1 00:00:01,415 --> 00:00:02,450 [soft piano music plays] 2 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 3 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 4 00:00:15,291 --> 00:00:18,984 [people softly chattering] 5 00:00:30,237 --> 00:00:31,065 - Big day. 6 00:00:32,066 --> 00:00:33,274 - I guess so. 7 00:00:33,309 --> 00:00:35,207 - Seriously, you should be very proud. 8 00:00:38,900 --> 00:00:39,729 - Thanks. 9 00:00:41,110 --> 00:00:43,077 - Time to get started, everybody. 10 00:00:43,112 --> 00:00:45,217 So who's up first? 11 00:00:45,252 --> 00:00:48,979 [pulsing electronic music] 12 00:02:04,331 --> 00:02:06,367 [woman sighs] 13 00:02:06,402 --> 00:02:10,130 [pulsing electronic music] 14 00:02:14,858 --> 00:02:16,066 - [Man] Can we get this rolling? 15 00:02:16,101 --> 00:02:17,137 - We're almost there. 16 00:02:18,207 --> 00:02:20,001 - Tell me it'll work. - It'll work. 17 00:02:22,211 --> 00:02:23,108 - Everything is online. 18 00:02:24,868 --> 00:02:26,146 - Thank you for your patience. 19 00:02:26,180 --> 00:02:27,388 What we're presenting here today 20 00:02:27,423 --> 00:02:29,149 is nothing short of a breakthrough. 21 00:02:29,183 --> 00:02:30,805 I think you'll be pleased to see 22 00:02:30,840 --> 00:02:33,670 it aligns with your goals at Syntec Lab, Mr. Montgomery, 23 00:02:33,705 --> 00:02:34,982 and, certainly, it puts the university 24 00:02:35,016 --> 00:02:37,087 on the cutting-edge of human sensory research. 25 00:02:37,122 --> 00:02:38,848 All right, ready to go? 26 00:02:38,882 --> 00:02:40,194 Everyone, this is Quinn. 27 00:02:40,229 --> 00:02:42,162 Quinn has been working with us the past couple months 28 00:02:42,196 --> 00:02:44,888 on a project that we're calling the Sonic Sleeves. 29 00:02:44,923 --> 00:02:46,511 It's relatively simple. 30 00:02:46,545 --> 00:02:49,169 Based, in part, on the early work of Paul Bach-y-Rita, 31 00:02:49,203 --> 00:02:51,895 we're using the mechanoreceptors in the skin 32 00:02:51,930 --> 00:02:55,382 to turn sounds, like my voice, 33 00:02:55,416 --> 00:02:57,315 into pulses that are felt by Quinn, 34 00:02:57,349 --> 00:02:59,834 who, as you may have noticed, is deaf. 35 00:02:59,869 --> 00:03:02,492 And these pulses cause patterns of vibration, 36 00:03:02,527 --> 00:03:07,359 which help Quinn to, in essence, hear by feeling. 37 00:03:09,741 --> 00:03:10,569 Are you ready? 38 00:03:11,915 --> 00:03:14,780 Hello. [beeping] 39 00:03:14,815 --> 00:03:17,197 Hello. [beeping] 40 00:03:17,231 --> 00:03:19,923 Hello. [beeping] 41 00:03:19,958 --> 00:03:22,202 [soft music] 42 00:03:26,723 --> 00:03:29,243 - That's a little easy. 43 00:03:29,278 --> 00:03:31,314 Most interactions begin that way. 44 00:03:33,143 --> 00:03:37,803 - Downtown, downtown. [beeping] 45 00:03:42,429 --> 00:03:45,328 Downtown. [beeping] 46 00:03:54,958 --> 00:03:56,236 We'll go again. 47 00:03:57,754 --> 00:03:59,791 Cheeseburger. [beeping] 48 00:03:59,825 --> 00:04:02,207 Cheeseburger. [beeping] 49 00:04:19,466 --> 00:04:22,331 Happy days. [beeping] 50 00:04:22,365 --> 00:04:25,886 Happy days. [beeping] 51 00:04:29,303 --> 00:04:31,443 - Let's go ahead and stop right there. 52 00:04:32,341 --> 00:04:33,583 Apologies, Ted, Diana, I was assured 53 00:04:33,618 --> 00:04:35,309 we had some of these bugs worked out. 54 00:04:35,344 --> 00:04:37,311 - [Ted] Well, let's hope we do next time. 55 00:04:37,346 --> 00:04:38,968 - If you just give us a little bit more time. 56 00:04:39,002 --> 00:04:41,453 They were working perfectly, I assure you. 57 00:04:49,496 --> 00:04:51,083 It's not your fault. 58 00:05:02,025 --> 00:05:03,372 - Was there a reason you started 59 00:05:03,406 --> 00:05:05,684 with a device for the deaf? 60 00:05:09,101 --> 00:05:12,001 Was it personal to you? 61 00:05:12,035 --> 00:05:13,382 - Who are you? 62 00:05:13,416 --> 00:05:15,176 How do you know what I'm working on? 63 00:05:21,182 --> 00:05:22,494 I'm Dr. Frederick Amberger. 64 00:05:23,944 --> 00:05:26,084 - Should I have heard of you? - No. 65 00:05:26,118 --> 00:05:29,846 My work has always been done behind closed doors, 66 00:05:29,881 --> 00:05:33,505 attributed to others or just plain forgotten. 67 00:05:35,369 --> 00:05:37,026 But I think you can help change that. 68 00:05:37,060 --> 00:05:37,889 - Your work? 69 00:05:39,442 --> 00:05:43,722 - Seeking out a path to new sensory experiences, 70 00:05:43,757 --> 00:05:47,105 through our sensory-enlightened counterparts. 71 00:05:50,384 --> 00:05:52,352 - Sensory-enlightened? 72 00:05:52,386 --> 00:05:54,492 - Where others see disability, 73 00:05:54,526 --> 00:05:56,425 I see transformative individuals 74 00:05:56,459 --> 00:06:01,464 with a great aptitude for realigning their sensory inputs. 75 00:06:02,431 --> 00:06:03,363 See for yourself. 76 00:06:10,956 --> 00:06:14,374 I believe you can unlock the sixth sense 77 00:06:14,408 --> 00:06:18,412 by combining the strengths of five individuals, 78 00:06:18,447 --> 00:06:21,415 each lacking one of the five fundamental senses. 79 00:06:21,450 --> 00:06:23,452 Sight, hearing, taste, touch, and smell. 80 00:06:25,557 --> 00:06:28,388 - Combining, how, that's not possible. 81 00:06:29,734 --> 00:06:33,323 - I thought so, too, until I witnessed it. 82 00:06:34,980 --> 00:06:38,743 I've witnessed many things that would be deemed impossible. 83 00:06:39,847 --> 00:06:42,402 - How are you defining the sixth sense? 84 00:06:42,436 --> 00:06:46,578 - As a new way to understand, feel, visualize, 85 00:06:46,613 --> 00:06:48,580 and experience the physical world around us, 86 00:06:48,615 --> 00:06:51,790 illuminating the entire electromagnetic spectrum 87 00:06:51,825 --> 00:06:55,276 into information that can be perceived 88 00:06:57,175 --> 00:06:58,590 as easily as me looking at you right now. 89 00:06:58,625 --> 00:07:02,905 - Look, this sounds interesting, but I- 90 00:07:02,939 --> 00:07:04,458 - You know as well as I do, 91 00:07:04,493 --> 00:07:07,461 the next frontier of discovery isn't out there. 92 00:07:10,602 --> 00:07:11,431 It's in here. 93 00:07:14,157 --> 00:07:16,470 Don't let the small failures define you. 94 00:07:20,612 --> 00:07:24,996 Instead, ask yourself how far you're willing to go 95 00:07:26,376 --> 00:07:28,206 to find the answers you seek. 96 00:07:30,829 --> 00:07:32,521 I look forward to hearing from you. 97 00:07:35,489 --> 00:07:39,044 [swirling electronic music] 98 00:07:55,060 --> 00:07:58,650 [discordant piano pounding] 99 00:08:10,110 --> 00:08:13,700 [swirling electronic music] 100 00:08:19,568 --> 00:08:23,813 - Seriously, Bob, you can't wait until after dinner? 101 00:08:23,848 --> 00:08:26,057 - Well, I still have to get through dinner. 102 00:08:26,091 --> 00:08:26,920 - It's fine, Mom. 103 00:08:38,241 --> 00:08:40,140 - Well, according to the court order, she should be. 104 00:08:47,872 --> 00:08:51,289 - So, Jules, catch us up. 105 00:08:52,462 --> 00:08:53,533 How's school going? 106 00:08:55,465 --> 00:08:56,294 - It's fine. 107 00:08:59,711 --> 00:09:01,230 - Care to elaborate? 108 00:09:01,264 --> 00:09:02,714 - Good Lord, Jules, give her something. 109 00:09:02,749 --> 00:09:05,475 She's had the courtesy to invite you into our home. 110 00:09:07,408 --> 00:09:09,549 - So this isn't my home anymore? 111 00:09:09,583 --> 00:09:10,929 The house I was raised in. 112 00:09:13,414 --> 00:09:15,589 How long do I have to serve out this penance for? 113 00:09:15,624 --> 00:09:18,143 Three years obviously isn't enough. 114 00:09:18,178 --> 00:09:20,111 Four, five, the rest of my life? 115 00:09:20,145 --> 00:09:22,596 - You made your bed. - All right. 116 00:09:22,631 --> 00:09:26,704 If you two aren't going to bother to try, why should I? 117 00:09:26,738 --> 00:09:28,602 - I had a horrible day, Mom. 118 00:09:28,637 --> 00:09:29,845 Is that what you wanna hear? 119 00:09:32,295 --> 00:09:33,503 - My project failed. 120 00:09:41,615 --> 00:09:42,547 - [Mom] What project? 121 00:09:49,174 --> 00:09:52,315 - It's a sensory device for the deaf. 122 00:09:56,561 --> 00:09:59,150 It's a wearable technology that helps you hear 123 00:10:00,323 --> 00:10:01,359 through the vibrations of the skin. 124 00:10:09,022 --> 00:10:10,610 - No. 125 00:10:10,644 --> 00:10:12,646 - You realize you can't make her whole again, right? 126 00:10:12,681 --> 00:10:13,716 - Bob! 127 00:10:16,685 --> 00:10:17,617 - I'm not ready, Kath. 128 00:10:24,693 --> 00:10:27,557 - I'm sorry, this was a mistake. 129 00:10:29,974 --> 00:10:33,667 [pulsing electronic music] 130 00:10:46,507 --> 00:10:48,164 [sighing] 131 00:10:48,199 --> 00:10:51,858 [pulsing electronic music] 132 00:11:11,774 --> 00:11:13,017 [Jules sighs] 133 00:11:13,051 --> 00:11:16,779 [pulsing electronic music] 134 00:11:51,055 --> 00:11:53,643 [siren wails] 135 00:11:54,886 --> 00:11:57,682 [droning music] 136 00:12:02,894 --> 00:12:03,792 What's the meaning of this? 137 00:12:03,826 --> 00:12:04,793 - So it was personal, then. 138 00:12:06,760 --> 00:12:08,866 - Why do you have something about my sister in here? 139 00:12:08,900 --> 00:12:09,729 - You like tea? 140 00:12:10,902 --> 00:12:11,731 I'll make tea. 141 00:12:23,501 --> 00:12:25,745 - Why are you cataloging people's suffering? 142 00:12:28,023 --> 00:12:29,783 - I'm not cataloging suffering. 143 00:12:29,818 --> 00:12:31,889 - These people's lives are changed forever. 144 00:12:31,923 --> 00:12:33,787 Dana's life has changed completely. 145 00:12:33,822 --> 00:12:37,446 What shaped her, what drove her can't be reclaimed. 146 00:12:37,480 --> 00:12:39,275 - Isn't that what you're trying to do with your contraption? 147 00:12:39,310 --> 00:12:41,657 - It's a path forward, hopefully. 148 00:12:41,691 --> 00:12:43,935 - What if there's another path? 149 00:12:43,970 --> 00:12:44,798 - [Jules] What, this? 150 00:12:46,558 --> 00:12:50,908 - On second thought, I think breakfast is in order. 151 00:12:53,945 --> 00:12:57,052 The human body is made up of layers of cells, 152 00:12:58,881 --> 00:13:03,161 each with receptors that translate the energy of a stimulus 153 00:13:03,196 --> 00:13:07,372 into electrical signals ending in the somatosensory cortex. 154 00:13:09,202 --> 00:13:13,516 Generally, we categorize these as our five senses. 155 00:13:15,829 --> 00:13:18,832 On their own, these senses are imperfect. 156 00:13:25,356 --> 00:13:28,842 Imagine what it would be like if you ate this piece of bread 157 00:13:28,877 --> 00:13:30,948 and it smelled like nothing. 158 00:13:30,982 --> 00:13:33,295 Imagine if you touched it and it felt 159 00:13:33,329 --> 00:13:36,401 like a gooey, dripping liquid, 160 00:13:36,436 --> 00:13:39,991 devoid of shape and structure. 161 00:13:40,026 --> 00:13:40,854 What do you have? 162 00:13:41,751 --> 00:13:43,305 - A mess. 163 00:13:43,339 --> 00:13:45,755 - No, you'd have our breakfast. 