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Downloaded from
YTS.MX

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Official YIFY movies site:
YTS.MX

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WELCOME TO THE 63rd ANNUAL
GRAMMY AWARD, I'M TREVOR NOAH

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AND I'M YOUR HOST AS WE
CELEBRATE THE LAST TEN YEARS OF

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MUSIC THAT GOT US THROUGH ABOUT
TEN YEARS OF CORONAVIRUS, I KNOW

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IT IS ONE YEAR BUT IT FEELS LIKE
TEN, WE HAVE MADE THE DECISION

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TO SOCIALLY DISTANCE FROM THE
PRESTIGIOUS

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TO SOCIALLY DISTANCE FROM THE
PRESTIGIOUS

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TO SOCIALLY DISTANCE FROM THE
PRESTIGIOUS

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TO SOCIALLY DISTANCE FROM THE
PRESTIGIOUS

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TO SOCIALLY DISTANCE FROM THE
PRESTIGIOUS

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PEER VOTED TROPHIES IN MUSIC
GIVING SHIEBEE NEW GRAMMY AWARDS

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LIVE THROUGHOUT THE EVENING BUT
WE HAVE TO DO IT QUICKLY BECAUSE

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TOMORROW THIS TENT IS RESERVED
FOR AN OUTDOOR WEDDING IN MALIBU

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AND I DO IN THE WANT TO LOSE MY
SECURITY DEPOSIT.

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REST ASSURED EVERYONE HERE IS
FOLLOWING COVID-19 PROTOCOLS AND

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GUIDE LINES, THIS WILL BE THE
AWARD SHOW WHERE THE WHITE STUFF

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GOING UP PEOPLE'S NOSESES COTTON
SWABS.

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THIS LOOKS DIFFERENT, THE WHOLE
THING IS GOING TO BE DIFFERENT

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BUT FOLKS WILL BE EVEN MORE
EXCITED BECAUSE OUR IMPRESSIVE

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NOMINEES WILL BE SITTING AT
THOSE TABLES FOR THEIR AWARDS.

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SO RIGHT NOW THERE IS MORE
TENSION IN THAT TENT THAN AT A

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FAMILY REUNION AT BUCKINGHAM
PALACE.

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AND I KNOW THAT YOU HAVEN'T BEEN
ABLE TO GO TO A CONCERT IN A

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LONG TIME, NEITHER HAVE I.

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SO TONIGHT WE'RE BRINGING THE
CONCERT TO YOU, AFTER EVERYONE

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MAKES THEIR WAY DOWN THIS RED
CARPET THEY WILL HEAD INSIDE

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THERE TO PERFORM FOR EACH OTHER
AND FOR YOU.

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AND UNLIKE AN ACTUAL CONCERT,
TWO TEENAGERS ON STACKED ON TOP

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WON'T BLOCK YOUR VIEW, THAT IS
WHAT TONIGHT IS ABOUT, IT IS

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ABOUT BRINGING US TOGETHER AS
ONLY MUSIC CAN.

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WELL, MUSIC AND VACCINES, WE
WILL CELEBRATE MUSIC AND

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HOPEFULLY FORGET OUR PROBLEMS
UNLESS SOME OF OUR PROBLEMS ARE

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BEING OBSESSED WITH HARRY STYLES
BECAUSE THAT WILL ONLY GET

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WORSE, I CAN PROMISE YOU.

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TONIGHT WE WILL ENJOY
PERFORMANCES FROM EVERYONE FROM

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MEGAN THEE STALLION TO CARDI B,
BRUNO MARS, AN DERSON PAAK, TO

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PAY LETTER SWIFT, WE WILL HEAR
MIRANDA LAMBERT, AND MAREN

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MORRIS.

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WE WILL PAY TRIBUTE TO SOME OF
THE MANY GREAT MUSICAL ARTISTS

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THAT WE'VE LOST DURING THE LAST
YEAR INCLUDING LIL RICHARD AND

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KENNY ROGERS AND JOHN PRINE,
WE'LL ALSO BRING YOU GLOBAL

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SENSATIONS DUA LIPA, BAD BUNNY,
BTS AND POST MALONE PLUS

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EXCITING PERFORMANCES BY DOJA
CAT, RODDY RICCH, BRANDI

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CARLILE, JOHN MAYER, AND ON TOP
OF THAT WE WILL BE JINKED BY NOT

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ONE BUT TWO OF THE BIGGEST AND
MOST BELOVED BABIES ON PLANET

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EARTH, DABABY AND LITTLE BABY.

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-- LIL BABY AND ALL OF THEM WILL
BE PERFORMING RIGHT HERE IN THIS

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BEAUTIFUL ROOM.

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TONIGHT WE ARE HOPING THAT THIS

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IS ALL ABOUT WHAT 2021 CAN BE,
BEGINNINGS AND COMING TOGETHER.

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NEVER FORGETTING WHAT HAPPENED
IN 2020 BUT FULL OF HOPE FOR

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WHAT IS TO COME.

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SO LET'S DO THIS, PEOPLE.

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NOMINATED TONIGHT FOR BOTH
RECORD OF THE YEAR AND ALBUM OF

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THE YEAR, BLACK PUMAS ARE HERE,
EVERYBODY.

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SO GOOD TO YOU HAVE GUYS, MAN,
BIG FANS.

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IT IS MY PLEASURE TO ANNOUNCE
THAT THE-- WILL BE JOINING US,

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NOMINATED FOR ALBUM OF THE YEAR,
THAT'S RIGHT, AND RIGHT OVER

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HERE, YOU BETTER START SCREAMING
BECAUSE I KNOW I AM, LAST YEAR

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SHE MADE GRAMMY HISTORY, IT IS
BILLIE EILISH, EVERYBODY.

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SHE WON SO MANY GRAMMYS LAST
YEAR THAT HER UBER HAUL WAS A

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YOU HAUL, SHE IS BACK WITH HER
BROTHER TO PLAY THEIR GRAMMY

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NOMINATED RECORD OF THE YEAR.

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BUT FIRST, WE COULD NOT BE MORE
EXCITED TO KICK OFF OUR SHOW IN

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THE BIGGEST WAY POSSIBLE,
PERFORMING AT THE GRAMMY AWARDS

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FOR THE FIRST TIME EVER WITH
THREE GRAMMY NOMINATIONS

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TONIGHT, THIS GUY IS A GLOBAL
MEGASTAR.

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LADIES, YOU BETTER WATCH OUT
BECAUSE HE'LL STEAL YOUR HEART

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AND YOUR DRESS AND HE'LL LOOK
DAMN GOOD DOING IT.

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GIVE IT UP FOR HARRY STYLES.

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♪ TASTES LIKE STRAWBERRIES

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ON A SUMMER EVENIN'
♪ AND IT SOUNDS JUST LIKE

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A SONG
♪ I WANT MORE BERRIES

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AND THAT SUMMER FEELIN'
♪ IT'S SO WONDERFUL

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AND WARM
♪ BREATHE ME IN

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BREATHE ME OUT
♪ I DON'T KNOW IF I

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COULD EVER GO WITHOUT
♪ I'M JUST THINK

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--KING OUT LOUD
♪ I DON'T KNOW IF I COULD

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EVER GO WITHOUT
♪ WATERMELON SUGAR HIGH

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WATERMELON SUGAR HIGH
♪ WATERMELON SUGAR HIGH

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WATERMELON SUGAR HIGH
WATERMELON SUGAR

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♪ STRAWBERRIES
ON A SUMMER EVENIN'

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♪ BABY, YOU'RE THE END OF JUNE
I WANT YOUR BELLY

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♪ AND THAT SUMMER FEELIN'
GETTING WASHED AWAY IN YOU

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♪ BREATHE ME IN
BREATHE ME OUT

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♪ I DON'T KNOW IF I COULD
EVER GO WITHOUT

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♪ WATERMELON SUGAR HIGH
WATERMELON SUGAR HIGH

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♪ WATERMELON SUGAR HIGH
WATERMELON SUGAR HIGH

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♪ WATERMELON SUGAR HIGH
WATERMELON SUGAR HIGH

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♪ WATERMELON SUGAR HIGH
WATERMELON SUGAR HIGH

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♪ I JUST WANNA TASTE IT
I JUST WANNA TASTE IT

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♪ WATERMELON SUGAR HIGH

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♪ ♪ ♪
♪ TASTES LIKE STRAWBERRIES

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ON A SUMMER EVENIN'
♪ AND IT SOUNDS JUST LIKE

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A SONG
♪ I WANT YOUR BELLY

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AND THAT SUMMER FEELIN'
♪ I DON'T KNOW IF I COULD

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EVER GO WITHOUT
♪ WATERMELON SUGAR HIGH

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WATERMELON SUGAR HIGH
♪ WATERMELON SUGAR HIGH

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WATERMELON SUGAR HIGH
♪ WATERMELON SUGAR HIGH

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WATERMELON SUGAR HIGH
♪ WATERMELON SUGAR HIGH

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WATERMELON SUGAR HIGH
♪ I JUST WANNA TASTE IT

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I JUST WANNA TASTE IT
♪ WATERMELON SUGAR HIGH

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I JUST WANNA TASTE IT
♪ I JUST WANNA TASTE IT

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WATERMELON SUGAR HIGH
♪ WATERMELON SUGAR ♪

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HARRY STYLES, THAT WAS

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AMAZING, MAN.

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I MEAN I WOULD HAVE WORN A SHIRT
FOR MY FIRST GRAMMYS, YOU KNOW,

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BUT EACH TO HIS OWN,
EVERYBODY-- IT IS CRAZY TO THINK

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EVERYONE THAT TALENTED AND
HANDSOME IS FROM THE SAME PLACE

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AS BORE IS JOHNSON, MAN, THE
U.K. IS DIVERSE, NO TIME TO

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WASTINGS SINGING HER GRAMMY
NOMINATED RECORD OF THE YEAR,

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SMASH HIT, EVERYTHING I WANTED,
THIS IS BILLIE EILISH.

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♪ ♪ ♪
♪ I HAD A DREAM

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I GOT EVERYTHING I WANTED
♪ NOT WHAT YOU'D THINK

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AND IF I'M BEIN' HONEST
♪ IT MIGHT'VE BEEN A NIGHTMARE

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TO ANYONE WHO MIGHT CARE
♪ THOUGHT I COULD FLY

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SO I STEPPED OFF THE GOLDEN, MM
♪ NOBODY CRIED

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NOBODY EVEN NOTICED
♪ I SAW THEM STANDING

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RIGHT THERE
♪ KINDA THOUGHT THEY

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MIGHT CARE
♪ I HAD A DREAM

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I GOT EVERYTHING I WANTED
♪ BUT WHEN I WAKE UP, I SEE

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YOU WITH ME
♪ AND YOU SAY

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"AS LONG AS I'M HERE
♪ NO ONE CAN HURT YOU"

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DON'T WANNA LIE HERE
♪ BUT YOU CAN LEARN TO

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IF I COULD CHANGE
♪ THE WAY THAT YOU SEE YOURSELF

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YOU WOULDN'T WONDER WHY YOU HEAR
♪ "THEY DON'T DESERVE YOU"

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I TRIED TO SCREAM
♪ BUT MY HEAD WAS UNDERWATER

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THEY CALLED ME WEAK
♪ LIKE I'M NOT JUST

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SOMEBODY'S DAUGHTER
♪ COULDA BEEN A NIGHTMARE

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BUT IT FELT LIKE THEY WERE
♪ RIGHT THERE

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AND IT FEELS LIKE YESTERDAY
♪ WAS A YEAR AGO

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BUT I DON'T WANNA LET
♪ ANYBODY KNOW

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'CAUSE EVERYBODY WANTS
♪ SOMETHING FROM ME NOW

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AND I DON'T WANNA LET 'EM DOWN
♪ I HAD A DREAM

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I GOT EVERYTHING I WANTED
♪ BUT WHEN I WAKE UP, I SEE

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YOU WITH ME
♪ AND YOU SAY

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"AS LONG AS I'M HERE
♪ NO ONE CAN HURT YOU

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DON'T WANNA LIE HERE
♪ BUT YOU CAN LEARN TO

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♪ IF I KNEW IT ALL THEN
WOULD I DO IT AGAIN?

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♪ WOULD I DO IT AGAIN?

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IF THEY KNEW WHAT THEY SAID
♪ WOULD GO STRAIGHT TO MY HEAD

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WHAT WOULD THEY SAY INSTEAD? ♪

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♪ ♪ ♪

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♪ ♪ ♪

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BILLIE EILISH AND FINNEAS,
EVERYBODY, KEEP IT GOING, Y'ALL,

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KEEP IT GOING, EVERY SINGLE
TIME, MAN, AMAZING.

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NOW A TRIO OF SISTERS FROM RIGHT
HERE IN LOS ANGELES NOMINATED

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FOR ALBUM OF THE YEAR TONIGHT,
ABOUT TO ROCK OUR WORLD WITH

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THEIR FIRST EVER GRAMMY
PERFORMANCE, THIS IS HAIM.

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♪ ♪ ♪
♪ ♪ ♪

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♪ SO, BABY
WHEN I'M NEAR YOU

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♪ YOU CAN'T FEEL ME
I'M LIGHTNIN'

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♪ YOU USED TO COME BY
AND SIT DOWN BY MY SIDE

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♪ YOU WOULD COME IN CLOSE
AND TAKE OFF ALL MY CLOTHES

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♪ EVERY TIME I THINK THAT I'VE
BEEN TAKIN' THE STEPS

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♪ YOU END UP MAD AT ME FOR
MAKIN' A MESS

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00:13:49,562 --> 00:13:56,602
♪ I CAN'T UNDERSTAND WHY
YOU DON'T UNDERSTAND ME, BABY

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00:13:56,669 --> 00:14:00,339
♪ AND EVERY DAY I WAKE UP AND
I MAKE MONEY FOR MYSELF

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00:14:00,406 --> 00:14:02,007
♪ AND THOUGH WE SHARE A BED
YOU KNOW THAT I DON'T

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♪ NEED YOUR HELP
DO YOU UNDERSTAND?

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♪ YOU DON'T UNDERSTAND ME
BABY

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♪ ♪ ♪
♪ ♪ ♪

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♪ IF I GO RIGHT
AND YOU GO LEFT

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♪ HEY, I KNOW WE'LL MEET UP
AGAIN

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00:14:33,405 --> 00:14:38,043
♪ ♪ ♪
♪ ♪ ♪

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♪ AND IF YOU GO LEFT
AND I GO RIGHT

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♪ HEY, MAYBE THAT'S JUST LIFE
SOMETIMES

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♪ ♪ ♪
♪ ♪ ♪

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00:14:54,126 --> 00:14:58,063
♪ EVERY TIME I THINK THAT I'VE
BEEN TAKIN' THE STEPS

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00:14:58,130 --> 00:15:02,067
♪ YOU END UP MAD AT ME FOR
MAKIN' A MESS

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00:15:02,134 --> 00:15:10,042
♪ I CAN'T UNDERSTAND WHY
YOU DON'T UNDERSTAND ME, BABY

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00:15:10,109 --> 00:15:14,046
♪ AND EVERY DAY I WAKE UP AND
MAKE MONEY FOR MYSELF

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00:15:14,113 --> 00:15:16,215
♪ AND THOUGH WE SHARE A BED
YOU KNOW THAT I DON'T

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♪ NEED YOUR HELP
DO YOU UNDERSTAND?

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♪ YOU DON'T UNDERSTAND ME
BABY ♪

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♪ ♪ ♪
♪ ♪ ♪

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THAT'S RIGHT, PEOPLE, KEEP IT

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00:15:51,684 --> 00:15:55,421
GOING, HAIM, LADY AS AND
GENTLEMEN, OUR GRAMMY NIGHT IS

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OFFICIALLY OFF AND RUNNING.

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00:15:56,689 --> 00:16:01,160
UP NEXT OUR FIRST AWARD, AND
IT'S A BIG ONE, BEST NEW ARTIST.

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00:16:01,226 --> 00:16:05,664
PLUS BLACK PUMAS, DUA LIPA AND
BADIBUNNY WILL BE ON THESE STAGE

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00:16:05,731 --> 00:16:08,233
RIGHT HERE, SO DON'T GO
ANYWHERE.

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00:16:08,300 --> 00:16:14,039
THIS IS CBS.

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00:16:14,106 --> 00:16:15,774
♪ ♪ ♪
♪ ♪ ♪

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00:16:18,110 --> 00:16:21,513
THE 63rd GRAMMY
AWARDS IS SPONSORED BY LINCOLN

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00:16:21,580 --> 00:16:23,515
FAMILY OF LUXURY S.U.V.s.

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00:16:29,555 --> 00:16:37,229
♪ ♪ ♪

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WELCOME BACK TO THE
GRAMMYS.

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00:16:39,698 --> 00:16:42,634
SO, LET'S GET STRAIGHT TO THE
AWARDS.

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00:16:42,701 --> 00:16:46,004
THE FIRST AWARD TONIGHT IS BEST
NEW ARTIST.

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00:16:46,071 --> 00:16:49,742
IT'S AN AWARD THAT'S BEEN WON BY
THE BEATLES, MARIAH CAREY,

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00:16:49,808 --> 00:16:52,077
CHRISTINA AGUILERA, AND JOHN
LEGEND.

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00:16:52,144 --> 00:16:57,883
AND IT'S BEEN LOST BY KENDRICK
LAMAR, DRAKE, TAYLOR SWIFT, BOYZ

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00:16:57,950 --> 00:16:58,851
II MEN, AND ELTON JOHN.

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00:16:58,917 --> 00:17:02,287
SO, EVEN IF YOU LOSE IT, YOU'LL
BE ALL RIGHT.

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00:17:02,354 --> 00:17:03,889
HERE TO PRESENT THE AWARD IS AN

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00:17:03,956 --> 00:17:06,992
ARTIST WHO ALWAYS MAKES ME FEE“"
GOOD AS HELL.”

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00:17:07,059 --> 00:17:09,995
PLEASE WELCOME THREE-TIME GRAMMY
WINNER, LIZZO!

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00:17:10,062 --> 00:17:15,868
♪ ♪ ♪

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♪ ♪ ♪
THANK YOU, TREVOR.

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00:17:19,872 --> 00:17:23,041
I LOVE YOU.

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00:17:23,108 --> 00:17:29,948
CUTIE.

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00:17:30,015 --> 00:17:34,520
I'M PRESENTING CUZ I LOVE
YOU.

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00:17:34,586 --> 00:17:39,858
AND THE THREE SHINY GRAMMYS I

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00:17:39,925 --> 00:17:43,862
GOT LAST YEAR, WOO!

207
00:17:43,929 --> 00:17:44,596
I'M BACK.

208
00:17:44,663 --> 00:17:45,764
BITCH I'M BACK, OH, I'M SO
SORRY.

209
00:17:45,831 --> 00:17:46,899
I'M HAPPY TO PRESENT THE FIRST
AWARD OF THE NIGHT THAT PUTS

210
00:17:46,965 --> 00:17:52,004
THAT BIG BEAUTIFUL GRAMMY
SPOTLIGHT ON EIGHT NEW MUSICAL

211
00:17:52,070 --> 00:17:55,841
HEROES WHO ALL HAVE THAT BEST
NEW ARTIST VIBE, MEGAN, STOP

212
00:17:55,908 --> 00:17:58,010
LAUGHING AT ME, EACH IN THEIR
OWN WAY.

213
00:17:58,076 --> 00:18:03,849
THESE ARE THE AMAZING NOMINEES.

214
00:18:03,916 --> 00:18:08,120
♪ ♪ ♪
INGRID ANDRESS.

215
00:18:08,187 --> 00:18:11,857
PHOEBE BRIDGERS.

216
00:18:11,924 --> 00:18:15,861
CHIKA.

217
00:18:15,928 --> 00:18:19,865
NOAH CYRUS.

218
00:18:19,932 --> 00:18:22,000
D SMOKE.

219
00:18:22,067 --> 00:18:26,305
DOJA CAT.

220
00:18:26,371 --> 00:18:27,873
KAYTRARNADA.

221
00:18:27,940 --> 00:18:31,844
MEGAN THEE STALLION.

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00:18:31,910 --> 00:18:41,386
♪ ♪ ♪

223
00:18:41,453 --> 00:18:43,856
Y'ALL READY?

224
00:18:43,922 --> 00:18:49,895
NERVOUS, Y'ALL.

225
00:18:49,962 --> 00:18:54,433
WAIT, HOW DO YOU OPEN IT, OH MY
GOD.

226
00:18:54,500 --> 00:19:02,407
WAIT, HOW DO YOU DO IT, OKAY, I
GOT T I GOT T I GOT IT, MEGAN

227
00:19:02,474 --> 00:19:07,846
THEE STALLION.

228
00:19:07,913 --> 00:19:10,015
WHOOO.

229
00:19:31,937 --> 00:19:41,914
♪ ♪ ♪

230
00:19:41,980 --> 00:19:51,957
♪ ♪ ♪

231
00:19:52,024 --> 00:19:57,529
♪ ♪ ♪

232
00:19:57,596 --> 00:19:58,597
I DON'T WANT TO CRY.

233
00:19:58,664 --> 00:20:04,336
BUT FIRST OF ALL I WANT TO SAY
EVERYBODY IS AMAZING.

234
00:20:04,403 --> 00:20:08,874
EVERY ARTIST THAT WAS NOMINATED
FOR THIS AWARD IS SO AMAZING.

235
00:20:08,941 --> 00:20:15,847
SO SHOUT OUT TO ALL Y'ALL.

236
00:20:15,914 --> 00:20:18,917
SECONDLY, I REALLY JUST WANT TO

237
00:20:18,984 --> 00:20:22,621
THANK GOD BECAUSE THANK YOU FOR
PUTTING LIFE INTO MY BODY FOR ME

238
00:20:22,688 --> 00:20:27,659
TO BE ABLE TO EVEN BE HERE
TODAY.

239
00:20:27,726 --> 00:20:36,001
I WANT TO SAY THANK YOU
FOR-- ALWAYS BEING WITH ME,

240
00:20:36,068 --> 00:20:39,271
BEING BY MY SIDE.

241
00:20:39,338 --> 00:20:42,874
THANK YOU FOR ALWAYS BEING WITH
ME, BEING BY MY SIDE, I WANT TO

242
00:20:42,941 --> 00:20:47,045
SAY THANK YOU TO EVERYBODY AT
300 FOR BELIEVING IN ME,

243
00:20:47,112 --> 00:20:51,149
STICKING BY ME THROUGH MY
CRAZINESS AND YOU KNOW, IT'S

244
00:20:51,216 --> 00:20:53,318
BEEN A HELL OF A YEAR BUT WE
MADE IT.

245
00:20:53,385 --> 00:20:56,388
THANK YOU EVERYBODY AT ROCK
NATION AND I REALLY WANT TO SAY

246
00:20:56,455 --> 00:20:59,825
THANK YOU TO MY MAMA, SHE'S NOT
HERE WITH ME TODAY BUT I KNOW

247
00:20:59,891 --> 00:21:03,462
SHE IS HERE WITH ME IN SPIRIT
AND SHE ALWAYS BELIEVE I COULD

248
00:21:03,528 --> 00:21:07,833
DO IT, SO THANK YOU ALL SO MUCH.

249
00:21:07,899 --> 00:21:15,841
THAT'S YOUR GRAMMY!

250
00:21:15,907 --> 00:21:18,710
CONGRATULATIONS,
MEGAN THEE STALLION!

251
00:21:18,777 --> 00:21:19,811
WOW!

252
00:21:19,878 --> 00:21:23,448
TODAY, THE SINGLE RECORD HAS
NEVER BEEN MORE IMPORTANT.

253
00:21:23,515 --> 00:21:25,550
SEE, IN THE NEW WORLD OF
STREAMING, IF AN ARTIST CAN

254
00:21:25,617 --> 00:21:27,853
CREATE THAT PERFECT SINGLE,
THEIR SONG WILL

255
00:21:27,919 --> 00:21:34,059
BE STREAMED BILLIONS AND
BILLIONS OF TIMES, MAKING THEM

256
00:21:34,126 --> 00:21:35,193
ANYWHERE FROM $2-$3.

257
00:21:35,260 --> 00:21:36,361
OUR RECORD OF THE YEAR NOMINEES

258
00:21:36,428 --> 00:21:39,097
ARE AN ECLECTIC, DIVERSE AND
IMPRESSIVE GROUP.

259
00:21:39,164 --> 00:21:40,499
AND WE ASKED THE REMARKABLE 23-
YEAR-OLD DIRECTOR GIBSON HAZARD

260
00:21:40,565 --> 00:21:44,102
TO MAKE SOME FILMS ABOUT THESE
CONTENDERS FOR THE RECORD OF THE

261
00:21:44,169 --> 00:21:46,038
YEAR.

262
00:21:46,104 --> 00:21:49,574
SO, FIRST UP, HERE'S A REVEALING
LOOK AT THE TRUE "COLORS" OF

263
00:21:49,641 --> 00:21:52,077
A STRONG MUSICAL PARTNERSHIP
THAT FLOWERED IN AUSTIN, TEXAS,

264
00:21:52,144 --> 00:21:55,847
AFTER A LITTLE STREET PERFORMING
ON THE SANTA MONICA PIER.

265
00:21:55,914 --> 00:22:03,855
THIS IS BLACK PUMAS.

266
00:22:03,922 --> 00:22:13,865
♪ ♪ ♪

267
00:22:13,932 --> 00:22:19,604
OUR MUSIC IS VERY REFLECTIVE
OF THE SINCERITY OF OUR OWN

268
00:22:19,671 --> 00:22:23,542
SOULS, WE CALL IT SOUL MUSIC AND
OBVIOUSLY IT IS NOT SOUL MUSIC

269
00:22:23,608 --> 00:22:27,779
BUT THE MOST IMPORTANT THING IS
IT COMES FROM OUR SOUL, MY SOUL

270
00:22:27,846 --> 00:22:28,947
AND HIS SOUL.

271
00:22:29,014 --> 00:22:31,783
GETTING THE NOMINATION FOR
"COLORS" IS SPECIAL, WE KNOW HOW

272
00:22:31,850 --> 00:22:34,252
PEOPLE HAVE BEEN REACTING TO
THAT SONG, WE HAVE SEEN IT LIVE,

273
00:22:34,319 --> 00:22:39,091
WE HAVE EVEN SEEN IT U NIGHT
CROWDS, WE KNOW IT WAS SPECIAL.

274
00:22:39,157 --> 00:22:41,760
I MOVED TO CALIFORNIA FROM
NEW MEXICO IN 20134.

275
00:22:41,827 --> 00:22:46,498
I WOULD TAKE LIKE TWO TRAINS
THEN TWO BUSES TO THE SANTA

276
00:22:46,565 --> 00:22:49,267
MONICA PIER JUST TO BUSK.

277
00:22:49,334 --> 00:22:54,306
STREET PERFORMING FOR ME, IT IS
KIND OF A LOVE HATE

278
00:22:54,372 --> 00:22:59,711
RELATIONSHIP, SUCH AS BEAUTIFUL
YET BRUTAL EXPERIENCE.

279
00:22:59,778 --> 00:23:02,447
I WOULD BE PERFORMING IN THE
STREET BUT IN MY MIND I'M

280
00:23:02,514 --> 00:23:06,952
PERFORMING ON THE STAGE OF THE
GRAMMYS.

281
00:23:07,018 --> 00:23:09,621
KSH WITHIN MYSELF AS A KID I
REMEMBER IMAGINING WHAT IT WOULD

282
00:23:09,688 --> 00:23:11,923
BE LIKE TOKING ON SUCH A GRAND
STAGE.

283
00:23:11,990 --> 00:23:15,761
WHEN I THINK ABOUT IT, I GET
EMOTIONAL BECAUSE I'VE

284
00:23:15,827 --> 00:23:16,394
EXPERIENCED A LOT, MAN.

285
00:23:16,461 --> 00:23:23,335
SO IT FEELS GOOD TO BE HERE.

286
00:23:24,536 --> 00:23:27,606
♪ ♪ ♪
♪ I WOKE UP TO THE MORNING

287
00:23:27,672 --> 00:23:30,475
SKY FIRST
♪ BABY BLUE

288
00:23:30,542 --> 00:23:35,947
JUST LIKE WE REHEARSED
♪ WHEN I GET UP OFF THIS GROUND

289
00:23:36,014 --> 00:23:38,483
I SHAKE LEAVES BACK DOWN
♪ TO THE BROWN, BROWN

290
00:23:38,550 --> 00:23:48,093
BROWN, BROWN
♪ 'TIL I'M CLEAN

291
00:23:48,160 --> 00:23:52,264
THEN I WALK WHERE I'D BE
♪ SHADED BY THE TREES

292
00:23:52,330 --> 00:23:59,337
BY A MEADOW OF GREEN
♪ FOR ABOUT A MILE

293
00:23:59,404 --> 00:24:04,276
I'M HEADED TO TOWN, TOWN, TOWN
♪ IN STYLE

294
00:24:04,342 --> 00:24:11,883
WITH ALL MY FAVORITE COLORS
♪ YES, SIR

295
00:24:11,950 --> 00:24:16,288
ALL MY FAVORITE COLORS
♪ RIGHT ON

296
00:24:16,354 --> 00:24:20,258
MY SISTERS AND MY BROTHERS
♪ SEE 'EM LIKE NO OTHER

297
00:24:20,325 --> 00:24:28,266
ALL MY FAVORITE COLORS
♪ IT'S A GOOD DAY TO BE

298
00:24:28,333 --> 00:24:32,270
A GOOD DAY FOR ME
♪ A GOOD DAY TO SEE

299
00:24:32,337 --> 00:24:35,407
MY FAVORITE
♪ COLORS, COLORS

300
00:24:35,473 --> 00:24:42,480
MY SISTERS AND MY BROTHERS
♪ THEY SEE 'EM LIKE NO OTHER

301
00:24:42,547 --> 00:24:48,286
ALL MY FAVORITE COLORS
ALL MY FAVORITE COLORS

302
00:25:06,538 --> 00:25:12,277
♪ ♪ ♪
♪ I'M ON THE OTHER SIDE

303
00:25:12,344 --> 00:25:16,281
OOH-OOH, OOH-OOH, OOH-OOH-OHH
♪ WHERE THE BABY BLUE BIRDS FLY

304
00:25:16,348 --> 00:25:19,417
OOH-OOH, OOH-OOH, OOH-OOH-OHH
♪ IN GRAY CLOUDS

305
00:25:19,484 --> 00:25:23,588
OR WHITE WALLS
♪ OR BLUE SKIES

306
00:25:23,655 --> 00:25:24,456
BLUE SKIES
♪ WE GON' FLY

307
00:25:24,522 --> 00:25:27,592
FEEL ALRIGHT
♪ BLACK PUMAS HELP ME FEEL

308
00:25:27,659 --> 00:25:33,498
ALRIGHT ONE MORE TIME
♪ WITH ALL MY FAVORITE COLORS

309
00:25:33,565 --> 00:25:36,268
YES, SIR
♪ ALL MY FAVORITE COLORS

310
00:25:36,334 --> 00:25:42,474
RIGHT ON
♪ MY SISTERS AND MY BROTHERS

311
00:25:42,540 --> 00:25:48,480
SEE 'EM LIKE NO OTHER
♪ ALL MY FAVORITE COLORS

312
00:25:48,546 --> 00:25:54,486
IT'S A GOOD DAY TO BE
♪ A GOOD DAY FOR ME

313
00:25:54,552 --> 00:26:00,358
A GOOD DAY TO SEE MY FAVORITE
♪ COLORS, COLORS

314
00:26:00,425 --> 00:26:12,270
MY SISTERS AND MY BROTHERS
♪ SEE 'EM LIKE NO OTHER

315
00:26:12,337 --> 00:26:24,282
ALL MY FAVORITE COLORS ♪

316
00:26:24,349 --> 00:26:29,287
THAT'S RIGHT, PEOPLE, KEEP

317
00:26:29,354 --> 00:26:34,326
KEEP IT GOING, KEEP IT GOING,
PEOPLEK BLACK PUMAS.

318
00:26:34,392 --> 00:26:37,629
EVER HEARD A BAND FOR THE FIRST
TIME BUT FEEL LIKE IT IS YOUR

319
00:26:37,696 --> 00:26:40,732
FAVORITE FOR THE YOUR WHOLE
LIFE, THAT IS WHAT WE FELT, YOUR

320
00:26:40,799 --> 00:26:46,771
STORY IS INSANE, HOW MANY YEARS
AGO YOU WERE BUSKK ON THE PIER.

321
00:26:46,838 --> 00:26:48,039
ABOUT SIX YEARS.

322
00:26:48,106 --> 00:26:50,542
SIX YEARS HOPING PEOPLE WOULD
LISTEN TO YOU PERFORM, FOR SMALL

323
00:26:50,608 --> 00:26:53,645
GROUPS OF PEOPLE AND NOW ARE YOU
AT THE GRAMMYS.

324
00:26:53,712 --> 00:26:54,879
THANK YOU.

325
00:26:54,946 --> 00:26:58,183
STILL PERFORMING FOR A SMALL
GROUP OF PEOPLE BUT THAT'S NOT

326
00:26:58,249 --> 00:26:59,451
THE POINT.

327
00:26:59,517 --> 00:27:02,487
WELL, YOU KNOW, TREVOR, ONCE
YOU ARE A KING YOU ARE ALWAYS A

328
00:27:02,554 --> 00:27:03,455
KING.

329
00:27:03,521 --> 00:27:05,457
I FEEL YOU THERE, GOOD LUCK
FOR TONIGHT.

330
00:27:05,523 --> 00:27:06,558
THANK YOU.

331
00:27:06,624 --> 00:27:08,293
RIGHT NOW WE WILL TAKE A
QUICK BREAK SO CAN I CHECK

332
00:27:08,360 --> 00:27:10,495
TWITTER TO SEE ALL THE NICE
THINGS PEOPLE ARE SAYING ABOUT

333
00:27:10,562 --> 00:27:14,432
ME, BUT DON'T GO AWAY, AFTER THE
BREAK WE HAVE BACK TO BACK

334
00:27:14,499 --> 00:27:22,073
PERFORMANCES FROM NOMINEES
DABABY, BAD BUNNY AND DUA LIPA.

335
00:27:22,140 --> 00:27:26,478
PLUS DID I MENTION WE HAVE
TAYLOR SWIFT, THIS IS THE GRAMMY

336
00:27:26,544 --> 00:27:26,978
AWARDS.

337
00:27:27,045 --> 00:27:29,914
WE'LL BE RIGHT BACK.

338
00:27:37,889 --> 00:27:41,326
♪ ♪ ♪
WELCOME BACK TO THE GRAMMY

339
00:27:41,393 --> 00:27:43,995
AWARD, THE ONLY AWARD YOU CAN
PLAY TINY RECORDS ON.

340
00:27:44,062 --> 00:27:45,930
THROUGHOUT THE NIGHT WE ARE
PUTTING THE SPOT LIGHT ON THIS

341
00:27:45,997 --> 00:27:48,099
YEAR'S NOMINEES FOR RECORD OF
THE YEAR.

342
00:27:48,166 --> 00:27:51,436
AND YOU CAN SEE LONGER
VERSIONSES OF OUR FILMS AND

343
00:27:51,503 --> 00:27:54,372
INTERVIEWS ON PARAMOUNT PLUS
RIGHT AFTER THE SHOW.

344
00:27:54,439 --> 00:27:58,009
OUR NEXT NOMINEE IS SOMEONE WHO
HAS GROWN INTO A MAJOR HIP-HOP

345
00:27:58,076 --> 00:28:01,012
SENSATION WITH ONE OF THE
BIGGEST RECORDS OF THE YEAR.

346
00:28:01,079 --> 00:28:09,187
THIS IS DABABY.

347
00:28:15,226 --> 00:28:19,998
WHAT'S GOING ON WITH DABABY,
SIX TIME GRAMMY NOMINATED

348
00:28:20,065 --> 00:28:23,868
INTERNATIONAL MEGASTAR."

349
00:28:23,935 --> 00:28:31,009
ROCKSTAR KTION FORM PERFORMER
WITH A PRETTY SMILE.

350
00:28:31,076 --> 00:28:32,644
ALLOW ME TO BREAK THROUGH.

351
00:28:32,710 --> 00:28:36,448
YOU WANT ME TO WATCH MY
LANGUAGE?

