WEBVTT FILE 1 00:00:02.000 --> 00:00:07.000 Downloaded from YTS.MX 2 00:00:02.335 --> 00:00:06.072 ♪ ♪ 3 00:00:06.106 --> 00:00:08.274 Taye: IT IS TIME FOR US TOGATHER VIRTUALLY, ALTHOUGH WE'D 4 00:00:08.000 --> 00:00:13.000 Official YIFY movies site: YTS.MX 5 00:00:08.308 --> 00:00:09.976 RATHER MEET IN PERSON,AND COLLECTIVELY REJOICE. 6 00:00:10.010 --> 00:00:12.712 NONETHELESS, THIS CELEBRATION IS A BRAND NEW ITERATION 7 00:00:12.746 --> 00:00:16.683 OF THE PARTY THAT IS KNOWN AS CRITICS CHOICE. 8 00:00:16.716 --> 00:00:21.021 YOU WILL SEE SOME FAMOUS FACES ON THIS STAGE AND OTHER PLACES 9 00:00:21.054 --> 00:00:24.924 TYPICALLY FROM THE COMFORT OF THEIR HOME. 10 00:00:24.958 --> 00:00:29.129 AND OF COURSE WE'LL BE AWARDING LEAD PERFORMERS AND SUPPORTING 11 00:00:29.162 --> 00:00:32.632 AND THE TV SHOWS AND FILMS FOR WHICH THEY'RE KNOWN. 12 00:00:32.665 --> 00:00:36.636 WE HEARD THE SOUND OF METAL AND SAW NOMADS NEVER SETTLE, 13 00:00:36.669 --> 00:00:40.840 A PROMISING YOUNG WOMAN MADE MEN SORRY. 14 00:00:40.874 --> 00:00:45.812 DA FIVE BLOODS WERE DA BOMB. 15 00:00:45.845 --> 00:00:46.880 THEY BLEW UP IN VIETNAM. 16 00:00:46.913 --> 00:00:49.082 AND WE LEARNED KOREAN WATER CELERY IS CALLED MINARI. 17 00:00:49.115 --> 00:00:52.419 THESE MOVIES STREAMED INTO OUR HOMES 18 00:00:52.452 --> 00:00:54.054 AND FILLED OUR HEARTS DESIRE. 19 00:00:54.087 --> 00:00:57.323 AND THIS YEAR'S SERIES OFFERINGS WERE ALSO FULL BLOWN FIRE. 20 00:00:57.357 --> 00:01:01.227 "THE CROWN" RE-SHOT THE WEDDING OF PRINCE CHUCK AND LADY DI. 21 00:01:01.261 --> 00:01:05.065 "LOVECRAFT COUNTRY" MADE US WONDER IF WE ALL WERE HIGH. 22 00:01:05.098 --> 00:01:09.469 SAUL GOODMAN'S LIFE WAS COMPLICATED, SCARY, AND ABSURD. 23 00:01:09.502 --> 00:01:13.173 "THE MANDALORIAN" WAS LOVED BY EV'RY STAR WARS NERD. 24 00:01:13.206 --> 00:01:17.143 "THE UNDOING" SAW HUGH GRANT DOING SOMETHING PRETTY DRASTIC, 25 00:01:17.177 --> 00:01:20.013 AND OUR OBSESSION WITH "THE QUEENS GAMBIT" 26 00:01:20.046 --> 00:01:21.514 WAS SIMPLY PAWNOGRAPHIC. 27 00:01:21.548 --> 00:01:25.552 AND IF MY LITTLE SPOKEN WORD HAS LEFT YOU WANTING MORE, 28 00:01:25.585 --> 00:01:27.287 CHECK OUT ALL THESE SHOWS. 29 00:01:27.320 --> 00:01:37.230 SEE WHAT WE HAVE IN STORE! 30 00:01:37.263 --> 00:01:40.500 WE WILL SHOW YOU EXACTLY WHAT WE MEAN. 31 00:01:40.533 --> 00:01:49.008 YOU ARE CULTURAL DISRUPTORS. 32 00:01:49.042 --> 00:01:50.877 YOU'VE GOT TO DECIDE. 33 00:01:50.910 --> 00:01:55.014 YOU WANT TO BE SOMEBODY OR NOT? 34 00:01:55.048 --> 00:01:57.584 I'VE GOT MY TIME COMING TO ME. 35 00:01:57.617 --> 00:02:01.788 IT ISN'T ABOUT WHETHER YOU WIN OR LOSE. 36 00:02:01.821 --> 00:02:03.556 IT'S ABOUT BEING IN THE ROOM. 37 00:02:03.590 --> 00:02:07.393 WHAT'S GOING ON? 38 00:02:07.427 --> 00:02:12.232 I LOVE THE WAY YOU SEE THE WORLD. 39 00:02:12.265 --> 00:02:14.634 ARE YOU RECEIVING THIS? 40 00:02:14.667 --> 00:02:20.373 I COULD BE ANYWHERE IN THE WORLD RIGHT NOW. 41 00:02:20.406 --> 00:02:22.709 YOU DON'T EVER SAY A FINAL GOODBYE. 42 00:02:22.742 --> 00:02:24.978 JUST SAY I'LL SEE YOU DOWN THE ROAD. 43 00:02:25.011 --> 00:02:27.580 THIS MOVEMENT IS CALLED A STRUGGLES BECAUSE WE ARE 44 00:02:27.614 --> 00:02:31.784 FIGHTING FOR OUR LIVES. 45 00:02:31.818 --> 00:02:32.986 THE WHOLE WORLD IS WATCHING! 46 00:02:33.019 --> 00:02:37.891 THESE ARE STORIES OF MEN AND WOMEN VERY MUCH LIKE YOU, 47 00:02:37.924 --> 00:02:49.135 WAITING FOR BETTER DAYS TO COME. 48 00:02:49.169 --> 00:02:51.471 Announcer: HERE'S THE HOST OF THE 26TH ANNUAL 49 00:02:51.504 --> 00:02:52.405 CRITICS CHOICE AWARDS. 50 00:02:52.438 --> 00:03:01.047 FROM THE CW'S "ALL-AMERICAN," TAYE DIGGS! 51 00:03:01.080 --> 00:03:02.715 Taye: HELLO, EVERYONE. 52 00:03:02.749 --> 00:03:05.218 I'M TAYE DIGGS, AND I'M HOSTING THE CRITICS CHOICE AWARDS 53 00:03:05.251 --> 00:03:07.086 FOR THE THIRD YEAR IN A ROW. 54 00:03:07.120 --> 00:03:08.955 AND I'LL KEEP DOING IT UNTIL THEY ADD AN AWARDS SHOW 55 00:03:08.988 --> 00:03:11.558 CATEGORY. 56 00:03:11.591 --> 00:03:14.727 THIS YEAR'S SHOW IS OBVIOUSLY A LITTLE DIFFERENT. 57 00:03:14.761 --> 00:03:17.363 SOCIAL DISTANCING MEANS THAT MOST OF OUR PRESENTERS AND 58 00:03:17.397 --> 00:03:20.366 NOMINEES WILL BE WATCHING THE SHOW FROM AFAR. 59 00:03:20.400 --> 00:03:22.936 AND SINCE MOST OF THEM ARE IN THEIR LIVING ROOMS, I'M PROBABLY 60 00:03:22.969 --> 00:03:27.540 THE ONLY PERSON ON THIS SHOW NOT WEARING SWEATPANTS. 61 00:03:27.574 --> 00:03:29.609 I CALL IT AWARD SHOW CASUAL. 62 00:03:29.642 --> 00:03:30.910 FORMAL ON TOP. 63 00:03:30.944 --> 00:03:33.346 COMFY ON THE BOTTOM. 64 00:03:33.379 --> 00:03:36.516 ANOTHER GREAT ADVANTAGE OF BEAMING INTO THE SHOW 65 00:03:36.549 --> 00:03:37.984 IS THAT YOU CAN BE ANYWHERE. 66 00:03:38.017 --> 00:03:39.786 WELL, ANYWHERE WITH WI-FI. 67 00:03:39.819 --> 00:03:43.256 WE HAVE STARS IN ENGLAND, GERMANY, ISRAEL, AUSTRALIA, AND 68 00:03:43.289 --> 00:03:46.693 ALL OVER THE USA, EVEN HAWAII. 69 00:03:46.726 --> 00:03:51.564 AND WE HAVE MORE LIVE NOMINEES ATTENDING THAN EVER BEFORE. 70 00:03:51.598 --> 00:03:53.900 EVEN THOUGH WE'RE VIRTUAL, WE STILL HAVE TABLES FULL 71 00:03:53.933 --> 00:03:56.102 OF CELEBRITIES AND FILMMAKERS. 72 00:03:56.135 --> 00:04:00.506 THERE'S CAREY MULLIGAN, STAR OF "PROMISING YOUNG WOMAN." 73 00:04:00.540 --> 00:04:11.584 THERE'S THE "ONE NIGHT IN MIAMI" TABLE. 74 00:04:11.618 --> 00:04:13.119 ALL RIGHT, I SEE YOU LESLIE ODOM, JR. IS UP 75 00:04:13.152 --> 00:04:14.087 FOR THREE AWARDS TONIGHT! 76 00:04:14.120 --> 00:04:15.121 "TED LASSO" HAS A TABLE. 77 00:04:15.154 --> 00:04:16.723 WITH NOMINEES JASON SUDEIKIS AND HANNAH WADDINGHAM. 78 00:04:16.756 --> 00:04:20.360 AND HERE'S "DA 5 BLOODS" TABLE. 79 00:04:20.393 --> 00:04:23.896 THE GREAT DELROY LINDO AND FILMMAKER SPIKE LEE. 80 00:04:23.930 --> 00:04:29.002 BY THE WAY, HERE'S A LITTLE TIP FOR THE WHITE FOLKS. 81 00:04:29.035 --> 00:04:30.937 DON'T THINK IT'S NECESSARY TO OVER-ENUNCIATE THE "DA" IN THE 82 00:04:30.970 --> 00:04:35.275 "DA FIVE BLOODS". 83 00:04:35.308 --> 00:04:37.810 LET IT COME OUT NATURALLY. 84 00:04:37.844 --> 00:04:38.711 "DA FIVE BLOODS". 85 00:04:38.745 --> 00:04:40.313 A LOT HAS CHANGED THIS YEAR. 86 00:04:40.346 --> 00:04:42.015 THIS WAS THE YEAR THAT FINDING YOURSELF IN "SCHITT'S CREEK" 87 00:04:42.048 --> 00:04:43.950 IS ACTUALLY A GOOD THING. 88 00:04:43.983 --> 00:04:46.119 THEY HAVE FIVE NOMINATIONS. 89 00:04:46.152 --> 00:04:52.625 THAT WAS TOPPED BY "THE CROWN," WHICH HAS 6. 90 00:04:52.659 --> 00:04:59.532 ONE OF THOSE NOMINATIONS WAS FOR HER PORTRAYAL OF PRIME MINISTER 91 00:04:59.565 --> 00:05:00.667 MARGARET THATCHER. 92 00:05:00.700 --> 00:05:01.367 SAY HELLO TO GILLIAN ANDERSON! 93 00:05:01.401 --> 00:05:02.168 HI, GILLIAN. 94 00:05:02.201 --> 00:05:04.137 CONGRATULATIONS ON YOUR NOMINATION. 95 00:05:04.170 --> 00:05:07.006 CONGRATS. 96 00:05:07.040 --> 00:05:10.176 THANK YOU VERY MUCH. 97 00:05:10.209 --> 00:05:12.578 Taye: WHERE ARE YOU AND WHAT TIME IS IT? 98 00:05:12.612 --> 00:05:18.818 I AM IN PRAGUE AND IT'S ABOUT JUST AFTER 1:00 A.M. IN THE 99 00:05:18.851 --> 00:05:19.786 MORNING. 100 00:05:19.819 --> 00:05:23.823 Taye: YOU ARE STAYING UP EARLY, ALL RIGHT. 101 00:05:23.856 --> 00:05:25.058 DID YOU DRESS HEAD TO TOE FOR TONIGHT? 102 00:05:25.091 --> 00:05:29.629 OR JUST WAIST UP? 103 00:05:29.662 --> 00:05:34.334 I DID PUT AN ENTIRE OUTFIT ON. 104 00:05:34.367 --> 00:05:36.502 Taye: EXCELLENT. 105 00:05:36.536 --> 00:05:39.572 WHAT WAS YOUR FAVORITE PART OF PLAYING MARGARET THATCHER? 106 00:05:39.605 --> 00:05:44.277 WHAT WAS THE FAVORITE THING ABOUT IT? 107 00:05:44.310 --> 00:05:53.753 PROBABLY I WOULD SAY GETTING TO DO ALL THE BITS AT THE SAME 108 00:05:53.786 --> 00:05:54.687 TIME. 109 00:05:54.721 --> 00:05:58.624 THE CHALLENGE OF GETTING TO DO ALL THE BITS. 110 00:05:58.658 --> 00:06:05.198 THE VOICE, HER MANNERISMS, HER WALK. 111 00:06:05.231 --> 00:06:09.802 IN A BODYSUIT, AND THE WIG. 112 00:06:09.836 --> 00:06:12.939 Taye: YES, THAT WIG. 113 00:06:12.972 --> 00:06:15.475 WONDERFUL. 114 00:06:15.508 --> 00:06:19.312 GILLIAN. 115 00:06:19.345 --> 00:06:19.812 THANK YOU FOR CHATTING. 116 00:06:19.846 --> 00:06:23.616 GOOD LUCK TONIGHT. 117 00:06:23.649 --> 00:06:24.951 TO PRESENT IT ARE TWO PREVIOUS CRITICS CHOICE AWARD WINNERS, 118 00:06:24.984 --> 00:06:26.085 ANGELA BASSETT AND COURTNEY B. VANCE. 119 00:06:26.119 --> 00:06:28.121 SHE STARS IN THE TV SERIES "9-1-1" AND THE BEST ANIMATED 120 00:06:28.154 --> 00:06:29.689 PICTURE WINNER "SOUL" AND HE CAN BE SEEN IN 121 00:06:29.722 --> 00:06:32.058 "GENIUS: ARETHA." 122 00:06:32.091 --> 00:06:34.127 HERE THEY ARE. 123 00:06:34.160 --> 00:06:37.063 HI, I'M ANGELA BASSETT. 124 00:06:37.096 --> 00:06:38.097 AND I'M COURTNEY B. VANCE. 125 00:06:38.131 --> 00:06:39.232 AND WE'RE HERE TO PRESENT THE CRITICS CHOICE FOR 126 00:06:39.265 --> 00:06:40.700 BEST SUPPORTING ACTOR. 127 00:06:40.733 --> 00:06:43.269 WHICH, I'D LIKE TO POINT OUT, IS APROPOS, SINCE WE'VE BEEN 128 00:06:43.302 --> 00:06:44.137 SUPPORTING EACH OTHER AS HUSBAND AND WIFE 129 00:06:44.170 --> 00:06:48.107 FOR OVER 23 WONDERFUL YEARS. 130 00:06:48.141 --> 00:06:49.509 WHAT'S OUR SECRET? 131 00:06:49.542 --> 00:06:51.043 TRUST, OPEN LINES OF COMMUNICATION. 132 00:06:51.077 --> 00:06:53.012 AND EACH WEEK, WE MAKE SURE TO HAVE A DATE NIGHT. 133 00:06:53.045 --> 00:06:54.180 THAT'S RIGHT. 134 00:06:54.213 --> 00:06:58.351 IN FACT, YOU ALL ARE WITNESSING OUR DATE NIGHT RIGHT NOW. 135 00:06:58.384 --> 00:07:00.553 EXCUSE ME? 136 00:07:00.586 --> 00:07:03.222 THIS IS OUR DATE NIGHT? 137 00:07:03.256 --> 00:07:05.725 WELL, I MEAN, WE CAN'T REALLY GO OUT. 138 00:07:05.758 --> 00:07:07.527 BUT WE'RE DRESSED NICELY. 139 00:07:07.560 --> 00:07:09.328 YOU LOOK LIKE A QUEEN, AS ALWAYS, AND THE LIGHTING IS 140 00:07:09.362 --> 00:07:09.729 GOOD. 141 00:07:09.762 --> 00:07:10.963 UH-HUH. 142 00:07:10.997 --> 00:07:13.766 I THINK NOW WOULD BE A GOOD TIME TO PRESENT THE BEST SUPPORTING 143 00:07:13.800 --> 00:07:15.268 ACTOR NOMINEES. 144 00:07:15.301 --> 00:07:17.103 I'VE GOT SOME PIZZA ROLLS RIGHT OVER IN THE TOASTER OVEN, 145 00:07:17.136 --> 00:07:31.150 IF YOU -- BEST SUPPORTING ACTOR. 146 00:07:31.184 --> 00:07:33.719 CHADWICK BOSEMAN, "DA 5 BLOODS." 147 00:07:33.753 --> 00:07:35.121 PAUL RACI, "SOUND OF METAL." 148 00:07:35.154 --> 00:07:36.489 DANIEL KALUUYA, "JUDAS AND THE BLACK MESSIAH." 149 00:07:36.522 --> 00:07:37.390 BILL MURRAY, "ON THE ROCKS." 150 00:07:37.423 --> 00:07:41.360 LESLIE ODOM, JR., "ONE NIGHT IN MIAMI. 151 00:07:41.394 --> 00:07:48.000 SACHA BARON COHEN, "THE TRIAL OF THE CHICAGO 7." 152 00:07:48.034 --> 00:07:51.504 AND THE CRITICS CHOICE IS... 153 00:07:51.537 --> 00:07:56.108 DANIEL KALUUYA, "JUDAS AND THE BLACK MESSIAH." 154 00:07:56.142 --> 00:07:59.645 THANK YOU SO MUCH. 155 00:07:59.679 --> 00:08:02.281 THANK YOU, ANGELA AND COURTNEY. 156 00:08:02.315 --> 00:08:03.483 WOW. 157 00:08:03.516 --> 00:08:07.587 I WOULD LIKE TO THANK MY FAMILY, FRIENDS, MY PEOPLE, MY TEAM. 158 00:08:07.620 --> 00:08:17.096 I WOULD LIKE TO SEE 14 SHAKA KING. 159 00:08:17.129 --> 00:08:21.534 EVERYONE AT PROXIMITY. 160 00:08:21.567 --> 00:08:24.237 EVERYONE AT WARNER BROS., CHARLES KING . 161 00:08:24.270 --> 00:08:32.845 I WOULD LIKE TO THANK -- WE DO THIS TOGETHER. 162 00:08:32.879 --> 00:08:35.715 THE INCREDIBLE CAST ON THE COMRADES IN EVERYONE. 163 00:08:35.748 --> 00:08:40.720 EVERYONE BACK IN CLEVELAND. 164 00:08:40.753 --> 00:08:45.191 THANK YOU TO THE CRITICS CHOICE FOR CHAMPIONING THE LEGACY. 165 00:08:45.224 --> 00:08:49.562 THE MESSAGES AND IDEAS AND STRATEGIES FOR HELPING THE 166 00:08:49.595 --> 00:08:50.029 PEOPLE. 167 00:08:50.062 --> 00:08:50.596 APPRECIATED. 168 00:08:50.630 --> 00:08:53.666 THANK THANK YOU SO MUCH. 169 00:08:53.699 --> 00:08:54.767 Announcer: HE STARRED IN "THE OUTPOST" 170 00:08:54.800 --> 00:08:55.735 AND "RETALIATION." 171 00:08:55.768 --> 00:08:58.838 HERE IS ORLANDO BLOOM. 172 00:08:58.871 --> 00:09:02.975 THE NOMINEES FOR BEST SUPPORTING ACTRESS PROVE 173 00:09:03.009 --> 00:09:06.879 THE ADAGE THAT "THERE ARE NO SMALL PARTS, ONLY SMALL ACTORS." 174 00:09:06.913 --> 00:09:10.516 AND ALTHOUGH THEIR ROLES WERE SUPPORTING, THEIR CONTRIBUTIONS 175 00:09:10.550 --> 00:09:13.786 TO THIS YEAR IN FILM WERE IMMEASURABLE. 176 00:09:13.819 --> 00:09:16.956 LET'S TAKE A LOOK AT THE LARGER-THAN-LIFE PERFORMANCES OF 177 00:09:16.989 --> 00:09:28.868 THE NOMINEES FOR BEST SUPPORTING ACTRESS. 178 00:09:28.901 --> 00:09:31.871 Announcer: BEST SUPPORTING ACTRESS. 179 00:09:31.904 --> 00:09:33.606 AMANDA SEYFRIED, "MANK." 180 00:09:33.639 --> 00:09:34.840 MARIA BAKALOVA, "BORAT SUBSEQUENT MOVIEFILM." 181 00:09:34.874 --> 00:09:36.008 GLENN CLOSE, "HILLBILLY ELEGY." 182 00:09:36.042 --> 00:09:39.011 OLIVIA COLMAN, "THE FATHER." 183 00:09:39.045 --> 00:09:42.715 YUH-JUNG YOUN, "MINARI." 184 00:09:42.748 --> 00:09:50.790 ELLEN BURSTYN, "PIECES OF A WOMAN." 185 00:09:50.823 --> 00:09:54.527 AND THE CRITICS CHOICE IS... 186 00:09:54.560 --> 00:10:00.566 MARIA BAKALOVA, "BORAT SUBSEQUENT MOVIEFILM." 187 00:10:00.600 --> 00:10:05.738 THANK YOU SO VERY MUCH, CRITICS CHOICE AWARDS 188 00:10:05.771 --> 00:10:06.639 ASSOCIATION. 189 00:10:06.672 --> 00:10:10.810 I CANNOT BELIEVE IT IS HAPPENING HAPPENING. 190 00:10:10.843 --> 00:10:14.914 GROWING UP IN BULGARIA, IT'S HARD TO BELIEVE I'M STANDING 191 00:10:14.947 --> 00:10:20.086 HERE, SITTING HERE RIGHT NOW. 192 00:10:20.119 --> 00:10:22.989 SO YOU CAN THINK ABOUT BEING READY TO SEIZURE MOMENTS BUT YOU 193 00:10:23.022 --> 00:10:26.158 CAN'T DO IT UNLESS YOU'RE GIVEN A CHANCE. 194 00:10:26.192 --> 00:10:30.796 SASHA, YOU GAVE ME THAT CHANCE SO THANK YOU FOR THE UNWAVERING 195 00:10:30.830 --> 00:10:32.298 SUPPORT AND FOR TRUSTING ME. 196 00:10:32.331 --> 00:10:35.468 THIS AWARD IS FOR EVERY LITTLE KID WHEREVER YOU ARE FROM, YOUR 197 00:10:35.501 --> 00:10:38.037 DREAMS ARE VALID NO MATTER HOW HUGE. 198 00:10:38.070 --> 00:10:40.840 YOU WILL ACHIEVE THEM. 199 00:10:40.873 --> 00:10:43.676 THANK YOU. 200 00:10:43.709 --> 00:10:46.445 Announcer: THERE ARE LOTS MORE STARS COMING UP, INCLUDING 201 00:10:46.479 --> 00:10:49.148 FROM "THAT WOMAN," JAVICIA LESLIE. 202 00:10:49.181 --> 00:10:50.383 FROM "SUPERMAN AND LOIS," TYLER HOECHLIN AND 203 00:10:50.416 --> 00:10:53.853 ELIZABETH TULLOCH AND... 204 00:10:53.886 --> 00:10:57.757 WE ARE GOING TO BE PRESENTING BEST SUPPORTING ACTRESS AND 205 00:10:57.790 --> 00:11:00.860 ACTOR IN A DRAMA SERIES. 206 00:11:00.893 --> 00:11:04.263 STICK AROUND, COMING UP NEXT. 207 00:11:04.296 --> 00:11:07.166 Announcer: WHEN THE 26TH ANNUAL CRITICS CHOICE AWARDS 208 00:11:07.199 --> 00:11:09.001 CONTINUES. 209 00:11:19.445 --> 00:11:21.447 Announcer: WELCOME BACK. 210 00:11:21.480 --> 00:11:23.916 HERE'S YOUR HOST, TAYE DIGGS. 211 00:11:23.949 --> 00:11:27.453 Taye: FOR MORE THAN A QUARTER OF A CENTURY, THESE 212 00:11:27.486 --> 00:11:30.322 AWARDS HAVE BEEN DETERMINED BY THE CRITICS CHOICE ASSOCIATION. 213 00:11:30.356 --> 00:11:33.592 WITH MORE THAN 400 VOTING MEMBERS IS THE LARGEST AND MOST 214 00:11:33.626 --> 00:11:36.462 DIVERSE CRITICS GROUP IN THE WORLD. 215 00:11:36.495 --> 00:11:47.306 PLEASE WELCOME OUR NEXT PRESENTERS. 216 00:11:47.339 --> 00:11:52.178 TOGETHER, THEY STAR IN THE HIT COMEDY 217 00:11:52.211 --> 00:11:53.045 "CALL ME KAT." 218 00:11:53.079 --> 00:11:54.980 HERE ARE MAYIM BIALIK AND LESLIE JORDAN. 219 00:11:55.014 --> 00:11:57.283 WE'RE HERE TO PRESENT BEST SUPPORTING CATEGORIES 220 00:11:57.316 --> 00:11:58.451 IN A DRAMA SERIES. 221 00:11:58.484 --> 00:12:01.721 SOMETHING EXTREMELY FITTING FOR THE TWO OF US. 222 00:12:01.754 --> 00:12:04.690 BECAUSE WE'VE BOTH HAD SOME PRETTY MEMORABLE SUPPORTING 223 00:12:04.724 --> 00:12:05.691 ROLES THROUGHOUT OUR CAREERS. 224 00:12:05.725 --> 00:12:07.359 AND I LOVE DRAMA. 225 00:12:07.393 --> 00:12:09.729 IS THAT TRUE? 226 00:12:09.762 --> 00:12:12.098 MAYIM, I'M PREGNANT. 227 00:12:12.131 --> 00:12:17.870 AND IT'S YOURS! 228 00:12:17.903 --> 00:12:18.738 WAIT, I GOT A TEXT. 229 00:12:18.771 --> 00:12:21.273 SORRY. 230 00:12:21.307 --> 00:12:25.177 THIS IS VERY UNEXPECTED FOR A NUMBER OF REASONS. 231 00:12:25.211 --> 00:12:26.645 I THINK WE NEED A MINUTE TO PROCESS THIS. 232 00:12:26.679 --> 00:12:28.414 LET'S TAKE A LOOK AT THE NOMINEES FOR BEST SUPPORTING 233 00:12:28.447 --> 00:12:38.257 ACTRESS IN A DRAMA SERIES. 234 00:12:38.290 --> 00:12:42.795 Announcer: BEST SUPPORTING ACTRESS IN A DRAMA SERIES. 235 00:12:42.828 --> 00:12:47.032 GILLIAN ANDERSON, "THE CROWN." 236 00:12:47.066 --> 00:12:56.175 THOSE LITTLE MEN AND YOU WANT ME TO GET ON MY KNEES TO THEM. 237 00:12:56.208 --> 00:12:59.278 RHEA SEEHORN, "BETTER CALL SAUL." 238 00:12:59.311 --> 00:13:04.850 TRIA SHELL COMPANY. 239 00:13:04.884 --> 00:13:05.785 WUNMI MOSAKU, "LOVECRAFT 240 00:13:05.818 --> 00:13:09.255 COUNTRY." 241 00:13:09.288 --> 00:13:17.730 SPLIT THAT MONEY REGARDLESS OF MAMA'S WISHES. 242 00:13:17.763 --> 00:13:20.833 JULIA GARNER, "OZARK." 243 00:13:20.866 --> 00:13:26.205 I WANT YOU TO STOP LYING AND TELL ME WHY BEN IS DEAD. 244 00:13:26.238 --> 00:13:30.943 CYNTHIA ERIVO, "THE OUTSIDER." 245 00:13:30.976 --> 00:13:34.346 PERHAPS FIND A WAY TO SEE IT CLEARLY, NOT TO DISMISS THE 246 00:13:34.380 --> 00:13:35.281 FACTS. 247 00:13:35.314 --> 00:13:39.351 WHAT REALITY MIGHT ENTAIL. 248 00:13:39.385 --> 00:13:44.290 JANET MCTEER, "OZARK." 249 00:13:44.323 --> 00:13:50.963 DON'T MAKE US GO BACK ON THAT ONE. 250 00:13:50.996 --> 00:13:54.500 AND THE CRITICS CHOICE IS... 251 00:13:54.533 --> 00:13:57.536 GILLIAN ANDERSON, "THE CROWN." 252 00:13:57.570 --> 00:14:02.474 WOW. 253 00:14:02.508 --> 00:14:04.109 THANK YOU. 254 00:14:04.143 --> 00:14:06.745 THANK YOU TO THE CRITICS CHOICE ASSOCIATION. 255 00:14:06.779 --> 00:14:13.285 AND TO MY AMAZING FELLOW NOMINEES. 256 00:14:13.319 --> 00:14:18.090 THANK YOU TO THE SHOW RUNNER AND EXTRAORDINAIRE, TO OUR PRODUCER 257 00:14:18.123 --> 00:14:19.258 ANDY HARRIES. 258 00:14:19.291 --> 00:14:30.803 AND OUR PRODUCER MICHAEL CASEY AND TO OUR INCREDIBLE. 259 00:14:30.836 --> 00:14:32.271 ... 260 00:14:32.304 --> 00:14:35.507 ARE PHENOMENALLY TALENTED ARTISTIC DIRECTOR. 261 00:14:35.541 --> 00:14:40.646 THE ENTIRE, AMAZING, AMAZING CAST OF "THE CROWN." 262 00:14:40.679 --> 00:14:45.117 STARTED WITH OLIVIA COLMAN, TOBIAS MENZIES. 263 00:14:45.150 --> 00:14:45.885 JOSH O'CONNOR. 264 00:14:45.918 --> 00:14:49.154 ALAN DOHERTY, MIRIAM BAILEY. 