164 00:13:47,240 --> 00:13:48,758 [sizzling] 165 00:13:48,793 --> 00:13:49,829 And when you turn on the heat. 166 00:13:53,108 --> 00:13:54,178 - They all come together. 167 00:13:54,212 --> 00:13:55,869 - Exactly. 168 00:13:55,904 --> 00:13:58,527 - But how, how do they come together 169 00:13:58,561 --> 00:14:00,391 when we're talking about people? 170 00:14:00,425 --> 00:14:02,151 - Initially, a controlled environment. 171 00:14:02,186 --> 00:14:04,602 Isolate the sensory enhancements 172 00:14:04,636 --> 00:14:06,535 for each enlightened individual, 173 00:14:06,569 --> 00:14:09,710 identify the pathways of their sensory realignment. 174 00:14:11,126 --> 00:14:12,955 Then provide a little direction 175 00:14:14,474 --> 00:14:17,063 via some technological augmentation 176 00:14:18,650 --> 00:14:23,655 to unlock what is already present within them. 177 00:14:24,311 --> 00:14:25,934 - [Jules] Why the five? 178 00:14:25,968 --> 00:14:28,246 - Well, imagine an electrical current when it's overloaded. 179 00:14:28,281 --> 00:14:30,939 The five together help balance the load. 180 00:14:32,112 --> 00:14:34,080 Eventually, we'll move beyond this need, 181 00:14:35,391 --> 00:14:36,461 but it's where we start. 182 00:14:36,496 --> 00:14:37,946 - But that's impossible. 183 00:14:37,980 --> 00:14:40,258 What you're proposing, there's no precedent. 184 00:14:40,293 --> 00:14:42,019 - We have to strike that word "impossible" 185 00:14:42,053 --> 00:14:43,227 from your vocabulary. 186 00:14:44,849 --> 00:14:48,094 The work in that notebook contains precedent. 187 00:14:49,405 --> 00:14:50,820 We just have to go further. 188 00:14:53,099 --> 00:14:54,376 - But why we? 189 00:14:54,410 --> 00:14:55,549 I don't know what I bring to this. 190 00:14:57,068 --> 00:15:00,451 - A curious mind, a penchant for discovery, longevity. 191 00:15:04,489 --> 00:15:06,077 While you may not be able to articulate it, 192 00:15:06,112 --> 00:15:09,046 you, too, see the transcendent nature 193 00:15:09,080 --> 00:15:11,772 of our sensory-enlightened counterparts. 194 00:15:12,981 --> 00:15:16,260 I need someone like you to help me carry this work forward. 195 00:15:17,640 --> 00:15:19,435 - Who are you, really? 196 00:15:21,127 --> 00:15:26,028 [eerie music] [whispering] 197 00:15:40,456 --> 00:15:44,219 [shimmering electronic music] 198 00:16:29,712 --> 00:16:30,990 - You want tea? 199 00:16:33,578 --> 00:16:34,786 I'll make tea. 200 00:16:37,858 --> 00:16:39,032 - We already have tea. 201 00:16:40,068 --> 00:16:42,001 [knocking] 202 00:16:42,035 --> 00:16:43,036 - Dad? 203 00:16:45,280 --> 00:16:46,143 How come you're not dressed? 204 00:16:46,177 --> 00:16:47,765 We have an appointment. 205 00:16:47,799 --> 00:16:48,628 Hi? 206 00:16:50,112 --> 00:16:53,012 Dad, it's a little late to be getting help around here. 207 00:16:53,046 --> 00:16:53,840 We're way past that. 208 00:16:53,874 --> 00:16:55,083 - I'm not help. 209 00:16:55,117 --> 00:16:56,187 - She's a colleague. 210 00:16:58,534 --> 00:17:00,364 - [sighs] Not this again. 211 00:17:05,196 --> 00:17:06,094 College student? 212 00:17:06,887 --> 00:17:07,716 - [Jules] Yeah. 213 00:17:08,648 --> 00:17:10,960 - Well, my apologies. 214 00:17:10,995 --> 00:17:12,100 My father, I'm afraid to say, 215 00:17:12,134 --> 00:17:14,067 is not his best self these days. 216 00:17:14,102 --> 00:17:15,586 And we have an appointment. 217 00:17:15,620 --> 00:17:17,588 - My son has little imagination. 218 00:17:18,658 --> 00:17:20,418 He knows not of what he speaks. 219 00:17:20,453 --> 00:17:22,075 - And it's time for you to go. 220 00:17:23,318 --> 00:17:25,734 [shimmering electronic music] 221 00:17:25,768 --> 00:17:29,772 - You've got roughly a quadrillion synapses in your brain, 222 00:17:29,807 --> 00:17:32,603 a quadrillion connections between nerves, 223 00:17:32,637 --> 00:17:35,640 all happening right now, carving out the pathways 224 00:17:35,675 --> 00:17:37,194 that make us who we are. 225 00:17:37,228 --> 00:17:39,127 To give you a little perspective, 226 00:17:39,161 --> 00:17:41,232 the number of stars in the Milky Way 227 00:17:41,267 --> 00:17:43,200 is about 300 billion. 228 00:17:43,234 --> 00:17:45,236 So you've got 1000 times more synapses 229 00:17:45,271 --> 00:17:48,895 happening inside your brain than all the stars 230 00:17:48,929 --> 00:17:50,828 in the Milky Way galaxy. 231 00:17:50,862 --> 00:17:52,105 - [Frederick Voiceover] We have to strike that word 232 00:17:52,140 --> 00:17:53,072 "impossible" from your vocabulary. 233 00:17:54,694 --> 00:17:57,041 The work in that notebook contains precedent. 234 00:17:58,318 --> 00:18:00,803 We just have to go further. - Doing all this computational 235 00:18:00,838 --> 00:18:03,116 work, well, that's what we're here for. 236 00:18:03,151 --> 00:18:07,189 [shimmering electronic music] 237 00:18:20,858 --> 00:18:22,894 - Day one, October 12th, 1985. 238 00:18:24,137 --> 00:18:25,621 Now what's your name, young man? 239 00:18:25,656 --> 00:18:28,003 - [Young Man] Anthony. - Anthony. 240 00:18:28,037 --> 00:18:30,109 We've invited several potential candidates in for interview. 241 00:18:31,144 --> 00:18:32,318 - Why are you doing it? 242 00:18:32,352 --> 00:18:35,597 - A way to better understand our senses. 243 00:18:35,631 --> 00:18:37,840 It's our belief that those deemed disabled 244 00:18:37,875 --> 00:18:41,258 by our society hold the key to understanding 245 00:18:41,292 --> 00:18:44,157 how the brain rewires itself in the face 246 00:18:44,192 --> 00:18:47,678 of faulty, damaged, or missing sensory inputs. 247 00:18:47,712 --> 00:18:49,852 - Oh, that's easy. 248 00:18:49,887 --> 00:18:50,922 Smell with your nose, 249 00:18:52,165 --> 00:18:53,994 touch with your fingers and toes, 250 00:18:55,306 --> 00:18:56,687 taste with your tongue, 251 00:18:56,721 --> 00:18:57,929 hear with your ears, 252 00:18:59,414 --> 00:19:01,312 and see with your eyes. 253 00:19:02,762 --> 00:19:06,179 - You need Missy to tell you that? 254 00:19:06,214 --> 00:19:08,492 [shimmering electronic music] 255 00:19:08,526 --> 00:19:09,838 - [Frederick Voiceover] Day 23. 256 00:19:09,872 --> 00:19:11,080 We've selected our initial candidates 257 00:19:11,115 --> 00:19:12,910 for phase one of the study. 258 00:19:12,944 --> 00:19:14,981 At H's prompting, these candidates 259 00:19:15,015 --> 00:19:17,915 represent the loss of the primary five senses, 260 00:19:17,949 --> 00:19:21,298 taste, touch, smell, hearing, and sight. 261 00:19:21,332 --> 00:19:25,129 [shimmering electronic music] 262 00:19:35,553 --> 00:19:36,658 Day 98. 263 00:19:36,692 --> 00:19:38,177 Breakthrough. 264 00:19:38,211 --> 00:19:41,318 Testing Subject Three, representing loss of sight. 265 00:19:41,352 --> 00:19:43,251 - 15. - We detect enhanced 266 00:19:43,285 --> 00:19:46,909 hearing capabilities, as well as an advanced olfactory. 267 00:19:46,944 --> 00:19:48,428 - Seven o'clock. 268 00:19:48,463 --> 00:19:50,085 - [Frederick Voiceover] Day 132. 269 00:19:50,119 --> 00:19:54,020 At this point, we've detected a myriad of enhanced senses 270 00:19:54,054 --> 00:19:56,712 to varying degrees in all our subjects, 271 00:19:56,747 --> 00:19:59,336 with consistent results against our control group. 272 00:19:59,370 --> 00:20:02,270 H has suggested placing our subjects in a group setting 273 00:20:02,304 --> 00:20:04,237 to study the effects of social interaction 274 00:20:04,272 --> 00:20:08,379 on sensory input, the human factor, if you will. 275 00:20:08,414 --> 00:20:10,726 [shimmering electronic music] 276 00:20:10,761 --> 00:20:12,349 Day 172. 277 00:20:12,383 --> 00:20:14,213 After noting interesting effects 278 00:20:14,247 --> 00:20:16,767 based on social interaction, we've decided 279 00:20:16,801 --> 00:20:19,701 to test if we can, essentially, link 280 00:20:19,735 --> 00:20:22,531 our subjects' sensory experiences. 281 00:20:22,566 --> 00:20:24,533 We shall attempt this through restricting 282 00:20:24,568 --> 00:20:27,605 our subjects' usable sensory inputs, 283 00:20:27,640 --> 00:20:31,402 monitoring their brain activity via one set of sensors, 284 00:20:31,437 --> 00:20:33,956 while creating a shared feed 285 00:20:33,991 --> 00:20:37,063 of their combined electromagnetic brainwaves. 286 00:20:37,097 --> 00:20:40,860 [shimmering electronic music] 287 00:20:51,836 --> 00:20:54,287 - Can anybody else see this? 288 00:20:54,322 --> 00:20:56,393 [shimmering electronic music] 289 00:20:56,427 --> 00:20:57,773 - It's incredible. 290 00:21:02,364 --> 00:21:04,573 - How am I seeing this? 291 00:21:04,608 --> 00:21:07,404 This is rad! 292 00:21:07,438 --> 00:21:09,854 - What are they seeing, experiencing? 293 00:21:09,889 --> 00:21:13,686 [shimmering electronic music] 294 00:21:38,400 --> 00:21:39,884 - [Man] This is nuts. 295 00:21:39,919 --> 00:21:41,334 - Amberger's onto something truly game-changing, 296 00:21:41,369 --> 00:21:42,784 evolution and advancement to understanding 297 00:21:42,818 --> 00:21:44,130 of the human brain. 298 00:21:44,164 --> 00:21:44,993 Game-changing. 299 00:21:46,408 --> 00:21:48,617 - [Woman] Don't do this, Jules. 300 00:21:48,652 --> 00:21:50,239 - Do what? 301 00:21:50,274 --> 00:21:51,655 - [Man] Lose focus. 302 00:21:51,689 --> 00:21:53,346 We're getting one more chance with the sleeves, 303 00:21:53,381 --> 00:21:55,244 and that's where our head should be. 304 00:21:55,279 --> 00:21:56,349 - [Woman] He's right. 305 00:21:56,384 --> 00:21:58,834 - Skip to one file, and then read it on the way. 306 00:21:58,869 --> 00:22:00,111 - [Man] On the way where? 307 00:22:01,009 --> 00:22:01,837 - Breakfast. 308 00:22:03,183 --> 00:22:05,082 [pulsing electronic music] 309 00:22:05,116 --> 00:22:07,084 - I don't understand, what did they see? 310 00:22:09,673 --> 00:22:12,227 - I think they somehow experienced 311 00:22:12,261 --> 00:22:14,436 the entire electromagnetic spectrum, 312 00:22:16,265 --> 00:22:18,854 allowing them to feel the energy 313 00:22:18,889 --> 00:22:21,512 of the world surrounding them, including each other. 314 00:22:23,411 --> 00:22:25,067 - That sounds terrible. 315 00:22:25,102 --> 00:22:25,930 You wouldn't want to sense that much noise. 316 00:22:25,965 --> 00:22:26,862 - Exactly. 317 00:22:33,386 --> 00:22:35,319 - How long have you not been able to taste? 318 00:22:37,632 --> 00:22:38,460 Can you smell? 319 00:22:39,703 --> 00:22:41,360 - Yeah, I can still smell. 320 00:22:41,394 --> 00:22:43,396 - Every tested your acuity for smell? 321 00:22:45,329 --> 00:22:46,434 - Just because I can't taste doesn't mean 322 00:22:46,468 --> 00:22:48,539 I've somehow got a world class nose. 323 00:22:49,575 --> 00:22:51,300 - Just curious. 