352
00:28:36,514 --> 00:28:37,615
DO WHAT YOU LIKE.

353
00:28:37,682 --> 00:28:42,921
I DON'T GIVE A I COME
FROM NOTHING, YOU AND YOUR

354
00:28:42,987 --> 00:28:46,491
BROTHER CAN'T EVEN GET A FRESH
HAIRCUT, Y'ALL AIN'T DOING TOO

355
00:28:46,558 --> 00:28:49,294
GOOD, YOU COMING FROM WHAT I
COME FROM, THAT AIN'T SOMETHING,

356
00:28:49,360 --> 00:28:53,131
I USE IT AS AN EXCUSE, THAT IS
MORE LIKE MOTIVATION THAN

357
00:28:53,198 --> 00:28:56,301
NIBBLES, THEY GOING UP AGAINST
THE ODDS, THAT IS WHAT MAKES IT

358
00:28:56,367 --> 00:29:01,806
BEAUTIFUL AT THE END OF THE DAY.

359
00:29:01,873 --> 00:29:06,111
MY GREATEST CREATION, MY
BEAUTIFUL DAUGHTER, BEING A

360
00:29:06,177 --> 00:29:08,913
FATHER IS THE BEST THING THAT
EVER HAPPENED TO ME, IT GAVE ME

361
00:29:08,980 --> 00:29:09,614
PURPOSE.

362
00:29:09,681 --> 00:29:11,683
THAT IS THE REASON WHY I'M HERE.

363
00:29:11,749 --> 00:29:15,053
IT GAVE ME THAT EXTRA
MOTIVATION, LIKE NOW I GOT TO GO

364
00:29:15,120 --> 00:29:18,923
NOW, AN THAT'S WHAT I DID.

365
00:29:18,990 --> 00:29:21,359
ROCKSTAR, THE SECOND I MADE IT I
KNEW IT WAS A HIT, IT LIVED UP

366
00:29:21,426 --> 00:29:24,562
TO EXACTLY WHAT I THOUGHT IT WAS
GOING TO BE, GO TO NUMBER ONE,

367
00:29:24,629 --> 00:29:25,997
REMAIN AT NUMBER ONE.

368
00:29:26,064 --> 00:29:31,102
ONE OF THE MOST IMPACTFUL,
LONGEST LASTING SONGS OF 2020.

369
00:29:31,169 --> 00:29:33,271
GETTING GRAMMY NOMINATED FOR
RECORD OF THE YEAR IS AMAZING,

370
00:29:33,338 --> 00:29:41,779
NOW ALL WE GOT TO DO IS BRING
ONE HOME.

371
00:29:41,846 --> 00:29:43,882
♪ ♪ ♪
♪ ♪ ♪

372
00:29:43,948 --> 00:29:53,858
♪ WOO
♪ ♪ ♪

373
00:29:53,925 --> 00:29:57,762
♪ WOO
♪ I PULL UP, LIKE

374
00:29:57,829 --> 00:30:01,599
I PULL UP
HOW YOU PULL UP BABY

375
00:30:01,666 --> 00:30:03,401
♪ PULL UP
GO AHEAD AND SHOW THE GRAMMYS

376
00:30:03,468 --> 00:30:05,803
♪ HOW YOU PULL UP
I PULL UP

377
00:30:05,870 --> 00:30:07,605
♪ GET DOWN
♪ HOW YOU PULL UP

378
00:30:07,672 --> 00:30:12,343
I PULL UP
BRAND NEW LAMBORGHINI

379
00:30:12,410 --> 00:30:15,647
♪ NOT A COP CAR
WITH THE PISTOL ON MY HIP

380
00:30:15,713 --> 00:30:17,415
♪ LIKE I'M A COP YEAH
HAVE YOU EVER MET A REAL HITTER

381
00:30:17,482 --> 00:30:18,283
ROCKSTAR?

382
00:30:18,349 --> 00:30:21,786
♪ THIS AIN'T NO GUITAR
THIS A GLOCK WOO

383
00:30:21,853 --> 00:30:24,055
♪ MY GLOCK TOLD ME TO PROMISE
YOU GON' SQUEEZE ME OH

384
00:30:24,122 --> 00:30:28,359
♪ YOU BETTER LET ME GO
THE DAY YOU NEED ME OOH

385
00:30:28,426 --> 00:30:30,028
♪ GET TO BUSTIN' OOH
AND IF I AIN'T ENOUGH

386
00:30:30,094 --> 00:30:32,230
♪ GO GET THE CHOP
IT'S SAFE TO SAY I EARNED IT

387
00:30:32,297 --> 00:30:33,798
♪ AIN'T NOBODY GAVE ME NOTHIN'
YEAH, YEAH, YEAH

388
00:30:33,865 --> 00:30:35,533
♪ I'M READY TO HOP OUT ON
SOMEBODY

389
00:30:35,600 --> 00:30:37,135
♪ GET TO BUSTIN'
KNOW YOU HEARD ME SAY

390
00:30:37,202 --> 00:30:38,403
♪ "YOU PLAY, YOU LAY"
DON'T MAKE ME PUSH THE BUTTON

391
00:30:38,469 --> 00:30:40,805
♪ FULL OF PAIN
DROPPED ENOUGH TEARS

392
00:30:40,872 --> 00:30:41,906
♪ TO FILL UP A BUCKET
GOIN' FOR BUCKETS

393
00:30:41,973 --> 00:30:43,675
♪ I BOUGHT A CHOPPER
I GOT A BIG DRUM, IT HOLD A 100

394
00:30:43,741 --> 00:30:44,742
♪ AIN'T GOIN' FOR NOTHIN'
YEAH

395
00:30:44,809 --> 00:30:45,810
♪ I'M READY TO AIR IT OUT
ON ALL THESE HITTERS

396
00:30:45,877 --> 00:30:47,145
♪ I CAN SEE ¡EM RUNNIN'
JUST TALKED TO MY MAMA

397
00:30:47,212 --> 00:30:48,513
♪ SHE HIT ME ON FACETIME
JUST TO CHECK UP ON ME

398
00:30:48,580 --> 00:30:49,547
♪ AND MY BROTHER
I'M REALLY THE BABY

399
00:30:49,614 --> 00:30:50,615
YEAH ♪ SHE KNOW THAT HER YOUNGEST SON

400
00:30:50,682 --> 00:30:52,016
WAS ALWAYS GUARANTEED
♪ TO GET THE MONEY

401
00:30:52,083 --> 00:30:53,151
OKAY, LET'S GO
♪ SHE KNOW THAT HER BABY BOY

402
00:30:53,218 --> 00:30:54,452
WAS ALWAYS GUARANTEED
♪ TO GET THE LOOT

403
00:30:54,519 --> 00:30:55,720
SHE KNOW WHAT I DO
♪ SHE KNOW 'FORE I RUN FROM A

404
00:30:55,787 --> 00:30:56,921
HITTER ♪ I'MA PULL IT OUT AND SHOOT

405
00:30:56,988 --> 00:30:57,922
BOOM PTSD, I'M ALWAYS WAKING UP

406
00:30:57,989 --> 00:30:59,357
YEAH ♪ IN COLD SWEATS LIKE I GOT THE

407
00:30:59,424 --> 00:31:00,692
FLU ♪ MY DAUGHTER A G

408
00:31:00,758 --> 00:31:01,826
SHE SAW ME KILL A HITTER
♪ IN FRONT OF HER

409
00:31:01,893 --> 00:31:03,928
BEFORE THE AGE OF TWO
♪ AND I'LL KILL ANOTHER HITTER

410
00:31:03,995 --> 00:31:04,896
TOO ♪ OH

411
00:31:04,963 --> 00:31:06,698
'FORE I LET ¡EM DO
♪ SOMETHIN' TO YOU

412
00:31:06,764 --> 00:31:07,999
THAT'S SOMETHING THEY
♪ MAY NOT KNOW

413
00:31:08,066 --> 00:31:09,801
THEY JUST GONNA HAVE TO
♪ UNDERSTAND THAT FOR BETTER OR

414
00:31:09,867 --> 00:31:13,805
WORSE ♪ LET'S GO

415
00:31:13,871 --> 00:31:16,641
BRAND NEW LAMBORGHINI
♪ NOT A COP CAR

416
00:31:16,708 --> 00:31:17,976
WITH THE PISTOL ON MY HIP
♪ LIKE I'M A COP

417
00:31:18,042 --> 00:31:20,178
YEAH, YEAH, YEAH
♪ HAVE YOU EVER MET A REAL

418
00:31:20,245 --> 00:31:21,813
HITTER ROCKSTAR?

419
00:31:21,879 --> 00:31:24,916
♪ THIS AIN'T NO GUITAR
THIS A GLOCK WOO

420
00:31:24,983 --> 00:31:27,018
♪ MY GLOCK TOLD ME TO PROMISE
YOU GON' SQUEEZE ME WOO

421
00:31:27,085 --> 00:31:29,754
♪ YOU BETTER LET ME GO
THE DAY YOU NEED ME WOO

422
00:31:29,821 --> 00:31:32,223
♪ SOON AS YOU UP ME ON THAT
GET TO BUSTIN' OOH

423
00:31:32,290 --> 00:31:34,792
♪ AND IF I AIN'T ENOUGH
GO GET THE CHOP

424
00:31:34,859 --> 00:31:38,329
♪ KEEP A GLOCKY
WHEN I RIDE IN THE SUBURBAN

425
00:31:38,396 --> 00:31:40,498
♪ ¡CAUSE THE CODEINE
♪ HAD A YOUNG HITTER SWERVIN'

426
00:31:40,565 --> 00:31:41,799
I GOT THE MOP
♪ WATCH ME WASH ¡EM LIKE

427
00:31:41,866 --> 00:31:44,002
DETERGENT ♪ AND I'M BALLIN'

428
00:31:44,068 --> 00:31:46,571
THAT'S WHY IT'S DIAMONDS
♪ ON MY

429
00:31:46,638 --> 00:31:47,705
SLIDE ON OPPS' SIDE
OH

430
00:31:47,772 --> 00:31:48,706
♪ AND FLIP THE BLOCK BACK,
YEAH, YEAH MY JUNIOR

431
00:31:48,773 --> 00:31:49,707
♪ POPPED HIM
OH

432
00:31:49,774 --> 00:31:51,809
♪ AND LEFT HIM LOPSIDED, YEAH
WE SPIN HIS BLOCK

433
00:31:51,876 --> 00:31:53,745
♪ GOT THE REBOUND, DENNIS
YOU FOOL ME ONE TIME

434
00:31:53,811 --> 00:31:56,314
♪ YOU CAN'T CROSS ME AGAIN
1,200 HORSEPOWER

435
00:31:56,381 --> 00:31:57,949
OH ♪ I GET LOST IN THE WIND

436
00:31:58,016 --> 00:32:01,786
IF HE TALKIN' ON THE YARD
♪ THE PEN' DOGS'LL TAKE HIS CHIN

437
00:32:01,853 --> 00:32:05,156
MAYBACH SUV FOR MY REFUGEES
♪ GOT MONEY IN THE HOOD

438
00:32:05,223 --> 00:32:07,992
PUT MONEY IN THE STREETS
♪ I WAS SOLO WHEN THE OPPS

439
00:32:08,059 --> 00:32:09,794
CAUGHT ME AT THE GAS STATION
♪ HAD IT ON ME, 30 THOUSAND

440
00:32:09,861 --> 00:32:12,797
THOUGHT IT WAS MY LAST DAY
♪ BUT THEY AIN'T EVEN WANT NO

441
00:32:12,864 --> 00:32:14,299
SMOKE ♪ IF I HAD TO CHOOSE IT

442
00:32:14,365 --> 00:32:19,003
MURDER WHAT SHE WROTE
♪ SUPERHERO IN THAT LAMBORGHINI

443
00:32:19,070 --> 00:32:20,271
LIKE I'M BATMAN
♪ SOMETHING THEY AIN'T USED TO

444
00:32:20,338 --> 00:32:21,806
SEEING ♪ FROM EVERY BLACK MAN

445
00:32:21,873 --> 00:32:23,975
TRY TO BRING ME DOWN
♪ EAT UP THE ALLEGATIONS LIKE

446
00:32:24,042 --> 00:32:25,810
PAC-MAN
♪ YOU SHOULD SEE ME NOW

447
00:32:25,877 --> 00:32:27,578
DON'T KNOW WHICH WHIP TO DRIVE
♪ WHEN I LEAVE THE HOUSE

448
00:32:27,645 --> 00:32:29,547
MY SKIN DON'T LOOK THE SAME
♪ SO I GET SINGLED OUT

449
00:32:29,614 --> 00:32:30,948
RIGHT NOW I'M PERFORMING
♪ AT THE GRAMMYS

450
00:32:31,015 --> 00:32:32,950
I'LL PROBABLY GET PROFILED
♪ BEFORE LEAVIN OUT

451
00:32:33,017 --> 00:32:34,919
DON'T BE IN DENIAL LIKE
♪ WE ALL EVEN NOW

452
00:32:34,986 --> 00:32:36,454
CUZ IF YOU'RE IN THE PROJECTS OR
♪ A MANSION

453
00:32:36,521 --> 00:32:38,956
YOU'RE STILL A BLACK MAN
♪ WHEN YOU LEAVE THE HOUSE

454
00:32:39,023 --> 00:32:41,125
AND THEM FACTS
♪ BRAND NEW LAMBORGHINI

455
00:32:41,192 --> 00:32:42,560
NOT A COP CAR
♪ WITH THE PISTOL ON MY HIP

456
00:32:42,627 --> 00:32:44,095
LIKE I'M A COP
♪ YEAH, YEAH, YEAH

457
00:32:44,162 --> 00:32:47,265
HAVE YOU EVER MET A REAL HITTER
♪ ROCKSTAR?

458
00:32:47,332 --> 00:32:49,801
THIS AIN'T NO GUITAR
♪ THIS A GLOCK WOO

459
00:32:49,867 --> 00:32:52,170
MY GLOCK TOLD ME TO PROMISE
♪ YOU GON' SQUEEZE ME WOO

460
00:32:52,236 --> 00:32:55,673
YOU BETTER LET ME GO
♪ THE DAY YOU NEED ME WOO

461
00:32:55,740 --> 00:32:57,809
SOON AS YOU UP ME ON THAT HITTER
♪ GET TO BUSTIN' WOO

462
00:32:57,875 --> 00:33:04,182
AND IF I AIN'T ENOUGH
♪ GO GET THE CHOP

463
00:33:04,248 --> 00:33:05,583
WOO ♪ YOU KNOW THEY SAY

464
00:33:05,650 --> 00:33:06,818
EVERYTHING WE BEEN THROUGH
♪ MAN, IT JUST MADE US ROCKSTARS

465
00:33:06,884 --> 00:33:13,758
YOU KNOW THEY SAY
♪ WE FIT THE DESCRIPTION

466
00:33:21,866 --> 00:33:29,807
♪ ♪ ♪

467
00:33:29,874 --> 00:33:32,710
THANK YOU.

468
00:33:32,777 --> 00:33:36,981
DABABY, GIVE IT UP FOR
DABABY, EVERYBODY, AND I GUESS

469
00:33:37,048 --> 00:33:43,254
DABABY BOOMERS WITH RODDY RICCH,
AND NOW LADIES AND GENTLEMEN, A

470
00:33:43,321 --> 00:33:48,593
TRULY GLOBAL SUPERSTAR AND MOST
STREAMED ARTIST MUCH 2020 JOINED

471
00:33:48,659 --> 00:33:55,299
BY JHAY CORTEZ THIS IS BAD BUNNY
.

472
00:33:55,366 --> 00:34:00,271
♪ ♪ ♪

473
00:34:00,338 --> 00:34:03,941
♪ BABY YA YO ME ENTERE
SE NOTA CUANDO ME VES

474
00:34:04,008 --> 00:34:08,012
♪ AHI DONDE NO HAS LLEGAO'
SABES QUE YO TE LLEVARE

475
00:34:08,079 --> 00:34:12,483
♪ Y DIME QUE QUIERES BEBER
ES QUE TU ERES MI BEBE

476
00:34:12,550 --> 00:34:13,785
♪ Y DE NOSOTROS QUIEN VA A
HABLAR

477
00:34:13,851 --> 00:34:17,789
♪ SI NO NOS DEJAMOS VER
Y A VECES ES DOLCE

478
00:34:17,855 --> 00:34:20,024
♪ A VECES BULGARI
CUANDO TE LO QUITO

479
00:34:20,091 --> 00:34:21,793
♪ DESPUES DE LO' PARTIES
LAS COPAS DE VINO

480
00:34:21,859 --> 00:34:24,629
♪ LAS LIBRAS DE MARI
TU TAS' BIEN SUELTA

481
00:34:24,695 --> 00:34:29,700
♪ Y YO DE SAFARI
TU MUEVES EL FENOMENAL

482
00:34:29,767 --> 00:34:33,805
♪ PA' YO DEVORARTE COMO ANIMAL
HOY NINGUNO SE MUERE

483
00:34:33,871 --> 00:34:37,508
EN MI CAMA Y LO VOY A CELEBRAR
♪ BABY YO A E NO ME OPONGO

484
00:34:37,575 --> 00:34:41,779
Y SIEMPRE TE LO PONGO
♪ Y SI TU ME ERA

485
00:34:41,846 --> 00:34:52,557
VAMOS A NADAR EN LO HONDO
Y SIEMPRE TE LO PONGO

486
00:34:52,623 --> 00:34:53,791
♪ ♪ ♪
♪ YA YO ME ENTERE

487
00:34:53,858 --> 00:34:57,795
SE NOTA CUANDO ME VE
♪ AHI DONDE NO HAS LLEGAO'

488
00:34:57,862 --> 00:35:01,799
SABES QUE YO TE LLEVARE
♪ DIME QUE QUIERES BEBER

489
00:35:01,866 --> 00:35:05,269
ES QUE TU ERES MI BEBE
♪ Y DE NOSTROS QUIEN VA A

490
00:35:05,336 --> 00:35:13,277
HABLAR ♪ SI NO NOS DEJAMOS VER

491
00:35:13,344 --> 00:35:17,482
♪ ♪ ♪
♪ ♪ ♪

492
00:35:17,548 --> 00:35:23,554
♪ CONEGO SIEMPRE ARREBATAO'
TU NO ERES MI SENORA

493
00:35:23,621 --> 00:35:24,689
-♪ TOMA 5
-K GASTALO EN SEPHORA
LOUIS VUIRON YA NO COMPRA

494
00:35:24,755 --> 00:35:25,690
♪ EN PANDORA
COMO PIERCING A

495
00:35:25,756 --> 00:35:29,026
♪ LOS HOMBRES PERFORA
EH

496
00:35:29,093 --> 00:35:33,764
♪ HACE EEMPO LE ROMPIERON EL
CORA CORA

497
00:35:33,831 --> 00:35:36,467
♪ ESTUDIOSA PUESTA PA' SER
DOCTORA DOCTORA

498
00:35:36,534 --> 00:35:41,806
♪ PERO PERO
LE GUSTAN LOS UTERE WILEANDO

499
00:35:41,873 --> 00:35:45,810
♪ MOTORA MOTORA
♪ ♪ ♪

500
00:35:45,877 --> 00:35:48,412
♪ BABY A E NO ME OPONGO
Y SIEMPRE TE LO PONGO

501
00:35:48,479 --> 00:35:53,784
♪ TE LO PONGO
Y SI TU ME ERA VAMOS A

502
00:35:53,851 --> 00:35:56,020
♪ NADAR EN LO HONDO
♪ Y SI ES POR MI YO TE LO PONGO

503
00:35:56,087 --> 00:36:00,291
DE SEPEEMBRE HASTA AGOSTO
♪ A MI SIN LOS QUE DIGAN TUS

504
00:36:00,358 --> 00:36:02,226
AMIGAS ♪ YA YO ME ENTERE

505
00:36:02,293 --> 00:36:07,999
SE NOTA CUANDO ME VE
♪ AHI DONDE NO HAS LLEGAO'

506
00:36:08,065 --> 00:36:13,037
SABES QUE YO TE LLEVARE
♪ Y DIME QUE QUIERES BEBER

507
00:36:13,104 --> 00:36:16,140
ES QUE TU ERES MI BEBE
♪ Y DE NOSTROS QUIEN VA A

508
00:36:16,207 --> 00:36:20,011
HABLAR ♪ SI NO NOS DEJAMOS VER

509
00:36:25,650 --> 00:36:29,787
♪ ♪ ♪
♪ ♪ ♪

510
00:36:29,854 --> 00:36:41,599
BAD BUNNY, EVERYONE, WOW,

511
00:36:41,666 --> 00:36:45,336
THAT FELT EXACTLY LIKE I WAS
BACK IN THE CLUB, EXCEPT I'M NOT

512
00:36:45,403 --> 00:36:46,437
GETTING KICKED OUT THIS TIME.

513
00:36:46,504 --> 00:36:49,807
NOW IT'S TIME FOR ANOTHER RECORD
OF THE YEAR PERFORMER.

514
00:36:49,874 --> 00:36:53,744
IN 2019 SHE WON TWO GRAMMY
AWARDS INCLUDING BEST NEW

515
00:36:53,811 --> 00:36:54,912
ARTIST.

516
00:36:54,979 --> 00:36:57,715
THIS YEAR THIS INTERNATIONAL
SENSATION HAS EARNED SIX MORE

517
00:36:57,782 --> 00:37:07,758
NOMINATIONS SO LET'S TAKE A
CLOSER LOOK AT DUA LIPA.

518
00:37:07,825 --> 00:37:15,800
NOMINATIONS SO LET'S TAKE A
CLOSER LOOK AT DUA LIPA.

519
00:37:15,866 --> 00:37:19,170
IT WAS REALLY KIND OF AN
AMALGAMATION OF MEMORIES THAT

520
00:37:19,236 --> 00:37:23,040
HAVE I HAD SINCE I WAS A KID,
GROWING UP, WHEN I SEE ARTISTS

521
00:37:23,107 --> 00:37:27,211
ON TV, THEY WOULD ALWAYS BE
SOMETHING THAT I THOUGHT WAS AS

522
00:37:27,278 --> 00:37:32,049
FAR FETCHED AS A-- TO BE HONEST.

523
00:37:32,116 --> 00:37:41,792
DOING MUSIC, ONLY A PIPEDREAM.

524
00:37:41,859 --> 00:37:45,596
♪ ♪ ♪
I WAS BORN AND RAISED IN

525
00:37:45,663 --> 00:37:46,731
LONDON.

526
00:37:46,797 --> 00:37:52,169
MY FAMILY AND I MOVED, HONORING
MY ROOTS HAS ALWAYS BEEN

527
00:37:52,236 --> 00:37:57,808
SOMETHING VERY IMPORTANT TO ME,
LIKE BEING TWO PLACES AT ONCE,

528
00:37:57,875 --> 00:38:02,013
FEELING EQUALLY A PART OF BOTH
WORLDS.

529
00:38:02,079 --> 00:38:06,717
WHEN I PERFORM LIVE I FEEL
INVINCIBLE.

530
00:38:06,784 --> 00:38:10,788
WHATEVER IS GOING THROUGH MY
MIND, I WELCOME ALL OF THOSE

531
00:38:10,855 --> 00:38:11,656
CRAZY EMOTIONS.

532
00:38:11,722 --> 00:38:15,826
I LOVE BEING SO PRESENT IN THOSE
MOMENTS.

533
00:38:15,893 --> 00:38:19,296
THE GRAMMYS HAS ALWAYS BEEN SUCH
A MASSIVE DREAM OF MINE, THIS IS

534
00:38:19,363 --> 00:38:24,802
INSANE THAT SO MANY PEOPLE THAT
I LOOKED UP TO MY WHOLE LIFE,

535
00:38:24,869 --> 00:38:31,142
THAT HAVE BEEN ON.

536
00:38:31,208 --> 00:38:35,446
IT IS MIND BLOWING.

537
00:38:35,513 --> 00:38:37,081
♪ I GOT YOU
MOONLIGHT

538
00:38:37,148 --> 00:38:39,850
♪ YOU'RE MY
STARLIGHT

539
00:38:39,917 --> 00:38:49,193
♪ I NEED YOU
ALL NIGHT

540
00:38:49,260 --> 00:38:52,630
♪ COME ON, DANCE WITH ME
COME ON, DANCE WITH ME

541
00:38:52,697 --> 00:38:53,931
I'M LEVITATING
♪ IF YOU WANNA

542
00:38:53,998 --> 00:38:55,366
RUN AWAY WITH ME
♪ I KNOW A GALAXY

543
00:38:55,433 --> 00:38:58,903
AND I CAN TAKE YOU FOR A RIDE
♪ I HAD A PREMONITION THAT WE

544
00:38:58,969 --> 00:39:01,472
FELL INTO A RHYTHM
♪ WHERE THE MUSIC DON'T

545
00:39:01,539 --> 00:39:03,074
STOP FOR LIFE
♪ GLITTER IN THE SKY

546
00:39:03,140 --> 00:39:06,577
GLITTER IN MY EYES
♪ SHINING JUST THE WAY I LIKE

547
00:39:06,644 --> 00:39:09,113
IF YOU FEELIN' LIKE
♪ YOU NEED A LITTLE BIT OF

548
00:39:09,180 --> 00:39:11,048
COMPANY ♪ YOU MET ME AT THE

549
00:39:11,115 --> 00:39:13,551
PERFECT TIME
♪ YOU WANT ME

550
00:39:13,617 --> 00:39:15,052
I WANT YOU, BABY
♪ MY SUGARBOO

551
00:39:15,119 --> 00:39:17,755
I'M LEVITATING
♪ THE MILKY WAY

552
00:39:17,822 --> 00:39:20,925
WE'RE RENEGADING
YEAH, YEAH, YEAH, YEAH, YEAH

553
00:39:20,991 --> 00:39:23,060
♪ I GOT YOU
MOONLIGHT

554
00:39:23,127 --> 00:39:25,396
♪ YOU'RE MY
STARLIGHT

555
00:39:25,463 --> 00:39:26,931
♪ I NEED YOU
ALL NIGHT

556
00:39:26,997 --> 00:39:30,034
♪ COME ON, DANCE WITH ME
I'M LEVITATING

557
00:39:30,101 --> 00:39:32,403
♪ YOU
MOONLIGHT

558
00:39:32,470 --> 00:39:34,605
♪ YOU'RE MY
STARLIGHT

559
00:39:34,672 --> 00:39:37,374
♪ I NEED YOU
ALL NIGHT

560
00:39:37,441 --> 00:39:45,316
♪ COME ON, DANCE WITH ME
I'M LEVITATING

561
00:39:45,382 --> 00:39:46,350
♪ ♪ ♪

562
00:39:46,417 --> 00:39:47,418
♪ I'M ONE OF THE GREATEST
AIN'T NO DEBATIN' ON IT

563
00:39:47,485 --> 00:39:49,353
♪ I'M STILL LEVITATED
I'M HEAVILY MEDICATED

564
00:39:49,420 --> 00:39:51,122
♪ IRONIC, I GAVE 'EM LOVE
AND THEY END UP HATIN' ON ME

565
00:39:51,188 --> 00:39:53,023
♪ SHE TOLD ME SHE LOVE ME
AND SHE BEEN WAITIN'

566
00:39:53,090 --> 00:39:53,858
♪ BEEN FIGHTIN' HARD FOR YOUR
LOVE

567
00:39:53,924 --> 00:39:55,059
♪ AND I'M RUNNIN' THIN ON MY
PATIENCE

568
00:39:55,126 --> 00:39:57,561
♪ NEEDED SOMEONE TO HUG
EVEN TOOK IT BACK TO THE BASICS

569
00:39:57,628 --> 00:39:59,063
♪ YOU SEE WHAT YOU GOT ME OUT
HERE DOIN'

570
00:39:59,130 --> 00:40:00,498
♪ MIGHT'VE THREW ME OFF
BUT CAN'T NOBODY STOP THE

571
00:40:00,564 --> 00:40:01,866
♪ MOVEMENT
UH UH, LET'S GO

572
00:40:01,932 --> 00:40:04,568
♪ LEFT FOOT, RIGHT FOOT
LEVITATIN'

573
00:40:04,635 --> 00:40:06,971
♪ POP STARS
DUA LIPA WITH DaBABY

574
00:40:07,037 --> 00:40:08,205
♪ I HAD TO LACE MY SHOES
FOR ALL THE BLESSINGS I WAS

575
00:40:08,272 --> 00:40:09,273
♪ CHASIN'
IF I EVER SLIP

576
00:40:09,340 --> 00:40:11,075
♪ I'LL FALL INTO A BETTER
SITUATION

577
00:40:11,142 --> 00:40:13,778
♪ SO CATCH UP
GO PUT SOME CHEESE ON IT

578
00:40:13,844 --> 00:40:15,446
♪ GET OUT AND GET YOUR BREAD UP
THEY ALWAYS LEAVE WHEN YOU FALL

579
00:40:15,513 --> 00:40:17,314
♪ BUT YOU RUN TOGETHER
WEIGHT OF THE WORLD ON MY

580
00:40:17,381 --> 00:40:19,049
♪ SHOULDERS
I KEPT MY HEAD UP

581
00:40:19,116 --> 00:40:21,318
♪ NOW BABY, STAND UP
'CAUSE GIRL, YOU

582
00:40:21,385 --> 00:40:23,053
♪ YOU WANT ME
I WANT YOU, BABY

583
00:40:23,120 --> 00:40:25,923
♪ MY SUGARBOO
I'M LEVITATING

584
00:40:25,990 --> 00:40:27,091
♪ THE MILKY WAY
WE'RE RENEGADING

585
00:40:27,158 --> 00:40:31,061
YEAH, YEAH, YEAH, YEAH, YEAH
♪ I GOT YOU

586
00:40:31,128 --> 00:40:33,197
MOONLIGHT ♪ YOU'RE MY

587
00:40:33,264 --> 00:40:35,065
STARLIGHT ♪ I NEED YOU

588
00:40:35,132 --> 00:40:38,002
ALL NIGHT
♪ COME ON, DANCE WITH ME

589
00:40:38,068 --> 00:40:39,336
I'M LEVITATING
♪ YOU

590
00:40:39,403 --> 00:40:42,439
MOONLIGHT ♪ YOU'RE MY

591
00:40:42,506 --> 00:40:43,874
STARLIGHT ♪ I NEED YOU

592
00:40:43,941 --> 00:40:47,044
ALL NIGHT
♪ COME ON, DANCE WITH ME

593
00:40:47,111 --> 00:40:50,347
I'M LEVITATING
♪ YOU CAN FLY AWAY WITH ME

594
00:40:50,414 --> 00:40:52,750
TONIGHT ♪ YOU CAN FLY AWAY WITH ME

595
00:40:52,817 --> 00:40:54,852
TONIGHT ♪ BABY, LET ME TAKE YOU FOR A

596
00:40:54,919 --> 00:40:57,321
RIDE ♪ YEAH, YEAH, YEAH, YEAH, YEAH

597
00:40:57,388 --> 00:40:58,956
I'M LEVITATING, WOO
♪ YOU CAN FLY AWAY WITH ME

598
00:40:59,023 --> 00:41:01,292
TONIGHT ♪ YOU CAN FLY AWAY WITH ME

599
00:41:01,358 --> 00:41:03,527
TONIGHT ♪ BABY, LET ME TAKE YOU FOR A

600
00:41:03,594 --> 00:41:06,864
RIDE YEAH, YEAH, YEAH, YEAH, YEAH

601
00:41:06,931 --> 00:41:09,233
♪ I GOT YOU
MOONLIGHT

602
00:41:09,300 --> 00:41:11,035
♪ YOU'RE MY
STARLIGHT

603
00:41:11,101 --> 00:41:15,072
♪ I NEED YOU
ALL NIGHT

604
00:41:15,139 --> 00:41:21,312
♪ COME ON, DANCE WITH ME
I'M LEVITATING ♪

605
00:41:33,390 --> 00:41:38,963
♪ ♪ ♪
♪ ♪ ♪

606
00:41:39,029 --> 00:41:44,101
♪ IF YOU DON'T WANNA SEE ME
DANCING WITH SOMEBODY

607
00:41:44,168 --> 00:41:53,844
♪ IF YOU WANNA BELIEVE THAT
ANYTHING COULD STOP ME

608
00:41:53,911 --> 00:41:56,714
♪ DON'T SHOW UP

609
00:41:56,780 --> 00:41:59,049
DON'T COME OUT
♪ DON'T START CARING

610
00:41:59,116 --> 00:42:03,053
ABOUT ME NOW
♪ WALK AWAY

611
00:42:03,120 --> 00:42:06,023
YOU KNOW HOW
♪ DON'T START CARING

612
00:42:06,090 --> 00:42:14,164
ABOUT ME NOW

613
00:42:14,231 --> 00:42:19,069
♪ ♪ ♪
♪ DON'T START NOW

614
00:42:19,136 --> 00:42:24,975
♪ ♪ ♪
I'M NOT WHERE YOU LEFT ME

615
00:42:25,042 --> 00:42:27,611
AT ALL, SO
♪ IF YOU DON'T WANNA SEE ME

616
00:42:27,678 --> 00:42:35,052
DANCING WITH SOMEBODY
♪ IF YOU WANNA BELIEVE THAT

617
00:42:35,119 --> 00:42:41,659
ANYTHING COULD STOP ME
♪ DON'T SHOW UP

618
00:42:41,725 --> 00:42:42,493
DON'T SHOW UP
♪ DON'T COME OUT

619
00:42:42,559 --> 00:42:45,329
DON'T COME OUT
♪ DON'T START CARING

620
00:42:45,396 --> 00:42:47,064
ABOUT ME NOW
♪ 'BOUT ME NOW

621
00:42:47,131 --> 00:42:49,566
WALK AWAY
♪ WALK AWAY

622
00:42:49,633 --> 00:42:51,402
YOU KNOW HOW
♪ YOU KNOW HOW

623
00:42:51,468 --> 00:42:59,076
DON'T START CARING ABOUT ME NOW
♪ ♪ ♪

624
00:42:59,143 --> 00:43:02,413
GRAMMYS!

625
00:43:06,784 --> 00:43:11,055
♪ ♪ ♪
♪ ♪ ♪

626
00:43:11,121 --> 00:43:19,063
WALK AWAY, WALK AWAY, OH ♪

627
00:43:23,133 --> 00:43:29,707
♪ ♪ ♪
WALK AWAY, WALK AWAY, OH ♪

628
00:43:29,773 --> 00:43:33,344
♪ WALK AWAY, WALK AWAY
WALK AWAY, WALK AWAY

629
00:43:33,410 --> 00:43:45,222
♪ WALK AWAY, WALK AWAY ♪

630
00:43:45,289 --> 00:43:50,928
UP NEXT BRUNO MARS, AND
ANKERSON APPROXIMATE AK, TAYLOR

631
00:43:50,995 --> 00:43:55,399
SWIFT AND REMEMBERING LITTLE
RICHARD, JOHN PRINE AN KENNY

632
00:43:55,466 --> 00:43:57,267
ROGERS IN AN ALL-STAR TRIBUTE.

633
00:43:57,334 --> 00:44:02,239
NOW LET'S CHECK THIS BACKSTAGE
WITH CASSIE DI LAURA.

634
00:44:02,306 --> 00:44:04,708
WE ARE HERE WITH MEMBERS OF
FACEBOOK GROUP, A PLACE WHERE

635
00:44:04,775 --> 00:44:06,877
PEOPLE CAN CONNECT WITH OTHERS
WITH THE SAME PASSION, SO THEY

636
00:44:06,944 --> 00:44:10,714
CAN SHARE INSURANCE OPERATION,
ADVICE, INFORMATION AND REALLY

637
00:44:10,781 --> 00:44:14,284
HAVE THEIR VOICES HEARD, THERE
ARE MANY GRAMMY WINNING ARTUS

638
00:44:14,351 --> 00:44:16,387
WAS GOT THEIR START THROUGH
SOCIAL MEDIA SO IT WILL BE

639
00:44:16,453 --> 00:44:19,523
INTERESTING TO SEE IF ANY OF
THESE GROUP MEMBERS HERE WILL

640
00:44:19,590 --> 00:44:23,060
SOME DAY HAVE A CHANCE TO
PERFORM LIVE ON THIS STAGE.

641
00:44:23,127 --> 00:44:26,363
STAY WITH US.

