WEBVTT FILE

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Downloaded from
YTS.MX

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Official YIFY movies site:
YTS.MX

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WELCOME TO THE 63rd ANNUAL
GRAMMY AWARD, I'M TREVOR NOAH

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AND I'M YOUR HOST AS WE
CELEBRATE THE LAST TEN YEARS OF

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MUSIC THAT GOT US THROUGH ABOUT
TEN YEARS OF CORONAVIRUS, I KNOW

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IT IS ONE YEAR BUT IT FEELS LIKE
TEN, WE HAVE MADE THE DECISION

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TO SOCIALLY DISTANCE FROM THE
PRESTIGIOUS

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TO SOCIALLY DISTANCE FROM THE
PRESTIGIOUS

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TO SOCIALLY DISTANCE FROM THE
PRESTIGIOUS

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TO SOCIALLY DISTANCE FROM THE
PRESTIGIOUS

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TO SOCIALLY DISTANCE FROM THE
PRESTIGIOUS

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PEER VOTED TROPHIES IN MUSIC
GIVING SHIEBEE NEW GRAMMY AWARDS

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LIVE THROUGHOUT THE EVENING BUT
WE HAVE TO DO IT QUICKLY BECAUSE

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TOMORROW THIS TENT IS RESERVED
FOR AN OUTDOOR WEDDING IN MALIBU

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AND I DO IN THE WANT TO LOSE MY
SECURITY DEPOSIT.

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REST ASSURED EVERYONE HERE IS
FOLLOWING COVID-19 PROTOCOLS AND

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GUIDE LINES, THIS WILL BE THE
AWARD SHOW WHERE THE WHITE STUFF

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GOING UP PEOPLE'S NOSESES COTTON
SWABS.

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THIS LOOKS DIFFERENT, THE WHOLE
THING IS GOING TO BE DIFFERENT

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BUT FOLKS WILL BE EVEN MORE
EXCITED BECAUSE OUR IMPRESSIVE

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NOMINEES WILL BE SITTING AT
THOSE TABLES FOR THEIR AWARDS.

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SO RIGHT NOW THERE IS MORE
TENSION IN THAT TENT THAN AT A

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FAMILY REUNION AT BUCKINGHAM
PALACE.

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AND I KNOW THAT YOU HAVEN'T BEEN
ABLE TO GO TO A CONCERT IN A

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LONG TIME, NEITHER HAVE I.

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SO TONIGHT WE'RE BRINGING THE
CONCERT TO YOU, AFTER EVERYONE

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MAKES THEIR WAY DOWN THIS RED
CARPET THEY WILL HEAD INSIDE

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THERE TO PERFORM FOR EACH OTHER
AND FOR YOU.

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AND UNLIKE AN ACTUAL CONCERT,
TWO TEENAGERS ON STACKED ON TOP

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WON'T BLOCK YOUR VIEW, THAT IS
WHAT TONIGHT IS ABOUT, IT IS

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ABOUT BRINGING US TOGETHER AS
ONLY MUSIC CAN.

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WELL, MUSIC AND VACCINES, WE
WILL CELEBRATE MUSIC AND

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HOPEFULLY FORGET OUR PROBLEMS
UNLESS SOME OF OUR PROBLEMS ARE

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BEING OBSESSED WITH HARRY STYLES
BECAUSE THAT WILL ONLY GET

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WORSE, I CAN PROMISE YOU.

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TONIGHT WE WILL ENJOY
PERFORMANCES FROM EVERYONE FROM

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MEGAN THEE STALLION TO CARDI B,
BRUNO MARS, AN DERSON PAAK, TO

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PAY LETTER SWIFT, WE WILL HEAR
MIRANDA LAMBERT, AND MAREN

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MORRIS.

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WE WILL PAY TRIBUTE TO SOME OF
THE MANY GREAT MUSICAL ARTISTS

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THAT WE'VE LOST DURING THE LAST
YEAR INCLUDING LIL RICHARD AND

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KENNY ROGERS AND JOHN PRINE,
WE'LL ALSO BRING YOU GLOBAL

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SENSATIONS DUA LIPA, BAD BUNNY,
BTS AND POST MALONE PLUS

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EXCITING PERFORMANCES BY DOJA
CAT, RODDY RICCH, BRANDI

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CARLILE, JOHN MAYER, AND ON TOP
OF THAT WE WILL BE JINKED BY NOT

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ONE BUT TWO OF THE BIGGEST AND
MOST BELOVED BABIES ON PLANET

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EARTH, DABABY AND LITTLE BABY.

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-- LIL BABY AND ALL OF THEM WILL
BE PERFORMING RIGHT HERE IN THIS

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BEAUTIFUL ROOM.

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TONIGHT WE ARE HOPING THAT THIS

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IS ALL ABOUT WHAT 2021 CAN BE,
BEGINNINGS AND COMING TOGETHER.

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NEVER FORGETTING WHAT HAPPENED
IN 2020 BUT FULL OF HOPE FOR

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WHAT IS TO COME.

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SO LET'S DO THIS, PEOPLE.

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NOMINATED TONIGHT FOR BOTH
RECORD OF THE YEAR AND ALBUM OF

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THE YEAR, BLACK PUMAS ARE HERE,
EVERYBODY.

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SO GOOD TO YOU HAVE GUYS, MAN,
BIG FANS.

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IT IS MY PLEASURE TO ANNOUNCE
THAT THE-- WILL BE JOINING US,

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NOMINATED FOR ALBUM OF THE YEAR,
THAT'S RIGHT, AND RIGHT OVER

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HERE, YOU BETTER START SCREAMING
BECAUSE I KNOW I AM, LAST YEAR

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SHE MADE GRAMMY HISTORY, IT IS
BILLIE EILISH, EVERYBODY.

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SHE WON SO MANY GRAMMYS LAST
YEAR THAT HER UBER HAUL WAS A

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YOU HAUL, SHE IS BACK WITH HER
BROTHER TO PLAY THEIR GRAMMY

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NOMINATED RECORD OF THE YEAR.

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BUT FIRST, WE COULD NOT BE MORE
EXCITED TO KICK OFF OUR SHOW IN

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THE BIGGEST WAY POSSIBLE,
PERFORMING AT THE GRAMMY AWARDS

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FOR THE FIRST TIME EVER WITH
THREE GRAMMY NOMINATIONS

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TONIGHT, THIS GUY IS A GLOBAL
MEGASTAR.

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LADIES, YOU BETTER WATCH OUT
BECAUSE HE'LL STEAL YOUR HEART

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AND YOUR DRESS AND HE'LL LOOK
DAMN GOOD DOING IT.

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GIVE IT UP FOR HARRY STYLES.

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♪ TASTES LIKE STRAWBERRIES

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ON A SUMMER EVENIN'
♪ AND IT SOUNDS JUST LIKE

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A SONG
♪ I WANT MORE BERRIES

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AND THAT SUMMER FEELIN'
♪ IT'S SO WONDERFUL

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AND WARM
♪ BREATHE ME IN

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BREATHE ME OUT
♪ I DON'T KNOW IF I

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COULD EVER GO WITHOUT
♪ I'M JUST THINK

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--KING OUT LOUD
♪ I DON'T KNOW IF I COULD

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EVER GO WITHOUT
♪ WATERMELON SUGAR HIGH

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WATERMELON SUGAR HIGH
♪ WATERMELON SUGAR HIGH

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WATERMELON SUGAR HIGH
WATERMELON SUGAR

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♪ STRAWBERRIES
ON A SUMMER EVENIN'

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♪ BABY, YOU'RE THE END OF JUNE
I WANT YOUR BELLY

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♪ AND THAT SUMMER FEELIN'
GETTING WASHED AWAY IN YOU

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♪ BREATHE ME IN
BREATHE ME OUT

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♪ I DON'T KNOW IF I COULD
EVER GO WITHOUT

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♪ WATERMELON SUGAR HIGH
WATERMELON SUGAR HIGH

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♪ WATERMELON SUGAR HIGH
WATERMELON SUGAR HIGH

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♪ WATERMELON SUGAR HIGH
WATERMELON SUGAR HIGH

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♪ WATERMELON SUGAR HIGH
WATERMELON SUGAR HIGH

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♪ I JUST WANNA TASTE IT
I JUST WANNA TASTE IT

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♪ WATERMELON SUGAR HIGH

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♪ ♪ ♪
♪ TASTES LIKE STRAWBERRIES

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ON A SUMMER EVENIN'
♪ AND IT SOUNDS JUST LIKE

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A SONG
♪ I WANT YOUR BELLY

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AND THAT SUMMER FEELIN'
♪ I DON'T KNOW IF I COULD

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EVER GO WITHOUT
♪ WATERMELON SUGAR HIGH

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WATERMELON SUGAR HIGH
♪ WATERMELON SUGAR HIGH

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WATERMELON SUGAR HIGH
♪ WATERMELON SUGAR HIGH

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WATERMELON SUGAR HIGH
♪ WATERMELON SUGAR HIGH

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WATERMELON SUGAR HIGH
♪ I JUST WANNA TASTE IT

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I JUST WANNA TASTE IT
♪ WATERMELON SUGAR HIGH

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I JUST WANNA TASTE IT
♪ I JUST WANNA TASTE IT

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WATERMELON SUGAR HIGH
♪ WATERMELON SUGAR ♪

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HARRY STYLES, THAT WAS

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AMAZING, MAN.

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I MEAN I WOULD HAVE WORN A SHIRT
FOR MY FIRST GRAMMYS, YOU KNOW,

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BUT EACH TO HIS OWN,
EVERYBODY-- IT IS CRAZY TO THINK

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EVERYONE THAT TALENTED AND
HANDSOME IS FROM THE SAME PLACE

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AS BORE IS JOHNSON, MAN, THE
U.K. IS DIVERSE, NO TIME TO

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WASTINGS SINGING HER GRAMMY
NOMINATED RECORD OF THE YEAR,

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SMASH HIT, EVERYTHING I WANTED,
THIS IS BILLIE EILISH.

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♪ ♪ ♪
♪ I HAD A DREAM

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I GOT EVERYTHING I WANTED
♪ NOT WHAT YOU'D THINK

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AND IF I'M BEIN' HONEST
♪ IT MIGHT'VE BEEN A NIGHTMARE

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TO ANYONE WHO MIGHT CARE
♪ THOUGHT I COULD FLY

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SO I STEPPED OFF THE GOLDEN, MM
♪ NOBODY CRIED

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NOBODY EVEN NOTICED
♪ I SAW THEM STANDING

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RIGHT THERE
♪ KINDA THOUGHT THEY

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MIGHT CARE
♪ I HAD A DREAM

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I GOT EVERYTHING I WANTED
♪ BUT WHEN I WAKE UP, I SEE

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YOU WITH ME
♪ AND YOU SAY

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"AS LONG AS I'M HERE
♪ NO ONE CAN HURT YOU"

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DON'T WANNA LIE HERE
♪ BUT YOU CAN LEARN TO

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IF I COULD CHANGE
♪ THE WAY THAT YOU SEE YOURSELF

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YOU WOULDN'T WONDER WHY YOU HEAR
♪ "THEY DON'T DESERVE YOU"

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I TRIED TO SCREAM
♪ BUT MY HEAD WAS UNDERWATER

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THEY CALLED ME WEAK
♪ LIKE I'M NOT JUST

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SOMEBODY'S DAUGHTER
♪ COULDA BEEN A NIGHTMARE

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BUT IT FELT LIKE THEY WERE
♪ RIGHT THERE

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AND IT FEELS LIKE YESTERDAY
♪ WAS A YEAR AGO

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BUT I DON'T WANNA LET
♪ ANYBODY KNOW

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'CAUSE EVERYBODY WANTS
♪ SOMETHING FROM ME NOW

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AND I DON'T WANNA LET 'EM DOWN
♪ I HAD A DREAM

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I GOT EVERYTHING I WANTED
♪ BUT WHEN I WAKE UP, I SEE

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YOU WITH ME
♪ AND YOU SAY

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"AS LONG AS I'M HERE
♪ NO ONE CAN HURT YOU

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DON'T WANNA LIE HERE
♪ BUT YOU CAN LEARN TO

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♪ IF I KNEW IT ALL THEN
WOULD I DO IT AGAIN?

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♪ WOULD I DO IT AGAIN?

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IF THEY KNEW WHAT THEY SAID
♪ WOULD GO STRAIGHT TO MY HEAD

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WHAT WOULD THEY SAY INSTEAD? ♪

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♪ ♪ ♪

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♪ ♪ ♪

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BILLIE EILISH AND FINNEAS,
EVERYBODY, KEEP IT GOING, Y'ALL,

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KEEP IT GOING, EVERY SINGLE
TIME, MAN, AMAZING.

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NOW A TRIO OF SISTERS FROM RIGHT
HERE IN LOS ANGELES NOMINATED

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FOR ALBUM OF THE YEAR TONIGHT,
ABOUT TO ROCK OUR WORLD WITH

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THEIR FIRST EVER GRAMMY
PERFORMANCE, THIS IS HAIM.

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♪ ♪ ♪
♪ ♪ ♪

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♪ SO, BABY
WHEN I'M NEAR YOU

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♪ YOU CAN'T FEEL ME
I'M LIGHTNIN'

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♪ YOU USED TO COME BY
AND SIT DOWN BY MY SIDE

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♪ YOU WOULD COME IN CLOSE
AND TAKE OFF ALL MY CLOTHES

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♪ EVERY TIME I THINK THAT I'VE
BEEN TAKIN' THE STEPS

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♪ YOU END UP MAD AT ME FOR
MAKIN' A MESS

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♪ I CAN'T UNDERSTAND WHY
YOU DON'T UNDERSTAND ME, BABY

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♪ AND EVERY DAY I WAKE UP AND
I MAKE MONEY FOR MYSELF

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♪ AND THOUGH WE SHARE A BED
YOU KNOW THAT I DON'T

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♪ NEED YOUR HELP
DO YOU UNDERSTAND?

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♪ YOU DON'T UNDERSTAND ME
BABY

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♪ ♪ ♪
♪ ♪ ♪

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♪ IF I GO RIGHT
AND YOU GO LEFT

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♪ HEY, I KNOW WE'LL MEET UP
AGAIN

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♪ ♪ ♪
♪ ♪ ♪

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♪ AND IF YOU GO LEFT
AND I GO RIGHT

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♪ HEY, MAYBE THAT'S JUST LIFE
SOMETIMES

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♪ ♪ ♪
♪ ♪ ♪

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♪ EVERY TIME I THINK THAT I'VE
BEEN TAKIN' THE STEPS

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♪ YOU END UP MAD AT ME FOR
MAKIN' A MESS

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♪ I CAN'T UNDERSTAND WHY
YOU DON'T UNDERSTAND ME, BABY

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♪ AND EVERY DAY I WAKE UP AND
MAKE MONEY FOR MYSELF

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♪ AND THOUGH WE SHARE A BED
YOU KNOW THAT I DON'T

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♪ NEED YOUR HELP
DO YOU UNDERSTAND?

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♪ YOU DON'T UNDERSTAND ME
BABY ♪

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♪ ♪ ♪
♪ ♪ ♪

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THAT'S RIGHT, PEOPLE, KEEP IT

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GOING, HAIM, LADY AS AND
GENTLEMEN, OUR GRAMMY NIGHT IS

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OFFICIALLY OFF AND RUNNING.

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UP NEXT OUR FIRST AWARD, AND
IT'S A BIG ONE, BEST NEW ARTIST.

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00:16:01.226 --> 00:16:05.664
PLUS BLACK PUMAS, DUA LIPA AND
BADIBUNNY WILL BE ON THESE STAGE

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00:16:05.731 --> 00:16:08.233
RIGHT HERE, SO DON'T GO
ANYWHERE.

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THIS IS CBS.

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♪ ♪ ♪
♪ ♪ ♪

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THE 63rd GRAMMY
AWARDS IS SPONSORED BY LINCOLN

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FAMILY OF LUXURY S.U.V.s.

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♪ ♪ ♪

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WELCOME BACK TO THE
GRAMMYS.

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SO, LET'S GET STRAIGHT TO THE
AWARDS.

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THE FIRST AWARD TONIGHT IS BEST
NEW ARTIST.

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IT'S AN AWARD THAT'S BEEN WON BY
THE BEATLES, MARIAH CAREY,

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00:16:49.808 --> 00:16:52.077
CHRISTINA AGUILERA, AND JOHN
LEGEND.

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00:16:52.144 --> 00:16:57.883
AND IT'S BEEN LOST BY KENDRICK
LAMAR, DRAKE, TAYLOR SWIFT, BOYZ

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00:16:57.950 --> 00:16:58.851
II MEN, AND ELTON JOHN.

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SO, EVEN IF YOU LOSE IT, YOU'LL
BE ALL RIGHT.

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00:17:02.354 --> 00:17:03.889
HERE TO PRESENT THE AWARD IS AN

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00:17:03.956 --> 00:17:06.992
ARTIST WHO ALWAYS MAKES ME FEE“"
GOOD AS HELL.”

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PLEASE WELCOME THREE-TIME GRAMMY
WINNER, LIZZO!

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♪ ♪ ♪

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♪ ♪ ♪
THANK YOU, TREVOR.

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I LOVE YOU.

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00:17:23.108 --> 00:17:29.948
CUTIE.

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I'M PRESENTING CUZ I LOVE
YOU.

205
00:17:34.586 --> 00:17:39.858
AND THE THREE SHINY GRAMMYS I

206
00:17:39.925 --> 00:17:43.862
GOT LAST YEAR, WOO!

207
00:17:43.929 --> 00:17:44.596
I'M BACK.

208
00:17:44.663 --> 00:17:45.764
BITCH I'M BACK, OH, I'M SO
SORRY.

209
00:17:45.831 --> 00:17:46.899
I'M HAPPY TO PRESENT THE FIRST
AWARD OF THE NIGHT THAT PUTS

210
00:17:46.965 --> 00:17:52.004
THAT BIG BEAUTIFUL GRAMMY
SPOTLIGHT ON EIGHT NEW MUSICAL

211
00:17:52.070 --> 00:17:55.841
HEROES WHO ALL HAVE THAT BEST
NEW ARTIST VIBE, MEGAN, STOP

212
00:17:55.908 --> 00:17:58.010
LAUGHING AT ME, EACH IN THEIR
OWN WAY.

213
00:17:58.076 --> 00:18:03.849
THESE ARE THE AMAZING NOMINEES.

214
00:18:03.916 --> 00:18:08.120
♪ ♪ ♪
INGRID ANDRESS.

215
00:18:08.187 --> 00:18:11.857
PHOEBE BRIDGERS.

216
00:18:11.924 --> 00:18:15.861
CHIKA.

217
00:18:15.928 --> 00:18:19.865
NOAH CYRUS.

218
00:18:19.932 --> 00:18:22.000
D SMOKE.

219
00:18:22.067 --> 00:18:26.305
DOJA CAT.

220
00:18:26.371 --> 00:18:27.873
KAYTRARNADA.

221
00:18:27.940 --> 00:18:31.844
MEGAN THEE STALLION.

222
00:18:31.910 --> 00:18:41.386
♪ ♪ ♪

223
00:18:41.453 --> 00:18:43.856
Y'ALL READY?

224
00:18:43.922 --> 00:18:49.895
NERVOUS, Y'ALL.

225
00:18:49.962 --> 00:18:54.433
WAIT, HOW DO YOU OPEN IT, OH MY
GOD.

226
00:18:54.500 --> 00:19:02.407
WAIT, HOW DO YOU DO IT, OKAY, I
GOT T I GOT T I GOT IT, MEGAN

227
00:19:02.474 --> 00:19:07.846
THEE STALLION.

228
00:19:07.913 --> 00:19:10.015
WHOOO.

229
00:19:31.937 --> 00:19:41.914
♪ ♪ ♪

230
00:19:41.980 --> 00:19:51.957
♪ ♪ ♪

231
00:19:52.024 --> 00:19:57.529
♪ ♪ ♪

232
00:19:57.596 --> 00:19:58.597
I DON'T WANT TO CRY.

233
00:19:58.664 --> 00:20:04.336
BUT FIRST OF ALL I WANT TO SAY
EVERYBODY IS AMAZING.

234
00:20:04.403 --> 00:20:08.874
EVERY ARTIST THAT WAS NOMINATED
FOR THIS AWARD IS SO AMAZING.

235
00:20:08.941 --> 00:20:15.847
SO SHOUT OUT TO ALL Y'ALL.

236
00:20:15.914 --> 00:20:18.917
SECONDLY, I REALLY JUST WANT TO

237
00:20:18.984 --> 00:20:22.621
THANK GOD BECAUSE THANK YOU FOR
PUTTING LIFE INTO MY BODY FOR ME

238
00:20:22.688 --> 00:20:27.659
TO BE ABLE TO EVEN BE HERE
TODAY.

239
00:20:27.726 --> 00:20:36.001
I WANT TO SAY THANK YOU
FOR-- ALWAYS BEING WITH ME,

240
00:20:36.068 --> 00:20:39.271
BEING BY MY SIDE.

241
00:20:39.338 --> 00:20:42.874
THANK YOU FOR ALWAYS BEING WITH
ME, BEING BY MY SIDE, I WANT TO

242
00:20:42.941 --> 00:20:47.045
SAY THANK YOU TO EVERYBODY AT
300 FOR BELIEVING IN ME,

243
00:20:47.112 --> 00:20:51.149
STICKING BY ME THROUGH MY
CRAZINESS AND YOU KNOW, IT'S

244
00:20:51.216 --> 00:20:53.318
BEEN A HELL OF A YEAR BUT WE
MADE IT.

245
00:20:53.385 --> 00:20:56.388
THANK YOU EVERYBODY AT ROCK
NATION AND I REALLY WANT TO SAY

246
00:20:56.455 --> 00:20:59.825
THANK YOU TO MY MAMA, SHE'S NOT
HERE WITH ME TODAY BUT I KNOW

247
00:20:59.891 --> 00:21:03.462
SHE IS HERE WITH ME IN SPIRIT
AND SHE ALWAYS BELIEVE I COULD

248
00:21:03.528 --> 00:21:07.833
DO IT, SO THANK YOU ALL SO MUCH.

249
00:21:07.899 --> 00:21:15.841
THAT'S YOUR GRAMMY!

250
00:21:15.907 --> 00:21:18.710
CONGRATULATIONS,
MEGAN THEE STALLION!

251
00:21:18.777 --> 00:21:19.811
WOW!

252
00:21:19.878 --> 00:21:23.448
TODAY, THE SINGLE RECORD HAS
NEVER BEEN MORE IMPORTANT.

253
00:21:23.515 --> 00:21:25.550
SEE, IN THE NEW WORLD OF
STREAMING, IF AN ARTIST CAN

254
00:21:25.617 --> 00:21:27.853
CREATE THAT PERFECT SINGLE,
THEIR SONG WILL

255
00:21:27.919 --> 00:21:34.059
BE STREAMED BILLIONS AND
BILLIONS OF TIMES, MAKING THEM

256
00:21:34.126 --> 00:21:35.193
ANYWHERE FROM $2-$3.

257
00:21:35.260 --> 00:21:36.361
OUR RECORD OF THE YEAR NOMINEES

258
00:21:36.428 --> 00:21:39.097
ARE AN ECLECTIC, DIVERSE AND
IMPRESSIVE GROUP.

259
00:21:39.164 --> 00:21:40.499
AND WE ASKED THE REMARKABLE 23-
YEAR-OLD DIRECTOR GIBSON HAZARD

260
00:21:40.565 --> 00:21:44.102
TO MAKE SOME FILMS ABOUT THESE
CONTENDERS FOR THE RECORD OF THE

261
00:21:44.169 --> 00:21:46.038
YEAR.

262
00:21:46.104 --> 00:21:49.574
SO, FIRST UP, HERE'S A REVEALING
LOOK AT THE TRUE "COLORS" OF

263
00:21:49.641 --> 00:21:52.077
A STRONG MUSICAL PARTNERSHIP
THAT FLOWERED IN AUSTIN, TEXAS,

264
00:21:52.144 --> 00:21:55.847
AFTER A LITTLE STREET PERFORMING
ON THE SANTA MONICA PIER.

265
00:21:55.914 --> 00:22:03.855
THIS IS BLACK PUMAS.

266
00:22:03.922 --> 00:22:13.865
♪ ♪ ♪

267
00:22:13.932 --> 00:22:19.604
OUR MUSIC IS VERY REFLECTIVE
OF THE SINCERITY OF OUR OWN

268
00:22:19.671 --> 00:22:23.542
SOULS, WE CALL IT SOUL MUSIC AND
OBVIOUSLY IT IS NOT SOUL MUSIC

269
00:22:23.608 --> 00:22:27.779
BUT THE MOST IMPORTANT THING IS
IT COMES FROM OUR SOUL, MY SOUL

270
00:22:27.846 --> 00:22:28.947
AND HIS SOUL.

271
00:22:29.014 --> 00:22:31.783
GETTING THE NOMINATION FOR
"COLORS" IS SPECIAL, WE KNOW HOW

272
00:22:31.850 --> 00:22:34.252
PEOPLE HAVE BEEN REACTING TO
THAT SONG, WE HAVE SEEN IT LIVE,

273
00:22:34.319 --> 00:22:39.091
WE HAVE EVEN SEEN IT U NIGHT
CROWDS, WE KNOW IT WAS SPECIAL.

274
00:22:39.157 --> 00:22:41.760
I MOVED TO CALIFORNIA FROM
NEW MEXICO IN 20134.

275
00:22:41.827 --> 00:22:46.498
I WOULD TAKE LIKE TWO TRAINS
THEN TWO BUSES TO THE SANTA

276
00:22:46.565 --> 00:22:49.267
MONICA PIER JUST TO BUSK.

277
00:22:49.334 --> 00:22:54.306
STREET PERFORMING FOR ME, IT IS
KIND OF A LOVE HATE

278
00:22:54.372 --> 00:22:59.711
RELATIONSHIP, SUCH AS BEAUTIFUL
YET BRUTAL EXPERIENCE.

279
00:22:59.778 --> 00:23:02.447
I WOULD BE PERFORMING IN THE
STREET BUT IN MY MIND I'M

280
00:23:02.514 --> 00:23:06.952
PERFORMING ON THE STAGE OF THE
GRAMMYS.

281
00:23:07.018 --> 00:23:09.621
KSH WITHIN MYSELF AS A KID I
REMEMBER IMAGINING WHAT IT WOULD

282
00:23:09.688 --> 00:23:11.923
BE LIKE TOKING ON SUCH A GRAND
STAGE.

283
00:23:11.990 --> 00:23:15.761
WHEN I THINK ABOUT IT, I GET
EMOTIONAL BECAUSE I'VE

284
00:23:15.827 --> 00:23:16.394
EXPERIENCED A LOT, MAN.

285
00:23:16.461 --> 00:23:23.335
SO IT FEELS GOOD TO BE HERE.

286
00:23:24.536 --> 00:23:27.606
♪ ♪ ♪
♪ I WOKE UP TO THE MORNING

287
00:23:27.672 --> 00:23:30.475
SKY FIRST
♪ BABY BLUE

288
00:23:30.542 --> 00:23:35.947
JUST LIKE WE REHEARSED
♪ WHEN I GET UP OFF THIS GROUND

289
00:23:36.014 --> 00:23:38.483
I SHAKE LEAVES BACK DOWN
♪ TO THE BROWN, BROWN

290
00:23:38.550 --> 00:23:48.093
BROWN, BROWN
♪ 'TIL I'M CLEAN

291
00:23:48.160 --> 00:23:52.264
THEN I WALK WHERE I'D BE
♪ SHADED BY THE TREES

292
00:23:52.330 --> 00:23:59.337
BY A MEADOW OF GREEN
♪ FOR ABOUT A MILE

293
00:23:59.404 --> 00:24:04.276
I'M HEADED TO TOWN, TOWN, TOWN
♪ IN STYLE

294
00:24:04.342 --> 00:24:11.883
WITH ALL MY FAVORITE COLORS
♪ YES, SIR

295
00:24:11.950 --> 00:24:16.288
ALL MY FAVORITE COLORS
♪ RIGHT ON

296
00:24:16.354 --> 00:24:20.258
MY SISTERS AND MY BROTHERS
♪ SEE 'EM LIKE NO OTHER

297
00:24:20.325 --> 00:24:28.266
ALL MY FAVORITE COLORS
♪ IT'S A GOOD DAY TO BE

298
00:24:28.333 --> 00:24:32.270
A GOOD DAY FOR ME
♪ A GOOD DAY TO SEE

299
00:24:32.337 --> 00:24:35.407
MY FAVORITE
♪ COLORS, COLORS

300
00:24:35.473 --> 00:24:42.480
MY SISTERS AND MY BROTHERS
♪ THEY SEE 'EM LIKE NO OTHER

301
00:24:42.547 --> 00:24:48.286
ALL MY FAVORITE COLORS
ALL MY FAVORITE COLORS

302
00:25:06.538 --> 00:25:12.277
♪ ♪ ♪
♪ I'M ON THE OTHER SIDE

303
00:25:12.344 --> 00:25:16.281
OOH-OOH, OOH-OOH, OOH-OOH-OHH
♪ WHERE THE BABY BLUE BIRDS FLY

304
00:25:16.348 --> 00:25:19.417
OOH-OOH, OOH-OOH, OOH-OOH-OHH
♪ IN GRAY CLOUDS

305
00:25:19.484 --> 00:25:23.588
OR WHITE WALLS
♪ OR BLUE SKIES

306
00:25:23.655 --> 00:25:24.456
BLUE SKIES
♪ WE GON' FLY

307
00:25:24.522 --> 00:25:27.592
FEEL ALRIGHT
♪ BLACK PUMAS HELP ME FEEL

308
00:25:27.659 --> 00:25:33.498
ALRIGHT ONE MORE TIME
♪ WITH ALL MY FAVORITE COLORS

309
00:25:33.565 --> 00:25:36.268
YES, SIR
♪ ALL MY FAVORITE COLORS

310
00:25:36.334 --> 00:25:42.474
RIGHT ON
♪ MY SISTERS AND MY BROTHERS

311
00:25:42.540 --> 00:25:48.480
SEE 'EM LIKE NO OTHER
♪ ALL MY FAVORITE COLORS

312
00:25:48.546 --> 00:25:54.486
IT'S A GOOD DAY TO BE
♪ A GOOD DAY FOR ME

313
00:25:54.552 --> 00:26:00.358
A GOOD DAY TO SEE MY FAVORITE
♪ COLORS, COLORS

314
00:26:00.425 --> 00:26:12.270
MY SISTERS AND MY BROTHERS
♪ SEE 'EM LIKE NO OTHER

315
00:26:12.337 --> 00:26:24.282
ALL MY FAVORITE COLORS ♪

316
00:26:24.349 --> 00:26:29.287
THAT'S RIGHT, PEOPLE, KEEP

317
00:26:29.354 --> 00:26:34.326
KEEP IT GOING, KEEP IT GOING,
PEOPLEK BLACK PUMAS.

318
00:26:34.392 --> 00:26:37.629
EVER HEARD A BAND FOR THE FIRST
TIME BUT FEEL LIKE IT IS YOUR

319
00:26:37.696 --> 00:26:40.732
FAVORITE FOR THE YOUR WHOLE
LIFE, THAT IS WHAT WE FELT, YOUR

320
00:26:40.799 --> 00:26:46.771
STORY IS INSANE, HOW MANY YEARS
AGO YOU WERE BUSKK ON THE PIER.

321
00:26:46.838 --> 00:26:48.039
ABOUT SIX YEARS.

322
00:26:48.106 --> 00:26:50.542
SIX YEARS HOPING PEOPLE WOULD
LISTEN TO YOU PERFORM, FOR SMALL

323
00:26:50.608 --> 00:26:53.645
GROUPS OF PEOPLE AND NOW ARE YOU
AT THE GRAMMYS.

324
00:26:53.712 --> 00:26:54.879
THANK YOU.

325
00:26:54.946 --> 00:26:58.183
STILL PERFORMING FOR A SMALL
GROUP OF PEOPLE BUT THAT'S NOT

326
00:26:58.249 --> 00:26:59.451
THE POINT.

327
00:26:59.517 --> 00:27:02.487
WELL, YOU KNOW, TREVOR, ONCE
YOU ARE A KING YOU ARE ALWAYS A

328
00:27:02.554 --> 00:27:03.455
KING.

329
00:27:03.521 --> 00:27:05.457
I FEEL YOU THERE, GOOD LUCK
FOR TONIGHT.

330
00:27:05.523 --> 00:27:06.558
THANK YOU.

331
00:27:06.624 --> 00:27:08.293
RIGHT NOW WE WILL TAKE A
QUICK BREAK SO CAN I CHECK

332
00:27:08.360 --> 00:27:10.495
TWITTER TO SEE ALL THE NICE
THINGS PEOPLE ARE SAYING ABOUT

333
00:27:10.562 --> 00:27:14.432
ME, BUT DON'T GO AWAY, AFTER THE
BREAK WE HAVE BACK TO BACK

334
00:27:14.499 --> 00:27:22.073
PERFORMANCES FROM NOMINEES
DABABY, BAD BUNNY AND DUA LIPA.

335
00:27:22.140 --> 00:27:26.478
PLUS DID I MENTION WE HAVE
TAYLOR SWIFT, THIS IS THE GRAMMY

336
00:27:26.544 --> 00:27:26.978
AWARDS.

337
00:27:27.045 --> 00:27:29.914
WE'LL BE RIGHT BACK.

338
00:27:37.889 --> 00:27:41.326
♪ ♪ ♪
WELCOME BACK TO THE GRAMMY

339
00:27:41.393 --> 00:27:43.995
AWARD, THE ONLY AWARD YOU CAN
PLAY TINY RECORDS ON.

340
00:27:44.062 --> 00:27:45.930
THROUGHOUT THE NIGHT WE ARE
PUTTING THE SPOT LIGHT ON THIS

341
00:27:45.997 --> 00:27:48.099
YEAR'S NOMINEES FOR RECORD OF
THE YEAR.

342
00:27:48.166 --> 00:27:51.436
AND YOU CAN SEE LONGER
VERSIONSES OF OUR FILMS AND

343
00:27:51.503 --> 00:27:54.372
INTERVIEWS ON PARAMOUNT PLUS
RIGHT AFTER THE SHOW.

344
00:27:54.439 --> 00:27:58.009
OUR NEXT NOMINEE IS SOMEONE WHO
HAS GROWN INTO A MAJOR HIP-HOP

345
00:27:58.076 --> 00:28:01.012
SENSATION WITH ONE OF THE
BIGGEST RECORDS OF THE YEAR.

346
00:28:01.079 --> 00:28:09.187
THIS IS DABABY.

347
00:28:15.226 --> 00:28:19.998
WHAT'S GOING ON WITH DABABY,
SIX TIME GRAMMY NOMINATED

348
00:28:20.065 --> 00:28:23.868
INTERNATIONAL MEGASTAR."

349
00:28:23.935 --> 00:28:31.009
ROCKSTAR KTION FORM PERFORMER
WITH A PRETTY SMILE.

350
00:28:31.076 --> 00:28:32.644
ALLOW ME TO BREAK THROUGH.

351
00:28:32.710 --> 00:28:36.448
YOU WANT ME TO WATCH MY
LANGUAGE?

352
00:28:36.514 --> 00:28:37.615
DO WHAT YOU LIKE.

353
00:28:37.682 --> 00:28:42.921
I DON'T GIVE A I COME
FROM NOTHING, YOU AND YOUR

354
00:28:42.987 --> 00:28:46.491
BROTHER CAN'T EVEN GET A FRESH
HAIRCUT, Y'ALL AIN'T DOING TOO

355
00:28:46.558 --> 00:28:49.294
GOOD, YOU COMING FROM WHAT I
COME FROM, THAT AIN'T SOMETHING,

356
00:28:49.360 --> 00:28:53.131
I USE IT AS AN EXCUSE, THAT IS
MORE LIKE MOTIVATION THAN

357
00:28:53.198 --> 00:28:56.301
NIBBLES, THEY GOING UP AGAINST
THE ODDS, THAT IS WHAT MAKES IT

358
00:28:56.367 --> 00:29:01.806
BEAUTIFUL AT THE END OF THE DAY.

