WEBVTT FILE
1
00:00:01.634 --> 00:00:04.571
COMING TO YOU LIVE FROM
SIX ICONIC STAGES
2
00:00:02.000 --> 00:00:07.000
Downloaded from
YTS.MX
3
00:00:04.637 --> 00:00:08.641
ACROSS NASHVILLE INCLUDING THE
GRAND OLE OPRY, RYMAN AUDITORIUM
4
00:00:08.000 --> 00:00:13.000
Official YIFY movies site:
YTS.MX
5
00:00:08.708 --> 00:00:14.981
AND BLUEBIRD CAFE, CBS PRESENTS
THE 56th ACM AWARDS WITH
6
00:00:15.048 --> 00:00:19.619
ALL-STAR PERFORMANCES AND
PERFORMANCES BY MIR ANA LAMBERT,
7
00:00:19.686 --> 00:00:27.227
DOLLY PARTON, BLAKE SHELTON,
CARRIE UNDERWOOD, CECE WINS,
8
00:00:27.293 --> 00:00:34.167
MAREN MORRIS AND LUKE COMBS,
CHRIS STAPLETON, CARLY PEARSZE,
9
00:00:34.234 --> 00:00:37.937
KELSEY BALLERINI, KENNY CHESNEY,
LITTLE BIGTOWN, ALAN JACKSON,
10
00:00:38.004 --> 00:00:42.308
AMY GRANT, CHRIS YOUNG AND KANE
BROWN, ASHLEY McBRYDE, BLANCO
11
00:00:42.375 --> 00:00:48.214
BROWN, ERIC CHURCH, DARIUS
RUCKER, DAN + SHAY, JIMMY ALLEN,
12
00:00:48.281 --> 00:00:52.485
BROTHERS OSBORNE, THOMAS RHETT,
DIERKS BENTLEY WITH THE WAR ON
13
00:00:52.552 --> 00:00:59.959
TREATY AND MORE HOSTED BY MICKEY
GUYTON AND KEERT YOU ARE KEITH
14
00:01:00.026 --> 00:01:11.070
URBAN.
15
00:01:11.137 --> 00:01:17.710
♪ ♪ ♪
( CHEERS AND APPLAUSE )
16
00:01:17.777 --> 00:01:23.883
♪ I GOT SOME MONEY IN MY POCKET
GOT SOME TROUBLE ON MY TAIL
17
00:01:23.950 --> 00:01:26.286
♪ I CAN HEAR THE DOORS
ARE KNOCKING, GUESS I'M
18
00:01:26.352 --> 00:01:29.956
♪ HEADING OFF THE RAILS
SINGING OOH-OOH-OOH-OOH
19
00:01:30.023 --> 00:01:34.093
♪ OOH-OOH-OOH
I'M TALKING 'BOUT YOU
20
00:01:34.160 --> 00:01:37.063
♪ OOH-OOH-OOH, OOH-OOH-OOH
I GOT SOME NEW BEST FRIENDS
21
00:01:37.130 --> 00:01:38.932
♪ FOREVER, SEE, I MET 'EM
AT THE BAR
22
00:01:38.998 --> 00:01:42.268
♪ WHERE THE WHISKEY GOES DOWN
BETTER, WHEN THEY
23
00:01:42.335 --> 00:01:46.206
♪ DON'T KNOW WHO YOU ARE
SINGING OOH-OOH-OOH-OOH
24
00:01:46.272 --> 00:01:49.075
♪ OOH-OOH-OOH
I'M TALKING 'BOUT YOU
25
00:01:49.142 --> 00:01:54.914
♪ OOH-OOH-OOH, OOH-OOH-OOH
OOH, GONNA FEEL THIS
26
00:01:54.981 --> 00:02:00.320
♪ IN THE MORNING
OOH-OOH
27
00:02:00.386 --> 00:02:09.696
♪ 'CAUSE I'M GOING HARD TONIGHT
SO BARTENDER, TAKE MY KEYS
28
00:02:09.762 --> 00:02:12.866
♪ WHAT DO YOU WANT FROM ME
BABY, I'M DRUNK AND
29
00:02:12.932 --> 00:02:15.668
♪ I DON'T WANNA GO HOME
NOT STAYING IN TO FIGHT
30
00:02:15.735 --> 00:02:21.708
♪ I'M STAYING OUT ALL NIGHT
BABY, I'M DRUNK AND
31
00:02:21.774 --> 00:02:24.878
♪ I DON'T WANNA GO HOME
WE DON'T GOTTA WAIT
32
00:02:24.944 --> 00:02:27.113
♪ UNTIL THE WEEKEND
THERE'S ALWAYS TIME FOR
33
00:02:27.180 --> 00:02:33.486
♪ JUMPING OFF THE DEEP END
SO DON'T YOU WAIT UP TONIGHT
34
00:02:33.553 --> 00:02:35.121
♪ DON'T WORRY, I'LL BE FINE
BABY, I'M DRUNK AND
35
00:02:35.188 --> 00:02:42.996
♪ I DON'T WANNA GO HOME, YEAH
( CHEERS AND APPLAUSE )
36
00:02:43.062 --> 00:02:45.164
WE'RE IN THE BATHROOM
♪ GETTIN' TATTED
37
00:02:45.231 --> 00:02:49.135
THERE'S A LINE OUT IN THE HALL
♪ TRYNA BE MY SUGAR DADDY
38
00:02:49.202 --> 00:02:54.073
GETTIN' HANDSY IN THE STALLS
♪ SINGING OOH-OOH-OOH-OOH
39
00:02:54.140 --> 00:02:58.711
OOH-OOH-OOH
♪ I'M TALKING 'BOUT YOU
40
00:02:58.778 --> 00:03:00.647
OOH-OOH-OOH, OOH-OOH-OOH
♪ YOU LIKE MY GIN AND TONIC
41
00:03:00.713 --> 00:03:02.715
KISSES, 'CAUSE YOU
♪ KNOW THEY TASTE SO SWEET
42
00:03:02.782 --> 00:03:06.286
AND I KNOW YOU GOT YOUR
♪ MISSUS, BUT THERE
43
00:03:06.352 --> 00:03:11.190
AIN'T NO ONE LIKE ME
♪ TALKIN' 'BOUT YOU
44
00:03:11.257 --> 00:03:14.027
OOH-OOH-OOH-OOH, OOH-OOH-OOH
♪ MMM, I'M TALKING 'BOUT YOU
45
00:03:14.093 --> 00:03:19.832
OOH-OOH-OOH, OOH-OOH-OOH
♪ OOH, GONNA FEEL THIS
46
00:03:19.899 --> 00:03:26.005
IN THE MORNING
♪ OOH-OOH
47
00:03:26.072 --> 00:03:33.313
'CAUSE I'M GOING HARD TONIGHT
♪ SO BARTENDER, TAKE MY KEYS
48
00:03:33.379 --> 00:03:36.683
WHAT DO YOU WANT FROM ME
♪ BABY, I'M DRUNK AND
49
00:03:36.749 --> 00:03:39.352
I DON'T WANNA GO HOME
♪ NOT STAYING IN TO FIGHT
50
00:03:39.419 --> 00:03:45.325
I'M STAYING OUT ALL NIGHT
♪ BABY, I'M DRUNK AND
51
00:03:45.391 --> 00:03:48.661
I DON'T WANNA GO HOME
♪ WE DON'T GOTTA WAIT
52
00:03:48.728 --> 00:03:52.265
UNTIL THE WEEKEND
♪ THERE'S ALWAYS TIME FOR
53
00:03:52.332 --> 00:03:58.671
JUMPING OFF THE DEEP END
♪ SO DON'T YOU WAIT UP TONIGHT
54
00:03:58.738 --> 00:04:00.907
DON'T WORRY, I'LL BE FINE
♪ BABY, I'M DRUNK AND
55
00:04:00.974 --> 00:04:06.746
I DON'T WANNA GO HOME, YEAH
♪ OH-OH, I DON'T WANNA
56
00:04:06.813 --> 00:04:12.619
OH-OH-OH
♪ DON'T WANNA GO HOME
57
00:04:12.685 --> 00:04:14.721
SO BARTENDER, TAKE MY KEYS
♪ WHAT DO YOU WANT FROM ME
58
00:04:14.787 --> 00:04:18.725
BABY, I'M DRUNK AND
♪ I DON'T WANNA GO HOME
59
00:04:18.791 --> 00:04:22.729
NOT STAYING IN TO FIGHT
♪ I'M STAYING OUT ALL NIGHT
60
00:04:22.795 --> 00:04:25.798
BABY, I'M DRUNK AND
♪ I DON'T WANNA GO HOME
61
00:04:25.865 --> 00:04:31.104
WE DON'T GOTTA WAIT
♪ UNTIL THE WEEKEND
62
00:04:31.170 --> 00:04:34.741
♪ THERE'S ALWAYS TIME FOR
JUMPING OFF THE DEEP END
63
00:04:34.807 --> 00:04:38.811
SO DON'T YOU WAIT UP TONIGHT
♪ DON'T WORRY, I'LL BE FINE
64
00:04:38.878 --> 00:04:46.619
BABY, I'M DRUNK AND
♪ I DON'T WANNA GO HOME, YEAH
65
00:04:46.686 --> 00:04:50.690
OH-OH, I DON'T WANNA
♪ OH-OH-OH
66
00:04:50.757 --> 00:04:54.761
DON'T WANNA GO HOME
♪ OH-OH, I DON'T WANNA
67
00:04:54.827 --> 00:05:04.671
( CHEERS AND APPLAUSE )
>> PLEASE WELCOME YOUR HOSTS FOR
68
00:05:04.737 --> 00:05:06.973
TONIGHT, KEITH URBAN AND MICKEY
GUYTON.
69
00:05:07.040 --> 00:05:12.912
LOVE Y'ALL!
70
00:05:12.979 --> 00:05:15.648
(APPLAUSE)
>> MICKEY MICKEY!
71
00:05:15.715 --> 00:05:16.049
HEY!
72
00:05:16.115 --> 00:05:16.849
>> OH MY GOSH.
73
00:05:16.916 --> 00:05:18.384
>> HOW ARE YOU?
74
00:05:18.451 --> 00:05:19.285
>> I'M SO GOOD.
75
00:05:19.352 --> 00:05:20.853
>> SO GOOD TO SEE YOU.
76
00:05:20.920 --> 00:05:22.755
>> SO GOOD TO SEEYOU HERE.
77
00:05:22.822 --> 00:05:26.225
>> OH MY GOSH.
78
00:05:26.292 --> 00:05:27.727
>> Keith: WELCOME TO THE 56th
ACADEMY OF COUNTRY MUSIC AWARDS!
79
00:05:27.794 --> 00:05:34.734
NASHVILLE IS BACK AND IT'S GREAT
( CHEERS AND APPLAUSE )
80
00:05:34.801 --> 00:05:38.004
TO BE BACK HERE LIVE AT THE
GRAND OLE OPRY HOUSE WITH MICKEY
81
00:05:38.071 --> 00:05:39.238
GUYTON.
82
00:05:39.305 --> 00:05:41.974
>> Mickey: AND WHAT A FANTASTIC
WAY TO KICK OFF THE SHOW WITH
83
00:05:42.041 --> 00:05:43.276
MIRANDA AND ELLE.
84
00:05:43.342 --> 00:05:45.445
BIG THANKS.
85
00:05:45.511 --> 00:05:47.080
>> Keith: THEY WERE AMAZING.
86
00:05:47.146 --> 00:05:50.750
>> AMAZING, I LOVE THAT SONG
>> Mickey: I'M JUST GLAD MIRANDA
87
00:05:50.817 --> 00:05:52.485
HAS THAT CAR OUTSIDE BECAUSE
WE'RE GONNA SEE HER ALL OVER
88
00:05:52.552 --> 00:05:54.420
TOWN TONIGHT.
89
00:05:54.487 --> 00:05:58.191
>> Keith: TONIGHT, WHILE WE
CELEBRATE THE BEST IN COUNTRY
90
00:05:58.257 --> 00:06:02.428
MUSIC, WE'RE ALSO CELEBRATING
THE PROGRESS MADE BY THIS
91
00:06:02.495 --> 00:06:05.932
GREAT CITY AND CITIES ACROSS THE
COUNTRY.
92
00:06:05.998 --> 00:06:11.738
( APPLAUSE )
WE'VE ALL BEEN THROUGH SO MUCH,
93
00:06:11.804 --> 00:06:16.242
BUT I'M PROUD TO SAY WE'RE ALL
ON OUR WAY BACK.
94
00:06:16.309 --> 00:06:20.012
AND WE'VE DONE IT WITH A LOT OF
FIGHT AND A LOT OF HELP.
95
00:06:20.079 --> 00:06:23.516
>> Mickey: AND SPEAKING OF HELP,
UP THERE IN THEIR MASKS,
96
00:06:23.583 --> 00:06:25.952
SOCIALLY DISTANCED AND
VACCINATED, ARE HEALTHCARE
97
00:06:26.018 --> 00:06:31.491
WORKERS FROM VANDERBILT HEALTH.
98
00:06:31.557 --> 00:06:35.328
( CHEERS AND APPLAUSE )
A.C.M.'s CHARITABLE ARM,“
99
00:06:35.394 --> 00:06:37.897
LIFTING LIVES,” HAS A LONG-
STANDING PARTNERSHIP WITH
100
00:06:37.964 --> 00:06:40.867
VANDERBILT, AND WE WANT TO THANK
EVERYONE THERE FOR THEIR SUPPORT
101
00:06:40.933 --> 00:06:49.108
TONIGHT.
102
00:06:49.175 --> 00:06:50.343
YOU GUYS ARE OUR ARMY RIGHT NOW
AND THIS WOULD NOT BE POSSIBLE
103
00:06:50.409 --> 00:06:54.614
WITHOUT YOU SO THANK YOU ALL SO,
SO, MUCH
104
00:06:54.680 --> 00:06:57.550
>> Keith: I'M SO HAPPY WE'RE
DOING THIS TOGETHER, MICKEY.
105
00:06:57.617 --> 00:07:00.987
>> ME TOO.
106
00:07:01.053 --> 00:07:04.490
>> YOU'VE HAD AN IMPRESSIVE YEAR
SINCE THE LAST TIME WE SHARED
107
00:07:04.557 --> 00:07:09.896
THIS STAGE, WITH A LOT OF
FIRSTS-- FIRST GRAMMY NOMINATION
108
00:07:09.962 --> 00:07:11.597
YOU GOT TO PLAY ON
THE GRAMMY FOR THE FIRST TIME,
109
00:07:11.664 --> 00:07:15.802
FIRST TIME HOSTING THE ACM'S,
ONE OF THE MOST IMPORTANT, YOU
110
00:07:15.868 --> 00:07:17.770
HAD A BABY FOR THE FIRST TIME.
111
00:07:17.837 --> 00:07:20.439
>> HI A BABY.
112
00:07:20.506 --> 00:07:23.376
I LOVE HIM SO MUCH.
113
00:07:23.442 --> 00:07:25.511
IT HAS BEEN A CRAZY YEAR AND
THIS IS THE MOST ADULT
114
00:07:25.578 --> 00:07:29.115
INTERACTION I'VE HAD IN THREE
MONTHS SO I AM VERY EXCITED TO
115
00:07:29.182 --> 00:07:29.916
BE HERE.
116
00:07:29.982 --> 00:07:33.352
WITHOUT THE DIAPERS.
117
00:07:33.419 --> 00:07:34.320
>> ME TOO.
118
00:07:34.387 --> 00:07:36.122
I WILL TRY TO BE AS ADULT AS CAN
I BE TONIGHT.
119
00:07:36.189 --> 00:07:38.090
THIS SHOW IS SPECIAL BECAUSE NOT
ONLY ARE WE BACK IN THE ICONIC
120
00:07:38.157 --> 00:07:41.727
GRAND OLE OPRY HOUSE, WE'LL ALSO
BE AT THE LEGENDARY BLUEBIRD
121
00:07:41.794 --> 00:07:45.464
CAFÉ, THE STATION INN, AND A FEW
OTHER COUNTRY MUSIC TREASURES
122
00:07:45.531 --> 00:07:47.567
ALL AROUND NASHVILLE.
123
00:07:47.633 --> 00:07:49.335
>> Mickey: AND IN A LITTLE
WHILE, I'LL BE HEADING OVER
124
00:07:49.402 --> 00:07:52.405
TO ONE OF MY FAVORITE PLACES,
THE MOTHER CHURCH OF COUNTRY
125
00:07:52.471 --> 00:07:55.174
MUSIC, THE HISTORIC RYMAN
AUDITORIUM.
126
00:07:55.241 --> 00:07:59.345
AND I CAN'T WAIT TO GET TOGETHER
WITH THE ARTISTS THAT ARE
127
00:07:59.412 --> 00:08:00.580
OVER THERE.
128
00:08:00.646 --> 00:08:01.480
>> Keith: SO, LET'S GET THINGS
STARTED OVER AT THE RYMAN RIGHT
129
00:08:01.547 --> 00:08:05.451
NOW.
130
00:08:05.518 --> 00:08:09.655
HERE TO KICK THINGS OFF WITH
THEIR HIT SONG, “FAMOUS
131
00:08:09.722 --> 00:08:11.958
WITH OUR FAVORITE
FRIENDS, THEY HAVE A HIT SONG,
132
00:08:12.024 --> 00:08:12.325
ACTUALLY.
133
00:08:12.391 --> 00:08:13.292
>> THEY DO.
134
00:08:13.359 --> 00:08:16.095
JOINED BY CHRIS
>> Mickey: CHRIS YOUNG, JOINED
135
00:08:16.162 --> 00:08:23.302
BY A WINNER TONIGHT FOR VIDEO OF
THE YEAR, KANE BROWN.
136
00:08:23.369 --> 00:08:24.670
>> THANK YOU MICKEY AND KEITH.
137
00:08:24.737 --> 00:08:26.405
IT'S GREAT TO BE BACK AT THESE
ACM AWARDS PLAYING AGAIN TO A
138
00:08:26.472 --> 00:08:29.108
LIVE AUDIENCE.
139
00:08:29.175 --> 00:08:32.245
♪ ♪ ♪
♪ MY BUDDY BRANDON
140
00:08:32.311 --> 00:08:38.317
HOLDS A RECORD
♪ FOR SINGLE SEASON
141
00:08:38.384 --> 00:08:41.787
TOUCHDOWN THROWS
♪ AND GOOD OLD JOHNNY
142
00:08:41.854 --> 00:08:44.924
HE'S THE LIFE OF EVERY PARTY
♪ IT'S LIKE "CHEERS"
143
00:08:44.991 --> 00:08:50.630
THEY KNOW HIM EVERYWHERE HE GOES
♪ I'VE GOT SOME FAMOUS FRIENDS
144
00:08:50.696 --> 00:08:55.968
YOU'VE PROBABLY NEVER HEARD OF
♪ BUT BACK IN RUTHERFORD COUNTY
145
00:08:56.035 --> 00:09:02.141
OUR CROWD IS SECOND TO NONE
♪ YOU MIGHT NOT KNOW 'EM HERE
146
00:09:02.208 --> 00:09:05.011
IN THIS BIG CITY WE'RE IN
♪ BUT WHEN I GO BACK HOME
147
00:09:05.077 --> 00:09:09.448
I'VE GOT SOME FAMOUS FRIENDS
♪ YEAH, I DO
148
00:09:09.515 --> 00:09:15.755
♪ ♪ ♪
( CHEERS AND APPLAUSE )
149
00:09:15.821 --> 00:09:16.522
HOW WE FEELING?
150
00:09:16.589 --> 00:09:21.360
♪ MY BUDDY JASON
HE'S THE SHERIFF
151
00:09:21.427 --> 00:09:24.764
♪ HE'LL FLASH HIS LIGHTS
BUT LET ME GO
152
00:09:24.830 --> 00:09:29.936
♪ MY BOY RANDY, HE'S A PREACHER
MY GIRL MEGAN, SHE'S BEEN
153
00:09:30.002 --> 00:09:33.572
♪ TEACHER OF THE YEAR
I SWEAR FOR FIVE YEARS IN A ROW
154
00:09:33.639 --> 00:09:38.144
♪ I'VE GOT SOME FAMOUS FRIENDS
YOU'VE PROBABLY NEVER HEARD OF
155
00:09:38.210 --> 00:09:42.782
♪ BUT BACK IN HAMILTON COUNTY
OUR CROWD IS SECOND TO NONE
156
00:09:42.848 --> 00:09:48.154
♪ YOU MIGHT NOT KNOW 'EM HERE
IN THIS BIG CITY WE'RE IN
157
00:09:48.220 --> 00:09:53.926
♪ BUT WHEN I GO BACK HOME
I'VE GOT SOME FAMOUS FRIENDS
158
00:09:53.993 --> 00:09:58.197
♪ YEAH, I DO, OOH
♪ ♪ ♪
159
00:09:58.264 --> 00:10:05.938
♪ ♪ ♪
♪ I GOT FRIENDS IN HIGH PLACES
160
00:10:06.005 --> 00:10:10.810
ON THESE SMALL-TOWN ROADS
♪ 'CAUSE 'ROUND HERE IT'S ALL
161
00:10:10.876 --> 00:10:14.413
ABOUT THE PEOPLE THAT YOU KNOW
♪ AND I'VE GOT SOME
162
00:10:14.480 --> 00:10:20.052
FAMOUS FRIENDS YOU'VE PROBABLY
♪ NEVER HEARD OF
163
00:10:20.119 --> 00:10:24.023
BUT BACK IN DAVIDSON COUNTY
♪ OUR CROWD IS SECOND TO NONE
164
00:10:24.090 --> 00:10:28.027
YOU MIGHT NOT KNOW 'EM HERE
♪ IN THIS BIG CITY WE'RE IN
165
00:10:28.094 --> 00:10:32.398
BUT WHEN I GO BACK HOME
♪ I'VE GOT SOME FAMOUS FRIENDS
166
00:10:32.465 --> 00:10:43.642
YEAH, I DO, OOH
♪ YEAH, I DO
167
00:10:43.709 --> 00:10:48.047
MIGHT NOT KNOW 'EM HERE
♪ IN THIS BIG CITY WE'RE IN
168
00:10:48.114 --> 00:10:50.249
BUT WHEN I GO BACK HOME
♪ I GOT SOME
169
00:10:50.316 --> 00:10:55.554
FAMOUS FRIENDS, YEAH
♪ ♪ ♪
170
00:10:55.621 --> 00:11:00.026
( CHEERS AND APPLAUSE )
♪ I'VE GOT SOME FAMOUS FRIENDS
171
00:11:00.092 --> 00:11:03.329
I'VE GOT SOME FAMOUS FRIENDS
♪ YEAH ♪
172
00:11:03.396 --> 00:11:12.038
( CHEERS AND APPLAUSE )
>> Keith: WOO!
173
00:11:12.104 --> 00:11:15.274
>> WELL DONE BOYS, FROM THE
RYMAN AUDITORIUM, OF COURSE.
174
00:11:15.341 --> 00:11:16.909
LAST YEAR, AT THE TIME OF OUR
175
00:11:16.976 --> 00:11:23.282
SHOW, BLANCO BROWN WAS INVOLVED
IN A VERY SERIOUS ACCIDENT, AND
176
00:11:23.349 --> 00:11:24.517
I'M TALKING SERIOUS TO
THE POINT WHERE THEY WEREN'T
177
00:11:24.583 --> 00:11:27.286
EVEN SURE IF BLANCO WAS GOING TO
WALK AGAIN.
178
00:11:27.353 --> 00:11:30.890
WE WERE SENDING HIM OUR PRAYERS
AND LIGHT AND HOPE THAT HE WOULD
179
00:11:30.956 --> 00:11:32.058
HAVE A RECOVERY.
180
00:11:32.124 --> 00:11:34.960
HE NOT ONLY HAS HAD A SPEEDY
RECOVERY BUT I'M HAPPY TO SAY
181
00:11:35.027 --> 00:11:37.696
THAT HE IS ACTUALLY BACK WITH US
TONIGHT.
182
00:11:37.763 --> 00:11:40.633
HERE TO PRESENT THE FIRST AWARD
OF THE EVENING, IN HIS SWRE
183
00:11:40.699 --> 00:11:47.973
FIRST PUBLIC APPEARANCE, PLEASE
MAKE HIM WELCOME, BLANCO
184
00:11:48.040 --> 00:11:55.981
( CHEERS AND APPLAUSE )
♪ ♪ ♪
185
00:11:56.048 --> 00:12:00.052
( CHEERS AND APPLAUSE )
>> I'M SO BLESSED TO BE BACK ON
186
00:12:00.119 --> 00:12:03.956
THIS STAGE, AND I WANT TO THANK
EVERYONE IN THE COUNTRY
187
00:12:04.023 --> 00:12:10.296
COMMUNITY FOR THEIR LOVE
AND SUPPORT.
188
00:12:10.362 --> 00:12:13.666
AND TO ALL THE LIFESAVING FIRST
RESPONDERS, WORDS ARE NOT
189
00:12:13.732 --> 00:12:15.468
ENOUGH.
190
00:12:15.534 --> 00:12:18.471
AND NOW, IT'S MY PLEASURE TO
PRESENT THE NOMINEES FOR GROUP
191
00:12:18.537 --> 00:12:22.475
OF THE YEAR.
192
00:12:22.541 --> 00:12:24.677
>> Announcer: LADY A.
193
00:12:24.743 --> 00:12:30.449
LITTLE BIG TOWN.
194
00:12:30.516 --> 00:12:34.453
OLD DOMINION.
195
00:12:34.520 --> 00:12:36.689
THE CADILLAC THREE.
196
00:12:36.755 --> 00:12:41.694
THE HIGHWOMEN.
197
00:12:41.760 --> 00:12:53.906
>> AND THE A.C.M. GROUP OF THE
YEAR GOES TO:
198
00:12:53.973 --> 00:12:58.477
OLD DOMINION.
199
00:12:58.544 --> 00:13:10.456
( CHEERS AND APPLAUSE )
♪ ♪ ♪
200
00:13:10.523 --> 00:13:22.468
( CHEERS AND APPLAUSE )
♪.
201
00:13:22.535 --> 00:13:28.807
>> WOW, HEY, THANK YOU, I MEAN
IF WE LOOK SURPRISED, IT IS
202
00:13:28.874 --> 00:13:31.777
BECAUSE, YOU KNOW, OBVIOUSLY
EVERYONE IN THIS CATEGORY
203
00:13:31.844 --> 00:13:35.848
ESPECIALLY THIS YEAR, REALLY,
REALLY, IT COULD BE ANYONE.
204
00:13:35.915 --> 00:13:40.519
SO WE'RE JUST VERY FORTUNATE TO
BE STANDING HERE THIS YEAR.
205
00:13:40.586 --> 00:13:44.089
THIS CRAZY YEAR, A LOT OF SILVER
LININGS THAT WE HAVE ALL
206
00:13:44.156 --> 00:13:47.193
SEARCHED FOR, YOU GUYS ARE
CERTAINLY ONE, THE FRONT LINE UP
207
00:13:47.259 --> 00:13:51.130
THERE, SO THANK YOU FOR ALL THAT
YOU HAVE DONE.
208
00:13:51.197 --> 00:13:57.303
THANK YOU GUYS FOR BEING AMAZING
GROUPS THAT INSPIRE US
209
00:13:57.369 --> 00:14:02.942
CONSTANTLY WITH JUST, NOW HERE
WE ARE JUST AMONG SUCH BAD
210
00:14:03.008 --> 00:14:06.278
ASSES, THANK YOU FOR INCLUDING
NEWS THAT CATEGORY AND THANK YOU
211
00:14:06.345 --> 00:14:09.315
GUYS FOR BEING IN MY BAND.