642
00:44:26,430 --> 00:44:28,065
THE 63rd GRAMMY
AWARDS IS SPONSORED BY REMY

643
00:44:28,132 --> 00:44:29,733
TEAM UP FOR EXCELLENCE.

644
00:44:34,271 --> 00:44:40,411
♪ ♪ ♪

645
00:44:40,477 --> 00:44:43,213
WELCOME BACK TO THE
GRAMMYS, EVERYBODY.

646
00:44:43,280 --> 00:44:49,520
THIS IS EXCITING.

647
00:44:49,586 --> 00:44:51,422
BECAUSE FOR THE FIRST TIME
ANYWHERE, THIS IS BRUNO MARS AND

648
00:44:51,488 --> 00:44:55,426
-ANDERSON .
-PAAK TOGETHER AS SILK
SONIC.

649
00:45:03,600 --> 00:45:08,672
♪ ♪ ♪
♪ OOH

650
00:45:08,739 --> 00:45:10,040
♪ SAID BABY, SAID BABY, SAID
BABY

651
00:45:10,107 --> 00:45:11,208
♪ WHAT YOU DOIN'?

652
00:45:11,275 --> 00:45:12,209
WHAT YOU DOIN'?

653
00:45:12,276 --> 00:45:13,077
♪ WHERE YOU AT?

654
00:45:13,143 --> 00:45:13,610
WHERE YOU AT?

655
00:45:13,677 --> 00:45:14,344
♪ OH, YOU GOT PLANS?

656
00:45:14,411 --> 00:45:15,612
YOU GOT PLANS
♪ DON'T SAY THAT

657
00:45:15,679 --> 00:45:17,681
SHUT YOUR TRAP
♪ I'M SIPPIN' WINE

658
00:45:17,748 --> 00:45:19,216
SIP, SIP
♪ IN A ROBE

659
00:45:19,283 --> 00:45:20,851
DRIP, DRIP
♪ I LOOK TOO GOOD

660
00:45:20,918 --> 00:45:22,619
LOOK TOO GOOD
♪ TO BE ALONE

661
00:45:22,686 --> 00:45:24,221
WOO, WOO
♪ MY HOUSE CLEAN

662
00:45:24,288 --> 00:45:25,522
HOUSE CLEAN
♪ MY POOL WARM

663
00:45:25,589 --> 00:45:27,257
POOL WARM
♪ I JUST SHAVED

664
00:45:27,324 --> 00:45:31,862
SMOOTH LIKE A NEWBORN
♪ WE SHOULD BE DANCIN',

665
00:45:31,929 --> 00:45:33,964
ROMANCIN'
♪ IN THE EAST WING AND THE WEST

666
00:45:34,031 --> 00:45:35,332
WING ♪ OF THIS MANSION, WHAT'S

667
00:45:35,399 --> 00:45:37,534
HAPPENIN'?

668
00:45:37,601 --> 00:45:40,270
♪ I AIN'T PLAYIN' NO GAMES
EVERY WORD THAT I SAY

669
00:45:40,337 --> 00:45:43,207
♪ IS COMING STRAIGHT FROM THE
HEART

670
00:45:43,273 --> 00:45:49,513
♪ SO IF YOU TRYNA LAY IN THESE
ARMS

671
00:45:49,580 --> 00:45:55,219
♪ I'MA LEAVE THE DOOR OPEN
I'MA LEAVE THE DOOR OPEN

672
00:45:55,285 --> 00:46:03,227
♪ I'MA LEAVE THE DOOR OPEN, GIRL
I'MA LEAVE THE DOOR OPEN, HOPIN'

673
00:46:03,293 --> 00:46:06,630
♪ THAT YOU FEEL THE WAY I FEEL
AND YOU WANT ME LIKE

674
00:46:06,697 --> 00:46:08,398
♪ I WANT YOU TONIGHT, BABY
TELL ME THAT YOU'RE

675
00:46:08,465 --> 00:46:15,072
♪ COMING
THROUGH

676
00:46:15,139 --> 00:46:16,073
♪ OOH, YOU'RE SO SWEET
SO SWEET

677
00:46:16,140 --> 00:46:19,209
♪ SO TIGHT
SO TIGHT

678
00:46:19,276 --> 00:46:20,344
♪ I WON'T BITE
AH-AH

679
00:46:20,410 --> 00:46:21,879
♪ UNLESS YOU LIKE
UNLESS YOU LIKE

680
00:46:21,945 --> 00:46:23,213
♪ IF YOU SMOKE
WHAT YOU SMOKE

681
00:46:23,280 --> 00:46:25,516
♪ I GOT THAT HAZE
PURPLE HAZE

682
00:46:25,582 --> 00:46:27,684
♪ AND IF YOU'RE HUNGRY,
GIRL, I GOT FILETS WOO

683
00:46:27,751 --> 00:46:31,221
♪ OOH, BABY, DON'T KEEP ME
WAITIN

684
00:46:31,288 --> 00:46:33,957
♪ THERE'S SO MUCH LOVE
WE COULD BE MAKING

685
00:46:34,024 --> 00:46:35,225
SHAMONE!

686
00:46:35,292 --> 00:46:37,494
♪ I'M TALKING KISSING
CUDDLING

687
00:46:37,561 --> 00:46:42,900
♪ ROSE PETALS IN THE BATHTUB
GIRL, LETS JUMP IN, IT'S BUBBLIN

688
00:46:42,966 --> 00:46:44,334
♪ I AIN'T PLAYIN' NO GAMES
EVERY WORD THAT I SAY

689
00:46:44,401 --> 00:46:47,237
♪ IS COMING STRAIGHT FROM THE
HEART

690
00:46:47,304 --> 00:46:55,212
♪ SO IF YOU TRYNA LAY IN THESE
ARMS

691
00:46:55,279 --> 00:46:59,216
♪ I'MA LEAVE THE DOOR OPEN
I'MA LEAVE THE DOOR OPEN

692
00:46:59,283 --> 00:47:07,224
♪ I'MA LEAVE THE DOOR OPEN, GIRL
I'MA LEAVE THE DOOR OPEN, HOPIN'

693
00:47:07,291 --> 00:47:11,195
♪ THAT YOU FEEL THE WAY I FEEL
AND YOU WANT ME LIKE

694
00:47:11,261 --> 00:47:13,063
♪ I WANT YOU TONIGHT, BABY
TELL ME THAT YOU'RE

695
00:47:13,130 --> 00:47:23,240
♪ COMING
THROUGH

696
00:47:23,307 --> 00:47:27,211
♪ LA-LA-LA-LA-LA-LA-LA
I NEED YOU, BABY

697
00:47:27,277 --> 00:47:35,219
♪ LA-LA-LA-LA-LA-LA-LA
I GOTTA SEE YOU, BABY

698
00:47:35,285 --> 00:47:39,523
♪ LA-LA-LA-LA-LA-LA-LA
GIRL, I'M TRYNA GIVE YOU THIS,

699
00:47:39,590 --> 00:47:47,231
♪ AH
HEY HEY

700
00:47:47,297 --> 00:47:51,235
♪ I'MA LEAVE MY DOOR OPEN
I'MA LEAVE THE DOOR OPEN BABY

701
00:47:51,301 --> 00:47:55,239
♪ I'MA LEAVE, I'MA LEAVE MY DOOR
OPEN, GIRL

702
00:47:55,305 --> 00:47:57,074
♪ I'MA LEAVE THE DOOR OPEN
AND I'M HOPIN'

703
00:47:57,140 --> 00:48:00,177
♪ HOPIN' HOPIN'
THAT YOU FEEL THE WAY I FEEL

704
00:48:00,244 --> 00:48:03,747
♪ AND YOU WANT ME LIKE I WANT
YOU BABY

705
00:48:03,814 --> 00:48:11,221
♪ TELL ME THAT YOU'RE COMING
THROUGH

706
00:48:11,288 --> 00:48:15,192
♪ MMM
♪ ♪ ♪

707
00:48:15,259 --> 00:48:21,898
I'M WAITING, WAITING, WAITING
♪ GIRL, I'M HERE JUST WAITING

708
00:48:21,965 --> 00:48:25,535
FOR YOU
♪ COME ON OVER I'LL ADORE YOU

709
00:48:25,602 --> 00:48:31,208
LA-LA-LA-LA
♪ I'M WAITING, WAITING, WAITING

710
00:48:31,275 --> 00:48:39,216
FOR YOU
♪ YOU

711
00:48:39,283 --> 00:48:47,224
COME ON OVER BABY
♪ I'MA LEAVE THE DOOR OPEN FOR

712
00:48:47,291 --> 00:48:55,232
YOU ♪ WOO

713
00:48:55,299 --> 00:49:00,771
OW ♪

714
00:49:00,837 --> 00:49:03,273
BRUNO MARS AND
-ANDERSON .
-PAAK, EVERYBODY--

715
00:49:03,340 --> 00:49:05,942
NOW KNOWN AS SILK SONIC!

716
00:49:06,009 --> 00:49:07,511
AND AS WITH EVERY BRUNO SONG, I
CAN'T WAIT TO DANCE TO THAT AT

717
00:49:07,577 --> 00:49:10,013
EVERY WEDDING FOR THE REST OF MY
LIFE.

718
00:49:10,080 --> 00:49:11,815
TAYLOR SWIFT WILL BE PERFORMING

719
00:49:11,882 --> 00:49:16,119
NEXT, BUT, FIRST, TIME TO GIVE
OUT A GRAMMY.

720
00:49:16,186 --> 00:49:19,690
NOW, THIS PAST YEAR HAS BEEN
DIFFICULT FOR US ALL.

721
00:49:19,756 --> 00:49:22,592
I MEAN, WE'VE HAD TO DO
EVERYTHING OVER ZOOM-- WEDDINGS,

722
00:49:22,659 --> 00:49:23,760
WORK, COLONOSCOPIES.

723
00:49:23,827 --> 00:49:25,896
BUT SOME OF THE BUSINESSES HIT
HARDEST BY THE PANDEMIC HAVE

724
00:49:25,962 --> 00:49:29,633
BEEN THE INDEPENDENT MUSIC
VENUES ALL OVER AMERICA THAT

725
00:49:29,700 --> 00:49:33,103
HAVEN'T HAD AUDIENCES IN THEIR
ICONIC BUILDINGS FOR A YEAR.

726
00:49:33,170 --> 00:49:35,305
SO, TONIGHT, WE ARE GOING TO GO
TO A FEW OF THESE PRECIOUS

727
00:49:35,372 --> 00:49:39,009
INDEPENDENT MUSIC VENUES AROUND
THIS COUNTRY AND GIVE THE PEOPLE

728
00:49:39,076 --> 00:49:42,446
WHO HAVE CREATED SUCH LOVING
HOMES FOR MUSIC THE HONOR OF

729
00:49:42,512 --> 00:49:45,482
PRESENTING SOME OF THIS YEAR'S
GRAMMY AWARDS.

730
00:49:45,549 --> 00:49:49,519
LET'S GO FIRST TO NASHVILLE,
TENESSEE, TO THE STATION INN,

731
00:49:49,586 --> 00:49:54,758
AND MEET J.T. GRAY.

732
00:49:54,825 --> 00:49:56,093
I'M JT GRAY, I'M THE OWNER OF

733
00:49:56,159 --> 00:49:58,495
THE STATION INN IN NASHVILLE,
TENNESSEE.

734
00:49:58,562 --> 00:50:02,499
MUSIC, IT IS ONE BIG HAPPY
FAMILY, PLAYING HAPPY MUSIC AND

735
00:50:02,566 --> 00:50:08,438
HAVING A HAPPY TIME, YOU NEVER
KNOW WHO IS GOING TO BE AT

736
00:50:08,505 --> 00:50:09,673
STATION INN.

737
00:50:09,740 --> 00:50:14,010
VINS GILL USED TO PLAY ON MONDAY
NIGHT, CHRIS STAPLETON USED TO

738
00:50:14,077 --> 00:50:15,912
PLAY WITH THE STEEL DRIVERS.

739
00:50:15,979 --> 00:50:19,216
THERE WAS A BAND PLAYED EVERY
TUESDAY NIGHT CALLED THE SIDEMEN

740
00:50:19,282 --> 00:50:24,054
AND HE STARTED COMING DOWN AND
HANGING OUT, AND DIRKS WILL TELL

741
00:50:24,121 --> 00:50:27,691
YOU TODAY THAT IS WHERE HE
LEARNED TO PLAY AND STING QUITE

742
00:50:27,758 --> 00:50:30,060
HERE AT THE STATION INN.

743
00:50:30,127 --> 00:50:33,663
WHEN COVID HIT WE HAD TO CLOSE
DOWN, WE HAD NO IDEA AT THAT

744
00:50:33,730 --> 00:50:36,867
TIME WHAT WE WERE GOING TO DO.

745
00:50:36,933 --> 00:50:40,871
BIGGER NAME VENUES CAN SUSTAIN
REVENUE LOSS A LOT MORE THAN A

746
00:50:40,937 --> 00:50:43,573
PRIVATELY OWNED SMALL VENUE LIKE
THE STATION INN.

747
00:50:43,640 --> 00:50:48,178
WE JUST HOPE THAT ALL THE OTHER
SMALL VENUES GET TO BE BACK IN

748
00:50:48,245 --> 00:50:53,016
BUSINESS ALONG WITH US REAL SOON
BECAUSE MUSIC IS THERAPY FOR

749
00:50:53,083 --> 00:50:54,251
PEOPLE.

750
00:50:54,317 --> 00:50:57,020
GETTING TO REOPEN THE STATION
INN IS GOING TO BE A CELEBRATION

751
00:50:57,087 --> 00:50:58,155
LIKE NEVER BEFORE.

752
00:50:58,221 --> 00:51:00,624
THERE IS GOING TO BE A BIG
PARTY.

753
00:51:00,690 --> 00:51:05,128
IN THE MEANTIME, I'M HONORED TO
BE PRESENTING THE GRAMMY AWARD

754
00:51:05,195 --> 00:51:07,297
FOR BEST COUNTRY ALBUM.

755
00:51:07,364 --> 00:51:12,869
HERE ARE THE NOMINATIONS.

756
00:51:12,936 --> 00:51:18,275
♪ ♪ ♪
"LADY LIKE," INGRID ANDRESS.

757
00:51:18,341 --> 00:51:26,616
"YOUR LIFE IS A RECORD," BRANDY
CLARK.

758
00:51:26,683 --> 00:51:30,620
"WILDCARD," MIRANDA LAMBERT.

759
00:51:30,687 --> 00:51:38,628
"NIGHTFALL," LITTLE BIG TOWN.

760
00:51:38,695 --> 00:51:42,599
"NEVER WILL," ASHLEY McBRYDE.

761
00:51:42,666 --> 00:51:47,938
♪ ♪ ♪

762
00:51:48,004 --> 00:51:50,006
A GREAT GROUP OF
NOMINEES.

763
00:51:50,073 --> 00:51:51,975
SO, LET'S GO BACK NOW TO J.T.

764
00:51:52,042 --> 00:52:01,318
GRAY AT THE STATION INN TO TELL
US WHO THE WINNER IS.

765
00:52:01,384 --> 00:52:06,089
"WILDCARD," MIRANDA LAMBERT.

766
00:52:06,156 --> 00:52:13,930
♪ ♪ ♪

767
00:52:13,997 --> 00:52:14,631
♪ KEEP THE LIGHT ON.

768
00:52:14,698 --> 00:52:19,903
♪ KEEP A BLUE BIRD IN MY HEART.

769
00:52:19,970 --> 00:52:25,275
♪.

770
00:52:25,342 --> 00:52:28,812
THANK YOU ALL SO, SO MUCH,
THANK YOU FOR THE GRAMMYS FOR

771
00:52:28,879 --> 00:52:30,347
PUTTING THIS TOGETHER AND
LETTING US AT LEAST KIND OF BE

772
00:52:30,413 --> 00:52:35,852
TOGETHER AND SAY HI, BRANDY,
INGRID AND LITTLE BIGTOWN, WE

773
00:52:35,919 --> 00:52:41,124
ARE SUCH A FAMILY IN COUNTRY
MUSIC SO I FEEL LIKE LIKE I'M

774
00:52:41,191 --> 00:52:43,760
HOLDING IT FOR ALL OF US,
ESPECIALLY US GIRLS.

775
00:52:43,827 --> 00:52:49,966
I'M VERY THANKFUL, I'M THANKFUL
FOR JAY WHO HAD THREE IN THIS

776
00:52:50,033 --> 00:52:54,137
CATEGORY, ASHLEY AND MYSELF, WHO
MADE WILDCARD WHAT IT IS THIS

777
00:52:54,204 --> 00:52:59,109
PAST SEASON, INSPIRED IT, THANKS
TO MY FAMILY, HUSBAND, MY

778
00:52:59,175 --> 00:53:01,711
MANAGER, MY CREW, I MISSED HELL
OUT OF Y'ALL.

779
00:53:01,778 --> 00:53:03,747
I CAN'T WAIT TO GET BACK OUT AS
A BAND.

780
00:53:03,813 --> 00:53:04,781
I LOVE YOU SO MUCH.

781
00:53:04,848 --> 00:53:10,787
THANK YOU.

782
00:53:10,854 --> 00:53:13,423
CONGRATS, MIRANDA

783
00:53:13,490 --> 00:53:16,359
LAMBERT!

784
00:53:16,426 --> 00:53:18,795
NOW IT'S TIME FOR SOMEONE VERY
SPECIAL.

785
00:53:18,862 --> 00:53:24,534
TAYLOR SWIFT'S MUSIC WAS LIKE
MEDICINE FOR MANY THIS PAST

786
00:53:24,601 --> 00:53:26,403
YEAR, AND NOT JUST BECAUSE IT
CAME IN TWO DOSES.

787
00:53:26,469 --> 00:53:30,173
THIS ARTIST HAS BEEN SO PROLIFIC
LATELY, SHE'S EVEN RECORDED A

788
00:53:30,240 --> 00:53:31,408
COVER ALBUM OF HERSELF.

789
00:53:31,474 --> 00:53:34,778
NOMINATED FOR SIX GRAMMY AWARDS
THIS YEAR, INCLUDING ALBUM AND

790
00:53:34,844 --> 00:53:38,782
SONG OF THE YEAR, HERE TO SHARE
A LITTLE "FOLKLORE" JOINED BY

791
00:53:38,848 --> 00:53:45,355
LADIES AND GENTLEMEN, TAYLOR

792
00:53:45,422 --> 00:53:47,657
SWIFT!

793
00:53:47,724 --> 00:53:49,125
♪ ♪ ♪

794
00:53:49,192 --> 00:53:50,860
♪ VINTAGE TEE
BRAND NEW PHONE

795
00:53:50,927 --> 00:53:54,798
♪ HIGH HEELS ON
COBBLESTONES

796
00:53:54,864 --> 00:54:02,872
♪ WHEN YOU ARE YOUNG
THEY ASSUME YOU KNOW NOTHING

797
00:54:02,939 --> 00:54:06,810
♪ SEQUIN SMILE
BLACK LIPSTICK

798
00:54:06,876 --> 00:54:10,780
♪ SENSUAL POLITICS
WHEN YOU ARE YOUNG

799
00:54:10,847 --> 00:54:18,655
♪ THEY ASSUME YOU KNOW NOTHING
'CAUSE I KNEW YOU

800
00:54:18,722 --> 00:54:23,627
♪ STEPPIN' ON THE LAST TRAIN
MARKED ME LIKE A BLOODSTAIN, I

801
00:54:23,693 --> 00:54:30,800
♪ I KNEW YOU
TRIED TO CHANGE THE ENDING

802
00:54:30,867 --> 00:54:34,571
♪ PETER LOSING WENDY, I
I KNEW YOU

803
00:54:34,638 --> 00:54:38,775
♪ LEAVING LIKE A FATHER
RUNNING LIKE WATER, I

804
00:54:38,842 --> 00:54:44,114
♪ AND WHEN YOU ARE YOUNG
THEY ASSUME YOU KNOW NOTHING

805
00:54:44,180 --> 00:54:49,119
♪ BUT I KNEW YOU'D LINGER LIKE A
TATTOO KISS

806
00:54:49,185 --> 00:54:52,889
♪ I KNEW YOU'D HAUNT ALL OF MY
WHAT-IFS

807
00:54:52,956 --> 00:54:55,291
♪ THE SMELL OF SMOKE
WOULD HANG AROUND THIS LONG

808
00:54:55,358 --> 00:54:58,962
♪ 'CAUSE I KNEW EVERYTHING
WHEN I WAS YOUNG

809
00:54:59,029 --> 00:55:02,866
♪ I KNEW I'D CURSE YOU
FOR THE LONGEST TIME

810
00:55:02,932 --> 00:55:06,770
♪ CHASIN' SHADOWS
IN THE GROCERY LINE

811
00:55:06,836 --> 00:55:10,173
♪ I KNEW YOU'D MISS ME
ONCE THE THRILL EXPIRED

812
00:55:10,240 --> 00:55:14,477
♪ AND YOU'D BE STANDIN'
IN MY FRONT PORCH LIGHT

813
00:55:14,544 --> 00:55:17,180
♪ AND I KNEW YOU'D COME BACK TO
ME

814
00:55:17,247 --> 00:55:25,121
♪ YOU'D COME BACK TO ME
AND YOU'D COME BACK TO ME

815
00:55:25,188 --> 00:55:34,130
♪ AND YOU'D COME BACK
AND WHEN I FELT LIKE I WAS AN

816
00:55:34,197 --> 00:55:38,802
♪ OLD CARDIGAN
UNDER SOMEONE'S BED

817
00:55:38,868 --> 00:55:46,810
♪ YOU PUT ME ON AND SAID
I WAS YOUR FAVORITE

818
00:55:46,876 --> 00:55:56,853
♪ AND YOU'D COME BACK TO ME
♪ ♪ ♪

819
00:55:56,920 --> 00:56:06,830
♪ AND YOU'D COME BACK TO ME

820
00:56:06,896 --> 00:56:12,268
♪ ♪ ♪
♪ ♪ ♪

821
00:56:12,335 --> 00:56:18,775
♪ SALT AIR
AND THE RUST ON YOUR DOOR

822
00:56:18,842 --> 00:56:26,783
I NEVER NEEDED ANYTHING MORE
♪ WHISPERS

823
00:56:26,850 --> 00:56:33,490
OF "ARE YOU SURE?"
♪ "NEVER HAVE I EVER BEFORE"

824
00:56:33,556 --> 00:56:36,659
BUT I CAN SEE US
♪ LOST IN THE MEMORY

825
00:56:36,726 --> 00:56:42,799
AUGUST SLIPPED AWAY
♪ INTO A MOMENT IN TIME¡

826
00:56:42,866 --> 00:56:45,568
CAUSE IT WAS NEVER MINE
AND I CAN SEE US TWISTED

827
00:56:45,635 --> 00:56:49,139
♪ IN BEDSHEETS
AUGUST SIPPED AWAY

828
00:56:49,205 --> 00:56:54,778
♪ LIKE A BOTTLE OF WINE
'CAUSE YOU WERE NEVER MINE

829
00:56:54,844 --> 00:56:57,647
♪ BACK WHEN WE WERE STILL
CHANGING

830
00:56:57,714 --> 00:57:01,184
♪ FOR THE BETTER
WANTING WAS ENOUGH

831
00:57:01,251 --> 00:57:06,556
♪ FOR ME, IT WAS ENOUGH
TO LIVE FOR THE HOPE OF IT ALL

832
00:57:06,623 --> 00:57:09,159
♪ CANCEL PLANS JUST IN CASE
YOU'D CALL

833
00:57:09,225 --> 00:57:12,562
♪ AND SAY, "MEET ME BEHIND THE
MALL"

834
00:57:12,629 --> 00:57:14,798
♪ SO MUCH FOR SUMMER LOVE
AND SAYING "US"

835
00:57:14,864 --> 00:57:22,772
♪ 'CAUSE YOU WEREN'T MINE TO
LOSE

836
00:57:22,839 --> 00:57:34,651
♪ YOU WEREN'T MINE TO LOSE

837
00:57:34,717 --> 00:57:37,120
♪ ♪ ♪
♪ LIFE WAS A WILLOW

838
00:57:37,187 --> 00:57:42,592
AND IT BENT RIGHT TO YOUR WIND
♪ OH

839
00:57:42,659 --> 00:57:46,796
THEY COUNT ME OUT
♪ TIME AND TIME AGAIN

840
00:57:46,863 --> 00:57:50,800
LIFE WAS A WILLOW
♪ AND IT BENT RIGHT TO YOUR WIND

841
00:57:50,867 --> 00:57:54,804
OH ♪ BUT I COME BACK STRONGER

842
00:57:54,871 --> 00:57:58,775
THAN A '90'S TREND
♪ WAIT FOR THE SIGNAL

843
00:57:58,842 --> 00:58:02,946
AND I'LL MEET YOU AFTER DARK
♪ SHOW ME THE PLACES

844
00:58:03,012 --> 00:58:10,753
WHERE THE OTHERS
♪ GAVE YOU SCARS

845
00:58:10,820 --> 00:58:13,122
-NOW THIS IS AN OPEN/
-SHUT CASE
♪ GUESS I SHOULD'VE KNOWN

846
00:58:13,189 --> 00:58:18,795
FROM THE LOOK ON YOUR FACE
♪ EVERY BAIT AND SWITCH

847
00:58:18,862 --> 00:58:22,065
WAS A WORK OF ART
♪ THE MORE THAT YOU SAY

848
00:58:22,131 --> 00:58:23,266
THE LESS I KNOW
♪ WHEREVER YOU STRAY

849
00:58:23,333 --> 00:58:26,769
I FOLLOW
♪ I'M BEGGING FOR YOU

850
00:58:26,836 --> 00:58:30,773
TO TAKE MY HAND
♪ WRECK MY PLANS

851
00:58:30,840 --> 00:58:33,643
THAT'S MY MAN
♪ YOU KNOW THAT MY TRAIN

852
00:58:33,710 --> 00:58:37,113
COULD TAKE YOU HOME
♪ ANYWHERE ELSE IS HOLLOW

853
00:58:37,180 --> 00:58:40,650
I'M BEGGING FOR YOU
♪ TO TAKE MY HAND

854
00:58:40,717 --> 00:58:42,886
WRECK MY PLANS
♪ THAT'S MY MAN

855
00:58:42,952 --> 00:58:46,189
THE MORE THAT YOU SAY
♪ THE LESS I KNOW

856
00:58:46,256 --> 00:58:49,125
WHEREVER YOU STRAY
♪ I FOLLOW

857
00:58:49,192 --> 00:58:50,827
I'M BEGGING FOR YOU
♪ TO TAKE MY HAND

858
00:58:50,894 --> 00:58:58,801
WRECK MY PLANS
♪ THAT'S MY MAN ♪

859
00:58:58,868 --> 00:59:08,778
♪ ♪ ♪

860
00:59:08,845 --> 00:59:17,353
♪ ♪ ♪

861
00:59:17,420 --> 00:59:20,957
WE SEE WHO TAKES HOME BEST
POP SOLO PERFORMANCE, HARRY

862
00:59:21,024 --> 00:59:25,395
STYLESK TAYLOR SWIFT, JUSTIN
BIEBER, DOJA CAT, BILLIE EILISH

863
00:59:25,461 --> 00:59:26,796
OR DUA LIPA.

864
00:59:26,863 --> 00:59:30,466
THIS IS CBS.

865
00:59:30,533 --> 00:59:33,703
MUSICARES LEADS THE LARGEST
PANDEMIC RELIEF EFFORT FOR MUSIC

866
00:59:33,770 --> 00:59:35,271
PEOPLE, AND HELPS THE HUMANS
BEHIND THE MUSIC BECAUSE MUSIC

867
00:59:35,338 --> 00:59:37,106
GIVES SO MUCH TO THE WORLD.

868
00:59:37,173 --> 00:59:42,779
HELP THIS IMPORTANT WORK
CONTINUE.

869
00:59:42,845 --> 00:59:45,515
THE 63rd GRAMMY AWARDS IS
SPONSORED BY FORD, BUILT FORD

870
00:59:45,581 --> 00:59:46,082
PROUD.

871
00:59:53,356 --> 00:59:56,726
♪ ♪ ♪

872
00:59:56,793 --> 01:00:00,730
WELCOME BACK TO THE
GRAMMY AWARDS.

873
01:00:00,797 --> 01:00:04,300
SO, WHAT DO ADELE, ED SHEERAN,
AND LADY GAGA ALL HAVE IN

874
01:00:04,367 --> 01:00:05,535
COMMON?

875
01:00:05,601 --> 01:00:08,738
WELL, THEY'VE ALL DONE "CARPOOL
KARAOKE" EPISODES WHERE JAMES

876
01:00:08,805 --> 01:00:12,742
CORDEN HIT A PEDESTRIAN AND KEPT
DRIVING.

877
01:00:12,809 --> 01:00:13,710
AND ALSO, THEY'VE ALL WON THIS

878
01:00:13,776 --> 01:00:15,078
NEXT GRAMMY AWARD.

879
01:00:15,144 --> 01:00:17,080
TO HELP GIVE OUT THE GRAMMY FOR
BEST POP SOLO PERFORMANCE, WE'RE

880
01:00:17,146 --> 01:00:20,750
HEADING ACROSS TOWN TO WEST
HOLLYWOOD AND AN INDEPENDENT

881
01:00:20,817 --> 01:00:23,252
MUSIC VENUE.

882
01:00:23,319 --> 01:00:25,088
LET'S MEET THE NIGHT MANAGER,
RACHELLE ERRATCHU, AT THE

883
01:00:25,154 --> 01:00:28,524
TROUBADOUR.

884
01:00:28,591 --> 01:00:31,527
I'M WORK HERE AT THE TROWB A

885
01:00:31,594 --> 01:00:33,896
DOWR, FOR 15 YEARS AND I'M THE
NIGHT MANAGER, IT'S A MAGIC

886
01:00:33,963 --> 01:00:36,332
PLACE, HISTORY IS MADE HERE ALL
THE TIME, WHEN YOU COME IN HERE

887
01:00:36,399 --> 01:00:38,001
IT'S LIKE GOING TO CHURCH.

888
01:00:38,067 --> 01:00:42,005
THE PEOPLE IN THAT ROOM DON'T
WANT TO BE ANYWHERE ELSE IN THE

889
01:00:42,071 --> 01:00:45,441
WORLD BUT IN THAT ROOM, PEOPLE
TALK ABOUT SHOWS THAT HAPPENED

890
01:00:45,508 --> 01:00:50,079
HERE 40, 50 YEARS AGO AND THEY
WILL TALK ABOUT THEM 40, 50

891
01:00:50,146 --> 01:00:52,315
YEARS LATER.

892
01:00:52,382 --> 01:00:55,718
WE BUILD A COMMUNITY HERE EVERY
NIGHT AND THAT COMMUNITY IS

893
01:00:55,785 --> 01:00:56,886
CURRENTLY GONE.

894
01:00:56,953 --> 01:00:59,856
WHEN THE DOORS ARE FINALLY ABLE
TO OPEN UP AGAIN, IT WILL

895
01:00:59,922 --> 01:01:01,958
DEFINITELY BE LIKE OH, CAN I
BREATHE AGAIN.

896
01:01:02,025 --> 01:01:05,428
MEANWHILE IT IS MY HONOR TO
PRESENT THE GRAMMY AWARD FOR

897
01:01:05,495 --> 01:01:06,829
BEST POP SOLO POMANCE.

898
01:01:06,896 --> 01:01:14,070
HERE ARE THE NOMINATIONS.

899
01:01:14,137 --> 01:01:16,372
"YUMMY," JUSTIN BIEBER.

900
01:01:16,439 --> 01:01:19,876
"SAY SO," DOJA CAT.

901
01:01:19,942 --> 01:01:26,082
"EVERYTHING I WANTED," BILLIE
EILISH.

902
01:01:26,149 --> 01:01:26,983
"DON'T START NOW," DUA LIPA.

903
01:01:27,050 --> 01:01:34,057
"WATERMELON SUGAR," HARRY
STYLES.

904
01:01:34,123 --> 01:01:40,396
"CARDIGAN," TAYLOR SWIFT.

905
01:01:40,463 --> 01:01:46,069
♪ ♪ ♪

906
01:01:46,135 --> 01:01:48,404
AND THE TROUBADOUR'S
VERY OWN NIGHT MANAGER, RACHELLE

907
01:01:48,471 --> 01:01:50,073
ERRATCHU, IS HERE NOW TO DO THE
HONORS.

908
01:01:50,139 --> 01:01:57,313
"WATERMELON SUGAR," HARRY

909
01:01:57,380 --> 01:02:02,118
STYLES.

910
01:02:02,185 --> 01:02:05,354
♪ I DON'T KNOW IF I COULD EVER

911
01:02:05,421 --> 01:02:06,055
GO WITHOUT.

912
01:02:06,122 --> 01:02:11,561
♪ WATERMELON SUGAR HIGH.

913
01:02:11,627 --> 01:02:16,399
♪ WATERMELON SUGAR HIGH.

914
01:02:16,466 --> 01:02:26,075
♪.

915
01:02:26,142 --> 01:02:34,083
WOW, TO EVERYONE WHO MADE
THIS RECORD WITH ME, THANK YOU

916
01:02:34,150 --> 01:02:35,718
SO MUCH.

917
01:02:35,785 --> 01:02:42,058
THIS IS THE FIRST SONG WE WROTE
AFTER MY FIRST ALBUM CAME OUT.

918
01:02:42,125 --> 01:02:45,895
DURING A DAY OFF IN NASHVILLE
AND I JUST WANT TO SAY THANKS TO

919
01:02:45,962 --> 01:02:49,599
TOM, KYLE AND MITCH AND
EVERYONE.

920
01:02:49,665 --> 01:02:55,138
ROB STRINGER AND EVERYONE AT
COLUMBIA, MY MANAGER, WHO HAS

921
01:02:55,204 --> 01:02:57,240
ALWAYS NUDGED ME TO DO BETTER
AND NEVER PUSHED ME.

922
01:02:57,306 --> 01:03:00,276
AND THANK YOU SO MUCH.

923
01:03:00,343 --> 01:03:03,813
SO VERY GRATEFUL TO BE HERE.

924
01:03:03,880 --> 01:03:10,052
THANK YOU. THANK YOU SO MUCH.

925
01:03:10,119 --> 01:03:21,764
THANK YOU SO MUCH.

926
01:03:21,831 --> 01:03:24,100
CONGRATULATIONS ON A WELL
DESERVED WIN.

927
01:03:24,167 --> 01:03:28,070
NOW AS WE PUT THE GRAMMY
SPOTLIGHT ON WORKERS AT

928
01:03:28,137 --> 01:03:31,440
INDEPENDENT MUSIC VENUES TONIGHT
WE REMAIN THANKFUL FOR ALL OF

929
01:03:31,507 --> 01:03:34,443
OUR ESSENTIAL WORKERS AROUND THE
WORLD WHO HAVE DONE SO MUCH TO

930
01:03:34,510 --> 01:03:37,613
ENSURE THAT SO MANY OF US HAVE
SURVIVED.

931
01:03:37,680 --> 01:03:41,484
WE ALSO RECOGNIZED THAT DURING
THIS PAST YEAR UNLIKE ANY OTHER,

932
01:03:41,551 --> 01:03:44,987
THE LOSS OF LIFE HAS BEEN
HISTORIC.

933
01:03:45,054 --> 01:03:48,257
AND SO TONIGHT WE WANT TO
REMEMBER THE ENDURING IMPACT OF

934
01:03:48,324 --> 01:03:54,630
THOSE IN OUR MUSIC COMMUNITY WHO
WE HAVE LOST THIS PAST YEAR.

935
01:03:54,697 --> 01:03:56,799
THAT LOSS HAS BEEN IMMENSE.

936
01:03:56,866 --> 01:04:01,938
SO AT THE END OF THE NIGHT,
-PLEASE GO TO GRAMMY.
-COM FOR A

937
01:04:02,004 --> 01:04:10,079
LIST OF NEARLY 1,000 SOULS WHO
HAVE BROUGHT SUCH ENDURING MUSIC

938
01:04:10,146 --> 01:04:19,589
TO OUR LIVES.

