1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:05,936 --> 00:00:07,007 ["SONG FOR THE LONELY" BY CHER] 3 00:00:07,041 --> 00:00:09,492 ♪ WHEN YOU'RE STANDING ON THE EDGE OF NOWHERE ♪ 4 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 5 00:00:09,526 --> 00:00:12,357 Narrator: HE'S CALLED THE WORLD'S LONELIEST ELEPHANT. 6 00:00:13,703 --> 00:00:17,603 CAPTIVE FOR 35 YEARS IN A RUNDOWN ZOO. 7 00:00:17,638 --> 00:00:20,123 Khan: YOU CAN JUST FEEL HIS GRIEF. 8 00:00:20,158 --> 00:00:22,367 Cowne: STILL BRINGS TEARS TO MY EYES NOW. 9 00:00:22,401 --> 00:00:24,127 HE WAS A TOTALLY BROKEN ANIMAL. 10 00:00:25,232 --> 00:00:26,371 Narrator: BUT WHEN A GLOBAL MOVEMENT 11 00:00:26,405 --> 00:00:28,545 PLEAS TO FREE KAAVAN, 12 00:00:28,580 --> 00:00:30,892 THE GODDESS OF POP TAKES NOTICE. 13 00:00:30,927 --> 00:00:32,549 Cher: I WAS REALLY ANGRY. 14 00:00:33,378 --> 00:00:35,932 Narrator: NOW AFTER A FIVE-YEAR CAMPAIGN, 15 00:00:35,966 --> 00:00:38,141 HE HAS THE CHANCE FOR A BETTER LIFE. 16 00:00:38,176 --> 00:00:40,902 Thompson: I WANT TO OFFER HIM AN ELEPHANT'S LIFE. 17 00:00:42,214 --> 00:00:44,251 Narrator: BUT TIME IS RUNNING OUT, 18 00:00:44,285 --> 00:00:46,701 AND A PANDEMIC HAS THE WORLD IN LOCKDOWN. 19 00:00:47,978 --> 00:00:49,946 ♪ AND THIS IS A SONG 20 00:00:49,980 --> 00:00:51,741 IT'LL TAKE HUGE FAITH. 21 00:00:51,775 --> 00:00:53,432 Dr. Amir: DO YOU BELIEVE IN MIRACLES? 22 00:00:53,467 --> 00:00:55,710 Narrator: AND AN ARMY OF PEOPLE... 23 00:00:55,745 --> 00:00:58,265 TO MOVE AN UNPREDICTABLE ELEPHANT... 24 00:00:58,299 --> 00:01:01,130 Dr. Amir: HE IS DANGEROUS, RISKY, IS A POWER MACHINE. 25 00:01:02,303 --> 00:01:04,133 Narrator: THOUSANDS OF MILES. 26 00:01:04,167 --> 00:01:06,204 Cowne: IT WAS PRETTY RISKY FOR HIM, 27 00:01:06,238 --> 00:01:08,309 BUT VERY DANGEROUS FOR THE PEOPLE ONBOARD. 28 00:01:09,138 --> 00:01:11,519 Narrator: CAN THE PASSION OF A SUPERSTAR 29 00:01:11,554 --> 00:01:12,762 HELP TO SAVE HIM? 30 00:01:12,796 --> 00:01:13,452 [METAL DOOR BANGING] 31 00:01:13,487 --> 00:01:15,282 Cher: I WANTED TO FREE HIM. 32 00:01:15,316 --> 00:01:17,387 I KNEW THAT WE HAD TO GET HIM OUT. 33 00:01:17,422 --> 00:01:19,148 Dr. Amir: STOP, STOP, STOP! 34 00:01:19,182 --> 00:01:22,530 [TENSE ELECTRONIC MUSIC] 35 00:01:25,844 --> 00:01:29,537 [GENTLE INSTRUMENTAL MUSIC] 36 00:01:34,611 --> 00:01:36,889 Narrator: KAAVAN, A MAGNIFICENT BULL ELEPHANT, 37 00:01:36,924 --> 00:01:41,308 HAS BEEN HELD IN PAKISTAN'S ISLAMABAD ZOO FOR 35 YEARS 38 00:01:41,342 --> 00:01:42,688 IN PITIFUL CONDITIONS. 39 00:01:45,622 --> 00:01:48,660 LIKE ANY BULL ELEPHANT, KAAVAN IS DANGEROUS 40 00:01:48,694 --> 00:01:50,455 AND HAS KILLED TWO OF HIS KEEPERS. 41 00:01:53,734 --> 00:01:57,669 IN 2012, HIS ONLY COMPANION DIES FROM NEGLECT. 42 00:02:00,775 --> 00:02:02,329 CHAINED UP AND ALONE, 43 00:02:02,363 --> 00:02:05,263 KAAVAN CAN'T EVEN WALK THE LENGTH OF HIS ENCLOSURE, 44 00:02:05,297 --> 00:02:07,437 LET ALONE BATHE IN HIS DRIED-UP POOL. 45 00:02:09,957 --> 00:02:11,786 BUT EVEN IN THIS SORRY STATE, 46 00:02:11,821 --> 00:02:14,203 HE'S STILL THE ZOO'S STAR ATTRACTION. 47 00:02:17,447 --> 00:02:20,864 THEN, IN 2015, A TRAINEE VET FROM AMERICA 48 00:02:20,899 --> 00:02:23,902 VISITS THE ZOO ON A TRIP TO SEE HER PAKISTANI FAMILY. 49 00:02:26,387 --> 00:02:27,975 Khan: HERE'S THIS SOLITARY ELEPHANT, 50 00:02:28,009 --> 00:02:29,942 JUST IN THIS BARE SHED. 51 00:02:29,977 --> 00:02:33,601 AND THAT WEAVING BEHAVIOR WHERE HE WAS JUST MOVING 52 00:02:33,636 --> 00:02:37,571 BY HIMSELF BACK AND FORTH, THAT REALLY STRUCK ME. 53 00:02:39,952 --> 00:02:42,231 Narrator: HIS WEIRD ROCKING AMUSES VISITORS, 54 00:02:42,265 --> 00:02:45,682 WHO MISTAKENLY CALL KAAVAN "THE DANCING ELEPHANT". 55 00:02:45,717 --> 00:02:47,201 BUT THANKS TO HER TRAINING, 56 00:02:47,236 --> 00:02:50,135 SAMAR KNOWS THIS IS A SIGN OF TERRIBLE BOREDOM. 57 00:02:51,274 --> 00:02:54,243 Khan: I KNEW ELEPHANTS ARE SUPPOSED TO BE INCREDIBLY SOCIAL 58 00:02:54,277 --> 00:02:56,555 AND INCREDIBLY INTELLIGENT ANIMALS. 59 00:02:56,590 --> 00:02:58,937 AND TO SEE HIM WITH NO SOURCE OF ENRICHMENT AT ALL. 60 00:02:58,971 --> 00:03:02,906 I KNEW THAT THIS BEHAVIOR IS REALLY STEREOTYPIC BEHAVIOR 61 00:03:02,941 --> 00:03:05,668 FOR ANIMALS WHO HAVE FACED SEVERE 62 00:03:05,702 --> 00:03:08,188 EITHER MENTAL OR PHYSICAL NEGLECT. 63 00:03:09,430 --> 00:03:11,398 Narrator: KAAVAN'S SWAYING INTENSIFIES 64 00:03:11,432 --> 00:03:15,125 AFTER THE DEATH OF HIS FEMALE COMPANION SAHELI IN 2012. 65 00:03:16,920 --> 00:03:18,957 Khan: FOR ME, ACTUALLY, THE MOST PIVOTAL MOMENT 66 00:03:18,991 --> 00:03:21,822 WAS SEEING THIS PHOTO OF KAAVAN AND SAHELI 67 00:03:21,856 --> 00:03:23,548 AFTER SHE HAD PASSED. 68 00:03:25,377 --> 00:03:28,277 ELEPHANTS, THEY'RE LIKE THESE INCREDIBLY INTELLIGENT 69 00:03:28,311 --> 00:03:31,245 AND INCREDIBLY SOCIAL ANIMALS. 70 00:03:31,280 --> 00:03:32,936 AND HE'S REACHING OUT TO SAHELI, 71 00:03:32,971 --> 00:03:35,145 AND YOU CAN JUST FEEL HIS GRIEF. 72 00:03:37,631 --> 00:03:40,323 I FOUND OUT THAT THE REASON WHY SAHELI PASSED 73 00:03:40,358 --> 00:03:43,395 WAS BECAUSE OF GANGRENE FROM HER CHAINS, 74 00:03:43,430 --> 00:03:46,640 AND THAT POOR FOOT CARE RESULTED IN HER DYING. 75 00:03:48,607 --> 00:03:52,335 AND I KNEW KAAVAN NOW IS WEARING THOSE SAME CHAINS, 76 00:03:52,370 --> 00:03:54,475 AND IF HE DOESN'T GET OUT, 77 00:03:54,510 --> 00:03:57,582 THEN THE SAME THING IS GONNA HAPPEN TO HIM. 78 00:04:00,688 --> 00:04:01,896 [DRAMATIC PERCUSSIVE MUSIC] 79 00:04:01,931 --> 00:04:06,211 Narrator: AT 36 YEARS OLD, KAAVAN SHOULD BE IN HIS PRIME. 80 00:04:06,936 --> 00:04:09,283 BUT HE'S A FAR CRY FROM THE ENDEARING CALF 81 00:04:09,318 --> 00:04:11,837 THAT ARRIVED IN PAKISTAN IN 1985. 82 00:04:14,668 --> 00:04:16,635 HE WAS ORIGINALLY A GIFT FROM SRI LANKA 83 00:04:16,670 --> 00:04:19,569 TO PRESIDENT GENERAL ZIA'S 13-YEAR-OLD DAUGHTER. 84 00:04:21,364 --> 00:04:25,334 BUT NOW, THE DELIGHT OF A YOUNG GIRL HAS BECOME A TRAGEDY. 85 00:04:31,201 --> 00:04:34,412 SAMAR KHAN BECOMES DESPERATE TO SAVE HIM. 86 00:04:34,446 --> 00:04:36,241 Khan: MY MOM REALLY ENCOURAGED ME TO ACT, 87 00:04:36,276 --> 00:04:39,209 AND I DECIDED TO OPEN UP A CHANGE.ORG PETITION, 88 00:04:39,244 --> 00:04:40,728 AND I OPENED UP A FACEBOOK PAGE 89 00:04:40,763 --> 00:04:42,765 CALLED "FREE KAAVAN THE ELEPHANT". 90 00:04:42,799 --> 00:04:44,491 Narrator: IN SEPTEMBER 2015, 91 00:04:44,525 --> 00:04:46,803 SHE LAUNCHES HER CAMPAIGN TO FREE HIM... 92 00:04:48,253 --> 00:04:50,151 AND FACEBOOK EXPLODES. 93 00:04:51,670 --> 00:04:54,432 Khan: I WOKE UP AND MY PHONE WAS HOT TO THE TOUCH 94 00:04:54,466 --> 00:04:56,434 'CAUSE THOUSANDS UPON THOUSANDS OF PEOPLE 95 00:04:56,468 --> 00:04:59,160 WERE WRITING INTO THE PAGE, SIGNING THE PETITION. 96 00:05:00,817 --> 00:05:01,853 Narrator: IN TORONTO, CANADA, 97 00:05:01,887 --> 00:05:05,960 PAKISTANI EX-PAT ANIKA SLEEM ANSWERS THE CALL. 98 00:05:05,995 --> 00:05:07,617 Sleem: FREE KAAVAN! 99 00:05:08,722 --> 00:05:09,861 Narrator: ANIKA JOINS THE CRY 100 00:05:09,895 --> 00:05:13,174 THAT'S BEEN GATHERING MOMENTUM ON TWITTER FOR MONTHS, 101 00:05:13,209 --> 00:05:16,626 WHEN A SUPERSTAR WITH A PASSION FOR ANIMALS TAKES NOTICE. 102 00:05:17,834 --> 00:05:21,424 Sleem: AND THEN ONE DAY AT MIDNIGHT, I OPEN MY TWITTER 103 00:05:21,459 --> 00:05:23,219 AND I GET A TWEET FROM CHER... 104 00:05:24,082 --> 00:05:28,362 SAYING, "JUST GOT OFF THE PHONE WITH COOL BRITISH FRIEND. 105 00:05:28,397 --> 00:05:30,813 ALIGNING PEOPLE TO FIX THIS." 106 00:05:30,847 --> 00:05:32,228 IT WAS ACTUALLY CHER. 107 00:05:34,713 --> 00:05:36,957 Cher: ALL THE KIDS ON MY TWITTER SITE 108 00:05:36,991 --> 00:05:40,823 STARTED TO INUNDATE ME WITH "SAVE KAAVAN". 