324 00:22:51,335 --> 00:22:52,543 What about you? 325 00:22:54,234 --> 00:22:55,546 - What about me? 326 00:22:55,581 --> 00:22:58,894 - Do you think that you're more or less 327 00:22:58,929 --> 00:23:01,690 aware of your surroundings now? 328 00:23:01,725 --> 00:23:04,555 - This requires me to be more aware of my surroundings. 329 00:23:04,590 --> 00:23:07,351 - [Amberger] And would you say that, because of the chair, 330 00:23:08,352 --> 00:23:10,147 you feel space differently now? 331 00:23:12,805 --> 00:23:14,427 - I guess. 332 00:23:14,462 --> 00:23:15,911 - [Amberger] And would you say that the loss of taste 333 00:23:15,946 --> 00:23:19,536 has shifted how you approach your daily life? 334 00:23:19,570 --> 00:23:21,400 - That goes without saying. 335 00:23:21,434 --> 00:23:22,642 - Currently, we have limited control 336 00:23:22,677 --> 00:23:25,714 over our brain's ability to rewire 337 00:23:25,749 --> 00:23:29,477 and realign sensory inputs, but I believe 338 00:23:29,511 --> 00:23:33,446 that with your help, we can finish the work 339 00:23:33,481 --> 00:23:34,620 I started in here. 340 00:23:36,173 --> 00:23:40,591 Unlock the code to guiding these sensory pathways 341 00:23:41,523 --> 00:23:43,560 and we're on our way to expanding 342 00:23:43,594 --> 00:23:45,596 the human sensory experience. 343 00:23:45,631 --> 00:23:47,149 - I'm perfectly fine how I am. 344 00:23:47,184 --> 00:23:50,808 - You're more than fine, you're enlightened. 345 00:23:50,843 --> 00:23:52,465 - I'm sorry, I can't help but feel 346 00:23:52,500 --> 00:23:54,985 like this is a little beyond what's actually possible. 347 00:23:55,019 --> 00:23:56,987 Sure, we had a little hiccough with the sleeves, 348 00:23:57,021 --> 00:23:59,023 but we can figure that out. 349 00:23:59,058 --> 00:24:00,611 It's tangible, real. 350 00:24:01,819 --> 00:24:03,545 - And something that not too long ago 351 00:24:04,650 --> 00:24:05,478 was thought to be impossible. 352 00:24:07,860 --> 00:24:12,243 - Without thinking, what do you smell right now? 353 00:24:14,522 --> 00:24:15,350 - Bubblegum. 354 00:24:20,666 --> 00:24:24,014 ♪ Is this just a dream 355 00:24:24,048 --> 00:24:27,949 ♪ Or is this the real thing 356 00:24:27,983 --> 00:24:30,261 - You both know why I started down this path. 357 00:24:31,539 --> 00:24:34,990 You both know I can't do any of this without you. 358 00:24:40,444 --> 00:24:42,826 - So what exactly are we talking about doing here? 359 00:24:45,829 --> 00:24:49,004 - First, we all need to get up to speed on Amberger's work 360 00:24:49,039 --> 00:24:52,421 and seek out any supporting data we can find. 361 00:24:52,456 --> 00:24:55,908 [pulsing electronic music] 362 00:25:03,536 --> 00:25:05,538 Then we compile, blending Amberger's research 363 00:25:05,573 --> 00:25:07,885 with our current track into a possible thesis. 364 00:25:09,231 --> 00:25:11,510 When we feel we've nailed it, 365 00:25:11,544 --> 00:25:14,029 I'll go have a conversation with Professor Johnston. 366 00:25:15,790 --> 00:25:17,585 - [Professor] Hard no. 367 00:25:17,619 --> 00:25:18,655 - You didn't even read it. 368 00:25:18,689 --> 00:25:19,897 - I skimmed enough. 369 00:25:19,932 --> 00:25:22,106 Creating new sensory inputs, 370 00:25:22,141 --> 00:25:24,039 feeling the world around us. 371 00:25:24,074 --> 00:25:26,352 This is a little touchy-feely New Agey 372 00:25:26,386 --> 00:25:28,078 for a science lab, don't you think? 373 00:25:29,631 --> 00:25:31,046 It has "enlightened" in the title, for hell's sake, 374 00:25:31,081 --> 00:25:35,119 and who in the world is this Dr. Amberger character? 375 00:25:35,154 --> 00:25:37,121 Actually, don't care. 376 00:25:37,156 --> 00:25:39,572 The reality is we are about to lose 377 00:25:39,607 --> 00:25:41,574 a large chunk of funding because the experiment 378 00:25:41,609 --> 00:25:45,129 you assured me was ready for prime time obviously wasn't. 379 00:25:47,304 --> 00:25:49,686 You have a chance to fix this, 380 00:25:49,720 --> 00:25:51,791 and that's exactly what you're gonna do. 381 00:25:51,826 --> 00:25:56,555 This is you simply spinning your wheels 382 00:25:56,589 --> 00:25:59,109 after experiencing a little bit of failure. 383 00:26:00,351 --> 00:26:03,700 Get focused and make those sleeves work. 384 00:26:03,734 --> 00:26:07,186 [pulsing electronic music] 385 00:26:08,946 --> 00:26:09,775 - So? 386 00:26:13,295 --> 00:26:15,159 - We're a go. - Seriously? 387 00:26:15,194 --> 00:26:18,473 - We'll have to move forward the sleeves, but, yeah. 388 00:26:18,507 --> 00:26:19,957 Let's do this. 389 00:26:19,992 --> 00:26:20,855 - So what's the plan? 390 00:26:22,373 --> 00:26:23,443 - We need subjects. 391 00:26:26,688 --> 00:26:28,103 - I posted on every local disability group 392 00:26:28,138 --> 00:26:30,105 I could find online, and I'm already getting 393 00:26:30,140 --> 00:26:31,590 some positive responses. 394 00:26:31,624 --> 00:26:33,074 - Great. 395 00:26:33,108 --> 00:26:34,731 I'll drive these by the school for the deaf and blind. 396 00:26:34,765 --> 00:26:36,180 Sam's taking the health clubs. 397 00:26:36,215 --> 00:26:37,665 Maybe post some at coffee shops 398 00:26:37,699 --> 00:26:39,149 and stuff like that, too? 399 00:26:39,183 --> 00:26:40,806 - Yeah, is he okay? 400 00:26:42,014 --> 00:26:43,912 - What do you mean? 401 00:26:43,947 --> 00:26:44,810 - Something's off. 402 00:26:46,535 --> 00:26:48,192 - He disappears sometimes. 403 00:26:52,403 --> 00:26:54,509 - Let's just concentrate on getting these out. 404 00:26:54,543 --> 00:26:55,441 - Okay. 405 00:26:55,475 --> 00:26:58,893 [pulsing electronic music] 406 00:27:20,604 --> 00:27:22,330 - I think you should ask your sister 407 00:27:22,364 --> 00:27:23,642 to come join the study. 408 00:27:23,676 --> 00:27:28,647 - She, well, my family isn't that really fond of me 409 00:27:29,406 --> 00:27:30,234 at this point. 410 00:27:37,828 --> 00:27:39,658 - Family's difficult to navigate at times. 411 00:27:44,870 --> 00:27:45,733 - Does your son know? 412 00:27:45,767 --> 00:27:47,079 What we're doing. I mean. 413 00:27:48,874 --> 00:27:50,669 - Family's difficult to navigate. 414 00:27:54,224 --> 00:27:55,846 - I mean, he seemed concerned. 415 00:27:57,883 --> 00:28:00,644 Is everything okay? 416 00:28:04,061 --> 00:28:06,374 - Our time on this planet is short, 417 00:28:07,858 --> 00:28:11,206 and mine, perhaps a bit shorter now. 418 00:28:20,733 --> 00:28:22,942 Thanks for giving me a second chance. 419 00:28:22,977 --> 00:28:25,082 - [Jules] See you tomorrow. 420 00:28:25,117 --> 00:28:25,945 - Tomorrow. 421 00:28:35,058 --> 00:28:37,681 [Jules sighs] 422 00:28:39,787 --> 00:28:41,409 [Amberger gasps] 423 00:28:41,443 --> 00:28:45,931 [rolling, tinkling electronic music] 424 00:29:23,865 --> 00:29:25,349 - You wanna try it? 425 00:29:27,835 --> 00:29:29,733 Sir, sir? 426 00:29:30,838 --> 00:29:31,873 Are you okay? 427 00:29:34,186 --> 00:29:35,981 I've been sleepwalking. 428 00:29:37,845 --> 00:29:39,191 Sir, sir? 429 00:29:40,502 --> 00:29:41,987 You gotta wake up, man. 430 00:29:44,196 --> 00:29:45,024 Oh, damn. 431 00:29:48,648 --> 00:29:51,548 - I have no ID here. 432 00:29:52,721 --> 00:29:53,964 - Sir, can you tell me your name? 433 00:29:57,381 --> 00:29:58,658 - What is this? 434 00:29:58,693 --> 00:30:00,315 - Sir, we think you were sleepwalking. 435 00:30:00,350 --> 00:30:03,077 Can you tell me your name, where you live? 436 00:30:05,389 --> 00:30:06,977 - I'm meeting Jules. 437 00:30:07,012 --> 00:30:07,875 - Who's Jules? 438 00:30:09,014 --> 00:30:11,568 - She's helping me with my experiments. 439 00:30:12,880 --> 00:30:13,984 - Experiments? 440 00:30:14,882 --> 00:30:17,332 Do you know where you were meeting her? 441 00:30:17,367 --> 00:30:20,853 [haunting ambient music] 442 00:30:23,994 --> 00:30:25,340 - I don't remember. 443 00:30:25,375 --> 00:30:26,514 - [Cop] Whoa, whoa. 444 00:30:26,548 --> 00:30:28,171 What is your name, sir? 445 00:30:32,865 --> 00:30:34,004 - I don't know. 446 00:30:35,040 --> 00:30:36,904 - [Cop] It's okay, it'll come. 447 00:30:38,595 --> 00:30:40,045 Why don't you take a ride with us? 448 00:30:43,738 --> 00:30:44,843 - Where are we going? 449 00:30:44,877 --> 00:30:46,914 - Somewhere we can get you all sorted out. 450 00:30:49,537 --> 00:30:50,365 Take a seat. 451 00:31:03,033 --> 00:31:04,863 - I think we should just get started. 452 00:31:04,897 --> 00:31:06,071 - He'll be here, I promise. 453 00:31:06,105 --> 00:31:07,727 Let's just give it a minute. 454 00:31:07,762 --> 00:31:10,592 - Not a great way to start the grand experiment, Jules. 455 00:31:10,627 --> 00:31:13,630 [people chattering] 456 00:31:17,634 --> 00:31:19,222 - Jules, a word. 457 00:31:20,982 --> 00:31:25,435 Jules, the sensory lab is for legitimate, scientific study, 458 00:31:25,469 --> 00:31:27,471 preferably the type of study that's going to bring 459 00:31:27,506 --> 00:31:29,922 research funding into the university. 460 00:31:29,957 --> 00:31:33,029 And I finally read this. 461 00:31:33,063 --> 00:31:35,065 I can say with complete confidence 462 00:31:35,100 --> 00:31:38,379 that this is nonsense, the stuff of science fiction. 463 00:31:38,413 --> 00:31:40,899 - Professor, with all due respect, 464 00:31:40,933 --> 00:31:43,487 we know that what we perceive with the human senses 465 00:31:43,522 --> 00:31:46,145 is just a fraction of what's occurring around us, 466 00:31:46,180 --> 00:31:48,907 and we also know that we can rewire the brain. 467 00:31:48,941 --> 00:31:51,047 If we can figure out how to guide that rewiring, 468 00:31:51,081 --> 00:31:53,083 we unlock limitless sensory potential. 469 00:31:53,118 --> 00:31:54,774 - You're square pegging it. 470 00:31:54,809 --> 00:31:57,467 Rewiring the brain is one thing, but this sixth sense, 471 00:31:57,501 --> 00:32:01,057 seeing beyond what is seeable mumbo jumbo is lunacy. 472 00:32:01,091 --> 00:32:02,575 - We don't see with our eyes. 473 00:32:02,610 --> 00:32:03,680 We don't hear with our ears. 474 00:32:03,714 --> 00:32:04,923 We don't taste with our tongue. 475 00:32:04,957 --> 00:32:06,821 It's all done in the brain. 476 00:32:06,855 --> 00:32:08,996 And since that's true, it's possible, 477 00:32:09,030 --> 00:32:11,653 truly possible, that, with the right sensory input, 478 00:32:11,688 --> 00:32:13,103 that- - Stop! 479 00:32:13,138 --> 00:32:15,485 Okay, please, just stop. 480 00:32:17,314 --> 00:32:19,109 No more soliciting subjects, 481 00:32:19,144 --> 00:32:23,010 no more of this so-called doctor of yours, 482 00:32:23,044 --> 00:32:26,116 and no more of this movie of the week gobbledygook. 483 00:32:26,151 --> 00:32:28,118 You have a directive already. 484 00:32:28,153 --> 00:32:30,672 Stick to it or I'm banning you from the lab 485 00:32:30,707 --> 00:32:33,054 and turning your project over to another team. 486 00:32:36,506 --> 00:32:37,990 - What the hell, Jules? 