359
00:29:01.873 --> 00:29:06.111
MY GREATEST CREATION, MY
BEAUTIFUL DAUGHTER, BEING A

360
00:29:06.177 --> 00:29:08.913
FATHER IS THE BEST THING THAT
EVER HAPPENED TO ME, IT GAVE ME

361
00:29:08.980 --> 00:29:09.614
PURPOSE.

362
00:29:09.681 --> 00:29:11.683
THAT IS THE REASON WHY I'M HERE.

363
00:29:11.749 --> 00:29:15.053
IT GAVE ME THAT EXTRA
MOTIVATION, LIKE NOW I GOT TO GO

364
00:29:15.120 --> 00:29:18.923
NOW, AN THAT'S WHAT I DID.

365
00:29:18.990 --> 00:29:21.359
ROCKSTAR, THE SECOND I MADE IT I
KNEW IT WAS A HIT, IT LIVED UP

366
00:29:21.426 --> 00:29:24.562
TO EXACTLY WHAT I THOUGHT IT WAS
GOING TO BE, GO TO NUMBER ONE,

367
00:29:24.629 --> 00:29:25.997
REMAIN AT NUMBER ONE.

368
00:29:26.064 --> 00:29:31.102
ONE OF THE MOST IMPACTFUL,
LONGEST LASTING SONGS OF 2020.

369
00:29:31.169 --> 00:29:33.271
GETTING GRAMMY NOMINATED FOR
RECORD OF THE YEAR IS AMAZING,

370
00:29:33.338 --> 00:29:41.779
NOW ALL WE GOT TO DO IS BRING
ONE HOME.

371
00:29:41.846 --> 00:29:43.882
♪ ♪ ♪
♪ ♪ ♪

372
00:29:43.948 --> 00:29:53.858
♪ WOO
♪ ♪ ♪

373
00:29:53.925 --> 00:29:57.762
♪ WOO
♪ I PULL UP, LIKE

374
00:29:57.829 --> 00:30:01.599
I PULL UP
HOW YOU PULL UP BABY

375
00:30:01.666 --> 00:30:03.401
♪ PULL UP
GO AHEAD AND SHOW THE GRAMMYS

376
00:30:03.468 --> 00:30:05.803
♪ HOW YOU PULL UP
I PULL UP

377
00:30:05.870 --> 00:30:07.605
♪ GET DOWN
♪ HOW YOU PULL UP

378
00:30:07.672 --> 00:30:12.343
I PULL UP
BRAND NEW LAMBORGHINI

379
00:30:12.410 --> 00:30:15.647
♪ NOT A COP CAR
WITH THE PISTOL ON MY HIP

380
00:30:15.713 --> 00:30:17.415
♪ LIKE I'M A COP YEAH
HAVE YOU EVER MET A REAL HITTER

381
00:30:17.482 --> 00:30:18.283
ROCKSTAR?

382
00:30:18.349 --> 00:30:21.786
♪ THIS AIN'T NO GUITAR
THIS A GLOCK WOO

383
00:30:21.853 --> 00:30:24.055
♪ MY GLOCK TOLD ME TO PROMISE
YOU GON' SQUEEZE ME OH

384
00:30:24.122 --> 00:30:28.359
♪ YOU BETTER LET ME GO
THE DAY YOU NEED ME OOH

385
00:30:28.426 --> 00:30:30.028
♪ GET TO BUSTIN' OOH
AND IF I AIN'T ENOUGH

386
00:30:30.094 --> 00:30:32.230
♪ GO GET THE CHOP
IT'S SAFE TO SAY I EARNED IT

387
00:30:32.297 --> 00:30:33.798
♪ AIN'T NOBODY GAVE ME NOTHIN'
YEAH, YEAH, YEAH

388
00:30:33.865 --> 00:30:35.533
♪ I'M READY TO HOP OUT ON
SOMEBODY

389
00:30:35.600 --> 00:30:37.135
♪ GET TO BUSTIN'
KNOW YOU HEARD ME SAY

390
00:30:37.202 --> 00:30:38.403
♪ "YOU PLAY, YOU LAY"
DON'T MAKE ME PUSH THE BUTTON

391
00:30:38.469 --> 00:30:40.805
♪ FULL OF PAIN
DROPPED ENOUGH TEARS

392
00:30:40.872 --> 00:30:41.906
♪ TO FILL UP A BUCKET
GOIN' FOR BUCKETS

393
00:30:41.973 --> 00:30:43.675
♪ I BOUGHT A CHOPPER
I GOT A BIG DRUM, IT HOLD A 100

394
00:30:43.741 --> 00:30:44.742
♪ AIN'T GOIN' FOR NOTHIN'
YEAH

395
00:30:44.809 --> 00:30:45.810
♪ I'M READY TO AIR IT OUT
ON ALL THESE HITTERS

396
00:30:45.877 --> 00:30:47.145
♪ I CAN SEE ¡EM RUNNIN'
JUST TALKED TO MY MAMA

397
00:30:47.212 --> 00:30:48.513
♪ SHE HIT ME ON FACETIME
JUST TO CHECK UP ON ME

398
00:30:48.580 --> 00:30:49.547
♪ AND MY BROTHER
I'M REALLY THE BABY

399
00:30:49.614 --> 00:30:50.615
YEAH ♪ SHE KNOW THAT HER YOUNGEST SON

400
00:30:50.682 --> 00:30:52.016
WAS ALWAYS GUARANTEED
♪ TO GET THE MONEY

401
00:30:52.083 --> 00:30:53.151
OKAY, LET'S GO
♪ SHE KNOW THAT HER BABY BOY

402
00:30:53.218 --> 00:30:54.452
WAS ALWAYS GUARANTEED
♪ TO GET THE LOOT

403
00:30:54.519 --> 00:30:55.720
SHE KNOW WHAT I DO
♪ SHE KNOW 'FORE I RUN FROM A

404
00:30:55.787 --> 00:30:56.921
HITTER ♪ I'MA PULL IT OUT AND SHOOT

405
00:30:56.988 --> 00:30:57.922
BOOM PTSD, I'M ALWAYS WAKING UP

406
00:30:57.989 --> 00:30:59.357
YEAH ♪ IN COLD SWEATS LIKE I GOT THE

407
00:30:59.424 --> 00:31:00.692
FLU ♪ MY DAUGHTER A G

408
00:31:00.758 --> 00:31:01.826
SHE SAW ME KILL A HITTER
♪ IN FRONT OF HER

409
00:31:01.893 --> 00:31:03.928
BEFORE THE AGE OF TWO
♪ AND I'LL KILL ANOTHER HITTER

410
00:31:03.995 --> 00:31:04.896
TOO ♪ OH

411
00:31:04.963 --> 00:31:06.698
'FORE I LET ¡EM DO
♪ SOMETHIN' TO YOU

412
00:31:06.764 --> 00:31:07.999
THAT'S SOMETHING THEY
♪ MAY NOT KNOW

413
00:31:08.066 --> 00:31:09.801
THEY JUST GONNA HAVE TO
♪ UNDERSTAND THAT FOR BETTER OR

414
00:31:09.867 --> 00:31:13.805
WORSE ♪ LET'S GO

415
00:31:13.871 --> 00:31:16.641
BRAND NEW LAMBORGHINI
♪ NOT A COP CAR

416
00:31:16.708 --> 00:31:17.976
WITH THE PISTOL ON MY HIP
♪ LIKE I'M A COP

417
00:31:18.042 --> 00:31:20.178
YEAH, YEAH, YEAH
♪ HAVE YOU EVER MET A REAL

418
00:31:20.245 --> 00:31:21.813
HITTER ROCKSTAR?

419
00:31:21.879 --> 00:31:24.916
♪ THIS AIN'T NO GUITAR
THIS A GLOCK WOO

420
00:31:24.983 --> 00:31:27.018
♪ MY GLOCK TOLD ME TO PROMISE
YOU GON' SQUEEZE ME WOO

421
00:31:27.085 --> 00:31:29.754
♪ YOU BETTER LET ME GO
THE DAY YOU NEED ME WOO

422
00:31:29.821 --> 00:31:32.223
♪ SOON AS YOU UP ME ON THAT
GET TO BUSTIN' OOH

423
00:31:32.290 --> 00:31:34.792
♪ AND IF I AIN'T ENOUGH
GO GET THE CHOP

424
00:31:34.859 --> 00:31:38.329
♪ KEEP A GLOCKY
WHEN I RIDE IN THE SUBURBAN

425
00:31:38.396 --> 00:31:40.498
♪ ¡CAUSE THE CODEINE
♪ HAD A YOUNG HITTER SWERVIN'

426
00:31:40.565 --> 00:31:41.799
I GOT THE MOP
♪ WATCH ME WASH ¡EM LIKE

427
00:31:41.866 --> 00:31:44.002
DETERGENT ♪ AND I'M BALLIN'

428
00:31:44.068 --> 00:31:46.571
THAT'S WHY IT'S DIAMONDS
♪ ON MY

429
00:31:46.638 --> 00:31:47.705
SLIDE ON OPPS' SIDE
OH

430
00:31:47.772 --> 00:31:48.706
♪ AND FLIP THE BLOCK BACK,
YEAH, YEAH MY JUNIOR

431
00:31:48.773 --> 00:31:49.707
♪ POPPED HIM
OH

432
00:31:49.774 --> 00:31:51.809
♪ AND LEFT HIM LOPSIDED, YEAH
WE SPIN HIS BLOCK

433
00:31:51.876 --> 00:31:53.745
♪ GOT THE REBOUND, DENNIS
YOU FOOL ME ONE TIME

434
00:31:53.811 --> 00:31:56.314
♪ YOU CAN'T CROSS ME AGAIN
1,200 HORSEPOWER

435
00:31:56.381 --> 00:31:57.949
OH ♪ I GET LOST IN THE WIND

436
00:31:58.016 --> 00:32:01.786
IF HE TALKIN' ON THE YARD
♪ THE PEN' DOGS'LL TAKE HIS CHIN

437
00:32:01.853 --> 00:32:05.156
MAYBACH SUV FOR MY REFUGEES
♪ GOT MONEY IN THE HOOD

438
00:32:05.223 --> 00:32:07.992
PUT MONEY IN THE STREETS
♪ I WAS SOLO WHEN THE OPPS

439
00:32:08.059 --> 00:32:09.794
CAUGHT ME AT THE GAS STATION
♪ HAD IT ON ME, 30 THOUSAND

440
00:32:09.861 --> 00:32:12.797
THOUGHT IT WAS MY LAST DAY
♪ BUT THEY AIN'T EVEN WANT NO

441
00:32:12.864 --> 00:32:14.299
SMOKE ♪ IF I HAD TO CHOOSE IT

442
00:32:14.365 --> 00:32:19.003
MURDER WHAT SHE WROTE
♪ SUPERHERO IN THAT LAMBORGHINI

443
00:32:19.070 --> 00:32:20.271
LIKE I'M BATMAN
♪ SOMETHING THEY AIN'T USED TO

444
00:32:20.338 --> 00:32:21.806
SEEING ♪ FROM EVERY BLACK MAN

445
00:32:21.873 --> 00:32:23.975
TRY TO BRING ME DOWN
♪ EAT UP THE ALLEGATIONS LIKE

446
00:32:24.042 --> 00:32:25.810
PAC-MAN
♪ YOU SHOULD SEE ME NOW

447
00:32:25.877 --> 00:32:27.578
DON'T KNOW WHICH WHIP TO DRIVE
♪ WHEN I LEAVE THE HOUSE

448
00:32:27.645 --> 00:32:29.547
MY SKIN DON'T LOOK THE SAME
♪ SO I GET SINGLED OUT

449
00:32:29.614 --> 00:32:30.948
RIGHT NOW I'M PERFORMING
♪ AT THE GRAMMYS

450
00:32:31.015 --> 00:32:32.950
I'LL PROBABLY GET PROFILED
♪ BEFORE LEAVIN OUT

451
00:32:33.017 --> 00:32:34.919
DON'T BE IN DENIAL LIKE
♪ WE ALL EVEN NOW

452
00:32:34.986 --> 00:32:36.454
CUZ IF YOU'RE IN THE PROJECTS OR
♪ A MANSION

453
00:32:36.521 --> 00:32:38.956
YOU'RE STILL A BLACK MAN
♪ WHEN YOU LEAVE THE HOUSE

454
00:32:39.023 --> 00:32:41.125
AND THEM FACTS
♪ BRAND NEW LAMBORGHINI

455
00:32:41.192 --> 00:32:42.560
NOT A COP CAR
♪ WITH THE PISTOL ON MY HIP

456
00:32:42.627 --> 00:32:44.095
LIKE I'M A COP
♪ YEAH, YEAH, YEAH

457
00:32:44.162 --> 00:32:47.265
HAVE YOU EVER MET A REAL HITTER
♪ ROCKSTAR?

458
00:32:47.332 --> 00:32:49.801
THIS AIN'T NO GUITAR
♪ THIS A GLOCK WOO

459
00:32:49.867 --> 00:32:52.170
MY GLOCK TOLD ME TO PROMISE
♪ YOU GON' SQUEEZE ME WOO

460
00:32:52.236 --> 00:32:55.673
YOU BETTER LET ME GO
♪ THE DAY YOU NEED ME WOO

461
00:32:55.740 --> 00:32:57.809
SOON AS YOU UP ME ON THAT HITTER
♪ GET TO BUSTIN' WOO

462
00:32:57.875 --> 00:33:04.182
AND IF I AIN'T ENOUGH
♪ GO GET THE CHOP

463
00:33:04.248 --> 00:33:05.583
WOO ♪ YOU KNOW THEY SAY

464
00:33:05.650 --> 00:33:06.818
EVERYTHING WE BEEN THROUGH
♪ MAN, IT JUST MADE US ROCKSTARS

465
00:33:06.884 --> 00:33:13.758
YOU KNOW THEY SAY
♪ WE FIT THE DESCRIPTION

466
00:33:21.866 --> 00:33:29.807
♪ ♪ ♪

467
00:33:29.874 --> 00:33:32.710
THANK YOU.

468
00:33:32.777 --> 00:33:36.981
DABABY, GIVE IT UP FOR
DABABY, EVERYBODY, AND I GUESS

469
00:33:37.048 --> 00:33:43.254
DABABY BOOMERS WITH RODDY RICCH,
AND NOW LADIES AND GENTLEMEN, A

470
00:33:43.321 --> 00:33:48.593
TRULY GLOBAL SUPERSTAR AND MOST
STREAMED ARTIST MUCH 2020 JOINED

471
00:33:48.659 --> 00:33:55.299
BY JHAY CORTEZ THIS IS BAD BUNNY
.

472
00:33:55.366 --> 00:34:00.271
♪ ♪ ♪

473
00:34:00.338 --> 00:34:03.941
♪ BABY YA YO ME ENTERE
SE NOTA CUANDO ME VES

474
00:34:04.008 --> 00:34:08.012
♪ AHI DONDE NO HAS LLEGAO'
SABES QUE YO TE LLEVARE

475
00:34:08.079 --> 00:34:12.483
♪ Y DIME QUE QUIERES BEBER
ES QUE TU ERES MI BEBE

476
00:34:12.550 --> 00:34:13.785
♪ Y DE NOSOTROS QUIEN VA A
HABLAR

477
00:34:13.851 --> 00:34:17.789
♪ SI NO NOS DEJAMOS VER
Y A VECES ES DOLCE

478
00:34:17.855 --> 00:34:20.024
♪ A VECES BULGARI
CUANDO TE LO QUITO

479
00:34:20.091 --> 00:34:21.793
♪ DESPUES DE LO' PARTIES
LAS COPAS DE VINO

480
00:34:21.859 --> 00:34:24.629
♪ LAS LIBRAS DE MARI
TU TAS' BIEN SUELTA

481
00:34:24.695 --> 00:34:29.700
♪ Y YO DE SAFARI
TU MUEVES EL FENOMENAL

482
00:34:29.767 --> 00:34:33.805
♪ PA' YO DEVORARTE COMO ANIMAL
HOY NINGUNO SE MUERE

483
00:34:33.871 --> 00:34:37.508
EN MI CAMA Y LO VOY A CELEBRAR
♪ BABY YO A E NO ME OPONGO

484
00:34:37.575 --> 00:34:41.779
Y SIEMPRE TE LO PONGO
♪ Y SI TU ME ERA

485
00:34:41.846 --> 00:34:52.557
VAMOS A NADAR EN LO HONDO
Y SIEMPRE TE LO PONGO

486
00:34:52.623 --> 00:34:53.791
♪ ♪ ♪
♪ YA YO ME ENTERE

487
00:34:53.858 --> 00:34:57.795
SE NOTA CUANDO ME VE
♪ AHI DONDE NO HAS LLEGAO'

488
00:34:57.862 --> 00:35:01.799
SABES QUE YO TE LLEVARE
♪ DIME QUE QUIERES BEBER

489
00:35:01.866 --> 00:35:05.269
ES QUE TU ERES MI BEBE
♪ Y DE NOSTROS QUIEN VA A

490
00:35:05.336 --> 00:35:13.277
HABLAR ♪ SI NO NOS DEJAMOS VER

491
00:35:13.344 --> 00:35:17.482
♪ ♪ ♪
♪ ♪ ♪

492
00:35:17.548 --> 00:35:23.554
♪ CONEGO SIEMPRE ARREBATAO'
TU NO ERES MI SENORA

493
00:35:23.621 --> 00:35:24.689
-♪ TOMA 5
-K GASTALO EN SEPHORA
LOUIS VUIRON YA NO COMPRA

494
00:35:24.755 --> 00:35:25.690
♪ EN PANDORA
COMO PIERCING A

495
00:35:25.756 --> 00:35:29.026
♪ LOS HOMBRES PERFORA
EH

496
00:35:29.093 --> 00:35:33.764
♪ HACE EEMPO LE ROMPIERON EL
CORA CORA

497
00:35:33.831 --> 00:35:36.467
♪ ESTUDIOSA PUESTA PA' SER
DOCTORA DOCTORA

498
00:35:36.534 --> 00:35:41.806
♪ PERO PERO
LE GUSTAN LOS UTERE WILEANDO

499
00:35:41.873 --> 00:35:45.810
♪ MOTORA MOTORA
♪ ♪ ♪

500
00:35:45.877 --> 00:35:48.412
♪ BABY A E NO ME OPONGO
Y SIEMPRE TE LO PONGO

501
00:35:48.479 --> 00:35:53.784
♪ TE LO PONGO
Y SI TU ME ERA VAMOS A

502
00:35:53.851 --> 00:35:56.020
♪ NADAR EN LO HONDO
♪ Y SI ES POR MI YO TE LO PONGO

503
00:35:56.087 --> 00:36:00.291
DE SEPEEMBRE HASTA AGOSTO
♪ A MI SIN LOS QUE DIGAN TUS

504
00:36:00.358 --> 00:36:02.226
AMIGAS ♪ YA YO ME ENTERE

505
00:36:02.293 --> 00:36:07.999
SE NOTA CUANDO ME VE
♪ AHI DONDE NO HAS LLEGAO'

506
00:36:08.065 --> 00:36:13.037
SABES QUE YO TE LLEVARE
♪ Y DIME QUE QUIERES BEBER

507
00:36:13.104 --> 00:36:16.140
ES QUE TU ERES MI BEBE
♪ Y DE NOSTROS QUIEN VA A

508
00:36:16.207 --> 00:36:20.011
HABLAR ♪ SI NO NOS DEJAMOS VER

509
00:36:25.650 --> 00:36:29.787
♪ ♪ ♪
♪ ♪ ♪

510
00:36:29.854 --> 00:36:41.599
BAD BUNNY, EVERYONE, WOW,

511
00:36:41.666 --> 00:36:45.336
THAT FELT EXACTLY LIKE I WAS
BACK IN THE CLUB, EXCEPT I'M NOT

512
00:36:45.403 --> 00:36:46.437
GETTING KICKED OUT THIS TIME.

513
00:36:46.504 --> 00:36:49.807
NOW IT'S TIME FOR ANOTHER RECORD
OF THE YEAR PERFORMER.

514
00:36:49.874 --> 00:36:53.744
IN 2019 SHE WON TWO GRAMMY
AWARDS INCLUDING BEST NEW

515
00:36:53.811 --> 00:36:54.912
ARTIST.

516
00:36:54.979 --> 00:36:57.715
THIS YEAR THIS INTERNATIONAL
SENSATION HAS EARNED SIX MORE

517
00:36:57.782 --> 00:37:07.758
NOMINATIONS SO LET'S TAKE A
CLOSER LOOK AT DUA LIPA.

518
00:37:07.825 --> 00:37:15.800
NOMINATIONS SO LET'S TAKE A
CLOSER LOOK AT DUA LIPA.

519
00:37:15.866 --> 00:37:19.170
IT WAS REALLY KIND OF AN
AMALGAMATION OF MEMORIES THAT

520
00:37:19.236 --> 00:37:23.040
HAVE I HAD SINCE I WAS A KID,
GROWING UP, WHEN I SEE ARTISTS

521
00:37:23.107 --> 00:37:27.211
ON TV, THEY WOULD ALWAYS BE
SOMETHING THAT I THOUGHT WAS AS

522
00:37:27.278 --> 00:37:32.049
FAR FETCHED AS A-- TO BE HONEST.

523
00:37:32.116 --> 00:37:41.792
DOING MUSIC, ONLY A PIPEDREAM.

524
00:37:41.859 --> 00:37:45.596
♪ ♪ ♪
I WAS BORN AND RAISED IN

525
00:37:45.663 --> 00:37:46.731
LONDON.

526
00:37:46.797 --> 00:37:52.169
MY FAMILY AND I MOVED, HONORING
MY ROOTS HAS ALWAYS BEEN

527
00:37:52.236 --> 00:37:57.808
SOMETHING VERY IMPORTANT TO ME,
LIKE BEING TWO PLACES AT ONCE,

528
00:37:57.875 --> 00:38:02.013
FEELING EQUALLY A PART OF BOTH
WORLDS.

529
00:38:02.079 --> 00:38:06.717
WHEN I PERFORM LIVE I FEEL
INVINCIBLE.

530
00:38:06.784 --> 00:38:10.788
WHATEVER IS GOING THROUGH MY
MIND, I WELCOME ALL OF THOSE

531
00:38:10.855 --> 00:38:11.656
CRAZY EMOTIONS.

532
00:38:11.722 --> 00:38:15.826
I LOVE BEING SO PRESENT IN THOSE
MOMENTS.

533
00:38:15.893 --> 00:38:19.296
THE GRAMMYS HAS ALWAYS BEEN SUCH
A MASSIVE DREAM OF MINE, THIS IS

534
00:38:19.363 --> 00:38:24.802
INSANE THAT SO MANY PEOPLE THAT
I LOOKED UP TO MY WHOLE LIFE,

535
00:38:24.869 --> 00:38:31.142
THAT HAVE BEEN ON.

536
00:38:31.208 --> 00:38:35.446
IT IS MIND BLOWING.

537
00:38:35.513 --> 00:38:37.081
♪ I GOT YOU
MOONLIGHT

538
00:38:37.148 --> 00:38:39.850
♪ YOU'RE MY
STARLIGHT

539
00:38:39.917 --> 00:38:49.193
♪ I NEED YOU
ALL NIGHT

540
00:38:49.260 --> 00:38:52.630
♪ COME ON, DANCE WITH ME
COME ON, DANCE WITH ME

541
00:38:52.697 --> 00:38:53.931
I'M LEVITATING
♪ IF YOU WANNA

542
00:38:53.998 --> 00:38:55.366
RUN AWAY WITH ME
♪ I KNOW A GALAXY

543
00:38:55.433 --> 00:38:58.903
AND I CAN TAKE YOU FOR A RIDE
♪ I HAD A PREMONITION THAT WE

544
00:38:58.969 --> 00:39:01.472
FELL INTO A RHYTHM
♪ WHERE THE MUSIC DON'T

545
00:39:01.539 --> 00:39:03.074
STOP FOR LIFE
♪ GLITTER IN THE SKY

546
00:39:03.140 --> 00:39:06.577
GLITTER IN MY EYES
♪ SHINING JUST THE WAY I LIKE

547
00:39:06.644 --> 00:39:09.113
IF YOU FEELIN' LIKE
♪ YOU NEED A LITTLE BIT OF

548
00:39:09.180 --> 00:39:11.048
COMPANY ♪ YOU MET ME AT THE

549
00:39:11.115 --> 00:39:13.551
PERFECT TIME
♪ YOU WANT ME

550
00:39:13.617 --> 00:39:15.052
I WANT YOU, BABY
♪ MY SUGARBOO

551
00:39:15.119 --> 00:39:17.755
I'M LEVITATING
♪ THE MILKY WAY

552
00:39:17.822 --> 00:39:20.925
WE'RE RENEGADING
YEAH, YEAH, YEAH, YEAH, YEAH

553
00:39:20.991 --> 00:39:23.060
♪ I GOT YOU
MOONLIGHT

554
00:39:23.127 --> 00:39:25.396
♪ YOU'RE MY
STARLIGHT

555
00:39:25.463 --> 00:39:26.931
♪ I NEED YOU
ALL NIGHT

556
00:39:26.997 --> 00:39:30.034
♪ COME ON, DANCE WITH ME
I'M LEVITATING

557
00:39:30.101 --> 00:39:32.403
♪ YOU
MOONLIGHT

558
00:39:32.470 --> 00:39:34.605
♪ YOU'RE MY
STARLIGHT

559
00:39:34.672 --> 00:39:37.374
♪ I NEED YOU
ALL NIGHT

560
00:39:37.441 --> 00:39:45.316
♪ COME ON, DANCE WITH ME
I'M LEVITATING

561
00:39:45.382 --> 00:39:46.350
♪ ♪ ♪

562
00:39:46.417 --> 00:39:47.418
♪ I'M ONE OF THE GREATEST
AIN'T NO DEBATIN' ON IT

563
00:39:47.485 --> 00:39:49.353
♪ I'M STILL LEVITATED
I'M HEAVILY MEDICATED

564
00:39:49.420 --> 00:39:51.122
♪ IRONIC, I GAVE 'EM LOVE
AND THEY END UP HATIN' ON ME

565
00:39:51.188 --> 00:39:53.023
♪ SHE TOLD ME SHE LOVE ME
AND SHE BEEN WAITIN'

566
00:39:53.090 --> 00:39:53.858
♪ BEEN FIGHTIN' HARD FOR YOUR
LOVE

567
00:39:53.924 --> 00:39:55.059
♪ AND I'M RUNNIN' THIN ON MY
PATIENCE

568
00:39:55.126 --> 00:39:57.561
♪ NEEDED SOMEONE TO HUG
EVEN TOOK IT BACK TO THE BASICS

569
00:39:57.628 --> 00:39:59.063
♪ YOU SEE WHAT YOU GOT ME OUT
HERE DOIN'

570
00:39:59.130 --> 00:40:00.498
♪ MIGHT'VE THREW ME OFF
BUT CAN'T NOBODY STOP THE

571
00:40:00.564 --> 00:40:01.866
♪ MOVEMENT
UH UH, LET'S GO

572
00:40:01.932 --> 00:40:04.568
♪ LEFT FOOT, RIGHT FOOT
LEVITATIN'

573
00:40:04.635 --> 00:40:06.971
♪ POP STARS
DUA LIPA WITH DaBABY

574
00:40:07.037 --> 00:40:08.205
♪ I HAD TO LACE MY SHOES
FOR ALL THE BLESSINGS I WAS

575
00:40:08.272 --> 00:40:09.273
♪ CHASIN'
IF I EVER SLIP

576
00:40:09.340 --> 00:40:11.075
♪ I'LL FALL INTO A BETTER
SITUATION

577
00:40:11.142 --> 00:40:13.778
♪ SO CATCH UP
GO PUT SOME CHEESE ON IT

578
00:40:13.844 --> 00:40:15.446
♪ GET OUT AND GET YOUR BREAD UP
THEY ALWAYS LEAVE WHEN YOU FALL

579
00:40:15.513 --> 00:40:17.314
♪ BUT YOU RUN TOGETHER
WEIGHT OF THE WORLD ON MY

580
00:40:17.381 --> 00:40:19.049
♪ SHOULDERS
I KEPT MY HEAD UP

581
00:40:19.116 --> 00:40:21.318
♪ NOW BABY, STAND UP
'CAUSE GIRL, YOU

582
00:40:21.385 --> 00:40:23.053
♪ YOU WANT ME
I WANT YOU, BABY

583
00:40:23.120 --> 00:40:25.923
♪ MY SUGARBOO
I'M LEVITATING

584
00:40:25.990 --> 00:40:27.091
♪ THE MILKY WAY
WE'RE RENEGADING

585
00:40:27.158 --> 00:40:31.061
YEAH, YEAH, YEAH, YEAH, YEAH
♪ I GOT YOU

586
00:40:31.128 --> 00:40:33.197
MOONLIGHT ♪ YOU'RE MY

587
00:40:33.264 --> 00:40:35.065
STARLIGHT ♪ I NEED YOU

588
00:40:35.132 --> 00:40:38.002
ALL NIGHT
♪ COME ON, DANCE WITH ME

589
00:40:38.068 --> 00:40:39.336
I'M LEVITATING
♪ YOU

590
00:40:39.403 --> 00:40:42.439
MOONLIGHT ♪ YOU'RE MY

591
00:40:42.506 --> 00:40:43.874
STARLIGHT ♪ I NEED YOU

592
00:40:43.941 --> 00:40:47.044
ALL NIGHT
♪ COME ON, DANCE WITH ME

593
00:40:47.111 --> 00:40:50.347
I'M LEVITATING
♪ YOU CAN FLY AWAY WITH ME

594
00:40:50.414 --> 00:40:52.750
TONIGHT ♪ YOU CAN FLY AWAY WITH ME

595
00:40:52.817 --> 00:40:54.852
TONIGHT ♪ BABY, LET ME TAKE YOU FOR A

596
00:40:54.919 --> 00:40:57.321
RIDE ♪ YEAH, YEAH, YEAH, YEAH, YEAH

597
00:40:57.388 --> 00:40:58.956
I'M LEVITATING, WOO
♪ YOU CAN FLY AWAY WITH ME

598
00:40:59.023 --> 00:41:01.292
TONIGHT ♪ YOU CAN FLY AWAY WITH ME

599
00:41:01.358 --> 00:41:03.527
TONIGHT ♪ BABY, LET ME TAKE YOU FOR A

600
00:41:03.594 --> 00:41:06.864
RIDE YEAH, YEAH, YEAH, YEAH, YEAH

601
00:41:06.931 --> 00:41:09.233
♪ I GOT YOU
MOONLIGHT

602
00:41:09.300 --> 00:41:11.035
♪ YOU'RE MY
STARLIGHT

603
00:41:11.101 --> 00:41:15.072
♪ I NEED YOU
ALL NIGHT

604
00:41:15.139 --> 00:41:21.312
♪ COME ON, DANCE WITH ME
I'M LEVITATING ♪

605
00:41:33.390 --> 00:41:38.963
♪ ♪ ♪
♪ ♪ ♪

606
00:41:39.029 --> 00:41:44.101
♪ IF YOU DON'T WANNA SEE ME
DANCING WITH SOMEBODY

607
00:41:44.168 --> 00:41:53.844
♪ IF YOU WANNA BELIEVE THAT
ANYTHING COULD STOP ME

608
00:41:53.911 --> 00:41:56.714
♪ DON'T SHOW UP

609
00:41:56.780 --> 00:41:59.049
DON'T COME OUT
♪ DON'T START CARING

610
00:41:59.116 --> 00:42:03.053
ABOUT ME NOW
♪ WALK AWAY

611
00:42:03.120 --> 00:42:06.023
YOU KNOW HOW
♪ DON'T START CARING

612
00:42:06.090 --> 00:42:14.164
ABOUT ME NOW

613
00:42:14.231 --> 00:42:19.069
♪ ♪ ♪
♪ DON'T START NOW

614
00:42:19.136 --> 00:42:24.975
♪ ♪ ♪
I'M NOT WHERE YOU LEFT ME

615
00:42:25.042 --> 00:42:27.611
AT ALL, SO
♪ IF YOU DON'T WANNA SEE ME

616
00:42:27.678 --> 00:42:35.052
DANCING WITH SOMEBODY
♪ IF YOU WANNA BELIEVE THAT

617
00:42:35.119 --> 00:42:41.659
ANYTHING COULD STOP ME
♪ DON'T SHOW UP

618
00:42:41.725 --> 00:42:42.493
DON'T SHOW UP
♪ DON'T COME OUT

619
00:42:42.559 --> 00:42:45.329
DON'T COME OUT
♪ DON'T START CARING

620
00:42:45.396 --> 00:42:47.064
ABOUT ME NOW
♪ 'BOUT ME NOW

621
00:42:47.131 --> 00:42:49.566
WALK AWAY
♪ WALK AWAY

622
00:42:49.633 --> 00:42:51.402
YOU KNOW HOW
♪ YOU KNOW HOW

623
00:42:51.468 --> 00:42:59.076
DON'T START CARING ABOUT ME NOW
♪ ♪ ♪

624
00:42:59.143 --> 00:43:02.413
GRAMMYS!

625
00:43:06.784 --> 00:43:11.055
♪ ♪ ♪
♪ ♪ ♪

626
00:43:11.121 --> 00:43:19.063
WALK AWAY, WALK AWAY, OH ♪

627
00:43:23.133 --> 00:43:29.707
♪ ♪ ♪
WALK AWAY, WALK AWAY, OH ♪

628
00:43:29.773 --> 00:43:33.344
♪ WALK AWAY, WALK AWAY
WALK AWAY, WALK AWAY

629
00:43:33.410 --> 00:43:45.222
♪ WALK AWAY, WALK AWAY ♪

630
00:43:45.289 --> 00:43:50.928
UP NEXT BRUNO MARS, AND
ANKERSON APPROXIMATE AK, TAYLOR

631
00:43:50.995 --> 00:43:55.399
SWIFT AND REMEMBERING LITTLE
RICHARD, JOHN PRINE AN KENNY

632
00:43:55.466 --> 00:43:57.267
ROGERS IN AN ALL-STAR TRIBUTE.

633
00:43:57.334 --> 00:44:02.239
NOW LET'S CHECK THIS BACKSTAGE
WITH CASSIE DI LAURA.

634
00:44:02.306 --> 00:44:04.708
WE ARE HERE WITH MEMBERS OF
FACEBOOK GROUP, A PLACE WHERE

635
00:44:04.775 --> 00:44:06.877
PEOPLE CAN CONNECT WITH OTHERS
WITH THE SAME PASSION, SO THEY

636
00:44:06.944 --> 00:44:10.714
CAN SHARE INSURANCE OPERATION,
ADVICE, INFORMATION AND REALLY

637
00:44:10.781 --> 00:44:14.284
HAVE THEIR VOICES HEARD, THERE
ARE MANY GRAMMY WINNING ARTUS

638
00:44:14.351 --> 00:44:16.387
WAS GOT THEIR START THROUGH
SOCIAL MEDIA SO IT WILL BE

639
00:44:16.453 --> 00:44:19.523
INTERESTING TO SEE IF ANY OF
THESE GROUP MEMBERS HERE WILL

640
00:44:19.590 --> 00:44:23.060
SOME DAY HAVE A CHANCE TO
PERFORM LIVE ON THIS STAGE.

641
00:44:23.127 --> 00:44:26.363
STAY WITH US.

642
00:44:26.430 --> 00:44:28.065
THE 63rd GRAMMY
AWARDS IS SPONSORED BY REMY

643
00:44:28.132 --> 00:44:29.733
TEAM UP FOR EXCELLENCE.

644
00:44:34.271 --> 00:44:40.411
♪ ♪ ♪

645
00:44:40.477 --> 00:44:43.213
WELCOME BACK TO THE
GRAMMYS, EVERYBODY.

646
00:44:43.280 --> 00:44:49.520
THIS IS EXCITING.

647
00:44:49.586 --> 00:44:51.422
BECAUSE FOR THE FIRST TIME
ANYWHERE, THIS IS BRUNO MARS AND

648
00:44:51.488 --> 00:44:55.426
-ANDERSON .
-PAAK TOGETHER AS SILK
SONIC.