212
00:14:09.381 --> 00:14:11.517
>> THANKS.
213
00:14:11.584 --> 00:14:16.555
(APPLAUSE)
>> Announcer: NEXT, WE'RE AT THE
214
00:14:16.622 --> 00:14:18.824
RYMAN AUDITORIUM FOR MAREN
MORRIS AND RYAN HURD.
215
00:14:18.891 --> 00:14:26.465
AND THEN, A SPECIAL MEDLEY FROM
CARRIE UNDERWOOD.
216
00:14:26.532 --> 00:14:29.935
WHERE SHE WILL BE JOINED BY CECE
PLUS, THANKS TO FORD, WE HEAD TO
217
00:14:30.002 --> 00:14:33.305
THE ICONIC NASHVILLE RIVERFRONT
FOR A PERFORMANCE FROM LADY A.
218
00:14:33.372 --> 00:14:46.151
THIS IS CBS.
219
00:14:46.218 --> 00:14:47.853
WINANS, SUB VIBE TO PARAMOUNT
PLUS FOR BREAKING NEWS AND A
220
00:14:47.920 --> 00:14:52.458
MOUNTAIN OF ENTERTAINMENT.
221
00:14:52.524 --> 00:14:57.296
>> THE 56th ACM AWARDS
SPONSORED BY FORD, BUILT FORD
222
00:14:57.363 --> 00:14:57.763
PROUD.
223
00:15:04.870 --> 00:15:09.775
♪ ♪ ♪
( CHEERS AND APPLAUSE )
224
00:15:09.842 --> 00:15:11.744
>> Keith: WELCOME BACK.
225
00:15:11.810 --> 00:15:15.414
NOW, I HAD THE PLEASURE OF
WORKING WITH THIS ARTIST ON A
226
00:15:15.481 --> 00:15:17.950
SONG NOMINATED FOR VOCAL EVENT
OF THE YEAR.
227
00:15:18.017 --> 00:15:21.954
HE'S ALSO ONE OF OUR REIGNING
ENTERTAINERS OF THE YEAR.
228
00:15:22.021 --> 00:15:23.856
PLEASE MAKE HIM
WELCOME, THOMAS RHETT.
229
00:15:23.922 --> 00:15:37.002
( APPLAUSE )
♪ ♪ ♪
230
00:15:37.069 --> 00:15:43.442
♪ I QUIT HUNTING WITH MY DADDY
GUESS I DIDN'T MAKE THE TIME
231
00:15:43.509 --> 00:15:46.111
♪ AND ITS BEEN A YEAR
SINCE I'VE SEEN A DEER
232
00:15:46.178 --> 00:15:52.518
♪ HAD A SMALLMOUTH ON THE LINE
THE OTHER DAY
233
00:15:52.584 --> 00:15:55.254
♪ I HOOKED A MONSTER
AND AS I REELED HIM IN
234
00:15:55.321 --> 00:16:05.197
♪ I THOUGHT 'MAN IT FEELS GOOD
TO BE COUNTRY AGAIN'
235
00:16:05.264 --> 00:16:07.433
♪ I SPENT WAY LESS TIME
IN NASHVILLE
236
00:16:07.499 --> 00:16:10.703
♪ AND MORE TIME IN L.A.
237
00:16:10.769 --> 00:16:13.205
MY BACK HOME BUDDIES
♪ THEY QUIT CALLIN'
238
00:16:13.272 --> 00:16:16.742
THOUGHT I HAD TOO MUCH
♪ ON MY PLATE
239
00:16:16.809 --> 00:16:19.445
BUT LAST NIGHT, WE
♪ CRACKED SOME COLD BEERS
240
00:16:19.511 --> 00:16:25.217
AND CRACKED ERIC CHURCH TO TEN
♪ THOUGHT, MAN, IT FEELS GOOD
241
00:16:25.284 --> 00:16:29.221
TO BE COUNTRY AGAIN
♪ YEAH, I LOVE ME SOME
242
00:16:29.288 --> 00:16:33.192
CALIFORNIA
♪ BUT IT SURE AIN'T
243
00:16:33.258 --> 00:16:36.528
TENNESSEE
♪ AND MY ROOTS DOWN THERE
244
00:16:36.595 --> 00:16:41.200
IN GEORGIA
♪ YEAH THEY STARTED MISSIN' ME
245
00:16:41.266 --> 00:16:43.702
AND I WOULDN'T CHANGE
♪ THE THINGS I'VE DONE
246
00:16:43.769 --> 00:16:49.208
OR THE PLACES THAT I'VE BEEN
♪ MAN, IT FEELS GOOD TO BE
247
00:16:49.274 --> 00:16:55.447
COUNTRY AGAIN
♪ ♪ ♪
248
00:16:55.514 --> 00:17:01.220
♪ MAN, IT FEELS GOOD TO BE
COUNTRY AGAIN ♪
249
00:17:01.286 --> 00:17:09.194
♪ ♪ ♪
♪ ♪ ♪
250
00:17:09.261 --> 00:17:16.235
♪ ♪ ♪
HOW WE FEELING
251
00:17:16.301 --> 00:17:19.438
♪ ♪ ♪
♪ DID YOU GROW UP ON A TRACTOR
252
00:17:19.505 --> 00:17:24.376
DID YOUR DADDY LET YOU DRIVE
♪ ARE YOU WHISKEY-BENT AND
253
00:17:24.443 --> 00:17:27.112
HELL-BOUND
♪ EVEN THOUGH YOUR MAMA TRIED
254
00:17:27.179 --> 00:17:33.218
DID YOU CRUISE DOWN A BACK ROAD
♪ WITH YOUR DIXIELAND DELIGHT
255
00:17:33.285 --> 00:17:39.425
ARE YOU ON THE CHATTAHOOCHEE
♪ ON A BAREFOOT, BLUE JEAN NIGHT
256
00:17:39.491 --> 00:17:41.593
♪ EVERYBODY GOT A
SMALL TOWN ANTHEM
257
00:17:41.660 --> 00:17:48.033
♪ EVERYBODY GOT A STORY TO TELL
EVERYBODY GOT A HALLELUJAH
258
00:17:48.100 --> 00:17:50.536
♪ EVERYBODY BEEN THROUGH A
LITTLE HELL
259
00:17:50.602 --> 00:17:53.205
♪ WHEN YOU'RE ROLLIN' DOWN
A TWO-LANE HIGHWAY
260
00:17:53.272 --> 00:17:57.976
♪ AND YOU TURN YOUR RADIO ON
TELL ME WHICH ONE HITS YOU, BABY
261
00:17:58.043 --> 00:18:07.453
♪ YEAH, WHAT'S YOUR COUNTRY SONG
YEAH, WHAT'S YOUR COUNTRY SONG
262
00:18:07.519 --> 00:18:09.488
♪ DO YOUR EXES LIVE IN TEXAS
ARE YOU SO LONESOME
263
00:18:09.555 --> 00:18:13.192
♪ YOU COULD CRY
ARE YOU HEARTBROKE
264
00:18:13.258 --> 00:18:16.395
♪ 'CAUSE YOU KNOW
THAT AIN'T YOUR TRUCK
265
00:18:16.462 --> 00:18:19.331
♪ IN HER DRIVE
ARE YOUR FRIENDS
266
00:18:19.398 --> 00:18:25.037
♪ ALL IN LOW PLACES
UNDERNEATH THE NEON MOON
267
00:18:25.103 --> 00:18:29.074
♪ WERE YOU ALREADY COUNTRY
BACK WHEN COUNTRY WASN'T COOL
268
00:18:29.141 --> 00:18:31.009
♪ EVERYBODY GOT A
SMALL TOWN ANTHEM
269
00:18:31.076 --> 00:18:36.949
♪ EVERYBODY GOT A STORY TO TELL
EVERYBODY GOT A HALLELUJAH
270
00:18:37.015 --> 00:18:40.185
♪ EVERYBODY BEEN THROUGH A
LITTLE HELL
271
00:18:40.252 --> 00:18:43.455
♪ WHEN YOU'RE ROLLIN' DOWN
A TWO-LANE HIGHWAY
272
00:18:43.522 --> 00:18:47.559
♪ AND YOU TURN YOUR RADIO ON
TELL ME WHICH ONE HITS YOU, BABY
273
00:18:47.626 --> 00:18:54.366
♪ YEAH, WHAT'S YOUR COUNTRY SONG
YEAH WHAT'S YOUR COUNTRY SONG
274
00:18:54.433 --> 00:19:00.873
MAKE SOME NOISE AT THE ACM'S
♪ ♪ ♪
275
00:19:00.939 --> 00:19:05.210
♪ ♪ ♪
♪ WHO'S YOUR STRAWBERRY WINE
276
00:19:05.277 --> 00:19:09.214
WHAT'S YOUR FAMILY TRADITION
♪ WHAT MAKES YOU TURN IT UP
277
00:19:09.281 --> 00:19:13.218
MAKES YOU RAISE YOUR CUP
♪ EVERY TIME YOU LISTEN
278
00:19:13.285 --> 00:19:15.454
♪ EVERYBODY GOT A
SMALL TOWN ANTHEM
279
00:19:15.521 --> 00:19:21.326
♪ EVERYBODY GOT A STORY TO TELL
EVERYBODY GOT A HALLELUJAH
280
00:19:21.393 --> 00:19:24.329
♪ EVERYBODY BEEN THROUGH A
LITTLE HELL
281
00:19:24.396 --> 00:19:26.098
♪ WHEN YOU'RE ROLLIN' DOWN
A TWO-LANE HIGHWAY
282
00:19:26.164 --> 00:19:31.803
♪ AND YOU TURN YOUR RADIO ON
TELL ME WHICH ONE HITS YOU, BABY
283
00:19:31.870 --> 00:19:45.217
♪ YEAH, WHAT'S YOUR COUNTRY SONG
YEAH, WHAT'S YOUR COUNTRY SONG ♪
284
00:19:45.284 --> 00:19:49.955
♪ ♪ ♪
( CHEERS AND APPLAUSE )
285
00:19:50.022 --> 00:19:53.191
>> THANK YOU SO MUCH, LOVE
Y'ALL.
286
00:19:53.258 --> 00:19:55.861
>> AND NOW TO
>> AND NOW, OVER TO THE
287
00:19:55.928 --> 00:20:01.600
LEGENDARY BLUEBIRD CAFÉ FOR
MIRANDA LAMBERT AND CHRIS
288
00:20:01.667 --> 00:20:04.836
STAPLETON.
289
00:20:04.903 --> 00:20:09.207
♪ LET ME TELL YOU A STORY
ABOUT AN OLD FRIEND OF MINE
290
00:20:09.274 --> 00:20:12.811
♪ SOMEBODY LEFT HER IN
A SHOPPING CART
291
00:20:12.878 --> 00:20:15.981
♪ IN A PARKING LOT
FOR US TO FIND
292
00:20:16.048 --> 00:20:23.522
♪ JUST A FUZZY BLACK PUP
SHE WAS HUNGRY AND FEELING ALONE
293
00:20:23.589 --> 00:20:31.430
♪ WE PUT HER IN THE BACK SEAT
TOLD HER WE WERE TAKING HER HOME
294
00:20:31.496 --> 00:20:37.202
♪ RUN, MAGGIE, RUN
WITH THE HEART OF A REBEL CHILD
295
00:20:37.269 --> 00:20:48.180
♪ OH, RUN, MAGGIE, RUN
BE JUST AS FREE AS YOU ARE WILD
296
00:20:48.246 --> 00:20:53.218
♪ A FEW KIDS LATER
WE MOVED OUT ON THE FARM
297
00:20:53.285 --> 00:20:55.854
♪ AND SHE FOLLOWED THOSE
KIDS AROUND, YEAH
298
00:20:55.921 --> 00:21:02.894
♪ SHE KEPT THEM SAFE FROM HARM
AND SHE LOVED TO CHASE SQUIRRELS
299
00:21:02.961 --> 00:21:10.969
♪ AND PLAYING OUT IN THE SNOW
SHE'D TAKE OFF LIKE A BULLET
300
00:21:11.036 --> 00:21:17.109
♪ MAN, YOU SHOULD HAVE
SEEN HER GO
301
00:21:17.175 --> 00:21:21.279
♪ RUN, MAGGIE, RUN
WITH THE HEART OF A REBEL CHILD
302
00:21:21.346 --> 00:21:29.221
♪ OH, RUN, MAGGIE, RUN
BE JUST AS FREE AS YOU ARE WILD
303
00:21:29.287 --> 00:21:37.195
♪ ♪ ♪
♪ ♪ ♪
304
00:21:37.262 --> 00:21:45.203
♪ ♪ ♪
♪ ♪ ♪
305
00:21:45.270 --> 00:21:52.544
♪ IT WAS RAINING ON A MONDAY
THE DAY THAT MAGGIE DIED
306
00:21:52.611 --> 00:21:54.713
♪SHE WOKE UP AND COULDN'T
USE HER LEGS
307
00:21:54.780 --> 00:22:01.787
♪ SO I LAID DOWN BY HER SIDE
SHE PUT HER HEAD ON MY HAND
308
00:22:01.853 --> 00:22:09.227
♪ LIKE SHE'D DONE SO MANY TIMES
I TOLD HER SHE WAS A GOOD DOG
309
00:22:09.294 --> 00:22:17.135
♪ THEN I TOLD HER GOODBYE
RUN, MAGGIE, RUN
310
00:22:17.202 --> 00:22:19.938
♪ WITH THE HEART
OF A REBEL CHILD
311
00:22:20.005 --> 00:22:29.214
♪ OH, RUN, MAGGIE, RUN
BE JUST AS FREE AS YOU ARE WILD
312
00:22:29.281 --> 00:22:37.222
♪ I HAD A REVELATION
AS THE TRACTOR DUG A HOLE
313
00:22:37.289 --> 00:22:43.462
♪ I CAN TELL YOU RIGHT NOW
THAT A DOG HAS A SOUL
314
00:22:43.528 --> 00:22:50.135
♪ AND I THOUGHT TO MYSELF
AS WE BURIED HER ON THE HILL
315
00:22:50.202 --> 00:22:57.209
♪ I NEVER KNEW ME A BETTER DOG
AND I GUESS I NEVER WILL
316
00:22:57.275 --> 00:23:05.217
♪ RUN, MAGGIE, RUN
WITH THE HEART OF A REBEL CHILD
317
00:23:05.283 --> 00:23:13.191
♪ OH, RUN, MAGGIE, RUN
BE JUST AS FREE AS YOU ARE WILD
318
00:23:13.258 --> 00:23:19.464
♪ OH, RUN, MAGGIE, RUN
WITH THE HEART OF A REBEL CHILD
319
00:23:19.531 --> 00:23:25.203
♪ OH, RUN, MAGGIE, RUN
BE JUST AS FREE
320
00:23:25.270 --> 00:23:34.079
♪ AS YOU ARE WILD ♪
( APPLAUSE )
321
00:23:34.146 --> 00:23:35.547
>> Mickey: HEY, Y'ALL.
322
00:23:35.614 --> 00:23:37.182
I'M AT THE HISTORIC RYMAN
AUDITORIUM FOR A VERY SPECIAL
323
00:23:37.249 --> 00:23:40.318
PERFORMANCE.
324
00:23:40.385 --> 00:23:42.587
MAREN MORRIS AND RYAN HURD
RECENTLY COLLABORATED ON TWO
325
00:23:42.654 --> 00:23:44.289
GREAT PROJECTS.
326
00:23:44.356 --> 00:23:49.060
FIRST WAS THEIR BABY, HAYES
ANDREW HURD; AND SECOND IS THEIR
327
00:23:49.127 --> 00:23:52.230
FIRST EVER DUET, “CHASING AFTER
YOU.”
328
00:23:52.297 --> 00:23:55.433
THEY'RE ONE OF MY FAVORITE
MARRIED COUPLES.
329
00:23:55.500 --> 00:23:57.869
THEY'RE BOTH SO TALENTED, AND
SHE'S ALWAYS BEEN THERE FOR ME.
330
00:23:57.936 --> 00:24:05.010
HERE ARE MAREN MORRIS AND RYAN
HURD.
331
00:24:05.076 --> 00:24:12.784
( APPLAUSE )
♪ ♪ ♪
332
00:24:12.851 --> 00:24:19.157
♪ ♪ ♪
♪ ♪ ♪
333
00:24:19.224 --> 00:24:21.326
♪ ♪ ♪
♪ YOU COME OVER WHEN
334
00:24:21.393 --> 00:24:25.163
YOUR WINE'S ALL GONE
♪ ALWAYS CATCH ME WHEN I'M
335
00:24:25.230 --> 00:24:29.167
NOT THAT STRONG
♪ THEN YOU WIND UP STAYIN'
336
00:24:29.234 --> 00:24:34.573
ALL NIGHT LONG
♪ AIN'T NOTHIN' NEW
337
00:24:34.639 --> 00:24:37.175
THEN I WAKE UP WITH YOU
♪ ON MY CHEST
338
00:24:37.242 --> 00:24:41.179
YOU GOT A WAY OF
♪ MAKIN' ME FORGET
339
00:24:41.246 --> 00:24:45.183
GIRL, WITH YOU THE ANSWER'S
♪ ALWAYS YES
340
00:24:45.250 --> 00:24:49.187
EVERY TIME YOU CALL
♪ BUT I KNOW, YEAH I KNOW
341
00:24:49.254 --> 00:24:51.957
IT'S A MATTER OF TIME
♪ 'TIL YOU WALK, 'TIL YOU WALK
342
00:24:52.023 --> 00:24:57.162
BACK OUTTA MY LIFE
♪ LEAVE ME STANDIN' HERE LONELY
343
00:24:57.229 --> 00:25:05.170
FEELIN' LIKE A FOOL, MM-MM
♪ EVERY TIME, EVERY TIME
344
00:25:05.237 --> 00:25:07.439
YOU SAY WE'RE DONE
♪ YOU COME BACK TO THE LOVE
345
00:25:07.505 --> 00:25:13.178
YOU WERE RUNNIN' FROM
♪ DON'T KNOW WHY, DON'T KNOW WHY
346
00:25:13.245 --> 00:25:17.182
I LET YOU, BUT I DO
♪ GUESS I LOVE CHASIN'
347
00:25:17.249 --> 00:25:25.190
AFTER YOU, MM-MM
♪ LISTEN, WISH I COULD QUIT YOU
348
00:25:25.257 --> 00:25:29.461
BUT IT FEEL TOO GOOD
♪ IF I COULD TURN IT OFF
349
00:25:29.527 --> 00:25:33.164
YOU KNOW I WOULD
♪ BUT SOMETHIN' 'BOUT YOU
350
00:25:33.231 --> 00:25:39.537
MAKES ME THINK WE COULD
♪ MAKE IT AFTER ALL
351
00:25:39.604 --> 00:25:43.008
BUT I KNOW, YEAH I KNOW
♪ IT'S A MATTER OF TIME
352
00:25:43.074 --> 00:25:45.176
'TIL YOU WALK, 'TIL YOU WALK
♪ BACK OUTTA MY LIFE
353
00:25:45.243 --> 00:25:53.184
LEAVE ME STANDIN' HERE LONELY
♪ FEELIN' LIKE A FOOL
354
00:25:53.251 --> 00:25:57.188
EVERY TIME, EVERY TIME
♪ YOU SAY WE'RE DONE
355
00:25:57.255 --> 00:25:59.991
YOU COME BACK TO THE LOVE
♪ YOU WERE RUNNIN' FROM
356
00:26:00.058 --> 00:26:05.196
DON'T KNOW WHY, DON'T KNOW WHY
♪ I LET YOU BUT I DO
357
00:26:05.263 --> 00:26:12.671
'CAUSE I LOVE CHASIN'
AFTER YOU
358
00:26:12.737 --> 00:26:17.175
♪ ♪ ♪
OOOH
359
00:26:17.242 --> 00:26:25.183
OH, YEAH
OOOH
360
00:26:25.250 --> 00:26:29.187
♪ YOU COME OVER WHEN
YOUR WINE'S ALL GONE
361
00:26:29.254 --> 00:26:32.691
♪ ALWAYS CATCH ME WHEN I'M
NOT THAT STRONG
362
00:26:32.757 --> 00:26:37.162
♪ THEN YOU WIND UP STAYIN'
ALL NIGHT LONG
363
00:26:37.228 --> 00:26:41.166
♪ AIN'T NOTHIN' NEW
BUT I KNOW, YEAH I KNOW
364
00:26:41.232 --> 00:26:45.170
♪ IT'S A MATTER OF TIME
'TIL YOU WALK, 'TIL YOU WALK
365
00:26:45.236 --> 00:26:49.174
♪ BACK OUTTA MY LIFE
LEAVE ME STANDIN' HERE LONELY
366
00:26:49.240 --> 00:26:53.178
♪ FEELIN' LIKE A FOOL
YEAH
367
00:26:53.244 --> 00:26:57.182
♪ EVERY TIME, EVERY TIME
YOU SAY WE'RE DONE
368
00:26:57.248 --> 00:27:00.085
♪ YOU COME BACK TO THE LOVE
YOU WERE RUNNIN' FROM
369
00:27:00.151 --> 00:27:05.390
♪ DON'T KNOW WHY, DON'T KNOW WHY
I LET YOU DO, BUT I DO
370
00:27:05.457 --> 00:27:10.595
♪ GUESS I LOVE CHASIN'
AFTER YOU
371
00:27:10.662 --> 00:27:21.206
♪ I LOVE CHASIN' AFTER YOU ♪
♪ ♪ ♪
372
00:27:21.272 --> 00:27:31.249
♪ OOOH ♪
( CHEERS AND APPLAUSE )
373
00:27:31.316 --> 00:27:38.757
♪ OOOH ♪
( CHEERS AND APPLAUSE )
374
00:27:38.823 --> 00:27:43.762
>> Announcer: AND NOW, LET'S GO
DOWN TO THE RIVERFRONT FOR A
375
00:27:43.828 --> 00:27:49.167
PERFORMANCE BY NOMINEE TONIGHT,
LADY A.
376
00:27:49.234 --> 00:27:55.440
♪ LADY
♪ ♪ ♪
377
00:27:55.507 --> 00:27:59.778
LADY
♪ BOY
378
00:27:59.844 --> 00:28:05.083
I'M NOT THE KIND OF GIRL
♪ TO GO AND FIGHT FOR
379
00:28:05.150 --> 00:28:09.187
ALL YOUR ATTENTION
MMM, MMM
380
00:28:09.254 --> 00:28:12.424
♪ I'M NOT TOO AFRAID
TO CALL THIS OFF
381
00:28:12.490 --> 00:28:17.162
♪ AND GO SEE
WHAT I'VE BEEN MISSING
382
00:28:17.228 --> 00:28:20.165
MMM, MMM
♪ LEAVE THE DRESS AT HOME
383
00:28:20.231 --> 00:28:25.437
'CAUSE IT MAKES ME TOO POLITE
♪ NO MORE WAITIN' BY THE PHONE
384
00:28:25.503 --> 00:28:31.443
I'M STEPPIN' OUT TONIGHT
♪ 'CAUSE I FEEL LIKE A LADY
385
00:28:31.509 --> 00:28:33.578
SIPPIN' ON TEQUILA
♪ WITH MY LEVI'S ON
386
00:28:33.645 --> 00:28:37.315
A LADY
♪ SINGIN' TO THE MUSIC
387
00:28:37.382 --> 00:28:40.652
PLAYIN' ALL NIGHT LONG
♪ YEAH, I'M FEELIN' RIGHT
388
00:28:40.718 --> 00:28:43.455
I'M LIVIN' MY LIFE
♪ I DO WHAT I LIKE
389
00:28:43.521 --> 00:28:49.160
'CAUSE I FEEL LIKE A LADY
LADY
390
00:28:49.227 --> 00:28:53.164
♪ TREAT MYSELF TO
WHAT'S UP ON THE HIGHEST SHELF
391
00:28:53.231 --> 00:28:58.603
♪ I WANT IT, I GET IT
MMM, MMM
392
00:28:58.670 --> 00:29:05.176
♪ I MIGHT LOOK LIKE I'M LONELY
BUT I'M ONLY
393
00:29:05.243 --> 00:29:08.546
♪ LOVING EVERY MINUTE
OOH, BABY
394
00:29:08.613 --> 00:29:13.518
♪ LEAVE THE HEELS AT HOME
'CAUSE THEY NEVER DO ME RIGHT
395
00:29:13.585 --> 00:29:19.457
♪ GO OUT DANCING ON MY OWN
MAN, THESE HIPS DON'T LIE
396
00:29:19.524 --> 00:29:23.194
♪ 'CAUSE I FEEL LIKE A LADY
SIPPIN' ON TEQUILA
397
00:29:23.261 --> 00:29:26.898
♪ WITH MY LEVI'S ON
A LADY
398
00:29:26.965 --> 00:29:29.067
♪ SINGIN' TO THE MUSIC
PLAYIN' ALL NIGHT LONG
399
00:29:29.134 --> 00:29:31.336
♪ YEAH, I'M FEELIN' RIGHT
I'M LIVIN' MY LIFE
400
00:29:31.402 --> 00:29:37.075
♪ I DO WHAT I LIKE
'CAUSE I FEEL LIKE A LADY
401
00:29:37.142 --> 00:29:41.479
LADY
♪ FEEL LIKE A LADY
402
00:29:41.546 --> 00:29:49.087
A LADY, YEAH
♪ ♪ ♪
403
00:29:49.154 --> 00:29:55.326
♪ ♪ ♪
♪ ♪ ♪
404
00:29:55.393 --> 00:29:57.295
♪ MIGHT CHANGE MY HAIR
AND CHANGE MY MIND
405
00:29:57.362 --> 00:29:59.531
♪ MIGHT CHANGE YOUR
WHOLE DAMN LIFE
406
00:29:59.597 --> 00:30:03.368
♪ I MIGHT BREAK YOUR HEART
AND NOT THINK TWICE
407
00:30:03.434 --> 00:30:06.137
♪ THAT'S RIGHT
I'M A LADY
408
00:30:06.204 --> 00:30:09.073
♪ SIPPIN' ON TEQUILA
WITH MY LEVI'S ON
409
00:30:09.140 --> 00:30:13.344
♪ A LADY
SINGIN' TO THE MUSIC
410
00:30:13.411 --> 00:30:16.915
♪ PLAYIN' ALL NIGHT LONG
YEAH, I'M FEELIN' RIGHT
411
00:30:16.981 --> 00:30:18.183
♪ I'M LIVIN' MY LIFE
I DO WHAT I LIKE
412
00:30:18.249 --> 00:30:25.723
♪ 'CAUSE I FEEL LIKE A LADY
LADY, YEAH
413
00:30:25.790 --> 00:30:29.827
♪ I FEEL LIKE
FEEL LIKE A LADY
414
00:30:29.894 --> 00:30:37.001
♪ I FEEL LIKE
I FEEL LIKE A LADY
415
00:30:37.068 --> 00:30:41.706
♪ LIKE A LADY
I FEEL LIKE A LADY ♪
416
00:30:41.773 --> 00:30:45.710
I FEEL LIKE A LADY
I FEEL LIKE A LADY ♪
417
00:30:45.777 --> 00:30:49.714
( CHEERS AND APPLAUSE )
>> Announcer: DIERKS BENTLEY IS
418
00:30:49.781 --> 00:30:53.084
COMING UP WITH THE WAR AND
TREATY, PLUS DOLLY PARTON.