487 00:32:38,025 --> 00:32:38,957 - What? 488 00:32:38,991 --> 00:32:40,337 - You lied to us. 489 00:32:40,372 --> 00:32:43,030 - Now he's threatening to take our project away. 490 00:32:43,064 --> 00:32:43,962 Why would you do this? 491 00:32:44,997 --> 00:32:48,897 - Because it won't fix her. 492 00:32:48,932 --> 00:32:50,451 - The sleeves? 493 00:32:50,485 --> 00:32:51,900 Of course it won't fix her. 494 00:32:53,074 --> 00:32:54,489 That's not the point. 495 00:32:54,524 --> 00:32:57,113 - [Student] You realize your sister's still here, right? 496 00:32:57,147 --> 00:32:57,976 - Of course I do. 497 00:32:59,253 --> 00:33:02,359 - Maybe instead of avoiding her on your quest to fix her, 498 00:33:02,394 --> 00:33:04,741 you could actually try to be part of her life. 499 00:33:04,775 --> 00:33:06,191 I'm sure she'd appreciate being seen 500 00:33:06,225 --> 00:33:09,988 as more than a reminder of your stupid mistake. 501 00:33:10,022 --> 00:33:13,163 [soft electronic music] 502 00:33:19,204 --> 00:33:20,067 - I gotta go. 503 00:33:20,101 --> 00:33:23,553 [soft electronic music] 504 00:33:44,643 --> 00:33:45,471 - No. 505 00:33:47,128 --> 00:33:48,612 No. 506 00:33:48,647 --> 00:33:50,545 I don't wanna see you. 507 00:33:52,823 --> 00:33:53,652 Don't you understand? 508 00:33:55,826 --> 00:34:00,831 I have so little time, and I have to finish. 509 00:34:06,078 --> 00:34:08,253 - You just need to get all the pieces. 510 00:34:12,084 --> 00:34:13,982 And then you can come home. 511 00:34:14,017 --> 00:34:17,158 [soft electronic music] 512 00:34:49,708 --> 00:34:52,193 [phone chimes] 513 00:34:58,199 --> 00:34:59,269 - Hello? 514 00:35:00,374 --> 00:35:01,202 Yes, this is she. 515 00:35:04,205 --> 00:35:05,275 Mister who? 516 00:35:08,140 --> 00:35:09,141 Oh. 517 00:35:10,729 --> 00:35:11,902 Oh, yes. 518 00:35:14,284 --> 00:35:15,285 Is everything okay? 519 00:35:18,978 --> 00:35:20,290 I'm sorry that I lied to you. 520 00:35:24,984 --> 00:35:26,641 And I know you're both really mad at me, 521 00:35:26,676 --> 00:35:29,092 and I screwed up, 522 00:35:31,301 --> 00:35:33,510 and that you both probably think I'm crazy, 523 00:35:37,204 --> 00:35:38,688 but they found Amberger, 524 00:35:41,553 --> 00:35:43,106 and I really want your help. 525 00:35:45,212 --> 00:35:46,074 - Who's they? 526 00:35:49,699 --> 00:35:51,252 - [Cop] You ever make it over to Idaho? 527 00:35:52,357 --> 00:35:53,220 - Oh, hey. 528 00:35:54,738 --> 00:35:56,637 - Boise PD ran some prints. 529 00:35:56,671 --> 00:35:58,259 - I lost the biggest fish of my life in Idaho. 530 00:35:59,536 --> 00:36:01,676 Fought that thing for nearly an hour. 531 00:36:01,711 --> 00:36:03,264 Then it just slipped the line. 532 00:36:05,093 --> 00:36:06,336 Nicknamed him Goliath. 533 00:36:09,028 --> 00:36:10,478 Anyway, what have you got? 534 00:36:10,513 --> 00:36:12,791 - [Cop] Boise PD ran some prints for an old case. 535 00:36:14,241 --> 00:36:15,690 - Heinrich Kline. - Yeah. 536 00:36:15,725 --> 00:36:17,727 Apparently, he was developing some top secret tech 537 00:36:17,761 --> 00:36:19,694 and then decided he wanted to keep it. 538 00:36:23,284 --> 00:36:25,217 - I can't imagine 30-year-old technology's worth a damn now. 539 00:36:25,252 --> 00:36:27,875 - Well, Uncle Sam seems to think it's worth a trip. 540 00:36:27,909 --> 00:36:29,566 - Fishing alone is worth a trip. 541 00:36:29,601 --> 00:36:31,361 Have you alerted Boise PD? 542 00:36:31,396 --> 00:36:32,776 - Yeah. 543 00:36:32,811 --> 00:36:34,122 They're making the call right now. 544 00:36:34,157 --> 00:36:35,745 - [Cop] Lucky we found your number stuffed inside his pocket. 545 00:36:35,779 --> 00:36:37,333 - Well, is he okay now? 546 00:36:37,367 --> 00:36:38,334 - He seems to have his head screwed on straight, 547 00:36:38,368 --> 00:36:39,921 for now at least. 548 00:36:39,956 --> 00:36:41,129 - Jules. - Doc! 549 00:36:41,164 --> 00:36:42,061 What happened, are you okay? 550 00:36:42,096 --> 00:36:43,235 - Yeah, I'm much better now. 551 00:36:43,270 --> 00:36:45,755 - This is Officer Sternes. 552 00:36:45,789 --> 00:36:47,205 - We better jump on this one right away. 553 00:36:47,239 --> 00:36:49,207 - Are we talking about the fishing or the case? 554 00:36:49,241 --> 00:36:50,242 - Exactly. 555 00:36:56,973 --> 00:36:57,836 - Who's Mr. Kline? 556 00:37:05,326 --> 00:37:07,017 Why have you been lying to us? 557 00:37:08,433 --> 00:37:11,056 - I assure you, everything I shared with you 558 00:37:11,090 --> 00:37:13,541 is real and possible. 559 00:37:13,576 --> 00:37:15,129 - He's wanted by the FBI. 560 00:37:15,163 --> 00:37:16,993 - He's what? - He's what? 561 00:37:21,308 --> 00:37:23,068 Why? 562 00:37:23,102 --> 00:37:24,311 - Stealing government property. 563 00:37:24,345 --> 00:37:26,416 - I didn't steal anything. 564 00:37:29,592 --> 00:37:31,283 I simply kept my research. 565 00:37:31,318 --> 00:37:32,422 - We'll keep him here. 566 00:37:34,113 --> 00:37:37,185 FBI, they want us to hold that Kline character. 567 00:37:39,015 --> 00:37:40,465 - That might be a bit of a problem. 568 00:37:43,122 --> 00:37:44,779 - I've put a lot of faith in you. 569 00:37:45,780 --> 00:37:47,023 This means a lot more to me 570 00:37:47,057 --> 00:37:48,818 than I think that you understand, 571 00:37:48,852 --> 00:37:51,786 so, please, tell us what is going on. 572 00:37:57,067 --> 00:37:59,346 - Smell with your nose, 573 00:37:59,380 --> 00:38:01,348 touch with your fingers [speaker drowned out]. 574 00:38:01,382 --> 00:38:02,763 - [Amberger Voiceover] Her name was Hilda. 575 00:38:02,797 --> 00:38:07,354 She was my whole world, my partner in everything. 576 00:38:08,251 --> 00:38:09,079 - See with your eyes. 577 00:38:10,253 --> 00:38:12,842 - You need Missy to tell you that? 578 00:38:14,361 --> 00:38:15,327 - [Amberger Voiceover] She's the one who helped guide 579 00:38:15,362 --> 00:38:17,536 out experiments to their initial success. 580 00:38:17,571 --> 00:38:21,368 [shimmering electronic music] 581 00:38:24,578 --> 00:38:25,924 It started slowly. 582 00:38:27,374 --> 00:38:29,686 Her muscles would give out suddenly 583 00:38:31,170 --> 00:38:33,621 or she'd be stricken with episodes of fatigue. 584 00:38:33,656 --> 00:38:36,383 Before we could get a handle on what was happening, 585 00:38:36,417 --> 00:38:37,901 it accelerated. 586 00:38:39,834 --> 00:38:42,389 Hilda insisted on continuing the work. 587 00:38:44,011 --> 00:38:46,496 She was convinced the Five held the key to her cure. 588 00:38:48,671 --> 00:38:51,294 - Does anybody else see this? 589 00:38:53,365 --> 00:38:54,642 - It's incredible. 590 00:38:54,677 --> 00:38:56,368 - Just as we had our first breakthrough, 591 00:38:56,403 --> 00:38:58,336 we faced being shut down. 592 00:38:58,370 --> 00:39:01,097 What are they seeing, experiencing? 593 00:39:01,131 --> 00:39:04,928 [shimmering electronic music] 594 00:39:06,930 --> 00:39:10,417 Our higher-ups wanted actionable, usable technology. 595 00:39:11,556 --> 00:39:13,523 I tried to buy some time 596 00:39:13,558 --> 00:39:15,525 with another project we had developed. 597 00:39:17,562 --> 00:39:19,598 We called it the Sonar Suit, 598 00:39:19,633 --> 00:39:22,670 based on bats' use of echolocation, 599 00:39:22,705 --> 00:39:26,191 sonar data translated to electronic pulse 600 00:39:26,225 --> 00:39:28,952 to provide a 360 degree view that subjects 601 00:39:28,987 --> 00:39:31,369 would see all at once. 602 00:39:32,542 --> 00:39:37,305 [shimmering electronic music] [beeping] 603 00:39:48,558 --> 00:39:50,388 [gun bangs] 604 00:39:50,422 --> 00:39:55,393 [shimmering electronic music] [beeping] 605 00:39:58,775 --> 00:40:00,950 [gun bangs] 606 00:40:00,984 --> 00:40:04,574 The problem was, initial tests were so successful, 607 00:40:04,609 --> 00:40:08,475 it caused them to abandon our other sensory research 608 00:40:08,509 --> 00:40:10,408 to concentrate solely on the suit. 609 00:40:12,755 --> 00:40:14,998 So, before all of our work with the Five 610 00:40:15,033 --> 00:40:18,795 was to be filed away in some cavernous void, 611 00:40:18,830 --> 00:40:23,421 and the Sonar Suit sent off to war, I liberated it. 612 00:40:23,455 --> 00:40:25,526 One of the original Five, Toby, 613 00:40:26,769 --> 00:40:30,428 had a quiet place, far from prying eyes, 614 00:40:30,462 --> 00:40:31,946 which he offered up as a safe haven 615 00:40:31,981 --> 00:40:33,189 to continue the work. 616 00:40:34,535 --> 00:40:39,126 So we left and began living as the Ambergers. 617 00:40:39,160 --> 00:40:42,025 There, Hilda helped us reconfigure the Sonar Suit 618 00:40:42,060 --> 00:40:44,511 into a device that we hoped would mimic 619 00:40:44,545 --> 00:40:46,582 the experience of the Five. 620 00:40:46,616 --> 00:40:50,206 - So Hilda's H in the notebook. 621 00:40:50,240 --> 00:40:51,656 - [Amberger] Yes. 622 00:40:51,690 --> 00:40:52,519 - [Sam] What happened to her? 623 00:41:03,426 --> 00:41:04,496 - I don't like this. 624 00:41:04,531 --> 00:41:05,670 I don't think we're ready. 625 00:41:05,704 --> 00:41:08,017 - We've reversed the polarity of the sensors. 626 00:41:08,051 --> 00:41:10,364 We've tested all of our modifications. 627 00:41:10,398 --> 00:41:14,610 - Yeah, but doing this out here, it's too dangerous. 628 00:41:14,644 --> 00:41:18,061 - You and I both know this is the only viable option, 629 00:41:18,096 --> 00:41:21,548 free of electrical interference, radio waves. 630 00:41:21,582 --> 00:41:23,032 - We could've gone into the middle of a field. 631 00:41:23,066 --> 00:41:25,690 - Sure, but it wouldn't have been as romantic. 632 00:41:27,554 --> 00:41:28,658 - Fine... 633 00:41:29,521 --> 00:41:30,833 - But, I am pulling the plug... 634 00:41:32,041 --> 00:41:33,594 - if anything looks like it's going wrong. 635 00:41:37,702 --> 00:41:39,255 Just kiss me. 636 00:41:39,289 --> 00:41:41,671 [quiet music] 637 00:41:57,756 --> 00:41:58,723 Help me get this on. 638 00:42:13,634 --> 00:42:15,256 Here's to discovery. 639 00:42:19,329 --> 00:42:20,607 - Are you sure? 640 00:42:20,641 --> 00:42:21,711 - Never more. 641 00:42:29,650 --> 00:42:30,720 [clicking] 642 00:42:30,755 --> 00:42:33,378 [buzzing] 643 00:42:33,412 --> 00:42:34,724 Tingles. 644 00:42:34,759 --> 00:42:36,968 [buzzing] 645 00:42:42,352 --> 00:42:43,837 - [Amberger] What are you doing? 646 00:42:44,838 --> 00:42:46,356 - It's beautiful. 647 00:42:49,739 --> 00:42:51,120 - Hilda, sit down. 648 00:42:53,640 --> 00:42:55,607 - All those things they saw. 649 00:42:55,642 --> 00:42:56,470 - Sit down! 650 00:42:58,645 --> 00:42:59,611 - The full spectrum. 651 00:42:59,646 --> 00:43:00,681 - Hilda, sit! 652 00:43:04,098 --> 00:43:04,927 Hilda. 653 00:43:04,961 --> 00:43:07,170 [buzzing] 654 00:43:10,208 --> 00:43:11,036 Hilda. 655 00:43:12,003 --> 00:43:13,280 Hilda! 656 00:43:13,314 --> 00:43:14,143 Hilda! 