939
01:04:19,655 --> 01:04:21,357
♪ AIN'T NO SUNSHINE
WHEN SHE'S GONE

940
01:04:21,424 --> 01:04:25,094
♪ IT'S NOT WARM
WHEN SHE'S AWAY

941
01:04:25,161 --> 01:04:28,331
♪ AIN'T NO SUNSHINE
WHEN SHE'S GONE

942
01:04:28,397 --> 01:04:30,399
♪ AND SHE'S ALWAYS
GONE TOO LONG

943
01:04:30,466 --> 01:04:42,078
♪ ANYTIME SHE
GOES AWAY

944
01:04:50,119 --> 01:04:58,995
♪ ♪ ♪
♪ GONNA TELL AUNT MARY 'BOUT

945
01:04:59,061 --> 01:05:00,830
UNCLE JOHN
♪ HE CLAIM HE HAS THE MISERY

946
01:05:00,896 --> 01:05:04,533
BUT HE HAD A LOT OF FUN
♪ OH, BABY

947
01:05:04,600 --> 01:05:08,571
YEAH BABY
♪ WOO BABY

948
01:05:08,638 --> 01:05:14,477
I'M HAVIN' ME SOME FUN TONIGHT
♪ WELL LONG, TALL SALLY SHE'S

949
01:05:14,543 --> 01:05:17,480
BUILT FOR SPEED, SHE GOT
♪ EVERYTHING THAT UNCLE JOHN

950
01:05:17,546 --> 01:05:20,583
NEED ♪ OH, BABY

951
01:05:20,650 --> 01:05:24,920
YEAH BABY
♪ WOO BABY

952
01:05:24,987 --> 01:05:32,561
I'M HAVIN' ME SOME FUN TONIGHT
♪ ♪ ♪

953
01:05:32,628 --> 01:05:36,565
♪ GOOD GOLLY MISS MOLLY
SURE LIKE TO BALL

954
01:05:36,632 --> 01:05:40,703
♪ GOOD GOLLY MISS MOLLY
SURE LIKE TO BALL

955
01:05:40,770 --> 01:05:44,573
♪ WHEN YOU'RE ROCKIN' AND A
ROLLIN'

956
01:05:44,640 --> 01:05:48,577
♪ I CAN'T HEAR YOUR MAMA CALL
FROM THE EARLY, EARLY MORNIN'

957
01:05:48,644 --> 01:05:52,014
♪ TO THE EARLY, EARLY NIGHT
WHEN YOU CAUGHT

958
01:05:52,081 --> 01:05:54,817
♪ MISS MOLLY ROCKIN'
AT THE HOUSE OF BLUE LIGHT

959
01:05:54,884 --> 01:06:00,456
♪ GOOD GOLLY MISS MOLLY
SURE LIKE TO BALL

960
01:06:00,523 --> 01:06:01,657
♪ WHEN YOU'RE ROCKING
AND A-ROLLIN'

961
01:06:01,724 --> 01:06:06,929
♪ CAN'T HEAR YOUR MAMA CALL
AAAHHH

962
01:06:19,008 --> 01:06:23,879
♪ ♪ ♪
♪ ♪ ♪

963
01:06:23,946 --> 01:06:25,147
I'M GOING TO THE CORNER
♪ GONNA BUY A DIAMOND RING

964
01:06:25,214 --> 01:06:27,883
WOULD YOU PARDON ME, KISS ME
♪ MAKE ME TING-A-LING-A-LING

965
01:06:27,950 --> 01:06:30,920
GOOD GOLLY MISS MOLLY
♪ SURE LIKE TO BALL

966
01:06:30,986 --> 01:06:36,592
WHEN YOU'RE ROCKING
♪ AND A-ROLLIN'

967
01:06:36,659 --> 01:06:42,932
I CAN'T HEAR YOUR MAMA CALL ♪
♪ ♪ ♪

968
01:06:42,998 --> 01:06:48,571
WE LOVE YOU LITTLE RICHARD!

969
01:06:48,637 --> 01:07:00,583
♪ ♪ ♪

970
01:07:16,632 --> 01:07:20,569
♪ ♪ ♪
♪ STOP!

971
01:07:20,636 --> 01:07:30,946
IN THE NAME OF LOVE
♪ BEFORE YOU BREAK MY HEART

972
01:07:31,013 --> 01:07:36,552
BABY, BABY
♪ I'M AWARE OF WHERE YOU GO

973
01:07:36,619 --> 01:07:44,560
EACH TIME YOU LEAVE MY DOOR
♪ LADY

974
01:07:44,627 --> 01:07:51,767
I'M YOUR KNIGHT
♪ IN SHINING ARMOR

975
01:07:51,834 --> 01:08:00,576
♪ AND I LOVE YOU
YOU HAVE MADE ME WHAT I AM AND

976
01:08:00,643 --> 01:08:08,584
♪ I AM YOURS
MY LOVE

977
01:08:08,651 --> 01:08:12,555
♪ THERE'S SO MANY WAYS I WANT TO
SAY

978
01:08:12,621 --> 01:08:18,961
♪ I LOVE YOU
LET ME HOLD YOU IN MY ARMS

979
01:08:19,028 --> 01:08:30,039
♪ FOR EVER MORE
♪ YOU HAVE GONE

980
01:08:30,105 --> 01:08:40,583
AND MADE ME SUCH A FOOL
♪ I'M SO LOST

981
01:08:40,649 --> 01:08:44,553
IN YOUR LOVE
♪ AND OH

982
01:08:44,620 --> 01:08:52,561
WE BELONG TOGETHER
♪ WON'T YOU BELIEVE

983
01:08:52,628 --> 01:09:04,573
IN MY SONG
♪ OH, LADY

984
01:09:04,640 --> 01:09:12,548
YOUR LOVE'S
♪ THE ONLY LOVE I NEED

985
01:09:12,615 --> 01:09:24,560
AND BESIDE ME
♪ IS WHERE

986
01:09:24,627 --> 01:09:30,966
I WANT YOU TO BE
♪ 'CAUSE, MY LOVE

987
01:09:31,033 --> 01:09:36,772
THERE'S SOMETHING
♪ I WANT YOU

988
01:09:36,839 --> 01:09:48,584
TO KNOW
♪ YOU'RE THE LOVE OF MY LIFE

989
01:09:48,651 --> 01:09:55,791
YOU'RE THE LOVE OF MY LIFE
♪ YOU'RE MY LADY ♪

990
01:09:55,858 --> 01:10:00,563
MISS YOU, KENNY.

991
01:10:00,629 --> 01:10:04,600
MISS YOU, MAN.

992
01:10:30,693 --> 01:10:40,569
♪ ♪ ♪
♪ ♪ ♪

993
01:10:40,636 --> 01:10:42,438
'CAUSE YOU'VE GOT TO
♪ KISS AN ANGEL GOOD MORNING

994
01:10:42,504 --> 01:10:43,772
AND LET HER KNOW YOU THINK
♪ ABOUT HER WHEN YOU'RE GONE

995
01:10:43,839 --> 01:10:48,611
KISS AN ANGEL GOOD MORNING
♪ AND LOVE HER LIKE THE DEVIL

996
01:10:48,677 --> 01:10:52,581
WHEN YOU GET BACK HOME

997
01:11:32,655 --> 01:11:40,529
♪ ♪ ♪
♪ ♪ ♪

998
01:11:40,596 --> 01:11:48,604
I'VE BEEN DOWN THIS ROAD BEFORE
♪ I REMEMBER EVERY TREE

999
01:11:48,671 --> 01:11:54,943
EVERY SINGLE BLADE OF GRASS
♪ HOLDS A SPECIAL PLACE FOR ME

1000
01:11:55,010 --> 01:12:04,553
AND I REMEMBER EVERY TOWN
♪ AND EVERY HOTEL ROOM

1001
01:12:04,620 --> 01:12:09,758
AND EVERY SONG I EVER SANG
♪ ON A GUITAR OUT OF TUNE

1002
01:12:09,825 --> 01:12:18,767
I REMEMBER EVERYTHING
♪ THINGS I CAN'T FORGET

1003
01:12:18,834 --> 01:12:24,573
THE WAY YOU TURNED
♪ AND SMILED ON ME

1004
01:12:24,640 --> 01:12:30,946
ON THE NIGHT THAT WE FIRST MET
♪ AND I REMEMBER EVERY NIGHT

1005
01:12:31,013 --> 01:12:36,585
YOUR OCEAN EYES OF BLUE
♪ HOW I MISS YOU

1006
01:12:36,652 --> 01:12:42,958
IN THE MORNING LIGHT
♪ LIKE ROSES MISS THE DEW

1007
01:12:43,025 --> 01:12:48,564
I'VE BEEN DOWN
♪ THIS ROAD BEFORE

1008
01:12:48,630 --> 01:12:54,937
ALONE AS I CAN BE
♪ CAREFUL NOT TO LET MY PAST

1009
01:12:55,003 --> 01:13:00,576
GO SNEAKING UP ON ME
I'VE GOT NO FUTURE

1010
01:13:00,642 --> 01:13:06,949
♪ IN MY HAPPINESS
MY REGRETS ARE VERY FEW

1011
01:13:07,015 --> 01:13:16,558
♪ SOMETIMES A LITTLE TENDERNESS
WAS THE BEST THAT I COULD DO

1012
01:13:16,625 --> 01:13:23,665
♪ I REMEMBER EVERYTHING
YOUR OCEAN EYES OF BLUE

1013
01:13:23,732 --> 01:13:28,570
♪ HOW I MISS YOU
IN THE MORNING LIGHT

1014
01:13:28,637 --> 01:13:36,245
♪ LIKE ROSES MISS THE DEW
HOW I MISS YOU

1015
01:13:36,311 --> 01:13:47,256
♪ IN THE MORNING LIGHT
LIKE ROSES MISS THE DEW ♪

1016
01:13:47,322 --> 01:13:52,561
WE THANK YOU JOHN, FOR
EVERYTHING.

1017
01:13:52,628 --> 01:14:00,569
♪ ♪ ♪
♪ WHEN YOU WALK

1018
01:14:00,636 --> 01:14:11,413
THROUGH A STORM
♪ HOLD YOUR HEAD UP HIGH

1019
01:14:11,480 --> 01:14:16,585
AND DON'T
♪ BE AFRAID

1020
01:14:16,652 --> 01:14:28,564
OF THE DARK
♪ AT THE END

1021
01:14:28,630 --> 01:14:36,572
OF A STORM
♪ THERE'S A GOLDEN SKY

1022
01:14:36,638 --> 01:14:48,584
AND THE SWEET
♪ SILVER SONG OF A LARK

1023
01:14:48,650 --> 01:15:03,365
WALK ON THROUGH THE WIND
♪ WALK ON THROUGH THE RAIN

1024
01:15:03,432 --> 01:15:08,570
THOUGH YOUR DREAMS
♪ BE TOSSED

1025
01:15:08,637 --> 01:15:18,947
AND BLOWN
♪ WALK ON

1026
01:15:19,014 --> 01:15:28,557
WALK ON
♪ WITH HOPE IN YOUR HEART

1027
01:15:28,624 --> 01:15:36,531
AND YOU'LL NEVER
♪ WALK

1028
01:15:36,598 --> 01:15:46,575
ALONE ♪ YOU'LL NEVER WALK ALONE

1029
01:15:46,642 --> 01:15:52,547
ALONE ♪ YOU'LL NEVER WALK ALONE

1030
01:15:52,614 --> 01:15:56,585
♪ ♪ ♪
WALK ON

1031
01:15:56,652 --> 01:16:06,962
♪ WALK ON
WITH HOPE IN YOUR HEART

1032
01:16:07,029 --> 01:16:20,575
♪ AND YOU'LL NEVER WALK
ALONE

1033
01:16:20,642 --> 01:16:30,619
♪ YOU'LL NEVER WALK ALONE ♪
♪ ♪ ♪

1034
01:16:30,686 --> 01:16:33,355
♪ YOU'LL NEVER WALK ALONE ♪
♪ ♪ ♪

1035
01:16:33,422 --> 01:16:41,964
♪ YOU'LL NEVER WALK ALONE ♪
♪ ♪ ♪

1036
01:16:42,030 --> 01:16:46,134
I LOVE IT, I LOVE THE MUSIC,
AND I LIKE DOING THE LIVE SHOWS

1037
01:16:46,201 --> 01:16:50,973
AND I DON'T CARE WHO ST, OR
WHAT, AIBT NO STOPPING ME.

1038
01:16:51,039 --> 01:16:54,009
I JUST CARE ABOUT THE PEOPLE
I WORK WITH, AND MOST OF ALL I

1039
01:16:54,076 --> 01:16:56,078
CARE ABOUT MY FAMILY.

1040
01:17:07,556 --> 01:17:10,192
♪ ♪ ♪

1041
01:17:10,258 --> 01:17:13,996
WELCOME BACK TO THE GRAMMYS.

1042
01:17:14,062 --> 01:17:17,099
THIS YEAR'S COUNTRY GRAMMY
NOMINATIONS WERE DOMINATED BY

1043
01:17:17,165 --> 01:17:20,402
FANTASTIC FEMALE ARTISTS, AND WE
WANT TO CELEBRATE THE REMARKABLE

1044
01:17:20,469 --> 01:17:23,372
ABLE WOMEN OF COUNTRY MUSIC
TODAY BY PUTTING THE SPOTLIGHT

1045
01:17:23,438 --> 01:17:25,340
ON THREE OF THE GENRES VERY
BEST.

1046
01:17:25,407 --> 01:17:29,578
WE BEGIN WITH THE FIRST BLACK
FEMALE SOLO ARTIST EVER

1047
01:17:29,644 --> 01:17:38,053
NOMINATED IN A COUNTRY CATEGORY,
LADIES AND GENTLEMEN, MICKEY

1048
01:17:38,120 --> 01:17:41,223
GUYTON.

1049
01:17:41,289 --> 01:17:47,329
♪ LITTLE KID IN A SMALL TOWN
I DID MY BEST JUST TO FIT IN

1050
01:17:47,396 --> 01:17:54,036
♪ BROKE MY HEART
ON THE PLAYGROUND, MM

1051
01:17:54,102 --> 01:18:00,675
♪ WHEN THEY SAID I WAS DIFFERENT
OH, NOW, NOW

1052
01:18:00,742 --> 01:18:06,014
♪ I'M ALL GROWN UP
AND NOTHING HAS CHANGED

1053
01:18:06,081 --> 01:18:13,989
♪ YEAH, IT'S STILL THE SAME
IT'S A HARD LIFE ON EASY STREET

1054
01:18:14,056 --> 01:18:17,993
♪ JUST WHITE PAINTED PICKET
FENCES FAR AS YOU CAN SEE

1055
01:18:18,060 --> 01:18:23,331
♪ IF YOU THINK WE LIVE IN
THE LAND OF THE FREE

1056
01:18:23,398 --> 01:18:32,474
♪ YOU SHOULD TRY TO BE
BLACK LIKE ME

1057
01:18:32,541 --> 01:18:38,046
MY DADDY WORKED DAY AND NIGHT
FOR AN OLD HOUSE

1058
01:18:38,113 --> 01:18:50,058
♪ AND A USED CAR, HM
JUST TO LIVE THAT GOOD LIFE, MM

1059
01:18:50,125 --> 01:18:54,362
♪ IT SHOULDN'T BE TWICE AS HARD
OH, NOW, NOW

1060
01:18:54,429 --> 01:19:01,203
♪ I'M ALL GROWN UP
AND NOTHING HAS CHANGED

1061
01:19:01,269 --> 01:19:06,007
♪ YEAH, IT'S STILL THE SAME
IT'S A HARD LIFE ON EASY STREET

1062
01:19:06,074 --> 01:19:10,145
♪ JUST WHITE PAINTED PICKET
FENCES FAR AS YOU CAN SEE

1063
01:19:10,212 --> 01:19:15,750
♪ IF YOU THINK WE LIVE IN
THE LAND OF THE FREE

1064
01:19:15,817 --> 01:19:21,990
♪ YOU SHOULD TRY TO BE
OH, BLACK LIKE ME

1065
01:19:22,057 --> 01:19:30,065
♪ OH, OH
OH, I KNOW I'M NOT THE

1066
01:19:30,132 --> 01:19:38,073
♪ ONLY ONE, OH, YEAH
WHO FEELS LIKE I

1067
01:19:38,140 --> 01:19:50,051
♪ I DON'T BELONG
IT'S A HARD LIFE ON EASY STREET

1068
01:19:50,118 --> 01:19:54,623
♪ JUST WHITE PAINTED PICKET
FENCES FAR AS YOU CAN SEE

1069
01:19:54,689 --> 01:20:02,063
♪ AND IF YOU THINK WE LIVE IN
THE LAND OF THE FREE

1070
01:20:02,130 --> 01:20:06,034
♪ THEN YOU SHOULD TRY TO BE
OH, BLACK LIKE ME

1071
01:20:06,101 --> 01:20:13,375
♪ OH, AND SOMEDAY
WE'LL ALL BE FREE

1072
01:20:13,441 --> 01:20:18,046
♪ AND I'M PROUD TO BE
OH, BLACK LIKE ME

1073
01:20:18,113 --> 01:20:26,054
♪ AND I'M PROUD TO BE
BLACK LIKE ME

1074
01:20:26,121 --> 01:20:35,830
THANK YOU.

1075
01:20:35,897 --> 01:20:42,137
AND NOW THE ONE AND ONLY MIRANDA
LAMBERT.

1076
01:20:42,204 --> 01:20:54,115
♪ ♪ ♪
OOH

1077
01:20:54,182 --> 01:20:59,554
♪ ♪ ♪
♪ WELL, I'M A TURNER

1078
01:20:59,621 --> 01:21:05,060
I TURN PAGES ALL THE TIME
♪ DON'T LIKE WHERE I'M AT

1079
01:21:05,126 --> 01:21:09,064
34 WAS BAD
♪ SO I JUST TURN TO 35

1080
01:21:09,130 --> 01:21:13,068
YEAH, I'M A KEEPER
♪ I KEEP DIGGING DOWN FOR

1081
01:21:13,134 --> 01:21:17,072
THE DEEP
♪ LIKE THE RECORDS I'M PLAYING

1082
01:21:17,138 --> 01:21:20,141
THEY MIGHT KEEP YOU WAITING
♪ BUT YOU KNOW I'M GONNA

1083
01:21:20,208 --> 01:21:21,376
PLAY 'EM FOR KEEPS
♪ AND IF THE HOUSE JUST

1084
01:21:21,443 --> 01:21:25,914
KEEPS ON WINNING
♪ I GOT A WILDCARD UP MY SLEEVE

1085
01:21:25,981 --> 01:21:29,084
AND IF LOVE KEEPS GIVING ME
♪ LEMONS

1086
01:21:29,150 --> 01:21:33,321
I'LL JUST MIX 'EM IN MY DRINK
♪ AND IF THE WHOLE WIDE WORLD

1087
01:21:33,388 --> 01:21:40,262
STOPS SINGING
♪ AND ALL THE STARS GO DARK

1088
01:21:40,328 --> 01:21:45,133
I'LL KEEP A LIGHT ON IN MY SOUL
♪ KEEP A BLUEBIRD IN MY HEART

1089
01:21:45,200 --> 01:21:51,973
♪ ♪ ♪
♪ ♪ ♪

1090
01:21:52,040 --> 01:21:53,575
♪ WELL, I'M A GIVER
YEAH, AND I'M STILL

1091
01:21:53,642 --> 01:21:57,178
♪ GIVING 'EM HELL
FORGIVING'S PRETTY HARD

1092
01:21:57,245 --> 01:22:01,149
♪ SO I MADE AN ART OUT OF
FORGETTING 'EM WELL

1093
01:22:01,216 --> 01:22:05,053
♪ YEAH, I'M A RHYMER
I CAN TURN TWENTY CENTS INTO

1094
01:22:05,120 --> 01:22:09,057
A TEN
♪ AND IF I GET CONFUSED

1095
01:22:09,124 --> 01:22:11,459
AND I START TO LOSE
♪ I RHYME A DIME 'TIL

1096
01:22:11,526 --> 01:22:17,032
IT ALL MAKES SENSE
♪ AND IF THE HOUSE JUST

1097
01:22:17,098 --> 01:22:20,001
KEEPS ON WINNING
♪ I GOT A WILDCARD UP MY SLEEVE

1098
01:22:20,068 --> 01:22:23,471
AND IF LOVE KEEPS GIVING ME
♪ LEMONS

1099
01:22:23,538 --> 01:22:27,208
I'LL JUST MIX 'EM IN MY DRINK
♪ AND IF THE WHOLE WIDE WORLD

1100
01:22:27,275 --> 01:22:32,781
STOPS SINGING
♪ AND ALL THE STARS GO DARK

1101
01:22:32,847 --> 01:22:41,122
I'LL TURN A LIGHT ON IN MY SOUL
♪ KEEP A BLUEBIRD IN MY HEART

1102
01:22:47,629 --> 01:22:51,800
♪ ♪ ♪
♪ ♪ ♪

1103
01:22:51,866 --> 01:22:56,538
♪ AND IF THE HOUSE JUST
KEEPS ON WINNING

1104
01:22:56,604 --> 01:22:59,541
♪ I GOT A WILDCARD UP MY SLEEVE
AND IF LOVE KEEPS GIVING ME

1105
01:22:59,607 --> 01:23:03,778
♪ LEMONS
I'LL JUST MIX 'EM IN MY DRINK

1106
01:23:03,845 --> 01:23:05,480
♪ AND IF THE WHOLE WIDE WORLD
STOPS SINGING

1107
01:23:05,547 --> 01:23:11,486
♪ AND ALL THE STARS GO DARK
I'LL KEEP A LIGHT ON IN MY SOUL

1108
01:23:11,553 --> 01:23:17,726
♪ KEEP A BLUEBIRD IN MY HEART
I'LL KEEP A LIGHT ON IN MY SOUL

1109
01:23:17,792 --> 01:23:27,769
KEEP A BLUEBIRD IN MY HEART
♪ KEEP A BLUEBIRD IN MY HEART

1110
01:23:27,836 --> 01:23:33,141
KEEP A BLUEBIRD IN MY HEART
♪ KEEP A BLUEBIRD IN MY HEART

1111
01:23:33,208 --> 01:23:41,149
♪ ♪ ♪
♪ ♪ ♪

1112
01:23:41,216 --> 01:23:50,191
ALL RIGHT, JOINED BY JOHN

1113
01:23:50,258 --> 01:23:59,534
MAYER, HER IS MY TEXAS GAL PAL,
MISS MAREN MORRIS.

1114
01:23:59,601 --> 01:24:08,643
♪ WE'RE IN THE HOMESTRETCH
OF THE HARD TIMES

1115
01:24:08,710 --> 01:24:13,081
♪ WE TOOK A HARD LEFT
BUT WE'RE ALRIGHT

1116
01:24:13,148 --> 01:24:21,055
♪ YEAH, LIFE SURE CAN TRY TO
PUT LOVE THROUGH IT, BUT

1117
01:24:21,122 --> 01:24:25,026
♪ WE BUILT THIS RIGHT, SO
NOTHING'S EVER GONNA MOVE IT

1118
01:24:25,093 --> 01:24:27,929
♪ WHEN THE BONES ARE GOOD
THE REST DON'T MATTER

1119
01:24:27,996 --> 01:24:33,134
♪ YEAH, THE PAINT COULD PEEL
THE GLASS COULD SHATTER

1120
01:24:33,201 --> 01:24:37,138
♪ LET IT RAIN 'CAUSE YOU
AND I REMAIN THE SAME

1121
01:24:37,205 --> 01:24:40,708
♪ WHEN THERE AIN'T A CRACK
IN THE FOUNDATION

1122
01:24:40,775 --> 01:24:44,913
♪ BABY, I KNOW ANY
STORM WE'RE FACING

1123
01:24:44,979 --> 01:24:47,549
♪ WILL BLOW RIGHT OVER
WHILE WE STAY PUT

1124
01:24:47,615 --> 01:24:57,125
♪ THE HOUSE DON'T FALL
WHEN THE BONES ARE GOOD

1125
01:24:57,192 --> 01:25:04,799
♪ CALL IT DUMB LUCK
BUT BABY, YOU AND I

1126
01:25:04,866 --> 01:25:09,070
♪ CAN'T EVEN MESS IT UP
ALTHOUGH WE BOTH TRY

1127
01:25:09,137 --> 01:25:14,542
♪ NO, IT DON'T ALWAYS GO
THE WAY WE PLANNED IT

1128
01:25:14,609 --> 01:25:21,115
♪ BUT THE WOLVES CAME AND WENT
AND WE'RE STILL STANDING

1129
01:25:21,182 --> 01:25:25,053
♪ WHEN THE BONES ARE GOOD
THE REST DON'T MATTER

1130
01:25:25,119 --> 01:25:29,057
♪ YEAH, THE PAINT COULD PEEL
THE GLASS COULD SHATTER

1131
01:25:29,123 --> 01:25:33,061
♪ LET IT RAIN 'CAUSE YOU
AND I REMAIN THE SAME

1132
01:25:33,127 --> 01:25:37,065
♪ WHEN THERE AIN'T A CRACK
IN THE FOUNDATION

1133
01:25:37,131 --> 01:25:40,869
♪ BABY, I KNOW ANY
STORM WE'RE FACING

1134
01:25:40,935 --> 01:25:44,005
♪ WILL BLOW RIGHT OVER
WHILE WE STAY PUT

1135
01:25:44,072 --> 01:25:49,077
♪ THE HOUSE DON'T FALL
WHEN THE BONES ARE GOOD

1136
01:26:05,059 --> 01:26:08,997
♪ ♪ ♪
♪ WHEN THE BONES ARE GOOD

1137
01:26:09,063 --> 01:26:13,001
♪ THE REST DON'T MATTER
BABY, IT DON'T REALLY MATTER

1138
01:26:13,067 --> 01:26:15,603
♪ PAINT COULD PEEL
THE GLASS COULD SHATTER

1139
01:26:15,670 --> 01:26:17,505
♪ OH, THE GLASS
OH, THE GLASS COULD SHATTER

1140
01:26:17,572 --> 01:26:23,778
♪ BONES ARE GOOD, THE REST
THE REST DON'T MATTER, OOH

1141
01:26:23,845 --> 01:26:29,617
♪ PAINT COULD PEEL, THE GLASS
THE GLASS COULD SHATTER, YEAH

1142
01:26:29,684 --> 01:26:33,054
♪ WHEN THE BONES ARE GOOD
THE REST DON'T MATTER

1143
01:26:33,121 --> 01:26:35,723
♪ YEAH, THE PAINT COULD PEEL
THE GLASS COULD SHATTER

1144
01:26:35,790 --> 01:26:38,359
♪ LET IT RAIN
LET IT RAIN

1145
01:26:38,426 --> 01:26:41,062
♪ LET IT RAIN
'CAUSE YOU AND I

1146
01:26:41,129 --> 01:26:45,066
♪ REMAIN THE SAME, WOO
WHEN THERE AIN'T A

1147
01:26:45,133 --> 01:26:47,468
♪ CRACK IN THE FOUNDATION, WOO
BABY, I KNOW ANY

1148
01:26:47,535 --> 01:26:51,105
♪ STORM WE'RE FACING
WILL BLOW RIGHT OVER

1149
01:26:51,172 --> 01:26:53,508
♪ WHILE WE STAY PUT
THE HOUSE DON'T FALL

1150
01:26:53,575 --> 01:27:05,019
♪ WHEN THE BONES ARE GOOD
YEAH, OOH ♪

1151
01:27:05,086 --> 01:27:15,597
COMING UP, THE GRAMMY AWARD

1152
01:27:15,663 --> 01:27:17,298
FOR SONG OF THE YEAR.

1153
01:27:17,365 --> 01:27:20,868
THEN PERFORMANCES BY POST
MALONE, BTS AND MEGAN THEE

1154
01:27:20,935 --> 01:27:24,405
STALLION AND CARDI B WITH THEIR
FIRST EVER TV PERFORMANCE OF

1155
01:27:24,472 --> 01:27:25,206
WAP.

1156
01:27:25,273 --> 01:27:28,776
THIS IS
THE 63rd GRAMMY AWARDS IS

1157
01:27:28,843 --> 01:27:32,347
SPONSORED BY LINCOLN FAMILY OF
LUXURY S.U.V.s.

1158
01:27:37,318 --> 01:27:42,223
♪ ♪ ♪

1159
01:27:42,290 --> 01:27:43,758
WELCOME BACK TO THE
GRAMMYS.

1160
01:27:43,825 --> 01:27:50,865
LET'S TAKE A LOOK AT SOME AWARDS
WE PRESENTED EARLIER.

1161
01:27:50,932 --> 01:27:53,401
THE GRAMMY FOR
BEST MELODIC RAP PERFORMANCE

1162
01:27:53,468 --> 01:28:06,547
ANDERSON PAAK.

1163
01:28:06,614 --> 01:28:07,382
♪.

1164
01:28:07,448 --> 01:28:08,650
WOW, THANK YOU, THANK YOU SO
MUCH.

1165
01:28:08,716 --> 01:28:11,853
I WANT TO SAY THANK YOU SO MUCH
TO MY FAMILY, MY BEAUTIFUL WIFE

1166
01:28:11,919 --> 01:28:13,021
AND KIDS.

1167
01:28:13,087 --> 01:28:15,590
I WANT TO SAY THANK YOU TO THE
TEAM THAT HELPED ME PUT THIS

1168
01:28:15,657 --> 01:28:16,824
RECORD TOGETHER.

1169
01:28:16,891 --> 01:28:19,527
I WANT TO SAY THANK YOU TO THE
ACADEMY AND LASTLY I WANT TO SAY

1170
01:28:19,594 --> 01:28:23,231
THAT THIS SONG, LOCKDOWN IS
DEDICATED TO EVERY HUMAN BEING

1171
01:28:23,297 --> 01:28:24,666
WHO ACTUALLY HAS A VOICE.

1172
01:28:24,732 --> 01:28:27,802
IF YOU HAVE A VOICE, DON'T BE
AFRAID TO USE IT.

1173
01:28:27,869 --> 01:28:28,936
BECAUSE THEY WATCHING.

1174
01:28:29,003 --> 01:28:30,405
AND THIS IS PROOF.

1175
01:28:30,471 --> 01:28:31,506
THANK YOU SO MUCH.

1176
01:28:31,572 --> 01:28:36,344
THE GRAMMY FOR BEST
THE GRAMMY FOR BEST LATIN POP OR

1177
01:28:36,411 --> 01:28:39,013
OR URBAN ALBUM WENT TO YHLQMDLG,

1178
01:28:39,080 --> 01:28:44,852
BAD BUNNY.

1179
01:28:44,919 --> 01:28:49,390
I'M VERY HAPPY, I'M REALLY
HAPPY, I'M VERY PROUD.

1180
01:28:49,457 --> 01:28:57,832
I WANT TO THANK EVERY PERSON IN
THE WORLD THAT LISTENED TO MY

1181
01:28:57,899 --> 01:29:07,375
MUSIC, AND SUPPORT MY CAREER AND
MY IDEAS.

1182
01:29:17,785 --> 01:29:21,122
NOW AS YOUR HOST, AND A
GRAMMY NOMINEE MYSELF, I KNOW,

1183
01:29:21,189 --> 01:29:24,926
I'VE BEEN GIVEN THE HONOR OF
ANNOUNCING SOJ OF THE YEAR.

1184
01:29:24,992 --> 01:29:29,097
NOW JUST SO EVERYBODY
UNDERSTANDS, RECORD OF THE YEAR

1185
01:29:29,163 --> 01:29:31,165
HONORS THE PERFORMANCE AND THE
PRODUCTION OF A TRACK.

1186
01:29:31,232 --> 01:29:34,402
SONG OF THE YEAR IS AN AWARD
THAT HONORS THE TALENTED PEOPLE

1187
01:29:34,469 --> 01:29:37,672
WHO WRITE THE MUSIC AND THOSE
WORDS.

1188
01:29:37,739 --> 01:29:38,906
L LIKE THOSE LYRICISTS WHO PEN THE

1189
01:29:38,973 --> 01:29:44,312
LINES THAT STIR OUR SOULS AND
MAKE YOU ASK YOURSELF, "AM I A

1190
01:29:44,378 --> 01:29:45,346
SAVAGE?

1191
01:29:45,413 --> 01:29:48,316
CLASSY, BOUGIE, RATCHET?"

1192
01:29:48,382 --> 01:29:50,852
I'M ALSO EXCITED TO ANNOUNCE THE
RECORDING ACADEMY IS LAUNCHING

1193
01:29:50,918 --> 01:29:53,755
ITS NEW SONGWRITERS & COMPOSERS
WING TO ELEVATE AND ADVOCATE ON

1194
01:29:53,821 --> 01:29:56,390
BEHALF OF SONGWRITERS AND
COMPOSERS.

1195
01:29:56,457 --> 01:30:00,394
WITH THAT SAID, THESE ARE THE
NOMINATIONS FOR SONG OF THE

1196
01:30:00,461 --> 01:30:05,700
YEAR.

1197
01:30:05,767 --> 01:30:08,202
♪ ♪ ♪
"BLACK PARADE."

1198
01:30:08,269 --> 01:30:08,569
"THE BOX."

1199
01:30:08,636 --> 01:30:10,972
"CARDIGAN."

1200
01:30:11,038 --> 01:30:12,373
"CIRCLES."

1201
01:30:12,440 --> 01:30:14,375
"DON'T START NOW."

1202
01:30:14,442 --> 01:30:14,842
"EVERYTHING I WANTED."

1203
01:30:14,909 --> 01:30:16,110
"I CAN'T BREATHE."

1204
01:30:16,177 --> 01:30:20,381
"IF THE WORLD WAS ENDING."

1205
01:30:20,448 --> 01:30:30,424
WOW.

1206
01:30:30,491 --> 01:30:39,400
WOW.

1207
01:30:39,467 --> 01:30:40,434
WOW, THIS IS TENSE.

1208
01:30:40,501 --> 01:30:47,742
"I CAN'T BREATHE," H.E.R.

1209
01:30:47,809 --> 01:30:56,384
♪ ♪ ♪

1210
01:30:56,450 --> 01:30:58,252
♪ I CAN'T BREATHE.

1211
01:30:58,319 --> 01:31:04,392
♪ I CAN'T BREATHE.

1212
01:31:04,458 --> 01:31:09,597
♪.

1213
01:31:09,664 --> 01:31:13,467
OH MY GOD, I DON'T EVEN KNOW
WHAT TO SAY.

1214
01:31:13,534 --> 01:31:16,470
I THINK THE FIRST THING I WANT
TO SAY IS THAT I HAVE NEVER BEEN

1215
01:31:16,537 --> 01:31:19,073
SO PROUD TO BE AN ARTIST.

1216
01:31:19,140 --> 01:31:23,110
AND EVERYBODY ELSE THIS WAS
NOMINATED, THOSE SONGS WERE TO

1217
01:31:23,177 --> 01:31:25,880
ME, SONG OF THE YEAR ALSO AND
THEY WERE ALL AMAZING.

1218
01:31:25,947 --> 01:31:29,684
BUT YOU KNOW, WE WROTE THIS SONG
OVER FACETIME.

1219
01:31:29,750 --> 01:31:34,055
AND I DIDN'T IMAGINE THAT MY
FEAR AND THAT MY PAIN WOULD TURN

1220
01:31:34,121 --> 01:31:34,922
INTO IMPACT.

1221
01:31:34,989 --> 01:31:37,058
AND IT WOULD POSSIBLY TURN INTO
CHANGE.

1222
01:31:37,124 --> 01:31:39,260
AND I THINK THAT IS WHAT THIS IS
ABOUT.

1223
01:31:39,327 --> 01:31:40,361
AND THAT'S WHY I WRITE MUSIC.

1224
01:31:40,428 --> 01:31:41,762
THAT'S WHY I DO THIS.

1225
01:31:41,829 --> 01:31:43,364
SO I'M SO, SO GRATEFUL.

1226
01:31:43,431 --> 01:31:48,302
I WANT TO THANK GOD FOR GIVING
ME THE GIFT OF A VOICE AND A PEN

1227
01:31:48,369 --> 01:31:53,574
AND USING ME AS A VESEL TO
CREATE CHANGE AND I'M SO

1228
01:31:53,641 --> 01:31:57,278
THANKFUL FOR SIERRA AND-- WHO
ARE PART OF THIS, A HUGE PART OF

1229
01:31:57,345 --> 01:31:58,446
THIS RECORD.

