WEBVTT FILE 1 00:00:00.408 --> 00:00:03.075 (ominous music) 2 00:00:02.000 --> 00:00:07.000 Downloaded from YTS.MX 3 00:00:08.000 --> 00:00:13.000 Official YIFY movies site: YTS.MX 4 00:00:12.097 --> 00:00:14.790 (dark music) 5 00:00:14.790 --> 00:00:18.540 - That's a big mistake. That's a very big mistake. 6 00:00:18.540 --> 00:00:20.880 If you ever wanna see your mom's basement again, 7 00:00:20.880 --> 00:00:23.633 you Cheeto hacker freak, 8 00:00:24.800 --> 00:00:26.050 you better start talkin'. 9 00:00:27.110 --> 00:00:28.810 How did you get into the database? 10 00:00:29.660 --> 00:00:31.253 Give me the codes! 11 00:00:33.330 --> 00:00:34.483 Who hired you? 12 00:00:35.730 --> 00:00:38.203 Tell me the name of your employer. 13 00:00:39.950 --> 00:00:41.570 'Cause we'll beat it out of you. 14 00:00:41.570 --> 00:00:44.260 I'll get names, I'll get dates. 15 00:00:44.260 --> 00:00:46.110 I'll drag anything I want out of you. 16 00:00:48.270 --> 00:00:51.520 No one you're protecting is worth that. 17 00:00:52.670 --> 00:00:53.620 So what do you say? 18 00:00:54.990 --> 00:00:56.590 Are you gonna cooperate with us? 19 00:00:58.350 --> 00:01:00.173 - Uh, okay. Um, hold on. 20 00:01:02.419 --> 00:01:04.440 - Was something wrong? - No, no, it was fine. 21 00:01:04.440 --> 00:01:07.680 But could you just, you know, 22 00:01:07.680 --> 00:01:10.550 add some more spice? 23 00:01:10.550 --> 00:01:11.440 - Spice? 24 00:01:11.440 --> 00:01:13.730 - Yeah! You know, spice it up! 25 00:01:13.730 --> 00:01:14.900 Forget about just reciting the line. 26 00:01:14.900 --> 00:01:17.240 - [Narrator] By now you've probably gathered, 27 00:01:17.240 --> 00:01:18.903 this is an audition. 28 00:01:19.800 --> 00:01:21.940 Even good actors have bad days. 29 00:01:21.940 --> 00:01:23.590 - Well, do you understand what I'm telling you or not? 30 00:01:23.590 --> 00:01:26.480 - Yeah, no, I understand. - Okay, so, come on. 31 00:01:26.480 --> 00:01:27.463 Do it again. 32 00:01:32.040 --> 00:01:33.690 - Tell me who you're working for! 33 00:01:34.720 --> 00:01:36.890 Tell me who you're working for, now! 34 00:01:36.890 --> 00:01:39.539 - Uh, uh, okay. All right, all right. 35 00:01:39.539 --> 00:01:41.900 - [Casting Director] We'll be in touch. 36 00:01:41.900 --> 00:01:43.310 - Is there anything else you want me to do? 37 00:01:43.310 --> 00:01:46.150 - [Filmmaker] No, we've heard enough. 38 00:01:46.150 --> 00:01:46.983 Thank you. 39 00:01:49.640 --> 00:01:50.473 - Okay. 40 00:01:53.969 --> 00:01:57.059 (water drips) 41 00:01:57.059 --> 00:01:59.809 (water splashes) 42 00:02:05.391 --> 00:02:08.474 (upbeat swing music) 43 00:02:09.500 --> 00:02:11.090 - [Narrator] Welcome to Hollywood. 44 00:02:11.090 --> 00:02:14.150 Meet Tyler Stevens, a struggling actor. 45 00:02:14.150 --> 00:02:16.900 He's 25 years old, which means he's at that age where he's 46 00:02:16.900 --> 00:02:19.440 beginning to question if it's ever gonna happen for him. 47 00:02:19.440 --> 00:02:22.010 He's become bitter and irritable. 48 00:02:22.010 --> 00:02:24.480 His authentic charm is beginning to wane 49 00:02:24.480 --> 00:02:27.510 as the fishes of doubt spider whip through his subconscious. 50 00:02:27.510 --> 00:02:31.270 - So what I actually ordered was double-sided prints. 51 00:02:31.270 --> 00:02:33.420 What you guys printed was one side. 52 00:02:33.420 --> 00:02:34.800 There's supposed to be a resume on the back? 53 00:02:34.800 --> 00:02:36.380 - [Clerk] Um, okay. 54 00:02:36.380 --> 00:02:39.160 - [Narrator] He encounters many obstacles along his journey, 55 00:02:39.160 --> 00:02:41.070 yet he continues, nonetheless. 56 00:02:41.070 --> 00:02:43.530 Aggressively adhering to his health routines, 57 00:02:43.530 --> 00:02:46.023 forced positivity, and networking. 58 00:02:49.910 --> 00:02:50.743 - [Passenger] Are you Tyler? 59 00:02:50.743 --> 00:02:52.460 - Yeah. - Great. 60 00:02:52.460 --> 00:02:54.370 - [Narrator] He finds work where he can, 61 00:02:54.370 --> 00:02:56.130 but he only takes jobs that don't interfere 62 00:02:56.130 --> 00:02:58.100 with his rigorous audition schedule. 63 00:02:58.100 --> 00:02:59.420 After hundreds of cattle calls, 64 00:02:59.420 --> 00:03:01.260 the stars are gone from his eyes. 65 00:03:01.260 --> 00:03:02.870 Many of his peers would've given up by now, 66 00:03:02.870 --> 00:03:03.703 but there's something about Tyler 67 00:03:03.703 --> 00:03:05.593 that's just a little bit more stubborn. 68 00:03:06.870 --> 00:03:09.840 - I sent you an email last week, 69 00:03:09.840 --> 00:03:13.330 but just in case you didn't get it, it's Tyler Stevens 70 00:03:13.330 --> 00:03:18.330 underscore Acting at Gmail dot com. 71 00:03:18.860 --> 00:03:20.910 - [Narrator] And who am I you might ask? 72 00:03:20.910 --> 00:03:22.423 A booming voice from the sky? 73 00:03:23.740 --> 00:03:25.540 Maybe I'm his conscience. 74 00:03:25.540 --> 00:03:27.070 A silent narrator guiding him 75 00:03:27.070 --> 00:03:29.193 incalculably closer to his destiny. 76 00:03:31.530 --> 00:03:33.400 Tyler Stevens first crossed my radar 77 00:03:33.400 --> 00:03:35.500 at a local film festival last summer. 78 00:03:35.500 --> 00:03:37.160 He had starred in a short film that was 79 00:03:37.160 --> 00:03:39.853 not entirely remarkable, aside from its lead. 80 00:03:40.850 --> 00:03:42.887 And that's where this story begins. 81 00:03:42.887 --> 00:03:45.970 (upbeat dance music) 82 00:03:50.140 --> 00:03:52.370 - Hey, man! Glad you're able to make it! 83 00:03:52.370 --> 00:03:54.490 - Yeah, thanks, guy. Thank you for the invite. 84 00:03:54.490 --> 00:03:55.323 - Yeah. 85 00:03:56.360 --> 00:03:58.510 - Oh and thank you for the filmmaker pass. 86 00:03:58.510 --> 00:04:02.520 - Yeah, absolutamente. (chuckles) 87 00:04:02.520 --> 00:04:06.600 Anyway, I'm gonna go, uh, mingle. Work the room. 88 00:04:06.600 --> 00:04:08.560 I suggest you do the same. 89 00:04:08.560 --> 00:04:11.483 Business cards and cocktails is the name of the game. 90 00:04:15.250 --> 00:04:16.950 - [Narrator] No, I'm not that guy. 91 00:04:18.410 --> 00:04:20.700 I'm actually not any of these people. 92 00:04:20.700 --> 00:04:22.610 I wasn't there that night. 93 00:04:22.610 --> 00:04:25.370 But it's the short film Tyler was in that soon came 94 00:04:25.370 --> 00:04:28.610 to the attention of a certain casting director in Hollywood. 95 00:04:28.610 --> 00:04:29.553 Marcy Whitman. 96 00:04:30.670 --> 00:04:32.070 But he didn't know that yet. 97 00:04:33.430 --> 00:04:35.380 The truth is, no amount of networking 98 00:04:35.380 --> 00:04:37.760 can out-compete sheer happenstance. 99 00:04:37.760 --> 00:04:40.193 The collision of talent and luck. 100 00:04:41.680 --> 00:04:43.310 Speaking of networking... 101 00:04:51.260 --> 00:04:52.533 - Jerry Thomas. 102 00:04:54.300 --> 00:04:55.930 I'm sorry, I'm sure you get this a lot, 103 00:04:55.930 --> 00:04:58.043 but you're Jerry Thomas. 104 00:04:59.350 --> 00:05:01.295 - I am. Guilty. 105 00:05:01.295 --> 00:05:03.100 - (chuckles) Do you mind? 106 00:05:03.100 --> 00:05:04.460 - Oh, please, sit down. - I'm an actor. 107 00:05:04.460 --> 00:05:06.430 - [Narrator] This guy's a former child actor. 108 00:05:06.430 --> 00:05:08.290 Just in case you were wondering. 109 00:05:08.290 --> 00:05:09.867 He was famous for that hit show 110 00:05:09.867 --> 00:05:11.780 "Meet the Chadwicks" I believe it was called. 