649
00:45:03.600 --> 00:45:08.672
♪ ♪ ♪
♪ OOH

650
00:45:08.739 --> 00:45:10.040
♪ SAID BABY, SAID BABY, SAID
BABY

651
00:45:10.107 --> 00:45:11.208
♪ WHAT YOU DOIN'?

652
00:45:11.275 --> 00:45:12.209
WHAT YOU DOIN'?

653
00:45:12.276 --> 00:45:13.077
♪ WHERE YOU AT?

654
00:45:13.143 --> 00:45:13.610
WHERE YOU AT?

655
00:45:13.677 --> 00:45:14.344
♪ OH, YOU GOT PLANS?

656
00:45:14.411 --> 00:45:15.612
YOU GOT PLANS
♪ DON'T SAY THAT

657
00:45:15.679 --> 00:45:17.681
SHUT YOUR TRAP
♪ I'M SIPPIN' WINE

658
00:45:17.748 --> 00:45:19.216
SIP, SIP
♪ IN A ROBE

659
00:45:19.283 --> 00:45:20.851
DRIP, DRIP
♪ I LOOK TOO GOOD

660
00:45:20.918 --> 00:45:22.619
LOOK TOO GOOD
♪ TO BE ALONE

661
00:45:22.686 --> 00:45:24.221
WOO, WOO
♪ MY HOUSE CLEAN

662
00:45:24.288 --> 00:45:25.522
HOUSE CLEAN
♪ MY POOL WARM

663
00:45:25.589 --> 00:45:27.257
POOL WARM
♪ I JUST SHAVED

664
00:45:27.324 --> 00:45:31.862
SMOOTH LIKE A NEWBORN
♪ WE SHOULD BE DANCIN',

665
00:45:31.929 --> 00:45:33.964
ROMANCIN'
♪ IN THE EAST WING AND THE WEST

666
00:45:34.031 --> 00:45:35.332
WING ♪ OF THIS MANSION, WHAT'S

667
00:45:35.399 --> 00:45:37.534
HAPPENIN'?

668
00:45:37.601 --> 00:45:40.270
♪ I AIN'T PLAYIN' NO GAMES
EVERY WORD THAT I SAY

669
00:45:40.337 --> 00:45:43.207
♪ IS COMING STRAIGHT FROM THE
HEART

670
00:45:43.273 --> 00:45:49.513
♪ SO IF YOU TRYNA LAY IN THESE
ARMS

671
00:45:49.580 --> 00:45:55.219
♪ I'MA LEAVE THE DOOR OPEN
I'MA LEAVE THE DOOR OPEN

672
00:45:55.285 --> 00:46:03.227
♪ I'MA LEAVE THE DOOR OPEN, GIRL
I'MA LEAVE THE DOOR OPEN, HOPIN'

673
00:46:03.293 --> 00:46:06.630
♪ THAT YOU FEEL THE WAY I FEEL
AND YOU WANT ME LIKE

674
00:46:06.697 --> 00:46:08.398
♪ I WANT YOU TONIGHT, BABY
TELL ME THAT YOU'RE

675
00:46:08.465 --> 00:46:15.072
♪ COMING
THROUGH

676
00:46:15.139 --> 00:46:16.073
♪ OOH, YOU'RE SO SWEET
SO SWEET

677
00:46:16.140 --> 00:46:19.209
♪ SO TIGHT
SO TIGHT

678
00:46:19.276 --> 00:46:20.344
♪ I WON'T BITE
AH-AH

679
00:46:20.410 --> 00:46:21.879
♪ UNLESS YOU LIKE
UNLESS YOU LIKE

680
00:46:21.945 --> 00:46:23.213
♪ IF YOU SMOKE
WHAT YOU SMOKE

681
00:46:23.280 --> 00:46:25.516
♪ I GOT THAT HAZE
PURPLE HAZE

682
00:46:25.582 --> 00:46:27.684
♪ AND IF YOU'RE HUNGRY,
GIRL, I GOT FILETS WOO

683
00:46:27.751 --> 00:46:31.221
♪ OOH, BABY, DON'T KEEP ME
WAITIN

684
00:46:31.288 --> 00:46:33.957
♪ THERE'S SO MUCH LOVE
WE COULD BE MAKING

685
00:46:34.024 --> 00:46:35.225
SHAMONE!

686
00:46:35.292 --> 00:46:37.494
♪ I'M TALKING KISSING
CUDDLING

687
00:46:37.561 --> 00:46:42.900
♪ ROSE PETALS IN THE BATHTUB
GIRL, LETS JUMP IN, IT'S BUBBLIN

688
00:46:42.966 --> 00:46:44.334
♪ I AIN'T PLAYIN' NO GAMES
EVERY WORD THAT I SAY

689
00:46:44.401 --> 00:46:47.237
♪ IS COMING STRAIGHT FROM THE
HEART

690
00:46:47.304 --> 00:46:55.212
♪ SO IF YOU TRYNA LAY IN THESE
ARMS

691
00:46:55.279 --> 00:46:59.216
♪ I'MA LEAVE THE DOOR OPEN
I'MA LEAVE THE DOOR OPEN

692
00:46:59.283 --> 00:47:07.224
♪ I'MA LEAVE THE DOOR OPEN, GIRL
I'MA LEAVE THE DOOR OPEN, HOPIN'

693
00:47:07.291 --> 00:47:11.195
♪ THAT YOU FEEL THE WAY I FEEL
AND YOU WANT ME LIKE

694
00:47:11.261 --> 00:47:13.063
♪ I WANT YOU TONIGHT, BABY
TELL ME THAT YOU'RE

695
00:47:13.130 --> 00:47:23.240
♪ COMING
THROUGH

696
00:47:23.307 --> 00:47:27.211
♪ LA-LA-LA-LA-LA-LA-LA
I NEED YOU, BABY

697
00:47:27.277 --> 00:47:35.219
♪ LA-LA-LA-LA-LA-LA-LA
I GOTTA SEE YOU, BABY

698
00:47:35.285 --> 00:47:39.523
♪ LA-LA-LA-LA-LA-LA-LA
GIRL, I'M TRYNA GIVE YOU THIS,

699
00:47:39.590 --> 00:47:47.231
♪ AH
HEY HEY

700
00:47:47.297 --> 00:47:51.235
♪ I'MA LEAVE MY DOOR OPEN
I'MA LEAVE THE DOOR OPEN BABY

701
00:47:51.301 --> 00:47:55.239
♪ I'MA LEAVE, I'MA LEAVE MY DOOR
OPEN, GIRL

702
00:47:55.305 --> 00:47:57.074
♪ I'MA LEAVE THE DOOR OPEN
AND I'M HOPIN'

703
00:47:57.140 --> 00:48:00.177
♪ HOPIN' HOPIN'
THAT YOU FEEL THE WAY I FEEL

704
00:48:00.244 --> 00:48:03.747
♪ AND YOU WANT ME LIKE I WANT
YOU BABY

705
00:48:03.814 --> 00:48:11.221
♪ TELL ME THAT YOU'RE COMING
THROUGH

706
00:48:11.288 --> 00:48:15.192
♪ MMM
♪ ♪ ♪

707
00:48:15.259 --> 00:48:21.898
I'M WAITING, WAITING, WAITING
♪ GIRL, I'M HERE JUST WAITING

708
00:48:21.965 --> 00:48:25.535
FOR YOU
♪ COME ON OVER I'LL ADORE YOU

709
00:48:25.602 --> 00:48:31.208
LA-LA-LA-LA
♪ I'M WAITING, WAITING, WAITING

710
00:48:31.275 --> 00:48:39.216
FOR YOU
♪ YOU

711
00:48:39.283 --> 00:48:47.224
COME ON OVER BABY
♪ I'MA LEAVE THE DOOR OPEN FOR

712
00:48:47.291 --> 00:48:55.232
YOU ♪ WOO

713
00:48:55.299 --> 00:49:00.771
OW ♪

714
00:49:00.837 --> 00:49:03.273
BRUNO MARS AND
-ANDERSON .
-PAAK, EVERYBODY--

715
00:49:03.340 --> 00:49:05.942
NOW KNOWN AS SILK SONIC!

716
00:49:06.009 --> 00:49:07.511
AND AS WITH EVERY BRUNO SONG, I
CAN'T WAIT TO DANCE TO THAT AT

717
00:49:07.577 --> 00:49:10.013
EVERY WEDDING FOR THE REST OF MY
LIFE.

718
00:49:10.080 --> 00:49:11.815
TAYLOR SWIFT WILL BE PERFORMING

719
00:49:11.882 --> 00:49:16.119
NEXT, BUT, FIRST, TIME TO GIVE
OUT A GRAMMY.

720
00:49:16.186 --> 00:49:19.690
NOW, THIS PAST YEAR HAS BEEN
DIFFICULT FOR US ALL.

721
00:49:19.756 --> 00:49:22.592
I MEAN, WE'VE HAD TO DO
EVERYTHING OVER ZOOM-- WEDDINGS,

722
00:49:22.659 --> 00:49:23.760
WORK, COLONOSCOPIES.

723
00:49:23.827 --> 00:49:25.896
BUT SOME OF THE BUSINESSES HIT
HARDEST BY THE PANDEMIC HAVE

724
00:49:25.962 --> 00:49:29.633
BEEN THE INDEPENDENT MUSIC
VENUES ALL OVER AMERICA THAT

725
00:49:29.700 --> 00:49:33.103
HAVEN'T HAD AUDIENCES IN THEIR
ICONIC BUILDINGS FOR A YEAR.

726
00:49:33.170 --> 00:49:35.305
SO, TONIGHT, WE ARE GOING TO GO
TO A FEW OF THESE PRECIOUS

727
00:49:35.372 --> 00:49:39.009
INDEPENDENT MUSIC VENUES AROUND
THIS COUNTRY AND GIVE THE PEOPLE

728
00:49:39.076 --> 00:49:42.446
WHO HAVE CREATED SUCH LOVING
HOMES FOR MUSIC THE HONOR OF

729
00:49:42.512 --> 00:49:45.482
PRESENTING SOME OF THIS YEAR'S
GRAMMY AWARDS.

730
00:49:45.549 --> 00:49:49.519
LET'S GO FIRST TO NASHVILLE,
TENESSEE, TO THE STATION INN,

731
00:49:49.586 --> 00:49:54.758
AND MEET J.T. GRAY.

732
00:49:54.825 --> 00:49:56.093
I'M JT GRAY, I'M THE OWNER OF

733
00:49:56.159 --> 00:49:58.495
THE STATION INN IN NASHVILLE,
TENNESSEE.

734
00:49:58.562 --> 00:50:02.499
MUSIC, IT IS ONE BIG HAPPY
FAMILY, PLAYING HAPPY MUSIC AND

735
00:50:02.566 --> 00:50:08.438
HAVING A HAPPY TIME, YOU NEVER
KNOW WHO IS GOING TO BE AT

736
00:50:08.505 --> 00:50:09.673
STATION INN.

737
00:50:09.740 --> 00:50:14.010
VINS GILL USED TO PLAY ON MONDAY
NIGHT, CHRIS STAPLETON USED TO

738
00:50:14.077 --> 00:50:15.912
PLAY WITH THE STEEL DRIVERS.

739
00:50:15.979 --> 00:50:19.216
THERE WAS A BAND PLAYED EVERY
TUESDAY NIGHT CALLED THE SIDEMEN

740
00:50:19.282 --> 00:50:24.054
AND HE STARTED COMING DOWN AND
HANGING OUT, AND DIRKS WILL TELL

741
00:50:24.121 --> 00:50:27.691
YOU TODAY THAT IS WHERE HE
LEARNED TO PLAY AND STING QUITE

742
00:50:27.758 --> 00:50:30.060
HERE AT THE STATION INN.

743
00:50:30.127 --> 00:50:33.663
WHEN COVID HIT WE HAD TO CLOSE
DOWN, WE HAD NO IDEA AT THAT

744
00:50:33.730 --> 00:50:36.867
TIME WHAT WE WERE GOING TO DO.

745
00:50:36.933 --> 00:50:40.871
BIGGER NAME VENUES CAN SUSTAIN
REVENUE LOSS A LOT MORE THAN A

746
00:50:40.937 --> 00:50:43.573
PRIVATELY OWNED SMALL VENUE LIKE
THE STATION INN.

747
00:50:43.640 --> 00:50:48.178
WE JUST HOPE THAT ALL THE OTHER
SMALL VENUES GET TO BE BACK IN

748
00:50:48.245 --> 00:50:53.016
BUSINESS ALONG WITH US REAL SOON
BECAUSE MUSIC IS THERAPY FOR

749
00:50:53.083 --> 00:50:54.251
PEOPLE.

750
00:50:54.317 --> 00:50:57.020
GETTING TO REOPEN THE STATION
INN IS GOING TO BE A CELEBRATION

751
00:50:57.087 --> 00:50:58.155
LIKE NEVER BEFORE.

752
00:50:58.221 --> 00:51:00.624
THERE IS GOING TO BE A BIG
PARTY.

753
00:51:00.690 --> 00:51:05.128
IN THE MEANTIME, I'M HONORED TO
BE PRESENTING THE GRAMMY AWARD

754
00:51:05.195 --> 00:51:07.297
FOR BEST COUNTRY ALBUM.

755
00:51:07.364 --> 00:51:12.869
HERE ARE THE NOMINATIONS.

756
00:51:12.936 --> 00:51:18.275
♪ ♪ ♪
"LADY LIKE," INGRID ANDRESS.

757
00:51:18.341 --> 00:51:26.616
"YOUR LIFE IS A RECORD," BRANDY
CLARK.

758
00:51:26.683 --> 00:51:30.620
"WILDCARD," MIRANDA LAMBERT.

759
00:51:30.687 --> 00:51:38.628
"NIGHTFALL," LITTLE BIG TOWN.

760
00:51:38.695 --> 00:51:42.599
"NEVER WILL," ASHLEY McBRYDE.

761
00:51:42.666 --> 00:51:47.938
♪ ♪ ♪

762
00:51:48.004 --> 00:51:50.006
A GREAT GROUP OF
NOMINEES.

763
00:51:50.073 --> 00:51:51.975
SO, LET'S GO BACK NOW TO J.T.

764
00:51:52.042 --> 00:52:01.318
GRAY AT THE STATION INN TO TELL
US WHO THE WINNER IS.

765
00:52:01.384 --> 00:52:06.089
"WILDCARD," MIRANDA LAMBERT.

766
00:52:06.156 --> 00:52:13.930
♪ ♪ ♪

767
00:52:13.997 --> 00:52:14.631
♪ KEEP THE LIGHT ON.

768
00:52:14.698 --> 00:52:19.903
♪ KEEP A BLUE BIRD IN MY HEART.

769
00:52:19.970 --> 00:52:25.275
♪.

770
00:52:25.342 --> 00:52:28.812
THANK YOU ALL SO, SO MUCH,
THANK YOU FOR THE GRAMMYS FOR

771
00:52:28.879 --> 00:52:30.347
PUTTING THIS TOGETHER AND
LETTING US AT LEAST KIND OF BE

772
00:52:30.413 --> 00:52:35.852
TOGETHER AND SAY HI, BRANDY,
INGRID AND LITTLE BIGTOWN, WE

773
00:52:35.919 --> 00:52:41.124
ARE SUCH A FAMILY IN COUNTRY
MUSIC SO I FEEL LIKE LIKE I'M

774
00:52:41.191 --> 00:52:43.760
HOLDING IT FOR ALL OF US,
ESPECIALLY US GIRLS.

775
00:52:43.827 --> 00:52:49.966
I'M VERY THANKFUL, I'M THANKFUL
FOR JAY WHO HAD THREE IN THIS

776
00:52:50.033 --> 00:52:54.137
CATEGORY, ASHLEY AND MYSELF, WHO
MADE WILDCARD WHAT IT IS THIS

777
00:52:54.204 --> 00:52:59.109
PAST SEASON, INSPIRED IT, THANKS
TO MY FAMILY, HUSBAND, MY

778
00:52:59.175 --> 00:53:01.711
MANAGER, MY CREW, I MISSED HELL
OUT OF Y'ALL.

779
00:53:01.778 --> 00:53:03.747
I CAN'T WAIT TO GET BACK OUT AS
A BAND.

780
00:53:03.813 --> 00:53:04.781
I LOVE YOU SO MUCH.

781
00:53:04.848 --> 00:53:10.787
THANK YOU.

782
00:53:10.854 --> 00:53:13.423
CONGRATS, MIRANDA

783
00:53:13.490 --> 00:53:16.359
LAMBERT!

784
00:53:16.426 --> 00:53:18.795
NOW IT'S TIME FOR SOMEONE VERY
SPECIAL.

785
00:53:18.862 --> 00:53:24.534
TAYLOR SWIFT'S MUSIC WAS LIKE
MEDICINE FOR MANY THIS PAST

786
00:53:24.601 --> 00:53:26.403
YEAR, AND NOT JUST BECAUSE IT
CAME IN TWO DOSES.

787
00:53:26.469 --> 00:53:30.173
THIS ARTIST HAS BEEN SO PROLIFIC
LATELY, SHE'S EVEN RECORDED A

788
00:53:30.240 --> 00:53:31.408
COVER ALBUM OF HERSELF.

789
00:53:31.474 --> 00:53:34.778
NOMINATED FOR SIX GRAMMY AWARDS
THIS YEAR, INCLUDING ALBUM AND

790
00:53:34.844 --> 00:53:38.782
SONG OF THE YEAR, HERE TO SHARE
A LITTLE "FOLKLORE" JOINED BY

791
00:53:38.848 --> 00:53:45.355
LADIES AND GENTLEMEN, TAYLOR

792
00:53:45.422 --> 00:53:47.657
SWIFT!

793
00:53:47.724 --> 00:53:49.125
♪ ♪ ♪

794
00:53:49.192 --> 00:53:50.860
♪ VINTAGE TEE
BRAND NEW PHONE

795
00:53:50.927 --> 00:53:54.798
♪ HIGH HEELS ON
COBBLESTONES

796
00:53:54.864 --> 00:54:02.872
♪ WHEN YOU ARE YOUNG
THEY ASSUME YOU KNOW NOTHING

797
00:54:02.939 --> 00:54:06.810
♪ SEQUIN SMILE
BLACK LIPSTICK

798
00:54:06.876 --> 00:54:10.780
♪ SENSUAL POLITICS
WHEN YOU ARE YOUNG

799
00:54:10.847 --> 00:54:18.655
♪ THEY ASSUME YOU KNOW NOTHING
'CAUSE I KNEW YOU

800
00:54:18.722 --> 00:54:23.627
♪ STEPPIN' ON THE LAST TRAIN
MARKED ME LIKE A BLOODSTAIN, I

801
00:54:23.693 --> 00:54:30.800
♪ I KNEW YOU
TRIED TO CHANGE THE ENDING

802
00:54:30.867 --> 00:54:34.571
♪ PETER LOSING WENDY, I
I KNEW YOU

803
00:54:34.638 --> 00:54:38.775
♪ LEAVING LIKE A FATHER
RUNNING LIKE WATER, I

804
00:54:38.842 --> 00:54:44.114
♪ AND WHEN YOU ARE YOUNG
THEY ASSUME YOU KNOW NOTHING

805
00:54:44.180 --> 00:54:49.119
♪ BUT I KNEW YOU'D LINGER LIKE A
TATTOO KISS

806
00:54:49.185 --> 00:54:52.889
♪ I KNEW YOU'D HAUNT ALL OF MY
WHAT-IFS

807
00:54:52.956 --> 00:54:55.291
♪ THE SMELL OF SMOKE
WOULD HANG AROUND THIS LONG

808
00:54:55.358 --> 00:54:58.962
♪ 'CAUSE I KNEW EVERYTHING
WHEN I WAS YOUNG

809
00:54:59.029 --> 00:55:02.866
♪ I KNEW I'D CURSE YOU
FOR THE LONGEST TIME

810
00:55:02.932 --> 00:55:06.770
♪ CHASIN' SHADOWS
IN THE GROCERY LINE

811
00:55:06.836 --> 00:55:10.173
♪ I KNEW YOU'D MISS ME
ONCE THE THRILL EXPIRED

812
00:55:10.240 --> 00:55:14.477
♪ AND YOU'D BE STANDIN'
IN MY FRONT PORCH LIGHT

813
00:55:14.544 --> 00:55:17.180
♪ AND I KNEW YOU'D COME BACK TO
ME

814
00:55:17.247 --> 00:55:25.121
♪ YOU'D COME BACK TO ME
AND YOU'D COME BACK TO ME

815
00:55:25.188 --> 00:55:34.130
♪ AND YOU'D COME BACK
AND WHEN I FELT LIKE I WAS AN

816
00:55:34.197 --> 00:55:38.802
♪ OLD CARDIGAN
UNDER SOMEONE'S BED

817
00:55:38.868 --> 00:55:46.810
♪ YOU PUT ME ON AND SAID
I WAS YOUR FAVORITE

818
00:55:46.876 --> 00:55:56.853
♪ AND YOU'D COME BACK TO ME
♪ ♪ ♪

819
00:55:56.920 --> 00:56:06.830
♪ AND YOU'D COME BACK TO ME

820
00:56:06.896 --> 00:56:12.268
♪ ♪ ♪
♪ ♪ ♪

821
00:56:12.335 --> 00:56:18.775
♪ SALT AIR
AND THE RUST ON YOUR DOOR

822
00:56:18.842 --> 00:56:26.783
I NEVER NEEDED ANYTHING MORE
♪ WHISPERS

823
00:56:26.850 --> 00:56:33.490
OF "ARE YOU SURE?"
♪ "NEVER HAVE I EVER BEFORE"

824
00:56:33.556 --> 00:56:36.659
BUT I CAN SEE US
♪ LOST IN THE MEMORY

825
00:56:36.726 --> 00:56:42.799
AUGUST SLIPPED AWAY
♪ INTO A MOMENT IN TIME¡

826
00:56:42.866 --> 00:56:45.568
CAUSE IT WAS NEVER MINE
AND I CAN SEE US TWISTED

827
00:56:45.635 --> 00:56:49.139
♪ IN BEDSHEETS
AUGUST SIPPED AWAY

828
00:56:49.205 --> 00:56:54.778
♪ LIKE A BOTTLE OF WINE
'CAUSE YOU WERE NEVER MINE

829
00:56:54.844 --> 00:56:57.647
♪ BACK WHEN WE WERE STILL
CHANGING

830
00:56:57.714 --> 00:57:01.184
♪ FOR THE BETTER
WANTING WAS ENOUGH

831
00:57:01.251 --> 00:57:06.556
♪ FOR ME, IT WAS ENOUGH
TO LIVE FOR THE HOPE OF IT ALL

832
00:57:06.623 --> 00:57:09.159
♪ CANCEL PLANS JUST IN CASE
YOU'D CALL

833
00:57:09.225 --> 00:57:12.562
♪ AND SAY, "MEET ME BEHIND THE
MALL"

834
00:57:12.629 --> 00:57:14.798
♪ SO MUCH FOR SUMMER LOVE
AND SAYING "US"

835
00:57:14.864 --> 00:57:22.772
♪ 'CAUSE YOU WEREN'T MINE TO
LOSE

836
00:57:22.839 --> 00:57:34.651
♪ YOU WEREN'T MINE TO LOSE

837
00:57:34.717 --> 00:57:37.120
♪ ♪ ♪
♪ LIFE WAS A WILLOW

838
00:57:37.187 --> 00:57:42.592
AND IT BENT RIGHT TO YOUR WIND
♪ OH

839
00:57:42.659 --> 00:57:46.796
THEY COUNT ME OUT
♪ TIME AND TIME AGAIN

840
00:57:46.863 --> 00:57:50.800
LIFE WAS A WILLOW
♪ AND IT BENT RIGHT TO YOUR WIND

841
00:57:50.867 --> 00:57:54.804
OH ♪ BUT I COME BACK STRONGER

842
00:57:54.871 --> 00:57:58.775
THAN A '90'S TREND
♪ WAIT FOR THE SIGNAL

843
00:57:58.842 --> 00:58:02.946
AND I'LL MEET YOU AFTER DARK
♪ SHOW ME THE PLACES

844
00:58:03.012 --> 00:58:10.753
WHERE THE OTHERS
♪ GAVE YOU SCARS

845
00:58:10.820 --> 00:58:13.122
-NOW THIS IS AN OPEN/
-SHUT CASE
♪ GUESS I SHOULD'VE KNOWN

846
00:58:13.189 --> 00:58:18.795
FROM THE LOOK ON YOUR FACE
♪ EVERY BAIT AND SWITCH

847
00:58:18.862 --> 00:58:22.065
WAS A WORK OF ART
♪ THE MORE THAT YOU SAY

848
00:58:22.131 --> 00:58:23.266
THE LESS I KNOW
♪ WHEREVER YOU STRAY

849
00:58:23.333 --> 00:58:26.769
I FOLLOW
♪ I'M BEGGING FOR YOU

850
00:58:26.836 --> 00:58:30.773
TO TAKE MY HAND
♪ WRECK MY PLANS

851
00:58:30.840 --> 00:58:33.643
THAT'S MY MAN
♪ YOU KNOW THAT MY TRAIN

852
00:58:33.710 --> 00:58:37.113
COULD TAKE YOU HOME
♪ ANYWHERE ELSE IS HOLLOW

853
00:58:37.180 --> 00:58:40.650
I'M BEGGING FOR YOU
♪ TO TAKE MY HAND

854
00:58:40.717 --> 00:58:42.886
WRECK MY PLANS
♪ THAT'S MY MAN

855
00:58:42.952 --> 00:58:46.189
THE MORE THAT YOU SAY
♪ THE LESS I KNOW

856
00:58:46.256 --> 00:58:49.125
WHEREVER YOU STRAY
♪ I FOLLOW

857
00:58:49.192 --> 00:58:50.827
I'M BEGGING FOR YOU
♪ TO TAKE MY HAND

858
00:58:50.894 --> 00:58:58.801
WRECK MY PLANS
♪ THAT'S MY MAN ♪

859
00:58:58.868 --> 00:59:08.778
♪ ♪ ♪

860
00:59:08.845 --> 00:59:17.353
♪ ♪ ♪

861
00:59:17.420 --> 00:59:20.957
WE SEE WHO TAKES HOME BEST
POP SOLO PERFORMANCE, HARRY

862
00:59:21.024 --> 00:59:25.395
STYLESK TAYLOR SWIFT, JUSTIN
BIEBER, DOJA CAT, BILLIE EILISH

863
00:59:25.461 --> 00:59:26.796
OR DUA LIPA.

864
00:59:26.863 --> 00:59:30.466
THIS IS CBS.

865
00:59:30.533 --> 00:59:33.703
MUSICARES LEADS THE LARGEST
PANDEMIC RELIEF EFFORT FOR MUSIC

866
00:59:33.770 --> 00:59:35.271
PEOPLE, AND HELPS THE HUMANS
BEHIND THE MUSIC BECAUSE MUSIC

867
00:59:35.338 --> 00:59:37.106
GIVES SO MUCH TO THE WORLD.

868
00:59:37.173 --> 00:59:42.779
HELP THIS IMPORTANT WORK
CONTINUE.

869
00:59:42.845 --> 00:59:45.515
THE 63rd GRAMMY AWARDS IS
SPONSORED BY FORD, BUILT FORD

870
00:59:45.581 --> 00:59:46.082
PROUD.

871
00:59:53.356 --> 00:59:56.726
♪ ♪ ♪

872
00:59:56.793 --> 01:00:00.730
WELCOME BACK TO THE
GRAMMY AWARDS.

873
01:00:00.797 --> 01:00:04.300
SO, WHAT DO ADELE, ED SHEERAN,
AND LADY GAGA ALL HAVE IN

874
01:00:04.367 --> 01:00:05.535
COMMON?

875
01:00:05.601 --> 01:00:08.738
WELL, THEY'VE ALL DONE "CARPOOL
KARAOKE" EPISODES WHERE JAMES

876
01:00:08.805 --> 01:00:12.742
CORDEN HIT A PEDESTRIAN AND KEPT
DRIVING.

877
01:00:12.809 --> 01:00:13.710
AND ALSO, THEY'VE ALL WON THIS

878
01:00:13.776 --> 01:00:15.078
NEXT GRAMMY AWARD.

879
01:00:15.144 --> 01:00:17.080
TO HELP GIVE OUT THE GRAMMY FOR
BEST POP SOLO PERFORMANCE, WE'RE

880
01:00:17.146 --> 01:00:20.750
HEADING ACROSS TOWN TO WEST
HOLLYWOOD AND AN INDEPENDENT

881
01:00:20.817 --> 01:00:23.252
MUSIC VENUE.

882
01:00:23.319 --> 01:00:25.088
LET'S MEET THE NIGHT MANAGER,
RACHELLE ERRATCHU, AT THE

883
01:00:25.154 --> 01:00:28.524
TROUBADOUR.

884
01:00:28.591 --> 01:00:31.527
I'M WORK HERE AT THE TROWB A

885
01:00:31.594 --> 01:00:33.896
DOWR, FOR 15 YEARS AND I'M THE
NIGHT MANAGER, IT'S A MAGIC

886
01:00:33.963 --> 01:00:36.332
PLACE, HISTORY IS MADE HERE ALL
THE TIME, WHEN YOU COME IN HERE

887
01:00:36.399 --> 01:00:38.001
IT'S LIKE GOING TO CHURCH.

888
01:00:38.067 --> 01:00:42.005
THE PEOPLE IN THAT ROOM DON'T
WANT TO BE ANYWHERE ELSE IN THE

889
01:00:42.071 --> 01:00:45.441
WORLD BUT IN THAT ROOM, PEOPLE
TALK ABOUT SHOWS THAT HAPPENED

890
01:00:45.508 --> 01:00:50.079
HERE 40, 50 YEARS AGO AND THEY
WILL TALK ABOUT THEM 40, 50

891
01:00:50.146 --> 01:00:52.315
YEARS LATER.

892
01:00:52.382 --> 01:00:55.718
WE BUILD A COMMUNITY HERE EVERY
NIGHT AND THAT COMMUNITY IS

893
01:00:55.785 --> 01:00:56.886
CURRENTLY GONE.

894
01:00:56.953 --> 01:00:59.856
WHEN THE DOORS ARE FINALLY ABLE
TO OPEN UP AGAIN, IT WILL

895
01:00:59.922 --> 01:01:01.958
DEFINITELY BE LIKE OH, CAN I
BREATHE AGAIN.

896
01:01:02.025 --> 01:01:05.428
MEANWHILE IT IS MY HONOR TO
PRESENT THE GRAMMY AWARD FOR

897
01:01:05.495 --> 01:01:06.829
BEST POP SOLO POMANCE.

898
01:01:06.896 --> 01:01:14.070
HERE ARE THE NOMINATIONS.

899
01:01:14.137 --> 01:01:16.372
"YUMMY," JUSTIN BIEBER.

900
01:01:16.439 --> 01:01:19.876
"SAY SO," DOJA CAT.

901
01:01:19.942 --> 01:01:26.082
"EVERYTHING I WANTED," BILLIE
EILISH.

902
01:01:26.149 --> 01:01:26.983
"DON'T START NOW," DUA LIPA.

903
01:01:27.050 --> 01:01:34.057
"WATERMELON SUGAR," HARRY
STYLES.

904
01:01:34.123 --> 01:01:40.396
"CARDIGAN," TAYLOR SWIFT.

905
01:01:40.463 --> 01:01:46.069
♪ ♪ ♪

906
01:01:46.135 --> 01:01:48.404
AND THE TROUBADOUR'S
VERY OWN NIGHT MANAGER, RACHELLE

907
01:01:48.471 --> 01:01:50.073
ERRATCHU, IS HERE NOW TO DO THE
HONORS.

908
01:01:50.139 --> 01:01:57.313
"WATERMELON SUGAR," HARRY

909
01:01:57.380 --> 01:02:02.118
STYLES.

910
01:02:02.185 --> 01:02:05.354
♪ I DON'T KNOW IF I COULD EVER

911
01:02:05.421 --> 01:02:06.055
GO WITHOUT.

912
01:02:06.122 --> 01:02:11.561
♪ WATERMELON SUGAR HIGH.

913
01:02:11.627 --> 01:02:16.399
♪ WATERMELON SUGAR HIGH.

914
01:02:16.466 --> 01:02:26.075
♪.

915
01:02:26.142 --> 01:02:34.083
WOW, TO EVERYONE WHO MADE
THIS RECORD WITH ME, THANK YOU

916
01:02:34.150 --> 01:02:35.718
SO MUCH.

917
01:02:35.785 --> 01:02:42.058
THIS IS THE FIRST SONG WE WROTE
AFTER MY FIRST ALBUM CAME OUT.

918
01:02:42.125 --> 01:02:45.895
DURING A DAY OFF IN NASHVILLE
AND I JUST WANT TO SAY THANKS TO

919
01:02:45.962 --> 01:02:49.599
TOM, KYLE AND MITCH AND
EVERYONE.

920
01:02:49.665 --> 01:02:55.138
ROB STRINGER AND EVERYONE AT
COLUMBIA, MY MANAGER, WHO HAS

921
01:02:55.204 --> 01:02:57.240
ALWAYS NUDGED ME TO DO BETTER
AND NEVER PUSHED ME.

922
01:02:57.306 --> 01:03:00.276
AND THANK YOU SO MUCH.

923
01:03:00.343 --> 01:03:03.813
SO VERY GRATEFUL TO BE HERE.

924
01:03:03.880 --> 01:03:10.052
THANK YOU. THANK YOU SO MUCH.

925
01:03:10.119 --> 01:03:21.764
THANK YOU SO MUCH.

926
01:03:21.831 --> 01:03:24.100
CONGRATULATIONS ON A WELL
DESERVED WIN.

927
01:03:24.167 --> 01:03:28.070
NOW AS WE PUT THE GRAMMY
SPOTLIGHT ON WORKERS AT

928
01:03:28.137 --> 01:03:31.440
INDEPENDENT MUSIC VENUES TONIGHT
WE REMAIN THANKFUL FOR ALL OF

929
01:03:31.507 --> 01:03:34.443
OUR ESSENTIAL WORKERS AROUND THE
WORLD WHO HAVE DONE SO MUCH TO

930
01:03:34.510 --> 01:03:37.613
ENSURE THAT SO MANY OF US HAVE
SURVIVED.

931
01:03:37.680 --> 01:03:41.484
WE ALSO RECOGNIZED THAT DURING
THIS PAST YEAR UNLIKE ANY OTHER,

932
01:03:41.551 --> 01:03:44.987
THE LOSS OF LIFE HAS BEEN
HISTORIC.

933
01:03:45.054 --> 01:03:48.257
AND SO TONIGHT WE WANT TO
REMEMBER THE ENDURING IMPACT OF

934
01:03:48.324 --> 01:03:54.630
THOSE IN OUR MUSIC COMMUNITY WHO
WE HAVE LOST THIS PAST YEAR.

935
01:03:54.697 --> 01:03:56.799
THAT LOSS HAS BEEN IMMENSE.

936
01:03:56.866 --> 01:04:01.938
SO AT THE END OF THE NIGHT,
-PLEASE GO TO GRAMMY.
-COM FOR A

937
01:04:02.004 --> 01:04:10.079
LIST OF NEARLY 1,000 SOULS WHO
HAVE BROUGHT SUCH ENDURING MUSIC

938
01:04:10.146 --> 01:04:19.589
TO OUR LIVES.