1230
01:31:58,512 --> 01:32:01,048
I WANT TO THANK MY MOM, I
RECORDED THIS SONG MYSELF IN MY

1231
01:32:01,115 --> 01:32:03,084
BEDROOM AT MY MOM'S HOUSE.

1232
01:32:03,150 --> 01:32:04,385
AND I WANT TO THANK MY DAD.

1233
01:32:04,452 --> 01:32:05,820
HE CRIED.

1234
01:32:05,887 --> 01:32:08,322
HE WAS IN TEARS WHEN I WROTE
THIS SONG AND I PLAYED IT FOR

1235
01:32:08,389 --> 01:32:09,190
HIM.

1236
01:32:09,257 --> 01:32:12,326
HE WAS THE FIRST PERSON I PLAYED
IT FOR.

1237
01:32:12,393 --> 01:32:20,134
AND YEAH, MY JEFF, MISHA WALT,
JANEVEN, EVERYBODY AT RCA,

1238
01:32:20,201 --> 01:32:23,037
PETER, CAROLYN, CAMEL,
EVERYBODY.

1239
01:32:23,104 --> 01:32:26,974
I'M SO SPEECHLESS RIGHT NOW, I
CAN'T BELIEVE THIS, THANK YOU SO

1240
01:32:27,041 --> 01:32:33,047
MUCH. BUT REMEMBER, WE ARE THE
CHANGE THAT WE WISH TO SEE, AND

1241
01:32:33,114 --> 01:32:38,219
THAT FIGHT THAT WE HAD IN US,
THE SUMMER OF 2020, KEEP THAT

1242
01:32:38,286 --> 01:32:40,321
SAME INFORMING.

1243
01:32:40,388 --> 01:32:40,655
-- ENERGY.

1244
01:32:40,721 --> 01:32:44,325
THANK YOU.

1245
01:32:44,392 --> 01:32:47,995
♪ ♪ ♪

1246
01:32:48,062 --> 01:32:50,831
AFTER THIS BREAK,
MEGAN THEE STALLION AND CARDI B

1247
01:32:50,898 --> 01:32:55,303
PERFORM "WAP" FOR THE FIRST TIME
ANYWHERE.

1248
01:32:55,369 --> 01:32:55,670
THIS IS CBS.

1249
01:33:00,341 --> 01:33:02,176
HISTORY!

1250
01:33:02,243 --> 01:33:04,378
HEAD TO charitybuzz.com/grammy
AND BID ON ONE-OF-A-KIND SIGNED

1251
01:33:04,445 --> 01:33:08,382
ITEMS TO SUPPORT THE GRAMMY
MUSEUM'S MUSIC EDUCATION

1252
01:33:08,449 --> 01:33:14,021
PROGRAMS AND KEEP MUSIC PLAYING
THE 63rd GRAMMY AWARDS IS

1253
01:33:14,088 --> 01:33:15,656
SPONSORED BY "IN THE HEIGHTS,"
IN THEATERS AND ON HBO MAX JUNE

1254
01:33:15,723 --> 01:33:17,058
18.

1255
01:33:22,530 --> 01:33:26,067
♪ ♪ ♪
WELCOME BACK TO THE GRAMMY

1256
01:33:26,133 --> 01:33:30,037
AWARDS, NOW I HOPE YOU'RE READY,
EVERYBODY, BECAUSE IN TONIGHT

1257
01:33:30,104 --> 01:33:33,307
WE'RE GOING TO FIND OUT WHAT WAP
REALLY STANDS FOR, IF YOU HAVE

1258
01:33:33,374 --> 01:33:36,277
SMALL CHILDREN IN THE ROOM, JUST
TELL THEM IT'S A SONG ABOUT

1259
01:33:36,344 --> 01:33:38,546
GIVING A CAT A BATH.

1260
01:33:38,612 --> 01:33:41,615
CARDI B WILL BE TAKING TO THE
STAGE SHORTLY BUT FIRST THE TIME

1261
01:33:41,682 --> 01:33:45,019
HAS COME TO GET UP CLOSE AND
PERSONAL WITH THE DYNAMIC

1262
01:33:45,086 --> 01:33:47,788
HIP-HOP FORCE WHO IS ALREADY A
GRAMMY WINNER TONIGHT AND IS

1263
01:33:47,855 --> 01:33:50,658
NOMINATED FOR RECORD OF THE
YEAR.

1264
01:33:50,725 --> 01:34:01,702
LET'S GET TO KNOW MEGAN THEE
STALLION.

1265
01:34:01,769 --> 01:34:07,842
♪ ♪ ♪
OKAY.

1266
01:34:07,908 --> 01:34:09,043
YOU WANT TO KNOW ABOUT GOOD
NEWS.

1267
01:34:09,110 --> 01:34:11,746
I'M STIERD OF-- TIRED OF
GETTING ON MY PHONE AND LOOKING

1268
01:34:11,812 --> 01:34:14,782
AT ALL THE BAD NEWS GOING ON IN
THE WORLD.

1269
01:34:14,849 --> 01:34:17,718
SO I WAS LIKE YOU KNOW WHAT,
THIS ALBUM IS CALLED GOOD NEWS

1270
01:34:17,785 --> 01:34:21,722
AND THE GOOD NEWS IS COMING FROM
MEGAN STALLION.

1271
01:34:21,789 --> 01:34:26,193
GROWING UP IN HOUSTON, JUST THE
HOTTIE THAT I AM, MY VIBE, THE

1272
01:34:26,260 --> 01:34:31,699
WAY I TALK, THE WAY I DRESS, THE
WAY I WALK IT IS A SOUTHERN

1273
01:34:31,766 --> 01:34:32,933
SWAG.

1274
01:34:33,000 --> 01:34:36,771
HAVE I ALWAYS HAD MY MOTHER, MY
AUNT, MY GREAT GRANDMOTHER AND

1275
01:34:36,837 --> 01:34:40,041
GRANDMA TELLING ME MEGAN, YOU'RE
AMAZING.

1276
01:34:40,107 --> 01:34:41,942
MEGAN, YOU CAN DO WHATEVER YOU
WANT TO DO, DON'T LET NOBODY

1277
01:34:42,009 --> 01:34:43,411
TELL YOU NOTHING DIFFERENT.

1278
01:34:43,477 --> 01:34:44,612
YOU'RE BEAUTIFUL.

1279
01:34:44,678 --> 01:34:47,281
NOW IT IS SO EASY FOR ME TO
UPLIFT OTHER WOMEN BECAUSE I'VE

1280
01:34:47,348 --> 01:34:50,151
ALWAYS BEEN UPLIFTED.

1281
01:34:50,217 --> 01:34:53,087
SAFAGE IS MY CONFIDENCE
ANTHEM.

1282
01:34:53,154 --> 01:34:55,790
I'M DESCRIBING MYSELF AND HOW
EVERY OTHER PERSON SHOULD FEEL.

1283
01:34:55,856 --> 01:34:58,826
EVERYBODY WAS ALWAYS ASKED WHO
IS YOUR DREAM COULD LAB AND I

1284
01:34:58,893 --> 01:35:06,367
WOULD BE LIKE BEYONS, BEYONS,
AND IT FINALLY HAPPENED.

1285
01:35:06,434 --> 01:35:11,806
I REMEMBER PERFORMING A I
WOULD BE AT CLUBS, POMPLING

1286
01:35:11,872 --> 01:35:15,209
EVERY NIGHT, ANYWHERE I COULD
PERFORM I WOULD PERFORM.

1287
01:35:15,276 --> 01:35:18,279
AND IT JUST GOT BIGGER EVERY
TIME.

1288
01:35:18,345 --> 01:35:20,648
AND NOW I'M GRAMMY NOMINATED.

1289
01:35:20,714 --> 01:35:23,717
WE AT THE GRAMMYS NOW, WE NEVER
GAVE UP.

1290
01:35:23,784 --> 01:35:26,487
EVEN ON THE DAYS YOU FEEL LIKE
QUITTING, DON'T QUIT BECAUSE IT

1291
01:35:26,554 --> 01:35:34,728
IS POSSIBLE TO ACHIEVE ALL YOUR
DREAMS.

1292
01:35:49,777 --> 01:35:53,447
♪ ♪ ♪
AND IF THE BEAT LIVE.

1293
01:35:53,514 --> 01:35:54,715
WHAT'S UP, GRAMMYS?

1294
01:35:54,782 --> 01:35:56,317
♪ BODY-ODY-ODY-ODY-ODY-ODY-ODY-
ODY-ODY-ODY-ODY-ODY-ODY-ODY-ODY

1295
01:35:56,383 --> 01:35:57,685
WHAT'S UP, HOTTIES AT HOME?

1296
01:35:57,751 --> 01:36:01,722
♪ BODY-ODY-ODY-ODY-ODY-ODY-ODY-
ODY-ODY-ODY-ODY-ODY-ODY-ODY-ODY

1297
01:36:01,789 --> 01:36:03,524
♪ BODY-ODY-ODY-ODY-ODY-ODY-ODY-
ODY-ODY-ODY-ODY-ODY-ODY-ODY-ODY

1298
01:36:03,591 --> 01:36:04,458
TONIGHT IS MY FIRST TIME AT THE
GRAMMYS.

1299
01:36:04,525 --> 01:36:08,796
BUT IT'S NOT MY FIRST TIME
ENTERTAINING YOU.

1300
01:36:08,863 --> 01:36:10,064
♪ BODY-ODY-ODY-ODY-ODY-ODY-ODY-
ODY-ODY-ODY-ODY-ODY-ODY-ODY-ODY

1301
01:36:10,131 --> 01:36:11,198
♪ BODY CRAZY
CURVY, WAVY

1302
01:36:11,265 --> 01:36:11,966
♪ BIG-- LIL' WAIST
BODY CRAZY

1303
01:36:12,032 --> 01:36:18,239
♪ CURVY, WAVY
♪ BIG-- LIL' WAIST

1304
01:36:18,305 --> 01:36:20,341
♪ ♪ ♪
♪ I COULD BUILD A HOUSE

1305
01:36:20,407 --> 01:36:23,043
WITH ALL THE BRICK I GOT
♪ I COULD--

1306
01:36:23,110 --> 01:36:27,748
I COULD BUILD A HOUSE
WITH ALL THE BRICK I GOT

1307
01:36:47,801 --> 01:36:50,704
♪ ♪ ♪
♪ ♪ ♪

1308
01:36:50,771 --> 01:36:53,407
I'M THAT
♪ BEEN THAT

1309
01:36:53,474 --> 01:37:01,582
STILL THAT
♪ WILL FOREVER BE THAT

1310
01:37:01,649 --> 01:37:04,051
♪ I'M A SAVAGE
ATTITUDE NASTY

1311
01:37:04,118 --> 01:37:07,521
♪ TALK BIG
BUT MY BANK ACCOUNT MATCH IT

1312
01:37:07,588 --> 01:37:09,990
♪ HOOD, BUT I'M CLASSY
RICH, BUT I'M RATCHET

1313
01:37:10,057 --> 01:37:13,427
♪ HATERS KEPT MY NAME IN THEY
MOUTH, NOW THEY GAGGIN'

1314
01:37:13,494 --> 01:37:15,529
BOUGIE ♪ HE SAY, "THE WAY THAT THANG

1315
01:37:15,596 --> 01:37:18,499
MOVE, IT'S A MOVIE"
♪ I TOLD THAT BOY,

1316
01:37:18,566 --> 01:37:19,700
"WE GOTTA KEEP IT LOW
♪ LEAVE ME THE ROOM KEY"

1317
01:37:19,767 --> 01:37:22,203
I DONE BLED THE BLOCK
♪ AND NOW IT'S HOT

1318
01:37:22,269 --> 01:37:25,372
I'M TUNECHI
A MOOD AND I'M MOODY, AH

1319
01:37:25,439 --> 01:37:30,611
♪ I'M A SAVAGE, OKAY
CLASSY, BOUGIE, RATCHET, OKAY

1320
01:37:30,678 --> 01:37:33,480
♪ SASSY, MOODY, NASTY, YEAH
ACTING STUPID

1321
01:37:33,547 --> 01:37:34,048
♪ WHAT'S HAPPENING?

1322
01:37:34,114 --> 01:37:35,583
WHAT'S HAPPENING?

1323
01:37:35,649 --> 01:37:39,587
♪ LIKE BEYONCE, LIKE ME
LIKE ME

1324
01:37:39,653 --> 01:37:41,522
♪ HE WANT A LIKE THEE STALLION
♪ WITH THE KNEES

1325
01:37:41,589 --> 01:37:42,656
WITH THE KNEES
♪ HE BE LIKE, "DAMN, HOW THAT

1326
01:37:42,723 --> 01:37:44,358
THANG MOVIN' IN THEM JEANS?"
THEM JEANS

1327
01:37:44,425 --> 01:37:47,561
-♪ EVEN D4
-L COULDN'T DO IT
LIKE ME, LIKE ME

1328
01:37:47,628 --> 01:37:49,964
♪ I'M THE OOH
I NEED A MOP TO CLEAN THE FLOOR,

1329
01:37:50,030 --> 01:37:52,166
♪ IT'S TOO MUCH DRIP, OHH
I KEEP A KNOT, I KEEP A WATCH,

1330
01:37:52,233 --> 01:37:58,072
♪ I KEEP A WHIP, OOH
LET'S PLAY A GAME,

1331
01:37:58,138 --> 01:37:59,607
♪ SIMON SAYS I'M STILL THAT AYY
I'M STILL THAT, YUH

1332
01:37:59,673 --> 01:38:03,577
♪ AH, I'M A SAVAGE, YEAH
CLASSY, BOUGIE, RATCHET, YEAH

1333
01:38:03,644 --> 01:38:05,679
♪ SASSY, MOODY, NASTY
HEY, HEY YEAH

1334
01:38:05,746 --> 01:38:07,681
♪ ACTING STUPID
WHAT'S HAPPENING?

1335
01:38:07,748 --> 01:38:09,984
♪ WHAT'S HAPPENING?

1336
01:38:10,050 --> 01:38:12,086
WHOA ♪ HIPS TIKTOK WHEN I DANCE

1337
01:38:12,152 --> 01:38:14,154
DANCE ♪ ON THAT DEMON TIME

1338
01:38:14,221 --> 01:38:16,457
SHE MIGHT START A ONLYFANS
ONLYFANS

1339
01:38:16,523 --> 01:38:22,062
♪ BIG B AND THAT B STAND FOR
BANDS

1340
01:38:22,129 --> 01:38:23,564
♪ IF YOU WANNA SEE SOME REAL
BABY, HERE'S YOUR CHANCE

1341
01:38:23,631 --> 01:38:24,732
♪ I SAY, LEFT CHEEK, RIGHT
CHEEK, DROP IT LOW, THEN SWANG

1342
01:38:24,798 --> 01:38:25,499
SWANG ♪ TEXAS UP IN THIS THANG

1343
01:38:25,566 --> 01:38:26,433
THANG ♪ PUT YOU UP ON THIS GAME

1344
01:38:26,500 --> 01:38:27,601
GAME ♪ IVY PARK ON MY FRAME

1345
01:38:27,668 --> 01:38:29,670
FRAME ♪ GANG, GANG, GANG, GANG

1346
01:38:29,737 --> 01:38:31,005
GANG ♪ IF YOU DON'T JUMP TO PUT JEANS

1347
01:38:31,071 --> 01:38:35,576
ON, BABY, YOU DON'T FEEL MY PAIN
HOL' UP

1348
01:38:35,643 --> 01:38:39,580
♪ I'M A SAVAGE, YEAH
CLASSY, BOUGIE, RATCHET, YEAH

1349
01:38:39,647 --> 01:38:42,816
♪ SASSY, MOODY, NASTY
HEY, HEY YEAH

1350
01:38:42,883 --> 01:38:46,020
♪ ACTING STUPID
WHAT'S HAPPENING?

1351
01:38:46,086 --> 01:38:51,125
♪ WHAT'S HAPPENING?

1352
01:39:07,574 --> 01:39:11,512
♪ ♪ ♪
I'M A SAVAGE, OKAY

1353
01:39:11,578 --> 01:39:15,783
♪ CLASSY, BOUGIE, RATCHET, OKAY
SASSY, MOODY, NASTY, YEAH

1354
01:39:15,849 --> 01:39:19,520
♪ ACTING STUPID
WHAT'S HAPPENING?

1355
01:39:19,586 --> 01:39:20,654
♪ WHAT'S HAPPENING?

1356
01:39:20,721 --> 01:39:22,056
I'M A SAVAGE, YEAH
OKAY

1357
01:39:22,122 --> 01:39:26,694
♪ CLASSY, BOUGIE, RATCHET, YEAH
OKAY

1358
01:39:26,760 --> 01:39:28,228
SASSY, MOODY, NASTY, HUH
♪ ACTING STUPID

1359
01:39:28,295 --> 01:39:30,798
WHAT'S HAPPENING?

1360
01:39:30,864 --> 01:39:31,699
♪ WHAT'S HAPPENING?

1361
01:39:31,765 --> 01:39:43,577
AH ♪

1362
01:39:43,644 --> 01:39:49,116
♪ ♪ ♪
♪ ♪ ♪

1363
01:39:49,183 --> 01:39:50,851
♪ UP, UP

1364
01:39:50,918 --> 01:39:52,052
UP, AYY, UP, UH
♪ UP, LOOK

1365
01:39:52,119 --> 01:39:55,589
LOOK, ONCE UPON A TIME, MAN
I HEARD THAT I WAS UGLY

1366
01:39:55,656 --> 01:39:58,058
♪ CAME FROM A CHICK WHO
MAN'S WANNA TOUCH ME

1367
01:39:58,125 --> 01:40:00,127
♪ I SAID MY FACE BOMB, ABS TIGHT
RACKS STACK UP SHAQ HEIGHT

1368
01:40:00,194 --> 01:40:03,630
♪ JEWELRY ON ME, FLASHLIGHT
I BEEN LIT SINCE LAST NIGHT

1369
01:40:03,697 --> 01:40:06,800
♪ HIT HIM WITH THAT GOOD-GOOD
MAKE HIM WANNA ACT RIGHT

1370
01:40:06,867 --> 01:40:07,968
♪ BROKE BOYS DON'T
DESERVE NO KITTY

1371
01:40:08,035 --> 01:40:13,273
♪ I KNOW THAT'S RIGHT

1372
01:40:13,340 --> 01:40:16,076
BIG BAG BUSSIN' OUT
♪ THE BENTLEY BENTAYGA

1373
01:40:16,143 --> 01:40:20,714
♪ THE BENTLEY BENTAYGA, MAN
BIRKIN BAG, BARDI BACK

1374
01:40:20,781 --> 01:40:23,317
BIG BAG BUSSIN' OUT
♪ THE BENTLEY BENTAYGA

1375
01:40:23,384 --> 01:40:25,452
♪ KNOW HOW I GIVE IT UP
IF IT'S UP, THEN IT'S UP

1376
01:40:25,519 --> 01:40:27,654
♪ THEN IT'S UP, THEN IT'S STUCK
IF IT'S UP, THEN IT'S UP

1377
01:40:27,721 --> 01:40:30,124
♪ THEN IT'S UP, THEN IT'S STUCK
HUH, AYY

1378
01:40:30,190 --> 01:40:32,192
♪ UP, THEN IT'S UP
IF IT'S UP, THEN IT'S STUCK, HUH

1379
01:40:32,259 --> 01:40:35,028
♪ IF IT'S UP, THEN IT'S UP
THEN IT'S UP, THEN IT'S STUCK

1380
01:40:35,095 --> 01:40:37,598
♪ HUH, WOO
FACE BOMB, ABS TIGHT

1381
01:40:37,664 --> 01:40:39,633
RACKS STACK UP SHAQ HEIGHT
♪ JEWELRY ON ME, FLASHLIGHT

1382
01:40:39,700 --> 01:40:42,836
I BEEN LIT SINCE LAST NIGHT
♪ HIT HIM WITH THAT GOOD-GOOD

1383
01:40:42,903 --> 01:40:44,938
MAKE HIM WANNA ACT RIGHT
♪ BROKE BOYS DON'T

1384
01:40:45,005 --> 01:40:46,306
DESERVE NO KITTY
♪ I KNOW THAT'S RIGHT

1385
01:40:46,373 --> 01:40:50,477
IF IT'S UP, THEN IT'S UP
♪ THEN IT'S UP, THEN IT'S STUCK

1386
01:40:50,544 --> 01:40:55,015
IF IT'S UP, THEN IT'S UP
♪ THEN IT'S UP, THEN IT'S STUCK

1387
01:40:55,082 --> 01:40:58,118
IF IT'S UP, THEN IT'S UP
♪ THEN IT'S UP, THEN IT'S STUCK

1388
01:40:58,185 --> 01:41:06,560
HUH, AYY ♪

1389
01:41:23,710 --> 01:41:29,149
♪ ♪ ♪
♪ I SAID, CERTIFIED FREAK

1390
01:41:29,216 --> 01:41:34,121
SEVEN DAYS A WEEK

1391
01:41:34,188 --> 01:41:35,989
♪ WET AND
MAKE THAT PULL-OUT GAME WEAK

1392
01:41:36,056 --> 01:41:39,593
♪ YEAH, YEAH, YEAH, YEAH
YEAH, YOU DEALING WITH

1393
01:41:39,660 --> 01:41:42,463
♪ SOME WET-WET-WET
BRING A AND A MOP FOR THIS

1394
01:41:42,529 --> 01:41:47,601
♪ WET-WET-WET
GIVE ME EVERYTHING YOU GOT

1395
01:41:47,668 --> 01:41:51,071
♪ FOR THIS WET-WET-WET
BEAT IT UP

1396
01:41:51,138 --> 01:41:53,407
♪ BABY, CATCH A CHARGE
EXTRA AND EXTRA

1397
01:41:53,474 --> 01:41:55,075
♪ PUT THIS KITTY
RIGHT IN YOUR FACE

1398
01:41:55,142 --> 01:41:57,110
♪ SWIPE YOUR NOSE
LIKE A CREDIT CARD

1399
01:41:57,177 --> 01:41:58,846
♪ HOP ON TOP
I WANNA RIDE

1400
01:41:58,912 --> 01:42:00,914
♪ I DO A KEGEL
I'M KINDA WILD

1401
01:42:00,981 --> 01:42:02,416
♪ LOOK AT MY MOUTH
LOOK AT MY THIGHS

1402
01:42:02,483 --> 01:42:03,550
♪ THIS WATER IS WET
COME TAKE A DIVE

1403
01:42:03,617 --> 01:42:05,786
♪ TIE ME UP
LIKE I'M A SURPRISE

1404
01:42:05,853 --> 01:42:07,387
♪ LET'S ROLE PLAY
I'LL WEAR A DISGUISE

1405
01:42:07,454 --> 01:42:09,656
♪ I WANT YOU TO PARK THAT
BIG MACK TRUCK

1406
01:42:09,723 --> 01:42:12,192
♪ RIGHT IN THIS LITTLE GARAGE
MAKE ME DREAM

1407
01:42:12,259 --> 01:42:13,794
♪ MAKE IT STREAM
OUT IN PUBLIC

1408
01:42:13,861 --> 01:42:15,028
♪ MAKE A SCENE
I DON'T COOK

1409
01:42:15,095 --> 01:42:17,764
♪ I DON'T CLEAN
BUT LET ME TELL YOU

1410
01:42:17,831 --> 01:42:18,999
♪ HOW I GOT THIS RING
GOBBLE ME, SWALLOW ME

1411
01:42:19,066 --> 01:42:21,168
♪ DRIP DOWN THE SIDE OF ME
I'M OUT 'FORE I LET YOU

1412
01:42:21,235 --> 01:42:22,803
♪ GET INSIDE OF ME
I TELL HIM WHERE TO PUT IT

1413
01:42:22,870 --> 01:42:24,338
♪ NEVER TELL HIM WHERE
I'M 'BOUT TO BE

1414
01:42:24,404 --> 01:42:25,706
♪ I'LL RUN DOWN ON HIM
'FORE I HAVE A-- RUNNING ME

1415
01:42:25,772 --> 01:42:27,107
♪ TALK YOUR--
BITE YOUR LIP

1416
01:42:27,174 --> 01:42:29,443
♪ ASK FOR A CAR
WHILE YOU RIDE THAT

1417
01:42:29,510 --> 01:42:31,078
♪ YOU REALLY AIN'T NEVER GOTTA--
HIM FOR A THANG

1418
01:42:31,144 --> 01:42:32,946
♪ HE ALREADY MADE HIS MIND
UP 'FORE HE CAME

1419
01:42:33,013 --> 01:42:35,082
♪ NOW GET YOUR BOOTS
AND YOUR COAT

1420
01:42:35,148 --> 01:42:37,551
♪ FOR THIS WET-WET-WET
HE BOUGHT A PHONE

1421
01:42:37,618 --> 01:42:39,520
♪ JUST FOR PICTURES
OF THIS WET-WET-WET

1422
01:42:39,586 --> 01:42:43,090
♪ PAY MY TUITION JUST TO KISS ME
ON THIS WET-WET-WET

1423
01:42:43,156 --> 01:42:47,060
♪ NOW MAKE IT RAIN IF YOU WANNA
SEE SOME WET-WET-WET

1424
01:42:47,127 --> 01:42:49,897
♪ LOOK, I NEED A HARD HITTER
I NEED A DEEP--

1425
01:42:49,963 --> 01:42:51,064
♪ I NEED A HENNY DRINKER
I NEED A-- SMOKER

1426
01:42:51,131 --> 01:42:53,200
♪ NOT A GARDEN SNAKE
I NEED A KING COBRA

1427
01:42:53,267 --> 01:42:54,735
♪ WITH A HOOK IN IT
HOPE IT LEAN OVER

1428
01:42:54,801 --> 01:42:56,370
♪ HE GOT SOME MONEY
THEN THAT'S WHERE I'M HEADED

1429
01:42:56,436 --> 01:42:57,704
♪ COOKIE A1
JUST LIKE HIS CREDIT

1430
01:42:57,771 --> 01:43:00,007
♪ HE GOT A BEARD
WELL, I'M TRYNA WET IT

1431
01:43:00,073 --> 01:43:02,075
♪ I LET HIM HMMM
NOW HE DIABETIC

1432
01:43:02,142 --> 01:43:03,043
♪ I DON'T WANNA HMMM
I WANNA-- WOO

1433
01:43:03,110 --> 01:43:06,513
♪ I WANNA
I WANT YOU TO TOUCH THAT

1434
01:43:06,580 --> 01:43:08,081
♪ TOUCH THAT
IT'S SWINGING IN

1435
01:43:08,148 --> 01:43:09,483
♪ THE BACK OF MY--
MY TOE GAME IS FIRE

1436
01:43:09,550 --> 01:43:11,285
♪ DASANI, DASANI
IT'S GOING IN DRY

1437
01:43:11,351 --> 01:43:13,120
♪ AND IT'S COMING OUT SOGGY
I RUN ON THAT THANG

1438
01:43:13,186 --> 01:43:15,022
♪ LIKE THE COPS IS BEHIND ME
THE WAY THAT I SPIT

1439
01:43:15,088 --> 01:43:17,357
♪ NOW HE TRYNA SIGN ME
NOW GET YOUR BOOTS

1440
01:43:17,424 --> 01:43:19,026
♪ AND YOUR COAT
FOR THIS WET-WET-WET

1441
01:43:19,092 --> 01:43:21,562
♪ NOW GET A BUCKET
AND A MOP

1442
01:43:21,628 --> 01:43:25,832
♪ THAT'S SOME WET-WET-WET
I'M TALKING WAP, WAP WAP

1443
01:43:25,899 --> 01:43:31,071
♪ THAT'S SOME WET-WET-WET
NOW MAKE IT RAIN IF YOU WANNA

1444
01:43:31,138 --> 01:43:35,075
♪ SEE SOME WET-WET-WET

1445
01:43:35,142 --> 01:43:38,145
♪ ♪ ♪
♪ ♪ ♪

1446
01:43:38,211 --> 01:43:39,179
NOW FROM THE TOP
♪ MAKE IT DROP

1447
01:43:39,246 --> 01:43:42,349
THAT'S SOME WET
♪ THAT'S SOME WET

1448
01:43:42,416 --> 01:43:44,751
GET A BUCKET AND A MOP
♪ THAT'S SOME WET

1449
01:43:44,818 --> 01:43:46,920
THAT'S SOME WET
♪ I'M TALKING DROP, DROP, DROP

1450
01:43:46,987 --> 01:43:49,590
THAT'S SOME WET
♪ THAT'S SOME WET

1451
01:43:49,656 --> 01:43:51,091
MACARONI IN A POT
♪ THAT'S SOME WET

1452
01:43:51,158 --> 01:44:01,134
THAT'S SOME WET ♪

1453
01:44:01,201 --> 01:44:06,073
THAT'S SOME WET ♪

1454
01:44:06,139 --> 01:44:06,840
WOW, WOW, DID YOU SEE
THAT?

1455
01:44:06,907 --> 01:44:09,610
DID YOU SEE THAT!

1456
01:44:09,676 --> 01:44:14,314
WOW, CARDI B, FEATURING MEGAN
THEE STALLION, THAT WAS AMAZING

1457
01:44:14,381 --> 01:44:18,051
WOW, THAT WAS AMAZING, THE GIANT
SHOE, THE GIANT-- OH, AND IT IS

1458
01:44:18,118 --> 01:44:21,922
SO SOFT WHAT IS THE THREAD
COUNT, THIS IS AMAZING, WOW,

1459
01:44:21,989 --> 01:44:24,791
GUYS, GUYS, WAIT, WAIT, I JUST
REALIZED SOMETHING.

1460
01:44:24,858 --> 01:44:28,829
THIS IS A DREAM, THIS IS A DREAM
THAT I HAVE HAD TO BE IN BED

1461
01:44:28,895 --> 01:44:33,367
WITH CARDI B AND THEN MY
GRANDMOTHER COMES IN AND WHIPPED

1462
01:44:33,433 --> 01:44:36,937
OUR ASS FOR HAVING OUR SHOES ON
IN THE BED, SHE WILL WHIP YOUR

1463
01:44:37,004 --> 01:44:38,105
ASS.

1464
01:44:38,171 --> 01:44:39,773
I DON'T KNOW ABOUT YOU, BUT
WE HAVE TO COOL DOWN, WE'RE

1465
01:44:39,840 --> 01:44:43,910
GOING TO GO FOR A QUICK BREAK
AND LET THE STAGE DRY OFF, POST

1466
01:44:43,977 --> 01:44:49,082
MALONE, DOJA CAT, BTS AND LIL
BABY ARE ALL COMING UP.

1467
01:44:49,149 --> 01:44:57,090
THIS IS IT.

1468
01:44:57,157 --> 01:45:01,495
♪ ♪ ♪
♪ ♪ ♪

1469
01:45:01,561 --> 01:45:04,097
♪ FOR COMPLETE COVERAGE OF THE
GRAMMY AWARDS, EXCLUSIVE

1470
01:45:04,164 --> 01:45:07,067
HIGHLIGHTS, BACKSTAGE ACCESS AND
LIVER INTERVIEWS WITH TONIGHT'S

1471
01:45:07,134 --> 01:45:09,636
-WINNERS VISIT GRAMMY.
-COM.

1472
01:45:13,073 --> 01:45:20,213
♪ ♪ ♪

1473
01:45:20,280 --> 01:45:21,748
WELL, GOBBLE ME,
SWALLOW ME, DRIP DOWN THE SIDE

1474
01:45:21,815 --> 01:45:23,050
OF ME.

1475
01:45:23,116 --> 01:45:24,217
WELCOME BACK.

1476
01:45:24,284 --> 01:45:26,720
TO PRESENT OUR NEXT GRAMMY
AWARD, LET'S GO TO THE HEART OF

1477
01:45:26,787 --> 01:45:31,558
HARLEM AND PERHAPS THE MOST
HISTORIC INDEPENDENT VENUE IN

1478
01:45:31,625 --> 01:45:32,793
AMERICA.

1479
01:45:32,859 --> 01:45:36,229
LET'S MEET BILLY MITCHELL AT ONE
OF THE MOST ICONIC PLACES FOR

1480
01:45:36,296 --> 01:45:38,732
MUSICIANS TO PERFORM, AND FOR

1481
01:45:38,799 --> 01:45:42,369
THE WORLD FAMOUS APOLLO THEATER.

1482
01:45:43,603 --> 01:45:49,443
MY NAME IS BILLY MITCHELL,
THEY CALL ME MR. APPALLO, I

1483
01:45:49,509 --> 01:45:53,447
FIRST STARTED RUNNING ERRANDS AT
THE THEATER, I USED TO RUN

1484
01:45:53,513 --> 01:45:55,515
ERRANDS FOR JAMES BROWN AND HIS
BAND.

1485
01:45:55,582 --> 01:45:57,617
HE WOULD ALWAYS ASK ME,
MR. BILLY, HOW ARE YOU DOING IN

1486
01:45:57,684 --> 01:46:00,654
SCHOOL, I WOULD SAY I'M DOING
GREAT, AND APPARENTLY HE DIDN'T

1487
01:46:00,721 --> 01:46:05,358
BELIEVE ME, BECAUSE ONE DAY
MR. BROWN MADE ME LEAVE THE

1488
01:46:05,425 --> 01:46:07,928
APPALLO, GO ALL THE WAY BACK TO
THE BRONX, GET MY REPORT CARD

1489
01:46:07,994 --> 01:46:09,463
AND SHOW IT TO HIM.

1490
01:46:09,529 --> 01:46:12,933
AND WHEN JAMES BROWN NOTICED MY
REPORT CARD HE TOLD ME THAT I

1491
01:46:12,999 --> 01:46:15,936
WAS NOT ALLOWED TO COME BACK TO
THE APPALLO AND RUNNER RANDS

1492
01:46:16,002 --> 01:46:17,237
UNTIL I GOT MY GRADES UP.

1493
01:46:17,304 --> 01:46:20,240
SO WITH THAT THREAT IN MIND, I
BECAME A MEMBER OF THE HONOR

1494
01:46:20,307 --> 01:46:24,244
ROLL AND AS A GRADUATION GIFT
JAMES BROWN GAVE ME SOME MONEY.

1495
01:46:24,311 --> 01:46:27,447
I USED THAT MONEY TO ENROLL INTO
BUSINESS SCHOOL AND THAT STARTED

1496
01:46:27,514 --> 01:46:31,485
MY CAREER AT THE APPALLO
THEATER.

1497
01:46:31,551 --> 01:46:32,719
THANK YOU JAMES BROWN.

1498
01:46:32,786 --> 01:46:37,624
THIS WAS THE FIRST YEAR THEATER
THAT NOT ONLY SHOWED BLACK

1499
01:46:37,691 --> 01:46:40,227
TALENT ON THE STAGE BUT THE
FIRST THAT HIRED BLACK CREW AND

1500
01:46:40,293 --> 01:46:42,462
ALSO LET BLACKS SIT IN THE
AUDIENCE.

1501
01:46:42,529 --> 01:46:45,699
THE APPALLO WAS THE FIRST
THEATER IN HARLEM TO DO THAT.

1502
01:46:45,766 --> 01:46:48,902
CULTURALLY THIS PLACE IS LIKE
THE BEACON FOR

1503
01:46:48,969 --> 01:46:49,870
AFRICAN-AMERICANS.

1504
01:46:49,936 --> 01:46:55,609
THERE IS SOMETHING SPECIAL ABOUT
THIS BUILDING.

1505
01:46:55,675 --> 01:47:01,181
IT IS SO HEARTBREAKING, WE MISS
OUR AUDIENCE AND WE CAN'T WAIT

1506
01:47:01,248 --> 01:47:03,383
UNTIL OUR DOORS ARE OPEN BACK UP
AGAIN.

1507
01:47:03,450 --> 01:47:05,051
WE JUST CAN'T WAIT.

1508
01:47:05,118 --> 01:47:08,655
AND WE DO OPEN BACK UP, IT IS
GOING TO BE ABSOLUTELY AMAZING.

1509
01:47:08,722 --> 01:47:11,825
NOBODY DOES IT BETTER THAN US.