109 00:05:40,857 --> 00:05:45,828 AND I THOUGHT, I CANNOT SAVE AN ELEPHANT IN PAKISTAN, 110 00:05:45,862 --> 00:05:47,657 BECAUSE I HAVE NO STREET CRED. 111 00:05:47,692 --> 00:05:49,279 HOW AM I GONNA DO THIS? 112 00:05:50,522 --> 00:05:52,248 Narrator: SO CHER CONTACTS A FRIEND 113 00:05:52,282 --> 00:05:55,147 WHO'S BEEN INVOLVED WITH RELOCATING ELEPHANTS IN AFRICA. 114 00:05:58,599 --> 00:06:00,981 Cher: I MET THIS MAN, MARK COWNE. 115 00:06:01,015 --> 00:06:02,569 HE'S BOB GELDOF'S MANAGER. 116 00:06:02,603 --> 00:06:04,881 AND HE WAS TELLING ME ABOUT ELEPHANTS 117 00:06:04,916 --> 00:06:07,332 THAT HE'D SAVED IN SOUTH AFRICA. 118 00:06:07,367 --> 00:06:11,267 AND SO I JUST CALL HIM, AND I SAY, 119 00:06:11,301 --> 00:06:13,649 "WELL, THERE'S THIS ELEPHANT I WANT TO SAVE, 120 00:06:13,683 --> 00:06:15,823 AND I DON'T REALLY KNOW ANYTHING ABOUT IT." 121 00:06:15,858 --> 00:06:18,447 AND HE SAID, "I'LL GO RIGHT AWAY." 122 00:06:18,481 --> 00:06:20,794 [SOFT MUSIC] 123 00:06:20,828 --> 00:06:21,898 Cowne: IT'S CHER! 124 00:06:21,933 --> 00:06:23,659 SHE'S A GREAT FRIEND. 125 00:06:23,693 --> 00:06:24,867 OF COURSE, I SAID YES. 126 00:06:26,455 --> 00:06:29,527 Narrator: MARK COWNE RACES TO ISLAMABAD TO SEE KAAVAN. 127 00:06:31,943 --> 00:06:34,255 Cowne: WHEN I FIRST MET KAAVAN, IT WAS SO SAD. 128 00:06:34,290 --> 00:06:37,258 IT STILL BRINGS TEARS TO MY EYES NOW. 129 00:06:37,293 --> 00:06:38,846 HE WAS A TOTALLY BROKEN ANIMAL. 130 00:06:41,677 --> 00:06:45,646 Cher: I SAW A PICTURE, AND THE PICTURE WAS SO HORRIBLE. 131 00:06:46,578 --> 00:06:48,442 AND HE WAS SHACKLED. 132 00:06:48,477 --> 00:06:51,341 AND IN THIS SHED... 133 00:06:52,584 --> 00:06:53,551 CONSTANTLY. 134 00:06:54,483 --> 00:06:56,312 AND I JUST... 135 00:06:56,346 --> 00:06:59,419 I WAS PISSED OFF TOO. 136 00:06:59,453 --> 00:07:01,179 I WAS REALLY ANGRY. 137 00:07:01,213 --> 00:07:02,318 [DRAMATIC MUSIC] 138 00:07:02,352 --> 00:07:05,252 Narrator: MARK COWNE APPEALS TO THE ZOO OFFICIALS. 139 00:07:07,219 --> 00:07:10,568 Cher: HE SAID, "TAKE HIS CHAINS OFF, 140 00:07:10,602 --> 00:07:12,915 PUT WATER IN THE LITTLE POOL, 141 00:07:14,330 --> 00:07:16,470 PUT A TOP ON THE SHED, 142 00:07:16,505 --> 00:07:18,541 AND GIVE HIM SOMETHING TO PLAY WITH." 143 00:07:18,576 --> 00:07:19,439 AND THEY DID IT. 144 00:07:21,406 --> 00:07:23,650 Narrator: BUT THEIR OPTIMISM IS SHORT-LIVED. 145 00:07:25,272 --> 00:07:27,136 BEYOND THESE SMALL CHANGES, 146 00:07:27,170 --> 00:07:30,277 KAAVAN'S SITUATION DOESN'T IMPROVE FOR TWO MORE YEARS. 147 00:07:30,311 --> 00:07:33,418 [EMOTIONAL MUSIC] 148 00:07:33,453 --> 00:07:36,732 SO IN 2018, CHER LAUNCHES FREE THE WILD, 149 00:07:36,766 --> 00:07:39,459 A NONPROFIT ORGANIZATION FOR ANIMAL RIGHTS. 150 00:07:40,529 --> 00:07:43,186 SHE BEGINS A RELENTLESS TWITTER CAMPAIGN 151 00:07:43,221 --> 00:07:46,638 TO PERSUADE THE PAKISTANI GOVERNMENT TO RELEASE KAAVAN. 152 00:07:46,673 --> 00:07:47,846 Cher: WELL, I DID THAT. 153 00:07:47,881 --> 00:07:51,160 I TWEETED AND SAID I WOULD GET ON MY KNEES. 154 00:07:51,194 --> 00:07:53,507 BUT THAT DIDN'T SEEM TO HELP. 155 00:07:55,267 --> 00:07:56,372 [GENTLE PIANO MUSIC] 156 00:07:56,406 --> 00:07:59,306 Narrator: CHER EVEN RECORDS A SPECIAL SONG, "WALLS", 157 00:07:59,340 --> 00:08:01,584 ABOUT THE LONELY ELEPHANT'S PLIGHT. 158 00:08:01,619 --> 00:08:06,382 ♪ NEVER THOUGHT I'D EVER END UP LIKE THIS ♪ 159 00:08:06,416 --> 00:08:09,454 BUT NOTHING CHANGES FOR KAAVAN. 160 00:08:09,489 --> 00:08:11,249 HIS DIET IS TERRIBLE. 161 00:08:11,283 --> 00:08:13,182 HIS PEN IS SMALL AND SQUALID. 162 00:08:15,633 --> 00:08:16,599 AND WORSE STILL... 163 00:08:18,187 --> 00:08:18,912 HE'S ALONE. 164 00:08:20,672 --> 00:08:24,262 ASIAN ELEPHANTS NATURALLY LIVE IN SMALL FAMILY HERDS 165 00:08:24,296 --> 00:08:26,402 AND NEED THE FREEDOM TO ROAM. 166 00:08:26,436 --> 00:08:28,473 Cher: THEY'RE SO SOCIAL, THEY'RE LIKE WE ARE. 167 00:08:28,508 --> 00:08:32,442 THEY'RE JUST LIKE WE ARE. WE'RE VERY MUCH THE SAME. 168 00:08:32,477 --> 00:08:36,308 THEY'RE SO FAMILY-ORIENTED AND THEY'RE SO EMOTIONAL. 169 00:08:36,343 --> 00:08:37,758 [DRAMATIC MUSIC] 170 00:08:37,793 --> 00:08:40,830 Narrator: FEW ZOOS CAN PROPERLY CARE FOR ELEPHANTS. 171 00:08:40,865 --> 00:08:43,177 BUT ISLAMABAD ZOO CONTINUES TO HANG ON 172 00:08:43,212 --> 00:08:44,420 TO ITS STAR ATTRACTION. 173 00:08:47,250 --> 00:08:49,943 IN 2020, A PASSIONATE YOUNG PAKISTANI LAWYER 174 00:08:49,977 --> 00:08:52,221 TAKES THE ZOO TO COURT. 175 00:08:52,255 --> 00:08:55,880 HE DEMANDS THAT KAAVAN'S RIGHTS AS AN ANIMAL BE RECOGNIZED 176 00:08:55,914 --> 00:08:57,882 AND HE BE MOVED TO A BETTER FACILITY. 177 00:09:01,679 --> 00:09:03,197 Swan: CHER, THROUGH FREE THE WILD, 178 00:09:03,232 --> 00:09:05,890 WAS ONE OF THE PARTIES IN THE PETITION. 179 00:09:05,924 --> 00:09:07,754 [UPBEAT MUSIC] 180 00:09:07,788 --> 00:09:10,411 Narrator: TO EVERYONE'S SURPRISE, THEY SUCCEED. 181 00:09:11,274 --> 00:09:14,588 Swan: OUR CASE BECAME ONE OF THE LANDMARK PRECEDENT 182 00:09:14,623 --> 00:09:17,833 WHICH HAS RECOGNIZED ANIMAL RIGHTS FOR THE FIRST TIME 183 00:09:17,867 --> 00:09:20,180 IN TRADITIONAL HISTORY OF PAKISTAN. 184 00:09:21,595 --> 00:09:23,597 Narrator: AND THEN, IN MAY 2020, 185 00:09:23,632 --> 00:09:27,118 PAKISTAN'S HIGH COURT DELIVERS AN ASTONISHING JUDGMENT. 186 00:09:28,257 --> 00:09:30,397 NOT ONLY MUST KAAVAN BE FREED, 187 00:09:30,431 --> 00:09:32,675 BUT THE ENTIRE ZOO MUST CLOSE. 188 00:09:36,230 --> 00:09:39,889 IT'S A LEGAL TRIUMPH BUT A LOGISTICAL NIGHTMARE. 189 00:09:41,511 --> 00:09:44,204 THE COURT RULES THAT KAAVAN AND ALL OTHER ANIMALS 190 00:09:44,238 --> 00:09:46,102 MUST GO IN 30 DAYS. 191 00:09:47,552 --> 00:09:49,278 BUT IT'S SUMMER 2020, 192 00:09:49,312 --> 00:09:52,730 THE MIDST OF THE WORST GLOBAL EMERGENCY SINCE WORLD WAR II. 193 00:09:53,662 --> 00:09:54,870 [DRAMATIC MUSIC] 194 00:09:54,904 --> 00:09:57,251 Cher: AND SO THEN I SAID, "DO WE REALLY WANT TO GO 195 00:09:57,286 --> 00:09:58,839 TO ISLAMABAD DURING COVID? 196 00:09:58,874 --> 00:10:02,256 THAT'S KIND OF NOT A GOOD IDEA. WE'RE GOING TO DIE." 197 00:10:03,050 --> 00:10:06,157 AND WE JUST DECIDED, "OH, THAT'S NOT IMPORTANT 198 00:10:06,191 --> 00:10:08,193 AS MUCH AS SAVING THIS ELEPHANT." 199 00:10:10,679 --> 00:10:11,369 [GENTLE PIANO MUSIC] 200 00:10:11,403 --> 00:10:13,785 GO SAVE AN ELEPHANT IN ISLAMABAD 201 00:10:13,820 --> 00:10:18,376 WAS LIKE THAT WAS WAY BEYOND MY JOB DESCRIPTION. 202 00:10:18,410 --> 00:10:21,655 BUT, YOU KNOW, THEY JUST HAVE FEELINGS, 203 00:10:21,690 --> 00:10:25,141 AND WE HAVE TO BE RESPONSIVE. 204 00:10:25,176 --> 00:10:26,660 [BRIGHT MUSIC] 205 00:10:26,695 --> 00:10:29,490 Narrator: THE PANDEMIC BUYS EVERYONE SOME TIME, 206 00:10:29,525 --> 00:10:31,734 WHILE FREE THE WILD DESPERATELY SEARCHES 207 00:10:31,769 --> 00:10:33,287 FOR KAAVAN'S NEW HOME. 208 00:10:35,600 --> 00:10:38,223 [BRIGHT MUSIC] 209 00:10:38,258 --> 00:10:41,848 FREE THE WILD TURNS TO RENOWN ELEPHANT RESCUER LEK CHAILERT. 210 00:10:44,574 --> 00:10:47,923 SHE CARES FOR 200 ELEPHANTS AT HER SANCTUARY IN THAILAND. 211 00:11:10,773 --> 00:11:12,775 [ELEPHANT SQUEAKING] 212 00:11:36,868 --> 00:11:38,767 Narrator: LEK AND HER HUSBAND, DEREK THOMPSON, 213 00:11:38,801 --> 00:11:42,287 OFFER KAAVAN A HOME AT A SISTER SANCTUARY IN CAMBODIA, 214 00:11:43,219 --> 00:11:45,359 IF THE ZOO WILL RELEASE HIM. 215 00:11:45,394 --> 00:11:47,189 [DELICATE PIANO MUSIC] 216 00:12:03,826 --> 00:12:05,863 [GENTLE MUSIC] 217 00:12:05,897 --> 00:12:07,899 Narrator: AT THE CAMBODIA WILDLIFE SANCTUARY, 218 00:12:07,934 --> 00:12:11,109 THE ELEPHANTS HAVE SPACE TO ROAM IN THE PROTECTED FOREST. 219 00:12:13,180 --> 00:12:15,769 Cowne: CAMBODIA WAS THE BEST CHOICE BY FAR FOR KAAVAN. 220 00:12:15,804 --> 00:12:18,738 BUT FOR US, IT'S A LOGISTICAL NIGHTMARE. 221 00:12:20,947 --> 00:12:23,432 Narrator: IT WILL TAKE SEVEN HOURS BY AIR... 222 00:12:25,330 --> 00:12:29,438 THEN FOUR HOURS BY TRUCK TO DELIVER KAAVAN TO HIS NEW HOME. 223 00:12:29,472 --> 00:12:31,785 Cowne: WE'RE GONNA NEED A MASSIVE AIRCRAFT. 