419
00:30:53.151 --> 00:30:56.654
THEN, CARRIE UNDERWOOD TAKES THE
GRAND OLE OPRY HOUSE STAGE.
420
00:30:56.721 --> 00:31:00.858
WITH C.E.O. C.E.O. WINANS,
LATER, THANKS TO FORD, AN
421
00:31:00.925 --> 00:31:03.995
EMOTIONAL PERFORMANCE BY LUKE
COMBS.
422
00:31:04.062 --> 00:31:08.466
THIS IS CBS.
423
00:31:08.533 --> 00:31:09.634
>> THERE ARE MORE THAN 2,000
COUNTRY RADIO STATIONS ACROSS
424
00:31:09.701 --> 00:31:13.304
THE U.S. AND MORE THAN 76
MILLION LYAL LISTENERS.
425
00:31:13.371 --> 00:31:17.909
THE ACADEMY SALUTES THIS YEAR'S
WINNERS FOR ON AIR PERSONALITIES
426
00:31:17.976 --> 00:31:26.751
OF THE YEAR.
427
00:31:26.818 --> 00:31:28.186
>> I AM SO EXCITED.
428
00:31:28.253 --> 00:31:30.154
>> BUZZ JACKSON.
429
00:31:30.221 --> 00:31:31.256
>> THANK YOU SO MUCH.
430
00:31:31.322 --> 00:31:32.490
>> STEVE, BEN AND NIKKI.
431
00:31:32.557 --> 00:31:36.728
>> THANK YOU SO MUCH, WE LOVE
IT, MAN.
432
00:31:36.794 --> 00:31:39.597
>> Announcer: THE 56th ACM
AWARDS
433
00:31:39.664 --> 00:31:42.400
SPONSORED BY EMGALITY.
434
00:31:47.472 --> 00:31:50.541
>> Announcer: THE 56th ACADEMY
OF COUNTRY MUSIC AWARDS WILL
435
00:31:50.608 --> 00:31:50.708
CONTINUE.
THIS IS CBS.
436
00:31:56.914 --> 00:31:59.584
>> Announcer: WELCOME BACK TO
THE A.C.M. AWARDS.
437
00:31:59.651 --> 00:32:03.721
AND NOW, FROM NASHVILLE'S FAMOUS
BLUEBIRD CAFÉ, HERE'S NEW FEMAL
438
00:32:03.788 --> 00:32:07.225
ARTIST WINNER, GABBY BARRETT.
439
00:32:07.292 --> 00:32:15.233
♪ ♪ ♪
♪ HE'S A PHONE CALL TO
440
00:32:15.300 --> 00:32:19.237
HIS PARENTS
♪ HE'S A BIBLE BY THE BED
441
00:32:19.304 --> 00:32:23.241
HE'S THE TEE SHIRT
♪ THAT I'M WEARIN'
442
00:32:23.308 --> 00:32:30.448
HE'S THE SONG STUCK IN MY HEAD
♪ HE'S SOLID AND HE'S STEADY
443
00:32:30.515 --> 00:32:33.184
LIKE THE ALLEGHENY RUNS
♪ HE KNOWS JUST WHERE
444
00:32:33.251 --> 00:32:35.219
HE'S GOIN'
♪ AND HE'S PROUD OF
445
00:32:35.286 --> 00:32:42.860
WHERE HE'S FROM
♪ ONE OF THE GOOD ONES
446
00:32:42.927 --> 00:32:47.231
HE'S ONE OF THE GOOD ONES
♪ A LOVE-ME-LIKE-HE-SHOULD ONE
447
00:32:47.298 --> 00:32:51.235
LIKE-HE-WROTE-THE-BOOK ONE
♪ THE KIND YOU FIND WHEN YOU
448
00:32:51.302 --> 00:32:59.210
DON'T EVEN LOOK ONE
♪ ANYBODY CAN BE GOOD ONCE
449
00:32:59.277 --> 00:33:07.218
BUT HE'S GOOD ALL THE TIME
♪ HE'S ONE OF THE GOOD ONES
450
00:33:07.285 --> 00:33:09.954
AND HE'S ALL MINE
♪ WE SHOULD ALL
451
00:33:10.021 --> 00:33:15.693
FIND US ONE
♪ THEY'RE OUT THERE
452
00:33:15.760 --> 00:33:25.336
MINUS ONE
♪ SOME OF THE GOOD ONES
453
00:33:25.403 --> 00:33:32.643
YEAH, I GOT A GOOD ONE
♪ A LOVE-ME-LIKE-HE-SHOULD ONE
454
00:33:32.710 --> 00:33:39.083
LIKE-HE-WROTE-THE-BOOK ONE
♪ THE KIND YOU FIND WHEN YOU
455
00:33:39.150 --> 00:33:47.024
DON'T EVEN LOOK
♪ ANYBODY CAN BE GOOD ONCE
456
00:33:47.091 --> 00:33:59.036
BUT HE'S GOOD ALL THE TIME
♪ HE'S ONE OF THE GOOD ONES
457
00:33:59.103 --> 00:34:11.182
AND HE'S ALL MINE ♪
( APPLAUSE )
458
00:34:11.249 --> 00:34:15.019
>> AND NOW, LET'S GO BACK TO
THE GRAND OLE OPRY HOUSE.
459
00:34:15.086 --> 00:34:21.492
AND TO PRESENT OUR NEXT AWARD,
DARIUS RUCKER.
460
00:34:21.559 --> 00:34:24.429
♪ ♪ ♪
( CHEERS AND APPLAUSE )
461
00:34:24.495 --> 00:34:27.031
>> THESE ARE THE SONGS GAVE US
GREAT EMOTIONAL CONNECTIONS AND
462
00:34:27.098 --> 00:34:28.299
REASONS TO SMILE.
463
00:34:28.366 --> 00:34:32.270
HERE ARE THE NOMINEES FOR SONG
OF THE YEAR.
464
00:34:32.336 --> 00:34:35.473
>> Announcer: “BLUEBIRD,” BY
MIRANDA LAMBERT.
465
00:34:35.540 --> 00:34:46.050
SONGWRITERS: LUKE DICK, MIRANDA
LAMBERT, NATALIE HEMBY“
466
00:34:46.117 --> 00:34:49.487
ONE NIGHT STANDARDS,” BY ASHLEY
McBRYDE.
467
00:34:49.554 --> 00:34:55.026
SONGWRITERS: ASHLEY McBRYDE,
NICOLETTE HAYFORD, SHANE
468
00:34:55.092 --> 00:35:06.204
McANALLY.“
SOME PEOPLE DO,” BY OLD
469
00:35:06.270 --> 00:35:07.405
DOMINION.
470
00:35:07.472 --> 00:35:11.042
SONGWRITERS: JESSE FRASURE, MATT
RAMSEY, THOMAS RHETT, SHANE
471
00:35:11.108 --> 00:35:21.052
McANALLY.“
STARTING OVER,” BY CHRIS
472
00:35:21.118 --> 00:35:22.753
STAPLETON.
473
00:35:22.820 --> 00:35:31.662
SONGWRITERS: CHRIS STAPLETON,
MIKE HENDERSON.“
474
00:35:31.729 --> 00:35:35.032
THE BONES,” BY MAREN MORRIS.
475
00:35:35.099 --> 00:35:44.809
SONGWRITERS: JIMMY ROBBINS,
MAREN MORRIS, LAURA VELTZ.
476
00:35:44.876 --> 00:35:51.148
>> AND THE A.C.M. SONG OF THE
YEAR GOES TO:“
477
00:35:51.215 --> 00:35:55.019
THE BONES,” BY MAREN MORRIS.
478
00:35:55.086 --> 00:36:03.895
♪ ♪ ♪
( CHEERS AND APPLAUSE )
479
00:36:03.961 --> 00:36:13.938
♪ ♪ ♪
( CHEERS AND APPLAUSE )
480
00:36:14.005 --> 00:36:19.010
♪ ♪ ♪
( CHEERS AND APPLAUSE )
481
00:36:19.076 --> 00:36:21.178
>> THANK YOU.
482
00:36:21.245 --> 00:36:24.916
THIS IS, THIS IS REALLY
BITTERSWEET BECAUSE I DIDN'T
483
00:36:24.982 --> 00:36:28.019
WRITE THIS JUST BY MYSELF, AND
EACH TIME I'VE BEEN SO LUCKY TO
484
00:36:28.085 --> 00:36:35.760
ACCEPT AN AWARD FOR THIS SONG,
MY COWRITERS LAURA VELTZ AND
485
00:36:35.826 --> 00:36:41.198
JIMMY ROBYNS HAVE NOT BEEN ABLE
TO BE HERE, THANK YOU FOR THE
486
00:36:41.265 --> 00:36:42.366
ACMS FOR KEEPING US SAFE, THIS
SO MEANINGFUL TO ME, SONG OF THE
487
00:36:42.433 --> 00:36:44.969
YEAR IS SOMETHING THAT I HAVE
JUST DREAMT OF FOR SO LONG.
488
00:36:45.036 --> 00:36:50.107
AND I FEEL LIKE WITH THIS SONG,
WITH "THE BONES" I WROTE T I WAS
489
00:36:50.174 --> 00:36:57.248
DATING MY NOW HUSBAND, AND IT
WAS JUST A SONG TO HIM.
490
00:36:57.315 --> 00:37:00.051
AND I FEEL SOMETIMES LIKE SONGS
KNOW YOU BETTER THAN YOU KNOW
491
00:37:00.117 --> 00:37:01.252
THEM AT THE TIME.
492
00:37:01.319 --> 00:37:03.688
AND I FEEL LIKE THIS SONG HAS
REVEALED SO MANY NEW THINGS TO
493
00:37:03.754 --> 00:37:07.858
ME THAT I DIDN'T KNOW WERE
POSSIBLE THE DAY I WROTE IT.
494
00:37:07.925 --> 00:37:10.928
AND THIS HAS JUST BEEN A HELL OF
A YEAR.
495
00:37:10.995 --> 00:37:15.499
AND HOPEFULLY COUNTRY MUSIC AND
MAYBE EVEN THIS SONG BROUGHT YOU
496
00:37:15.566 --> 00:37:18.069
AND YOUR FAMILY AND FRIENDS SOME
PEACE.
497
00:37:18.135 --> 00:37:21.739
SO THANK YOU SO MUCH.
498
00:37:21.806 --> 00:37:23.341
( CHEERS AND APPLAUSE )
>> Announcer: LET'S GO TO
499
00:37:23.407 --> 00:37:25.176
NASHVILLE'S FAMOUS STATION INN
AND MALE ARTIST OF THE YEAR
500
00:37:25.242 --> 00:37:32.850
NOMINEE, DIERKS BENTLEY, JOINED
BY THE WAR AND TREATY.
501
00:37:32.917 --> 00:37:35.953
WELCOME
TO THE STAKES INN.
502
00:37:36.020 --> 00:37:39.790
I FIRST CAME IN THIS BAR WHEN I
WAS ABOUT 19 YEARS OLD LOOKING
503
00:37:39.857 --> 00:37:41.058
FOR SOMETHING.
504
00:37:41.125 --> 00:37:43.995
AND I FOUND IT IN THE MUSIC HERE
AND I FOUND IT IN THE BLUEGRASS
505
00:37:44.061 --> 00:37:46.897
COMMUNITY AND WE RECENTLY LOST
THE LEADER OF THAT BLUEGRASS
506
00:37:46.964 --> 00:37:51.002
COMMUNITY AND THE OWNER OF THIS
BAR, MR. JT GRAY SO WE WILL BE
507
00:37:51.068 --> 00:38:01.712
THINKING OF HIM TONIGHT AS WE
SING THIS SONG.
508
00:38:01.779 --> 00:38:12.056
♪ ♪ ♪
♪ ♪ ♪
509
00:38:12.123 --> 00:38:16.293
♪ ♪ ♪
♪ ONE MAN COME
510
00:38:16.360 --> 00:38:21.732
IN THE NAME OF LOVE
♪ ONE MAN COME AND GO
511
00:38:21.799 --> 00:38:25.736
ONE MAN COME
♪ HERE TO JUSTIFY
512
00:38:25.803 --> 00:38:33.711
ONE MAN TO OVERTHROW
♪ IN THE NAME OF LOVE
513
00:38:33.778 --> 00:38:40.918
WHAT MORE IN THE NAME OF LOVE
♪ IN THE NAME OF LOVE
514
00:38:40.985 --> 00:38:49.727
WHAT MORE IN THE NAME OF LOVE
♪ ONE MAN CAUGHT
515
00:38:49.794 --> 00:38:54.065
ON A BARBED WIRE FENCE
♪ ONE MAN, HE RESIST
516
00:38:54.131 --> 00:39:00.037
ONE MAN WASHED
♪ ON AN EMPTY BEACH
517
00:39:00.104 --> 00:39:06.177
ONE MAN BETRAYED WITH A KISS
♪ IN THE NAME OF LOVE
518
00:39:06.243 --> 00:39:17.722
WHAT MORE IN THE NAME OF LOVE
♪ IN THE NAME OF LOVE
519
00:39:17.788 --> 00:39:25.730
WHAT MORE IN THE NAME OF LOVE
♪ ♪ ♪
520
00:39:25.796 --> 00:39:36.040
♪ ♪ ♪
♪ ♪ ♪
521
00:39:36.107 --> 00:39:45.716
♪ ♪ ♪
♪ ♪ ♪
522
00:39:45.783 --> 00:39:53.724
♪ ♪ ♪
♪ ♪ ♪
523
00:39:53.791 --> 00:40:01.732
♪ ♪ ♪
OOH,OOH
524
00:40:01.799 --> 00:40:09.006
♪ OOH, OOH
♪ EARLY EVENING, APRIL 4
525
00:40:09.073 --> 00:40:10.174
SHOT RINGS OUT
♪ IN THE MEMPHIS SKY
526
00:40:10.241 --> 00:40:14.245
YEAH
♪ FREE AT LAST
527
00:40:14.311 --> 00:40:19.717
THEY TOOK YOUR LIFE
♪ BUT THEY COULD NOT TAKE
528
00:40:19.784 --> 00:40:23.921
YOUR PRIDE
♪ IN THE NAME OF LOVE
529
00:40:23.988 --> 00:40:32.429
WHAT MORE IN THE NAME OF LOVE
♪ IN THE NAME OF LOVE
530
00:40:32.496 --> 00:40:43.707
WHAT MORE IN THE NAME OF LOVE ♪
♪ ♪ ♪
531
00:40:43.774 --> 00:40:51.715
♪ ♪ ♪
♪ ♪ ♪
532
00:40:51.782 --> 00:40:59.123
♪ ♪ ♪
♪ ♪ ♪
533
00:40:59.190 --> 00:41:03.727
♪ ♪ ♪
♪ ♪ ♪
534
00:41:03.794 --> 00:41:11.735
♪ ♪ ♪
♪ ♪ ♪
535
00:41:11.802 --> 00:41:18.375
♪ ♪ ♪
( CHEERS AND APPLAUSE )
536
00:41:18.442 --> 00:41:22.146
>> Announcer: CARRIE UNDERWOOD
WITH A SPECIAL PERFORMANCE
537
00:41:22.213 --> 00:41:23.714
FEATURING CECE WINANS.
AND ERIC CHURCH AT THE RYMAN
538
00:41:23.781 --> 00:41:25.282
AUDITORIUM.
539
00:41:25.349 --> 00:41:27.718
PLUS, DAN + SHAY.
LATER, THANKS TO FORD, WE RETURN
540
00:41:27.785 --> 00:41:30.988
TO THE NASHVILLE RIVERFRONT FOR
A PERFORMANCE FROM ASHLEY
541
00:41:31.055 --> 00:41:35.125
McBRYDE.
THIS IS CBS.
542
00:41:35.192 --> 00:41:37.862
>> VACCINE, VACCINE, VACCINE,
VACCINE!
543
00:41:37.928 --> 00:41:41.765
I'M BEGGING OF YOU, PLEASE DON'T
HESITATE.
544
00:41:41.832 --> 00:41:46.604
I KNOW I'M TRYING TO BEING FUNNY
NOW, BUT I'M DEAD SERIOUS ABOUT
545
00:41:46.670 --> 00:41:47.805
THE VACCINE.
546
00:41:47.872 --> 00:41:49.306
I JUST WANT TO TO ENCOURAGE
EVERYBODY BECAUSE THE SOONER WE
547
00:41:49.373 --> 00:41:53.110
GET TO FEELING BETTER, THE
SOONER WE ARE GOING TO GET BACK
548
00:41:53.177 --> 00:41:56.814
TO BEING NORMAL.
549
00:41:56.881 --> 00:41:58.816
>> Announcer: THE 56th ACADEMY
OF COUNTRY MUSIC AWARDS,
550
00:41:58.883 --> 00:42:01.952
SPONSORED BY: T-MOBILE, THE
LEADER IN 5G.
551
00:42:02.019 --> 00:42:06.390
AMERICA'S LARGEST, FASTEST, AND
NOW MOST RELIABLE 5G NETWORK.
552
00:42:09.193 --> 00:42:12.396
>> Announcer: THE 56th ACADEMY
OF COUNTRY MUSIC AWARDS WILL
553
00:42:12.463 --> 00:42:14.164
CONTINUE.
THIS IS CBS
554
00:42:17.301 --> 00:42:19.003
>> WELL, HEY, EVERYBODY.
555
00:42:19.069 --> 00:42:23.340
I AM SO PLEASED AND PROUD TO
INTRODUCE MY DEAR FRIEND, CARRIE
556
00:42:23.407 --> 00:42:24.575
UNDERWOOD, TONIGHT.
557
00:42:24.642 --> 00:42:29.613
I HAVE ALWAYS ADMIRED CARRIE'S
INCREDIBLE TALENT, BUT I AM JUST
558
00:42:29.680 --> 00:42:31.916
AS IMPRESSED WITH HER PERSONAL
QUALITIES-- HER COMPASSION,
559
00:42:31.982 --> 00:42:37.721
KINDNESS, GENEROSITY, AND, MOST
OF ALL, THE POWERFUL FAITH THAT
560
00:42:37.788 --> 00:42:38.923
WE BOTH SHARE.
561
00:42:38.989 --> 00:42:42.860
NOW, HER PERFORMANCE TONIGHT
SPEAKS TO THAT FAITH IN A MEDLEY
562
00:42:42.927 --> 00:42:47.131
FROM HER NEW GOSPEL HYMNS ALBUM,
"MY SAVIOR," WHICH I KNOW IS A
563
00:42:47.197 --> 00:42:51.335
TRUE PASSION PROJECT FOR HER.
564
00:42:51.402 --> 00:42:56.874
LADIES AND GENTLEMEN, CARRIE
UNDERWOOD.
565
00:42:56.941 --> 00:43:07.351
( CHEERS AND APPLAUSE )
♪ AMAZING GRACE
566
00:43:07.418 --> 00:43:19.363
HOW SWEET THE SOUND
♪ THAT SAVED A WRETCH
567
00:43:19.430 --> 00:43:31.709
LIKE ME
♪ I ONCE WAS LOST
568
00:43:31.775 --> 00:43:41.752
BUT NOW I'M FOUND
♪ WAS BLIND, BUT NOW
569
00:43:41.819 --> 00:43:47.358
BUT NOW I'M FOUND
♪ WAS BLIND, BUT NOW
570
00:43:47.424 --> 00:43:59.236
I SEE
♪ ♪ ♪
571
00:43:59.303 --> 00:44:03.107
♪ GREAT IS THY FAITHFULNESS
O GOD MY FATHER
572
00:44:03.173 --> 00:44:11.348
♪ THERE IS NO SHADOW
OF TURNING WITH THEE
573
00:44:11.415 --> 00:44:19.323
♪ THOU CHANGEST NOT
THY COMPASSIONS
574
00:44:19.390 --> 00:44:23.360
♪ THEY FAIL NOT
AS THOU HAST BEEN
575
00:44:23.427 --> 00:44:31.802
♪ THOU FOREVER WILL BE
GREAT IS THY FAITHFULNESS
576
00:44:31.869 --> 00:44:39.343
♪ GREAT IS THY FAITHFULNESS
MORNING BY MORNING
577
00:44:39.410 --> 00:44:47.351
♪ NEW MERCIES I SEE
ALL I HAVE NEEDED
578
00:44:47.418 --> 00:44:55.359
♪ THY HAND HATH PROVIDED
GREAT IS THY FAITHFULNESS
579
00:44:55.426 --> 00:45:05.402
♪ LORD, UNTO ME
SUMMER AND WINTER
580
00:45:05.469 --> 00:45:11.675
♪ LORD, UNTO ME
SUMMER AND WINTER
581
00:45:16.547 --> 00:45:19.349
♪ SPRINGTIME AND HARVEST
SUN, MOON AND STARS
582
00:45:19.416 --> 00:45:25.722
♪ IN THEIR COURSES ABOVE
JOIN WITH ALL NATURE
583
00:45:25.789 --> 00:45:35.332
♪ IN MANIFOLD WITNESS
T THY GREAT FAITHFULNESS
584
00:45:35.399 --> 00:45:43.340
♪ MERCY, AND LOVE
GREAT IS THY FAITHFULNESS
585
00:45:43.407 --> 00:45:47.044
♪ GREAT IS THY FAITHFULNESS
MORNING BY MORNING
586
00:45:47.111 --> 00:45:59.356
♪ NEW MERCIES I SEE
ALL I HAVE NEEDED
587
00:45:59.423 --> 00:46:05.429
♪ THY HAND HATH PROVIDED
GREAT IS THY FAITHFULNESS
588
00:46:05.496 --> 00:46:19.109
GREAT IS THY FAITHFULNESS
♪ GREAT IS THY FAITHFULNESS
589
00:46:19.176 --> 00:46:30.754
( CHEERS AND APPLAUSE )
♪ LORD, UNTO ME
590
00:46:30.821 --> 00:46:31.822
♪ SO I'LL CHERISH
THE OLD RUGGED CROSS
591
00:46:31.889 --> 00:46:37.728
♪ 'TIL MY TROPHIES AT LAST
I LAY DOWN
592
00:46:37.794 --> 00:46:42.966
♪ I WILL CLING TO THE
OLD RUGGED CROSS
593
00:46:43.033 --> 00:46:54.878
♪ AND EXCHANGE IT SOMEDAY
FOR A CROWN
594
00:46:54.945 --> 00:46:59.349
♪ OOH, OOH
YEAH, AH
595
00:46:59.416 --> 00:47:06.223
♪ OOH, OOH
YEAH, AH
596
00:47:06.290 --> 00:47:07.524
♪ OOH, OOH
♪ YES, I'LL CHERISH THE
597
00:47:07.591 --> 00:47:18.869
OLD RUGGED CROSS
♪ THANK YOU, JESUS
598
00:47:18.936 --> 00:47:21.338
♪ YES, I'LL CHERISH THE
OLD RUGGED CROSS
599
00:47:21.405 --> 00:47:27.444
♪ 'TIL MY TROPHIES AT LAST
I LAY DOWN
600
00:47:27.511 --> 00:47:35.419
♪ I WILL CLING TO THE
OLD RUGGED CROSS
601
00:47:35.485 --> 00:47:38.855
♪ AND EXCHANGE IT SOMEDAY
FOR A CROWN
602
00:47:38.922 --> 00:47:47.397
♪ YES, I'LL CHERISH THE
OLD RUGGED CROSS
603
00:47:47.464 --> 00:47:59.409
♪ AND EXCHANGE IT SOMEDAY
FOR A CROWN ♪
604
00:47:59.476 --> 00:48:10.020
( CHEERS AND APPLAUSE )
♪ WHEN CHRIST SHALL COME
605
00:48:10.087 --> 00:48:19.429
WITH SHOUT OF ACCLAMATION
♪ AND TAKE ME HOME
606
00:48:19.496 --> 00:48:31.408
WHAT JOY SHALL FILL MY HEART
♪ THEN I SHALL BOW
607
00:48:31.475 --> 00:48:39.416
IN HUMBLE ADORATION
♪ AND THEN PROCLAIM, MY GOD
608
00:48:39.483 --> 00:48:47.424
HOW GREAT THOU ART
♪ THEN SINGS MY SOUL
609
00:48:47.491 --> 00:48:58.502
MY SAVIOR GOD TO THEE
♪ HOW GREAT THOU ART
610
00:48:58.568 --> 00:49:11.415
HOW GREAT THOU ART
♪ THEN SINGS MY SOUL
611
00:49:11.481 --> 00:49:19.423
MY SAVIOR GOD TO THEE
♪ HOW GREAT THOU ART
612
00:49:19.489 --> 00:49:29.466
HOW GREAT THOU ART
♪ HOW GREAT THOU ART
613
00:49:29.533 --> 00:49:35.372
HOW GREAT THOU ART
♪ HOW GREAT THOU ART
614
00:49:35.439 --> 00:49:43.580
( CHEERS AND APPLAUSE )
HOW GREAT THOU ART ♪
615
00:49:43.647 --> 00:49:55.425
( CHEERS AND APPLAUSE )
( CHEERS AND APPLAUSE )
616
00:49:55.492 --> 00:50:07.003
♪ ♪ ♪
( CHEERS AND APPLAUSE )
617
00:50:07.070 --> 00:50:19.583
( CHEERS AND APPLAUSE )
UNBELIEVABLE.
618
00:50:19.649 --> 00:50:23.487
OH MY GOSH. WHAT CAN I SAY
ABOUT ARTISTS LIKE CARRIE
619
00:50:23.553 --> 00:50:27.257
UNDERWOOD, ONE OF OUR REIGNING
ENTS TIERNS OF THE YEAR AND
620
00:50:27.324 --> 00:50:30.227
GOSPEL ICON CECE WINANS OTHER
THAN THE FACT THAT THE ONLY
621
00:50:30.293 --> 00:50:34.564
THING MORE REMARKABLE THAN THEIR
TALENT ARE THE WOMEN THEMSELVES.
622
00:50:34.631 --> 00:50:37.534
THANK YOU SO MUCH CARRIE AND
C.E.O. C.E.O. FOR SHARING THOSE
623
00:50:37.601 --> 00:50:38.435
SONGS WITH US.
624
00:50:38.502 --> 00:50:39.336
MY WORD.
625
00:50:39.403 --> 00:50:42.706
SO GOOD. ALL RIGHT.
626
00:50:42.773 --> 00:50:46.376
HERE'S NOWR GUY THAT LIGHTS UP
EVERY STAGE, WHAT AM I TALKING
627
00:50:46.443 --> 00:50:49.045
ABOUT, HE BURNS THEM DOWN,
WHETHER PLAYING AN INTIMATE
628
00:50:49.112 --> 00:50:52.149
CLUB, WHETHER HE'S PLAYING THE
SUPER BOWL.
629
00:50:52.215 --> 00:50:55.252
HE IS THE REAL DEAL, HE IS JUST
PHENOMENAL AND HIS AUDIENCE, OF
630
00:50:55.318 --> 00:50:59.556
COURSE, ARE AS INTENTION AND
IMPASSIONED AS HE IS.
631
00:50:59.623 --> 00:51:02.793
COMING FROM THE RYMAN AUDITORIUM
WITH A BRAND NEW SONG CALLED A
632
00:51:02.859 --> 00:51:06.797
BUNCH OF NOTHING, ALSO NOMINATED
FOR ENTERTAINER OF THE YEAR, MY
633
00:51:06.863 --> 00:51:13.003
GOOD BUDDY ERIC CHURCH.
