:40:22,060 --> 00:40:25,920
be a suspect in a high-level drug trafficking case currently at your

320
00:40:25,920 --> 00:40:32,380
facility. Has anyone checked in the last 24 hours with the name Will Wood?

321
00:40:34,000 --> 00:40:34,860
Okay.

322
00:40:35,440 --> 00:40:40,340
I'm gonna need a room number for the individual right away. Okay.

323
00:40:40,340 --> 00:40:46,220
dispatch is setting over units right now please stay where you are. Okay?

324
00:40:46,860 --> 00:40:49,480
Alright yes. Thank you.

325
00:40:50,440 --> 00:40:52,100
I'm very drunk, goodbye.

326
00:40:52,840 --> 00:40:58,520
[Action Music]

327
00:41:03,820 --> 00:41:05,800
[Latin Music]

328
00:41:05,800 --> 00:41:06,700
Hi. Hello.

329
00:41:06,700 --> 00:41:08,320
Stranger: Movie movie movie?

330
00:41:08,320 --> 00:41:09,480
Reese: Yeah.

331
00:41:13,300 --> 00:41:20,600
Holy shit, it's open. Okay. Mike don't fuck this up for me again, okay? Do you understand?

332
00:41:21,120 --> 00:41:26,340
I will fuck your dad.

333
00:41:28,180 --> 00:41:32,120
Will: Beautiful fucking tits, I'm Johnny Depp god damnit, just watch me d-- oh.

334
00:41:44,440 --> 00:41:47,540
[Mid-Eastern Music]

335
00:41:50,110 --> 00:41:55,310
[Foreign Language Voices]

336
00:42:03,700 --> 00:42:06,880
[Whirring noises]

337
00:42:15,260 --> 00:42:17,240
[Rumbling]

338
00:42:23,620 --> 00:42:25,900
[Loud cacaphony]

339
00:42:32,320 --> 00:42:33,200
[Explosion]

340
00:42:34,260 --> 00:42:35,020
[Gasps]

341
00:42:40,460 --> 00:42:42,940
[Grunting and howling noises]

342
00:42:44,240 --> 00:42:46,760
[Man barking]

343
00:42:47,680 --> 00:42:48,860
[Growling]

344
00:42:49,680 --> 00:42:52,400
[Love, Me Normally by Will Wood plays in slow motion]

345
00:42:52,620 --> 00:42:55,140
[Applause]

346
00:43:06,900 --> 00:43:08,560
[Rumbling]

347
00:43:30,300 --> 00:43:31,340
Will: Ahh.

348
00:43:31,840 --> 00:43:41,360
So it ends as it begins. I I know things haven't been perfect.

349
00:43:41,380 --> 00:43:53,740
Let's face it it's been weird. if anything I blame myself. For not keeping my spirit my mind present. So...

350
00:43:53,740 --> 00:43:57,080
I'm an open book. Go ahead.

351
00:43:57,080 --> 00:44:03,360
Ask me anything. Whatever you'd like to know. I'm all yours.

352
00:44:03,820 --> 00:44:05,720
Okay!

353
00:44:06,140 --> 00:44:07,980
Okay, good! Um...

354
00:44:13,680 --> 00:44:15,520
Will: What's up dude?

355
00:44:16,140 --> 00:44:18,020
Uh uhh I don't know know, I...

356
00:44:19,960 --> 00:44:22,820
[Alien noises and machinery] D-do you...

357
00:44:22,820 --> 00:44:24,700
Yeah?

358
00:44:25,420 --> 00:44:30,960
[Noises grow louder]

359
00:44:32,420 --> 00:44:34,500
[Audience boos]

360
00:44:35,920 --> 00:44:40,520
[Saxophone solo]

361
00:44:40,840 --> 00:44:42,260
[Children booing]

362
00:44:42,600 --> 00:44:43,500
Horseshit!

363
00:44:43,500 --> 00:44:44,280
[Party Horn]

364
00:44:44,280 --> 00:44:45,340
[SAXOPOOHONE SOILO]

365
00:44:54,040 --> 00:44:54,940
[Screech]

366
00:44:58,560 --> 00:44:59,800
[Screech]

367
00:45:16,360 --> 00:45:21,320
[The band plays "2012" by Will Wood]

368
00:49:08,840 --> 00:49:11,420
[Gasps]

369
00:49:12,340 --> 00:49:15,060
[Panting]

370
00:49:24,740 --> 00:49:28,740
B-b-buh buh-boxers or briefs?