265 00:14:49.188 --> 00:14:54.660 ALSO IN PARTICULARLY... 266 00:14:54.693 --> 00:14:57.363 THE ACTOR WHO PLAYED MY HUSBAND, DENNIS THATCHER. 267 00:14:57.396 --> 00:15:02.835 WONDERFUL AND VERY SUPPORTIVE INTERPRETATION. 268 00:15:02.868 --> 00:15:04.003 I LOVE YOU ALL. 269 00:15:04.036 --> 00:15:05.471 I LOVE EVERYBODY ON THE PLANET. 270 00:15:05.504 --> 00:15:11.110 THANK YOU VERY MUCH. 271 00:15:11.143 --> 00:15:13.746 OKAY, I KNOW WE LEFT ON A BIT OF A CLIFF HANGER LAST TIME, 272 00:15:13.779 --> 00:15:15.047 SO I'D LIKE TO LET EVERYONE KNOW THAT LESLIE IS NOT PREGNANT WITH 273 00:15:15.080 --> 00:15:15.915 MY BABY. 274 00:15:15.948 --> 00:15:17.383 IT WAS ALL JUST A BIG MISUNDERSTANDING. 275 00:15:17.416 --> 00:15:18.384 YES, IT WAS. 276 00:15:18.417 --> 00:15:19.985 TURNS OUT IT WAS JUST SOME BAD SHRIMP BACKSTAGE. 277 00:15:20.019 --> 00:15:22.755 SORRY, I THOUGHT I PUT IT ON SILENT. 278 00:15:22.788 --> 00:15:25.724 LET'S TAKE A LOOK AT THE NOMINEES FOR BEST SUPPORTING 279 00:15:25.758 --> 00:15:31.630 ACTOR IN A DRAMA SERIES. 280 00:15:31.664 --> 00:15:36.201 Announcer: BEST SUPPORTING ACTOR IN A DRAMA SERIES. 281 00:15:36.235 --> 00:15:40.039 TOM PELPHREY, "OZARK." 282 00:15:40.072 --> 00:15:44.643 YOU DO NOT GET TO LOCK ME UP IN A HOSPITAL AND TRANQUILIZED 283 00:15:44.677 --> 00:15:48.314 ME LIKE I'M SOME KIND OF ZOO ANIMAL. 284 00:15:48.347 --> 00:15:51.850 JONATHAN BANKS, "BETTER CALL SAUL." 285 00:15:51.884 --> 00:15:55.921 IF YOU MANAGE TO DIG A HOLE BIG ENOUGH FOR THOSE COMING 286 00:15:55.955 --> 00:15:59.058 MIGHT AS WELL BIG ONE FOR YOURSELF. 287 00:15:59.091 --> 00:16:02.161 JOHN LITHGOW, "PERRY MASON." 288 00:16:02.194 --> 00:16:06.131 YOU'RE GOING TO FIGHT BECAUSE I BELIEVE IN YOU. 289 00:16:06.165 --> 00:16:06.999 LET ME HEAR YOU SAY IT. 290 00:16:07.032 --> 00:16:10.569 TOBIAS MENZIES, "THE CROWN." 291 00:16:10.602 --> 00:16:13.706 ARCHITECTURALLY THERE IS LITTLE THAT IS NORMAL ABOUT THIS 292 00:16:13.739 --> 00:16:14.406 FAMILY. 293 00:16:14.440 --> 00:16:17.142 I BARELY KNEW MY OWN FATHER. 294 00:16:17.176 --> 00:16:26.618 MICHAEL K. WILLIAMS, "LOVECRAFT COUNTRY." 295 00:16:26.652 --> 00:16:27.653 YOU WANT US TO TELL THEM THAT WIZARDS EXIST? 296 00:16:27.686 --> 00:16:28.654 THAT WHITE FOLKS HAVE GOT MAGIC ON THEIR SIDE TOO? 297 00:16:28.687 --> 00:16:31.490 JUSTIN HARTLEY, "THIS IS US." 298 00:16:31.523 --> 00:16:34.093 I USED TO THINK THE WORST THING THAT HAPPENED TO ME WAS 299 00:16:34.126 --> 00:16:35.661 THE DAY THAT DAD DIED. 300 00:16:35.694 --> 00:16:38.731 IT'S THE DAY THEY BROUGHT YOU HOME. 301 00:16:38.764 --> 00:16:41.600 AND THE CRITICS CHOICE IS... 302 00:16:41.633 --> 00:16:49.842 MICHAEL K. WILLIAMS, "LOVECRAFT COUNTRY." 303 00:16:49.875 --> 00:16:52.011 WOW. 304 00:16:52.044 --> 00:16:53.178 THANK YOU. 305 00:16:53.212 --> 00:16:57.049 THANK YOU TO THE VOTERS OF THE CRITICS CHOICE ASSOCIATION. 306 00:16:57.082 --> 00:16:59.885 THANK YOU TO HBO FOR THIS AMAZING JOURNEY OVER THE YEARS. 307 00:16:59.918 --> 00:17:08.961 TWO WARNER BROS. 308 00:17:08.994 --> 00:17:09.294 BAD ROBOT. 309 00:17:09.328 --> 00:17:10.462 THANK YOU. 310 00:17:10.496 --> 00:17:12.264 THE AMAZING PRODUCERS, THE SHOWRUNNER, WRITERS, I LOVE YOU 311 00:17:12.297 --> 00:17:13.432 AND THANK YOU SO MUCH. 312 00:17:13.465 --> 00:17:16.101 WITHOUT YOUR WORDS AND YOUR GUIDANCE NOT OF THIS WOULD BE 313 00:17:16.135 --> 00:17:17.236 DONE. 314 00:17:17.269 --> 00:17:18.971 TO THE AMAZING CAST THAT I CONSIDER MY FAMILY, I WANT TO 315 00:17:19.004 --> 00:17:21.440 GIVE YOU A SPECIAL SHOUT OUT. 316 00:17:21.473 --> 00:17:24.076 THANK YOU FOR LIFTING ME UP IN MY TIME OF NEED OUT THERE IN THE 317 00:17:24.109 --> 00:17:24.843 FIELD. 318 00:17:24.877 --> 00:17:27.679 YOU KNOW WHAT I'M TALKING ABOUT. 319 00:17:27.713 --> 00:17:28.781 TO MY MOTHER. 320 00:17:28.814 --> 00:17:31.617 MOM, I LOVE YOU. 321 00:17:31.650 --> 00:17:33.852 I WANT TO GIVE YOU FLOWERS. 322 00:17:33.886 --> 00:17:34.887 I'M NOTHING WITHOUT YOU. 323 00:17:34.920 --> 00:17:39.124 TO MY CHILDREN, I LOVE YOU. 324 00:17:39.158 --> 00:17:41.960 TO THE YOUTH OUT THERE. 325 00:17:41.994 --> 00:17:42.861 BLACK, WHITE, ASIAN. 326 00:17:42.895 --> 00:17:44.096 IT DOESN'T MATTER. 327 00:17:44.129 --> 00:17:48.133 I HOPE THAT YOU TAKE THE JOURNEY OF "LOVECRAFT COUNTRY" THE 328 00:17:48.167 --> 00:17:52.638 JOURNEYS WE ARE TELLING IN CS, SEE THE LEGACY THAT WE COME 329 00:17:52.671 --> 00:17:53.272 FROM. 330 00:17:53.305 --> 00:17:55.474 THANK YOU TO EVERYBODY. 331 00:17:55.507 --> 00:17:58.410 GOOD NIGHT. 332 00:17:58.444 --> 00:18:01.346 Announcer: COMING UP: LIN-MANUEL MIRANDA. 333 00:18:01.380 --> 00:18:04.883 AND FROM "BATWOMAN." 334 00:18:04.917 --> 00:18:10.055 HI, I AM PRESENTING THE AWARD FOR BEST SUPPORTING ACTOR IN A 335 00:18:10.089 --> 00:18:12.658 MOVIE MADE FOR TELEVISION OR LIMITED SERIES NEXT ON THE 336 00:18:12.691 --> 00:18:14.726 CRITICS CHOICE AWARDS. 337 00:18:27.639 --> 00:18:32.644 Announcer: WELCOME BACK TO THE 26TH CRITICS CHOICE AWARDS. 338 00:18:32.678 --> 00:18:35.714 Taye: TONIGHT, FOR THE FIFTH CONSECUTIVE YEAR, 339 00:18:35.747 --> 00:18:37.449 THE CRITICS CHOICE ASSOCIATION IS PRESENTING 340 00:18:37.483 --> 00:18:39.985 THE SEE HER AWARD. 341 00:18:40.018 --> 00:18:43.021 SEE HER IS THE LARGEST GLOBAL MOVEMENT ADVOCATING FOR ACCURATE 342 00:18:43.055 --> 00:18:46.458 PORTRAYALS OF WOMEN AND GIRLS IN MEDIA AND ENTERTAINMENT 343 00:18:46.492 --> 00:18:49.027 SO THEY CAN BE SEEN AS THEY TRULY ARE. 344 00:18:49.061 --> 00:18:51.497 LED BY A COALITION OF MEDIA AND ENTERTAINMENT LEADERS AND 345 00:18:51.530 --> 00:18:55.467 INFLUENCERS, THEY ARE COMMITTED TO ELIMINATING GENDER BIAS IN 346 00:18:55.501 --> 00:18:57.469 OUR INDUSTRY. 347 00:18:57.503 --> 00:19:02.374 IN ADDITION TO THE AWARD PRESENTATION TO THE 2021 HONOREE 348 00:19:02.407 --> 00:19:04.042 THIS YEAR, WE WILL ALSO BE FEATURING SOME SPECIAL 349 00:19:04.076 --> 00:19:05.744 SEE HER MOMENTS THROUGHOUT THE SHOW. 350 00:19:05.777 --> 00:19:10.048 HERE'S THE FIRST. 351 00:19:10.082 --> 00:19:13.652 I DON'T WANT TO INSPIRE THE NEXT GENERATION. 352 00:19:13.685 --> 00:19:15.687 I WANT THEM TO INSPIRE ME. 353 00:19:15.721 --> 00:19:18.423 I THINK THAT'S THE WAY IT SHOULD BE. 354 00:19:18.457 --> 00:19:27.399 THESE YOUNGER GENERATIONS OF ACTRESSES, THEY ARE PUSHING 355 00:19:27.432 --> 00:19:30.035 PROGRESS THE WAY THAT'S NEW AND WONDERFUL AND I'M EXCITED AND 356 00:19:30.068 --> 00:19:36.708 GRATEFUL TO LISTEN TO THEM. 357 00:19:36.742 --> 00:19:38.477 Taye: HERE IS ONE OF MY FELLOW ACTORS FROM THE CW. 358 00:19:38.510 --> 00:19:44.183 SHE IS GETTING RAVE REVIEWS AS THE NEW BLACK WOMAN. 359 00:19:44.216 --> 00:19:48.187 EXCUSE ME, BAT WOMAN. 360 00:19:48.220 --> 00:19:52.157 SHE'S A BLACK WOMAN PLAYING BATWOMAN. 361 00:19:52.191 --> 00:19:53.158 HERE FROM VANCOUVER, CANADA, IS JAVICIA LESLIE. 362 00:19:53.192 --> 00:19:54.026 HI, EVERYONE! 363 00:19:54.059 --> 00:19:55.227 I'M JAVICIA LESLIE, AND I HAVE TO SAY 364 00:19:55.260 --> 00:19:56.495 IT'S A GOOD THING THIS SHOW IS CALLED THE CRITICS CHOICE AND 365 00:19:56.528 --> 00:19:59.898 NOT "JAVICIA'S CHOICE," BECAUSE THERE IS NO WAY I WOULD EVER BE 366 00:19:59.932 --> 00:20:03.802 ABLE TO PICK MY FAVORITE FROM ALL OF THESE INCREDIBLE 367 00:20:03.835 --> 00:20:06.138 PERFORMANCES FOR BEST SUPPORTING ACTOR IN A MOVIE MADE 368 00:20:06.171 --> 00:20:10.075 FOR TELEVISION OR A LIMITED SERIES. 369 00:20:10.108 --> 00:20:13.645 AS A MATTER OF FACT, IF THIS WAS THE "JAVICIA CHOICE AWARDS," 370 00:20:13.679 --> 00:20:16.281 I WOULD JUST GIVE TROPHIES TO ALL THE NOMINEES, BUT I THINK 371 00:20:16.315 --> 00:20:19.985 THAT WOULD BE PRETTY EXPENSIVE. 372 00:20:20.018 --> 00:20:25.857 HERE ARE YOUR NOMINEES. 373 00:20:25.891 --> 00:20:29.127 Announcer: BEST SUPPORTING ACTOR IN THE MOVIE MADE FOR 374 00:20:29.161 --> 00:20:32.397 TELEVISION OR LIMITED SERIES. 375 00:20:32.431 --> 00:20:36.468 GLYNN TURMAN, "FARGO." 376 00:20:36.501 --> 00:20:38.003 YOU'RE A DOCTOR. 377 00:20:38.036 --> 00:20:39.972 NAME IS DOCTOR. 378 00:20:40.005 --> 00:20:40.806 DR. SENATOR. 379 00:20:40.839 --> 00:20:44.276 IT WAS MY MOTHER'S IDEA. 380 00:20:44.309 --> 00:20:46.478 DYLAN MCDERMOTT, "HOLLYWOOD." 381 00:20:46.511 --> 00:20:50.616 YOU'RE GOING TO DO A LOT OF BUSINESS. 382 00:20:50.649 --> 00:20:53.018 I CAN TELL. 383 00:20:53.051 --> 00:20:58.357 JOSHUA CALEB JOHNSON, "THE GOOD LORD BIRD." 384 00:20:58.390 --> 00:21:00.092 JOHN TURTURRO, "THE PLOT AGAINST 385 00:21:00.125 --> 00:21:02.961 AMERICA." 386 00:21:02.995 --> 00:21:07.866 WHAT SORT OF AMERICA WOULD A MASSIVE SLAUGHTER OF INNOCENT 387 00:21:07.899 --> 00:21:11.370 AMERICAN BOYS LEAVE IN ITS WAKE? 388 00:21:11.403 --> 00:21:14.673 DAVEED DIGGS, "THE GOOD LORD BIRD." 389 00:21:14.706 --> 00:21:23.915 PLEASE DO NOT PRESUME TO TELL ME WHAT A SLAVE WILL OR WILL NOT DO 390 00:21:23.949 --> 00:21:24.716 DO. 391 00:21:24.750 --> 00:21:28.754 DONALD SUTHERLAND, "THE UNDOING." 392 00:21:28.787 --> 00:21:30.789 YOU SPEAK OF UGLINESS. 393 00:21:30.822 --> 00:21:36.962 YOU HAVE NOT YET MET UGLINESS. 394 00:21:36.995 --> 00:21:42.934 AND THE CRITICS CHOICE IS... 395 00:21:42.968 --> 00:21:44.770 DONALD SUTHERLAND. 396 00:21:44.803 --> 00:21:47.839 "THE UNDOING." 397 00:21:47.873 --> 00:21:54.413 HBO, YOU ARE TERRIFIC TO WORK FOR. 398 00:21:54.446 --> 00:21:59.117 OUTSTANDING. 399 00:21:59.151 --> 00:22:03.055 DAVID, KELLY, RICHARD. 400 00:22:03.088 --> 00:22:05.123 CANNING, ALICIA. 401 00:22:05.157 --> 00:22:08.226 WONDERFUL. 402 00:22:08.260 --> 00:22:09.828 THANK YOU, CATHERINE. 403 00:22:09.861 --> 00:22:15.467 JERRY, HANNAH, ROGUE, JOSH, BEN, THANK YOU TO THE CRITICS CHOICE 404 00:22:15.500 --> 00:22:18.403 ASSOCIATION TO HONOR ME THUS IN MY DOTAGE. 405 00:22:18.437 --> 00:22:20.539 MUCH APPRECIATED. 406 00:22:20.572 --> 00:22:21.239 THANK YOU, FRANCINE. 407 00:22:21.273 --> 00:22:25.177 HAVE A LOVELY EVENING, EVERYONE. 408 00:22:25.210 --> 00:22:26.445 Announcer: JARED PADALECKI STARS IN THE NEW CW SERIES 409 00:22:26.478 --> 00:22:27.112 "WALKER." 410 00:22:27.145 --> 00:22:30.849 HERE HE IS FROM AUSTIN, TEXAS. 411 00:22:30.882 --> 00:22:32.517 HEY, ALL. 412 00:22:32.551 --> 00:22:33.985 JARED PADALECKI HERE. 413 00:22:34.019 --> 00:22:37.055 I AM PRESENTING THE AWARD FOR BEST SUPPORTING 414 00:22:37.089 --> 00:22:40.258 ACTRESS IN A MOVIE MADE FOR TELEVISION OR A LIMITED SERIES. 415 00:22:40.292 --> 00:22:42.794 AND THEY PICKED ME FOR THIS CATEGORY BECAUSE I HAVE SOME 416 00:22:42.828 --> 00:22:46.264 EXPERIENCE IN LIMITED SERIES. 417 00:22:46.298 --> 00:22:49.101 I JUST STARTED MY NEW SHOW "WALKER" BUT MY LAST 418 00:22:49.134 --> 00:22:52.404 SERIES "SUPERNATURAL" ENDED AFTER 15 YEARS 419 00:22:52.437 --> 00:22:54.773 AND 327 EPISODES. 420 00:22:54.806 --> 00:22:57.309 SO, I KNOW WHAT IT'S LIKE TO HAVE TO TELL A STORY -- 421 00:22:57.342 --> 00:23:02.581 BEGINNING, MIDDLE, AND END -- IN JUST A DECADE AND A HALF. 422 00:23:02.614 --> 00:23:04.683 CRAZY, RIGHT? 423 00:23:04.716 --> 00:23:07.686 SO IF ANYONE CAN APPRECIATE THESE PERFORMANCES, 424 00:23:07.719 --> 00:23:09.921 IT'S ME. 425 00:23:09.955 --> 00:23:15.394 AND THE NOMINEES ARE... 426 00:23:15.427 --> 00:23:19.164 Announcer: BEST SUPPORTING ACTRESS IN A MOVIE MADE FOR 427 00:23:19.197 --> 00:23:22.401 TELEVISION OR LIMITED SERIES. 428 00:23:22.434 --> 00:23:25.771 TRACEY ULLMAN, "MRS. AMERICA." 429 00:23:25.804 --> 00:23:30.175 U ALSO AROUND AROUND THE COUNTRY DECRYING US FOR TRYING TO OPEN 430 00:23:30.208 --> 00:23:32.677 CAREER OPPORTUNITIES TO WOMEN AND THIS IS WHAT I CAN'T STAND, 431 00:23:32.711 --> 00:23:39.451 THE HYPOCRISY. 432 00:23:39.484 --> 00:23:43.155 THE MOVES THEY APPLAUD THE LOUDEST ARE THE ONES YOU MAKE 433 00:23:43.188 --> 00:23:44.189 RATHER QUICKLY. 434 00:23:44.222 --> 00:23:48.326 INTUITION CAN'T BE FOUND IN BOOKS. 435 00:23:48.360 --> 00:23:51.596 I WAS VERY CLEAR. 436 00:23:51.630 --> 00:23:52.731 WE ARE DONE. 437 00:23:52.764 --> 00:23:59.805 AND I WOULD LIKE YOU TO PACK UP AND MOVE OUT NOW PLEASE. 438 00:23:59.838 --> 00:24:02.307 DOES THE PRESIDENT KNOW ABOUT THIS? 439 00:24:02.340 --> 00:24:07.579 HE APPROVED THIS MORNING. 440 00:24:07.612 --> 00:24:10.982 BEFORE WE MET WITH HIM? 441 00:24:11.016 --> 00:24:17.422 WHEN HE CAME OUT AGAINST THE JEWS IN THE DES MOINES SPEECH, I 442 00:24:17.456 --> 00:24:23.762 WAS OUTRAGED BUT SINCE THEN, HIS MESSAGE HAS BEEN ANTIWAR. 443 00:24:23.795 --> 00:24:28.700 I DIDN'T GET ANYWHERE IN MY LIFE WAITING ON SOMEBODY'S 444 00:24:28.733 --> 00:24:29.968 PERMISSION. 445 00:24:30.001 --> 00:24:34.272 IF HE CAN'T SUPPORT ME -- IF YOU CAN'T SUPPORT ME, GET OUT OF MY 446 00:24:34.306 --> 00:24:35.140 WAY. 447 00:24:35.173 --> 00:24:38.310 AND THE CRITICS CHOICE IS... 448 00:24:38.343 --> 00:24:43.248 UZO ADUBA, "MRS. AMERICA." 449 00:24:43.281 --> 00:24:44.916 WOW. 450 00:24:44.950 --> 00:24:46.051 WOW. 451 00:24:46.084 --> 00:24:50.355 THANK YOU VERY MUCH TO THE CRITICS CHOICE ASSOCIATION. 452 00:24:50.388 --> 00:24:52.624 CONGRATULATIONS TO THE AMAZING WOMAN IN THIS CATEGORY. 453 00:24:52.657 --> 00:25:02.767 I WANT TO SAY THANK YOU TO FX, HULU, FX ON HULU, OUR INCREDIBLE 454 00:25:02.801 --> 00:25:12.244 PRODUCERS, OUR DIRECTORS ANNA AND RYAN AND SPECIAL LOVE TO AMA 455 00:25:12.277 --> 00:25:15.847 AND TONYA AND MY AMAZING, AMAZING TEAM WHO HAVE SHOWN ME 456 00:25:15.881 --> 00:25:18.917 SO MUCH LIGHT AND LOVE OVER THE YEARS AND THROUGHOUT THIS ENTIRE 457 00:25:18.950 --> 00:25:19.951 PROJECT. 458 00:25:19.985 --> 00:25:23.321 MY FAMILY AND MY FRIENDS WHO I AM NOTHING WITHOUT. 459 00:25:23.355 --> 00:25:30.562 AND I WANT TO GIVE EXTRA, EXTRA SPECIAL LOVE AND THANKS AND 460 00:25:30.595 --> 00:25:34.399 GRATITUDE TO SHIRLEY CHISHOLM HERSELF FOR BEING THE REMARKABLE 461 00:25:34.432 --> 00:25:41.606 TRAILBLAZER, PIONEER, FORCE OF A WOMAN AND VOICE IN HER TENURE IN 462 00:25:41.640 --> 00:25:43.575 CONGRESS AND THE REMARKABLE CHANGE AND POWER SHE SHOWED SO 463 00:25:43.608 --> 00:25:47.946 MANY OF US IN TERMS OF LEADING THE WAY AND WHAT WE CAN DO WITH 464 00:25:47.979 --> 00:25:48.413 OUR LIVES. 465 00:25:48.446 --> 00:25:50.782 THANK YOU SO MUCH. 466 00:25:50.815 --> 00:25:52.551 I AM FOREVER GRATEFUL. 467 00:25:52.584 --> 00:25:53.051 THANK YOU. 468 00:25:53.084 --> 00:25:54.419 THANK YOU VERY MUCH. 469 00:25:54.452 --> 00:25:55.587 GOD BLESS. 470 00:25:55.620 --> 00:25:57.289 Announcer: COMING UP: LIN-MANUEL MIRANDA 471 00:25:57.322 --> 00:26:03.628 INTRODUCES OUR FIRST BEST SONG NOMINEE. 472 00:26:03.662 --> 00:26:04.829 HI. 473 00:26:04.863 --> 00:26:10.936 I AM PRESENTING BEST YOUNG ACTOR AND ACTRESS COMING UP NEXT. 474 00:26:10.969 --> 00:26:12.304 Announcer: WHEN THE 26TH ANNUAL CRITICS CHOICE AWARDS 475 00:26:12.337 --> 00:26:14.339 CONTINUES. 476 00:26:25.383 --> 00:26:26.217 Taye: WELCOME BACK. 477 00:26:26.251 --> 00:26:29.854 LET'S CHECK IN WITH ANOTHER NOMINEE. 478 00:26:29.888 --> 00:26:37.529 SAY HELLO TO JURNEE SMOLLETT. 479 00:26:37.562 --> 00:26:38.697 JURNEE, HOW ARE YOU? 480 00:26:38.730 --> 00:26:42.167 I'M WONDERFUL, HOW ARE YOU? 481 00:26:42.200 --> 00:26:43.201 Taye: EXCELLENT. 482 00:26:43.234 --> 00:26:44.402 YOU LOOK WONDERFUL TONIGHT. 483 00:26:44.436 --> 00:26:46.938 THANK YOU. 484 00:26:46.972 --> 00:26:48.607 Taye: CONGRATULATIONS ON YOUR NOMINATION FOR BEST ACTRESS 485 00:26:48.640 --> 00:26:51.943 IN A DRAMA SERIES FOR "LOVECRAFT COUNTRY." 486 00:26:51.977 --> 00:26:52.911 I HAVE A QUESTION. 487 00:26:52.944 --> 00:26:54.579 THAT SHOW WAS PRETTY OUT THERE. 488 00:26:54.613 --> 00:26:56.581 HOW DO YOU PREPARE FOR A PERFORMANCE LIKE THAT? 489 00:26:56.615 --> 00:26:57.716 IN ALWAYS. 490 00:26:57.749 --> 00:27:04.623 I TRY TO OPEN MY CREATIVE CHANNELS WITH AS MUCH RESEARCH 491 00:27:04.656 --> 00:27:05.790 AS POSSIBLE. 492 00:27:05.824 --> 00:27:10.428 WHAT LIFE IS LIKE TO BE A BLACK WOMAN IN JIM CROW AMERICA. 493 00:27:10.462 --> 00:27:14.866 THE PHOTOGRAPHY, MUSIC. 494 00:27:14.899 --> 00:27:15.634 THE WRITINGS. 495 00:27:15.667 --> 00:27:18.970 IT GAVE ME INSIGHT INTO HUMANITY. 496 00:27:19.004 --> 00:27:23.842 WOMAN WHO IS BATTLING WHITE SUPREMACY AND THE PATRIARCHY. 497 00:27:23.875 --> 00:27:24.943 Taye: ABSOLUTELY. 498 00:27:24.976 --> 00:27:28.546 DID YOU WATCH ANY OF MY PERFORMANCES FOR INSPIRATION? 499 00:27:28.580 --> 00:27:31.783 ALL OF IT. 500 00:27:31.816 --> 00:27:36.454 Taye: I THOUGHT I COULD SEE LITTLE BITS. 501 00:27:36.488 --> 00:27:38.056 PEOPLE MIGHT NOT KNOW THAT YOU'VE ALREADY WON 502 00:27:38.089 --> 00:27:39.090 A CRITICS CHOICE AWARD FOR BEST CHILD PERFORMANCE 503 00:27:39.124 --> 00:27:40.025 FOR "EVE'S BAYOU" BACK IN 1998. 504 00:27:40.058 --> 00:27:50.168 WHAT DO YOU REMEMBER ABOUT WHEN YOU WON THAT? 505 00:27:50.201 --> 00:27:52.671 MY FIRST TIME WINNING AN AWARD. 506 00:27:52.704 --> 00:27:53.838 I WAS VERY EXCITED. 507 00:27:53.872 --> 00:27:58.076 I REMEMBER BEING IN A ROOM WITH, LIKE, JAMES CAMERON. 508 00:27:58.109 --> 00:28:03.815 REALLY COOL PEOPLE. 509 00:28:03.848 --> 00:28:06.117 BEING AROUND ALL THESE COOL PEOPLE. 510 00:28:06.151 --> 00:28:10.655 Taye: YOU ARE WONDERFUL THEN AND YOUR WONDERFUL TODAY. 511 00:28:10.689 --> 00:28:12.924 THANK YOU AND GOOD LUCK TONIGHT, JURNEE! 512 00:28:12.957 --> 00:28:15.727 AS YOU'VE SEEN, MUCH OF THIS YEAR'S SHOW IS BEING DONE VIA 513 00:28:15.760 --> 00:28:18.997 THE INTERNET BECAUSE OF THE ONGOING PANDEMIC. 514 00:28:19.030 --> 00:28:20.532 MANY OF OUR CELEBRITY PRESENTERS ARE SHOOTING THEMSELVES FROM 515 00:28:20.565 --> 00:28:21.833 HOME. 516 00:28:21.866 --> 00:28:24.936 IT SOUNDS EASY ENOUGH, BUT IT'S NOT. 517 00:28:24.969 --> 00:28:27.005 HOW YOU PRESENT YOURSELF FROM HOME SAYS A LOT ABOUT 518 00:28:27.038 --> 00:28:28.973 WHO YOU ARE. 519 00:28:29.007 --> 00:28:37.015 SO WE SENT OUR CELEBRITIES AN INSTRUCTIONAL VIDEO 520 00:28:37.048 --> 00:28:40.919 OUR EXPERT HAS BEEN PRODUCING HIS OWN SEGMENTS 521 00:28:40.952 --> 00:28:42.220 FOR THE "DAILY SHOW WITH TREVOR NOAH" FROM HIS HOME 522 00:28:42.253 --> 00:28:43.288 IN NEW YORK. 523 00:28:43.321 --> 00:28:45.924 HERE'S ROY WOOD, JR. THANK YOU FOR BEING A PART OF 524 00:28:45.957 --> 00:28:48.059 THIS YEAR'S CRITICS CHOICE AWARDS. 525 00:28:48.093 --> 00:28:50.028 THIS INSTRUCTIONAL VIDEO IS FILLED WITH TIPS AND POINTERS TO 526 00:28:50.061 --> 00:28:54.132 OPTIMIZE YOUR CRITICS CHOICE APPEARANCE FROM YOUR OWN HOME. 527 00:28:54.165 --> 00:28:56.968 IT MAY SEEM OBVIOUS, BUT WHILE TELECONFERENCING, 528 00:28:57.001 --> 00:28:58.336 THE ITEMS IN YOUR BACKGROUND SEND A MESSAGE 529 00:28:58.369 --> 00:28:59.871 TO THE AUDIENCE. 