224 00:12:31,820 --> 00:12:33,753 HOW THE HELL ARE WE GONNA GET THAT NOW? 225 00:12:35,444 --> 00:12:36,790 Narrator: THE SEARCH FOR A CARGO PLANE 226 00:12:36,825 --> 00:12:39,931 BIG ENOUGH TO TRANSPORT A BULL ELEPHANT BEGINS. 227 00:12:41,312 --> 00:12:44,246 [DRAMATIC MUSIC] 228 00:12:44,280 --> 00:12:45,730 THEY'LL ALSO HAVE TO BUILD A CRATE 229 00:12:45,765 --> 00:12:48,112 THAT'S STRONG ENOUGH TO RESTRAIN KAAVAN... 230 00:12:49,872 --> 00:12:52,772 AND THEN TRAIN HIM TO WILLINGLY ENTER IT. 231 00:12:53,807 --> 00:12:55,222 IT'S A TALL ORDER. 232 00:12:56,534 --> 00:12:59,192 FORTUNATELY, HELP IS AT HAND. 233 00:13:01,642 --> 00:13:03,437 BY AUGUST, A TEAM FROM 234 00:13:03,472 --> 00:13:05,854 THE GLOBAL ANIMAL WELFARE ORGANIZATION, FOUR PAWS, 235 00:13:05,888 --> 00:13:07,614 IS ALREADLY WORKING HARD 236 00:13:07,648 --> 00:13:09,961 TO RELOCATE ALL THE OTHER ANIMALS AT THE ZOO. 237 00:13:09,996 --> 00:13:10,859 Dr. Amir: GOOD LUCK. 238 00:13:10,893 --> 00:13:12,757 [LAUGHING] 239 00:13:12,792 --> 00:13:15,173 Narrator: THEIR LEADER, DR. AMIR KHALIL, 240 00:13:15,208 --> 00:13:16,692 IS KNOWN AS THE WAR VET. 241 00:13:19,177 --> 00:13:21,559 HE'S DONE COUNTLESS HIGH-RISK ANIMAL RESCUES 242 00:13:21,593 --> 00:13:25,356 FROM SYRIA, IRAQ, LIBYA, AND THE GAZA STRIP. 243 00:13:28,359 --> 00:13:31,811 DR. AMIR MUST PREPARE KAAVAN PHYSICALLY FOR THE RELOCATION. 244 00:13:33,364 --> 00:13:35,884 THE FIRST STEP: PUT HIM ON A DIET. 245 00:13:35,918 --> 00:13:38,956 [DELICATE MUSIC] 246 00:13:38,990 --> 00:13:42,338 BUT HE'S ALSO WORRIED ABOUT KAAVAN'S MENTAL HEALTH. 247 00:13:42,373 --> 00:13:45,272 THE BULL ELEPHANT HAS KILLED TWO OF HIS PREVIOUS KEEPERS. 248 00:13:48,758 --> 00:13:50,450 Dr. Amir: I MET HIM FOUR YEARS AGO. 249 00:13:51,278 --> 00:13:53,971 AND I SAW, REALLY, AT THIS TIME A VERY ANGRY GUY. 250 00:13:54,005 --> 00:13:55,317 HATE HUMAN BEING. 251 00:13:56,697 --> 00:13:59,597 HE HAD THE WORST EXPERIENCE FOR AN ANIMAL. 252 00:13:59,631 --> 00:14:02,669 HE DON'T SEE US AS A HUMAN. HE SEE US LIKE MONSTERS. 253 00:14:02,703 --> 00:14:05,741 [EMOTION@L 254 00:14:05,775 --> 00:14:07,950 Narrator: NOW, WITH THREE MONTHS TO GO, 255 00:14:07,985 --> 00:14:10,228 THEY TARGET LATE NOVEMBER FOR THE MOVE. 256 00:14:11,747 --> 00:14:13,369 BUT THERE'S STILL NO AIRPLANE. 257 00:14:14,508 --> 00:14:16,234 AND THEY'VE YET TO BUILD A CRATE. 258 00:14:18,581 --> 00:14:21,550 FINALLY, THEY TRACK DOWN AN ILYUSHIN TRANSPORT PLANE 259 00:14:21,584 --> 00:14:22,758 THAT MIGHT BE AVAILABLE. 260 00:14:24,933 --> 00:14:26,382 BUT THERE'S ONE CONDITION. 261 00:14:28,281 --> 00:14:29,144 Dr. Amir: ALEXANDER... 262 00:14:29,903 --> 00:14:34,425 KEN'S AIRCRAFT TAKES THREE METER 15 HIGH CRATES ATOP. 263 00:14:34,459 --> 00:14:36,358 WIDTH IS TWO METER WIDE. 264 00:14:36,392 --> 00:14:39,223 Alexander: THE THING IS THIS CAGE IS VERY HEAVY. 265 00:14:39,257 --> 00:14:42,709 WHAT WILL BE THE ANTICIPATED WEIGHT OF THE CAGE 266 00:14:42,743 --> 00:14:44,228 WITH ELEPHANT INSIDE? 267 00:14:44,262 --> 00:14:48,197 Dr. Amir: GROSS WEIGHT, I WILL BRING IT TO 10 TON. 268 00:14:48,232 --> 00:14:50,268 Narrator: KAAVAN AND THE CRATE CANNOT WEIGH 269 00:14:50,303 --> 00:14:52,926 MORE THAN 10 TONS, OR THEY'LL NEED A BIGGER PLANE. 270 00:14:53,754 --> 00:14:57,793 THANKS TO AMIR'S DIET, KAAVAN'S ALREADY SHED 500 POUNDS. 271 00:14:58,863 --> 00:15:00,761 BUT HE NEEDS TO TRIM DOWN SOME MORE. 272 00:15:04,593 --> 00:15:06,664 EVEN AT HIS SVELTE FLYING WEIGHT, 273 00:15:06,698 --> 00:15:08,114 THE BULL ELEPHANT WILL REQUIRE 274 00:15:08,148 --> 00:15:09,632 A SPECIALLY-CONSTRUCTED CRATE. 275 00:15:11,876 --> 00:15:14,879 IT MUST BE AS SMALL AS POSSIBLE TO RESTRAIN HIM... 276 00:15:16,294 --> 00:15:18,469 YET BIG ENOUGH FOR HIM TO WILLINGLY WALK IN. 277 00:15:20,195 --> 00:15:21,921 AND IT'S GOT TO BE UNBREAKABLE 278 00:15:22,852 --> 00:15:24,095 [HORN HONKING] 279 00:15:24,130 --> 00:15:27,788 FOUR PAWS COMMISSIONED SOME LOCAL ENGINEERS TO BUILD IT... 280 00:15:27,823 --> 00:15:28,893 FAST. 281 00:15:28,928 --> 00:15:31,171 WITH FOUR WEEKS TO GO, DR. AMIR 282 00:15:31,206 --> 00:15:35,175 AND TRANSPORT EXPERT ERNST-JAN KIP GO TO CHECK ON PROGRESS. 283 00:15:36,936 --> 00:15:39,766 FIRST IMPRESSIONS ARE ALARMING. 284 00:15:39,800 --> 00:15:42,355 Kip: EVERYTHING HE CAN TOUCH WITH HIS TRUNK, 285 00:15:42,389 --> 00:15:45,220 HE'LL DESTROY IT AND THE AIRPLANE WILL GO DOWN. 286 00:15:45,254 --> 00:15:48,671 HE IS OVER FIVE TON OF MUSCLE AND POWER. 287 00:15:50,259 --> 00:15:54,332 NICE DESIGNS, BUT IT'S NOT ELEPHANT PROOF. 288 00:15:54,367 --> 00:15:55,678 Narrator: AND TO TOP IT ALL OFF, 289 00:15:55,713 --> 00:15:58,371 THEY'VE PAINTED AN AFRICAN ELEPHANT ON THE SIDE. 290 00:15:59,717 --> 00:16:02,962 Dr. Amir: SO, HERE, NO AFRICAN ELEPHANT. 291 00:16:02,996 --> 00:16:06,689 MUST BE PAKISTANI. PAKISTANI KAAVAN. 292 00:16:06,724 --> 00:16:08,174 [CHATTERING] 293 00:16:08,208 --> 00:16:10,693 [DRAMATIC PERCUSSIVE MUSIC] 294 00:16:10,728 --> 00:16:13,731 Narrator: MEANWHILE, AT THE CAMBODIA WILDLIFE SANCTUARY, 295 00:16:13,765 --> 00:16:15,560 FRANTIC CONSTRUCTION IS UNDERWAY 296 00:16:15,595 --> 00:16:18,632 TO BUILD A TEMPORARY NEW ENCLOSURE FOR KAAVAN'S ARRIVAL. 297 00:16:21,842 --> 00:16:24,328 HIS INITIAL PEN IS LESS THAN AN ACRE 298 00:16:24,362 --> 00:16:26,744 BUT A PARADISE COMPARED TO WHERE HE IS NOW. 299 00:16:28,159 --> 00:16:30,748 AND MOST IMPORTANT, HE'LL HAVE COMPANY: 300 00:16:30,782 --> 00:16:34,131 THE FIRST ELEPHANTS HE'LL INTERACT WITH IN EIGHT YEARS. 301 00:16:38,963 --> 00:16:40,758 THERE ARE TWO WEEKS TO THE MOVE. 302 00:16:42,656 --> 00:16:43,968 KAAVAN'S REINFORCED CRATE, 303 00:16:44,003 --> 00:16:46,902 NOW PAINTED WITH AN ASIAN ELEPHANT, IS ON THE WAY. 304 00:16:48,421 --> 00:16:50,181 EVERY HOUR COUNTS. 305 00:16:50,216 --> 00:16:52,770 [ANXIOUS MUSIC] 306 00:16:59,846 --> 00:17:02,297 NORMALLY, IT TAKES FOUR TO SIX WEEKS 307 00:17:02,331 --> 00:17:03,505 TO CRATE TRAIN AN ELEPHANT. 308 00:17:03,539 --> 00:17:04,747 Dr. Amir: STOP, STOP, STOP! 309 00:17:06,680 --> 00:17:07,509 GO. 310 00:17:08,268 --> 00:17:11,237 Narrator: DR. AMIR HAS ONLY 14 DAYS. 311 00:17:13,929 --> 00:17:14,930 [METAL DOOR BANGING] 312 00:17:14,964 --> 00:17:17,277 EVERYONE WATCHES ANXIOUSLY TO SEE HOW KAAVAN 313 00:17:17,312 --> 00:17:18,623 WILL REACT TO THE CRATE. 314 00:17:20,004 --> 00:17:22,248 BUT THEY MAKE A FATAL MISTAKE... 315 00:17:23,663 --> 00:17:24,802 LEAVING THE DOORS ON. 316 00:17:27,253 --> 00:17:29,393 [BANGING] 317 00:17:33,328 --> 00:17:36,641 [TRADITIONAL EASTERN MUSIC] 318 00:17:36,676 --> 00:17:39,472 BY MORNING, KAAVAN HAS TRASHED THE CRATE. 319 00:17:41,336 --> 00:17:43,786 THEY'LL HAVE TO BUILD ANOTHER ONE... 320 00:17:43,821 --> 00:17:44,787 MUCH STRONGER. 321 00:17:46,203 --> 00:17:48,343 THEIR LIVES ON THE PLANE WILL DEPEND ON IT. 322 00:17:49,102 --> 00:17:52,726 Kip: IF KAAVAN SMASHED THE DOOR OUT OF THE CRATE, 323 00:17:52,761 --> 00:17:54,556 WHILE HE'S IN THE AIRPLANE, 324 00:17:54,590 --> 00:17:56,282 YEAH, WE ARE ALL IN BIG TROUBLE. 325 00:17:57,179 --> 00:18:00,493 MUST BE STRONGER AND MUST BE THICKER MATERIAL. 326 00:18:00,527 --> 00:18:02,564 THE WELDING MUST BE MUCH BETTER. 327 00:18:02,598 --> 00:18:04,704 [BANGING ON METAL] 328 00:18:04,738 --> 00:18:06,809 Dr. Amir: YOU HAVE TO DO IT. AND... 329 00:18:06,844 --> 00:18:08,259 Man: WE'RE CHECKING IT RIGHT NOW. 330 00:18:08,294 --> 00:18:09,536 Dr. Amir: NO, YOU DON'T CHECK. YOU JUST DO IT. 331 00:18:09,571 --> 00:18:10,399 [LAUGHING] 332 00:18:10,434 --> 00:18:11,262 NO CHECK. NO 333 00:18:11,297 --> 00:18:14,231 [BANGING ON METAL] 334 00:18:16,233 --> 00:18:17,303 COME, KAAVAN. 335 00:18:18,442 --> 00:18:20,789 Narrator: AT LEAST DR. AMIR CAN USE THE BROKEN CRATE 336 00:18:20,823 --> 00:18:22,377 TO START KAAVAN'S TRAINING. 