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Downloaded from
YTS.MX

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[crickets chirping]

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Official YIFY movies site:
YTS.MX

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[car approaching]

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[car stops]

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[Malcolm] ♪ I need a friend ♪

7
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♪ Troubled mind ♪

8
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♪ One thin dime ♪

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♪ I need a friend ♪

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[sighs]

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[sighs]

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["Down and Out in New York City"
by James Brown playing loudly on speakers]

13
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[singing along] ♪ Hey, man ♪

14
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♪ I was born in New York City
On a Monday ♪

15
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[snapping fingers]

16
00:02:07,208 --> 00:02:11,125
♪ It seems I was out shining shoes
'Bout two to noon ♪

17
00:02:12,541 --> 00:02:15,458
♪ All the fat cats in the bad hats… ♪

18
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-♪ Doin' me a real big favor ♪
-You look good tonight, baby.

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[Marie] What?

20
00:02:19,416 --> 00:02:20,916
[singing along] ♪ In the bad hats ♪

21
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♪ Laying it on real good ♪

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♪ Here's a dime, boy… ♪

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I said you look beautiful tonight.

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I can't hear you!

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[Malcolm] I said
you look beautiful tonight, baby!

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-[Marie] Thank you.
-♪ When the cold wind comes ♪

27
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-♪ It live at New York City ♪
-[Malcolm] Baby!

28
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♪ And the street's no place to be
But there you are ♪

29
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♪ So you try hard, or you die hard ♪

30
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♪ No one really gives a good damn ♪

31
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♪ You try hard, and you die hard ♪

32
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♪ No one gives a damn ♪

33
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♪ Here's a dime, boy
Give me a shine, boy ♪

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♪ Down and out in New York City ♪

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♪ Ain't no way to be
But where can you go? ♪

36
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♪ When you're down and out
In New York City ♪

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♪ I'm never, never
Never gonna get that way again ♪

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♪ Ow! ♪

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♪ No, no, no
No, no, not me ♪

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[Malcolm singing along]
♪ When you need a friend ♪

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♪ Need to have a… ♪

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♪ When you want a friend ♪

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[Malcolm] ♪ Ow! ♪

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♪ Gonna get myself together
In the morning ♪

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♪ Gonna leave it all like one bad dream ♪

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♪ All the fat cats in the bad hats
Doing me a real big favor ♪

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♪ Got the fat cats in the bad hats ♪

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[Malcolm] Whoo!

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♪ Laying it on real good ♪

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♪ Here's a dime, boy ♪

51
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♪ Give me a shine, boy… ♪

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Whoo!

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I'm a little wavy. But life is good.

54
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-Because we fucking did it!
-[Marie] Did what?

55
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I wrote and directed and premiered a movie

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that knocked the audience
the fuck out tonight.

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Did you see that?

58
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-Did you see that audience?
-[Marie] Hmm.

59
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-Baby, did you see that audience?
-Mm-hmm.

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I said, did you see the audience?

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Man, I delivered a fucking knockout punch.

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The last eight minutes straight,
they were sobbing

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and when the credits hit,
it was like a fucking bomb.

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[imitates explosion]
It's like a bomb went off.

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[Malcolm grunts]

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It feels good.

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[laughing] I cannot believe this is real.
Baby, I can't believe this is real.

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Afterwards, I talked to six critics.
Six or seven of 'em.

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They was all on a nigga.

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You feel me?

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The white guy from Variety loved it.
The white guy from IndieWire loved it.

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The white woman
from the LA Times, she really loved it.

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She kept saying
that I'm the next Spike Lee,

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the next Barry Jenkins,
the next John Singleton.

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I just looked at her, like,
"What about William Wyler?"

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You could tell, for three whole seconds,
she was like, "Was William Wyler Black?"

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[scoffs] Sh-yeah!

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[chuckles] And then she realized,
"Oh… shit. That's racist too."

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She got flushed. Face red.
That shit had me dying.

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Marie, that was hilarious.

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And she kept stumbling
over her words, saying shit like,

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[imitating woman]
"The movie was so emotional."

83
00:05:43,916 --> 00:05:47,791
"I-- Malcolm, I couldn't even
think straight. Oh, my God, Malcolm."

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"Just, just, Malcolm. Malcolm."

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"Oh."

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[chuckles]

87
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Yeah, it was like a super white moment.

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What was interesting, though,

89
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was that you can tell that
because I'm Black, as the director,

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and the woman
is a Black lead, stars in the film,

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she's already trying to frame it
through a political lens,

92
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when in reality, it's a film
about a girl trying to get clean.

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Now, are there certain obstacles,
because she's a Black woman?

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I mean, hell yeah.

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Right? That's reality, too,
but it's not a film about race.

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No. It's about shame, it's about guilt,
and how that shit is inescapable.

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And it annoys me
that so many of these journalists

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can't help but to flex
their college education.

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Malcolm, you have a college education.

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Yeah, but I'm not academic, baby.
I'm not elitist about my shit.

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I'm not trying to make a film
for the three people

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in my media studies class that I respect.

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-I am a filmmaker.
-Hmm.

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-Right?
-Mm-hmm.

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-Am I a filmmaker, baby? That's right.
-Mm-hmm.

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And I'm going to be part of the larger
conversation about filmmaking

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without always having
some white-ass writer

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making it about race
'cause it's fucking convenient.

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You know, I could see--
I could see the reviews now.

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It goes something like this.
This is how they be writin' and shit.

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[affectedly] "This film
is an acute study of the horrors…"

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They like to use words like that.

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"…the horrors of systemic racism
in this mental healthcare industry."

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[scoffs]

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Instead of it being a commercial film

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about a drug-addicted girl
trying to get her shit together.

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I mean, these people,
these fucking people are so pedantic.

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-[R&B song playing softly]
-They are. I mean, we get it.

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You're smart. We get it.
You're woke. We get it.

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Let us, us artists,
have some fucking fun with the shit.

121
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Let us have fun with the art.

122
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Malcolm, you're writing
the Angela Davis biopic right now.

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Yeah, but that's different.
That's different.

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I'm choosing to make a film
that's fundamentally political,

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but not everything I do
is political because I'm Black.

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Yeah, I think Angela Davis
would disagree with you.

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-[laughing] She-- She would, huh?
-Mm-hmm.

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For real, though, like,
if I decide to make…

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a fucking LEGO movie,
it's not because I want to tell a story

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about how the building blocks
of the American empire was slave labor.

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I may just wanna make a LEGO movie.

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-You don't wanna make a LEGO movie.
-[chuckles] Yeah, that's true.

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But that LEGO movie was fire.
That shit was heat! Right?

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And you've never gotten
a good review in your life.

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-Damn, baby, that's… You right, though.
-[both laugh]

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And you're complaining about reviews
that haven't yet been written.

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Right again.

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So, stop. Makes you sound like an asshole.

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Yeah.

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But shit,
you know what I'm saying, though.

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Yeah, but save it for another day.

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[Malcolm] Yeah.

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You're complaining
about the white girl from LA Times

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'cause she gave you
a bad review that one time.

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Aw, she didn't just give a bad review.

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She gave a dumb-ass review.
There is a difference.

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Malcolm, you won. Okay?

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She's comparing you
to Spike Lee and Barry Jenkins.

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But she's such a mediocre-ass writer.

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Fine, you're not
the next Spike Lee or Barry Jenkins.

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-Doubt she knows who William Wyler is.
-I don't know William Wyler.

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-Is it ready, babe?
-Mm-hmm.

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Here comes the mac and cheese.

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-You don't know who William Wyler is?
-No.

155
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Oh, man.
He did The Best Years of Our Lives.

156
00:09:00,666 --> 00:09:02,583
Sh-- Shit was heat. Ben-Hur?

157
00:09:03,083 --> 00:09:05,125
He's one of the most
versatile filmmakers of all time.

158
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I mean, Wuthering Heights.

159
00:09:06,541 --> 00:09:07,541
Heads-up.

160
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Roman Holiday.

161
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Yeah, some classics.

162
00:09:13,458 --> 00:09:15,791
It's different, though.
You don't work in film.

163
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You're right, Malcolm, I don't.

164
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["Selfish" by Little Simz playing]
♪ Guess I'm in denial ♪

165
00:09:24,041 --> 00:09:25,875
♪ Maybe I'm wrong, you're right ♪

166
00:09:26,458 --> 00:09:28,291
♪ Heard it all my life… ♪

167
00:09:29,416 --> 00:09:30,708
Did you have fun tonight?

168
00:09:31,541 --> 00:09:33,541
-[Marie] It was nice.
-[chuckles]

169
00:09:34,500 --> 00:09:35,333
"Nice."

170
00:09:36,750 --> 00:09:40,875
The entire night while I was talking to
all those sweet, smiling, rich people who,

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a month ago, wouldn't give me the time
of day, I just kept looking at you.

172
00:09:45,833 --> 00:09:49,958
And I think to myself, "God, you're the
most gorgeous creature on planet Earth."

173
00:09:50,041 --> 00:09:51,875
[kisses] And the sexiest too.

174
00:09:51,958 --> 00:09:54,708
I mean, there's nobody sexier.
Even Anthony said it.

175
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[Marie] Hmm.

176
00:09:57,500 --> 00:09:59,916
[kisses] I mean, not in a bad way.

177
00:10:00,583 --> 00:10:02,250
-[kisses] In a positive way.
-Hmm.

178
00:10:02,333 --> 00:10:03,708
[jazz music playing]

179
00:10:03,791 --> 00:10:05,750
[Malcolm breathing heavily and kissing]

180
00:10:07,541 --> 00:10:08,833
When I'd see you…

181
00:10:10,000 --> 00:10:12,583
with your cranberry and soda…

182
00:10:14,083 --> 00:10:16,625
smiling, chopping it up…

183
00:10:17,750 --> 00:10:20,833
And I'd think,
"God, how fucking lucky am I?"

184
00:10:23,333 --> 00:10:26,416
-I couldn't wait to get you home.
-Aww, that's so sweet.

185
00:10:27,208 --> 00:10:30,083
Hold your cute little ass and kiss it.

186
00:10:31,166 --> 00:10:32,458
Tell you that I love you.

187
00:10:36,250 --> 00:10:37,291
I love you, Marie.

188
00:10:37,375 --> 00:10:40,791
-Do you want salted or unsalted butter?
-[softly] I'll just have you.

189
00:10:40,875 --> 00:10:42,500
[kissing]

190
00:10:44,291 --> 00:10:45,291
What was that?

191
00:10:46,166 --> 00:10:47,500
-What?
-That was a fake-ass smile.

192
00:10:47,583 --> 00:10:49,583
-No, it wasn't.
-Swear to God, it was.

193
00:10:49,666 --> 00:10:51,375
[Marie] No, it wasn't. It was nothing.

194
00:10:51,958 --> 00:10:54,500
Bullshit, I can fucking read you.
I know when nothing is something.

195
00:10:54,583 --> 00:10:56,500
Well, maybe you can't read me.

196
00:10:57,000 --> 00:10:57,958
No, I can read you.

197
00:10:59,291 --> 00:11:01,583
-I haven't eaten all night.
-That's not what this is.

198
00:11:01,666 --> 00:11:03,791
It's 1:00 in the morning.
Can we eat and go to sleep?

199
00:11:03,875 --> 00:11:06,083
Please, Marie.
I really don't wanna fight tonight.

200
00:11:06,166 --> 00:11:10,750
Neither do I.
That is why I'm making you mac and cheese.

201
00:11:12,000 --> 00:11:13,375
So you are angry.

202
00:11:13,458 --> 00:11:14,458
No.

203
00:11:15,125 --> 00:11:17,833
-Was it the thing that Anthony said?
-No.

204
00:11:17,916 --> 00:11:19,791
-The joke about you being a model?
-No.

205
00:11:19,875 --> 00:11:22,708
Wouldn't take it seriously.
He's old and from a totally different era.

206
00:11:22,791 --> 00:11:23,958
I didn't take it personally.

207
00:11:24,791 --> 00:11:26,208
-Promise?
-Promise.

208
00:11:27,083 --> 00:11:29,000
-Was it Taylor?
-No.

209
00:11:29,541 --> 00:11:31,166
-You sure?
-Yes.

210
00:11:31,250 --> 00:11:34,458
-I know you get weird around Taylor.
-I do not get weird around Taylor.

211
00:11:34,541 --> 00:11:38,083
-You get meek.
-"Meek"? Huh, really?

212
00:11:38,166 --> 00:11:41,375
-Well, you don't talk a lot.
-Well, that's different from being meek.

213
00:11:41,458 --> 00:11:42,625
-I just mean--
-What?

214
00:11:42,708 --> 00:11:46,166
Meek implies that I'm shy or small.
That she's the queen of fucking England.

215
00:11:46,250 --> 00:11:48,875
-I didn't mean it like that. I meant--
-What?

216
00:11:48,958 --> 00:11:49,958
What?

217
00:11:50,041 --> 00:11:52,166
-She's a movie star.
-Hmm.

218
00:11:52,791 --> 00:11:55,875
-She's about to become a movie star.
-Don't jinx her, Malcolm.

219
00:11:56,416 --> 00:11:58,875
I have nothing nice to say to Taylor,
so I don't talk to Taylor.

220
00:11:58,958 --> 00:12:02,083
-It has nothing to do with being meek.
-It's just… she notices.

221
00:12:03,833 --> 00:12:04,666
Really?

222
00:12:05,500 --> 00:12:07,583
-Really.
-How do you know?

223
00:12:07,666 --> 00:12:09,208
-'Cause I just do.
-Really?

224
00:12:09,291 --> 00:12:12,625
She sees how you are with other people.
You're talkative. You're funny.

225
00:12:12,708 --> 00:12:14,333
What can I say? I'm personable.

226
00:12:14,416 --> 00:12:16,416
[chuckles] Right.
Which is what makes her insecure.

227
00:12:16,500 --> 00:12:19,708
What does? Other fucking
human beings with personalities?

228
00:12:19,791 --> 00:12:22,916
[chuckles] No. The fact that
you're not yourself and she sees it.

229
00:12:23,500 --> 00:12:24,333
[blows]

230
00:12:24,833 --> 00:12:26,041
She'll survive.

231
00:12:29,000 --> 00:12:29,958
[Malcolm] Hmm.

232
00:12:31,541 --> 00:12:32,541
So why you angry?

233
00:12:32,625 --> 00:12:33,958
[jazz music becomes louder]

234
00:12:34,041 --> 00:12:35,625
Marie, you're angry.

235
00:12:35,708 --> 00:12:37,875
Marie, what you angry about?

236
00:12:37,958 --> 00:12:39,250
Marie.

237
00:12:39,333 --> 00:12:41,083
-Marie?
-[dish clatters]

238
00:12:41,166 --> 00:12:42,333
Marie!

239
00:12:43,458 --> 00:12:44,291
Marie.

240
00:12:46,750 --> 00:12:47,875
Marie, talk to me.

241
00:13:02,000 --> 00:13:04,541
I promise you, it's not a good idea.
Let's just talk tomorrow.

242
00:13:04,625 --> 00:13:06,958
-But you're upset with me.
-It's not that big of a deal.

243
00:13:07,041 --> 00:13:08,666
I can't go to bed knowing you're angry.

244
00:13:08,750 --> 00:13:10,833
Malcolm, I promise you,

245
00:13:10,916 --> 00:13:13,458
nothing productive
is going to be said tonight.

246
00:13:13,541 --> 00:13:16,000
-How do you know?
-Because I know you.

247
00:13:16,083 --> 00:13:17,833
-What does that mean?
-And I love you.

248
00:13:17,916 --> 00:13:18,958
What does that mean?

249
00:13:19,041 --> 00:13:22,333
It means you are literally incapable
of de-escalating a situation

250
00:13:22,416 --> 00:13:25,125
unless it's work-related.
Even then, it's 50-50.

251
00:13:25,208 --> 00:13:28,208
[blows raspberry] Why is it
that anytime anything good happens,

252
00:13:28,291 --> 00:13:29,833
you have to find something, anything,

253
00:13:29,916 --> 00:13:33,083
the most minor fucking detail
to harp on, to make ugly,

254
00:13:33,166 --> 00:13:36,458
to ensure that there's no reason
to fucking celebrate.

255
00:13:36,541 --> 00:13:38,541
-Really? You wanna go there?
-Yes.

256
00:13:38,625 --> 00:13:41,000
-Okay.
-All right, then. What is it?

257
00:13:41,083 --> 00:13:44,000
-Your speech, Malcolm.
-Oh, give me a break.

258
00:13:44,083 --> 00:13:45,291
You're outside of your mind.

259
00:13:45,375 --> 00:13:48,875
When I said you find the most minor detail
to make it ugly, I meant it.

260
00:13:48,958 --> 00:13:52,958
[grunts] You forgot to thank me, Malcolm.
It's not a minor detail. That's a big one.

261
00:13:53,041 --> 00:13:55,000
But I've thanked you
a million times before.

262
00:13:55,083 --> 00:13:57,250
You know that I'm thankful.
You know I'm appreciative.

263
00:13:57,333 --> 00:14:00,166
You know I made a mistake,
so why turn it into something more?

264
00:14:00,250 --> 00:14:02,666
Because it is more.

265
00:14:02,750 --> 00:14:03,583
What?

266
00:14:03,666 --> 00:14:05,666
It's our entire fucking
relationship in a nutshell.

267
00:14:05,750 --> 00:14:08,083
-Oh, you can't be serious.
-I'm dead serious.

268
00:14:08,166 --> 00:14:09,791
-You're psychotic.
-You're hyperbolic.

269
00:14:09,875 --> 00:14:11,166
I'm not. It's psychotic to think

270
00:14:11,250 --> 00:14:13,458
that forgetting to thank you
is symbolic of anything

271
00:14:13,541 --> 00:14:16,125
other than me legitimately
forgetting to fucking thank you.

272
00:14:16,208 --> 00:14:18,041
You thanked 112 fucking people tonight.

273
00:14:18,125 --> 00:14:21,291
You thanked your mother, your gaffer,
your agents, your third grade teacher,

274
00:14:21,375 --> 00:14:24,166
the usher at the theater when you were 12
and saw whatever the fuck.

275
00:14:24,250 --> 00:14:26,041
-Didn't thank the usher.
-You know what I mean.

276
00:14:26,125 --> 00:14:29,166
You don't have to be sarcastic,
petty and obnoxious about the shit.

277
00:14:29,250 --> 00:14:30,833
I'm sorry. I forgot to thank you.

278
00:14:30,916 --> 00:14:32,750
I am genuinely sorry,

279
00:14:32,833 --> 00:14:36,500
which is why I apologized to you
a thousand times during the movie.

280
00:14:36,583 --> 00:14:38,750
I felt so guilty,
I couldn't concentrate on the movie.

281
00:14:38,833 --> 00:14:40,958
Huh. That's a shame.
You've only seen it 7,000 times.

282
00:14:41,041 --> 00:14:44,166
Every time I'd lean over and said,
"I'm sorry," you said it was fine.

283
00:14:44,250 --> 00:14:46,333
You squeezed my hand and said it was fine.

284
00:14:46,416 --> 00:14:48,916
You said, "I love you.
Don't worry. It's fine."

285
00:14:52,125 --> 00:14:54,666
Well, Malcolm, I changed my mind.

286
00:14:56,833 --> 00:14:58,291
How can you just change your mind?

287
00:14:58,375 --> 00:15:00,541
Honestly, it's pretty fucking easy.

288
00:15:00,625 --> 00:15:02,541
That doesn't seem a little crazy to you?

289
00:15:03,708 --> 00:15:05,208
-Nope.
-It doesn't?