371
00:49:29,020 --> 00:49:31,420
[Smack] What the fuck was that?

372
00:49:31,440 --> 00:49:34,440
I don't know! I just looked into that fucking eye on his forehead and all I can think about was

373
00:49:34,440 --> 00:49:36,080
like, face paint and saxophones.

374
00:49:38,080 --> 00:49:41,000
Um... have you... you ever kiss a girl?

375
00:49:41,000 --> 00:49:43,060
I've never fucking choked like that.

376
00:49:43,120 --> 00:49:44,880
I'm a fucking journalist goddamn it!

377
00:49:44,880 --> 00:49:47,360
Five and a half inches, average girth.

378
00:49:48,620 --> 00:49:50,780
uh what's what's average?

379
00:49:50,920 --> 00:49:54,839
He's psychic I know that sounds insane but it's like

380
00:49:54,839 --> 00:49:58,019
one second I am ready to expose the truth about this person and the next I'm

381
00:49:58,020 --> 00:50:00,060
a fucking mindless child!

382
00:50:07,080 --> 00:50:08,840
You know I'm not--

383
00:50:09,400 --> 00:50:11,620
I just I just want to make something that people give a shit

384
00:50:11,620 --> 00:50:22,520
about you know like... I just like... like my... I feel like I have so much to say and

385
00:50:22,520 --> 00:50:26,700
[Stammering incoherently]

386
00:50:27,220 --> 00:50:30,180
[Reese blowing his nose] Oh, sorry.

387
00:50:30,860 --> 00:50:34,500
This isn't over! This isn't over you hear me you fucking

388
00:50:34,620 --> 00:50:40,100
snake? I'm coming for you. I'm going to find out exactly who the real Will Wood is.

389
00:50:40,840 --> 00:50:42,480
Reese: Who?

390
00:50:46,380 --> 00:50:50,780
Why do you think you slapped me?

391
00:50:58,040 --> 00:50:59,460
[Door slams]

392
00:51:00,540 --> 00:51:08,560
[Music] [Applause]

393
00:51:20,920 --> 00:51:24,360
[The band plays "Hand Me My [X] I'm [Y]! by Will Wood]

394
00:57:53,400 --> 00:57:55,560
Mike: are you sure you want us filming this?

395
00:57:55,560 --> 00:57:58,800
[Screaming]

396
00:57:59,200 --> 00:58:04,940
[Applause]

397
00:58:11,560 --> 00:58:15,120
Ladies and gentlmen, boys, girls, neithers, boths and in-betweens --

398
00:58:15,120 --> 00:58:18,520
Christian: Hey! Hey! Hey! Hey bitch!

399
00:58:18,520 --> 00:58:20,700
[Audience members shouting]

400
00:58:20,700 --> 00:58:23,140
Christian: Don't think I don't know you.

401
00:58:23,140 --> 00:58:31,540
Don't think I don't know you, okay? Okay, you're a fucking snake! You're a snake!

402
00:58:31,880 --> 00:58:37,920
Oh look! I'm Will Wood! I'm gonna do a bunch of random shit and nobody's gonna get it, no one's gonna know what's going on.

403
00:58:38,040 --> 00:58:43,120
Oh, I guess that makes it art! [Sings a Will Wood song] Fuck you!

404
00:58:43,120 --> 00:58:46,160
[Audience jeers]

405
00:58:47,600 --> 00:58:51,400
Fuckin... what do you, what do you think you are? okay I've been doing, do-- don't you touch me!

406
00:58:51,440 --> 00:58:56,900
Don't you fuck-- you're a fucking nobody! You're a fucking you... you know your place!

407
00:58:56,980 --> 00:59:02,120
I have been doing this all by the book, okay? I have done everything the

408
00:59:02,120 --> 00:59:07,380
way I'm supposed to do it and you're just fucking - who is who is the real

409
00:59:07,380 --> 00:59:12,060
Will Wood, huh? Who are you? Who are you?

410
00:59:15,280 --> 00:59:19,060
Who the fuck are you? [Applause]

411
00:59:19,060 --> 00:59:28,580
[SELF-iSH by Will Wood plays] [Applause]

412
00:59:28,700 --> 00:59:30,380
Boo this motherfucker!