337 00:18:23,378 --> 00:18:24,310 Dr. Amir: KAAVAN... 338 00:18:28,590 --> 00:18:31,972 Narrator: AMIR COAXES KAAVAN IN WITH A FRUITY PRIZE. 339 00:18:32,007 --> 00:18:33,250 Dr. Amir: COME. 340 00:18:33,284 --> 00:18:34,113 DON'T BE AFRAID. 341 00:18:35,183 --> 00:18:35,873 REALLY, COME. 342 00:18:35,907 --> 00:18:36,977 I SWEAR, NOTHING WILL HAPPEN. 343 00:18:37,012 --> 00:18:38,738 YOU WILL NOT FALL DOWN. 344 00:18:38,772 --> 00:18:40,188 Narrator: AND A BURST OF FRANK SINATRA. 345 00:18:40,222 --> 00:18:44,192 ♪ I DID IT MY WAY 346 00:18:44,226 --> 00:18:46,849 Dr. Amir: YES! A FIRST STEP, YES! 347 00:18:46,884 --> 00:18:48,127 BRAVO! COME. 348 00:18:48,851 --> 00:18:50,957 ONE MORE, ONE MORE. 349 00:18:50,991 --> 00:18:54,202 COME, YOU'VE DONE IT ALREADY. [LAUGHING] 350 00:18:54,236 --> 00:18:55,272 PATIENCE. 351 00:18:55,306 --> 00:18:58,344 TRY TREAT HIM WITH RESPECT, OR SINGING TO HIM. 352 00:18:58,378 --> 00:18:59,586 I MEAN, NO ONE LIKE MY VOICE, 353 00:18:59,621 --> 00:19:04,177 SO, FINALLY I HAVE A BIG, GIANT ELEPHANT. 354 00:19:04,212 --> 00:19:06,662 THE ONLY ONE I HAVE ON EARTH WHO LOVE MY VOICE. 355 00:19:06,697 --> 00:19:09,527 YES, MY WAY! YOUR WAY. 356 00:19:09,562 --> 00:19:11,564 [TENSE MUSIC] [CROW CAWING] 357 00:19:11,598 --> 00:19:13,773 Narrator: KAAVAN'S MAKING GREAT PROGRESS. 358 00:19:14,705 --> 00:19:18,571 BUT WITH THE DAY'S TICKING BY, COVID HITS HARD. 359 00:19:18,605 --> 00:19:20,193 [COUGHING] 360 00:19:20,228 --> 00:19:22,195 SEVERAL TEAM MEMBERS GET SICK. 361 00:19:24,370 --> 00:19:26,682 Cher: AND SO THEN I SAID, "DO WE REALLY WANT TO GO 362 00:19:26,717 --> 00:19:28,270 TO ISLAMABAD DURING A COVID? 363 00:19:28,305 --> 00:19:30,410 WE'RE GONNA-- WE SHOULD DIE." 364 00:19:31,446 --> 00:19:33,275 Narrator: CHER'S PLANS TO PARTICIPATE 365 00:19:33,310 --> 00:19:35,208 ARE NOW IN JEOPARDY. 366 00:19:35,243 --> 00:19:36,416 [ANXIOUS MUSIC] 367 00:19:36,451 --> 00:19:37,969 WITH JUST A WEEK TO GO, 368 00:19:38,004 --> 00:19:40,593 KAAVAN IS GETTING MORE COMFORTABLE WITH HIS CRATE. 369 00:19:42,698 --> 00:19:44,321 Schmidinger: GOOD BOY. COME HERE. 370 00:19:45,114 --> 00:19:47,393 Narrator: BUT THERE'S A SUBTLE YET ALARMING CHANGE 371 00:19:47,427 --> 00:19:48,428 IN KAAVAN'S MOOD. 372 00:19:49,360 --> 00:19:50,982 Schmidinger: LOOK WHAT WE HERE. SO FRESH. 373 00:19:51,017 --> 00:19:52,881 Narrator: FOUR PAWS TRAINER INGO SCHMIDINGER 374 00:19:52,915 --> 00:19:54,779 NOTICES HE'S MORE AGGRESSIVE. 375 00:19:54,814 --> 00:19:56,229 Schmidinger: YEAH, YEAH, YEAH. 376 00:19:56,264 --> 00:19:58,749 THIS MORNING WE STARTED TO CHECK BACK ON HIM. 377 00:19:58,783 --> 00:19:59,784 AND WHAT HAPPENED? 378 00:19:59,819 --> 00:20:01,614 JUST ONE SECOND, BOOM. 379 00:20:01,648 --> 00:20:02,546 THAT'S IT, ATTACK. 380 00:20:03,857 --> 00:20:05,549 IT WAS A TYPICAL... 381 00:20:05,583 --> 00:20:06,515 BOOM... 382 00:20:06,550 --> 00:20:07,378 AGAINST THIS. 383 00:20:07,413 --> 00:20:08,483 Dr. Amir: AGAINST THE WALL? 384 00:20:08,517 --> 00:20:10,554 Schmidinger: YES, AGAINST THIS WALL. 385 00:20:10,588 --> 00:20:11,865 [TENSE MUSIC] 386 00:20:11,900 --> 00:20:13,833 Narrator: KAAVAN HAS ENTERED MUST. 387 00:20:14,696 --> 00:20:17,423 IT'S A MATING CONDITION WHERE TESTOSTERONE SURGES 388 00:20:17,457 --> 00:20:19,459 TO 60 TIMES THE NORMAL LEVEL. 389 00:20:23,567 --> 00:20:26,225 MUST ELEPHANTS BECOME HYPER AGGRESSIVE. 390 00:20:27,087 --> 00:20:31,575 Schmidinger: BULLS IN MUST SEE EVERY LITTLE THING AS A TARGET. 391 00:20:31,609 --> 00:20:34,302 SO THEY ARE AIMING FOR KILLING. 392 00:20:34,336 --> 00:20:36,269 [ELEPHANTS GROWLING] 393 00:20:36,304 --> 00:20:37,477 Narrator: DESPITE THE DANGER, 394 00:20:37,512 --> 00:20:39,824 THE TEAM MUST CONTINUE KAAVAN'S TRAINING. 395 00:20:39,859 --> 00:20:42,275 [DRAMATIC MUSIC] 396 00:20:42,310 --> 00:20:45,209 ONBOARD THE PLANE, ANY UNEXPECTED NOISE 397 00:20:45,244 --> 00:20:46,279 COULD SET HIM OFF. 398 00:20:47,694 --> 00:20:48,971 Schmidinger: WHAT WE DO, WE CAN DO... 399 00:20:49,006 --> 00:20:50,456 [METAL CLINKING] 400 00:20:50,490 --> 00:20:51,457 JUST SOME NOISE, 401 00:20:51,491 --> 00:20:53,493 BECAUSE THIS IS WHAT WILL HAPPEN ON THE DAY. 402 00:20:53,528 --> 00:20:54,356 IT WILL BE LIKE... 403 00:20:54,391 --> 00:20:55,254 [BANGS METAL] 404 00:20:55,288 --> 00:20:55,944 GOOD BOY! 405 00:20:55,978 --> 00:20:56,807 CLOSE! 406 00:20:56,841 --> 00:20:57,635 [BANGING METAL] 407 00:20:57,670 --> 00:20:59,292 AND IT WILL BE LIKE THIS. 408 00:20:59,327 --> 00:21:01,432 [ANXIOUS MUSIC] 409 00:21:01,467 --> 00:21:02,571 Narrator: KAAVAN'S AGGRESSION 410 00:21:02,606 --> 00:21:04,815 COULD LAST THREE TO FOUR WEEKS. 411 00:21:04,849 --> 00:21:07,611 AND DR. AMIR IS IN THE FIRING LINE. 412 00:21:08,888 --> 00:21:11,477 Dr. Amir: ELEPHANT IN MUST CAN KILL ANYONE, 413 00:21:11,511 --> 00:21:14,756 'CAUSE HE LOOK FOR THE ALPHA, AND HE WANT TO 414 00:21:14,790 --> 00:21:16,585 REMOVE THIS ALPHA. 415 00:21:17,931 --> 00:21:19,795 AND FOR HIM, I AM THE FOCUS PERSON, 416 00:21:19,830 --> 00:21:22,350 SO I COULD BE IN A HUGE RISK AT THIS MOMENT, 417 00:21:22,384 --> 00:21:23,523 SO I HAVE TO BE VERY CAREFUL. 418 00:21:23,558 --> 00:21:25,318 [TENSE MUSIC] 419 00:21:25,353 --> 00:21:27,907 Narrator: THE ENTIRE AIRLIFT IS NOW IN JEOPARDY. 420 00:21:33,947 --> 00:21:37,226 [ANXIOUS MUSIC] 421 00:21:37,261 --> 00:21:39,401 DESPITE THE DANGERS FROM COVID-19, 422 00:21:39,436 --> 00:21:42,231 CHER IS DETERMINED TO MAKE THE TRIP TO PAKISTAN. 423 00:21:43,785 --> 00:21:46,788 IT'S BEEN FIVE YEARS SINCE SHE HEARD OF KAAVAN'S PLIGHT. 424 00:21:47,720 --> 00:21:48,790 Jen: WHERE ARE YOU GOING? 425 00:21:49,549 --> 00:21:51,482 Cher: WE'RE ON OUR WAY TO ISLAMABAD. 426 00:21:51,517 --> 00:21:52,863 Jen: YEAH. TO DO WHAT? 427 00:21:52,897 --> 00:21:54,278 Cher: TO GET KAAVAN. 428 00:21:54,313 --> 00:21:57,177 Jen: YES. [CHUCKLING] 429 00:21:57,212 --> 00:21:59,697 Narrator: THE AIRLIFT IS SCHEDULED IN THREE DAYS. 430 00:22:01,699 --> 00:22:03,943 DR. AMIR HAS GIVEN KAAVAN SOME MEDICATION 431 00:22:03,977 --> 00:22:06,255 TO SUPPRESS THE SURGE IN TESTOSTERONE 432 00:22:07,326 --> 00:22:09,500 AND HOPEFULLY CURB HIS AGGRESSION. 433 00:22:13,746 --> 00:22:16,818 MARK COWNE, WHO FOUNDED FREE THE WILD WITH CHER, 434 00:22:16,852 --> 00:22:19,338 HAS ARRIVED THROUGH LONDON TO SEE KAAVAN OFF. 435 00:22:20,891 --> 00:22:22,927 BUT IT'S NOT THE REUNION HE HOPED FOR. 436 00:22:24,757 --> 00:22:27,691 KAAVAN'S TEMPER IS STILL HOT. 437 00:22:27,725 --> 00:22:29,831 [DRAMATIC MUSIC] 438 00:22:29,865 --> 00:22:32,799 Cowne: TOTALLY MY FAULT. I FORGOT KAAVAN WAS IN MUST. 439 00:22:32,834 --> 00:22:33,938 I GOT TOO CLOSE. 440 00:22:36,389 --> 00:22:37,563 Narrator: IT'S A POTENT REMINDER 441 00:22:37,597 --> 00:22:41,601 THAT KAAVAN IS STILL IN MUST AND CAN BE VERY DANGEROUS. 442 00:22:46,365 --> 00:22:47,435 [BRIGHT ELECTRONIC MUSIC] 443 00:22:47,469 --> 00:22:50,714 AFTER 24 HOURS OF NONSTOP TRAVEL FROM CALIFORNIA, 444 00:22:50,748 --> 00:22:54,649 CHER FINALLY LANDS IN ISLAMABAD, JUST IN TIME. 445 00:22:55,960 --> 00:22:58,653 KAAVAN HAS A HARD OUT IN TWO DAYS. 446 00:22:59,826 --> 00:23:02,829 ["BELIEVE" BY CHER] 447 00:23:10,975 --> 00:23:13,495 [CHATTERING] 448 00:23:14,876 --> 00:23:18,811 ♪ NO MATTER HOW HARD I TRY 449 00:23:18,845 --> 00:23:23,850 ♪ YOU KEEP PUSHING ME ASIDE AND I CAN'T BREAK THROUGH ♪ 450 00:23:24,403 --> 00:23:27,854 ♪ THERE'S NO TALKING TO YOU ♪ 451 00:23:27,889 --> 00:23:31,858 Cher: AND THEN, ALL OF A SUDDEN, I WAS IN ISLAMABAD 452 00:23:31,893 --> 00:23:35,310 AND EVERYONE WAS SAYING, "WE DIDN'T EXPECT YOU TO COME. 453 00:23:35,344 --> 00:23:36,553 WHY ARE YOU HERE?" 454 00:23:36,587 --> 00:23:39,452 AND I SAID, "BECAUSE I SAID I WAS COMING, AND I'M HERE. 455 00:23:39,487 --> 00:23:42,835 AND I'M, YOU KNOW... I'M HERE TO GET KAAVAN." 