634
00:51:13.069 --> 00:51:21.011
♪ ♪ ♪
♪ ♪ ♪
635
00:51:21.077 --> 00:51:26.283
♪ WHY THE LONG FACE THERE, SAMMY
WHY'D YOU COME DRAGGIN' IN HERE
636
00:51:26.349 --> 00:51:28.685
♪ NOW SIT DOWN, BOY
BEFORE YOU HURT YOURSELF
637
00:51:28.752 --> 00:51:32.489
♪ AND I'LL LET YOU
BEND MY EAR
638
00:51:32.556 --> 00:51:33.857
♪ LOVE IS A BITCH
AIN'T IT, BUDDY
639
00:51:33.924 --> 00:51:37.027
♪ WHEN BABY TURNS THE TABLES ON
YOUR HEAD
640
00:51:37.093 --> 00:51:40.096
♪ I KNOW YOU CAME IN HERE TO
BRING BACK HER LEAVING
641
00:51:40.163 --> 00:51:45.335
♪ I'LL LEAVE YOU WITH THIS
INSTEAD
642
00:51:45.402 --> 00:51:47.204
♪ I KNOW EVERY HOLE IN THE
CLINCH RIVER
643
00:51:47.270 --> 00:51:49.739
♪ AND I KNOW HOW TO FIND
THEM BASS
644
00:51:49.806 --> 00:51:53.944
♪ I KNOW HOW TO TUNE A
SIX-STRING MARTIN
645
00:51:54.010 --> 00:51:55.312
♪ AND KICK SATURDAY IN
THE ASS
646
00:51:55.378 --> 00:51:58.648
♪ I KNOW HOW TO MAKE
THAT MOON SHINE
647
00:51:58.715 --> 00:52:00.717
♪ I KNOW YOU WANT YOUR
SUNSHINE BACK
648
00:52:00.784 --> 00:52:04.354
♪ I KNOW A WHOLE LOTTA 'BOUT
A LIL' SOMETHIN', SOMETHIN'
649
00:52:04.421 --> 00:52:07.224
♪ AND A WHOLE BUNCH OF NOTHING
'BOUT THAT
650
00:52:07.290 --> 00:52:13.597
♪ A WHOLE BUNCH OF NOTHING
'BOUT THAT
651
00:52:13.663 --> 00:52:15.265
♪ ♪ ♪
♪ ♪ ♪
652
00:52:15.332 --> 00:52:19.936
♪ BEFORE MY MIND TOOK A VACATION
I HAD A SITUATION LIKE YOU GOT
653
00:52:20.003 --> 00:52:23.206
♪ THEY TELL ME THAT I HAD A
GOOD WOMAN GONE BAD
654
00:52:23.273 --> 00:52:25.942
♪ BUT I CAN'T REMEMBER
WHAT I FORGOT
655
00:52:26.009 --> 00:52:29.045
♪ NOW JUST KICK BACK AND
LISTEN UP, SON
656
00:52:29.112 --> 00:52:31.248
♪ I'LL HELP YOU GET TO
WHERE I AM
657
00:52:31.314 --> 00:52:35.218
♪ GET YOU GOING FULL THROTTLE
AND LEANIN' ON THE BOTTLE
658
00:52:35.285 --> 00:52:37.587
♪ AND SOME BAIT IN A COFFEE CAN
WELL
659
00:52:37.654 --> 00:52:39.256
♪ I KNOW EVERY HOLE IN THE
CLINCH RIVER
660
00:52:39.322 --> 00:52:43.059
♪ AND I KNOW HOW TO FIND
THEM BASS
661
00:52:43.126 --> 00:52:45.562
♪ I KNOW HOW TO TUNE A
SIX-STRING MARTIN
662
00:52:45.629 --> 00:52:48.431
♪ AND KICK SATURDAY IN
THE ASS
663
00:52:48.498 --> 00:52:50.901
♪ I KNOW HOW TO MAKE
THAT MOON SHINE
664
00:52:50.967 --> 00:52:54.404
♪ I KNOW YOU WANT YOUR
SUNSHINE BACK
665
00:52:54.471 --> 00:52:55.772
♪ I KNOW A WHOLE LOTTA 'BOUT
A LIL' SOMETHIN', SOMETHIN'
666
00:52:55.839 --> 00:52:59.209
♪ AND A WHOLE BUNCH OF NOTHING
'BOUT THAT
667
00:52:59.276 --> 00:53:03.213
♪ A WHOLE BUNCH OF NOTHING
'BOUT THAT
668
00:53:03.280 --> 00:53:07.717
♪ I KNOW WHERE TO GO
AND YOU KNOW HOW TO GET THERE
669
00:53:07.784 --> 00:53:12.322
♪ OFF YOU GO, HIT THE ROAD
BUZZ AND A POLE
670
00:53:12.389 --> 00:53:22.933
♪ A WING AND A PRAYER
♪ ♪ ♪
671
00:53:22.999 --> 00:53:29.306
♪ ♪ ♪
♪ ♪ ♪
672
00:53:29.372 --> 00:53:31.207
>> NOW, COME ON, CHILDREN!
673
00:53:31.274 --> 00:53:37.614
♪ ♪ ♪
♪ ♪ ♪
674
00:53:37.681 --> 00:53:40.650
♪ ♪ ♪
♪ I KNOW EVERY HOLE IN THE
675
00:53:40.717 --> 00:53:43.219
CLINCH RIVER
♪ AND I KNOW HOW TO FIND
676
00:53:43.286 --> 00:53:46.189
THEM BASS
♪ I KNOW HOW TO TUNE A
677
00:53:46.256 --> 00:53:49.059
SIX-STRING MARTIN
♪ AND KICK SATURDAY IN
678
00:53:49.125 --> 00:53:51.227
THE ASS
♪ I KNOW HOW TO MAKE
679
00:53:51.294 --> 00:53:54.764
THAT MOON SHINE
♪ I KNOW YOU WANT YOUR
680
00:53:54.831 --> 00:53:57.100
SUNSHINE BACK
♪ I KNOW A WHOLE LOTTA 'BOUT
681
00:53:57.167 --> 00:53:59.202
A LIL' SOMETHIN', SOMETHIN'
♪ AND A WHOLE BUNCH OF NOTHING
682
00:53:59.269 --> 00:54:01.605
'BOUT THAT
♪ A WHOLE BUNCH OF NOTHING
683
00:54:01.671 --> 00:54:11.214
'BOUT THAT ♪
♪ ♪ ♪
684
00:54:11.281 --> 00:54:13.917
♪ A WHOLE BUNCH OF NOTHING
♪ ♪ ♪
685
00:54:13.984 --> 00:54:18.722
♪ A WHOLE BUNCH OF NOTHING
'BOUT THAT ♪
686
00:54:18.788 --> 00:54:21.424
♪ ♪ ♪
♪ ♪ ♪
687
00:54:21.491 --> 00:54:32.969
♪ A WHOLE BUNCH OF NOTHING
♪ ♪ ♪
688
00:54:33.036 --> 00:54:42.178
( CHEERS AND APPLAUSE )
>> Announcer: NOW, TAKING THE
689
00:54:42.245 --> 00:54:47.217
STAGE AT THE BLUEBIRD CAFÉ,
VOCAL DUO NOMINEES DAN + SHAY.
690
00:54:47.283 --> 00:54:50.820
♪ ♪ ♪
♪ HERE'S TO ALL
691
00:54:50.887 --> 00:54:52.722
THE LATE NIGHT DRUNK PHONE CALLS
♪ THAT YOU PICKED UP
692
00:54:52.789 --> 00:54:59.062
HERE'S TO ALL THE BAD DECISIONS
♪ THAT YOU DIDN'T JUDGE
693
00:54:59.129 --> 00:55:00.463
ALL THE "LOVE YOUs" AND
♪ THE "HATE YOUs" AND THE
694
00:55:00.530 --> 00:55:01.931
SECRETS THAT YOU TOLD ME
♪ HERE'S TO EVERYONE
695
00:55:07.103 --> 00:55:09.372
BUT MOSTLY US
♪ THERE'S A COUPLE BILLION
696
00:55:09.439 --> 00:55:14.878
PEOPLE IN THE WORLD
♪ AND A MILLION OTHER PLACES
697
00:55:14.944 --> 00:55:17.580
WE COULD BE
♪ BUT YOU'RE HERE WITH ME
698
00:55:17.647 --> 00:55:23.620
TAKE A MOMENT JUST TO TAKE IT IN
♪ 'CAUSE EVERY HIGH
699
00:55:23.687 --> 00:55:24.821
AND EVERY LOW
♪ LED TO THIS
700
00:55:24.888 --> 00:55:36.466
I'M JUST SO GLAD YOU EXIST
OOOH
701
00:55:36.533 --> 00:55:38.868
OOOH
♪ HEY, LOOK WHAT A HELLO FROM A
702
00:55:38.935 --> 00:55:42.138
STRANGER TURNED INTO
♪ CAUGHT UP IN A MOMENT
703
00:55:42.205 --> 00:55:47.310
LIKE IT'S JUST US IN THIS ROOM
♪ ALL THE RIGHT WORDS
704
00:55:47.377 --> 00:55:48.511
AT THE RIGHT TIME
♪ AND YOU KNOW 'EM
705
00:55:48.578 --> 00:55:51.881
'CAUSE YOU KNOW ME
♪ BETTER THAN ANYONE ELSE
706
00:55:51.948 --> 00:55:56.486
WE DON'T NEED ANYONE ELSE
♪ THERE'S A COUPLE BILLION
707
00:55:56.553 --> 00:56:00.623
PEOPLE IN THE WORLD
♪ AND A MILLION OTHER PLACES
708
00:56:00.690 --> 00:56:03.793
WE COULD BE
♪ BUT YOU'RE HERE WITH ME
709
00:56:03.860 --> 00:56:08.865
TAKE A MOMENT JUST TO TAKE IT IN
♪ 'CAUSE EVERY HIGH
710
00:56:08.932 --> 00:56:11.334
AND EVERY LOW
♪ LED TO THIS
711
00:56:11.401 --> 00:56:16.473
I'M JUST SO GLAD YOU EXIST
♪ OOOH
712
00:56:16.539 --> 00:56:20.477
OOOH
♪ OOOH
713
00:56:20.543 --> 00:56:24.481
OOOH
♪ DON'T YOU EVER GO
714
00:56:24.547 --> 00:56:27.150
DON'T YOU EVER GO
♪ DON'T YOU EVER GO CHANGING
715
00:56:27.217 --> 00:56:31.521
NEVER LET ME GO
♪ NEVER LET ME GO
716
00:56:31.588 --> 00:56:32.689
NEVER LET ME GO, BABY
♪ DON'T YOU EVER GO
717
00:56:32.756 --> 00:56:36.493
DON'T YOU EVER GO
♪ DON'T YOU EVER GO CHANGING
718
00:56:36.559 --> 00:56:38.461
NEVER LET ME GO
♪ NEVER, EVER LET ME GO
719
00:56:38.528 --> 00:56:44.400
NEVER LET ME GO, BABY
♪ THERE'S A COUPLE BILLION
720
00:56:44.467 --> 00:56:46.636
PEOPLE IN THE WORLD
♪ AND A MILLION OTHER PLACES
721
00:56:46.703 --> 00:56:49.606
WE COULD BE
♪ BUT YOU'RE HERE WITH ME
722
00:56:49.672 --> 00:56:55.178
TAKE A MOMENT JUST TO TAKE IT IN
♪ JUST TO TAKE IT IN
723
00:56:55.245 --> 00:56:57.046
'CAUSE EVERY HIGH AND EVERY LOW
♪ LED TO THIS
724
00:56:57.113 --> 00:57:06.990
I'M JUST SO GLAD YOU EXIST
♪ OOOH
725
00:57:07.056 --> 00:57:11.694
OOOH
I'M GLAD YOU EXIST
726
00:57:11.761 --> 00:57:12.929
( CHEERS AND APPLAUSE )
>> Announcer: ALAN JACKSON WITH
727
00:57:12.996 --> 00:57:16.833
A CLASSIC HIT, AND A PERFORMANCE
BY MIRANDA LAMBERT ARE ON THE
728
00:57:16.900 --> 00:57:18.635
WAY.
729
00:57:18.701 --> 00:57:21.271
PLUS, NEW MALE ARTIST WINNER,
JIMMIE ALLEN; AND NEXT, A
730
00:57:21.337 --> 00:57:24.908
SPECIAL MOMENT FEATURING
A DESERVING NASHVILLE VETERAN
731
00:57:24.974 --> 00:57:31.447
WHEN LUKE COMBS TEAMS UP WITH
FORD.
732
00:57:31.514 --> 00:57:32.549
THIS IS CBS.
733
00:57:32.615 --> 00:57:34.884
>> Announcer: THE 56th ACADEMY
OF COUNTRY MUSIC AWARDS.
734
00:57:34.951 --> 00:57:37.987
SPONSORED BY: SWIFFER-- STOP
CLEANING, START SWIFFERING.
735
00:57:45.128 --> 00:57:47.564
>> Announcer: WE'RE BACK AT THE
GRAND OLE OPRY HOUSE WITH
736
00:57:47.630 --> 00:57:50.900
ENTERTAINER OF THE YEAR NOMINEE
LUKE COMBS.
737
00:57:50.967 --> 00:57:54.137
>> THANKS TO FORD, I RECENTLY
MET UP WITH A TALENTED VETERAN
738
00:57:54.204 --> 00:57:56.539
NAMED DAMON WILLIAMS FROM THE
"GUITARS FOR VETS" PROGRAM.
739
00:57:56.606 --> 00:57:58.374
IT WAS AN HONOR AND A GREAT
EXPERIENCE.
740
00:57:58.441 --> 00:58:04.814
TAKE A LOOK.
741
00:58:04.881 --> 00:58:06.149
LAST
YEAR, A PARTNERSHIP OF THE BEST,
742
00:58:06.216 --> 00:58:09.018
IT IS A GREAT ORGANIZATION THAT
HELPS VETERANS COPE WITH PTSD
743
00:58:09.085 --> 00:58:12.222
THROUGH MUSIC BY TEACHING THEM
HOW TO PLAY GUITAR.
744
00:58:12.288 --> 00:58:16.492
>> FORD RECENTLY DONATED 500,000
TO GUITARS FOR VETS TO HELP THEM
745
00:58:16.559 --> 00:58:17.694
CONTINUE THEIR GREAT WORK.
746
00:58:17.760 --> 00:58:21.531
>> WE'RE VERY PROUD OF GUITARS
FOR VETS FOR HAVING GRADUATED
747
00:58:21.598 --> 00:58:23.299
OVER 5,000 VETERANS FROM THE
PROGRAM.
748
00:58:23.366 --> 00:58:27.871
THE DONATIONS FROM FORD ALLOW US
TO BUY THOUSANDS OF GUITARS SO
749
00:58:27.937 --> 00:58:31.574
MORE VETERAN-- VETERANS CAN
EXPERIENCE THE HEALING POWER OF
750
00:58:31.641 --> 00:58:32.842
MUSIC.
751
00:58:32.909 --> 00:58:35.178
>> WITH THE HELP OF GUITARS FOR
VETS HAVE I BEEN ABLE TO TAKE A
752
00:58:35.245 --> 00:58:37.247
SONG THAT I HAVE WRITTEN AND
SING TO MY DAUGHTER.
753
00:58:37.313 --> 00:58:39.482
>> I JUST COULDN'T HAVE DONE IT
WITHOUT THE PROGRAM.
754
00:58:39.549 --> 00:58:42.952
>> WE OWE SO MUCH TO OUR TROOPS
AND VETERANS SO I'M HONORED TO
755
00:58:43.019 --> 00:58:47.857
MEET UP AGAIN WITH SOME FOLKS
FROM GUITARS FOR VETS AND PLAY
756
00:58:47.924 --> 00:58:52.896
SOME MUSIC TOGETHER.
757
00:58:52.962 --> 00:58:55.231
>> HEY Y'ALL, HOW ARE YOU DOING.
758
00:58:55.298 --> 00:58:55.899
>> HEY, LUKE.
759
00:58:55.965 --> 00:58:57.433
>> GOOD TO SEE Y'ALL.
760
00:58:57.500 --> 00:58:59.102
>> I HEARD YOU WROTE A SONG.
761
00:58:59.168 --> 00:59:00.103
>> I WROTE A LITTLE SOMETHING.
762
00:59:00.169 --> 00:59:02.405
>> I BROWTS A GUITAR IF YOU WANT
TO PLAY IT.
763
00:59:02.472 --> 00:59:08.611
>> PLUG ME IN, COME ON.
764
00:59:08.678 --> 00:59:15.218
♪ HOLD ON.
765
00:59:15.285 --> 00:59:20.590
♪
♪ IT'S ALL RIGHT.
766
00:59:20.657 --> 00:59:21.758
♪.
767
00:59:21.824 --> 00:59:23.559
>> TO LEARN MORE ABOUT MY
PARTNERSHIP WITH GUITAR FOR VETS
768
00:59:23.626 --> 00:59:31.868
AND HOW YOU CAN HELP GO TO
FORDPROUDTOHODGE OR-- HONOR.COM.
769
00:59:31.935 --> 00:59:39.876
>> ALL RIGHT.
770
00:59:39.943 --> 00:59:50.253
♪ ♪ ♪
♪ A COLD BEER'S GOT 12 OUNCES
771
00:59:50.320 --> 00:59:55.058
A GOOD TRUCK'S GOT MAYBE 300,000
♪ YOU ONLY GET SO MUCH
772
00:59:55.124 --> 01:00:02.598
UNTIL IT'S GONE
♪ DURACELLS IN A MAGLITE
773
01:00:02.665 --> 01:00:07.837
A NEEDLE DROP ON A 45
♪ ARE THE KIND OF THINGS THAT
774
01:00:07.904 --> 01:00:14.644
ONLY LAST SO LONG
♪ WHEN THE NEW WEARS OFF
775
01:00:14.711 --> 01:00:21.551
AND THEY GET TO GETTING OLD
♪ SOONER OR LATER
776
01:00:21.617 --> 01:00:28.057
TIME'S GONNA TAKE ITS TOLL
♪ THEY SAY NOTHING LASTS FOREVER
777
01:00:28.124 --> 01:00:33.196
BUT THEY AIN'T SEEN US TOGETHER
♪ OR THE WAY THE MOONLIGHT
778
01:00:33.262 --> 01:00:43.172
DANCES IN YOUR EYES
♪ JUST A T-SHIRT IN THE KITCHEN
779
01:00:43.239 --> 01:00:47.176
WITH NO MAKE-UP AND A MILLION
♪ OTHER THINGS THAT I COULD
780
01:00:47.243 --> 01:00:52.382
LOOK AT MY WHOLE LIFE
♪ A LOVE LIKE THAT MAKES A MAN
781
01:00:52.448 --> 01:00:59.288
HAVE SECOND THOUGHTS
♪ MAYBE SOME THINGS LAST FOREVER
782
01:00:59.355 --> 01:01:09.332
AFTER ALL
♪ FM STATION ON THE OUTSKIRTS
783
01:01:09.399 --> 01:01:14.771
BLUE JEANS, AFTER YEARS OF
♪ SHIFT WORK
784
01:01:14.837 --> 01:01:18.775
ALL FADING OUT LIKE I ALWAYS
♪ KNEW THEY WOULD
785
01:01:18.841 --> 01:01:23.613
THE STRINGS ON THIS GUITAR
♪ THE FIRST LOVE LOST
786
01:01:23.679 --> 01:01:27.817
ON A YOUNG HEART
♪ THOSE THINGS ARE GONNA BREAK
787
01:01:27.884 --> 01:01:33.456
AFTER THE GETTING'S GOOD
♪ 'CAUSE THE NEW WEARS OFF
788
01:01:33.523 --> 01:01:43.166
AND THEY GET TO GETTING OLD
♪ YEAH, SOONER OR LATER
789
01:01:43.232 --> 01:01:47.036
TIME'S GONNA TAKE ITS TOLL
♪ THEY SAY NOTHING LASTS FOREVER
790
01:01:47.103 --> 01:01:55.144
BUT THEY AIN'T SEEN US TOGETHER
♪ OR THE WAY THE MOONLIGHT
791
01:01:55.211 --> 01:01:59.282
DANCES IN YOUR EYES
♪ JUST A T-SHIRT IN THE KITCHEN
792
01:01:59.348 --> 01:02:04.787
WITH NO MAKE-UP AND A MILLION
♪ OTHER THINGS THAT I COULD LOOK
793
01:02:04.854 --> 01:02:11.527
AT MY WHOLE LIFE
♪ A LOVE LIKE THAT MAKES A MAN
794
01:02:11.594 --> 01:02:17.967
HAVE SECOND THOUGHTS
♪ MAYBE SOME THINGS LAST FOREVER
795
01:02:18.034 --> 01:02:27.176
AFTER ALL
♪ ♪ ♪
796
01:02:27.243 --> 01:02:34.250
♪ ♪ ♪
♪ THEY SAY NOTHING LASTS FOREVER
797
01:02:34.317 --> 01:02:39.422
BUT THEY AIN'T SEEN US TOGETHER
♪ OR THE WAY THE MOONLIGHT
798
01:02:39.489 --> 01:02:45.595
DANCES IN YOUR EYES
♪ AND I KNOW THERE'LL BE
799
01:02:45.661 --> 01:02:49.932
THAT MOMENT
♪ THE GOOD LORD CALLS ONE OF US
800
01:02:49.999 --> 01:02:52.869
HOME, AND
♪ ONE WON'T HAVE THE OTHER
801
01:02:52.935 --> 01:02:56.939
BY THEIR SIDE
♪ BUT HEAVEN KNOWS THAT THAT
802
01:02:57.006 --> 01:03:04.881
WON'T LAST TOO LONG
♪ MAYBE SOME THINGS LAST FOREVER
803
01:03:04.947 --> 01:03:14.924
AFTER ALL
♪ AFTER ALL ♪
804
01:03:14.991 --> 01:03:20.830
AFTER ALL
♪ AFTER ALL ♪
805
01:03:20.897 --> 01:03:28.604
( CHEERS AND APPLAUSE )
>> Mickey: SO, SO GOOD.
806
01:03:28.671 --> 01:03:31.207
MY FELLOW TEXAN, MIRANDA
LAMBERT, IS THE MOST AWARDED
807
01:03:31.274 --> 01:03:39.248
ARTIST IN A.C.M. AWARDS HISTORY.
808
01:03:39.315 --> 01:03:40.283
I'M GOING TO SAY THAT AGAIN.
809
01:03:40.349 --> 01:03:42.051
MIRANDA LAMBERT IS THE MOST
AWARDED ARTIST IN ACM
810
01:03:42.118 --> 01:03:44.887
MIRANDA LAMBERT, IS THE MOST
AWARDED ARTIST IN A.C.M. AWARDS
811
01:03:44.954 --> 01:03:46.889
HISTORY.
812
01:03:46.956 --> 01:03:48.224
( CHEERS AND APPLAUSE )
I LOVE HOW SHE DESCRIBED HOW
813
01:03:48.291 --> 01:03:51.727
THE SONGS ON “THE MARFA TAPES”
COLLABORATION WITH JACK INGRAM
814
01:03:51.794 --> 01:03:55.231
AND JON RANDALL CAME ABOUT.
SHE SAID THE THREE OF THEM WOULD
815
01:03:55.298 --> 01:04:01.571
GET TOGETHER OUTDOORS IN MARFA,
TEXAS, SIT AROUND THE CAMPFIRE,
816
01:04:01.637 --> 01:04:02.805
UNWIND AND WRITE SONGS TOGETHER.
817
01:04:02.872 --> 01:04:06.309
THE END RESULT FROM THEIR TIME
TOGETHER: A MASTERPIECE.
818
01:04:06.375 --> 01:04:08.878
AND NOW, WITH A SPECIAL
PERFORMANCE OF “IN HIS ARMS,”
819
01:04:08.945 --> 01:04:14.817
THE FIRST SONG FROM “THE MARFA
TAPES” ALBUM, HERE ARE JACK, JON
820
01:04:14.884 --> 01:04:18.821
AND MIRANDA.
821
01:04:18.888 --> 01:04:28.864
( CHEERS AND APPLAUSE )
♪ ♪ ♪
822
01:04:28.931 --> 01:04:37.373
( CHEERS AND APPLAUSE )
♪ ♪ ♪
823
01:04:37.440 --> 01:04:42.511
♪ I'VE SEEN EL PASO
WHEN THE SKY WAS ON FIRE
824
01:04:42.578 --> 01:04:45.214
♪ LOST A NIGHT IN JUAREZ
A COUPLE OF TIMES
825
01:04:45.281 --> 01:04:50.152
♪ DANCED WITH A COWBOY
ON A STRAIGHT TEQUILA HIGH
826
01:04:50.219 --> 01:04:54.824
♪ I WISH I WAS
IN HIS ARMS TONIGHT
827
01:04:54.890 --> 01:05:06.802
♪ ♪ ♪
♪ I'VE BEEN A ROLLING STONE
828
01:05:06.869 --> 01:05:10.806
A TUMBLEWEED
♪ WAITING FOR THE RIGHT ONE
829
01:05:10.873 --> 01:05:17.480
TO COME FIND ME
♪ BUT THE WRONG ONE
830
01:05:17.546 --> 01:05:18.881
ALWAYS SET ME FREE
♪ I WISH I WAS
831
01:05:18.948 --> 01:05:26.789
IN HIS ARMS TONIGHT
♪ IS HE PLAYING IN SOME
832
01:05:26.856 --> 01:05:30.760
HOUSE BAND IN DALLAS
♪ IS HE BREAKING HORSES
833
01:05:30.826 --> 01:05:34.830
IN SAN ANTONE
♪ IS HE ALL ALONE
834
01:05:34.897 --> 01:05:38.801
IN THE NEON LIGHT
♪ I WISH I WAS
835
01:05:38.868 --> 01:05:48.844
IN HIS ARMS TONIGHT
♪ ♪ ♪
836
01:05:48.911 --> 01:05:54.817
IN HIS ARMS TONIGHT
♪ ♪ ♪
837
01:05:54.884 --> 01:06:02.792
♪ ♪ ♪
♪ IS HE PRAYING FOR RAIN
838
01:06:02.858 --> 01:06:08.364
OUT IN WEST TEXAS
♪ IS HE LOST IN THE MARFA LIGHTS
839
01:06:08.431 --> 01:06:14.804
IS HE OUT THERE LOOKING FOR ME
♪ WISHING I WAS IN
840
01:06:14.870 --> 01:06:19.208
HIS ARMS TONIGHT
♪ I WISH I WAS IN
841
01:06:19.275 --> 01:06:30.820
HIS ARMS TONIGHT
♪ ♪ ♪
842
01:06:30.886 --> 01:06:40.162
♪ ♪ ♪
( CHEERS AND APPLAUSE )
843
01:06:40.229 --> 01:06:42.898
>> Mickey: WHAT A BEAUTIFUL
PERFORMANCE.
844
01:06:42.965 --> 01:06:46.102
COMING UP NEXT AT THE RYMAN
AUDITORIUM IS COUNTRY LEGEND
845
01:06:46.168 --> 01:06:48.771
ALAN JACKSON.
PLUS, KENNY CHESNEY IN A
846
01:06:48.838 --> 01:06:50.573
PERFORMANCE YOU WON'T WANT TO
MISS.
847
01:06:50.639 --> 01:06:54.276
THIS IS CBS.
848
01:06:54.343 --> 01:06:56.946
>> Announcer: THE 56th ACADEMY
OF COUNTRY MUSIC AWARDS,
849
01:06:57.012 --> 01:06:58.080
SPONSORED BY: FORD.