1510
01:47:11,892 --> 01:47:16,496
I WAS A POOR KID FROM MOUNT
VERNON, NEW YORK, NOW BEING

1511
01:47:16,563 --> 01:47:18,532
ASKED TO PRESENT ON THE GRAMMYS.

1512
01:47:18,598 --> 01:47:20,700
MAN, IT GETS NO BETTER THAN
THIS.

1513
01:47:20,767 --> 01:47:24,237
AND I AM SO GRATEFUL AND
APPRECIATIVE, I REALLY AM.

1514
01:47:24,304 --> 01:47:29,075
IT IS MY HONOR TO PRESENT THE
TBRAMMEE AWARD FOR BEST RAP

1515
01:47:29,142 --> 01:47:29,743
SONG.

1516
01:47:29,810 --> 01:47:34,514
AND HERE ARE THE NOMINATIONS.

1517
01:47:34,581 --> 01:47:36,216
♪ ♪ ♪
"THE BIGGER

1518
01:47:36,283 --> 01:47:38,718
PICTURE," LIL BABY.

1519
01:47:38,785 --> 01:47:43,557
"THE BOX," RODDY RICCH.

1520
01:47:43,623 --> 01:47:48,228
"LAUGH NOW, CRY LATER," DRAKE
FEATURING LIL DURK.

1521
01:47:48,295 --> 01:47:52,232
"ROCKSTAR," DaBABY FEATURING
RODDY RICCH.

1522
01:47:52,299 --> 01:47:59,840
"SAVAGE," MEGAN THEE STALLION
FEATURING BEYONCE.

1523
01:47:59,906 --> 01:48:02,809
♪ ♪ ♪

1524
01:48:02,876 --> 01:48:06,012
AND LET'S GO BACK TO
MR. APOLLO.

1525
01:48:06,079 --> 01:48:12,219
MR. MITCHELL, TELL US WHO THE
WINNER IS.

1526
01:48:12,285 --> 01:48:20,227
ALL RIGHT, THANK YOU, TREVOR.

1527
01:48:20,293 --> 01:48:24,231
"SAVAGE," MEGAN THEE STALLION

1528
01:48:24,297 --> 01:48:26,399
FEATURING BEYONCE.

1529
01:48:26,466 --> 01:48:32,239
♪ ♪ ♪

1530
01:48:32,305 --> 01:48:38,011
♪ I'M A SAVAGE, YEAH
CLASSY, BOUGIE, RATCHET, YEAH

1531
01:48:38,078 --> 01:48:40,046
♪ SASSY, MOODY, NASTY
HEY, HEY YEAH

1532
01:48:40,113 --> 01:48:43,617
♪ ACTING STUPID
WHAT'S HAPPENING?

1533
01:48:43,683 --> 01:48:44,784
♪ WHAT'S HAPPENING?

1534
01:48:44,851 --> 01:48:48,688
♪ I'M A SAVAGE, YEAH

1535
01:48:48,755 --> 01:48:52,225
CLASSY, BOUGIE, RATCHET, YEAH
♪ SASSY, MOODY, NASTY

1536
01:48:52,292 --> 01:48:54,561
HEY, HEY YEAH
♪ ACTING STUPID

1537
01:48:54,628 --> 01:48:56,229
WHAT'S HAPPENING?

1538
01:48:56,296 --> 01:49:00,233
♪ WHAT'S HAPPENING?

1539
01:49:00,300 --> 01:49:10,277
FIRST OF ALL,-- OKAY, BECAUSE

1540
01:49:10,343 --> 01:49:15,482
FIRST OF ALL,-- OKAY, BECAUSE

1541
01:49:15,548 --> 01:49:18,451
I SAID I WILL BRING MY PAPER UP
HERE SO I'M NOT GOING TO FORGET

1542
01:49:18,518 --> 01:49:24,691
TO THANK NOBODY, AND NOW I CAME
UP HERE-- FIRST OF ALL, I HAVE

1543
01:49:24,758 --> 01:49:28,662
TO KEEP THANKING GOD BECAUSE
WITHOUT GOD NONE OF US WOULD BE

1544
01:49:28,728 --> 01:49:30,196
HERE TODAY.

1545
01:49:30,263 --> 01:49:33,800
AND I ALSO WANT TO THANK, I ALSO
WANT TO SAY CONGRATULATIONS TO

1546
01:49:33,867 --> 01:49:40,674
EVERYBODY WHO WAS NOMINATED
BECAUSE ALL OF THESE SONGS WERE

1547
01:49:40,740 --> 01:49:41,808
AMAZING.

1548
01:49:41,875 --> 01:49:45,679
WE WOULDN'T-- MUSIC REALLY
HELPED A LOT OF US GET THROUGH

1549
01:49:45,745 --> 01:49:46,813
THE PANDEMIC.

1550
01:49:46,880 --> 01:49:50,083
SO LIKE I SAID, SHOUT OUT TO
EVERYBODY WHO IS HERE TODAY,

1551
01:49:50,150 --> 01:49:52,519
BECAUSE A LOT OF THESE SONGS
PUSHED US ALL THE WAY THROUGH.

1552
01:49:52,585 --> 01:50:01,795
I DEFINITELY WANT TO SAY THANK
YOU TO BEYONCE.

1553
01:50:01,861 --> 01:50:07,534
IF YOU KNOW ME, YOU HAVE TO KNOW
THAT EVER SINCE I WAS LITTLE I

1554
01:50:07,600 --> 01:50:11,972
WAS LIKE YOU KNOW WHAT, ONE DAY
I'M GOING TO GROW UP AND I WILL

1555
01:50:12,038 --> 01:50:14,708
BE LIKE BEYONCE, THAT WAS
DEFINITELY MY GOAL.

1556
01:50:14,774 --> 01:50:18,044
AND I REMEMBER I WENT TO THE
RODEO FOR THE FIRST TIME AND I

1557
01:50:18,111 --> 01:50:22,082
SAW DESTINY'S CHILD PERFORM AND
I WAS LIKE YOU KNOW WHAT, I LOVE

1558
01:50:22,148 --> 01:50:25,418
HER WORK, I LOVE THE WAY SHE IS,
I LOVE THE WAY SHE CARRY HERSELF

1559
01:50:25,485 --> 01:50:28,922
AND MY MAMA WOULD ALWAYS BE LIKE
MEGAN WHACK WOULD-BE YONS DO.

1560
01:50:28,989 --> 01:50:32,125
AND MI ALWAYS LIKE, YOU KNOW
WHAT, WHAT WOULD-BE YONS DO.

1561
01:50:32,192 --> 01:50:38,798
BUT LET ME MAKE IT A LITTLE
RATCHET.

1562
01:50:38,865 --> 01:50:40,567
BUT--

1563
01:50:40,633 --> 01:50:47,907
SO THANK YOU BEYONCE, FOR YOUR
ENCOURAGING WORDS ALL THE TIME.

1564
01:50:47,974 --> 01:50:51,978
THANK YOU FOR-- FOR PUTTING ME
ON ROCK NATION, MY LIFE HAS

1565
01:50:52,045 --> 01:50:54,714
CHANGED, THANK YOU, I KNOW YOU
WATCHING.

1566
01:50:54,781 --> 01:51:01,588
AND YEAH, JUST THANK YOU, WE DID
IT.

1567
01:51:01,654 --> 01:51:05,091
I JUST WANT TO QUICKLY GIVE
MY LOVE TO MEGAN, HAVE I SO MUCH

1568
01:51:05,158 --> 01:51:08,094
RESPECT FOR YOU AND I'M HONORED
THAT YOU CANNED ME TO BE A PART

1569
01:51:08,161 --> 01:51:13,033
OF THT SONG, AND I WANT TO SEAU
HOUSTON, WE LOVE YOU, THANK YOU

1570
01:51:13,099 --> 01:51:13,800
GRAMMYS.

1571
01:51:13,867 --> 01:51:14,734
THANK YOU.

1572
01:51:14,801 --> 01:51:17,704
MEGAN AND BEYONCE,

1573
01:51:17,771 --> 01:51:18,838
CONGRATULATIONS.

1574
01:51:18,905 --> 01:51:21,641
BEFORE YOU LEAVE THE STAGE,
BEFORE YOU LEAVE THE STAGE I

1575
01:51:21,708 --> 01:51:25,178
JUST WANTED TO SAY THIS, WE WANT
EVERYBODY TO KNOW THAT RIGHT NOW

1576
01:51:25,245 --> 01:51:26,713
GRAMMY HISTORY HAS BEEN MADE.

1577
01:51:26,780 --> 01:51:32,218
BECAUSE WITH THAT AWARD, BEYONCE
HAS JUST TIED THE ALL-TIME

1578
01:51:32,285 --> 01:51:38,691
RECORD FOR MOST GRAMMY WINS EVER
BY A FEMALE ARTIST AND BY ANY

1579
01:51:38,758 --> 01:51:40,226
SINGER MALE OR FEMALE.

1580
01:51:40,293 --> 01:51:42,962
SO CONGRATULATIONS QUEEN B.

1581
01:51:43,029 --> 01:51:48,234
BEYONCE IS TIED AT 27 GRAMMYS,
TIED AT 27 GRAMMYS.

1582
01:51:48,301 --> 01:51:50,737
WHAT AN ACHIEVEMENT.

1583
01:51:50,804 --> 01:51:52,205
WOW.

1584
01:51:52,272 --> 01:51:56,176
LADIES,.

1585
01:51:56,242 --> 01:51:59,345
ALL RIGHT, IT IS TIME FOR
ANOTHER RECORD OF THE YEAR

1586
01:51:59,412 --> 01:52:00,480
NOMINEE FILM.

1587
01:52:00,547 --> 01:52:03,049
REMEMBER, AN EXTENDED VERSION OF
ALL OF OUR FILMS WILL BE

1588
01:52:03,116 --> 01:52:04,317
AN EXTENDED VERSION OF
ALL OUR FILMS WILL BE AVAILABLE

1589
01:52:04,384 --> 01:52:05,652
AFTER THE SHOW TONIGHT ON
PARAMOUNT+.

1590
01:52:05,718 --> 01:52:08,254
HERE'S A REVEALING LOOK AT THE
CHARMING CHARACTER BEHIND ALL

1591
01:52:08,321 --> 01:52:12,225
THOSE MASSIVE HITS AND THREE NEW
GRAMMY NOMINATIONS THIS YEAR.

1592
01:52:12,292 --> 01:52:16,229
THIS IS POST MALONE.

1593
01:52:16,296 --> 01:52:27,040
♪ ♪ ♪

1594
01:52:27,107 --> 01:52:30,910
MAKING CIRCLES, MY VOICE WAS
GONE, I HAD BEEN JAMMING AND

1595
01:52:30,977 --> 01:52:37,951
SINGING ALL DAY, AND I WAS LIKE
THIS SONG IS TERRIBLE.

1596
01:52:38,017 --> 01:52:40,653
AND THEN I CAME BACK TO IT A
LITTLE WHILE LATER AND IT TURNED

1597
01:52:40,720 --> 01:52:43,790
OUT TO BE A PRETTY DECENT SONG.

1598
01:52:43,857 --> 01:52:47,193
I FEEL LIKE I DO EXPRESS MYSELF
BEST IN MUSIC.

1599
01:52:47,260 --> 01:52:49,696
I'M NOT THE MOST EXTROVERTED
GUY.

1600
01:52:49,762 --> 01:52:55,068
PEOPLE COME UP TO ME PLAYING MY
SONG AND I WILL BE LIKE, I'M

1601
01:52:55,135 --> 01:52:56,236
SUPER SHOCKED.

1602
01:52:56,302 --> 01:52:59,139
PERFORMING IS ABSOLUTELY
TERRIFYING.

1603
01:52:59,205 --> 01:53:05,078
YOU GO INTO THE ARENA AND
EVERYBODY IS HYPED UP, IT MAKES

1604
01:53:05,145 --> 01:53:15,054
IT EASIER TO GO BUCK WILD.

1605
01:53:15,121 --> 01:53:22,462
IT EASIER TO GO BUCK WILD.

1606
01:53:22,529 --> 01:53:25,565
I THINK IT WAS WHENEVER I
STARTED PLAYING GUITAR HERE I

1607
01:53:25,632 --> 01:53:27,600
WAS LIKE I WANT TO BE A MUS IG.

1608
01:53:27,667 --> 01:53:31,504
NEVER IN MY LIFE DID I EVER
THINK THAT IT WOULD ACTUALLY

1609
01:53:31,571 --> 01:53:32,739
HAPPEN.

1610
01:53:32,805 --> 01:53:35,942
GROWING UP IT WAS A VERY MUSIC
APPRECIATIVE HOUSEHOLD BUT MUSIC

1611
01:53:36,009 --> 01:53:37,310
TALENT, NOT SO MUCH.

1612
01:53:37,377 --> 01:53:41,447
YOU SHOULD HEAR MY MOM SING AND
MY DAD SING.

1613
01:53:41,514 --> 01:53:51,291
GOD BLESS AUTO TUNE, EVEN I CAN
SING A COUPLE SONGS.

1614
01:53:51,357 --> 01:53:55,895
I'M SO BLESSED AND HONORED TO BE
ABLE TO DO MUSIC, AS MY JOB.

1615
01:53:55,962 --> 01:53:57,397
SO THANK YOU VERY MUCH.

1616
01:53:57,463 --> 01:53:58,464
CHEERS.

1617
01:53:58,531 --> 01:54:02,802
AND NOW PERFORMING
HOLLYWOOD'S BLEEDING, THIS IS

1618
01:54:02,869 --> 01:54:07,674
POST MALONE.

1619
01:54:44,244 --> 01:54:47,880
♪ ♪ ♪
♪ HOLLYWOOD'S BLEEDING

1620
01:54:47,947 --> 01:54:52,185
VAMPIRES FEEDIN'
♪ DARKNESS TURNS TO DUST

1621
01:54:52,252 --> 01:54:55,555
EVERYONE'S GONE
♪ BUT NO ONE'S LEAVIN'

1622
01:54:55,622 --> 01:55:02,262
NOBODY LEFT BUT US
♪ TRYNA CHASE A FEELIN'

1623
01:55:02,328 --> 01:55:07,233
BUT WE'LL NEVER FEEL IT
♪ RIDIN' ON THE LAST TRAIN HOME

1624
01:55:07,300 --> 01:55:12,238
DYIN' IN OUR SLEEP
♪ WE'RE LIVIN' OUT A DREAM

1625
01:55:12,305 --> 01:55:14,707
WE ONLY MAKE IT OUT ALONE
♪ I JUST KEEP ON HOPIN'

1626
01:55:14,774 --> 01:55:19,946
THAT YOU CALL ME
♪ YOU SAY YOU WANNA SEE ME

1627
01:55:20,013 --> 01:55:23,583
BUT YOU CAN'T RIGHT NOW
♪ YOU NEVER TOOK THE TIME

1628
01:55:23,650 --> 01:55:26,686
TO GET TO KNOW ME
♪ WAS SCARED OF LOSIN' SOMETHIN'

1629
01:55:26,753 --> 01:55:32,225
THAT WE NEVER FOUND
♪ WE'RE RUNNING OUT OF REASONS

1630
01:55:32,292 --> 01:55:38,731
BUT WE CAN'T LET GO
♪ YEAH, HOLLYWOOD IS BLEEDING

1631
01:55:38,798 --> 01:55:44,237
BUT WE CALL IT HOME
♪ OUTSIDE, THE WINTER

1632
01:55:44,304 --> 01:55:48,241
SKY TURNIN' GREY
♪ CITY UP IN SMOKE

1633
01:55:48,308 --> 01:55:50,710
IT'S ONLY ASH WHEN IT RAINS
♪ HOWL AT THE MOON AND

1634
01:55:50,777 --> 01:55:54,247
GO TO SLEEP IN THE DAY
♪ LOVE FOR EVERYBODY 'TIL

1635
01:55:54,314 --> 01:55:56,215
THE DRUGS FADE AWAY
♪ IN THE MORNIN'

1636
01:55:56,282 --> 01:55:58,685
BLOCKING OUT THE SUN
♪ WITH THE SHADES

1637
01:55:58,751 --> 01:56:00,887
SHE GOTTA CHECK HER PULSE
♪ AND TELL HERSELF THAT SHE OKAY

1638
01:56:00,953 --> 01:56:04,290
IT SEEM LIKE DYING YOUNG
♪ IS AN HONOR

1639
01:56:04,357 --> 01:56:05,892
BUT WHO'D BE AT MY FUNERAL?

1640
01:56:05,958 --> 01:56:07,160
♪ I WONDER
I GO OUT

1641
01:56:07,226 --> 01:56:11,798
♪ AND ALL THEY EYES ON ME
I SHOUT OUT

1642
01:56:11,864 --> 01:56:16,235
♪ "DO YOU LIKE WHAT YOU SEE?"
AND NOW THEY CLOSIN' IN ON ME

1643
01:56:16,302 --> 01:56:19,972
♪ LET 'EM SHARPEN ALL THEY TEETH
THIS IS MORE THAN I CAN HANDLE

1644
01:56:20,039 --> 01:56:23,009
♪ BLOOD IN MY LAMBO'
WISH I COULD GO

1645
01:56:23,076 --> 01:56:26,012
♪ OH, I'M LOSIN' HOPE
I LIGHT A CANDLE

1646
01:56:26,079 --> 01:56:28,214
♪ SOME PALO SANTO
FOR ALL THESE DEMONS

1647
01:56:28,281 --> 01:56:36,222
♪ WISH I COULD JUST GO ON
I JUST KEEP ON HOPIN'

1648
01:56:36,289 --> 01:56:38,725
♪ THAT YOU CALL ME
YOU SAY YOU WANNA SEE ME

1649
01:56:38,791 --> 01:56:41,227
♪ BUT YOU CAN'T RIGHT NOW
YOU NEVER TOOK THE TIME

1650
01:56:41,294 --> 01:56:47,300
♪ TO GET TO KNOW ME
WAS SCARED OF LOSIN' SOMETHIN'

1651
01:56:47,367 --> 01:56:50,737
♪ THAT WE NEVER FOUND
WE'RE RUNNING OUT OF REASONS

1652
01:56:50,803 --> 01:57:00,246
♪ BUT WE CAN'T LET GO
YEAH, HOLLYWOOD IS BLEEDING

1653
01:57:00,313 --> 01:57:10,590
♪ BUT WE CALL IT HOME ♪

1654
01:57:10,656 --> 01:57:12,058
THAT'S RIGHT, POST MALONE,
EVERYBODY.

1655
01:57:12,125 --> 01:57:14,727
THANK YOU SO MUCH, THAT WAS AN
AMAZING PERFORMANCE.

1656
01:57:14,794 --> 01:57:17,864
AND EVEN MORE AMAZING FACE
TATTOO, THAT IS THE MOST READING

1657
01:57:17,930 --> 01:57:18,998
HAVE I DONE ALL YEAR.

1658
01:57:19,065 --> 01:57:22,268
STAY TUNED BECAUSE WHEN WE COME
BACK, LIL BABY GIVES A

1659
01:57:22,335 --> 01:57:24,270
PERFORMANCE YOU DO NOT WANT TO
MISS.

1660
01:57:24,337 --> 01:57:26,672
THIS IS CBS.

1661
01:57:26,739 --> 01:57:31,711
JOIN THE CONVERSATION WITH

1662
01:57:31,778 --> 01:57:35,381
MUSIC FANS AROUND THE WORLD AND
FOLLOW THE RECORDING ACADEMY FOR

1663
01:57:35,448 --> 01:57:37,784
EVERYTHING GRAMMY AWARDS.

1664
01:57:37,850 --> 01:57:39,685
THE THE 63rd GRAMMY AWARDS IS

1665
01:57:39,752 --> 01:57:40,753
SPONSORED BY PANTENE.

1666
01:57:49,262 --> 01:57:51,264
♪ ♪ ♪
WELCOME BACK TO THE

1667
01:57:51,330 --> 01:57:53,099
GRAMMYS.

1668
01:57:53,166 --> 01:57:54,801
NOW, PLEASE WELCOME TWO
INCREDIBLE ARTISTS WHO ARE BOTH

1669
01:57:54,867 --> 01:57:59,105
NOMINATED FOR ALBUM OF THE YEAR
JHENE AIKO AND JACOB

1670
01:57:59,172 --> 01:58:03,109
COLLIER.

1671
01:58:03,176 --> 01:58:10,016
♪ ♪ ♪
THANK YOU.

1672
01:58:10,082 --> 01:58:15,021
JACOB AND I BOTH FEEL SO HONORED
TO BE NOMINATED FOR

1673
01:58:15,087 --> 01:58:17,523
ALBUM OF THE YEAR.

1674
01:58:17,590 --> 01:58:21,761
COMGRATS.

1675
01:58:21,828 --> 01:58:22,962
LIKEWISE.

1676
01:58:23,029 --> 01:58:23,663
AND VERY HAPPY TO BE HERE TO
PRESENT THE GRAMMY FOR BEST POP

1677
01:58:23,729 --> 01:58:24,897
VOCAL ALBUM.

1678
01:58:24,964 --> 01:58:26,866
THIS CATEGORY WAS STARTED IN
1995, AND, IN JUST THAT TIME,

1679
01:58:26,933 --> 01:58:28,100
THIS AWARD HAS GONE TO THE LIKES
OF LEGENDS FROM RAY CHARLES TO

1680
01:58:28,167 --> 01:58:29,335
BRUNO MARS.

1681
01:58:29,402 --> 01:58:31,070
AND FROM BONNIE RAITT TO
ADELE.

1682
01:58:31,137 --> 01:58:35,107
THESE ARE THE OUTSTANDING
NOMINATIONS FOR BEST POP VOCAL

1683
01:58:35,174 --> 01:58:39,111
ALBUM.

1684
01:58:39,178 --> 01:58:41,647
♪ ♪ ♪
"CHANGES," JUSTIN

1685
01:58:41,714 --> 01:58:47,086
BIEBER.

1686
01:58:47,153 --> 01:58:51,090
"CHROMATICA," LADY GAGA.

1687
01:58:51,157 --> 01:58:53,626
"FUTURE NOSTALGIA," DUA LIPA.

1688
01:58:53,693 --> 01:58:59,098
"FINE LINE," HARRY STYLES.

1689
01:58:59,165 --> 01:59:03,102
"FOLKLORE," TAYLOR SWIFT.

1690
01:59:13,045 --> 01:59:17,583
"FUTURE NOSTALGIA," DUA LIPA.

1691
01:59:31,163 --> 01:59:34,734
♪ ♪ ♪
OH MY GOODNESS.

1692
01:59:34,800 --> 01:59:38,104
WOW, THANK YOU SO MUCH.

1693
01:59:38,170 --> 01:59:42,141
THIS IS INSANE.

1694
01:59:42,208 --> 01:59:44,577
FUTURE NOSTALGIA MEANS THE
ABSOLUTE WORLD TO ME AND IT HAS

1695
01:59:44,644 --> 01:59:47,847
CHANGED MY LIFE IN SO MANY WAYS.

1696
01:59:47,914 --> 01:59:52,885
BUT ONE THING THAT I HAVE REALLY
COME TO REALIZE IS HOW MUCH

1697
01:59:52,952 --> 01:59:55,054
HAPPINESS IS SO IMPORTANT.

1698
01:59:55,121 --> 01:59:57,723
I FELT REALLY DATED AT THE END
OF MY LAST ALBUM WHERE I FELT

1699
01:59:57,790 --> 02:00:01,427
LIKE I ONLY HAD TO MAKE SAD
MUSIC TO FEEL LIKE IT MATTERED.

1700
02:00:01,494 --> 02:00:06,532
AND MI JUST SO GRATEFUL AND SO
HONORED BECAUSE HAPPINESS IS

1701
02:00:06,599 --> 02:00:09,168
SOMETHING WE ALL DESERVE AND
NEED IN OUR LIVES.

1702
02:00:09,235 --> 02:00:11,971
AND I REALLY WANT TO SAY A
MASSIVE, MASSIVE THANK YOU TO

1703
02:00:12,038 --> 02:00:16,542
ALL THE FANS THAT HAVE, THIS IS
ALL BECAUSE OF YOU.

1704
02:00:16,609 --> 02:00:19,645
HONESTLY, THIS IS ALL YOU AND I
APPRECIATE EVERY SINGLE THING

1705
02:00:19,712 --> 02:00:21,614
THAT YOU HAVE DONE FOR THIS
ALBUM.

1706
02:00:21,681 --> 02:00:26,419
I WANT TO SAY A MASSIVE THANK
YOU TO MY MANAGERS, BEN, ED,

1707
02:00:26,485 --> 02:00:30,957
WENDY, GEORGE, WHO HAVE BEEN
WITH ME SINCE I WAS 17, WHO HAVE

1708
02:00:31,023 --> 02:00:32,158
REALLY FOUGHT MY CORNER.

1709
02:00:32,224 --> 02:00:35,361
I WANT TO SAY THANK YOU TO MY
LABEL, WARNER RECORDS AND YOU

1710
02:00:35,428 --> 02:00:40,800
SAY THANK YOU TO JOE, TO MAX, TO
TOM, TO PHIL, TO MIKE, AND THE

1711
02:00:40,866 --> 02:00:42,735
WHOLE RADIO TEAM IT REALLY MEANS
A LOT TO ME.

1712
02:00:42,802 --> 02:00:48,407
THANK YOU SO MUCH, TO ALL THE
INCREDIBLE WRITERS, ARTISTS AND

1713
02:00:48,474 --> 02:00:50,910
PRODUCERS THAT I GOT TO MAKE
THIS ALBUM WITH.

1714
02:00:50,977 --> 02:00:52,144
THIS MEANS SO MUCH.

1715
02:00:52,211 --> 02:00:55,181
THANKS TO MY FAMILY AND FRIENDS
WATCHING AT HOME, I LOVE YOU,

1716
02:00:55,247 --> 02:00:59,118
THANK YOU.

1717
02:00:59,185 --> 02:01:03,155
MWAH.

1718
02:01:03,222 --> 02:01:05,658
CONGRATULATIONS, DUA

1719
02:01:05,725 --> 02:01:06,792
LIPA.

1720
02:01:06,859 --> 02:01:09,295
THIS WEDNESDAY NIGHT, THE
RECORDING ACADEMY IS BRINGING

1721
02:01:09,362 --> 02:01:11,664
YOU "A GRAMMY SALUTE TO THE
SOUNDS OF CHANGE," A CBS SPECIAL

1722
02:01:11,731 --> 02:01:14,500
HONORING THE POWER OF MUSIC TO
SPEAK TO ITS TIMES.

1723
02:01:14,567 --> 02:01:17,837
AND RIGHT NOW, WE'RE GOING JUST
DOWN THERE FOR AN UNFORGETTABLE

1724
02:01:17,903 --> 02:01:19,105
PERFORMANCE.

1725
02:01:19,171 --> 02:01:21,907
HERE PERFORMING "THE BIGGER
PICTURE," PLEASE WELCOME LIL

1726
02:01:21,974 --> 02:01:27,113
BABY.

1727
02:01:27,179 --> 02:01:39,158
WHEN I WAS GROWING UP I WAS

1728
02:01:39,225 --> 02:01:41,527
TAUGHT IN AMERICAN HISTORY BOOKS
THAT AFRICA HAD NO HISTORY AND

1729
02:01:41,594 --> 02:01:47,166
NEITHER DID I.

1730
02:01:47,233 --> 02:01:49,802
THAT I WAS A SAVAGE.

1731
02:01:49,869 --> 02:01:51,037
ABOUT WHOM THE LESS SAID, THE
BETTER.

1732
02:01:51,103 --> 02:01:59,178
WHO HAD BEEN SAVED BY EUROPE AND
BROUGHT TO AMERICA.

1733
02:01:59,245 --> 02:02:02,882
AND, OF COURSE, I BELIEVED IT.

1734
02:02:02,948 --> 02:02:04,050
I DIDN'T HAVE MUCH CHOICE.

1735
02:02:04,116 --> 02:02:06,719
♪ TRADE MY 4 X 4 FOR A G63
AIN'T NO MORE FREE LIL' STEVE

1736
02:02:06,786 --> 02:02:09,355
♪ I GAVE 'EM CHANCE AND CHANCE
AND CHANCE AGAIN

1737
02:02:09,422 --> 02:02:10,956
♪ I EVEN DONE TOLD THEM PLEASE
I FIND IT CRAZY THE POLICE'LL

1738
02:02:11,023 --> 02:02:12,925
♪ SHOOT YOU AND
KNOW THAT YOU DEAD

1739
02:02:12,992 --> 02:02:14,927
♪ BUT STILL TELL YOU TO FREEZE
-- UP, I SEEN WHAT I SEEN

1740
02:02:14,994 --> 02:02:16,529
♪ I GUESS THAT MEAN HOLD HIM
DOWN IF HE SAY HE CAN'T BREATHE

1741
02:02:16,595 --> 02:02:17,730
♪ IT'S TOO MANY MOTHERS
THAT'S GRIEVING

1742
02:02:17,797 --> 02:02:22,468
♪ THEY KILLING US FOR NO REASON
BEEN GOING ON FOR TOO LONG

1743
02:02:22,535 --> 02:02:23,636
♪ TO GET EVEN
♪ LIKE DOGS AND HYENAS

1744
02:02:23,703 --> 02:02:25,371
I WENT TO COURT AND THEY
♪ SENT ME TO PRISON

1745
02:02:25,438 --> 02:02:27,106
MY MAMA WAS CRUSHED WHEN
♪ THEY SAID I CAN'T LEAVE

1746
02:02:27,173 --> 02:02:28,741
FIRST I WAS DRUNK
♪ THEN I SOBERED UP QUICK

1747
02:02:28,808 --> 02:02:30,276
WHEN I HEARD ALL THAT TIME
♪ THAT THEY GAVE TO TALIB

1748
02:02:30,342 --> 02:02:33,412
HE GOT A LIFE SENTENCE PLUS
♪ WE JUST SOME PRODUCTS

1749
02:02:33,479 --> 02:02:35,648
OF OUR ENVIRONMENT
♪ HOW THE-- THEY GON' BLAME US?

1750
02:02:35,715 --> 02:02:37,883
YOU CAN'T FIGHT FIRE WITH FIRE
♪ I KNOW, BUT AT LEAST

1751
02:02:37,950 --> 02:02:49,161
WE CAN TURN UP THE FLAMES SOME
♪ YOU GOTTA PAY ATTENTION

1752
02:02:49,228 --> 02:02:50,162
TO THE SIGNS
♪ SEEM LIKE THE BLIND

1753
02:02:50,229 --> 02:02:51,197
FOLLOWING THE BLIND
♪ THINKING 'BOUT EVERYTHING

1754
02:02:51,263 --> 02:02:52,198
THAT'S GOING ON
♪ I BOOST SECURITY UP AT MY HOME

1755
02:02:52,264 --> 02:02:53,065
I'M WITH MY KIND IF
♪ THEY RIGHT OR THEY WRONG

1756
02:02:53,132 --> 02:02:54,100
I CALL HIM NOW
♪ HE'LL PICK UP THE PHONE

1757
02:02:54,166 --> 02:02:55,034
AND IT'S 5:0 IN THE MORNING
♪ HE WAKING UP ON IT

1758
02:02:55,101 --> 02:02:56,102
TELL 'EM WHEREVER I'M AT
♪ THEN THEY COMIN'

1759
02:02:56,168 --> 02:02:57,737
I SEE BLUE LIGHTS, I GET SCARED
♪ AND START RUNNIN'

1760
02:02:57,803 --> 02:02:59,171
THAT-- BE CRAZY
♪ THEY 'POSED TO PROTECT US

1761
02:02:59,238 --> 02:03:01,741
THROW US IN HANDCUFFS
♪ AND ARREST US

1762
02:03:01,807 --> 02:03:03,175
WHILE THEY GO HOME AT NIGHT
♪ THAT-- MESSED UP

1763
02:03:03,242 --> 02:03:04,910
KNOWING WE NEEDED HELP
♪ THEY NEGLECT US

1764
02:03:04,977 --> 02:03:06,479
WONDERING WHO GON'
♪ MAKE THEM RESPECT US

1765
02:03:06,545 --> 02:03:09,415
I CAN SEE IN YOUR EYE
♪ THAT YOU FED UP

1766
02:03:09,482 --> 02:03:10,750
MESS AROUND, GOT MY SHOT
♪ I WON'T LET UP

1767
02:03:10,816 --> 02:03:11,650
THEY KNOW THAT WE
♪ A PROBLEM TOGETHER

1768
02:03:11,717 --> 02:03:13,719
THEY KNOW THAT WE CAN
♪ STORM ANY WEATHER

1769
02:03:13,786 --> 02:03:15,087
IT'S BIGGER THAN BLACK AND WHITE
♪ IT'S A PROBLEM WITH

1770
02:03:15,154 --> 02:03:17,790
THE WHOLE WAY OF LIFE
♪ IT CAN'T CHANGE OVERNIGHT

1771
02:03:17,857 --> 02:03:19,358
BUT WE GOTTA START SOMEWHERE
♪ MIGHT AS WELL

1772
02:03:19,425 --> 02:03:23,095
GON' 'HEAD START HERE
♪ WE DONE HAD A HELL OF A YEAR

1773
02:03:23,162 --> 02:03:27,099
I'MA MAKE IT COUNT
♪ WHILE I'M HERE

1774
02:03:27,166 --> 02:03:30,202
GOD IS THE ONLY MAN I FEAR
IT'S A STATE OF EMERGENCY.

1775
02:03:30,269 --> 02:03:33,639
IT'S BEEN A HELL OF A YEAR.

1776
02:03:33,706 --> 02:03:35,174
HELL FOR OVER 400 YEARS.

1777
02:03:35,241 --> 02:03:39,178
MY PEOPLE IT'S TIME WE STAND,
IT'S TIME WE DEMAND THE FREEDOM

1778
02:03:39,245 --> 02:03:40,446
THAT THIS LAND PROMISES.

1779
02:03:40,513 --> 02:03:43,149
PRESIDENT BIDEN, WE DEMAND
JUSTICE.

1780
02:03:43,215 --> 02:03:47,153
EQUITY, POLICY, AND EVERYTHING
ELSE THAT FREEDOM ENCOMPASSES.

1781
02:03:47,219 --> 02:03:50,523
AND TO ACCOMPLISH THIS, WE DON'T
NEED ALLIES, WE NEED

1782
02:03:50,589 --> 02:03:51,257
ACCOMPLICES.

1783
02:03:51,323 --> 02:03:52,324
IT'S BIGGER THAN BLACK AND
WHITE.

1784
02:03:52,391 --> 02:03:55,361
THIS IS NOT A TREND, THIS IS OUR

1785
02:03:55,427 --> 02:03:59,165
UNTIL FREEDOM!

1786
02:03:59,231 --> 02:04:11,610
UNTIL FREEDOM!

1787
02:04:11,677 --> 02:04:12,611
EVERY VIDEO I SEE
♪ ON MY CONSCIENCE

1788
02:04:12,678 --> 02:04:13,913
I GOT POWER NOW
♪ I GOTTA SAY SOMETHIN'

1789
02:04:13,979 --> 02:04:15,781
CORRUPTED POLICE BEEN THE
♪ PROBLEM WHERE I'M FROM

1790
02:04:15,848 --> 02:04:16,982
BUT I'D BE LYING IF I SAID
♪ IT WAS ALL OF THEM

1791
02:04:17,049 --> 02:04:18,250
I AIN'T DO THIS FOR THE TREND
♪ I DON'T FOLLOW THEM

1792
02:04:18,317 --> 02:04:19,685
ALTERCATIONS WITH THE LAW
♪ HAD A LOT OF THEM

1793
02:04:19,752 --> 02:04:21,287
PEOPLE SPEAKING FOR THE PEOPLE
♪ I'M PROUD OF THEM

1794
02:04:21,353 --> 02:04:22,855
STICK TOGETHER, WE CAN
♪ GET IT UP OUT OF THEM

1795
02:04:22,922 --> 02:04:24,223
I CAN'T LIE LIKE I DON'T RAP
♪ ABOUT KILLING AND DOPE

1796
02:04:24,290 --> 02:04:25,858
BUT I'M TELLING MY YOUNGINS
♪ TO VOTE

1797
02:04:25,925 --> 02:04:27,259
I DID WHAT I DID 'CAUSE I DIDN'T
♪ HAVE NO CHOICE OR NO HOPE

1798
02:04:27,326 --> 02:04:29,228
I WAS FORCED TO JUST
♪ JUMP IN AND GO

1799
02:04:29,295 --> 02:04:31,030
THIS-- IS ALL THAT WE KNOW
♪ BUT IT'S TIME FOR A CHANGE

1800
02:04:31,096 --> 02:04:35,134
GOT TIME TO BE SERIOUS
♪ NO TIME FOR NO GAMES

1801
02:04:35,201 --> 02:04:44,610
WE AIN'T TAKIN' NO MORE
I WAS MAGICICALLY.