413
00:59:30,380 --> 00:59:32,340
[Audience boos]

414
00:59:32,500 --> 00:59:38,859
Get the fuck offstage! Get this motherfucker off the stage! Come on, get the fuck off of here!

415
00:59:38,860 --> 00:59:43,160
Jesus Christ. We tend to attract a certain type.

416
00:59:43,740 --> 00:59:46,760
[Audience chanting] Fuck that guy! Fuck that guy! Fuck that guy!

417
00:59:46,920 --> 00:59:51,300
Thank you for your patience. Thank you everybody. I don't know what that was

418
00:59:59,320 --> 01:00:06,320
[The band plays "Wasting Away Again in Bupropionville (a.k.a. Jimmy Mushroom's Last Drink)" by Will Wood]

419
01:02:36,480 --> 01:02:39,180
[Phone rings]

420
01:02:44,780 --> 01:02:47,860
Christian Dunning, documentarian...

421
01:02:48,560 --> 01:02:51,040
[Audience booing]

422
01:02:51,200 --> 01:02:54,960
Will: Get the fuck offstage! Get this motherfucker off stage! Come on! Get the fuck off of here!

423
01:02:54,960 --> 01:02:57,340
[Audience shouting and booing]

424
01:02:57,540 --> 01:02:58,880
Jesus Christ.

425
01:02:59,880 --> 01:03:01,560
Audience: fuck that guy!

426
01:03:01,560 --> 01:03:04,200
Will: We tend to attract a certain type.

427
01:03:04,340 --> 01:03:05,700
Thank you for your pa--

428
01:03:11,640 --> 01:03:17,540
So... do we keep this?

429
01:03:18,460 --> 01:03:20,280
We're done.

430
01:03:20,380 --> 01:03:21,760
Mike: What?

431
01:03:22,900 --> 01:03:25,340
We're done. I'm done.

432
01:03:26,900 --> 01:03:30,180
Turn the camera off. I'm done.

433
01:03:38,740 --> 01:03:42,400
So do we keep going?

434
01:03:53,940 --> 01:03:54,820
Hey!

435
01:03:54,820 --> 01:03:55,540
Fan: Hi?

436
01:03:55,540 --> 01:03:57,040
Reese: Who's the real Will Wood?

437
01:03:57,040 --> 01:03:57,900
Fan: What?

438
01:03:57,900 --> 01:03:58,900
Oh who the f*** knows?

439
01:03:58,900 --> 01:04:00,440
Who's the real Will Wood, bitch?

440
01:04:00,540 --> 01:04:04,200
You have no f*cking idea, huh? Are you blind, is that why you're wearing that?

441
01:04:04,280 --> 01:04:05,520
What's your name?

442
01:04:06,020 --> 01:04:07,700
Yeah, it doesn't matter.

443
01:04:08,020 --> 01:04:10,620
Who's the real Will Wood? Mike Bottiglieri: No more questions I don't want any questions.

444
01:04:10,800 --> 01:04:15,100
Want to dump this loser and go on home tonight? What's your name again?

445
01:04:15,100 --> 01:04:16,320
Gabby.

446
01:04:16,320 --> 01:04:19,160
Abby! That's a nice name, that's my sister's name.

447
01:04:19,160 --> 01:04:28,240
He's an idea formed from the mind of God that just fell down to earth, rolled around in the mud, and is here tonight.

448
01:04:28,980 --> 01:04:32,320
[Holy music]

449
01:04:33,280 --> 01:04:34,080
No.

450
01:04:36,420 --> 01:04:37,460
[Unholy music]

451
01:04:39,080 --> 01:04:40,280
Who's the real Will Wood?

452
01:04:40,360 --> 01:04:41,360
I am.

453
01:04:41,480 --> 01:04:42,860
I'm the real Will Wood.

454
01:04:43,040 --> 01:04:44,880
I'm real Will Wood.

455
01:04:45,400 --> 01:04:46,480
[Nervous laughter]

456
01:04:49,380 --> 01:04:50,320
[Mocking laughter]

457
01:04:51,960 --> 01:04:54,000
Why are you doing this?

458
01:04:54,160 --> 01:04:56,200
Who's the real Will Wood? Jon: I'm very nervous right now.

459
01:04:56,200 --> 01:04:57,540
You don't know?

460
01:04:57,640 --> 01:04:59,060
My boyfriend's drug dealer.