850
01:06:58.147 --> 01:07:00.383
TO LEARN MORE ABOUT FORD-- PROUD
TO HONOR AND SUPPORT ITS
851
01:07:00.449 --> 01:07:02.618
PARTNERS, INCLUDING GUITARS 4
VETS-- VISIT:
852
01:07:02.685 --> 01:07:04.220
www.fordproudtohoor.com.
853
01:07:07.156 --> 01:07:09.992
>> Announcer: THE 56th ACADEMY
OF COUNTRY MUSIC AWARDS WILL
854
01:07:10.059 --> 01:07:11.961
CONTINUE.
THIS IS CBS
855
01:07:15.297 --> 01:07:16.532
>> HEY FOLKS, BRAD PAISLEY HERE.
856
01:07:16.599 --> 01:07:20.736
SO, I'M OUTSIDE THE BLUEBIRD
JIMMIE ALLEN, THE ACM NEW MALE
857
01:07:20.803 --> 01:07:22.538
ARTIST WINNER, IS ABOUT TO SING
OUR NEW DUET, "FREEDOM WAS A
858
01:07:22.605 --> 01:07:27.543
HIGHWAY," BUT HE THINKS I'M OUT
OF TOWN.
859
01:07:27.610 --> 01:07:30.713
SO, I HAVE DRIVEN UP HERE AND
I'M GONNA SURPRISE HIM AND GO IN
860
01:07:30.780 --> 01:07:31.747
AND JUST START SINGING.
861
01:07:31.814 --> 01:07:32.915
I HOPE THAT'S OKAY.
862
01:07:32.982 --> 01:07:36.752
WATCH THIS.
863
01:07:36.819 --> 01:07:38.454
>> Announcer: LADIES AND
GENTLEMEN, NEW MALE ARTIST
864
01:07:38.521 --> 01:07:42.458
WINNER JIMMIE ALLEN.
865
01:07:42.525 --> 01:07:45.227
♪ ♪ ♪
♪ ♪ ♪
866
01:07:45.294 --> 01:07:48.631
♪ SUNSET THROUGH A WINDSHIELD
I CAN SEE IT NOW
867
01:07:48.697 --> 01:07:58.307
♪ LIKE A PICTURE IN A FRAME
OOH
868
01:07:58.374 --> 01:08:02.478
♪ BLUE JEANS AND T-SHIRTS
WHO WE WERE
869
01:08:02.545 --> 01:08:04.346
♪ WE WORE IT LIKE A NAME
♪ I WISH I COULD GO
870
01:08:04.413 --> 01:08:06.449
BACK TO THOSE DAYS
♪ WHEN THE TOWN
871
01:08:06.515 --> 01:08:08.884
WAS THE WHOLE WORLD
♪ AND LOVE WAS
872
01:08:08.951 --> 01:08:12.621
THE GIRL NEXT DOOR
♪ SOUNDTRACK WAS
873
01:08:12.688 --> 01:08:15.591
A SONG IN THE DARK
♪ I MISS THOSE DAYS WHEN OUR
874
01:08:15.658 --> 01:08:21.864
DREAMS WERE THERE FOR CHASIN'
♪ BUT TIME WAS BETTER WASTED
875
01:08:21.931 --> 01:08:27.603
WE WERE SUMMER YOUNG
♪ AND LIVIN' FOR A FRIDAY
876
01:08:27.670 --> 01:08:37.246
AND FREEDOM WAS A HIGHWAY, OH
♪ FREEDOM WAS A HIGHWAY, OH
877
01:08:37.313 --> 01:08:39.348
♪ ♪ ♪
BARBWIRE ON A FENCE POST
878
01:08:39.415 --> 01:08:46.021
♪ WITH A CROSSWIND
ON A ROAD NO ONE WAS ON
879
01:08:46.088 --> 01:08:49.358
YEAH, YEAH, YEAH
♪ FIVE-DEEP WITH OUR HANDS UP
880
01:08:49.425 --> 01:08:55.130
JUST SINGIN' ALONG
♪ TO A HIP-HOP SONG
881
01:08:55.197 --> 01:08:56.799
I WISH I COULD REWIND AND REPLAY
♪ WHEN THE TOWN WAS
882
01:08:56.866 --> 01:09:00.236
THE WHOLE WORLD
♪ AND LOVE WAS
883
01:09:00.302 --> 01:09:02.371
THE GIRL NEXT DOOR
♪ SOUNDTRACK WAS
884
01:09:02.438 --> 01:09:04.273
A SONG IN THE DARK
♪ I MISS THOSE DAYS WHEN OUR
885
01:09:04.340 --> 01:09:07.276
DREAMS WERE THERE FOR CHASIN'
♪ BUT TIME WAS BETTER WASTED
886
01:09:07.343 --> 01:09:14.350
WE WERE SUMMER YOUNG AND
♪ LIVIN' FOR A FRIDAY
887
01:09:14.416 --> 01:09:26.795
AND FREEDOM WAS A HIGHWAY
♪ FREEDOM WAS A HIGHWAY
888
01:09:26.862 --> 01:09:36.839
FREEDOM WAS A HIGHWAY
♪ FREEDOM WAS A HIGHWAY
889
01:09:36.906 --> 01:09:42.344
FREEDOM WAS A HIGHWAY
♪ FREEDOM WAS A HIGHWAY
890
01:09:42.411 --> 01:09:45.481
( CHEERS AND APPLAUSE )
>> PRESENTING OUR NEXT AWARD AT
891
01:09:45.548 --> 01:09:50.386
THE GRAND OLE OPRY HOUSE, HERE'S
THE GREAT MARTINA McBRIDE.
892
01:09:50.452 --> 01:09:54.924
♪ ♪ ♪
>> THANKS, BRAD.
893
01:09:54.990 --> 01:09:58.360
I AM SO PROUD TO GIVE THIS AWARD
TONIGHT BECAUSE, FOR THE FIRST
894
01:09:58.427 --> 01:10:01.564
TIME IN A.C.M. AWARD
SHOW HISTORY, EVERY NOMINATED
895
01:10:01.630 --> 01:10:04.767
SONG IS PERFORMED BY A WOMAN!
896
01:10:04.833 --> 01:10:08.804
THAT'S RIGHT, THIS ONE'S FOR THE
GIRLS!
897
01:10:08.871 --> 01:10:10.239
( CHEERS AND APPLAUSE )
YEAH!
898
01:10:10.306 --> 01:10:13.809
HERE ARE THE NOMINEES FOR SINGLE
OF THE YEAR.
899
01:10:13.876 --> 01:10:18.380
>> Announcer: “BLUEBIRD,” BY
MIRANDA LAMBERT.“
900
01:10:18.447 --> 01:10:24.153
I HOPE,” BY GABBY BARRETT.“
I HOPE YOU'RE HAPPY NOW,” BY
901
01:10:24.219 --> 01:10:31.827
CARLY PEARCE AND LEE BRICE.“
MORE HEARTS THAN MINE," BY
902
01:10:31.894 --> 01:10:38.834
INGRID ANDRESS.“
THE BONES,” BY MAREN MORRIS.
903
01:10:38.901 --> 01:10:45.841
>> AND THE A.C.M. SINGLE OF THE
YEAR GOES TO:“
904
01:10:45.908 --> 01:10:51.180
I HOPE YOU'RE HAPPY NOW,” BY
CARLY PEARCE AND LEE BRICE.
905
01:10:51.246 --> 01:10:59.822
( CHEERS AND APPLAUSE )
♪ ♪ ♪
906
01:10:59.888 --> 01:11:07.830
♪ ♪ ♪
♪ I HOPE.
907
01:11:07.896 --> 01:11:10.332
♪.
908
01:11:10.399 --> 01:11:13.502
>> I CANNOT EVEN BELIEVE THIS,
OH MY GOODNESS.
909
01:11:13.569 --> 01:11:15.337
I'M GOING TO TRY REALLY HARD NOT
TO CRY.
910
01:11:15.404 --> 01:11:18.173
I LOVE COUNTRY MUSIC MORE THAN
ANYTHING IN THE WHOLE WORLD.
911
01:11:18.240 --> 01:11:21.910
YOU WANT TO THANK MY COWRITERS
LUKE COMBS, JONATHAN SINGLETON
912
01:11:21.977 --> 01:11:24.913
AND RANDY, WE WROTE THIS SONG
ABOUT MY STORY.
913
01:11:24.980 --> 01:11:27.182
AND I GUESS IT RESONATED WITH
EVERYBODY.
914
01:11:27.249 --> 01:11:30.285
THANK YOU SO MUCH, FOR
EVERYTHING, THANK YOU TO MY
915
01:11:30.352 --> 01:11:35.024
MANAGEMENT, MY RECORD LABEL AND
BUSBY, THIS-- BUSBEE, STH THE
916
01:11:35.090 --> 01:11:38.427
LAST SONG MY PRODUCER WORKED ON,
THANK YOU BUSBEE.
917
01:11:38.494 --> 01:11:40.229
>> I JUST WANT TO SAY THANK YOU.
918
01:11:40.295 --> 01:11:44.867
GOD PUTS PEOPLE IN YOUR LIVES,
FROM MY MANAGEMENT TO MY WIFE,
919
01:11:44.933 --> 01:11:48.504
WITHOUT PUTS UP WITH EVERYTHING,
EF RADIO HE DAY AND HELPS ME AND
920
01:11:48.570 --> 01:11:49.772
SUPPORTS ME.
921
01:11:49.838 --> 01:11:55.244
RECORD LABELS AND EVERYTHING BUT
PEOPLE, HE PUT PEOPLE IN MY LIFE
922
01:11:55.310 --> 01:11:58.881
SO THIS KIND OF STUFF CAN
HAPPEN, THANK YOU ALL, THANK YOU
923
01:11:58.947 --> 01:11:59.548
CARLY.
924
01:11:59.615 --> 01:12:03.052
>> THANK YOU FANS, THANK YOU!
925
01:12:03.118 --> 01:12:12.394
>> Announcer: WITH HIS SMASH H“"
KNOWING YOU," PLEASE WELCOME
926
01:12:12.461 --> 01:12:16.498
FOUR-TIME A.C.M. ENTERTAINER OF
THE YEAR, KENNY CHESNEY.
927
01:12:16.565 --> 01:12:23.205
♪ ♪ ♪
♪ ♪ ♪
928
01:12:23.272 --> 01:12:24.640
♪ KNOWIN' YOU
YOU PROBABLY GOT
929
01:12:24.707 --> 01:12:30.913
♪ YOUR TOES IN THE SAND
AT A BAR ON A BEACH
930
01:12:30.979 --> 01:12:37.486
♪ IN THE SUN SOMEWHERE
KNOWIN' YOU
931
01:12:37.553 --> 01:12:39.521
♪ YOU GOT SOMETHING COLD
IN YOUR HAND
932
01:12:39.588 --> 01:12:46.061
♪ CHATTIN' UP A STRANGER
WITHOUT A CARE
933
01:12:46.128 --> 01:12:52.534
♪ KNOWIN' YOU
YOU'RE STILL WILD AND FREE
934
01:12:52.601 --> 01:12:59.241
♪ AND KNOWIN' YOU
YOU'RE PROBABLY WAY OVER ME
935
01:12:59.308 --> 01:13:05.981
♪ BUT GOD, WE WERE
SO ALIVE
936
01:13:06.048 --> 01:13:09.985
♪ I WAS A KID ON A
CARNIVAL RIDE
937
01:13:10.052 --> 01:13:14.289
♪ HOLDIN' MY BREATH
'TIL THE MOMENT
938
01:13:14.356 --> 01:13:20.429
♪ WHEN YOU WERE GONNA LEAVE ME
TOO SOON
939
01:13:20.496 --> 01:13:26.001
♪ BUT I'D DO IT ALL OVER
'CAUSE DAMN
940
01:13:26.068 --> 01:13:31.807
♪ IT WAS GOOD KNOWIN' YOU
♪ ♪ ♪
941
01:13:31.874 --> 01:13:34.009
♪ ♪ ♪
♪ KNOWIN' YOU WAS A FREE FALL
942
01:13:34.076 --> 01:13:41.984
FROM A HUNDRED THOUSAND FEET
♪ WHEN YOU DON'T EVEN CARE
943
01:13:42.050 --> 01:13:45.888
WHERE YOU LAND
♪ AND KNOWIN' YOU
944
01:13:45.954 --> 01:13:49.324
WAS THE KIND OF RUSH
♪ THAT YOU FEEL
945
01:13:49.391 --> 01:13:55.964
WHEN YOU FINALLY
♪ GET TO SIT IN WITH THE BAND
946
01:13:56.031 --> 01:14:01.770
AND KNOWIN' YOU
♪ YOU'RE STILL A TUMBLEWEED
947
01:14:01.837 --> 01:14:08.143
I ONLY WISH THAT YOU WOULD
♪ TUMBLE BACK TO ME
948
01:14:08.210 --> 01:14:13.982
BUT GOD, WE WERE
♪ SO ALIVE
949
01:14:14.049 --> 01:14:18.353
I WAS A KID ON A
♪ CARNIVAL RIDE
950
01:14:18.420 --> 01:14:22.324
HOLDIN' MY BREATH
♪ 'TIL THE MOMENT
951
01:14:22.391 --> 01:14:29.998
WHEN YOU WERE GONNA LEAVE ME
♪ TOO SOON
952
01:14:30.065 --> 01:14:34.002
BUT I'D DO IT ALL OVER
♪ 'CAUSE DAMN, IT WAS GOOD
953
01:14:34.069 --> 01:14:38.407
KNOWIN' YOU
♪ ♪ ♪
954
01:14:38.473 --> 01:14:44.413
♪ ♪ ♪
♪ ♪ ♪
955
01:14:44.479 --> 01:14:47.349
♪ ♪ ♪
♪ ♪ ♪
956
01:14:47.416 --> 01:14:50.419
♪ KNOWIN' YOU
YOU'RE STILL A TUMBLEWEED
957
01:14:50.485 --> 01:14:57.993
♪ I ONLY WISH THAT YOU WOULD
TUMBLE BACK TO ME
958
01:14:58.060 --> 01:15:06.001
♪ 'CAUSE GOD, WE WERE
SO ALIVE
959
01:15:06.068 --> 01:15:10.005
♪ I WAS A KID ON A
CARNIVAL RIDE
960
01:15:10.072 --> 01:15:14.142
♪ HOLDIN' MY BREATH
'TIL THE MOMENT
961
01:15:14.209 --> 01:15:20.415
♪ WHEN YOU WERE GONNA LEAVE ME
TOO SOON
962
01:15:20.482 --> 01:15:25.988
♪ BUT I'D DO IT ALL OVER
'CAUSE DAMN, IT WAS GOOD
963
01:15:26.054 --> 01:15:29.992
♪ I'D DO IT ALL OVER
'CAUSE DAMN
964
01:15:30.058 --> 01:15:38.000
♪ IT WAS GOOD KNOWIN' YOU ♪
♪ ♪ ♪
965
01:15:38.066 --> 01:15:46.108
♪ ♪ ♪
♪ ♪ ♪
966
01:15:46.174 --> 01:15:53.282
♪ ♪ ♪
♪ ♪ ♪
967
01:15:53.348 --> 01:15:57.986
♪ ♪ ♪
♪ ♪ ♪
968
01:15:58.053 --> 01:16:05.994
♪ ♪ ♪
♪ ♪ ♪
969
01:16:06.061 --> 01:16:12.200
♪ ♪ ♪
♪ ♪ ♪
970
01:16:12.267 --> 01:16:18.006
♪ ♪ ♪
♪ ♪ ♪
971
01:16:18.073 --> 01:16:21.710
♪ ♪ ♪
♪ ♪ ♪
972
01:16:37.926 --> 01:16:41.330
>> THE THING I MISSED THE MOST
DURING THIS ENTIRE TIME IN THE
973
01:16:41.396 --> 01:16:42.531
PANDEMIC IS THE MUSIC.
974
01:16:42.597 --> 01:16:47.102
>> I LOVE PLAYING TO A LIVE
AUDIENCE, THERE IS NOTHING LIKE
975
01:16:47.169 --> 01:16:48.337
IT.
976
01:16:48.403 --> 01:16:51.073
>> THE COVID-19 VACCINE IS GOING
TO HELP US ALL GET BACK TO THE
977
01:16:51.139 --> 01:16:51.974
MOMENT WE MISSED.
978
01:16:52.040 --> 01:16:54.810
>> IT IS TOTALLY NORMAL TO HAVE
QUESTIONS.
979
01:16:54.876 --> 01:16:55.911
I DO TOO.
980
01:16:55.978 --> 01:16:58.213
>> THAT IS WHY IT IS SO
IMPORTANT TO GET INVOLVED, TO
981
01:16:58.280 --> 01:17:04.720
ASK YOUR DOCTOR, TO GET THE
>> Announcer: WE'RE BACK, FROM
982
01:17:04.786 --> 01:17:09.091
NASHVILLE, WITH FEMALE ARTIST
AND ALBUM OF THE YEAR NOMINEE,
983
01:17:09.157 --> 01:17:14.830
ASHLEY McBRYDE.
984
01:17:14.896 --> 01:17:17.199
♪ ♪ ♪
♪ I'VE GOT THIS FEELING
985
01:17:17.265 --> 01:17:24.439
AND I GOT THIS SHOVEL
♪ BETWEEN ME AND YOU AND IT
986
01:17:24.506 --> 01:17:30.312
YOU'RE IN A LITTLE TROUBLE
♪ I SAW YOU SNEAKING
987
01:17:30.379 --> 01:17:37.452
AND I KNOW WHAT HAPPENED
♪ I THINK IT'S KINDA FUNNY
988
01:17:37.519 --> 01:17:40.822
YOU GOT CAUGHT ONLY
♪ I AIN'T LAUGHING
989
01:17:40.889 --> 01:17:47.529
MARTHA DIVINE
♪ MARTHA DIVINE
990
01:17:47.596 --> 01:17:56.805
YOU PUT YOUR HANDS ON THE
♪ WRONG DAMN MAN THIS TIME
991
01:17:56.872 --> 01:18:02.644
JEZEBEL
♪ YOU'RE BOUND FOR HELL
992
01:18:02.711 --> 01:18:06.081
BUT EVIDENTLY
♪ THE DEVIL WAS BUSY
993
01:18:06.148 --> 01:18:12.654
SO I MOVED YOU UP IN LINE
♪ MARTHA DIVINE
994
01:18:12.721 --> 01:18:20.395
WELL, YOU CALL HIM DARLING
♪ AND I CALL HIM DADDY
995
01:18:20.462 --> 01:18:26.168
AND DADDY SAYS HE'LL WHUP ME
♪ IF I DON'T KEEP MAMA HAPPY
996
01:18:26.234 --> 01:18:33.675
HONOR THY FATHER
♪ HONOR THY MOTHER
997
01:18:33.742 --> 01:18:38.346
BUT THE BIBLE DOESN'T SAY
♪ A DAMN THING ABOUT
998
01:18:38.413 --> 01:18:44.786
YOUR DADDY'S LOVER
♪ MARTHA DIVINE
999
01:18:44.853 --> 01:18:50.625
MARTHA DIVINE
♪ PUT YOUR HANDS ON THE WRONG
1000
01:18:50.692 --> 01:18:57.899
DAMN MAN THIS TIME
♪ JEZEBEL
1001
01:18:57.966 --> 01:19:05.540
YOU'RE BOUND FOR HELL
♪ BUT EVIDENTLY
1002
01:19:05.607 --> 01:19:08.810
THE DEVIL WAS BUSY
♪ SO I MOVED YOU UP IN LINE
1003
01:19:08.877 --> 01:19:14.349
MARTHA DIVINE
♪ ♪ ♪
1004
01:19:14.416 --> 01:19:26.161
♪ ♪ ♪
♪ ♪ ♪
1005
01:19:26.228 --> 01:19:29.464
♪ ♪ ♪
♪ ♪ ♪
1006
01:19:29.531 --> 01:19:32.801
♪ ♪ ♪
♪ MAMA'S AN ANGEL
1007
01:19:32.868 --> 01:19:38.507
MY DADDY ISN'T
♪ LOOKS LIKE A LITTLE MORE
1008
01:19:38.573 --> 01:19:43.545
OF HIM RUBBED OFF ON ME
♪ THAN DIDN'T
1009
01:19:43.612 --> 01:19:50.352
WELL, I'LL LEAVE YOU TO IT
♪ THEY'LL NEVER PROVE IT
1010
01:19:50.418 --> 01:19:54.356
AND IF THEY EVER
♪ FIND OUT I'LL SAY
1011
01:19:54.422 --> 01:20:02.364
"THE DEVIL MADE ME DO IT"
♪ MARTHA DIVINE
1012
01:20:02.430 --> 01:20:08.336
MARTHA DIVINE
♪ YOU PUT YOUR HANDS ON THE
1013
01:20:08.403 --> 01:20:18.346
WRONG DAMN MAN THIS TIME
♪ MARTHA DIVINE
1014
01:20:18.413 --> 01:20:21.216
YOUR ASS IS MINE
♪ AND IT AIN'T MURDER
1015
01:20:21.283 --> 01:20:30.192
IF I BURY YOU ALIVE
♪ MARTHA DIVINE ♪
1016
01:20:30.258 --> 01:20:34.329
>> NOW, AT THE RYMAN AUDITORIUM,
HERE'S SEVEN-TIME A.C.M. WINNER,
1017
01:20:34.396 --> 01:20:38.366
ALAN JACKSON.
1018
01:20:38.433 --> 01:20:40.835
♪ ♪ ♪
♪ IT'S PAINTED RED
1019
01:20:40.902 --> 01:20:43.772
THE STRIPE WAS WHITE
♪ IT WAS 18 FEET
1020
01:20:43.838 --> 01:20:47.809
FROM THE BOW TO STERN LIGHT
♪ SECONDHAND
1021
01:20:47.876 --> 01:20:51.646
FROM A DEALER IN ATLANTA
♪ I RODE UP WITH DADDY
1022
01:20:51.713 --> 01:20:56.818
WHEN HE WENT THERE TO GET HER
♪ PUT ON A SHINE
1023
01:20:56.885 --> 01:20:59.154
PUT ON A MOTOR
♪ BUILT OUT OF LOVE
1024
01:20:59.221 --> 01:21:02.991
MADE FOR THE WATER
♪ RAN HER FOR YEARS
1025
01:21:03.058 --> 01:21:06.895
'TIL THE TRANSOM GOT ROTTEN
♪ A PIECE OF MY CHILDHOOD
1026
01:21:06.962 --> 01:21:09.931
WILL NEVER BE FORGOTTEN
♪ IT WAS
1027
01:21:09.998 --> 01:21:14.603
JUST AN OLD PLYWOOD BOAT
♪ A '75 JOHNSON
1028
01:21:14.669 --> 01:21:18.406
WITH ELECTRIC CHOKE
♪ A YOUNG BOY
1029
01:21:18.473 --> 01:21:22.344
TWO HANDS ON THE WHEEL
♪ I CAN'T REPLACE THE WAY
1030
01:21:22.410 --> 01:21:26.348
IT MADE ME FEEL
♪ AND I WOULD TURN HER SHARP
1031
01:21:26.414 --> 01:21:29.718
AND I WOULD MAKE IT WHINE
♪ HE'D SAY, YOU CAN'T BEAT
1032
01:21:29.784 --> 01:21:33.588
THE WAY AN OLD WOOD BOAT RIDES
♪ JUST A LITTLE LAKE
1033
01:21:33.655 --> 01:21:37.192
ACROSS THE ALABAMA LINE
♪ BUT I WAS KING OF THE OCEAN
1034
01:21:37.259 --> 01:21:44.799
WHEN DADDY LET ME DRIVE
♪ ♪ ♪
1035
01:21:44.866 --> 01:21:56.244
♪ ♪ ♪
♪ I'M GROWN UP NOW
1036
01:21:56.311 --> 01:21:57.946
THREE DAUGHTERS OF MY OWN
♪ I LET THEM DRIVE MY OLD JEEP
1037
01:21:58.013 --> 01:21:59.347
ACROSS THE PASTURE AT OUR HOME
♪ MAYBE ONE DAY THEY'LL
1038
01:21:59.414 --> 01:22:02.751
REACH BACK IN THEIR FILE
♪ AND PULL OUT THAT OLD MEMORY
1039
01:22:02.817 --> 01:22:05.854
AND THINK OF ME AND SMILE
♪ AND SAY
1040
01:22:05.920 --> 01:22:10.358
IT WAS JUST AN OLD WORN OUT JEEP
♪ RUSTY OLD FLOOR BOARDS
1041
01:22:10.425 --> 01:22:14.329
HOT ON MY FEET
♪ A YOUNG GIRL
1042
01:22:14.396 --> 01:22:17.699
TWO HANDS ON THE WHEEL
♪ I CAN'T REPLACE THE WAY
1043
01:22:17.766 --> 01:22:22.370
IT MADE ME FEEL
♪ AND HE'D SAY TURN IT LEFT
1044
01:22:22.437 --> 01:22:25.573
AND STEER IT RIGHT
♪ STRAIGHTEN UP GIRL NOW
1045
01:22:25.640 --> 01:22:29.711
YOU'RE DOING JUST FINE
♪ JUST A LITTLE VALLEY BY
1046
01:22:29.778 --> 01:22:33.348
THE RIVER WHERE WE'D RIDE
♪ BUT I WAS HIGH ON A MOUNTAIN
1047
01:22:33.415 --> 01:22:46.161
WHEN DADDY LET ME DRIVE
♪ ♪ ♪
1048
01:22:46.227 --> 01:22:49.230
♪ ♪ ♪
♪ FIRST STEPS
1049
01:22:49.297 --> 01:22:51.766
FIRST WORDS
♪ SEEMS LIKE YESTERDAY
1050
01:22:51.833 --> 01:23:01.876
YOU WERE JUST A GIRL
♪ SKINNED KNEES
1051
01:23:01.943 --> 01:23:04.079
CLIMBIN' TREES
♪ ALL THOSE MEMORIES
1052
01:23:04.145 --> 01:23:12.087
SO CLOSE TO ME
♪ NOW YOU'RE A WOMAN
1053
01:23:12.153 --> 01:23:18.526
ON YOUR OWN
♪ ALL IN LOVE
1054
01:23:18.593 --> 01:23:25.266
AND NEARLY GONE
♪ BUT YOU'LL ALWAYS BE MY BABY
1055
01:23:25.333 --> 01:23:40.081
NO MATTER WHERE YOU ARE
♪ YOU'LL ALWAYS BE MY BABY
1056
01:23:40.148 --> 01:23:51.192
FOREVER IN MY HEART
♪ SO I SAY A PRAYER EVERYDAY
1057
01:23:51.259 --> 01:24:00.001
THAT GOD WILL GUIDE YOU
♪ AS YOU FIND YOUR WAY
1058
01:24:00.068 --> 01:24:10.278
YOU KNOW THAT I'M NEAR
♪ ANYTIME MY LOVE IS ALWAYS HERE
1059
01:24:10.345 --> 01:24:22.724
CAUSE YOU'LL ALWAYS BE MY BABY
♪ NO MATTER WHERE YOU ARE
1060
01:24:22.791 --> 01:24:35.437
YOU'LL ALWAYS BE MY BABY
♪ O FOREVER IN MY HEART
1061
01:24:35.503 --> 01:24:45.480
FOREVER IN MY HEART ♪
( CHEERS AND APPLAUSE )
1062
01:24:45.547 --> 01:24:52.353
FOREVER IN MY HEART ♪
( CHEERS AND APPLAUSE )
1063
01:24:57.459 --> 01:24:58.593
>> Announcer: BLAKE SHELTON
PERFORMS ON THE GRAND OLE OPRY
1064
01:24:58.660 --> 01:25:00.261
HOUSE STAGE, NEXT.