657 00:43:16,386 --> 00:43:17,215 She passed away. 658 00:43:20,528 --> 00:43:21,668 - Is that why you stopped? 659 00:43:29,710 --> 00:43:32,610 - That, and I didn't have all the pieces. 660 00:43:33,990 --> 00:43:35,371 Hilda was gone. 661 00:43:36,786 --> 00:43:37,891 I had a son to raise. 662 00:43:41,688 --> 00:43:42,620 I had to make a choice. 663 00:43:44,242 --> 00:43:46,624 [quiet music] 664 00:43:53,976 --> 00:43:55,909 - You think someone will be coming now? 665 00:43:58,049 --> 00:43:59,119 - [Amberger] The government tends to have 666 00:43:59,153 --> 00:44:00,396 a very long memory. 667 00:44:02,812 --> 00:44:04,365 - How do we finish then? 668 00:44:04,400 --> 00:44:07,817 - Jules, you can't be suggesting we continue this. 669 00:44:08,853 --> 00:44:09,819 - I want to see it through, Max. 670 00:44:09,854 --> 00:44:11,856 - But the man's a fugitive. 671 00:44:20,071 --> 00:44:21,693 - You two have shown me time and again 672 00:44:21,728 --> 00:44:23,350 your remarkable resilience, 673 00:44:23,384 --> 00:44:26,560 meeting all the challenges that life throws at you, 674 00:44:26,594 --> 00:44:29,977 and, Max, you're right, I need to stop seeing 675 00:44:30,012 --> 00:44:31,599 Dana through the lens of my own guilt 676 00:44:31,634 --> 00:44:34,741 and start seeing the same thing I see in both of you, 677 00:44:34,775 --> 00:44:37,191 the thing that Dr. Amberger has finally given me 678 00:44:37,226 --> 00:44:40,263 the language for, sensory enlightenment. 679 00:44:41,782 --> 00:44:43,577 We all know there's something to all this, 680 00:44:43,611 --> 00:44:44,854 something worth exploring. 681 00:44:44,889 --> 00:44:46,753 - Still, Jules, we don't have subjects, 682 00:44:46,787 --> 00:44:49,410 we don't have a lab, equipment. 683 00:44:49,445 --> 00:44:50,998 The government may be after him. 684 00:44:51,033 --> 00:44:53,069 - What if you two are the subjects? 685 00:44:53,104 --> 00:44:54,761 That only leaves three more. 686 00:44:54,795 --> 00:44:58,523 - Only two more, if we return to the quiet place, 687 00:44:58,557 --> 00:45:00,698 and the equipment is there. 688 00:45:00,732 --> 00:45:01,975 - I don't know, Jules. 689 00:45:02,872 --> 00:45:04,771 This is crazy. 690 00:45:04,805 --> 00:45:08,291 [pulsing electronic music] 691 00:45:11,778 --> 00:45:14,263 - Sometimes you have to ask yourself 692 00:45:14,297 --> 00:45:17,922 how far you're willing to go to find the answers you seek. 693 00:45:19,682 --> 00:45:21,891 The next frontier isn't out there, 694 00:45:23,306 --> 00:45:24,135 it's in here. 695 00:45:25,343 --> 00:45:28,829 [pulsing electronic music] 696 00:45:33,247 --> 00:45:36,492 - No matter what, we agree to finish the sleeves. 697 00:45:37,665 --> 00:45:38,770 - Of course. 698 00:45:38,805 --> 00:45:41,877 Sam, how about it? 699 00:45:41,911 --> 00:45:43,533 Are we all in for discovery? 700 00:45:44,362 --> 00:45:47,848 [pulsing electronic music] 701 00:45:51,818 --> 00:45:55,718 - If the paper gets authored, we get top billing, 702 00:45:57,099 --> 00:45:58,928 since we're the enlightened ones. 703 00:46:00,619 --> 00:46:01,448 - Obviously. 704 00:46:06,694 --> 00:46:11,078 - So, the local PD accidentally released our Mr. Kline. 705 00:46:11,113 --> 00:46:12,355 Apparently, he left with a young woman 706 00:46:12,390 --> 00:46:13,805 named Jules Christopher. 707 00:46:13,840 --> 00:46:15,600 I guess she's a university student 708 00:46:15,634 --> 00:46:17,913 working something they call a sensory lab, 709 00:46:17,947 --> 00:46:20,950 which, based on Kline's file, is right up his alley. 710 00:46:20,985 --> 00:46:22,262 I'd say that's our first stop. 711 00:46:22,296 --> 00:46:23,125 Hey. 712 00:46:24,057 --> 00:46:25,817 - Oh, great work. 713 00:46:25,852 --> 00:46:27,819 Hey, there's a local fly shop nearby. 714 00:46:27,854 --> 00:46:29,717 What do we say we hit that along the way? 715 00:46:29,752 --> 00:46:32,928 This way, if we get stuck in some cross-country chase, 716 00:46:32,962 --> 00:46:34,170 I have my license. 717 00:46:34,205 --> 00:46:35,862 - I can't tell if you're joking or not. 718 00:46:36,966 --> 00:46:37,898 - I never joke about fishing. 719 00:46:40,901 --> 00:46:42,489 - If we leave now, we can be there before nightfall, 720 00:46:42,523 --> 00:46:45,043 and I'm sure we can find some other subjects on the way. 721 00:46:45,078 --> 00:46:46,424 - Be where by nightfall? 722 00:46:52,154 --> 00:46:53,362 And where have you been? 723 00:46:55,364 --> 00:46:57,228 I thought I warned you about this one. 724 00:46:59,989 --> 00:47:01,404 You missed our appointment. 725 00:47:02,889 --> 00:47:05,132 I've been all over town looking for you, 726 00:47:05,167 --> 00:47:07,859 and then I find you in the company of your colleague, 727 00:47:07,894 --> 00:47:09,343 planning an escape somewhere? 728 00:47:12,036 --> 00:47:13,382 - It's none of your concern. 729 00:47:13,416 --> 00:47:15,349 - Dad, you are my concern. 730 00:47:15,384 --> 00:47:16,868 That's why we're making this move, 731 00:47:16,903 --> 00:47:18,387 so you can get the medical attention you need 732 00:47:18,421 --> 00:47:19,940 and be cared for properly. 733 00:47:21,597 --> 00:47:23,875 - I am much too busy for that nonsense. 734 00:47:23,910 --> 00:47:25,635 - This isn't a negotiation. 735 00:47:27,016 --> 00:47:28,362 Dad, stop! 736 00:47:32,919 --> 00:47:34,610 If only you could put that big brain 737 00:47:34,644 --> 00:47:36,370 of yours to work saving yourself. 738 00:47:37,544 --> 00:47:38,890 - What do you think I'm doing, son? 739 00:47:38,925 --> 00:47:42,411 - Honestly, I have no idea. 740 00:47:44,447 --> 00:47:45,724 I never have with you. 741 00:47:46,933 --> 00:47:50,868 I know I've already lost one parent 742 00:47:50,902 --> 00:47:52,214 to this obsession of yours. 743 00:47:53,663 --> 00:47:56,045 I know I'm barely coming to terms 744 00:47:56,080 --> 00:47:59,566 with what we are facing right now. 745 00:47:59,600 --> 00:48:04,191 - All I'm facing is a deadline to complete the work. 746 00:48:04,226 --> 00:48:05,158 Excuse the pun. 747 00:48:07,919 --> 00:48:09,472 - How can you joke? 748 00:48:09,507 --> 00:48:13,476 - Because what you see as a frightening unknown, 749 00:48:14,684 --> 00:48:19,689 I see as an opportunity for discovery, 750 00:48:20,932 --> 00:48:23,314 my last opportunity. 751 00:48:25,764 --> 00:48:27,111 I miss her, too, 752 00:48:30,873 --> 00:48:35,843 every day, but she, like me, 753 00:48:35,878 --> 00:48:38,501 lived for the discovery. 754 00:48:43,886 --> 00:48:46,509 - So neither one of you took the time to consider me. 755 00:48:46,544 --> 00:48:48,822 - I was trying to save her! 756 00:48:48,856 --> 00:48:49,685 - Yeah? 757 00:48:51,100 --> 00:48:52,101 How'd that work out? 758 00:48:56,726 --> 00:48:58,936 Thank you for bringing him home. 759 00:48:58,970 --> 00:49:00,006 I have him from here. 760 00:49:04,217 --> 00:49:05,494 - Dr. Amberger. 761 00:49:14,986 --> 00:49:15,987 - Thank you, Jules. 762 00:49:18,231 --> 00:49:23,236 I'm very sorry, but I think it's probably best 763 00:49:25,686 --> 00:49:29,414 if you go. 764 00:49:47,087 --> 00:49:49,607 - Wow, Nichols, you gotta get a load of this one. 765 00:49:50,780 --> 00:49:52,092 Look at the size of that brute. 766 00:49:55,061 --> 00:49:56,890 - I was told someone was looking for the sensory lab. 767 00:49:56,924 --> 00:49:57,856 - Yeah, that's us. 768 00:49:59,410 --> 00:50:01,136 [Jules sighs] 769 00:50:01,170 --> 00:50:02,516 - What gives? - His son. 770 00:50:02,551 --> 00:50:04,346 Second person to pull the plug today. 771 00:50:05,174 --> 00:50:06,762 He's putting Doc into a home. 772 00:50:11,077 --> 00:50:12,112 - So what's the plan? 773 00:50:15,081 --> 00:50:16,116 Are we gonna spring him or something? 774 00:50:19,568 --> 00:50:20,396 What? 775 00:50:21,949 --> 00:50:23,882 I thought we were all in for discovery. 776 00:50:25,091 --> 00:50:27,576 - No, I've never heard of a Heinrich Kline. 777 00:50:27,610 --> 00:50:29,198 - Well, we have reason to believe 778 00:50:29,233 --> 00:50:31,028 he may have been in contact with one of your students, 779 00:50:31,062 --> 00:50:32,167 a Jules Christopher. 780 00:50:32,201 --> 00:50:34,238 - Of course. - So you have heard of him. 781 00:50:35,756 --> 00:50:39,070 - Well, no, but... 782 00:50:51,393 --> 00:50:53,153 He may not be going by that name. 783 00:50:57,951 --> 00:50:59,573 - Welcome to the last place you're ever going 784 00:50:59,608 --> 00:51:01,092 to call home, most likely. 785 00:51:02,231 --> 00:51:04,647 - Well, I can certainly smell the death. 786 00:51:06,132 --> 00:51:08,099 - Well, color me lucky 'cause I can't smell a thing. 787 00:51:08,134 --> 00:51:09,894 I think that's what keeps my sunny disposition 788 00:51:09,928 --> 00:51:11,654 going all day long. 789 00:51:11,689 --> 00:51:13,000 - No sense of smell? 790 00:51:13,829 --> 00:51:15,106 Very interesting. 791 00:51:15,141 --> 00:51:18,937 - Well, let's just say I really enjoyed [sniffs] the '80s. 792 00:51:21,630 --> 00:51:23,149 But I'm clean and sober now. 793 00:51:23,183 --> 00:51:25,254 Darned if the old sniffer didn't give up on me, though. 794 00:51:25,289 --> 00:51:26,911 [pulsing electronic music] 795 00:51:26,945 --> 00:51:28,188 - He may have figured out we were coming. 796 00:51:29,500 --> 00:51:32,261 Or we might not be the only thing 797 00:51:32,296 --> 00:51:34,160 catching up with him. 798 00:51:34,194 --> 00:51:37,024 - I study something called sensory enlightenment 799 00:51:37,956 --> 00:51:39,303 in individuals like you. 800 00:51:39,337 --> 00:51:41,443 - I'm gonna have to have you hold that thought right now 801 00:51:41,477 --> 00:51:46,482 as I introduce you to your [whistles] new abode. 802 00:51:47,311 --> 00:51:48,691 There's the dresser, closet. 803 00:51:49,520 --> 00:51:50,831 Restroom's through there. 804 00:51:50,866 --> 00:51:53,662 You can add to or subtract furnishings 805 00:51:53,696 --> 00:51:56,285 and bring in some personal bling, if you prefer. 806 00:51:56,320 --> 00:51:57,666 Important details. 807 00:51:57,700 --> 00:52:01,290 Breakfast is at 6:30, lunch 11:00, dinner 4:45. 808 00:52:01,325 --> 00:52:03,327 We've got games, we've got TV, 809 00:52:03,361 --> 00:52:07,124 we've got exercise classes, field trips to the zoo, 810 00:52:07,158 --> 00:52:08,539 local plays, things like that. 811 00:52:09,402 --> 00:52:10,955 Now I'm on the day shift, 812 00:52:10,989 --> 00:52:13,440 although there's talk of moving me to the night shift. 813 00:52:13,475 --> 00:52:15,856 That's on account of the head of scheduling, 814 00:52:15,891 --> 00:52:19,826 Joni, who used to be my girlfriend, 815 00:52:19,860 --> 00:52:21,379 is now my ex-girlfriend, and that's on account 816 00:52:21,414 --> 00:52:24,486 of Brenda, who's on the day shift with me, 817 00:52:26,073 --> 00:52:28,628 and the night shift, if you know what I mean. 818 00:52:28,662 --> 00:52:30,181 My name is Stevie. 