290
00:15:05,291 --> 00:15:07,000
-Nope.
-Why?

291
00:15:07,083 --> 00:15:09,666
Well, because when I was
in the theater, it didn't matter.

292
00:15:09,750 --> 00:15:11,541
Wasn't that big of a deal. It was fine.

293
00:15:11,625 --> 00:15:13,875
Until the after-party,
when every single person,

294
00:15:13,958 --> 00:15:17,416
from your mother to Taylor,
kept coming up to me and going,

295
00:15:17,500 --> 00:15:20,375
"You know, I bet you're probably
a little bit upset right now

296
00:15:20,458 --> 00:15:24,125
because he forgot to thank you,
but you know how much he depends on you."

297
00:15:24,208 --> 00:15:25,666
[Malcolm] Taylor said that?

298
00:15:25,750 --> 00:15:29,000
-Yeah. She told me not to read into it.
-What the hell does that mean?

299
00:15:29,083 --> 00:15:31,458
Funny you should say that.
That's the exact thought I had.

300
00:15:31,541 --> 00:15:33,125
-I didn't cheat on you.
-I didn't ask.

301
00:15:33,208 --> 00:15:34,208
-Just saying--
-Didn't ask.

302
00:15:34,291 --> 00:15:36,583
-Well, I'm just saying--
-I didn't ask.

303
00:15:36,666 --> 00:15:39,125
["Yum Yum (Gimme Some)"
by The Fatback Band playing]

304
00:15:39,208 --> 00:15:40,125
[pops lips]

305
00:15:41,666 --> 00:15:44,375
It's not just about
you forgetting to thank me, Malcolm.

306
00:15:44,458 --> 00:15:45,625
It's about how you see me.

307
00:15:45,708 --> 00:15:48,916
And how you view my contribution,
not just to this relationship,

308
00:15:49,000 --> 00:15:50,458
but to your work.

309
00:15:50,541 --> 00:15:53,791
Specifically in a movie
you made about my life.

310
00:15:54,666 --> 00:15:56,750
♪ My name is Yum Yum
Gimme some ♪

311
00:15:56,833 --> 00:15:59,041
♪ My name is Yum Yum
Gimme some ♪

312
00:15:59,125 --> 00:16:01,125
♪ My name is Yum Yum
Gimme some ♪

313
00:16:01,875 --> 00:16:04,708
-[door slams shut]
-♪ And it better be good, better be good ♪

314
00:16:04,791 --> 00:16:07,083
♪ And it better be good
Real good… ♪

315
00:16:07,166 --> 00:16:08,916
[song slowly fades out]

316
00:16:11,208 --> 00:16:13,208
[crickets chirping]

317
00:16:45,666 --> 00:16:46,666
[sighs]

318
00:16:53,208 --> 00:16:54,125
[blows]

319
00:17:00,291 --> 00:17:01,666
[shouting] You know, Marie…

320
00:17:03,375 --> 00:17:04,958
you are genuinely…

321
00:17:05,750 --> 00:17:06,916
unstable.

322
00:17:13,291 --> 00:17:14,208
[grunts softly]

323
00:17:15,541 --> 00:17:16,750
I'm not kidding!

324
00:17:18,958 --> 00:17:19,833
Hmm.

325
00:17:20,958 --> 00:17:21,791
Mmm.

326
00:17:22,291 --> 00:17:25,916
I'm actually concerned
for your mental well-being!

327
00:17:26,000 --> 00:17:28,000
-[fork scraping]
-Hmm. [clears throat]

328
00:17:29,375 --> 00:17:30,208
Hmm.

329
00:17:30,291 --> 00:17:31,375
[chair scraping]

330
00:17:33,791 --> 00:17:35,791
Obviously, there are certain similarities.

331
00:17:36,708 --> 00:17:38,708
But Imani's not based on you.

332
00:17:38,791 --> 00:17:41,083
[spoon tapping on pot]

333
00:17:41,666 --> 00:17:43,416
You're fucking delusional!

334
00:17:47,625 --> 00:17:48,625
[sighs]

335
00:17:52,875 --> 00:17:56,083
In what fucking universe
is Imani's character based on you?

336
00:17:56,666 --> 00:17:57,500
Really?

337
00:17:58,250 --> 00:18:01,500
Are you actually yelling and belittling me
from across this house

338
00:18:01,583 --> 00:18:04,250
because you are too busy
eating mac and cheese?

339
00:18:04,333 --> 00:18:06,000
-What?
-[imitates Malcolm] "What?"

340
00:18:06,833 --> 00:18:08,416
-I'm not.
-Don't fucking lie!

341
00:18:08,500 --> 00:18:10,666
-You literally just got seconds.
-No, I didn't.

342
00:18:10,750 --> 00:18:12,125
Do you know how disturbing it is

343
00:18:12,208 --> 00:18:14,166
that you can compartmentalize
to such a degree

344
00:18:14,250 --> 00:18:16,500
that you can abuse me
while eating mac and cheese?

345
00:18:16,583 --> 00:18:18,625
-Abuse you?
-Mac and cheese I fucking made you.

346
00:18:18,708 --> 00:18:20,375
-Abuse you?
-Verbally abuse me.

347
00:18:20,458 --> 00:18:22,875
Thanks for the clarification.
It's kind of an important one.

348
00:18:22,958 --> 00:18:24,791
But verbally abuse you? Get out of here.

349
00:18:24,875 --> 00:18:27,916
If you're gonna treat me
like an insane person and call me crazy,

350
00:18:28,000 --> 00:18:31,708
the least you could do is do it without
casually eating macaroni and cheese.

351
00:18:31,791 --> 00:18:33,166
How does that work for you?

352
00:18:33,250 --> 00:18:36,041
What does that sound like
in your fucking brain?

353
00:18:36,125 --> 00:18:38,666
"What a cunt! Mmm.
This macaroni and cheese is delicious."

354
00:18:38,750 --> 00:18:40,541
"What a cunt. I wonder if there's more."

355
00:18:40,625 --> 00:18:43,583
"What a cunt. If I could direct
commercials for Kraft, I would."

356
00:18:43,666 --> 00:18:44,708
Say whatever you want.

357
00:18:44,791 --> 00:18:47,958
Get pissed off I didn't thank you, Anthony
said that joke about you being a model,

358
00:18:48,041 --> 00:18:50,791
that Taylor said
whatever the fuck Taylor said--

359
00:18:50,875 --> 00:18:52,833
-It was mean.
-Well, she's an actor.

360
00:18:52,916 --> 00:18:55,500
All night I had to watch you two
smile and take pictures together.

361
00:18:55,583 --> 00:18:58,208
-She's the lead in my film!
-I know. I don't care.

362
00:18:58,291 --> 00:18:59,958
It's my job to make her feel comfortable.

363
00:19:00,041 --> 00:19:01,791
-Not at my expense.
-Actually, it is.

364
00:19:01,875 --> 00:19:03,916
Despite how you fucking
feel about it, it is my job.

365
00:19:04,000 --> 00:19:06,000
-You'd never forget to thank her.
-Jesus Christ!

366
00:19:06,083 --> 00:19:08,041
-You wouldn't.
-'Cause she's psychotic.

367
00:19:08,125 --> 00:19:09,750
No, because she would flip the fuck out

368
00:19:09,833 --> 00:19:13,875
and spend the night making you pay for it
so you'd never let that shit happen again.

369
00:19:13,958 --> 00:19:15,833
You're saying you're not nuts enough.

370
00:19:15,916 --> 00:19:18,333
No. What I'm saying is
you spend your entire life

371
00:19:18,416 --> 00:19:22,166
catering to the feelings and the whims
of literally everyone but me.

372
00:19:22,958 --> 00:19:26,458
Agents, producers, crew members, actors,

373
00:19:26,541 --> 00:19:29,625
fucking fictional characters
get more respect

374
00:19:29,708 --> 00:19:31,500
and empathy from you than I do.

375
00:19:32,875 --> 00:19:36,333
And… [scoffs] That's what's so odd
about this whole fucking situation,

376
00:19:36,416 --> 00:19:39,166
because I get it.
Taylor is wonderful in the film.

377
00:19:39,250 --> 00:19:41,166
But when you get up there
and you talk about

378
00:19:41,250 --> 00:19:43,625
her ability to breathe life
into the character of Imani

379
00:19:43,708 --> 00:19:49,083
without ever mentioning that if
I didn't live my life, she wouldn't exist,

380
00:19:49,166 --> 00:19:50,541
it's kind of fucking weird.

381
00:19:50,625 --> 00:19:52,083
Imani is not based on you.

382
00:19:52,166 --> 00:19:55,375
She's a 20-year-old drug addict trying
to get clean. Just a fucking coincidence?

383
00:19:55,458 --> 00:19:57,875
Obviously, you getting clean
was a part of the inspiration.

384
00:19:57,958 --> 00:19:59,000
-At 20?
-Yes.

385
00:19:59,083 --> 00:20:01,000
And you provide genuine insight into that.

386
00:20:01,083 --> 00:20:03,375
What that was like.
But Imani is not based on you.

387
00:20:03,458 --> 00:20:06,416
It's an amalgamation
of different things, a bunch of things.

388
00:20:06,500 --> 00:20:07,500
Who?

389
00:20:09,708 --> 00:20:10,541
People!

390
00:20:10,625 --> 00:20:12,083
What people?

391
00:20:13,375 --> 00:20:15,250
A lot of different people.

392
00:20:15,958 --> 00:20:17,208
[Marie] Mmm.

393
00:20:17,291 --> 00:20:19,500
-Like my cousin. Rick, for one.
-Okay.

394
00:20:19,583 --> 00:20:22,041
-A lot of different people and things.
-Your cousin.

395
00:20:25,333 --> 00:20:27,833
-[sighs]
-You know what, Malcolm?

396
00:20:29,958 --> 00:20:33,833
I feel like once you know someone is there
for you and once you know they love you,

397
00:20:34,666 --> 00:20:36,666
you never actually think of them again.

398
00:20:37,916 --> 00:20:39,125
That's not true.

399
00:20:39,958 --> 00:20:42,833
It's not until you're about to lose
someone that you pay attention.

400
00:20:43,916 --> 00:20:45,875
-Is that what this is?
-What?

401
00:20:45,958 --> 00:20:47,791
Is what you're threatening…

402
00:20:47,875 --> 00:20:50,000
if I don't apologize,
I'm going to lose you?

403
00:20:50,708 --> 00:20:52,250
I'm not looking for an apology.

404
00:20:52,333 --> 00:20:55,125
-What do you want? A screenplay credit?
-Don't be cruel.

405
00:20:55,208 --> 00:20:57,625
I'm serious.
I know we talk for hours about work.

406
00:20:57,708 --> 00:21:00,458
Is it so much of a nuisance
that you'd like compensation?

407
00:21:00,541 --> 00:21:03,166
I had a draft of the script
before you ever came into my life.

408
00:21:04,041 --> 00:21:06,291
It's not about credit.
I don't want fucking credit.

409
00:21:06,375 --> 00:21:08,625
Well, what is it, Marie? What do you want?

410
00:21:11,291 --> 00:21:12,625
The film is beautiful.

411
00:21:13,958 --> 00:21:15,041
I'm proud of you.

412
00:21:15,125 --> 00:21:18,083
Took forever to make and it was tough,
but I have one question.

413
00:21:18,166 --> 00:21:22,916
Do you think that the movie would be
as good as it is if we weren't together?

414
00:21:28,541 --> 00:21:29,375
No.

415
00:21:33,375 --> 00:21:35,500
And that's all I wish you would have said.

416
00:21:44,041 --> 00:21:44,875
Great.

417
00:21:46,208 --> 00:21:47,875
Are we no longer fighting?

418
00:21:51,625 --> 00:21:52,625
That depends.

419
00:21:54,083 --> 00:21:55,083
On what?

420
00:21:55,166 --> 00:21:57,375
On whether you can manage
to not say something hurtful

421
00:21:57,458 --> 00:21:58,666
for the rest of the night.

422
00:22:02,416 --> 00:22:03,791
I mean, I'm not that bad.

423
00:22:03,875 --> 00:22:04,916
[inhales sharply]

424
00:22:05,000 --> 00:22:06,875
Fuck you aren't. [sighs]

425
00:22:11,791 --> 00:22:12,791
Can I kiss you?

426
00:22:13,583 --> 00:22:14,583
No.

427
00:22:17,250 --> 00:22:20,125
-Are you sure?
-Mm-hmm.

428
00:22:22,125 --> 00:22:23,166
[Malcolm sighs]

429
00:22:23,250 --> 00:22:26,125
But I really, really wanna kiss you.

430
00:22:28,375 --> 00:22:29,541
[softly] I don't care.

431
00:22:40,708 --> 00:22:42,291
Just don't take me for granted.

432
00:22:45,333 --> 00:22:46,333
I don't.

433
00:22:52,958 --> 00:22:53,958
You did.

434
00:22:56,541 --> 00:22:57,541
I'm sorry.

435
00:23:05,791 --> 00:23:06,791
You can kiss me now.

436
00:23:07,541 --> 00:23:09,000
-[softly] Yes!
-[chuckles softly]

437
00:23:18,375 --> 00:23:20,708
I'm the only person who tells you
you're being an asshole

438
00:23:20,791 --> 00:23:22,250
when you're being an asshole.

439
00:23:24,416 --> 00:23:25,416
[Malcolm] I know.

440
00:23:27,500 --> 00:23:28,875
And now…

441
00:23:29,875 --> 00:23:33,541
that you've made a movie
that everybody loves…

442
00:23:34,958 --> 00:23:37,375
-the world's gonna be kissing your ass.
-[chuckles]

443
00:23:37,875 --> 00:23:39,208
-You think so?
-Mm-hmm.

444
00:23:40,125 --> 00:23:41,125
Yep.

445
00:23:41,791 --> 00:23:45,791
I heard that shit all night.
"Oh, he's so sensitive."

446
00:23:45,875 --> 00:23:49,083
"He's so in tune to emotion.
He's romantic."

447
00:23:49,166 --> 00:23:50,541
"I bet he's sweet, right?"

448
00:23:51,375 --> 00:23:54,916
-What did you say?
-I said, "Well, I mean, yeah."

449
00:23:55,000 --> 00:23:57,666
"When he's not being
an emotional fucking terrorist."

450
00:23:57,750 --> 00:23:59,125
[groans and laughs]

451
00:23:59,208 --> 00:24:00,875
[jazz music playing]

452
00:24:01,958 --> 00:24:03,250
Yes.

453
00:24:05,208 --> 00:24:06,166
-Yes.
-No.

454
00:24:06,875 --> 00:24:08,125
-[Malcolm grunts]
-Mmm.

455
00:24:10,000 --> 00:24:11,750
You think you're tough,
skinny-bones Jones?

456
00:24:11,833 --> 00:24:12,916
I am tough.

457
00:24:13,000 --> 00:24:16,333
Nah, I'll eat your ass for breakfast.
You light work.

458
00:24:30,166 --> 00:24:33,958
[Marie] You know, life is gonna get
easier, but it's also gonna get harder.

459
00:24:36,083 --> 00:24:37,500
[Malcolm] What do you mean?

460
00:24:40,833 --> 00:24:42,750
Just don't believe the hype, Malcolm.

461
00:24:46,000 --> 00:24:46,833
[kisses]

462
00:24:46,916 --> 00:24:49,583
And don't push away
the people who ground you.

463
00:24:52,333 --> 00:24:53,916
-Yeah.
-Yeah.

464
00:25:00,416 --> 00:25:02,833
[Marie] You're gonna
start making fake movies

465
00:25:02,916 --> 00:25:07,291
about fake people with fake emotions.

466
00:25:07,958 --> 00:25:09,416
[both chuckle]

467
00:25:10,291 --> 00:25:14,041
Then you'll start having dinner
with the white girl from LA Times.

468
00:25:14,125 --> 00:25:15,666
[both laughing]

469
00:25:15,750 --> 00:25:18,291
-Yeah. Mm-hmm.
-[Malcolm] No! Not the white girl.

470
00:25:18,375 --> 00:25:22,791
You'll be talking about
this one-take and… and that one-take,

471
00:25:22,875 --> 00:25:23,958
and how the camera…

472
00:25:24,041 --> 00:25:26,458
-[laughing]
-You know you do that, right?

473
00:25:26,541 --> 00:25:28,416
-[laughing]
-Literally.

474
00:25:28,500 --> 00:25:33,833
Next thing you know, you'll be on
your press tour for your new LEGO film.

475
00:25:33,916 --> 00:25:37,833
Talk about how it's an allegory
for the failures of reconstruction.

476
00:25:37,916 --> 00:25:39,000
[Malcolm chuckles]

477
00:25:39,916 --> 00:25:42,041
[Marie] "Well,
the original working title was…

478
00:25:42,125 --> 00:25:45,625
-Forty LEGOs And A Mule, but the…"
-[both laughing]

479
00:25:45,708 --> 00:25:48,375
"The studio got a little, uh…"

480
00:25:48,458 --> 00:25:49,541
[chuckling]

481
00:25:49,625 --> 00:25:51,791
[Malcolm laughing]

482
00:25:51,875 --> 00:25:53,208
[Marie] Mm-hmm.

483
00:25:53,291 --> 00:25:55,500
Malcolm, you laugh, but I can see it.

484
00:25:55,583 --> 00:25:58,083
-I'm serious, I can see that shit.
-[Malcolm laughs]

485
00:25:58,166 --> 00:26:01,458
[Marie] All your new Twitter friends
will be quote-tweeting your ass,

486
00:26:01,541 --> 00:26:05,458
handclaps and shit, talkin' 'bout,
"This is what change looks like."

487
00:26:05,541 --> 00:26:06,666
"Yes, king!"

488
00:26:06,750 --> 00:26:08,250
-[Malcolm] Oh, brutal.
-Mm-hmm.

489
00:26:08,333 --> 00:26:09,916
But the rest of America will be like,

490
00:26:10,000 --> 00:26:13,500
"What the fuck is this Negro doing
selling us some shit with these LEGOs?"

491
00:26:13,583 --> 00:26:15,416
"I'm not seein' that shit."

492
00:26:15,500 --> 00:26:17,541
[both laughing]

493
00:26:17,625 --> 00:26:20,125
Then there's
gonna be boycotts, fucking protests

494
00:26:20,208 --> 00:26:21,875
because you're politicizing these LEGOs,

495
00:26:21,958 --> 00:26:26,541
but thankfully, you'll have your new
white girlfriend from the LA Times.

496
00:26:26,625 --> 00:26:30,041
I mean, she's gonna come ridin' in
with her SPF-50 brigade

497
00:26:30,125 --> 00:26:32,375
-on some real soccer mom shit…
-[Malcolm laughing]

498
00:26:32,458 --> 00:26:34,833
…tweetin' at people left and right.

499
00:26:34,916 --> 00:26:37,541
"Well, this is literally censorship!"

500
00:26:37,625 --> 00:26:39,208
"Who is in charge here?"

501
00:26:39,291 --> 00:26:42,416
"It is our moral obligation
to go and see this movie

502
00:26:42,500 --> 00:26:47,041
written and directed by a real Bla…
I mean, person of color."

503
00:26:47,125 --> 00:26:48,958
"We are gonna make history, okay?"

504
00:26:49,041 --> 00:26:52,916
"We're going to make it
the biggest box office ever."

505
00:26:53,000 --> 00:26:54,458
And the next thing you know,

506
00:26:54,541 --> 00:26:58,666
you will have made
a toy company a billion dollars.