1065
01:25:00.328 --> 01:25:06.034
CARLY PEARCE DUETS WITH LEE
BRICE, AND, COMING UP, A BREATH-
1066
01:25:06.100 --> 01:25:09.070
TAKING PERFORMANCE BY HOST
MICKEY GUYTON.
1067
01:25:09.137 --> 01:25:10.638
THIS IS CBS.
1068
01:25:40.869 --> 01:25:43.771
>> Announcer: WE'RE BACK, IN
NASHVILLE, AT THE GRAND OLE OPRY
1069
01:25:43.838 --> 01:25:48.977
HOUSE WITH SIX-TIME A.C.M. AWARD
WINNER, BLAKE SHELTON.
1070
01:25:49.043 --> 01:25:54.749
♪ ♪ ♪
♪ ♪ ♪
1071
01:25:54.816 --> 01:25:58.786
♪ SHE LEFT WITHOUT
LEAVIN' A NUMBER
1072
01:25:58.853 --> 01:26:03.157
♪ SAID SHE NEEDED
TO CLEAR HER MIND
1073
01:26:03.224 --> 01:26:06.461
♪ HE FIGURED SHE'D
GONE BACK TO AUSTIN
1074
01:26:06.528 --> 01:26:11.332
♪ 'CAUSE SHE TALKED ABOUT IT
ALL THE TIME
1075
01:26:11.399 --> 01:26:19.073
♪ IT WAS ALMOST A YEAR
BEFORE SHE CALLED HIM UP
1076
01:26:19.140 --> 01:26:23.578
♪ THREE RINGS AND AN
ANSWERING MACHINE
1077
01:26:23.645 --> 01:26:30.451
♪ IS WHAT SHE GOT
IF YOU'RE CALLIN' 'BOUT THE CAR
1078
01:26:30.518 --> 01:26:34.455
♪ I SOLD IT
IF THIS IS TUESDAY NIGHT
1079
01:26:34.522 --> 01:26:37.692
♪ I'M BOWLIN'
IF YOU'VE GOT SOMETHIN' TO SELL
1080
01:26:37.759 --> 01:26:42.664
♪ YOUR WASTIN' YOUR TIME
I'M NOT BUYIN'
1081
01:26:42.730 --> 01:26:47.702
♪ IF IT'S ANYBODY ELSE
WAIT FOR THE TONE
1082
01:26:47.769 --> 01:26:54.475
♪ YOU KNOW WHAT TO DO
AND P.S.
1083
01:26:54.542 --> 01:27:02.450
♪ IF THIS IS AUSTIN
I STILL LOVE YOU
1084
01:27:02.517 --> 01:27:07.956
♪ ♪ ♪
♪ THE TELEPHONE
1085
01:27:08.022 --> 01:27:11.893
FELL TO THE COUNTER
♪ SHE HEARD
1086
01:27:11.960 --> 01:27:17.065
BUT SHE COULDN'T BELIEVE
♪ WHAT KIND OF MAN
1087
01:27:17.131 --> 01:27:22.937
WOULD HANG ON THAT LONG
♪ WHAT KIND OF LOVE THAT MUST BE
1088
01:27:23.004 --> 01:27:31.346
SHE WAITED THREE DAYS
♪ AND THEN SHE TRIED AGAIN
1089
01:27:31.412 --> 01:27:37.185
SHE DIDN'T KNOW WHAT SHE'D SAY
♪ BUT SHE HEARD
1090
01:27:37.251 --> 01:27:42.156
THREE RINGS AND THEN
♪ IF IT'S FRIDAY NIGHT
1091
01:27:42.223 --> 01:27:48.162
I'M AT THE BALL GAME
♪ AND FIRST THING SATURDAY
1092
01:27:48.229 --> 01:27:52.166
IF IT DON'T RAIN
♪ I'M HEADED OUT TO THE LAKE
1093
01:27:52.233 --> 01:27:56.204
AND I'LL BE GONE
♪ ALL WEEKEND LONG
1094
01:27:56.270 --> 01:28:00.174
BUT I'LL CALL YOU BACK
♪ WHEN I GET HOME
1095
01:28:00.241 --> 01:28:08.182
ON SUNDAY AFTERNOON
♪ AND P.S.
1096
01:28:08.249 --> 01:28:17.425
IF THIS IS AUSTIN
♪ I STILL LOVE YOU
1097
01:28:17.492 --> 01:28:20.294
WELL THIS TIME
♪ SHE LEFT HER NUMBER
1098
01:28:20.361 --> 01:28:26.668
BUT NOT ANOTHER WORD
♪ THEN SHE WAITED BY THE PHONE
1099
01:28:26.734 --> 01:28:36.244
ON SUNDAY EVENING
♪ AND THIS IS WHAT HE HEARD
1100
01:28:36.310 --> 01:28:41.182
IF YOUR CALLIN' 'BOUT MY HEART
♪ IT'S STILL YOURS
1101
01:28:41.249 --> 01:28:45.086
I SHOULD HAVE LISTENED
♪ TO IT A LITTLE MORE
1102
01:28:45.153 --> 01:28:49.424
THEN IT WOULDN'T HAVE
♪ TAKEN ME SO LONG
1103
01:28:49.490 --> 01:28:56.164
TO KNOW WHERE I BELONG
♪ AND BY THE WAY BOY
1104
01:28:56.230 --> 01:29:02.670
THIS IS NO MACHINE
♪ YOUR TALKIN' TO
1105
01:29:02.737 --> 01:29:07.642
CAN'T YOU TELL
♪ THIS IS AUSTIN
1106
01:29:07.709 --> 01:29:20.188
AND I STILL LOVE YOU
♪ ♪ ♪
1107
01:29:20.254 --> 01:29:25.226
♪ ♪ ♪
♪ ♪ ♪
1108
01:29:25.293 --> 01:29:26.694
♪ YEAH, I MET YOU 'FORE
ANYBODY KNEW MY NAME
1109
01:29:26.761 --> 01:29:29.063
♪ PLAYING FOR PENNIES
ON THE DIVE BAR STAGE
1110
01:29:29.130 --> 01:29:32.467
♪ SPLIT AN ALL-STAR SPECIAL
ON OUR FIRST DATE
1111
01:29:32.533 --> 01:29:35.403
♪ IN A WAFFLE HOUSE BOOTH
YOUR DADDY WAS CRYING
1112
01:29:35.470 --> 01:29:38.673
♪ WHEN HE GAVE YOU AWAY
'CAUSE ALL THOSE COUNTRY
1113
01:29:38.740 --> 01:29:44.178
SONGS I PLAYED
THEY DIDN'T COME WITH A 401K
1114
01:29:44.245 --> 01:29:46.247
♪ BUT HEY, I HAD YOU
YOU CAN MAKE A SIX PACK ON
1115
01:29:46.314 --> 01:29:50.685
♪ THE CARPET TASTE LIKE A
MILLION DOLLAR BILL
1116
01:29:50.752 --> 01:29:52.587
♪ YOU CAN MAKE A
ONE BEDROOM APARTMENT
1117
01:29:52.653 --> 01:29:55.256
♪ FEEL LIKE A HOUSE
UP ON THE HILL
1118
01:29:55.323 --> 01:29:58.893
♪ YOU CAN MAKE MY TRUCK
OUT IN THE DRIVEWAY
1119
01:29:58.960 --> 01:30:00.962
♪ ROLL LIKE A
CLEANED UP CADILLAC
1120
01:30:01.028 --> 01:30:03.498
♪ GIRL, LOOKIN' AT YOU
LOOKIN' AT ME THAT WAY
1121
01:30:03.564 --> 01:30:08.169
♪ CAN MAKE A MAN FEEL RICH
ON MINIMUM WAGE
1122
01:30:08.236 --> 01:30:14.375
♪ GIRL, YOUR LOVE IS MONEY
YOUR LOVE IS MONEY
1123
01:30:14.442 --> 01:30:15.443
♪ YEAH, YOUR LOVE
CAN MAKE A MAN FEEL RICH
1124
01:30:15.510 --> 01:30:21.048
♪ ON MINIMUM WAGE
GIRL, YOUR LOVE IS MONEY
1125
01:30:21.115 --> 01:30:24.752
♪ YOUR LOVE IS MONEY
YEAH, YOUR LOVE
1126
01:30:24.819 --> 01:30:32.260
♪ CAN MAKE A MAN FEEL RICH
ON MINIMUM WAGE
1127
01:30:32.326 --> 01:30:35.496
GIRL, YOUR LOVE IS MONEY
♪ YOUR LOVE IS MONEY
1128
01:30:35.563 --> 01:30:38.699
YEAH, YOUR LOVE
♪ CAN MAKE A MAN FEEL RICH
1129
01:30:38.766 --> 01:30:48.042
ON MINIMUM WAGE
( CHEERS AND APPLAUSE )
1130
01:30:48.109 --> 01:30:53.848
>> NOW, WELCOME BACK MISS DOLLY
PARTON.
1131
01:30:53.915 --> 01:30:58.719
>> TO PRESENT OUR NEXT AWARD IS
AN ACTOR, WRITER, INSTAGRAM
1132
01:30:58.786 --> 01:31:02.557
STAR, FUNNIEST PERSON IN THE
WHOLE WIDE WORLD, BEEN A FRIEND
1133
01:31:02.623 --> 01:31:03.591
OF MINE FOR YEARS.
1134
01:31:03.658 --> 01:31:06.527
I GOT TO SING A SONG ON HIS
UPCOMING GOSPEL ALBUM.
1135
01:31:06.594 --> 01:31:08.863
THE ALBUM IS CALLED "COMPANY'S
COMING."
1136
01:31:08.930 --> 01:31:11.165
I DON'T KNOW WHAT HE'S GOING TO
DO TONIGHT.
1137
01:31:11.232 --> 01:31:14.068
MAYBE ONE DAY WE'LL GET TO SING
OUR SONG ON A TV SHOW.
1138
01:31:14.135 --> 01:31:24.111
WOULD YOU PLEASE MAKE WELCOME MY
BUDDY, LESLIE JORDAN?
1139
01:31:24.178 --> 01:31:33.354
WOULD YOU PLEASE MAKE WELCOME MY
BUDDY, LESLIE JORDAN?
1140
01:31:33.421 --> 01:31:34.789
>> WOAH.
1141
01:31:34.856 --> 01:31:38.693
I NEVER DREAMED I'D BE ON THIS
STAGE AND BE INTRODUCED BY DOLLY
1142
01:31:38.759 --> 01:31:40.628
PARTON.
1143
01:31:40.695 --> 01:31:50.071
AND HERE ARE THE NOMINEES FOR
THE DUO OF THE YEAR.
1144
01:31:50.137 --> 01:31:51.305
>> Announcer: BROOKS & DUNN.
1145
01:31:51.372 --> 01:31:51.839
BROTHERS OSBORNE.
1146
01:31:51.906 --> 01:31:52.740
DAN + SHAY.
1147
01:31:52.807 --> 01:31:55.843
FLORIDA GEORGIA LINE.
1148
01:31:55.910 --> 01:32:03.784
MADDIE & TAE.
1149
01:32:03.851 --> 01:32:11.826
>> AND THE A.C.M. DUO OF THE
YEAR GOES TO:
1150
01:32:11.893 --> 01:32:19.834
DAN + SHAY.
1151
01:32:19.901 --> 01:32:26.807
♪ ♪ ♪
TELY INCREDIBLE TO
1152
01:32:26.874 --> 01:32:28.509
STAND ON STAGE AT THE BLUE BIRD.
1153
01:32:28.576 --> 01:32:31.512
I REMEMBER VISITING THIS PLACE
OVER TEN YEARS AGO BEFORE I
1154
01:32:31.579 --> 01:32:34.348
MOVED TO NASHVILLE AND DREAMED
OF BEING A SONGWRITER IN THIS
1155
01:32:34.415 --> 01:32:35.549
TOWN.
1156
01:32:35.616 --> 01:32:39.320
STILL JUST AS EXCITED EVERY DAY
TO WAKE UP AND WRITE COUNTRY
1157
01:32:39.387 --> 01:32:40.521
MUSIC.
1158
01:32:40.588 --> 01:32:43.824
THANK YOU SO TO THE ACM, THE
OTHER NOMINEES IN OUR CATEGORY,
1159
01:32:43.891 --> 01:32:48.362
WE LOVE Y'ALL, EVERYBODY IS
DESERVING OF THIS AWARD.
1160
01:32:48.429 --> 01:32:51.432
OUR TEAM, THANK YOU SO MUCH AND
MY WIFE ABBY, I LOVE YOU.
1161
01:32:51.499 --> 01:32:54.969
>> THIS IS SO SPECIAL, I WANT TO
THANK GOD FOR THIS GUY.
1162
01:32:55.036 --> 01:32:58.839
MY WIFE HANNA, MY BOYS AN
COUNTRY RADIO.
1163
01:32:58.906 --> 01:33:00.641
COUNTRY FANS THANK YOU FOR BEING
WITH US.
1164
01:33:00.708 --> 01:33:05.413
LOVE YOU GUYS.
1165
01:33:05.479 --> 01:33:06.681
>> LOVE
>> Announcer: WITH “I HOPE
1166
01:33:06.747 --> 01:33:12.253
YOU'RE HAPPY NOW,” THE SONG THAT
WON THEM THE A.C.M. AWARD FOR
1167
01:33:12.320 --> 01:33:13.955
MUSIC EVENT AND SINGLE OF THE
YEAR, HERE ARE CARLY PEARCE AND
1168
01:33:14.021 --> 01:33:17.658
LEE BRICE.
1169
01:33:17.725 --> 01:33:20.795
♪ ♪ ♪
♪ IT'S ALL ON ME
1170
01:33:20.861 --> 01:33:24.165
IT'S MY MISTAKE
♪ I SAID I DON'T LOVE YOU
1171
01:33:24.231 --> 01:33:29.136
A LITTLE TOO LATE
♪ BUT I GUESS THERE AIN'T
1172
01:33:29.203 --> 01:33:30.271
EVER A RIGHT TIME
♪ AND I DON'T KNOW WHY
1173
01:33:30.338 --> 01:33:37.678
IT'S CALLED A GOOD-BYE
♪ GO RUN MY NAME
1174
01:33:37.745 --> 01:33:41.482
INTO THE GROUND
♪ TELL EVERYONE YOU KNOW
1175
01:33:41.549 --> 01:33:48.189
JUST HOW, HOW I SLAMMED
♪ THE DOOR ON OUR FOREVER
1176
01:33:48.255 --> 01:33:53.661
BUT I PROMISE YOU
♪ IT'S FOR THE BETTER
1177
01:33:53.728 --> 01:34:01.669
I HOPE YOU FIND
♪ WHAT YOU WERE LOOKING FOR
1178
01:34:01.736 --> 01:34:08.242
I HOPE YOUR HEART
♪ AIN'T HURTING ANYMORE
1179
01:34:08.309 --> 01:34:15.750
AND YOU GET MOVING ON
♪ I FIGURED IT OUT
1180
01:34:15.816 --> 01:34:23.958
AND YOU DON'T HATE ME SOMEHOW
♪ 'CAUSE I HOPE
1181
01:34:24.025 --> 01:34:35.503
YOU'RE HAPPY NOW
MY FRIEND
1182
01:34:35.569 --> 01:34:36.704
♪ WHO KNEW THIS HEART
COULD BREAK THIS HARD
1183
01:34:36.771 --> 01:34:40.741
♪ OR LOVE LIKE OURS
COULD FALL APART
1184
01:34:40.808 --> 01:34:46.047
♪ WITHOUT SO MUCH AS A WARNING
I THOUGHT THAT I
1185
01:34:46.113 --> 01:34:52.853
♪ WAS WHAT YOU WANTED
WELL, I GUESS YOU FOUND
1186
01:34:52.920 --> 01:35:01.662
♪ WHAT YOU WERE LOOKING FOR
I GUESS MY HEART
1187
01:35:01.729 --> 01:35:10.938
♪ AIN'T WORTH IT ANYMORE
I'M A WRECK, I'M A MESS
1188
01:35:11.005 --> 01:35:20.681
♪ AND I AIN'T GOT NOTHING LEFT
AND SO I HOPE
1189
01:35:20.748 --> 01:35:24.652
♪ YOU'RE HAPPY NOW
♪ ♪ ♪
1190
01:35:24.718 --> 01:35:32.326
♪ ♪ ♪
♪ ♪ ♪
1191
01:35:32.393 --> 01:35:39.200
I HOPE YOU FOUND
♪ WHAT YOU WERE LOOKING FOR
1192
01:35:39.266 --> 01:35:45.706
I GUESS MY HEART
♪ AIN'T WORTH IT ANYMORE
1193
01:35:45.773 --> 01:35:50.444
HOPE YOU BEEN MOVING ON
♪ ALL FIGURED OUT
1194
01:35:50.511 --> 01:35:57.551
AND YOU DON'T HATE ME SOMEHOW
♪ I'M A WRECK, I'M A MESS
1195
01:35:57.618 --> 01:36:08.662
AND I AIN'T GOT NOTHING LEFT
♪ SO I HOPE
1196
01:36:08.729 --> 01:36:12.800
YOU'RE HAPPY NOW
♪ HAPPY NOW
1197
01:36:12.867 --> 01:36:20.674
OH, I HOPE
♪ YOU'RE HAPPY NOW ♪
1198
01:36:20.741 --> 01:36:33.120
♪ ♪ ♪
( CHEERS AND APPLAUSE )
1199
01:36:33.187 --> 01:36:35.322
>> Announcer: UP NEXT, AN
UNFORGETTABLE PERFORMANCE
1200
01:36:35.389 --> 01:36:36.257
BY MICKEY GUYTON.
1201
01:36:36.323 --> 01:36:39.126
PLUS, THE AWARD FOR MALE ARTIST
OF THE YEAR.
1202
01:36:39.193 --> 01:36:43.330
THEN, KEITH URBAN TAKES THE
GRAND OLE OPRY HOUSE STAGE.
1203
01:36:43.397 --> 01:36:46.934
THIS IS CBS.
1204
01:36:47.001 --> 01:36:51.805
AND NOW, A SPECIAL MESSAGE FROM
T-MOBILE AND 11-TIME A.C.M.
1205
01:36:51.872 --> 01:36:54.508
AWARD WINNERS, FLORIDA GEORGIA
LINE!
1206
01:37:00.881 --> 01:37:02.883
>> Mickey: WELCOME BACK.
1207
01:37:02.950 --> 01:37:05.920
I'M SO THANKFUL TO THE ACADEMY
FOR THE SUPPORT THEY HAVE GIVEN
1208
01:37:05.986 --> 01:37:09.323
ME OVER THE LAST FEW YEARS, AND
I'M ALSO PROUD OF THEIR WORK ON
1209
01:37:09.390 --> 01:37:12.426
BEHALF OF SO MANY DIFFERENT
GROUPS IN OUR COMMUNITY.
1210
01:37:12.493 --> 01:37:15.129
ONE OF THE WAYS THEY PROVIDE
THAT HELP IS THROUGH THE “A.C.M.
1211
01:37:15.196 --> 01:37:17.998
LIFTING LIVES COVID-19 RESPONSE
FUND."
1212
01:37:18.065 --> 01:37:23.837
LET'S TAKE A LOOK.
1213
01:37:23.904 --> 01:37:26.240
IN MARCH 2020
COVID PANDEMIC HIT, LIVE MUSIC
1214
01:37:26.307 --> 01:37:28.175
AS WE KNOW IT SHUT DOWN.
1215
01:37:28.242 --> 01:37:30.277
>> NOBODY COULD SEE THIS
DRAGGING OUT FOR A YEAR.
1216
01:37:30.344 --> 01:37:33.914
>> HOW ARE OUR FANS SUPPOSED TO
TAKE CARE OF THEIR FAMILIES.
1217
01:37:33.981 --> 01:37:35.616
>> HOW WOULD THEY PAY THEIR
BILLS.
1218
01:37:35.683 --> 01:37:39.720
>> WITHOUT THOSE GUYS, I DON'T
GET TO HAPPEN.
1219
01:37:39.787 --> 01:37:44.525
>> ACM LIFTING LIVES COVID-19
RESPONSE FUND HAS GIVEN AWAY 3.9
1220
01:37:44.592 --> 01:37:47.061
MILLION FOR PEOPLE IN OUR
COUNTRY WHO NEED IT.
1221
01:37:47.127 --> 01:37:48.996
>> IT PAID OUR MORTGAGE THAT
MONTH.
1222
01:37:49.063 --> 01:37:51.498
>> IT CAME AT THE EXACT RIGHT
TIME I NEEDED IT TO COME.
1223
01:37:51.565 --> 01:37:54.702
>> THE FUNDS HAVE BEEN DEPLETED
BECAUSE THEY HAVE GIVEN O SO
1224
01:37:54.768 --> 01:37:55.970
MANY PEOPLE IN NEED.
1225
01:37:56.036 --> 01:37:58.405
>> IF YOU WANT THAT FEELING OF A
CONCERT AGAIN, YOU HAVE TO KEEP
1226
01:37:58.472 --> 01:37:59.640
THESE PEOPLE GOING.
1227
01:37:59.707 --> 01:38:09.316
>> WHETHER YOU CAN GIVE $1, $10
OR $100, YOUR DONATION MAKES A
1228
01:38:09.383 --> 01:38:10.618
>> Mickey: THANK YOU, "LIFTING
LIVES," FOR HELPING US GET
1229
01:38:10.684 --> 01:38:12.019
THROUGH SOME VERY TOUGH TIMES.
1230
01:38:12.086 --> 01:38:13.887
I WROTE THIS NEXT SONG AS A
PRAYER.
1231
01:38:13.954 --> 01:38:16.857
WHEN FACED WITH PAIN AND
UNCERTAINTY, I HOPE IT INSPIRES
1232
01:38:16.924 --> 01:38:21.996
YOU TO HOLD ON.
1233
01:38:22.062 --> 01:38:24.698
♪ ♪ ♪
♪ WHEN YOU'RE AFRAID
1234
01:38:24.765 --> 01:38:30.638
I'M RIGHT BESIDE YOU
♪ WHEN YOU'RE IN THE DARK
1235
01:38:30.704 --> 01:38:36.777
I'LL COME AND FIND YOU
♪ THERE IS NO DOOR
1236
01:38:36.844 --> 01:38:43.183
I'LL LEAVE UNOPENED
♪ AND THERE IS NO CHANCE
1237
01:38:43.250 --> 01:38:54.495
I'LL LEAVE IT BROKEN
♪ SO, HOLD ON, HOLD ON
1238
01:38:54.561 --> 01:39:00.401
DON'T LET GO
♪ HOLD ON, HOLD ON
1239
01:39:00.467 --> 01:39:05.205
I'LL BE YOUR HOPE
♪ I'LL BE YOUR LIFELINE
1240
01:39:05.272 --> 01:39:14.882
I'LL NEVER STOP FIGHTING
♪ SO HOLD ON, HOLD ON
1241
01:39:14.948 --> 01:39:27.261
HOLD ON TO ME
♪ HOLD ON TO ME
1242
01:39:27.328 --> 01:39:35.869
IF THERE'S A PRAYER
♪ I'M GONNA PRAY IT
1243
01:39:35.936 --> 01:39:42.276
WHEN THERE'S AN ANSWER
♪ I'LL BE RIGHT HERE WAITING
1244
01:39:42.343 --> 01:39:46.380
AND THERE AIN'T A STONE
♪ I WON'T TURN OVER
1245
01:39:46.447 --> 01:39:49.616
A WEIGHT TOO HEAVY
♪ ON MY SHOULDER
1246
01:39:49.683 --> 01:39:55.989
A FIRE THAT I WON'T WALK THROUGH
♪ YOU KNOW I GOT YOU, I GOT YOU
1247
01:39:56.056 --> 01:40:02.863
SO HOLD ON, HOLD ON
♪ AND DON'T LET GO
1248
01:40:02.930 --> 01:40:07.835
HOLD ON, HOLD ON
♪ I'LL BE YOUR HOPE
1249
01:40:07.901 --> 01:40:13.040
I'LL BE YOUR LIFELINE
♪ I'LL NEVER STOP FIGHTING
1250
01:40:13.107 --> 01:40:20.047
BELIEVING
♪ SO HOLD ON, HOLD ON
1251
01:40:20.114 --> 01:40:27.121
HOLD ON TO ME, YEAH
♪ HOLD ON TO ME, YEAH
1252
01:40:27.187 --> 01:40:38.832
HOLD ON TO ME, YEAH
♪ HOLD ON TO ME, YEAH
1253
01:40:38.899 --> 01:40:43.103
DON'T KNOW IF YOU'RE LISTENING
♪ BUT IF YOU CAN HERE ME
1254
01:40:43.170 --> 01:40:49.510
JUST HOLD ON, HOLD ON
♪ AND DON'T LET GO
1255
01:40:49.576 --> 01:40:55.249
HOLD ON, HOLD ON
♪ I'LL BE YOUR HOPE
1256
01:40:55.315 --> 01:41:02.856
I'LL BE YOUR LIFELINE
♪ AND I'LL NEVER STOP FIGHTING
1257
01:41:02.923 --> 01:41:10.998
BELIEVING
♪ JUST HOLD ON, HOLD ON
1258
01:41:11.064 --> 01:41:22.543
HOLD ON TO ME ♪
( CHEERS AND APPLAUSE )
1259
01:41:22.609 --> 01:41:25.279
>> Announcer: COMING TO THE
STAGE WITH OUR NEXT AWARD,
1260
01:41:25.345 --> 01:41:39.726
HERE'S THREE-TIME NOMINEE
TONIGHT, INGRID ANDRESS.
1261
01:41:39.793 --> 01:41:40.794
>> WHAT'S UP, FAM?
1262
01:41:40.861 --> 01:41:42.629
A LOT OF GREAT THINGS HAVE
HAPPENED TO ME EARLY IN MY
1263
01:41:42.696 --> 01:41:45.032
CAREER, AND SOMETIMES I REALLY
WONDER HOW I LITERALLY GOT HERE.
1264
01:41:45.098 --> 01:41:47.901
SO, THIS IS A SPECIAL MOMENT.
1265
01:41:47.968 --> 01:41:52.339
I'M HONORED TO PRESENT THIS
AWARD TO ONE OF THESE FIVE
1266
01:41:52.406 --> 01:41:55.075
SUPERSTARS, ALL MEN I RESPECT
AND ADMIRE.
1267
01:41:55.142 --> 01:42:01.281
HERE ARE THE INCREDIBLE NOMINEES
FOR MALE ARTIST OF THE YEAR.
1268
01:42:01.348 --> 01:42:11.892
>> Announcer: DIERKS BENTLEY.
1269
01:42:11.959 --> 01:42:22.035
ERIC CHURCH.
1270
01:42:22.102 --> 01:42:30.777
LUKE COMBS.
1271
01:42:30.844 --> 01:42:41.688
THOMAS RHETT.
1272
01:42:41.755 --> 01:42:55.903
CHRIS STAPLETON.
1273
01:42:55.969 --> 01:42:59.406
( APPLAUSE )
>> AND THE A.C.M. MALE ARTIST OF
1274
01:42:59.473 --> 01:43:12.319
THE YEAR GOES TO:
THOMAS RHETT.