111 00:05:11.780 --> 00:05:13.680 Did a few after-school specials. 112 00:05:13.680 --> 00:05:16.330 He wasn't quite one of the Coreys, but almost. 113 00:05:16.330 --> 00:05:19.130 - Look, I just wanted to say I'm a huge fan. 114 00:05:19.130 --> 00:05:21.010 I loved Meet the Chadwicks as a kid. 115 00:05:21.010 --> 00:05:22.710 I'm sure you get that a lot, too. 116 00:05:22.710 --> 00:05:24.690 - [Narrator] Tyler's fishing for connections here, 117 00:05:24.690 --> 00:05:26.570 and he's not gonna get very much. 118 00:05:26.570 --> 00:05:29.500 A couple of nuggets of wisdom and a pat on the back, 119 00:05:29.500 --> 00:05:33.020 but he's hoping just one person will give him the big break 120 00:05:33.020 --> 00:05:35.460 that he so desperately needs. 121 00:05:35.460 --> 00:05:37.963 - Look, I get you probably feel stuck right now, man. 122 00:05:38.970 --> 00:05:42.023 You wanna break out, get out. Get your name out. 123 00:05:42.930 --> 00:05:44.880 I mean, it's about... 124 00:05:44.880 --> 00:05:46.420 Well, the question really is, like, 125 00:05:46.420 --> 00:05:48.626 I mean, is it really what you wanna be doing? 126 00:05:48.626 --> 00:05:50.020 Is it really you? 127 00:05:50.020 --> 00:05:53.003 And if so, then great, man. Chase your dreams. 128 00:05:53.950 --> 00:05:55.510 And do what you love. 129 00:05:55.510 --> 00:05:59.410 - But just out of curiosity, I mean, what's it like? 130 00:05:59.410 --> 00:06:01.253 - What's it like, being famous? 131 00:06:02.586 --> 00:06:05.310 Look, man. I'm gonna be honest with you. 132 00:06:05.310 --> 00:06:07.110 It's just another form of captivity. 133 00:06:08.430 --> 00:06:09.866 You're just upgrading your cage. 134 00:06:09.866 --> 00:06:11.566 (Tyler chuckles) No, I'm serious. 135 00:06:12.410 --> 00:06:15.350 You're stuck now. You'll be stuck then. 136 00:06:15.350 --> 00:06:16.650 But for different reasons. 137 00:06:18.120 --> 00:06:20.170 - Hey. You all set? 138 00:06:20.170 --> 00:06:21.530 - Yes. 139 00:06:21.530 --> 00:06:24.450 Uh, well, look, I actually have to head out. 140 00:06:24.450 --> 00:06:26.163 I have a plane to catch, but um, 141 00:06:27.350 --> 00:06:29.790 it was nice talking with you, Tyler, and hey, 142 00:06:29.790 --> 00:06:31.060 best of luck to you. 143 00:06:31.060 --> 00:06:31.980 - Thanks. 144 00:06:31.980 --> 00:06:32.813 - Take care. 145 00:06:39.091 --> 00:06:41.841 (crickets chirp) 146 00:06:43.053 --> 00:06:45.470 (door locks) 147 00:06:46.713 --> 00:06:47.873 (Tyler sighs) 148 00:06:47.873 --> 00:06:50.963 (Tyler clears his throat) 149 00:06:50.963 --> 00:06:54.380 (Tyler hums melodically) 150 00:07:00.796 --> 00:07:04.296 (Tyler clears his throat) 151 00:07:11.683 --> 00:07:13.703 (Tyler clears his throat) 152 00:07:13.703 --> 00:07:16.187 (Tyler vocalizes) 153 00:07:16.187 --> 00:07:21.187 - "You can reach out or touch. It is a virus. 154 00:07:21.380 --> 00:07:24.940 And it'll spread through this city like you've never seen. 155 00:07:24.940 --> 00:07:27.853 And yes, you can quote me on that, sir. 156 00:07:30.090 --> 00:07:33.193 And yes, you can quote me on that, sir. 157 00:07:35.060 --> 00:07:37.763 And yes, you can quote me on that, sir. 158 00:07:40.241 --> 00:07:42.603 And yes, you can quote me on that, sir." 159 00:07:46.262 --> 00:07:50.845 (sighs) (sullen music) 160 00:07:59.165 --> 00:08:01.915 (microwave hums) 161 00:08:09.584 --> 00:08:12.251 (ominous tones) 162 00:08:16.891 --> 00:08:18.560 (wind chimes ring) (gasps and pants) 163 00:08:18.560 --> 00:08:23.560 (pants) (suspenseful music) 164 00:09:15.159 --> 00:09:18.076 (muffled rattling) 165 00:09:25.847 --> 00:09:26.680 Hello? 166 00:09:40.717 --> 00:09:43.217 (lock clacks) 167 00:09:54.309 --> 00:09:55.476 What the hell? 168 00:10:04.321 --> 00:10:05.390 (loud thud) 169 00:10:05.390 --> 00:10:07.473 (groans) 170 00:10:16.580 --> 00:10:18.580 (pants) 171 00:10:22.708 --> 00:10:27.291 (heavy knocks) (pants) 172 00:10:33.321 --> 00:10:35.321 (thuds) 173 00:11:20.543 --> 00:11:22.487 This can't be happening. 174 00:11:45.244 --> 00:11:48.244 (suspenseful music) 175 00:11:55.358 --> 00:11:57.566 (switch clicks) 176 00:11:57.566 --> 00:12:00.233 (switch clicks) 177 00:12:01.326 --> 00:12:03.993 (switch clicks) 178 00:12:20.209 --> 00:12:22.709 (door closes) 179 00:12:28.896 --> 00:12:31.396 (tense music) 180 00:12:33.986 --> 00:12:38.236 (doors and drawers thud and clunk) 181 00:12:58.216 --> 00:13:01.049 (hammering thuds) 182 00:13:03.056 --> 00:13:08.056 (wood snaps and clatters) (hammering thuds) 183 00:13:18.833 --> 00:13:20.244 Let me out! 184 00:13:20.244 --> 00:13:22.343 Let me out of here! 185 00:13:22.343 --> 00:13:23.260 Let me out! 186 00:13:24.993 --> 00:13:27.910 (breathes sharply) 187 00:13:31.131 --> 00:13:33.933 (yells) 188 00:13:33.933 --> 00:13:36.192 (wood clatters) 189 00:13:36.192 --> 00:13:37.920 (yells) 190 00:13:37.920 --> 00:13:40.837 (breathes sharply) 191 00:13:49.103 --> 00:13:52.480 (ominous tones) 192 00:13:52.480 --> 00:13:55.723 It's always the same. (somber music) 193 00:13:56.570 --> 00:13:59.877 Every time I go to sleep, I'm in that place. 194 00:14:02.332 --> 00:14:04.082 I used to think it was a nightmare. 195 00:14:05.500 --> 00:14:06.333 It's not that. 196 00:14:08.310 --> 00:14:10.230 - [Psychiatrist] When did it start? 197 00:14:10.230 --> 00:14:11.580 Do you remember the first time? 198 00:14:11.580 --> 00:14:12.413 - No. 199 00:14:15.230 --> 00:14:17.003 I keep asking myself that. 200 00:14:18.460 --> 00:14:20.923 It's like deja vu. 201 00:14:22.490 --> 00:14:23.940 Like the chicken and the egg. 202 00:14:26.140 --> 00:14:27.433 I don't remember. 203 00:14:29.400 --> 00:14:32.597 - Does it have something to do with "The Box?" 204 00:14:34.740 --> 00:14:36.540 - It has everything to do with that. 205 00:14:38.340 --> 00:14:39.403 - [Psychiatrist] Tell me. 206 00:14:43.340 --> 00:14:44.940 - [Narrator] Lewis slowly stirs. 207 00:14:46.060 --> 00:14:46.893 Sits up. 208 00:14:53.350 --> 00:14:56.220 He glances outside, hopes to catch a glimpse 209 00:14:56.220 --> 00:14:58.880 of the future through the window pane. 210 00:14:58.880 --> 00:15:01.310 This is the language of a screenplay. 211 00:15:01.310 --> 00:15:03.740 Does an actor become the role he is playing, 212 00:15:03.740 --> 00:15:05.763 or does the role become him? 213 00:15:09.663 --> 00:15:11.200 (door opens) 214 00:15:11.200 --> 00:15:12.490 - [Landlord] Hey! 215 00:15:12.490 --> 00:15:14.360 Stevens. 216 00:15:14.360 --> 00:15:16.560 Hey. Your rent, man. 217 00:15:16.560 --> 00:15:17.730 - Look, I know, I know. 218 00:15:17.730 --> 00:15:19.540 I'll have it to you by the end of the day. I promise. 219 00:15:19.540 --> 00:15:21.690 - You're a month overdue. 220 00:15:21.690 --> 00:15:23.960 - It won't happen again, I swear. 221 00:15:23.960 --> 00:15:26.230 - [Landlord] Today. Five P.M.! 222 00:15:26.230 --> 00:15:27.063 - Yeah, I will! 223 00:15:44.270 --> 00:15:47.760 - [Clerk] No, (scoffs) no. This isn't gonna work. 224 00:15:47.760 --> 00:15:49.010 - [Tyler] What's wrong? 225 00:15:49.010 --> 00:15:50.053 - This suit is worn. 226 00:15:51.070 --> 00:15:52.730 - What do you mean? What're you talkin' about? 227 00:15:52.730 --> 00:15:55.220 - There's marks on it and some of the tags are missing. 