507
00:26:58,750 --> 00:27:01,291
-[laughs] Yes!
-Yes!

508
00:27:01,375 --> 00:27:04,041
"Congratulations, Malcolm Elliot!
You fucking did it!"

509
00:27:04,125 --> 00:27:05,541
[Marie imitates airhorn]

510
00:27:05,625 --> 00:27:08,416
"Here's a couple million dollars
and a fuckin' fruit basket."

511
00:27:08,500 --> 00:27:10,666
"But just as a thought,
have you ever considered

512
00:27:10,750 --> 00:27:13,458
doing the Angela Davis biopic,
but with LEGOs?"

513
00:27:14,833 --> 00:27:16,333
[both laughing]

514
00:27:16,416 --> 00:27:19,375
[Malcolm] You know
your white voice is crazy.

515
00:27:20,166 --> 00:27:22,125
-[Marie] You laugh, but…
-That's funny.

516
00:27:23,375 --> 00:27:25,125
[Marie] You could change the world.

517
00:27:25,625 --> 00:27:28,000
[Malcolm] You should've
never given up acting, baby.

518
00:27:28,083 --> 00:27:30,125
[Marie chuckles] Why, Malcolm?

519
00:27:30,208 --> 00:27:32,208
[Malcolm] I always believed
if you found a character

520
00:27:32,291 --> 00:27:35,958
that actually allowed you
to be yourself, you'd be astonishing.

521
00:27:38,708 --> 00:27:39,833
Well, Malcolm…

522
00:27:41,166 --> 00:27:43,750
unfortunately no one
can really write me except you.

523
00:27:46,125 --> 00:27:48,541
[Malcolm] Hmm. Hmm.

524
00:27:51,500 --> 00:27:52,500
[Marie sighs]

525
00:27:54,833 --> 00:27:55,875
[Malcolm sighs]

526
00:28:14,333 --> 00:28:17,416
["I Forgot To Be Your Lover"
by William Bell playing]

527
00:28:27,750 --> 00:28:30,250
[Malcolm singing along]
♪ Have I told you ♪

528
00:28:30,333 --> 00:28:33,416
♪ Lately that I love you? ♪

529
00:28:35,833 --> 00:28:39,958
♪ Well, if I didn't, darling, I'm sorry ♪

530
00:28:42,666 --> 00:28:47,208
♪ Did I reach out
And hold you in my loving arms ♪

531
00:28:47,291 --> 00:28:48,958
♪ In my loving arms ♪

532
00:28:49,583 --> 00:28:52,375
♪ Oh, when you needed me? ♪

533
00:28:54,708 --> 00:28:58,125
♪ Now I realize that you need love too ♪

534
00:28:58,208 --> 00:29:02,166
♪ And I'll spend my life
Making love to you ♪

535
00:29:04,125 --> 00:29:07,125
♪ Oh, I forgot to be your lover ♪

536
00:29:08,750 --> 00:29:12,583
♪ And I'm sorry, I'm so sorry… ♪

537
00:29:12,666 --> 00:29:13,583
Marie!

538
00:29:16,666 --> 00:29:18,458
-♪ Have I taken the time ♪
-Marie!

539
00:29:18,541 --> 00:29:20,250
♪ To share with you ♪

540
00:29:21,791 --> 00:29:25,916
♪ All the burden that love will fare? ♪

541
00:29:29,291 --> 00:29:31,333
♪ And have I done the little ♪

542
00:29:31,416 --> 00:29:32,250
Marie.

543
00:29:32,333 --> 00:29:35,041
♪ Simple things to show you ♪

544
00:29:37,208 --> 00:29:39,791
♪ Just how much I care? ♪

545
00:29:41,333 --> 00:29:42,166
Marie!

546
00:29:42,250 --> 00:29:45,958
♪ I've been workin' for you
Doin' all I can ♪

547
00:29:46,875 --> 00:29:47,708
Marie!

548
00:29:47,791 --> 00:29:49,625
♪ …didn't make me a man ♪

549
00:29:52,833 --> 00:29:54,291
Marie, stop playin'.

550
00:29:56,916 --> 00:30:02,500
♪ And I'm sorry
I'll make it up to you somehow, baby ♪

551
00:30:06,291 --> 00:30:07,166
Marie!

552
00:30:09,125 --> 00:30:09,958
Shit.

553
00:30:14,125 --> 00:30:15,000
Marie!

554
00:30:19,916 --> 00:30:23,458
♪ Oh, I'm sorry, I'm sorry, baby ♪

555
00:30:24,500 --> 00:30:26,041
[Malcolm] Marie, stop playin'.

556
00:30:27,166 --> 00:30:28,250
[crickets chirping]

557
00:30:31,541 --> 00:30:32,375
Marie!

558
00:30:38,750 --> 00:30:40,125
[door slides open]

559
00:30:41,000 --> 00:30:42,000
Marie!

560
00:30:45,041 --> 00:30:45,916
Marie!

561
00:30:47,541 --> 00:30:48,375
Shit.

562
00:30:55,583 --> 00:30:57,583
[crickets chirping]

563
00:30:58,500 --> 00:31:00,000
[leaves rustling]

564
00:31:12,250 --> 00:31:13,083
Marie.

565
00:31:17,916 --> 00:31:19,625
[wind chimes tinkling]

566
00:31:19,708 --> 00:31:21,208
[footsteps receding]

567
00:31:24,916 --> 00:31:26,666
[footsteps approaching]

568
00:31:29,291 --> 00:31:30,208
Marie!

569
00:31:43,458 --> 00:31:44,750
Oh, my God!

570
00:31:45,666 --> 00:31:46,666
[drawer slams shut]

571
00:31:47,791 --> 00:31:50,416
-Where the fuck did you go?
-To pee.

572
00:31:50,500 --> 00:31:52,750
-To pee-- Where?
-Outside.

573
00:31:53,708 --> 00:31:55,791
Why didn't you just use the bathroom?

574
00:31:55,875 --> 00:31:57,958
Because I didn't grow up with a backyard.

575
00:31:58,041 --> 00:32:00,125
-The novelty hasn't worn off yet.
-Jesus!

576
00:32:04,333 --> 00:32:07,666
You know, you are
the neediest man I have ever dated.

577
00:32:08,500 --> 00:32:13,500
But at the same time, you are also
the least jealous man I have ever dated.

578
00:32:13,583 --> 00:32:17,125
I mean, I could literally be hanging
on some random guy's arm

579
00:32:17,208 --> 00:32:19,208
and you would never think it's sexual.

580
00:32:19,291 --> 00:32:22,875
You'd just come up to me and be like,
"Hey, babe. What the hell are you doing?"

581
00:32:22,958 --> 00:32:26,041
"I need your help. I can't remember
anybody's name here. Let's go."

582
00:32:26,125 --> 00:32:28,916
-But whose arm are you hanging on?
-That's it. Doesn't matter.

583
00:32:29,000 --> 00:32:30,791
-[Malcolm] Is this about tonight?
-Mmm.

584
00:32:32,041 --> 00:32:32,875
Kinda.

585
00:32:36,875 --> 00:32:38,083
-"Kinda"?
-Hmm.

586
00:32:38,166 --> 00:32:39,291
[Malcolm] Mm-hmm.

587
00:32:41,375 --> 00:32:43,666
I was outside smoking and you were in here

588
00:32:43,750 --> 00:32:47,958
apologizing in whatever
emotionally obtuse way made sense to you.

589
00:32:48,041 --> 00:32:51,250
As if a song written 50 years ago
about a different fucking girl

590
00:32:51,333 --> 00:32:54,583
would somehow make me
feel better about our relationship.

591
00:32:54,666 --> 00:32:57,625
Some people would say
lack of jealousy is a good thing.

592
00:32:57,708 --> 00:33:01,875
-Not when it borders on indifference.
-What are you talkin' about, Marie?

593
00:33:03,208 --> 00:33:07,375
Malcolm, you can encourage me
to have a life of my own,

594
00:33:07,458 --> 00:33:09,708
but that's just… That's bullshit.

595
00:33:09,791 --> 00:33:12,833
You don't want me to have
a life that is separate from yours

596
00:33:12,916 --> 00:33:14,791
because you are too fucking needy.

597
00:33:14,875 --> 00:33:16,125
Thought we were done fighting.

598
00:33:16,208 --> 00:33:18,708
-Don't be sensitive. This isn't a fight.
-Yeah, right.

599
00:33:18,791 --> 00:33:20,416
It's not. It's an observation.

600
00:33:21,333 --> 00:33:23,208
-Tsk. Oh, you don't wanna go there.
-Why?

601
00:33:23,291 --> 00:33:24,750
-Trust me, you don't.
-Why?

602
00:33:24,833 --> 00:33:26,583
Even if you do,
you're not thinking clearly.

603
00:33:26,666 --> 00:33:29,458
-I think I'm thinking clearly.
-Trust me, you're not.

604
00:33:29,541 --> 00:33:33,083
-I do have a slightly masochistic streak.
-But you're not dumb.

605
00:33:33,166 --> 00:33:35,166
-Oh, my God. Thank you.
-Don't be a fucking brat.

606
00:33:35,250 --> 00:33:37,958
Don't patronize me
and tell me I gave up something

607
00:33:38,041 --> 00:33:40,875
when you know damn well
your work is all that you have time for

608
00:33:40,958 --> 00:33:42,125
and all you care about.

609
00:33:42,208 --> 00:33:46,041
Oh, so you gave up a career in acting
to be an emotional fucking support dog.

610
00:33:46,875 --> 00:33:48,500
-Fuck you, Malcolm!
-I get it now.

611
00:33:48,583 --> 00:33:50,833
-Fuck you!
-'Cause you're scared, you didn't want it.

612
00:33:50,916 --> 00:33:51,750
You never wanted it.

613
00:33:51,833 --> 00:33:54,291
-'Cause you're scared to try and fail.
-You are ugly inside.

614
00:33:54,375 --> 00:33:55,291
No, fuck you!

615
00:33:55,875 --> 00:33:58,791
Marie, when I met you,
you were a fucking pilled-out disaster.

616
00:33:58,875 --> 00:34:00,166
You were barely 20 years old.

617
00:34:00,250 --> 00:34:02,250
Couldn't hold a conversation
without noddin' off,

618
00:34:02,333 --> 00:34:03,750
or passin' out, or breaking down.

619
00:34:03,833 --> 00:34:08,041
Don't act like for the last five years
you became so enlightened that I fucking…

620
00:34:08,625 --> 00:34:10,083
forgot the old you.

621
00:34:10,833 --> 00:34:12,583
-Of course I want you to have a life.
-[sighs]

622
00:34:12,666 --> 00:34:15,083
You know why?
Because I'm terrified that if you don't,

623
00:34:15,166 --> 00:34:16,750
you're gonna hang everything on mine.

624
00:34:16,833 --> 00:34:19,625
And when, God forbid,
I forget to thank you at a movie premiere,

625
00:34:19,708 --> 00:34:23,166
you come home, you start a fight,
and by morning you're drinking on Xannies,

626
00:34:23,250 --> 00:34:26,833
trying to fuckin' cut your wrists
with a pair of fucking nail scissors.

627
00:34:27,750 --> 00:34:30,250
[Malcolm muttering] Stupid motherf…

628
00:34:30,333 --> 00:34:31,958
Malcolm, I want you to leave this room.

629
00:34:32,041 --> 00:34:34,875
Oh, shut the fuck up, Marie.
You know, I get it. I really do.

630
00:34:34,958 --> 00:34:37,541
You have pain and fucking
disappointment and dreams

631
00:34:37,625 --> 00:34:39,500
like everybody else on planet Earth.

632
00:34:39,583 --> 00:34:41,916
You're mad you didn't get
the jobs you wish you'd got.

633
00:34:42,000 --> 00:34:44,541
You're embarrassed
you had to play "Skinny Girl In Alley"

634
00:34:44,625 --> 00:34:46,208
and "Concerned Nurse Number Two."

635
00:34:46,291 --> 00:34:50,000
Well, guess what? None of us
are proud of where we first start off.

636
00:34:50,083 --> 00:34:54,375
I started off, I had to do token fuckin'
punch up on straight to VOD rom-coms,

637
00:34:54,458 --> 00:34:57,625
and under-the-table rewrites on films
that didn't wanna pay writers!

638
00:34:57,708 --> 00:34:59,041
But you keep working!

639
00:34:59,125 --> 00:35:01,541
You keep on trying!
You work harder and harder

640
00:35:01,625 --> 00:35:03,750
'cause even if
you're not talented, which you are,

641
00:35:03,833 --> 00:35:06,833
you can still get somewhere,
as long as you don't have an ego.

642
00:35:06,916 --> 00:35:10,125
You don't have to be proud
of everything you do!

643
00:35:10,208 --> 00:35:14,083
But you do have
to work harder than 99% of people.

644
00:35:14,166 --> 00:35:16,000
[breathing heavily]

645
00:35:16,083 --> 00:35:18,958
You know what's bullshit?
What's a fucking cop-out, Marie?

646
00:35:19,041 --> 00:35:22,791
Is you acting like my work
is so fucking suffocating

647
00:35:22,875 --> 00:35:26,041
that you can't even breathe,
that you don't have any fucking space.

648
00:35:26,125 --> 00:35:27,583
I mean, look around.

649
00:35:27,666 --> 00:35:31,166
Look at this fucking house
the production company put us up in.

650
00:35:31,250 --> 00:35:33,458
Pick a room, get to fucking work,

651
00:35:33,541 --> 00:35:37,625
and stop blaming me for your
inabilities to get your shit together!

652
00:35:37,708 --> 00:35:39,083
[Malcolm breathing heavily]

653
00:35:40,333 --> 00:35:42,541
I checked you into rehab.

654
00:35:42,625 --> 00:35:45,250
I went to group therapy with you.
I've been with you.

655
00:35:45,333 --> 00:35:48,166
I fucking supported you
every single step of the way.

656
00:35:51,708 --> 00:35:53,208
When you were depressed,

657
00:35:53,291 --> 00:35:56,333
when you were on so many meds
that you couldn't fuck for half a year,

658
00:35:56,416 --> 00:35:57,625
I was there for you.

659
00:35:57,708 --> 00:35:59,791
When you relapsed, I was there for you.

660
00:35:59,875 --> 00:36:04,083
When we lived on 38th Street
and you went out to that meeting, right?

661
00:36:04,166 --> 00:36:06,458
And you went to the meeting
and you didn't come home

662
00:36:06,541 --> 00:36:08,791
because you were
fucking somebody else, right?

663
00:36:08,875 --> 00:36:10,458
Guess who was there for you?

664
00:36:10,541 --> 00:36:11,833
This nigga right here.

665
00:36:14,791 --> 00:36:17,500
So, don't go there.

666
00:36:17,583 --> 00:36:22,375
Do not fucking go there because
you are not gonna win this one, Marie.

667
00:36:22,458 --> 00:36:23,500
Trust me.

668
00:36:25,250 --> 00:36:26,291
[Malcolm sniffles]

669
00:36:29,583 --> 00:36:30,750
[clattering in kitchen]

670
00:36:33,958 --> 00:36:35,958
[bottle opening]

671
00:36:50,125 --> 00:36:52,458
[gulps, sighs]

672
00:36:52,541 --> 00:36:53,791
-[sniffles]
-[glass clatters]

673
00:36:53,875 --> 00:36:54,875
[sighing]

674
00:36:56,958 --> 00:36:59,416
All right, how about
we cut the bullshit, Malcolm?

675
00:37:00,333 --> 00:37:04,125
Since everybody's being honest tonight,
how about you be honest? Hmm?

676
00:37:04,625 --> 00:37:06,791
About the real reason
you were there for me.

677
00:37:11,291 --> 00:37:13,208
I was good fucking material.

678
00:37:15,958 --> 00:37:18,791
Hmm? That's why you stuck by me.

679
00:37:19,958 --> 00:37:21,375
Because I was a story.

680
00:37:21,458 --> 00:37:25,041
It was a world of emotions you weren't
used to seeing so fucking close.

681
00:37:25,125 --> 00:37:28,541
And because I was 20 years old and I'd
never been loved the way you loved me

682
00:37:28,625 --> 00:37:31,583
or thought you loved me,
I didn't realize what I was to you.

683
00:37:32,916 --> 00:37:35,750
A fucking movie. A tragedy.

684
00:37:35,833 --> 00:37:38,958
One that you could continue watching
for as long as you were there for me.

685
00:37:39,041 --> 00:37:42,250
And tonight, in that fucking audience,
I watched the whole shit play out.

686
00:37:42,333 --> 00:37:45,541
So don't pretend like it was
a selfless fucking act, Malcolm.

687
00:37:46,125 --> 00:37:49,208
It's literally the basis of your art
and it is the reason

688
00:37:49,291 --> 00:37:52,791
why all these people are calling you
brilliant and brave and fearless.

689
00:37:56,041 --> 00:37:56,916
[scoffs]

690
00:37:57,583 --> 00:37:59,166
"So tell us, Malcolm."

691
00:38:00,958 --> 00:38:03,583
"How were you able to breathe life
into the character of Imani?"

692
00:38:03,666 --> 00:38:06,625
"How were you able
to channel the voice of a young woman

693
00:38:06,708 --> 00:38:08,666
so well, so authentically?"

694
00:38:09,416 --> 00:38:10,333
"Hmm."

695
00:38:11,125 --> 00:38:15,500
"Well, Jennifer, that's a good question.
I guess you could say I stole it."

696
00:38:15,583 --> 00:38:17,000
"I ripped it off."

697
00:38:17,791 --> 00:38:20,166
"Not a literal theft, a spiritual one."

698
00:38:21,375 --> 00:38:22,625
You're a fucking fraud.

699
00:38:22,708 --> 00:38:26,208
The reason you didn't thank me tonight
is because you already know that.

700
00:38:26,291 --> 00:38:30,125
[scoffing] You have nothing new to say.

701
00:38:30,208 --> 00:38:33,250
[laughs] All you can do is fuckin' mimic.

702
00:38:33,333 --> 00:38:35,541
Be a fucking parakeet, a goddamn cockatoo.

703
00:38:35,625 --> 00:38:38,333
I mean, God forbid you are ever alone,

704
00:38:38,416 --> 00:38:40,666
and have to dream up
another original idea.

705
00:38:40,750 --> 00:38:42,833
What are you going to write, Malcolm?

706
00:38:44,208 --> 00:38:45,166
Huh?

707
00:38:46,791 --> 00:38:47,625
Yourself?

708
00:38:49,458 --> 00:38:51,000
Give me a fucking break.

709
00:38:51,875 --> 00:38:54,041
You don't have the balls. [slaps leg]

710
00:38:54,125 --> 00:38:57,958
You don't have the gravitas, the fucking
introspection to look at yourself

711
00:38:58,041 --> 00:38:59,958
and your flaws and your shortcomings

712
00:39:00,041 --> 00:39:02,791
and the fact that you may not be
the next Spike Lee or Barry Jenkins

713
00:39:02,875 --> 00:39:05,708
because those motherfuckers
had something new to say.

714
00:39:05,791 --> 00:39:09,291
Something true to themselves
and their fucking experience.

715
00:39:10,458 --> 00:39:13,500
You say the film is about shame and guilt.

716
00:39:13,583 --> 00:39:15,125
-[pouring liquid]
-Correct?

717
00:39:15,958 --> 00:39:17,333
Your words, not mine.

718
00:39:18,333 --> 00:39:20,916
All right. Well, I have
a question for you, Malcolm.

719
00:39:21,000 --> 00:39:22,791
Whose fucking shame?

720
00:39:23,458 --> 00:39:25,166
Whose guilt?