1802
02:04:44,677 --> 02:04:48,214
YOU CAN FACE IT AND SEE I MESSED
UP.

1803
02:04:48,280 --> 02:04:53,652
A BEFORE HE LAY DOWN, ALL OF
THEM ALL OF US NOTHING BUT

1804
02:04:53,719 --> 02:04:57,923
SLAVES AND NEVER FORGETTING THE
STORY.

1805
02:04:57,990 --> 02:05:00,259
BIGGER THAN BLACK AND WHITE.

1806
02:05:00,326 --> 02:05:03,095
CAN'T CHANGE
IT'S BIGGER THAN BLACK AND WHITE

1807
02:05:03,162 --> 02:05:05,631
♪ IT'S A PROBLEM WITH THE
WHOLE WAY OF LIFE

1808
02:05:05,698 --> 02:05:06,999
♪ IT CAN'T CHANGE OVERNIGHT
BUT WE GOTTA START SOMEWHERE

1809
02:05:07,066 --> 02:05:08,467
♪ MIGHT AS WELL
GON' 'HEAD START HERE

1810
02:05:08,534 --> 02:05:09,835
♪ WE DONE HAD A HELL OF A YEAR
I'MA MAKE IT COUNT

1811
02:05:09,902 --> 02:05:13,973
♪ WHILE I'M HERE
GOD IS THE ONLY MAN I FEAR

1812
02:05:14,039 --> 02:05:15,140
IT'S BIGGER THAN BLACK AND WHITE
♪ IT'S A PROBLEM WITH THE

1813
02:05:15,207 --> 02:05:16,675
WHOLE WAY OF LIFE
♪ IT CAN'T CHANGE OVERNIGHT

1814
02:05:16,742 --> 02:05:17,877
BUT WE GOTTA START SOMEWHERE
♪ MIGHT AS WELL

1815
02:05:17,943 --> 02:05:21,480
GON' 'HEAD START HERE
♪ WE DONE HAD A HELL OF A YEAR

1816
02:05:21,547 --> 02:05:27,052
I'MA MAKE IT COUNT
♪ WHILE I'M HERE

1817
02:05:27,119 --> 02:05:31,857
GOD IS THE ONLY MAN I FEAR ♪
STILL TO COME, RECORD OF THE

1818
02:05:31,924 --> 02:05:36,929
YEAR NOMINEE DOJA CAT AND
PERFORMANCES BY BTS AND RODDY

1819
02:05:36,996 --> 02:05:37,496
RICCH.

1820
02:05:37,563 --> 02:05:38,564
THIS IS CBS.

1821
02:05:46,238 --> 02:05:49,141
♪ ♪ ♪

1822
02:05:49,208 --> 02:05:52,011
WELCOME BACK.

1823
02:05:52,077 --> 02:05:56,515
NOW, PLEASE WELCOME <i>TWO</i> OF THE
GREATEST PRODUCERS, SONGWRITERS

1824
02:05:56,582 --> 02:06:00,352
AND ARTISTS IN MUSIC HISTORY,
BABYFACE AND JIMMY JAM!

1825
02:06:00,419 --> 02:06:08,894
♪ ♪ ♪

1826
02:06:08,961 --> 02:06:11,096
R&B IS THE <i>SOURCE.</i>

1827
02:06:11,163 --> 02:06:13,232
AND, AS THESE NOMINEES PROVE,
R&B REMAINS A <i>FORCE.</i>

1828
02:06:13,299 --> 02:06:20,873
THESE ARE THE NOMINEES FOR
BEST R&B PERFORMANCE.

1829
02:06:20,940 --> 02:06:27,513
"LIGHTNING & THUNDER," JHENE
AIKO, JOHN LEGEND.

1830
02:06:27,579 --> 02:06:31,984
"BLACK PARADE," BEYONCE.

1831
02:06:32,051 --> 02:06:35,387
"ALL I NEED," JACOB COLLIER,
MAHALIA, TY DOLLA $IGN.

1832
02:06:35,454 --> 02:06:39,525
"GOAT HEAD," BRITTANY HOWARD.

1833
02:06:39,591 --> 02:06:44,964
"SEE ME," EMILY KING.

1834
02:06:45,030 --> 02:06:51,503
♪ ♪ ♪

1835
02:06:51,570 --> 02:07:00,946
AND THE GRAMMY GOES TO...

1836
02:07:01,013 --> 02:07:07,753
OH!

1837
02:07:07,820 --> 02:07:08,954
OKAY, WAIT A MINUTE, HISTORY HAS
JUST BEEN MADE, BREAKING THE

1838
02:07:09,021 --> 02:07:10,255
ALL-TIME RECORD FOR THE MOST
GRAMMY WINS EVER BY ANY FEMALE

1839
02:07:10,322 --> 02:07:20,899
ARTIST OR ANY SINGER MALE OR
FEMALE, THE GRAMMY GOES TO

1840
02:07:20,966 --> 02:07:24,770
BEYONCE!

1841
02:07:24,837 --> 02:07:32,978
♪ ♪ ♪

1842
02:07:33,045 --> 02:07:40,919
♪ ♪ ♪

1843
02:07:40,986 --> 02:07:52,965
♪ ♪ ♪

1844
02:07:53,799 --> 02:07:57,136
THANK YOU GUYS SOCH, OH MY
GOD.

1845
02:07:57,202 --> 02:07:57,936
I AM SO HONORED.

1846
02:07:58,003 --> 02:08:08,847
I'M SO EXCITED.

1847
02:08:08,914 --> 02:08:14,253
THANK YOU.

1848
02:08:14,319 --> 02:08:20,392
AS AN ARTIST I BELIEVE IT'S MY
JOB AND ALL OF OUR JOBS TO

1849
02:08:20,459 --> 02:08:21,627
REFLECT THE TIMES.

1850
02:08:21,693 --> 02:08:24,563
AND IT'S BEEN SUCH A DIFFICULT
TIME.

1851
02:08:24,630 --> 02:08:28,901
SO I WANTED TO UPLIFT,
ENCOURAGE, CELEBRATE ALL OF THE

1852
02:08:28,967 --> 02:08:32,538
BEAUTIFUL BLACK QUEENS AND KINGS
THAT CONTINUE TO INSPIRE ME AND

1853
02:08:32,604 --> 02:08:34,106
INSPIRE THE WHOLE WORLD.

1854
02:08:34,173 --> 02:08:35,808
THIS IS SO OVERWHELMING.

1855
02:08:35,874 --> 02:08:39,511
I HAVE BEEN WORKING MY WHOLE
LIFE SINCE NINE YEARS OLD.

1856
02:08:39,578 --> 02:08:44,249
AND I CAN'T BELIEVE THIS
HAPPENED, IT'S SUCH A MAGICAL

1857
02:08:44,316 --> 02:08:44,950
NIGHT, THANK YOU SO MUCH.

1858
02:08:45,017 --> 02:08:50,456
I KNOW MY DAUGHTER IS WATCHING.

1859
02:08:50,522 --> 02:08:54,293
MY DAUGHTERS AND MY SON, BLU,
CONGRATULATIONS, YOU WON A

1860
02:08:54,359 --> 02:08:54,793
GRAMMY TONIGHT.

1861
02:08:54,860 --> 02:08:56,962
I'M SO PROUD OF YOU.

1862
02:08:57,029 --> 02:09:00,966
AND I'M SO HONORED TO BE YOUR
MOMMY, ALL OF YOUR MOMMIES.

1863
02:09:01,033 --> 02:09:02,634
Y'ALL ARE MY BABIES.

1864
02:09:02,701 --> 02:09:04,336
AND I'M SO PROUD OF Y'ALL.

1865
02:09:04,403 --> 02:09:06,605
I LOVE YOU SO MUCH, MY ROCK.

1866
02:09:06,672 --> 02:09:16,615
ENJOY YOUR NIGHT, THANK YOU.

1867
02:09:16,682 --> 02:09:18,117
HISTORY, PEOPLE, HISTORY.

1868
02:09:18,183 --> 02:09:20,018
GIVE IT UP FOR BEYONCE!

1869
02:09:20,085 --> 02:09:22,321
THIS IS HISTORY RIGHT NOW, ARE
YOU SERIOUS?

1870
02:09:22,387 --> 02:09:23,956
THIS IS HISTORY.

1871
02:09:24,022 --> 02:09:31,029
SHE DID IT, I THIS IS HISTORY!

1872
02:09:31,096 --> 02:09:31,296
WOW.

1873
02:09:31,363 --> 02:09:32,431
OKAY.

1874
02:09:32,498 --> 02:09:33,599
TIME OKAY, TIME FOR ANOTHER GIBSON

1875
02:09:33,665 --> 02:09:35,767
HAZARD DIRECTED FILM ABOUT OUR
RECORD OF THE YEAR NOMINEES.

1876
02:09:35,834 --> 02:09:37,402
YOU CAN SEE
EXTENDED VERSIONS OF ALL THESE

1877
02:09:37,469 --> 02:09:40,939
FILMS AND EXCLUSIVE INTERVIEWS
ON PARAMOUNT+ TONIGHT.

1878
02:09:41,006 --> 02:09:45,210
THIS NEXT PERFORMER IS TRULY A
STREAMING SUCCESS STORY FOR OUR

1879
02:09:45,277 --> 02:09:46,378
DIGITAL TIMES.

1880
02:09:46,445 --> 02:09:48,881
SHE'S THE ONLY PERSON WHO WENT
VIRAL LAST SUMMER AND DIDN'T

1881
02:09:48,947 --> 02:09:50,482
HAVE TO QUARANTINE.

1882
02:09:50,549 --> 02:09:53,051
THIS IS DOJA CAT.

1883
02:09:53,118 --> 02:10:05,230
♪ ♪ ♪

1884
02:10:05,297 --> 02:10:07,900
WHEN PEOPLE SAY I'M A NEW
ARTIST, I GET IT BECAUSE I

1885
02:10:07,966 --> 02:10:12,304
HAVEN'T REACHED THE LEVEL I'VE
REACHED UNTIL NOW.

1886
02:10:12,371 --> 02:10:20,212
BUT FOR ME, I'VE BEEN DOING THIS
FOR A VERY LONG TIME.

1887
02:10:20,279 --> 02:10:25,851
I R
MUSIC WHEN I WAS VERY YOUNG,

1888
02:10:25,918 --> 02:10:27,052
LIKE 13.

1889
02:10:27,119 --> 02:10:31,256
I STARTED SINGING BUT I WOULD
LOCK MAY DOOR AND SING REALLY

1890
02:10:31,323 --> 02:10:34,526
QUIET HOPING THAT MY FAMILY
WOULDN'T HEAR ME.

1891
02:10:34,593 --> 02:10:40,999
I WOULD MAKE THESE LIFE TEN
HOURS AT A TIME AND I HAD FANS

1892
02:10:41,066 --> 02:10:42,234
CRITIQUE MY MUSIC.

1893
02:10:42,301 --> 02:10:45,737
I WOULD HAVE THEM ON EVERY DAY,
THE SAME 50 PEOPLE THAT TURNED

1894
02:10:45,804 --> 02:10:50,342
INTO A HUNDRED, TO 500 TO A
THOUSAND.

1895
02:10:50,409 --> 02:10:54,513
TO WHAT ST TODAY.

1896
02:10:54,580 --> 02:11:00,552
THE WAY I FEEL ABOUT IT, I'M SO
GRATEFUL AND I'M SO HAPPY.

1897
02:11:00,619 --> 02:11:05,490
I FEEL LIKE I CAN HAVE A MOMENT
TO CELEBRATE EVERYTHING THAT

1898
02:11:05,557 --> 02:11:11,663
HAVE I WORKED SO HARD TO
ACHIEVE.

1899
02:11:11,730 --> 02:11:15,701
I HAVEN'T BEEN WAITING FOR
THIS MY WHOLE LIFE.

1900
02:11:15,767 --> 02:11:22,541
I'VE BEEN PREPARING
GRAMMY'S, WELCOME TO PLANET

1901
02:11:22,608 --> 02:11:26,445
EARTH.

1902
02:11:26,511 --> 02:11:34,519
♪ DAY TO NIGHT TO MORNING
KEEP WITH ME IN THE MOMENT

1903
02:11:34,586 --> 02:11:44,563
♪ I'D LET YOU HAD I KNOWN IT
WHY DON'T YOU SAY SO?

1904
02:11:44,630 --> 02:11:52,704
♪ I'D LET YOU HAD I KNOWN IT
WHY DON'T YOU SAY SO?

1905
02:11:52,771 --> 02:11:57,409
IT'S BEEN A LONG TIME SINCE
YOU.

1906
02:11:57,476 --> 02:12:04,283
♪ TELL ME WHAT MUST I DO.

1907
02:12:04,349 --> 02:12:15,427
I WON'T STOP CHEESEIN, AND WE
CAN DANCE ALL DAY IF YOU WANT

1908
02:12:15,494 --> 02:12:16,995
♪ AROUND IT IF YOU FRONT
THEN I'LL BE BOUNCING

1909
02:12:17,062 --> 02:12:21,600
♪ IF YOU WANT IT
SCREAM AND SHOUT IT, BABE

1910
02:12:21,667 --> 02:12:26,438
♪ BEFORE I LEAVE YOU DRY
DAY TO NIGHT TO MORNING

1911
02:12:26,505 --> 02:12:30,442
♪ KEEP WITH ME IN THE MOMENT
I'D LET YOU HAD I KNOWN IT

1912
02:12:30,509 --> 02:12:34,279
♪ WHY DON'T YOU SAY SO?

1913
02:12:34,346 --> 02:12:37,949
DIDN'T EVEN NOTICE
♪ NO PUNCHES LEFT TO ROLL WITH

1914
02:12:38,016 --> 02:12:46,458
YOU GOT TO KEEP ME FOCUSED
♪ YOU WANT IT, SAY SO

1915
02:12:46,525 --> 02:12:50,495
♪ ♪ ♪
♪ ♪ ♪

1916
02:12:50,562 --> 02:12:52,197
♪ WHY DON'T YOU SAY SO?

1917
02:12:52,264 --> 02:13:05,043
♪ ♪ ♪
♪ ♪ ♪

1918
02:13:05,110 --> 02:13:06,411
HE AIN'T NEVER SEEN IT
♪ IN A DRESS LIKE THIS

1919
02:13:06,478 --> 02:13:07,879
HE AIN'T NEVER EVEN BEEN
♪ IMPRESSED LIKE THIS

1920
02:13:07,946 --> 02:13:08,947
PROLLY WHY I GOT HIM QUIET
♪ ON THE SET LIKE ZIP

1921
02:13:09,014 --> 02:13:10,415
LIKE IT, LOVE IT
♪ NEED IT BAD

1922
02:13:10,482 --> 02:13:14,353
TAKE IT, OWN IT, STEAL IT
♪ FAST BOY, STOP PLAYING

1923
02:13:14,419 --> 02:13:16,188
GRAB MY AAH
♪ WHY YOU ACTIN' LIKE YOU SHY?

1924
02:13:16,254 --> 02:13:18,423
SHUT IT, SAVE IT, KEEP IT
♪ PUSHIN' WHY YOU BEATING

1925
02:13:18,490 --> 02:13:20,726
'ROUND THE BUSH?

1926
02:13:20,792 --> 02:13:22,427
♪ AND KNOWING YOU WANT ALL
THIS WOMAN NEVER KNOCK IT

1927
02:13:22,494 --> 02:13:25,497
♪ 'TIL YOU TRY, YEAH, YEAH
ALL OF THEM HATING

1928
02:13:25,564 --> 02:13:29,034
♪ I HAVE YOU WITH ME ALL OF MY--
SAYING YOU MAD COMMITTED

1929
02:13:29,101 --> 02:13:35,040
♪ REALER THN ANYBODY YOU HAD
AND PRETTY ALL OF THAT BODY-ODY

1930
02:13:35,107 --> 02:13:38,510
♪ KEEP WITH ME IN THE MOMENT
I'D LET YOU HAD I KNOWN IT

1931
02:13:38,577 --> 02:13:40,846
♪ WHY DON'T YOU SAY SO?

1932
02:13:40,912 --> 02:13:44,716
DIDN'T EVEN NOTICE
♪ NO PUNCHES LEFT TO ROLL WITH

1933
02:13:44,783 --> 02:13:49,254
YOU GOT TO KEEP ME FOCUSED
♪ YOU WANT IT, SAY SO

1934
02:13:49,321 --> 02:13:53,058
DAY TO NIGHT TO MORNING
♪ KEEP WITH ME IN THE MOMENT

1935
02:13:53,125 --> 02:13:55,494
I'D LET YOU HAD I KNOWN IT
♪ WHY DON'T YOU SAY SO?

1936
02:13:55,560 --> 02:13:59,264
DIDN'T EVEN NOTICE
♪ NO PUNCHES LEFT TO ROLL WITH

1937
02:13:59,331 --> 02:14:06,505
YOU GOT TO KEEP ME FOCUSED
♪ YOU WANT IT, SAY SO ♪

1938
02:14:06,571 --> 02:14:18,717
UP NEXT, A GRAMMY PERFORMANCE

1939
02:14:18,784 --> 02:14:23,288
BY BTS AND WHO WILL TAKE HOME
THE AWARD FOR ALBUM OF THE YEAR.

1940
02:14:23,355 --> 02:14:28,160
ONCE AGAIN, LET'S GO TO CASSIE
BACKSTAGE. WE ARE BACK WITH OUR

1941
02:14:28,226 --> 02:14:30,629
FACEBOOK GROUP MEMBERS WHO HAVE
COME TOGETHER WITH A SHARED

1942
02:14:30,695 --> 02:14:32,197
PASSION FOR MUSIC.

1943
02:14:32,264 --> 02:14:35,867
AND ONE OF THE GROUPS HERE
TONIGHT WE LOVE MUSIC CELEBRATES

1944
02:14:35,934 --> 02:14:39,271
EVERY KIND OF MUSIC AND CLEARLY
THAT IS WHAT ALBUM OF THE YEAR

1945
02:14:39,337 --> 02:14:40,539
IS ALL ABOUT.

1946
02:14:40,605 --> 02:14:45,811
JUST LOOKING AT HOW MANY GENRES
ARE REPRESENTED, RAP, SOUL, POP,

1947
02:14:45,877 --> 02:14:49,414
R&B, ALL WINNERS FOR SURE BUT
WHO WILL TAKE HOME THE AWARD.

1948
02:14:49,481 --> 02:14:50,549
STAY TUNED TO FIND OUT.

1949
02:14:50,615 --> 02:14:53,552
THE 634rd GRAMMY AWARDS
IS SPONSORED BY FACEBOOK, TAKE

1950
02:14:53,618 --> 02:14:54,286
ON ANYTHING WITH FACEBOOK
GROUPS.

1951
02:14:59,958 --> 02:15:02,260
♪ ♪ ♪

1952
02:15:02,327 --> 02:15:04,229
WELCOME BACK TO THE
GRAMMYS.

1953
02:15:04,296 --> 02:15:07,966
LET'S GO ACROSS TOWN NOW TO A
GREAT INDEPENDENT VENUE IN

1954
02:15:08,033 --> 02:15:14,005
HOLLYWOOD AND MEET THE BARTENDER
AT THE HOTEL CAFÉ, CANDICE FOX.

1955
02:15:14,072 --> 02:15:18,410
HELLO, MY NAME IS CANDICE FOX
AND I AM A BARTENDER AT THE

1956
02:15:18,477 --> 02:15:21,546
HOTEL CAFE RIGHT HERE IN LOS
ANGELES, CALIFORNIA.

1957
02:15:21,613 --> 02:15:24,683
IF YOU WERE TO COME TO THE HOTEL
CAFE FOR THE FIRST TIME ONE OF

1958
02:15:24,749 --> 02:15:28,186
THE FIRST THINGS THAT YOU WOULD
NOTICE IS THAT IT FEELS LIKE

1959
02:15:28,253 --> 02:15:29,221
HOME.

1960
02:15:29,287 --> 02:15:31,523
THERE IS A REAL SENSE OF
COMMUNITY HERE AMONGST THE

1961
02:15:31,590 --> 02:15:32,691
MUSICIANS AND PATRONS ALIKE.

1962
02:15:32,757 --> 02:15:35,794
IT HAS GOT A REALLY LOVING
COMMUNAL ENERGY.

1963
02:15:35,861 --> 02:15:39,231
THE LAST TIME WE HAD AN AUDIENCE
HERE AT THE HOTEL CAFE WAS

1964
02:15:39,297 --> 02:15:41,566
EXACTLY ONE YEAR AGO, MARCH
14th.

1965
02:15:41,633 --> 02:15:43,235
THE LAST YEAR HAS BEEN TOUGH,
YOU KNOW.

1966
02:15:43,301 --> 02:15:45,904
I MEAN THIS IS MORE THAN JUST A
JOB TO ME.

1967
02:15:45,971 --> 02:15:48,073
THIS IS MY FAMILY, THIS IS MY
COMMUNITY.

1968
02:15:48,139 --> 02:15:51,309
AND FOR THIS PLACE TO NO LONGER
EXIST WOULD BE DEVASTATING.

1969
02:15:51,376 --> 02:15:53,612
IT WOULD BE ABSOLUTELY
HEARTBREAKING.

1970
02:15:53,678 --> 02:15:58,216
I DEFINITELY DO MISS MY REGULARS
THAT I AM USED TO SEEING HERE ON

1971
02:15:58,283 --> 02:16:03,522
ANY GIVEN NIGHT, JOHN, HE WANTS
A DIET COKE, PHIL GETS A

1972
02:16:03,588 --> 02:16:05,524
BOTTINGTON, PETER I KNOW HE
WANTS AN OLD-FASHIONED.

1973
02:16:05,590 --> 02:16:08,493
IT IS MY HONOR TO PRESENT THE
GRAMMY FOR ALBUM OF THE YEAR.

1974
02:16:08,560 --> 02:16:16,167
HERE ARE THE NOMINATIONS.

1975
02:16:16,234 --> 02:16:21,172
"CHILOMBO," JHENÉ
AIKO.

1976
02:16:21,239 --> 02:16:24,609
"BLACK PUMAS (DELUXE EDITION),"
BLACK PUMAS.

1977
02:16:24,676 --> 02:16:28,647
"EVERYDAY LIFE," COLDPLAY.

1978
02:16:28,713 --> 02:16:36,621
"DJESSE VOL. 3," JACOB COLLIER.

1979
02:16:36,688 --> 02:16:39,291
"WOMEN IN MUSIC PT. III," HAIM.

1980
02:16:39,357 --> 02:16:45,163
"FUTURE NOSTALGIA," DUA LIPA.

1981
02:16:45,230 --> 02:16:52,604
"HOLLYWOOD'S BLEEDING," POST
MALONE.

1982
02:16:52,671 --> 02:17:00,612
"FOLKLORE," TAYLOR SWIFT.

1983
02:17:00,679 --> 02:17:03,181
CANDICE, THANK YOU

1984
02:17:03,248 --> 02:17:04,616
FOR BEING HERE.

1985
02:17:04,683 --> 02:17:10,155
PLEASE DO THE HONORS.

1986
02:17:10,221 --> 02:17:16,561
ALRIGHT, AND THE GRAMMY GOES

1987
02:17:16,628 --> 02:17:18,163
"FOLKLORE," TAYLOR SWIFT.

1988
02:17:18,229 --> 02:17:27,138
♪ ♪ ♪

1989
02:17:27,205 --> 02:17:34,646
♪ ♪ ♪

1990
02:17:52,664 --> 02:17:56,001
WOW, IT'S HARD TO BELIEVE
THAT WE'RE STANDING UP HERE, I'M

1991
02:17:56,067 --> 02:18:00,605
STANDING UP HERE WITH ONE OF THE
GREATEST LIVING SONGWRITERS WHO

1992
02:18:00,672 --> 02:18:05,143
SHOW TRUSTED ME TO COLLABORATE
IN THIS CRAZY TIME WE ALL LIVE

1993
02:18:05,210 --> 02:18:06,411
THROUGH.

1994
02:18:06,478 --> 02:18:09,114
I JUST WANT TO SAY THANK YOU TO
MY FAMILY, MY BEAUTIFUL WIFE WHO

1995
02:18:09,180 --> 02:18:14,052
ALWAYS LIFTS ME UP, MY CHILDREN,
INGRID, ROBYN AND MIMI WHO

1996
02:18:14,119 --> 02:18:17,756
INSPIRE ME AND I WANT TO THANK
JOHN LOW WHO IS BEHIND ME WHO

1997
02:18:17,822 --> 02:18:20,625
RECORDED AND MIXED EVERYTHING
THAT I WORKED ON.

1998
02:18:20,692 --> 02:18:26,231
I WANT TO THANK LAURA, IT IS AN
HONOR TO WORK WITH JACK, IS HE

1999
02:18:26,297 --> 02:18:29,634
AN INCREDIBLE PRODUCER AND
SONGWRITER, JUSTIN WHO IS NOT

2000
02:18:29,701 --> 02:18:33,071
HERE TONIGHT, A HUGE PART OF
THIS RECORD AND MY BROTHER BRYCE

2001
02:18:33,138 --> 02:18:36,341
WHO ORCHESTRATED MUCH OF THIS
RECORD AND IS PART OF EVERYTHING

2002
02:18:36,408 --> 02:18:39,177
I DO.

2003
02:18:39,244 --> 02:18:43,281
THANK YOU.

2004
02:18:43,348 --> 02:18:48,620
OH GOD, I WANT TO THANK ALL
OF MY COLLABORATORS WHO ARE ON

2005
02:18:48,687 --> 02:18:55,360
THE STAGE, AND JUSTIN VERNON,
I'M SO EXCITED TO MEET YOU SOME

2006
02:18:55,427 --> 02:18:59,597
DAY, JOE, WHO IS THE FIRST
PERSON THAT I PLAY EVERY SINGLE

2007
02:18:59,664 --> 02:19:03,201
SONG THAT I WRITE AND I HAD THE
BEST TIME WRITING SONGS WITH YOU

2008
02:19:03,268 --> 02:19:09,074
IN QUARANTINE, I WANT TO THANK
JAMES, INEZ AND BETTY AND THEIR

2009
02:19:09,140 --> 02:19:12,077
PARENTS WHO ARE THE SECOND AND
THIRD PEOPLE THAT I PLAY EVERY

2010
02:19:12,143 --> 02:19:15,180
NEW SONG THAT I WRITE BUT MOSTLY
WE JUST WANT TO THANK THE FANS.

2011
02:19:15,246 --> 02:19:18,249
YOU GUYS MET US IN THIS
IMAGINARY WORLD THAT WE CREATED

2012
02:19:18,316 --> 02:19:23,088
AND WE CAN'T TELL YOU HOW HONORS
WE ARE FOREVER, BY THIS, THANK

2013
02:19:23,154 --> 02:19:23,922
YOU SO MUCH.

2014
02:19:23,988 --> 02:19:25,690
AND THANK YOU TO THE RECORDING
ACADEMY.

2015
02:19:25,757 --> 02:19:27,192
WE WILL NEVER FORGET THAT YOU
DID THIS FOR US.

2016
02:19:27,258 --> 02:19:32,597
THANK YOU SO MUCH.

2017
02:19:32,664 --> 02:19:37,502
♪ ♪ ♪

2018
02:19:37,569 --> 02:19:41,306
RODDY RICCH, BTS, AND THEN THE

2019
02:19:41,372 --> 02:19:44,709
RECORD OF THE YEAR.

2020
02:19:44,776 --> 02:19:45,443
THIS IS CBS.

2021
02:19:52,083 --> 02:19:58,389
♪ ♪ ♪

2022
02:19:58,456 --> 02:20:00,191
TONIGHT, I'M NOT JUST
THE HOST OF THE GRAMMY AWARDS,

2023
02:20:00,258 --> 02:20:04,162
I'M THE OPENING ACT FOR A GREAT
SONGWRITER, MUSIC AND FILM

2024
02:20:04,229 --> 02:20:06,097
PRODUCER WHO ALSO IS THE
RECORDING ACADEMY CHAIR AND

2025
02:20:06,164 --> 02:20:09,434
INTERIM PRESIDENT AND C.E.O.

2026
02:20:09,501 --> 02:20:12,137
HE ALSO HAND-SCULPTED EVERY
GRAMMY STATUE HERE TONIGHT.

2027
02:20:12,203 --> 02:20:18,209
HARVEY MASON, JR.
NOW, NORMALLY, THIS IS WHEN SOME

2028
02:20:18,276 --> 02:20:19,744
ONE WOULD WALK OUT ONSTAGE, AND
YOU'D ALL TAKE A BATHROOM BREAK.

2029
02:20:19,811 --> 02:20:20,879
BUT LIKE EVERYTHING ELSE THIS
YEAR, WE'RE DOING THINGS A

2030
02:20:20,945 --> 02:20:24,149
LITTLE DIFFERENTLY.

2031
02:20:24,215 --> 02:20:30,722
SO TAKE A LOOK.

2032
02:20:30,789 --> 02:20:32,157
MUSIC REQUIRES LISTENING.

2033
02:20:32,223 --> 02:20:33,491
YOU HEAR THE VOCALS.

2034
02:20:33,558 --> 02:20:36,161
THE DRUMS.

2035
02:20:36,227 --> 02:20:38,930
THE RHYTHM GUITAR.

2036
02:20:38,997 --> 02:20:42,400
YOU LISTEN MORE CLOSELY AND YOU
WILL HEAR SO MUCH MORE.

2037
02:20:42,467 --> 02:20:46,137
LISTEN TO A SINGER-SONGWRITER
TRYING TO MAKE THEIR WAY TO THE

2038
02:20:46,204 --> 02:20:54,045
BIG CITY, A KID, LISTEN HOPE,
AND HEARTBREAK.

2039
02:20:54,112 --> 02:20:58,483
TO LATE NIGHTS IN THE ST AUDIO
TO MONTHS ON THE ROAD, THE

2040
02:20:58,550 --> 02:21:00,151
SILENT UNCERTAINTY THE NEXT DAY.

2041
02:21:00,218 --> 02:21:03,788
LISTEN TO THE VOICES OF YOUR
GENERATION, THOSE THAT CAME

2042
02:21:03,855 --> 02:21:06,524
BEFORE YOU, AND THOSE WHO ARE
NEXT.

2043
02:21:06,591 --> 02:21:10,495
LISTEN TO THE SIGNATURE SOUND OF
A GREAT PRODUCER, THE BACKUP

2044
02:21:10,562 --> 02:21:14,899
SINGERS WHO SING ALONG WHOSE
NAMES YOU MAY NEVER KNOW.

2045
02:21:14,966 --> 02:21:16,801
LISTEN TO LOVE.

2046
02:21:16,868 --> 02:21:21,506
TO DEDICATION PUT INTO EVERY
SONG, EVERY ALBUM.

2047
02:21:21,573 --> 02:21:26,911
TO THE YEARS OF HARD WORK THAT
GO INTO EVERY OVERNIGHT SUCCESS.

2048
02:21:26,978 --> 02:21:30,481
LISTEN TO THE WORK LIFE'S WORK
OF PEOPLE WHO DEDICATE THEIR

2049
02:21:30,548 --> 02:21:31,749
LIVES TO THIS WORK.

2050
02:21:31,816 --> 02:21:35,286
THE RECORDING ACADEMY'S JOB
ISN'T JUST TO HAND OUT AWARDS,

2051
02:21:35,353 --> 02:21:39,390
IT IS TO LISTEN TO THE MUG MUSIC
AND TO HEAR THE VOICES OF ALL

2052
02:21:39,457 --> 02:21:42,026
THOSE WHO MAKE IT.

2053
02:21:42,093 --> 02:21:44,762
AND WE ARE LISTENING LIKE NEVER
BEFORE.

2054
02:21:44,829 --> 02:21:50,034
WE HEAR THE CRIES FOR DIVERSITY,
THE PLEAS FOR REPRESENTATION AND

2055
02:21:50,101 --> 02:21:51,803
DEMANDS FOR TRANSPARENCY.

2056
02:21:51,870 --> 02:21:54,739
I FIRST JOINED THE ACADEMY 20
YEARS AGO SO I COULD VOTE FOR

2057
02:21:54,806 --> 02:21:55,940
MYSELF.

2058
02:21:56,007 --> 02:21:58,476
BUT WHAT I QUICKLY FOUND, WHAT
LED ME TO BECOME A TRUSTY AND

2059
02:21:58,543 --> 02:21:59,611
NOW CHAIR.

2060
02:21:59,677 --> 02:22:02,146
BOARD IS THAT THE RECORDING
ACADEMY IS SO MUCH MORE THAN

2061
02:22:02,213 --> 02:22:05,516
AWARDS, MORE THAN INDIVIDUAL
ARTISTS OR EVEN WHO IS CHAIR.

2062
02:22:05,583 --> 02:22:09,220
TONIGHT I'M HERE TO ASK THE
ENTIRE MUSIC COMMUNITY TO JOIN

2063
02:22:09,287 --> 02:22:12,690
IN, WORK WITH US, NOT AGAINST
US, AS WE BUILD A NEW RECORDING

2064
02:22:12,757 --> 02:22:14,792
ACADEMY THAT WE CAN ALL BE PROUD
OF.

2065
02:22:14,859 --> 02:22:19,097
ONE THAT WILL CONTINUE TO DO THE
WORK AND SERVE EVERYONE IN THE

2066
02:22:19,163 --> 02:22:20,298
INDUSTRY.

2067
02:22:20,365 --> 02:22:22,400
AND WE MIGHT NOT GET IT RIGHT
100 PERCENT OF THE TIME AND WE

2068
02:22:22,467 --> 02:22:26,371
CERTAINLY WON'T BE ABLE TO MAKE
EVERYBODY HAPPY BUT WE WILL

2069
02:22:26,437 --> 02:22:28,506
PROVIDE SUPPORT IN TIMES OF
NEED.

2070
02:22:28,573 --> 02:22:32,377
WE WILL PRESERVE MUSIC AND
EDUCATE THE NEXT GENERATION.

2071
02:22:32,443 --> 02:22:36,080
WE WILL ADVOCATE FOR THE RIGHTS
OF ALL CREATORS TO MAKE SURE

2072
02:22:36,147 --> 02:22:38,683
THEY CAN CONTINUE TO EARN A FAIR
LIVING MAKING MUSIC.

2073
02:22:38,750 --> 02:22:42,487
AND WE WILL STAND UP FOR WHAT IS
RIGHT AND FIGHT FOR GREATER

2074
02:22:42,553 --> 02:22:44,522
DIVERSITY AND MORE EQUAL
REPRESENTATION.

2075
02:22:44,589 --> 02:22:49,794
THIS IS NOT A VISION FOR
TOMORROW, ST A JOB FOR TODAY.

2076
02:22:49,861 --> 02:22:52,163
OUR WORK IS IMPORTANT BECAUSE
MUSIC IS IMPORTANT.

2077
02:22:52,230 --> 02:22:54,732
THANK YOU.

2078
02:22:54,799 --> 02:22:57,702
THANK YOU SO MUCH FOR THAT,

2079
02:22:57,769 --> 02:23:00,171
HARVEY, I WAS LISTENING AND THAT
SOUNDED GREAT.

2080
02:23:00,238 --> 02:23:09,414
NOW IT'S TIME
YEAR NOMINEE FILM FROM THE

2081
02:23:09,480 --> 02:23:10,648
VISIONARY GIBSON HAZARD.

2082
02:23:10,715 --> 02:23:11,649
THIS TIME IT'S ABOUT A GIFTED
YOUNG ARTIST WHO EARLIER TONIGHT

2083
02:23:11,716 --> 02:23:12,850
HELPED US KICK OFF THE SHOW.

2084
02:23:12,917 --> 02:23:14,452
SHE'S ALSO THE REASON PARENTS
ALL OVER THE WORLD ARE LOOKING

2085
02:23:14,519 --> 02:23:16,087
AT THEIR TEENAGERS, ASKING,
"WHAT HAVE YOU ACHIEVED?"