228 00:15:55.220 --> 00:15:56.400 - [Narrator] The suit, you may have noticed, 229 00:15:56.400 --> 00:15:57.640 is from the festival. 230 00:15:57.640 --> 00:15:59.740 He took care to only wear it for that one night 231 00:15:59.740 --> 00:16:03.560 and he made sure to keep the receipt, not that it helped. 232 00:16:03.560 --> 00:16:05.890 - Please. I need the money. 233 00:16:05.890 --> 00:16:07.600 Can't you give me something for it? 234 00:16:07.600 --> 00:16:09.690 I paid $400 for this thing. 235 00:16:09.690 --> 00:16:11.740 I don't even have that kind of money, all right? 236 00:16:11.740 --> 00:16:13.090 Look, I need- 237 00:16:13.090 --> 00:16:14.270 - Sir! - Look. 238 00:16:14.270 --> 00:16:17.323 - No, it's not gonna happen, okay? We can't return the suit. 239 00:16:22.622 --> 00:16:25.539 (trash can clunks) 240 00:16:37.920 --> 00:16:40.603 - [Phone] You have one new voice message. 241 00:16:41.699 --> 00:16:43.800 - [Marcy] Hi, this is Marcy Whitman, 242 00:16:43.800 --> 00:16:45.910 calling for Tyler Stevens. 243 00:16:45.910 --> 00:16:48.790 You auditioned a few weeks ago for the lead role 244 00:16:48.790 --> 00:16:52.120 in a feature that I'm casting titled "The Box." 245 00:16:52.120 --> 00:16:53.370 I'm calling to let you know that we'd like you 246 00:16:53.370 --> 00:16:55.440 to come back in for a second audition. 247 00:16:55.440 --> 00:16:57.650 Give me a call back at your earliest convenience. 248 00:16:57.650 --> 00:16:59.550 Thank you so much, we look... 249 00:17:01.000 --> 00:17:05.820 (phone rings) (Tyler clears his throat) 250 00:17:05.820 --> 00:17:07.260 (phone rings) 251 00:17:07.260 --> 00:17:08.250 Hello. 252 00:17:08.250 --> 00:17:11.453 - Hi, Marcy? This is Tyler Stevens calling you back. 253 00:17:12.730 --> 00:17:14.900 - [Marcy] Tyler, yes! Did you get my voicemail? 254 00:17:14.900 --> 00:17:16.350 - Yeah, I did. I did. 255 00:17:16.350 --> 00:17:18.410 - [Marcy] So, we're advancing you to the next stage, 256 00:17:18.410 --> 00:17:20.690 and we'd like to have you in for a callback. 257 00:17:20.690 --> 00:17:22.369 If you're still interested in the role? 258 00:17:22.369 --> 00:17:24.430 - Yes, absolutely. - Okay, great. 259 00:17:24.430 --> 00:17:28.870 So, the sooner the better. Things are moving pretty fast. 260 00:17:28.870 --> 00:17:31.420 What's your schedule look like for the next few days? 261 00:17:31.420 --> 00:17:34.280 - I'm pretty flexible. - Are you free tomorrow? 262 00:17:34.280 --> 00:17:37.500 - Sure. - Okay, tomorrow. 263 00:17:37.500 --> 00:17:39.610 How does 1 P.M. sound? 264 00:17:39.610 --> 00:17:40.443 - Perfect, yeah. 265 00:17:41.360 --> 00:17:42.960 - [Narrator] There's no sound in the English language 266 00:17:42.960 --> 00:17:45.910 more appealing to an actor than the word callback. 267 00:17:45.910 --> 00:17:48.570 After the festival, Marcy Whitman contacted Tyler 268 00:17:48.570 --> 00:17:50.070 and invited him to audition. 269 00:17:50.070 --> 00:17:52.630 Now she was asking him back for a second round. 270 00:17:52.630 --> 00:17:54.420 This was his chance. 271 00:17:54.420 --> 00:17:56.038 (printer bleeps) 272 00:17:56.038 --> 00:18:01.038 (printer whirs) (somber music) 273 00:18:12.227 --> 00:18:13.377 - "What's that you say? 274 00:18:14.660 --> 00:18:16.310 Lewis. 275 00:18:16.310 --> 00:18:17.573 My name's Lewis. 276 00:18:19.110 --> 00:18:20.630 That's right. 277 00:18:20.630 --> 00:18:21.730 I've done this before. 278 00:18:23.540 --> 00:18:26.833 Was I as scared the first time as I am now? 279 00:18:28.940 --> 00:18:30.443 What's there to be scared of? 280 00:18:32.980 --> 00:18:34.243 I'm the only one here. 281 00:18:36.951 --> 00:18:38.593 I'm the only one here. 282 00:18:43.370 --> 00:18:45.679 What's that you say? 283 00:18:45.679 --> 00:18:47.649 Lewis. (echoing chatter) 284 00:18:47.649 --> 00:18:48.482 My name's Lewis. 285 00:18:50.090 --> 00:18:52.300 My name is Lewis. 286 00:18:52.300 --> 00:18:53.607 I've done this before. 287 00:18:55.010 --> 00:18:56.529 That's right. 288 00:18:56.529 --> 00:18:58.679 Was I as scared the first time as I am now? 289 00:18:59.921 --> 00:19:03.020 What's there to be scared of? I'm the only one here. 290 00:19:04.220 --> 00:19:05.660 (heavy thud) 291 00:19:05.660 --> 00:19:08.077 Maybe I'm afraid to be alone. 292 00:19:12.972 --> 00:19:15.619 (ominous tones) 293 00:19:15.619 --> 00:19:20.619 (gasps and pants) (wind chimes ring) 294 00:19:29.003 --> 00:19:30.995 Come on, come on, come on, come on. 295 00:19:30.995 --> 00:19:32.165 There's gotta be somethin'. 296 00:19:32.165 --> 00:19:34.116 There's gotta be somewhere to... 297 00:19:34.116 --> 00:19:36.283 (mumbles) 298 00:19:38.805 --> 00:19:41.055 Something, something, um... 299 00:19:42.362 --> 00:19:44.496 A knife, a knife. Give me a knife, give me a knife! 300 00:19:44.496 --> 00:19:47.413 (wind chimes ring) 301 00:19:59.107 --> 00:20:00.190 What is this? 302 00:20:06.859 --> 00:20:09.109 (chuckles) 303 00:20:19.170 --> 00:20:20.203 Anything I want. 304 00:20:22.650 --> 00:20:24.112 Give me a sledgehammer. (wind chimes ring) 305 00:20:24.112 --> 00:20:27.112 (suspenseful music) 306 00:20:31.818 --> 00:20:35.318 (hammer clangs and thuds) 307 00:20:40.460 --> 00:20:42.299 Give me a blowtorch! 308 00:20:42.299 --> 00:20:45.216 (blowtorch hisses) 309 00:20:48.979 --> 00:20:52.328 (ax clangs and thuds) 310 00:20:52.328 --> 00:20:54.911 (drill buzzes) 311 00:20:59.307 --> 00:21:02.224 (saw blade whines) 312 00:21:08.720 --> 00:21:13.553 (thud) (plaster crumbles) 313 00:21:30.206 --> 00:21:31.456 No, no, no, no! 314 00:21:33.366 --> 00:21:34.947 (brick thuds) 315 00:21:34.947 --> 00:21:37.864 (wind chimes ring) 316 00:21:42.276 --> 00:21:45.193 (breathes sharply) 317 00:21:48.909 --> 00:21:50.429 (hammer thuds) 318 00:21:50.429 --> 00:21:51.781 (whooshing) 319 00:21:51.781 --> 00:21:54.170 (hammer thuds) 320 00:21:54.170 --> 00:21:57.837 (plastic rustles and snaps) 321 00:22:01.686 --> 00:22:05.353 (hammer thuds rhythmically) 322 00:22:09.478 --> 00:22:10.895 Give me a shovel. 323 00:22:27.538 --> 00:22:31.038 (somber orchestral music) 324 00:22:40.169 --> 00:22:43.086 (wind chimes ring) 325 00:23:00.929 --> 00:23:02.820 What is this? 326 00:23:02.820 --> 00:23:03.920 I didn't ask for this! 327 00:23:13.200 --> 00:23:14.623 Earmuffs would be nice. 328 00:23:17.836 --> 00:23:18.989 (gun clicks) 329 00:23:18.989 --> 00:23:21.322 (gun cocks) 330 00:23:28.258 --> 00:23:29.290 (gun fires) 331 00:23:29.290 --> 00:23:31.707 (slug thuds) 332 00:23:32.700 --> 00:23:33.893 Yeah, I thought so. 333 00:23:38.070 --> 00:23:40.290 What is this for then, huh? 334 00:23:40.290 --> 00:23:42.240 What is it for? 'Cause it's not for me! 335 00:23:49.139 --> 00:23:50.722 This is not for me. 336 00:23:54.587 --> 00:23:57.004 (gun clangs) 337 00:23:59.427 --> 00:24:02.094 (ominous tones) 338 00:24:12.374 --> 00:24:15.874 (sullen orchestral music) 339 00:24:21.040 --> 00:24:23.090 - [Narrator] It is at this point in the story that 340 00:24:23.090 --> 00:24:27.610 the protagonist begins to question everything he knows. 341 00:24:27.610 --> 00:24:30.520 Tyler's beyond the words on the page. 342 00:24:30.520 --> 00:24:32.940 He's tapped into something else now. 343 00:24:32.940 --> 00:24:36.870 His stifling meticulous routine of rote memorization 344 00:24:36.870 --> 00:24:39.310 gives way to deeper instincts. 