530 00:28:59.904 --> 00:29:03.608 FOR EXAMPLE, A FILLED BOOKCASE TELLS THE AUDIENCE, 531 00:29:03.641 --> 00:29:06.678 "I CAN AFFORD TO BUY BOOKS!" AND WHILE THIS IS BOUND 532 00:29:06.711 --> 00:29:09.481 TO IMPRESS, IT'S THE TITLES OF THE BOOKS THAT SPEAK VOLUMES 533 00:29:09.514 --> 00:29:11.416 ABOUT YOU. 534 00:29:11.449 --> 00:29:13.785 SO YOU MAY WANT TO REPLACE YOUR COPIES OF "ART OF THE DEAL," 535 00:29:13.818 --> 00:29:18.690 AND "THE BEST OF LARRY FLYNT" WITH A FEW FILM CRITICISM BOOKS, 536 00:29:18.723 --> 00:29:21.926 ESPECIALLY ANYTHING BY GENE SHALIT. 537 00:29:21.960 --> 00:29:24.195 NOW WE'VE COVERED HOME DECOR, IF YOU MUST HAVE SOMETHING 538 00:29:24.229 --> 00:29:27.165 IN THE BACKGROUND, LET IT BE THE MOST POPULAR FORM 539 00:29:27.198 --> 00:29:28.700 OF HOME DECOR. 540 00:29:28.733 --> 00:29:31.069 CHILDREN. 541 00:29:31.102 --> 00:29:32.270 GET OUR OF HERE, CHILD! 542 00:29:32.303 --> 00:29:37.776 YOU ARE MESSING UP MY MOMENT ON TV. 543 00:29:37.809 --> 00:29:40.879 AVOID PLACING A TELESCOPE IN YOUR BACKGROUND. 544 00:29:40.912 --> 00:29:42.714 TO YOU, IT INDICATES THAT YOU ENJOY THE HOBBY 545 00:29:42.747 --> 00:29:43.882 OF STARGAZING. 546 00:29:43.915 --> 00:29:46.718 BUT, TO OTHERS, IT MAY SAY "MY NEIGHBORS DON'T HAVE 547 00:29:46.751 --> 00:29:49.354 CURTAINS." 548 00:29:49.387 --> 00:29:52.390 AND A WORD OF CAUTION, SOME OF YOU MAY THINK YOU CAN GET AWAY 549 00:29:52.423 --> 00:29:54.459 WITH BEING NAKED FROM THE WAIST DOWN. 550 00:29:54.492 --> 00:29:57.896 BASED ON PERSONAL EXPERIENCE, I WOULD ADVISE AGAINST IT. 551 00:29:57.929 --> 00:30:00.031 YOU NEVER KNOW WHEN THE PRODUCERS MIGHT DECIDE TO 552 00:30:00.064 --> 00:30:01.132 PLAY THE NATIONAL ANTHEM. 553 00:30:01.166 --> 00:30:03.501 AND EVERYBODY'S GOTTA STAND. 554 00:30:03.535 --> 00:30:07.672 THAT TIP IS FOR THE WHITE PEOPLE, I KNOW THE BLACK PEOPLE, 555 00:30:07.705 --> 00:30:09.240 WE AIN'T STANDING. 556 00:30:09.274 --> 00:30:11.876 MOST IMPORTANTLY, IF YOU HAVE EVER RECEIVED AN AWARD, I'M 557 00:30:11.910 --> 00:30:14.245 TALKING IN YOUR ENTIRE LIFE, INCLUDE THEM ON YOUR BOOKCASE. 558 00:30:14.279 --> 00:30:15.914 IT COULD BE A NOBEL PRIZE OR A PEEWEE SOCCER 559 00:30:15.947 --> 00:30:17.282 PARTICIPATION TROPHY. 560 00:30:17.315 --> 00:30:18.616 IT DOESN'T MATTER. 561 00:30:18.650 --> 00:30:19.717 AN ACCOLADE IS AN ACCOLADE. 562 00:30:19.751 --> 00:30:22.821 AND, SUBLIMINALLY, YOU ARE TELLING THE AUDIENCE, 563 00:30:22.854 --> 00:30:23.188 "HEY, YOU! 564 00:30:23.221 --> 00:30:24.155 LOOK AT ME! 565 00:30:24.189 --> 00:30:25.857 I'M AN ACHIEVER." 566 00:30:25.890 --> 00:30:31.062 GOOD LUCK TO EVERYBODY AND THANKS AGAIN! 567 00:30:31.095 --> 00:30:34.465 ALL RIGHT. 568 00:30:34.499 --> 00:30:35.633 GET OUT OF THIS TUXEDO. 569 00:30:35.667 --> 00:30:36.835 Taye: THANK YOU, ROY WOOD JR. 570 00:30:36.868 --> 00:30:38.503 NOW, YOU'VE PROBABLY SEEN OUR NEXT PRESENTER 571 00:30:38.536 --> 00:30:40.705 ON "BLACK-ISH", "MIXED-ISH" 572 00:30:40.738 --> 00:30:43.074 AND "GROWN-ISH". 573 00:30:43.107 --> 00:30:46.110 I WISH I COULD DISH OUT AN "ISH" JOKE HERE WITHOUT LOOKING 574 00:30:46.144 --> 00:30:50.582 FOOL-ISH BUT I CAN'T ACCOMPL-ISH THAT SO I'LL NOT ANGU-ISH 575 00:30:50.615 --> 00:30:55.420 AND JUST FINISH WITH A STRAIGHT-ISH INTRO: 576 00:30:55.453 --> 00:30:59.324 HERE'S YARA SHAHIDI. 577 00:30:59.357 --> 00:31:02.160 IN HOLLYWOOD, I GET TO WEAR MANY HATS. 578 00:31:02.193 --> 00:31:04.829 ACTRESS, EXECUTIVE PRODUCER, DIRECTOR. 579 00:31:04.863 --> 00:31:08.433 BUT WITH THESE NOMINEES, I GET TO WEAR A NEW ONE. 580 00:31:08.466 --> 00:31:10.134 "ELDER STATESWOMAN." 581 00:31:10.168 --> 00:31:13.471 HERE ARE THE INCREDIBLY TALENTED NOMINEES FOR 582 00:31:13.504 --> 00:31:24.182 BEST YOUNG ACTOR OR ACTRESS. 583 00:31:24.215 --> 00:31:27.118 Announcer: BEST YOUNG ACTOR OR ACTRESS. 584 00:31:27.151 --> 00:31:28.286 HELENA ZENGEL, "NEWS OF THE WORLD." 585 00:31:28.319 --> 00:31:29.854 STAGE. 586 00:31:29.888 --> 00:31:30.221 IT SMELLS GOOD. 587 00:31:30.255 --> 00:31:36.861 GOOD. 588 00:31:36.895 --> 00:31:53.044 [SPEAKING FOREIGN LANGUAGE] WE HAD A SLEEPOVER WITH MY 589 00:31:53.077 --> 00:32:02.620 MAMA AND YOU DIDN'T WEAR NO PAJAMAS NOR UNDERWEAR. 590 00:32:02.654 --> 00:32:08.359 IT'S A LONG WAY. 591 00:32:08.393 --> 00:32:11.529 OKAY. 592 00:32:11.562 --> 00:32:16.134 [SPEAKING FOREIGN LANGUAGE] WHY? 593 00:32:16.167 --> 00:32:20.705 TREES LIKE WATER. 594 00:32:20.738 --> 00:32:21.439 WERE THEY NICE? 595 00:32:21.472 --> 00:32:27.178 NICE ENOUGH. 596 00:32:27.211 --> 00:32:33.985 DID IT HURT? 597 00:32:34.018 --> 00:32:37.956 AND THE CRITICS CHOICE IS... 598 00:32:37.989 --> 00:32:47.098 ALAN KIM, "MINARI." 599 00:32:47.131 --> 00:32:49.133 THANK YOU, THANK YOU. 600 00:32:49.167 --> 00:32:54.806 FIRST OF ALL, I WOULD LIKE TO THANK THE CRITICS WHO VOTED IN 601 00:32:54.839 --> 00:33:00.345 MY FAMILY. 602 00:33:00.378 --> 00:33:11.055 I'M GOING TO CRY. 603 00:33:11.089 --> 00:33:13.691 THE OTHER CREWMEMBERS. 604 00:33:13.725 --> 00:33:19.931 I HOPE I WILL BE IN OTHER MOVIES MOVIES. 605 00:33:19.964 --> 00:33:27.138 IS THIS THE TRUTH? 606 00:33:27.171 --> 00:33:39.083 [CRYING] Announcer: HE'S THE CREATOR 607 00:33:39.117 --> 00:33:40.685 OF THE PHENOMENON KNOWN AS "HAMILTON" AND COMPOSER OF 608 00:33:40.718 --> 00:33:44.522 THE UPCOMING FILM OF HIS OWN MUSICAL "IN THE 609 00:33:44.555 --> 00:33:51.095 HEIGHTS," HERE'S LIN-MANUEL MIRANDA. 610 00:33:51.129 --> 00:33:51.829 IT'S NO SECRET. 611 00:33:51.863 --> 00:33:53.097 SONGWRITING IS MY BLISS. 612 00:33:53.131 --> 00:33:55.533 WHEN THE RIGHT WORDS MEET THE RIGHT MUSIC TO 613 00:33:55.566 --> 00:33:57.835 TELL A STORY, THERE IS NOTHING LIKE IT IN THE WORLD. 614 00:33:57.869 --> 00:34:01.305 AND WHEN THE FINAL CREATION IS OUTSTANDING, WHEN 615 00:34:01.339 --> 00:34:03.808 IT'S POSSIBLY ONE'S FINEST WORK, THE WAVE OF PRIDE 616 00:34:03.841 --> 00:34:07.145 AND SENSE OF ACCOMPLISHMENT IS INDESCRIBABLE. 617 00:34:07.178 --> 00:34:08.679 THAT'S WHAT TONIGHT'S NOMINEES FOR BEST SONG 618 00:34:08.713 --> 00:34:10.381 ARE FEELING. 619 00:34:10.415 --> 00:34:13.251 THIS YEAR, WE ARE GOING TO SPOTLIGHT EACH OF OUR NOMINEES 620 00:34:13.284 --> 00:34:16.454 ONE BY ONE BEFORE WE HEAR WHICH IS THE CRITICS CHOICE. 621 00:34:16.487 --> 00:34:19.957 OUR FIRST NOMINEE FOR BEST SONG IS "HUSAVIK (MY HOME TOWN)" 622 00:34:19.991 --> 00:34:22.960 FROM "EUROVISION SONG CONTEST: THE STORY OF FIRE SAGA." 623 00:34:22.994 --> 00:34:26.330 MUSIC AND LYRICS BY SAVAN KOTECHA. 624 00:34:26.364 --> 00:34:29.767 RICKARD GORANSSON AND FAT MAX GSUS. 625 00:34:29.801 --> 00:34:32.003 WILL FERRELL AND RACHEL McADAMS PLAY ICELAND'S ENTRY INTO THIS 626 00:34:32.036 --> 00:34:33.771 OVER-THE-TOP COMPETITION. 627 00:34:33.805 --> 00:34:49.320 RACHEL'S VOCALS ARE ACTUALLY SUNG BY MOLLY SANDEN. 628 00:34:49.353 --> 00:34:51.055 ♪ BUT NOW I KNOW WHAT MAKES ME HAPPY ♪ 629 00:34:51.089 --> 00:34:52.723 ♪ AND I CAN TELL YOU FEEL IT TOO ♪ 630 00:34:52.757 --> 00:34:54.358 ♪ WHERE THE MOUNTAINS SING THROUGH THE SCREAMS OF 631 00:34:54.392 --> 00:34:56.894 SEAGULLS ♪ ♪ WHERE THE WHALES CAN LIVE 632 00:34:56.928 --> 00:35:03.401 'CAUSE THEY'RE GENTLE PEOPLE ♪ ♪ IN MY HOMETOWN, MY HOMETOWN ♪ 633 00:35:03.434 --> 00:35:11.642 MY HOMETOWN ♪ Announcer: COMING UP LIVE 634 00:35:11.676 --> 00:35:13.778 ON STAGE, "VEEP" STAR TONY HALE PRESENTS THE AWARDS FOR ACTOR 635 00:35:13.811 --> 00:35:20.218 AND ACTRESS IN A DRAMA SERIES. 636 00:35:20.251 --> 00:35:22.253 HERE ON THE 26TH ANNUAL CRITICS CHOICE AWARDS. 637 00:35:35.533 --> 00:35:36.634 Taye: WE'RE BACK. 638 00:35:36.667 --> 00:35:37.768 WE TOLD OUR NEXT PRESENTER THAT HE COULD DO IT FROM HOME, 639 00:35:37.802 --> 00:35:38.936 BUT HE INSISTED ON THE FULL CRITICS CHOICE 640 00:35:38.970 --> 00:35:39.937 EXPERIENCE. 641 00:35:39.971 --> 00:35:43.674 HE HAS BEEN ENTERTAINING US FOR YEARS ON MODERN 642 00:35:43.708 --> 00:35:45.843 COMEDY CLASSICS LIKE "VEEP" AND "ARRESTED DEVELOPMENT" 643 00:35:45.877 --> 00:35:48.045 AND WILL SOON BE SEEN IN "THE MYSTERIOUS BENEDICT SOCIETY." 644 00:35:48.079 --> 00:35:51.349 PLEASE WELCOME A THREE-TIME CRITICS CHOICE NOMINEE 645 00:35:51.382 --> 00:35:57.188 AND A TWO-TIME EMMY WINNER, TONY HALE. 646 00:35:57.221 --> 00:36:01.125 YES. 647 00:36:01.159 --> 00:36:01.959 HOW ARE YOU DOING? 648 00:36:01.993 --> 00:36:04.962 I AM FINE. 649 00:36:04.996 --> 00:36:06.964 DID YOU GET COVID TESTED ON THE WAY IN? 650 00:36:06.998 --> 00:36:11.836 I DID I FELT I HAD SOMETHING TO SAY. 651 00:36:11.869 --> 00:36:14.705 I DID THE MATH AND BECAUSE OF QUARANTINE, I'VE LOST 652 00:36:14.739 --> 00:36:19.610 640 HOURS OF MY LIFE WATCHING THESE PERFORMANCES. 653 00:36:19.644 --> 00:36:22.046 640. 654 00:36:22.079 --> 00:36:24.916 I MEAN, A LOT OF THAT IS I ACCIDENTALLY WATCHED THE 655 00:36:24.949 --> 00:36:26.450 ORIGINAL "PERRY MASON" FIRST. 656 00:36:26.484 --> 00:36:29.420 ALL OF IT. 657 00:36:29.453 --> 00:36:33.558 AND I LEARNED "THIS IS US" IS NOT ABOUT TIME TRAVEL. 658 00:36:33.591 --> 00:36:38.696 WHO KNEW? 659 00:36:38.729 --> 00:36:42.533 BUT IT'S CLEAR THAT YOUR TALENTS HAVE BEEN A GIFT AND AN ESCAPE 660 00:36:42.567 --> 00:36:43.401 DURING THESE CHALLENGING TIMES. 661 00:36:43.434 --> 00:36:46.704 THANK YOU VERY MUCH. 662 00:36:46.737 --> 00:36:48.406 SO WITHOUT FURTHER ADO, HERE'S THE NOMINATIONS 663 00:36:48.439 --> 00:37:01.953 FOR BEST ACTOR IN A DRAMA SERIES WE WILL GET YOU MORE. 664 00:37:01.986 --> 00:37:04.822 YOU'RE SAYING THAT THERE WAS A FOURTH MAN. 665 00:37:04.855 --> 00:37:09.527 THERE WAS A FOURTH MAN IN THE ROOM. 666 00:37:09.560 --> 00:37:10.528 WHO? 667 00:37:10.561 --> 00:37:12.063 I DON'T KNOW THAT YET. 668 00:37:12.096 --> 00:37:14.332 I WANT TO SEE HER AGAIN. 669 00:37:14.365 --> 00:37:22.640 I WANT TO SEE MY KIDS AGAIN. 670 00:37:22.673 --> 00:37:26.444 I LOVE THAT THE HEROES GET TO GO ON ADVENTURES. 671 00:37:26.477 --> 00:37:36.487 LITTLE NEGRO BOY FROM THE SOUTH SIDE OF CHICAGO. 672 00:37:36.520 --> 00:37:55.906 THIS IS MY DOOR AS THE PRINCE OF WALES. 673 00:37:55.940 --> 00:37:58.542 THINGS LIKE THIS HAVE BEEN HAPPENING TO BLACK PEOPLE FOR 674 00:37:58.576 --> 00:38:00.878 YEARS AND WE'VE NEVER TALKED ABOUT IT. 675 00:38:00.911 --> 00:38:04.315 NOT ONCE IN 40 YEARS. 676 00:38:04.348 --> 00:38:08.786 AND THE CRITICS CHOICE IS. 677 00:38:08.819 --> 00:38:15.293 JOSH O'CONNOR, "THE CROWN." 678 00:38:15.326 --> 00:38:17.795 CONGRATULATIONS, JOSH COULDN'T BE HERE TONIGHT SO WE WILL BE 679 00:38:17.828 --> 00:38:20.631 ACCEPTING IT ON HIS BEHALF. 680 00:38:20.665 --> 00:38:22.600 AND NOW HERE'S THE NOMINATIONS FOR BEST ACTRESS IN A DRAMA 681 00:38:22.633 --> 00:38:32.710 SERIES. 682 00:38:32.743 --> 00:38:35.646 I'M NOT SAYING I'M BETRAYING MY COUNTRY. 683 00:38:35.680 --> 00:38:37.081 I WON'T. 684 00:38:37.114 --> 00:38:41.552 BUT IN THE BLACK AND WHITE, THERE IS A LOT OF GRAY. 685 00:38:41.585 --> 00:38:47.892 DON'T YOU LOOK AT ME WITH THAT BLAME ON YOUR FACE. 686 00:38:47.925 --> 00:38:49.927 I HAVE SPENT MY WHOLE LIFE PROTECTING HIM. 687 00:38:49.960 --> 00:38:53.931 THIS IS YOURS. 688 00:38:53.964 --> 00:38:55.666 CHARLES RESENTS ME. 689 00:38:55.700 --> 00:38:56.534 AND RESENTS ME. 690 00:38:56.567 --> 00:39:04.108 IS IT POSSIBLE YOU RESENT ME TOO TOO? 691 00:39:04.141 --> 00:39:14.919 PUT YOUR SHIELD OF ARMOR AROUND HIM. 692 00:39:14.952 --> 00:39:17.254 WHO'S OUR FAVORITE? 693 00:39:17.288 --> 00:39:20.291 MY FAVORITE OR YOUR FAVORITE. 694 00:39:20.324 --> 00:39:21.926 ALL RIGHT, YOU FIRST. 695 00:39:21.959 --> 00:39:23.461 WHO IS YOURS. 696 00:39:23.494 --> 00:39:26.263 ANN. 697 00:39:26.297 --> 00:39:29.800 TELL THEM WE LOVE HIS MOVIES. 698 00:39:29.834 --> 00:39:32.403 I WILL. 699 00:39:32.436 --> 00:39:37.408 BECAUSE YEAH, I WILL. 700 00:39:37.441 --> 00:39:41.112 AND THE CRITICS CHOICE IS... 701 00:39:41.145 --> 00:39:46.684 EMMA CORRIN, "THE CROWN." 702 00:39:46.717 --> 00:39:48.652 THANK YOU SO MUCH. 703 00:39:48.686 --> 00:39:53.724 THANK YOU SO MUCH TO ALL THE CRITICS WHO VOTED. 704 00:39:53.758 --> 00:39:54.325 THIS IS MENTAL. 705 00:39:54.358 --> 00:39:56.761 IT'S ALSO 2:00 A.M. HERE. 706 00:39:56.794 --> 00:39:59.730 THANK YOU SO MUCH. 707 00:39:59.764 --> 00:40:04.535 AN INCREDIBLE COLLECTION OF WOMEN TO BE NOMINATED WITH. 708 00:40:04.568 --> 00:40:08.472 THANK YOU FOR THE TALENT AND THE STORIES THAT YOU ARE TELLING. 709 00:40:08.506 --> 00:40:12.877 THANK YOU SO MUCH TO NETFLIX AND MY INCREDIBLE FAMILY ON "THE 710 00:40:12.910 --> 00:40:16.680 CROWN" AND IT LEFT BANK. 711 00:40:16.714 --> 00:40:19.850 HER FOR LETTING ME PLAY OR DIANA. 712 00:40:19.884 --> 00:40:22.253 IT'S BEEN THE BIGGEST JOY. 713 00:40:22.286 --> 00:40:25.856 THANK YOU TO ALL THE CAST AND CREW WHO WORKED ON THE SERIES 714 00:40:25.890 --> 00:40:27.024 WITH ME. 715 00:40:27.057 --> 00:40:30.194 GOING INTO WORK EVERY DAY WAS HONESTLY JUST THE BEST GIFT. 716 00:40:30.227 --> 00:40:33.297 I WISH I COULD DO IT EVERY DAY. 717 00:40:33.330 --> 00:40:36.066 I MISS YOU ALL A LOT AND WISH WE COULD BE CELEBRATING. 718 00:40:36.100 --> 00:40:39.403 THANK YOU ALL. 719 00:40:39.437 --> 00:40:42.139 Announcer: OUR NEXT TWO PRESENTERS ARE MARRIED TO EACH 720 00:40:42.173 --> 00:40:44.375 OTHER BUT ARE PRESENTING SEPARATE AWARDS: 721 00:40:44.408 --> 00:40:49.313 I AM PRESENTING THE WORD FOR BEST ACTOR IN A LIMITED SERIES 722 00:40:49.346 --> 00:40:51.949 WERE MADE FOR TV MOVIE UP NEXT. 723 00:40:51.982 --> 00:40:55.386 I AM KEVIN BACON I AM PRESENTING BEST ACTRESS IN A 724 00:40:55.419 --> 00:41:01.592 MOVIE MADE FOR TELEVISION OR LIMITED SERIES, COMING UP NEXT. 725 00:41:01.625 --> 00:41:06.330 Annoucer: WHEN THE 26TH ANNUAL CRITICS CHOICE 726 00:41:06.363 --> 00:41:08.699 AWARDS CONTINUES. 727 00:41:16.974 --> 00:41:22.847 Announcer: ONCE AGAIN HERE IS YOUR HOST, TAYE DIGGS. 728 00:41:22.880 --> 00:41:24.815 Taye: WELCOME BACK TO THE CRITICS CHOICE AWARDS. 729 00:41:24.849 --> 00:41:26.984 I AM STILL YOUR HOST, TAYE DIGGS. 730 00:41:27.017 --> 00:41:31.489 I AM NOT A MOOSE. 731 00:41:31.522 --> 00:41:35.226 ANYONE ELSE REGRET LETTING THE KID USE THEIR PHONE DURING THE 732 00:41:35.259 --> 00:41:35.626 COMMERCIAL BREAK? 733 00:41:35.659 --> 00:41:35.926 NO? 734 00:41:35.960 --> 00:41:39.697 JUST ME? 735 00:41:39.730 --> 00:41:45.069 OUR NEXT PRESENTER IS STARTING IN SEASON TWO OF SERIES "CITY ON 736 00:41:45.102 --> 00:41:46.303 A HILL." 737 00:41:46.337 --> 00:41:49.773 KEVIN BACON. 738 00:41:49.807 --> 00:41:50.975 HELLO, EVERYONE. 739 00:41:51.008 --> 00:41:52.243 I AM SO THRILLED TO BE HERE TO PRESENT THE CRITICS CHOICE FOR 740 00:41:52.276 --> 00:41:53.811 BEST ACTRESS IN A MOVIE MADE FOR TELEVISION OR A LIMITED SERIES, 741 00:41:53.844 --> 00:41:55.746 ESPECIALLY SINCE I HAND-PICKED EACH AND EVERY ONE 742 00:41:55.779 --> 00:41:57.915 OF THE NOMINEES. 743 00:41:57.948 --> 00:42:01.719 IN FACT, NOT TO BRAG, I HAD A HAND IN EACH OF THESE SIX 744 00:42:01.752 --> 00:42:03.420 STELLAR PERFORMANCES. 745 00:42:03.454 --> 00:42:06.223 AND YOU KNOW, WHEN CATE BLANCHETT CAME 746 00:42:06.257 --> 00:42:10.294 TO ME AFTER ACCEPTING THE ROLE IN "MRS. AMERICA," 747 00:42:10.327 --> 00:42:13.130 I LOOKED HER STRAIGHT IN THE EYE AND TOLD HER IF THERE 748 00:42:13.163 --> 00:42:16.300 IS ANYONE WHO CAN INHABIT THIS GRITTY SUPERHERO WHO 749 00:42:16.333 --> 00:42:20.504 IS MARRIED TO AMERICA, IT'S YOU, CATEY B. 750 00:42:20.538 --> 00:42:23.607 AND NOW, HERE ARE SIX OF MY BEST FRIENDS. 751 00:42:23.641 --> 00:42:28.245 THE NOMINEES FOR BEST ACTRESS IN A MOVIE MADE FOR TELEVISION 752 00:42:28.279 --> 00:42:42.593 OR LIMITED SERIES. 753 00:42:42.626 --> 00:42:48.632 I DIDN'T KNOW THAT A NEGRO WOMAN TELEVISION PRODUCER 754 00:42:48.666 --> 00:42:49.600 EXISTED. 755 00:42:49.633 --> 00:42:54.038 ALL MY LIFE THAT'S ALL I'VE EVER WANTED TO BE. 756 00:42:54.071 --> 00:42:55.839 I'M GETTING MARRIED. 757 00:42:55.873 --> 00:42:56.640 DON'T YOU GET IT? 758 00:42:56.674 --> 00:42:58.809 I'M GOING TO MAKE A FAMILY. 759 00:42:58.842 --> 00:43:01.011 I WON'T NEED ANYONE ELSE TO GO. 760 00:43:01.045 --> 00:43:04.949 THIS IS WHAT I WANT. 761 00:43:04.982 --> 00:43:10.321 IF YOU WERE TO SUDDENLY NOT AFFIRM ME WHEN I NEED THE 762 00:43:10.354 --> 00:43:14.058 AFFIRMATION THE MOST, IT SHOULD MAKE YOU SOMEONE I SHOULD AWAY 763 00:43:14.091 --> 00:43:14.692 FROM. 764 00:43:14.725 --> 00:43:20.264 WOMEN ARE LIKE TEA BAGS. 765 00:43:20.297 --> 00:43:24.602 YOU DON'T KNOW THEIR STRENGTH AND UNTIL THEY GET INTO HOT 766 00:43:24.635 --> 00:43:26.670 WATER. 767 00:43:26.704 --> 00:43:29.039 DEAR FRIENDS KNOW ABOUT US? 768 00:43:29.073 --> 00:43:30.941 NO. 769 00:43:30.975 --> 00:43:34.578 JOANNA DOES. 770 00:43:34.612 --> 00:43:38.616 SORT OF. 771 00:43:38.649 --> 00:43:42.186 I WOULD SAY THAT IT'S MUCH EASIER TO PLAY CHESS WITHOUT THE 772 00:43:42.219 --> 00:43:45.489 BURDEN OF AND ADAM'S APPLE. 773 00:43:45.522 --> 00:43:48.359 AND THE CRITICS CHOICE IS... 774 00:43:48.392 --> 00:43:53.430 MY BEST FRIEND. 775 00:43:53.464 --> 00:43:57.001 ANYA TAYLOR-JOY, "THE QUEEN'S GAMBIT." 776 00:43:57.034 --> 00:43:59.169 THANK YOU SO MUCH. 777 00:43:59.203 --> 00:44:00.604 THANK YOU TO THE CRITICS. 778 00:44:00.638 --> 00:44:05.376 I WOULD LOVE TO TAKE THIS OPPORTUNITY TO THANK OUR 779 00:44:05.409 --> 00:44:06.577 INCREDIBLE CREW IN BERLIN. 780 00:44:06.610 --> 00:44:12.583 THE SHOW WOULDN'T HAVE BEEN THE SAME WITHOUT YOU. 781 00:44:12.616 --> 00:44:13.584 DANIEL. 782 00:44:13.617 --> 00:44:17.388 THEY DID TO MOVIES WITH ME IN 2019. 783 00:44:17.421 --> 00:44:21.492 WHAT A PLEASURE TO WORK ALONGSIDE YOU. 784 00:44:21.525 --> 00:44:24.828 HONESTLY IT WOULDN'T HAVE BEEN THE SAME WITHOUT EVERY SINGLE 785 00:44:24.862 --> 00:44:26.664 ONE OF YOUR SOULS BEING THERE. 786 00:44:26.697 --> 00:44:28.832 IT WAS A PRIVILEGE TO WATCH YOU WORK EVERY DAY. 787 00:44:28.866 --> 00:44:32.770 THANK YOU SO MUCH FOR LETTING ME BE PART OF IT. 788 00:44:32.803 --> 00:44:36.206 THANK YOU. 789 00:44:36.240 --> 00:44:37.675 YOU KNOW HER FROM "BROOKLYN NINE-NINE" 790 00:44:37.708 --> 00:44:38.575 AND "THE CLOSER". 791 00:44:38.609 --> 00:44:39.343 SHE'S CURRENTLY STARRING IN THE NEW COMEDY 792 00:44:39.376 --> 00:44:39.910 SERIES "CALL YOUR MOTHER." 793 00:44:39.943 --> 00:44:41.945 HERE'S KYRA SEDGWICK. 794 00:44:41.979 --> 00:44:45.215 IN OUR HOUSE, WE ARE BIG FANS OF MOVIES MADE FOR TELEVISION 795 00:44:45.249 --> 00:44:48.786 AND LIMITED SERIES. 