939
01:04:19.655 --> 01:04:21.357
♪ AIN'T NO SUNSHINE
WHEN SHE'S GONE

940
01:04:21.424 --> 01:04:25.094
♪ IT'S NOT WARM
WHEN SHE'S AWAY

941
01:04:25.161 --> 01:04:28.331
♪ AIN'T NO SUNSHINE
WHEN SHE'S GONE

942
01:04:28.397 --> 01:04:30.399
♪ AND SHE'S ALWAYS
GONE TOO LONG

943
01:04:30.466 --> 01:04:42.078
♪ ANYTIME SHE
GOES AWAY

944
01:04:50.119 --> 01:04:58.995
♪ ♪ ♪
♪ GONNA TELL AUNT MARY 'BOUT

945
01:04:59.061 --> 01:05:00.830
UNCLE JOHN
♪ HE CLAIM HE HAS THE MISERY

946
01:05:00.896 --> 01:05:04.533
BUT HE HAD A LOT OF FUN
♪ OH, BABY

947
01:05:04.600 --> 01:05:08.571
YEAH BABY
♪ WOO BABY

948
01:05:08.638 --> 01:05:14.477
I'M HAVIN' ME SOME FUN TONIGHT
♪ WELL LONG, TALL SALLY SHE'S

949
01:05:14.543 --> 01:05:17.480
BUILT FOR SPEED, SHE GOT
♪ EVERYTHING THAT UNCLE JOHN

950
01:05:17.546 --> 01:05:20.583
NEED ♪ OH, BABY

951
01:05:20.650 --> 01:05:24.920
YEAH BABY
♪ WOO BABY

952
01:05:24.987 --> 01:05:32.561
I'M HAVIN' ME SOME FUN TONIGHT
♪ ♪ ♪

953
01:05:32.628 --> 01:05:36.565
♪ GOOD GOLLY MISS MOLLY
SURE LIKE TO BALL

954
01:05:36.632 --> 01:05:40.703
♪ GOOD GOLLY MISS MOLLY
SURE LIKE TO BALL

955
01:05:40.770 --> 01:05:44.573
♪ WHEN YOU'RE ROCKIN' AND A
ROLLIN'

956
01:05:44.640 --> 01:05:48.577
♪ I CAN'T HEAR YOUR MAMA CALL
FROM THE EARLY, EARLY MORNIN'

957
01:05:48.644 --> 01:05:52.014
♪ TO THE EARLY, EARLY NIGHT
WHEN YOU CAUGHT

958
01:05:52.081 --> 01:05:54.817
♪ MISS MOLLY ROCKIN'
AT THE HOUSE OF BLUE LIGHT

959
01:05:54.884 --> 01:06:00.456
♪ GOOD GOLLY MISS MOLLY
SURE LIKE TO BALL

960
01:06:00.523 --> 01:06:01.657
♪ WHEN YOU'RE ROCKING
AND A-ROLLIN'

961
01:06:01.724 --> 01:06:06.929
♪ CAN'T HEAR YOUR MAMA CALL
AAAHHH

962
01:06:19.008 --> 01:06:23.879
♪ ♪ ♪
♪ ♪ ♪

963
01:06:23.946 --> 01:06:25.147
I'M GOING TO THE CORNER
♪ GONNA BUY A DIAMOND RING

964
01:06:25.214 --> 01:06:27.883
WOULD YOU PARDON ME, KISS ME
♪ MAKE ME TING-A-LING-A-LING

965
01:06:27.950 --> 01:06:30.920
GOOD GOLLY MISS MOLLY
♪ SURE LIKE TO BALL

966
01:06:30.986 --> 01:06:36.592
WHEN YOU'RE ROCKING
♪ AND A-ROLLIN'

967
01:06:36.659 --> 01:06:42.932
I CAN'T HEAR YOUR MAMA CALL ♪
♪ ♪ ♪

968
01:06:42.998 --> 01:06:48.571
WE LOVE YOU LITTLE RICHARD!

969
01:06:48.637 --> 01:07:00.583
♪ ♪ ♪

970
01:07:16.632 --> 01:07:20.569
♪ ♪ ♪
♪ STOP!

971
01:07:20.636 --> 01:07:30.946
IN THE NAME OF LOVE
♪ BEFORE YOU BREAK MY HEART

972
01:07:31.013 --> 01:07:36.552
BABY, BABY
♪ I'M AWARE OF WHERE YOU GO

973
01:07:36.619 --> 01:07:44.560
EACH TIME YOU LEAVE MY DOOR
♪ LADY

974
01:07:44.627 --> 01:07:51.767
I'M YOUR KNIGHT
♪ IN SHINING ARMOR

975
01:07:51.834 --> 01:08:00.576
♪ AND I LOVE YOU
YOU HAVE MADE ME WHAT I AM AND

976
01:08:00.643 --> 01:08:08.584
♪ I AM YOURS
MY LOVE

977
01:08:08.651 --> 01:08:12.555
♪ THERE'S SO MANY WAYS I WANT TO
SAY

978
01:08:12.621 --> 01:08:18.961
♪ I LOVE YOU
LET ME HOLD YOU IN MY ARMS

979
01:08:19.028 --> 01:08:30.039
♪ FOR EVER MORE
♪ YOU HAVE GONE

980
01:08:30.105 --> 01:08:40.583
AND MADE ME SUCH A FOOL
♪ I'M SO LOST

981
01:08:40.649 --> 01:08:44.553
IN YOUR LOVE
♪ AND OH

982
01:08:44.620 --> 01:08:52.561
WE BELONG TOGETHER
♪ WON'T YOU BELIEVE

983
01:08:52.628 --> 01:09:04.573
IN MY SONG
♪ OH, LADY

984
01:09:04.640 --> 01:09:12.548
YOUR LOVE'S
♪ THE ONLY LOVE I NEED

985
01:09:12.615 --> 01:09:24.560
AND BESIDE ME
♪ IS WHERE

986
01:09:24.627 --> 01:09:30.966
I WANT YOU TO BE
♪ 'CAUSE, MY LOVE

987
01:09:31.033 --> 01:09:36.772
THERE'S SOMETHING
♪ I WANT YOU

988
01:09:36.839 --> 01:09:48.584
TO KNOW
♪ YOU'RE THE LOVE OF MY LIFE

989
01:09:48.651 --> 01:09:55.791
YOU'RE THE LOVE OF MY LIFE
♪ YOU'RE MY LADY ♪

990
01:09:55.858 --> 01:10:00.563
MISS YOU, KENNY.

991
01:10:00.629 --> 01:10:04.600
MISS YOU, MAN.

992
01:10:30.693 --> 01:10:40.569
♪ ♪ ♪
♪ ♪ ♪

993
01:10:40.636 --> 01:10:42.438
'CAUSE YOU'VE GOT TO
♪ KISS AN ANGEL GOOD MORNING

994
01:10:42.504 --> 01:10:43.772
AND LET HER KNOW YOU THINK
♪ ABOUT HER WHEN YOU'RE GONE

995
01:10:43.839 --> 01:10:48.611
KISS AN ANGEL GOOD MORNING
♪ AND LOVE HER LIKE THE DEVIL

996
01:10:48.677 --> 01:10:52.581
WHEN YOU GET BACK HOME

997
01:11:32.655 --> 01:11:40.529
♪ ♪ ♪
♪ ♪ ♪

998
01:11:40.596 --> 01:11:48.604
I'VE BEEN DOWN THIS ROAD BEFORE
♪ I REMEMBER EVERY TREE

999
01:11:48.671 --> 01:11:54.943
EVERY SINGLE BLADE OF GRASS
♪ HOLDS A SPECIAL PLACE FOR ME

1000
01:11:55.010 --> 01:12:04.553
AND I REMEMBER EVERY TOWN
♪ AND EVERY HOTEL ROOM

1001
01:12:04.620 --> 01:12:09.758
AND EVERY SONG I EVER SANG
♪ ON A GUITAR OUT OF TUNE

1002
01:12:09.825 --> 01:12:18.767
I REMEMBER EVERYTHING
♪ THINGS I CAN'T FORGET

1003
01:12:18.834 --> 01:12:24.573
THE WAY YOU TURNED
♪ AND SMILED ON ME

1004
01:12:24.640 --> 01:12:30.946
ON THE NIGHT THAT WE FIRST MET
♪ AND I REMEMBER EVERY NIGHT

1005
01:12:31.013 --> 01:12:36.585
YOUR OCEAN EYES OF BLUE
♪ HOW I MISS YOU

1006
01:12:36.652 --> 01:12:42.958
IN THE MORNING LIGHT
♪ LIKE ROSES MISS THE DEW

1007
01:12:43.025 --> 01:12:48.564
I'VE BEEN DOWN
♪ THIS ROAD BEFORE

1008
01:12:48.630 --> 01:12:54.937
ALONE AS I CAN BE
♪ CAREFUL NOT TO LET MY PAST

1009
01:12:55.003 --> 01:13:00.576
GO SNEAKING UP ON ME
I'VE GOT NO FUTURE

1010
01:13:00.642 --> 01:13:06.949
♪ IN MY HAPPINESS
MY REGRETS ARE VERY FEW

1011
01:13:07.015 --> 01:13:16.558
♪ SOMETIMES A LITTLE TENDERNESS
WAS THE BEST THAT I COULD DO

1012
01:13:16.625 --> 01:13:23.665
♪ I REMEMBER EVERYTHING
YOUR OCEAN EYES OF BLUE

1013
01:13:23.732 --> 01:13:28.570
♪ HOW I MISS YOU
IN THE MORNING LIGHT

1014
01:13:28.637 --> 01:13:36.245
♪ LIKE ROSES MISS THE DEW
HOW I MISS YOU

1015
01:13:36.311 --> 01:13:47.256
♪ IN THE MORNING LIGHT
LIKE ROSES MISS THE DEW ♪

1016
01:13:47.322 --> 01:13:52.561
WE THANK YOU JOHN, FOR
EVERYTHING.

1017
01:13:52.628 --> 01:14:00.569
♪ ♪ ♪
♪ WHEN YOU WALK

1018
01:14:00.636 --> 01:14:11.413
THROUGH A STORM
♪ HOLD YOUR HEAD UP HIGH

1019
01:14:11.480 --> 01:14:16.585
AND DON'T
♪ BE AFRAID

1020
01:14:16.652 --> 01:14:28.564
OF THE DARK
♪ AT THE END

1021
01:14:28.630 --> 01:14:36.572
OF A STORM
♪ THERE'S A GOLDEN SKY

1022
01:14:36.638 --> 01:14:48.584
AND THE SWEET
♪ SILVER SONG OF A LARK

1023
01:14:48.650 --> 01:15:03.365
WALK ON THROUGH THE WIND
♪ WALK ON THROUGH THE RAIN

1024
01:15:03.432 --> 01:15:08.570
THOUGH YOUR DREAMS
♪ BE TOSSED

1025
01:15:08.637 --> 01:15:18.947
AND BLOWN
♪ WALK ON

1026
01:15:19.014 --> 01:15:28.557
WALK ON
♪ WITH HOPE IN YOUR HEART

1027
01:15:28.624 --> 01:15:36.531
AND YOU'LL NEVER
♪ WALK

1028
01:15:36.598 --> 01:15:46.575
ALONE ♪ YOU'LL NEVER WALK ALONE

1029
01:15:46.642 --> 01:15:52.547
ALONE ♪ YOU'LL NEVER WALK ALONE

1030
01:15:52.614 --> 01:15:56.585
♪ ♪ ♪
WALK ON

1031
01:15:56.652 --> 01:16:06.962
♪ WALK ON
WITH HOPE IN YOUR HEART

1032
01:16:07.029 --> 01:16:20.575
♪ AND YOU'LL NEVER WALK
ALONE

1033
01:16:20.642 --> 01:16:30.619
♪ YOU'LL NEVER WALK ALONE ♪
♪ ♪ ♪

1034
01:16:30.686 --> 01:16:33.355
♪ YOU'LL NEVER WALK ALONE ♪
♪ ♪ ♪

1035
01:16:33.422 --> 01:16:41.964
♪ YOU'LL NEVER WALK ALONE ♪
♪ ♪ ♪

1036
01:16:42.030 --> 01:16:46.134
I LOVE IT, I LOVE THE MUSIC,
AND I LIKE DOING THE LIVE SHOWS

1037
01:16:46.201 --> 01:16:50.973
AND I DON'T CARE WHO ST, OR
WHAT, AIBT NO STOPPING ME.

1038
01:16:51.039 --> 01:16:54.009
I JUST CARE ABOUT THE PEOPLE
I WORK WITH, AND MOST OF ALL I

1039
01:16:54.076 --> 01:16:56.078
CARE ABOUT MY FAMILY.

1040
01:17:07.556 --> 01:17:10.192
♪ ♪ ♪

1041
01:17:10.258 --> 01:17:13.996
WELCOME BACK TO THE GRAMMYS.

1042
01:17:14.062 --> 01:17:17.099
THIS YEAR'S COUNTRY GRAMMY
NOMINATIONS WERE DOMINATED BY

1043
01:17:17.165 --> 01:17:20.402
FANTASTIC FEMALE ARTISTS, AND WE
WANT TO CELEBRATE THE REMARKABLE

1044
01:17:20.469 --> 01:17:23.372
ABLE WOMEN OF COUNTRY MUSIC
TODAY BY PUTTING THE SPOTLIGHT

1045
01:17:23.438 --> 01:17:25.340
ON THREE OF THE GENRES VERY
BEST.

1046
01:17:25.407 --> 01:17:29.578
WE BEGIN WITH THE FIRST BLACK
FEMALE SOLO ARTIST EVER

1047
01:17:29.644 --> 01:17:38.053
NOMINATED IN A COUNTRY CATEGORY,
LADIES AND GENTLEMEN, MICKEY

1048
01:17:38.120 --> 01:17:41.223
GUYTON.

1049
01:17:41.289 --> 01:17:47.329
♪ LITTLE KID IN A SMALL TOWN
I DID MY BEST JUST TO FIT IN

1050
01:17:47.396 --> 01:17:54.036
♪ BROKE MY HEART
ON THE PLAYGROUND, MM

1051
01:17:54.102 --> 01:18:00.675
♪ WHEN THEY SAID I WAS DIFFERENT
OH, NOW, NOW

1052
01:18:00.742 --> 01:18:06.014
♪ I'M ALL GROWN UP
AND NOTHING HAS CHANGED

1053
01:18:06.081 --> 01:18:13.989
♪ YEAH, IT'S STILL THE SAME
IT'S A HARD LIFE ON EASY STREET

1054
01:18:14.056 --> 01:18:17.993
♪ JUST WHITE PAINTED PICKET
FENCES FAR AS YOU CAN SEE

1055
01:18:18.060 --> 01:18:23.331
♪ IF YOU THINK WE LIVE IN
THE LAND OF THE FREE

1056
01:18:23.398 --> 01:18:32.474
♪ YOU SHOULD TRY TO BE
BLACK LIKE ME

1057
01:18:32.541 --> 01:18:38.046
MY DADDY WORKED DAY AND NIGHT
FOR AN OLD HOUSE

1058
01:18:38.113 --> 01:18:50.058
♪ AND A USED CAR, HM
JUST TO LIVE THAT GOOD LIFE, MM

1059
01:18:50.125 --> 01:18:54.362
♪ IT SHOULDN'T BE TWICE AS HARD
OH, NOW, NOW

1060
01:18:54.429 --> 01:19:01.203
♪ I'M ALL GROWN UP
AND NOTHING HAS CHANGED

1061
01:19:01.269 --> 01:19:06.007
♪ YEAH, IT'S STILL THE SAME
IT'S A HARD LIFE ON EASY STREET

1062
01:19:06.074 --> 01:19:10.145
♪ JUST WHITE PAINTED PICKET
FENCES FAR AS YOU CAN SEE

1063
01:19:10.212 --> 01:19:15.750
♪ IF YOU THINK WE LIVE IN
THE LAND OF THE FREE

1064
01:19:15.817 --> 01:19:21.990
♪ YOU SHOULD TRY TO BE
OH, BLACK LIKE ME

1065
01:19:22.057 --> 01:19:30.065
♪ OH, OH
OH, I KNOW I'M NOT THE

1066
01:19:30.132 --> 01:19:38.073
♪ ONLY ONE, OH, YEAH
WHO FEELS LIKE I

1067
01:19:38.140 --> 01:19:50.051
♪ I DON'T BELONG
IT'S A HARD LIFE ON EASY STREET

1068
01:19:50.118 --> 01:19:54.623
♪ JUST WHITE PAINTED PICKET
FENCES FAR AS YOU CAN SEE

1069
01:19:54.689 --> 01:20:02.063
♪ AND IF YOU THINK WE LIVE IN
THE LAND OF THE FREE

1070
01:20:02.130 --> 01:20:06.034
♪ THEN YOU SHOULD TRY TO BE
OH, BLACK LIKE ME

1071
01:20:06.101 --> 01:20:13.375
♪ OH, AND SOMEDAY
WE'LL ALL BE FREE

1072
01:20:13.441 --> 01:20:18.046
♪ AND I'M PROUD TO BE
OH, BLACK LIKE ME

1073
01:20:18.113 --> 01:20:26.054
♪ AND I'M PROUD TO BE
BLACK LIKE ME

1074
01:20:26.121 --> 01:20:35.830
THANK YOU.

1075
01:20:35.897 --> 01:20:42.137
AND NOW THE ONE AND ONLY MIRANDA
LAMBERT.

1076
01:20:42.204 --> 01:20:54.115
♪ ♪ ♪
OOH

1077
01:20:54.182 --> 01:20:59.554
♪ ♪ ♪
♪ WELL, I'M A TURNER

1078
01:20:59.621 --> 01:21:05.060
I TURN PAGES ALL THE TIME
♪ DON'T LIKE WHERE I'M AT

1079
01:21:05.126 --> 01:21:09.064
34 WAS BAD
♪ SO I JUST TURN TO 35

1080
01:21:09.130 --> 01:21:13.068
YEAH, I'M A KEEPER
♪ I KEEP DIGGING DOWN FOR

1081
01:21:13.134 --> 01:21:17.072
THE DEEP
♪ LIKE THE RECORDS I'M PLAYING

1082
01:21:17.138 --> 01:21:20.141
THEY MIGHT KEEP YOU WAITING
♪ BUT YOU KNOW I'M GONNA

1083
01:21:20.208 --> 01:21:21.376
PLAY 'EM FOR KEEPS
♪ AND IF THE HOUSE JUST

1084
01:21:21.443 --> 01:21:25.914
KEEPS ON WINNING
♪ I GOT A WILDCARD UP MY SLEEVE

1085
01:21:25.981 --> 01:21:29.084
AND IF LOVE KEEPS GIVING ME
♪ LEMONS

1086
01:21:29.150 --> 01:21:33.321
I'LL JUST MIX 'EM IN MY DRINK
♪ AND IF THE WHOLE WIDE WORLD

1087
01:21:33.388 --> 01:21:40.262
STOPS SINGING
♪ AND ALL THE STARS GO DARK

1088
01:21:40.328 --> 01:21:45.133
I'LL KEEP A LIGHT ON IN MY SOUL
♪ KEEP A BLUEBIRD IN MY HEART

1089
01:21:45.200 --> 01:21:51.973
♪ ♪ ♪
♪ ♪ ♪

1090
01:21:52.040 --> 01:21:53.575
♪ WELL, I'M A GIVER
YEAH, AND I'M STILL

1091
01:21:53.642 --> 01:21:57.178
♪ GIVING 'EM HELL
FORGIVING'S PRETTY HARD

1092
01:21:57.245 --> 01:22:01.149
♪ SO I MADE AN ART OUT OF
FORGETTING 'EM WELL

1093
01:22:01.216 --> 01:22:05.053
♪ YEAH, I'M A RHYMER
I CAN TURN TWENTY CENTS INTO

1094
01:22:05.120 --> 01:22:09.057
A TEN
♪ AND IF I GET CONFUSED

1095
01:22:09.124 --> 01:22:11.459
AND I START TO LOSE
♪ I RHYME A DIME 'TIL

1096
01:22:11.526 --> 01:22:17.032
IT ALL MAKES SENSE
♪ AND IF THE HOUSE JUST

1097
01:22:17.098 --> 01:22:20.001
KEEPS ON WINNING
♪ I GOT A WILDCARD UP MY SLEEVE

1098
01:22:20.068 --> 01:22:23.471
AND IF LOVE KEEPS GIVING ME
♪ LEMONS

1099
01:22:23.538 --> 01:22:27.208
I'LL JUST MIX 'EM IN MY DRINK
♪ AND IF THE WHOLE WIDE WORLD

1100
01:22:27.275 --> 01:22:32.781
STOPS SINGING
♪ AND ALL THE STARS GO DARK

1101
01:22:32.847 --> 01:22:41.122
I'LL TURN A LIGHT ON IN MY SOUL
♪ KEEP A BLUEBIRD IN MY HEART

1102
01:22:47.629 --> 01:22:51.800
♪ ♪ ♪
♪ ♪ ♪

1103
01:22:51.866 --> 01:22:56.538
♪ AND IF THE HOUSE JUST
KEEPS ON WINNING

1104
01:22:56.604 --> 01:22:59.541
♪ I GOT A WILDCARD UP MY SLEEVE
AND IF LOVE KEEPS GIVING ME

1105
01:22:59.607 --> 01:23:03.778
♪ LEMONS
I'LL JUST MIX 'EM IN MY DRINK

1106
01:23:03.845 --> 01:23:05.480
♪ AND IF THE WHOLE WIDE WORLD
STOPS SINGING

1107
01:23:05.547 --> 01:23:11.486
♪ AND ALL THE STARS GO DARK
I'LL KEEP A LIGHT ON IN MY SOUL

1108
01:23:11.553 --> 01:23:17.726
♪ KEEP A BLUEBIRD IN MY HEART
I'LL KEEP A LIGHT ON IN MY SOUL

1109
01:23:17.792 --> 01:23:27.769
KEEP A BLUEBIRD IN MY HEART
♪ KEEP A BLUEBIRD IN MY HEART

1110
01:23:27.836 --> 01:23:33.141
KEEP A BLUEBIRD IN MY HEART
♪ KEEP A BLUEBIRD IN MY HEART

1111
01:23:33.208 --> 01:23:41.149
♪ ♪ ♪
♪ ♪ ♪

1112
01:23:41.216 --> 01:23:50.191
ALL RIGHT, JOINED BY JOHN

1113
01:23:50.258 --> 01:23:59.534
MAYER, HER IS MY TEXAS GAL PAL,
MISS MAREN MORRIS.

1114
01:23:59.601 --> 01:24:08.643
♪ WE'RE IN THE HOMESTRETCH
OF THE HARD TIMES

1115
01:24:08.710 --> 01:24:13.081
♪ WE TOOK A HARD LEFT
BUT WE'RE ALRIGHT

1116
01:24:13.148 --> 01:24:21.055
♪ YEAH, LIFE SURE CAN TRY TO
PUT LOVE THROUGH IT, BUT

1117
01:24:21.122 --> 01:24:25.026
♪ WE BUILT THIS RIGHT, SO
NOTHING'S EVER GONNA MOVE IT

1118
01:24:25.093 --> 01:24:27.929
♪ WHEN THE BONES ARE GOOD
THE REST DON'T MATTER

1119
01:24:27.996 --> 01:24:33.134
♪ YEAH, THE PAINT COULD PEEL
THE GLASS COULD SHATTER

1120
01:24:33.201 --> 01:24:37.138
♪ LET IT RAIN 'CAUSE YOU
AND I REMAIN THE SAME

1121
01:24:37.205 --> 01:24:40.708
♪ WHEN THERE AIN'T A CRACK
IN THE FOUNDATION

1122
01:24:40.775 --> 01:24:44.913
♪ BABY, I KNOW ANY
STORM WE'RE FACING

1123
01:24:44.979 --> 01:24:47.549
♪ WILL BLOW RIGHT OVER
WHILE WE STAY PUT

1124
01:24:47.615 --> 01:24:57.125
♪ THE HOUSE DON'T FALL
WHEN THE BONES ARE GOOD

1125
01:24:57.192 --> 01:25:04.799
♪ CALL IT DUMB LUCK
BUT BABY, YOU AND I

1126
01:25:04.866 --> 01:25:09.070
♪ CAN'T EVEN MESS IT UP
ALTHOUGH WE BOTH TRY

1127
01:25:09.137 --> 01:25:14.542
♪ NO, IT DON'T ALWAYS GO
THE WAY WE PLANNED IT

1128
01:25:14.609 --> 01:25:21.115
♪ BUT THE WOLVES CAME AND WENT
AND WE'RE STILL STANDING

1129
01:25:21.182 --> 01:25:25.053
♪ WHEN THE BONES ARE GOOD
THE REST DON'T MATTER

1130
01:25:25.119 --> 01:25:29.057
♪ YEAH, THE PAINT COULD PEEL
THE GLASS COULD SHATTER

1131
01:25:29.123 --> 01:25:33.061
♪ LET IT RAIN 'CAUSE YOU
AND I REMAIN THE SAME

1132
01:25:33.127 --> 01:25:37.065
♪ WHEN THERE AIN'T A CRACK
IN THE FOUNDATION

1133
01:25:37.131 --> 01:25:40.869
♪ BABY, I KNOW ANY
STORM WE'RE FACING

1134
01:25:40.935 --> 01:25:44.005
♪ WILL BLOW RIGHT OVER
WHILE WE STAY PUT

1135
01:25:44.072 --> 01:25:49.077
♪ THE HOUSE DON'T FALL
WHEN THE BONES ARE GOOD

1136
01:26:05.059 --> 01:26:08.997
♪ ♪ ♪
♪ WHEN THE BONES ARE GOOD

1137
01:26:09.063 --> 01:26:13.001
♪ THE REST DON'T MATTER
BABY, IT DON'T REALLY MATTER

1138
01:26:13.067 --> 01:26:15.603
♪ PAINT COULD PEEL
THE GLASS COULD SHATTER

1139
01:26:15.670 --> 01:26:17.505
♪ OH, THE GLASS
OH, THE GLASS COULD SHATTER

1140
01:26:17.572 --> 01:26:23.778
♪ BONES ARE GOOD, THE REST
THE REST DON'T MATTER, OOH

1141
01:26:23.845 --> 01:26:29.617
♪ PAINT COULD PEEL, THE GLASS
THE GLASS COULD SHATTER, YEAH

1142
01:26:29.684 --> 01:26:33.054
♪ WHEN THE BONES ARE GOOD
THE REST DON'T MATTER

1143
01:26:33.121 --> 01:26:35.723
♪ YEAH, THE PAINT COULD PEEL
THE GLASS COULD SHATTER

1144
01:26:35.790 --> 01:26:38.359
♪ LET IT RAIN
LET IT RAIN

1145
01:26:38.426 --> 01:26:41.062
♪ LET IT RAIN
'CAUSE YOU AND I

1146
01:26:41.129 --> 01:26:45.066
♪ REMAIN THE SAME, WOO
WHEN THERE AIN'T A

1147
01:26:45.133 --> 01:26:47.468
♪ CRACK IN THE FOUNDATION, WOO
BABY, I KNOW ANY

1148
01:26:47.535 --> 01:26:51.105
♪ STORM WE'RE FACING
WILL BLOW RIGHT OVER

1149
01:26:51.172 --> 01:26:53.508
♪ WHILE WE STAY PUT
THE HOUSE DON'T FALL

1150
01:26:53.575 --> 01:27:05.019
♪ WHEN THE BONES ARE GOOD
YEAH, OOH ♪

1151
01:27:05.086 --> 01:27:15.597
COMING UP, THE GRAMMY AWARD

1152
01:27:15.663 --> 01:27:17.298
FOR SONG OF THE YEAR.

1153
01:27:17.365 --> 01:27:20.868
THEN PERFORMANCES BY POST
MALONE, BTS AND MEGAN THEE

1154
01:27:20.935 --> 01:27:24.405
STALLION AND CARDI B WITH THEIR
FIRST EVER TV PERFORMANCE OF

1155
01:27:24.472 --> 01:27:25.206
WAP.

1156
01:27:25.273 --> 01:27:28.776
THIS IS
THE 63rd GRAMMY AWARDS IS

1157
01:27:28.843 --> 01:27:32.347
SPONSORED BY LINCOLN FAMILY OF
LUXURY S.U.V.s.

1158
01:27:37.318 --> 01:27:42.223
♪ ♪ ♪

1159
01:27:42.290 --> 01:27:43.758
WELCOME BACK TO THE
GRAMMYS.

1160
01:27:43.825 --> 01:27:50.865
LET'S TAKE A LOOK AT SOME AWARDS
WE PRESENTED EARLIER.

1161
01:27:50.932 --> 01:27:53.401
THE GRAMMY FOR
BEST MELODIC RAP PERFORMANCE

1162
01:27:53.468 --> 01:28:06.547
ANDERSON PAAK.

1163
01:28:06.614 --> 01:28:07.382
♪.

1164
01:28:07.448 --> 01:28:08.650
WOW, THANK YOU, THANK YOU SO
MUCH.

1165
01:28:08.716 --> 01:28:11.853
I WANT TO SAY THANK YOU SO MUCH
TO MY FAMILY, MY BEAUTIFUL WIFE

1166
01:28:11.919 --> 01:28:13.021
AND KIDS.

1167
01:28:13.087 --> 01:28:15.590
I WANT TO SAY THANK YOU TO THE
TEAM THAT HELPED ME PUT THIS

1168
01:28:15.657 --> 01:28:16.824
RECORD TOGETHER.

1169
01:28:16.891 --> 01:28:19.527
I WANT TO SAY THANK YOU TO THE
ACADEMY AND LASTLY I WANT TO SAY

1170
01:28:19.594 --> 01:28:23.231
THAT THIS SONG, LOCKDOWN IS
DEDICATED TO EVERY HUMAN BEING

1171
01:28:23.297 --> 01:28:24.666
WHO ACTUALLY HAS A VOICE.

1172
01:28:24.732 --> 01:28:27.802
IF YOU HAVE A VOICE, DON'T BE
AFRAID TO USE IT.

1173
01:28:27.869 --> 01:28:28.936
BECAUSE THEY WATCHING.

1174
01:28:29.003 --> 01:28:30.405
AND THIS IS PROOF.

1175
01:28:30.471 --> 01:28:31.506
THANK YOU SO MUCH.

1176
01:28:31.572 --> 01:28:36.344
THE GRAMMY FOR BEST
THE GRAMMY FOR BEST LATIN POP OR

1177
01:28:36.411 --> 01:28:39.013
OR URBAN ALBUM WENT TO YHLQMDLG,

1178
01:28:39.080 --> 01:28:44.852
BAD BUNNY.

1179
01:28:44.919 --> 01:28:49.390
I'M VERY HAPPY, I'M REALLY
HAPPY, I'M VERY PROUD.

1180
01:28:49.457 --> 01:28:57.832
I WANT TO THANK EVERY PERSON IN
THE WORLD THAT LISTENED TO MY

1181
01:28:57.899 --> 01:29:07.375
MUSIC, AND SUPPORT MY CAREER AND
MY IDEAS.

1182
01:29:17.785 --> 01:29:21.122
NOW AS YOUR HOST, AND A
GRAMMY NOMINEE MYSELF, I KNOW,

1183
01:29:21.189 --> 01:29:24.926
I'VE BEEN GIVEN THE HONOR OF
ANNOUNCING SOJ OF THE YEAR.

1184
01:29:24.992 --> 01:29:29.097
NOW JUST SO EVERYBODY
UNDERSTANDS, RECORD OF THE YEAR

1185
01:29:29.163 --> 01:29:31.165
HONORS THE PERFORMANCE AND THE
PRODUCTION OF A TRACK.

1186
01:29:31.232 --> 01:29:34.402
SONG OF THE YEAR IS AN AWARD
THAT HONORS THE TALENTED PEOPLE

1187
01:29:34.469 --> 01:29:37.672
WHO WRITE THE MUSIC AND THOSE
WORDS.

1188
01:29:37.739 --> 01:29:38.906
L LIKE THOSE LYRICISTS WHO PEN THE

1189
01:29:38.973 --> 01:29:44.312
LINES THAT STIR OUR SOULS AND
MAKE YOU ASK YOURSELF, "AM I A

1190
01:29:44.378 --> 01:29:45.346
SAVAGE?

1191
01:29:45.413 --> 01:29:48.316
CLASSY, BOUGIE, RATCHET?"

1192
01:29:48.382 --> 01:29:50.852
I'M ALSO EXCITED TO ANNOUNCE THE
RECORDING ACADEMY IS LAUNCHING

1193
01:29:50.918 --> 01:29:53.755
ITS NEW SONGWRITERS & COMPOSERS
WING TO ELEVATE AND ADVOCATE ON

1194
01:29:53.821 --> 01:29:56.390
BEHALF OF SONGWRITERS AND
COMPOSERS.

1195
01:29:56.457 --> 01:30:00.394
WITH THAT SAID, THESE ARE THE
NOMINATIONS FOR SONG OF THE

1196
01:30:00.461 --> 01:30:05.700
YEAR.

1197
01:30:05.767 --> 01:30:08.202
♪ ♪ ♪
"BLACK PARADE."

1198
01:30:08.269 --> 01:30:08.569
"THE BOX."

1199
01:30:08.636 --> 01:30:10.972
"CARDIGAN."

1200
01:30:11.038 --> 01:30:12.373
"CIRCLES."

1201
01:30:12.440 --> 01:30:14.375
"DON'T START NOW."

1202
01:30:14.442 --> 01:30:14.842
"EVERYTHING I WANTED."

1203
01:30:14.909 --> 01:30:16.110
"I CAN'T BREATHE."

1204
01:30:16.177 --> 01:30:20.381
"IF THE WORLD WAS ENDING."

1205
01:30:20.448 --> 01:30:30.424
WOW.

1206
01:30:30.491 --> 01:30:39.400
WOW.

1207
01:30:39.467 --> 01:30:40.434
WOW, THIS IS TENSE.

1208
01:30:40.501 --> 01:30:47.742
"I CAN'T BREATHE," H.E.R.

1209
01:30:47.809 --> 01:30:56.384
♪ ♪ ♪

1210
01:30:56.450 --> 01:30:58.252
♪ I CAN'T BREATHE.

1211
01:30:58.319 --> 01:31:04.392
♪ I CAN'T BREATHE.

1212
01:31:04.458 --> 01:31:09.597
♪.

1213
01:31:09.664 --> 01:31:13.467
OH MY GOD, I DON'T EVEN KNOW
WHAT TO SAY.

1214
01:31:13.534 --> 01:31:16.470
I THINK THE FIRST THING I WANT
TO SAY IS THAT I HAVE NEVER BEEN

1215
01:31:16.537 --> 01:31:19.073
SO PROUD TO BE AN ARTIST.

1216
01:31:19.140 --> 01:31:23.110
AND EVERYBODY ELSE THIS WAS
NOMINATED, THOSE SONGS WERE TO

1217
01:31:23.177 --> 01:31:25.880
ME, SONG OF THE YEAR ALSO AND
THEY WERE ALL AMAZING.

1218
01:31:25.947 --> 01:31:29.684
BUT YOU KNOW, WE WROTE THIS SONG
OVER FACETIME.

1219
01:31:29.750 --> 01:31:34.055
AND I DIDN'T IMAGINE THAT MY
FEAR AND THAT MY PAIN WOULD TURN

1220
01:31:34.121 --> 01:31:34.922
INTO IMPACT.

1221
01:31:34.989 --> 01:31:37.058
AND IT WOULD POSSIBLY TURN INTO
CHANGE.

1222
01:31:37.124 --> 01:31:39.260
AND I THINK THAT IS WHAT THIS IS
ABOUT.

1223
01:31:39.327 --> 01:31:40.361
AND THAT'S WHY I WRITE MUSIC.

1224
01:31:40.428 --> 01:31:41.762
THAT'S WHY I DO THIS.

1225
01:31:41.829 --> 01:31:43.364
SO I'M SO, SO GRATEFUL.

1226
01:31:43.431 --> 01:31:48.302
I WANT TO THANK GOD FOR GIVING
ME THE GIFT OF A VOICE AND A PEN

1227
01:31:48.369 --> 01:31:53.574
AND USING ME AS A VESEL TO
CREATE CHANGE AND I'M SO

1228
01:31:53.641 --> 01:31:57.278
THANKFUL FOR SIERRA AND-- WHO
ARE PART OF THIS, A HUGE PART OF

1229
01:31:57.345 --> 01:31:58.446
THIS RECORD.

1230
01:31:58.512 --> 01:32:01.048
I WANT TO THANK MY MOM, I
RECORDED THIS SONG MYSELF IN MY

1231
01:32:01.115 --> 01:32:03.084
BEDROOM AT MY MOM'S HOUSE.

1232
01:32:03.150 --> 01:32:04.385
AND I WANT TO THANK MY DAD.

1233
01:32:04.452 --> 01:32:05.820
HE CRIED.