345 00:24:39.310 --> 00:24:41.800 The spontaneous, terrifying whispers 346 00:24:41.800 --> 00:24:44.633 that inhabit the remote corners of his soul. 347 00:24:46.412 --> 00:24:50.570 (door opens) (footsteps clack) 348 00:24:50.570 --> 00:24:51.523 - Tyler Stevens? 349 00:24:57.793 --> 00:25:00.260 (door closes) 350 00:25:00.260 --> 00:25:02.750 - [Marcy] Tyler. Good to see you again. 351 00:25:02.750 --> 00:25:05.063 - Thank you. It's good to see you too, Marcy. 352 00:25:06.240 --> 00:25:07.860 - So, let's just get right to the sides. 353 00:25:07.860 --> 00:25:09.370 You're off book, right? 354 00:25:09.370 --> 00:25:10.340 - Yes. 355 00:25:10.340 --> 00:25:11.423 - Okay, great. 356 00:25:13.302 --> 00:25:14.310 (camera bleeps) 357 00:25:14.310 --> 00:25:16.310 And you can begin whenever you're ready. 358 00:25:30.340 --> 00:25:31.473 Is everything okay? 359 00:25:33.450 --> 00:25:34.930 - I'm, I'm sorry. I'm... 360 00:25:36.243 --> 00:25:37.843 I'm just getting into character. 361 00:25:39.420 --> 00:25:40.743 - Okay, take your time. 362 00:25:52.410 --> 00:25:53.510 - What's that you say? 363 00:25:56.130 --> 00:25:56.963 Lewis. 364 00:25:58.620 --> 00:25:59.973 My name is Lewis. 365 00:26:02.520 --> 00:26:04.923 That's right, I've done this before. 366 00:26:08.190 --> 00:26:10.563 Was I as scared the first time as I am now? 367 00:26:12.954 --> 00:26:15.410 I mean, what is there to be afraid of? 368 00:26:15.410 --> 00:26:16.833 I'm the only one here. 369 00:26:19.993 --> 00:26:21.093 I'm the only one here. 370 00:26:24.674 --> 00:26:25.924 And maybe that's just it. 371 00:26:27.050 --> 00:26:28.500 Maybe I'm afraid to be alone. 372 00:26:33.510 --> 00:26:36.160 What if some people are comfortable inside their box? 373 00:26:37.750 --> 00:26:38.723 It's simple. 374 00:26:40.144 --> 00:26:41.644 There are walls on every side. 375 00:26:43.874 --> 00:26:44.953 It just makes sense. 376 00:26:46.730 --> 00:26:48.873 Fundamental logic. 377 00:26:51.930 --> 00:26:53.503 But if you don't like your box? 378 00:26:54.900 --> 00:26:56.550 What if it's not what you wanted? 379 00:26:58.070 --> 00:27:01.210 What if it is what you wanted but you're not happy with it? 380 00:27:01.210 --> 00:27:02.423 What do you do then? 381 00:27:05.800 --> 00:27:06.823 You try to wake up, 382 00:27:08.690 --> 00:27:09.933 but it doesn't let you. 383 00:27:11.290 --> 00:27:15.873 You try to get out, but there is no out. There is only in. 384 00:27:18.090 --> 00:27:19.213 You go deeper in. 385 00:27:22.653 --> 00:27:23.486 In. 386 00:27:25.002 --> 00:27:25.835 In. 387 00:27:28.330 --> 00:27:29.163 Alone. 388 00:27:32.020 --> 00:27:35.093 But that's the thing, I'm never really alone. 389 00:27:36.690 --> 00:27:37.540 They're watching. 390 00:27:39.390 --> 00:27:40.423 Always watching. 391 00:27:42.380 --> 00:27:43.213 There. 392 00:27:44.670 --> 00:27:45.743 Behind the glass. 393 00:27:47.850 --> 00:27:49.650 Waiting for you to show them something 394 00:27:49.650 --> 00:27:51.823 that they will never forget. 395 00:27:52.880 --> 00:27:54.523 - I'm sorry, can you stop? 396 00:27:56.380 --> 00:27:57.683 That's not in the script. 397 00:28:00.270 --> 00:28:01.103 - What? 398 00:28:02.880 --> 00:28:05.127 - [Marcy] Where did you get that from? 399 00:28:09.513 --> 00:28:11.656 Can you give us a minute? 400 00:28:11.656 --> 00:28:12.489 - Okay. 401 00:28:35.477 --> 00:28:37.750 (door opens) (footsteps clack) 402 00:28:37.750 --> 00:28:38.583 - Tyler? 403 00:28:41.865 --> 00:28:45.504 (footsteps clack) 404 00:28:45.504 --> 00:28:48.004 (door closes) 405 00:28:49.300 --> 00:28:52.320 So, we just got off the phone with the producer 406 00:28:52.320 --> 00:28:55.883 and he would like to meet with you, one on one. 407 00:28:57.780 --> 00:28:58.613 - What? 408 00:29:00.340 --> 00:29:02.240 - It doesn't mean that you have the part. 409 00:29:02.240 --> 00:29:04.280 You still have to do a screen test for the director. 410 00:29:04.280 --> 00:29:07.233 - Hold on. I thought I just messed up the lines. 411 00:29:09.192 --> 00:29:11.970 - [Marcy] Oh, well, if that's messing up, 412 00:29:11.970 --> 00:29:13.623 we want more of that. 413 00:29:15.650 --> 00:29:17.927 - [Casting Assistant] Can you do Saturday, 3 P.M.? 414 00:29:19.221 --> 00:29:22.554 (warm orchestral music) 415 00:29:29.910 --> 00:29:32.373 - [Psychiatrist] You've described that moment as pivotal. 416 00:29:33.500 --> 00:29:36.040 - [Tyler] Well, it was my first real callback. 417 00:29:36.040 --> 00:29:38.563 - [Psychiatrist] But you don't look back on it fondly. 418 00:29:39.600 --> 00:29:41.000 - It's because of the crash. 419 00:29:42.330 --> 00:29:44.830 - That's when you started to have second thoughts? 420 00:29:46.320 --> 00:29:47.527 How did that happen? 421 00:29:54.493 --> 00:29:56.993 (gate closes) 422 00:30:02.052 --> 00:30:04.720 (door opens) 423 00:30:04.720 --> 00:30:06.600 - Hey! Stevens! 424 00:30:06.600 --> 00:30:08.641 Where the hell's the rent, huh? 425 00:30:08.641 --> 00:30:10.710 - (sighs) Look, I'm gonna have it for you soon! 426 00:30:10.710 --> 00:30:12.290 - Are you joking? 427 00:30:12.290 --> 00:30:14.770 Do you want me to pull out your rental agreement? 428 00:30:14.770 --> 00:30:18.240 You promised to pay on time, in full, at the beginning 429 00:30:18.240 --> 00:30:19.970 of each month! - I fell behind. 430 00:30:19.970 --> 00:30:20.970 It won't happen again. I promise. 431 00:30:20.970 --> 00:30:22.310 - [Landlord] No more promises! 432 00:30:22.310 --> 00:30:24.610 If you don't get me that money by Friday, 433 00:30:24.610 --> 00:30:28.333 I'm calling the police and your ass is out on the street! 434 00:30:29.742 --> 00:30:32.062 (door slams) (somber music) 435 00:30:32.062 --> 00:30:34.092 (keys clink) 436 00:30:34.092 --> 00:30:36.592 (Tyler sighs) 437 00:30:38.261 --> 00:30:40.724 (trash can thuds) (Tyler grunts) 438 00:30:40.724 --> 00:30:41.913 (Tyler yells) 439 00:30:41.913 --> 00:30:44.413 (heavy thuds) 440 00:30:50.940 --> 00:30:52.653 - I gave myself 48 hours. 441 00:30:54.449 --> 00:30:58.030 I calculated if I worked two all-nighters, back to back, 442 00:30:58.030 --> 00:30:58.863 I'd have rent. 443 00:31:02.522 --> 00:31:04.890 (car starts) 444 00:31:04.890 --> 00:31:06.113 48 hours. 445 00:31:07.520 --> 00:31:08.770 I didn't even make it 12. 446 00:31:10.042 --> 00:31:12.625 (somber music) 447 00:31:34.804 --> 00:31:38.137 (muffled tires screech) 448 00:31:43.372 --> 00:31:46.705 (muffled tires screech) 449 00:31:48.281 --> 00:31:53.281 (wind chimes rings) (grunts) 450 00:32:01.593 --> 00:32:03.676 (grunts) 451 00:32:27.023 --> 00:32:29.523 (bleak music) 452 00:32:51.272 --> 00:32:53.855 (drawer thuds) 453 00:33:24.691 --> 00:33:27.108 (door opens) 454 00:33:32.310 --> 00:33:33.390 (gun clunks) 455 00:33:33.390 --> 00:33:34.630 (door closes) 456 00:33:34.630 --> 00:33:37.130 (lock clicks) 457 00:33:39.328 --> 00:33:42.161 (breathes deeply) 458 00:33:57.050 --> 00:33:59.133 (coughs) 459 00:34:07.829 --> 00:34:08.877 Help. 460 00:34:08.877 --> 00:34:09.710 Help. 461 00:34:11.349 --> 00:34:13.432 (coughs) 462 00:34:14.981 --> 00:34:17.190 (distant sirens wail) 463 00:34:17.190 --> 00:34:19.421 (coughs) 464 00:34:19.421 --> 00:34:21.504 (groans) 465 00:34:24.192 --> 00:34:26.275 (groans) 466 00:34:28.029 --> 00:34:29.611 (car door opens) 467 00:34:29.611 --> 00:34:32.111 (body clunks) 468 00:34:40.250 --> 00:34:41.083 - [Nurse] Tyler? 