796 00:44:48.819 --> 00:44:50.254 IN A SHORT PERIOD OF TIME, THEY DELIVER COMPELLING 797 00:44:50.287 --> 00:44:52.890 STORIES AND TOP-NOTCH PERFORMANCES FROM ACTORS WE'RE 798 00:44:52.923 --> 00:44:54.458 OFTEN USED TO SEEING ON THE BIG SCREEN. 799 00:44:54.491 --> 00:44:58.595 AND WHEN THEY'RE OVER, WE CHECK AND CHECK AGAIN, 800 00:44:58.629 --> 00:45:00.330 HOPING THAT WE MISSED AN EPISODE. 801 00:45:00.364 --> 00:45:01.799 THAT'S THE BEAUTY OF A MOVIE MADE FOR TELEVISION 802 00:45:01.832 --> 00:45:02.599 OR LIMITED SERIES. 803 00:45:02.633 --> 00:45:05.502 THEY ALWAYS LEAVE YOU WANTING MORE. 804 00:45:05.536 --> 00:45:07.705 AND SO DO THE ACTORS WHO STAR IN THEM. 805 00:45:07.738 --> 00:45:21.719 HERE ARE THE NOMINEES. 806 00:45:21.752 --> 00:45:28.358 ALL THIS IS GOING OUT OF THE HOUSE TODAY. 807 00:45:28.392 --> 00:45:30.027 IT WAS AN ACCIDENT. 808 00:45:30.060 --> 00:45:30.561 AN ACCIDENT? 809 00:45:30.594 --> 00:45:34.198 THAT'S WHAT WE SAY. 810 00:45:34.231 --> 00:45:38.702 THEY ARE THE OTHERS. 811 00:45:38.736 --> 00:45:42.406 LINDBERGH IS THE OTHER. 812 00:45:42.439 --> 00:45:49.046 I DON'T THINK... 813 00:45:49.079 --> 00:45:56.987 PEOPLE LIKE ME. 814 00:45:57.020 --> 00:45:58.555 THEY'VE GOT THE UPPER HAND NOW. 815 00:45:58.589 --> 00:46:05.395 NOT FOR LONG. 816 00:46:05.429 --> 00:46:12.002 SIGH CAME BACK WHICH MAY BEEN SELFISH BUT I WANTED MY FAMILY 817 00:46:12.035 --> 00:46:15.239 BACK. 818 00:46:15.272 --> 00:46:17.841 I AGREE WITH YOU 100%. 819 00:46:17.875 --> 00:46:21.779 WE NEED TO LOOK EACH OTHER IN THE EYE MAN-TO-MAN AND GIVEN A 820 00:46:21.812 --> 00:46:24.915 CHANCE WE WILL SOON REALIZE WE ARE NOT DIFFERENT. 821 00:46:24.948 --> 00:46:28.085 AND THE CRITICS CHOICE IS... 822 00:46:28.118 --> 00:46:32.389 JOHN BOYEGA, "SMALL AXE." 823 00:46:32.422 --> 00:46:35.459 WOW, THANK YOU SO MUCH. 824 00:46:35.492 --> 00:46:38.362 FIRST AND FOREMOST I WOULD LIKE TO THANK THE CRITICS FOR THIS 825 00:46:38.395 --> 00:46:39.563 CHOICE. 826 00:46:39.596 --> 00:46:44.902 THE BBC AND AMAZON AND SPECIAL THANK YOU TO STEVE McQUEEN FOR 827 00:46:44.935 --> 00:46:48.839 GIVING ME THIS OPPORTUNITY IN THIS ROLE AND SHARING SO MUCH OF 828 00:46:48.872 --> 00:46:55.879 YOURSELF ON SAT ON A DAY-TO-DAY BASIS. 829 00:46:55.913 --> 00:47:00.083 TO THE MOST SPECIAL PERSON IN MY LIFE. 830 00:47:00.117 --> 00:47:03.821 MY AGENT, MY BROTHER AND MY FRIEND FOR BEING THERE WITH ME 831 00:47:03.854 --> 00:47:05.823 FROM BEGINNING AND MAKING HISTORY. 832 00:47:05.856 --> 00:47:08.292 THE CHOICES THAT WE'VE MADE SO FAR. 833 00:47:08.325 --> 00:47:08.759 THANK YOU, GUYS. 834 00:47:08.792 --> 00:47:15.399 MUCH APPRECIATED. 835 00:47:15.432 --> 00:47:16.200 HELLO! 836 00:47:16.233 --> 00:47:17.201 IT'S ME AGAIN. 837 00:47:17.234 --> 00:47:18.202 BEFORE WE PRESENT THE NEXT NOMINEE FOR BEST SONG, 838 00:47:18.235 --> 00:47:18.969 I'D JUST LIKE TO POINT OUT HOW VAST THIS CATEGORY 839 00:47:19.002 --> 00:47:20.003 CAN BE. 840 00:47:20.037 --> 00:47:23.307 PAST WINNERS INCLUDE WIZ KHALIFA AND CHARLIE PUTH, 841 00:47:23.340 --> 00:47:25.943 COMMON AND JOHN LEGEND, AND THE INIMITABLE... 842 00:47:25.976 --> 00:47:27.344 MUPPETS. 843 00:47:27.377 --> 00:47:29.580 THE NEXT NOMINEE FOR CRITICS CHOICE FOR BEST SONG, 844 00:47:29.613 --> 00:47:31.849 IS "FIGHT FOR YOU" FROM THE TWICE-NOMINATED MOVIE "JUDAS AND 845 00:47:31.882 --> 00:47:33.383 THE BLACK MESSIAH." 846 00:47:33.417 --> 00:47:37.821 IT IS WRITTEN BY H.E.R., DERNST "D'MILE" EMILE II 847 00:47:37.855 --> 00:47:53.103 AND TIARA THOMAS AND PERFORMED BY H.E.R. 848 00:47:53.136 --> 00:47:54.605 ♪ I'M GON' SEE IT THROUGH ♪ ♪ THERE'S NO ONE, THERE'S NO ONE 849 00:47:54.638 --> 00:48:02.346 LIKE YOU ♪ ♪ LONG AS I'M STANDING, WE CAN 850 00:48:02.379 --> 00:48:04.514 NEVER LOSE ♪ I'MA ALWAYS, ALWAYS FIGHT FOR 851 00:48:04.548 --> 00:48:08.518 YOU ♪ ♪ I'MA ALWAYS, ALWAYS FIGHT 852 00:48:08.552 --> 00:48:21.265 FOR YOU ♪ Announcer: COMING UP, 853 00:48:21.298 --> 00:48:24.334 ASHLEY PARK PRESENTS THE AWARD FOR BEST COMEDY SPECIAL. 854 00:48:24.368 --> 00:48:29.907 HI, I AM MORGAN FREEMAN AND I AM PRESENTING THE AWARD NEXT ON 855 00:48:29.940 --> 00:48:33.543 THE CRITICS CHOICE AWARDS. 856 00:48:33.577 --> 00:48:38.248 Announcer: WHEN THE 26TH ANNUAL CRITICS CHOICE AWARDS 857 00:48:38.282 --> 00:48:39.116 RETURNS. 858 00:48:48.859 --> 00:48:51.128 I SEE HER STARTING THE CONVERSATIONS AND ASKING THE 859 00:48:51.161 --> 00:48:53.931 QUESTION SO WE CAN ALL FIND THE ANSWERS. 860 00:48:53.964 --> 00:48:56.600 BECAUSE I STAND ON THE SHOULDERS OF WOMEN WHO BROKE 861 00:48:56.633 --> 00:48:57.868 BARRIERS. 862 00:48:57.901 --> 00:49:02.306 I WANT LITTLE GIRLS TO KNOW THAT THERE'S NO WALL THEY CAN'T PUSH 863 00:49:02.339 --> 00:49:07.778 THROUGH. 864 00:49:07.811 --> 00:49:11.148 Taye: IT'S ME AGAIN. 865 00:49:11.181 --> 00:49:13.116 THE SIX NOMINEES FOR BEST COMEDY SPECIAL ARE AT THEIR OWN 866 00:49:13.150 --> 00:49:13.917 SPECIAL TABLE. 867 00:49:13.951 --> 00:49:18.755 WHAT'S THE FUNNIEST MOVIE EVER MADE? 868 00:49:18.789 --> 00:49:22.559 FUNNIEST MOVIE EVER MADE IS "REPO MAN" FROM 1984. 869 00:49:22.592 --> 00:49:29.900 EVERYONE IN THE MOVIE DELIVERS THESE WEIRD COMEDIC LINES 100% 870 00:49:29.933 --> 00:49:32.002 SERIOUS WHICH MAKES THEM EVEN FUNNIER. 871 00:49:32.035 --> 00:49:37.140 FUNNIEST MOVIE EVER MADE IN MY OPINION. 872 00:49:37.174 --> 00:49:38.775 "THE CASTLE." 873 00:49:38.809 --> 00:49:42.245 I'M NOT -- I DON'T KNOW THAT MANY PEOPLE IN AMERICA WOULD 874 00:49:42.279 --> 00:49:42.946 KNOW THIS. 875 00:49:42.980 --> 00:49:44.348 IT'S AN AUSTRALIAN FILM. 876 00:49:44.381 --> 00:49:48.752 FUNNIEST MOVIE FOR ME, I WOULD SAY "BRIDESMAIDS." 877 00:49:48.785 --> 00:49:51.822 I WASH IT PROBABLY TEN TIMES. 878 00:49:51.855 --> 00:49:56.059 I LOVE SEEING THIS HILARIOUS GROUP OF WOMEN GETTING TO JUST 879 00:49:56.093 --> 00:49:57.260 BE OUTRAGEOUS. 880 00:49:57.294 --> 00:50:00.998 I THINK THE FUNNIEST MOVIE FOR LAUGHS FOR ME WAS PROBABLY 881 00:50:01.031 --> 00:50:02.733 RICHARD PRYOR, LIVE IN CONCERT. 882 00:50:02.766 --> 00:50:05.002 THE FIRST TIME I SAW IT IN HIGH SCHOOL. 883 00:50:05.035 --> 00:50:07.637 FUNNIEST MOVIE EVER MADE IN MY OPINION, I CAN'T JUST PICK 884 00:50:07.671 --> 00:50:08.905 ONE. 885 00:50:08.939 --> 00:50:21.018 IT'S LIKE PICKING YOUR FAVORITE FAVORITE PIN PRINT PRINCE SONG. 886 00:50:21.051 --> 00:50:25.889 NINE TO FIVE, COMING TO AMERICA. 887 00:50:25.922 --> 00:50:28.592 Taye: HE'S ONE OF THE MOST POPULAR AND RESPECTED ACTORS 888 00:50:28.625 --> 00:50:29.393 IN THE WORLD. 889 00:50:29.426 --> 00:50:30.160 HERE'S OSCAR WINNER MORGAN FREEMAN. 890 00:50:30.193 --> 00:50:31.294 HELLO, EVERYONE. 891 00:50:31.328 --> 00:50:33.296 I AM DELIGHTED TO BE HERE TONIGHT TO PRESENT THE CRITICS 892 00:50:33.330 --> 00:50:35.665 CHOICE AWARD FOR BEST COMEDY FILM. 893 00:50:35.699 --> 00:50:39.503 YOU KNOW, THERE'S AN OLD SAYING THAT COMEDY IS TRAGEDY 894 00:50:39.536 --> 00:50:44.941 PLUS TIME, AND I COULDN'T AGREE MORE, BECAUSE I 895 00:50:44.975 --> 00:50:49.980 KNOW THAT SOME OF THE MOST TRAGIC MOVIES I'VE STARRED IN 896 00:50:50.013 --> 00:50:54.851 OVER THE YEARS, THEY ARE COMPLETELY HILARIOUS NOW. 897 00:50:54.885 --> 00:50:57.421 SHAWSHANK REDEMPTION? 898 00:50:57.454 --> 00:51:01.258 A DELIGHTFUL BUDDY COMEDY ABOUT A GUYS' TRIP TO MEXICO! 899 00:51:01.291 --> 00:51:03.493 MILLION DOLLAR BABY? 900 00:51:03.527 --> 00:51:09.633 A FALL-DOWN COMEDY WITH A REAL RUSH OF ADRENALINE. 901 00:51:09.666 --> 00:51:11.468 SEVEN? 902 00:51:11.501 --> 00:51:13.937 I'LL TELL YOU WHAT'S IN THE BOX. 903 00:51:13.970 --> 00:51:17.574 NON-STOP LAUGHS! 904 00:51:17.607 --> 00:51:31.321 NOW HERE ARE THE NOMINEES FOR BEST COMEDY FILM. 905 00:51:31.354 --> 00:51:34.458 WE ARE GOING TO DO A SPRAY TAN. 906 00:51:34.491 --> 00:51:36.560 HOW DARK IS SHE WANTING TO GO? 907 00:51:36.593 --> 00:51:39.162 WHAT COLOR IS BEST FOR A RACIST FAMILY? 908 00:51:39.196 --> 00:51:42.799 STICK I WOULDN'T GO ANY DARKER THAN A SIX OR SEVEN. 909 00:51:42.833 --> 00:51:46.970 TOMORROW IS ALSO TODAY. 910 00:51:47.003 --> 00:51:48.338 IT'S ONE OF INFINITE TIME LOOP SITUATIONS THAT YOU MIGHT'VE 911 00:51:48.371 --> 00:51:58.115 HEARD ABOUT. 912 00:51:58.148 --> 00:52:03.420 DO YOU HAVE A SUITE? 913 00:52:03.453 --> 00:52:05.789 NO, ALL THE ROOMS ARE THE SAME. 914 00:52:05.822 --> 00:52:08.959 SPEAK A WORD AND I SPENT MOST OF MY TIME IN HIGH SCHOOL? 915 00:52:08.992 --> 00:52:17.367 WITH YOUR REGRETS. 916 00:52:17.400 --> 00:52:20.737 NO ONE WANTS TO GO TO A RESTAURANT AND WATCH PEOPLE GET 917 00:52:20.770 --> 00:52:21.104 TATTOOED. 918 00:52:21.138 --> 00:52:25.175 IT'S GROSS. 919 00:52:25.208 --> 00:52:27.244 HOW DO YOU BLUFF? 920 00:52:27.277 --> 00:52:28.578 POKER FACE. 921 00:52:28.612 --> 00:52:29.312 POKER FACE. 922 00:52:29.346 --> 00:52:32.883 POKER FACE. 923 00:52:32.916 --> 00:52:34.818 NICE. 924 00:52:34.851 --> 00:52:38.822 AND THE CRITICS CHOICE IS... 925 00:52:38.855 --> 00:52:47.697 "PALM SPRINGS." 926 00:52:47.731 --> 00:52:48.131 WOW. 927 00:52:48.165 --> 00:52:53.370 THAT'S AWESOME. 928 00:52:53.403 --> 00:52:55.972 THANK YOU TO THE CRITICS FOR CRITICALLY CHOOSING US. 929 00:52:56.006 --> 00:53:00.644 YOU HAVE TO SAY THIS IS A REALLY AWESOME CATEGORY. 930 00:53:00.677 --> 00:53:03.113 I NOTICED ALL THE CON MONIES DIDN'T COME OUT THIS YEAR. 931 00:53:03.146 --> 00:53:05.749 I TAKE IT AS A BIG COMPLEMENT. 932 00:53:05.782 --> 00:53:09.352 I SAW THE MOVIES AND THEY WERE SUPER FUNNY. 933 00:53:09.386 --> 00:53:11.388 I RIDE WITH COMEDY UNTIL THE END. 934 00:53:11.421 --> 00:53:14.324 SO MANY PEOPLE WORKED HARD ON THIS MOVIE. 935 00:53:14.357 --> 00:53:20.664 I AM ACCEPTING IT ON BEHALF OF EVERYONE AT HULU, NEON, 936 00:53:20.697 --> 00:53:26.203 LIMELIGHT, UTA, I.D. P.R., EVERYONE AT OUR COMPANY, PARTY 937 00:53:26.236 --> 00:53:27.804 OVER HERE. 938 00:53:27.837 --> 00:53:32.609 THE ENTIRE CREW THAT WORKED SUPERHARD AND PULLED TONS OF 939 00:53:32.642 --> 00:53:33.243 FAVORS. 940 00:53:33.276 --> 00:53:35.946 THE CAST WERE INCREDIBLE. 941 00:53:35.979 --> 00:53:47.958 HAVE TO THANK J.K. SIMMONS FOR LOANING US HIS OSCAR CRED 942 00:53:47.991 --> 00:53:50.627 MAX AND ANDY WERE COMING UP WITH THE IDEA AND BRINGING THE MOVIE 943 00:53:50.660 --> 00:53:54.130 TO US AND BEING INCREDIBLE COLLABORATORS. 944 00:53:54.164 --> 00:53:56.066 DIRECTING AND WRITING. 945 00:53:56.099 --> 00:53:56.866 YOU RULE. 946 00:53:56.900 --> 00:54:03.506 THIS IS YOUR SO MUCH. 947 00:54:03.540 --> 00:54:10.046 ESPECIALLY BECKY WHO REALLY GRANTED ON THIS MOVIE SO HARD 948 00:54:10.080 --> 00:54:13.149 AND ALL OF OUR FAMILIES FOR DEALING WITH US. 949 00:54:13.183 --> 00:54:14.651 MY WIFE JOANNA AND OUR CHILD. 950 00:54:14.684 --> 00:54:17.854 I LOVE YOU SO MUCH. 951 00:54:17.887 --> 00:54:24.361 YAY, COMEDY. 952 00:54:24.394 --> 00:54:28.732 Taye: LET'S CHECK IN WITH EMILY PARK. 953 00:54:28.765 --> 00:54:29.499 YOU LOOK AMAZING. 954 00:54:29.532 --> 00:54:30.734 HOW'S IT GOING? 955 00:54:30.767 --> 00:54:35.872 IT TURNS OUT VERSACE DOES NOT MAKE SWEATPANTS BUT IT'S GOING 956 00:54:35.905 --> 00:54:36.640 WELL. 957 00:54:36.673 --> 00:54:39.909 Taye: WHAT TIME IS IT IN PARIS? 958 00:54:39.943 --> 00:54:43.913 I AM 15 FEET AWAY FROM YOU HERE IN LOS ANGELES. 959 00:54:43.947 --> 00:54:46.516 Taye: OH OH. 960 00:54:46.549 --> 00:54:48.485 WHAT'S UP? 961 00:54:48.518 --> 00:54:49.486 LOOK AT THAT. 962 00:54:49.519 --> 00:54:49.886 TECHNOLOGY. 963 00:54:49.919 --> 00:54:51.221 YEAH, YEAH. 964 00:54:51.254 --> 00:54:54.524 Taye: WHATEVER TIME ZONE YOU ARE IN, IT'S TIME FOR THE 965 00:54:54.557 --> 00:54:55.158 NEXT AWARD. 966 00:54:55.191 --> 00:55:00.563 GO, ASHLEY, GO. 967 00:55:00.597 --> 00:55:02.399 THIS HAS BEEN A TOUGH YEAR. 968 00:55:02.432 --> 00:55:06.870 LUCKILY WHILE WE HAVE BEEN IN VARIOUS STAGES OF LOCKDOWN AND 969 00:55:06.903 --> 00:55:10.273 QUARANTINE, THESE SIX NOMINEES KEPT OUR SPIRITS UP. 970 00:55:10.307 --> 00:55:16.479 NOT ONLY ARE THERE PERFORMANCES FUNNY AS HELL, THEY ARE SMART, 971 00:55:16.513 --> 00:55:17.714 POIGNANT AND HONEST. 972 00:55:17.747 --> 00:55:20.750 IF YOU NEED TO LAUGH YOUR BOOTY OFF FOR A SOLID HOUR, LOOK NO 973 00:55:20.784 --> 00:55:33.096 FURTHER THAN TONIGHT'S NOMINEES FOR BEST COMEDY SPECIAL. 974 00:55:33.129 --> 00:55:36.900 IF YOU DON'T HAVE A WIFE, WE HAVE NOTHING TO TALK ABOUT. 975 00:55:36.933 --> 00:55:38.335 YOU HAVE A GIRLFRIEND. 976 00:55:38.368 --> 00:55:40.970 THAT'S WIFFLE BALL. 977 00:55:41.004 --> 00:55:42.572 YOU ARE PLAYING PAINTBALL WAR AND I AM IN AFGHANISTAN WITH 978 00:55:42.605 --> 00:55:44.874 LOADED WEAPONS. 979 00:55:44.908 --> 00:55:48.478 I HAND THE BABY TO SOMEONE SO I COULD TIE MY SHOE AND MY 980 00:55:48.511 --> 00:55:51.881 HUSBAND WAS LIKE, DO YOU KNOW HER BUT IT'S A BLACK WOMAN. 981 00:55:51.915 --> 00:55:54.351 WE ARE FAMILY. 982 00:55:54.384 --> 00:55:59.422 COULD YOU PUT A COUPLE STARTLING, DISTURBING SENTENCES 983 00:55:59.456 --> 00:56:00.056 IN IT? 984 00:56:00.090 --> 00:56:02.125 THEY DON'T NEED TO BE TRUE. 985 00:56:02.158 --> 00:56:04.661 JUST SOMETHING TO JOLT THE AWAKE. 986 00:56:04.694 --> 00:56:09.733 APPARENTLY CANNOT JUST GO UP TO POTENTIAL SUITORS AND GO 987 00:56:09.766 --> 00:56:15.705 WHAT'S UP, MARK? 988 00:56:15.739 --> 00:56:19.743 SOME GUY TOLD ME GOES INTO THE HEAD, LOCKS ONTO A FEELING. 989 00:56:19.776 --> 00:56:20.543 THAT SOUNDS GOOD. 990 00:56:20.577 --> 00:56:23.046 I'M GOING TO TELL OTHER PEOPLE THAT. 991 00:56:23.079 --> 00:56:28.752 THAT'S HOW BRAND MARKETING WORKS AND FASCISM. 992 00:56:28.785 --> 00:56:31.821 ALUMINUM. 993 00:56:31.855 --> 00:56:36.559 WHY WOULD YOU SAY ALUMINUM WHEN YOU CAN FLIRT IT. 994 00:56:36.593 --> 00:56:40.130 STOP IT, AMERICA. 995 00:56:40.163 --> 00:56:46.503 AND THE CRITICS CHOICE IS... 996 00:56:46.536 --> 00:56:48.238 OH, IT'S A TIE! 997 00:56:48.271 --> 00:56:49.105 OH, MY GOD. 998 00:56:49.139 --> 00:56:50.340 I LOVE THAT. 999 00:56:50.373 --> 00:56:51.541 SO MANY WINNERS. 1000 00:56:51.574 --> 00:56:52.575 ACTUALLY JUST TWO. 1001 00:56:52.609 --> 00:56:56.446 THE FIRST CRITICS CHOICE IS JERRY SEINFELD, 1002 00:56:56.479 --> 00:57:00.083 "23 HOURS TO KILL." 1003 00:57:00.116 --> 00:57:01.718 WOW, THAT'S FANTASTIC. 1004 00:57:01.751 --> 00:57:05.655 THANK YOU VERY, VERY MUCH. 1005 00:57:05.688 --> 00:57:06.856 I LIKE CRITICS. 1006 00:57:06.890 --> 00:57:11.895 I DON'T CARE IF THE REVIEWS ARE GOOD OR BAD. 1007 00:57:11.928 --> 00:57:13.997 AND, MANY WE HAVE TO HAVE CRITICS. 1008 00:57:14.030 --> 00:57:16.866 WE HAVE TO GET OPINIONS. 1009 00:57:16.900 --> 00:57:22.272 IN THOSE OPINIONS ARE HOW WE FIGURE OUT OUR JOKES. 1010 00:57:22.305 --> 00:57:26.075 I HAVE ALWAYS ENJOYED READING REVIEWS. 1011 00:57:26.109 --> 00:57:30.146 THIS IS A VERY EXCITING THING TO WIN. 1012 00:57:30.180 --> 00:57:34.250 THANK YOU TO THE CRITICS, AND AS MUCH AS IT'S NICE TO GET THIS, I 1013 00:57:34.284 --> 00:57:38.822 KNOW WHAT WE REALLY WANT, SPEAKING FOR FORTUNE AND HANNAH 1014 00:57:38.855 --> 00:57:44.894 AND PATTON AND MARC AND MICHELLE. 1015 00:57:44.928 --> 00:57:48.097 WE WANT TO BE ON STAGE SOMEWHERE MAKING PEOPLE SMILE AND LAUGH. 1016 00:57:48.131 --> 00:57:50.433 THAT'S WHAT WE WANT MORE THAN ANYTHING. 1017 00:57:50.467 --> 00:57:53.670 WE HOPE TO BE BACK DOING THAT SOON. 1018 00:57:53.703 --> 00:57:57.607 IN THE MEANTIME, THANKS A LOT. 1019 00:57:57.640 --> 00:58:00.477 THERE'S ANOTHER WINNER. 1020 00:58:00.510 --> 00:58:01.678 BECAUSE IT'S A TIE. 1021 00:58:01.711 --> 00:58:05.315 THE OTHER CRITICS CHOICE IS: MICHELLE BUTEAU, 1022 00:58:05.348 --> 00:58:11.254 "WELCOME TO BUTEAUPIA." 1023 00:58:11.287 --> 00:58:14.390 WHAT DO YOU MEAN! 1024 00:58:14.424 --> 00:58:17.927 OH, MY GOODNESS. 1025 00:58:17.961 --> 00:58:19.028 OKAY. 1026 00:58:19.062 --> 00:58:20.864 SHE WASN'T GOING TO GET EMOTIONAL. 1027 00:58:20.897 --> 00:58:24.701 BUT THE DRESS IS TIGHT AND I'M FEELING FEELINGS. 1028 00:58:24.734 --> 00:58:27.704 I PICKED THIS DATE, MARCH 1ST, TO FILM THE SPECIAL BECAUSE IT 1029 00:58:27.737 --> 00:58:31.508 WAS MY GRANDMOTHER'S BIRTHDAY. 1030 00:58:31.541 --> 00:58:34.310 I DON'T KNOW ANYTHING ABOUT NUMEROLOGY BECAUSE I AM BAD AT 1031 00:58:34.344 --> 00:58:36.379 MATH BUT I THOUGHT WOULDN'T IT BE NICE TO CELEBRATE IN THIS WAY 1032 00:58:36.412 --> 00:58:40.250 BECAUSE I'M SO GLAD I DID. 1033 00:58:40.283 --> 00:58:43.319 SO I COULD SHARE IT WITH THE WORLD. 1034 00:58:43.353 --> 00:58:44.020 THANK YOU TO THE CRITICS. 1035 00:58:44.053 --> 00:58:45.722 EVERYBODY ELSE THAT WATCHED IT. 1036 00:58:45.755 --> 00:58:50.059 I WANT TO SAY IF YOU WANT TO DO SOMETHING IN YOUR LIFE, 1037 00:58:50.093 --> 00:58:51.427 ANYTHING, ANYTHING. 1038 00:58:51.461 --> 00:58:51.861 YOU DO IT. 1039 00:58:51.895 --> 00:58:53.963 YOU ARE ENOUGH. 1040 00:58:53.997 --> 00:58:58.701 YOU ARE ALWAYS ENOUGH! 1041 00:58:58.735 --> 00:58:59.235 YES! 1042 00:58:59.269 --> 00:59:08.411 CRITICS CHOICE AWARD! 1043 00:59:08.444 --> 00:59:10.213 COMING UP, THE CW STARS OF 1044 00:59:10.246 --> 00:59:13.783 "SUPERMAN AND LOIS." 1045 00:59:13.816 --> 00:59:18.555 HERE ON THE 26TH ANNUAL CRITICS CHOICE AWARDS. 1046 00:59:32.502 --> 00:59:33.703 Announcer: ONCE AGAIN, HERE IS THE HOST OF THE 1047 00:59:33.736 --> 00:59:36.472 CRITICS CHOICE AWARDS, TAYE DIGGS! 1048 00:59:36.506 --> 00:59:38.141 Taye: WELCOME BACK. 1049 00:59:38.174 --> 00:59:41.778 HAS THIS YEAR MADE ANYONE ELSE FEEL LIKE COUCH POTATO? 1050 00:59:41.811 --> 00:59:42.979 JUST ME? 1051 00:59:43.012 --> 00:59:46.215 ANYBODY, ANYBODY, ANYBODY? 1052 00:59:46.249 --> 00:59:47.483 SHE PUT THE LIFE IN THE AFTER-LIFE IN "THE GOOD PLACE" 1053 00:59:47.517 --> 00:59:48.952 BUT NOW HOSTS "THE MISERY INDEX." 1054 00:59:48.985 --> 00:59:58.428 HERE'S JAMEELA JAMIL. 1055 00:59:58.461 --> 01:00:00.029 IN A YEAR WHERE WE WERE FORCED TO PHYSICALLY 1056 01:00:00.063 --> 01:00:03.600 ISOLATE FROM EACH OTHER THE CASTS NOMINATED 1057 01:00:03.633 --> 01:00:05.602 FOR BEST ENSEMBLE PROVIDED THE EMOTIONAL ATTACHMENT WE ALL 1058 01:00:05.635 --> 01:00:11.874 CRAVED. 1059 01:00:11.908 --> 01:00:13.676 I DON'T KNOW ABOUT YOU BUT I PERSONALLY CONSIDER 1060 01:00:13.710 --> 01:00:16.779 EACH AND EVERY ONE OF THEM MY OWN EMOTIONAL SUPPORT POD. 1061 01:00:16.813 --> 01:00:22.018 WHAT I'M SAYING IS, BASICALLY WHOEVER TAKES HOME 1062 01:00:22.051 --> 01:00:25.388 THE CRITICS CHOICE AWARD, I WILL 100% CONSIDER MYSELF 1063 01:00:25.421 --> 01:00:26.556 THE WINNER. 