461
01:04:59,260 --> 01:05:00,520
Someone I look up to very much.

462
01:05:00,720 --> 01:05:02,800
Lot of power in that handshake.

463
01:05:02,800 --> 01:05:05,000
Who is the real Will Wood? Mike Bottiglieri: You already asked me this, man.

464
01:05:05,000 --> 01:05:06,180
I don't know.

465
01:05:06,180 --> 01:05:06,960
That guy sucks.

466
01:05:07,020 --> 01:05:07,880
Who f*cking knows?

467
01:05:07,880 --> 01:05:09,100
The jersey devil.

468
01:05:09,100 --> 01:05:11,020
He is the reincarnation of our Lord and Savior.

469
01:05:11,400 --> 01:05:15,160
Uh... Jewish man, mid 20's... that's all I know!

470
01:05:15,860 --> 01:05:17,480
[Hava Nagila Plays]

471
01:05:17,480 --> 01:05:19,780
Do you ejaculate into a sandwich?

472
01:05:19,940 --> 01:05:22,140
That guys the pits man, I tell ya.

473
01:05:22,280 --> 01:05:25,360
but you know Wood plus Will, worms plus tape.

474
01:05:25,480 --> 01:05:27,600
What does real Wood-- what's his name?

475
01:05:27,600 --> 01:05:30,060
Half of my vocaublary is gone.

476
01:05:30,180 --> 01:05:34,180
An unfortunate continuance of a discombobulated creation.

477
01:05:34,920 --> 01:05:36,460
I don't know, I'm going to find out tonight though.

478
01:05:36,520 --> 01:05:37,880
Can I get a kiss?

479
01:05:37,900 --> 01:05:39,080
Absolutely not.

480
01:05:42,500 --> 01:05:44,040
Uh, I don't think it matters.

481
01:05:44,040 --> 01:05:45,180
No idea!

482
01:05:46,840 --> 01:05:51,720
Actually just an astral projection right now, but he's actually sitting at home among 27 different types of insence.

483
01:05:52,180 --> 01:05:53,460
Incest!

484
01:05:53,460 --> 01:05:55,460
Hey who's the real--

485
01:05:56,020 --> 01:05:56,960
Okay.

486
01:05:57,180 --> 01:06:02,880
You can tell me anything, I'm on acid and I've been smoking weed and I'm drunk as f*** right now.

487
01:06:05,900 --> 01:06:07,360
I'm a birdbath.

488
01:06:08,480 --> 01:06:22,460
[Reese singing with The Tapeworms]

489
01:07:05,520 --> 01:07:10,220
[The band plays "Mr. Capgras" by Will Wood]

490
01:10:30,880 --> 01:10:37,460
[Applause]

491
01:10:39,060 --> 01:10:41,000
[TV Static]

492
01:10:45,360 --> 01:10:51,640
Hi, I'm Will Collins. The actor who plays Will Wood on stage and in this movie

493
01:10:51,640 --> 01:10:54,780
that you're watching. Obviously. My face has been all over it, I don't know why I

494
01:10:54,780 --> 01:10:57,920
bothered saying that. I'm Will Collins. Thing about the name Will Wood I didn't

495
01:10:57,920 --> 01:11:01,300
just pick it because it had like good stage name cadence or because like it's

496
01:11:01,400 --> 01:11:05,820
got that alliteration. The real reason I picked it is because it really, to me

497
01:11:05,820 --> 01:11:10,650
felt like a little bit of a play off the idea of "Will Wood would or Will Wood

498
01:11:10,650 --> 01:11:15,360
wouldn't Will would or Will wouldn't or what will Will Wood do what wouldn't he

499
01:11:15,360 --> 01:11:19,230
do, you know. Sort of like an assertion like "I will not do what you expect me to

500
01:11:19,230 --> 01:11:23,660
do, I'm not going to be who you think I should be. Cuz I do think that everybody

501
01:11:23,660 --> 01:11:27,480
has somewhat of a right to perceive how they're... or to control how they're perceived.