721
00:39:25,250 --> 00:39:28,291
What the fuck do you know
about shame and guilt?

722
00:39:28,375 --> 00:39:31,458
You have two parents, no bad habits
other than being a fucking prick,

723
00:39:31,541 --> 00:39:32,666
and a college education.

724
00:39:32,750 --> 00:39:35,250
Your mother is a therapist.
Your father is a professor.

725
00:39:35,333 --> 00:39:38,000
Your sister works for a think tank in D.C.

726
00:39:38,083 --> 00:39:42,333
But out here, on these streets,
these smiling fucking rich people,

727
00:39:42,416 --> 00:39:44,916
they think you know
what it's like to scrap.

728
00:39:46,083 --> 00:39:49,375
Think you fucking lived it.
Give me a break.

729
00:39:50,666 --> 00:39:53,750
You're more privileged than the white girl
who works for the LA Times,

730
00:39:53,833 --> 00:39:57,083
who thinks she's doing a public service
by lifting up your mediocre ass.

731
00:39:57,875 --> 00:39:58,875
Now you're being cruel.

732
00:39:58,958 --> 00:40:01,750
Try slitting your wrists
with a pair of nail scissors.

733
00:40:04,541 --> 00:40:07,333
You're not gonna wanna survive it,
because it's embarrassing.

734
00:40:07,416 --> 00:40:08,250
Don't worry.

735
00:40:08,333 --> 00:40:11,291
I'm not so petty I throw it out
in argument because I'm angry.

736
00:40:11,375 --> 00:40:13,416
-I didn't mean it.
-Too late.

737
00:40:15,000 --> 00:40:16,958
It's embarrassing and it's cruel,

738
00:40:17,041 --> 00:40:19,416
and it makes me regret
sharing so much with you.

739
00:40:26,750 --> 00:40:29,000
-[softly] Fucking calling me…
-[door shuts]

740
00:40:30,541 --> 00:40:34,833
[mumbling profanity]

741
00:40:34,916 --> 00:40:37,041
-[instrumental music playing]
-[water running]

742
00:40:41,791 --> 00:40:43,291
[foot tapping]

743
00:40:55,583 --> 00:40:59,375
-[crickets chirping]
-[muttering] I'm keeping you…

744
00:41:10,958 --> 00:41:11,791
Bullshit!

745
00:41:23,000 --> 00:41:26,541
How the fuck am I keeping you from a life?

746
00:41:26,625 --> 00:41:27,875
So stupid.

747
00:41:31,333 --> 00:41:32,458
[grunting]

748
00:41:37,125 --> 00:41:38,083
Fucking bullshit.

749
00:41:46,208 --> 00:41:47,958
[mumbling indistinctly]

750
00:41:55,166 --> 00:41:57,916
I know… I know what this is.
This is bullshit.

751
00:42:02,416 --> 00:42:03,583
Fuck Malibu.

752
00:42:08,375 --> 00:42:09,583
[banging]

753
00:42:11,000 --> 00:42:12,500
What do you mean, "mediocre"?

754
00:42:13,333 --> 00:42:14,458
[Marie inhales deeply]

755
00:42:15,375 --> 00:42:16,708
[water gurgling]

756
00:42:16,791 --> 00:42:18,458
[door slides open]

757
00:42:20,750 --> 00:42:22,583
Were you just trying to be mean?

758
00:42:23,208 --> 00:42:24,416
Is that why you said it?

759
00:42:32,166 --> 00:42:33,458
Out of everything I said,

760
00:42:34,791 --> 00:42:36,791
"mediocre" is what stuck with you?

761
00:42:37,458 --> 00:42:39,666
I just wanna know
if you actually believe it.

762
00:42:42,750 --> 00:42:43,583
Guess.

763
00:42:44,083 --> 00:42:47,333
-Answer the question.
-What is the question specifically?

764
00:42:47,416 --> 00:42:49,166
Do you not like the movie?

765
00:42:50,125 --> 00:42:51,166
I never said that.

766
00:42:53,791 --> 00:42:56,208
-So you don't like me and the movie.
-I never said that.

767
00:42:56,291 --> 00:42:58,125
That's literally
what you just fucking said.

768
00:42:59,083 --> 00:43:00,958
I feel like you're being a bit irrational.

769
00:43:01,041 --> 00:43:02,166
I'm being irrational?

770
00:43:02,958 --> 00:43:05,916
I'm being fucking irrational?
This is the biggest night of my life,

771
00:43:06,000 --> 00:43:09,041
and you're trying to turn it
into the worst and I'm being irrational.

772
00:43:09,750 --> 00:43:10,750
Look at you.

773
00:43:10,833 --> 00:43:13,625
You're so solipsistic
that you see yourself in everything.

774
00:43:13,708 --> 00:43:15,708
Even in things you had nothing to do with.

775
00:43:15,791 --> 00:43:17,375
You notice the way Imani walks.

776
00:43:17,458 --> 00:43:20,333
You turn to me and say,
"I wonder where you got that walk from."

777
00:43:20,416 --> 00:43:22,458
I don't say shit.
I actually smile, don't I?

778
00:43:22,541 --> 00:43:25,333
Keep that shit light
because I don't wanna hurt your feelings,

779
00:43:25,416 --> 00:43:27,541
but you tally that shit up, Marie.

780
00:43:27,625 --> 00:43:30,083
While I'm actually
doing something, creating something,

781
00:43:30,166 --> 00:43:33,791
you're on the sidelines trying to justify
your motherfucking existence.

782
00:43:34,750 --> 00:43:39,791
"I know that line." "I said that."
"I did that." "You got that from me."

783
00:43:39,875 --> 00:43:43,250
Shit, even feedback from you
comes with an IOU, Marie.

784
00:43:43,333 --> 00:43:45,500
You wanna play fucking dirty?

785
00:43:46,083 --> 00:43:47,291
Well, let's fucking go.

786
00:43:48,833 --> 00:43:50,208
You wanna hurt me, Marie.

787
00:43:51,500 --> 00:43:54,166
I promise you,
I can hurt you ten times worse.

788
00:43:55,166 --> 00:43:57,791
You're a fucking featherweight,
a level-one boss.

789
00:43:57,875 --> 00:43:59,833
I can snap you like a twig.

790
00:44:01,875 --> 00:44:04,291
Imani is based on you
as much as she is on me.

791
00:44:04,375 --> 00:44:05,625
What she says to the nurse,

792
00:44:05,708 --> 00:44:09,833
that's what I said to the doctor
when my dad was in the ICU.

793
00:44:11,000 --> 00:44:13,375
You noticed the way
Imani walks, didn't you?

794
00:44:14,083 --> 00:44:15,166
It's a good walk.

795
00:44:15,916 --> 00:44:18,208
That was my ex-girlfriend, Jess.

796
00:44:19,708 --> 00:44:21,708
So was the scene
on the bicycle in the rain.

797
00:44:21,791 --> 00:44:23,916
It wasn't based on the trip
you and I took to Barcelona.

798
00:44:24,000 --> 00:44:27,833
That's Jess and I
on the Citi Bike in Brooklyn.

799
00:44:28,541 --> 00:44:31,083
The way she ties her shoes with two loops…

800
00:44:32,083 --> 00:44:33,291
That was Jayla.

801
00:44:34,250 --> 00:44:35,416
You weren't the first.

802
00:44:35,500 --> 00:44:38,041
The joke about
how she doesn't give handjobs.

803
00:44:38,125 --> 00:44:41,666
Well, that's an old played-out line
that every nigga done heard before.

804
00:44:42,750 --> 00:44:46,125
The joke she makes
about how quickly she orgasms.

805
00:44:47,583 --> 00:44:48,583
That was Kiki.

806
00:44:49,416 --> 00:44:50,666
Kiki.

807
00:44:51,708 --> 00:44:53,083
She's a dancer.

808
00:44:54,958 --> 00:44:56,833
Dancer. We'll call her a dancer.

809
00:44:58,333 --> 00:45:00,833
Who I met
outside of St. Louis on a road trip.

810
00:45:00,916 --> 00:45:04,375
I fucked the shit out of her
in the penthouse suite of a Marriott.

811
00:45:04,458 --> 00:45:07,083
Once on the bed, once in the shower.

812
00:45:07,166 --> 00:45:09,916
We might've even fucked
in the closet or some shit too.

813
00:45:10,875 --> 00:45:12,166
I got a Polaroid of her.

814
00:45:13,666 --> 00:45:16,583
Sitting naked in a heart-shaped tub.

815
00:45:16,666 --> 00:45:19,416
It's in a photo album
at home in our closet.

816
00:45:22,083 --> 00:45:23,500
But you're an addict, right?

817
00:45:24,500 --> 00:45:26,500
That's what makes you so unique, right?

818
00:45:26,583 --> 00:45:29,958
That's what makes your contribution
so much more significant, right?

819
00:45:31,000 --> 00:45:33,833
Get the entire fuck out of here.

820
00:45:33,916 --> 00:45:37,500
You're not the first broken girl
I've known, fucked or dated.

821
00:45:38,125 --> 00:45:41,208
I wrote my first script
in a one-bedroom apartment with Leah,

822
00:45:41,291 --> 00:45:43,625
who I thought loved hour-long showers

823
00:45:43,708 --> 00:45:47,291
until I found her passed out
with a fucking needle in her arm.

824
00:45:47,958 --> 00:45:50,708
Two years ago,
I got an email from her sister

825
00:45:50,791 --> 00:45:53,958
saying she took a whole bottle
of Tylenol to the head and passed away

826
00:45:54,041 --> 00:45:55,333
and asked if I had any pictures

827
00:45:55,416 --> 00:45:57,833
'cause she was putting together
a slideshow on her behalf.

828
00:45:57,916 --> 00:46:00,291
Now that I think about it,
I should've thanked her tonight.

829
00:46:00,375 --> 00:46:01,500
She deserves it.

830
00:46:08,250 --> 00:46:09,375
Same with Tasha.

831
00:46:10,791 --> 00:46:13,000
First girl I actually loved,
I truly loved.

832
00:46:13,083 --> 00:46:14,750
The first girl who truly broke my heart.

833
00:46:14,833 --> 00:46:17,208
She never cheated on me.
She's got that going for her.

834
00:46:17,291 --> 00:46:19,708
She found Jesus,
got married, got divorced.

835
00:46:19,791 --> 00:46:23,000
She constantly DMs me
pictures of her daughter

836
00:46:23,083 --> 00:46:25,500
saying she wished she had a child with me.

837
00:46:26,291 --> 00:46:30,333
I send her heart emojis because I honestly
don't know how to respond to that.

838
00:46:31,916 --> 00:46:33,000
Are you done?

839
00:46:35,541 --> 00:46:37,291
Not even fucking close.

840
00:46:39,333 --> 00:46:40,916
Why, would you like me to stop?

841
00:46:43,583 --> 00:46:46,125
[quietly] No, Malcolm. Keep going.

842
00:46:46,208 --> 00:46:47,875
-Why?
-Hmm.

843
00:46:49,625 --> 00:46:50,958
'Cause you like that shit?

844
00:46:52,541 --> 00:46:55,041
You know how disturbed you are, Marie?

845
00:46:55,125 --> 00:46:58,083
You may have gotten clean, but
you still haven't figured this part out.

846
00:46:58,166 --> 00:47:01,916
Why you love being hurt,
traumatized and fucking eviscerated?

847
00:47:03,791 --> 00:47:04,625
It's not normal.

848
00:47:04,708 --> 00:47:08,125
It's not healthy, and it permeates
every aspect of our relationship.

849
00:47:08,208 --> 00:47:12,541
The way we talk,
the way we fight, the way we fuck.

850
00:47:12,625 --> 00:47:15,541
I've dated some
damaged people in my life, Marie.

851
00:47:15,625 --> 00:47:19,500
But none of them wanted to be
debased and degraded like you.

852
00:47:20,458 --> 00:47:22,041
And honestly, Marie…

853
00:47:24,125 --> 00:47:25,833
it's nothing to be proud of.

854
00:47:30,000 --> 00:47:35,000
So stop fucking smiling,
'cause you look like a clown.

855
00:47:38,750 --> 00:47:40,500
Now there's some material for you.

856
00:47:45,166 --> 00:47:47,166
[footsteps receding]

857
00:48:03,875 --> 00:48:06,750
You know what I just realized, Marie?

858
00:48:09,333 --> 00:48:11,541
It's not about justifying your existence.

859
00:48:12,916 --> 00:48:13,916
It's not.

860
00:48:15,208 --> 00:48:17,458
It's about you
being so scared and so selfish

861
00:48:17,541 --> 00:48:19,333
that you have to break me down.

862
00:48:20,875 --> 00:48:22,708
Second guess everything I do.

863
00:48:23,375 --> 00:48:24,916
"Am I mediocre?"

864
00:48:25,625 --> 00:48:27,541
"Can I do this without her?"

865
00:48:27,625 --> 00:48:31,500
"I don't know. I better ask Marie.
Maybe Marie will know the answer."

866
00:48:31,583 --> 00:48:33,458
"Where's Marie?
I need Marie." That's a cut.

867
00:48:33,541 --> 00:48:34,916
"Marie, where did you go?"

868
00:48:35,000 --> 00:48:36,958
"Did you see that performance?
What'd you think?"

869
00:48:37,041 --> 00:48:38,958
"You liked it? Yeah, me too."

870
00:48:39,833 --> 00:48:44,125
God forbid I'm secure enough
in my opinion that I don't need you.

871
00:48:45,541 --> 00:48:47,333
That's what this all is about.

872
00:48:47,958 --> 00:48:50,166
Your whole speech about fake films.

873
00:48:52,125 --> 00:48:54,625
You just need a reason to be needed

874
00:48:54,708 --> 00:48:59,000
because if I don't need you, then
what the hell am I doing with you, Marie?

875
00:49:00,875 --> 00:49:02,208
You want control

876
00:49:02,291 --> 00:49:06,333
because you can't imagine the reason
I'm with you is because I love you.

877
00:49:08,416 --> 00:49:10,291
I just love you, baby.

878
00:49:11,791 --> 00:49:13,041
I don't need you.

879
00:49:14,000 --> 00:49:17,625
But I love you. That there's somebody
on this planet that just loves you.

880
00:49:19,333 --> 00:49:21,958
I love the way your mind works, Marie.

881
00:49:23,208 --> 00:49:24,083
I do.

882
00:49:24,625 --> 00:49:27,375
I love the way you see the world.

883
00:49:28,291 --> 00:49:30,500
I love the way you think.

884
00:49:31,250 --> 00:49:32,125
Your instincts.

885
00:49:32,208 --> 00:49:36,375
And I'm so fucking grateful

886
00:49:36,458 --> 00:49:39,916
because everything
that you've been through, everything…

887
00:49:42,166 --> 00:49:44,500
That's what made you you.
That's what made you you.

888
00:49:44,583 --> 00:49:46,541
The girl that I love,
the girl that I fuck with,

889
00:49:46,625 --> 00:49:48,958
the girl that I'm up
at 2:00 a.m. in the morning

890
00:49:49,041 --> 00:49:54,125
on the biggest night of my life
because she's relentless. [laughing]

891
00:49:57,041 --> 00:49:58,250
And crazy.

892
00:50:00,708 --> 00:50:03,750
[voice shaking]
And I'm sorry, though. I'm sorry.

893
00:50:04,875 --> 00:50:07,875
I apologized, you know, and…

894
00:50:09,375 --> 00:50:11,750
a thousand times. I know I fucked up.

895
00:50:12,625 --> 00:50:15,916
But honestly, the second we got home,

896
00:50:16,500 --> 00:50:18,916
all I wanted to do
was celebrate with you, baby.

897
00:50:19,750 --> 00:50:22,458
Marie, my girl, the love of my life.

898
00:50:26,875 --> 00:50:30,333
You wanna know the part
of Imani that's based on you?

899
00:50:33,833 --> 00:50:34,833
It's the end.

900
00:50:36,250 --> 00:50:38,833
The part that makes it
such a tragedy. The part…

901
00:50:39,791 --> 00:50:40,916
that she…

902
00:50:41,000 --> 00:50:45,833
Where she loathes herself so much
because of all the guilt and the shame.

903
00:50:47,875 --> 00:50:49,666
That she can't let the good in.

904
00:50:52,833 --> 00:50:54,875
That's the part that's based on you.

905
00:50:57,666 --> 00:50:59,916
Her inability to fathom

906
00:51:00,000 --> 00:51:03,291
that there's someone
on this planet Earth that just loves her.

907
00:51:06,541 --> 00:51:08,625
Despite her not loving herself.

908
00:51:13,333 --> 00:51:14,333
That's you.

909
00:51:19,750 --> 00:51:21,583
That's the part that isn't fiction.

910
00:51:41,750 --> 00:51:42,833
[sighs]

911
00:51:48,083 --> 00:51:49,291
[glass clattering]

912
00:51:50,958 --> 00:51:52,541
[bottle opening]

913
00:51:53,250 --> 00:51:54,875
[liquid pouring]

914
00:51:54,958 --> 00:51:57,833
[solemn instrumental music playing]

915
00:52:07,583 --> 00:52:08,625
[sighs]

916
00:52:10,083 --> 00:52:11,375
[inhales deeply]

917
00:52:16,208 --> 00:52:17,791
-[water splashing]
-[crying]

918
00:53:15,125 --> 00:53:16,166
[water running]

919
00:53:46,083 --> 00:53:47,375
[sighs]

920
00:53:59,708 --> 00:54:01,375
You gonna start smoking again?