469 00:34:43.150 --> 00:34:43.983 Tyler? 470 00:34:44.840 --> 00:34:45.673 Tyler? 471 00:34:46.890 --> 00:34:48.440 Hi, my name is Victoria. 472 00:34:48.440 --> 00:34:50.960 I'm gonna be looking after you today, okay? 473 00:34:50.960 --> 00:34:53.950 Let's see. Are you feeling any pain right now? 474 00:34:53.950 --> 00:34:55.140 - Yes. 475 00:34:55.140 --> 00:34:57.300 - [Victoria] All right. Is there anything that you need? 476 00:34:57.300 --> 00:34:59.060 Do you need to use the restroom? 477 00:34:59.060 --> 00:35:00.640 - What happened to my car? 478 00:35:00.640 --> 00:35:01.560 - [Victoria] I'm gonna need you to not worry 479 00:35:01.560 --> 00:35:02.620 about your car right now, okay? 480 00:35:02.620 --> 00:35:05.970 I'm gonna need you to lie there. Stay calm, okay? 481 00:35:05.970 --> 00:35:08.293 Do you have any emergency contacts? 482 00:35:09.280 --> 00:35:11.883 Anyone in the area we can call? 483 00:35:14.161 --> 00:35:18.320 (Tyler sobs) (somber music) 484 00:35:18.320 --> 00:35:20.680 Okay, um, I'm gonna get the doctor, okay? 485 00:35:20.680 --> 00:35:22.143 Just hold tight. 486 00:35:23.369 --> 00:35:25.786 (Tyler sobs) 487 00:35:46.199 --> 00:35:48.350 (crickets chirp) 488 00:35:48.350 --> 00:35:49.670 - [Narrator] What happens when you can't see 489 00:35:49.670 --> 00:35:50.543 the road anymore? 490 00:35:52.010 --> 00:35:53.573 When the doubt sets in. 491 00:35:56.100 --> 00:35:59.173 Tyler's bruises cover more than just his skin and his ego. 492 00:36:01.520 --> 00:36:04.283 When did that innocent childhood dream escape him? 493 00:36:05.610 --> 00:36:07.430 The passion that led him all those years 494 00:36:07.430 --> 00:36:10.163 before the ruthless pragmatism of adulthood set in? 495 00:36:12.330 --> 00:36:15.780 His career has become a dirty word. 496 00:36:15.780 --> 00:36:17.130 It should live on his corkboard, 497 00:36:17.130 --> 00:36:20.630 next to all the other motivational quotes he's collected. 498 00:36:20.630 --> 00:36:23.090 Now that Tyler is just another orphan 499 00:36:24.000 --> 00:36:26.007 in a city of broken dreams. 500 00:36:32.016 --> 00:36:34.766 (knocks on door) 501 00:36:36.528 --> 00:36:37.827 (knocks on door) 502 00:36:37.827 --> 00:36:40.410 (Tyler groans) 503 00:36:42.189 --> 00:36:44.140 (knocks on door) 504 00:36:44.140 --> 00:36:46.793 - I swear to god, Tyler, I know you're in there! 505 00:36:48.495 --> 00:36:50.023 You open this door right now! 506 00:36:51.100 --> 00:36:52.553 I know you can hear me! 507 00:36:54.090 --> 00:36:55.540 Listen to me, asshole! 508 00:36:55.540 --> 00:36:58.530 I've already filled out the eviction paperwork! 509 00:36:58.530 --> 00:36:59.966 You're done! 510 00:36:59.966 --> 00:37:00.883 You're out! 511 00:37:02.217 --> 00:37:05.543 So we can either do this the easy way, or the hard way. 512 00:37:10.790 --> 00:37:11.953 - I was in an accident. 513 00:37:14.150 --> 00:37:15.820 - I don't give a shit. 514 00:37:15.820 --> 00:37:17.750 You got 12 hours. 515 00:37:17.750 --> 00:37:19.200 And then I'm calling the cops. 516 00:37:23.439 --> 00:37:26.939 (somber orchestral music) 517 00:37:34.401 --> 00:37:37.234 (mattress hisses) 518 00:38:29.154 --> 00:38:31.654 (lock bleeps) 519 00:38:35.291 --> 00:38:38.124 (suitcase unzips) 520 00:38:47.561 --> 00:38:50.061 (Tyler sighs) 521 00:38:57.070 --> 00:38:59.280 (phone rings) 522 00:38:59.280 --> 00:39:03.080 (suspenseful piano music) 523 00:39:03.080 --> 00:39:05.580 (phone rings) 524 00:39:08.950 --> 00:39:11.700 (phone vibrates) 525 00:39:14.230 --> 00:39:16.980 (phone vibrates) 526 00:39:24.890 --> 00:39:25.723 - Hello? 527 00:39:28.080 --> 00:39:28.913 Tyler? 528 00:39:32.460 --> 00:39:33.640 - Hi. 529 00:39:33.640 --> 00:39:34.473 Sarah. 530 00:39:36.520 --> 00:39:37.353 - [Sarah] Hi. 531 00:39:40.110 --> 00:39:41.240 - I just, uh... 532 00:39:44.890 --> 00:39:45.723 - [Sarah] Hello? 533 00:39:46.630 --> 00:39:47.463 - Hi. 534 00:39:48.600 --> 00:39:49.710 I was just, um... 535 00:39:50.939 --> 00:39:53.587 I was just callin' to see how you were doin'. 536 00:39:55.120 --> 00:39:57.499 - [Sarah] I'm doing all right. 537 00:39:57.499 --> 00:39:59.080 (somber piano music) 538 00:39:59.080 --> 00:40:00.247 - That's good. 539 00:40:02.670 --> 00:40:05.000 - [Sarah] What about you? 540 00:40:05.000 --> 00:40:07.459 - Me? (chuckles) 541 00:40:07.459 --> 00:40:09.600 You know me, I'm... 542 00:40:09.600 --> 00:40:12.683 I'm just taking it one day at a time. 543 00:40:14.090 --> 00:40:15.120 - [Sarah] Yeah, I uh, 544 00:40:15.120 --> 00:40:17.920 keep waiting to see you on a billboard somewhere. 545 00:40:17.920 --> 00:40:19.297 - Yeah. 546 00:40:19.297 --> 00:40:21.214 (sobs) 547 00:40:23.620 --> 00:40:24.453 - So what's up? 548 00:40:27.739 --> 00:40:30.090 (Tyler sniffles) 549 00:40:30.090 --> 00:40:30.923 Tyler? 550 00:40:35.190 --> 00:40:36.383 - Hey, I'm sorry. 551 00:40:39.000 --> 00:40:40.917 - [Sarah] Are you okay? 552 00:40:42.620 --> 00:40:43.610 - Yeah, I just... 553 00:40:44.760 --> 00:40:46.060 Hearing your voice... 554 00:40:48.700 --> 00:40:50.257 You don't even know. 555 00:40:53.200 --> 00:40:55.963 I am out here, all alone, 556 00:40:57.299 --> 00:40:58.499 and no one gives a shit. 557 00:41:01.510 --> 00:41:05.053 I totaled my car and I'm broke, 558 00:41:05.990 --> 00:41:08.670 and I could've died yesterday, 559 00:41:08.670 --> 00:41:11.470 and no one in this city would've cared, it's... 560 00:41:13.320 --> 00:41:14.403 It's pathetic. 561 00:41:20.120 --> 00:41:21.270 I'm sorry, I... 562 00:41:22.280 --> 00:41:24.140 I'm such a jerk, I shouldn't have called, 563 00:41:24.140 --> 00:41:25.840 and I shouldn't be laying all of this on you. 564 00:41:25.840 --> 00:41:28.030 I'm sorry, I just don't have anyone- 565 00:41:28.030 --> 00:41:29.990 - No. No, it's okay. 566 00:41:33.570 --> 00:41:34.863 I'm glad you called. 567 00:41:41.360 --> 00:41:43.063 - I miss you like crazy out here. 568 00:41:45.270 --> 00:41:46.103 Really. 569 00:41:48.350 --> 00:41:49.183 - [Sarah] Me too. 570 00:41:53.320 --> 00:41:54.493 - Why did we break up? 571 00:41:59.490 --> 00:42:01.910 - Because I was holding you back. 572 00:42:01.910 --> 00:42:05.376 - (chuckles) No, don't feed me my bullshit lines. 573 00:42:05.376 --> 00:42:08.000 - You have a gift. It's true. 574 00:42:08.000 --> 00:42:10.050 - You wanna know something about my gift? 575 00:42:11.530 --> 00:42:13.063 Everyone out here has one. 576 00:42:14.560 --> 00:42:18.040 You ask the mailman and he's got head shots in his trunk, 577 00:42:18.040 --> 00:42:21.060 or a script or some 578 00:42:21.060 --> 00:42:24.393 award-winning short film that no one has ever seen. 579 00:42:25.720 --> 00:42:28.083 If you ask them, they will show you. 580 00:42:30.051 --> 00:42:30.884 - Look. 581 00:42:32.672 --> 00:42:34.870 I don't know anything about Hollywood, 582 00:42:34.870 --> 00:42:37.743 or how the movie business works, but, 583 00:42:39.380 --> 00:42:42.790 if you feel like you've exhausted every option 584 00:42:42.790 --> 00:42:44.150 and you're done, then... 585 00:42:46.360 --> 00:42:48.460 There's nothing wrong with that, you know? 586 00:42:55.320 --> 00:42:57.302 I'm gonna send you some money. 