502
01:11:27,640 --> 01:11:30,179
Everybody's identity kind of becomes public domain when, when

503
01:11:30,179 --> 01:11:33,630
it's out there but at the end of the day, I have a right. And right now that's

504
01:11:33,630 --> 01:11:41,280
being taken from me. These people. These malicious scumbags are doing whatever

505
01:11:41,280 --> 01:11:44,760
they want. I don't approve of this film. I don't condone this film I don't like

506
01:11:44,760 --> 01:11:49,770
this film. I don't consent to this film. The way I'm being portrayed in this

507
01:11:49,770 --> 01:11:54,360
makes me look completely ridiculous and completely absurd and is not at all

508
01:11:54,360 --> 01:11:57,330
reflective of who I am as a person, or who I want to be as an artist. But the

509
01:11:57,330 --> 01:12:00,179
thing is apparently they can just do that they can make me look like a

510
01:12:00,179 --> 01:12:04,890
criminal at best or a... fucking malevolent trickster god, cuz apparently there's

511
01:12:04,890 --> 01:12:09,480
some section of parody law in entertainment law like parody law

512
01:12:09,480 --> 01:12:13,860
protects them. As long as they claim that it's a mockumentary as long as they say

513
01:12:13,860 --> 01:12:17,880
"Hey we're just joking" apparently they can do whatever they want. And I have no

514
01:12:17,880 --> 01:12:20,040
legal recourse, I have no personal recourse

515
01:12:20,040 --> 01:12:24,090
I'm completely... this is out of my hands and so I'm what I'm saying is; this is

516
01:12:24,090 --> 01:12:29,370
all I can do: is say to you people if you're watching this, please for the love

517
01:12:29,370 --> 01:12:34,000
of God turn it off. Please. If--

518
01:12:35,280 --> 01:12:37,900
Good evening. I'm William Casparian.

519
01:12:38,040 --> 01:12:40,860
Multimedia pop artist and actor portraying "Will Collins" in the film you

520
01:12:40,860 --> 01:12:43,720
are currently watching. Addressing the audience directly

521
01:12:43,720 --> 01:12:46,990
in the context of dramatic production as I'm doing now by speaking to the camera

522
01:12:46,990 --> 01:12:49,480
is referred to as breaking the fourth wall.

523
01:12:49,480 --> 01:12:53,770
This practice gets its namesake from its roots in live theatre, where the action

524
01:12:53,770 --> 01:12:56,680
in a play is performed as though there is an imaginary wall separating the

525
01:12:56,680 --> 01:12:58,750
audience for the events unfolding before them.

526
01:12:58,750 --> 01:13:02,830
This fourth wall is usually assumed in the suspension of disbelief, and when it's

527
01:13:02,830 --> 01:13:06,700
denied and the convention is subverted, it's usually used to provide a humorous

528
01:13:06,700 --> 01:13:10,380
interjection to the story they're watching, or to give a closer look inside the

529
01:13:10,380 --> 01:13:12,980
minds of the characters. Most notably in the ---

530
01:13:13,100 --> 01:13:17,740
I'm William Cardigan. Writer, actor, performer, and most notably creator of the "Will Collins," "Will Wood,"

531
01:13:17,740 --> 01:13:21,580
and "William Casparian" characters. What I'm doing right now is using

532
01:13:21,580 --> 01:13:25,240
a fourth wall breakage to inform the audience of the fourth wall's existence.

533
01:13:25,640 --> 01:13:33,800
My intention with this is to provide a provocative subversion of what has at this point become nothing more than pseudo-intellectual fodder and essentially a trope used to

534
01:13:33,800 --> 01:13:36,180
to parade about the auteur's presumed creativity and intellect like a

535
01:13:36,180 --> 01:13:38,320
pair of big, swinging testicles.

536
01:13:38,320 --> 01:13:43,140
I'm Willard Cabernacle. Hi. Just so we're clear the quality of art isn't somehow miraculously improved when it

537
01:13:43,150 --> 01:13:47,980
acknowledges its own flaws. Okay? Alright? Okay? Cool. Okay. So just pointing out your

538
01:13:47,980 --> 01:13:51,310
own flaws and being aware of them doesn't somehow erase them -- if anything

539
01:13:51,310 --> 01:13:56,620
it only proves a lack of confidence of the part of the artist. If an artist makes a poor artistic decision and does so with conviction

540
01:13:56,700 --> 01:13:59,640
sure the efficacy of his testicles may be called question. But their size, their weight,

541
01:13:59,640 --> 01:14:07,460
their momentum, will not. Okay? Thank you. You learned.

542
01:14:07,460 --> 01:14:13,060
Alright so let's say random example, okay? Random fucking example. You try to write a bad movie on purpose.