1064 01:00:26.589 --> 01:00:27.824 LET'S TAKE A LOOK AT THE NOMINEES AND WE'LL FIGURE OUT 1065 01:00:27.857 --> 01:00:33.596 THE LOGISTICS OF HOW TO SHARE THE TROPHY AFTERWARDS. 1066 01:00:33.630 --> 01:00:47.844 THEY WILL HAVE TO PRY IT FROM MY COLD, DEAD HANDS. 1067 01:00:47.877 --> 01:00:52.015 MAN. 1068 01:00:52.048 --> 01:00:58.221 COME ON. 1069 01:00:58.254 --> 01:01:02.558 FORMING A RAINBOW COALITION OF OPPRESSED BROTHERS AND 1070 01:01:02.592 --> 01:01:06.229 SISTERS OF EVERY COLOR. 1071 01:01:06.262 --> 01:01:08.865 WHAT WERE YOU DOING? 1072 01:01:08.898 --> 01:01:11.701 YOU'RE PLAYING TEN NOTES FOR EVERYONE YOU'RE SUPPOSED TO 1073 01:01:11.734 --> 01:01:12.635 PLAY. 1074 01:01:12.669 --> 01:01:14.871 YOU ARE SUPPOSED TO IMPROVISE ON A THEME. 1075 01:01:14.904 --> 01:01:20.877 THAT'S WHAT I WAS DOING. 1076 01:01:20.910 --> 01:01:43.900 [SPEAKING FOREIGN LANGUAGE] YOU BOUGIE BOUGOIS NEGROES. 1077 01:01:43.933 --> 01:01:45.635 RESPECTING THE INSTITUTION. 1078 01:01:45.668 --> 01:01:48.304 I DON'T KNOW WHAT GOOD IT IS TO INSULT. 1079 01:01:48.337 --> 01:01:54.677 WE MAY HAVE TO HURT SOMEBODY'S FEELINGS. 1080 01:01:54.711 --> 01:02:01.851 THE WINNER OF THE BEST ACTING ENSEMBLE IS. 1081 01:02:01.884 --> 01:02:04.053 THANK YOU, CRITICS CHOICE. 1082 01:02:04.087 --> 01:02:08.157 IT'S A GREAT HONOR TO ACCEPT THIS ENSEMBLE AWARD ON BEHALF OF 1083 01:02:08.191 --> 01:02:13.496 THE CAST OF "THE TRIAL OF THE CHICAGO SEVEN TRAIN." 1084 01:02:13.529 --> 01:02:17.066 WE BEGAN SHOOTING THE FILM, EACH OF US KNEW THE POWER OF THE 1085 01:02:17.100 --> 01:02:18.301 RELEVANCE OF THE STORY. 1086 01:02:18.334 --> 01:02:23.539 ON BEHALF OF THE ENTIRE CAST, THANK YOU, AARON SORKIN, FOR THE 1087 01:02:23.573 --> 01:02:27.176 POWER OF YOUR WORDS AND CHARACTERS AND MESSAGE THAT 1088 01:02:27.210 --> 01:02:28.211 RESONATES TODAY. 1089 01:02:28.244 --> 01:02:34.684 THE POWER OF PEACEABLE PROTEST -- PEACEFUL PROTEST. 1090 01:02:34.717 --> 01:02:35.918 THANK YOU. 1091 01:02:35.952 --> 01:02:39.689 MATT JACKSON, TYLER THOMPSON, THANK YOU TO TED AND EVERYONE AT 1092 01:02:39.722 --> 01:02:42.158 NETFLIX FOR BRINGING THIS STORY TO THE WORLD. 1093 01:02:42.191 --> 01:02:49.899 MOST OF ALL, THANK YOU TO TOM HAYDEN, RENNY DAVIS, ABBIE 1094 01:02:49.932 --> 01:02:58.875 HOFFMAN, JERRY RUBIN, DAVID DILLINGER, JOHN FREUD'S. 1095 01:02:58.908 --> 01:02:59.976 THE AND BOBBY. 1096 01:03:00.009 --> 01:03:03.880 FOR STANDING UP AND BEING SO BOLD FOR CHANGING HISTORY. 1097 01:03:03.913 --> 01:03:08.751 HISTORY THEY SAY HAS A TENDENCY TO REPEAT ITSELF. 1098 01:03:08.785 --> 01:03:11.687 IT WILL CONTINUE TO DO SO. 1099 01:03:11.721 --> 01:03:14.757 SO UNLESS WE LEARN FROM IT BY TELLING ITS MOST SALIENT 1100 01:03:14.791 --> 01:03:19.862 STORIES, WE ARE HUMBLED AND GRATEFUL TO BEING PART OF 1101 01:03:19.896 --> 01:03:20.930 TELLING THIS ONE. 1102 01:03:20.963 --> 01:03:26.068 THANK YOU SO MUCH. 1103 01:03:26.102 --> 01:03:27.303 OUR NEXT NOMINEE FOR BEST SONG IS 1104 01:03:27.336 --> 01:03:28.838 "EVERYBODY CRIES" FROM THE MOVIE "THE OUTPOST." 1105 01:03:28.871 --> 01:03:32.108 THE FILM'S DIRECTOR, ROD LURIE, TRAGICALLY LOST HIS SON HUNTER 1106 01:03:32.141 --> 01:03:34.777 DURING PRODUCTION AND WROTE THE LYRICS TO THIS SONG AS A TRIBUTE 1107 01:03:34.811 --> 01:03:36.279 TO HIM AND THE FALLEN SOLDIERS. 1108 01:03:36.312 --> 01:03:38.481 MUSIC BY ROD LURIE, LARRY GROUPE. 1109 01:03:38.514 --> 01:03:40.383 LYRICS BY ROD LURIE AND RITA WILSON. 1110 01:03:40.416 --> 01:03:47.390 IT'S SUNG BY RITA WILSON. 1111 01:03:47.423 --> 01:03:51.127 ♪ ♪ ♪ WHO WILL BE THE LAST TO DIE ♪ 1112 01:03:51.160 --> 01:03:56.098 ♪ IN A LAND WHERE EMPIRES CRY? ♪ ♪ WHO WILL BE THE LAST 1113 01:03:56.132 --> 01:04:03.039 TO REMAIN ♪ ♪ WHERE THERE'S ONLY GOD 1114 01:04:03.072 --> 01:04:16.452 AND PAIN? ♪ Announcer: COMING UP, THE 1115 01:04:16.485 --> 01:04:20.923 SUPERSTARS OF THE THOR AND WONDER WOMAN MOVIES. 1116 01:04:20.957 --> 01:04:27.096 BUT FIRST... 1117 01:04:27.129 --> 01:04:30.399 WE ARE PRESENTING BEST SUPPORTING ACTOR AND ACTRESS IN 1118 01:04:30.433 --> 01:04:35.271 A COMEDY SERIES COMING UP NEXT. 1119 01:04:35.304 --> 01:04:39.275 Announcer: WHEN THE 26TH ANNUAL CRITICS CHOICE AWARDS 1120 01:04:39.308 --> 01:04:40.943 CONTINUES. 1121 01:04:51.387 --> 01:04:53.823 ♪ ♪ Taye: WELCOME BACK. 1122 01:04:53.856 --> 01:04:54.891 WE ARE HALFWAY THROUGH OUR SHOW. 1123 01:04:54.924 --> 01:04:57.693 I KNOW WHAT YOU'VE ALL BEEN THINKING. 1124 01:04:57.727 --> 01:05:03.799 WHY DOES TAYE SEEM SO PUT TOGETHER? 1125 01:05:03.833 --> 01:05:06.269 VIBRATING ON SUCH A HIGH LEVEL. 1126 01:05:06.302 --> 01:05:10.039 I SPENT 2020 MASTERING SOME SKILLS I'VE ALWAYS LONGED TO 1127 01:05:10.072 --> 01:05:12.375 MASTER AND MY SELF-ESTEEM IS THROUGH THE ROOF. 1128 01:05:12.408 --> 01:05:22.451 IN LESS THAN ONE YEAR I CRUSHED JUGGLING... 1129 01:05:22.485 --> 01:05:26.923 ORIGAMI. 1130 01:05:26.956 --> 01:05:27.390 GUITAR. 1131 01:05:27.423 --> 01:05:31.193 TWO, THREE, FOUR. 1132 01:05:31.227 --> 01:05:34.297 DOG TRAINING. 1133 01:05:34.330 --> 01:05:35.364 CHESS. 1134 01:05:35.398 --> 01:05:38.868 AND PUPPETRY. 1135 01:05:38.901 --> 01:05:40.603 HOW ABOUT A KISS? 1136 01:05:40.636 --> 01:05:47.543 I GUESS A LITTLE KISS WON'T HURT HURT. 1137 01:05:47.576 --> 01:05:54.450 [LAUGHS] 10,000 HOURS, MY ASS. 1138 01:05:54.483 --> 01:05:55.885 I'M THRILLED TO INTRODUCE TWO MORE CW ACTORS WHO PLAY MARRIED 1139 01:05:55.918 --> 01:05:57.787 COUPLE CLARK KENT AND LOIS LANE IN THE NEW SERIES "SUPERMAN AND 1140 01:05:57.820 --> 01:05:58.587 LOIS." 1141 01:05:58.621 --> 01:06:03.459 TYLER HOECHLIN AND ELIZABETH TULLOCH. 1142 01:06:03.492 --> 01:06:07.596 HERE THEY ARE FROM VANCOUVER, CANADA. 1143 01:06:07.630 --> 01:06:08.931 HI, I'M ELIZABETH TULLOCH AND I PLAY LOIS LANE 1144 01:06:09.031 --> 01:06:11.968 ON THE NEW SERIES "SUPERMAN AND LOIS" ON THE CW. 1145 01:06:12.001 --> 01:06:12.969 AND I'M TYLER HOECHLIN AND I PLAY CLARK KENT 1146 01:06:13.002 --> 01:06:13.836 AND SUPERMAN. 1147 01:06:13.869 --> 01:06:16.505 WE'RE HERE -- WHAT? 1148 01:06:16.539 --> 01:06:18.507 SOMEBODY ELSE PLAYS SUPERMAN. 1149 01:06:18.541 --> 01:06:21.143 NO, BITSIE, I PLAY BOTH PARTS. 1150 01:06:21.177 --> 01:06:23.479 I MEAN, SUPERMAN'S SLIGHTLY BETTER LOOKING. 1151 01:06:23.512 --> 01:06:24.914 BUT OKAY. 1152 01:06:24.947 --> 01:06:28.517 BITSIE, I PLAY BOTH PARTS. 1153 01:06:28.551 --> 01:06:29.952 ANYWAY, HERE ARE THE NOMINEES FOR BEST SUPPORTING ACTOR IN A 1154 01:06:29.986 --> 01:06:45.034 COMEDY SERIES. 1155 01:06:45.067 --> 01:06:48.304 FOUND IT. 1156 01:06:48.337 --> 01:06:50.773 EXIT, IT'S IN SPANISH, I KNOW. 1157 01:06:50.806 --> 01:06:55.311 I KNOW. 1158 01:06:55.344 --> 01:06:56.112 IT DIDN'T COME UP. 1159 01:06:56.145 --> 01:07:01.517 WHAT THE HELL DID YOU TALK ABOUT? 1160 01:07:01.550 --> 01:07:09.091 THE EARLY GAME IN THE LATE KICK. 1161 01:07:09.125 --> 01:07:20.336 I JUST LIKE TO TOUCH THIS FOR LUCK BEFORE I GRAB MY REAL CLUB. 1162 01:07:20.369 --> 01:07:23.305 HOW IS EVERYONE'S WEEKEND? 1163 01:07:23.339 --> 01:07:26.575 THE MORE I FEED, THE MORE I NEED. 1164 01:07:26.609 --> 01:07:33.382 I'VE NEVER FELT SO ALIVE IN MY LIFE. 1165 01:07:33.416 --> 01:07:47.163 ♪♪ SOMEBODY TO LEAN ON ♪♪ I'M NOT HAVING MY BIG DAY 1166 01:07:47.196 --> 01:07:54.670 COMPROMISED BECAUSE ALEXIS WANTED TO CHILL IN A TANKINI FOR 1167 01:07:54.703 --> 01:07:55.304 SIX MONTHS. 1168 01:07:55.337 --> 01:07:56.806 THE CRITICS CHOICE IS... 1169 01:07:56.839 --> 01:08:04.447 DANIEL LEVY, "SCHITT'S CREEK". 1170 01:08:04.480 --> 01:08:08.918 THANK YOU SO MUCH TO EVERYONE AT THE CRITICS CHOICE 1171 01:08:08.951 --> 01:08:10.386 ASSOCIATION. 1172 01:08:10.419 --> 01:08:13.255 YOUR SUPPORT OVER THE YEARS HAS PLAYED SUCH A PIVOTAL ROLE IN 1173 01:08:13.289 --> 01:08:15.891 HELPING TO KEEP OUR LITTLE SHOW ON THE AIR. 1174 01:08:15.925 --> 01:08:20.262 MORE SPECIFICALLY, THANK YOU FOR SUPPORTING AND CHAMPIONING A 1175 01:08:20.296 --> 01:08:21.997 CHARACTER LIKE DAVID. 1176 01:08:22.031 --> 01:08:26.268 I HAVE SO APPRECIATED READING ALL OF YOUR THOUGHTFUL AND 1177 01:08:26.302 --> 01:08:27.703 ENCOURAGING WORDS OVER THE YEARS. 1178 01:08:27.736 --> 01:08:30.139 SOMETIMES WHEN YOU DON'T OFTEN SEE YOURSELF REPRESENTED THAT 1179 01:08:30.172 --> 01:08:34.477 MUCH ON SCREEN, YOU HAVE TO TAKE A RISK AND MAKE IT HAPPEN FOR 1180 01:08:34.510 --> 01:08:35.411 YOURSELF. 1181 01:08:35.444 --> 01:08:36.879 THANK YOU SO MUCH FOR THIS. 1182 01:08:36.912 --> 01:08:37.847 IT MEANS THE WORLD. 1183 01:08:37.880 --> 01:08:41.817 REALLY APPRECIATE IT. 1184 01:08:41.851 --> 01:08:43.285 THANK YOU. 1185 01:08:43.319 --> 01:08:45.087 AND NOW ON TO BEST SUPPORTING ACTRESS IN A COMEDY SERIES. 1186 01:08:45.121 --> 01:08:57.466 HERE ARE THE NOMINEES. 1187 01:08:57.500 --> 01:09:03.472 I REALIZE THAT IF YOU WERE NOT LONELY YOU WOULD NOT HAVE TO 1188 01:09:03.506 --> 01:09:07.076 DO... 1189 01:09:07.109 --> 01:09:10.513 IT'S 3:00 IN THE MORNING AT SOME DIVE BAR AND YOU SEE HIM 1190 01:09:10.546 --> 01:09:15.885 SCRATCHING HIS HEAD WITH A FORK IN THE CUTEST WAY. 1191 01:09:15.918 --> 01:09:17.853 YOU TOLD FRENCH PEOPLE THIS? 1192 01:09:17.887 --> 01:09:20.122 NO WONDER THEY HATE YOU. 1193 01:09:20.156 --> 01:09:22.324 NOT JUST THIS. 1194 01:09:22.358 --> 01:09:23.659 THAT'S THE FRENCH WAY. 1195 01:09:23.692 --> 01:09:27.830 THEY ARE VERY DISAGREEABLE. 1196 01:09:27.863 --> 01:09:29.365 YOU'RE FIRED. 1197 01:09:29.398 --> 01:09:30.866 YEAH, RIGHT. 1198 01:09:30.900 --> 01:09:33.836 BIG I WILL BE BUYING OUT THE REMAINDER OF YOUR CONTRACT. 1199 01:09:33.869 --> 01:09:37.306 WISH YOU THE BEST OF LUCK. 1200 01:09:37.339 --> 01:09:39.642 THIS IS NOT A WEDDING DRESS. 1201 01:09:39.675 --> 01:09:44.680 IT'S A WHITE FLOOR-LENGTH GOWN. 1202 01:09:44.713 --> 01:09:48.184 IT'S VERY DIFFERENT. 1203 01:09:48.217 --> 01:09:51.320 WRITE DOWN YOUR DEEPEST FEARS AND WE ARE GOING TO SET THEM ON 1204 01:09:51.353 --> 01:09:54.089 FIRE SO THEY LOSE THEIR POWER. 1205 01:09:54.123 --> 01:09:58.594 THEY CAN'T ALL BE AFRAID MARJORIE IS GOING TO DIE. 1206 01:09:58.627 --> 01:10:01.463 AND THE CRITICS CHOICE IS... 1207 01:10:01.497 --> 01:10:08.904 HANNAH WADDINGHAM, "TED LASSO." 1208 01:10:08.938 --> 01:10:10.873 WHAT IS GOING ON! 1209 01:10:10.906 --> 01:10:13.943 WHAT IS GOING ON. 1210 01:10:13.976 --> 01:10:14.577 OH, MY GOSH. 1211 01:10:14.610 --> 01:10:15.911 CRITICS CHOICE ASSOCIATION. 1212 01:10:15.945 --> 01:10:20.950 YOU HAVE NO IDEA WHAT YOU HAVE JUST DONE. 1213 01:10:20.983 --> 01:10:22.384 THANK YOU SO MUCH. 1214 01:10:22.418 --> 01:10:24.453 JASON! 1215 01:10:24.486 --> 01:10:24.820 JASON! 1216 01:10:24.853 --> 01:10:27.890 OH, MY GOD! 1217 01:10:27.923 --> 01:10:31.126 JASON. 1218 01:10:31.160 --> 01:10:32.661 THEY'LL, BRANDON. 1219 01:10:32.695 --> 01:10:33.862 ALL OF THE WRITERS. 1220 01:10:33.896 --> 01:10:35.297 WHAT A GIFT YOU GAVE ME. 1221 01:10:35.331 --> 01:10:38.133 LOOK WHAT YOU HAVE DONE. 1222 01:10:38.167 --> 01:10:38.968 IT'S CRAZY. 1223 01:10:39.001 --> 01:10:46.008 TO MY MANAGEMENT, PETER BROOKS, ALEX. 1224 01:10:46.041 --> 01:10:53.148 [LAUGHS] WHAT'S GOING ON! 1225 01:10:53.182 --> 01:10:54.350 TO MY DAD. 1226 01:10:54.383 --> 01:10:58.320 THE GREATEST FORCE IN MY LIFE AND SHOWS ME HOW TO BEHAVE 1227 01:10:58.354 --> 01:11:01.790 ALWAYS LIKE A LADY. 1228 01:11:01.824 --> 01:11:07.296 [LAUGHS] TO MY BELOVED GIRLFRIENDS. 1229 01:11:07.329 --> 01:11:13.035 WHEN I'VE HAD A BIT OF A CRAP TIME, THEY HAVE HELPED ME BRING 1230 01:11:13.068 --> 01:11:14.503 UP MY BABY GIRL. 1231 01:11:14.536 --> 01:11:15.904 THANK YOU SO MUCH. 1232 01:11:15.938 --> 01:11:19.875 IT MEANS THE WORLD AM I CAN'T BELIEVE I AM IN THE SAME BREATH 1233 01:11:19.908 --> 01:11:21.176 AS THESE GLORIOUS WOMEN. 1234 01:11:21.210 --> 01:11:24.346 THANK YOU SO MUCH. 1235 01:11:24.380 --> 01:11:28.284 SOMEBODY GET ME A DRINK BEFORE I SWEAR. 1236 01:11:28.317 --> 01:11:30.953 THANK YOU! 1237 01:11:30.986 --> 01:11:39.662 [LAUGHTER] ONE SECOND. 1238 01:11:39.695 --> 01:11:42.698 I DON'T KNOW ABOUT YOU GUYS BUT I AM STARTING TO SEE THE APPEAL 1239 01:11:42.731 --> 01:11:46.669 OF THESE FILTERS. 1240 01:11:46.702 --> 01:11:49.638 [LAUGHS] TOO MUCH? 1241 01:11:49.672 --> 01:11:50.939 I GET IT. 1242 01:11:50.973 --> 01:11:54.343 THESE CAN BE A SLIPPERY SLOPE. 1243 01:11:54.376 --> 01:11:56.545 DID YOU CATCH THAT? 1244 01:11:56.578 --> 01:11:57.012 SLIPPERY. 1245 01:11:57.046 --> 01:12:00.082 YOU KNOW IF THAT. 1246 01:12:00.115 --> 01:12:01.483 Announcer: STILL TO COME, COMEDIANS JIM GAFFIGAN 1247 01:12:01.517 --> 01:12:02.685 AND CHELSEA HANDLER. 1248 01:12:02.718 --> 01:12:04.953 BUT NEXT: "THIS IS US" STARS JUSTIN HARTLEY AND CHRISSY METZ 1249 01:12:04.987 --> 01:12:10.526 WHEN THE 26TH ANNUAL CRITICS CHOICE AWARDS RETURNS. 1250 01:12:27.042 --> 01:12:29.611 Announcer: WELCOME BACK TO THE CRITICS CHOICE AWARDS 1251 01:12:29.645 --> 01:12:30.746 AND TAYE DIGGS. 1252 01:12:30.779 --> 01:12:32.948 Taye: OUR NEXT PRESENTERS STAR IN THE HUGELY POPULAR 1253 01:12:32.981 --> 01:12:36.251 NOMINATED BEST DRAMA SERIES "THIS IS US." 1254 01:12:36.285 --> 01:12:39.121 PLEASE WELCOME CHRISSY METZ AND BEST SUPPORTING ACTOR 1255 01:12:39.154 --> 01:12:43.492 NOMINEE JUSTIN HARTLEY. 1256 01:12:43.525 --> 01:12:47.062 ALL RIGHT. 1257 01:12:47.096 --> 01:12:49.198 LOOKING SUPER SHARP. 1258 01:12:49.231 --> 01:12:50.132 BEAUTIFUL. 1259 01:12:50.165 --> 01:12:52.301 CONGRATULATIONS, JUSTIN, ON YOUR NOMINATION. 1260 01:12:52.334 --> 01:12:53.769 AND CONGRATULATIONS, BOTH OF YOU [LAUGHS] 1261 01:12:53.802 --> 01:12:55.971 I'M FINE WITH IT. 1262 01:12:56.004 --> 01:13:00.008 IT'S AN HONOR TO BE NOMINATED IS WHAT HE MEANS. 1263 01:13:00.042 --> 01:13:03.178 Taye: IT FEELS GOOD TO GET DRESSED UP, RIGHT? 1264 01:13:03.212 --> 01:13:06.348 IT'S GOOD TO SEE OTHER PEOPLE. 1265 01:13:06.382 --> 01:13:06.915 YEAH. 1266 01:13:06.949 --> 01:13:10.519 I AM A WINNER WITH YOU. 1267 01:13:10.552 --> 01:13:12.921 Taye: THERE ARE NO LOSERS HERE. 1268 01:13:12.955 --> 01:13:16.658 THAT'S RIGHT. 1269 01:13:16.692 --> 01:13:18.961 YOU GUYS ARE AWESOME. 1270 01:13:18.994 --> 01:13:20.996 CONGRATULATIONS ON THE TREMENDOUS SUCCESS OF 1271 01:13:21.029 --> 01:13:21.363 "THIS IS US." 1272 01:13:21.397 --> 01:13:23.499 GREAT SHOW. 1273 01:13:23.532 --> 01:13:26.602 ALSO NOMINATED FOR BEST DRAMA SERIES FOR THE FIFTH TIME 1274 01:13:26.635 --> 01:13:27.369 TONIGHT. 1275 01:13:27.403 --> 01:13:28.370 IT'S COOL. 1276 01:13:28.404 --> 01:13:30.806 CAN'T BELIEVE WE'VE BEEN DOING IT THAT LONG. 1277 01:13:30.839 --> 01:13:34.376 Taye: DOES THAT MAKE YOU FEEL LIKE A WINNER, FIVE TIMES? 1278 01:13:34.410 --> 01:13:37.746 GREAT TO BE SURROUNDED BY THESE PEOPLE EVERY SINGLE DAY. 1279 01:13:37.780 --> 01:13:40.182 Taye: DOES IT FEEL GREAT TO BE SURROUNDED BY ME? 1280 01:13:40.215 --> 01:13:43.152 I WISH WE COULD GET CLOSER BUT THE WHOLE THING GOING ON. 1281 01:13:43.185 --> 01:13:47.623 Taye: I WILL LET YOU DO YOUR THING. 1282 01:13:47.656 --> 01:13:50.793 CONGRATULATIONS. 1283 01:13:50.826 --> 01:13:52.961 NOEL, NO, HOLD ON. 1284 01:13:52.995 --> 01:13:56.799 CHRISSY WE ARE NOT DOING A SCENE FROM "THIS IS US." 1285 01:13:56.832 --> 01:14:01.737 NOMINEES FOR BEST ACTOR IN A COMEDY SERIES. 1286 01:14:01.770 --> 01:14:04.573 I CAN DO THAT. 1287 01:14:04.606 --> 01:14:07.876 WE SHOULD TALK ABOUT SOMETHING FUNNY, INJECT SOME 1288 01:14:07.910 --> 01:14:10.212 LEVITY SO THAT WE FIT IN. 1289 01:14:10.245 --> 01:14:13.215 OKAY. 1290 01:14:13.248 --> 01:14:18.587 OH, REMEMBER ON "THIS IS US" AND I PLAYED THE MANNY? 1291 01:14:18.620 --> 01:14:19.054 THAT WAS FUNNY. 1292 01:14:19.087 --> 01:14:21.490 THAT WAS FUNNY. 1293 01:14:21.523 --> 01:14:28.597 BUT THEN REMEMBER WHEN OUR HOUSE BURNED DOWN? 1294 01:14:28.630 --> 01:14:31.266 THIS IS WHY NO ONE THINKS OUR SHOW WAS FUNNY. 1295 01:14:31.300 --> 01:14:33.735 YEAH. 1296 01:14:33.769 --> 01:14:46.682 HERE ARE THE NOMINEES. 1297 01:14:46.715 --> 01:14:52.054 OH, THAT'S A FRAMER. 1298 01:14:52.087 --> 01:14:55.657 YOU DELETED IT. 1299 01:14:55.691 --> 01:14:59.328 I THINK I WAS ANGRY BECAUSE NO ONE HAS EVER NOT LIKED ME. 1300 01:14:59.361 --> 01:15:06.134 IT OR AT LEAST NOT PRETENDING TO. 1301 01:15:06.168 --> 01:15:11.507 I DID TAKE A BRIEF SOJOURN TO THE GOLDEN STATE. 1302 01:15:11.540 --> 01:15:14.076 I HAD AGREED TO MEET THE DEVIL AT AN INTERSECTION OF ROADWAYS 1303 01:15:14.109 --> 01:15:18.480 WHERE I WOULD BECOME A MUCH BETTER GUITARIST. 1304 01:15:18.514 --> 01:15:21.917 I WISHED ONE OF MY PARENTS COULD DIE SO I COULD HAVE A 1305 01:15:21.950 --> 01:15:22.684 THING, YOU KNOW. 1306 01:15:22.718 --> 01:15:25.687 THERE'S ALWAYS THAT KID IN SCHOOL. 1307 01:15:25.721 --> 01:15:26.255 OH, HIS DAD DIED. 1308 01:15:26.288 --> 01:15:30.626 HE HAD KIND OF AN EDGE. 1309 01:15:30.659 --> 01:15:35.197 I'M SO SORRY I AM ALL YOU HAVE IN THIS WORLD. 1310 01:15:35.230 --> 01:15:35.864 IT'S A BUM DEAL. 1311 01:15:35.898 --> 01:15:41.436 NO TWO WAYS ABOUT IT. 1312 01:15:41.470 --> 01:15:44.206 NATHAN, I LOVE THAT NAME. 1313 01:15:44.239 --> 01:15:45.007 LOVE YOUR HOT DOGS. 1314 01:15:45.040 --> 01:15:48.477 GOOD, GOOD. 1315 01:15:48.510 --> 01:15:51.446 HAVE YOU GOT NATHAN'S HOT DOGS HERE? 1316 01:15:51.480 --> 01:15:51.747 NO. 1317 01:15:51.780 --> 01:15:53.215 OKAY. 1318 01:15:53.248 --> 01:15:57.786 AND THE CRITICS CHOICE IS... 1319 01:15:57.819 --> 01:16:03.392 JASON SUDEKIS. 1320 01:16:03.425 --> 01:16:04.626 WOW, THANK YOU GUYS. 1321 01:16:04.660 --> 01:16:07.229 THANK YOU VERY MUCH. 1322 01:16:07.262 --> 01:16:12.801 TO THE CRITICS CHOICE ASSOCIATION. 1323 01:16:12.834 --> 01:16:13.902 WHERE DO I START? 1324 01:16:13.936 --> 01:16:18.807 MORE IMPORTANTLY, WHERE DO I END? 1325 01:16:18.840 --> 01:16:22.544 I WANT TO THANK EVERYBODY AT APPLE, WARNER BROS. FOR GETTING 1326 01:16:22.578 --> 01:16:25.814 THE TV SHOW OUT THERE. 1327 01:16:25.847 --> 01:16:31.153 FINDING ITS WAY TO YOUR LAPTOPS, HOMES, TELEVISIONS. 1328 01:16:31.186 --> 01:16:32.921 ET CETERA. 1329 01:16:32.955 --> 01:16:35.223 ALSO WANT TO THANK MY MANAGER. 1330 01:16:35.257 --> 01:16:43.398 I WANT TO THANK ALL THE WRITERS ON THE SHOW. 1331 01:16:43.432 --> 01:16:47.002 BILL LAWRENCE, MY PALS AND COPRODUCERS. 1332 01:16:47.035 --> 01:16:49.204 BRANDON HUNT, JOE KELLY. 1333 01:16:49.237 --> 01:16:53.709 OUR WHOLE, ARE OTHER DIRTY DOZEN OF WRITERS AND WRITERS 1334 01:16:53.742 --> 01:16:54.943 ASSISTANCE. 