587 00:42:57.302 --> 00:42:59.760 - No. No, Sarah, you don't have to do that. 588 00:42:59.760 --> 00:43:01.570 - No, no, you have to have a car out there, 589 00:43:01.570 --> 00:43:03.320 or you're gonna get stranded, so... 590 00:43:04.350 --> 00:43:06.603 Is, uh, $1,000 okay? 591 00:43:09.701 --> 00:43:10.850 (Tyler sniffles) 592 00:43:10.850 --> 00:43:11.683 - Yeah. 593 00:43:13.340 --> 00:43:14.173 Thank you. 594 00:43:16.309 --> 00:43:17.142 - Okay. 595 00:43:21.500 --> 00:43:25.640 I need you to know that I... 596 00:43:25.640 --> 00:43:27.343 I want you to be happy. 597 00:43:29.340 --> 00:43:31.856 I didn't want you to resent me, that's, 598 00:43:31.856 --> 00:43:34.509 that's why I never tried to win you back. 599 00:43:34.509 --> 00:43:35.999 - I know, I know. 600 00:43:35.999 --> 00:43:36.832 I know. 601 00:43:40.839 --> 00:43:42.089 - [Sarah] Okay. 602 00:43:43.357 --> 00:43:46.357 Well, I gotta go get some sleep now. 603 00:43:47.245 --> 00:43:48.078 - Okay. 604 00:43:51.044 --> 00:43:53.536 (Tyler sniffles) 605 00:43:53.536 --> 00:43:54.619 - I love you. 606 00:44:04.623 --> 00:44:05.456 - Bye. 607 00:44:10.326 --> 00:44:11.159 - Bye. 608 00:44:18.598 --> 00:44:21.015 (Tyler sobs) 609 00:44:32.818 --> 00:44:35.818 (phone alarm rings) 610 00:44:37.198 --> 00:44:40.198 (phone alarm rings) 611 00:44:41.926 --> 00:44:44.012 (phone alarm rings) 612 00:44:44.012 --> 00:44:46.682 (groans) 613 00:44:46.682 --> 00:44:49.682 (phone alarm rings) 614 00:44:51.591 --> 00:44:54.591 (phone alarm rings) 615 00:45:07.782 --> 00:45:10.199 (car starts) 616 00:45:17.930 --> 00:45:21.370 Hi, this is Tyler Stevens calling for Marcy Whitman. 617 00:45:21.370 --> 00:45:22.683 - [Woman On Phone] One moment, please. 618 00:45:28.729 --> 00:45:30.630 - [Marcy] Hello? 619 00:45:30.630 --> 00:45:32.500 - Hi, Marcy. 620 00:45:32.500 --> 00:45:33.993 This is Tyler Stevens. 621 00:45:34.910 --> 00:45:36.963 - [Marcy] Tyler, hey! How's it goin'? 622 00:45:37.820 --> 00:45:39.470 - It's, uh, it's going all right. 623 00:45:41.330 --> 00:45:44.963 I was just calling to see if I could, um, 624 00:45:46.690 --> 00:45:49.713 postpone or cancel the meeting today? 625 00:45:51.331 --> 00:45:52.414 - [Marcy] Oh? 626 00:45:53.460 --> 00:45:54.293 What's wrong? 627 00:45:55.550 --> 00:45:58.861 - I got into a car accident the other day. 628 00:45:58.861 --> 00:46:01.250 - [Marcy] I'm sorry to hear that. Are you all right? 629 00:46:01.250 --> 00:46:04.393 - I'm okay, I just don't really look myself. 630 00:46:05.560 --> 00:46:09.277 And, um, and I just... I don't want to, uh- 631 00:46:09.277 --> 00:46:11.450 - [Marcy] See, the thing is, if you're okay, 632 00:46:11.450 --> 00:46:14.023 I would really encourage you not to cancel. 633 00:46:14.950 --> 00:46:15.920 Do what you have to do, 634 00:46:15.920 --> 00:46:18.523 but this is a meeting that you don't wanna miss. 635 00:46:31.857 --> 00:46:34.357 (Tyler sighs) 636 00:46:54.588 --> 00:46:57.338 (intercom rings) 637 00:46:58.478 --> 00:47:01.880 (intercom rings) 638 00:47:01.880 --> 00:47:03.390 - [Producer] Yep? 639 00:47:03.390 --> 00:47:06.243 - Hi, this is Tyler Stevens, the actor. 640 00:47:07.596 --> 00:47:08.753 - Oh. Oh, yes! 641 00:47:09.708 --> 00:47:10.848 Come up. 642 00:47:10.848 --> 00:47:13.628 (intercom bleeps) 643 00:47:13.628 --> 00:47:16.935 (car window hums) 644 00:47:16.935 --> 00:47:19.435 (Tyler sighs) 645 00:47:35.016 --> 00:47:37.849 (car door creaks) 646 00:47:40.668 --> 00:47:43.501 (car door closes) 647 00:47:50.127 --> 00:47:51.980 Mr. Stevens. 648 00:47:51.980 --> 00:47:53.670 - Hey. - Hey, come in. 649 00:47:53.670 --> 00:47:54.503 Follow me. 650 00:47:56.315 --> 00:47:57.420 (door creaks) 651 00:47:57.420 --> 00:47:58.253 Come in. 652 00:47:59.235 --> 00:48:00.867 (door creaks) 653 00:48:00.867 --> 00:48:02.620 (door slams) 654 00:48:02.620 --> 00:48:03.720 We'll be through here. 655 00:48:06.366 --> 00:48:07.850 - You have a beautiful house. 656 00:48:07.850 --> 00:48:10.913 - Yeah, yeah. It's all my wife's taste. 657 00:48:11.930 --> 00:48:14.940 Oh, I heard you got into a little bit of an accident. 658 00:48:14.940 --> 00:48:16.400 Is everything okay? 659 00:48:16.400 --> 00:48:18.210 - Yeah, um, just a little bit- 660 00:48:18.210 --> 00:48:19.563 - These are all originals. 661 00:48:21.000 --> 00:48:21.833 Out here. 662 00:48:25.551 --> 00:48:26.840 (sighs) 663 00:48:26.840 --> 00:48:28.330 Philippe. 664 00:48:28.330 --> 00:48:29.163 Hello. 665 00:48:30.990 --> 00:48:32.640 We're gonna be in the pool house. 666 00:48:38.876 --> 00:48:39.709 After you. 667 00:48:41.356 --> 00:48:42.506 - Thank you. - Cheers. 668 00:48:45.430 --> 00:48:47.663 Well, (clears throat) take a seat. 669 00:48:50.170 --> 00:48:54.040 Right, I don't believe in wasting time, so, 670 00:48:54.040 --> 00:48:56.640 let's get right to the point about why you're here. 671 00:48:56.640 --> 00:48:59.480 The director saw your audition tapes, 672 00:48:59.480 --> 00:49:01.830 and he loves what you did. 673 00:49:01.830 --> 00:49:03.300 I do, too. 674 00:49:03.300 --> 00:49:07.803 We are very close to being able to make you an offer. 675 00:49:08.660 --> 00:49:12.310 That is, we'd like you to be in the film. 676 00:49:12.310 --> 00:49:15.580 Now, um, one of the things the director's asked me to do 677 00:49:15.580 --> 00:49:19.730 is to, uh, give you a copy of the screenplay. 678 00:49:19.730 --> 00:49:22.170 Take a look at it, you know, when you've got a chance. 679 00:49:22.170 --> 00:49:23.580 Make some notes. 680 00:49:23.580 --> 00:49:25.760 I'm sure you've gathered by now what the film's about, 681 00:49:25.760 --> 00:49:30.130 in the abstract, but basically the concept is 682 00:49:30.130 --> 00:49:32.840 there's a guy stuck in a house and he's trying to get out, 683 00:49:32.840 --> 00:49:34.240 but every time he does so, 684 00:49:34.240 --> 00:49:37.120 he keeps coming up against these walls of mirrors. 685 00:49:37.120 --> 00:49:38.470 You'll be playing the lead. 686 00:49:39.320 --> 00:49:43.410 His name's Lewis. Actually, that might change, but anyway... 687 00:49:43.410 --> 00:49:47.770 It's a very symbolic story. You'll see what I mean. 688 00:49:47.770 --> 00:49:52.500 We've been, we've been pitching it as "Castaway in a house." 689 00:49:52.500 --> 00:49:54.263 You know the Tom Hanks movie? 690 00:49:55.350 --> 00:49:57.470 - Yeah. - So, um, you know. 691 00:49:57.470 --> 00:49:59.253 Let us know what you think. 692 00:50:04.879 --> 00:50:08.379 (somber orchestral music) 693 00:50:23.676 --> 00:50:26.426 (phone vibrates) 694 00:50:27.455 --> 00:50:30.205 (phone vibrates) 695 00:50:31.332 --> 00:50:34.082 (phone vibrates) 696 00:51:07.926 --> 00:51:10.638 (rumbling) 697 00:51:10.638 --> 00:51:13.367 (wind chimes ring) 698 00:51:13.367 --> 00:51:18.367 (Tyler gasps and pants) (eerie music) 699 00:51:24.276 --> 00:51:26.526 (creaking) 700 00:51:39.978 --> 00:51:42.228 (creaking) 701 00:51:45.892 --> 00:51:48.142 (creaking) 702 00:51:51.833 --> 00:51:54.250 (screeching) 703 00:51:58.163 --> 00:52:02.663 (creaking) (scraping) 704 00:52:09.597 --> 00:52:14.264 (screeching) (creaking) 705 00:52:19.594 --> 00:52:24.594 (object clunks) (upbeat swing music) 706 00:52:35.000 --> 00:52:36.379 - Hey! 707 00:52:36.379 --> 00:52:38.119 Who are you? 708 00:52:38.119 --> 00:52:39.286 - Who are you? 709 00:52:40.250 --> 00:52:41.600 - [Neighbor] I asked first. 