1234
01:32:05.887 --> 01:32:08.322
HE WAS IN TEARS WHEN I WROTE
THIS SONG AND I PLAYED IT FOR

1235
01:32:08.389 --> 01:32:09.190
HIM.

1236
01:32:09.257 --> 01:32:12.326
HE WAS THE FIRST PERSON I PLAYED
IT FOR.

1237
01:32:12.393 --> 01:32:20.134
AND YEAH, MY JEFF, MISHA WALT,
JANEVEN, EVERYBODY AT RCA,

1238
01:32:20.201 --> 01:32:23.037
PETER, CAROLYN, CAMEL,
EVERYBODY.

1239
01:32:23.104 --> 01:32:26.974
I'M SO SPEECHLESS RIGHT NOW, I
CAN'T BELIEVE THIS, THANK YOU SO

1240
01:32:27.041 --> 01:32:33.047
MUCH. BUT REMEMBER, WE ARE THE
CHANGE THAT WE WISH TO SEE, AND

1241
01:32:33.114 --> 01:32:38.219
THAT FIGHT THAT WE HAD IN US,
THE SUMMER OF 2020, KEEP THAT

1242
01:32:38.286 --> 01:32:40.321
SAME INFORMING.

1243
01:32:40.388 --> 01:32:40.655
-- ENERGY.

1244
01:32:40.721 --> 01:32:44.325
THANK YOU.

1245
01:32:44.392 --> 01:32:47.995
♪ ♪ ♪

1246
01:32:48.062 --> 01:32:50.831
AFTER THIS BREAK,
MEGAN THEE STALLION AND CARDI B

1247
01:32:50.898 --> 01:32:55.303
PERFORM "WAP" FOR THE FIRST TIME
ANYWHERE.

1248
01:32:55.369 --> 01:32:55.670
THIS IS CBS.

1249
01:33:00.341 --> 01:33:02.176
HISTORY!

1250
01:33:02.243 --> 01:33:04.378
HEAD TO charitybuzz.com/grammy
AND BID ON ONE-OF-A-KIND SIGNED

1251
01:33:04.445 --> 01:33:08.382
ITEMS TO SUPPORT THE GRAMMY
MUSEUM'S MUSIC EDUCATION

1252
01:33:08.449 --> 01:33:14.021
PROGRAMS AND KEEP MUSIC PLAYING
THE 63rd GRAMMY AWARDS IS

1253
01:33:14.088 --> 01:33:15.656
SPONSORED BY "IN THE HEIGHTS,"
IN THEATERS AND ON HBO MAX JUNE

1254
01:33:15.723 --> 01:33:17.058
18.

1255
01:33:22.530 --> 01:33:26.067
♪ ♪ ♪
WELCOME BACK TO THE GRAMMY

1256
01:33:26.133 --> 01:33:30.037
AWARDS, NOW I HOPE YOU'RE READY,
EVERYBODY, BECAUSE IN TONIGHT

1257
01:33:30.104 --> 01:33:33.307
WE'RE GOING TO FIND OUT WHAT WAP
REALLY STANDS FOR, IF YOU HAVE

1258
01:33:33.374 --> 01:33:36.277
SMALL CHILDREN IN THE ROOM, JUST
TELL THEM IT'S A SONG ABOUT

1259
01:33:36.344 --> 01:33:38.546
GIVING A CAT A BATH.

1260
01:33:38.612 --> 01:33:41.615
CARDI B WILL BE TAKING TO THE
STAGE SHORTLY BUT FIRST THE TIME

1261
01:33:41.682 --> 01:33:45.019
HAS COME TO GET UP CLOSE AND
PERSONAL WITH THE DYNAMIC

1262
01:33:45.086 --> 01:33:47.788
HIP-HOP FORCE WHO IS ALREADY A
GRAMMY WINNER TONIGHT AND IS

1263
01:33:47.855 --> 01:33:50.658
NOMINATED FOR RECORD OF THE
YEAR.

1264
01:33:50.725 --> 01:34:01.702
LET'S GET TO KNOW MEGAN THEE
STALLION.

1265
01:34:01.769 --> 01:34:07.842
♪ ♪ ♪
OKAY.

1266
01:34:07.908 --> 01:34:09.043
YOU WANT TO KNOW ABOUT GOOD
NEWS.

1267
01:34:09.110 --> 01:34:11.746
I'M STIERD OF-- TIRED OF
GETTING ON MY PHONE AND LOOKING

1268
01:34:11.812 --> 01:34:14.782
AT ALL THE BAD NEWS GOING ON IN
THE WORLD.

1269
01:34:14.849 --> 01:34:17.718
SO I WAS LIKE YOU KNOW WHAT,
THIS ALBUM IS CALLED GOOD NEWS

1270
01:34:17.785 --> 01:34:21.722
AND THE GOOD NEWS IS COMING FROM
MEGAN STALLION.

1271
01:34:21.789 --> 01:34:26.193
GROWING UP IN HOUSTON, JUST THE
HOTTIE THAT I AM, MY VIBE, THE

1272
01:34:26.260 --> 01:34:31.699
WAY I TALK, THE WAY I DRESS, THE
WAY I WALK IT IS A SOUTHERN

1273
01:34:31.766 --> 01:34:32.933
SWAG.

1274
01:34:33.000 --> 01:34:36.771
HAVE I ALWAYS HAD MY MOTHER, MY
AUNT, MY GREAT GRANDMOTHER AND

1275
01:34:36.837 --> 01:34:40.041
GRANDMA TELLING ME MEGAN, YOU'RE
AMAZING.

1276
01:34:40.107 --> 01:34:41.942
MEGAN, YOU CAN DO WHATEVER YOU
WANT TO DO, DON'T LET NOBODY

1277
01:34:42.009 --> 01:34:43.411
TELL YOU NOTHING DIFFERENT.

1278
01:34:43.477 --> 01:34:44.612
YOU'RE BEAUTIFUL.

1279
01:34:44.678 --> 01:34:47.281
NOW IT IS SO EASY FOR ME TO
UPLIFT OTHER WOMEN BECAUSE I'VE

1280
01:34:47.348 --> 01:34:50.151
ALWAYS BEEN UPLIFTED.

1281
01:34:50.217 --> 01:34:53.087
SAFAGE IS MY CONFIDENCE
ANTHEM.

1282
01:34:53.154 --> 01:34:55.790
I'M DESCRIBING MYSELF AND HOW
EVERY OTHER PERSON SHOULD FEEL.

1283
01:34:55.856 --> 01:34:58.826
EVERYBODY WAS ALWAYS ASKED WHO
IS YOUR DREAM COULD LAB AND I

1284
01:34:58.893 --> 01:35:06.367
WOULD BE LIKE BEYONS, BEYONS,
AND IT FINALLY HAPPENED.

1285
01:35:06.434 --> 01:35:11.806
I REMEMBER PERFORMING A I
WOULD BE AT CLUBS, POMPLING

1286
01:35:11.872 --> 01:35:15.209
EVERY NIGHT, ANYWHERE I COULD
PERFORM I WOULD PERFORM.

1287
01:35:15.276 --> 01:35:18.279
AND IT JUST GOT BIGGER EVERY
TIME.

1288
01:35:18.345 --> 01:35:20.648
AND NOW I'M GRAMMY NOMINATED.

1289
01:35:20.714 --> 01:35:23.717
WE AT THE GRAMMYS NOW, WE NEVER
GAVE UP.

1290
01:35:23.784 --> 01:35:26.487
EVEN ON THE DAYS YOU FEEL LIKE
QUITTING, DON'T QUIT BECAUSE IT

1291
01:35:26.554 --> 01:35:34.728
IS POSSIBLE TO ACHIEVE ALL YOUR
DREAMS.

1292
01:35:49.777 --> 01:35:53.447
♪ ♪ ♪
AND IF THE BEAT LIVE.

1293
01:35:53.514 --> 01:35:54.715
WHAT'S UP, GRAMMYS?

1294
01:35:54.782 --> 01:35:56.317
♪ BODY-ODY-ODY-ODY-ODY-ODY-ODY-
ODY-ODY-ODY-ODY-ODY-ODY-ODY-ODY

1295
01:35:56.383 --> 01:35:57.685
WHAT'S UP, HOTTIES AT HOME?

1296
01:35:57.751 --> 01:36:01.722
♪ BODY-ODY-ODY-ODY-ODY-ODY-ODY-
ODY-ODY-ODY-ODY-ODY-ODY-ODY-ODY

1297
01:36:01.789 --> 01:36:03.524
♪ BODY-ODY-ODY-ODY-ODY-ODY-ODY-
ODY-ODY-ODY-ODY-ODY-ODY-ODY-ODY

1298
01:36:03.591 --> 01:36:04.458
TONIGHT IS MY FIRST TIME AT THE
GRAMMYS.

1299
01:36:04.525 --> 01:36:08.796
BUT IT'S NOT MY FIRST TIME
ENTERTAINING YOU.

1300
01:36:08.863 --> 01:36:10.064
♪ BODY-ODY-ODY-ODY-ODY-ODY-ODY-
ODY-ODY-ODY-ODY-ODY-ODY-ODY-ODY

1301
01:36:10.131 --> 01:36:11.198
♪ BODY CRAZY
CURVY, WAVY

1302
01:36:11.265 --> 01:36:11.966
♪ BIG-- LIL' WAIST
BODY CRAZY

1303
01:36:12.032 --> 01:36:18.239
♪ CURVY, WAVY
♪ BIG-- LIL' WAIST

1304
01:36:18.305 --> 01:36:20.341
♪ ♪ ♪
♪ I COULD BUILD A HOUSE

1305
01:36:20.407 --> 01:36:23.043
WITH ALL THE BRICK I GOT
♪ I COULD--

1306
01:36:23.110 --> 01:36:27.748
I COULD BUILD A HOUSE
WITH ALL THE BRICK I GOT

1307
01:36:47.801 --> 01:36:50.704
♪ ♪ ♪
♪ ♪ ♪

1308
01:36:50.771 --> 01:36:53.407
I'M THAT
♪ BEEN THAT

1309
01:36:53.474 --> 01:37:01.582
STILL THAT
♪ WILL FOREVER BE THAT

1310
01:37:01.649 --> 01:37:04.051
♪ I'M A SAVAGE
ATTITUDE NASTY

1311
01:37:04.118 --> 01:37:07.521
♪ TALK BIG
BUT MY BANK ACCOUNT MATCH IT

1312
01:37:07.588 --> 01:37:09.990
♪ HOOD, BUT I'M CLASSY
RICH, BUT I'M RATCHET

1313
01:37:10.057 --> 01:37:13.427
♪ HATERS KEPT MY NAME IN THEY
MOUTH, NOW THEY GAGGIN'

1314
01:37:13.494 --> 01:37:15.529
BOUGIE ♪ HE SAY, "THE WAY THAT THANG

1315
01:37:15.596 --> 01:37:18.499
MOVE, IT'S A MOVIE"
♪ I TOLD THAT BOY,

1316
01:37:18.566 --> 01:37:19.700
"WE GOTTA KEEP IT LOW
♪ LEAVE ME THE ROOM KEY"

1317
01:37:19.767 --> 01:37:22.203
I DONE BLED THE BLOCK
♪ AND NOW IT'S HOT

1318
01:37:22.269 --> 01:37:25.372
I'M TUNECHI
A MOOD AND I'M MOODY, AH

1319
01:37:25.439 --> 01:37:30.611
♪ I'M A SAVAGE, OKAY
CLASSY, BOUGIE, RATCHET, OKAY

1320
01:37:30.678 --> 01:37:33.480
♪ SASSY, MOODY, NASTY, YEAH
ACTING STUPID

1321
01:37:33.547 --> 01:37:34.048
♪ WHAT'S HAPPENING?

1322
01:37:34.114 --> 01:37:35.583
WHAT'S HAPPENING?

1323
01:37:35.649 --> 01:37:39.587
♪ LIKE BEYONCE, LIKE ME
LIKE ME

1324
01:37:39.653 --> 01:37:41.522
♪ HE WANT A LIKE THEE STALLION
♪ WITH THE KNEES

1325
01:37:41.589 --> 01:37:42.656
WITH THE KNEES
♪ HE BE LIKE, "DAMN, HOW THAT

1326
01:37:42.723 --> 01:37:44.358
THANG MOVIN' IN THEM JEANS?"
THEM JEANS

1327
01:37:44.425 --> 01:37:47.561
-♪ EVEN D4
-L COULDN'T DO IT
LIKE ME, LIKE ME

1328
01:37:47.628 --> 01:37:49.964
♪ I'M THE OOH
I NEED A MOP TO CLEAN THE FLOOR,

1329
01:37:50.030 --> 01:37:52.166
♪ IT'S TOO MUCH DRIP, OHH
I KEEP A KNOT, I KEEP A WATCH,

1330
01:37:52.233 --> 01:37:58.072
♪ I KEEP A WHIP, OOH
LET'S PLAY A GAME,

1331
01:37:58.138 --> 01:37:59.607
♪ SIMON SAYS I'M STILL THAT AYY
I'M STILL THAT, YUH

1332
01:37:59.673 --> 01:38:03.577
♪ AH, I'M A SAVAGE, YEAH
CLASSY, BOUGIE, RATCHET, YEAH

1333
01:38:03.644 --> 01:38:05.679
♪ SASSY, MOODY, NASTY
HEY, HEY YEAH

1334
01:38:05.746 --> 01:38:07.681
♪ ACTING STUPID
WHAT'S HAPPENING?

1335
01:38:07.748 --> 01:38:09.984
♪ WHAT'S HAPPENING?

1336
01:38:10.050 --> 01:38:12.086
WHOA ♪ HIPS TIKTOK WHEN I DANCE

1337
01:38:12.152 --> 01:38:14.154
DANCE ♪ ON THAT DEMON TIME

1338
01:38:14.221 --> 01:38:16.457
SHE MIGHT START A ONLYFANS
ONLYFANS

1339
01:38:16.523 --> 01:38:22.062
♪ BIG B AND THAT B STAND FOR
BANDS

1340
01:38:22.129 --> 01:38:23.564
♪ IF YOU WANNA SEE SOME REAL
BABY, HERE'S YOUR CHANCE

1341
01:38:23.631 --> 01:38:24.732
♪ I SAY, LEFT CHEEK, RIGHT
CHEEK, DROP IT LOW, THEN SWANG

1342
01:38:24.798 --> 01:38:25.499
SWANG ♪ TEXAS UP IN THIS THANG

1343
01:38:25.566 --> 01:38:26.433
THANG ♪ PUT YOU UP ON THIS GAME

1344
01:38:26.500 --> 01:38:27.601
GAME ♪ IVY PARK ON MY FRAME

1345
01:38:27.668 --> 01:38:29.670
FRAME ♪ GANG, GANG, GANG, GANG

1346
01:38:29.737 --> 01:38:31.005
GANG ♪ IF YOU DON'T JUMP TO PUT JEANS

1347
01:38:31.071 --> 01:38:35.576
ON, BABY, YOU DON'T FEEL MY PAIN
HOL' UP

1348
01:38:35.643 --> 01:38:39.580
♪ I'M A SAVAGE, YEAH
CLASSY, BOUGIE, RATCHET, YEAH

1349
01:38:39.647 --> 01:38:42.816
♪ SASSY, MOODY, NASTY
HEY, HEY YEAH

1350
01:38:42.883 --> 01:38:46.020
♪ ACTING STUPID
WHAT'S HAPPENING?

1351
01:38:46.086 --> 01:38:51.125
♪ WHAT'S HAPPENING?

1352
01:39:07.574 --> 01:39:11.512
♪ ♪ ♪
I'M A SAVAGE, OKAY

1353
01:39:11.578 --> 01:39:15.783
♪ CLASSY, BOUGIE, RATCHET, OKAY
SASSY, MOODY, NASTY, YEAH

1354
01:39:15.849 --> 01:39:19.520
♪ ACTING STUPID
WHAT'S HAPPENING?

1355
01:39:19.586 --> 01:39:20.654
♪ WHAT'S HAPPENING?

1356
01:39:20.721 --> 01:39:22.056
I'M A SAVAGE, YEAH
OKAY

1357
01:39:22.122 --> 01:39:26.694
♪ CLASSY, BOUGIE, RATCHET, YEAH
OKAY

1358
01:39:26.760 --> 01:39:28.228
SASSY, MOODY, NASTY, HUH
♪ ACTING STUPID

1359
01:39:28.295 --> 01:39:30.798
WHAT'S HAPPENING?

1360
01:39:30.864 --> 01:39:31.699
♪ WHAT'S HAPPENING?

1361
01:39:31.765 --> 01:39:43.577
AH ♪

1362
01:39:43.644 --> 01:39:49.116
♪ ♪ ♪
♪ ♪ ♪

1363
01:39:49.183 --> 01:39:50.851
♪ UP, UP

1364
01:39:50.918 --> 01:39:52.052
UP, AYY, UP, UH
♪ UP, LOOK

1365
01:39:52.119 --> 01:39:55.589
LOOK, ONCE UPON A TIME, MAN
I HEARD THAT I WAS UGLY

1366
01:39:55.656 --> 01:39:58.058
♪ CAME FROM A CHICK WHO
MAN'S WANNA TOUCH ME

1367
01:39:58.125 --> 01:40:00.127
♪ I SAID MY FACE BOMB, ABS TIGHT
RACKS STACK UP SHAQ HEIGHT

1368
01:40:00.194 --> 01:40:03.630
♪ JEWELRY ON ME, FLASHLIGHT
I BEEN LIT SINCE LAST NIGHT

1369
01:40:03.697 --> 01:40:06.800
♪ HIT HIM WITH THAT GOOD-GOOD
MAKE HIM WANNA ACT RIGHT

1370
01:40:06.867 --> 01:40:07.968
♪ BROKE BOYS DON'T
DESERVE NO KITTY

1371
01:40:08.035 --> 01:40:13.273
♪ I KNOW THAT'S RIGHT

1372
01:40:13.340 --> 01:40:16.076
BIG BAG BUSSIN' OUT
♪ THE BENTLEY BENTAYGA

1373
01:40:16.143 --> 01:40:20.714
♪ THE BENTLEY BENTAYGA, MAN
BIRKIN BAG, BARDI BACK

1374
01:40:20.781 --> 01:40:23.317
BIG BAG BUSSIN' OUT
♪ THE BENTLEY BENTAYGA

1375
01:40:23.384 --> 01:40:25.452
♪ KNOW HOW I GIVE IT UP
IF IT'S UP, THEN IT'S UP

1376
01:40:25.519 --> 01:40:27.654
♪ THEN IT'S UP, THEN IT'S STUCK
IF IT'S UP, THEN IT'S UP

1377
01:40:27.721 --> 01:40:30.124
♪ THEN IT'S UP, THEN IT'S STUCK
HUH, AYY

1378
01:40:30.190 --> 01:40:32.192
♪ UP, THEN IT'S UP
IF IT'S UP, THEN IT'S STUCK, HUH

1379
01:40:32.259 --> 01:40:35.028
♪ IF IT'S UP, THEN IT'S UP
THEN IT'S UP, THEN IT'S STUCK

1380
01:40:35.095 --> 01:40:37.598
♪ HUH, WOO
FACE BOMB, ABS TIGHT

1381
01:40:37.664 --> 01:40:39.633
RACKS STACK UP SHAQ HEIGHT
♪ JEWELRY ON ME, FLASHLIGHT

1382
01:40:39.700 --> 01:40:42.836
I BEEN LIT SINCE LAST NIGHT
♪ HIT HIM WITH THAT GOOD-GOOD

1383
01:40:42.903 --> 01:40:44.938
MAKE HIM WANNA ACT RIGHT
♪ BROKE BOYS DON'T

1384
01:40:45.005 --> 01:40:46.306
DESERVE NO KITTY
♪ I KNOW THAT'S RIGHT

1385
01:40:46.373 --> 01:40:50.477
IF IT'S UP, THEN IT'S UP
♪ THEN IT'S UP, THEN IT'S STUCK

1386
01:40:50.544 --> 01:40:55.015
IF IT'S UP, THEN IT'S UP
♪ THEN IT'S UP, THEN IT'S STUCK

1387
01:40:55.082 --> 01:40:58.118
IF IT'S UP, THEN IT'S UP
♪ THEN IT'S UP, THEN IT'S STUCK

1388
01:40:58.185 --> 01:41:06.560
HUH, AYY ♪

1389
01:41:23.710 --> 01:41:29.149
♪ ♪ ♪
♪ I SAID, CERTIFIED FREAK

1390
01:41:29.216 --> 01:41:34.121
SEVEN DAYS A WEEK

1391
01:41:34.188 --> 01:41:35.989
♪ WET AND
MAKE THAT PULL-OUT GAME WEAK

1392
01:41:36.056 --> 01:41:39.593
♪ YEAH, YEAH, YEAH, YEAH
YEAH, YOU DEALING WITH

1393
01:41:39.660 --> 01:41:42.463
♪ SOME WET-WET-WET
BRING A AND A MOP FOR THIS

1394
01:41:42.529 --> 01:41:47.601
♪ WET-WET-WET
GIVE ME EVERYTHING YOU GOT

1395
01:41:47.668 --> 01:41:51.071
♪ FOR THIS WET-WET-WET
BEAT IT UP

1396
01:41:51.138 --> 01:41:53.407
♪ BABY, CATCH A CHARGE
EXTRA AND EXTRA

1397
01:41:53.474 --> 01:41:55.075
♪ PUT THIS KITTY
RIGHT IN YOUR FACE

1398
01:41:55.142 --> 01:41:57.110
♪ SWIPE YOUR NOSE
LIKE A CREDIT CARD

1399
01:41:57.177 --> 01:41:58.846
♪ HOP ON TOP
I WANNA RIDE

1400
01:41:58.912 --> 01:42:00.914
♪ I DO A KEGEL
I'M KINDA WILD

1401
01:42:00.981 --> 01:42:02.416
♪ LOOK AT MY MOUTH
LOOK AT MY THIGHS

1402
01:42:02.483 --> 01:42:03.550
♪ THIS WATER IS WET
COME TAKE A DIVE

1403
01:42:03.617 --> 01:42:05.786
♪ TIE ME UP
LIKE I'M A SURPRISE

1404
01:42:05.853 --> 01:42:07.387
♪ LET'S ROLE PLAY
I'LL WEAR A DISGUISE

1405
01:42:07.454 --> 01:42:09.656
♪ I WANT YOU TO PARK THAT
BIG MACK TRUCK

1406
01:42:09.723 --> 01:42:12.192
♪ RIGHT IN THIS LITTLE GARAGE
MAKE ME DREAM

1407
01:42:12.259 --> 01:42:13.794
♪ MAKE IT STREAM
OUT IN PUBLIC

1408
01:42:13.861 --> 01:42:15.028
♪ MAKE A SCENE
I DON'T COOK

1409
01:42:15.095 --> 01:42:17.764
♪ I DON'T CLEAN
BUT LET ME TELL YOU

1410
01:42:17.831 --> 01:42:18.999
♪ HOW I GOT THIS RING
GOBBLE ME, SWALLOW ME

1411
01:42:19.066 --> 01:42:21.168
♪ DRIP DOWN THE SIDE OF ME
I'M OUT 'FORE I LET YOU

1412
01:42:21.235 --> 01:42:22.803
♪ GET INSIDE OF ME
I TELL HIM WHERE TO PUT IT

1413
01:42:22.870 --> 01:42:24.338
♪ NEVER TELL HIM WHERE
I'M 'BOUT TO BE

1414
01:42:24.404 --> 01:42:25.706
♪ I'LL RUN DOWN ON HIM
'FORE I HAVE A-- RUNNING ME

1415
01:42:25.772 --> 01:42:27.107
♪ TALK YOUR--
BITE YOUR LIP

1416
01:42:27.174 --> 01:42:29.443
♪ ASK FOR A CAR
WHILE YOU RIDE THAT

1417
01:42:29.510 --> 01:42:31.078
♪ YOU REALLY AIN'T NEVER GOTTA--
HIM FOR A THANG

1418
01:42:31.144 --> 01:42:32.946
♪ HE ALREADY MADE HIS MIND
UP 'FORE HE CAME

1419
01:42:33.013 --> 01:42:35.082
♪ NOW GET YOUR BOOTS
AND YOUR COAT

1420
01:42:35.148 --> 01:42:37.551
♪ FOR THIS WET-WET-WET
HE BOUGHT A PHONE

1421
01:42:37.618 --> 01:42:39.520
♪ JUST FOR PICTURES
OF THIS WET-WET-WET

1422
01:42:39.586 --> 01:42:43.090
♪ PAY MY TUITION JUST TO KISS ME
ON THIS WET-WET-WET

1423
01:42:43.156 --> 01:42:47.060
♪ NOW MAKE IT RAIN IF YOU WANNA
SEE SOME WET-WET-WET

1424
01:42:47.127 --> 01:42:49.897
♪ LOOK, I NEED A HARD HITTER
I NEED A DEEP--

1425
01:42:49.963 --> 01:42:51.064
♪ I NEED A HENNY DRINKER
I NEED A-- SMOKER

1426
01:42:51.131 --> 01:42:53.200
♪ NOT A GARDEN SNAKE
I NEED A KING COBRA

1427
01:42:53.267 --> 01:42:54.735
♪ WITH A HOOK IN IT
HOPE IT LEAN OVER

1428
01:42:54.801 --> 01:42:56.370
♪ HE GOT SOME MONEY
THEN THAT'S WHERE I'M HEADED

1429
01:42:56.436 --> 01:42:57.704
♪ COOKIE A1
JUST LIKE HIS CREDIT

1430
01:42:57.771 --> 01:43:00.007
♪ HE GOT A BEARD
WELL, I'M TRYNA WET IT

1431
01:43:00.073 --> 01:43:02.075
♪ I LET HIM HMMM
NOW HE DIABETIC

1432
01:43:02.142 --> 01:43:03.043
♪ I DON'T WANNA HMMM
I WANNA-- WOO

1433
01:43:03.110 --> 01:43:06.513
♪ I WANNA
I WANT YOU TO TOUCH THAT

1434
01:43:06.580 --> 01:43:08.081
♪ TOUCH THAT
IT'S SWINGING IN

1435
01:43:08.148 --> 01:43:09.483
♪ THE BACK OF MY--
MY TOE GAME IS FIRE

1436
01:43:09.550 --> 01:43:11.285
♪ DASANI, DASANI
IT'S GOING IN DRY

1437
01:43:11.351 --> 01:43:13.120
♪ AND IT'S COMING OUT SOGGY
I RUN ON THAT THANG

1438
01:43:13.186 --> 01:43:15.022
♪ LIKE THE COPS IS BEHIND ME
THE WAY THAT I SPIT

1439
01:43:15.088 --> 01:43:17.357
♪ NOW HE TRYNA SIGN ME
NOW GET YOUR BOOTS

1440
01:43:17.424 --> 01:43:19.026
♪ AND YOUR COAT
FOR THIS WET-WET-WET

1441
01:43:19.092 --> 01:43:21.562
♪ NOW GET A BUCKET
AND A MOP

1442
01:43:21.628 --> 01:43:25.832
♪ THAT'S SOME WET-WET-WET
I'M TALKING WAP, WAP WAP

1443
01:43:25.899 --> 01:43:31.071
♪ THAT'S SOME WET-WET-WET
NOW MAKE IT RAIN IF YOU WANNA

1444
01:43:31.138 --> 01:43:35.075
♪ SEE SOME WET-WET-WET

1445
01:43:35.142 --> 01:43:38.145
♪ ♪ ♪
♪ ♪ ♪

1446
01:43:38.211 --> 01:43:39.179
NOW FROM THE TOP
♪ MAKE IT DROP

1447
01:43:39.246 --> 01:43:42.349
THAT'S SOME WET
♪ THAT'S SOME WET

1448
01:43:42.416 --> 01:43:44.751
GET A BUCKET AND A MOP
♪ THAT'S SOME WET

1449
01:43:44.818 --> 01:43:46.920
THAT'S SOME WET
♪ I'M TALKING DROP, DROP, DROP

1450
01:43:46.987 --> 01:43:49.590
THAT'S SOME WET
♪ THAT'S SOME WET

1451
01:43:49.656 --> 01:43:51.091
MACARONI IN A POT
♪ THAT'S SOME WET

1452
01:43:51.158 --> 01:44:01.134
THAT'S SOME WET ♪

1453
01:44:01.201 --> 01:44:06.073
THAT'S SOME WET ♪

1454
01:44:06.139 --> 01:44:06.840
WOW, WOW, DID YOU SEE
THAT?

1455
01:44:06.907 --> 01:44:09.610
DID YOU SEE THAT!

1456
01:44:09.676 --> 01:44:14.314
WOW, CARDI B, FEATURING MEGAN
THEE STALLION, THAT WAS AMAZING

1457
01:44:14.381 --> 01:44:18.051
WOW, THAT WAS AMAZING, THE GIANT
SHOE, THE GIANT-- OH, AND IT IS

1458
01:44:18.118 --> 01:44:21.922
SO SOFT WHAT IS THE THREAD
COUNT, THIS IS AMAZING, WOW,

1459
01:44:21.989 --> 01:44:24.791
GUYS, GUYS, WAIT, WAIT, I JUST
REALIZED SOMETHING.

1460
01:44:24.858 --> 01:44:28.829
THIS IS A DREAM, THIS IS A DREAM
THAT I HAVE HAD TO BE IN BED

1461
01:44:28.895 --> 01:44:33.367
WITH CARDI B AND THEN MY
GRANDMOTHER COMES IN AND WHIPPED

1462
01:44:33.433 --> 01:44:36.937
OUR ASS FOR HAVING OUR SHOES ON
IN THE BED, SHE WILL WHIP YOUR

1463
01:44:37.004 --> 01:44:38.105
ASS.

1464
01:44:38.171 --> 01:44:39.773
I DON'T KNOW ABOUT YOU, BUT
WE HAVE TO COOL DOWN, WE'RE

1465
01:44:39.840 --> 01:44:43.910
GOING TO GO FOR A QUICK BREAK
AND LET THE STAGE DRY OFF, POST

1466
01:44:43.977 --> 01:44:49.082
MALONE, DOJA CAT, BTS AND LIL
BABY ARE ALL COMING UP.

1467
01:44:49.149 --> 01:44:57.090
THIS IS IT.

1468
01:44:57.157 --> 01:45:01.495
♪ ♪ ♪
♪ ♪ ♪

1469
01:45:01.561 --> 01:45:04.097
♪ FOR COMPLETE COVERAGE OF THE
GRAMMY AWARDS, EXCLUSIVE

1470
01:45:04.164 --> 01:45:07.067
HIGHLIGHTS, BACKSTAGE ACCESS AND
LIVER INTERVIEWS WITH TONIGHT'S

1471
01:45:07.134 --> 01:45:09.636
-WINNERS VISIT GRAMMY.
-COM.

1472
01:45:13.073 --> 01:45:20.213
♪ ♪ ♪

1473
01:45:20.280 --> 01:45:21.748
WELL, GOBBLE ME,
SWALLOW ME, DRIP DOWN THE SIDE

1474
01:45:21.815 --> 01:45:23.050
OF ME.

1475
01:45:23.116 --> 01:45:24.217
WELCOME BACK.

1476
01:45:24.284 --> 01:45:26.720
TO PRESENT OUR NEXT GRAMMY
AWARD, LET'S GO TO THE HEART OF

1477
01:45:26.787 --> 01:45:31.558
HARLEM AND PERHAPS THE MOST
HISTORIC INDEPENDENT VENUE IN

1478
01:45:31.625 --> 01:45:32.793
AMERICA.

1479
01:45:32.859 --> 01:45:36.229
LET'S MEET BILLY MITCHELL AT ONE
OF THE MOST ICONIC PLACES FOR

1480
01:45:36.296 --> 01:45:38.732
MUSICIANS TO PERFORM, AND FOR

1481
01:45:38.799 --> 01:45:42.369
THE WORLD FAMOUS APOLLO THEATER.

1482
01:45:43.603 --> 01:45:49.443
MY NAME IS BILLY MITCHELL,
THEY CALL ME MR. APPALLO, I

1483
01:45:49.509 --> 01:45:53.447
FIRST STARTED RUNNING ERRANDS AT
THE THEATER, I USED TO RUN

1484
01:45:53.513 --> 01:45:55.515
ERRANDS FOR JAMES BROWN AND HIS
BAND.

1485
01:45:55.582 --> 01:45:57.617
HE WOULD ALWAYS ASK ME,
MR. BILLY, HOW ARE YOU DOING IN

1486
01:45:57.684 --> 01:46:00.654
SCHOOL, I WOULD SAY I'M DOING
GREAT, AND APPARENTLY HE DIDN'T

1487
01:46:00.721 --> 01:46:05.358
BELIEVE ME, BECAUSE ONE DAY
MR. BROWN MADE ME LEAVE THE

1488
01:46:05.425 --> 01:46:07.928
APPALLO, GO ALL THE WAY BACK TO
THE BRONX, GET MY REPORT CARD

1489
01:46:07.994 --> 01:46:09.463
AND SHOW IT TO HIM.

1490
01:46:09.529 --> 01:46:12.933
AND WHEN JAMES BROWN NOTICED MY
REPORT CARD HE TOLD ME THAT I

1491
01:46:12.999 --> 01:46:15.936
WAS NOT ALLOWED TO COME BACK TO
THE APPALLO AND RUNNER RANDS

1492
01:46:16.002 --> 01:46:17.237
UNTIL I GOT MY GRADES UP.

1493
01:46:17.304 --> 01:46:20.240
SO WITH THAT THREAT IN MIND, I
BECAME A MEMBER OF THE HONOR

1494
01:46:20.307 --> 01:46:24.244
ROLL AND AS A GRADUATION GIFT
JAMES BROWN GAVE ME SOME MONEY.

1495
01:46:24.311 --> 01:46:27.447
I USED THAT MONEY TO ENROLL INTO
BUSINESS SCHOOL AND THAT STARTED

1496
01:46:27.514 --> 01:46:31.485
MY CAREER AT THE APPALLO
THEATER.

1497
01:46:31.551 --> 01:46:32.719
THANK YOU JAMES BROWN.

1498
01:46:32.786 --> 01:46:37.624
THIS WAS THE FIRST YEAR THEATER
THAT NOT ONLY SHOWED BLACK

1499
01:46:37.691 --> 01:46:40.227
TALENT ON THE STAGE BUT THE
FIRST THAT HIRED BLACK CREW AND

1500
01:46:40.293 --> 01:46:42.462
ALSO LET BLACKS SIT IN THE
AUDIENCE.

1501
01:46:42.529 --> 01:46:45.699
THE APPALLO WAS THE FIRST
THEATER IN HARLEM TO DO THAT.

1502
01:46:45.766 --> 01:46:48.902
CULTURALLY THIS PLACE IS LIKE
THE BEACON FOR

1503
01:46:48.969 --> 01:46:49.870
AFRICAN-AMERICANS.

1504
01:46:49.936 --> 01:46:55.609
THERE IS SOMETHING SPECIAL ABOUT
THIS BUILDING.

1505
01:46:55.675 --> 01:47:01.181
IT IS SO HEARTBREAKING, WE MISS
OUR AUDIENCE AND WE CAN'T WAIT

1506
01:47:01.248 --> 01:47:03.383
UNTIL OUR DOORS ARE OPEN BACK UP
AGAIN.

1507
01:47:03.450 --> 01:47:05.051
WE JUST CAN'T WAIT.

1508
01:47:05.118 --> 01:47:08.655
AND WE DO OPEN BACK UP, IT IS
GOING TO BE ABSOLUTELY AMAZING.

1509
01:47:08.722 --> 01:47:11.825
NOBODY DOES IT BETTER THAN US.

1510
01:47:11.892 --> 01:47:16.496
I WAS A POOR KID FROM MOUNT
VERNON, NEW YORK, NOW BEING

1511
01:47:16.563 --> 01:47:18.532
ASKED TO PRESENT ON THE GRAMMYS.

1512
01:47:18.598 --> 01:47:20.700
MAN, IT GETS NO BETTER THAN
THIS.

1513
01:47:20.767 --> 01:47:24.237
AND I AM SO GRATEFUL AND
APPRECIATIVE, I REALLY AM.