456 00:23:42,869 --> 00:23:47,874 ♪ DO YOU BELIEVE IN LIFE AFTER LOVE ♪ 457 00:23:48,772 --> 00:23:49,842 ♪ I CAN FEEL SOMETHING 458 00:23:49,876 --> 00:23:50,946 ARE YOU DR. AMIR? 459 00:23:50,981 --> 00:23:51,947 Dr. Amir: GOOD MORNING, CHER. Cher: HOW ARE YOU? 460 00:23:51,982 --> 00:23:53,777 I'M SO HAPPY TO SEE YOU! Dr. Amir: I'M FINE. 461 00:23:53,811 --> 00:23:55,261 DO YOU BELIEVE IN MIRACLES? 462 00:23:55,295 --> 00:23:56,607 [INDISTINCT] AND YOU ARE HERE FINALLY. 463 00:23:56,642 --> 00:23:57,781 Cher: YES, I AM. 464 00:23:57,815 --> 00:23:59,576 Dr. Amir: WELCOME TO PAKISTAN AND WELCOME TO THE ZOO. 465 00:23:59,610 --> 00:24:00,611 Cher: THANK YOU. 466 00:24:03,303 --> 00:24:04,719 ♪ I CAN FEEL SOMETHING 467 00:24:04,753 --> 00:24:07,825 YOU HAVE TO WALK UP THE LONG ROAD INTO THE ZOO, 468 00:24:08,654 --> 00:24:11,277 AND I COULD SEE HIM FROM THE DISTANCE. 469 00:24:12,485 --> 00:24:14,625 FIRST THING I NOTICED WAS, 470 00:24:14,660 --> 00:24:16,903 WHAT IS HE DOING IN THIS HELL HOLE 471 00:24:16,938 --> 00:24:19,354 WHICH IS AS BIG AS MY FINGERNAIL? 472 00:24:19,388 --> 00:24:22,702 AND MY GOD, HE'S SO BROWN AND BEAUTIFUL, RUSTY. 473 00:24:24,463 --> 00:24:26,430 AND THEN, HE'S SO BIG. 474 00:24:27,535 --> 00:24:29,191 I DIDN'T REALIZE. 475 00:24:29,226 --> 00:24:30,641 AND HE'S NOT EVEN A BIG ELEPHANT, 476 00:24:30,676 --> 00:24:32,367 BUT ELEPHANTS ARE GIGANTIC. 477 00:24:35,750 --> 00:24:37,406 HE HAS BEAUTIFUL EYES. 478 00:24:38,407 --> 00:24:41,928 AND EVEN WHEN HE'S NOT WITH YOU 479 00:24:41,963 --> 00:24:43,896 OR WHEN THERE'S NO ONE AROUND, 480 00:24:43,930 --> 00:24:47,831 DOES HE STILL DO THIS BACKWARDS AND FORWARDS THE WHOLE TIME? 481 00:24:47,865 --> 00:24:49,522 Dr. Amir: 24/7. 482 00:24:49,557 --> 00:24:50,350 Cher: RIGHT. 483 00:24:50,385 --> 00:24:51,420 HELLO, KAAVAN! 484 00:24:54,769 --> 00:24:56,840 Narrator: DR. AMIR KNOWS THERE ARE TWO WAYS 485 00:24:56,874 --> 00:24:58,635 FOR CHER TO BOND WITH KAAVAN: 486 00:24:59,808 --> 00:25:00,637 FOOD... 487 00:25:00,671 --> 00:25:01,776 Dr. Amir: HE LIKE WATERMELON 488 00:25:02,673 --> 00:25:04,399 Cher: I LIKE WATERMELON TOO. 489 00:25:04,433 --> 00:25:06,643 [LAUGHING] 490 00:25:07,609 --> 00:25:09,508 Narrator: AND MUSIC. 491 00:25:09,542 --> 00:25:11,199 ♪ A LIFE THAT'S FULL 492 00:25:11,233 --> 00:25:13,477 KAAVAN'S FAVORITE SONG 493 00:25:13,512 --> 00:25:16,273 ♪ AND EVERY HIGHWAY 494 00:25:16,307 --> 00:25:20,657 ♪ BUT MORE MUCH MORE THAN THIS 495 00:25:20,691 --> 00:25:22,555 ♪ I DID IT MY WAY 496 00:25:22,590 --> 00:25:23,936 Cher: HE LOVES THAT SONG. 497 00:25:23,970 --> 00:25:26,421 ANIMALS, YOU KNOW, THEY LOVE MUSIC. 498 00:25:26,455 --> 00:25:28,872 THEY'RE SOOTHED BY IT. THEY REALLY ARE. 499 00:25:28,906 --> 00:25:31,564 ♪ I'VE HAD A FEW 500 00:25:31,599 --> 00:25:33,152 ♪ BUT THEN TOO FEW TO MENTION 501 00:25:33,186 --> 00:25:35,326 IT WAS LIKE I ALREADY KNEW HIM, 502 00:25:35,361 --> 00:25:37,708 BUT I DIDN'T KNOW WHAT IT WAS GONNA BE LIKE. 503 00:25:37,743 --> 00:25:39,779 I DIDN'T REALIZE THAT HE WOULD HAVE 504 00:25:39,814 --> 00:25:41,781 SUCH A CUTE PERSONALITY. 505 00:25:41,816 --> 00:25:43,714 I THOUGHT HE WOULD BE REALLY ANGRY. 506 00:25:44,612 --> 00:25:48,857 ♪ I DID WHAT I HAD TO DO 507 00:25:48,892 --> 00:25:53,655 ♪ I SAW IT THROUGH WITHOUT EXEMPTION ♪ 508 00:25:55,277 --> 00:25:56,727 [EMOTIONAL PIANO MUSIC] 509 00:25:56,762 --> 00:25:57,728 Narrator: CHER IS TOUCHED 510 00:25:57,763 --> 00:26:00,593 BY HOW DEEPLY KAAVAN HAS BONDED WITH DR. AMIR 511 00:26:02,215 --> 00:26:04,528 Cher: THEY JUST WERE CLOSE. 512 00:26:04,563 --> 00:26:06,219 THEY WERE LIKE BEST BUDDIES, 513 00:26:06,254 --> 00:26:09,257 AND DR. AMIR SAID HE WAS ATTACHED TO HIM. 514 00:26:09,291 --> 00:26:12,294 HE'D NEVER BEEN REALLY ATTACHED TO ANY OTHER ELEPHANT. 515 00:26:18,542 --> 00:26:21,510 Dr. Amir: IT'S A CLEAR RULE. I NEVER ALLOW TO BREAK IT. 516 00:26:21,545 --> 00:26:25,514 I RESCUE ANIMALS FROM WAR ZONES WITH THE TEAMS OF FOUR PAWS. 517 00:26:25,549 --> 00:26:27,689 I LOVE THEM, I CARE FOR THEM, I RESCUE THEM, 518 00:26:27,724 --> 00:26:30,589 BUT I NEVER BUILD A BOND, NOT TO BE TOUCHED. 519 00:26:30,623 --> 00:26:32,314 AND I DONE MY FIRST MISTAKE. 520 00:26:32,349 --> 00:26:34,972 I FELT A LOVE FOR THIS ELEPHANT. 521 00:26:35,007 --> 00:26:36,629 [INTRIGUING MUSIC] 522 00:26:36,664 --> 00:26:38,597 Narrator: WITH ONLY ONE DAY TO GO, 523 00:26:38,631 --> 00:26:41,600 KAAVAN'S STURDIER YET SMALLER TRANSPORT CRATE 524 00:26:41,634 --> 00:26:42,704 FINALLY ARRIVES. 525 00:26:44,395 --> 00:26:48,503 NOT PRETTY, BUT HOPEFULLY THIS TIME, ELEPHANT PROOF. 526 00:26:53,681 --> 00:26:56,338 Cher: WILL HE COME IN HERE AS WELL AS HE GOES IN THERE? 527 00:26:56,373 --> 00:27:00,170 Goeritz: THE PLAN IS HE WILL GO IN THERE AS HE IS TRAINED FOR. 528 00:27:00,204 --> 00:27:02,551 HE WILL BE TRANQUILIZED IN THERE. 529 00:27:02,586 --> 00:27:06,210 AND THEN HE IS WALKING BACKWARDS INTO THIS CRATE HERE. 530 00:27:06,245 --> 00:27:08,385 Cher: AND THEN HOW SEDATED IS HE? 531 00:27:09,213 --> 00:27:11,353 Goeritz: HE'S SO-CALLED STANDING SEDATION. 532 00:27:11,388 --> 00:27:16,220 HE IS AWAKE, AWAKE ENOUGH THAT HE CAN MANAGE THE MOVEMENT, 533 00:27:16,255 --> 00:27:20,190 BUT HE IS DOPEY ENOUGH THAT HE IS NOT STRESSED OUT 534 00:27:20,224 --> 00:27:21,156 AND HE'S NOT FREAKING OUT. 535 00:27:21,191 --> 00:27:22,848 Cher: AND DO YOU CHECK HIM ALL THE TIME? 536 00:27:22,882 --> 00:27:23,711 Goeritz: ALL THE TIME. 537 00:27:23,745 --> 00:27:26,437 [ANXIOUS MUSIC] 538 00:27:26,472 --> 00:27:27,646 [FIRE CRACKLING] 539 00:27:27,680 --> 00:27:30,200 Narrator: JUST 12 HOURS TO GO. 540 00:27:30,234 --> 00:27:31,546 TIME TO GATHER THE TEAM. 541 00:27:33,893 --> 00:27:37,828 Dr. Amir: SO, AS COUNTDOWN STARTS AGAIN. 542 00:27:37,863 --> 00:27:40,589 CHER, FIRST, WELCOME HERE IN THE TEAM. 543 00:27:40,624 --> 00:27:42,661 THE TEAM WILL START HERE AT SIX O'CLOCK IN THE MORNING, 544 00:27:42,695 --> 00:27:45,905 PREPARING THE ENCLOSURE, PREPARING THE ELEPHANT. 545 00:27:45,940 --> 00:27:47,942 AFTER THIS, DR. FRANK WILL TAKES THE LEAD 546 00:27:47,976 --> 00:27:51,566 AS THE CHIEF VETERINARIAN TO SEDATE THE ELEPHANT. 547 00:27:51,600 --> 00:27:53,741 IT'S A TEAMWORK. IT'S A BIG TEAMWORK. 548 00:27:53,775 --> 00:27:55,604 WE HAVE TO HELP EACH OTHER. 549 00:27:55,639 --> 00:27:59,332 CHER, I WILL SEE YOU IN CAMBODIA. 550 00:27:59,367 --> 00:28:00,161 THANK YOU. 551 00:28:00,195 --> 00:28:02,715 [TEAM APPLAUDING] 552 00:28:03,958 --> 00:28:05,166 Narrator: CHER WE'LL FLY AHEAD 553 00:28:05,200 --> 00:28:08,341 AND WILL BE WAITING FOR KAAVAN WHEN HE LANDS IN CAMBODIA. 554 00:28:08,376 --> 00:28:10,171 [TENSE MUSIC] 555 00:28:10,205 --> 00:28:13,657 BUT NO ONE KNOWS HOW KAAVAN WILL HANDLE THE FLIGHT. 556 00:28:13,692 --> 00:28:15,624 THE ANXIETY IS RUNNING HIGH. 557 00:28:19,801 --> 00:28:22,631 [ANXIOUS MUSIC] 558 00:28:22,666 --> 00:28:23,771 IT'S D-DAY. 559 00:28:23,805 --> 00:28:26,808 [DRAMATIC MUSIC] 560 00:28:26,843 --> 00:28:29,293 KAAVAN IS SHIPPING OUT. 561 00:28:29,328 --> 00:28:31,779 [CHATTERING] 562 00:28:31,813 --> 00:28:34,954 Narrator: DR. AMIR AND HIS TEAM ARE UNDER IMMENSE PRESSURE 563 00:28:34,989 --> 00:28:37,716 AS THEY COAX KAAVAN INTO HIS TRAVEL CRATE. 564 00:28:40,822 --> 00:28:43,722 THEY'VE TRAINED AND PLANNED, BUT NEVER REHEARSED. 565 00:28:46,794 --> 00:28:49,935 AND TODAY, THE WHOLE WORLD IS WATCHING. 566 00:28:49,969 --> 00:28:50,970 [CHATTERING] 567 00:28:51,005 --> 00:28:53,939 [CAMERAS CLICKING] 568 00:28:56,458 --> 00:28:58,598 Dr. Amir: WHERE DO YOU WANT THE MEDIA? 569 00:28:58,633 --> 00:29:00,497 YOU HAVE A BIG THING HERE IN HIS ARM. 570 00:29:01,256 --> 00:29:03,638 Goeritz: MAKE SURE THERE'S SOME SILICONE OIL ON IT 571 00:29:03,672 --> 00:29:06,434 THAT IT'S MOVED EASY. 572 00:29:06,468 --> 00:29:08,608 Narrator: VET FRANK GURITZ IS RESPONSIBLE 573 00:29:08,643 --> 00:29:11,542 FOR KEEPING KAAVAN CALM DURING THE 24-HOUR JOURNEY. 