921
00:54:09,833 --> 00:54:10,875
[sighs]

922
00:54:23,708 --> 00:54:25,708
[knuckles cracking]

923
00:54:28,125 --> 00:54:32,083
["Get Rid Of Him" by Dionne Warwick
playing on cell phone]

924
00:54:32,166 --> 00:54:35,500
♪ We're your friends
And we've got some good advice ♪

925
00:54:36,125 --> 00:54:39,750
♪ Before you let him break your heart
You'd better think twice ♪

926
00:54:40,541 --> 00:54:43,541
♪ He isn't worth the tears you're cryin' ♪

927
00:54:44,583 --> 00:54:47,166
♪ He's only out to break your heart ♪

928
00:54:48,583 --> 00:54:51,625
♪ Him with his cheatin' and his lyin' ♪

929
00:54:52,625 --> 00:54:55,458
♪ He's gonna rip your dreams apart ♪

930
00:54:56,583 --> 00:55:00,166
♪ But I love him ♪

931
00:55:00,250 --> 00:55:03,708
♪ And there's nothing I can do ♪

932
00:55:04,500 --> 00:55:06,416
-♪ Get rid of him ♪
-♪ Uh-uh ♪

933
00:55:06,500 --> 00:55:08,583
-♪ Get rid of him ♪
-♪ Oh, no ♪

934
00:55:08,666 --> 00:55:11,416
♪ Do you mean to say
You still consider him? ♪

935
00:55:11,500 --> 00:55:12,583
♪ Ah-ha ♪

936
00:55:12,666 --> 00:55:16,666
-♪ When you tell me that he's lazy ♪
-♪ Get rid of him ♪

937
00:55:16,750 --> 00:55:20,625
-♪ You're just sayin' things I know ♪
-♪ Get rid of him ♪

938
00:55:20,708 --> 00:55:24,750
-♪ You can tell me that I'm crazy ♪
-♪ Get rid of him ♪

939
00:55:24,833 --> 00:55:27,958
♪ But I'll never let him go ♪

940
00:55:28,750 --> 00:55:31,916
♪ He will hurt you ♪

941
00:55:32,000 --> 00:55:35,458
♪ And he'll break your heart in two ♪

942
00:55:36,458 --> 00:55:38,416
[Marie singing along] ♪ Get rid of him
Uh-uh ♪

943
00:55:38,500 --> 00:55:40,666
-♪ Get rid of him ♪
-♪ Oh, no ♪

944
00:55:40,750 --> 00:55:43,375
♪ Do you mean to say
You still consider him? ♪

945
00:55:43,458 --> 00:55:44,458
♪ Ah-ha ♪

946
00:55:47,375 --> 00:55:48,625
♪ Get rid of him ♪

947
00:55:51,416 --> 00:55:52,666
♪ Get rid of him ♪

948
00:55:55,416 --> 00:55:56,500
♪ Get rid of him ♪

949
00:55:57,125 --> 00:55:58,375
[flicking cigarette]

950
00:55:59,125 --> 00:56:00,791
♪ Oh ♪

951
00:56:00,875 --> 00:56:04,000
[Marie singing along] ♪ But I love him ♪

952
00:56:04,083 --> 00:56:07,791
♪ And there's nothing I can do ♪

953
00:56:08,416 --> 00:56:10,250
-♪ Get rid of him ♪
-♪ Uh-uh ♪

954
00:56:10,333 --> 00:56:12,541
-♪ Get rid of him ♪
-♪ Oh, no ♪

955
00:56:12,625 --> 00:56:16,291
♪ Do you really mean to say
That you can still go on this way? ♪

956
00:56:16,375 --> 00:56:18,166
-♪ Get rid of him ♪
-♪ No! ♪

957
00:56:18,250 --> 00:56:20,375
-♪ Get rid of him ♪
-♪ Oh, no ♪

958
00:56:20,458 --> 00:56:22,083
-♪ Get rid of him ♪
-♪ Uh-uh ♪

959
00:56:22,166 --> 00:56:24,000
♪ Get rid of him ♪

960
00:56:24,083 --> 00:56:28,291
♪ I know he's out to break my heart
And he'll rip my dreams apart ♪

961
00:56:28,375 --> 00:56:31,916
♪ But I love that fella so
And I'll never let him go ♪

962
00:56:32,000 --> 00:56:33,916
-♪ Get rid of him ♪
-♪ Oh, no ♪

963
00:56:34,000 --> 00:56:36,166
-♪ Get rid of him ♪
-♪ Oh, no ♪

964
00:56:36,250 --> 00:56:37,875
-♪ Get rid of him ♪
-♪ No ♪

965
00:56:37,958 --> 00:56:39,875
-♪ Get rid of him ♪
-♪ Oh, no, no, no ♪

966
00:56:39,958 --> 00:56:41,541
-♪ Get rid of him ♪
-♪ Oh, no, no, no… ♪

967
00:56:41,625 --> 00:56:42,458
[Malcolm] Fuck!

968
00:56:44,833 --> 00:56:46,791
That fucking piece of shit!

969
00:56:49,541 --> 00:56:53,416
Fuck you! Fuck you!
Fuck you! Fuck you! Fuck you!

970
00:56:54,208 --> 00:56:56,458
Fucking piece of shit! Fuck you!

971
00:56:56,541 --> 00:56:59,083
-[Marie] What's going on?
-Fuckin' LA Times review's up.

972
00:56:59,166 --> 00:57:01,791
-[Marie] Oh, shit. What does it say?
-I don't know. Fucking Internet.

973
00:57:01,875 --> 00:57:03,166
-[Marie] Is it good?
-Hold on.

974
00:57:03,250 --> 00:57:05,208
-[Marie] Who sent it to you?
-No one. I found it.

975
00:57:05,291 --> 00:57:08,000
-[Marie] How come no one sent it?
-Marie, stop. It's loading.

976
00:57:08,083 --> 00:57:09,750
[Marie] All right. What's the headline?

977
00:57:09,833 --> 00:57:13,708
Oh, gotta pay a fucking paywall now?
A fucking paywall? Really?

978
00:57:13,791 --> 00:57:14,833
[Marie] When was it posted?

979
00:57:14,916 --> 00:57:18,458
Dollar-ninety-nine a fucking month.
Twenty minutes ago.

980
00:57:18,541 --> 00:57:21,750
And no one sent it to you?
How come no one sent it to you?

981
00:57:21,833 --> 00:57:23,666
Shit. Where's my fucking wallet?

982
00:57:23,750 --> 00:57:25,875
You don't have your credit card
saved in your phone?

983
00:57:25,958 --> 00:57:27,041
-[Malcolm] No!
-Why?

984
00:57:27,125 --> 00:57:29,958
-Because I don't trust that shit.
-Really?

985
00:57:30,041 --> 00:57:33,083
-Marie, stop.
-I'm sorry. Okay. Okay.

986
00:57:34,750 --> 00:57:36,208
Did what's-her-name write it?

987
00:57:36,291 --> 00:57:37,583
-[Malcolm] The white girl?
-Yeah.

988
00:57:37,666 --> 00:57:40,083
-[Malcolm] Yeah.
-Then it's gotta be positive.

989
00:57:40,166 --> 00:57:43,000
[Malcolm] Shit, I hope so.
Where's my motherfuckin' wallet?

990
00:57:43,083 --> 00:57:44,791
[Marie] Did you check the bedroom?

991
00:57:47,625 --> 00:57:49,083
-[Malcolm] What?
-Check the bedroom?

992
00:57:49,166 --> 00:57:52,708
-Yeah, I checked the fucking bedroom!
-Okay. Well, then did you check the bar?

993
00:57:53,208 --> 00:57:54,041
[Malcolm mumbles]

994
00:57:54,125 --> 00:57:56,958
I checked the fucking bar too, Marie!
Where the fuck is the…

995
00:57:57,041 --> 00:57:59,333
Where the fuck is the…
Oh, I got it. I got it.

996
00:57:59,416 --> 00:58:02,708
-Got it? Where was it?
-Doesn't matter.

997
00:58:02,791 --> 00:58:03,625
[Marie] Mmm.

998
00:58:06,083 --> 00:58:08,000
[Malcolm breathing heavily]

999
00:58:08,083 --> 00:58:11,916
Oh, shit! Where the fuck is my phone?

1000
00:58:12,000 --> 00:58:13,333
-Malcolm.
-Where's my phone?

1001
00:58:13,416 --> 00:58:14,791
-Malcolm. Malcolm?
-What?

1002
00:58:14,875 --> 00:58:16,666
It's right here. It's right here.

1003
00:58:16,750 --> 00:58:17,708
Calm down.

1004
00:58:21,458 --> 00:58:23,041
"Imani review."

1005
00:58:23,125 --> 00:58:24,750
"A cinematic tour de force

1006
00:58:24,833 --> 00:58:28,125
takes aim at the twin horrors
of healthcare and racism,

1007
00:58:28,208 --> 00:58:32,166
in Malcolm Elliot's rebellious,
jazzy directorial debut."

1008
00:58:33,083 --> 00:58:34,833
-I fucking hate this woman.
-[chuckles]

1009
00:58:34,916 --> 00:58:36,250
Who wants to see that film?

1010
00:58:36,333 --> 00:58:38,125
"Cinematic tour de force" is all I heard.

1011
00:58:38,208 --> 00:58:41,166
-You didn't hear "jazzy"?
-No, I heard "jazzy," too.

1012
00:58:41,250 --> 00:58:44,333
"Like the opening Steadicam shot."
It's a dolly, you fucking idiot.

1013
00:58:44,416 --> 00:58:46,458
"Through the streets of Bed-Stuy,
we know one thing

1014
00:58:46,541 --> 00:58:49,458
about our slender protagonist Imani.
She marches to her own beat."

1015
00:58:49,541 --> 00:58:51,791
"She sets the tone,
the atmosphere, the vibe."

1016
00:58:51,875 --> 00:58:54,875
"She may slink and slide through
halfway houses and in-patient hospitals,

1017
00:58:54,958 --> 00:58:57,333
but make no mistake,
as the title suggests,

1018
00:58:57,416 --> 00:59:00,833
this is her film, her world, her turf.
Until it's not."

1019
00:59:00,916 --> 00:59:03,208
"If you can't tell
by the rhythm of my white girl words,

1020
00:59:03,291 --> 00:59:04,750
you are in for a Black film."

1021
00:59:04,833 --> 00:59:07,458
[chuckling] The synopsis.
Boring, boring, boring.

1022
00:59:07,541 --> 00:59:11,500
The only reason you know it's 2-perf 35 is
because I said it at the premier, dipshit.

1023
00:59:11,583 --> 00:59:12,666
"Positive…"

1024
00:59:12,750 --> 00:59:14,708
"Leading to a harrowing
and indelible scene

1025
00:59:14,791 --> 00:59:17,083
where Imani overdoses
at a Chinatown market,

1026
00:59:17,166 --> 00:59:19,458
and that's where Elliot's
true target becomes clear."

1027
00:59:19,541 --> 00:59:22,833
"This is a film about how the American
healthcare system treats women of color."

1028
00:59:22,916 --> 00:59:24,208
And at this precise moment,

1029
00:59:24,291 --> 00:59:26,791
every Negro who subscribes
to the LA Times just said,

1030
00:59:26,875 --> 00:59:28,750
"Then why the fuck
do I need to see this film?"

1031
00:59:28,833 --> 00:59:31,333
Just 'cause the film doesn't star
anybody that looks like her

1032
00:59:31,416 --> 00:59:32,833
doesn't mean it's political.

1033
00:59:32,916 --> 00:59:36,333
-What's wrong with being political?
-Political films are exhausting.

1034
00:59:36,416 --> 00:59:37,958
[Marie] You love political films.

1035
00:59:38,041 --> 00:59:40,958
Not the ones the white woman
from the LA Times calls political.

1036
00:59:41,041 --> 00:59:42,583
I'm sure she loves Do The Right Thing.

1037
00:59:42,666 --> 00:59:46,416
Made at a time when politics weren't cool.
That's what made it so revolutionary.

1038
00:59:46,500 --> 00:59:48,541
"When Imani is placed under 5150,

1039
00:59:48,625 --> 00:59:50,541
a term for people
being held against their will

1040
00:59:50,625 --> 00:59:52,416
and being a danger
to themselves and others,

1041
00:59:52,500 --> 00:59:55,875
after a harrowing scene
with a pair of nail scissors, she…"

1042
00:59:55,958 --> 00:59:58,916
"She's placed
under the care of friendly doctor

1043
00:59:59,000 --> 01:00:02,458
played by… TV show fame…"

1044
01:00:02,541 --> 01:00:05,125
"But Elliot knows
the waters he's wading into,

1045
01:00:05,208 --> 01:00:09,291
and carefully, brilliantly subverts
the white savior trope."

1046
01:00:09,375 --> 01:00:11,625
Oh, she's on one now. This fucking stupid…

1047
01:00:11,708 --> 01:00:14,666
"Later, when Imani finds herself, uh…

1048
01:00:14,750 --> 01:00:17,750
at her ex-boyfriend's house
begging for a fix,

1049
01:00:17,833 --> 01:00:21,083
Elliot uses tight lenses."
It's the fucking same lens.

1050
01:00:21,166 --> 01:00:22,833
"Claustrophobia…"

1051
01:00:22,916 --> 01:00:25,125
"One begins to question his intentions

1052
01:00:25,208 --> 01:00:28,375
in reveling in the trauma
of his Black female heroine for so long."

1053
01:00:28,458 --> 01:00:30,208
"It's a scene
better implied than depicted."

1054
01:00:30,291 --> 01:00:32,416
"If not for the restraint
of his own picture,

1055
01:00:32,500 --> 01:00:34,833
then merely to separate itself
from an exhaustive history

1056
01:00:34,916 --> 01:00:37,583
that depicts gendered violence
against women of fucking color."

1057
01:00:37,666 --> 01:00:40,583
Are you fucking kidding me?
Are you kidding me, ma'am?

1058
01:00:40,666 --> 01:00:44,125
Are you fucking-- In the next line!
Oh, shit! Oh, shit!

1059
01:00:44,208 --> 01:00:47,041
She says it's a "genuine masterwork."
A genuine fucking--

1060
01:00:47,125 --> 01:00:50,416
I can't read this fucking shit anymore.
It's too fucking moronic.

1061
01:00:50,500 --> 01:00:54,416
The fact that the LA Times will
hire such a fucking halfwit is beyond me.

1062
01:00:54,500 --> 01:00:57,791
First she says that I brilliantly
subvert the white savior trope.

1063
01:00:57,875 --> 01:00:59,000
She is a savior.

1064
01:00:59,083 --> 01:01:00,791
She's trying to save her,

1065
01:01:00,875 --> 01:01:03,333
so how the fuck
did I subvert it, lady? How?

1066
01:01:03,416 --> 01:01:05,416
You wanna know how?
It's because I'm Black!

1067
01:01:05,500 --> 01:01:08,041
If I was white,
she would've said I fell for the trope.

1068
01:01:08,125 --> 01:01:10,708
But because I'm a man,
she can question my intention

1069
01:01:10,791 --> 01:01:13,250
saying that I'm reveling
in the trauma of a woman.

1070
01:01:13,333 --> 01:01:14,625
"Better implied than depicted."

1071
01:01:14,708 --> 01:01:17,791
The fuck out of here! Why?
Because Taylor took her shirt off?

1072
01:01:17,875 --> 01:01:21,083
I'm sure she just doesn't think
that the nudity was necessary.

1073
01:01:21,166 --> 01:01:22,625
None of it is necessary, Marie.

1074
01:01:22,708 --> 01:01:24,416
None of this shit is necessary.

1075
01:01:24,500 --> 01:01:28,833
Movement, blocking, lighting,
fucking digital versus film.

1076
01:01:28,916 --> 01:01:31,625
This cut here, that cut here.
Let's pan. Two-shot.

1077
01:01:31,708 --> 01:01:33,916
None of this shit matters.
It's all about what you want.

1078
01:01:34,000 --> 01:01:36,833
But my fucking problem with her
before she even wrote this dumb-ass,

1079
01:01:36,916 --> 01:01:40,000
bitch-ass, pussy-ass review is
the same after readin' this cock-sucking,

1080
01:01:40,083 --> 01:01:42,041
-motherfucking, dog-dick review.
-[giggles]

1081
01:01:42,125 --> 01:01:45,083
She's not looking at the film.
The ideas in it,

1082
01:01:45,166 --> 01:01:46,875
the emotions, or the craft.

1083
01:01:46,958 --> 01:01:49,375
Cinema doesn't need
to have a fucking message.

1084
01:01:49,458 --> 01:01:51,833
It needs to have a heart and electricity.

1085
01:01:51,916 --> 01:01:54,791
Morons like this
sap the world of its mystery

1086
01:01:54,875 --> 01:01:58,000
because they need everything
spelled out with fucking A-B-C blocks.

1087
01:01:58,083 --> 01:02:01,500
And they're terrified to embrace
anything potentially dangerous

1088
01:02:01,583 --> 01:02:03,750
because they're trying
to predict the culture.

1089
01:02:03,833 --> 01:02:07,750
This fucking bobblehead shouldn't be
writing for the LA fucking Times.

1090
01:02:07,833 --> 01:02:11,000
She should be holding
smiling sun placards for the local news

1091
01:02:11,083 --> 01:02:13,958
because all she is,
is a motherfucking weatherman!

1092
01:02:16,125 --> 01:02:17,583
Or weatherwoman.

1093
01:02:18,916 --> 01:02:20,041
Whatever.

1094
01:02:21,333 --> 01:02:24,250
Fucking… Dorothy-ass…

1095
01:02:28,000 --> 01:02:29,166
Malcolm.

1096
01:02:30,000 --> 01:02:31,000
What?

1097
01:02:32,083 --> 01:02:34,791
She did call it a genuine masterwork.

1098
01:02:37,666 --> 01:02:38,958
I don't give a fuck!

1099
01:02:39,500 --> 01:02:41,625
Unlike her, at least I'm consistent.

1100
01:02:42,166 --> 01:02:43,916
You can't hang everything on identity.

1101
01:02:44,000 --> 01:02:47,333
You can't say that I brilliantly
subverted this trope 'cause I'm Black,

1102
01:02:47,416 --> 01:02:50,000
but I fell into this one
because I'm a fucking man!

1103
01:02:50,083 --> 01:02:51,750
Identities are constantly shifting.

1104
01:02:51,833 --> 01:02:54,958
Does the male gaze exist
if the filmmaker's gay and not straight?

1105
01:02:55,041 --> 01:02:57,208
And to what degree?
What if they're asexual?

1106
01:02:57,291 --> 01:02:59,666
What if they're transitioning
and you don't even know it?

1107
01:02:59,750 --> 01:03:03,125
You can only look back at things
and wonder what the fuck it all means!

1108
01:03:03,791 --> 01:03:07,750
I mean, why did Ben Hecht and Selznick,
two fucking Jewish men,

1109
01:03:07,833 --> 01:03:10,916
spend so much time on Gone With the Wind?

1110
01:03:11,000 --> 01:03:12,125
To this day,

1111
01:03:12,208 --> 01:03:16,083
no one can explain to me why the fuck
Billy Wilder made Spirit of St. Louis

1112
01:03:16,166 --> 01:03:19,208
and lionized
that Nazi bastard Lindbergh, huh?

1113
01:03:19,291 --> 01:03:22,708
Or why Ida Lupino loved film noir
and fucking violent men.

1114
01:03:22,791 --> 01:03:24,833
Why Ed Wood wore fucking panties?

1115
01:03:24,916 --> 01:03:29,208
He wore panties and made B films
about fucking space aliens.

1116
01:03:29,291 --> 01:03:32,458
Or Elaine May was fascinated
with emotionally stunted men.

1117
01:03:32,541 --> 01:03:34,541
I mean, did she see herself in them?

1118
01:03:35,208 --> 01:03:38,625
Did she hate them in real life, but wanted
to get to know them through the work?

1119
01:03:38,708 --> 01:03:42,875
The fact that Barry Jenkins isn't gay,
is that what made Moonlight so universal?

1120
01:03:42,958 --> 01:03:46,041
Or was being gay the reason Cukor
empathized with women more than men?

1121
01:03:46,125 --> 01:03:47,750
It's all a mystery is the point!

1122
01:03:47,833 --> 01:03:50,625
What drives a filmmaker?
What drives an artist?

1123
01:03:50,708 --> 01:03:52,458
[breathing heavily]

1124
01:03:52,541 --> 01:03:56,625
I mean, why did Pontecorvo,
a fucking rich Italian Jewish man…

1125
01:03:56,708 --> 01:04:00,708
Why did he fucking feel such a kinship
to Algerian Muslim guerrilla fighters

1126
01:04:00,791 --> 01:04:02,916
that he fucking made Battle of Algiers?

1127
01:04:03,000 --> 01:04:05,416
A fucking classic! Tell me that!

1128
01:04:05,500 --> 01:04:07,625
Can you tell me that? Fucking Karen!

1129
01:04:07,708 --> 01:04:11,666
Can you tell me that? You can't, can you?
Because why? 'Cause nobody knows!

1130
01:04:11,750 --> 01:04:15,750
Who the fuck knows? Who the fuck knows?
Why did I shoot the scene the way I did?

1131
01:04:15,833 --> 01:04:17,791
Is it because I'm a man,
because I'm straight?

1132
01:04:17,875 --> 01:04:19,708
Is it because I'm desensitized to violence

1133
01:04:19,791 --> 01:04:23,000
or is it because I believe that
if you witness trauma onscreen,

1134
01:04:23,083 --> 01:04:25,750
the audience should also
feel that fucking trauma?