819 00:52:30,216 --> 00:52:33,046 If you need anything from me, just press that button. 820 00:52:33,080 --> 00:52:33,909 Any questions? 821 00:52:33,943 --> 00:52:35,082 - Peppermint? 822 00:52:35,117 --> 00:52:35,911 - [Stevie] Oh, I don't mind if I do. 823 00:52:35,945 --> 00:52:36,774 - Any sign of him? 824 00:52:41,710 --> 00:52:42,538 - Nothing yet. 825 00:52:46,335 --> 00:52:47,336 - How's that taste? 826 00:52:47,371 --> 00:52:49,200 - Like peppermint I guess. 827 00:52:49,235 --> 00:52:50,167 - Very interesting. 828 00:52:51,375 --> 00:52:52,203 - It is? 829 00:52:53,722 --> 00:52:55,206 - Oh, there's his son. 830 00:52:55,241 --> 00:52:57,139 - I'll come to you, where are you? 831 00:52:58,209 --> 00:53:01,592 [pulsing electronic music] 832 00:53:04,526 --> 00:53:06,113 Never mind, I'll just find your phone. 833 00:53:07,460 --> 00:53:11,533 - Excuse me, son, would you escort me to my room? 834 00:53:11,567 --> 00:53:12,775 - Sure. - It's through the lobby 835 00:53:12,810 --> 00:53:13,707 and down the hall. 836 00:53:16,952 --> 00:53:18,333 - All right. 837 00:53:18,367 --> 00:53:19,748 We're all set up. 838 00:53:19,782 --> 00:53:22,199 We meet a specialist in the morning. 839 00:53:22,233 --> 00:53:24,408 Dinner is in an hour. 840 00:53:26,375 --> 00:53:28,032 What do you wanna do? 841 00:53:28,066 --> 00:53:29,413 You wanna watch some TV or something? 842 00:53:30,828 --> 00:53:32,381 - You should've let me go with her. 843 00:53:32,416 --> 00:53:33,796 I had a plan. 844 00:53:35,142 --> 00:53:38,594 [pulsing electronic music] 845 00:53:43,634 --> 00:53:46,292 - Dad, this is the best place for you now. 846 00:53:49,847 --> 00:53:51,297 - I know what's happening to me, Noah. 847 00:53:51,331 --> 00:53:53,575 - Okay, okay. 848 00:53:53,609 --> 00:53:55,404 But can you just admit that you can't battle 849 00:53:55,439 --> 00:53:57,303 this on your own? 850 00:53:57,337 --> 00:53:59,270 There's a team of doctors here, 851 00:53:59,305 --> 00:54:01,030 specialists that can help you. 852 00:54:04,793 --> 00:54:06,346 - I appreciate what you're saying, 853 00:54:08,175 --> 00:54:10,005 but none of these people can help me. 854 00:54:11,109 --> 00:54:12,559 Only I can help me. 855 00:54:12,594 --> 00:54:14,320 - You'll love my room. 856 00:54:14,354 --> 00:54:16,322 It's decorated in an homage 857 00:54:16,356 --> 00:54:20,395 to America's greatest movie star, Burt Reynolds. 858 00:54:20,429 --> 00:54:22,328 What a dreamboat. - I've gotta go. 859 00:54:25,020 --> 00:54:25,848 Sorry. 860 00:54:26,849 --> 00:54:28,299 - [Nichols] Agent Nichols, FBI. 861 00:54:28,334 --> 00:54:30,853 We need to speak with a patient of yours. 862 00:54:30,888 --> 00:54:32,199 The name's Amberger. 863 00:54:32,234 --> 00:54:33,891 He should've checked in earlier today. 864 00:54:35,789 --> 00:54:37,032 - You never understood. 865 00:54:41,208 --> 00:54:43,210 - You never took the time to explain it. 866 00:54:47,318 --> 00:54:48,802 [phone buzzes] 867 00:54:48,837 --> 00:54:49,700 - Hello? 868 00:54:49,734 --> 00:54:51,253 - The FBI is in the building. 869 00:54:52,461 --> 00:54:53,773 I repeat, they are in the building. 870 00:54:53,807 --> 00:54:54,636 - Who's there? 871 00:54:58,018 --> 00:54:59,123 - Hi. 872 00:54:59,157 --> 00:55:00,020 - You've gotta be kidding me. 873 00:55:00,055 --> 00:55:01,332 For God's sakes, do none of you 874 00:55:01,367 --> 00:55:03,472 get the seriousness of what's happening here? 875 00:55:03,507 --> 00:55:04,473 - We have to go. 876 00:55:04,508 --> 00:55:06,337 - We are not going anywhere. 877 00:55:06,372 --> 00:55:08,788 My father is a sick man, he needs to be here. 878 00:55:08,822 --> 00:55:11,653 - Doc, you don't happen to be on the run 879 00:55:11,687 --> 00:55:14,311 from Johnny Law or something? 880 00:55:14,345 --> 00:55:15,484 - The FBI is coming. 881 00:55:15,519 --> 00:55:17,452 - Yeah, that, apparently for you. 882 00:55:17,486 --> 00:55:18,384 - What, why? 883 00:55:19,350 --> 00:55:20,524 - You think this place is bad, 884 00:55:20,558 --> 00:55:21,559 you don't wanna try federal prison. 885 00:55:21,594 --> 00:55:23,389 It's a real downer. 886 00:55:23,423 --> 00:55:24,390 - [Noah] Dad, what is this? 887 00:55:24,424 --> 00:55:25,391 - [Amberger] The past catching up, son. 888 00:55:26,392 --> 00:55:27,841 - What did you do? 889 00:55:27,876 --> 00:55:29,878 - They wanted to lock everything away, 890 00:55:29,912 --> 00:55:31,742 and I was trying to save your mother. 891 00:55:33,709 --> 00:55:36,402 You're right, I never explained it properly or fully, 892 00:55:36,436 --> 00:55:38,093 and I'm sorry for that. 893 00:55:38,127 --> 00:55:39,405 - I think this is a conversation to have on the way. 894 00:55:39,439 --> 00:55:40,337 - The way? 895 00:55:40,371 --> 00:55:41,648 - [Jules] Out of here. 896 00:55:41,683 --> 00:55:43,478 - Are you sure they're coming for my father? 897 00:55:43,512 --> 00:55:44,341 - Absolutely. 898 00:55:47,723 --> 00:55:48,828 - Thank you. 899 00:55:48,862 --> 00:55:50,726 [pulsing electronic music] 900 00:55:50,761 --> 00:55:52,245 - [Max] Let's go. 901 00:55:52,279 --> 00:55:54,385 - [Stevie] Whoa, whoa, whoa, whoa! 902 00:55:54,420 --> 00:55:55,352 Did you guys plan this? 903 00:55:55,386 --> 00:55:56,353 - What is happening, Dad? 904 00:55:56,387 --> 00:55:58,355 - The work is happening. 905 00:55:58,389 --> 00:55:59,390 Are you coming? 906 00:55:59,425 --> 00:56:00,736 - Me? - Me? 907 00:56:00,771 --> 00:56:02,013 - Both of you. 908 00:56:02,048 --> 00:56:03,912 - If I come with you and finish this, 909 00:56:03,946 --> 00:56:06,846 whatever it is, will you come back here with me 910 00:56:06,880 --> 00:56:08,917 and face what you've done, 911 00:56:08,951 --> 00:56:11,540 face what is happening with you? 912 00:56:11,575 --> 00:56:14,060 - Whatever you want, son. 913 00:56:14,094 --> 00:56:15,406 - All right. 914 00:56:15,441 --> 00:56:16,442 - [Nichols] Where else would residents 915 00:56:16,476 --> 00:56:17,719 normally be right now? 916 00:56:17,753 --> 00:56:19,376 - Well, dinner's not for another 45 minutes, 917 00:56:19,410 --> 00:56:20,549 and it's free time right now, 918 00:56:20,584 --> 00:56:22,586 so anywhere, I guess. 919 00:56:24,588 --> 00:56:26,417 - We could really use that nose of yours, Stevie. 920 00:56:26,452 --> 00:56:29,144 - What nose? - Exactly. 921 00:56:29,178 --> 00:56:32,665 [pulsing electronic music] 922 00:56:35,771 --> 00:56:37,394 - Joni sure can hold a grudge. 923 00:56:38,429 --> 00:56:39,534 What the hell! 924 00:56:39,568 --> 00:56:43,020 [pulsing electronic music] 925 00:56:46,782 --> 00:56:49,406 Woo, yeah, turn on the Dead, fire up a blunt, 926 00:56:49,440 --> 00:56:51,097 it'll be just like the summer of '83. 927 00:56:51,131 --> 00:56:51,960 - Let's go. 928 00:56:52,788 --> 00:56:54,445 - Just one little stop. 929 00:56:54,480 --> 00:56:57,966 [pulsing electronic music] 930 00:57:06,353 --> 00:57:07,216 - I got the plate. 931 00:57:08,494 --> 00:57:09,356 - Great. 932 00:57:10,634 --> 00:57:13,119 Maybe this is a good opportunity for us to regroup- 933 00:57:13,153 --> 00:57:15,086 - John, if you say the word "fishing" right now, 934 00:57:15,121 --> 00:57:15,915 I am going to shoot you! 935 00:57:15,949 --> 00:57:16,743 - Fishing. 936 00:57:16,778 --> 00:57:17,606 - Hello? 937 00:57:18,987 --> 00:57:19,953 Anybody home? 938 00:57:46,566 --> 00:57:48,499 - What are you doing? 939 00:57:51,502 --> 00:57:52,848 - You're feeling the music? 940 00:57:54,056 --> 00:57:55,989 Well, that's what my project does. 941 00:57:56,024 --> 00:57:57,957 Well, is supposed to do. 942 00:57:57,991 --> 00:57:59,752 It's supposed to help you feel sound. 943 00:58:01,512 --> 00:58:02,340 - Yeah. 944 00:58:06,552 --> 00:58:08,554 [Jules sighs] 945 00:58:08,588 --> 00:58:11,660 I'm sorry, I know that I've been distant, 946 00:58:11,695 --> 00:58:14,594 and I feel like I've made an awful situation worse. 947 00:58:31,680 --> 00:58:34,856 - Well, of course, if we get it to work. 948 00:58:37,548 --> 00:58:42,519 Actually, I think that you just solved it. 949 00:58:44,693 --> 00:58:48,145 - Would you be wiling to help me with something? 950 00:58:49,042 --> 00:58:50,527 - Are you up for a road trip? 951 00:58:52,080 --> 00:58:53,702 - We got him. - Yeah? 952 00:58:53,737 --> 00:58:56,567 - Well, we know where they're going anyways. 953 00:58:56,602 --> 00:58:58,742 We think they're headed to a town called McCall. 954 00:59:09,269 --> 00:59:10,477 - All right, when do we head out? 955 00:59:10,512 --> 00:59:12,134 - I sent out an APB with the local sheriff. 956 00:59:12,169 --> 00:59:13,722 We'll head out tomorrow. 957 00:59:13,757 --> 00:59:15,655 - Well, in that case, you need a drinking buddy? 958 00:59:16,656 --> 00:59:17,726 - I drink alone. 959 00:59:23,663 --> 00:59:24,837 - I drink alone. 960 00:59:26,424 --> 00:59:31,326 [waves crash] [soft music] 961 00:59:52,623 --> 00:59:53,659 - [Amberger] Place has hardly changed. 962 00:59:53,693 --> 00:59:54,798 - If it ain't broke. 963 00:59:56,213 --> 00:59:58,905 Gotta say, never thought you'd set foot in here again. 964 00:59:58,940 --> 01:00:00,113 You dying or something? 965 01:00:00,148 --> 01:00:01,736 - Aren't we all? 966 01:00:01,770 --> 01:00:02,633 - Who's the girlfriend? 967 01:00:02,668 --> 01:00:04,635 Seems a little young for you. 968 01:00:04,670 --> 01:00:07,086 - Jules, and how? 969 01:00:07,120 --> 01:00:08,743 - The way the air moves around you when you walk, 970 01:00:08,777 --> 01:00:11,366 and you don't smell old like this one. 971 01:00:12,194 --> 01:00:14,611 - She's a colleague. 972 01:00:14,645 --> 01:00:18,028 Jules, meet Toby, one of the original Five. 973 01:00:18,856 --> 01:00:20,409 - So, that's why you're here. 974 01:00:21,687 --> 01:00:24,828 - It's time, it's time we finished the work. 975 01:00:26,036 --> 01:00:27,796 Is it all still here? 976 01:00:27,831 --> 01:00:29,522 - It's here. 977 01:00:29,556 --> 01:00:30,937 Not sure if it's of much use anymore. 978 01:00:30,972 --> 01:00:33,146 Didn't go so well last time. 979 01:00:33,181 --> 01:00:34,700 - We didn't have all the pieces then. 980 01:00:34,734 --> 01:00:36,563 - So that's what you've got waiting in that old bus. 981 01:00:36,598 --> 01:00:38,358 - Seriously, how are you- 982 01:00:38,393 --> 01:00:40,119 - I'm assuming that you discussed the notion 983 01:00:40,153 --> 01:00:41,879 of sensory enlightenment, being that you 984 01:00:41,914 --> 01:00:43,640 just trekked all the way out here. 985 01:00:43,674 --> 01:00:45,745 - It's just so amazing. 986 01:00:46,712 --> 01:00:48,575 - Well, anyone can get good at anything, 987 01:00:48,610 --> 01:00:50,025 given enough time or practice. 