574 00:29:13,234 --> 00:29:14,925 HE MUST BE AWAKE ENOUGH TO STAND 575 00:29:14,960 --> 00:29:16,824 BUT SEDATED ENOUGH TO RELAX. 576 00:29:18,964 --> 00:29:20,655 IT'S A FINE BALANCE. 577 00:29:20,689 --> 00:29:22,588 Goeritz: I FOCUS ON WHAT CAN GO WRONG, 578 00:29:22,622 --> 00:29:25,315 WHAT IS ESSENTIAL NEEDS FOR THE ELEPHANT 579 00:29:25,349 --> 00:29:26,834 FROM THE MEDICAL POINT OF VIEW 580 00:29:26,868 --> 00:29:28,663 AND FROM THE SAFETY POINT OF VIEW. 581 00:29:30,630 --> 00:29:32,563 Narrator: GETTING KAAVAN IN THE TRANSPORT CRATE 582 00:29:32,598 --> 00:29:34,289 IS A TWO-STEP PROCESS. 583 00:29:35,290 --> 00:29:38,707 FIRST, DR. AMIR LURES HIM INTO THE LARGER TRAINING CRATE... 584 00:29:38,742 --> 00:29:39,570 HIS WAY. 585 00:29:41,193 --> 00:29:46,198 ♪ AND SO I FACE THAT FINAL CURTAIN ♪ 586 00:29:46,854 --> 00:29:47,682 ♪ MY FRIEND 587 00:29:47,716 --> 00:29:49,201 Man: GOOD BOY! 588 00:29:51,306 --> 00:29:53,584 Narrator: ONCE INSIDE, THEY CAN SEDATE HIM. 589 00:29:54,585 --> 00:29:55,655 [TENSE MUSIC] 590 00:29:55,690 --> 00:29:57,554 Kip: I CAN CLOSE THE GATE? Schmidinger: YES PLEASE. 591 00:30:03,802 --> 00:30:06,805 [SUSPENSEFUL MUSIC] 592 00:30:17,436 --> 00:30:19,334 Narrator: HE'S GOT TO BE ABSOLUTELY CALM 593 00:30:19,369 --> 00:30:21,198 BEFORE THE NEXT PHASE. 594 00:30:21,233 --> 00:30:22,510 [TRANQUILIZER GUN POPS] [KAAVAN GROWLING] 595 00:30:22,544 --> 00:30:25,271 [ANXIOUS MUSIC] 596 00:30:27,687 --> 00:30:28,516 Goeritz: WAIT. 597 00:30:29,413 --> 00:30:31,691 WE HAVE TO GIVE THE DRUGS TIME TO WORK. 598 00:30:32,589 --> 00:30:34,902 IT TAKES 20 MINUTES SO... 599 00:30:35,488 --> 00:30:37,663 IT'S ALWAYS THE HARDEST PART, WAITING. 600 00:30:42,495 --> 00:30:44,877 Dr. Amir: WE HAVE TO KEEP EVERYTHING QUITE UNDER CONTROL. 601 00:30:44,912 --> 00:30:46,499 THIS IS VERY IMPORTANT. 602 00:30:46,534 --> 00:30:48,191 WE SHOULD NOT LOSE THE FOCUS. 603 00:30:49,882 --> 00:30:51,919 Narrator: THE NOISY CROWD OF MEDIA ISN'T HELPING. 604 00:30:51,953 --> 00:30:53,299 [CAMERAS CLICKING] 605 00:30:53,334 --> 00:30:55,267 [CHATTERING] 606 00:30:55,301 --> 00:30:58,684 Dr. Amir: PLEASE, IF YOU WANT TO STAY NOW YOU HAVE TO BE QUIET, 607 00:30:59,547 --> 00:31:01,652 OTHERWISE I WILL BE OUT AND YOU'LL BE OUT, 608 00:31:01,687 --> 00:31:03,137 SO PLEASE RESPECT THIS. 609 00:31:04,966 --> 00:31:07,900 Narrator: NOW, THE REALLY DIFFICULT PART, 610 00:31:07,935 --> 00:31:11,490 TRANSFERRING KAAVAN INTO THE SMALLER TRAVEL CONTAINER... 611 00:31:11,524 --> 00:31:12,663 BACKWARDS. 612 00:31:12,698 --> 00:31:15,321 [ANXIOUS MUSIC] 613 00:31:15,356 --> 00:31:16,909 ROPES AND A TEAM OF HELPERS 614 00:31:16,944 --> 00:31:19,256 WILL PROVIDE SOME GENTLE PERSUASION. 615 00:31:22,604 --> 00:31:24,641 [CHATTERING] 616 00:31:24,675 --> 00:31:29,232 KAAVAN'S STILL IN MUST, AND THOUGH DROWSY, HE'S AGGRESSIVE. 617 00:31:29,266 --> 00:31:31,268 Kip: PULL MORE, MORE, MORE! 618 00:31:38,344 --> 00:31:39,656 OKAY! 619 00:31:39,690 --> 00:31:41,451 Narrator: BUT HE DOESN'T RESIST. 620 00:31:42,831 --> 00:31:45,696 Cher: HE WENT IN BEAUTIFULLY. 621 00:31:45,731 --> 00:31:48,941 Dr. Amir: I THINK HE UNDERSTOOD WE ARE WORKING FOR HIM. 622 00:31:50,218 --> 00:31:51,219 WE COME TO BE CALM. 623 00:31:52,600 --> 00:31:53,601 A NICE CHILD. 624 00:31:53,635 --> 00:31:55,292 [GENTLE MUSIC] 625 00:31:55,327 --> 00:31:59,227 Narrator: 35 YEARS AFTER BEING CONFINED TO ISLAMABAD ZOO, 626 00:31:59,262 --> 00:32:02,368 KAAVAN IS AT LAST ON HIS JOURNEY TO A BETTER LIFE. 627 00:32:04,405 --> 00:32:05,647 Cher: I DIDN'T THINK THEY WERE GONNA GET HIM 628 00:32:05,682 --> 00:32:06,821 TO GO INSIDE THE CRATE. 629 00:32:08,167 --> 00:32:10,859 BUT HE DID UNBELIEVABLY WELL, 630 00:32:10,894 --> 00:32:13,241 AND HE WAS JUST GREAT ABOUT THAT. 631 00:32:14,001 --> 00:32:17,142 [CRICKETS CHIRPING] 632 00:32:18,212 --> 00:32:20,904 [DRAMATIC MUSIC] 633 00:32:22,906 --> 00:32:24,908 [METAL CLANKING] 634 00:32:24,943 --> 00:32:27,152 Narrator: THE GIANT ILYUSHIN TRANSPORT PLANE 635 00:32:27,186 --> 00:32:28,808 CAN SWALLOW A SCHOOL BUS. 636 00:32:31,915 --> 00:32:34,676 IT'S SPECIFICALLY DESIGNED TO DELIVER HEAVY LOADS 637 00:32:34,711 --> 00:32:36,092 TO REMOTE AREAS. 638 00:32:38,163 --> 00:32:42,512 BUT AN AWAKE BULL ELEPHANT IN MUST IS NO ORDINARY CARGO. 639 00:32:45,239 --> 00:32:47,586 IF HE SHIFTS HIS WEIGHT INSIDE THE CONTAINER, 640 00:32:47,620 --> 00:32:49,760 IT COULD THROW THE WHOLE PLANE OFF BALANCE. 641 00:32:51,935 --> 00:32:54,593 [MAN SHOUTING] 642 00:32:57,216 --> 00:32:59,425 ALREADY, HE'S SWINGING THE FIVE-TON CRATE 643 00:32:59,460 --> 00:33:02,187 FROM SIDE TO SIDE. 644 00:33:02,221 --> 00:33:05,259 THE PILOTS ARE SERIOUSLY WORRIED IT WILL DAMAGE THE PLANE. 645 00:33:05,293 --> 00:33:07,709 [TENSE MUSIC] 646 00:33:09,849 --> 00:33:11,334 HE HAS TO HOLD STILL. 647 00:33:12,369 --> 00:33:14,682 [CHATTERING] 648 00:33:16,718 --> 00:33:19,549 DR. AMIR HOPES HIS FAVORITE SUGAR CANE SNACKS 649 00:33:19,583 --> 00:33:20,550 WILL CALM HIM DOWN. 650 00:33:31,009 --> 00:33:32,734 Dr. Amir: I DON'T SLEEP ON THIS FLIGHT. 651 00:33:32,769 --> 00:33:34,874 I WAS REALLY THINKING IF EVERYTHING GO WRONG, 652 00:33:34,909 --> 00:33:37,256 IT WILL BE A BIG, BIG PROBLEM. 653 00:33:37,291 --> 00:33:40,432 Narrator: KAAVAN CAN'T SLEEP MUCH EITHER. 654 00:33:40,466 --> 00:33:43,918 HE MUST REMAIN STANDING FOR THE WHOLE SEVEN-HOUR FLIGHT. 655 00:33:45,954 --> 00:33:49,268 BUT IF THE DRUGS THAT ARE KEEPING HIM CALM WEAR OFF, 656 00:33:49,303 --> 00:33:50,545 THEY CAN ALL BE IN TROUBLE. 657 00:33:51,581 --> 00:33:52,789 [TENSE MUSIC] 658 00:33:52,823 --> 00:33:55,654 Dr. Amir: HE'S REALLY BIG ELEPHANT. HE'S REALLY STRONG. 659 00:33:57,207 --> 00:34:01,177 SO IF I'M AN ELEPHANT, I'M IN THIS BOX, WHAT CAN I DO? 660 00:34:01,211 --> 00:34:03,834 WHAT CAN I BREAK? WHAT CAN I OPEN? 661 00:34:03,869 --> 00:34:07,666 WHAT CAN I BEND? I... EVERYTHING. 662 00:34:07,700 --> 00:34:10,255 [TENSE MUSIC] 663 00:34:13,499 --> 00:34:15,777 [SOFT MUSIC] 664 00:34:15,812 --> 00:34:17,779 Narrator: THE RESPONSIBILITY WEIGHS HEAVILY 665 00:34:17,814 --> 00:34:19,298 ON DR. AMIR'S MIND. 666 00:34:20,713 --> 00:34:22,819 [KAAVAN GROWLING] 667 00:34:22,853 --> 00:34:24,234 Dr. Amir: TO BRING THE ELEPHANT OF AIRPLANE, 668 00:34:24,269 --> 00:34:25,511 IT'S A HUGE CHALLENGE. 669 00:34:27,651 --> 00:34:31,931 JUST TO TAKE THE RESPONSIBILITY FOR A LIFE, 670 00:34:31,966 --> 00:34:33,174 FOR A CREATURE LIKE KAAVAN 671 00:34:33,209 --> 00:34:36,281 WITH ALL THIS LOVE ALL OVER THE WORLD FOR THIS ELEPHANT. 672 00:34:37,592 --> 00:34:39,629 I FEEL THAT WEIGHT ON MY SHOULDER. 673 00:34:41,251 --> 00:34:43,805 IF THE ELEPHANT WILL SURVIVES THIS THING. 674 00:34:43,840 --> 00:34:48,603 I FEEL HOW IMPORTANT THIS IS FOR ME, FOR MY TEAM, 675 00:34:48,638 --> 00:34:50,950 FOR THE CRITICS, FOR OUR PARTNER, FOR CHER. 676 00:34:53,677 --> 00:34:55,438 Cher: AND THEN I THOUGHT, WELL... 677 00:34:56,197 --> 00:34:58,579 WHAT HAPPENS IF HE GETS UPSET OR ANGRY 678 00:34:58,613 --> 00:35:00,512 AND HE STARTS TO ROCK THE PLANE? 679 00:35:00,546 --> 00:35:03,101 [TENSE MUSIC] 680 00:35:06,345 --> 00:35:09,797 ["BELIEVE" BY CHER] 681 00:35:09,831 --> 00:35:12,524 IT WAS REAL. IT WAS ALMOST REAL. 682 00:35:12,558 --> 00:35:14,767 WE HAD A BIT TO GO STILL, BUT IT WAS REAL. 683 00:35:14,802 --> 00:35:16,666 WE WERE THERE. WE WERE IN CAMBODIA. 684 00:35:16,700 --> 00:35:19,634 AND THE PEOPLE WERE SO EXCITED TO SEE HIM. 685 00:35:20,773 --> 00:35:24,674 ♪ DO YOU BELIEVE IN LIFE AFTER LOVE ♪ 686 00:35:24,708 --> 00:35:27,159 Narrator: SEVEN HOURS AND TWO AND A HALF THOUSAND MILES 687 00:35:27,194 --> 00:35:29,161 SINCE LEAVING PAKISTAN, 688 00:35:29,196 --> 00:35:31,543 THE GIANT PLANE WITH ITS PRECIOUS CARGO 689 00:35:31,577 --> 00:35:33,959 REACHES SIEN REAP AIRPORT IN CAMBODIA. 