1514
01:47:24.304 --> 01:47:29.075
IT IS MY HONOR TO PRESENT THE
TBRAMMEE AWARD FOR BEST RAP

1515
01:47:29.142 --> 01:47:29.743
SONG.

1516
01:47:29.810 --> 01:47:34.514
AND HERE ARE THE NOMINATIONS.

1517
01:47:34.581 --> 01:47:36.216
♪ ♪ ♪
"THE BIGGER

1518
01:47:36.283 --> 01:47:38.718
PICTURE," LIL BABY.

1519
01:47:38.785 --> 01:47:43.557
"THE BOX," RODDY RICCH.

1520
01:47:43.623 --> 01:47:48.228
"LAUGH NOW, CRY LATER," DRAKE
FEATURING LIL DURK.

1521
01:47:48.295 --> 01:47:52.232
"ROCKSTAR," DaBABY FEATURING
RODDY RICCH.

1522
01:47:52.299 --> 01:47:59.840
"SAVAGE," MEGAN THEE STALLION
FEATURING BEYONCE.

1523
01:47:59.906 --> 01:48:02.809
♪ ♪ ♪

1524
01:48:02.876 --> 01:48:06.012
AND LET'S GO BACK TO
MR. APOLLO.

1525
01:48:06.079 --> 01:48:12.219
MR. MITCHELL, TELL US WHO THE
WINNER IS.

1526
01:48:12.285 --> 01:48:20.227
ALL RIGHT, THANK YOU, TREVOR.

1527
01:48:20.293 --> 01:48:24.231
"SAVAGE," MEGAN THEE STALLION

1528
01:48:24.297 --> 01:48:26.399
FEATURING BEYONCE.

1529
01:48:26.466 --> 01:48:32.239
♪ ♪ ♪

1530
01:48:32.305 --> 01:48:38.011
♪ I'M A SAVAGE, YEAH
CLASSY, BOUGIE, RATCHET, YEAH

1531
01:48:38.078 --> 01:48:40.046
♪ SASSY, MOODY, NASTY
HEY, HEY YEAH

1532
01:48:40.113 --> 01:48:43.617
♪ ACTING STUPID
WHAT'S HAPPENING?

1533
01:48:43.683 --> 01:48:44.784
♪ WHAT'S HAPPENING?

1534
01:48:44.851 --> 01:48:48.688
♪ I'M A SAVAGE, YEAH

1535
01:48:48.755 --> 01:48:52.225
CLASSY, BOUGIE, RATCHET, YEAH
♪ SASSY, MOODY, NASTY

1536
01:48:52.292 --> 01:48:54.561
HEY, HEY YEAH
♪ ACTING STUPID

1537
01:48:54.628 --> 01:48:56.229
WHAT'S HAPPENING?

1538
01:48:56.296 --> 01:49:00.233
♪ WHAT'S HAPPENING?

1539
01:49:00.300 --> 01:49:10.277
FIRST OF ALL,-- OKAY, BECAUSE

1540
01:49:10.343 --> 01:49:15.482
FIRST OF ALL,-- OKAY, BECAUSE

1541
01:49:15.548 --> 01:49:18.451
I SAID I WILL BRING MY PAPER UP
HERE SO I'M NOT GOING TO FORGET

1542
01:49:18.518 --> 01:49:24.691
TO THANK NOBODY, AND NOW I CAME
UP HERE-- FIRST OF ALL, I HAVE

1543
01:49:24.758 --> 01:49:28.662
TO KEEP THANKING GOD BECAUSE
WITHOUT GOD NONE OF US WOULD BE

1544
01:49:28.728 --> 01:49:30.196
HERE TODAY.

1545
01:49:30.263 --> 01:49:33.800
AND I ALSO WANT TO THANK, I ALSO
WANT TO SAY CONGRATULATIONS TO

1546
01:49:33.867 --> 01:49:40.674
EVERYBODY WHO WAS NOMINATED
BECAUSE ALL OF THESE SONGS WERE

1547
01:49:40.740 --> 01:49:41.808
AMAZING.

1548
01:49:41.875 --> 01:49:45.679
WE WOULDN'T-- MUSIC REALLY
HELPED A LOT OF US GET THROUGH

1549
01:49:45.745 --> 01:49:46.813
THE PANDEMIC.

1550
01:49:46.880 --> 01:49:50.083
SO LIKE I SAID, SHOUT OUT TO
EVERYBODY WHO IS HERE TODAY,

1551
01:49:50.150 --> 01:49:52.519
BECAUSE A LOT OF THESE SONGS
PUSHED US ALL THE WAY THROUGH.

1552
01:49:52.585 --> 01:50:01.795
I DEFINITELY WANT TO SAY THANK
YOU TO BEYONCE.

1553
01:50:01.861 --> 01:50:07.534
IF YOU KNOW ME, YOU HAVE TO KNOW
THAT EVER SINCE I WAS LITTLE I

1554
01:50:07.600 --> 01:50:11.972
WAS LIKE YOU KNOW WHAT, ONE DAY
I'M GOING TO GROW UP AND I WILL

1555
01:50:12.038 --> 01:50:14.708
BE LIKE BEYONCE, THAT WAS
DEFINITELY MY GOAL.

1556
01:50:14.774 --> 01:50:18.044
AND I REMEMBER I WENT TO THE
RODEO FOR THE FIRST TIME AND I

1557
01:50:18.111 --> 01:50:22.082
SAW DESTINY'S CHILD PERFORM AND
I WAS LIKE YOU KNOW WHAT, I LOVE

1558
01:50:22.148 --> 01:50:25.418
HER WORK, I LOVE THE WAY SHE IS,
I LOVE THE WAY SHE CARRY HERSELF

1559
01:50:25.485 --> 01:50:28.922
AND MY MAMA WOULD ALWAYS BE LIKE
MEGAN WHACK WOULD-BE YONS DO.

1560
01:50:28.989 --> 01:50:32.125
AND MI ALWAYS LIKE, YOU KNOW
WHAT, WHAT WOULD-BE YONS DO.

1561
01:50:32.192 --> 01:50:38.798
BUT LET ME MAKE IT A LITTLE
RATCHET.

1562
01:50:38.865 --> 01:50:40.567
BUT--

1563
01:50:40.633 --> 01:50:47.907
SO THANK YOU BEYONCE, FOR YOUR
ENCOURAGING WORDS ALL THE TIME.

1564
01:50:47.974 --> 01:50:51.978
THANK YOU FOR-- FOR PUTTING ME
ON ROCK NATION, MY LIFE HAS

1565
01:50:52.045 --> 01:50:54.714
CHANGED, THANK YOU, I KNOW YOU
WATCHING.

1566
01:50:54.781 --> 01:51:01.588
AND YEAH, JUST THANK YOU, WE DID
IT.

1567
01:51:01.654 --> 01:51:05.091
I JUST WANT TO QUICKLY GIVE
MY LOVE TO MEGAN, HAVE I SO MUCH

1568
01:51:05.158 --> 01:51:08.094
RESPECT FOR YOU AND I'M HONORED
THAT YOU CANNED ME TO BE A PART

1569
01:51:08.161 --> 01:51:13.033
OF THT SONG, AND I WANT TO SEAU
HOUSTON, WE LOVE YOU, THANK YOU

1570
01:51:13.099 --> 01:51:13.800
GRAMMYS.

1571
01:51:13.867 --> 01:51:14.734
THANK YOU.

1572
01:51:14.801 --> 01:51:17.704
MEGAN AND BEYONCE,

1573
01:51:17.771 --> 01:51:18.838
CONGRATULATIONS.

1574
01:51:18.905 --> 01:51:21.641
BEFORE YOU LEAVE THE STAGE,
BEFORE YOU LEAVE THE STAGE I

1575
01:51:21.708 --> 01:51:25.178
JUST WANTED TO SAY THIS, WE WANT
EVERYBODY TO KNOW THAT RIGHT NOW

1576
01:51:25.245 --> 01:51:26.713
GRAMMY HISTORY HAS BEEN MADE.

1577
01:51:26.780 --> 01:51:32.218
BECAUSE WITH THAT AWARD, BEYONCE
HAS JUST TIED THE ALL-TIME

1578
01:51:32.285 --> 01:51:38.691
RECORD FOR MOST GRAMMY WINS EVER
BY A FEMALE ARTIST AND BY ANY

1579
01:51:38.758 --> 01:51:40.226
SINGER MALE OR FEMALE.

1580
01:51:40.293 --> 01:51:42.962
SO CONGRATULATIONS QUEEN B.

1581
01:51:43.029 --> 01:51:48.234
BEYONCE IS TIED AT 27 GRAMMYS,
TIED AT 27 GRAMMYS.

1582
01:51:48.301 --> 01:51:50.737
WHAT AN ACHIEVEMENT.

1583
01:51:50.804 --> 01:51:52.205
WOW.

1584
01:51:52.272 --> 01:51:56.176
LADIES,.

1585
01:51:56.242 --> 01:51:59.345
ALL RIGHT, IT IS TIME FOR
ANOTHER RECORD OF THE YEAR

1586
01:51:59.412 --> 01:52:00.480
NOMINEE FILM.

1587
01:52:00.547 --> 01:52:03.049
REMEMBER, AN EXTENDED VERSION OF
ALL OF OUR FILMS WILL BE

1588
01:52:03.116 --> 01:52:04.317
AN EXTENDED VERSION OF
ALL OUR FILMS WILL BE AVAILABLE

1589
01:52:04.384 --> 01:52:05.652
AFTER THE SHOW TONIGHT ON
PARAMOUNT+.

1590
01:52:05.718 --> 01:52:08.254
HERE'S A REVEALING LOOK AT THE
CHARMING CHARACTER BEHIND ALL

1591
01:52:08.321 --> 01:52:12.225
THOSE MASSIVE HITS AND THREE NEW
GRAMMY NOMINATIONS THIS YEAR.

1592
01:52:12.292 --> 01:52:16.229
THIS IS POST MALONE.

1593
01:52:16.296 --> 01:52:27.040
♪ ♪ ♪

1594
01:52:27.107 --> 01:52:30.910
MAKING CIRCLES, MY VOICE WAS
GONE, I HAD BEEN JAMMING AND

1595
01:52:30.977 --> 01:52:37.951
SINGING ALL DAY, AND I WAS LIKE
THIS SONG IS TERRIBLE.

1596
01:52:38.017 --> 01:52:40.653
AND THEN I CAME BACK TO IT A
LITTLE WHILE LATER AND IT TURNED

1597
01:52:40.720 --> 01:52:43.790
OUT TO BE A PRETTY DECENT SONG.

1598
01:52:43.857 --> 01:52:47.193
I FEEL LIKE I DO EXPRESS MYSELF
BEST IN MUSIC.

1599
01:52:47.260 --> 01:52:49.696
I'M NOT THE MOST EXTROVERTED
GUY.

1600
01:52:49.762 --> 01:52:55.068
PEOPLE COME UP TO ME PLAYING MY
SONG AND I WILL BE LIKE, I'M

1601
01:52:55.135 --> 01:52:56.236
SUPER SHOCKED.

1602
01:52:56.302 --> 01:52:59.139
PERFORMING IS ABSOLUTELY
TERRIFYING.

1603
01:52:59.205 --> 01:53:05.078
YOU GO INTO THE ARENA AND
EVERYBODY IS HYPED UP, IT MAKES

1604
01:53:05.145 --> 01:53:15.054
IT EASIER TO GO BUCK WILD.

1605
01:53:15.121 --> 01:53:22.462
IT EASIER TO GO BUCK WILD.

1606
01:53:22.529 --> 01:53:25.565
I THINK IT WAS WHENEVER I
STARTED PLAYING GUITAR HERE I

1607
01:53:25.632 --> 01:53:27.600
WAS LIKE I WANT TO BE A MUS IG.

1608
01:53:27.667 --> 01:53:31.504
NEVER IN MY LIFE DID I EVER
THINK THAT IT WOULD ACTUALLY

1609
01:53:31.571 --> 01:53:32.739
HAPPEN.

1610
01:53:32.805 --> 01:53:35.942
GROWING UP IT WAS A VERY MUSIC
APPRECIATIVE HOUSEHOLD BUT MUSIC

1611
01:53:36.009 --> 01:53:37.310
TALENT, NOT SO MUCH.

1612
01:53:37.377 --> 01:53:41.447
YOU SHOULD HEAR MY MOM SING AND
MY DAD SING.

1613
01:53:41.514 --> 01:53:51.291
GOD BLESS AUTO TUNE, EVEN I CAN
SING A COUPLE SONGS.

1614
01:53:51.357 --> 01:53:55.895
I'M SO BLESSED AND HONORED TO BE
ABLE TO DO MUSIC, AS MY JOB.

1615
01:53:55.962 --> 01:53:57.397
SO THANK YOU VERY MUCH.

1616
01:53:57.463 --> 01:53:58.464
CHEERS.

1617
01:53:58.531 --> 01:54:02.802
AND NOW PERFORMING
HOLLYWOOD'S BLEEDING, THIS IS

1618
01:54:02.869 --> 01:54:07.674
POST MALONE.

1619
01:54:44.244 --> 01:54:47.880
♪ ♪ ♪
♪ HOLLYWOOD'S BLEEDING

1620
01:54:47.947 --> 01:54:52.185
VAMPIRES FEEDIN'
♪ DARKNESS TURNS TO DUST

1621
01:54:52.252 --> 01:54:55.555
EVERYONE'S GONE
♪ BUT NO ONE'S LEAVIN'

1622
01:54:55.622 --> 01:55:02.262
NOBODY LEFT BUT US
♪ TRYNA CHASE A FEELIN'

1623
01:55:02.328 --> 01:55:07.233
BUT WE'LL NEVER FEEL IT
♪ RIDIN' ON THE LAST TRAIN HOME

1624
01:55:07.300 --> 01:55:12.238
DYIN' IN OUR SLEEP
♪ WE'RE LIVIN' OUT A DREAM

1625
01:55:12.305 --> 01:55:14.707
WE ONLY MAKE IT OUT ALONE
♪ I JUST KEEP ON HOPIN'

1626
01:55:14.774 --> 01:55:19.946
THAT YOU CALL ME
♪ YOU SAY YOU WANNA SEE ME

1627
01:55:20.013 --> 01:55:23.583
BUT YOU CAN'T RIGHT NOW
♪ YOU NEVER TOOK THE TIME

1628
01:55:23.650 --> 01:55:26.686
TO GET TO KNOW ME
♪ WAS SCARED OF LOSIN' SOMETHIN'

1629
01:55:26.753 --> 01:55:32.225
THAT WE NEVER FOUND
♪ WE'RE RUNNING OUT OF REASONS

1630
01:55:32.292 --> 01:55:38.731
BUT WE CAN'T LET GO
♪ YEAH, HOLLYWOOD IS BLEEDING

1631
01:55:38.798 --> 01:55:44.237
BUT WE CALL IT HOME
♪ OUTSIDE, THE WINTER

1632
01:55:44.304 --> 01:55:48.241
SKY TURNIN' GREY
♪ CITY UP IN SMOKE

1633
01:55:48.308 --> 01:55:50.710
IT'S ONLY ASH WHEN IT RAINS
♪ HOWL AT THE MOON AND

1634
01:55:50.777 --> 01:55:54.247
GO TO SLEEP IN THE DAY
♪ LOVE FOR EVERYBODY 'TIL

1635
01:55:54.314 --> 01:55:56.215
THE DRUGS FADE AWAY
♪ IN THE MORNIN'

1636
01:55:56.282 --> 01:55:58.685
BLOCKING OUT THE SUN
♪ WITH THE SHADES

1637
01:55:58.751 --> 01:56:00.887
SHE GOTTA CHECK HER PULSE
♪ AND TELL HERSELF THAT SHE OKAY

1638
01:56:00.953 --> 01:56:04.290
IT SEEM LIKE DYING YOUNG
♪ IS AN HONOR

1639
01:56:04.357 --> 01:56:05.892
BUT WHO'D BE AT MY FUNERAL?

1640
01:56:05.958 --> 01:56:07.160
♪ I WONDER
I GO OUT

1641
01:56:07.226 --> 01:56:11.798
♪ AND ALL THEY EYES ON ME
I SHOUT OUT

1642
01:56:11.864 --> 01:56:16.235
♪ "DO YOU LIKE WHAT YOU SEE?"
AND NOW THEY CLOSIN' IN ON ME

1643
01:56:16.302 --> 01:56:19.972
♪ LET 'EM SHARPEN ALL THEY TEETH
THIS IS MORE THAN I CAN HANDLE

1644
01:56:20.039 --> 01:56:23.009
♪ BLOOD IN MY LAMBO'
WISH I COULD GO

1645
01:56:23.076 --> 01:56:26.012
♪ OH, I'M LOSIN' HOPE
I LIGHT A CANDLE

1646
01:56:26.079 --> 01:56:28.214
♪ SOME PALO SANTO
FOR ALL THESE DEMONS

1647
01:56:28.281 --> 01:56:36.222
♪ WISH I COULD JUST GO ON
I JUST KEEP ON HOPIN'

1648
01:56:36.289 --> 01:56:38.725
♪ THAT YOU CALL ME
YOU SAY YOU WANNA SEE ME

1649
01:56:38.791 --> 01:56:41.227
♪ BUT YOU CAN'T RIGHT NOW
YOU NEVER TOOK THE TIME

1650
01:56:41.294 --> 01:56:47.300
♪ TO GET TO KNOW ME
WAS SCARED OF LOSIN' SOMETHIN'

1651
01:56:47.367 --> 01:56:50.737
♪ THAT WE NEVER FOUND
WE'RE RUNNING OUT OF REASONS

1652
01:56:50.803 --> 01:57:00.246
♪ BUT WE CAN'T LET GO
YEAH, HOLLYWOOD IS BLEEDING

1653
01:57:00.313 --> 01:57:10.590
♪ BUT WE CALL IT HOME ♪

1654
01:57:10.656 --> 01:57:12.058
THAT'S RIGHT, POST MALONE,
EVERYBODY.

1655
01:57:12.125 --> 01:57:14.727
THANK YOU SO MUCH, THAT WAS AN
AMAZING PERFORMANCE.

1656
01:57:14.794 --> 01:57:17.864
AND EVEN MORE AMAZING FACE
TATTOO, THAT IS THE MOST READING

1657
01:57:17.930 --> 01:57:18.998
HAVE I DONE ALL YEAR.

1658
01:57:19.065 --> 01:57:22.268
STAY TUNED BECAUSE WHEN WE COME
BACK, LIL BABY GIVES A

1659
01:57:22.335 --> 01:57:24.270
PERFORMANCE YOU DO NOT WANT TO
MISS.

1660
01:57:24.337 --> 01:57:26.672
THIS IS CBS.

1661
01:57:26.739 --> 01:57:31.711
JOIN THE CONVERSATION WITH

1662
01:57:31.778 --> 01:57:35.381
MUSIC FANS AROUND THE WORLD AND
FOLLOW THE RECORDING ACADEMY FOR

1663
01:57:35.448 --> 01:57:37.784
EVERYTHING GRAMMY AWARDS.

1664
01:57:37.850 --> 01:57:39.685
THE THE 63rd GRAMMY AWARDS IS

1665
01:57:39.752 --> 01:57:40.753
SPONSORED BY PANTENE.

1666
01:57:49.262 --> 01:57:51.264
♪ ♪ ♪
WELCOME BACK TO THE

1667
01:57:51.330 --> 01:57:53.099
GRAMMYS.

1668
01:57:53.166 --> 01:57:54.801
NOW, PLEASE WELCOME TWO
INCREDIBLE ARTISTS WHO ARE BOTH

1669
01:57:54.867 --> 01:57:59.105
NOMINATED FOR ALBUM OF THE YEAR
JHENE AIKO AND JACOB

1670
01:57:59.172 --> 01:58:03.109
COLLIER.

1671
01:58:03.176 --> 01:58:10.016
♪ ♪ ♪
THANK YOU.

1672
01:58:10.082 --> 01:58:15.021
JACOB AND I BOTH FEEL SO HONORED
TO BE NOMINATED FOR

1673
01:58:15.087 --> 01:58:17.523
ALBUM OF THE YEAR.

1674
01:58:17.590 --> 01:58:21.761
COMGRATS.

1675
01:58:21.828 --> 01:58:22.962
LIKEWISE.

1676
01:58:23.029 --> 01:58:23.663
AND VERY HAPPY TO BE HERE TO
PRESENT THE GRAMMY FOR BEST POP

1677
01:58:23.729 --> 01:58:24.897
VOCAL ALBUM.

1678
01:58:24.964 --> 01:58:26.866
THIS CATEGORY WAS STARTED IN
1995, AND, IN JUST THAT TIME,

1679
01:58:26.933 --> 01:58:28.100
THIS AWARD HAS GONE TO THE LIKES
OF LEGENDS FROM RAY CHARLES TO

1680
01:58:28.167 --> 01:58:29.335
BRUNO MARS.

1681
01:58:29.402 --> 01:58:31.070
AND FROM BONNIE RAITT TO
ADELE.

1682
01:58:31.137 --> 01:58:35.107
THESE ARE THE OUTSTANDING
NOMINATIONS FOR BEST POP VOCAL

1683
01:58:35.174 --> 01:58:39.111
ALBUM.

1684
01:58:39.178 --> 01:58:41.647
♪ ♪ ♪
"CHANGES," JUSTIN

1685
01:58:41.714 --> 01:58:47.086
BIEBER.

1686
01:58:47.153 --> 01:58:51.090
"CHROMATICA," LADY GAGA.

1687
01:58:51.157 --> 01:58:53.626
"FUTURE NOSTALGIA," DUA LIPA.

1688
01:58:53.693 --> 01:58:59.098
"FINE LINE," HARRY STYLES.

1689
01:58:59.165 --> 01:59:03.102
"FOLKLORE," TAYLOR SWIFT.

1690
01:59:13.045 --> 01:59:17.583
"FUTURE NOSTALGIA," DUA LIPA.

1691
01:59:31.163 --> 01:59:34.734
♪ ♪ ♪
OH MY GOODNESS.

1692
01:59:34.800 --> 01:59:38.104
WOW, THANK YOU SO MUCH.

1693
01:59:38.170 --> 01:59:42.141
THIS IS INSANE.

1694
01:59:42.208 --> 01:59:44.577
FUTURE NOSTALGIA MEANS THE
ABSOLUTE WORLD TO ME AND IT HAS

1695
01:59:44.644 --> 01:59:47.847
CHANGED MY LIFE IN SO MANY WAYS.

1696
01:59:47.914 --> 01:59:52.885
BUT ONE THING THAT I HAVE REALLY
COME TO REALIZE IS HOW MUCH

1697
01:59:52.952 --> 01:59:55.054
HAPPINESS IS SO IMPORTANT.

1698
01:59:55.121 --> 01:59:57.723
I FELT REALLY DATED AT THE END
OF MY LAST ALBUM WHERE I FELT

1699
01:59:57.790 --> 02:00:01.427
LIKE I ONLY HAD TO MAKE SAD
MUSIC TO FEEL LIKE IT MATTERED.

1700
02:00:01.494 --> 02:00:06.532
AND MI JUST SO GRATEFUL AND SO
HONORED BECAUSE HAPPINESS IS

1701
02:00:06.599 --> 02:00:09.168
SOMETHING WE ALL DESERVE AND
NEED IN OUR LIVES.

1702
02:00:09.235 --> 02:00:11.971
AND I REALLY WANT TO SAY A
MASSIVE, MASSIVE THANK YOU TO

1703
02:00:12.038 --> 02:00:16.542
ALL THE FANS THAT HAVE, THIS IS
ALL BECAUSE OF YOU.

1704
02:00:16.609 --> 02:00:19.645
HONESTLY, THIS IS ALL YOU AND I
APPRECIATE EVERY SINGLE THING

1705
02:00:19.712 --> 02:00:21.614
THAT YOU HAVE DONE FOR THIS
ALBUM.

1706
02:00:21.681 --> 02:00:26.419
I WANT TO SAY A MASSIVE THANK
YOU TO MY MANAGERS, BEN, ED,

1707
02:00:26.485 --> 02:00:30.957
WENDY, GEORGE, WHO HAVE BEEN
WITH ME SINCE I WAS 17, WHO HAVE

1708
02:00:31.023 --> 02:00:32.158
REALLY FOUGHT MY CORNER.

1709
02:00:32.224 --> 02:00:35.361
I WANT TO SAY THANK YOU TO MY
LABEL, WARNER RECORDS AND YOU

1710
02:00:35.428 --> 02:00:40.800
SAY THANK YOU TO JOE, TO MAX, TO
TOM, TO PHIL, TO MIKE, AND THE

1711
02:00:40.866 --> 02:00:42.735
WHOLE RADIO TEAM IT REALLY MEANS
A LOT TO ME.

1712
02:00:42.802 --> 02:00:48.407
THANK YOU SO MUCH, TO ALL THE
INCREDIBLE WRITERS, ARTISTS AND

1713
02:00:48.474 --> 02:00:50.910
PRODUCERS THAT I GOT TO MAKE
THIS ALBUM WITH.

1714
02:00:50.977 --> 02:00:52.144
THIS MEANS SO MUCH.

1715
02:00:52.211 --> 02:00:55.181
THANKS TO MY FAMILY AND FRIENDS
WATCHING AT HOME, I LOVE YOU,

1716
02:00:55.247 --> 02:00:59.118
THANK YOU.

1717
02:00:59.185 --> 02:01:03.155
MWAH.

1718
02:01:03.222 --> 02:01:05.658
CONGRATULATIONS, DUA

1719
02:01:05.725 --> 02:01:06.792
LIPA.

1720
02:01:06.859 --> 02:01:09.295
THIS WEDNESDAY NIGHT, THE
RECORDING ACADEMY IS BRINGING

1721
02:01:09.362 --> 02:01:11.664
YOU "A GRAMMY SALUTE TO THE
SOUNDS OF CHANGE," A CBS SPECIAL

1722
02:01:11.731 --> 02:01:14.500
HONORING THE POWER OF MUSIC TO
SPEAK TO ITS TIMES.

1723
02:01:14.567 --> 02:01:17.837
AND RIGHT NOW, WE'RE GOING JUST
DOWN THERE FOR AN UNFORGETTABLE

1724
02:01:17.903 --> 02:01:19.105
PERFORMANCE.

1725
02:01:19.171 --> 02:01:21.907
HERE PERFORMING "THE BIGGER
PICTURE," PLEASE WELCOME LIL

1726
02:01:21.974 --> 02:01:27.113
BABY.

1727
02:01:27.179 --> 02:01:39.158
WHEN I WAS GROWING UP I WAS

1728
02:01:39.225 --> 02:01:41.527
TAUGHT IN AMERICAN HISTORY BOOKS
THAT AFRICA HAD NO HISTORY AND

1729
02:01:41.594 --> 02:01:47.166
NEITHER DID I.

1730
02:01:47.233 --> 02:01:49.802
THAT I WAS A SAVAGE.

1731
02:01:49.869 --> 02:01:51.037
ABOUT WHOM THE LESS SAID, THE
BETTER.

1732
02:01:51.103 --> 02:01:59.178
WHO HAD BEEN SAVED BY EUROPE AND
BROUGHT TO AMERICA.

1733
02:01:59.245 --> 02:02:02.882
AND, OF COURSE, I BELIEVED IT.

1734
02:02:02.948 --> 02:02:04.050
I DIDN'T HAVE MUCH CHOICE.

1735
02:02:04.116 --> 02:02:06.719
♪ TRADE MY 4 X 4 FOR A G63
AIN'T NO MORE FREE LIL' STEVE

1736
02:02:06.786 --> 02:02:09.355
♪ I GAVE 'EM CHANCE AND CHANCE
AND CHANCE AGAIN

1737
02:02:09.422 --> 02:02:10.956
♪ I EVEN DONE TOLD THEM PLEASE
I FIND IT CRAZY THE POLICE'LL

1738
02:02:11.023 --> 02:02:12.925
♪ SHOOT YOU AND
KNOW THAT YOU DEAD

1739
02:02:12.992 --> 02:02:14.927
♪ BUT STILL TELL YOU TO FREEZE
-- UP, I SEEN WHAT I SEEN

1740
02:02:14.994 --> 02:02:16.529
♪ I GUESS THAT MEAN HOLD HIM
DOWN IF HE SAY HE CAN'T BREATHE

1741
02:02:16.595 --> 02:02:17.730
♪ IT'S TOO MANY MOTHERS
THAT'S GRIEVING

1742
02:02:17.797 --> 02:02:22.468
♪ THEY KILLING US FOR NO REASON
BEEN GOING ON FOR TOO LONG

1743
02:02:22.535 --> 02:02:23.636
♪ TO GET EVEN
♪ LIKE DOGS AND HYENAS

1744
02:02:23.703 --> 02:02:25.371
I WENT TO COURT AND THEY
♪ SENT ME TO PRISON

1745
02:02:25.438 --> 02:02:27.106
MY MAMA WAS CRUSHED WHEN
♪ THEY SAID I CAN'T LEAVE

1746
02:02:27.173 --> 02:02:28.741
FIRST I WAS DRUNK
♪ THEN I SOBERED UP QUICK

1747
02:02:28.808 --> 02:02:30.276
WHEN I HEARD ALL THAT TIME
♪ THAT THEY GAVE TO TALIB

1748
02:02:30.342 --> 02:02:33.412
HE GOT A LIFE SENTENCE PLUS
♪ WE JUST SOME PRODUCTS

1749
02:02:33.479 --> 02:02:35.648
OF OUR ENVIRONMENT
♪ HOW THE-- THEY GON' BLAME US?

1750
02:02:35.715 --> 02:02:37.883
YOU CAN'T FIGHT FIRE WITH FIRE
♪ I KNOW, BUT AT LEAST

1751
02:02:37.950 --> 02:02:49.161
WE CAN TURN UP THE FLAMES SOME
♪ YOU GOTTA PAY ATTENTION

1752
02:02:49.228 --> 02:02:50.162
TO THE SIGNS
♪ SEEM LIKE THE BLIND

1753
02:02:50.229 --> 02:02:51.197
FOLLOWING THE BLIND
♪ THINKING 'BOUT EVERYTHING

1754
02:02:51.263 --> 02:02:52.198
THAT'S GOING ON
♪ I BOOST SECURITY UP AT MY HOME

1755
02:02:52.264 --> 02:02:53.065
I'M WITH MY KIND IF
♪ THEY RIGHT OR THEY WRONG

1756
02:02:53.132 --> 02:02:54.100
I CALL HIM NOW
♪ HE'LL PICK UP THE PHONE

1757
02:02:54.166 --> 02:02:55.034
AND IT'S 5:0 IN THE MORNING
♪ HE WAKING UP ON IT

1758
02:02:55.101 --> 02:02:56.102
TELL 'EM WHEREVER I'M AT
♪ THEN THEY COMIN'

1759
02:02:56.168 --> 02:02:57.737
I SEE BLUE LIGHTS, I GET SCARED
♪ AND START RUNNIN'

1760
02:02:57.803 --> 02:02:59.171
THAT-- BE CRAZY
♪ THEY 'POSED TO PROTECT US

1761
02:02:59.238 --> 02:03:01.741
THROW US IN HANDCUFFS
♪ AND ARREST US

1762
02:03:01.807 --> 02:03:03.175
WHILE THEY GO HOME AT NIGHT
♪ THAT-- MESSED UP

1763
02:03:03.242 --> 02:03:04.910
KNOWING WE NEEDED HELP
♪ THEY NEGLECT US

1764
02:03:04.977 --> 02:03:06.479
WONDERING WHO GON'
♪ MAKE THEM RESPECT US

1765
02:03:06.545 --> 02:03:09.415
I CAN SEE IN YOUR EYE
♪ THAT YOU FED UP

1766
02:03:09.482 --> 02:03:10.750
MESS AROUND, GOT MY SHOT
♪ I WON'T LET UP

1767
02:03:10.816 --> 02:03:11.650
THEY KNOW THAT WE
♪ A PROBLEM TOGETHER

1768
02:03:11.717 --> 02:03:13.719
THEY KNOW THAT WE CAN
♪ STORM ANY WEATHER

1769
02:03:13.786 --> 02:03:15.087
IT'S BIGGER THAN BLACK AND WHITE
♪ IT'S A PROBLEM WITH

1770
02:03:15.154 --> 02:03:17.790
THE WHOLE WAY OF LIFE
♪ IT CAN'T CHANGE OVERNIGHT

1771
02:03:17.857 --> 02:03:19.358
BUT WE GOTTA START SOMEWHERE
♪ MIGHT AS WELL

1772
02:03:19.425 --> 02:03:23.095
GON' 'HEAD START HERE
♪ WE DONE HAD A HELL OF A YEAR

1773
02:03:23.162 --> 02:03:27.099
I'MA MAKE IT COUNT
♪ WHILE I'M HERE

1774
02:03:27.166 --> 02:03:30.202
GOD IS THE ONLY MAN I FEAR
IT'S A STATE OF EMERGENCY.

1775
02:03:30.269 --> 02:03:33.639
IT'S BEEN A HELL OF A YEAR.

1776
02:03:33.706 --> 02:03:35.174
HELL FOR OVER 400 YEARS.

1777
02:03:35.241 --> 02:03:39.178
MY PEOPLE IT'S TIME WE STAND,
IT'S TIME WE DEMAND THE FREEDOM

1778
02:03:39.245 --> 02:03:40.446
THAT THIS LAND PROMISES.

1779
02:03:40.513 --> 02:03:43.149
PRESIDENT BIDEN, WE DEMAND
JUSTICE.

1780
02:03:43.215 --> 02:03:47.153
EQUITY, POLICY, AND EVERYTHING
ELSE THAT FREEDOM ENCOMPASSES.

1781
02:03:47.219 --> 02:03:50.523
AND TO ACCOMPLISH THIS, WE DON'T
NEED ALLIES, WE NEED

1782
02:03:50.589 --> 02:03:51.257
ACCOMPLICES.

1783
02:03:51.323 --> 02:03:52.324
IT'S BIGGER THAN BLACK AND
WHITE.

1784
02:03:52.391 --> 02:03:55.361
THIS IS NOT A TREND, THIS IS OUR

1785
02:03:55.427 --> 02:03:59.165
UNTIL FREEDOM!

1786
02:03:59.231 --> 02:04:11.610
UNTIL FREEDOM!

1787
02:04:11.677 --> 02:04:12.611
EVERY VIDEO I SEE
♪ ON MY CONSCIENCE

1788
02:04:12.678 --> 02:04:13.913
I GOT POWER NOW
♪ I GOTTA SAY SOMETHIN'

1789
02:04:13.979 --> 02:04:15.781
CORRUPTED POLICE BEEN THE
♪ PROBLEM WHERE I'M FROM

1790
02:04:15.848 --> 02:04:16.982
BUT I'D BE LYING IF I SAID
♪ IT WAS ALL OF THEM

1791
02:04:17.049 --> 02:04:18.250
I AIN'T DO THIS FOR THE TREND
♪ I DON'T FOLLOW THEM

1792
02:04:18.317 --> 02:04:19.685
ALTERCATIONS WITH THE LAW
♪ HAD A LOT OF THEM

1793
02:04:19.752 --> 02:04:21.287
PEOPLE SPEAKING FOR THE PEOPLE
♪ I'M PROUD OF THEM

1794
02:04:21.353 --> 02:04:22.855
STICK TOGETHER, WE CAN
♪ GET IT UP OUT OF THEM

1795
02:04:22.922 --> 02:04:24.223
I CAN'T LIE LIKE I DON'T RAP
♪ ABOUT KILLING AND DOPE

1796
02:04:24.290 --> 02:04:25.858
BUT I'M TELLING MY YOUNGINS
♪ TO VOTE

1797
02:04:25.925 --> 02:04:27.259
I DID WHAT I DID 'CAUSE I DIDN'T
♪ HAVE NO CHOICE OR NO HOPE

1798
02:04:27.326 --> 02:04:29.228
I WAS FORCED TO JUST
♪ JUMP IN AND GO

1799
02:04:29.295 --> 02:04:31.030
THIS-- IS ALL THAT WE KNOW
♪ BUT IT'S TIME FOR A CHANGE

1800
02:04:31.096 --> 02:04:35.134
GOT TIME TO BE SERIOUS
♪ NO TIME FOR NO GAMES

1801
02:04:35.201 --> 02:04:44.610
WE AIN'T TAKIN' NO MORE
I WAS MAGICICALLY.