988 01:00:51,199 --> 01:00:52,027 Let's have a look. 989 01:00:53,719 --> 01:00:54,996 - You think they're gonna let us in soon? 990 01:00:55,030 --> 01:00:55,859 I'm starving. 991 01:00:57,550 --> 01:01:02,520 - I think that's his mom. 992 01:01:37,452 --> 01:01:42,457 - You know, you cut something out of your life, 993 01:01:43,630 --> 01:01:47,565 you think it's gone, that's done, 994 01:01:50,776 --> 01:01:52,743 but then you see it again, 995 01:01:54,296 --> 01:01:57,817 and then you realize it was always there 996 01:01:59,508 --> 01:02:00,820 just under the surface, 997 01:02:07,344 --> 01:02:08,172 waiting for you. 998 01:02:21,807 --> 01:02:22,946 - How do we turn it all on? 999 01:02:39,790 --> 01:02:43,104 [machinery hums] 1000 01:02:43,138 --> 01:02:44,139 What happened? 1001 01:02:44,174 --> 01:02:46,107 - Power surge, I'm guessing. 1002 01:02:46,141 --> 01:02:48,799 There's a breaker box in the corner. 1003 01:02:48,834 --> 01:02:50,732 - [Jules] Oh, found it. 1004 01:02:51,698 --> 01:02:52,976 All right, try now. 1005 01:03:07,645 --> 01:03:09,268 - It's not the wiring. 1006 01:03:09,302 --> 01:03:10,856 - Can we fix it? - It'll take a while. 1007 01:03:10,890 --> 01:03:11,960 We'll have to go through every piece of machinery. 1008 01:03:11,995 --> 01:03:13,962 - We don't have a lot of time. 1009 01:03:13,997 --> 01:03:14,894 - Do we have a Plan B? 1010 01:03:19,830 --> 01:03:21,314 - We improvise. 1011 01:03:21,349 --> 01:03:24,973 [gentle electronic music] 1012 01:03:33,154 --> 01:03:34,396 - Each one of you represents a loss 1013 01:03:34,431 --> 01:03:35,812 of one of the five primary senses. 1014 01:03:35,846 --> 01:03:38,538 We believe that you're what's called sensory enlightened, 1015 01:03:39,712 --> 01:03:41,990 and we want to explore that enlightenment 1016 01:03:42,025 --> 01:03:44,061 and how we might focus it, 1017 01:03:44,096 --> 01:03:45,822 working together in a group setting 1018 01:03:45,856 --> 01:03:48,065 towards the goal of unlocking what we'll 1019 01:03:48,100 --> 01:03:50,343 simply refer to as the sixth sense, for now. 1020 01:03:50,378 --> 01:03:53,519 - All right, okay, so this is some sort of club thing? 1021 01:03:53,553 --> 01:03:54,969 Right? 1022 01:03:55,003 --> 01:03:56,867 I mean, sorry, I'm new. 1023 01:03:58,765 --> 01:04:01,147 I just sort of tagged along on this one. 1024 01:04:01,182 --> 01:04:02,908 Seemed like a good idea at the time. 1025 01:04:05,807 --> 01:04:06,843 - [Jules] [sighs] Maybe you can explain 1026 01:04:06,877 --> 01:04:08,914 it better, Dr. Amberger. 1027 01:04:08,948 --> 01:04:09,984 - You're doing fine. 1028 01:04:10,018 --> 01:04:11,848 - Okay. [sighs] 1029 01:04:13,919 --> 01:04:15,403 This is my sister Dana. 1030 01:04:20,615 --> 01:04:22,824 And, Dana, you can't hear. 1031 01:04:23,963 --> 01:04:25,447 - But you can see. 1032 01:04:25,482 --> 01:04:26,655 What are you seeing now? 1033 01:04:31,419 --> 01:04:32,696 - So you see me talking, 1034 01:04:32,730 --> 01:04:33,731 and you understand what I'm saying. 1035 01:04:38,046 --> 01:04:39,254 - While looking at me, can you point 1036 01:04:39,289 --> 01:04:41,084 to the painting of the deer in this room? 1037 01:04:44,984 --> 01:04:46,054 Look. 1038 01:04:49,471 --> 01:04:52,405 - That you're experiencing a level of sensory enlightenment, 1039 01:04:52,440 --> 01:04:54,373 the opportunity to experience more of the world 1040 01:04:54,407 --> 01:04:56,651 that exists around us beyond what is 1041 01:04:56,685 --> 01:04:58,066 limited by our biology. 1042 01:04:58,101 --> 01:04:59,102 And, just today, I witnessed Toby 1043 01:04:59,136 --> 01:05:00,897 catch and filet a fish without skipping a beat. 1044 01:05:00,931 --> 01:05:02,450 - Practice makes perfect. 1045 01:05:02,484 --> 01:05:03,934 - Yeah, but you can hear, what is it, 1046 01:05:03,969 --> 01:05:06,074 frequencies up to 22 kilohertz? 1047 01:05:06,109 --> 01:05:07,731 - Like a bat. 1048 01:05:07,765 --> 01:05:09,491 - And our Max here has had ageusia 1049 01:05:09,526 --> 01:05:11,493 for as long as he can remember. 1050 01:05:11,528 --> 01:05:12,770 - Not as fun as it sounds. 1051 01:05:12,805 --> 01:05:14,738 - But that has led to hyperosmia. 1052 01:05:14,772 --> 01:05:16,740 - I mean I did smell bubblegum 1053 01:05:16,774 --> 01:05:20,088 from across the dining room recently, once. 1054 01:05:20,123 --> 01:05:21,434 Let's not get ahead of ourselves. 1055 01:05:21,469 --> 01:05:23,747 - Max, it was remarkable. 1056 01:05:23,781 --> 01:05:25,749 And, Stevie, you lost your ability to smell, 1057 01:05:25,783 --> 01:05:27,440 but you can still taste, 1058 01:05:27,475 --> 01:05:29,063 and since the nose is responsible 1059 01:05:29,097 --> 01:05:30,167 for part of the flavor of food, 1060 01:05:30,202 --> 01:05:32,480 it's remarkable that you still have the receptors 1061 01:05:32,514 --> 01:05:34,965 for sweet and sour, salty and bitter. 1062 01:05:35,000 --> 01:05:37,623 - This is really cool. 1063 01:05:37,657 --> 01:05:38,486 Do her next! 1064 01:05:39,521 --> 01:05:41,178 - People like my lovely friend Sam here, 1065 01:05:41,213 --> 01:05:42,973 who are paralyzed, 1066 01:05:43,008 --> 01:05:44,941 often have something called proprioception. 1067 01:05:44,975 --> 01:05:46,080 They can sense what's around them 1068 01:05:46,114 --> 01:05:48,116 even though it's not being detected 1069 01:05:48,151 --> 01:05:50,256 by any other sense. 1070 01:05:50,291 --> 01:05:51,085 - Far out. 1071 01:05:51,119 --> 01:05:52,465 - Yeah, exactly. 1072 01:05:52,500 --> 01:05:54,295 Alone, these senses are remarkable. 1073 01:05:54,329 --> 01:05:56,504 Layered on top of each other, it's possible 1074 01:05:56,538 --> 01:06:00,680 that they're, well, superhuman. 1075 01:06:13,038 --> 01:06:14,246 - Is he going to get food? 1076 01:06:15,350 --> 01:06:17,974 [waves crush] 1077 01:06:29,778 --> 01:06:32,160 [Stevie hums] 1078 01:06:34,197 --> 01:06:36,164 If we had a bonfire and a case of Keystone Light, 1079 01:06:36,199 --> 01:06:41,204 it'd be just like 1989 all over again. 1080 01:06:44,103 --> 01:06:44,966 Tough crowd. 1081 01:06:48,590 --> 01:06:50,765 - I'm not down with any of this. 1082 01:06:50,799 --> 01:06:53,906 - Well, I'm not sure I am, either. 1083 01:06:53,940 --> 01:06:57,013 I mean, I'm not even sure what I'm doing here even. 1084 01:06:58,221 --> 01:07:00,740 No idea what that girl was going on about. 1085 01:07:03,122 --> 01:07:04,813 - [Noah] You can leave, you know. 1086 01:07:07,126 --> 01:07:09,128 - Well, not like I thought this through. 1087 01:07:10,095 --> 01:07:10,923 You were there. 1088 01:07:12,545 --> 01:07:16,239 Had neither car, money, ID. 1089 01:07:24,212 --> 01:07:25,041 I am curious. 1090 01:07:28,113 --> 01:07:33,118 What if something, something truly amazing was gonna happen, 1091 01:07:35,810 --> 01:07:36,914 and I missed it? 1092 01:07:39,469 --> 01:07:41,436 I'd hate to miss it. 1093 01:07:41,471 --> 01:07:42,748 Wouldn't you? 1094 01:07:42,782 --> 01:07:44,474 - Nothing amazing is going to happen. 1095 01:07:48,133 --> 01:07:48,961 - It's true then? 1096 01:07:51,170 --> 01:07:52,240 - What? 1097 01:07:53,138 --> 01:07:54,242 - That your mother died here. 1098 01:07:58,246 --> 01:07:59,144 - Yes, it is. 1099 01:07:59,178 --> 01:08:01,629 [waves lap] 1100 01:08:15,643 --> 01:08:17,162 - [Amberger] You salvaged it. 1101 01:08:17,196 --> 01:08:18,059 - I did. 1102 01:08:19,302 --> 01:08:20,165 It wasn't easy, either. 1103 01:08:22,684 --> 01:08:23,685 - Still work? 1104 01:08:25,204 --> 01:08:27,413 - It was short-circuited, but I fiddled 1105 01:08:27,448 --> 01:08:29,070 around with it over the years. 1106 01:08:32,487 --> 01:08:33,730 What are you planning here, Freddy? 1107 01:08:36,077 --> 01:08:37,285 You can't bring her back, 1108 01:08:38,390 --> 01:08:40,288 and there ain't no amount of brain rewiring 1109 01:08:40,323 --> 01:08:41,186 that's gonna save you. 1110 01:08:42,394 --> 01:08:43,636 - I just wanna finish. 1111 01:08:43,671 --> 01:08:45,155 - The work? 1112 01:08:45,190 --> 01:08:47,157 I know, but why? 1113 01:08:48,296 --> 01:08:49,884 Have you even told these kids what happened 1114 01:08:49,918 --> 01:08:51,196 the last time you tried this? 1115 01:08:52,335 --> 01:08:53,888 Does Noah even know the truth? 1116 01:08:57,236 --> 01:09:01,689 - Because of Hilda, we now know it has to be all of you, 1117 01:09:01,723 --> 01:09:03,277 just like the first time. - Hell of a cost 1118 01:09:03,311 --> 01:09:04,657 for that tidbit of knowledge. 1119 01:09:06,314 --> 01:09:09,317 - No, she wanted to see it, Toby, 1120 01:09:09,352 --> 01:09:11,147 to feel what you all felt. 1121 01:09:12,424 --> 01:09:14,495 There was nothing I could do to stop her. 1122 01:09:16,428 --> 01:09:20,328 You know how convinced she was 1123 01:09:20,363 --> 01:09:22,675 that it would help her understand how to heal herself. 1124 01:09:22,710 --> 01:09:23,573 - And there it is. 1125 01:09:25,368 --> 01:09:26,886 If you can honestly tell me right now 1126 01:09:26,921 --> 01:09:28,647 that this isn't some cockamamie scheme 1127 01:09:28,681 --> 01:09:33,238 to try to save yourself, I might, might, 1128 01:09:33,272 --> 01:09:35,309 consider getting the rest of this antique junk 1129 01:09:35,343 --> 01:09:36,517 up and running again. 1130 01:09:45,111 --> 01:09:46,596 - I've accepted my fate, Toby. 1131 01:09:47,528 --> 01:09:50,220 [gentle music] 1132 01:09:58,953 --> 01:10:00,437 - Okay, everyone, so until we're up 1133 01:10:00,472 --> 01:10:02,128 and operational with our equipment, 1134 01:10:02,163 --> 01:10:04,441 we're going to improvise some tactile sensory experiments, 1135 01:10:04,476 --> 01:10:06,202 starting with this. 1136 01:10:06,236 --> 01:10:08,756 I'm gonna pass this box around to each of you, 1137 01:10:08,790 --> 01:10:10,275 and you must draw a picture of what you think is inside. 1138 01:10:10,309 --> 01:10:13,209 You can hold it, shake it, smell it, whatever. 1139 01:10:13,243 --> 01:10:15,556 The only rule is you cannot look inside the box. 1140 01:10:15,590 --> 01:10:17,385 Once everyone has a go, we'll open it, 1141 01:10:17,420 --> 01:10:18,800 see what's inside, compare drawings, 1142 01:10:18,835 --> 01:10:21,320 and discuss how you made your decisions, okay? 1143 01:10:22,390 --> 01:10:27,223 ♪ There's been a whole lot of talking, babe ♪ 1144 01:10:28,327 --> 01:10:32,538 ♪ Things I don't want to hear 1145 01:10:32,573 --> 01:10:37,578 ♪ The only thing that I long to listen to ♪ 1146 01:10:38,820 --> 01:10:43,618 ♪ Is your breathing when you're near ♪ 1147 01:10:45,102 --> 01:10:47,967 ♪ It's dark and lonesome 1148 01:10:48,002 --> 01:10:50,418 ♪ When you're gone 1149 01:10:50,453 --> 01:10:52,765 ♪ I hope to see you now 1150 01:10:52,800 --> 01:10:55,527 ♪ Before too long 1151 01:11:00,117 --> 01:11:02,050 ♪ Forget what your troubles - How's it coming, old friend? 