710 00:52:52.360 --> 00:52:54.150 - How did you do that? 711 00:52:54.150 --> 00:52:57.140 I've been trying to get out of here for so long. 712 00:52:57.140 --> 00:52:58.180 - I don't know. 713 00:52:58.180 --> 00:53:00.240 A square just appeared on the wall and I started pushing it 714 00:53:00.240 --> 00:53:03.050 and, uh, you were pulling it too, it seems. 715 00:53:03.050 --> 00:53:04.879 I mean, that's it, really. 716 00:53:04.879 --> 00:53:06.760 - Are you sure you didn't do anything else? 717 00:53:06.760 --> 00:53:09.300 - I'm sure it will never happen again. 718 00:53:09.300 --> 00:53:10.900 - What's going on in your place? 719 00:53:11.770 --> 00:53:12.603 Let me see. 720 00:53:22.390 --> 00:53:23.490 Who are they? 721 00:53:23.490 --> 00:53:25.630 - Just characters. (chuckles) 722 00:53:25.630 --> 00:53:27.000 - They're not real? 723 00:53:27.000 --> 00:53:28.860 - What's so great about real? 724 00:53:28.860 --> 00:53:29.923 It's all in good fun. 725 00:53:33.280 --> 00:53:34.130 What's your name? 726 00:53:39.310 --> 00:53:41.310 It's okay. I don't know, either. 727 00:53:41.310 --> 00:53:42.920 I can't remember a damn thing down here. 728 00:53:42.920 --> 00:53:44.630 It's like we're in the fifth dimension or something, 729 00:53:44.630 --> 00:53:47.860 which would make sense because here we are in these cubes 730 00:53:47.860 --> 00:53:49.710 that we can't get out of, 731 00:53:49.710 --> 00:53:53.980 perhaps due to our dimensional limitations and, uh... 732 00:53:54.927 --> 00:53:55.760 Hm. 733 00:53:56.610 --> 00:53:58.210 It is strange, though, isn't it? 734 00:54:01.660 --> 00:54:03.760 - You don't have any mirrors on your side. 735 00:54:05.460 --> 00:54:06.293 - Mirrors? 736 00:54:07.939 --> 00:54:09.310 What do you mean? 737 00:54:09.310 --> 00:54:10.143 - Nevermind. 738 00:54:13.280 --> 00:54:15.430 - There's a story in your eyes. 739 00:54:15.430 --> 00:54:18.280 Would you mind if I made a character from you? 740 00:54:18.280 --> 00:54:19.480 - How would you do that? 741 00:54:20.620 --> 00:54:21.870 - Tell me about yourself. 742 00:54:23.778 --> 00:54:26.040 - I don't know anything. - Sure you do! 743 00:54:26.040 --> 00:54:29.233 Superficial things like your name, that gets forgotten. 744 00:54:30.240 --> 00:54:33.300 But your passions, your fears. 745 00:54:33.300 --> 00:54:34.133 That's visceral. 746 00:54:35.190 --> 00:54:36.153 It's all in there. 747 00:54:37.250 --> 00:54:38.083 Look around. 748 00:54:42.130 --> 00:54:44.080 What's your favorite room in the house? 749 00:54:45.540 --> 00:54:47.140 - I don't know. 750 00:54:47.140 --> 00:54:49.290 - What is the place you feel the most safe? 751 00:54:53.400 --> 00:54:54.233 - My bedroom. 752 00:54:55.120 --> 00:54:56.770 - What's in the bedroom? 753 00:54:56.770 --> 00:54:58.370 - There isn't anything in there. 754 00:54:59.330 --> 00:55:02.750 - Close your eyes. (suspenseful music) 755 00:55:02.750 --> 00:55:03.750 You're in there now. 756 00:55:05.010 --> 00:55:06.683 Let your feelings become visual. 757 00:55:07.980 --> 00:55:09.203 Let the room populate. 758 00:55:11.610 --> 00:55:12.670 What do you see? 759 00:55:30.576 --> 00:55:33.280 (upbeat swing music) 760 00:55:33.280 --> 00:55:36.030 Now what is your least favorite room in the house? 761 00:55:36.030 --> 00:55:37.880 The place where you never want to go. 762 00:55:40.700 --> 00:55:41.763 Yes. 763 00:55:44.147 --> 00:55:46.814 (ominous music) 764 00:55:49.470 --> 00:55:50.523 Why do you fear it? 765 00:55:52.510 --> 00:55:54.410 - I'm afraid I'll be trapped in there. 766 00:55:55.320 --> 00:55:56.153 Alone. 767 00:55:58.936 --> 00:56:03.936 (switch clicks) (pants) 768 00:56:04.086 --> 00:56:07.130 (door slams) 769 00:56:07.130 --> 00:56:08.130 - You fear the dark? 770 00:56:10.210 --> 00:56:13.250 - I fear the emptiness. 771 00:56:13.250 --> 00:56:14.630 - Yes. 772 00:56:14.630 --> 00:56:16.130 That's right. 773 00:56:16.130 --> 00:56:17.280 Your passion runs deep. 774 00:56:18.140 --> 00:56:19.300 It's palpable. 775 00:56:19.300 --> 00:56:22.823 - What does it mean? (wind chimes ring) 776 00:56:24.000 --> 00:56:25.860 - That must be the singularity! 777 00:56:25.860 --> 00:56:28.050 - What? - It's the refresh. 778 00:56:28.050 --> 00:56:29.570 I hope to meet you again someday, 779 00:56:29.570 --> 00:56:30.780 though certainly not down here. 780 00:56:30.780 --> 00:56:31.800 - No, no. No, no, no, wait! 781 00:56:31.800 --> 00:56:32.923 Wait, stop! - Bye! 782 00:57:11.494 --> 00:57:15.327 (melancholy orchestral music) 783 00:57:27.330 --> 00:57:29.060 - [Father] Okay, I'm recording. 784 00:57:29.060 --> 00:57:32.223 So, where are we right now? 785 00:57:32.223 --> 00:57:33.680 - Burger place. 786 00:57:33.680 --> 00:57:35.770 - [Father] And where were we just now? 787 00:57:35.770 --> 00:57:37.354 - School. 788 00:57:37.354 --> 00:57:40.130 - [Father] (chuckles) And what were we doing at school? 789 00:57:40.130 --> 00:57:42.633 What were you doing at school, Tyler? 790 00:57:42.633 --> 00:57:44.500 - [Tyler] I was in a play. 791 00:57:44.500 --> 00:57:46.520 - [Father] You were in a play? 792 00:57:46.520 --> 00:57:48.783 What kind of play? What was the name of the play? 793 00:57:49.692 --> 00:57:51.157 - "Peter Pan." 794 00:57:51.157 --> 00:57:53.640 - [Father] Yeah, "Peter Pan." That's right. 795 00:57:53.640 --> 00:57:55.511 And what were you doing in it? 796 00:57:55.511 --> 00:57:56.344 - Acting. 797 00:57:57.180 --> 00:57:58.710 - [Father] Well, I should hope so. 798 00:57:58.710 --> 00:58:00.993 And what was the name of your part? 799 00:58:02.470 --> 00:58:04.190 - [Tyler] Peter Pan. 800 00:58:04.190 --> 00:58:05.700 - [Father] You were Peter Pan? 801 00:58:05.700 --> 00:58:07.870 Isn't that like the biggest role in the play? 802 00:58:07.870 --> 00:58:08.950 - Mm-hm. 803 00:58:08.950 --> 00:58:11.850 - [Father] So, you were the star of the show? 804 00:58:11.850 --> 00:58:12.760 - [Tyler] Yeah. 805 00:58:12.760 --> 00:58:17.260 - [Father] That is so cool. Are you proud of yourself? 806 00:58:17.260 --> 00:58:20.737 Well, you should be. Mom and I are really proud of you. 807 00:58:22.040 --> 00:58:24.710 All right, so what comes next? Another play? 808 00:58:24.710 --> 00:58:26.110 - I... 809 00:58:26.110 --> 00:58:29.270 In a play? I'm gonna go to Hollywood. 810 00:58:29.270 --> 00:58:30.851 - [Father] You're gonna go where? 811 00:58:30.851 --> 00:58:32.020 - Hollywood! 812 00:58:32.020 --> 00:58:35.361 - [Father] Hollywood? What're you gonna do there? 813 00:58:35.361 --> 00:58:37.290 - [Tyler] I'm gonna be a movie star. 814 00:58:37.290 --> 00:58:38.830 - [Father] Oh! (chuckles) 815 00:58:38.830 --> 00:58:43.030 Movie star? What kind of movies are you gonna be in? 816 00:58:43.030 --> 00:58:44.780 - [Tyler] Big movies. 817 00:58:44.780 --> 00:58:45.973 - [Father] Big movies! 818 00:58:45.973 --> 00:58:48.557 All right. I wanna see some big movies. 819 00:58:50.600 --> 00:58:53.620 All right, Tyler. I think our food's coming. 820 00:58:53.620 --> 00:58:55.120 Say goodbye to the camera now. 821 00:58:55.982 --> 00:58:56.815 - Bye. 822 00:59:09.213 --> 00:59:11.963 (Tyler sniffles) 823 00:59:13.170 --> 00:59:15.763 Hi, this is Tyler Stevens calling. 824 00:59:17.490 --> 00:59:19.710 I just wanted to let you know that I really appreciate 825 00:59:19.710 --> 00:59:21.580 you meeting with me yesterday, but... 826 00:59:23.070 --> 00:59:25.963 Look, I read the script, I thought it was brilliant. 