1335 01:16:54.977 --> 01:16:58.080 THEY MAKE THE JOB A LOT EASIER AND A LOT MORE FUN BECAUSE THEY 1336 01:16:58.113 --> 01:16:58.981 WRITE SUCH GREAT STUFF. 1337 01:16:59.014 --> 01:17:03.385 AND THEN EVERYBODY THAT I GET TO ACT WITH. 1338 01:17:03.418 --> 01:17:07.322 VERY, VERY LUCKY TO GET TO PERFORM WITH YOU GUYS ON A DAILY 1339 01:17:07.356 --> 01:17:09.958 BASIS. 1340 01:17:09.992 --> 01:17:11.927 AGAIN, THANK YOU, EVERYBODY FOR SUPPORTING THE SHOW. 1341 01:17:11.960 --> 01:17:12.327 YEAH. 1342 01:17:12.361 --> 01:17:16.231 SEE YOU SOON. 1343 01:17:16.264 --> 01:17:18.967 AND NOW TO BEST ACTRESS IN A COMEDY SERIES. 1344 01:17:19.001 --> 01:17:30.812 HERE ARE THE NOMINEES. 1345 01:17:30.846 --> 01:17:34.449 HOW CAN I REST UNTIL YOU DO SOMETHING WITH YOUR ETERNAL 1346 01:17:34.483 --> 01:17:36.885 LIFE. 1347 01:17:36.918 --> 01:17:40.555 LIKE WHAT? 1348 01:17:40.589 --> 01:17:45.627 HOW FUNNY IT WOULD BE TO BE ARRESTED IN A FOREIGN COUNTRY. 1349 01:17:45.661 --> 01:17:46.595 IT WAS FUNNY. 1350 01:17:46.628 --> 01:17:48.797 WE WERE LAUGHING REALLY HARD. 1351 01:17:48.830 --> 01:17:56.004 TOTALLY, SUPER FUNNY. 1352 01:17:56.038 --> 01:17:58.173 BEFORE WE REBAPTIZE OURSELVES I'M GOING TO CALL MY AGENT AND 1353 01:17:58.206 --> 01:18:06.682 MAKE IT OFFICIAL. 1354 01:18:06.715 --> 01:18:09.184 I'M SORRY WHAT. 1355 01:18:09.217 --> 01:18:10.185 SPEAK OUT. 1356 01:18:10.218 --> 01:18:11.720 HEALTH CARE SUNDAY. 1357 01:18:11.753 --> 01:18:13.288 YOU TAKE CARE OF YOURSELF ON A SUNDAY. 1358 01:18:13.321 --> 01:18:17.292 I KNOW WHAT THAT MEANS. 1359 01:18:17.325 --> 01:18:29.538 OH, NICE COLD. 1360 01:18:29.571 --> 01:18:35.110 YOU ARE MY PROBLEM, TYLER. 1361 01:18:35.143 --> 01:18:38.580 I'M NOT PAYING FOR THAT. 1362 01:18:38.613 --> 01:18:44.920 AND THE CRITICS CHOICE IS... 1363 01:18:44.953 --> 01:18:50.559 CATHERINE O'HARA, "SCHITT'S CREEK." 1364 01:18:50.592 --> 01:18:55.030 WOW. 1365 01:18:55.063 --> 01:18:57.199 THANK YOU, CRITICS CHOICE ASSOCIATION, FOR CELEBRATING ALL 1366 01:18:57.232 --> 01:18:59.434 THESE BEAUTIFUL, FUNNY WOMEN. 1367 01:18:59.468 --> 01:19:02.170 THANK YOU FOR USING YOUR CRITICAL THINKING TO BOLSTER 1368 01:19:02.204 --> 01:19:06.775 SUPPORT FOR OUR SHOW AND THANK YOU FOR RECOGNIZING MY 1369 01:19:06.808 --> 01:19:11.146 WORK WITH THIS LOVELY "SCHITT'S CREEK" PARTING GIFT. 1370 01:19:11.179 --> 01:19:13.682 I SAY WORK AND LIKE EVERYONE ON THE SHOW I DID WORK HARD BUT ALL 1371 01:19:13.715 --> 01:19:19.020 I CAN REMEMBER NOW IS THE SHEER JOY OF BEING INSPIRED BY OUR 1372 01:19:19.054 --> 01:19:23.825 GREAT SCRIPTS, CHALLENGED BY MY RIDICULOUSLY TALENTED CAST MATES 1373 01:19:23.859 --> 01:19:25.193 AND ARE BEYOND CREATIVE CREW. 1374 01:19:25.227 --> 01:19:30.165 CHARMED BY OUR WONDERFUL HAIR AND MAKEUP AND WARDROBE. 1375 01:19:30.198 --> 01:19:34.002 GODMOTHERS. 1376 01:19:34.035 --> 01:19:37.472 MADE TO FEEL LIKE A QUEEN BY THE SWEET, FUN-LOVING PEOPLE WHO 1377 01:19:37.506 --> 01:19:41.777 WATCH OUR SHOW BECAUSE YOU TOLD THEM TO. 1378 01:19:41.810 --> 01:19:43.545 THANK YOU. 1379 01:19:43.578 --> 01:19:47.582 EUGENE LEVY, DANA, FRED. 1380 01:19:47.616 --> 01:19:52.754 DEB FOR LOANING ME YOUR DEAR HUSBAND AND SON FOR SIX YEARS. 1381 01:19:52.788 --> 01:19:54.122 THANK YOU. 1382 01:19:54.156 --> 01:19:54.589 WHAT? 1383 01:19:54.623 --> 01:19:55.590 NOTHING. 1384 01:19:55.624 --> 01:19:56.124 WHAT? 1385 01:19:56.158 --> 01:19:59.127 THANK YOU SO MUCH. 1386 01:19:59.161 --> 01:20:00.562 THE NEXT NOMINEE FOR BEST SONG IS "IO SI (SEEN)" 1387 01:20:00.595 --> 01:20:01.663 FROM "THE LIFE AHEAD." 1388 01:20:01.696 --> 01:20:02.898 AN ITALIAN FILM THAT STARS SOPHIA LOREN AS A HOLOCAUST 1389 01:20:02.931 --> 01:20:04.466 SURVIVOR WITH A DAYCARE BUSINESS WHO TAKES IN A 12-YEAR-OLD KID 1390 01:20:04.499 --> 01:20:07.135 PLAYED BY YOUNG ACTOR OR ACTRESS NOMINEE 1391 01:20:07.169 --> 01:20:08.069 IBRAHIMA GUEYE. 1392 01:20:08.103 --> 01:20:08.970 MUSIC BY DIANE WARREN. 1393 01:20:09.004 --> 01:20:11.106 WORDS BY DIANE WARREN NICCOLO AGLIARDI. 1394 01:20:11.139 --> 01:20:19.748 AND LAURA PAUSINI WHO ALSO PERFORMS IT. 1395 01:20:19.781 --> 01:20:26.688 ♪ CHE DESTINO E IL TUO ♪ ♪ MA SE VUOI ♪ 1396 01:20:26.721 --> 01:20:49.477 ♪ SE MI VUOI SONO QUI ♪ Announcer: COMING UP, MORE 1397 01:20:49.511 --> 01:20:52.647 BEST SONG NOMINEES. 1398 01:20:52.681 --> 01:20:55.650 "BRIDGERTON" STAR, PHOEBE DYNEVOR BUT FIRST. 1399 01:20:55.684 --> 01:20:59.154 I AM PRESENTING THE AWARD FOR BEST DRAMA SERIES NEXT ON THE 1400 01:20:59.187 --> 01:21:04.326 CRITICS CHOICE AWARDS. 1401 01:21:04.359 --> 01:21:08.864 Announcer: HERE ON THE 26TH ANNUAL CRITICS CHOICE AWARDS. 1402 01:21:18.240 --> 01:21:23.245 I SEE HER TAKING UP SPACE, EMBRACING HER POWER AND BEING 1403 01:21:23.278 --> 01:21:24.346 UNAPOLOGETICALLY HERSELF. 1404 01:21:24.379 --> 01:21:27.749 I SEE HER TELLING THE STORIES THAT NEED TO BE TOLD. 1405 01:21:27.782 --> 01:21:30.919 BRING LIGHT AND COMPLEXITY TO THE SCREEN. 1406 01:21:30.952 --> 01:21:33.221 BRINGING AUTHENTICITY TO CHARACTERS SO REAL. 1407 01:21:33.255 --> 01:21:36.691 EVERYONE CAN SEE THEMSELVES. 1408 01:21:36.725 --> 01:21:37.993 Taye: WELCOME BACK. 1409 01:21:38.026 --> 01:21:38.593 WELCOME BACK. 1410 01:21:38.627 --> 01:21:39.728 WELCOME BACK. 1411 01:21:39.761 --> 01:21:41.263 HERE FROM UPCOMING FILMS "LUCA" AND "LINOLEUM" 1412 01:21:41.296 --> 01:21:43.865 IS ONE OF MY FAVORITE COMEDIANS. 1413 01:21:43.899 --> 01:21:46.735 HELLO, CRITICS CHOICE. 1414 01:21:46.768 --> 01:21:48.970 I'M JIM GAFFIGAN. 1415 01:21:49.004 --> 01:21:53.241 I AM COMING TO YOU FROM MY HOME WHERE I'VE BEEN RIDING OUT 1416 01:21:53.275 --> 01:21:57.746 THE PANDEMIC WITH MY FAMILY. 1417 01:21:57.779 --> 01:21:59.848 I CAN'T BELIEVE THERE WAS A TIME WHEN I USED TO SAY I 1418 01:21:59.881 --> 01:22:02.350 WANTED TO SPEND MORE TIME WITH THEM. 1419 01:22:02.384 --> 01:22:03.852 ANYWAY, I'M HERE TO PRESENT THE AWARD... 1420 01:22:03.885 --> 01:22:04.386 DAD? 1421 01:22:04.419 --> 01:22:05.987 FOR BEST COMEDY... 1422 01:22:06.021 --> 01:22:08.123 YES? 1423 01:22:08.156 --> 01:22:09.391 UH... 1424 01:22:09.424 --> 01:22:11.192 WHAT ARE YOU DOING? 1425 01:22:11.226 --> 01:22:13.795 I'M ATTEMPTING TO PRESENT THE BEST COMEDY SERIES 1426 01:22:13.828 --> 01:22:15.130 FOR THE CRITICS CHOICE AWARDS. 1427 01:22:15.163 --> 01:22:17.699 I THOUGHT YOU HATED THE CRITICS. 1428 01:22:17.732 --> 01:22:20.068 I DON'T HATE THE CRITICS. 1429 01:22:20.101 --> 01:22:23.538 DIDN'T YOU SAY THAT CRITICS ARE LAZY MORONS WHO WILL NEVER 1430 01:22:23.571 --> 01:22:26.574 ACKNOWLEDGE OR ACCEPT YOUR TALENTS BECAUSE YOU'RE A FAT, 1431 01:22:26.608 --> 01:22:27.442 OLD, BALD GUY? 1432 01:22:27.475 --> 01:22:30.612 I NEVER SAID THAT. 1433 01:22:30.645 --> 01:22:36.084 OH, IT WAS MOM WHO -- AND THE NOMINEES FOR BEST 1434 01:22:36.117 --> 01:22:50.598 COMEDY SERIES ARE... 1435 01:22:50.632 --> 01:22:54.636 I ALWAYS FIGURED THAT T WOULD TASTE LIKE HOT BROWN WATER. 1436 01:22:54.669 --> 01:22:58.139 YOU KNOW, I WAS RIGHT, IT'S HORRIBLE. 1437 01:22:58.173 --> 01:23:01.810 WELCOME TO ENGLAND. 1438 01:23:01.843 --> 01:23:04.913 I WANT YOU TO BE MY TEACHER. 1439 01:23:04.946 --> 01:23:08.049 I WANT TO KNOW MY EGO. 1440 01:23:08.083 --> 01:23:11.019 I DON'T WANT TO BE JUST ANOTHER ONE OF HER DESIRES. 1441 01:23:11.052 --> 01:23:17.359 I DON'T WANT TO HAVE SEX WITH YOU. 1442 01:23:17.392 --> 01:23:27.502 IT'S GOOD. 1443 01:23:27.535 --> 01:23:28.703 DID NONE OF YOU EVER GO TO A SLUMBER PARTY WHEN YOU WERE 1444 01:23:28.737 --> 01:23:29.137 KIDS? 1445 01:23:29.170 --> 01:23:34.776 FOSTER CARE. 1446 01:23:34.809 --> 01:23:36.644 NO, NOBODY LEAVES. 1447 01:23:36.678 --> 01:23:37.545 DO NOT LEAVE. 1448 01:23:37.579 --> 01:23:38.813 WE ALL STAY. 1449 01:23:38.847 --> 01:23:43.318 I SWEAR TO GOD. 1450 01:23:43.351 --> 01:23:46.054 I AM NOT HERE FOR YOU. 1451 01:23:46.087 --> 01:23:48.256 THAT'S A RELIEF. 1452 01:23:48.289 --> 01:23:49.057 NOR YOU. 1453 01:23:49.090 --> 01:23:51.292 THANK YOU VERY MUCH, THAT'S NICE. 1454 01:23:51.326 --> 01:23:53.561 ARE YOU POSSIBLY HERE TO KILL ME? 1455 01:23:53.595 --> 01:23:55.997 NO. 1456 01:23:56.031 --> 01:24:01.369 YOU ARE SO PROFESSIONAL. 1457 01:24:01.403 --> 01:24:07.575 I DON'T NEED A MAP TO SHOW ME THE MAGIC OF BANGKOK. 1458 01:24:07.609 --> 01:24:13.915 I WILL ASK DAVID ROSE AND PATRICK. 1459 01:24:13.948 --> 01:24:19.320 TO EXCHANGE THEIR VOWS. 1460 01:24:19.354 --> 01:24:23.491 AND THE CRITICS CHOICE IS... 1461 01:24:23.525 --> 01:24:28.797 "TED LASSO." 1462 01:24:28.830 --> 01:24:30.432 WOW. 1463 01:24:30.465 --> 01:24:31.866 HOLY SMOKES. 1464 01:24:31.900 --> 01:24:33.368 OKAY. 1465 01:24:33.401 --> 01:24:37.205 AGAIN, THANK YOU VERY MUCH FOR THE CRITICS CHOICE ASSOCIATION. 1466 01:24:37.238 --> 01:24:41.476 A GREAT NUMBER OF YOU HAVE BEEN SO VOCAL ABOUT YOUR ENJOYMENT OF 1467 01:24:41.509 --> 01:24:44.012 THE SHOW AND IT'S BEEN VERY, VERY FLATTERING. 1468 01:24:44.045 --> 01:24:47.615 WE GREATLY APPRECIATED. 1469 01:24:47.649 --> 01:24:53.755 ESPECIALLY FOR YOUNG TELEVISION START-UP LIKE APPLE, THEY 1470 01:24:53.788 --> 01:24:56.424 CERTAINLY DIG FOR FREE PUBLICITY. 1471 01:24:56.458 --> 01:24:57.225 THANK YOU. 1472 01:24:57.258 --> 01:25:04.866 I WANT TO GIVE A SHOUT OUT TO APPLE. 1473 01:25:04.899 --> 01:25:06.468 GIVING US A PLACE TO GO ON PAYING FOR. 1474 01:25:06.501 --> 01:25:12.240 THE FOLKS AT NBC SPORTS WHO DID THE INITIAL COMMERCIAL TO GET IT 1475 01:25:12.273 --> 01:25:14.175 ALL GOING. 1476 01:25:14.209 --> 01:25:18.012 BROOKLYN BROTHERS, THE ADVERTISING COMPANY THAT WAS 1477 01:25:18.046 --> 01:25:19.581 THERE FOR THE GET-GO. 1478 01:25:19.614 --> 01:25:25.220 BILL LAWRENCE AND JOE KELLY, BRANDON HUNT. 1479 01:25:25.253 --> 01:25:26.387 OUR ENTIRE STAFF, CAST AND CREW. 1480 01:25:26.421 --> 01:25:31.259 I DIDN'T GET TO SAY BEFORE. 1481 01:25:31.292 --> 01:25:36.097 I CAN WATCH THAT SPEECH FOR AN HOUR. 1482 01:25:36.131 --> 01:25:39.267 I WANT TO THANK THE FOLKS IN RICHMOND. 1483 01:25:39.300 --> 01:25:41.469 WE WORK LATE. 1484 01:25:41.503 --> 01:25:44.839 THEY ARE KIND PEOPLE WHO LET US MAKE A RACKET. 1485 01:25:44.873 --> 01:25:48.910 WE LOOK FORWARD TO THE BARS BEING OPEN AGAIN SO WE CAN SPEND 1486 01:25:48.943 --> 01:25:50.645 SOME MONEY IN YOUR NEIGHBORHOOD. 1487 01:25:50.678 --> 01:25:53.481 I WANT TO THANK MY FOLKS. 1488 01:25:53.515 --> 01:25:56.751 I WANT TO THANK MY SISTERS, MY KIDS. 1489 01:25:56.784 --> 01:26:00.054 I WANT TO THANK THEIR MOM. 1490 01:26:00.088 --> 01:26:04.659 HAD THE INITIAL IDEA TO DO IT AS A TV SHOW. 1491 01:26:04.692 --> 01:26:08.563 YOU LIKE DOING THAT, YOU SHOULD DO IT AS A MOVIE OR TV SHOW. 1492 01:26:08.596 --> 01:26:15.236 SHE WAS RIGHT. 1493 01:26:15.270 --> 01:26:17.105 IT'S BEEN A WACKY YEAR. 1494 01:26:17.138 --> 01:26:23.645 IT'S BEEN A WONDERFUL VESSEL TO HEAR PEOPLE'S STORIES OF 1495 01:26:23.678 --> 01:26:27.348 FORGIVENESS AND REDEMPTION AND HEALING AND UNDERSTANDING. 1496 01:26:27.382 --> 01:26:33.087 IT'S REALLY, REALLY FLATTERING TO HAVE THE OPPORTUNITY TO SHARE 1497 01:26:33.121 --> 01:26:33.788 SOMETHING. 1498 01:26:33.821 --> 01:26:37.692 IT MEANS SOMETHING TO YOU GUYS. 1499 01:26:37.725 --> 01:26:39.861 IT MEANS A LOT. 1500 01:26:39.894 --> 01:26:43.164 THANK YOU. 1501 01:26:43.198 --> 01:26:44.365 Announcer: HE STARS IN THE FOREIGN LANGUAGE 1502 01:26:44.399 --> 01:26:45.600 NOMINATED FILM "ANOTHER ROUND," 1503 01:26:45.633 --> 01:26:50.305 HERE'S MADS MIKKELSEN. 1504 01:26:50.338 --> 01:26:53.141 WITH ALL THE SERIOUSNESS THAT'S BECOME PART 1505 01:26:53.174 --> 01:26:55.543 OF OUR EVERYDAY LIVES, ONE WOULD THINK THAT THE LAST THING WE'D 1506 01:26:55.577 --> 01:26:57.512 WANT IS MORE DRAMA. 1507 01:26:57.545 --> 01:27:00.048 BUT WHEN THE STORIES ARE DELIVERED MASTERFULLY IN 1508 01:27:00.081 --> 01:27:03.818 BEAUTIFUL PACKAGES BY SOME OF TODAY'S FINEST 1509 01:27:03.851 --> 01:27:08.022 PRODUCERS, WRITERS, DIRECTORS, AND PERFORMERS, I SAY... 1510 01:27:08.056 --> 01:27:10.124 "BRING IT ON." 1511 01:27:10.158 --> 01:27:27.475 HERE ARE THE NOMINEES FOR BEST DRAMA SERIES. 1512 01:27:27.508 --> 01:27:31.079 TO YOU, THE COMMONWEALTH IS SOMETHING OF A DISTRACTION, A 1513 01:27:31.112 --> 01:27:31.980 WASTE OF TIME. 1514 01:27:32.013 --> 01:27:36.484 IN MANY WAYS, I HAVE GIVEN MY LIFE TO IT. 1515 01:27:36.517 --> 01:27:40.455 ISN'T TRUMP PRESIDENT? 1516 01:27:40.488 --> 01:27:42.690 NO. 1517 01:27:42.724 --> 01:27:47.595 ARE YOU ALL RIGHT, DIANE? 1518 01:27:47.629 --> 01:27:53.735 YOU ARE SO ARROGANT YOU THINK YOU CAN FLIP AND FBI AGENT. 1519 01:27:53.768 --> 01:27:54.936 YOU KNOW HOW CRAZY THAT SOUNDS? 1520 01:27:54.969 --> 01:27:59.874 IS A CRAZIER THAN KILLING SOMEONE? 1521 01:27:59.907 --> 01:28:04.245 FIND TRUTH AND SEEK JUSTICE. 1522 01:28:04.279 --> 01:28:13.955 YOU CANNOT SEEK JUSTICE WITHOUT FIRST KNOWING THE TRUTH. 1523 01:28:13.988 --> 01:28:17.592 HE WAS SMALLER, HE TOOK THE BRUNT OF IT. 1524 01:28:17.625 --> 01:28:19.227 I SHOULD HAVE PROTECTED HIM MORE. 1525 01:28:19.260 --> 01:28:20.662 I ALWAYS FORGET THAT. 1526 01:28:20.695 --> 01:28:25.867 I WAS YOUNGER AND SMALLER TOO TOO. 1527 01:28:25.900 --> 01:28:29.904 EITHER WE END THIS NOW AND ENJOY THE TIME WE HAD AND GO OUR 1528 01:28:29.937 --> 01:28:32.140 SEPARATE WAYS. 1529 01:28:32.173 --> 01:28:37.445 OR WHAT? 1530 01:28:37.478 --> 01:28:40.882 IF I HAD BEEN THERE I WOULD'VE WALKED THROUGH LITERAL 1531 01:28:40.915 --> 01:28:42.116 FIRE AND PULLED THAT MAN OUT. 1532 01:28:42.150 --> 01:28:45.320 I GUESS WE'LL NEVER KNOW BECAUSE YOU WEREN'T THERE AND HE 1533 01:28:45.353 --> 01:28:53.194 DIED ASHAMED OF YOU. 1534 01:28:53.227 --> 01:28:55.363 ALL RIGHT, PAL. 1535 01:28:55.396 --> 01:28:59.300 IT'S TIME TO GO. 1536 01:28:59.334 --> 01:29:03.271 AND THE CRITICS CHOICE IS... 1537 01:29:03.304 --> 01:29:10.278 "THE CROWN." 1538 01:29:10.311 --> 01:29:12.113 ANNOUNCER "THE CROWN" COULDN'T BE WITH US SO WE ACCEPT THE 1539 01:29:12.146 --> 01:29:13.114 AWARD ON THEIR BEHALF. 1540 01:29:13.147 --> 01:29:14.015 OUR NEXT NOMINEE FOR BEST SONG IS "SPEAK NOW" 1541 01:29:14.048 --> 01:29:15.917 FROM REGINA KING'S DIRECTORIAL DEBUT MOVIE 1542 01:29:15.950 --> 01:29:17.118 "ONE NIGHT IN MIAMI." 1543 01:29:17.151 --> 01:29:18.920 THIS IS JUST ONE OF THE FILM'S FIVE NOMINATIONS. 1544 01:29:18.953 --> 01:29:25.059 WRITTEN BY SAM ASHWORTH AND BEST SUPPORTING ACTOR NOMINEE 1545 01:29:25.093 --> 01:29:33.034 LESLIE ODOM, JR, WHO ALSO PERFORMS IT. 1546 01:29:33.067 --> 01:29:36.104 ♪ I SWEAR WE'LL NEVER FIND A WAY TO WHERE WE'RE GOING ALL ALONE ♪ 1547 01:29:36.137 --> 01:29:40.908 ♪ DON'T TAKE YOUR EYES OFF THE ROAD ♪ 1548 01:29:40.942 --> 01:29:45.546 ♪ CAN YOU HEAR THE BELLS RING OUT? ♪ 1549 01:29:45.580 --> 01:30:00.595 ♪ SPEAK NOW ♪ ♪ SPEAK NOW ♪ 1550 01:30:00.628 --> 01:30:04.098 COMING UP: A SPECIAL AWARD TO ZENDAYA BUT NEXT WE HAVE THIS 1551 01:30:04.132 --> 01:30:08.703 STAR OF "BRIDGERTON." 1552 01:30:08.736 --> 01:30:09.904 HI. 1553 01:30:09.937 --> 01:30:12.640 I AM PRESENTING THE AWARD FOR BEST LIMITED SERIES COMING UP 1554 01:30:12.673 --> 01:30:15.943 SOON. 1555 01:30:15.977 --> 01:30:21.182 WHEN THE 26TH ANNUAL CRITICS CHOICE AWARDS CONTINUES. 1556 01:30:28.222 --> 01:30:28.923 Announcer: WELCOME BACK. 1557 01:30:28.956 --> 01:30:33.861 ONCE AGAIN, TAYE DIGGS. 1558 01:30:33.895 --> 01:30:36.798 Taye: LET'S TAKE SOME TIME TO SPEAK TO ANOTHER ONE OF OUR 1559 01:30:36.831 --> 01:30:38.933 NOMINEES TONIGHT. 1560 01:30:38.966 --> 01:30:39.967 HERE'S RIZ AHMED, WHO IS NOMINATED FOR BEST ACTOR 1561 01:30:40.001 --> 01:30:43.271 FOR "SOUND OF METAL." 1562 01:30:43.304 --> 01:30:43.905 WHAT'S HAPPENING? 1563 01:30:43.938 --> 01:30:44.472 GOOD TO SEE YOU. 1564 01:30:44.505 --> 01:30:46.674 I AM A BIG FAN. 1565 01:30:46.707 --> 01:30:49.310 THANK YOU VERY MUCH, LIKEWISE. 1566 01:30:49.343 --> 01:30:50.378 GOOD TO TALK TO YOU. 1567 01:30:50.411 --> 01:30:52.246 Taye: I'M GOING TO READ YOUR LIPS BECAUSE I'M NOT 1568 01:30:52.280 --> 01:30:55.850 GETTING ANY SOUND BUT AS LONG AS YOU CAN HEAR ME, WE ARE GOOD. 1569 01:30:55.883 --> 01:31:00.354 FOR YOUR ROLE, DID YOU DO ANY TYPE OF RESEARCH? 1570 01:31:00.388 --> 01:31:01.322 I DID. 1571 01:31:01.355 --> 01:31:06.260 I'M NOT SURE IF YOU CAN STILL HEAR ME OR NOT. 1572 01:31:06.294 --> 01:31:07.895 THE ROLE REQUIRED LEARNING A LOT OF SKILLS. 1573 01:31:07.929 --> 01:31:10.331 I HAD TO LEARN AMERICAN SIGN LANGUAGE. 1574 01:31:10.364 --> 01:31:15.336 I ALSO HAD TO LEARN HOW TO PLAY THE DRUMS. 1575 01:31:15.369 --> 01:31:19.640 THOSE TWO THINGS WAS A EIGHT AND A HALF MONTH PROCESS, FULL-TIME 1576 01:31:19.674 --> 01:31:22.643 EVERY DAY. 1577 01:31:22.677 --> 01:31:23.811 WEEK IN, WEEK OUT. 1578 01:31:23.845 --> 01:31:26.447 QUITE INTENSE. 1579 01:31:26.481 --> 01:31:28.783 IT WAS SOMETHING I WAS GRATEFUL FOR. 1580 01:31:28.816 --> 01:31:31.986 LEARNING THE DRUMS AND LEARNING SIGN LAY WHICH KIND OF CHANGED 1581 01:31:32.019 --> 01:31:33.521 ME AS A PERFORMER AT A PERSON. 1582 01:31:33.554 --> 01:31:36.257 IT OPENED ME UP IN NEW WAYS. 1583 01:31:36.290 --> 01:31:37.225 Taye: ALL RIGHT. 1584 01:31:37.258 --> 01:31:39.861 YOU WOULD BE PROUD OF MY LIP READING RIGHT NOW. 1585 01:31:39.894 --> 01:31:43.931 I KNOW THAT YOU ARE A RAPPER. 1586 01:31:43.965 --> 01:31:46.334 DID YOU HAVE TO LEARN HOW TO PLAY THE DRUMS? 1587 01:31:46.367 --> 01:31:49.704 HOW DID THAT WORK? 1588 01:31:49.737 --> 01:31:55.510 I DIDN'T KNOW HOW TO PLAY THE DRUMS AT ALL. 1589 01:31:55.543 --> 01:31:58.346 WE DO MAKE MUSIC AND I THOUGHT STUPIDLY IT WOULD MAKE PLAYING 1590 01:31:58.379 --> 01:32:01.315 THE DRUMS EASIER BUT KEEPING RHYTHM IS DIFFERENT TO 1591 01:32:01.349 --> 01:32:04.051 COORDINATION THE KIND OF DRUMMING THAT WE WERE DOING WAS 1592 01:32:04.085 --> 01:32:08.656 A BLAST BEATS, DOUBLE PEDDLING, USE ALL FOUR LIMBS IN DIFFERENT 1593 01:32:08.689 --> 01:32:09.857 RHYTHMS. 1594 01:32:09.891 --> 01:32:14.896 IT'S REALLY, I BLAME OUR AMAZING AND INSANE DIRECTOR WHO SAID 1595 01:32:14.929 --> 01:32:18.699 EVERYTHING IN THIS FILM I WANTED TO BE AS REAL AS POSSIBLE. 1596 01:32:18.733 --> 01:32:21.736 WHEN YOU'RE PLAYING THE DRUMS ON SCREEN, I WANT YOU TO BE REALLY 1597 01:32:21.769 --> 01:32:25.873 PLAYING THE DRUMS IN FRONT OF A REAL AUDIENCE, REAL NIGHTCLUB 1598 01:32:25.907 --> 01:32:27.108 AND A REAL GIG. 1599 01:32:27.141 --> 01:32:31.479 WE HAD TO GO ON THAT JOURNEY OF FORMING A BAND AND REHEARSING 1600 01:32:31.512 --> 01:32:33.614 AND LEARNING THE INSTRUMENTS. 1601 01:32:33.648 --> 01:32:35.449 Taye: ALL RIGHT, KEEP DOING YOUR THING. 