543
01:14:13,060 --> 01:14:17,240
Guess what dude? All you did at the end of the day is just make another shitty fucking movie.

544
01:14:17,240 --> 01:14:20,400
like wow okay all you're saying is "fuck you dude, I meant to waste your god damn time"

545
01:14:20,440 --> 01:14:23,800
Fuck you, man. Wow congratulations! You're a goddamn genius with self-referential

546
01:14:23,800 --> 01:14:27,600
shit. Well you know what, man? Fuck you you're not that original, alright? Miss me with that gay shit.

547
01:14:27,760 --> 01:14:31,360
I'm Wes Craven, pansexual. In Joseph Campbell's "Hero with a Thousand

548
01:14:31,360 --> 01:14:35,470
Faces," Campbell posits that all stories are, at their core, the same. I bring this

549
01:14:35,470 --> 01:14:39,740
up to say that originality itself is an outdated concept. There are no new ideas

550
01:14:39,840 --> 01:14:44,240
knowing this we can either abandon art entirely or acknowledge its future lies in self-reference.

551
01:14:44,560 --> 01:14:48,000
Salutations ladies and gentlemen, I'm Wax Cassidy, owner,

552
01:14:48,010 --> 01:14:51,760
proprietor, and CEO of Will Wood and the Tapeworms limited incorporated LLC, and if you want

553
01:14:51,760 --> 01:14:54,880
me to be able to continue to make art, then go ahead and fish that [slurs words]

554
01:14:54,880 --> 01:14:57,969
checkbook out of your daddy's bottom drawer and send it to blank to

555
01:14:57,969 --> 01:15:02,640
Will Wood and the Tapeworms dot bigcartel dot com! That's right, and if you're a real fan and not some parasitic fucking layabout,

556
01:15:02,640 --> 01:15:07,080
Then what you'll do is purchase one of our fine products from our line of Will Wood and the Tapeworms merchandise.

557
01:15:07,200 --> 01:15:13,620
We've got hats, we've got T-Shirts, we got CD's, we got laptop cases, we got those little buttons you can put on the back of your iphone so you look like an asshole when you take a selfie.

558
01:15:13,620 --> 01:15:17,000
That is right folks, and maybe, just maybe if you spend enough money...

559
01:15:17,000 --> 01:15:17,920
maybe if you spend enough money

560
01:15:18,060 --> 01:15:20,560
Next time one of you greasy little rat-fucks comes up to me at a concert

561
01:15:20,560 --> 01:15:22,700
I won't have to pretend to remember your fucking face.

562
01:15:22,700 --> 01:15:26,180
Art is dead and its blood runs cold over the capitalist's knife!

563
01:15:26,500 --> 01:15:29,840
Yeehaw! Art is capitalism, grow the fuck up!

564
01:15:30,220 --> 01:15:31,760
[Gunfire]

565
01:15:32,620 --> 01:15:34,300
[Calliope music]

566
01:15:34,440 --> 01:15:43,200
Uhhh greetings and salutations, ladies and gentlemen, boys, girls, neithers, boths, and in-betweens. I'm Will Wood, imaginary person.

567
01:15:43,480 --> 01:15:47,800
We are now trapped within a recursive loop of perpetual self-reference, thus

568
01:15:47,840 --> 01:15:50,620
proving post-modernism is fucking stupid.

569
01:15:50,680 --> 01:15:52,540
[Voices shouting over each other]

570
01:15:52,540 --> 01:15:54,340
[Utter chaos]

571
01:15:56,500 --> 01:15:58,960
[Saxophone solo]

572
01:15:59,560 --> 01:16:00,920
Will Wood: I don't get it.

573
01:16:00,920 --> 01:16:03,060
[Party Horn, Explosion, Screaming, ???]

574
01:16:03,780 --> 01:16:05,800
Hey, I'm Quetzalcoatl.

575
01:16:05,960 --> 01:16:07,620
immigration! [Blows raspberry]

576
01:16:08,180 --> 01:16:09,660
Give me your hearts!

577
01:16:10,740 --> 01:16:12,280
Wait, what was that first line again?

578
01:16:14,580 --> 01:16:16,540
Eh?

579
01:16:17,740 --> 01:16:18,340
Eh!

580
01:16:19,000 --> 01:16:19,960
Eh?

581
01:16:20,720 --> 01:16:21,580
Ehh...