690 00:35:34,718 --> 00:35:37,859 THE AIRPORT'S BEEN CLOSED FOR SIX MONTHS BECAUSE OF COVID. 691 00:35:38,998 --> 00:35:41,484 BUT SAKHAN, AN INFLUENTIAL BUSINESSMAN 692 00:35:41,518 --> 00:35:44,418 AND CO-FOUNDER OF THE CAMBODIA WILDLIFE SANCTUARY 693 00:35:44,452 --> 00:35:46,903 PERSUADES THE GOVERNMENT TO LET KAAVAN LAND. 694 00:35:46,937 --> 00:35:48,525 Cher: WE WOULDN'T HAVE GOTTEN ANYTHING DONE 695 00:35:48,560 --> 00:35:50,355 IN CAMBODIA WITHOUT MR. HAN. 696 00:35:51,597 --> 00:35:54,393 HE WAS LIKE THE MAN. MR. HAN'S THE MAN. 697 00:35:54,428 --> 00:35:58,363 [CHANTING IN FOREIGN LANGUAGE] 698 00:36:01,228 --> 00:36:04,334 I HEARD THAT HE HAD BEHAVED VERY WELL. 699 00:36:05,232 --> 00:36:08,752 Narrator: ALSO THERE TO MEET KAAVAN IS DEREK THOMPSON, 700 00:36:08,787 --> 00:36:10,823 WHO WILL LOOK AFTER HIM AT THE SANCTUARY. 701 00:36:12,722 --> 00:36:14,793 Thompson: SO IT'S BEEN QUITE AN ORDEAL 702 00:36:14,827 --> 00:36:16,208 GETTING READY FOR KAAVAN. 703 00:36:16,243 --> 00:36:19,660 WE HAD A LIMITED TIME TO GET THINGS PREPARED FOR HIM, 704 00:36:19,694 --> 00:36:20,661 FOR HIS ARRIVAL. 705 00:36:21,627 --> 00:36:24,389 Narrator: DEREK'S CREW LOADS KAAVAN ONTO A FLATBED 706 00:36:24,423 --> 00:36:27,599 FOR THE LAST LEG. A FOUR-HOUR DRIVE. 707 00:36:28,565 --> 00:36:31,465 [INTRIGUING MUSIC] 708 00:36:31,499 --> 00:36:33,812 DEREK RIDES OUTSIDE THE WHOLE WAY, 709 00:36:33,846 --> 00:36:35,779 CONSTANTLY CHECKING ON KAAVAN... 710 00:36:36,780 --> 00:36:38,575 WITH CHER IN CONVOY BEHIND. 711 00:36:38,610 --> 00:36:40,474 Cher: I THOUGHT HE WAS GONNA FALL OFF 712 00:36:40,508 --> 00:36:42,855 BECAUSE HE WAS JUST HOLDING ON TO THE BARS, 713 00:36:42,890 --> 00:36:47,584 AND HE JUST KEPT GOING AROUND KAAVAN AND TALKING TO HIM. 714 00:36:47,619 --> 00:36:49,345 HE WAS TRYING TO CALM HIM, 715 00:36:49,379 --> 00:36:51,243 BECAUSE IT HAD BEEN SUCH A LONG TIME 716 00:36:51,278 --> 00:36:53,245 THAT HE'D BEEN TRAPPED IN THAT CAGE, 717 00:36:53,280 --> 00:36:57,180 BECAUSE HE FILLED UP EVERY SPACE OF IT, YOU KNOW? 718 00:36:57,215 --> 00:36:59,389 SO DEREK WAS AMAZING. 719 00:37:01,288 --> 00:37:02,565 Narrator: IT'S NIGHTTIME WHEN KAAVAN 720 00:37:02,599 --> 00:37:04,636 FINALLY ARRIVES AT HIS NEW HOME. 721 00:37:06,224 --> 00:37:08,709 CHER WANTS TO SEE HIM SAFELY OFF THE TRUCK. 722 00:37:10,642 --> 00:37:13,265 ANKLE STRAPS HAVE KEPT KAAVAN GENTLY RESTRAINED 723 00:37:13,300 --> 00:37:14,542 THROUGHOUT THE JOURNEY. 724 00:37:14,577 --> 00:37:18,615 BUT AFTER 24 HOURS, HE CAN'T WAIT TO GET THEM OFF. 725 00:37:18,650 --> 00:37:21,446 [METAL CLUNKING] 726 00:37:24,587 --> 00:37:29,626 FINALLY, KAAVAN REVERSES CAREFULLY INTO HIS NEW LIFE. 727 00:37:29,661 --> 00:37:30,903 [BRIGHT MUSIC] 728 00:37:30,938 --> 00:37:33,561 Thompson: HE'S COMING OUT THE BACK DOOR INTO HIS SHELTER. 729 00:37:36,530 --> 00:37:37,772 HE ARRIVED IN THE DARK 730 00:37:37,807 --> 00:37:39,947 AND THAT MADE THINGS A LITTLE MORE COMPLICATED, 731 00:37:39,981 --> 00:37:42,225 GETTING HIM OUT AND UNLOADED. 732 00:37:42,260 --> 00:37:43,916 HE WAS EXHAUSTED. 733 00:37:43,951 --> 00:37:47,195 HE WAS STILL KIND OF PUNCHDRUNK FROM THE FLIGHT. 734 00:37:47,230 --> 00:37:49,336 [GENTLE MUSIC] 735 00:37:49,370 --> 00:37:51,717 Cher: I COULD JUST SEE HIS SHADOW MOVING AROUND, 736 00:37:51,752 --> 00:37:54,789 AND HE WAS SO CALM AND NOT DOING ANYTHING. 737 00:37:54,824 --> 00:37:59,622 HE JUST WAS INTERESTED, AND HE WAS CHECKING OUT EVERYTHING. 738 00:37:59,656 --> 00:38:01,209 I SAW A DIFFERENT ELEPHANT. 739 00:38:05,352 --> 00:38:07,733 [INTRIGUING MUSIC] [BIRDS WHISTLING] 740 00:38:07,768 --> 00:38:11,323 Narrator: IT'S A NEW DAWN FOR KAAVAN IN HIS NEW HOME, 741 00:38:11,358 --> 00:38:13,463 AND CHER CAN'T WAIT TO CHECK ON HIM. 742 00:38:15,569 --> 00:38:18,503 Thompson: HE'S SETTLED IN REMARKABLY WELL. 743 00:38:18,537 --> 00:38:19,711 Cher: HE'S VERY INQUISITIVE. 744 00:38:19,745 --> 00:38:20,436 Thompson: HE IS. 745 00:38:20,470 --> 00:38:21,678 HE GOES FROM ONE LITTLE THING, 746 00:38:21,713 --> 00:38:24,440 BECAUSE HE'S NEVER HAD ANY OF THESE TYPES OF ENRICHMENTS 747 00:38:24,474 --> 00:38:26,959 THAT ARE IMPORTANT TO HIM, THAT HELP HIM TO- 748 00:38:26,994 --> 00:38:28,306 Cher: NO, HE NEVER HAD ANYTHING. Thompson: NO. 749 00:38:28,340 --> 00:38:30,618 [EXCITING MUSIC] 750 00:38:30,653 --> 00:38:32,793 Narrator: THE CAMBODIA WILDLIFE SANCTUARY 751 00:38:32,827 --> 00:38:36,866 IS 30,000 ACRES OF PRISTINE TROPICAL FOREST, 752 00:38:36,900 --> 00:38:38,833 WHICH, LIKE THESE OTHER RESCUED ELEPHANTS, 753 00:38:38,868 --> 00:38:41,180 KAAVAN WILL EVENTUALLY GET TO EXPLORE. 754 00:38:46,841 --> 00:38:49,844 FIRST, HE'LL SETTLE INTO A SMALL TEMPORARY ENCLOSURE 755 00:38:49,879 --> 00:38:50,845 BY HIMSELF. 756 00:38:53,020 --> 00:38:55,229 BUT HE'S NOT COMPLETELY ALONE. 757 00:38:55,263 --> 00:38:57,369 THERE ARE THREE FEMALES NEXT DOOR, 758 00:38:57,404 --> 00:38:58,853 AND THEY'RE EAGER TO MEET HIM. 759 00:39:00,890 --> 00:39:01,787 Thompson: THAT'S SARAH MIA. 760 00:39:01,822 --> 00:39:04,618 SHE'S THE YOUNG ONE, WHO LIKELY WILL BE 761 00:39:04,652 --> 00:39:05,550 MOST INTERESTED IN THE BOY. 762 00:39:05,584 --> 00:39:06,585 Cher: MRS. KAAVAN. 763 00:39:06,620 --> 00:39:08,415 Thompson: YEAH, SOMETHING LIKE THAT, INDEED. 764 00:39:10,382 --> 00:39:11,625 THEY'RE DOING SOME TALKING. 765 00:39:11,659 --> 00:39:13,489 ELEPHANTS OF COURSE ARE ALWAYS TALKING. 766 00:39:13,523 --> 00:39:16,457 Cher: BUT I DIDN'T HEAR IT. WHERE'S THE TALKING PART? 767 00:39:16,492 --> 00:39:17,769 I COULDN'T HEAR THE TALKING PART. 768 00:39:17,803 --> 00:39:20,841 Thompson: WELL, THE MAJORITY OF ELEPHANT TALK IS SUB-PERCEPTION. 769 00:39:20,875 --> 00:39:22,532 Cher: OKAY, OKAY. 770 00:39:23,361 --> 00:39:25,293 Thompson: YOU TOUCH YOUR HAND ON THEIR FOREHEAD, 771 00:39:25,328 --> 00:39:27,330 IT'S ALWAYS VIBRATING, VIBRATING. 772 00:39:27,365 --> 00:39:28,538 THEY'RE ALWAYS TALKING. 773 00:39:28,573 --> 00:39:30,678 VERY HIGHLY SOCIAL BEING. 774 00:39:30,713 --> 00:39:32,715 THAT'S ONE OF THE REASONS THE TRAGEDIES FOR AN ELEPHANT 775 00:39:32,749 --> 00:39:35,856 TO BE KEPT SOLITARY AWAY FROM ITS OWN KIND, 776 00:39:35,890 --> 00:39:39,204 AWAY FROM ITS OWN NATURAL BEHAVIOR. 777 00:39:39,238 --> 00:39:40,343 Cher: RIGHT. 778 00:39:40,378 --> 00:39:41,965 Thompson: AND YOU BROUGHT HIM AWAY FROM ALL OF THAT. 779 00:39:42,000 --> 00:39:42,863 Cher: THANK YOU. 780 00:39:42,897 --> 00:39:44,451 Thompson: AND INTO A NEW WORLD. 781 00:39:44,485 --> 00:39:46,418 AND THIS IS JUST THE START. 782 00:39:46,453 --> 00:39:48,800 [BRIGHT ELECTRONIC MUSIC] 783 00:39:48,834 --> 00:39:50,388 Narrator: WHILE THE LADIES WAIT, 784 00:39:50,422 --> 00:39:52,424 KAAVAN FRESHENS UP WITH A SPA... 785 00:39:54,461 --> 00:39:55,634 ELEPHANT STYLE. 786 00:39:57,291 --> 00:39:59,535 Thompson: KAAVAN, WANTS TO PLAY IN A MUD. 787 00:39:59,569 --> 00:40:01,191 Cher: YES. IS THAT SOMETHING... 788 00:40:01,226 --> 00:40:03,815 I HEARD IT WAS SOMETHING THAT THEY DO THAT'S SPECIFIC. 789 00:40:03,849 --> 00:40:06,265 Thompson: SKIN. IT'S LIKE GOING INTO A MUD SPA. 790 00:40:06,300 --> 00:40:07,508 Cher: AHA. 791 00:40:07,543 --> 00:40:10,994 Thompson: GOOD PROTECTION FROM THE SUN, NO SUNBURN, BUGS. 792 00:40:11,029 --> 00:40:12,824 IN THE COLD WEATHER AT NIGHT, 793 00:40:12,858 --> 00:40:15,585 IT KEEPS THEIR BODY TEMPERATURE WARMER. 794 00:40:15,620 --> 00:40:18,312 [BRIGHT MUSIC] 795 00:40:21,522 --> 00:40:24,491 THEY HAVEN'T REALLY HAD TOO MUCH OPPORTUNITY 796 00:40:24,525 --> 00:40:26,458 TO ENGAGE WITH EACH OTHER 797 00:40:26,493 --> 00:40:28,943 OTHER THAN THROUGH THESE BARRIERS. 798 00:40:28,978 --> 00:40:30,635 BUT THAT'S FOR SAFETY. 799 00:40:30,669 --> 00:40:34,328 THEY'RE NOT TOTALLY COMFORTABLE WITH HIM YET, 800 00:40:34,362 --> 00:40:36,468 BUT IT WILL HAPPEN. 