1602 01:32:35.483 --> 01:32:38.886 WONDERFUL WORK. 1603 01:32:38.920 --> 01:32:43.124 HER LATEST STAND-UP COMEDY SPECIAL IS CALLED "CHELSEA 1604 01:32:43.157 --> 01:32:43.991 HANDLER: EVOLUTION." 1605 01:32:44.025 --> 01:32:46.294 I'VE LISTENED TO ALL OF HER AUDIOBOOKS. 1606 01:32:46.327 --> 01:32:47.061 I AM A FAN. 1607 01:32:47.094 --> 01:32:50.398 HERE IS CHELSEA HANDLER. 1608 01:32:50.431 --> 01:32:51.566 I AM HERE TO PRESENT THE CRITICS CHOICE FOR BEST TALK 1609 01:32:51.599 --> 01:32:52.800 SHOW. 1610 01:32:52.833 --> 01:32:54.602 AND, I HAVE TO SAY, THIS TALK SHOW FORMAT REALLY HAS EXPANDED 1611 01:32:54.635 --> 01:32:57.572 SINCE I WAS HOSTING MY FIRST SHOW. 1612 01:32:57.605 --> 01:33:00.641 BACK THEN, I WAS THE ONLY WOMAN IN LATE NIGHT. 1613 01:33:00.675 --> 01:33:03.544 IT WAS MOSTLY MIDDLE-AGED WHITE DUDES NAMED JIMMY. 1614 01:33:03.578 --> 01:33:07.882 NOW, HALF THE NOMINEES IN THIS CATEGORY ARE WOMEN AND TWO SHOWS 1615 01:33:07.915 --> 01:33:10.885 FEATURE PEOPLE OF COLOR. 1616 01:33:10.918 --> 01:33:12.753 AND GUESS WHAT? 1617 01:33:12.787 --> 01:33:18.426 BOTH THE JIMMYS ARE STILL HERE, WHICH GOES TO 1618 01:33:18.459 --> 01:33:20.661 SHOW YOU THAT WHEN YOU MAKE ROOM FOR WOMEN AND FOR PEOPLE OF 1619 01:33:20.695 --> 01:33:23.331 COLOR, NO WHITE MEN HAVE TO GIVE UP ANYTHING. 1620 01:33:23.364 --> 01:33:27.268 THERE IS ROOM FOR EVERYONE WHEN OPPORTUNITY IS GIVEN 1621 01:33:27.301 --> 01:33:29.270 TO EVERYONE. 1622 01:33:29.303 --> 01:33:46.821 AND HERE ARE THE NOMINEES FOR BEST TALK SHOW. 1623 01:33:46.854 --> 01:33:49.957 SENATE MAJORITY LEADER MITCH McCONNELL'S HOME IN 1624 01:33:49.991 --> 01:33:51.726 LOUISVILLE, KENTUCKY, WAS VANDALIZED OVER THE WEEKEND ON 1625 01:33:51.759 --> 01:33:54.829 THE WHOLE INCIDENT HAS McCONNELL QUESTIONING WHETHER 1626 01:33:54.862 --> 01:33:58.132 AMERICA IS EVEN WORTH DESTROYING DESTROYING. 1627 01:33:58.165 --> 01:34:04.538 LET ME JUST SAY THAT I SAW SOME OF THE FOOTAGE OF Y'ALL 1628 01:34:04.572 --> 01:34:05.172 WITH BOOKER. 1629 01:34:05.206 --> 01:34:12.279 BEFORE YOU SAY ANYTHING. 1630 01:34:12.313 --> 01:34:13.447 QUIT. 1631 01:34:13.481 --> 01:34:15.449 DON'T DO THAT. 1632 01:34:15.483 --> 01:34:18.319 I HAVE TO DO IT. 1633 01:34:18.352 --> 01:34:24.558 I CAN'T BELIEVE MY LIFE! 1634 01:34:24.592 --> 01:34:28.696 THE STATE FLIP TO SENATE STATE BLUE WITH THE ELECTION OF 1635 01:34:28.729 --> 01:34:30.031 FORMER ASTRONAUT MARK KELLY. 1636 01:34:30.064 --> 01:34:33.534 A MAN FROM SPACE CAME DOWN AND SAVED US. 1637 01:34:33.567 --> 01:34:37.638 THAT IS THE PREMISE OF SUPERMAN. 1638 01:34:37.672 --> 01:34:41.575 ONE OF MY FRIENDS SAID IT'S A SHAME YOU'RE NOT GOING TO EVER 1639 01:34:41.609 --> 01:34:44.145 BE ABLE TO MARRY AN NBA OR AN ATHLETE BECAUSE THEY'RE NOT 1640 01:34:44.178 --> 01:34:49.917 GOING TO BE ABLE TO SEE YOU BECAUSE YOU ARE SO DARK. 1641 01:34:49.950 --> 01:34:55.056 FOR ELECTORAL VOTE PURPOSES I'VE FOURTH WITH HERE FOR 1642 01:34:55.089 --> 01:35:00.327 HEATHER TWO AND TWO-BY-FOUR CALL THE LAST CHOCOLATE DOUGHNUT. 1643 01:35:00.361 --> 01:35:05.900 AND THE CRITICS CHOICE IS... 1644 01:35:05.933 --> 01:35:09.737 "LATE NIGHT WITH SETH MEYERS." 1645 01:35:09.770 --> 01:35:12.139 [LAUGHS] WOW, THANK YOU. 1646 01:35:12.173 --> 01:35:15.776 I WANT TO THANK OUR WRITERS, OUR CREW, INCREDIBLE PRODUCERS. 1647 01:35:15.810 --> 01:35:20.448 I WANT TO THANK THE CRITICS FOR NOT JUST FOR THE HONOR BUT FOR 1648 01:35:20.481 --> 01:35:23.718 POINTING EVERYONE TOWARDS GREAT TV AND FILM IN THE YEAR WHERE WE 1649 01:35:23.751 --> 01:35:26.854 ALL SO DESPERATELY NEEDED TO FIND STUFF TO WATCH. 1650 01:35:26.887 --> 01:35:30.024 I AM VERY EXCITED THAT THIS ISN'T LIVE. 1651 01:35:30.057 --> 01:35:34.061 I HAVE MY PARENTS RIGHT NEXT TO ME WHICH I WOULDN'T HAVE 1652 01:35:34.095 --> 01:35:35.029 OTHERWISE. 1653 01:35:35.062 --> 01:35:35.529 BOTH FRESHLY VACCINATED. 1654 01:35:35.563 --> 01:35:39.700 SHOUT OUT, MODERNA. 1655 01:35:39.734 --> 01:35:43.304 IT'S FITTING BECAUSE MY MOM AND MY DAD WERE MY EARLIEST CRITICS. 1656 01:35:43.337 --> 01:35:44.505 THAT'S HALF TRUE. 1657 01:35:44.538 --> 01:35:46.273 MY DAD IS A CRITIC. 1658 01:35:46.307 --> 01:35:47.475 MY MOM IS VERY SUPPORTIVE. 1659 01:35:47.508 --> 01:35:48.709 SHE IS LIKE AN AGENT. 1660 01:35:48.743 --> 01:35:52.079 ALL SHE EVER TELLS ME IS THAT I'M CRUSHING IT AND SHE'S TAKING 1661 01:35:52.113 --> 01:35:56.984 10% OF EVERYTHING I'VE EVER MADE MADE. 1662 01:35:57.017 --> 01:36:00.855 [LAUGHTER] GOOD JOB. 1663 01:36:00.888 --> 01:36:03.124 THEY DON'T HAVE A TV BACKGROUND. 1664 01:36:03.157 --> 01:36:06.827 THANK YOU SO MUCH. 1665 01:36:06.861 --> 01:36:09.797 REALLY FLATTERED AND HONORED. 1666 01:36:09.830 --> 01:36:12.133 [LAUGHTER] IF YOU ARE A FAN OF 1667 01:36:12.166 --> 01:36:13.734 "BRIDGERTON," YOU'LL KNOW SHE PLAYED DAPHNE BRIDGERTON IN THE 1668 01:36:13.768 --> 01:36:16.670 WORLD-WIDE HIT. 1669 01:36:16.704 --> 01:36:18.005 HI FROM LONDON. 1670 01:36:18.038 --> 01:36:19.173 I'M PHOEBE DYNEVOR. 1671 01:36:19.206 --> 01:36:21.408 AND I'M HERE TO PRESENT THE AWARD FOR BEST LIMITED SERIES. 1672 01:36:21.442 --> 01:36:23.911 WHICH AS THESE NOMINEES WILL SHOW, ARE ANYTHING BUT LIMITED 1673 01:36:23.944 --> 01:36:27.748 IN TERMS OF THEIR TALENT, CREATIVITY, PRODUCTION VALUE AND 1674 01:36:27.782 --> 01:36:30.050 EVEN THEIR SUBJECT MATTER. 1675 01:36:30.084 --> 01:37:00.147 HERE IS THE CLASS OF 2020. 1676 01:37:08.455 --> 01:37:12.393 AND THE CRITICS CHOICE IS... 1677 01:37:12.426 --> 01:37:21.735 "THE QUEEN'S GAMBIT." 1678 01:37:21.769 --> 01:37:23.037 WOW. 1679 01:37:23.070 --> 01:37:23.537 WOW. 1680 01:37:23.571 --> 01:37:26.307 THANK YOU VERY MUCH. 1681 01:37:26.340 --> 01:37:29.276 TO THE CRITICS CHOICE ASSOCIATION. 1682 01:37:29.310 --> 01:37:33.647 MY NEW FAVORITE GROUP OF CRITICS CRITICS. 1683 01:37:33.681 --> 01:37:40.888 ALSO THANK YOU VERY MUCH TO MY PARTNERS AT NETFLIX, CINDY 1684 01:37:40.921 --> 01:37:47.294 HOLLINS, GULLIBLE ENOUGH TO BELIEVE IT WHEN I TOLD HER 1685 01:37:47.328 --> 01:37:49.730 PEOPLE WOULD WANT TO WATCH CHEST. 1686 01:37:49.763 --> 01:37:53.500 TO MY FELLOW PRODUCER WHO TOOK SUCH CARE OF THE RIGHTS FOR 1687 01:37:53.534 --> 01:37:57.671 THOSE YEARS AND TRUSTED ME WITH SHOW. 1688 01:37:57.705 --> 01:38:01.542 INTO MY OLD FRIEND AND PRODUCING PARTNER, BILL, FOR REALLY 1689 01:38:01.575 --> 01:38:06.881 PROTECTING ME FROM MYSELF. 1690 01:38:06.914 --> 01:38:10.184 I THINK IF THIS SHOW WORKED AT ALL, THERE WERE A COUPLE 1691 01:38:10.217 --> 01:38:11.085 REASONS. 1692 01:38:11.118 --> 01:38:15.489 ONE WAS THE GREAT NOVEL WHICH WAS AMAZING. 1693 01:38:15.522 --> 01:38:19.927 A HUGE GIFT FOR ME TO USE THEM TO WORK FROM. 1694 01:38:19.960 --> 01:38:23.530 I'M INCREDIBLY GRATEFUL THAT I HAD A CHANCE TO TURN IT INTO A 1695 01:38:23.564 --> 01:38:24.598 FILM. 1696 01:38:24.632 --> 01:38:27.334 I HOPE HE'S HAPPY, WHEREVER HE IS. 1697 01:38:27.368 --> 01:38:30.304 IT WAS A REAL HONOR TO BE ABLE TO DO THAT. 1698 01:38:30.337 --> 01:38:34.241 AND FINALLY, I DON'T THINK THE SHOW WOULD'VE WORKED NEARLY 1699 01:38:34.275 --> 01:38:41.882 NEARLY AS WELL WITHOUT ANYA TAYLOR-JOY, WHO OWNED EVERY 1700 01:38:41.916 --> 01:38:46.287 FRAME OF THE SHOW AND HAS A FACE THAT LAUNCHED A MILLION NEW 1701 01:38:46.320 --> 01:38:47.087 CHESS PLAYERS. 1702 01:38:47.121 --> 01:38:50.424 THANK YOU, THANK YOU. 1703 01:38:50.457 --> 01:38:52.626 THANK YOU TO THE CRITICS CHOICE. 1704 01:38:52.660 --> 01:38:53.894 THANK YOU. 1705 01:38:53.928 --> 01:38:55.362 HERE IS THE FINAL NOMINEE FOR BEST SONG. 1706 01:38:55.396 --> 01:38:56.330 IT'S FROM LEE DANIEL'S "THE UNITED STATES VS. 1707 01:38:56.363 --> 01:38:57.431 BILLIE HOLIDAY." 1708 01:38:57.464 --> 01:38:59.233 THE SONG IS "TIGRESS AND TWEED." 1709 01:38:59.266 --> 01:39:02.136 WRITTEN BY RAPHAEL SAADIQ AND BEST ACTRESS NOMINEE 1710 01:39:02.169 --> 01:39:14.882 ANDRA DAY WHO ALSO PERFORMS IT. 1711 01:39:14.915 --> 01:39:16.750 ♪ ALWAYS PRESSIN' THAT LIN? ♪ ♪ SO FULL OF LOVE AND LIGHT ♪ 1712 01:39:16.784 --> 01:39:20.688 ♪ THE TRUTH IS BLACK AND WHITE ♪ ♪ SAY A PRAYER FOR ME 1713 01:39:20.721 --> 01:39:24.124 AH-AAH ♪ ♪ 'CAUSE I DON'T GET NO SLEEP 1714 01:39:24.158 --> 01:39:33.600 AH, AH-AAH ♪ ♪ SAY A PRAYER FOR ME 1715 01:39:33.634 --> 01:39:37.304 Announcer: NEXT JOHN DAVID WASHINGTON PRESENTS THE SEEHER 1716 01:39:37.338 --> 01:39:40.841 AWARD TO HIS "MALCOM AND MARIE" 1717 01:39:40.874 --> 01:39:41.775 CO-STAR, BEST ACTRESS NOMINEE, ZENDAYA. 1718 01:39:41.809 --> 01:39:48.182 WHEN THE 26TH CRITICS CHOICE AWARDS RETURNS. 1719 01:40:00.861 --> 01:40:02.730 Taye: AS YOU'VE SEEN THROUGHOUT THE EVENING, 1720 01:40:02.763 --> 01:40:05.799 THE CRITICS ASSOCIATION HAS TEAMED UP WITH SEE HER TO 1721 01:40:05.833 --> 01:40:08.869 RECOGNIZE WOMEN WHO HAVE PLAYED A POWERFUL ROLE ON AND OFF 1722 01:40:08.902 --> 01:40:12.806 SCREEN IN ADVANCING GENDER EQUALITY IN ENTERTAINMENT. 1723 01:40:12.840 --> 01:40:16.443 OUR PREVIOUS HONOREES HAVE BEEN VIOLA DAVIS, GAL GADOT, 1724 01:40:16.477 --> 01:40:17.845 CLAIRE FOY AND KRISTEN BELL. 1725 01:40:17.878 --> 01:40:19.813 ALL AMAZING WOMEN. 1726 01:40:19.847 --> 01:40:23.217 TO TELL US ABOUT THIS YEAR'S HONOREE, ZENDAYA, 1727 01:40:23.250 --> 01:40:24.985 IS THE STAR OF "BLACKKKLANSMAN," "TENET," AND "MALCOLM AND 1728 01:40:25.019 --> 01:40:26.487 MARIE." 1729 01:40:26.520 --> 01:40:32.159 JOHN DAVID WASHINGTON. 1730 01:40:32.192 --> 01:40:36.530 IN HER YOUNG TEENS, SHE WAS A DISNEY STAR. 1731 01:40:36.563 --> 01:40:39.900 BY HER 20s SHE WAS A MEMBER OF THE MARVEL CINEMATIC UNIVERSE 1732 01:40:39.933 --> 01:40:42.302 THAT IS FILMING HER THIRD SPIDER-MAN MOVIE. 1733 01:40:42.336 --> 01:40:47.041 ALONG THE WAY, ZENDAYA BECAME A FASHION ICON AND THE YOUNGEST 1734 01:40:47.074 --> 01:40:52.012 WOMAN TO END LEAD ACTRESS EMMY. 1735 01:40:52.046 --> 01:40:58.519 DURING OUR MOVIE "MALCOLM & MARIE," WHAT STOOD OUT TO ME THE 1736 01:40:58.552 --> 01:41:02.956 MOST BEYOND HER INCREDIBLE TALENT WITH HER WISDOM AND HER 1737 01:41:02.990 --> 01:41:04.124 DISCERNMENT. 1738 01:41:04.158 --> 01:41:08.896 AT 24 YEARS OLD, ZENDAYA IS ALREADY A FORMIDABLE ACTOR BUT 1739 01:41:08.929 --> 01:41:12.566 SHE IS ALSO A FORMIDABLE FORCE FOR GOOD, FEARLESSLY USING HER 1740 01:41:12.599 --> 01:41:18.338 VOICE AND PLATFORM TO PUSH FOR CHANGE, INSPIRING HER INSTAGRAM 1741 01:41:18.372 --> 01:41:19.573 FOLLOWERS. 1742 01:41:19.606 --> 01:41:22.376 SHE BELIEVES HER GENERATION HAS THE OPPORTUNITY TO CHANGE THE 1743 01:41:22.409 --> 01:41:24.545 WORLD. 1744 01:41:24.578 --> 01:41:28.916 ZENDAYA, ICU. 1745 01:41:28.949 --> 01:41:31.385 I SEE YOU. 1746 01:41:31.418 --> 01:41:36.323 OPEN THE DOOR, OPEN THE DOOR, OPEN THE DOOR. 1747 01:41:36.356 --> 01:41:38.859 MEDIA IS A MIRROR TO THE WORLD. 1748 01:41:38.892 --> 01:41:41.795 HAS THE POWER TO IMPACT CHANGE, INFLUENCE CULTURE AND REFLECT 1749 01:41:41.829 --> 01:41:44.865 HOW WOMEN AND GIRLS SEE THEMSELVES. 1750 01:41:44.898 --> 01:41:46.200 COME ON. 1751 01:41:46.233 --> 01:41:49.303 LIFE IS ABOUT FINDING EXCITEMENT AND HAVING ADVENTURE. 1752 01:41:49.336 --> 01:41:52.573 MEDIA CAN INSPIRE OUR WORLD BECAUSE WHEN SHE CAN SEE HER, 1753 01:41:52.606 --> 01:41:55.609 SHE CAN BE HER. 1754 01:41:55.642 --> 01:42:00.547 LED BY THE ASSOCIATION OF NATIONAL ADVERTISERS, SEE HER IS 1755 01:42:00.581 --> 01:42:03.717 THE LARGEST GLOBAL MOVEMENT FOR GENDER EQUALITY WITH THE MISSION 1756 01:42:03.750 --> 01:42:07.654 TO ACCURATELY PORTRAY ALL WOMEN AND GIRLS IN MEDIA AND 1757 01:42:07.688 --> 01:42:11.725 ENTERTAINMENT SO THEY SEE THEMSELVES AS THEY TRULY ARE AND 1758 01:42:11.758 --> 01:42:12.960 ALL THEIR POTENTIAL. 1759 01:42:12.993 --> 01:42:15.429 I BELIEVE THE PRIVILEGE OF A LIFETIME IS BEING WHO YOU ARE. 1760 01:42:15.462 --> 01:42:21.135 IT WAS CLEAR TO ME THAT I WANTED TO PORTRAY A STRONG AND 1761 01:42:21.168 --> 01:42:22.269 INDEPENDENT WOMAN. 1762 01:42:22.302 --> 01:42:25.506 OUR JOB IS TO QUESTION OURSELVES, WHAT WE DETECT, HOW 1763 01:42:25.539 --> 01:42:28.976 WE DEPICT THEM AND HOW WE WANT PEOPLE TO SEE THEMSELVES. 1764 01:42:29.009 --> 01:42:33.313 BEING A WOMAN IS NOT ABOUT BEING BRAVE OR STRONG OR 1765 01:42:33.347 --> 01:42:34.481 POWERFUL. 1766 01:42:34.515 --> 01:42:36.216 IT'S ABOUT GIVING YOURSELF PERMISSION TO BE THE THINGS THAT 1767 01:42:36.250 --> 01:42:39.586 YOU ALREADY ARE. 1768 01:42:39.620 --> 01:42:42.756 EACH YEAR THE CRITICS CHOICE AWARDS, SEE HER RECOGNIZES ONE 1769 01:42:42.789 --> 01:42:44.892 WOMAN WHO EMBODIES THE VALUES OF THE MOVEMENT. 1770 01:42:44.925 --> 01:42:48.762 I THINK IF YOU BELIEVE IN YOURSELF, YOU CAN HAVE IT ALL. 1771 01:42:48.795 --> 01:42:53.700 TO PUSH BOUNDARIES, DEFIES STEREOTYPES, AND ELEVATE THE 1772 01:42:53.734 --> 01:42:56.737 IMPORTANCE OF AUTHENTIC PORTRAYALS. 1773 01:42:56.770 --> 01:42:58.071 ON AND OFF SCREEN. 1774 01:42:58.105 --> 01:43:01.475 USING HER VOICE AND PLATFORM TO INSPIRE OTHERS. 1775 01:43:01.508 --> 01:43:03.810 YOU HAVE TO GO AGAINST THE GRAIN AND MAKE PEOPLE ANGRY AND 1776 01:43:03.844 --> 01:43:07.347 MAD BECAUSE THEY DON'T AGREE WITH YOU YET. 1777 01:43:07.381 --> 01:43:08.782 THAT'S THE WHOLE PART. 1778 01:43:08.815 --> 01:43:09.917 THAT'S PART OF THE PROCESS. 1779 01:43:09.950 --> 01:43:11.185 WHAT DO YOU WANT? 1780 01:43:11.218 --> 01:43:12.119 REALLY. 1781 01:43:12.152 --> 01:43:14.555 DO YOU WANT TO GO THERE? 1782 01:43:14.588 --> 01:43:15.455 YES. 1783 01:43:15.489 --> 01:43:18.225 THIS YEAR'S SEE HER HONOREE IS ZENDAYA. 1784 01:43:18.258 --> 01:43:20.160 LOOK AT ME. 1785 01:43:20.194 --> 01:43:21.962 I'M THE LAST PERSON STANDING. 1786 01:43:21.995 --> 01:43:25.732 HOLD ON TO ME FOR NEAR LIFE. 1787 01:43:25.766 --> 01:43:29.536 IT'S MY GREAT PLEASURE TO PRESENT THE 2021 SEEHER AWARD TO 1788 01:43:29.570 --> 01:43:36.610 SOMEONE WHO IS ON-SCREEN AND OFF CHANGING THE WORLD FOR THE 1789 01:43:36.643 --> 01:43:36.910 BETTER. 1790 01:43:36.944 --> 01:43:38.178 ZENDAYA. 1791 01:43:38.212 --> 01:43:41.048 I'M GOING TO START BY SAYING THANK YOU SO MUCH TO JOHN DAVID 1792 01:43:41.081 --> 01:43:42.282 WASHINGTON. 1793 01:43:42.316 --> 01:43:46.987 INCREDIBLY LUCKY TO HAVE YOU AS A FRIEND AND A SCENE PARTNER. 1794 01:43:47.020 --> 01:43:49.056 THANK YOU TO THE CRITICS CHOICE ASSOCIATION FOR THIS INCREDIBLE 1795 01:43:49.089 --> 01:43:52.226 HONOR AND SEE HER. 1796 01:43:52.259 --> 01:43:54.194 THIS MEANS SO MUCH TO ME. 1797 01:43:54.228 --> 01:43:57.798 I WAS THINKING OF THINGS TO SAY, THE ONLY REAL THING I CAN THINK 1798 01:43:57.831 --> 01:44:01.535 OF IS GRATITUDE. 1799 01:44:01.568 --> 01:44:03.637 THIS WORD KEEPS COMING TO MY MIND, ESPECIALLY WITH THE YEAR 1800 01:44:03.670 --> 01:44:07.007 THAT EVERYONE HAS HAD. 1801 01:44:07.040 --> 01:44:10.277 TO CONTINUE TO BE GRATEFUL FOR EVERY SINGLE MOMENT BIG AND 1802 01:44:10.310 --> 01:44:11.511 SMALL. 1803 01:44:11.545 --> 01:44:16.516 TO BE GRATEFUL FOR THE PEOPLE IN OUR WORLD AND IN OUR LIFE THAT 1804 01:44:16.550 --> 01:44:20.320 MAKE THE WORK WE DO POSSIBLE, TO CONTINUE TO MAKE SURE WE HOLD ON 1805 01:44:20.354 --> 01:44:22.656 TO OUR LOVED ONES A LITTLE BIT TIGHTER. 1806 01:44:22.689 --> 01:44:24.091 MAKE SURE WE CALL THEM, ACKNOWLEDGE THEM AND TELL THEM 1807 01:44:24.124 --> 01:44:28.128 WE LOVE THEM. 1808 01:44:28.161 --> 01:44:32.032 AND TAKEN MOMENTS LIKE THIS AND I ABSOLUTELY WOULD NOT BE HERE 1809 01:44:32.065 --> 01:44:34.668 IF IT WEREN'T FOR THE INCREDIBLE WOMEN THAT HAVE PAVED THE WAY 1810 01:44:34.701 --> 01:44:38.939 FOR ME TO BE HERE. 1811 01:44:38.972 --> 01:44:42.309 EXTREMELY GRATEFUL FOR THOSE WOMEN. 1812 01:44:42.342 --> 01:44:45.746 YES, THIS IS VERY, VERY SPECIAL. 1813 01:44:45.779 --> 01:44:48.415 THANK YOU SO, SO MUCH. 1814 01:44:48.448 --> 01:44:52.586 NOT TO OVERUSE THE WORD BUT I'M INCREDIBLY GRATEFUL FOR THIS 1815 01:44:52.619 --> 01:44:53.620 MOMENT. 1816 01:44:53.654 --> 01:44:56.156 Announcer: OTHER CRITICS' CHOICE AWARDS IN THE 1817 01:44:56.189 --> 01:45:00.994 SERIES AND STREAMING CATEGORIES TONIGHT INCLUDE BEST MOVIE MADE 1818 01:45:01.028 --> 01:45:03.330 FOR TELEVISION. 1819 01:45:03.363 --> 01:45:04.498 "HAMILTON." 1820 01:45:04.531 --> 01:45:07.200 AND BEST SHORT FORM SERIES. 1821 01:45:07.234 --> 01:45:12.773 "BETTER CALL SAUL." 1822 01:45:12.806 --> 01:45:17.144 ETHICS TRAINING WITH KIM WEXLER. 1823 01:45:17.177 --> 01:45:20.781 COMING UP, GAL GADOT AND CHRIS HEMSWORTH. 1824 01:45:20.814 --> 01:45:26.219 HI, I AM EVA LONGORIA PRESENTING THE CRITICS CHOICE 1825 01:45:26.253 --> 01:45:30.457 AWARD FOR BEST DIRECTOR NEXT. 1826 01:45:30.490 --> 01:45:35.462 Announcer: HERE ON THE 26TH ANNUAL CRITICS CHOICE AWARDS. 1827 01:45:43.537 --> 01:45:44.538 Announcer: WELCOME BACK TO THE 26TH CRITICS 1828 01:45:44.571 --> 01:45:49.042 CHOICE AWARDS. 1829 01:45:49.076 --> 01:45:51.078 Taye: ONCE AGAIN, HERE'S EMMY, GRAMMY AND TONY 1830 01:45:51.111 --> 01:45:55.982 WINNER LIN-MANUEL MIRANDA. 1831 01:45:56.016 --> 01:45:58.685 ALL NIGHT LONG WE'VE BEEN TREATED TO THE AMAZING NOMINEES 1832 01:45:58.719 --> 01:46:01.888 FOR BEST SONG, BUT THAT'S NO WAY TO TRULY JUDGE THEM. 1833 01:46:01.922 --> 01:46:04.224 IN ORDER TO HELP ALL YOU CRITICS OUT THERE, YOU NEED TO HEAR THEM 1834 01:46:04.257 --> 01:46:07.227 AS THEY WERE ORIGINALLY INTENDED BY THEIR COMPOSERS SUNG BY 1835 01:46:07.260 --> 01:46:09.930 YOURS TRULY, LIN-MANUEL MIRANDA. 1836 01:46:09.963 --> 01:46:12.132 ♪ ONE NIGHT IN ♪ OH, THAT'S NOT 1837 01:46:12.165 --> 01:46:14.134 WHAT WE -- OKAY BUT I LEARNED THE WORDS 1838 01:46:14.167 --> 01:46:15.569 SO... 1839 01:46:15.602 --> 01:46:16.470 OH, THEY ALREADY VOTED? 1840 01:46:16.503 --> 01:46:22.476 OKAY, SO YOUR NOMINEES FOR BEST SONG ARE... 1841 01:46:22.509 --> 01:46:24.945 "HUSAVIK (MY HOME TOWN)" FROM EUROVISION SONG CONTEST: 1842 01:46:24.978 --> 01:46:26.446 THE STORY OF FIRE SAGA "FIGHT FOR YOU" FROM JUDAS AND 1843 01:46:26.480 --> 01:46:30.350 THE BLACK MESSIAH "EVERYBODY CRIES" 1844 01:46:30.384 --> 01:46:31.752 FROM THE OUTPOST. 1845 01:46:31.785 --> 01:46:35.322 "IO SI (SEEN)" FROM THE LIFE AHEAD. 1846 01:46:35.355 --> 01:46:37.824 "SPEAK NOW" FROM ONE NIGHT IN MIAMI. 1847 01:46:37.858 --> 01:46:41.328 "TIGRESS & TWEED" FROM THE UNITED STATES VS. BILLIE 1848 01:46:41.361 --> 01:46:43.096 HOLIDAY. 1849 01:46:43.130 --> 01:46:48.435 AND THE CRITICS CHOICE IS... 1850 01:46:48.468 --> 01:46:53.907 "SPEAK NOW" "ONE NIGHT IN MIAMI." 