1802
02:04:44.677 --> 02:04:48.214
YOU CAN FACE IT AND SEE I MESSED
UP.

1803
02:04:48.280 --> 02:04:53.652
A BEFORE HE LAY DOWN, ALL OF
THEM ALL OF US NOTHING BUT

1804
02:04:53.719 --> 02:04:57.923
SLAVES AND NEVER FORGETTING THE
STORY.

1805
02:04:57.990 --> 02:05:00.259
BIGGER THAN BLACK AND WHITE.

1806
02:05:00.326 --> 02:05:03.095
CAN'T CHANGE
IT'S BIGGER THAN BLACK AND WHITE

1807
02:05:03.162 --> 02:05:05.631
♪ IT'S A PROBLEM WITH THE
WHOLE WAY OF LIFE

1808
02:05:05.698 --> 02:05:06.999
♪ IT CAN'T CHANGE OVERNIGHT
BUT WE GOTTA START SOMEWHERE

1809
02:05:07.066 --> 02:05:08.467
♪ MIGHT AS WELL
GON' 'HEAD START HERE

1810
02:05:08.534 --> 02:05:09.835
♪ WE DONE HAD A HELL OF A YEAR
I'MA MAKE IT COUNT

1811
02:05:09.902 --> 02:05:13.973
♪ WHILE I'M HERE
GOD IS THE ONLY MAN I FEAR

1812
02:05:14.039 --> 02:05:15.140
IT'S BIGGER THAN BLACK AND WHITE
♪ IT'S A PROBLEM WITH THE

1813
02:05:15.207 --> 02:05:16.675
WHOLE WAY OF LIFE
♪ IT CAN'T CHANGE OVERNIGHT

1814
02:05:16.742 --> 02:05:17.877
BUT WE GOTTA START SOMEWHERE
♪ MIGHT AS WELL

1815
02:05:17.943 --> 02:05:21.480
GON' 'HEAD START HERE
♪ WE DONE HAD A HELL OF A YEAR

1816
02:05:21.547 --> 02:05:27.052
I'MA MAKE IT COUNT
♪ WHILE I'M HERE

1817
02:05:27.119 --> 02:05:31.857
GOD IS THE ONLY MAN I FEAR ♪
STILL TO COME, RECORD OF THE

1818
02:05:31.924 --> 02:05:36.929
YEAR NOMINEE DOJA CAT AND
PERFORMANCES BY BTS AND RODDY

1819
02:05:36.996 --> 02:05:37.496
RICCH.

1820
02:05:37.563 --> 02:05:38.564
THIS IS CBS.

1821
02:05:46.238 --> 02:05:49.141
♪ ♪ ♪

1822
02:05:49.208 --> 02:05:52.011
WELCOME BACK.

1823
02:05:52.077 --> 02:05:56.515
NOW, PLEASE WELCOME <i>TWO</i> OF THE
GREATEST PRODUCERS, SONGWRITERS

1824
02:05:56.582 --> 02:06:00.352
AND ARTISTS IN MUSIC HISTORY,
BABYFACE AND JIMMY JAM!

1825
02:06:00.419 --> 02:06:08.894
♪ ♪ ♪

1826
02:06:08.961 --> 02:06:11.096
R&B IS THE <i>SOURCE.</i>

1827
02:06:11.163 --> 02:06:13.232
AND, AS THESE NOMINEES PROVE,
R&B REMAINS A <i>FORCE.</i>

1828
02:06:13.299 --> 02:06:20.873
THESE ARE THE NOMINEES FOR
BEST R&B PERFORMANCE.

1829
02:06:20.940 --> 02:06:27.513
"LIGHTNING & THUNDER," JHENE
AIKO, JOHN LEGEND.

1830
02:06:27.579 --> 02:06:31.984
"BLACK PARADE," BEYONCE.

1831
02:06:32.051 --> 02:06:35.387
"ALL I NEED," JACOB COLLIER,
MAHALIA, TY DOLLA $IGN.

1832
02:06:35.454 --> 02:06:39.525
"GOAT HEAD," BRITTANY HOWARD.

1833
02:06:39.591 --> 02:06:44.964
"SEE ME," EMILY KING.

1834
02:06:45.030 --> 02:06:51.503
♪ ♪ ♪

1835
02:06:51.570 --> 02:07:00.946
AND THE GRAMMY GOES TO...

1836
02:07:01.013 --> 02:07:07.753
OH!

1837
02:07:07.820 --> 02:07:08.954
OKAY, WAIT A MINUTE, HISTORY HAS
JUST BEEN MADE, BREAKING THE

1838
02:07:09.021 --> 02:07:10.255
ALL-TIME RECORD FOR THE MOST
GRAMMY WINS EVER BY ANY FEMALE

1839
02:07:10.322 --> 02:07:20.899
ARTIST OR ANY SINGER MALE OR
FEMALE, THE GRAMMY GOES TO

1840
02:07:20.966 --> 02:07:24.770
BEYONCE!

1841
02:07:24.837 --> 02:07:32.978
♪ ♪ ♪

1842
02:07:33.045 --> 02:07:40.919
♪ ♪ ♪

1843
02:07:40.986 --> 02:07:52.965
♪ ♪ ♪

1844
02:07:53.799 --> 02:07:57.136
THANK YOU GUYS SOCH, OH MY
GOD.

1845
02:07:57.202 --> 02:07:57.936
I AM SO HONORED.

1846
02:07:58.003 --> 02:08:08.847
I'M SO EXCITED.

1847
02:08:08.914 --> 02:08:14.253
THANK YOU.

1848
02:08:14.319 --> 02:08:20.392
AS AN ARTIST I BELIEVE IT'S MY
JOB AND ALL OF OUR JOBS TO

1849
02:08:20.459 --> 02:08:21.627
REFLECT THE TIMES.

1850
02:08:21.693 --> 02:08:24.563
AND IT'S BEEN SUCH A DIFFICULT
TIME.

1851
02:08:24.630 --> 02:08:28.901
SO I WANTED TO UPLIFT,
ENCOURAGE, CELEBRATE ALL OF THE

1852
02:08:28.967 --> 02:08:32.538
BEAUTIFUL BLACK QUEENS AND KINGS
THAT CONTINUE TO INSPIRE ME AND

1853
02:08:32.604 --> 02:08:34.106
INSPIRE THE WHOLE WORLD.

1854
02:08:34.173 --> 02:08:35.808
THIS IS SO OVERWHELMING.

1855
02:08:35.874 --> 02:08:39.511
I HAVE BEEN WORKING MY WHOLE
LIFE SINCE NINE YEARS OLD.

1856
02:08:39.578 --> 02:08:44.249
AND I CAN'T BELIEVE THIS
HAPPENED, IT'S SUCH A MAGICAL

1857
02:08:44.316 --> 02:08:44.950
NIGHT, THANK YOU SO MUCH.

1858
02:08:45.017 --> 02:08:50.456
I KNOW MY DAUGHTER IS WATCHING.

1859
02:08:50.522 --> 02:08:54.293
MY DAUGHTERS AND MY SON, BLU,
CONGRATULATIONS, YOU WON A

1860
02:08:54.359 --> 02:08:54.793
GRAMMY TONIGHT.

1861
02:08:54.860 --> 02:08:56.962
I'M SO PROUD OF YOU.

1862
02:08:57.029 --> 02:09:00.966
AND I'M SO HONORED TO BE YOUR
MOMMY, ALL OF YOUR MOMMIES.

1863
02:09:01.033 --> 02:09:02.634
Y'ALL ARE MY BABIES.

1864
02:09:02.701 --> 02:09:04.336
AND I'M SO PROUD OF Y'ALL.

1865
02:09:04.403 --> 02:09:06.605
I LOVE YOU SO MUCH, MY ROCK.

1866
02:09:06.672 --> 02:09:16.615
ENJOY YOUR NIGHT, THANK YOU.

1867
02:09:16.682 --> 02:09:18.117
HISTORY, PEOPLE, HISTORY.

1868
02:09:18.183 --> 02:09:20.018
GIVE IT UP FOR BEYONCE!

1869
02:09:20.085 --> 02:09:22.321
THIS IS HISTORY RIGHT NOW, ARE
YOU SERIOUS?

1870
02:09:22.387 --> 02:09:23.956
THIS IS HISTORY.

1871
02:09:24.022 --> 02:09:31.029
SHE DID IT, I THIS IS HISTORY!

1872
02:09:31.096 --> 02:09:31.296
WOW.

1873
02:09:31.363 --> 02:09:32.431
OKAY.

1874
02:09:32.498 --> 02:09:33.599
TIME OKAY, TIME FOR ANOTHER GIBSON

1875
02:09:33.665 --> 02:09:35.767
HAZARD DIRECTED FILM ABOUT OUR
RECORD OF THE YEAR NOMINEES.

1876
02:09:35.834 --> 02:09:37.402
YOU CAN SEE
EXTENDED VERSIONS OF ALL THESE

1877
02:09:37.469 --> 02:09:40.939
FILMS AND EXCLUSIVE INTERVIEWS
ON PARAMOUNT+ TONIGHT.

1878
02:09:41.006 --> 02:09:45.210
THIS NEXT PERFORMER IS TRULY A
STREAMING SUCCESS STORY FOR OUR

1879
02:09:45.277 --> 02:09:46.378
DIGITAL TIMES.

1880
02:09:46.445 --> 02:09:48.881
SHE'S THE ONLY PERSON WHO WENT
VIRAL LAST SUMMER AND DIDN'T

1881
02:09:48.947 --> 02:09:50.482
HAVE TO QUARANTINE.

1882
02:09:50.549 --> 02:09:53.051
THIS IS DOJA CAT.

1883
02:09:53.118 --> 02:10:05.230
♪ ♪ ♪

1884
02:10:05.297 --> 02:10:07.900
WHEN PEOPLE SAY I'M A NEW
ARTIST, I GET IT BECAUSE I

1885
02:10:07.966 --> 02:10:12.304
HAVEN'T REACHED THE LEVEL I'VE
REACHED UNTIL NOW.

1886
02:10:12.371 --> 02:10:20.212
BUT FOR ME, I'VE BEEN DOING THIS
FOR A VERY LONG TIME.

1887
02:10:20.279 --> 02:10:25.851
I R
MUSIC WHEN I WAS VERY YOUNG,

1888
02:10:25.918 --> 02:10:27.052
LIKE 13.

1889
02:10:27.119 --> 02:10:31.256
I STARTED SINGING BUT I WOULD
LOCK MAY DOOR AND SING REALLY

1890
02:10:31.323 --> 02:10:34.526
QUIET HOPING THAT MY FAMILY
WOULDN'T HEAR ME.

1891
02:10:34.593 --> 02:10:40.999
I WOULD MAKE THESE LIFE TEN
HOURS AT A TIME AND I HAD FANS

1892
02:10:41.066 --> 02:10:42.234
CRITIQUE MY MUSIC.

1893
02:10:42.301 --> 02:10:45.737
I WOULD HAVE THEM ON EVERY DAY,
THE SAME 50 PEOPLE THAT TURNED

1894
02:10:45.804 --> 02:10:50.342
INTO A HUNDRED, TO 500 TO A
THOUSAND.

1895
02:10:50.409 --> 02:10:54.513
TO WHAT ST TODAY.

1896
02:10:54.580 --> 02:11:00.552
THE WAY I FEEL ABOUT IT, I'M SO
GRATEFUL AND I'M SO HAPPY.

1897
02:11:00.619 --> 02:11:05.490
I FEEL LIKE I CAN HAVE A MOMENT
TO CELEBRATE EVERYTHING THAT

1898
02:11:05.557 --> 02:11:11.663
HAVE I WORKED SO HARD TO
ACHIEVE.

1899
02:11:11.730 --> 02:11:15.701
I HAVEN'T BEEN WAITING FOR
THIS MY WHOLE LIFE.

1900
02:11:15.767 --> 02:11:22.541
I'VE BEEN PREPARING
GRAMMY'S, WELCOME TO PLANET

1901
02:11:22.608 --> 02:11:26.445
EARTH.

1902
02:11:26.511 --> 02:11:34.519
♪ DAY TO NIGHT TO MORNING
KEEP WITH ME IN THE MOMENT

1903
02:11:34.586 --> 02:11:44.563
♪ I'D LET YOU HAD I KNOWN IT
WHY DON'T YOU SAY SO?

1904
02:11:44.630 --> 02:11:52.704
♪ I'D LET YOU HAD I KNOWN IT
WHY DON'T YOU SAY SO?

1905
02:11:52.771 --> 02:11:57.409
IT'S BEEN A LONG TIME SINCE
YOU.

1906
02:11:57.476 --> 02:12:04.283
♪ TELL ME WHAT MUST I DO.

1907
02:12:04.349 --> 02:12:15.427
I WON'T STOP CHEESEIN, AND WE
CAN DANCE ALL DAY IF YOU WANT

1908
02:12:15.494 --> 02:12:16.995
♪ AROUND IT IF YOU FRONT
THEN I'LL BE BOUNCING

1909
02:12:17.062 --> 02:12:21.600
♪ IF YOU WANT IT
SCREAM AND SHOUT IT, BABE

1910
02:12:21.667 --> 02:12:26.438
♪ BEFORE I LEAVE YOU DRY
DAY TO NIGHT TO MORNING

1911
02:12:26.505 --> 02:12:30.442
♪ KEEP WITH ME IN THE MOMENT
I'D LET YOU HAD I KNOWN IT

1912
02:12:30.509 --> 02:12:34.279
♪ WHY DON'T YOU SAY SO?

1913
02:12:34.346 --> 02:12:37.949
DIDN'T EVEN NOTICE
♪ NO PUNCHES LEFT TO ROLL WITH

1914
02:12:38.016 --> 02:12:46.458
YOU GOT TO KEEP ME FOCUSED
♪ YOU WANT IT, SAY SO

1915
02:12:46.525 --> 02:12:50.495
♪ ♪ ♪
♪ ♪ ♪

1916
02:12:50.562 --> 02:12:52.197
♪ WHY DON'T YOU SAY SO?

1917
02:12:52.264 --> 02:13:05.043
♪ ♪ ♪
♪ ♪ ♪

1918
02:13:05.110 --> 02:13:06.411
HE AIN'T NEVER SEEN IT
♪ IN A DRESS LIKE THIS

1919
02:13:06.478 --> 02:13:07.879
HE AIN'T NEVER EVEN BEEN
♪ IMPRESSED LIKE THIS

1920
02:13:07.946 --> 02:13:08.947
PROLLY WHY I GOT HIM QUIET
♪ ON THE SET LIKE ZIP

1921
02:13:09.014 --> 02:13:10.415
LIKE IT, LOVE IT
♪ NEED IT BAD

1922
02:13:10.482 --> 02:13:14.353
TAKE IT, OWN IT, STEAL IT
♪ FAST BOY, STOP PLAYING

1923
02:13:14.419 --> 02:13:16.188
GRAB MY AAH
♪ WHY YOU ACTIN' LIKE YOU SHY?

1924
02:13:16.254 --> 02:13:18.423
SHUT IT, SAVE IT, KEEP IT
♪ PUSHIN' WHY YOU BEATING

1925
02:13:18.490 --> 02:13:20.726
'ROUND THE BUSH?

1926
02:13:20.792 --> 02:13:22.427
♪ AND KNOWING YOU WANT ALL
THIS WOMAN NEVER KNOCK IT

1927
02:13:22.494 --> 02:13:25.497
♪ 'TIL YOU TRY, YEAH, YEAH
ALL OF THEM HATING

1928
02:13:25.564 --> 02:13:29.034
♪ I HAVE YOU WITH ME ALL OF MY--
SAYING YOU MAD COMMITTED

1929
02:13:29.101 --> 02:13:35.040
♪ REALER THN ANYBODY YOU HAD
AND PRETTY ALL OF THAT BODY-ODY

1930
02:13:35.107 --> 02:13:38.510
♪ KEEP WITH ME IN THE MOMENT
I'D LET YOU HAD I KNOWN IT

1931
02:13:38.577 --> 02:13:40.846
♪ WHY DON'T YOU SAY SO?

1932
02:13:40.912 --> 02:13:44.716
DIDN'T EVEN NOTICE
♪ NO PUNCHES LEFT TO ROLL WITH

1933
02:13:44.783 --> 02:13:49.254
YOU GOT TO KEEP ME FOCUSED
♪ YOU WANT IT, SAY SO

1934
02:13:49.321 --> 02:13:53.058
DAY TO NIGHT TO MORNING
♪ KEEP WITH ME IN THE MOMENT

1935
02:13:53.125 --> 02:13:55.494
I'D LET YOU HAD I KNOWN IT
♪ WHY DON'T YOU SAY SO?

1936
02:13:55.560 --> 02:13:59.264
DIDN'T EVEN NOTICE
♪ NO PUNCHES LEFT TO ROLL WITH

1937
02:13:59.331 --> 02:14:06.505
YOU GOT TO KEEP ME FOCUSED
♪ YOU WANT IT, SAY SO ♪

1938
02:14:06.571 --> 02:14:18.717
UP NEXT, A GRAMMY PERFORMANCE

1939
02:14:18.784 --> 02:14:23.288
BY BTS AND WHO WILL TAKE HOME
THE AWARD FOR ALBUM OF THE YEAR.

1940
02:14:23.355 --> 02:14:28.160
ONCE AGAIN, LET'S GO TO CASSIE
BACKSTAGE. WE ARE BACK WITH OUR

1941
02:14:28.226 --> 02:14:30.629
FACEBOOK GROUP MEMBERS WHO HAVE
COME TOGETHER WITH A SHARED

1942
02:14:30.695 --> 02:14:32.197
PASSION FOR MUSIC.

1943
02:14:32.264 --> 02:14:35.867
AND ONE OF THE GROUPS HERE
TONIGHT WE LOVE MUSIC CELEBRATES

1944
02:14:35.934 --> 02:14:39.271
EVERY KIND OF MUSIC AND CLEARLY
THAT IS WHAT ALBUM OF THE YEAR

1945
02:14:39.337 --> 02:14:40.539
IS ALL ABOUT.

1946
02:14:40.605 --> 02:14:45.811
JUST LOOKING AT HOW MANY GENRES
ARE REPRESENTED, RAP, SOUL, POP,

1947
02:14:45.877 --> 02:14:49.414
R&B, ALL WINNERS FOR SURE BUT
WHO WILL TAKE HOME THE AWARD.

1948
02:14:49.481 --> 02:14:50.549
STAY TUNED TO FIND OUT.

1949
02:14:50.615 --> 02:14:53.552
THE 634rd GRAMMY AWARDS
IS SPONSORED BY FACEBOOK, TAKE

1950
02:14:53.618 --> 02:14:54.286
ON ANYTHING WITH FACEBOOK
GROUPS.

1951
02:14:59.958 --> 02:15:02.260
♪ ♪ ♪

1952
02:15:02.327 --> 02:15:04.229
WELCOME BACK TO THE
GRAMMYS.

1953
02:15:04.296 --> 02:15:07.966
LET'S GO ACROSS TOWN NOW TO A
GREAT INDEPENDENT VENUE IN

1954
02:15:08.033 --> 02:15:14.005
HOLLYWOOD AND MEET THE BARTENDER
AT THE HOTEL CAFÉ, CANDICE FOX.

1955
02:15:14.072 --> 02:15:18.410
HELLO, MY NAME IS CANDICE FOX
AND I AM A BARTENDER AT THE

1956
02:15:18.477 --> 02:15:21.546
HOTEL CAFE RIGHT HERE IN LOS
ANGELES, CALIFORNIA.

1957
02:15:21.613 --> 02:15:24.683
IF YOU WERE TO COME TO THE HOTEL
CAFE FOR THE FIRST TIME ONE OF

1958
02:15:24.749 --> 02:15:28.186
THE FIRST THINGS THAT YOU WOULD
NOTICE IS THAT IT FEELS LIKE

1959
02:15:28.253 --> 02:15:29.221
HOME.

1960
02:15:29.287 --> 02:15:31.523
THERE IS A REAL SENSE OF
COMMUNITY HERE AMONGST THE

1961
02:15:31.590 --> 02:15:32.691
MUSICIANS AND PATRONS ALIKE.

1962
02:15:32.757 --> 02:15:35.794
IT HAS GOT A REALLY LOVING
COMMUNAL ENERGY.

1963
02:15:35.861 --> 02:15:39.231
THE LAST TIME WE HAD AN AUDIENCE
HERE AT THE HOTEL CAFE WAS

1964
02:15:39.297 --> 02:15:41.566
EXACTLY ONE YEAR AGO, MARCH
14th.

1965
02:15:41.633 --> 02:15:43.235
THE LAST YEAR HAS BEEN TOUGH,
YOU KNOW.

1966
02:15:43.301 --> 02:15:45.904
I MEAN THIS IS MORE THAN JUST A
JOB TO ME.

1967
02:15:45.971 --> 02:15:48.073
THIS IS MY FAMILY, THIS IS MY
COMMUNITY.

1968
02:15:48.139 --> 02:15:51.309
AND FOR THIS PLACE TO NO LONGER
EXIST WOULD BE DEVASTATING.

1969
02:15:51.376 --> 02:15:53.612
IT WOULD BE ABSOLUTELY
HEARTBREAKING.

1970
02:15:53.678 --> 02:15:58.216
I DEFINITELY DO MISS MY REGULARS
THAT I AM USED TO SEEING HERE ON

1971
02:15:58.283 --> 02:16:03.522
ANY GIVEN NIGHT, JOHN, HE WANTS
A DIET COKE, PHIL GETS A

1972
02:16:03.588 --> 02:16:05.524
BOTTINGTON, PETER I KNOW HE
WANTS AN OLD-FASHIONED.

1973
02:16:05.590 --> 02:16:08.493
IT IS MY HONOR TO PRESENT THE
GRAMMY FOR ALBUM OF THE YEAR.

1974
02:16:08.560 --> 02:16:16.167
HERE ARE THE NOMINATIONS.

1975
02:16:16.234 --> 02:16:21.172
"CHILOMBO," JHENÉ
AIKO.

1976
02:16:21.239 --> 02:16:24.609
"BLACK PUMAS (DELUXE EDITION),"
BLACK PUMAS.

1977
02:16:24.676 --> 02:16:28.647
"EVERYDAY LIFE," COLDPLAY.

1978
02:16:28.713 --> 02:16:36.621
"DJESSE VOL. 3," JACOB COLLIER.

1979
02:16:36.688 --> 02:16:39.291
"WOMEN IN MUSIC PT. III," HAIM.

1980
02:16:39.357 --> 02:16:45.163
"FUTURE NOSTALGIA," DUA LIPA.

1981
02:16:45.230 --> 02:16:52.604
"HOLLYWOOD'S BLEEDING," POST
MALONE.

1982
02:16:52.671 --> 02:17:00.612
"FOLKLORE," TAYLOR SWIFT.

1983
02:17:00.679 --> 02:17:03.181
CANDICE, THANK YOU

1984
02:17:03.248 --> 02:17:04.616
FOR BEING HERE.

1985
02:17:04.683 --> 02:17:10.155
PLEASE DO THE HONORS.

1986
02:17:10.221 --> 02:17:16.561
ALRIGHT, AND THE GRAMMY GOES

1987
02:17:16.628 --> 02:17:18.163
"FOLKLORE," TAYLOR SWIFT.

1988
02:17:18.229 --> 02:17:27.138
♪ ♪ ♪

1989
02:17:27.205 --> 02:17:34.646
♪ ♪ ♪

1990
02:17:52.664 --> 02:17:56.001
WOW, IT'S HARD TO BELIEVE
THAT WE'RE STANDING UP HERE, I'M

1991
02:17:56.067 --> 02:18:00.605
STANDING UP HERE WITH ONE OF THE
GREATEST LIVING SONGWRITERS WHO

1992
02:18:00.672 --> 02:18:05.143
SHOW TRUSTED ME TO COLLABORATE
IN THIS CRAZY TIME WE ALL LIVE

1993
02:18:05.210 --> 02:18:06.411
THROUGH.

1994
02:18:06.478 --> 02:18:09.114
I JUST WANT TO SAY THANK YOU TO
MY FAMILY, MY BEAUTIFUL WIFE WHO

1995
02:18:09.180 --> 02:18:14.052
ALWAYS LIFTS ME UP, MY CHILDREN,
INGRID, ROBYN AND MIMI WHO

1996
02:18:14.119 --> 02:18:17.756
INSPIRE ME AND I WANT TO THANK
JOHN LOW WHO IS BEHIND ME WHO

1997
02:18:17.822 --> 02:18:20.625
RECORDED AND MIXED EVERYTHING
THAT I WORKED ON.

1998
02:18:20.692 --> 02:18:26.231
I WANT TO THANK LAURA, IT IS AN
HONOR TO WORK WITH JACK, IS HE

1999
02:18:26.297 --> 02:18:29.634
AN INCREDIBLE PRODUCER AND
SONGWRITER, JUSTIN WHO IS NOT

2000
02:18:29.701 --> 02:18:33.071
HERE TONIGHT, A HUGE PART OF
THIS RECORD AND MY BROTHER BRYCE

2001
02:18:33.138 --> 02:18:36.341
WHO ORCHESTRATED MUCH OF THIS
RECORD AND IS PART OF EVERYTHING

2002
02:18:36.408 --> 02:18:39.177
I DO.

2003
02:18:39.244 --> 02:18:43.281
THANK YOU.

2004
02:18:43.348 --> 02:18:48.620
OH GOD, I WANT TO THANK ALL
OF MY COLLABORATORS WHO ARE ON

2005
02:18:48.687 --> 02:18:55.360
THE STAGE, AND JUSTIN VERNON,
I'M SO EXCITED TO MEET YOU SOME

2006
02:18:55.427 --> 02:18:59.597
DAY, JOE, WHO IS THE FIRST
PERSON THAT I PLAY EVERY SINGLE

2007
02:18:59.664 --> 02:19:03.201
SONG THAT I WRITE AND I HAD THE
BEST TIME WRITING SONGS WITH YOU

2008
02:19:03.268 --> 02:19:09.074
IN QUARANTINE, I WANT TO THANK
JAMES, INEZ AND BETTY AND THEIR

2009
02:19:09.140 --> 02:19:12.077
PARENTS WHO ARE THE SECOND AND
THIRD PEOPLE THAT I PLAY EVERY

2010
02:19:12.143 --> 02:19:15.180
NEW SONG THAT I WRITE BUT MOSTLY
WE JUST WANT TO THANK THE FANS.

2011
02:19:15.246 --> 02:19:18.249
YOU GUYS MET US IN THIS
IMAGINARY WORLD THAT WE CREATED

2012
02:19:18.316 --> 02:19:23.088
AND WE CAN'T TELL YOU HOW HONORS
WE ARE FOREVER, BY THIS, THANK

2013
02:19:23.154 --> 02:19:23.922
YOU SO MUCH.

2014
02:19:23.988 --> 02:19:25.690
AND THANK YOU TO THE RECORDING
ACADEMY.

2015
02:19:25.757 --> 02:19:27.192
WE WILL NEVER FORGET THAT YOU
DID THIS FOR US.

2016
02:19:27.258 --> 02:19:32.597
THANK YOU SO MUCH.

2017
02:19:32.664 --> 02:19:37.502
♪ ♪ ♪

2018
02:19:37.569 --> 02:19:41.306
RODDY RICCH, BTS, AND THEN THE

2019
02:19:41.372 --> 02:19:44.709
RECORD OF THE YEAR.

2020
02:19:44.776 --> 02:19:45.443
THIS IS CBS.

2021
02:19:52.083 --> 02:19:58.389
♪ ♪ ♪

2022
02:19:58.456 --> 02:20:00.191
TONIGHT, I'M NOT JUST
THE HOST OF THE GRAMMY AWARDS,

2023
02:20:00.258 --> 02:20:04.162
I'M THE OPENING ACT FOR A GREAT
SONGWRITER, MUSIC AND FILM

2024
02:20:04.229 --> 02:20:06.097
PRODUCER WHO ALSO IS THE
RECORDING ACADEMY CHAIR AND

2025
02:20:06.164 --> 02:20:09.434
INTERIM PRESIDENT AND C.E.O.

2026
02:20:09.501 --> 02:20:12.137
HE ALSO HAND-SCULPTED EVERY
GRAMMY STATUE HERE TONIGHT.

2027
02:20:12.203 --> 02:20:18.209
HARVEY MASON, JR.
NOW, NORMALLY, THIS IS WHEN SOME

2028
02:20:18.276 --> 02:20:19.744
ONE WOULD WALK OUT ONSTAGE, AND
YOU'D ALL TAKE A BATHROOM BREAK.

2029
02:20:19.811 --> 02:20:20.879
BUT LIKE EVERYTHING ELSE THIS
YEAR, WE'RE DOING THINGS A

2030
02:20:20.945 --> 02:20:24.149
LITTLE DIFFERENTLY.

2031
02:20:24.215 --> 02:20:30.722
SO TAKE A LOOK.

2032
02:20:30.789 --> 02:20:32.157
MUSIC REQUIRES LISTENING.

2033
02:20:32.223 --> 02:20:33.491
YOU HEAR THE VOCALS.

2034
02:20:33.558 --> 02:20:36.161
THE DRUMS.

2035
02:20:36.227 --> 02:20:38.930
THE RHYTHM GUITAR.

2036
02:20:38.997 --> 02:20:42.400
YOU LISTEN MORE CLOSELY AND YOU
WILL HEAR SO MUCH MORE.

2037
02:20:42.467 --> 02:20:46.137
LISTEN TO A SINGER-SONGWRITER
TRYING TO MAKE THEIR WAY TO THE

2038
02:20:46.204 --> 02:20:54.045
BIG CITY, A KID, LISTEN HOPE,
AND HEARTBREAK.

2039
02:20:54.112 --> 02:20:58.483
TO LATE NIGHTS IN THE ST AUDIO
TO MONTHS ON THE ROAD, THE

2040
02:20:58.550 --> 02:21:00.151
SILENT UNCERTAINTY THE NEXT DAY.

2041
02:21:00.218 --> 02:21:03.788
LISTEN TO THE VOICES OF YOUR
GENERATION, THOSE THAT CAME

2042
02:21:03.855 --> 02:21:06.524
BEFORE YOU, AND THOSE WHO ARE
NEXT.

2043
02:21:06.591 --> 02:21:10.495
LISTEN TO THE SIGNATURE SOUND OF
A GREAT PRODUCER, THE BACKUP

2044
02:21:10.562 --> 02:21:14.899
SINGERS WHO SING ALONG WHOSE
NAMES YOU MAY NEVER KNOW.

2045
02:21:14.966 --> 02:21:16.801
LISTEN TO LOVE.

2046
02:21:16.868 --> 02:21:21.506
TO DEDICATION PUT INTO EVERY
SONG, EVERY ALBUM.

2047
02:21:21.573 --> 02:21:26.911
TO THE YEARS OF HARD WORK THAT
GO INTO EVERY OVERNIGHT SUCCESS.

2048
02:21:26.978 --> 02:21:30.481
LISTEN TO THE WORK LIFE'S WORK
OF PEOPLE WHO DEDICATE THEIR

2049
02:21:30.548 --> 02:21:31.749
LIVES TO THIS WORK.

2050
02:21:31.816 --> 02:21:35.286
THE RECORDING ACADEMY'S JOB
ISN'T JUST TO HAND OUT AWARDS,

2051
02:21:35.353 --> 02:21:39.390
IT IS TO LISTEN TO THE MUG MUSIC
AND TO HEAR THE VOICES OF ALL

2052
02:21:39.457 --> 02:21:42.026
THOSE WHO MAKE IT.

2053
02:21:42.093 --> 02:21:44.762
AND WE ARE LISTENING LIKE NEVER
BEFORE.

2054
02:21:44.829 --> 02:21:50.034
WE HEAR THE CRIES FOR DIVERSITY,
THE PLEAS FOR REPRESENTATION AND

2055
02:21:50.101 --> 02:21:51.803
DEMANDS FOR TRANSPARENCY.

2056
02:21:51.870 --> 02:21:54.739
I FIRST JOINED THE ACADEMY 20
YEARS AGO SO I COULD VOTE FOR

2057
02:21:54.806 --> 02:21:55.940
MYSELF.

2058
02:21:56.007 --> 02:21:58.476
BUT WHAT I QUICKLY FOUND, WHAT
LED ME TO BECOME A TRUSTY AND

2059
02:21:58.543 --> 02:21:59.611
NOW CHAIR.

2060
02:21:59.677 --> 02:22:02.146
BOARD IS THAT THE RECORDING
ACADEMY IS SO MUCH MORE THAN

2061
02:22:02.213 --> 02:22:05.516
AWARDS, MORE THAN INDIVIDUAL
ARTISTS OR EVEN WHO IS CHAIR.

2062
02:22:05.583 --> 02:22:09.220
TONIGHT I'M HERE TO ASK THE
ENTIRE MUSIC COMMUNITY TO JOIN

2063
02:22:09.287 --> 02:22:12.690
IN, WORK WITH US, NOT AGAINST
US, AS WE BUILD A NEW RECORDING

2064
02:22:12.757 --> 02:22:14.792
ACADEMY THAT WE CAN ALL BE PROUD
OF.

2065
02:22:14.859 --> 02:22:19.097
ONE THAT WILL CONTINUE TO DO THE
WORK AND SERVE EVERYONE IN THE

2066
02:22:19.163 --> 02:22:20.298
INDUSTRY.

2067
02:22:20.365 --> 02:22:22.400
AND WE MIGHT NOT GET IT RIGHT
100 PERCENT OF THE TIME AND WE

2068
02:22:22.467 --> 02:22:26.371
CERTAINLY WON'T BE ABLE TO MAKE
EVERYBODY HAPPY BUT WE WILL

2069
02:22:26.437 --> 02:22:28.506
PROVIDE SUPPORT IN TIMES OF
NEED.

2070
02:22:28.573 --> 02:22:32.377
WE WILL PRESERVE MUSIC AND
EDUCATE THE NEXT GENERATION.

2071
02:22:32.443 --> 02:22:36.080
WE WILL ADVOCATE FOR THE RIGHTS
OF ALL CREATORS TO MAKE SURE

2072
02:22:36.147 --> 02:22:38.683
THEY CAN CONTINUE TO EARN A FAIR
LIVING MAKING MUSIC.

2073
02:22:38.750 --> 02:22:42.487
AND WE WILL STAND UP FOR WHAT IS
RIGHT AND FIGHT FOR GREATER

2074
02:22:42.553 --> 02:22:44.522
DIVERSITY AND MORE EQUAL
REPRESENTATION.

2075
02:22:44.589 --> 02:22:49.794
THIS IS NOT A VISION FOR
TOMORROW, ST A JOB FOR TODAY.

2076
02:22:49.861 --> 02:22:52.163
OUR WORK IS IMPORTANT BECAUSE
MUSIC IS IMPORTANT.

2077
02:22:52.230 --> 02:22:54.732
THANK YOU.

2078
02:22:54.799 --> 02:22:57.702
THANK YOU SO MUCH FOR THAT,

2079
02:22:57.769 --> 02:23:00.171
HARVEY, I WAS LISTENING AND THAT
SOUNDED GREAT.

2080
02:23:00.238 --> 02:23:09.414
NOW IT'S TIME
YEAR NOMINEE FILM FROM THE

2081
02:23:09.480 --> 02:23:10.648
VISIONARY GIBSON HAZARD.

2082
02:23:10.715 --> 02:23:11.649
THIS TIME IT'S ABOUT A GIFTED
YOUNG ARTIST WHO EARLIER TONIGHT

2083
02:23:11.716 --> 02:23:12.850
HELPED US KICK OFF THE SHOW.

2084
02:23:12.917 --> 02:23:14.452
SHE'S ALSO THE REASON PARENTS
ALL OVER THE WORLD ARE LOOKING

2085
02:23:14.519 --> 02:23:16.087
AT THEIR TEENAGERS, ASKING,
"WHAT HAVE YOU ACHIEVED?"