582
01:16:21,860 --> 01:16:24,860
Ehhh?

583
01:16:25,200 --> 01:16:26,880
Ayyyy!

584
01:16:27,240 --> 01:16:28,360
Oh! Oh!

585
01:16:28,360 --> 01:16:29,660
Ooh! Ooh!

586
01:16:30,040 --> 01:16:33,440
Oooooooh!

587
01:16:33,440 --> 01:16:38,940
Oh! Ah! Woah! [Laughing hysterically] Yeah!

588
01:16:39,220 --> 01:16:42,580
Hmm. Hmm. Hmm. Mhm.

589
01:16:42,840 --> 01:16:43,860
Eh.

590
01:16:43,940 --> 01:16:44,440
Eh!

591
01:16:44,480 --> 01:16:44,980
Eh?

592
01:16:45,240 --> 01:16:45,740
Eh!

593
01:16:45,880 --> 01:16:46,380
Eh??

594
01:16:46,760 --> 01:16:47,260
Eh?!

595
01:16:48,280 --> 01:16:57,940
Ehhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh

596
01:16:59,900 --> 01:17:00,960
Scene.

597
01:17:01,540 --> 01:17:06,300
[Music]

598
01:18:04,940 --> 01:18:09,200
[The band plays "Chemical Overreaction/Compound Fracture" by Will Wood]

599
01:20:04,480 --> 01:20:11,400
When we drop this shit, I wanna see you at each others' throats man, make some fuckin' noise. 1 2 3

600
01:20:11,520 --> 01:20:14,600
[Applause]

601
01:21:42,240 --> 01:21:47,620
[Will plays "Skeleton Appreciation Day in Vestal, NY]

602
01:23:40,480 --> 01:23:45,300
[The band plays "Skeleton Appreciation Day in Vestal, NY" by Will Wood]

603
01:25:56,280 --> 01:26:02,840
[Applause]

604
01:26:19,140 --> 01:26:23,760
[Will plays "-iSH"]

605
01:28:06,400 --> 01:28:11,600
[Applause]

606
01:28:54,340 --> 01:28:57,580
Howdy!

607
01:28:58,220 --> 01:29:04,460
I'm Christian Dunning and uh I'm a tree farmer

608
01:29:06,100 --> 01:29:08,700
[Inspiring music]

609
01:29:09,240 --> 01:29:12,820
Well you know, it's the Christmas season. Gets pretty busy around here this time

610
01:29:12,820 --> 01:29:17,380
of year. It's a good time to make a little bit of extra cash. Keep busy. it's

611
01:29:17,480 --> 01:29:21,880
It's pretty peaceful the rest of the year but, you know, it can surprise you sometimes

612
01:29:22,540 --> 01:29:26,860
besides there's something kind of magical about knowing that these kids are gonna be

613
01:29:26,860 --> 01:29:33,100
opening up their gift from Santa under one of my trees. You know?

614
01:29:33,160 --> 01:29:37,480
Now Blue Spruce has a good look to it but it's hardly your classic Christmas tree.

615
01:29:37,480 --> 01:29:42,340
Needles are gonna be a little bit prickly on this one. Eastern hemlock: it's uh, it's gonna be a

616
01:29:42,350 --> 01:29:46,190
bit sparse. Not a lot of room for ornaments but it's a sturdy tree.

617
01:29:46,190 --> 01:29:49,460
Take a look at those cones. Hearty lookin' cones aren't they?

618
01:29:49,460 --> 01:29:52,920
[Mispronounced] Tsuga Canadensis.

619
01:29:53,420 --> 01:29:55,140
Now you want to make sure not to cut these down too

620
01:29:55,140 --> 01:29:58,520
early or else you're gonna lose your needles. A good trick is ya, just take a little

621
01:29:58,520 --> 01:30:00,520
bit off here, you know? Rub them together...

622
01:30:00,520 --> 01:30:02,280
[Inhales deeply]

623
01:30:02,280 --> 01:30:05,360
Yeah. Smells like Christmas.

624
01:30:05,440 --> 01:30:08,900
How you know you got the right one.

625
01:30:16,920 --> 01:30:26,400
You know, you just think, I uh... I wouldn't have found any of this peace if uh... Mike hadn't

626
01:30:27,080 --> 01:30:30,180
single-handedly ruined by film career.

627
01:30:33,140 --> 01:30:34,680
Who wants cocoa?