1851 01:46:53.940 --> 01:47:01.681 MY COLLABORATOR, SAM ASHWORTH AND I WOULD LIKE TO THANK THE 1852 01:47:01.715 --> 01:47:05.118 CRITICS CHOICE ASSOCIATION FOR HONORING THE SONG IN THIS WAY. 1853 01:47:05.152 --> 01:47:11.625 WE WANT TO THANK REGINA KING FOR THE OPPORTUNITY OF. 1854 01:47:11.658 --> 01:47:15.996 THE SCREENING FROM OTHER AREAS OF THE HOUSE. 1855 01:47:16.029 --> 01:47:19.633 TO GET TO UNDERSCORING AND PUNCTUATE THE THEMES IN THIS 1856 01:47:19.666 --> 01:47:23.003 FILM THAT THE WORLD TO US. 1857 01:47:23.036 --> 01:47:24.971 REGINA'S BEAUTIFUL MOVIE. 1858 01:47:25.005 --> 01:47:26.940 THANK YOU, AMAZON FOR THE SUPPORT OF THE SONG. 1859 01:47:26.973 --> 01:47:31.011 THANK YOU TO THE ORIGINAL PRODUCERS IN LAST BUT NOT LEAST, 1860 01:47:31.044 --> 01:47:36.450 THANK YOU SAM COOKE FOR THE LEGACY AND FOR LEAVING US SUCH 1861 01:47:36.483 --> 01:47:39.386 POTENT WORDS TO BE SO INSPIRED BY AND MELODIES. 1862 01:47:39.419 --> 01:47:41.254 WE ARE VERY HUMBLE TONIGHT. 1863 01:47:41.288 --> 01:47:45.292 THANK YOU SO MUCH. 1864 01:47:45.325 --> 01:47:47.861 Announcer: SHE'S A TERRIFIC ACTRESS WHO HAS ALSO BECOME 1865 01:47:47.894 --> 01:47:48.862 A SUCCESSFUL TELEVISION DIRECTOR. 1866 01:47:48.895 --> 01:47:50.063 HERE IS EVA LONGORIA! 1867 01:47:50.096 --> 01:47:51.364 PRESENTING THE CRITICS CHOICE AWARD FOR BEST DIRECTOR THIS 1868 01:47:51.398 --> 01:47:53.767 YEAR IS A HUGE HONOR FOR ME, BECAUSE IT'S PERSONALLY VERY 1869 01:47:53.800 --> 01:47:56.837 ENCOURAGING THAT THREE WOMEN HAVE BEEN RECOGNIZED FOR THEIR 1870 01:47:56.870 --> 01:47:58.872 WORK AS DIRECTORS. 1871 01:47:58.905 --> 01:48:00.006 HERE ARE ALL OF THE NOMINEES. 1872 01:48:00.040 --> 01:48:28.301 HERE ARE ALL OF THE NOMINEES. 1873 01:48:28.335 --> 01:48:35.075 AND THE CRITICS CHOICE IS... 1874 01:48:35.108 --> 01:48:43.517 CHOE ZHAO, "NOMADLAND." 1875 01:48:43.550 --> 01:48:46.720 THANK YOU VERY MUCH, CRITICS CHOICE. 1876 01:48:46.753 --> 01:48:52.058 I WOULD LIKE TO DEDICATE THIS AWARD TO MICHAEL WOLF SNYDER WHO 1877 01:48:52.092 --> 01:49:00.166 WAS THE PRODUCTION MIXER ON "NOMADLAND." 1878 01:49:00.200 --> 01:49:02.235 SADLY HE JUST PASSED AWAY. 1879 01:49:02.269 --> 01:49:06.072 I REMEMBER WE ONLY HAD FIVE PEOPLE ON THE CREW, A HECTIC 1880 01:49:06.106 --> 01:49:11.878 DAY, HE CAME TO ME AND SAID HEY, HOW ABOUT I RECORD TONE A LITTLE 1881 01:49:11.912 --> 01:49:15.682 BIT LONGER THAN I NEED SO I CAN BUY MAKE YOU SOME TIME TO THINK 1882 01:49:15.715 --> 01:49:16.383 AND HEAR YOURSELF BETTER. 1883 01:49:16.416 --> 01:49:20.620 THAT'S WHAT WE DID. 1884 01:49:20.654 --> 01:49:23.423 WE DO THE SAME THING ON "NOMADLAND." 1885 01:49:23.456 --> 01:49:29.596 THESE WERE THE BEST MOMENTS, BEST MOMENTS OF OUR DAY. 1886 01:49:29.629 --> 01:49:32.632 THE WHOLE CREW TOGETHER WATCHING WOLF AND HE WOULD SAY ALL RIGHT, 1887 01:49:32.666 --> 01:49:35.268 EVERYONE GET READY. 1888 01:49:35.302 --> 01:49:40.640 LET'S GO TO YOUR ZEN PLACE AND WE DID. 1889 01:49:40.674 --> 01:49:41.141 THANK YOU, WOLF. 1890 01:49:41.174 --> 01:49:43.610 WE HONOR YOU. 1891 01:49:43.643 --> 01:49:48.882 WE WILL SEE YOU DOWN THE ROAD, MY FRIEND. 1892 01:49:48.915 --> 01:49:50.417 THANK YOU. 1893 01:49:50.450 --> 01:49:53.453 Taye: OTHER CRITICS' CHOICE AWARDS IN THE FILM CATEGORIES 1894 01:49:53.486 --> 01:49:57.424 TONIGHT INCLUDE BEST CINEMATOGRAPHY. 1895 01:49:57.457 --> 01:50:00.627 JOSHUA JAMES RICHARDS. 1896 01:50:00.660 --> 01:50:01.161 "NOMADLAND." 1897 01:50:01.194 --> 01:50:02.028 BEST EDITING. 1898 01:50:02.062 --> 01:50:04.898 IT IS A TITHE. 1899 01:50:04.931 --> 01:50:10.203 ALAN BAUMGARTEN, "THE TRIAL OF THE CHICAGO SEVEN TRAN." 1900 01:50:10.236 --> 01:50:14.274 AND "SOUND OF METAL. 1901 01:50:14.307 --> 01:50:22.015 BEST VISUAL EFFECTS, TENANT. 1902 01:50:22.048 --> 01:50:24.217 "MANK." 1903 01:50:24.250 --> 01:50:27.587 BEST HAIR AND MAKEUP, "MA RAINEY'S BLACK BOTTOM." 1904 01:50:27.621 --> 01:50:36.129 BEST COSTUME DESIGN, "MA RAINEY'S BLACK BOTTOM. 1905 01:50:36.162 --> 01:50:42.202 STILL TO COME, THE AWARDS FOR BEST ACTRESS, BEST PICTURE, AND. 1906 01:50:42.235 --> 01:50:45.505 I'M CATHERINE ZETA-JONES AND I WILL BE PRESENTING BEST ACTOR. 1907 01:50:45.538 --> 01:50:50.110 COMING UP NEXT. 1908 01:50:50.143 --> 01:50:53.513 Announcer: WHEN THE 26TH CRITICS CHOICE AWARDS CONTINUE 1909 01:51:02.522 --> 01:51:04.257 REPRESENTATION MATTERS. 1910 01:51:04.290 --> 01:51:05.392 MATTERS WHO IS TELLING THE STORY. 1911 01:51:05.425 --> 01:51:11.564 IT MATTERS THAT WE ARE SEEN AS WOMEN, AS PEOPLE OF COLOR. 1912 01:51:11.598 --> 01:51:12.766 OF ALL COMMUNITIES. 1913 01:51:12.799 --> 01:51:22.509 STORYTELLING SHOULD REFLECT LIFE LIFE. 1914 01:51:22.542 --> 01:51:23.543 Taye: WE'RE BACK. 1915 01:51:23.576 --> 01:51:25.011 SHE'S AN OSCAR AND TWO-TIME CRITICS CHOICE WINNER 1916 01:51:25.045 --> 01:51:28.014 WHO CURRENTLY STARS IN THE SERIES "THE PRODIGAL SON," 1917 01:51:28.048 --> 01:51:33.920 HERE'S CATHERINE ZETA-JONES. 1918 01:51:33.953 --> 01:51:36.956 WOULD YOU BELIEVE THAT THE EIGHT NOMINEES FOR BEST ACTOR 1919 01:51:36.990 --> 01:51:40.260 THIS YEAR HAVE WON A COMBINED 5,000 AWARDS IN 1920 01:51:40.293 --> 01:51:42.195 THE PAST FIVE YEARS? 1921 01:51:42.228 --> 01:51:46.666 NOW, I DON'T KNOW WHETHER IT'S TRUE, BUT THE FACT THAT 1922 01:51:46.700 --> 01:51:49.302 IT'S BELIEVABLE IS A TESTAMENT TO WHAT AN AMAZING BUNCH 1923 01:51:49.335 --> 01:51:52.439 THEY ARE. 1924 01:51:52.472 --> 01:52:06.920 LET'S TAKE A LOOK AT THESE AMAZING ACTORS' WORK. 1925 01:52:06.953 --> 01:52:09.856 YOU DON'T KNEW NOTHING ABOUT ME. 1926 01:52:09.889 --> 01:52:13.593 YOU DON'T KNOW NOTHING ABOUT WHAT KIND OF BLOOD I'VE GOT, 1927 01:52:13.626 --> 01:52:16.329 WHAT UP HEART I'VE GOT. 1928 01:52:16.362 --> 01:52:20.900 YOU'RE LEAVING ME, IS THAT IT IT? 1929 01:52:20.934 --> 01:52:31.644 YOU'RE ABANDONING ME. 1930 01:52:31.678 --> 01:52:37.717 TAKE THE SHOT. 1931 01:52:37.751 --> 01:52:49.129 I WILL CHOOSE WHEN AND HOW I DIE. 1932 01:52:49.162 --> 01:52:53.166 HOW CAN I PUT THIS? 1933 01:52:53.199 --> 01:53:13.753 I MAY BE A LOOSE CANNON BUT YOU, MY FRIEND, ARE AN OUTSIDER. 1934 01:53:13.787 --> 01:53:17.123 IF I DISAPPEAR, WHO CARES. 1935 01:53:17.157 --> 01:53:19.659 NOBODY CARES, MAN. 1936 01:53:19.692 --> 01:53:22.729 SERIOUSLY. 1937 01:53:22.762 --> 01:53:26.900 THAT IS COFFEE. 1938 01:53:26.933 --> 01:53:29.736 COFFEE PACKS A PUNCH, DOESN'T IT? 1939 01:53:29.769 --> 01:53:32.172 IT IS AN ACQUIRED TASTE. 1940 01:53:32.205 --> 01:53:35.608 AND THE CRITICS CHOICE IS... 1941 01:53:35.642 --> 01:53:47.287 CHADWICK BOSEMAN, "MA RAINEY'S BLACK BOTTOM." 1942 01:53:47.320 --> 01:53:55.395 YOU KNOW, IT HAS TO BE SAID ALOUD THAT FOR THOSE OF US WHO 1943 01:53:55.428 --> 01:54:00.533 KNOW CHAD INTIMATELY, PERSONALLY, PROFESSIONALLY, 1944 01:54:00.567 --> 01:54:04.237 THOSE HE TAUGHT, THOSE HE GAVE A WORD OF ADVICE, THOSE WHO TAUGHT 1945 01:54:04.270 --> 01:54:10.476 HIM, IT IS SO HARD TO FIND A CELEBRATORY FEELING IN THESE 1946 01:54:10.510 --> 01:54:11.744 MOMENTS. 1947 01:54:11.778 --> 01:54:16.716 AS PROUD AS WE ARE OF HIM, YES, FOR HIS WORK BUT EVEN MORE JUST 1948 01:54:16.749 --> 01:54:21.087 FOR WHO HE IS AS A PERSON. 1949 01:54:21.120 --> 01:54:22.522 HIS WORK DESERVES THIS. 1950 01:54:22.555 --> 01:54:25.291 HIS WORK IN THIS FILM DESERVES THIS. 1951 01:54:25.325 --> 01:54:26.559 HE DESERVES THIS. 1952 01:54:26.593 --> 01:54:30.296 SO HE WOULD ALWAYS THANK GOD FIRST AND FOREMOST AND 1953 01:54:30.330 --> 01:54:31.297 EVERYTHING. 1954 01:54:31.331 --> 01:54:33.800 HE WOULD ALWAYS HONOR HIS MOTHER AND HIS FATHER. 1955 01:54:33.833 --> 01:54:37.270 HE WOULD ALWAYS ACKNOWLEDGE THOSE WHO CAME BEFORE HIM, THOSE 1956 01:54:37.303 --> 01:54:38.738 WHO CHARTED THE PATH. 1957 01:54:38.771 --> 01:54:43.743 THOSE WHO GAVE HIM THEIR GIFTS. 1958 01:54:43.776 --> 01:54:46.880 HE MAY SAY SOMETHING ABOUT THE IMPORTANCE OF THIS STORY, ABOUT 1959 01:54:46.913 --> 01:54:51.951 THE IMPORTANCE OF BLACK VOICES TELLING BLACK STORIES. 1960 01:54:51.985 --> 01:54:55.054 HE MAY TAKE THIS MOMENT TO GIVE HONOR TO AUGUST WILSON, ONE OF 1961 01:54:55.088 --> 01:55:00.693 THE GREATEST PLAYWRIGHTS OF OUR TIME. 1962 01:55:00.727 --> 01:55:07.533 AND I RECENTLY READ, SOCIETIES GREW GREAT WHEN OLD MEN PLANT 1963 01:55:07.567 --> 01:55:12.372 TREES IN WHOSE SHADE THEY KNOW THEY MAY NEVER SIT. 1964 01:55:12.405 --> 01:55:16.576 OUR SOCIETY MAY BE A FAR CRY FROM GREAT BUT I KNOW THAT THE 1965 01:55:16.609 --> 01:55:22.682 SEEDS YOU PLANTED WILL GROW INTO FORESTS AND ONE DAY WE TOO WILL 1966 01:55:22.715 --> 01:55:28.354 BE TALL ENOUGH TO REACH THE HEAVENS. 1967 01:55:28.388 --> 01:55:32.592 THANK YOU, CRITICS CHOICE. 1968 01:55:32.625 --> 01:55:35.261 THANK YOU, CHAD. 1969 01:55:35.295 --> 01:55:39.632 THANK YOU. 1970 01:55:39.666 --> 01:55:46.072 OTHER WINNERS INCLUDE BEST ORIGINAL SCREENPLAY. 1971 01:55:46.105 --> 01:56:05.491 BEST ADAPTED SCREENPLAY. 1972 01:56:05.525 --> 01:56:08.294 Announcer: COMING UP, TWO SUPER HEROES: 1973 01:56:08.328 --> 01:56:11.197 WONDER WOMAN AND THOR. 1974 01:56:11.230 --> 01:56:14.033 BETTER KNOWN AS GAL GADOT. 1975 01:56:14.067 --> 01:56:15.702 I'M CHRIS HEMSWORTH. 1976 01:56:15.735 --> 01:56:18.838 COMING UP NEXT, PRESENTING THE CRITICS CHOICE AWARD FOR BEST 1977 01:56:18.871 --> 01:56:21.040 ACTRESS. 1978 01:56:37.323 --> 01:56:38.091 Taye: AND WE'RE BACK. 1979 01:56:38.124 --> 01:56:39.592 HE'S CURRENTLY IN AUSTRALIA FILMING 1980 01:56:39.625 --> 01:56:42.662 "THOR: LOVE AND THUNDER," HIS EIGHTH MOVIE AS THE 1981 01:56:42.695 --> 01:56:47.433 HAMMER-WIELDING SUPERHERO THOR. 1982 01:56:47.467 --> 01:56:51.437 HERE IS AN EXCEEDINGLY GOOD LOOKING WHITE MAN, 1983 01:56:51.471 --> 01:56:53.840 CHRIS HEMSWORTH. 1984 01:56:53.873 --> 01:56:54.941 HELLO, EVERYONE! 1985 01:56:54.974 --> 01:56:55.775 I AM HONORED TO BE PRESENTING THE CRITICS CHOICE AWARD 1986 01:56:55.808 --> 01:56:57.543 FOR BEST ACTRESS. 1987 01:56:57.577 --> 01:57:00.079 THIS YEAR'S IMPRESSIVE FIELD OF SEVEN NOMINEES RANGES FROM 1988 01:57:00.113 --> 01:57:03.016 SEASONED FILM ICONS TO PROMISING NEWCOMERS. 1989 01:57:03.049 --> 01:57:06.019 EACH OF THEIR PERFORMANCES ARE RICH, COMPLEX, AND BOLD, 1990 01:57:06.052 --> 01:57:07.920 BRINGING THE TRADEMARK STRENGTH WE'VE COME TO EXPECT 1991 01:57:07.954 --> 01:57:08.755 FROM THIS CATEGORY. 1992 01:57:08.788 --> 01:57:22.702 HERE ARE THE NOMINEES. 1993 01:57:22.735 --> 01:57:28.174 MY SONG. 1994 01:57:28.207 --> 01:57:35.948 IT REMINDS THEM THAT THEY ARE KILLING US. 1995 01:57:35.982 --> 01:57:39.986 IF IT'S POSITIVE, IS THERE ANYWAY COULD BE NEGATIVE? 1996 01:57:40.019 --> 01:57:40.987 NO. 1997 01:57:41.020 --> 01:57:46.125 A POSITIVE IS ALWAYS A POSITIVE. 1998 01:57:46.159 --> 01:57:47.760 THAT IS WHAT YOU WANT. 1999 01:57:47.794 --> 01:57:49.495 THAT'S WHAT YOU NEED. 2000 01:57:49.529 --> 01:57:50.396 THAT'S YOUR WAY. 2001 01:57:50.430 --> 01:57:51.164 IT'S NOT MY WAY. 2002 01:57:51.197 --> 01:57:55.535 IT'S WHAT YOU NEED! 2003 01:57:55.568 --> 01:58:01.040 THANK YOU FOR GETTING OVER THIS, FOR MOVING FORWARD. 2004 01:58:01.074 --> 01:58:03.609 FOR BEING YOU. 2005 01:58:03.643 --> 01:58:13.152 THANK YOU FOR ALL THAT I FORGET TO THANK YOU FOR. 2006 01:58:13.186 --> 01:58:14.687 I LIVE IN THERE. 2007 01:58:14.720 --> 01:58:20.827 THAT'S MY HOME. 2008 01:58:20.860 --> 01:58:26.833 THEY DON'T CARE NOTHING ABOUT ME. 2009 01:58:26.866 --> 01:58:33.172 I WANT IS MY VOICE. 2010 01:58:33.206 --> 01:58:34.607 HOW OLD AM I? 2011 01:58:34.640 --> 01:58:39.512 HOW LONG HAVE I LIVED IN THE CITY? 2012 01:58:39.545 --> 01:58:43.082 WHAT'S MY NAME? 2013 01:58:43.116 --> 01:58:45.118 AND THE CRITICS CHOICE IS... 2014 01:58:45.151 --> 01:58:52.125 CAREY MULLIGAN, "PROMISING YOUNG WOMAN." 2015 01:58:52.158 --> 01:58:55.628 OH, MY GOODNESS. 2016 01:58:55.661 --> 01:58:56.095 GOSH. 2017 01:58:56.129 --> 01:59:00.099 THANK YOU SO MUCH. 2018 01:59:00.133 --> 01:59:02.502 THAT'S SUCH -- IT'S VERY EARLY IN THE MORNING HERE. 2019 01:59:02.535 --> 01:59:04.137 I'M TRYING TO GATHER MY THOUGHTS. 2020 01:59:04.170 --> 01:59:09.642 I'M AWARE THAT IT IS VERY EARLY AT THE BEGINNING OF 2021 01:59:09.675 --> 01:59:10.943 INTERNATIONAL WOMEN'S DAY TODAY. 2022 01:59:10.977 --> 01:59:15.915 I AM SO HONORED TO BE RECOGNIZED AMONGST THESE INCREDIBLE FEMALE 2023 01:59:15.948 --> 01:59:16.816 PERFORMANCES. 2024 01:59:16.849 --> 01:59:18.918 THANK YOU FOR THE STORIES THAT YOU'VE TOLD. 2025 01:59:18.951 --> 01:59:21.988 IT'S AN HONOR TO BE RECOGNIZED ALONGSIDE YOU. 2026 01:59:22.021 --> 01:59:29.929 I NEED TO THANK MARGOT ROBBIE, FILMATION, FOCUS FEATURES. 2027 01:59:29.962 --> 01:59:32.932 OUR REMARKABLE CREW WHO MADE THIS FILM AND 23 DAYS BECAUSE 2028 01:59:32.965 --> 01:59:34.500 THEY ARE GENIUSES. 2029 01:59:34.534 --> 01:59:38.171 OUR AMAZING CAST. 2030 01:59:38.204 --> 01:59:41.507 ALL OF THEM, THE MOST INCREDIBLY INSPIRING, CHALLENGING, 2031 01:59:41.541 --> 01:59:42.842 BRILLIANT ACTORS TO WORK WITH. 2032 01:59:42.875 --> 01:59:53.986 MOST ESPECIALLY BO BURNHAM AND RSE TO ADMIRAL EMERIL FINELL WHO 2033 01:59:54.020 --> 01:59:58.457 WROTE THIS INCREDIBLE SCRIPT AND DIRECTED WITH SUCH APLOMB AND 2034 01:59:58.491 --> 02:00:00.860 WILL MOCK ME RELENTLESSLY FOR HAVING USED THE WORD APLOMB. 2035 02:00:00.893 --> 02:00:02.528 I AM INDEBTED TO HER FOR THIS OPPORTUNITY. 2036 02:00:02.562 --> 02:00:04.730 THANK YOU SO MUCH. 2037 02:00:04.764 --> 02:00:06.098 Announcer: WE STILL HAVE THE BIG AWARD OF THE NIGHT TO COME 2038 02:00:06.132 --> 02:00:10.002 AND HERE'S WHO'S PRESENTING IT. 2039 02:00:10.036 --> 02:00:13.606 THIS IS GAL GADOT AND I AM PRESENTING THE BEST PICTURE 2040 02:00:13.639 --> 02:00:14.907 AWARD COMING UP NEXT. 2041 02:00:14.941 --> 02:00:19.545 Announcer: HERE ON THE 26TH CRITICS CHOICE AWARDS. 2042 02:00:32.458 --> 02:00:35.194 Taye: JUST ONE FINAL AWARD LEFT AND IT'S THE BIG ONE. 2043 02:00:35.228 --> 02:00:38.097 TO PRESENT IT, WE WANTED ONE OF THE BIGGEST STARS IN THE MOVIE 2044 02:00:38.130 --> 02:00:41.300 UNIVERSE AND WE GOT ONE. 2045 02:00:41.334 --> 02:00:44.170 HERE IS THE PRODUCER AND STAR OF "WONDER WOMAN 1984", 2046 02:00:44.203 --> 02:00:47.273 SOON TO BE SEEN IN THE UPCOMING "RED NOTICE," 2047 02:00:47.306 --> 02:00:53.346 GAL GADOT. 2048 02:00:53.379 --> 02:00:56.816 IN A YEAR THAT SAW FILMS FORCED FROM THEATERS, 2049 02:00:56.849 --> 02:00:59.785 THE NOMINEES FOR BEST PICTURE WERE STILL ABLE 2050 02:00:59.819 --> 02:01:02.755 TO HAVE IMPACT ON US ALL. 2051 02:01:02.788 --> 02:01:06.025 THIS IS A TESTAMENT TO ALL THE TALENT AND THE HIGH-QUALITY 2052 02:01:06.058 --> 02:01:10.663 WORKMANSHIP OF EVERYONE IN THIS ROOM. 2053 02:01:10.696 --> 02:01:13.132 SO, NO MATTER WHAT NAME I READ, YOU'RE ALL WINNERS. 2054 02:01:13.165 --> 02:01:30.616 LET'S TAKE A LOOK AT THE NOMINEES FOR BEST PICTURE. 2055 02:01:30.650 --> 02:01:34.420 YOU MAY HAVE HEARD MGM HAS MORE STARS THAN THERE ARE IN THE 2056 02:01:34.453 --> 02:01:35.087 HEAVENS. 2057 02:01:35.121 --> 02:01:37.290 DO NOT BELIEVE THIS. 2058 02:01:37.323 --> 02:01:44.930 WE ONLY HAVE ONE STAR, LEO THE LION. 2059 02:01:44.964 --> 02:01:54.974 UM. 2060 02:01:55.007 --> 02:02:02.081 THE BOYS IN THE BAND. 2061 02:02:02.114 --> 02:02:03.616 WHAT BAND? 2062 02:02:03.649 --> 02:02:05.084 THE BAND WORKS FOR ME. 2063 02:02:05.117 --> 02:02:07.053 WHAT DID SHE SAY? 2064 02:02:07.086 --> 02:02:10.056 SHE SAYS SHE'S GOT NO HOME. 2065 02:02:10.089 --> 02:02:16.862 THIS CHILD IS AN ORPHAN TWICE OVER. 2066 02:02:16.896 --> 02:02:19.965 AIN'T NOBODY ELSE UNDERSTAND WHAT IT'S LIKE EXCEPT US. 2067 02:02:19.999 --> 02:02:22.401 THERE'S GOING TO BE A TARGET ON YOUR BACK. 2068 02:02:22.435 --> 02:02:27.073 IT WAS GOING TO BE THERE ANYWAY. 2069 02:02:27.106 --> 02:02:33.612 ONE OF THE THINGS I LOVE MOST ABOUT THIS LIFE IS THAT THERE IS 2070 02:02:33.646 --> 02:02:40.586 NO FINAL GOODBYE. 2071 02:02:40.619 --> 02:02:44.724 WHY DO YOU SAY THAT? 2072 02:02:44.757 --> 02:02:48.260 I THOUGHT YOU WERE -- DRUNK? 2073 02:02:48.294 --> 02:02:48.694 REALLY DRUNK? 2074 02:02:48.728 --> 02:02:49.061 YEAH. 2075 02:02:49.095 --> 02:03:05.544 I'M NOT. 2076 02:03:05.578 --> 02:03:10.149 THIS MISSION WAS SO DAMN IMPORTANT. 2077 02:03:10.182 --> 02:03:13.185 IT'S WHAT THE WAR IS ALL ABOUT. 2078 02:03:13.219 --> 02:03:18.657 I AM BEING DENIED RIGHT NOW MY CONSTITUTIONAL RIGHTS. 2079 02:03:18.691 --> 02:03:19.558 REPRESENTATION. 2080 02:03:19.592 --> 02:03:25.231 WILL YOU BE QUIET! 2081 02:03:25.264 --> 02:03:28.934 THE CRITICS CHOICE FOR BEST PICTURE IS... 2082 02:03:28.968 --> 02:03:37.810 "NOMADLAND." 2083 02:03:37.843 --> 02:03:40.012 THANK YOU. 2084 02:03:40.045 --> 02:03:42.214 THANK YOU, CRITICS CHOICE ASSOCIATION AND OUR FELLOW 2085 02:03:42.248 --> 02:03:43.349 NOMINEES. 2086 02:03:43.382 --> 02:03:48.187 I AM INCREDIBLY HONORED TO ACCEPT THIS AWARD ON BEHALF OF 2087 02:03:48.220 --> 02:03:52.525 MY FELLOW PRODUCERS, FRANCES McDORMAND, PETER SPEARS, DAN 2088 02:03:52.558 --> 02:03:53.793 AND CHLOE. 2089 02:03:53.826 --> 02:03:57.596 WE WANT TO THANK THE CRITICS FOR SHINING A LIGHT ON OUR FILM VERY 2090 02:03:57.630 --> 02:04:00.332 EARLY ON AND CONTINUING TO DEEPEN THE CONVERSATION WITH 2091 02:04:00.366 --> 02:04:01.901 SUCH NUANCE. 2092 02:04:01.934 --> 02:04:07.473 THANK YOU SEARCHLIGHT PICTURES, TO OUR "NOMADLAND" CREST AND 2093 02:04:07.506 --> 02:04:08.107 CREW. 2094 02:04:08.140 --> 02:04:10.075 TO JOSH, CONGRATULATIONS. 2095 02:04:10.109 --> 02:04:13.045 TO CHLOE FOR LEADING US WITH SUCH HEART. 2096 02:04:13.078 --> 02:04:19.185 SO MUCH OF "NOMADLAND" IS ABOUT LISTENING, LISTENING TO NATURE 2097 02:04:19.218 --> 02:04:20.453 AND ONE ANOTHER'S STORIES. 2098 02:04:20.486 --> 02:04:25.291 WE WANT TO DEDICATE THIS AWARD TO OUR PRODUCTION SOUND MIXER, 2099 02:04:25.324 --> 02:04:29.328 MICHAEL WOLF SNYDER WHO DIDN'T JUST RECORD SOUND BUT DEEPLY 2100 02:04:29.361 --> 02:04:30.596 FELT IT. 2101 02:04:30.629 --> 02:04:34.800 IN THE YEAR THAT HAS ILLUMINATED THE CRUCIAL NEED FOR CONNECTION 2102 02:04:34.834 --> 02:04:39.171 AND EMPATHY, WE ARE SO PROUD TO HAVE CREATED A FILM THAT 2103 02:04:39.205 --> 02:04:44.577 CELEBRATES THE COMPASSION GAINED BY SIMPLY LISTENING TO ONE 2104 02:04:44.610 --> 02:04:45.044 ANOTHER. 2105 02:04:45.077 --> 02:04:49.648 THANK YOU SO MUCH. 2106 02:04:49.682 --> 02:04:51.417 Taye: THAT'S IT FOR THIS YEAR. 2107 02:04:51.450 --> 02:04:55.588 IT'S BEEN A VERY UNUSUAL SHOW IN A VERY WEIRD YEAR. 2108 02:04:55.621 --> 02:04:57.456 LET'S HOPE NEXT TIME WE'RE ALL HEALTHY 2109 02:04:57.490 --> 02:04:59.358 AND SAFELY BACK IN ONE BIG ROOM TOGETHER. 2110 02:04:59.391 --> 02:05:03.229 TILL THEN, GOOD NIGHT!