1275
01:43:12.386 --> 01:43:19.860
♪ ♪ ♪
( CHEERS AND APPLAUSE )
1276
01:43:19.927 --> 01:43:29.903
♪ ♪ ♪
( CHEERS AND APPLAUSE )
1277
01:43:29.970 --> 01:43:35.742
♪ ♪ ♪
( CHEERS AND APPLAUSE )
1278
01:43:35.809 --> 01:43:38.845
>> MAN, THIS IS ABSOLUTELY
UNBELIEVABLE, ESPECIALLY SITTING
1279
01:43:38.912 --> 01:43:44.618
HERE NEXT TO DIERKS, HOLLERING
HIS SHENANIGANS OVER HERE, I
1280
01:43:44.685 --> 01:43:48.822
WANT TO SAY THANK YOU SO MUCH TO
THE ACMS, THIS IS INCREDIBLE.
1281
01:43:48.889 --> 01:43:51.992
TO MY WIFE, MY THREE BABY GIRLS
WATCHING THIS AT HOME ON THE TV,
1282
01:43:52.059 --> 01:43:55.596
I LOVE Y'ALL SO MUCH, ALL THE
HEALTH CARE WORKERS SITTING UP
1283
01:43:55.662 --> 01:43:56.330
HERE, THANK YOU, THANK YOU.
1284
01:43:56.396 --> 01:43:59.132
COME ON!
1285
01:43:59.199 --> 01:44:02.736
IT JUST FEELS
INVEDDABLE-- INCREDIBLE TO BE IN
1286
01:44:02.803 --> 01:44:06.006
THIS CATEGORY, TO BE HONEST,
THESE ARE LITERALLY MY HEROES
1287
01:44:06.073 --> 01:44:09.309
SITTING RIGHT HERE IN THESE
SEATS, SO THANK YOU LORD, LORD
1288
01:44:09.376 --> 01:44:10.344
JESUS, WE LOVE YOU.
1289
01:44:10.410 --> 01:44:13.513
THANK YOU FOR THIS AWARD.
1290
01:44:13.580 --> 01:44:16.316
THANK YOU.
1291
01:44:16.383 --> 01:44:20.387
♪ ♪ ♪
( CHEERS AND APPLAUSE )
1292
01:44:20.454 --> 01:44:23.857
>> Keith: CONGRATULATIONS TO
YOU.
1293
01:44:23.924 --> 01:44:24.291
PUT IT THERE, MAN.
1294
01:44:24.358 --> 01:44:25.392
TELL YOU WHAT.
1295
01:44:25.459 --> 01:44:26.960
TROPHY ROOM IS GETTING
THE TROPHY ROOM, YOU'RE GOING TO
1296
01:44:27.027 --> 01:44:31.231
NEED A TROPHY HOUSE IF YOU KEEP
KEEP THAT UP.
1297
01:44:31.298 --> 01:44:38.171
STILL TO COME, KELSEY BALLERINI
FEATURE-- FEATURING KENNY
1298
01:44:38.238 --> 01:44:40.674
CHESNEY, THIS IS
>> Announcer: YOU CAN "STREAM
1299
01:44:40.741 --> 01:44:42.509
FOR A CAUSE" WITH THE OFFICIAL
56th A.C.M. AWARDS PLAYLISTS,
1300
01:44:42.576 --> 01:44:47.014
FEATURING SONGS FROM EVERY
NOMINEE, AND RAISE VALUABLE
1301
01:44:47.080 --> 01:44:48.115
FUNDS FOR A.C.M. LIFTING LIVES.
1302
01:44:48.181 --> 01:44:50.817
VISIT www.acmliftinglives.org.
1303
01:44:50.884 --> 01:44:53.754
THE 56th ACADEMY OF COUNTRY
MUSIC AWARDS, SPONSORED BY:
1304
01:44:53.820 --> 01:44:56.189
THE ALL-NEW BRONCO SPORT, BUILT
WILD.
1305
01:44:59.459 --> 01:45:02.663
>> Announcer: THE 56th ACADEMY
OF COUNTRY MUSIC AWARDS WILL
1306
01:45:02.729 --> 01:45:03.397
CONTINUE.
1307
01:45:03.463 --> 01:45:03.797
THIS IS CBS.
1308
01:45:08.368 --> 01:45:15.342
♪ ♪ ♪
1309
01:45:15.409 --> 01:45:18.612
>> Keith: WELCOME BACK.
WHAT AN AMAZING NIGHTK MICKEY.
1310
01:45:18.679 --> 01:45:19.446
>> I'M HAVING AN AMAZING TIME.
1311
01:45:19.513 --> 01:45:20.847
SO WHAT HAVE YOU GOT THERE?
1312
01:45:20.914 --> 01:45:24.951
>> I'M GOING TO PLAY.
1313
01:45:25.018 --> 01:45:25.919
>> PLAYING WHAT.
1314
01:45:25.986 --> 01:45:27.120
>> LIKE WITH MY BAND.
1315
01:45:27.187 --> 01:45:30.457
>> SO WHERE YOU GOING AND I'VE
NEVER PLAYED THIS SONG WITH MY
1316
01:45:30.524 --> 01:45:32.926
BAND BEFORE SO IT WILL BE NICE
TO ACTUALLY FINALLY PLAY.
1317
01:45:32.993 --> 01:45:39.399
>> SO YOU ARE LEAVING ME RIGHT
NOW.
1318
01:45:39.466 --> 01:45:39.833
>> YEAH.
1319
01:45:39.900 --> 01:45:40.667
>> KEITH URBAN.
1320
01:45:40.734 --> 01:45:42.035
HERE TO
>> Mickey: HERE TO PERFORM HIS
1321
01:45:42.102 --> 01:45:48.308
HIT SONG, “TUMBLEWEED,” IS MY
TUMBLEWEED, IS MY DEAR FRIEND 15
1322
01:45:48.375 --> 01:45:58.652
TIME ACM AWARD WINNER, KEITH
FREAKING URBAN.
1323
01:45:58.719 --> 01:46:04.124
♪ ♪ ♪
♪ ♪ ♪
1324
01:46:04.191 --> 01:46:09.763
♪ ♪ ♪
♪ ♪ ♪
1325
01:46:09.830 --> 01:46:10.864
♪ HOTTER THAN A $2
SHOT OF WHISKEY
1326
01:46:10.931 --> 01:46:13.200
♪ LOOKING PRETTY
SITTING AT THE BAR
1327
01:46:13.266 --> 01:46:15.702
♪ LOOKING 'ROUND THE ROOM
WITH THE DEVIL ON YOUR SHOULDER
1328
01:46:15.769 --> 01:46:17.637
♪ LIKE YOU'RE 'BOUT TO
STEAL A COWBOY'S HEART
1329
01:46:17.704 --> 01:46:21.942
♪ I'M YOUR BILLY THE KID
SO BABY, LET'S GIDDY-UP, GONE
1330
01:46:22.008 --> 01:46:24.211
♪ I AIN'T EVEN SURE JUST A
WHERE YOU'RE HEADED
1331
01:46:24.277 --> 01:46:29.750
♪ BUT I'D SURE LIKE TO TAG ALONG
HEY, MISS TUMBLEWEED
1332
01:46:29.816 --> 01:46:35.689
♪ WELL, I BELIEVE TWO
TUMBLEWEEDS IS BETTER THAN ONE
1333
01:46:35.756 --> 01:46:37.991
♪ EVERYBODY NEEDS A BUDDY
WHEN THEY'RE ON THE RUN
1334
01:46:38.058 --> 01:46:42.262
♪ HEY, MISS TUMBLEWEED
LET'S RIDE THE BREEZE
1335
01:46:42.329 --> 01:46:44.431
♪ TOWN TO TOWN
JUST A-KICKING UP DUST
1336
01:46:44.498 --> 01:46:49.536
♪ MAKE A LITTLE TROUBLE
MIGHT MAKE A LITTLE LOVE
1337
01:46:49.603 --> 01:46:54.508
♪ ♪ ♪
♪ ♪ ♪
1338
01:46:54.574 --> 01:46:57.944
♪ TEACH ME YOUR GYPSY WAYS
COME ON, BABY, SHOW ME THE ROPES
1339
01:46:58.011 --> 01:46:59.479
♪ THE REAL WORLD
CAN CHASE US, GIRL
1340
01:46:59.546 --> 01:47:01.782
♪ BUT WE'LL LEAVE 'EM IN
A CLOUD OF SMOKE
1341
01:47:01.848 --> 01:47:04.184
♪ NO TELLING WHERE
WE MIGHT END UP
1342
01:47:04.251 --> 01:47:07.487
♪ REBELS LIKE YOU AND ME
NOWHERE, ANYWHERE
1343
01:47:07.554 --> 01:47:10.724
♪ EVERYWHERE, OUT THERE
SOMEWHERE IN BETWEEN
1344
01:47:10.791 --> 01:47:15.328
♪ HEY, MISS TUMBLEWEED
WELL, I BELIEVE TWO TUMBLEWEEDS
1345
01:47:15.395 --> 01:47:18.298
♪ IS BETTER THAN ONE
EVERYBODY NEEDS A BUDDY
1346
01:47:18.365 --> 01:47:22.435
♪ WHEN THEY'RE ON THE RUN
HEY, MISS TUMBLEWEED
1347
01:47:22.502 --> 01:47:24.738
♪ LET'S RIDE THE BREEZE
TOWN TO TOWN
1348
01:47:24.805 --> 01:47:26.940
♪ JUST A-KICKING UP DUST
MAKE A LITTLE TROUBLE
1349
01:47:27.007 --> 01:47:31.545
♪ MIGHT MAKE A LITTLE LOVE
♪ ♪ ♪
1350
01:47:31.611 --> 01:47:37.551
♪ ♪ ♪
♪ ♪ ♪
1351
01:47:37.617 --> 01:47:46.993
♪ ♪ ♪
♪ ♪ ♪
1352
01:47:47.060 --> 01:47:57.804
♪ ♪ ♪
♪ OH, YEAH, THAT'S RIGHT
1353
01:47:57.871 --> 01:47:58.738
OPRY HOUSE!
1354
01:47:58.805 --> 01:48:01.007
TUMBLEWEED, TUMBLEWEED
♪ I'LL ROLL WITH YOU
1355
01:48:01.074 --> 01:48:02.676
YOU ROLL WITH ME
♪ TUMBLEWEED, TUMBLEWEED
1356
01:48:02.742 --> 01:48:05.712
I'LL ROLL WITH YOU
♪ YOU ROLL WITH ME HEY
1357
01:48:05.779 --> 01:48:08.348
TUMBLEWEED, TUMBLEWEED
♪ I'LL ROLL WITH YOU
1358
01:48:08.415 --> 01:48:11.551
YOU ROLL WITH ME
♪ TUMBLEWEED, TUMBLEWEED
1359
01:48:11.618 --> 01:48:14.120
I'LL ROLL WITH YOU
♪ YOU ROLL WITH ME
1360
01:48:14.187 --> 01:48:18.625
HEY, MISS TUMBLEWEED
♪ WELL, I BELIEVE TWO
1361
01:48:18.692 --> 01:48:22.562
TUMBLEWEEDS IS BETTER THAN ONE
♪ EVERYBODY NEEDS A BUDDY
1362
01:48:22.629 --> 01:48:25.465
WHEN THEY'RE ON THE RUN
♪ HEY, MISS TUMBLEWEED
1363
01:48:25.532 --> 01:48:29.102
LET'S RIDE THE BREEZE
♪ TOWN TO TOWN
1364
01:48:29.169 --> 01:48:30.437
JUST A-KICKING UP DUST
♪ MAKE A LITTLE TROUBLE
1365
01:48:30.503 --> 01:48:43.850
MIGHT MAKE A LITTLE LOVE ♪
( CHEERS AND APPLAUSE )
1366
01:48:43.917 --> 01:48:45.385
>> Keith: THANK YOU SO MUCH.
1367
01:48:45.452 --> 01:48:46.953
NOW, LET'S HEAD BACK LIVE TO THE
RYMAN AUDITORIUM FOR DOUBLE
1368
01:48:47.020 --> 01:48:50.991
NOMINEES TONIGHT, BROTHERS
OSBORNE.
1369
01:48:51.057 --> 01:49:01.501
♪ ♪ ♪
♪ ♪ ♪
1370
01:49:01.568 --> 01:49:04.237
♪ SOME PEOPLE CLAP
ON THE ONE AND THE THREE
1371
01:49:04.304 --> 01:49:07.407
♪ SOME PEOPLE CLAP
ON THE TWO AND FOUR
1372
01:49:07.474 --> 01:49:11.278
♪ SOME PEOPLE DON'T JOIN AT ALL
'CAUSE THEY GOT NO RHYTHM
1373
01:49:11.344 --> 01:49:15.982
♪ AND THAT'S ALRIGHT
SOME PEOPLE, THEY DRINK TOO MUCH
1374
01:49:16.049 --> 01:49:22.355
♪ SOME PEOPLE DON'T DRINK ENOUGH
SOME PEOPLE ARE JUST LIKE ME
1375
01:49:22.422 --> 01:49:25.792
♪ I HOPE Y'ALL FORGIVE 'EM
I'M LIKE SCOTCH
1376
01:49:25.859 --> 01:49:28.595
♪ AND ZYDECO BANDS
I'M LIKE B-SIDE
1377
01:49:28.662 --> 01:49:31.932
♪ TOWNES VAN ZANDT
I'M ALWAYS SPEAKING MY MIND
1378
01:49:31.998 --> 01:49:35.969
♪ WHEN I'M BETTER OFF
BIING MY TONGUE
1379
01:49:36.036 --> 01:49:39.139
♪ I'M A BAD JOKE
AT THE WRONG TIME
1380
01:49:39.205 --> 01:49:41.975
♪ HELL, I'M A LEGEND
IN MY OWN MIND
1381
01:49:42.042 --> 01:49:50.984
♪ I'M GOOD FOR SOME
BUT I'M NOT FOR EVERYONE
1382
01:49:51.051 --> 01:49:53.586
♪ IF I WAS SWEET TEA
IT'D BE A BIT BITTER
1383
01:49:53.653 --> 01:49:56.556
♪ IF YOU TOOK A DRINK
YOU MIGHT RECONSIDER
1384
01:49:56.623 --> 01:49:59.559
♪ IF I WAS A CHURCH
I'D BE HANGING WITH THE SINNERS
1385
01:49:59.626 --> 01:50:03.129
♪ TALKING 'BOUT
HENDRIX AND HEAVEN
1386
01:50:03.196 --> 01:50:06.733
♪ IF I WAS A BAR
I'D BE A DIVE
1387
01:50:06.800 --> 01:50:08.501
♪ A FREE JUKEBOX
IN A DOUBLE-WIDE
1388
01:50:08.568 --> 01:50:11.538
♪ NEON LIGHTS SAYING
"COME INSIDE"
1389
01:50:11.604 --> 01:50:15.508
♪ AND I'D BE "OPEN 24/7"
I'M LIKE SCOTCH
1390
01:50:15.575 --> 01:50:18.378
♪ AND ZYDECO BANDS
I'M LIKE B-SIDE
1391
01:50:18.445 --> 01:50:22.048
♪ TOWNES VAN ZANDT
I'M ALWAYS SPEAKING MY MIND
1392
01:50:22.115 --> 01:50:25.685
♪ WHEN I'M BETTER OFF
BITING MY TONGUE
1393
01:50:25.752 --> 01:50:28.955
♪ I'M A BAD JOKE
AT THE WRONG TIME
1394
01:50:29.022 --> 01:50:31.624
♪ HELL, I'M A LEGEND
IN MY OWN MIND
1395
01:50:31.691 --> 01:50:37.263
♪ I'M GOOD FOR SOME
BUT I'M NOT FOR EVERYONE
1396
01:50:37.330 --> 01:50:43.269
♪ ♪ ♪
♪ ♪ ♪
1397
01:50:43.336 --> 01:50:47.107
♪ ♪ ♪
♪ ♪ ♪
1398
01:50:47.173 --> 01:50:49.609
♪ YEAH, I'M HARD TO LOVE
IT'S TRUE
1399
01:50:49.676 --> 01:50:52.612
♪ I'M A LITTLE MORE
ROUGH THAN SMOOTH
1400
01:50:52.679 --> 01:50:58.151
♪ IT'S A WONDER I FOUND
SOMEBODY LIKE ME, LIKE YOU
1401
01:50:58.218 --> 01:51:00.987
♪ I'M LIKE SCOTCH
AND ZYDECO BANDS
1402
01:51:01.054 --> 01:51:03.923
♪ I'M LIKE B-SIDE
TOWNES VAN ZANDT
1403
01:51:03.990 --> 01:51:06.793
♪ I'M ALWAYS SPEAKING MY MIND
WHEN I'M BETTER OFF
1404
01:51:06.860 --> 01:51:11.097
♪ BITING MY TONGUE
I'M A BAD JOKE
1405
01:51:11.164 --> 01:51:13.867
♪ AT THE WRONG TIME
HELL, I'M A LEGEND
1406
01:51:13.933 --> 01:51:17.704
♪ IN MY OWN MIND
I'M GOOD FOR SOME
1407
01:51:17.771 --> 01:51:23.443
♪ BUT I'M NOT FOR EVERYONE
YEAH, I'M GOOD FOR SOME
1408
01:51:23.510 --> 01:51:36.523
♪ BUT I'M NOT FOR EVERYONE ♪
♪ ♪ ♪
1409
01:51:36.589 --> 01:51:42.328
( CHEERS AND APPLAUSE )
>> Announcer: XFINITY CUSTOMERS,
1410
01:51:42.395 --> 01:51:44.831
CATCH THE EXCLUSIVE PREMIERE O“"
YOUNGER ME."
1411
01:51:44.898 --> 01:51:50.937
JUST SAY "A.C.M. AWARDS" INTO
YOUR XFINITY VOICE REMOTE.
1412
01:51:51.004 --> 01:51:53.940
KELSEA BALLERINI PERFORMS WITH
KENNY CHESNEY, NEXT.
1413
01:51:54.007 --> 01:51:56.576
PLUS, THE AWARD FOR ALBUM OF THE
YEAR.
1414
01:51:56.643 --> 01:52:01.214
AND STILL TO COME FROM THE HEART
OF NASHVILLE, LITTLE BIG TOWN.
1415
01:52:01.281 --> 01:52:04.150
THIS IS CBS.
1416
01:52:04.217 --> 01:52:07.720
LAST YEAR, A.C.M. AWARD WINNER
DARIUS RUCKER TOLD US ABOUT AN
1417
01:52:07.787 --> 01:52:10.390
EXCITING MUSEUM COMING TO
NASHVILLE.
1418
01:52:10.457 --> 01:52:13.326
WE ARE HAPPY TO SAY THAT THE
NATIONAL MUSEUM OF AFRICAN-
1419
01:52:13.393 --> 01:52:16.996
AMERICAN MUSIC IS NOW OFFICIALLY
OPEN ON LOWER BROADWAY AND
1420
01:52:17.063 --> 01:52:20.867
SHARING ITS MISSION TO EDUCATE
AND PRESERVE.
1421
01:52:20.934 --> 01:52:22.402
THE ACADEMY SHARES THAT MISSION
THROUGH IT'S DIVERSITY AND
1422
01:52:22.469 --> 01:52:25.271
INCLUSION TASK FORCE, WHICH IS
COMMITTED TO CREATING A MORE
1423
01:52:25.338 --> 01:52:28.174
INCLUSIVE ENVIRONMENT FOR
UNDERREPRESENTED GROUPS IN
1424
01:52:28.241 --> 01:52:30.510
COUNTRY MUSIC, FROM THE
BOARDROOM TO THE STAGE.
1425
01:52:33.580 --> 01:52:36.816
>> Announcer: THE 56th ACADEMY
OF COUNTRY MUSIC AWARDS WILL
1426
01:52:36.883 --> 01:52:38.518
CONTINUE.
THIS IS CBS
1427
01:52:43.389 --> 01:52:44.524
>> Announcer: WE'RE BACK IN
1428
01:52:44.591 --> 01:52:47.594
NASHVILLE AT THE GRAND OLE OPRY
HOUSE WITH KELSEA BALLERINI,
1429
01:52:47.660 --> 01:52:51.898
FEATURING KENNY CHESNEY.
1430
01:52:51.965 --> 01:52:57.537
♪ ♪ ♪
♪ ♪ ♪
1431
01:52:57.604 --> 01:53:00.640
♪ HALF OF MY HIGH SCHOOL
GOT TOO DRUNK
1432
01:53:00.707 --> 01:53:04.978
♪ HALF OF MY HIGH SCHOOL
FELL IN LOVE
1433
01:53:05.044 --> 01:53:10.884
♪ WITH THE GIRL NEXT DOOR
IN THEIR DADDY'S FORD
1434
01:53:10.950 --> 01:53:15.522
♪ HALF OF MY MAIN STREET'S
MINI SKIRTS
1435
01:53:15.588 --> 01:53:20.026
♪ HALF OF MY MAIN STREET'S
DRESSED FOR CHURCH
1436
01:53:20.093 --> 01:53:23.263
♪ IT COULD USE SOME RAIN
AND A FRESH COAT OF PAINT
1437
01:53:23.329 --> 01:53:26.799
♪ HALF OF MY HOMETOWN'S
STILL HANGIN' AROUND
1438
01:53:26.866 --> 01:53:30.403
♪ STILL TALKIN' ABOUT
THAT ONE TOUCHDOWN
1439
01:53:30.470 --> 01:53:33.473
♪ THEY'RE STILL WEARIN'
RED AND BLACK
1440
01:53:33.540 --> 01:53:37.010
♪ GO BOBCATS
WHILE THE OTHER HALF
1441
01:53:37.076 --> 01:53:40.547
♪ OF MY HOMETOWN
THEY ALL GOT OUT
1442
01:53:40.613 --> 01:53:44.684
♪ SOME WENT NORTH
SOME WENT SOUTH
1443
01:53:44.751 --> 01:53:51.057
♪ STILL LOOKIN' FOR A FEELIN'
HALF OF US AIN'T FOUND
1444
01:53:51.124 --> 01:53:54.294
♪ SO STAY OR LEAVE
PART OF ME
1445
01:53:54.360 --> 01:54:03.870
♪ WILL ALWAYS BE
HALF OF MY HOMETOWN
1446
01:54:03.937 --> 01:54:06.105
♪ HALF OF OUR PROM QUEENS
CUT THEIR HAIR
1447
01:54:06.172 --> 01:54:09.676
♪ HALF OF THEM THINK
THAT IT AIN'T FAIR
1448
01:54:09.742 --> 01:54:17.584
♪ THE QUARTERBACK MOVED AWAY
AND NEVER CAME BACK
1449
01:54:17.650 --> 01:54:22.522
♪ OH, HALF OF MY FAMILY
IS HAPPY I LEFT
1450
01:54:22.589 --> 01:54:23.690
♪ THE OTHER HALF WORRIES
I'LL JUST FORGET
1451
01:54:23.756 --> 01:54:27.060
♪ WHERE I CAME FROM
THE SAME PLACE
1452
01:54:27.126 --> 01:54:31.231
♪ WHERE THEY CAME FROM
HALF OF MY HOMETOWN'S
1453
01:54:31.297 --> 01:54:34.634
♪ STILL HANGIN' AROUND
STILL TALKIN' ABOUT
1454
01:54:34.701 --> 01:54:38.171
♪ THAT ONE TOUCHDOWN
THEY'RE STILL WEARIN'
1455
01:54:38.238 --> 01:54:41.207
♪ RED AND BLACK
GO BOBCATS
1456
01:54:41.274 --> 01:54:44.844
♪ WHILE THE OTHER HALF
OF MY HOMETOWN
1457
01:54:44.911 --> 01:54:48.481
♪ THEY ALL GOT OUT
SOME WENT NORTH
1458
01:54:48.548 --> 01:54:53.519
♪ SOME WENT SOUTH
STILL LOOKIN' FOR A FEELIN'
1459
01:54:53.586 --> 01:54:59.058
♪ HALF OF US AIN'T FOUND
SO STAY OR LEAVE
1460
01:54:59.125 --> 01:55:06.633
♪ PART OF ME WILL ALWAYS BE
HALF OF MY HOMETOWN
1461
01:55:06.699 --> 01:55:08.601
♪ HALF OF MY HOMETOWN
BACK ROADS RAISE US
1462
01:55:08.668 --> 01:55:14.907
♪ HIGHWAYS TAKE US
MEMORIES MAKE US
1463
01:55:14.974 --> 01:55:19.979
♪ WANNA GO BACK
TO OUR HOMETOWN
1464
01:55:20.046 --> 01:55:23.182
♪ SETTLE DOWN
TALK ABOUT
1465
01:55:23.249 --> 01:55:28.254
♪ THAT ONE TOUCHDOWN
RAISE SOME KIDS
1466
01:55:28.321 --> 01:55:30.256
♪ IN RED AND BLACK
GO BOBCATS
1467
01:55:30.323 --> 01:55:33.526
♪ WHILE THE OTHER HALF
OF MY HOMETOWN
1468
01:55:33.593 --> 01:55:36.996
♪ WAS IN THE CROWD
THEY KNEW THE WORDS
1469
01:55:37.063 --> 01:55:42.235
♪ THEY SANG THEM LOUD
AND ALL I WANNA DO
1470
01:55:42.302 --> 01:55:47.707
♪ IS MAKE THEM PROUD
'CAUSE HALF OF ME
1471
01:55:47.774 --> 01:55:56.049
♪ WILL ALWAYS BE
FROM KNOXVILLE, TENNESSEE
1472
01:55:56.115 --> 01:56:00.720
( CHEERS AND APPLAUSE )
♪ MY HOMETOWN
1473
01:56:00.787 --> 01:56:10.763
YEAH, MY HOMETOWN
( CHEERS AND APPLAUSE )
1474
01:56:10.830 --> 01:56:17.170
YEAH, MY HOMETOWN
( CHEERS AND APPLAUSE )
1475
01:56:17.236 --> 01:56:20.573
>> AND NOW, TO PRESENT THE NEXT
AWARD OF THE NIGHT, IT'S MY
1476
01:56:20.640 --> 01:56:26.579
PLEASURE TO INTRODUCE CLAY
WALKER.
1477
01:56:26.646 --> 01:56:36.322
♪ ♪ ♪
( CHEERS AND APPLAUSE )
1478
01:56:36.389 --> 01:56:41.661
>> WHEN AN ARTIST GOES INTO THE
RECORDING STUDIO, THEIR DREAM IS
1479
01:56:41.728 --> 01:56:44.397
THAT ONE DAY THEIR ALBUM WILL BE
INCLUDED IN THIS CATEGORY.
1480
01:56:44.464 --> 01:56:47.734
FOR THESE FIVE ARTISTS, THAT
DREAM CAME TRUE.
1481
01:56:47.800 --> 01:56:52.805
HERE ARE THE NOMINEES FOR ALBUM
OF THE YEAR.
1482
01:56:52.872 --> 01:56:59.312
>> Announcer: “BORN HERE, LIVE
HERE, DIE HERE,” BY LUKE BRYAN“"
1483
01:56:59.379 --> 01:57:07.320
MIXTAPE VOL. 1,” BY KANE BROWN“"
NEVER WILL,” BY ASHLEY McBRYDE“"
1484
01:57:07.387 --> 01:57:11.524
SKELETONS,” BY BROTHERS
OSBORNE.“
1485
01:57:11.591 --> 01:57:18.664
STARTING OVER,” BY CHRIS
STAPLETON.