1135
01:04:25,833 --> 01:04:27,833
That is the mystery of art. Of film.

1136
01:04:27,916 --> 01:04:31,125
What drives someone to make something
and fucking say something.

1137
01:04:31,208 --> 01:04:34,750
Now, you can criticize this system,
which, like every fucking system,

1138
01:04:34,833 --> 01:04:36,041
is white as fuck,

1139
01:04:36,125 --> 01:04:38,750
and in our business,
fucking male and white as fuck!

1140
01:04:38,833 --> 01:04:40,500
I mean, goddamn!

1141
01:04:40,583 --> 01:04:42,583
I've been waiting my whole life,
I've been askin',

1142
01:04:42,666 --> 01:04:44,375
"Where the fuck
are all the Black filmmakers,

1143
01:04:44,458 --> 01:04:46,916
'cause I'm gettin' sick and tired
of these little British boys

1144
01:04:47,000 --> 01:04:50,750
runnin' around here all in they feelings
trying to overcome a fucking birth defect

1145
01:04:50,833 --> 01:04:52,875
to save the fucking Queen from Hitler."

1146
01:04:52,958 --> 01:04:55,416
-[chuckling]
-Just do me a fucking favor, all right?

1147
01:04:55,500 --> 01:04:58,666
Ban every fucking film
with a postscript, and we'll be good.

1148
01:04:59,583 --> 01:05:02,125
We'll be fucking great!

1149
01:05:02,208 --> 01:05:06,625
But to write shit like this?
To write this bullshit?

1150
01:05:06,708 --> 01:05:09,708
To box people in
because you don't have the love of film,

1151
01:05:09,791 --> 01:05:12,916
because you don't have the mind
to critique the form, medium, technique.

1152
01:05:13,000 --> 01:05:15,291
You don't have the words
to describe the emotions

1153
01:05:15,375 --> 01:05:17,708
or too much fear
that you're not gonna get clicks,

1154
01:05:17,791 --> 01:05:20,291
or too much fear
that the mob's gonna turn on you.

1155
01:05:20,375 --> 01:05:23,416
Fuck you for inhibiting
the ability for artists to dream about

1156
01:05:23,500 --> 01:05:25,666
what life may be like
for other fucking people.

1157
01:05:25,750 --> 01:05:28,541
Fuck you! Twice! With a sick cactus dick!

1158
01:05:28,625 --> 01:05:31,791
Even if you come up short,
even if you could do better, fuck you!

1159
01:05:31,875 --> 01:05:33,666
You're the reason they make this stale,

1160
01:05:33,750 --> 01:05:35,833
safe, stagnant turgid shit
in the first place!

1161
01:05:35,916 --> 01:05:38,375
You're the reason! Not me!
You're the reason!

1162
01:05:39,875 --> 01:05:43,666
I mean, you should be fucking bold!
You should be fucking reckless!

1163
01:05:43,750 --> 01:05:45,958
People should be fucking reckless!

1164
01:05:46,041 --> 01:05:48,208
They should be yelling
at the top of their lungs!

1165
01:05:48,291 --> 01:05:52,375
Hey, Karen! Hey, Al!

1166
01:05:52,458 --> 01:05:55,666
I hear you, and I don't give a fuck!

1167
01:05:56,291 --> 01:05:58,166
Because they're not gonna get any better

1168
01:05:58,250 --> 01:06:02,083
until they start rebelling against this
purist, moralistic, academic nonsense

1169
01:06:02,166 --> 01:06:04,916
in the same way Spike Lee
rebelled against the white system

1170
01:06:05,000 --> 01:06:06,541
when he made Do the Right Thing.

1171
01:06:06,625 --> 01:06:08,833
Normally, I wish death
upon someone like this.

1172
01:06:08,916 --> 01:06:11,541
Someone who lacks
the fucking imagination like this.

1173
01:06:11,625 --> 01:06:14,416
But instead, I'm gonna pray fucking hard,

1174
01:06:14,500 --> 01:06:17,625
the way my mama taught me,
that she gets fucking carpal tunnel,

1175
01:06:17,708 --> 01:06:19,541
until her hands atrophy and cramp

1176
01:06:19,625 --> 01:06:24,833
and she can no longer write nonsensical
fucking garbage like this anymore!

1177
01:06:24,916 --> 01:06:26,333
[panting]

1178
01:06:26,416 --> 01:06:27,833
-[grunts]
-[Marie] Mmm.

1179
01:06:27,916 --> 01:06:29,291
[laughing]

1180
01:06:31,375 --> 01:06:33,083
Oh, my God.

1181
01:06:36,625 --> 01:06:39,666
So this is what happens
when you get a good review?

1182
01:06:43,583 --> 01:06:45,708
-You're fucking crazy.
-[both chuckle]

1183
01:06:45,791 --> 01:06:47,666
I'm ser-- You're delirious.

1184
01:06:47,750 --> 01:06:49,250
-[Malcolm grunts]
-[chuckles]

1185
01:06:50,291 --> 01:06:53,125
Honestly, Malcolm,
you are a true insane person.

1186
01:06:54,333 --> 01:06:56,916
I know. I know. I just…
I'm tired of fighting, Marie.

1187
01:06:57,000 --> 01:06:59,625
That was a fight
you had entirely with yourself.

1188
01:06:59,708 --> 01:07:01,458
[both chuckling]

1189
01:07:02,833 --> 01:07:04,500
You think you're the first writer

1190
01:07:04,583 --> 01:07:07,666
in the history of writing
to have this issue with critics?

1191
01:07:07,750 --> 01:07:08,666
'Course not.

1192
01:07:08,750 --> 01:07:11,458
Of course not,
'cause it's all the same bullshit.

1193
01:07:11,541 --> 01:07:14,291
So, what, Malcolm? You wanna make movies,

1194
01:07:14,375 --> 01:07:17,333
and no one's allowed to say
anything bad about them?

1195
01:07:17,416 --> 01:07:20,083
Give me a break.

1196
01:07:20,166 --> 01:07:22,583
[mockingly] "Oh, no!
Someone attacked my movie."

1197
01:07:22,666 --> 01:07:24,750
Well, fuck these lazy-ass critics.

1198
01:07:24,833 --> 01:07:30,000
Malcolm, you are not making pottery
for a living, okay?

1199
01:07:30,083 --> 01:07:34,708
You are a filmmaker,
and filmmaking is the most capitalistic,

1200
01:07:34,791 --> 01:07:37,708
mainstream fucking art form
on the planet Earth.

1201
01:07:37,791 --> 01:07:40,083
No matter how many times
Taylor told E! News

1202
01:07:40,166 --> 01:07:41,916
that she was a fucking communist.

1203
01:07:42,000 --> 01:07:44,000
-She what?
-Or a Maoist.

1204
01:07:44,083 --> 01:07:45,708
-Come on.
-It was something like that.

1205
01:07:45,791 --> 01:07:48,208
She might've talked about
the redistribution of wealth,

1206
01:07:48,291 --> 01:07:49,333
lack of social programs.

1207
01:07:49,416 --> 01:07:51,916
-While selling a film?
-The mental healthcare industry--

1208
01:07:52,000 --> 01:07:53,583
-For $15 a ticket?
-I'm just saying--

1209
01:07:53,666 --> 01:07:54,791
On E! News.

1210
01:07:55,458 --> 01:07:56,875
It was Entertainment Tonight.

1211
01:07:58,250 --> 01:08:00,416
And you wonder
why the white girl's talking about

1212
01:08:00,500 --> 01:08:02,458
the mental healthcare system
in her review.

1213
01:08:03,958 --> 01:08:04,875
Because…

1214
01:08:04,958 --> 01:08:06,541
-[Marie] Mm-hmm.
-[mumbling]

1215
01:08:06,625 --> 01:08:09,416
Oh, she… Oh, shit, you're right.

1216
01:08:09,500 --> 01:08:10,333
Right?

1217
01:08:10,875 --> 01:08:12,625
Oh. [chuckles]

1218
01:08:12,708 --> 01:08:14,458
-Yep. [chuckles]
-[stomping feet]

1219
01:08:14,541 --> 01:08:16,625
I hate to break it to you, but uh…

1220
01:08:17,583 --> 01:08:19,708
no one in this game is a radical.

1221
01:08:19,791 --> 01:08:23,333
-Oh, Taylor's pretty radical.
-Bullshit. She likes to play one on TV.

1222
01:08:23,416 --> 01:08:24,416
What do you mean?

1223
01:08:25,750 --> 01:08:27,541
All of y'all are
a bunch of hookers and hoes.

1224
01:08:27,625 --> 01:08:30,083
-You calling me a ho?
-Yes, I am calling you a ho.

1225
01:08:30,166 --> 01:08:31,916
-[chuckles]
-[laughing] Fuck you.

1226
01:08:32,000 --> 01:08:34,583
'Cause you're a ho!
What? You are. That's fine.

1227
01:08:35,375 --> 01:08:37,416
That's why you're hell-bent
on sounding smart,

1228
01:08:37,500 --> 01:08:40,000
'cause you're compensating
for the fact that you're a ho.

1229
01:08:40,083 --> 01:08:42,625
Instead of just understanding that…

1230
01:08:42,708 --> 01:08:45,583
this is just how
the world of ho-dom turns.

1231
01:08:45,666 --> 01:08:49,250
You know, you got an actress
in a $2,000 dress,

1232
01:08:49,333 --> 01:08:51,083
talkin' about socialism on a red carpet

1233
01:08:51,166 --> 01:08:53,625
because she's too afraid
to admit that, guess what,

1234
01:08:53,708 --> 01:08:55,708
she's just… she's just a fuckin' actor.

1235
01:08:56,375 --> 01:08:57,750
There's no shame in that.

1236
01:08:58,333 --> 01:09:00,875
And then you got
every entertainment outlet

1237
01:09:00,958 --> 01:09:04,625
running with her call to arms,
her viva la revolution.

1238
01:09:04,708 --> 01:09:07,708
Not because they actually care
or want to spread the message.

1239
01:09:07,791 --> 01:09:12,250
But because they know that there's
nothing that sells more than disgust.

1240
01:09:14,000 --> 01:09:16,000
-Hmm.
-That's what gets the clicks.

1241
01:09:16,083 --> 01:09:19,041
And you dumbasses
fall for that shit every time.

1242
01:09:20,208 --> 01:09:22,666
Honestly, nobody cares
what you have to say.

1243
01:09:23,625 --> 01:09:24,625
They don't.

1244
01:09:25,208 --> 01:09:27,166
You guys play fucking dress-up
for a living.

1245
01:09:27,250 --> 01:09:28,125
[Malcolm scoffs]

1246
01:09:28,708 --> 01:09:33,916
This is some only-in-America, ho-ass shit.

1247
01:09:34,000 --> 01:09:35,333
[laughing]

1248
01:09:35,416 --> 01:09:37,875
And all of you are guilty.

1249
01:09:38,833 --> 01:09:42,791
You know? So just stay in your lane.
Keep doing your ho shit. It's fine.

1250
01:09:43,958 --> 01:09:45,125
[Malcolm mumbles]

1251
01:09:45,208 --> 01:09:48,416
Malcolm, you got
a great review with an asterisk.

1252
01:09:50,416 --> 01:09:53,041
Boo-fucking-hoo.

1253
01:09:57,500 --> 01:09:58,708
I'm a ho, huh?

1254
01:09:58,791 --> 01:10:01,125
Mm-hmm. Most definitely.

1255
01:10:03,416 --> 01:10:06,333
-I love you.
-Don't manipulate me.

1256
01:10:06,416 --> 01:10:07,500
[kissing]

1257
01:10:07,583 --> 01:10:09,583
[slow jazz music playing]

1258
01:10:47,958 --> 01:10:49,250
-Okay.
-Okay.

1259
01:10:49,333 --> 01:10:51,583
-Okay. I got a gameplan.
-Okay.

1260
01:10:52,333 --> 01:10:54,333
-I love what's happening.
-[chuckles]

1261
01:10:55,208 --> 01:10:57,250
Oh, my God. And thank God. I just…

1262
01:10:57,333 --> 01:10:59,333
-Been wanting to do this all night.
-[giggles]

1263
01:10:59,416 --> 01:11:00,416
Here's the gameplan.

1264
01:11:01,000 --> 01:11:02,250
I'm gonna go from here…

1265
01:11:03,375 --> 01:11:04,458
to the bathroom.

1266
01:11:05,291 --> 01:11:06,833
-Because I have to pee.
-Okay.

1267
01:11:06,916 --> 01:11:08,333
-Okay. Is it okay?
-That's fine.

1268
01:11:08,416 --> 01:11:12,083
And let's just keep it positive.
Happy thoughts.

1269
01:11:12,791 --> 01:11:14,958
You stay right here.
Don't move. You look beautiful.

1270
01:11:15,041 --> 01:11:16,791
-Stay right here. Okay?
-Okay.

1271
01:11:16,875 --> 01:11:19,083
-You stay right here.
-Okay.

1272
01:11:21,875 --> 01:11:22,833
Hey.

1273
01:11:24,333 --> 01:11:26,375
-Oh, my God. Oh, my…
-[chuckles]

1274
01:11:26,458 --> 01:11:28,458
[footsteps receding]

1275
01:11:51,791 --> 01:11:53,500
[urinating]

1276
01:11:55,541 --> 01:11:56,500
[toilet flushes]

1277
01:11:58,583 --> 01:12:00,416
-[faucet squeaks]
-[water running]

1278
01:12:17,833 --> 01:12:18,833
[Marie] Malcolm?

1279
01:12:23,458 --> 01:12:24,291
Yeah?

1280
01:12:27,958 --> 01:12:30,291
Can I ask you a question
and you promise to answer

1281
01:12:30,375 --> 01:12:32,125
without making me feel like shit?

1282
01:12:33,958 --> 01:12:35,500
[sighs deeply]

1283
01:12:35,583 --> 01:12:36,500
Yeah.

1284
01:12:45,208 --> 01:12:46,708
Why didn't you cast me?

1285
01:12:57,500 --> 01:12:59,791
When you first wrote it,
you wrote it for me.

1286
01:13:02,916 --> 01:13:04,666
So why didn't you cast me?

1287
01:13:05,583 --> 01:13:06,708
[clicks tongue]

1288
01:13:11,666 --> 01:13:14,208
So that's what this whole thing
has been about tonight?

1289
01:13:15,916 --> 01:13:16,791
[softly] No.

1290
01:13:16,875 --> 01:13:18,500
-Bullshit, Marie.
-It's not.

1291
01:13:18,583 --> 01:13:21,458
-You're lying. Yes, it is.
-[voice shaking] I'm not lying.

1292
01:13:24,041 --> 01:13:27,875
At some point, Malcolm, this was
something that we were gonna do together.

1293
01:13:30,041 --> 01:13:32,083
And I don't know when that changed.

1294
01:13:33,541 --> 01:13:37,375
I don't know when, I don't know how,
I just know that I was in that audience…

1295
01:13:38,791 --> 01:13:40,625
and I thought to myself, "Wow."

1296
01:13:44,083 --> 01:13:46,583
"I did not mean to give all that away."

1297
01:13:46,666 --> 01:13:48,125
[breath trembling]

1298
01:13:50,125 --> 01:13:53,250
And I don't wanna get
into all the reasons why you cast Taylor,

1299
01:13:54,833 --> 01:13:56,833
but you're so good at fighting.

1300
01:13:57,666 --> 01:14:00,041
You're so good at fighting.
You fought to make the movie,

1301
01:14:00,125 --> 01:14:03,750
to make it the way you wanted to make it.
So why didn't you fight for me?

1302
01:14:08,750 --> 01:14:11,208
Because I would have been good. [sniffles]

1303
01:14:12,916 --> 01:14:14,166
I would have.

1304
01:14:16,125 --> 01:14:17,500
Maybe even better.

1305
01:14:20,166 --> 01:14:21,166
So there it is.

1306
01:14:22,333 --> 01:14:25,083
-What?
-The fucking truth.

1307
01:14:25,166 --> 01:14:28,583
Leave it to you to spend the entire night
burning it all to the ground

1308
01:14:28,666 --> 01:14:32,708
only to reveal that in the end,
you're just jealous.

1309
01:14:32,791 --> 01:14:34,291
-I'm not jealous.
-Yes, you are.

1310
01:14:34,375 --> 01:14:36,208
-I'm not jealous.
-Of course you are.

1311
01:14:36,291 --> 01:14:39,250
The feeling that I'm feeling right now
is deeper than that.

1312
01:14:40,541 --> 01:14:42,333
It's not jealousy. [crying]

1313
01:14:42,416 --> 01:14:44,250
Oh, come on. Give me a break, Marie.

1314
01:14:44,333 --> 01:14:46,750
It's the fact that
I can't tell my story anymore.

1315
01:14:47,833 --> 01:14:52,958
I can't articulate all the fucking chaos
that's going on in here

1316
01:14:53,041 --> 01:14:54,250
because you already did.

1317
01:14:54,333 --> 01:14:55,458
[sniffles]

1318
01:14:55,541 --> 01:14:57,583
You already did and Taylor already did.

1319
01:14:58,833 --> 01:15:00,875
I know it's not solely mine.

1320
01:15:01,583 --> 01:15:02,708
I know that.

1321
01:15:03,500 --> 01:15:05,875
I know it happened to both of us.

1322
01:15:05,958 --> 01:15:09,083
But the difference is you were able
to take all the ugly shit

1323
01:15:09,166 --> 01:15:10,791
and make it something beautiful.

1324
01:15:13,500 --> 01:15:14,833
Something good.

1325
01:15:15,708 --> 01:15:16,916
Something that…

1326
01:15:18,541 --> 01:15:20,250
that could move people.

1327
01:15:21,916 --> 01:15:23,875
But, Malcolm, I'm stuck with it.

1328
01:15:33,083 --> 01:15:34,125
Yeah.

1329
01:15:34,208 --> 01:15:37,041
I just wish it was something
we could have done together.

1330
01:15:37,541 --> 01:15:39,916
And to be brutally honest, yes…

1331
01:15:41,375 --> 01:15:42,833
I would have been better.

1332
01:15:44,666 --> 01:15:46,166
Because I experienced it.

1333
01:15:47,541 --> 01:15:48,625
I lived it.

1334
01:15:52,541 --> 01:15:56,000
Not only would I have been better,
I would have made your film better.

1335
01:15:58,250 --> 01:15:59,541
You gave up acting.

1336
01:15:59,625 --> 01:16:02,291
When I got the film financed,
I asked you to audition.

1337
01:16:02,375 --> 01:16:06,416
You said yes, but you were reluctant.
You have talent, but that's not enough.

1338
01:16:07,250 --> 01:16:09,416
It's not enough.
You have to want it, Marie.

1339
01:16:10,125 --> 01:16:13,333
-Trust me, Malcolm, I wanted this one.
-That's fuckin' bullshit.

1340
01:16:13,416 --> 01:16:16,375
You didn't try, and that's
the harsh reality of all of this.

1341
01:16:16,458 --> 01:16:18,833
That same instinct
that exists in Imani, in you,

1342
01:16:18,916 --> 01:16:22,291
that instinct to fucking self-sabotage,

1343
01:16:22,375 --> 01:16:23,500
that didn't go away.

1344
01:16:24,041 --> 01:16:27,916
-I didn't try because you didn't want me.
-Now you wanna play the victim.

1345
01:16:30,458 --> 01:16:33,916
Now you wanna say you felt like
I didn't want you so you didn't try.

1346
01:16:41,333 --> 01:16:43,041
You are fucking intolerable.