2086
02:23:16.154 --> 02:23:26.197
THIS IS BILLIE EILISH.

2087
02:23:26.264 --> 02:23:32.570
THIS IS BILLIE EILISH.

2088
02:23:37.241 --> 02:23:38.943
THERE WAS LIKE A PERIOD OF
TIME WHERE I LIKE DIDN'T WANT TO

2089
02:23:39.010 --> 02:23:44.949
GO TO SLEEP BECAUSE I WAS
FREAKED OUT BY MY DREAMS.

2090
02:23:45.016 --> 02:23:49.487
SLEEP PARALYSIS, NIGHTMARES,
LUCID DREAMS.

2091
02:23:49.554 --> 02:23:51.823
IT WAS SUCH A HUGE PART OF MY
LIFE.

2092
02:23:51.889 --> 02:23:55.593
AND SO I KIND OF WAS LIKE HOW
CAN I TAKE ADVANTAGE OF THIS

2093
02:23:55.660 --> 02:23:58.162
HORRIBLE, HORRIBLE THING THAT
HAVE I TO DEAL WITH.

2094
02:23:58.229 --> 02:24:09.741
WHY DON'T I LET IT INSPIRE ME.

2095
02:24:09.807 --> 02:24:13.011
MY BROTHER FINNEAS HAS BEEN
MY BEST FRIEND FOR MY WHOLE

2096
02:24:13.077 --> 02:24:14.078
LIFE.

2097
02:24:14.145 --> 02:24:15.713
WE WROTE THIS SONG ABOUT BEING
THERE FOR EACH OTHER.

2098
02:24:15.780 --> 02:24:20.018
SO WHEN I HEAR IT, I JUST FEEL
SO LOVED AND I FEEL SO COMFORTED

2099
02:24:20.084 --> 02:24:24.756
AND SAFE AND WARM.

2100
02:24:24.822 --> 02:24:26.858
2020 GRAMMYS.

2101
02:24:26.924 --> 02:24:29.927
MAYBE THE BEST NIGHT OF MY
LIFE.

2102
02:24:29.994 --> 02:24:30.762
AND THE GRAMMY.

2103
02:24:30.828 --> 02:24:31.896
AND THE GRAMMY.

2104
02:24:31.963 --> 02:24:35.733
AND THE GRAMMY GOES TO.

2105
02:24:35.800 --> 02:24:36.734
BILLIE EILISH.

2106
02:24:36.801 --> 02:24:39.170
BAD GUY, BILLIE EILISH.

2107
02:24:39.237 --> 02:24:42.440
BAD GUY, WHEN WE FALL ASLEEP
WHERE DO WE GO.

2108
02:24:42.507 --> 02:24:43.608
BILLIE EILISH.

2109
02:24:43.674 --> 02:24:47.111
THE FACT THAT WE WROTE THAT
ALBUM IN OUR CHILDHOOD HOME,

2110
02:24:47.178 --> 02:24:48.012
THAT'S CRAZY.

2111
02:24:48.079 --> 02:24:48.846
THAT WAS AMAZING.

2112
02:24:48.913 --> 02:24:57.522
I THINK ABOUT IT EVERY DAY.

2113
02:24:57.588 --> 02:24:58.423
BILLIE EILISH,

2114
02:24:58.489 --> 02:24:58.823
EVERYONE!

2115
02:24:58.890 --> 02:24:59.991
WHAT A TALENT.

2116
02:25:00.058 --> 02:25:02.860
THE GRAMMY AWARDS ARE A TRULY
GLOBAL EVENT, AND WE ARE NOW

2117
02:25:02.927 --> 02:25:06.764
THRILLED TO BE JOINED BY A
KOREAN GROUP THAT MADE HISTORY

2118
02:25:06.831 --> 02:25:12.070
WITH THEIR FIRST EVER GRAMMY
NOMINATION THIS YEAR.

2119
02:25:12.136 --> 02:25:16.274
PERFORMING THEIR NOMINATED SMASH
"DYNAMITE," THIS IS BTS.

2120
02:25:16.340 --> 02:25:18.743
♪ 'CAUSE I, I, I'M

2121
02:25:18.810 --> 02:25:24.182
IN THE STARS TONIGHT
♪ SO WATCH ME BRING THE FIRE

2122
02:25:24.248 --> 02:25:28.152
AND SET THE NIGHT ALIGHT
♪ SHOES ON, GET UP IN THE MORN'

2123
02:25:28.219 --> 02:25:30.054
CUP OF MILK, LET'S ROCK AND ROLL
♪ KING KONG

2124
02:25:30.121 --> 02:25:32.156
KICK THE DRUM
♪ ROLLING ON

2125
02:25:32.223 --> 02:25:34.625
LIKE A ROLLING STONE
♪ SING SONG

2126
02:25:34.692 --> 02:25:36.994
WHEN I'M WALKIN' HOME
♪ JUMP UP TO THE TOP, LEBRON

2127
02:25:37.061 --> 02:25:40.164
DING-DONG, CALL ME ON MY PHONE
♪ ICE TEA AND A

2128
02:25:40.231 --> 02:25:43.968
GAME OF PING PONG
♪ THIS IS GETTIN' HEAVY

2129
02:25:44.035 --> 02:25:45.002
CAN YOU HEAR THE BASS BOOM?

2130
02:25:45.069 --> 02:25:48.139
♪ I'M READY, WOO-HOO
LIFE IS SWEET AS HONEY, YEAH

2131
02:25:48.206 --> 02:25:52.110
♪ THIS BEAT CHA-CHING
LIKE MONEY, HUH DISCO OVERLOAD

2132
02:25:52.176 --> 02:25:56.047
♪ I'M INTO THAT, I'M GOOD TO GO
I'M DIAMOND, YOU KNOW I GLOW UP

2133
02:25:56.114 --> 02:26:00.151
♪ HEY, SO LET'S GO
'CAUSE I, I, I'M

2134
02:26:00.218 --> 02:26:04.122
♪ IN THE STARS TONIGHT
SO WATCH ME BRING THE FIRE

2135
02:26:04.188 --> 02:26:08.092
♪ AND SET THE NIGHT ALIGHT, HEY
SHININ' THROUGH THE CITY

2136
02:26:08.159 --> 02:26:12.163
♪ WITH A LITTLE FUNK AND SOUL
SO I'MA LIGHT IT UP

2137
02:26:12.230 --> 02:26:16.667
♪ LIKE DYNAMITE, WOAH-OH-OH
BRING A FRIEND, JOIN THE CROWD

2138
02:26:16.734 --> 02:26:23.875
♪ WHOEVER WANNA COME ALONG
WORD UP, TALK THE TALK

2139
02:26:23.941 --> 02:26:27.211
♪ JUST MOVE LIKE WE OFF THE WALL
DAY OR NIGHT, THE SKY'S ALIGHT

2140
02:26:27.278 --> 02:26:29.614
♪ SO WE DANCE TO THE BREAK OF
DAWN HEY, LADIES AND GENTLEMEN

2141
02:26:29.680 --> 02:26:31.382
♪ I GOT THE MEDICINE, SO YOU
SHOULD KEEP YA EYES ON THE BALL

2142
02:26:31.449 --> 02:26:35.720
♪ HUH, THIS IS GETTIN' HEAVY
CAN YOU HEAR THE BASS BOOM?

2143
02:26:35.786 --> 02:26:39.490
♪ I'M READY, WOO-HOO
LIFE IS SWEET AS HONEY, YEAH

2144
02:26:39.557 --> 02:26:42.760
♪ THIS BEAT CHA-CHING LIKE MONEY
HUH DISCO OVERLOAD

2145
02:26:42.827 --> 02:26:48.032
♪ I'M INTO THAT, I'M GOOD TO GO
I'M DIAMOND, YOU KNOW I GLOW UP

2146
02:26:48.099 --> 02:26:51.802
♪ LET'S GO
'CAUSE I, I, I'M

2147
02:26:51.869 --> 02:26:54.739
♪ IN THE STARS TONIGHT
SO WATCH ME BRING THE FIRE

2148
02:26:54.805 --> 02:27:00.144
♪ AND SET THE NIGHT ALIGHT, HEY
SHININ' THROUGH THE CITY

2149
02:27:00.211 --> 02:27:03.548
♪ WITH A LITTLE FUNK AND SOUL
SO I'MA

2150
02:27:03.614 --> 02:27:06.450
♪ LIGHT IT UP LIKE DYNAMITE
WOAH-OH-OH

2151
02:27:06.517 --> 02:27:10.588
♪ DYN-NA-NA-NA, NA-NA-NA-NA-NA
NA-NA-NA

2152
02:27:10.655 --> 02:27:12.690
DYN-NA-NA-NA, NA-NA-NA-NA-NA
♪ NA-NA-NA,

2153
02:27:12.757 --> 02:27:18.162
LIFE IS DYNAMITE
DYN-NA-NA-NA, NA-NA-NA-NA-NA

2154
02:27:18.229 --> 02:27:20.164
♪ NA-NA-NA,
DYN-NA-NA-NA, NA-NA-NA-NA-NA

2155
02:27:20.231 --> 02:27:27.405
♪ NA-NA-NA,
LIFE IS DYNAMITE

2156
02:27:27.471 --> 02:27:28.539
♪ 'CAUSE I, I, I'M
IN THE STARS TONIGHT

2157
02:27:28.606 --> 02:27:30.741
♪ SO WATCH ME BRING THE FIRE
AND SET THE NIGHT ALIGHT

2158
02:27:30.808 --> 02:27:35.947
♪ SHININ' THROUGH THE CITY
WITH A LITTLE FUNK AND SOUL

2159
02:27:36.013 --> 02:27:39.250
♪ SO I'MA LIGHT IT UP
LIKE DYNAMITE

2160
02:27:39.317 --> 02:27:42.453
♪ THIS IS AH
'CAUSE I, I, I'M

2161
02:27:42.520 --> 02:27:45.790
♪ IN THE STARS TONIGHT
SO WATCH ME BRING THE FIRE

2162
02:27:45.856 --> 02:27:48.159
♪ AND SET THE NIGHT ALIGHT
ALIGHT, OH

2163
02:27:48.226 --> 02:27:52.163
♪ SHININ' THROUGH THE CITY
WITH A LITTLE FUNK AND SOUL

2164
02:27:52.230 --> 02:27:54.732
♪ SO I'MA LIGHT IT UP
LIKE DYNAMITE

2165
02:27:54.799 --> 02:27:58.536
♪ WOAH-OH-OH
DYN-NA-NA-NA, NA-NA-NA-NA-NA

2166
02:27:58.603 --> 02:28:00.137
♪ NA-NA-NA
LIFE IS DYNAMITE

2167
02:28:00.204 --> 02:28:02.607
♪ LIFE IS DYNAMITE
DYN-NA-NA-NA, NA-NA-NA-NA-NA

2168
02:28:02.673 --> 02:28:04.475
♪ NA-NA-NA
LIFE IS DYNAMITE, OH

2169
02:28:04.542 --> 02:28:08.045
♪ SHININ' THROUGH THE CITY
WITH A LITTLE FUNK AND SOUL

2170
02:28:08.112 --> 02:28:16.087
♪ SO I'MA LIGHT IT UP LIKE
DYNAMITE, WOAH-OH-OH ♪

2171
02:28:16.153 --> 02:28:17.488
BTS!

2172
02:28:17.555 --> 02:28:18.756
BTS!

2173
02:28:18.823 --> 02:28:21.292
DID YOU SEE THAT?

2174
02:28:21.359 --> 02:28:22.393
THEY WERE IN SEOUL, KOREA,

2175
02:28:22.460 --> 02:28:23.427
THE <i>WHOLE</i> TIME.

2176
02:28:23.494 --> 02:28:25.329
THEY LITERALLY RECREATED OUR
WHOLE SET OVER THERE!

2177
02:28:25.396 --> 02:28:28.532
THEY COULDN'T BE HERE, BUT
WANTED TO BE HERE, SO THEY

2178
02:28:28.599 --> 02:28:29.400
REBUILT HERE, OVER THERE.

2179
02:28:29.467 --> 02:28:32.470
THERE OUGHTA BE AN AWARD JUST
FOR THAT.

2180
02:28:32.536 --> 02:28:33.771
THAT WAS AMAZING.

2181
02:28:33.838 --> 02:28:35.273
NOW, I DON'T NEED TO TELL YOU,
BUT THIS HAS BEEN A REALLY TOUGH

2182
02:28:35.339 --> 02:28:38.876
YEAR FOR TEACHERS, ESPECIALLY
THOSE TEACHING MUSIC.

2183
02:28:38.943 --> 02:28:40.778
IF YOU THINK <i>YOUR</i> WORK ZOOM
CALLS ARE BAD, TRY TEACHING AN

2184
02:28:40.845 --> 02:28:44.348
EIGHT YEAR OLD WITH SPOTTY WiFi
HOW TO PLAY TROMBONE.

2185
02:28:44.415 --> 02:28:46.484
AND THAT'S WHY I'M VERY HONORED
TO PRESENT THE MUSIC EDUCATOR

2186
02:28:46.550 --> 02:28:47.551
AWARD.

2187
02:28:47.618 --> 02:28:49.120
THIS IS PRESENTED BY THE
RECORDING ACADEMY AND GRAMMY

2188
02:28:49.186 --> 02:28:52.523
MUSEUM TO RECOGNIZE CURRENT
EDUCATORS WHO HAVE MADE A

2189
02:28:52.590 --> 02:28:55.092
SIGNIFICANT CONTRIBUTION TO
MUSIC EDUCATION.

2190
02:28:55.159 --> 02:28:59.597
THIS YEAR'S MUSIC EDUCATOR AWARD
GOES TO DR. JEFFREY MURDOCK,

2191
02:28:59.664 --> 02:29:04.502
ASSOCIATE DIRECTOR OF CHORAL
ACTIVITIES AT THE UNIVERSITY OF

2192
02:29:04.568 --> 02:29:07.104
ARKANSAS AT FAYETTEVILLE.

2193
02:29:07.171 --> 02:29:09.273
I'M ALSO HONORED TO ANNOUNCE

2194
02:29:09.340 --> 02:29:13.077
THAT EARLIER TODAY, THE GRAMMY
AWARD FOR PRODUCER OF THE YEAR,

2195
02:29:13.144 --> 02:29:16.447
NON-CLASSICAL WENT TO ANDREW
WATT.

2196
02:29:16.514 --> 02:29:23.087
ALL NIGHT TONIGHT, WE HAVE BEEN

2197
02:29:23.154 --> 02:29:27.191
FEATURING OUR RECORD OF YEAR
NOMINEES WHO WERE PERFORMING.

2198
02:29:27.258 --> 02:29:28.993
BUT NOW WE WANT TO ALSO
SPOTLIGHT BEYONCÉ'S IMPACTFUL

2199
02:29:29.060 --> 02:29:31.362
RECORD, "BLACK PARADE," A
POWERFUL STATEMENT ABOUT SHARING

2200
02:29:31.429 --> 02:29:32.596
JOY EVEN AMID STRUGGLE.

2201
02:29:32.663 --> 02:29:36.334
IT WAS CREATED TO UPLIFT, AND
HAS BECOME MORE THAN A SONG, BUT

2202
02:29:36.400 --> 02:29:40.271
A MOVEMENT TO SUPPORT SMALL
BLACK-OWNED BUSINESSES.

2203
02:29:40.338 --> 02:29:44.508
RELEASED ON JUNE 19, 2020, TO
COMMEMORATE JUNETEENTH, THIS

2204
02:29:44.575 --> 02:29:48.512
RECORD HONORS THE HISTORY AND
BEAUTY OF BLACKNESS AND THE

2205
02:29:48.579 --> 02:29:49.980
STRENGTH OF COMMUNITY.

2206
02:29:50.047 --> 02:30:04.528
SO HERE'S A LOOK AT "BLACK
PARADE."

2207
02:30:13.571 --> 02:30:14.672
♪ ♪ ♪
♪ WE GOT RHYTHM.

2208
02:30:14.739 --> 02:30:16.874
♪ WE GOT PRIDE.

2209
02:30:16.941 --> 02:30:20.311
♪ WE WERE KINGS.

2210
02:30:20.378 --> 02:30:23.748
♪ ONLY RIVER.

2211
02:30:23.814 --> 02:30:27.451
♪ ONLY TOWNS SNEET SEEK THE
GLORY.

2212
02:30:27.518 --> 02:30:29.553
♪ FEEL THE LOVE.

2213
02:30:29.620 --> 02:30:33.557
♪ MOTHERLAND, DRIP ON ME.

2214
02:30:33.624 --> 02:30:40.131
♪ MOTHERLAND, MOTHERLAND DRIP ON
ME.

2215
02:30:40.197 --> 02:30:42.733
♪ HISTORREE, IS HER STORY.

2216
02:30:42.800 --> 02:30:44.602
♪ MOTHERLAND, MOTHERLAND DRIP ON
ME.

2217
02:30:44.668 --> 02:30:48.739
♪ HERE WE COME.

2218
02:30:48.806 --> 02:30:56.414
♪ FOLLOW MY PARADE, BLACK
PARADE.

2219
02:30:56.480 --> 02:30:57.214
♪.

2220
02:30:57.281 --> 02:30:58.416
AND NOW TIME FOR SOME MORE
MUSIC.

2221
02:30:58.482 --> 02:31:00.985
LET'S WELCOME BACK TO THE ST
LET'S WELCOME BACK TO THE STAGE

2222
02:31:01.051 --> 02:31:04.155
RODDY RICCH!

2223
02:31:25.609 --> 02:31:31.749
♪ ♪ ♪
♪ THIS LIFE LEFT ME HEARTLESS

2224
02:31:31.816 --> 02:31:35.753
AND I CAME FROM APARTMENTS
♪ THE MONEY TURNED ME

2225
02:31:35.820 --> 02:31:39.757
INTO A TARGET
♪ GOT A HELLCAT DODGE IT

2226
02:31:39.824 --> 02:31:47.031
I HOPE YOU LOOKING DOWN ON ME
♪ I HOPE YOU'RE PROUD OF ME

2227
02:31:47.097 --> 02:31:49.433
MAIN REASON A NINE-MILLIMETER
♪ GOTTA RIDE WITH ME

2228
02:31:49.500 --> 02:31:54.338
ESPECIALLY 'CAUSE I
♪ GOT A LITTLE ONE

2229
02:31:54.405 --> 02:31:57.074
ESPECIALLY 'CAUSE I GOT AN O.G.

2230
02:31:57.141 --> 02:32:00.277
♪ AYE, ESPECIALLY 'CAUSE
I GOTTA GO HOME

2231
02:32:00.344 --> 02:32:04.215
♪ ESPECIALLY 'CAUSE
I GOTTA GET THIS CHEESE

2232
02:32:04.281 --> 02:32:05.683
♪ TALK TO THE STREETS
MOST THEM HITTERS WACK

2233
02:32:05.749 --> 02:32:07.885
♪ MOST THEM HITTERS IN
THE PENITENTIARIES

2234
02:32:07.952 --> 02:32:11.555
♪ FROM SERVING CRACK
WE DONE WITNESSED WARTIME

2235
02:32:11.622 --> 02:32:13.657
♪ IT WAS FACTS
'TIL MY YOUNG HITTERS

2236
02:32:13.724 --> 02:32:15.926
♪ TURNED TO A NEW ASSASSIN
HE JUST WANNA KEEP

2237
02:32:15.993 --> 02:32:20.030
♪ RIGHT STRIKERS
AND KEEP ON RIDING

2238
02:32:20.097 --> 02:32:22.166
♪ THE JUDGE GONNA PUT HIM DOWN
PUT HIM DOWN

2239
02:32:22.233 --> 02:32:25.135
♪ PUT HIM DOWN
'TIL HE CAN'T SEE

2240
02:32:25.202 --> 02:32:29.106
♪ THE LIGHT AGAIN
THIS LIFE LEFT ME HEARTLESS

2241
02:32:29.173 --> 02:32:31.709
♪ AND I CAME FROM APARTMENTS
THE MONEY TURNED ME

2242
02:32:31.775 --> 02:32:37.114
♪ INTO A TARGET
GOT A HELLCAT DODGE IT

2243
02:32:37.181 --> 02:32:43.721
♪ I HOPE YOU LOOKING DOWN ON ME
I HOPE YOU'RE PROUD OF ME

2244
02:32:43.787 --> 02:32:49.727
MAIN REASON A NINE-MILLIMETER
♪ GOTTA RIDE WITH ME ♪

2245
02:32:49.793 --> 02:32:55.332
♪ ♪ ♪
WHERE THE STASH AT?

2246
02:32:55.399 --> 02:32:57.034
♪ CRUISE THE CITY IN
A BULLETPROOF CADILLAC

2247
02:32:57.101 --> 02:32:58.536
♪ 'CAUSE I KNOW THESE HITTERS
AFTER WHERE THE BAG AT

2248
02:32:58.602 --> 02:33:01.138
♪ I GOTTA MOVE SMARTER
I GOTTA MOVE HARDER

2249
02:33:01.205 --> 02:33:03.440
♪ IF YOU TRY TO GET ME
FOR MY WATER

2250
02:33:03.507 --> 02:33:05.476
♪ I'LL LAY HIS-- DOWN
ON MY SON OR MY DAUGHTER

2251
02:33:05.543 --> 02:33:07.711
♪ I HAD THE DRACO WITH ME
DWAYNE CARTER

2252
02:33:07.778 --> 02:33:09.580
♪ LOTTA HITTERS OUT HERE PLAYIN'
AIN'T BALLIN'

2253
02:33:09.647 --> 02:33:11.315
♪ I DONE PUT MY WHOLE ARM
IN THE RIM

2254
02:33:11.382 --> 02:33:12.950
♪ VINCE CARTER
AND I KNOW PROBABLY GET

2255
02:33:13.017 --> 02:33:14.985
♪ A KEY FOR THE QUARTER
SHAWTY BARELY SEEN IN DOUBLE C'S

2256
02:33:15.052 --> 02:33:16.220
♪ I BOUGHT 'EM
GOT A SHAWTY

2257
02:33:16.287 --> 02:33:19.723
♪ LOOKING LIKE AALIYAH
SHE A MODEL

2258
02:33:19.790 --> 02:33:22.026
♪ I GOT THE PINK SLIP
ALL MY WHIPS IS KEY-LESS

2259
02:33:22.092 --> 02:33:25.596
♪ COMPTON, I'M ABOUT TO GET
THE KEY TO THE CITY

2260
02:33:25.663 --> 02:33:28.232
♪ LIKE THE SEA
FORGIVE ME

2261
02:33:28.299 --> 02:33:29.333
♪ HEY TOLD 'EM 12, SWAT
BUSTIN' ALL THE BELLS

2262
02:33:29.400 --> 02:33:33.037
♪ OUT THE BOX
I JUST HIT A LICK WITH THE BOX

2263
02:33:33.103 --> 02:33:37.508
♪ HAD TO PUT THE STICK IN A BOX
WHAT YOU SAY

2264
02:33:37.575 --> 02:33:39.777
♪ POUR UP THE WHOLE SEAL
I'MA GET LAZY

2265
02:33:39.843 --> 02:33:45.115
♪ I GOT THE MOJO DEALS
WE BEEN TRAPPIN' LIKE THE '80S

2266
02:33:45.182 --> 02:33:49.320
♪ GOTTA CASH APP
TOLD 'EM WIPE A-- NOSE

2267
02:33:49.386 --> 02:33:53.157
♪ AYE
I WON'T NEVER SELL MY SOUL

2268
02:33:53.223 --> 02:34:01.131
♪ AYE
AND I REALLY WANNA KNOW

2269
02:34:01.198 --> 02:34:04.134
♪ HEY ♪
♪ ♪ ♪

2270
02:34:04.201 --> 02:34:10.975
STILL TO COME, WHO WILL WALK

2271
02:34:11.041 --> 02:34:12.610
AWAY WITH THE GRAMMY FOR RECORD
OF THE YEAR?

2272
02:34:12.676 --> 02:34:20.117
WILL IT BE BLACK PUMAS, DABABY
FEATURING RODDY RICCH, DOJA CAT,

2273
02:34:20.184 --> 02:34:23.520
BILLIE AISLE ASH, DUA LIPA OR
MEGAN THEE STALLION, THIS IS CBS

2274
02:34:23.587 --> 02:34:28.192
THE RECORDING ACADEMY AND
CBS CONDEMN AND DENOUNCE ALL

2275
02:34:28.258 --> 02:34:33.197
FORMS OF RACISM, SEXISM,
VIOLENCE, ANTI-SEMITISM AND

2276
02:34:33.263 --> 02:34:34.264
HATE.

2277
02:34:34.331 --> 02:34:36.300
LET'S CONTINUE TO USE MUSIC TO
BRING PEOPLE TOGETHER.

2278
02:34:36.367 --> 02:34:40.971
LEADING WITH LOVE, HEALING AND A
SENSE OF UNITY ACROSS ALL LINES

2279
02:34:41.038 --> 02:34:41.705
OF DIFFERENCE.

2280
02:34:45.109 --> 02:34:47.277
♪ ♪ ♪
DON'T MISS A BEAT

2281
02:34:47.344 --> 02:34:48.445
AFTER TONIGHT'S BROADCAST WITH
THE GRAMMY POST SHOW ON

2282
02:34:48.512 --> 02:34:51.448
grammy.com.

2283
02:34:51.515 --> 02:34:54.451
JOIN YOUR FAVORITE FACEBOOK
GROUP AND RELIVE THE NIGHT'S

2284
02:34:54.518 --> 02:35:02.893
WINNERS, PERFORMANCES, FASHION
AND MORE.

2285
02:35:02.960 --> 02:35:04.928
THIS YEAR'S LIFETIME ACHIEVEMENT
THE PIONEERING RAP

2286
02:35:04.995 --> 02:35:07.498
GROUP GRANDMASTER FLASH & THE
FURIOUS FIVE; LEGENDARY JAZZ

2287
02:35:07.564 --> 02:35:10.801
MUSICIAN AND BANDLEADER LIONEL
HAMPTON; GRAMMY-WINNING MEZZO-

2288
02:35:10.868 --> 02:35:14.805
SOPRANO OPERA GREAT MARILYN
HORNE; THE "FIRST LADIES OF RAP

2289
02:35:14.872 --> 02:35:19.410
& HIP HOP," SALT-N-PEPA; "QUEEN
OF TEJANO MUSIC," SELENA; AND

2290
02:35:19.476 --> 02:35:24.348
THE ACCLAIMED AND GROUNDBREAKING
ROCK BAND TALKING HEADS.

2291
02:35:24.415 --> 02:35:26.817
THE RECORDING ACADEMY PRESENTS
ITS TRUSTEES AWARD TO GRAMMY AND

2292
02:35:26.884 --> 02:35:30.821
EMMY-WINNING RECORDING ENGINEER
ED CHERNEY, JAZZ LEGEND AND

2293
02:35:30.888 --> 02:35:34.992
COMPOSER BENNY GOLSON, AND 11-
TIMES GRAMMY WINNING ARTIST,

2294
02:35:35.059 --> 02:35:38.829
PRODUCER, SONGWRITER AND RECORD
COMPANY EXECUTIVE KENNETH

2295
02:35:38.896 --> 02:35:41.198
"BABYFACE" EDMONDS.

2296
02:35:41.265 --> 02:35:43.467
AND THIS YEAR'S TECHNICAL GRAMMY
AWARD RECIPIENT IS DANIEL WEISS,

2297
02:35:43.534 --> 02:35:47.237
A PIONEER IN DIGITAL TECHNOLOGY
AND THE FOUNDER OF WEISS

2298
02:35:47.304 --> 02:35:49.406
ENGINEERING.

2299
02:35:49.473 --> 02:35:54.812
CONGRATULATIONS TO ALL OF THE
RECORDING ACADEMY'S SPECIAL

2300
02:35:54.878 --> 02:35:55.946
MERIT HONOREES FOR 2021.

2301
02:35:56.013 --> 02:36:00.718
IT'S TIME NOW FOR OUR

2302
02:36:00.784 --> 02:36:02.319
FINAL AWARD OF THE NIGHT BEFORE
EVERYONE GOES HOME AND GETS BACK

2303
02:36:02.386 --> 02:36:05.289
IN THEIR SWEATPANTS FOR ANOTHER
FEW MONTHS.

2304
02:36:05.355 --> 02:36:09.626
HERE TO PRESENT RECORD OF THE
YEAR, PLEASE WELCOME A NINE-TIME

2305
02:36:09.693 --> 02:36:15.065
GRAMMY AWARD WINNER, A RECORDING
AND A MEMBER OF A PROMISING

2306
02:36:15.132 --> 02:36:18.202
LITTLE BAND CALLED THE BEATLES--
THE ONE AND ONLY RINGO STARR.

2307
02:36:18.268 --> 02:36:26.176
♪ ♪ ♪

2308
02:36:26.243 --> 02:36:26.944
THANK YOU, THANK YOU VERY
MUCH.

2309
02:36:27.010 --> 02:36:27.778
PEACE AND LOVE, EVERYBODY.

2310
02:36:27.845 --> 02:36:30.347
NOT THAT LOUD NOW.

2311
02:36:30.414 --> 02:36:34.852
ANYWAY, AFTER A YEAR WHEN YOU'VE
ALL BEEN ZOOMING IN AND

2312
02:36:34.918 --> 02:36:36.120
GOOD EVENING, GRAMMY PEOPLE.

2313
02:36:36.186 --> 02:36:37.087
AFTER A YEAR WHEN WE'VE ALL BEEN
ZOOMING IN AND ZOOMING OUT, IT'S

2314
02:36:37.154 --> 02:36:37.888
GREAT TO BE HERE.

2315
02:36:37.955 --> 02:36:40.991
IN FACT, IT'S GREAT TO BE
ANYWHERE.

2316
02:36:41.058 --> 02:36:44.995
'CAUSE NO MATTER WHAT HAPPENS,
MUSIC GOES ON, SO I'M HONORED TO

2317
02:36:45.062 --> 02:36:48.265
BE HERE AT THE GRAMMYS, AS I'VE
BEEN MANY TIMES SINCE WHEN I WAS

2318
02:36:48.332 --> 02:36:52.169
IN THAT OTHER BAND.

2319
02:36:52.236 --> 02:36:56.306
AND I WANT TO SAY THIS WITH
PEACE AND LOVE TO ALL OF THESE

2320
02:36:56.373 --> 02:37:00.244
IF YOU'RE
MAKING MUSIC IN OUR WORLD TODAY,

2321
02:37:00.310 --> 02:37:01.612
YOU'VE ALREADY WON.

2322
02:37:01.678 --> 02:37:02.412
AND I THANK YOU.

2323
02:37:02.479 --> 02:37:04.882
THESE ARE
THESE ARE THE OUTSTANDING

2324
02:37:04.948 --> 02:37:10.287
NOMINATIONS FOR RECORD OF THE
YEAR.

2325
02:37:10.354 --> 02:37:17.561
"BLACK PARADE,"
BEYONCE.

2326
02:37:17.628 --> 02:37:20.430
"COLORS," BLACK PUMAS.

2327
02:37:20.497 --> 02:37:25.569
"ROCKSTAR," DaBABY FEATURING
RODDY RICCH.

2328
02:37:25.636 --> 02:37:29.540
"SAY SO," DOJA CAT.

2329
02:37:29.606 --> 02:37:33.544
"EVERYTHING I WANTED," BILLIE
EILISH.

2330
02:37:33.610 --> 02:37:41.518
"DON'T START NOW," DUA LIPA.

2331
02:37:41.585 --> 02:37:42.519
"CIRCLES," POST MALONE.

2332
02:37:42.586 --> 02:37:49.526
"SAVAGE," MEGAN THEE STALLION
FEATURING BEYONCE.

2333
02:38:03.707 --> 02:38:09.546
TO SOMEBODY.

2334
02:38:09.613 --> 02:38:17.554
BILLIE EILISH.

2335
02:38:17.621 --> 02:38:27.598
♪ ♪ ♪

2336
02:38:27.664 --> 02:38:34.404
♪ ♪ ♪

2337
02:38:34.471 --> 02:38:35.305
♪.

2338
02:38:35.372 --> 02:38:39.943
THIS IS REALLY EMBARRASS
RASING FOR ME.

2339
02:38:40.010 --> 02:38:43.580
MEGAN, GIRL, I WAS GOING TO
WRITE A SPEECH ABOUT HOW YOU

2340
02:38:43.647 --> 02:38:48.185
DESERVED THIS, BUT THEN THERE IS
LIKE THERE IS NO WAY THEY WILL

2341
02:38:48.252 --> 02:38:51.054
CHOOSE ME, I WAS LIKE IT'S HERS.

2342
02:38:51.121 --> 02:38:54.191
YOU DESERVE THIS.

2343
02:38:54.258 --> 02:38:59.096
YOU HAD A YEAR THAT I THINK IS
UNTOPPABLE.

2344
02:38:59.162 --> 02:39:00.097
YOU ARE A QUEEN.

2345
02:39:00.163 --> 02:39:02.532
I WANT IT CRY THINKING ABOUT HOW
MUCH I LOVE YOU.

2346
02:39:02.599 --> 02:39:06.136
ARE YOU SO BEAUTIFUL, YOU ARE SO
TALENTED.

2347
02:39:06.203 --> 02:39:07.771
YOU DESERVE EVERYTHING IN THE
WORLD.

2348
02:39:07.838 --> 02:39:08.972
I THINK ABOUT YOU CONSTANTLY.

2349
02:39:09.039 --> 02:39:11.341
I ROOT FOR YOU ALWAYS.

2350
02:39:11.408 --> 02:39:15.746
YOU DESERVE IT, HONESTLY,
GENUINELY, THIS GOES TO HER, CAN

2351
02:39:15.812 --> 02:39:21.084
WE JUST CHEER FOR MEGAN THEE
STALLION.

2352
02:39:21.151 --> 02:39:24.521
BUT THANK YOU ALSO, I REALLY DO
APPRECIATE THIS.

2353
02:39:24.588 --> 02:39:27.157
THANK YOU TO THE ACADEMY, THANK
YOU TO RINGO.

2354
02:39:27.224 --> 02:39:33.063
I LOVE YOU, I LOVE MY TEAM,
THANK YOU TO MY BROTHER FINNEAS

2355
02:39:33.130 --> 02:39:47.911
AND YEAH, THANKS FOR BEING HERE,
I LOVE YOU, THANK YOU.

2356
02:39:47.978 --> 02:39:49.846
CONGRATS BILLIE

2357
02:39:49.913 --> 02:39:50.981
EILISH!

2358
02:39:51.048 --> 02:39:54.484
THANK YOU ALL FOR BEING A PART
OF MUSIC'S BIGGEST NIGHT.

2359
02:39:54.551 --> 02:39:57.421
IT'S TIME TO HEAD TO THE CRAZY
AFTER PARTY, ALONE ON MY COUCH.

2360
02:39:57.487 --> 02:39:59.256
FOR 63 YEARS NOW, THE MUSIC
COMMUNITY HAS COME TOGETHER ON

2361
02:39:59.323 --> 02:40:01.658
GRAMMY NIGHT TO CELEBRATE
EXCELLENCE.

2362
02:40:01.725 --> 02:40:05.295
THANK YOU TO ALL OF THE ARTISTS
AND ALL THOSE WHO MADE THIS

2363
02:40:05.362 --> 02:40:07.030
UNIQUE AND BEAUTIFUL GRAMMY
NIGHT POSSIBLE.

2364
02:40:07.097 --> 02:40:11.034
GOOD NIGHT!

2365
02:40:11.101 --> 02:40:12.336
Captioning sponsored by CBS

2366
02:40:16.907 --> 02:40:19.009
Captioned by
Media Access Group at WGBH

2367
02:40:19.076 --> 02:40:23.547
access.wgbh.org

2368
02:40:27.084 --> 02:40:34.992
♪ ♪ ♪
♪ A LOVELY DAY

2369
02:40:35.058 --> 02:40:42.566
LOVELY DAY
♪ LOVELY DAY

2370
02:40:42.632 --> 02:40:44.401
LOVELY DAY
♪ A LOVELY DAY

2371
02:40:44.468 --> 02:40:46.470
LOVELY DAY
♪ A LOVELY DAY