2086
02:23:16,154 --> 02:23:26,197
THIS IS BILLIE EILISH.

2087
02:23:26,264 --> 02:23:32,570
THIS IS BILLIE EILISH.

2088
02:23:37,241 --> 02:23:38,943
THERE WAS LIKE A PERIOD OF
TIME WHERE I LIKE DIDN'T WANT TO

2089
02:23:39,010 --> 02:23:44,949
GO TO SLEEP BECAUSE I WAS
FREAKED OUT BY MY DREAMS.

2090
02:23:45,016 --> 02:23:49,487
SLEEP PARALYSIS, NIGHTMARES,
LUCID DREAMS.

2091
02:23:49,554 --> 02:23:51,823
IT WAS SUCH A HUGE PART OF MY
LIFE.

2092
02:23:51,889 --> 02:23:55,593
AND SO I KIND OF WAS LIKE HOW
CAN I TAKE ADVANTAGE OF THIS

2093
02:23:55,660 --> 02:23:58,162
HORRIBLE, HORRIBLE THING THAT
HAVE I TO DEAL WITH.

2094
02:23:58,229 --> 02:24:09,741
WHY DON'T I LET IT INSPIRE ME.

2095
02:24:09,807 --> 02:24:13,011
MY BROTHER FINNEAS HAS BEEN
MY BEST FRIEND FOR MY WHOLE

2096
02:24:13,077 --> 02:24:14,078
LIFE.

2097
02:24:14,145 --> 02:24:15,713
WE WROTE THIS SONG ABOUT BEING
THERE FOR EACH OTHER.

2098
02:24:15,780 --> 02:24:20,018
SO WHEN I HEAR IT, I JUST FEEL
SO LOVED AND I FEEL SO COMFORTED

2099
02:24:20,084 --> 02:24:24,756
AND SAFE AND WARM.

2100
02:24:24,822 --> 02:24:26,858
2020 GRAMMYS.

2101
02:24:26,924 --> 02:24:29,927
MAYBE THE BEST NIGHT OF MY
LIFE.

2102
02:24:29,994 --> 02:24:30,762
AND THE GRAMMY.

2103
02:24:30,828 --> 02:24:31,896
AND THE GRAMMY.

2104
02:24:31,963 --> 02:24:35,733
AND THE GRAMMY GOES TO.

2105
02:24:35,800 --> 02:24:36,734
BILLIE EILISH.

2106
02:24:36,801 --> 02:24:39,170
BAD GUY, BILLIE EILISH.

2107
02:24:39,237 --> 02:24:42,440
BAD GUY, WHEN WE FALL ASLEEP
WHERE DO WE GO.

2108
02:24:42,507 --> 02:24:43,608
BILLIE EILISH.

2109
02:24:43,674 --> 02:24:47,111
THE FACT THAT WE WROTE THAT
ALBUM IN OUR CHILDHOOD HOME,

2110
02:24:47,178 --> 02:24:48,012
THAT'S CRAZY.

2111
02:24:48,079 --> 02:24:48,846
THAT WAS AMAZING.

2112
02:24:48,913 --> 02:24:57,522
I THINK ABOUT IT EVERY DAY.

2113
02:24:57,588 --> 02:24:58,423
BILLIE EILISH,

2114
02:24:58,489 --> 02:24:58,823
EVERYONE!

2115
02:24:58,890 --> 02:24:59,991
WHAT A TALENT.

2116
02:25:00,058 --> 02:25:02,860
THE GRAMMY AWARDS ARE A TRULY
GLOBAL EVENT, AND WE ARE NOW

2117
02:25:02,927 --> 02:25:06,764
THRILLED TO BE JOINED BY A
KOREAN GROUP THAT MADE HISTORY

2118
02:25:06,831 --> 02:25:12,070
WITH THEIR FIRST EVER GRAMMY
NOMINATION THIS YEAR.

2119
02:25:12,136 --> 02:25:16,274
PERFORMING THEIR NOMINATED SMASH
"DYNAMITE," THIS IS BTS.

2120
02:25:16,340 --> 02:25:18,743
♪ 'CAUSE I, I, I'M

2121
02:25:18,810 --> 02:25:24,182
IN THE STARS TONIGHT
♪ SO WATCH ME BRING THE FIRE

2122
02:25:24,248 --> 02:25:28,152
AND SET THE NIGHT ALIGHT
♪ SHOES ON, GET UP IN THE MORN'

2123
02:25:28,219 --> 02:25:30,054
CUP OF MILK, LET'S ROCK AND ROLL
♪ KING KONG

2124
02:25:30,121 --> 02:25:32,156
KICK THE DRUM
♪ ROLLING ON

2125
02:25:32,223 --> 02:25:34,625
LIKE A ROLLING STONE
♪ SING SONG

2126
02:25:34,692 --> 02:25:36,994
WHEN I'M WALKIN' HOME
♪ JUMP UP TO THE TOP, LEBRON

2127
02:25:37,061 --> 02:25:40,164
DING-DONG, CALL ME ON MY PHONE
♪ ICE TEA AND A

2128
02:25:40,231 --> 02:25:43,968
GAME OF PING PONG
♪ THIS IS GETTIN' HEAVY

2129
02:25:44,035 --> 02:25:45,002
CAN YOU HEAR THE BASS BOOM?

2130
02:25:45,069 --> 02:25:48,139
♪ I'M READY, WOO-HOO
LIFE IS SWEET AS HONEY, YEAH

2131
02:25:48,206 --> 02:25:52,110
♪ THIS BEAT CHA-CHING
LIKE MONEY, HUH DISCO OVERLOAD

2132
02:25:52,176 --> 02:25:56,047
♪ I'M INTO THAT, I'M GOOD TO GO
I'M DIAMOND, YOU KNOW I GLOW UP

2133
02:25:56,114 --> 02:26:00,151
♪ HEY, SO LET'S GO
'CAUSE I, I, I'M

2134
02:26:00,218 --> 02:26:04,122
♪ IN THE STARS TONIGHT
SO WATCH ME BRING THE FIRE

2135
02:26:04,188 --> 02:26:08,092
♪ AND SET THE NIGHT ALIGHT, HEY
SHININ' THROUGH THE CITY

2136
02:26:08,159 --> 02:26:12,163
♪ WITH A LITTLE FUNK AND SOUL
SO I'MA LIGHT IT UP

2137
02:26:12,230 --> 02:26:16,667
♪ LIKE DYNAMITE, WOAH-OH-OH
BRING A FRIEND, JOIN THE CROWD

2138
02:26:16,734 --> 02:26:23,875
♪ WHOEVER WANNA COME ALONG
WORD UP, TALK THE TALK

2139
02:26:23,941 --> 02:26:27,211
♪ JUST MOVE LIKE WE OFF THE WALL
DAY OR NIGHT, THE SKY'S ALIGHT

2140
02:26:27,278 --> 02:26:29,614
♪ SO WE DANCE TO THE BREAK OF
DAWN HEY, LADIES AND GENTLEMEN

2141
02:26:29,680 --> 02:26:31,382
♪ I GOT THE MEDICINE, SO YOU
SHOULD KEEP YA EYES ON THE BALL

2142
02:26:31,449 --> 02:26:35,720
♪ HUH, THIS IS GETTIN' HEAVY
CAN YOU HEAR THE BASS BOOM?

2143
02:26:35,786 --> 02:26:39,490
♪ I'M READY, WOO-HOO
LIFE IS SWEET AS HONEY, YEAH

2144
02:26:39,557 --> 02:26:42,760
♪ THIS BEAT CHA-CHING LIKE MONEY
HUH DISCO OVERLOAD

2145
02:26:42,827 --> 02:26:48,032
♪ I'M INTO THAT, I'M GOOD TO GO
I'M DIAMOND, YOU KNOW I GLOW UP

2146
02:26:48,099 --> 02:26:51,802
♪ LET'S GO
'CAUSE I, I, I'M

2147
02:26:51,869 --> 02:26:54,739
♪ IN THE STARS TONIGHT
SO WATCH ME BRING THE FIRE

2148
02:26:54,805 --> 02:27:00,144
♪ AND SET THE NIGHT ALIGHT, HEY
SHININ' THROUGH THE CITY

2149
02:27:00,211 --> 02:27:03,548
♪ WITH A LITTLE FUNK AND SOUL
SO I'MA

2150
02:27:03,614 --> 02:27:06,450
♪ LIGHT IT UP LIKE DYNAMITE
WOAH-OH-OH

2151
02:27:06,517 --> 02:27:10,588
♪ DYN-NA-NA-NA, NA-NA-NA-NA-NA
NA-NA-NA

2152
02:27:10,655 --> 02:27:12,690
DYN-NA-NA-NA, NA-NA-NA-NA-NA
♪ NA-NA-NA,

2153
02:27:12,757 --> 02:27:18,162
LIFE IS DYNAMITE
DYN-NA-NA-NA, NA-NA-NA-NA-NA

2154
02:27:18,229 --> 02:27:20,164
♪ NA-NA-NA,
DYN-NA-NA-NA, NA-NA-NA-NA-NA

2155
02:27:20,231 --> 02:27:27,405
♪ NA-NA-NA,
LIFE IS DYNAMITE

2156
02:27:27,471 --> 02:27:28,539
♪ 'CAUSE I, I, I'M
IN THE STARS TONIGHT

2157
02:27:28,606 --> 02:27:30,741
♪ SO WATCH ME BRING THE FIRE
AND SET THE NIGHT ALIGHT

2158
02:27:30,808 --> 02:27:35,947
♪ SHININ' THROUGH THE CITY
WITH A LITTLE FUNK AND SOUL

2159
02:27:36,013 --> 02:27:39,250
♪ SO I'MA LIGHT IT UP
LIKE DYNAMITE

2160
02:27:39,317 --> 02:27:42,453
♪ THIS IS AH
'CAUSE I, I, I'M

2161
02:27:42,520 --> 02:27:45,790
♪ IN THE STARS TONIGHT
SO WATCH ME BRING THE FIRE

2162
02:27:45,856 --> 02:27:48,159
♪ AND SET THE NIGHT ALIGHT
ALIGHT, OH

2163
02:27:48,226 --> 02:27:52,163
♪ SHININ' THROUGH THE CITY
WITH A LITTLE FUNK AND SOUL

2164
02:27:52,230 --> 02:27:54,732
♪ SO I'MA LIGHT IT UP
LIKE DYNAMITE

2165
02:27:54,799 --> 02:27:58,536
♪ WOAH-OH-OH
DYN-NA-NA-NA, NA-NA-NA-NA-NA

2166
02:27:58,603 --> 02:28:00,137
♪ NA-NA-NA
LIFE IS DYNAMITE

2167
02:28:00,204 --> 02:28:02,607
♪ LIFE IS DYNAMITE
DYN-NA-NA-NA, NA-NA-NA-NA-NA

2168
02:28:02,673 --> 02:28:04,475
♪ NA-NA-NA
LIFE IS DYNAMITE, OH

2169
02:28:04,542 --> 02:28:08,045
♪ SHININ' THROUGH THE CITY
WITH A LITTLE FUNK AND SOUL

2170
02:28:08,112 --> 02:28:16,087
♪ SO I'MA LIGHT IT UP LIKE
DYNAMITE, WOAH-OH-OH ♪

2171
02:28:16,153 --> 02:28:17,488
BTS!

2172
02:28:17,555 --> 02:28:18,756
BTS!

2173
02:28:18,823 --> 02:28:21,292
DID YOU SEE THAT?

2174
02:28:21,359 --> 02:28:22,393
THEY WERE IN SEOUL, KOREA,

2175
02:28:22,460 --> 02:28:23,427
THE <i>WHOLE</i> TIME.

2176
02:28:23,494 --> 02:28:25,329
THEY LITERALLY RECREATED OUR
WHOLE SET OVER THERE!

2177
02:28:25,396 --> 02:28:28,532
THEY COULDN'T BE HERE, BUT
WANTED TO BE HERE, SO THEY

2178
02:28:28,599 --> 02:28:29,400
REBUILT HERE, OVER THERE.

2179
02:28:29,467 --> 02:28:32,470
THERE OUGHTA BE AN AWARD JUST
FOR THAT.

2180
02:28:32,536 --> 02:28:33,771
THAT WAS AMAZING.

2181
02:28:33,838 --> 02:28:35,273
NOW, I DON'T NEED TO TELL YOU,
BUT THIS HAS BEEN A REALLY TOUGH

2182
02:28:35,339 --> 02:28:38,876
YEAR FOR TEACHERS, ESPECIALLY
THOSE TEACHING MUSIC.

2183
02:28:38,943 --> 02:28:40,778
IF YOU THINK <i>YOUR</i> WORK ZOOM
CALLS ARE BAD, TRY TEACHING AN

2184
02:28:40,845 --> 02:28:44,348
EIGHT YEAR OLD WITH SPOTTY WiFi
HOW TO PLAY TROMBONE.

2185
02:28:44,415 --> 02:28:46,484
AND THAT'S WHY I'M VERY HONORED
TO PRESENT THE MUSIC EDUCATOR

2186
02:28:46,550 --> 02:28:47,551
AWARD.

2187
02:28:47,618 --> 02:28:49,120
THIS IS PRESENTED BY THE
RECORDING ACADEMY AND GRAMMY

2188
02:28:49,186 --> 02:28:52,523
MUSEUM TO RECOGNIZE CURRENT
EDUCATORS WHO HAVE MADE A

2189
02:28:52,590 --> 02:28:55,092
SIGNIFICANT CONTRIBUTION TO
MUSIC EDUCATION.

2190
02:28:55,159 --> 02:28:59,597
THIS YEAR'S MUSIC EDUCATOR AWARD
GOES TO DR. JEFFREY MURDOCK,

2191
02:28:59,664 --> 02:29:04,502
ASSOCIATE DIRECTOR OF CHORAL
ACTIVITIES AT THE UNIVERSITY OF

2192
02:29:04,568 --> 02:29:07,104
ARKANSAS AT FAYETTEVILLE.

2193
02:29:07,171 --> 02:29:09,273
I'M ALSO HONORED TO ANNOUNCE

2194
02:29:09,340 --> 02:29:13,077
THAT EARLIER TODAY, THE GRAMMY
AWARD FOR PRODUCER OF THE YEAR,

2195
02:29:13,144 --> 02:29:16,447
NON-CLASSICAL WENT TO ANDREW
WATT.

2196
02:29:16,514 --> 02:29:23,087
ALL NIGHT TONIGHT, WE HAVE BEEN

2197
02:29:23,154 --> 02:29:27,191
FEATURING OUR RECORD OF YEAR
NOMINEES WHO WERE PERFORMING.

2198
02:29:27,258 --> 02:29:28,993
BUT NOW WE WANT TO ALSO
SPOTLIGHT BEYONCÉ'S IMPACTFUL

2199
02:29:29,060 --> 02:29:31,362
RECORD, "BLACK PARADE," A
POWERFUL STATEMENT ABOUT SHARING

2200
02:29:31,429 --> 02:29:32,596
JOY EVEN AMID STRUGGLE.

2201
02:29:32,663 --> 02:29:36,334
IT WAS CREATED TO UPLIFT, AND
HAS BECOME MORE THAN A SONG, BUT

2202
02:29:36,400 --> 02:29:40,271
A MOVEMENT TO SUPPORT SMALL
BLACK-OWNED BUSINESSES.

2203
02:29:40,338 --> 02:29:44,508
RELEASED ON JUNE 19, 2020, TO
COMMEMORATE JUNETEENTH, THIS

2204
02:29:44,575 --> 02:29:48,512
RECORD HONORS THE HISTORY AND
BEAUTY OF BLACKNESS AND THE

2205
02:29:48,579 --> 02:29:49,980
STRENGTH OF COMMUNITY.

2206
02:29:50,047 --> 02:30:04,528
SO HERE'S A LOOK AT "BLACK
PARADE."

2207
02:30:13,571 --> 02:30:14,672
♪ ♪ ♪
♪ WE GOT RHYTHM.

2208
02:30:14,739 --> 02:30:16,874
♪ WE GOT PRIDE.

2209
02:30:16,941 --> 02:30:20,311
♪ WE WERE KINGS.

2210
02:30:20,378 --> 02:30:23,748
♪ ONLY RIVER.

2211
02:30:23,814 --> 02:30:27,451
♪ ONLY TOWNS SNEET SEEK THE
GLORY.

2212
02:30:27,518 --> 02:30:29,553
♪ FEEL THE LOVE.

2213
02:30:29,620 --> 02:30:33,557
♪ MOTHERLAND, DRIP ON ME.

2214
02:30:33,624 --> 02:30:40,131
♪ MOTHERLAND, MOTHERLAND DRIP ON
ME.

2215
02:30:40,197 --> 02:30:42,733
♪ HISTORREE, IS HER STORY.

2216
02:30:42,800 --> 02:30:44,602
♪ MOTHERLAND, MOTHERLAND DRIP ON
ME.

2217
02:30:44,668 --> 02:30:48,739
♪ HERE WE COME.

2218
02:30:48,806 --> 02:30:56,414
♪ FOLLOW MY PARADE, BLACK
PARADE.

2219
02:30:56,480 --> 02:30:57,214
♪.

2220
02:30:57,281 --> 02:30:58,416
AND NOW TIME FOR SOME MORE
MUSIC.

2221
02:30:58,482 --> 02:31:00,985
LET'S WELCOME BACK TO THE ST
LET'S WELCOME BACK TO THE STAGE

2222
02:31:01,051 --> 02:31:04,155
RODDY RICCH!

2223
02:31:25,609 --> 02:31:31,749
♪ ♪ ♪
♪ THIS LIFE LEFT ME HEARTLESS

2224
02:31:31,816 --> 02:31:35,753
AND I CAME FROM APARTMENTS
♪ THE MONEY TURNED ME

2225
02:31:35,820 --> 02:31:39,757
INTO A TARGET
♪ GOT A HELLCAT DODGE IT

2226
02:31:39,824 --> 02:31:47,031
I HOPE YOU LOOKING DOWN ON ME
♪ I HOPE YOU'RE PROUD OF ME

2227
02:31:47,097 --> 02:31:49,433
MAIN REASON A NINE-MILLIMETER
♪ GOTTA RIDE WITH ME

2228
02:31:49,500 --> 02:31:54,338
ESPECIALLY 'CAUSE I
♪ GOT A LITTLE ONE

2229
02:31:54,405 --> 02:31:57,074
ESPECIALLY 'CAUSE I GOT AN O.G.

2230
02:31:57,141 --> 02:32:00,277
♪ AYE, ESPECIALLY 'CAUSE
I GOTTA GO HOME

2231
02:32:00,344 --> 02:32:04,215
♪ ESPECIALLY 'CAUSE
I GOTTA GET THIS CHEESE

2232
02:32:04,281 --> 02:32:05,683
♪ TALK TO THE STREETS
MOST THEM HITTERS WACK

2233
02:32:05,749 --> 02:32:07,885
♪ MOST THEM HITTERS IN
THE PENITENTIARIES

2234
02:32:07,952 --> 02:32:11,555
♪ FROM SERVING CRACK
WE DONE WITNESSED WARTIME

2235
02:32:11,622 --> 02:32:13,657
♪ IT WAS FACTS
'TIL MY YOUNG HITTERS

2236
02:32:13,724 --> 02:32:15,926
♪ TURNED TO A NEW ASSASSIN
HE JUST WANNA KEEP

2237
02:32:15,993 --> 02:32:20,030
♪ RIGHT STRIKERS
AND KEEP ON RIDING

2238
02:32:20,097 --> 02:32:22,166
♪ THE JUDGE GONNA PUT HIM DOWN
PUT HIM DOWN

2239
02:32:22,233 --> 02:32:25,135
♪ PUT HIM DOWN
'TIL HE CAN'T SEE

2240
02:32:25,202 --> 02:32:29,106
♪ THE LIGHT AGAIN
THIS LIFE LEFT ME HEARTLESS

2241
02:32:29,173 --> 02:32:31,709
♪ AND I CAME FROM APARTMENTS
THE MONEY TURNED ME

2242
02:32:31,775 --> 02:32:37,114
♪ INTO A TARGET
GOT A HELLCAT DODGE IT

2243
02:32:37,181 --> 02:32:43,721
♪ I HOPE YOU LOOKING DOWN ON ME
I HOPE YOU'RE PROUD OF ME

2244
02:32:43,787 --> 02:32:49,727
MAIN REASON A NINE-MILLIMETER
♪ GOTTA RIDE WITH ME ♪

2245
02:32:49,793 --> 02:32:55,332
♪ ♪ ♪
WHERE THE STASH AT?

2246
02:32:55,399 --> 02:32:57,034
♪ CRUISE THE CITY IN
A BULLETPROOF CADILLAC

2247
02:32:57,101 --> 02:32:58,536
♪ 'CAUSE I KNOW THESE HITTERS
AFTER WHERE THE BAG AT

2248
02:32:58,602 --> 02:33:01,138
♪ I GOTTA MOVE SMARTER
I GOTTA MOVE HARDER

2249
02:33:01,205 --> 02:33:03,440
♪ IF YOU TRY TO GET ME
FOR MY WATER

2250
02:33:03,507 --> 02:33:05,476
♪ I'LL LAY HIS-- DOWN
ON MY SON OR MY DAUGHTER

2251
02:33:05,543 --> 02:33:07,711
♪ I HAD THE DRACO WITH ME
DWAYNE CARTER

2252
02:33:07,778 --> 02:33:09,580
♪ LOTTA HITTERS OUT HERE PLAYIN'
AIN'T BALLIN'

2253
02:33:09,647 --> 02:33:11,315
♪ I DONE PUT MY WHOLE ARM
IN THE RIM

2254
02:33:11,382 --> 02:33:12,950
♪ VINCE CARTER
AND I KNOW PROBABLY GET

2255
02:33:13,017 --> 02:33:14,985
♪ A KEY FOR THE QUARTER
SHAWTY BARELY SEEN IN DOUBLE C'S

2256
02:33:15,052 --> 02:33:16,220
♪ I BOUGHT 'EM
GOT A SHAWTY

2257
02:33:16,287 --> 02:33:19,723
♪ LOOKING LIKE AALIYAH
SHE A MODEL

2258
02:33:19,790 --> 02:33:22,026
♪ I GOT THE PINK SLIP
ALL MY WHIPS IS KEY-LESS

2259
02:33:22,092 --> 02:33:25,596
♪ COMPTON, I'M ABOUT TO GET
THE KEY TO THE CITY

2260
02:33:25,663 --> 02:33:28,232
♪ LIKE THE SEA
FORGIVE ME

2261
02:33:28,299 --> 02:33:29,333
♪ HEY TOLD 'EM 12, SWAT
BUSTIN' ALL THE BELLS

2262
02:33:29,400 --> 02:33:33,037
♪ OUT THE BOX
I JUST HIT A LICK WITH THE BOX

2263
02:33:33,103 --> 02:33:37,508
♪ HAD TO PUT THE STICK IN A BOX
WHAT YOU SAY

2264
02:33:37,575 --> 02:33:39,777
♪ POUR UP THE WHOLE SEAL
I'MA GET LAZY

2265
02:33:39,843 --> 02:33:45,115
♪ I GOT THE MOJO DEALS
WE BEEN TRAPPIN' LIKE THE '80S

2266
02:33:45,182 --> 02:33:49,320
♪ GOTTA CASH APP
TOLD 'EM WIPE A-- NOSE

2267
02:33:49,386 --> 02:33:53,157
♪ AYE
I WON'T NEVER SELL MY SOUL

2268
02:33:53,223 --> 02:34:01,131
♪ AYE
AND I REALLY WANNA KNOW

2269
02:34:01,198 --> 02:34:04,134
♪ HEY ♪
♪ ♪ ♪

2270
02:34:04,201 --> 02:34:10,975
STILL TO COME, WHO WILL WALK

2271
02:34:11,041 --> 02:34:12,610
AWAY WITH THE GRAMMY FOR RECORD
OF THE YEAR?

2272
02:34:12,676 --> 02:34:20,117
WILL IT BE BLACK PUMAS, DABABY
FEATURING RODDY RICCH, DOJA CAT,

2273
02:34:20,184 --> 02:34:23,520
BILLIE AISLE ASH, DUA LIPA OR
MEGAN THEE STALLION, THIS IS CBS

2274
02:34:23,587 --> 02:34:28,192
THE RECORDING ACADEMY AND
CBS CONDEMN AND DENOUNCE ALL

2275
02:34:28,258 --> 02:34:33,197
FORMS OF RACISM, SEXISM,
VIOLENCE, ANTI-SEMITISM AND

2276
02:34:33,263 --> 02:34:34,264
HATE.

2277
02:34:34,331 --> 02:34:36,300
LET'S CONTINUE TO USE MUSIC TO
BRING PEOPLE TOGETHER.

2278
02:34:36,367 --> 02:34:40,971
LEADING WITH LOVE, HEALING AND A
SENSE OF UNITY ACROSS ALL LINES

2279
02:34:41,038 --> 02:34:41,705
OF DIFFERENCE.

2280
02:34:45,109 --> 02:34:47,277
♪ ♪ ♪
DON'T MISS A BEAT

2281
02:34:47,344 --> 02:34:48,445
AFTER TONIGHT'S BROADCAST WITH
THE GRAMMY POST SHOW ON

2282
02:34:48,512 --> 02:34:51,448
grammy.com.

2283
02:34:51,515 --> 02:34:54,451
JOIN YOUR FAVORITE FACEBOOK
GROUP AND RELIVE THE NIGHT'S

2284
02:34:54,518 --> 02:35:02,893
WINNERS, PERFORMANCES, FASHION
AND MORE.

2285
02:35:02,960 --> 02:35:04,928
THIS YEAR'S LIFETIME ACHIEVEMENT
THE PIONEERING RAP

2286
02:35:04,995 --> 02:35:07,498
GROUP GRANDMASTER FLASH & THE
FURIOUS FIVE; LEGENDARY JAZZ

2287
02:35:07,564 --> 02:35:10,801
MUSICIAN AND BANDLEADER LIONEL
HAMPTON; GRAMMY-WINNING MEZZO-

2288
02:35:10,868 --> 02:35:14,805
SOPRANO OPERA GREAT MARILYN
HORNE; THE "FIRST LADIES OF RAP

2289
02:35:14,872 --> 02:35:19,410
& HIP HOP," SALT-N-PEPA; "QUEEN
OF TEJANO MUSIC," SELENA; AND

2290
02:35:19,476 --> 02:35:24,348
THE ACCLAIMED AND GROUNDBREAKING
ROCK BAND TALKING HEADS.

2291
02:35:24,415 --> 02:35:26,817
THE RECORDING ACADEMY PRESENTS
ITS TRUSTEES AWARD TO GRAMMY AND

2292
02:35:26,884 --> 02:35:30,821
EMMY-WINNING RECORDING ENGINEER
ED CHERNEY, JAZZ LEGEND AND

2293
02:35:30,888 --> 02:35:34,992
COMPOSER BENNY GOLSON, AND 11-
TIMES GRAMMY WINNING ARTIST,

2294
02:35:35,059 --> 02:35:38,829
PRODUCER, SONGWRITER AND RECORD
COMPANY EXECUTIVE KENNETH

2295
02:35:38,896 --> 02:35:41,198
"BABYFACE" EDMONDS.

2296
02:35:41,265 --> 02:35:43,467
AND THIS YEAR'S TECHNICAL GRAMMY
AWARD RECIPIENT IS DANIEL WEISS,

2297
02:35:43,534 --> 02:35:47,237
A PIONEER IN DIGITAL TECHNOLOGY
AND THE FOUNDER OF WEISS

2298
02:35:47,304 --> 02:35:49,406
ENGINEERING.

2299
02:35:49,473 --> 02:35:54,812
CONGRATULATIONS TO ALL OF THE
RECORDING ACADEMY'S SPECIAL

2300
02:35:54,878 --> 02:35:55,946
MERIT HONOREES FOR 2021.

2301
02:35:56,013 --> 02:36:00,718
IT'S TIME NOW FOR OUR

2302
02:36:00,784 --> 02:36:02,319
FINAL AWARD OF THE NIGHT BEFORE
EVERYONE GOES HOME AND GETS BACK

2303
02:36:02,386 --> 02:36:05,289
IN THEIR SWEATPANTS FOR ANOTHER
FEW MONTHS.

2304
02:36:05,355 --> 02:36:09,626
HERE TO PRESENT RECORD OF THE
YEAR, PLEASE WELCOME A NINE-TIME

2305
02:36:09,693 --> 02:36:15,065
GRAMMY AWARD WINNER, A RECORDING
AND A MEMBER OF A PROMISING

2306
02:36:15,132 --> 02:36:18,202
LITTLE BAND CALLED THE BEATLES--
THE ONE AND ONLY RINGO STARR.

2307
02:36:18,268 --> 02:36:26,176
♪ ♪ ♪

2308
02:36:26,243 --> 02:36:26,944
THANK YOU, THANK YOU VERY
MUCH.

2309
02:36:27,010 --> 02:36:27,778
PEACE AND LOVE, EVERYBODY.

2310
02:36:27,845 --> 02:36:30,347
NOT THAT LOUD NOW.

2311
02:36:30,414 --> 02:36:34,852
ANYWAY, AFTER A YEAR WHEN YOU'VE
ALL BEEN ZOOMING IN AND

2312
02:36:34,918 --> 02:36:36,120
GOOD EVENING, GRAMMY PEOPLE.

2313
02:36:36,186 --> 02:36:37,087
AFTER A YEAR WHEN WE'VE ALL BEEN
ZOOMING IN AND ZOOMING OUT, IT'S

2314
02:36:37,154 --> 02:36:37,888
GREAT TO BE HERE.

2315
02:36:37,955 --> 02:36:40,991
IN FACT, IT'S GREAT TO BE
ANYWHERE.

2316
02:36:41,058 --> 02:36:44,995
'CAUSE NO MATTER WHAT HAPPENS,
MUSIC GOES ON, SO I'M HONORED TO

2317
02:36:45,062 --> 02:36:48,265
BE HERE AT THE GRAMMYS, AS I'VE
BEEN MANY TIMES SINCE WHEN I WAS

2318
02:36:48,332 --> 02:36:52,169
IN THAT OTHER BAND.

2319
02:36:52,236 --> 02:36:56,306
AND I WANT TO SAY THIS WITH
PEACE AND LOVE TO ALL OF THESE

2320
02:36:56,373 --> 02:37:00,244
IF YOU'RE
MAKING MUSIC IN OUR WORLD TODAY,

2321
02:37:00,310 --> 02:37:01,612
YOU'VE ALREADY WON.

2322
02:37:01,678 --> 02:37:02,412
AND I THANK YOU.

2323
02:37:02,479 --> 02:37:04,882
THESE ARE
THESE ARE THE OUTSTANDING

2324
02:37:04,948 --> 02:37:10,287
NOMINATIONS FOR RECORD OF THE
YEAR.

2325
02:37:10,354 --> 02:37:17,561
"BLACK PARADE,"
BEYONCE.

2326
02:37:17,628 --> 02:37:20,430
"COLORS," BLACK PUMAS.

2327
02:37:20,497 --> 02:37:25,569
"ROCKSTAR," DaBABY FEATURING
RODDY RICCH.

2328
02:37:25,636 --> 02:37:29,540
"SAY SO," DOJA CAT.

2329
02:37:29,606 --> 02:37:33,544
"EVERYTHING I WANTED," BILLIE
EILISH.

2330
02:37:33,610 --> 02:37:41,518
"DON'T START NOW," DUA LIPA.

2331
02:37:41,585 --> 02:37:42,519
"CIRCLES," POST MALONE.

2332
02:37:42,586 --> 02:37:49,526
"SAVAGE," MEGAN THEE STALLION
FEATURING BEYONCE.

2333
02:38:03,707 --> 02:38:09,546
TO SOMEBODY.

2334
02:38:09,613 --> 02:38:17,554
BILLIE EILISH.

2335
02:38:17,621 --> 02:38:27,598
♪ ♪ ♪

2336
02:38:27,664 --> 02:38:34,404
♪ ♪ ♪

2337
02:38:34,471 --> 02:38:35,305
♪.

2338
02:38:35,372 --> 02:38:39,943
THIS IS REALLY EMBARRASS
RASING FOR ME.

2339
02:38:40,010 --> 02:38:43,580
MEGAN, GIRL, I WAS GOING TO
WRITE A SPEECH ABOUT HOW YOU

2340
02:38:43,647 --> 02:38:48,185
DESERVED THIS, BUT THEN THERE IS
LIKE THERE IS NO WAY THEY WILL

2341
02:38:48,252 --> 02:38:51,054
CHOOSE ME, I WAS LIKE IT'S HERS.

2342
02:38:51,121 --> 02:38:54,191
YOU DESERVE THIS.

2343
02:38:54,258 --> 02:38:59,096
YOU HAD A YEAR THAT I THINK IS
UNTOPPABLE.

2344
02:38:59,162 --> 02:39:00,097
YOU ARE A QUEEN.

2345
02:39:00,163 --> 02:39:02,532
I WANT IT CRY THINKING ABOUT HOW
MUCH I LOVE YOU.

2346
02:39:02,599 --> 02:39:06,136
ARE YOU SO BEAUTIFUL, YOU ARE SO
TALENTED.

2347
02:39:06,203 --> 02:39:07,771
YOU DESERVE EVERYTHING IN THE
WORLD.

2348
02:39:07,838 --> 02:39:08,972
I THINK ABOUT YOU CONSTANTLY.

2349
02:39:09,039 --> 02:39:11,341
I ROOT FOR YOU ALWAYS.

2350
02:39:11,408 --> 02:39:15,746
YOU DESERVE IT, HONESTLY,
GENUINELY, THIS GOES TO HER, CAN

2351
02:39:15,812 --> 02:39:21,084
WE JUST CHEER FOR MEGAN THEE
STALLION.

2352
02:39:21,151 --> 02:39:24,521
BUT THANK YOU ALSO, I REALLY DO
APPRECIATE THIS.

2353
02:39:24,588 --> 02:39:27,157
THANK YOU TO THE ACADEMY, THANK
YOU TO RINGO.

2354
02:39:27,224 --> 02:39:33,063
I LOVE YOU, I LOVE MY TEAM,
THANK YOU TO MY BROTHER FINNEAS

2355
02:39:33,130 --> 02:39:47,911
AND YEAH, THANKS FOR BEING HERE,
I LOVE YOU, THANK YOU.

2356
02:39:47,978 --> 02:39:49,846
CONGRATS BILLIE

2357
02:39:49,913 --> 02:39:50,981
EILISH!

2358
02:39:51,048 --> 02:39:54,484
THANK YOU ALL FOR BEING A PART
OF MUSIC'S BIGGEST NIGHT.

2359
02:39:54,551 --> 02:39:57,421
IT'S TIME TO HEAD TO THE CRAZY
AFTER PARTY, ALONE ON MY COUCH.

2360
02:39:57,487 --> 02:39:59,256
FOR 63 YEARS NOW, THE MUSIC
COMMUNITY HAS COME TOGETHER ON

2361
02:39:59,323 --> 02:40:01,658
GRAMMY NIGHT TO CELEBRATE
EXCELLENCE.

2362
02:40:01,725 --> 02:40:05,295
THANK YOU TO ALL OF THE ARTISTS
AND ALL THOSE WHO MADE THIS

2363
02:40:05,362 --> 02:40:07,030
UNIQUE AND BEAUTIFUL GRAMMY
NIGHT POSSIBLE.

2364
02:40:07,097 --> 02:40:11,034
GOOD NIGHT!

2365
02:40:11,101 --> 02:40:12,336
Captioning sponsored by CBS

2366
02:40:16,907 --> 02:40:19,009
Captioned by
Media Access Group at WGBH

2367
02:40:19,076 --> 02:40:23,547
access.wgbh.org

2368
02:40:27,084 --> 02:40:34,992
♪ ♪ ♪
♪ A LOVELY DAY

2369
02:40:35,058 --> 02:40:42,566
LOVELY DAY
♪ LOVELY DAY

2370
02:40:42,632 --> 02:40:44,401
LOVELY DAY
♪ A LOVELY DAY

2371
02:40:44,468 --> 02:40:46,470
LOVELY DAY
♪ A LOVELY DAY