1347
01:16:56,000 --> 01:16:57,500
[sighs deeply]

1348
01:17:08,083 --> 01:17:12,000
[Marie] Fucking… You fake-ass,
fraudulent, thievin' fuckin' con man!

1349
01:17:12,083 --> 01:17:15,708
You didn't want me because if you did,
you would have to share the stage.

1350
01:17:15,791 --> 01:17:18,250
You wouldn't be
the sole author of this film.

1351
01:17:18,333 --> 01:17:21,833
It would have a lineage that extended
beyond you and your brilliance,

1352
01:17:21,916 --> 01:17:26,166
because people would ask me and I'd say,
"Yes, this shit happened to me."

1353
01:17:26,250 --> 01:17:29,875
Then all of a sudden everyone would go,
"Is it him or her that's talented?"

1354
01:17:29,958 --> 01:17:33,041
If that's what you have
to tell yourself, then be my guest.

1355
01:17:33,125 --> 01:17:34,375
It's about ownership.

1356
01:17:34,458 --> 01:17:36,291
It's about the illusion you wanna create

1357
01:17:36,375 --> 01:17:38,333
that filmmaking
isn't a collaborative effort.

1358
01:17:38,416 --> 01:17:41,000
It's you, and everybody else
is just following directions.

1359
01:17:41,083 --> 01:17:43,166
-Because if it were me…
-[grunts loudly]

1360
01:17:43,250 --> 01:17:46,541
If it were authentic 'cause of me,
you couldn't swing your dick around!

1361
01:17:46,625 --> 01:17:48,375
That's why you didn't thank me tonight.

1362
01:17:48,458 --> 01:17:51,000
-That's also why you didn't cast me.
-Authenticity.

1363
01:17:51,083 --> 01:17:53,166
-Yeah. Mm-hmm.
-Ain't that the word of the day?

1364
01:17:53,250 --> 01:17:56,208
It's all I heard tonight.
"He's such an authentic filmmaker."

1365
01:17:56,291 --> 01:17:59,125
"The movie is authentic."
"He channeled his voice authentically."

1366
01:17:59,208 --> 01:18:00,833
-Know why people love that word?
-Why?

1367
01:18:00,916 --> 01:18:02,625
They don't know what makes something good.

1368
01:18:02,708 --> 01:18:03,916
I think authenticity is key.

1369
01:18:04,000 --> 01:18:06,208
Of course,
because that's all you have to offer.

1370
01:18:06,291 --> 01:18:08,833
-Anyone, all they have to say.
-It's all I have to offer.

1371
01:18:08,916 --> 01:18:11,416
The only word that people
that don't know shit about film

1372
01:18:11,500 --> 01:18:13,208
feels like they got something to offer…

1373
01:18:13,291 --> 01:18:14,833
No, I have nothing to offer.

1374
01:18:14,916 --> 01:18:18,458
They can't say anything about film,
but they love to talk about authenticity.

1375
01:18:18,541 --> 01:18:19,875
They don't know dick about film.

1376
01:18:19,958 --> 01:18:22,541
About fucking Citizen Kane
or Best Years of Our Lives--

1377
01:18:22,625 --> 01:18:24,625
No one fucking cares about that shit!

1378
01:18:24,708 --> 01:18:28,041
Authenticity. Oh, shit!
They know that shit through and through.

1379
01:18:28,125 --> 01:18:30,875
Authenticity does not matter,
your perspective doesn't--

1380
01:18:30,958 --> 01:18:32,416
You don't fucking have any!

1381
01:18:32,500 --> 01:18:34,833
Recreating reality
doesn't make something interesting.

1382
01:18:34,916 --> 01:18:37,458
It's about your interpretation
about reality.

1383
01:18:37,541 --> 01:18:39,833
-What you feel about reality.
-You're full of shit.

1384
01:18:39,916 --> 01:18:41,250
What you reveal about reality.

1385
01:18:41,333 --> 01:18:43,166
Perspective, your perspective.

1386
01:18:43,250 --> 01:18:46,541
Transcribing a conversation or holding
a camera up and pressing record,

1387
01:18:46,625 --> 01:18:48,541
that's a fucking YouTube video.

1388
01:18:48,625 --> 01:18:50,333
-That's a confession or memoir.
-Okay.

1389
01:18:50,416 --> 01:18:52,500
-We've seen and heard it a thousand times.
-All right.

1390
01:18:52,583 --> 01:18:56,125
Your experience, your life,
your fucking struggle, doesn't matter.

1391
01:18:56,208 --> 01:18:59,791
You've been an addict, boring!
You overdosing, not fucking interesting.

1392
01:18:59,875 --> 01:19:01,875
It's about transferring your emotions

1393
01:19:01,958 --> 01:19:04,583
and all those moments
into something cinematic and moving.

1394
01:19:04,666 --> 01:19:06,416
So, you know what? Good luck, Marie.

1395
01:19:07,958 --> 01:19:09,458
-I hate you!
-I hate you hate too!

1396
01:19:09,541 --> 01:19:11,416
-I hate you more!
-I hate you the most!

1397
01:19:11,500 --> 01:19:13,083
I fucking hate you!

1398
01:19:13,166 --> 01:19:14,958
[both screaming]

1399
01:19:15,041 --> 01:19:16,041
[grunts]

1400
01:19:16,125 --> 01:19:17,083
[screams]

1401
01:19:18,208 --> 01:19:19,541
Fuckin' asshole!

1402
01:19:22,791 --> 01:19:24,625
[Malcolm] Fucking mental patient.

1403
01:19:31,125 --> 01:19:32,541
[exhales deeply]

1404
01:19:40,083 --> 01:19:43,708
["Wasted" by NNAMDÏ playing]

1405
01:19:57,541 --> 01:20:00,916
♪ Tell me what you want me to hear ♪

1406
01:20:05,666 --> 01:20:09,958
♪ 'Cause I ain't got time to waste
I ain't got time to waste ♪

1407
01:20:10,041 --> 01:20:13,875
♪ I don't got, I don't got
I don't got time ♪

1408
01:20:15,041 --> 01:20:18,750
♪ Tell me what you want me to hear ♪

1409
01:20:23,083 --> 01:20:27,375
♪ 'Cause we ain't got time to waste
We ain't got time to waste ♪

1410
01:20:27,458 --> 01:20:31,625
♪ We don't got, we don't got
We don't got time ♪

1411
01:20:32,416 --> 01:20:36,208
♪ Tell me what you want
What you need and what you feel ♪

1412
01:20:36,291 --> 01:20:38,416
♪ I love to hear you speak… ♪

1413
01:20:38,500 --> 01:20:39,458
[song stops abruptly]

1414
01:20:39,541 --> 01:20:41,333
Marie, what are you doing?

1415
01:20:41,416 --> 01:20:44,291
Put the knife down please. Marie?

1416
01:20:46,708 --> 01:20:49,208
[Marie crying] Do you remember
those antidepressants I was on?

1417
01:20:51,875 --> 01:20:53,875
I'm not on them anymore.

1418
01:20:57,125 --> 01:21:00,750
I'm not doing well.
I'm really, really not doing well.

1419
01:21:02,250 --> 01:21:03,333
[sighs]

1420
01:21:05,166 --> 01:21:06,833
I've never been clean.

1421
01:21:08,708 --> 01:21:10,875
And I don't plan on getting clean.

1422
01:21:15,208 --> 01:21:16,541
I'm a piece of shit.

1423
01:21:17,500 --> 01:21:19,625
-I'm a liar.
-[clears throat]

1424
01:21:21,166 --> 01:21:22,583
I cheated on you.

1425
01:21:28,958 --> 01:21:30,625
I fucked your friends.

1426
01:21:32,333 --> 01:21:33,916
[laughing]

1427
01:21:38,708 --> 01:21:40,125
I fucked your friends.

1428
01:21:41,416 --> 01:21:43,833
God, I feel like I'm crazy.

1429
01:21:44,583 --> 01:21:46,166
[chuckling]

1430
01:21:47,416 --> 01:21:48,750
[knife tapping]

1431
01:21:54,583 --> 01:21:56,583
I've stolen from your mother.

1432
01:21:58,291 --> 01:22:00,916
And you know what
the fucked up thing is? [sniffles]

1433
01:22:01,000 --> 01:22:02,375
I don't even care.

1434
01:22:03,375 --> 01:22:04,416
I don't mind.

1435
01:22:05,833 --> 01:22:07,166
Because I deserve it.

1436
01:22:16,041 --> 01:22:18,000
Tell me where the fucking pills are.

1437
01:22:19,541 --> 01:22:21,000
[exhales deeply]

1438
01:22:22,083 --> 01:22:23,750
Tell me where the pills are.

1439
01:22:23,833 --> 01:22:25,916
-Um…
-[knife tapping]

1440
01:22:27,041 --> 01:22:28,166
Mmm.

1441
01:22:32,958 --> 01:22:34,000
[knife scrapes]

1442
01:22:36,416 --> 01:22:37,708
[knife clatters]

1443
01:22:37,791 --> 01:22:40,500
And that, Malcolm,
is what authenticity buys you.

1444
01:22:51,125 --> 01:22:53,708
Well, damn!
Why didn't you do that in the audition?

1445
01:22:56,833 --> 01:22:57,916
[knife scrapes]

1446
01:22:58,625 --> 01:22:59,916
[knife clatters]

1447
01:23:04,541 --> 01:23:05,708
[door creaks]

1448
01:23:09,083 --> 01:23:12,916
You are, by far, the most excruciating,
difficult, stubbornly obnoxious woman

1449
01:23:13,000 --> 01:23:15,041
I've ever met in my entire life.

1450
01:23:15,125 --> 01:23:17,208
I go from wanting
to cut your head off one moment

1451
01:23:17,291 --> 01:23:20,208
to wanting to kiss your beautiful,
stupid little face the next.

1452
01:23:21,083 --> 01:23:22,208
I fucking love you.

1453
01:23:23,000 --> 01:23:23,833
I love you.

1454
01:23:24,750 --> 01:23:27,250
-[kissing] Should we get married?
-Not in the mood.

1455
01:23:27,333 --> 01:23:29,458
I feel like we're gonna
get married and divorced

1456
01:23:29,541 --> 01:23:31,416
a couple times, might as well start now.

1457
01:23:31,500 --> 01:23:32,625
No.

1458
01:23:33,208 --> 01:23:34,291
[grunts]

1459
01:23:34,375 --> 01:23:37,208
-I'm so turned on right now.
-I'm not.

1460
01:23:39,333 --> 01:23:41,875
-[laughing] Fuckin' psychopath!
-[giggles]

1461
01:23:41,958 --> 01:23:44,958
All this madness was about you,
and that scene,

1462
01:23:45,041 --> 01:23:47,166
sayin' to me
that you could do it better than Taylor

1463
01:23:47,250 --> 01:23:49,833
and seed doubt in my mind that,
for the rest of my life,

1464
01:23:49,916 --> 01:23:51,458
-the movie could've been better.
-Mm-mm.

1465
01:23:51,541 --> 01:23:53,541
-Yes. That's exactly what you doin'.
-Mm-mmm. No.

1466
01:23:53,625 --> 01:23:55,083
-[Malcolm] That's bullshit.
-It's not!

1467
01:23:55,166 --> 01:23:56,541
[both laughing]

1468
01:23:57,166 --> 01:23:58,166
[Malcolm] Brilliant!

1469
01:23:58,666 --> 01:23:59,791
[both moaning]

1470
01:24:12,083 --> 01:24:15,041
You know what's interesting
about the white girl from LA Times

1471
01:24:15,125 --> 01:24:16,916
calling out that scene in her review?

1472
01:24:17,000 --> 01:24:18,708
Marie, who cares?

1473
01:24:18,791 --> 01:24:22,500
I mean, I've always said,
it was my least favorite in the film.

1474
01:24:23,416 --> 01:24:24,958
But my favorite in the script.

1475
01:24:25,666 --> 01:24:27,916
Can we talk about this later, please?

1476
01:24:28,000 --> 01:24:30,666
-I think it's important, you know?
-I beg you.

1477
01:24:31,666 --> 01:24:33,500
To look back and wonder why that is.

1478
01:24:36,125 --> 01:24:37,958
-Don't you?
-No.

1479
01:24:38,041 --> 01:24:42,333
Not to strip you of your mystery,
you know, just out of curiosity.

1480
01:24:43,291 --> 01:24:46,708
Out of pursuit of wanting to be,
I don't know, a better fucking artist.

1481
01:24:46,791 --> 01:24:50,000
Oh. You are exhausting.

1482
01:24:51,083 --> 01:24:54,000
You gonna be this exhausting at 70
or will you have exhausted yourself?

1483
01:24:54,083 --> 01:24:55,541
That depends where you are.

1484
01:24:55,625 --> 01:24:57,833
Living with the white girl
from the LA Times

1485
01:24:57,916 --> 01:25:00,583
because at least I can
win an argument against her.

1486
01:25:00,666 --> 01:25:05,166
But, you know. It just made me wonder,
why did I see that scene so differently?

1487
01:25:05,250 --> 01:25:08,166
I don't know. How did you see the scene?

1488
01:25:08,250 --> 01:25:09,458
It was less graphic.

1489
01:25:09,541 --> 01:25:12,416
So what? He doesn't attack Imani?
That's what it was on the page.

1490
01:25:12,500 --> 01:25:16,375
No, he attacks her. I just never thought
that you'd shoot it with her top off.

1491
01:25:16,916 --> 01:25:18,750
-What's the difference?
-Her tits were out.

1492
01:25:18,833 --> 01:25:21,208
-So?
-So, I just feel like you sexualized her.

1493
01:25:21,291 --> 01:25:23,916
If I rolled a camera on you
right now, am I sexualizing you,

1494
01:25:24,000 --> 01:25:26,166
or is this what you have on,
on a Friday night?

1495
01:25:26,250 --> 01:25:27,291
My tits aren't out.

1496
01:25:27,375 --> 01:25:30,083
If you were in a Chuck E. Cheese,
they'd throw your ass out.

1497
01:25:30,166 --> 01:25:32,583
-It was Taylor's idea anyway.
-I'm sure it was.

1498
01:25:33,083 --> 01:25:36,166
Look, it just made
everything more graphic.

1499
01:25:36,666 --> 01:25:38,875
Okay? And I just thought…

1500
01:25:40,083 --> 01:25:42,875
would the scene have been
a bit different if you were a woman?

1501
01:25:43,833 --> 01:25:46,916
Yes, but I also would have shot
the entire movie differently

1502
01:25:47,000 --> 01:25:49,458
because I wouldn't have been me,
I would've been a woman.

1503
01:25:49,541 --> 01:25:51,500
I would've had
a totally different sensibility.

1504
01:25:51,583 --> 01:25:53,583
But that's not how
you judge film intelligently,

1505
01:25:53,666 --> 01:25:57,916
by the 600 trillion different choices
not made due to an intangible

1506
01:25:58,000 --> 01:26:00,416
yet purely hypothetical
assessment of one's identity.

1507
01:26:00,500 --> 01:26:02,791
But rather the choices
actually being fucking made.

1508
01:26:02,875 --> 01:26:05,583
[sighs] Look, I'm not defending her
as a great fuckin' thinker.

1509
01:26:05,666 --> 01:26:07,333
Good. 'Cause she's an idiot.

1510
01:26:07,416 --> 01:26:10,291
I'm just saying… would the movie
have been a little better

1511
01:26:10,375 --> 01:26:12,000
if you had a dash of femininity?

1512
01:26:12,083 --> 01:26:13,666
-Who gives a fuck?
-I do.

1513
01:26:13,791 --> 01:26:15,750
-Fuck.
-I do. I do.

1514
01:26:15,833 --> 01:26:18,208
I do, Malcolm,
because it just made me wonder

1515
01:26:18,291 --> 01:26:20,166
if the problem
she has with you as a filmmaker

1516
01:26:20,250 --> 01:26:22,416
is the same problem
I have with you as a partner.

1517
01:26:23,166 --> 01:26:24,000
Well…

1518
01:26:26,000 --> 01:26:30,583
All that being said and done,
Karen thinks I'm a fucking tour-de-force.

1519
01:26:30,666 --> 01:26:32,833
-[urinating]
-[scoffs] Now you like her review?

1520
01:26:32,916 --> 01:26:36,125
[scoffs] Fucking masterwork is
what you're looking at right now, girl.

1521
01:26:36,208 --> 01:26:38,583
[groans and chuckles]
You're joking, but I'm not.

1522
01:26:38,666 --> 01:26:42,291
That's unfortunate, because I really
can't keep arguing about this shit.

1523
01:26:42,375 --> 01:26:45,041
The more I think about it,
her problem is my problem.

1524
01:26:45,125 --> 01:26:48,666
-Which is what?
-That I'm with you. I haven't walked out.

1525
01:26:48,750 --> 01:26:50,875
I'm not wondering
what other movies are playing.

1526
01:26:50,958 --> 01:26:53,250
I got you. I'm on your side,
and then you just…

1527
01:26:53,333 --> 01:26:55,375
You gotta fucking take shit too far.

1528
01:26:55,458 --> 01:26:56,583
[Malcolm] Come on.

1529
01:26:56,666 --> 01:26:59,833
No, we're in a fight,
maybe the worst fight we've ever been in,

1530
01:26:59,916 --> 01:27:03,291
but instead of just making your point
and saying it's not about you,

1531
01:27:03,375 --> 01:27:04,958
it's an amalgamation of people,

1532
01:27:05,041 --> 01:27:08,125
you gotta fucking revel in it.
You gotta twist the knife

1533
01:27:08,208 --> 01:27:13,291
and put images in my head that you and I
both know will never fucking leave me.

1534
01:27:13,375 --> 01:27:14,333
[Malcolm] What?

1535
01:27:15,291 --> 01:27:16,666
-Kiki.
-Oh!

1536
01:27:16,750 --> 01:27:17,583
Kiki.

1537
01:27:17,666 --> 01:27:20,000
-I was angry. What the fuck!
-From outside of St. Louis.

1538
01:27:20,083 --> 01:27:23,291
-A heart-shaped bathtub?
-I was angry.

1539
01:27:23,375 --> 01:27:25,583
You're a cheeseball. Ugh! Malcolm!

1540
01:27:25,666 --> 01:27:27,625
-Ew! Ew!
-[laughing]

1541
01:27:27,708 --> 01:27:28,875
Ugh!

1542
01:27:29,375 --> 01:27:33,291
You're a fucking moron, honestly.
You could've won without all that shit.

1543
01:27:33,375 --> 01:27:35,791
You could've won
with 20% of what you said,

1544
01:27:35,875 --> 01:27:38,708
but you cannot help yourself.
It is just who you are.

1545
01:27:38,791 --> 01:27:42,500
'Cause if I were ever fucked
in a penthouse suite of a Marriott,

1546
01:27:42,583 --> 01:27:45,000
in or around a heart-shaped bathtub,

1547
01:27:45,083 --> 01:27:49,250
I would never fucking
utter a word about it aloud.

1548
01:27:49,333 --> 01:27:51,708
I would never tell my friends about it,

1549
01:27:51,791 --> 01:27:53,875
I would never wield it
in a fight as a weapon.

1550
01:27:53,958 --> 01:27:55,791
You know why?
Because I know it would hurt me

1551
01:27:55,875 --> 01:27:57,541
way more than it would hurt you.

1552
01:27:58,916 --> 01:28:01,791
[sighing] And it's a bummer,
Malcolm, you know?

1553
01:28:02,333 --> 01:28:05,708
I really enjoyed having sex with you.
Up until about 15 minutes ago,

1554
01:28:05,791 --> 01:28:09,666
it was an aspect of our relationship
that I genuinely had no complaints about.