1486
01:57:18.731 --> 01:57:27.173
>> AND THE A.C.M. ALBUM OF THE
YEAR GOES TO:
1487
01:57:27.240 --> 01:57:28.441
SO DESERVING.
1488
01:57:28.508 --> 01:57:33.446
CHRIS STAPLETON.
1489
01:57:33.513 --> 01:57:34.981
♪ ♪ ♪
( APPLAUSE )
1490
01:57:35.047 --> 01:57:43.189
>> I WANT TO THANK EVERYBODY FOR
GIVING US THIS AWARD TONIGHT.
1491
01:57:43.256 --> 01:57:48.628
WE WORKED REALLY HARD MAKING
MUSIC AND THINK A LOT ABOUT IT.
1492
01:57:48.694 --> 01:57:55.201
I WANT TO THANK MY WIFE AND
JAIK, NIXON, EVERYBODY PLAY ON
1493
01:57:55.268 --> 01:57:56.602
THIS RECORD.
1494
01:57:56.669 --> 01:58:00.273
MIKE CAMPBELL, FINCH, MIKE
HENDERSON AND ALL THOSE FOLKS
1495
01:58:00.339 --> 01:58:03.643
HAVE I WRITTEN SONGS WITH ON
THIS RECORD.
1496
01:58:03.709 --> 01:58:07.180
IT MEANS A LOT TO US, IT REALLY
DOES, THANK YOU, THANK YOU VERY
1497
01:58:07.246 --> 01:58:09.081
MUCH.
1498
01:58:09.148 --> 01:58:15.221
( APPLAUSE )
>> Mickey: WHAT A GREAT GROUP OF
1499
01:58:15.288 --> 01:58:16.055
ARTISTS UP FOR THAT AWARD.
1500
01:58:16.122 --> 01:58:18.791
CONGRATULATIONS TO
CHRIS STAPLETON.
1501
01:58:18.858 --> 01:58:22.895
NEXT, A BIG AWARD FOR FEMALE
ARTIST OF THE YEAR, AND WE GET
1502
01:58:22.962 --> 01:58:29.836
TO ENJOY SOME “WINE, BEER,
WHISKEY” WITH LITTLE BIG TOWN.
1503
01:58:29.902 --> 01:58:32.405
>> Announcer: STREAM THE LATEST
EPISODES OF YOUR FAVORITE CBS
1504
01:58:32.472 --> 01:58:37.109
ORIGINALS FOR FREE ON THE CBS
APP AND SUBSCRIBE TO PARAMOUNT+
1505
01:58:37.176 --> 01:58:40.613
FOR MORE LIVE SPORTS, BREAKING
NEWS AND A MODEM OF
1506
01:58:40.680 --> 01:58:41.647
ENTERTAINMENT.
1507
01:58:47.487 --> 01:58:52.959
♪ ♪ ♪
>> Announcer: AND NOW, WITH OUR
1508
01:58:53.025 --> 01:58:56.963
NEXT AWARD OF THE NIGHT, HERE'S
POP AND CHRISTIAN MUSIC
1509
01:58:57.029 --> 01:59:03.236
SUPERSTAR, AMY GRANT.
1510
01:59:03.302 --> 01:59:07.240
( CHEERS AND APPLAUSE )
>> HERE ARE SOME LYRICS FROM A
1511
01:59:07.306 --> 01:59:13.446
SONG BY A.C.M. AWARD WINNER
LAUREN ALAINA CALLED “THE ROAD
1512
01:59:13.513 --> 01:59:16.449
LESS TRAVELED”:“
YOU WON'T MAKE YOURSELF A NAME
1513
01:59:16.516 --> 01:59:20.953
IF YOU FOLLOW THE RULES.
1514
01:59:21.020 --> 01:59:22.688
IF YOU TRUST YOUR REBEL HEART,
RIDE IT INTO BATTLE.
1515
01:59:22.755 --> 01:59:30.563
DON'T BE AFRAID, TAKE THE ROAD
LESS TRAVELED.”
1516
01:59:30.630 --> 01:59:33.032
THESE WORDS COULD BE SAID ABOUT
ALL OF YOU LADIES.
1517
01:59:33.099 --> 01:59:36.135
YOU HAVE DONE THAT
OUR NOMINEES FOR FEMALE ARTIST
1518
01:59:36.202 --> 01:59:36.836
OF THE YEAR.
1519
01:59:36.903 --> 01:59:46.879
>> Announcer: KELSEA BALLERINI.
1520
01:59:46.946 --> 01:59:52.084
>> Announcer: KELSEA BALLERINI.
1521
01:59:52.151 --> 02:00:02.728
MIRANDA LAMBERT.
1522
02:00:02.795 --> 02:00:11.771
ASHLEY McBRYDE.
1523
02:00:11.837 --> 02:00:22.114
MAREN MORRIS.
1524
02:00:22.181 --> 02:00:32.158
CARLY PEARCE.
1525
02:00:32.224 --> 02:00:38.731
CARLY PEARCE.
1526
02:00:39.231 --> 02:00:40.499
( CHEERS AND APPLAUSE )
>> AND THE A.C.M. FEMALE ARTIST
1527
02:00:40.566 --> 02:00:50.610
OF THE YEAR GOES TO:
MAREN MORRIS.
1528
02:00:50.676 --> 02:00:57.049
( CHEERS AND APPLAUSE )
♪ ♪ ♪
1529
02:00:57.116 --> 02:01:08.494
( CHEERS AND APPLAUSE )
♪ ♪ ♪
1530
02:01:08.561 --> 02:01:10.696
>> THANK YOU GUYS SO MUCH.
1531
02:01:10.763 --> 02:01:13.499
ME AND THE LADIES WERE JUST
LAUGHING OUR BUTTS OFF DURING
1532
02:01:13.566 --> 02:01:16.235
THE COMMERCIAL BREAK SO I FEEL
REALLY, REALLY JUST HAPPY TO BE
1533
02:01:16.302 --> 02:01:20.172
IN A CATEGORY WITH WOMEN THAT
WERE NOT ABLE TO TOUR THIS YEAR
1534
02:01:20.239 --> 02:01:24.443
BUT BROUGHT SO MUCH PEACE TO THE
GAME, TO COUNTRY MUSIC THIS
1535
02:01:24.510 --> 02:01:28.180
YEAR, YOU HAVE INSPIRED ME SO
MUCH TO KNOW END, AND EVEN IN A
1536
02:01:28.247 --> 02:01:32.718
YEAR WHERE NO ONE HAS GOTTEN TO
PLAY SHOWS, I HAVE HEARD SOME OF
1537
02:01:32.785 --> 02:01:35.655
THE BEST MUSIC OUT OF ALL OF YOU
THIS PAST YEAR.
1538
02:01:35.721 --> 02:01:43.562
SO THANK YOU SO MUCH FOR
INSPIRING ME.
1539
02:01:43.629 --> 02:01:50.169
THIS CATEGORY IS NOT ABOUT WHO
CAN SING THEIR AS OFF OR
1540
02:01:50.236 --> 02:01:51.437
ENTERTAINS THE BEST EVEN.
1541
02:01:51.504 --> 02:01:57.209
I KIND OF CONSIDER THIS CATEGORY
TO JUST BE WHO TRIED THEIR BEST
1542
02:01:57.276 --> 02:02:00.613
IN A YEAR WHERE IT WAS VERY
WEIRD AND NO ONE COULD REALLY DO
1543
02:02:00.680 --> 02:02:03.115
WHAT THEY WERE MADE TO DO.
1544
02:02:03.182 --> 02:02:07.119
BUT I REALLY APPRECIATE ALL OF
MY PEERS FOR VOTING FOR ME IN
1545
02:02:07.186 --> 02:02:07.653
THIS.
1546
02:02:07.720 --> 02:02:09.288
IT MEANS SO MUCH.
1547
02:02:09.355 --> 02:02:14.960
AND I WANT TO THANK, BECAUSE I
ALWAYS FORGET TO, MY MANAGER
1548
02:02:15.027 --> 02:02:18.698
JANET WEIR, SHE HAS BEEN WITH ME
THROUGH EVERYTHING FROM THE
1549
02:02:18.764 --> 02:02:23.469
BEGINNINGK RANDY GOODMAN, TAYLOR
LINDSAY, STEVE HODGE KSZ ALL AT
1550
02:02:23.536 --> 02:02:27.306
SONY FOR HELPING A SONG LIKE THE
BONES GO IN A YEAR WHERE THE
1551
02:02:27.373 --> 02:02:30.810
WORLD SHUT DOWN, I JUST REALLY
CAN'T THANK YOU ENOUGH.
1552
02:02:30.876 --> 02:02:35.614
I LOVE YOU COUNTRY MUSIC.
1553
02:02:35.681 --> 02:02:36.682
THANK Y'ALL.
1554
02:02:36.749 --> 02:02:38.317
>> HEY, EVERYBODY, THIS
>> HI, I'M PHILLIP SWEET OF
1555
02:02:38.384 --> 02:02:40.953
LITTLE BIG TOWN.
1556
02:02:41.020 --> 02:02:42.555
I WISH I COULD BE WITH ALL OF
YOU TONIGHT BUT I'M AT HOME
1557
02:02:42.621 --> 02:02:45.624
BECAUSE I RECENTLY TESTED
POSITIVE FOR COVID.
1558
02:02:45.691 --> 02:02:47.893
BUT I'M ON MY WAY TO A FULL
RECOVERY.
1559
02:02:47.960 --> 02:02:49.261
EVERYONE STAY HEALTHY.
1560
02:02:49.328 --> 02:02:53.199
WEAR YOUR MASK, GET VACCINATED
AND LET'S ALL GET BACK TO LIVE
1561
02:02:53.265 --> 02:02:54.433
MUSIC.
1562
02:02:54.500 --> 02:02:57.269
AND SPEAKING OF LIVE MUSIC FROM
DOWNTOWN NASHVILLE RIGHT HERE,
1563
02:02:57.336 --> 02:03:02.908
MY FRIEND AND BAND MATES KAREN,
KIMBERLY AND JIMMIE, HERE'S
1564
02:03:02.975 --> 02:03:09.448
LITTLE BIG TOWN.
1565
02:03:09.515 --> 02:03:11.150
♪ ♪ ♪
♪ MY FRIEND NAMED JACK
1566
02:03:11.217 --> 02:03:18.424
HE'S GOT MY BACK
♪ HE ALWAYS SEEMS TO KNOW
1567
02:03:18.491 --> 02:03:22.561
RIGHT WHERE I'M AT
♪ MY FRIEND JOSE
1568
02:03:22.628 --> 02:03:27.166
HE LIKES TO PLAY
♪ HE'S ALWAYS UP FOR
1569
02:03:27.233 --> 02:03:33.139
ANYTHING I SAY
♪ LITTLE BIT OF RED
1570
02:03:33.205 --> 02:03:35.941
LOTTA BIT OF CROWN
♪ DON'T MATTER WHAT IT IS
1571
02:03:36.008 --> 02:03:39.378
I'M GONNA DRINK IT
♪ DOWN, DOWN, DOWN
1572
02:03:39.445 --> 02:03:46.585
THE WINE, THE BEER, THE WHISKEY
♪ ARE THE ONLY THINGS
1573
02:03:46.652 --> 02:03:50.589
THAT FIX ME
♪ I'M NOT SAYING IT'S A PROBLEM
1574
02:03:50.656 --> 02:03:56.796
I CAN STOP IT IF I WANNA
♪ BUT THE WINE, THE BEER
1575
02:03:56.862 --> 02:03:58.597
THE WHISKEY
♪ THEY ALWAYS GET ME
1576
02:03:58.664 --> 02:04:03.435
♪ ♪ ♪
♪ MY FRIEND NAMED GIN
1577
02:04:03.502 --> 02:04:07.673
SHE'S GOT SOME FRIENDS
♪ I'M TALKING BRANDY, SHERRY
1578
02:04:07.740 --> 02:04:12.711
AND THEIR BROTHER JIM
♪ MY FRIEND, THE CAPTAIN
1579
02:04:12.778 --> 02:04:16.849
WE CALL HIM MORGAN
♪ HE LIKES TO ANCHOR DOWN
1580
02:04:16.916 --> 02:04:21.754
AND HANG OVER 'TIL MORNIN'
♪ LITTLE BIT OF RED
1581
02:04:21.821 --> 02:04:25.958
LOTTA BIT OF WHITE
♪ DON'T MATTER WHAT IT IS
1582
02:04:26.025 --> 02:04:33.132
IT'S GONNA MAKE IT ALL ALRIGHT
♪ THE WINE, THE BEER
1583
02:04:33.199 --> 02:04:35.534
THE WHISKEY
♪ ARE THE ONLY THINGS
1584
02:04:35.601 --> 02:04:39.905
THAT FIX ME
♪ I'M NOT SAYING IT'S A PROBLEM
1585
02:04:39.972 --> 02:04:44.543
I CAN STOP IT IF I WANNA
♪ BUT THE WINE, THE BEER
1586
02:04:44.610 --> 02:04:47.880
THE WHISKEY
♪ THEY ALWAYS GET ME
1587
02:04:47.947 --> 02:04:54.587
♪ ♪ ♪
♪ ♪ ♪
1588
02:04:54.653 --> 02:04:58.591
♪ ♪ ♪
♪ ♪ ♪
1589
02:04:58.657 --> 02:05:04.129
♪ ♪ ♪
♪ ♪ ♪
1590
02:05:04.196 --> 02:05:10.603
♪ MY FRIEND NAMED TITO
HE'S MY AMIGO
1591
02:05:10.669 --> 02:05:14.540
♪ I'M GONNA FOLLOW HIM AROUND
WHEREVER HE GO
1592
02:05:14.607 --> 02:05:18.611
♪ THE WINE, THE BEER
THE WHISKEY
1593
02:05:18.677 --> 02:05:23.215
♪ YEAH, I GOT ALL MY
FRIENDS HERE WITH ME
1594
02:05:23.282 --> 02:05:27.553
♪ I'M NOT SAYING IT'S A PROBLEM
I CAN STOP IT IF I WANNA
1595
02:05:27.620 --> 02:05:33.192
♪ BUT WHO WOULD WANNA
WHEN THE WINE, THE BEER
1596
02:05:33.259 --> 02:05:38.797
♪ THE WHISKEY
THEY ALWAYS GET ME
1597
02:05:38.864 --> 02:05:49.508
♪ THEY ALWAYS GET ME
THEY ALWAYS GET ME
1598
02:05:49.575 --> 02:05:59.785
♪ YEAH, THEY ALWAYS GET ME ♪
♪ ♪ ♪
1599
02:05:59.852 --> 02:06:02.821
( CHEERS AND APPLAUSE )
IS WE MISS YOU
1600
02:06:02.888 --> 02:06:06.859
PHILLIP.
1601
02:06:06.926 --> 02:06:09.595
>> Mickey: WOO!
1602
02:06:09.662 --> 02:06:10.896
THIS IS NOT THE FIRST TIME THESE
ARTISTS HAVE BEEN IN THIS
1603
02:06:10.963 --> 02:06:12.531
LEGENDARY VENUE.
1604
02:06:12.598 --> 02:06:15.100
>> ST NOT, BUT IT IS A NIGHT
THEY WILL REMEMBER FOR THE REST
1605
02:06:15.167 --> 02:06:17.036
OF THEIR LIVES.
1606
02:06:17.102 --> 02:06:22.007
>> Mickey: HERE ARE THE NOMINEES
FOR ENTERTAINER OF THE YEAR.
1607
02:06:22.074 --> 02:06:25.210
>> Announcer: LUKE BRYAN.
1608
02:06:25.277 --> 02:06:29.181
ERIC CHURCH.
1609
02:06:29.248 --> 02:06:31.817
LUKE COMBS.
1610
02:06:31.884 --> 02:06:34.253
THOMAS RHETT.
1611
02:06:34.320 --> 02:06:38.724
CHRIS STAPLETON.
1612
02:06:38.791 --> 02:06:41.427
>> Keith: AND THE A.C.M.
1613
02:06:41.493 --> 02:06:51.470
ENTERTAINER OF THE YEAR GOES TO:
LUKE BRYAN.
1614
02:06:51.537 --> 02:06:58.143
ENTERTAINER OF THE YEAR GOES TO:
LUKE BRYAN.
1615
02:06:58.210 --> 02:07:01.914
♪ ♪ ♪
>> Keith: CONGRATULATIONS LUKE.
1616
02:07:01.981 --> 02:07:05.451
NOW, LUKE ISN'T HERE SO WE SET
CONGRATULATIONS, LUKE, LUKEY
1617
02:07:05.517 --> 02:07:06.318
LUKE.
1618
02:07:06.385 --> 02:07:07.186
HE CAN'T BE HERE TONIGHT, IS HE
AT HOME.
1619
02:07:07.252 --> 02:07:07.753
>> HEY GUYS.
1620
02:07:07.820 --> 02:07:08.787
>> BUT WE'VE GOT A ZOOM.
1621
02:07:08.854 --> 02:07:10.122
WHERE ARE YOU, LUKE?
1622
02:07:10.189 --> 02:07:13.993
>> I'M IN L.A
OH MY GOD, Y'ALL GOT ME.
1623
02:07:14.059 --> 02:07:20.332
I AM AMAZINGLY SURPRISEED.
1624
02:07:20.399 --> 02:07:25.437
WHAT AN AN HONOR, TO THE ACM'S,
I'M SO SORRY I COULD NOT BE
1625
02:07:25.504 --> 02:07:26.705
THERE.
1626
02:07:26.772 --> 02:07:30.175
I MISSED CERTAINLY BEING ABLETO
DO MY SONGS AND ALL THE WINNERS
1627
02:07:30.242 --> 02:07:31.977
TONIGHT, CONGRATULATIONS.
1628
02:07:32.044 --> 02:07:34.646
OH MY GOD, Y'ALL GOT ME.
1629
02:07:34.713 --> 02:07:38.484
EVERYBODY AT MY RECORD LABEL,
AND MY BOOKING AGENT JAY
1630
02:07:38.550 --> 02:07:45.824
WILLIAMS, OH MY GOD, ROYCE, DOUG
AND CINDY, MY MANAGEMENT, CARRIE
1631
02:07:45.891 --> 02:07:48.660
EDWARDS WHO IS OFF CAMERA
FREAKING OUT RIGHT NOW.
1632
02:07:48.727 --> 02:07:57.469
MY WIFE AT HOME AND MY BOYS AND
OH MY GOD, CONGRATS.
1633
02:07:57.536 --> 02:08:01.240
MICKEY AND KEITH, WHAT A GREAT
NIGHT YOU HAVE DONE.
1634
02:08:01.306 --> 02:08:04.910
TO ALL MY FANS OUT THERE, AND
COUNTRY RADIO, WE'VE MISSED
1635
02:08:04.977 --> 02:08:06.145
TOURING.
1636
02:08:06.211 --> 02:08:10.282
WE'VE MISSED BEING ON THE ROAD
WITH EVERYBODY THAT MAKES ME AN
1637
02:08:10.349 --> 02:08:10.983
ENTERTAINER.
1638
02:08:11.050 --> 02:08:13.519
MY BUS DRIVER, MY BAND, MY CREW.
1639
02:08:13.585 --> 02:08:17.289
WHAT A CHALLENGING YEAR BUT TO
ALL THE FANS AND EVERYBODY,
1640
02:08:17.356 --> 02:08:22.728
WE'LL BE BACK OUT ON THE ROAD
DOING WHAT WE LOVE AND WHAT AN
1641
02:08:22.795 --> 02:08:23.262
AMAZING HONOR.
1642
02:08:23.328 --> 02:08:26.231
I LOVE YOU GUYS.
1643
02:08:26.298 --> 02:08:31.837
>> THANK YOU, LUKE, CONGRATS,
WHAT AN AMAZING NIGHT TONIGHT.
1644
02:08:31.904 --> 02:08:35.808
AND JUST A REMINDER, AS YOU HAVE
SEEN ON THIS STAGE, PRESENTED
1645
02:08:35.874 --> 02:08:40.412
TONIGHT, COUNTRY MUSIC IS A
HUGE, BIG FAMILY WHERE EVERYONE
1646
02:08:40.479 --> 02:08:41.980
IS WELCOME.
1647
02:08:42.047 --> 02:08:45.350
>> AND CONGRATULATIONS TO ALL OF
OUR WINNERS AND A BIG THANK YOU
1648
02:08:45.417 --> 02:08:47.920
TO THE COUNTRY MUSIC FANS OUT
THERE.
1649
02:08:47.986 --> 02:08:48.887
WE LOVE YOU SO MUCH.
1650
02:08:48.954 --> 02:08:51.857
>> AND WE WANT A TOUR AS SOON AS
WE CAN.
1651
02:08:51.924 --> 02:08:54.326
NOW PLEASE MICKEY, I HAD THE
BEST NIGHT TONIGHT.
1652
02:08:54.393 --> 02:08:56.895
>> I I HAD THE BEST NIGHT TOO.
1653
02:08:56.962 --> 02:08:58.130
TAKE US HOME.
1654
02:08:58.197 --> 02:09:00.799
BY GOING TO THE RYMAN AND ONCE
AGAIN HERE ARE BROTHERS OSBORNE,
1655
02:09:00.866 --> 02:09:07.072
GOD BLESS Y'ALL, GOOD NIGHT.
1656
02:09:07.139 --> 02:09:14.113
♪ ♪ ♪
♪ GRANDADDY CALLED HER PRINCESS
1657
02:09:14.179 --> 02:09:16.682
COUNTY FAIR CALLED HER QUEEN
♪ HIGH SCHOOL CALLED
1658
02:09:16.748 --> 02:09:18.984
HER CUM LAUDE, MOST LIKELY
♪ TO SUCCEED
1659
02:09:19.051 --> 02:09:21.954
HER DADDY'S BACKWOOD CRAZY
♪ SHE'S GOT TWO 6'4" BROTHERS
1660
02:09:22.020 --> 02:09:25.724
YOU TAKE ONE STEP
♪ ONTO THAT FRONT PORCH
1661
02:09:25.791 --> 02:09:26.959
AND YOU ONE CRAZY MOTHER--
♪ CHASE WILL LEAVE
1662
02:09:27.025 --> 02:09:29.294
YOU BREATHLESS
♪ EVERY BACK ROAD IN THIS TOWN
1663
02:09:29.361 --> 02:09:30.696
SHE'LL LOVE YOU
♪ LIKE A SUNDAY DRIVE
1664
02:09:30.762 --> 02:09:32.698
AND SHE'LL TAKE YOUR
♪ POOR HEART DOWN
1665
02:09:32.764 --> 02:09:34.366
DEAD MAN'S CURVE
♪ DEAD MAN'S CURVE
1666
02:09:34.433 --> 02:09:37.169
NO REDEMPTION, NO RETURN
♪ GOOD GOD, I'M EITHER GONNA
1667
02:09:37.236 --> 02:09:38.537
CRASH OR BURN DOWN
♪ DEAD MAN'S CURVE
1668
02:09:38.604 --> 02:09:41.039
DEAD MAN'S CURVE
♪ DEAD MAN'S CURVE
1669
02:09:41.106 --> 02:09:42.808
COUNTRY BOYS AIN'T
♪ NEVER GONNA LEARN
1670
02:09:42.875 --> 02:09:44.476
NOBODY EVER MAKES IT
♪ THROUGH THAT TURN
1671
02:09:44.543 --> 02:09:50.182
DEAD MAN'S CURVE
♪ DEAD MAN'S CURVE, OH
1672
02:09:50.249 --> 02:09:54.786
♪ ♪ ♪
♪ EVERY MAN'S BEEN TEMPTED
1673
02:09:54.853 --> 02:09:57.923
GREATER MEN HAVE TRIED
♪ AT BEST YOU'LL WIND UP DINNER
1674
02:09:57.990 --> 02:10:00.626
IF YOU'RE LUCKY ENOUGH
♪ TO SURVIVE
1675
02:10:00.692 --> 02:10:01.927
NOW SHE'S THE FINGER
♪ THAT YOU'RE WRAPPED AROUND
1676
02:10:01.994 --> 02:10:03.195
SHE'S WHAT EVERY
♪ COUNTRY SONG'S ABOUT
1677
02:10:03.262 --> 02:10:05.330
SHE'S THE TROUBLE
♪ THAT YOU'RE LOOKING FOR
1678
02:10:05.397 --> 02:10:06.899
SHE'S GONNA TAKE YOU DOWN AND
♪ LEAVE YOU COMING BACK FOR MORE
1679
02:10:06.965 --> 02:10:08.667
DEAD MAN'S CURVE
♪ DEAD MAN'S CURVE
1680
02:10:08.734 --> 02:10:12.037
NO REDEMPTION, NO RETURN
♪ GOOD GOD, I'M EITHER GONNA
1681
02:10:12.104 --> 02:10:13.639
CRASH OR BURN
♪ DOWN DEAD MAN'S CURVE
1682
02:10:13.705 --> 02:10:15.541
DEAD MAN'S CURVE
♪ DEAD MAN'S CURVE
1683
02:10:15.607 --> 02:10:17.509
COUNTRY BOYS AIN'T
♪ NEVER GONNA LEARN
1684
02:10:17.576 --> 02:10:19.178
NOBODY EVER MAKES IT
♪ THROUGH THAT TURN
1685
02:10:19.244 --> 02:10:22.181
DEAD MAN'S CURVE
♪ DEAD MAN'S CURVE
1686
02:10:22.247 --> 02:10:26.818
♪ ♪ ♪
♪ ♪ ♪
1687
02:10:26.885 --> 02:10:30.155
♪ ♪ ♪
♪ ♪ ♪
1688
02:10:30.222 --> 02:10:33.492
>> WHAT YOU DOING WADDLIN' UP
HERE?
1689
02:10:33.559 --> 02:10:38.230
YOU A DEAD MAN
♪ ♪ ♪
1690
02:10:38.297 --> 02:10:42.301
♪ ♪ ♪
♪ ♪ ♪
1691
02:10:42.367 --> 02:10:47.239
♪ ♪ ♪
♪ ♪ ♪
1692
02:10:47.306 --> 02:10:49.708
♪ ♪ ♪
♪ YEAH, DEAD MAN'S CURVE
1693
02:10:49.775 --> 02:10:52.477
DEAD MAN'S CURVE
♪ NO REDEMPTION, NO RETURN
1694
02:10:52.544 --> 02:10:53.579
NOBODY EVER MAKES IT
♪ THROUGH THAT TURN
1695
02:10:53.645 --> 02:10:56.081
DEAD MAN'S CURVE
♪ DEAD MAN'S CURVE
1696
02:10:56.148 --> 02:10:57.983
DEAD MAN'S CURVE
♪ COUNTRY BOYS AIN'T
1697
02:10:58.050 --> 02:10:59.718
NEVER GONNA LEARN
♪ NOBODY EVER MAKES IT
1698
02:10:59.785 --> 02:11:01.253
THROUGH THAT TURN
♪ DEAD MAN'S CURVE
1699
02:11:01.320 --> 02:11:05.557
DEAD MAN'S CURVE
♪ ♪ ♪
1700
02:11:05.624 --> 02:11:09.795
♪ DEAD MAN'S CURVE, OH
♪ ♪ ♪
1701
02:11:09.861 --> 02:11:12.831
YOU'RE COMIN' IN WAY TOO HOT
♪ YOU DONE HIT
1702
02:11:12.898 --> 02:11:15.834
THE WRONG TURN, BOY
♪ YOU'RE A DEAD MAN ♪