801 00:40:36,503 --> 00:40:40,472 THIS MORNING, I PUT SOME OF HIS POO INTO THEIR SHELTER, 802 00:40:40,507 --> 00:40:42,405 AND THEY TALKED AND TALKED AND TALKED ABOUT IT, 803 00:40:42,440 --> 00:40:44,580 AND THEY WERE SO EXCITED AND GIGGLING. 804 00:40:45,512 --> 00:40:48,894 IT'S A WAY TO LEARN A LOT ABOUT AN ELEPHANT. 805 00:40:48,929 --> 00:40:52,795 THEY DRAW A LOT OF INFORMATION FROM THEIR SCENT. 806 00:40:52,829 --> 00:40:56,488 SO THEY TALKED FOR A GOOD HALF HOUR ABOUT HIS POOP. 807 00:40:56,523 --> 00:40:57,662 [LAUGHING] 808 00:40:57,696 --> 00:40:58,559 Cher: THAT'S AMAZING! 809 00:41:01,976 --> 00:41:03,668 Thompson: GET THE TRUNK TOUCHING. 810 00:41:06,671 --> 00:41:08,638 Cher: SO HE KNOWS WHAT HE'S DOING. 811 00:41:08,673 --> 00:41:09,328 HE'S WANTING TO BE- 812 00:41:09,363 --> 00:41:10,468 Thompson: HE'S PLAYING COY! 813 00:41:10,502 --> 00:41:11,365 Cher: RIGHT. 814 00:41:12,573 --> 00:41:14,264 Thompson: IT'S GONNA WORK. 815 00:41:14,299 --> 00:41:16,301 IT'S GONNA WORK JUST FINE. 816 00:41:16,335 --> 00:41:17,682 Cher: YOU HAVE TO SEND ME PICTURES. 817 00:41:17,716 --> 00:41:18,545 Thompson: ABSOLUTELY. 818 00:41:21,306 --> 00:41:24,274 [GENTLE PIANO MUSIC] 819 00:41:24,309 --> 00:41:25,931 Narrator: AS KAAVAN REDISCOVERS THE JOY 820 00:41:25,966 --> 00:41:29,728 OF ELEPHANT COMPANIONS, IT'S TIME TO SAY GOODBYE 821 00:41:29,763 --> 00:41:32,697 TO THE MAN WHOSE HEART HE TOUCHED MORE THAN ANY OTHER 822 00:41:32,731 --> 00:41:33,663 DURING THE RESCUE. 823 00:41:35,389 --> 00:41:38,219 THEY HAVE BEEN TOGETHER EVERY DAY FOR THREE MONTHS. 824 00:41:39,704 --> 00:41:41,153 Dr. Amir: HE'S NOT IN MUST ANYMORE. 825 00:41:41,188 --> 00:41:44,156 Thompson: NO. HIS BEHAVIOR CHANGES. 826 00:41:44,191 --> 00:41:45,399 HE'S BEAUTIFUL. 827 00:41:46,780 --> 00:41:48,609 Dr. Amir: I REALIZE I'M LEAVING TODAY, SO... 828 00:41:51,474 --> 00:41:52,717 YEAH, I LOSE MY HAPPINESS. 829 00:41:54,270 --> 00:41:55,582 HE GIVE ME HAPPINESS. 830 00:41:56,514 --> 00:41:57,584 IT MEAN TOO MUCH TO ME. 831 00:42:00,518 --> 00:42:01,760 I'M SAD TO LEAVE HIM. 832 00:42:04,763 --> 00:42:05,592 YEAH. 833 00:42:05,626 --> 00:42:08,491 [EMOTIONAL MUSIC] 834 00:42:10,838 --> 00:42:11,701 THANK YOU. 835 00:42:22,505 --> 00:42:25,335 Narrator: DR. AMIR LEAVES WITH A HEAVY HEART 836 00:42:25,370 --> 00:42:27,786 BUT IMMENSELY PROUD OF WHAT THEY ALL HAVE ACHIEVED. 837 00:42:30,996 --> 00:42:34,517 ATTITUDES TOWARDS ANIMAL WELFARE ARE CHANGING, 838 00:42:34,552 --> 00:42:37,520 AND CONDITIONS FOR ELEPHANTS IN CAPTIVITY HAVE IMPROVED. 839 00:42:39,453 --> 00:42:41,869 BUT NOT FAR FROM KAAVAN'S NEW SANCTUARY 840 00:42:41,904 --> 00:42:44,596 LIES A STARK REMINDER THAT ASIAN ELEPHANTS 841 00:42:44,631 --> 00:42:46,840 WERE LONG CONSIDERED BEASTS OF BURDEN. 842 00:42:48,807 --> 00:42:50,775 IT'S AN ANCIENT MONUMENT THAT WAS BUILT 843 00:42:50,809 --> 00:42:52,604 ON THE BACKS OF HUNDREDS OF ELEPHANTS. 844 00:42:52,639 --> 00:42:54,606 [UPBEAT MUSIC] 845 00:42:54,641 --> 00:42:56,159 ANGKOR WAT. 846 00:42:56,194 --> 00:42:58,437 Cher: HUNDREDS OF ELEPHANTS BUILT IT, 847 00:42:58,472 --> 00:43:02,925 AND I BET HALF OF THEM DIED DOING IT. 848 00:43:02,959 --> 00:43:04,651 AND ALL OF A SUDDEN... 849 00:43:05,479 --> 00:43:09,448 A REALITY THAT I WOULD HAVE NEVER UNDERSTOOD. 850 00:43:09,483 --> 00:43:11,830 AND I THOUGHT, OKAY, NOW I WANT TO GO. 851 00:43:14,730 --> 00:43:17,525 ♪ THIS IS A SONG FOR THE LONELY ♪ 852 00:43:17,560 --> 00:43:19,873 Narrator: IN 2019, CAMBODIA BANNED 853 00:43:19,907 --> 00:43:21,702 TOURIST ELEPHANT RIDES HERE, 854 00:43:21,737 --> 00:43:25,188 JOINING A MOVEMENT WITH OVER 100 OTHER TOURIST ORGANIZATIONS 855 00:43:25,223 --> 00:43:25,879 ACROSS THE WORLD. 856 00:43:25,913 --> 00:43:29,192 ♪ I'LL BE BY YOUR SIDE 857 00:43:29,227 --> 00:43:31,470 THE MODERN WORLD HAS BROUGHT A POWERFUL TOOL 858 00:43:31,505 --> 00:43:35,233 TO THE CAMPAIGN FOR ANIMAL RIGHTS: SOCIAL MEDIA. 859 00:43:35,992 --> 00:43:38,581 IT'S BEEN FIVE YEARS SINCE SAMAR KHAN 860 00:43:38,616 --> 00:43:42,343 FIRST LAUNCHED HER FREE KAAVAN PETITION ONLINE. 861 00:43:42,378 --> 00:43:45,174 Khan: I HOPE THAT KAAVAN'S STORY INSPIRES PEOPLE 862 00:43:45,208 --> 00:43:48,626 TO ACT OUT ON BEHALF OF ANIMAL WELFARE, 863 00:43:48,660 --> 00:43:50,869 BECAUSE I FEEL LIKE KAAVAN'S JOURNEY 864 00:43:50,904 --> 00:43:53,803 REALLY SHOWS THE POWER OF PEOPLE. 865 00:43:53,838 --> 00:43:55,667 I THINK IT'S AMAZING THAT CHER 866 00:43:55,702 --> 00:43:57,393 REALLY ADOPTED KAAVAN AS HER OWN. 867 00:43:57,427 --> 00:44:00,672 ♪ THIS IS A SONG FOR THE LONELY ♪ 868 00:44:00,707 --> 00:44:02,812 ♪ CAN YOU HEAR ME TONIGHT 869 00:44:02,847 --> 00:44:04,745 Cher: YOU KNOW WHAT'S SO STRANGE? 870 00:44:04,780 --> 00:44:06,678 FIRST OF ALL, I NEVER THOUGHT WE COULD DO IT, 871 00:44:06,713 --> 00:44:10,440 THAT WE WOULD BE HERE, THAT I WOULD STAND NEXT TO HIM, 872 00:44:10,475 --> 00:44:13,685 AND THAT THIS WOULD HAPPEN. 873 00:44:13,720 --> 00:44:15,549 ♪ FOR THE LONELY 874 00:44:15,583 --> 00:44:18,725 ♪ WHEN YOUR DREAMS WON'T COME TRUE ♪ 875 00:44:18,759 --> 00:44:20,692 Narrator: CHER'S NOT DONE. 876 00:44:20,727 --> 00:44:23,488 THREE MONTHS LATER, BACK HOME IN CALIFORNIA, 877 00:44:23,522 --> 00:44:26,180 SHE CHECKS IN ON KAAVAN'S PROGRESS. 878 00:44:26,215 --> 00:44:28,355 [CHUCKLING] 879 00:44:28,389 --> 00:44:29,218 Thompson: HELLO! 880 00:44:30,357 --> 00:44:32,635 BEAUTIFUL AS EVER. LOOK AT YOU! 881 00:44:32,670 --> 00:44:34,257 Cher: HOW'S OUR BOY? HOW'S OUR BOY? 882 00:44:34,292 --> 00:44:35,845 Thompson: WELL, WE'RE GONNA GET RIGHT TO HIM, 883 00:44:35,880 --> 00:44:37,467 'CAUSE HE'S THE MAIN EVENT. 884 00:44:37,502 --> 00:44:38,952 YEAH, HE'S RIGHT BEHIND ME HERE. 885 00:44:38,986 --> 00:44:39,849 Cher: OH! 886 00:44:40,919 --> 00:44:41,782 LOOK AT HIM! 887 00:44:42,749 --> 00:44:43,819 Thompson: HERE, WAIT A MINUTE. 888 00:44:44,751 --> 00:44:45,786 SEE IF HE SAYS HI. 889 00:44:46,684 --> 00:44:47,892 HE SAYS HI. 890 00:44:47,926 --> 00:44:49,376 YOU'RE SO BEAUTIFUL. 891 00:44:49,410 --> 00:44:50,308 Cher: LOOK AT HIM! 892 00:44:50,342 --> 00:44:51,205 Thompson: YOU LOOK BEAUTIFUL! 893 00:44:51,240 --> 00:44:53,345 Cher: HE'S A BEAUTIFUL GUY. 894 00:44:53,380 --> 00:44:54,692 Thompson: HE'S QUITE A CALM BOY. 895 00:44:54,726 --> 00:44:56,901 I'VE GOT TO KNOW HIM A LITTLE BIT, 896 00:44:56,935 --> 00:45:01,353 AND HE'S NOT LIKE OTHER BULLS THAT I'VE KNOWN, 897 00:45:01,388 --> 00:45:03,666 AND HE'S VERY CALM. 898 00:45:03,701 --> 00:45:05,323 Cher: HE SEEMS REALLY HAPPY. 899 00:45:06,565 --> 00:45:07,635 Thompson: HE'S GOOD. 900 00:45:07,670 --> 00:45:09,810 I'M HAPPY WITH HIS STATE RIGHT NOW. 901 00:45:10,569 --> 00:45:13,814 THIS IS ONLY THREE QUARTERS OF AN ACRE, THIS YARD, 902 00:45:13,849 --> 00:45:16,541 AND HE'S MOVING INTO ONE THAT'S GONNA HAVE 30 ACRES, 903 00:45:16,575 --> 00:45:20,821 SO HE'LL HAVE MANY THINGS TO ENGAGE HIM IN THE FOREST. 904 00:45:20,856 --> 00:45:23,617 LOTS OF THINGS TO EAT, BROWSE, RUN AROUND, 905 00:45:23,651 --> 00:45:25,826 MEET THE LADIES IF HE'S INTERESTED. [LAUGHS] 906 00:45:25,861 --> 00:45:28,449 FOR THE MOST PART, HE'S REALLY INTO EATING. 907 00:45:28,484 --> 00:45:29,761 [LAUGHING] 908 00:45:29,796 --> 00:45:31,729 Cher: HE'S ALWAYS EATING! 909 00:45:31,763 --> 00:45:34,317 IT WAS A WONDERFUL TRIP. 910 00:45:34,352 --> 00:45:36,181 THE WHOLE THING WAS WONDERFUL. 911 00:45:36,216 --> 00:45:39,598 [CHEERFUL MUSIC] 912 00:45:39,633 --> 00:45:43,188 ♪ AND THIS IS A SONG FOR THE LONELY ♪ 913 00:45:43,223 --> 00:45:46,847 THIS IS LIKE A FAIRY TALE ENDING, YOU KNOW? 914 00:45:46,882 --> 00:45:48,366 WHERE THEY KISS AT THE END. 915 00:45:49,539 --> 00:45:51,231 ♪ 'CAUSE SOMEONE'S THERE FOR YOU ♪ 916 00:45:51,265 --> 00:45:53,612 AND I NOW KNOW I CAN DO SOMETHING LIKE THAT, 917 00:45:53,647 --> 00:45:55,718 SO I'M GONNA CONTINUE. 918 00:45:55,753 --> 00:45:58,928 [ELEPHANTS VOCALIZING]