1555
01:28:11,750 --> 01:28:14,500
It was also my only remaining vice,
that and cigarettes.

1556
01:28:15,875 --> 01:28:19,500
But, well, lo and behold,
you had to take shit too far…

1557
01:28:19,583 --> 01:28:20,500
[Malcolm] Come on.

1558
01:28:20,583 --> 01:28:24,916
And obliterate any and all joy
there was to be found in fucking you.

1559
01:28:25,000 --> 01:28:27,875
The gloves were off, okay?
We were in a fight, like…

1560
01:28:27,958 --> 01:28:32,750
Oh, it didn't support your argument.
It just grossed me the fuck out.

1561
01:28:32,833 --> 01:28:36,916
It made me go,
"I cannot believe I have unprotected sex

1562
01:28:37,000 --> 01:28:40,875
with this nasty-ass,
grimy-dicked fuckin' brute,

1563
01:28:40,958 --> 01:28:44,750
a fuckin' animal,
a fuckin' barnyard animal."

1564
01:28:44,833 --> 01:28:47,125
-[chuckles]
-That's what you are. A fuckin' hog.

1565
01:28:47,208 --> 01:28:50,750
You are a shit-where-you-eat hog.
Hog of a human being.

1566
01:28:50,833 --> 01:28:53,750
-[gags]
-[Malcolm laughing]

1567
01:28:53,833 --> 01:28:55,541
Yeah, you fuckin' think it's funny.

1568
01:28:55,625 --> 01:28:57,833
-You're being dramatic.
-I'm not being dramatic.

1569
01:28:57,916 --> 01:29:00,875
You think 'cause we had a common enemy
in Karen from the LA Times,

1570
01:29:00,958 --> 01:29:02,916
all shit is sweet. We good now?

1571
01:29:03,625 --> 01:29:05,791
Think again, motherfucker. We ain't good.

1572
01:29:05,875 --> 01:29:07,041
-[chuckles]
-[Malcolm laughing]

1573
01:29:07,125 --> 01:29:09,708
She's my spiritual sister. I mean that.

1574
01:29:09,791 --> 01:29:11,375
We're both seeking refuge

1575
01:29:11,458 --> 01:29:14,541
from your assaultive,
battering ram of a fucking personality.

1576
01:29:14,625 --> 01:29:18,250
Because of your limitations
as a partner, and a filmmaker,

1577
01:29:18,333 --> 01:29:20,333
we are both ducking for cover.

1578
01:29:20,833 --> 01:29:24,750
We may not have a lot in common,
but sis and I are in the fucking foxhole.

1579
01:29:24,833 --> 01:29:27,083
Oh, you are
the last person to talk, Marie.

1580
01:29:27,166 --> 01:29:29,875
You have fucked,
dated some of the wildest,

1581
01:29:29,958 --> 01:29:32,833
strangest human beings
that ever walked this planet Earth.

1582
01:29:32,916 --> 01:29:36,833
You have, one, no fucking standards,
which is a red flag.

1583
01:29:36,916 --> 01:29:39,833
Two, no fucking type,
which is also a red flag.

1584
01:29:39,916 --> 01:29:41,291
And three, no discretion.

1585
01:29:41,375 --> 01:29:43,958
Which means everyone who knows you,
knows you're a red flag

1586
01:29:44,041 --> 01:29:45,916
and talks about you're a red fucking flag.

1587
01:29:46,000 --> 01:29:47,833
Well, Malcolm, here's the difference.

1588
01:29:47,916 --> 01:29:53,458
I'm not lugging my balls around this house
bragging about the places they've been.

1589
01:29:54,333 --> 01:29:55,666
I don't need to know the details.

1590
01:29:55,750 --> 01:29:59,958
I don't need to know all the…
the moves and the steps

1591
01:30:00,041 --> 01:30:03,166
and the places that brought you
to my doorstep. You're here.

1592
01:30:04,791 --> 01:30:07,416
I loved you unconditionally. Why?

1593
01:30:08,625 --> 01:30:10,833
Because I value mystery.

1594
01:30:11,500 --> 01:30:14,875
The unknown. It's what supports
the tension of a relationship

1595
01:30:14,958 --> 01:30:18,291
and forces us to be the best version
of ourselves. The what-if factor.

1596
01:30:18,916 --> 01:30:22,333
What if there's someone
who loved him better?

1597
01:30:23,958 --> 01:30:26,291
Who was smarter, nicer.

1598
01:30:26,375 --> 01:30:29,291
Woke him up every day
with breakfast and a blowjob.

1599
01:30:30,583 --> 01:30:33,041
What if I'm not
the best girlfriend he's ever had?

1600
01:30:33,833 --> 01:30:36,041
What if he dreams of someone else?

1601
01:30:36,125 --> 01:30:39,458
Better conversations,
a girl with hips and an actual ass

1602
01:30:39,541 --> 01:30:42,625
instead of this string bean body?

1603
01:30:42,708 --> 01:30:45,500
Look, I know a little bit about your type.

1604
01:30:45,583 --> 01:30:49,458
Not so much that I'm paralyzed
with insecurity and doubt.

1605
01:30:50,875 --> 01:30:53,208
So that every single day when I get up,

1606
01:30:54,041 --> 01:30:57,041
and I talk to you,
and I wear this fancy fuckin' dress,

1607
01:30:57,125 --> 01:30:58,708
and I hold your hand,

1608
01:30:58,791 --> 01:31:02,708
I'm trying to be the best girlfriend
you have ever had.

1609
01:31:04,625 --> 01:31:07,625
So, when you tell me
that who I'm up against is Kiki…

1610
01:31:07,708 --> 01:31:10,708
-Here we go with the bullshit. Here we go.
-…from St. Louis,

1611
01:31:10,791 --> 01:31:15,041
in a heart-shaped bathtub,
it makes me give a lot less of a fuck.

1612
01:31:15,125 --> 01:31:16,750
You gotta bring up all the shit.

1613
01:31:16,833 --> 01:31:19,666
I don't know where you're going,
but I'm not done.

1614
01:31:21,250 --> 01:31:23,750
I'm not even fucking close to being done.

1615
01:31:25,041 --> 01:31:26,625
[Malcolm sighs]

1616
01:31:26,708 --> 01:31:30,333
But what it also makes me realize,
the reason you don't get jealous

1617
01:31:30,416 --> 01:31:33,041
is because you don't
value that mystery, do you?

1618
01:31:33,625 --> 01:31:35,125
The reason you don't value it,

1619
01:31:35,958 --> 01:31:39,000
the reason why you never wonder
if you're the best fuck I've ever had,

1620
01:31:39,083 --> 01:31:41,666
or the most talented person
I've ever been with,

1621
01:31:41,750 --> 01:31:43,791
or the kindest, or the smartest,

1622
01:31:44,500 --> 01:31:46,458
it's because it is inconceivable to you

1623
01:31:46,541 --> 01:31:50,291
that there is anybody on this planet
that is more interesting than you are.

1624
01:31:51,208 --> 01:31:52,166
[clicks tongue]

1625
01:31:52,250 --> 01:31:56,416
Your lack of curiosity is merely
an extension of your narcissism,

1626
01:31:56,500 --> 01:31:59,791
your megalomania,
your egotistical view of the world.

1627
01:32:00,666 --> 01:32:02,250
As a result of never doubting yourself,

1628
01:32:02,333 --> 01:32:07,208
you never stopped to ask yourself,
"How can I be a better partner?"

1629
01:32:11,666 --> 01:32:15,000
You're good. You are set.

1630
01:32:16,541 --> 01:32:20,041
The man I'm looking at right now
is as good as he's gonna get.

1631
01:32:24,166 --> 01:32:25,708
You yelling at me in a bathtub

1632
01:32:25,791 --> 01:32:28,333
about how you're
gonna snap me like a twig,

1633
01:32:29,208 --> 01:32:32,916
is the best and worst of who
you will be in this relationship.

1634
01:32:37,625 --> 01:32:40,625
And that's why you can forget
to thank me in your speech.

1635
01:32:42,458 --> 01:32:46,458
Because you're not afraid that I'm gonna
come home and go… [inhales deeply]

1636
01:32:46,583 --> 01:32:50,791
"You know what? You lost me tonight.
Fuck this shit. I am out."

1637
01:32:53,500 --> 01:32:57,875
But if you steamroll every single person
in your midst, day in and day out,

1638
01:32:57,958 --> 01:33:02,458
you are going to end up living
in a fictional fucking reality.

1639
01:33:05,583 --> 01:33:06,666
Look at me.

1640
01:33:09,833 --> 01:33:11,750
I'm the last person standing.

1641
01:33:13,125 --> 01:33:18,875
I'm the last person to look at you and go,
"You know what? Up your fucking game."

1642
01:33:19,500 --> 01:33:21,541
"If not for me, then for your work."

1643
01:33:23,791 --> 01:33:27,458
Malcolm, if this is a movie,
you hold on to me for dear fucking life.

1644
01:33:29,000 --> 01:33:31,250
Because that's who
we've been for one another.

1645
01:33:31,958 --> 01:33:36,333
That's who you've been for me
and I've been for you from the day we met.

1646
01:33:38,416 --> 01:33:42,250
From the day I overdosed in that market,
from the day you drove me to rehab.

1647
01:33:42,833 --> 01:33:44,750
From the first day I read your script

1648
01:33:44,833 --> 01:33:48,958
about me, about us,
about our relationship.

1649
01:33:50,666 --> 01:33:53,333
About how drugs
were destroying my ability to love you

1650
01:33:53,416 --> 01:33:55,375
and your ability to love me.

1651
01:34:02,541 --> 01:34:05,791
All I wanted tonight
was a "thank you," Malcolm. That is it.

1652
01:34:07,500 --> 01:34:08,500
That's all.

1653
01:34:11,000 --> 01:34:14,125
"Thank you, Marie.
Thank you for loving me."

1654
01:34:14,958 --> 01:34:18,375
"Thank you for making my life better,
for getting your life together."

1655
01:34:19,000 --> 01:34:22,833
"Thank you for watching 100 cuts
and reading 100 fucking drafts."

1656
01:34:22,916 --> 01:34:26,333
"Thank you for your notes,
your experience, your patience,

1657
01:34:26,416 --> 01:34:30,625
your authen-fucking-ticity
you bring to this film. Thank you."

1658
01:34:32,375 --> 01:34:35,500
"Thank you for being a drug addict.
Thank you for being clean."

1659
01:34:36,250 --> 01:34:40,125
"Thank you for dumb shit,
like buying toilet paper and milk

1660
01:34:40,208 --> 01:34:43,291
and organizing
the shit with the movers. Thank you."

1661
01:34:43,375 --> 01:34:45,541
"Thank you for doing
the shit I don't wanna think about."

1662
01:34:45,625 --> 01:34:48,666
"Thank you for making me coffee.
Thank you for making me smile."

1663
01:34:49,416 --> 01:34:52,708
"Thank you for the good sex
and the cuddles."

1664
01:34:53,875 --> 01:34:54,916
[Malcolm sniffs]

1665
01:34:56,333 --> 01:34:59,875
"Thank you for doing the laundry
and picking out my suit tonight

1666
01:34:59,958 --> 01:35:03,083
and making my ungrateful ass
some mac and cheese

1667
01:35:03,166 --> 01:35:05,416
after I forgot to fuckin' thank you."

1668
01:35:11,750 --> 01:35:14,666
"Thank you for the mistakes you've made…

1669
01:35:18,500 --> 01:35:21,041
for the charm you bring,
the life you bring."

1670
01:35:21,125 --> 01:35:22,791
"Thank you for loving me."

1671
01:35:25,166 --> 01:35:29,166
"Thank you for getting over this,
for moving forward, for being you."

1672
01:35:30,958 --> 01:35:33,875
"Thank you for all the shit
I forget to thank you for…

1673
01:35:35,041 --> 01:35:38,916
and thank you for looking
so goddamn sexy in that dress tonight."

1674
01:35:43,708 --> 01:35:45,083
"You make me look good."

1675
01:35:46,375 --> 01:35:48,083
"You make me a better person."

1676
01:35:53,041 --> 01:35:54,583
"Thank you for understanding

1677
01:35:55,333 --> 01:35:58,041
that I'm not always great
at expressing how I feel

1678
01:35:58,791 --> 01:36:01,458
and it comes out in my work
more than in real life."

1679
01:36:03,166 --> 01:36:04,458
"Thank you because…

1680
01:36:07,708 --> 01:36:11,583
I know it doesn't always feel good,
so I hope you can live with that."

1681
01:36:16,291 --> 01:36:18,166
[voice breaking] "Thank you."

1682
01:36:18,250 --> 01:36:20,500
"I know I'm emotionally obtuse sometimes,

1683
01:36:20,583 --> 01:36:23,041
but I'm grateful
you don't hold it against me."

1684
01:36:24,166 --> 01:36:25,166
"Thank you…

1685
01:36:27,416 --> 01:36:29,041
for assuming the best."

1686
01:36:31,833 --> 01:36:35,958
"I love you, Marie.
I'll always love you, my Marie."

1687
01:36:37,625 --> 01:36:38,625
"Thank you."

1688
01:36:40,333 --> 01:36:43,083
"From the bottom of my heart, thank you."

1689
01:36:52,375 --> 01:36:53,750
I love you, Marie.

1690
01:37:03,291 --> 01:37:05,041
[jazz music playing]

1691
01:37:15,333 --> 01:37:17,458
[slow jazz music playing]

1692
01:40:00,708 --> 01:40:02,041
[Malcolm sighs]

1693
01:40:06,791 --> 01:40:08,041
I'm sorry.

1694
01:40:18,125 --> 01:40:19,291
Thank you.

1695
01:40:21,458 --> 01:40:22,875
[Marie] You're welcome.

1696
01:40:30,958 --> 01:40:33,125
-[birds chirping]
-[sighs softly]

1697
01:40:35,208 --> 01:40:36,208
[grunts]

1698
01:40:40,666 --> 01:40:41,666
[grunts]

1699
01:40:46,916 --> 01:40:47,958
Marie?

1700
01:40:51,458 --> 01:40:52,875
[sighs]

1701
01:40:53,583 --> 01:40:54,666
Marie?

1702
01:40:59,500 --> 01:41:00,750
[grunts]

1703
01:41:08,750 --> 01:41:09,625
[sighs]

1704
01:41:20,541 --> 01:41:21,625
Marie!

1705
01:41:37,791 --> 01:41:39,291
-[birds chirping]
-Marie!

1706
01:42:09,541 --> 01:42:11,875
["Liberation"
by OutKast ft. Cee-Lo playing]

1707
01:42:21,875 --> 01:42:23,833
♪ And there's a, and there's a ♪

1708
01:42:23,916 --> 01:42:27,833
♪ And there's a
And there's a fine line ♪

1709
01:42:27,916 --> 01:42:30,541
♪ Too late, but baby, I'm on it ♪

1710
01:42:30,625 --> 01:42:32,375
♪ Ya, yeah, yeah ♪

1711
01:42:32,458 --> 01:42:34,208
♪ Yo, yo, uh-huh ♪

1712
01:42:34,291 --> 01:42:38,208
♪ There's a fine line
Between love and hate, you see ♪

1713
01:42:38,291 --> 01:42:42,458
♪ Came way too late but, baby, I'm on it ♪

1714
01:42:46,541 --> 01:42:50,458
♪ And there's a fine line
Between love and hate, you see ♪

1715
01:42:50,541 --> 01:42:54,833
♪ Came way too late but, baby, I'm on it ♪

1716
01:42:59,000 --> 01:43:02,708
♪ Can't worry 'bout
What a nigga think, now see ♪

1717
01:43:02,791 --> 01:43:07,166
♪ That's liberation and, baby, I want it ♪

1718
01:43:11,125 --> 01:43:14,791
♪ Can't worry 'bout
What another nigga think ♪

1719
01:43:14,875 --> 01:43:19,041
♪ Now that's liberation
And, baby, I want it ♪

1720
01:43:20,416 --> 01:43:22,958
♪ Lemme hear it, lemme hear it
Lemme though, lemme hear it ♪

1721
01:43:23,041 --> 01:43:26,916
♪ How many times
I sit back and contemplate? ♪

1722
01:43:27,000 --> 01:43:31,250
♪ I'm fresh off the dank
But I'm tellin' my story ♪

1723
01:43:35,375 --> 01:43:39,000
♪ My relationship with my folks
Is give-and-take ♪

1724
01:43:39,083 --> 01:43:43,458
♪ And I done took so much
Now give me my glory ♪

1725
01:43:47,666 --> 01:43:51,250
♪ To have a choice to be
Who you wants to be ♪

1726
01:43:51,333 --> 01:43:55,791
♪ It's left up-a to me
And my momma n'em told me ♪

1727
01:43:56,791 --> 01:43:57,958
♪ Yes, she did ♪

1728
01:43:59,375 --> 01:44:03,166
♪ I say, to have a choice to be
Who you wants to be ♪

1729
01:44:03,250 --> 01:44:08,166
♪ It's left up-a to me
And my momma n'em told me ♪

1730
01:44:08,250 --> 01:44:11,208
♪ No, no, no ♪

1731
01:44:12,500 --> 01:44:15,083
♪ Oh, Lord, I'm so tired, I'm so tired ♪

1732
01:44:15,166 --> 01:44:19,416
♪ My feet feel like I walked
Most of the road on my own ♪

1733
01:44:20,333 --> 01:44:22,750
♪ All on my own ♪

1734
01:44:25,166 --> 01:44:29,000
♪ We alive but we ain't livin'
That's why I'm givin' until it's gone ♪

1735
01:44:29,083 --> 01:44:30,875
♪ 'Cause I don't wanna be alone ♪

1736
01:44:30,958 --> 01:44:32,291
♪ I don't wanna be alone ♪

1737
01:44:32,375 --> 01:44:33,875
♪ I don't wanna be alone ♪

1738
01:44:33,958 --> 01:44:35,916
-♪ Yeah ♪
-♪ No, no, no ♪

1739
01:44:36,000 --> 01:44:39,958
♪ If anything I can say to help you find
Believe we could fly ♪

1740
01:44:41,208 --> 01:44:44,916
♪ But I can feel it in the wind
Beginning or the end ♪

1741
01:44:45,000 --> 01:44:49,041
♪ But people, keep your head to the sky ♪

1742
01:44:49,125 --> 01:44:51,916
♪ Shake that load off
Shake that load off ♪

1743
01:44:52,000 --> 01:44:54,916
♪ Shake that load off
Shake that load off ♪

1744
01:44:55,000 --> 01:44:58,000
♪ Shake that load off
Shake that load off ♪

1745
01:44:58,083 --> 01:45:01,000
♪ Shake that load off
Shake that load off ♪

1746
01:45:01,083 --> 01:45:04,041
♪ Shake that load off
Shake that load off ♪

1747
01:45:04,125 --> 01:45:07,208
♪ Shake that load off
Shake that load off ♪

1748
01:45:07,291 --> 01:45:10,166
♪ Shake that load off
Shake that load off ♪

1749
01:45:10,250 --> 01:45:13,250
♪ Shake that load off
Shake that load off ♪

1750
01:45:13,333 --> 01:45:16,291
♪ Shake that load off
Shake that load off ♪

1751
01:45:16,375 --> 01:45:19,125
♪ Shake that load off
Shake that load off ♪

1752
01:45:19,208 --> 01:45:22,291
♪ Shake that load off
Shake that load off ♪

1753
01:45:22,375 --> 01:45:25,250
♪ Shake that load off
Shake that load off ♪