1152 01:11:03,293 --> 01:11:04,674 - Almost done, don't you worry. 1153 01:11:06,158 --> 01:11:10,507 ♪ Come on home to me 1154 01:11:10,542 --> 01:11:15,547 ♪ Forget what your troubles seem to be ♪ 1155 01:11:16,479 --> 01:11:20,276 ♪ And come on home to me 1156 01:11:20,310 --> 01:11:22,450 - Not long now. ♪ There's lots of things 1157 01:11:22,485 --> 01:11:26,316 ♪ To see out on the road 1158 01:11:26,351 --> 01:11:29,664 ♪ Things you won't see back here ♪ 1159 01:11:29,699 --> 01:11:31,148 Toby? - Yeah? 1160 01:11:33,323 --> 01:11:35,083 - I think you're remarkable. 1161 01:11:38,328 --> 01:11:40,261 You know, you're the one who made me believe in all this. 1162 01:11:44,230 --> 01:11:45,680 - You okay, Freddy? 1163 01:11:50,167 --> 01:11:51,376 - I'm perfect. ♪ You've got some place 1164 01:11:51,410 --> 01:11:56,415 ♪ To get to instead of just going ♪ 1165 01:11:58,693 --> 01:12:02,835 ♪ Forget what your troubles seem to be ♪ 1166 01:12:02,870 --> 01:12:04,734 I'll be seeing you. 1167 01:12:04,768 --> 01:12:09,394 ♪ Come on home to me 1168 01:12:09,428 --> 01:12:14,433 ♪ Forget what your troubles seem to be ♪ 1169 01:12:15,365 --> 01:12:18,541 ♪ And come on home to me 1170 01:12:25,617 --> 01:12:28,136 [chattering] 1171 01:12:29,897 --> 01:12:32,278 - You can do it, you can do it! 1172 01:12:32,313 --> 01:12:33,694 - Dad, what happened that day? 1173 01:12:36,559 --> 01:12:39,941 - Well, I realize how this will sound, 1174 01:12:39,976 --> 01:12:44,152 but it was something magical. 1175 01:12:48,467 --> 01:12:49,365 - I should've known better. 1176 01:12:52,091 --> 01:12:55,198 - Our work explored individuals 1177 01:12:55,232 --> 01:12:58,546 able to transcend their disabilities, 1178 01:12:58,581 --> 01:13:00,237 to find a higher sense. 1179 01:13:02,412 --> 01:13:07,383 I think your mother took that transcendence 1180 01:13:07,417 --> 01:13:08,867 to another level. 1181 01:13:08,901 --> 01:13:10,593 I mean, you feel her, don't you? 1182 01:13:12,595 --> 01:13:14,976 I mean, I know you can't see her or touch her, 1183 01:13:16,184 --> 01:13:18,186 but you feel her, don't you, son? 1184 01:13:21,776 --> 01:13:23,468 She knew her time with us was short 1185 01:13:27,264 --> 01:13:28,956 so she figured out how to stay with us a little longer. 1186 01:13:28,990 --> 01:13:31,786 Sadly, it meant she needed to take another form. 1187 01:13:36,342 --> 01:13:37,930 Cosmic dust to cosmic dust. 1188 01:13:41,451 --> 01:13:43,626 - You really are losing your mind, aren't you? 1189 01:13:44,523 --> 01:13:46,836 [shouting] 1190 01:13:51,012 --> 01:13:52,358 - Why don't you join them, son? 1191 01:13:53,532 --> 01:13:54,568 Have a bit of fun. 1192 01:13:57,605 --> 01:14:00,746 I think it's time I have a little rest. 1193 01:14:00,781 --> 01:14:02,507 - Dad. 1194 01:14:02,541 --> 01:14:05,026 [gentle music] 1195 01:14:13,483 --> 01:14:15,071 It's a good story. 1196 01:14:16,072 --> 01:14:19,558 You're crazy, but thank you. 1197 01:14:20,559 --> 01:14:23,320 [gentle music] 1198 01:14:40,199 --> 01:14:45,204 ♪ Forget what your troubles seem to be ♪ 1199 01:14:46,067 --> 01:14:50,969 ♪ And come on home to me 1200 01:14:51,003 --> 01:14:56,008 ♪ Forget what your troubles seem to be ♪ 1201 01:14:56,871 --> 01:15:00,081 ♪ And come on home to me 1202 01:15:12,369 --> 01:15:14,682 - Are you sure this isn't just an excuse to go fishing? 1203 01:15:14,717 --> 01:15:17,409 - Listen, you cover the road, I'll cover the water. 1204 01:15:17,443 --> 01:15:18,548 We know they're in one of these cabins 1205 01:15:18,583 --> 01:15:20,101 on the east side of the lake. 1206 01:15:20,136 --> 01:15:22,656 This way, we get a 360 degree view if we split up. 1207 01:15:22,690 --> 01:15:23,898 - I really wanna believe you. 1208 01:15:23,933 --> 01:15:25,244 - Let's go get this guy. 1209 01:15:39,293 --> 01:15:41,537 [Toby sighs] 1210 01:15:44,747 --> 01:15:47,715 [machinery hums] 1211 01:15:50,580 --> 01:15:51,719 - [Toby] Yes! 1212 01:15:51,754 --> 01:15:53,825 [shouting] 1213 01:15:55,274 --> 01:15:56,621 - [Stevie] So close, so close. 1214 01:15:56,655 --> 01:15:59,313 - Hello, it's working, Freddy. 1215 01:16:00,659 --> 01:16:01,522 Freddy? 1216 01:16:02,765 --> 01:16:07,735 ♪ I wish I could swim 1217 01:16:07,770 --> 01:16:11,601 ♪ Just like the dolphins 1218 01:16:11,636 --> 01:16:15,294 ♪ Like dolphins can swim 1219 01:16:15,329 --> 01:16:16,606 - Almost, almost! - You're amazing! 1220 01:16:16,641 --> 01:16:18,850 - Wait, something's wrong. 1221 01:16:20,783 --> 01:16:22,301 Something's coming. 1222 01:16:25,166 --> 01:16:28,169 - Why does it smell like gunmetal and Chanel Number Five? 1223 01:16:29,101 --> 01:16:30,896 - He's gone, he's gone! 1224 01:16:30,931 --> 01:16:32,311 - Freeze. [gun clicks] 1225 01:16:32,346 --> 01:16:33,519 Turn around slowly. 1226 01:16:36,212 --> 01:16:38,352 Now where's Heinrich Kline? 1227 01:16:38,386 --> 01:16:40,319 Amberger, or whatever he's calling himself now. 1228 01:16:45,773 --> 01:16:46,809 - Gone. 1229 01:16:52,711 --> 01:16:54,506 - What is he doing? 1230 01:16:54,540 --> 01:16:56,957 [jagged music] 1231 01:16:58,234 --> 01:16:59,407 - Sir, are you blind? 1232 01:17:01,375 --> 01:17:02,652 - Just my eyes. 1233 01:17:02,687 --> 01:17:03,688 Say, if you don't mind lowering that, 1234 01:17:04,827 --> 01:17:05,862 I gotta go see a friend of mine 1235 01:17:05,897 --> 01:17:07,899 before he does something really foolish. 1236 01:17:08,900 --> 01:17:10,798 - Is your friend Amberger? 1237 01:17:10,833 --> 01:17:11,661 - That's the one. 1238 01:17:12,835 --> 01:17:17,840 ♪ You will be queen 1239 01:17:18,392 --> 01:17:20,601 ♪ And nothing 1240 01:17:21,844 --> 01:17:23,017 ♪ Can drive us away - What is he doing? 1241 01:17:23,052 --> 01:17:23,880 - Something stupid. 1242 01:17:25,848 --> 01:17:27,815 ♪ We could be heroes 1243 01:17:27,850 --> 01:17:29,679 - You should've let me go with her. 1244 01:17:29,714 --> 01:17:30,853 I had a plan. 1245 01:17:32,164 --> 01:17:33,787 - We've already had this talk. 1246 01:17:33,821 --> 01:17:34,753 I'm not doing it again. 1247 01:17:36,617 --> 01:17:37,653 - But none of these people can help me. 1248 01:17:38,757 --> 01:17:39,931 Only I can help me. 1249 01:17:40,828 --> 01:17:42,658 Cosmic dust to cosmic dust. 1250 01:17:47,835 --> 01:17:50,320 - What is he doing? 1251 01:17:50,355 --> 01:17:51,149 Does that boat run? 1252 01:17:51,183 --> 01:17:52,012 - It does. 1253 01:17:53,220 --> 01:17:56,672 ♪ Standing 1254 01:17:56,706 --> 01:18:01,677 ♪ By the wall 1255 01:18:01,711 --> 01:18:05,922 ♪ And the guns, the guns 1256 01:18:05,957 --> 01:18:07,441 - The doctor is in trouble. 1257 01:18:07,475 --> 01:18:08,891 - What do we do? 1258 01:18:09,857 --> 01:18:12,411 ♪ And we kiss 1259 01:18:12,446 --> 01:18:13,378 - [Sam] We go get him. 1260 01:18:13,412 --> 01:18:18,279 ♪ So nothing could fall 1261 01:18:18,970 --> 01:18:21,697 ♪ And the shame 1262 01:18:21,731 --> 01:18:26,702 ♪ Was on the other side 1263 01:18:27,668 --> 01:18:31,016 ♪ Oh, we can beat them 1264 01:18:31,051 --> 01:18:35,641 ♪ For ever and ever 1265 01:18:35,676 --> 01:18:40,025 ♪ Then we can be heroes 1266 01:18:40,060 --> 01:18:42,925 ♪ Just for one day 1267 01:18:45,893 --> 01:18:47,101 - It's almost time. 1268 01:18:48,931 --> 01:18:51,830 ♪ We can be heroes 1269 01:18:53,590 --> 01:18:55,558 - Haven't seen him. 1270 01:18:55,592 --> 01:18:56,904 - Unbelievable. 1271 01:18:57,767 --> 01:19:02,738 ♪ We can be heroes 1272 01:19:03,117 --> 01:19:06,465 ♪ We 1273 01:19:06,500 --> 01:19:10,780 ♪ We can be heroes 1274 01:19:10,815 --> 01:19:15,095 ♪ Just for one day 1275 01:19:15,129 --> 01:19:18,132 ♪ We can be heroes 1276 01:19:18,167 --> 01:19:18,995 - Dad. 1277 01:19:24,690 --> 01:19:26,865 [buzzing] 1278 01:19:32,043 --> 01:19:33,803 - It is beautiful. 1279 01:19:33,838 --> 01:19:34,666 - Doc! 1280 01:19:35,494 --> 01:19:38,325 [buzzing] 1281 01:19:38,359 --> 01:19:40,845 [gentle music] 1282 01:19:52,063 --> 01:19:54,859 - Hey, hey, guys, are you seeing this? 1283 01:19:54,893 --> 01:19:57,516 [buzzing music] 1284 01:20:04,834 --> 01:20:05,904 - What is it? 1285 01:20:07,009 --> 01:20:07,975 - I have no idea. 1286 01:20:08,010 --> 01:20:10,529 [gentle music] 1287 01:20:19,021 --> 01:20:20,125 - I do. 1288 01:20:20,160 --> 01:20:22,852 [gentle music] 1289 01:20:51,743 --> 01:20:54,366 - [Amberger Voiceover] You may be asking yourself, why, 1290 01:20:54,401 --> 01:20:56,852 why bring you to this place and then leave you. 1291 01:20:57,749 --> 01:20:58,646 Well, it's simple. 1292 01:20:59,924 --> 01:21:01,270 You have everything you need right in front of you, 1293 01:21:01,304 --> 01:21:05,930 and I, well, I am needed elsewhere. 1294 01:21:08,760 --> 01:21:11,245 I chose you because the work is personal to you, 1295 01:21:12,419 --> 01:21:15,215 and when it's personal, you see it through, 1296 01:21:15,249 --> 01:21:18,597 and, despite others trying to beat it out of you, 1297 01:21:18,632 --> 01:21:21,048 you haven't lost your sense of wonder 1298 01:21:21,083 --> 01:21:22,739 and your zeal for discovery. 1299 01:21:24,465 --> 01:21:27,572 I'm going to guess that when I push out in a moment, 1300 01:21:27,606 --> 01:21:28,884 our sensory-enabled friends are going 1301 01:21:28,918 --> 01:21:30,920 to be the first to notice and probably 1302 01:21:30,955 --> 01:21:32,749 the first to start out after me. 1303 01:21:35,097 --> 01:21:37,478 Let them be your guide as you take this work 1304 01:21:37,513 --> 01:21:40,412 further than I could have ever imagined. 1305 01:21:41,931 --> 01:21:43,243 By now, you may have figured out 1306 01:21:43,277 --> 01:21:45,038 you just had your first experience 1307 01:21:45,072 --> 01:21:46,280 with the multiplier effect, 1308 01:21:47,488 --> 01:21:49,490 those senses layered on top of one another 1309 01:21:49,525 --> 01:21:52,010 to reveal the sixth sense, 1310 01:21:53,011 --> 01:21:55,186 which is ultimately our shared humanity. 1311 01:21:56,497 --> 01:21:57,913 You're probably also thinking that it was 1312 01:21:57,947 --> 01:22:01,123 a failed experiment, but you're wrong. 1313 01:22:02,158 --> 01:22:04,195 If everyone came together in that water, 1314 01:22:05,472 --> 01:22:07,957 and if they're standing beside your right now, 1315 01:22:07,992 --> 01:22:12,548 I can tell you, it succeeded beyond my wildest dreams. 1316 01:22:14,101 --> 01:22:17,553 Now, take a breath, and go forward. 1317 01:22:20,314 --> 01:22:21,143 - What's next? 1318 01:22:22,696 --> 01:22:23,524 - [Amberger Voiceover] You know what to do. 1319 01:22:25,112 --> 01:22:26,976 - We finish the work. 1320 01:22:27,011 --> 01:22:30,497 [pulsing electronic music] 1321 01:24:08,112 --> 01:24:10,424 [piano music] 1322 01:24:24,852 --> 01:24:27,786 [shimmering music]