827 00:59:27.594 --> 00:59:29.444 (chuckles) It's really great, I just, 828 00:59:30.580 --> 00:59:32.023 I have to decline the role. 829 00:59:34.830 --> 00:59:37.080 I'm really sorry that I can't be in the film. 830 00:59:39.030 --> 00:59:42.013 But thank you again and good luck with your production. 831 00:59:45.513 --> 00:59:47.012 (ominous music) 832 00:59:47.012 --> 00:59:51.929 (trunk door slams) (sighs) 833 01:00:02.040 --> 01:00:04.790 (phone vibrates) 834 01:00:06.270 --> 01:00:09.020 (phone vibrates) 835 01:00:10.512 --> 01:00:13.262 (phone vibrates) 836 01:00:23.659 --> 01:00:26.576 (wind chimes ring) 837 01:00:27.630 --> 01:00:30.463 (breathes deeply) 838 01:00:38.810 --> 01:00:40.350 Kerosine. 839 01:00:40.350 --> 01:00:41.523 Five gallons. 840 01:00:42.630 --> 01:00:43.590 And matches. 841 01:00:44.658 --> 01:00:47.575 (wind chimes ring) 842 01:01:00.280 --> 01:01:03.280 (suspenseful music) 843 01:01:23.026 --> 01:01:24.634 (car door closes) 844 01:01:24.634 --> 01:01:27.551 (truck horn honks) 845 01:01:54.778 --> 01:01:58.792 (dark orchestral music) 846 01:01:58.792 --> 01:02:01.542 (phone vibrates) 847 01:02:02.884 --> 01:02:05.634 (phone vibrates) 848 01:02:07.086 --> 01:02:09.836 (phone vibrates) 849 01:02:16.865 --> 01:02:18.496 Hello? 850 01:02:18.496 --> 01:02:22.246 - [Man On Phone] Tyler. Do you know who I am? 851 01:02:23.246 --> 01:02:25.800 - You're the director. - Yes. 852 01:02:25.800 --> 01:02:27.260 It's like we've met somewhere before, 853 01:02:27.260 --> 01:02:29.623 but I can't put my finger on where or when. 854 01:02:30.660 --> 01:02:31.933 I know you feel it, too. 855 01:02:34.720 --> 01:02:38.300 You know, I've been writing "The Box" for six years now. 856 01:02:38.300 --> 01:02:40.000 The idea came to me in a dream, 857 01:02:40.000 --> 01:02:42.500 but it's taken six years for me to fully grasp it. 858 01:02:43.334 --> 01:02:45.240 What it really means, and even then, 859 01:02:45.240 --> 01:02:47.130 in many ways it's still a mediocre piece of work. 860 01:02:47.130 --> 01:02:49.530 I mean, I'll be the first to admit. 861 01:02:49.530 --> 01:02:52.563 The dialogue is either too convoluted, too contrived. 862 01:02:53.460 --> 01:02:55.090 The action, the emotions, 863 01:02:55.090 --> 01:02:57.970 some of it is incongruous, in my opinion. 864 01:02:57.970 --> 01:03:00.683 I mean, it's workable, but not ideal. 865 01:03:02.054 --> 01:03:03.050 (door slams) 866 01:03:03.050 --> 01:03:04.660 I wasn't sure if it was ready for the screen, 867 01:03:04.660 --> 01:03:06.960 but I felt compelled to make it this year, so, 868 01:03:09.500 --> 01:03:10.683 I started my search. 869 01:03:12.115 --> 01:03:12.948 (match strikes) 870 01:03:12.948 --> 01:03:13.853 For the one actor. 871 01:03:15.414 --> 01:03:17.910 (flames roar) 872 01:03:17.910 --> 01:03:19.310 And when I found you, Tyler, 873 01:03:20.240 --> 01:03:22.660 I have to be honest, you took the pedestrian words 874 01:03:22.660 --> 01:03:25.430 I had written on the page and you made them something real, 875 01:03:25.430 --> 01:03:26.563 something meaningful. 876 01:03:27.740 --> 01:03:30.210 I know you're considering not doing the film now, 877 01:03:30.210 --> 01:03:32.130 but I would implore you to think about that, 878 01:03:32.130 --> 01:03:36.930 because I cannot, I will not do this film without you. 879 01:03:36.930 --> 01:03:38.463 - This isn't about the film. 880 01:03:40.350 --> 01:03:44.423 If anything the film made me realize that I have to go home. 881 01:03:47.970 --> 01:03:49.573 Lewis ends up alone, doesn't he? 882 01:03:50.810 --> 01:03:51.740 - [Director] It depends on how you interpret 883 01:03:51.740 --> 01:03:52.723 the final scene. 884 01:03:54.623 --> 01:03:57.123 (door closes) 885 01:04:04.160 --> 01:04:06.700 I'm a little surprised by you, Tyler. 886 01:04:06.700 --> 01:04:08.540 I thought you were the type who would do anything 887 01:04:08.540 --> 01:04:11.320 in the world to make your dreams come true. 888 01:04:11.320 --> 01:04:12.700 You know the stakes. 889 01:04:12.700 --> 01:04:15.570 You know what this role would mean for your career. 890 01:04:15.570 --> 01:04:17.090 - Yeah, what's at stake? 891 01:04:17.090 --> 01:04:18.960 - [Director] What's at stake? 892 01:04:18.960 --> 01:04:20.480 Greatness. 893 01:04:20.480 --> 01:04:23.343 Make no mistake about it, but you already knew that. 894 01:04:24.510 --> 01:04:26.160 Why'd you become an actor, Tyler? 895 01:04:27.090 --> 01:04:27.923 Really. 896 01:04:31.832 --> 01:04:33.182 - There was never a choice. 897 01:04:34.130 --> 01:04:35.660 - [Director] You had to do it. 898 01:04:35.660 --> 01:04:37.560 Like an impulse that was beyond your control. 899 01:04:37.560 --> 01:04:39.600 That's how we all are, Tyler. 900 01:04:39.600 --> 01:04:42.750 If you walk away right now, you deny your purpose, 901 01:04:42.750 --> 01:04:46.700 your identity, and it will eat you alive. 902 01:04:46.700 --> 01:04:50.440 An entire life invested in the pursuit of one thing. 903 01:04:50.440 --> 01:04:51.643 Who are you without it? 904 01:04:54.443 --> 01:04:55.443 Who are you? 905 01:05:19.678 --> 01:05:22.095 (door opens) 906 01:05:43.919 --> 01:05:46.336 (door opens) 907 01:05:57.825 --> 01:06:00.242 (door opens) 908 01:06:10.850 --> 01:06:11.700 - After all that, 909 01:06:14.307 --> 01:06:15.490 I can't help but feel 910 01:06:17.150 --> 01:06:17.983 confused, 911 01:06:19.990 --> 01:06:20.823 and lost. 912 01:06:22.970 --> 01:06:24.823 Just as lost as I ever was. 913 01:06:28.110 --> 01:06:29.483 It doesn't make any sense. 914 01:06:33.340 --> 01:06:34.340 I got what I wanted. 915 01:06:38.118 --> 01:06:39.701 Why am I not happy? 916 01:06:59.550 --> 01:07:01.073 What's that you say? 917 01:07:03.763 --> 01:07:04.596 Lewis. 918 01:07:06.271 --> 01:07:07.688 My name is Lewis. 919 01:07:10.123 --> 01:07:12.377 That's right, I've done this before. 920 01:07:15.731 --> 01:07:18.560 Was I as scared the first time as I am now? 921 01:07:20.491 --> 01:07:22.930 I mean, what is there to be afraid of? 922 01:07:22.930 --> 01:07:24.330 I'm the only one here. 923 01:07:27.561 --> 01:07:29.394 I'm the only one here. 924 01:07:32.100 --> 01:07:33.243 Maybe that's just it. 925 01:07:34.590 --> 01:07:36.040 Maybe I'm afraid to be alone. 926 01:07:41.040 --> 01:07:43.690 What if some people are comfortable inside their box? 927 01:07:45.310 --> 01:07:46.143 It's simple. 928 01:07:47.693 --> 01:07:51.512 There are walls on every side. (cameras snap) 929 01:07:51.512 --> 01:07:52.512 It just makes sense. 930 01:07:54.240 --> 01:07:56.841 Fundamental logic. (cameras snap) 931 01:07:56.841 --> 01:07:59.490 (brooding electronic music) (cameras snap) 932 01:07:59.490 --> 01:08:01.290 But what if you don't like your box? 933 01:08:02.553 --> 01:08:05.741 And if it's not what you wanted. 934 01:08:05.741 --> 01:08:07.081 But what if it is what you wanted, 935 01:08:07.081 --> 01:08:08.750 but you're not happy with it? 936 01:08:08.750 --> 01:08:10.393 What do you do then? 937 01:08:10.393 --> 01:08:13.340 (cameras snap) 938 01:08:13.340 --> 01:08:14.290 You try to wake up. 939 01:08:16.240 --> 01:08:17.453 But it doesn't let you. 940 01:08:18.810 --> 01:08:19.760 You try to get out. 941 01:08:21.193 --> 01:08:23.303 But there is no out, there is only in. 942 01:08:25.650 --> 01:08:26.623 You go deeper in. 943 01:08:30.241 --> 01:08:31.074 In. 944 01:08:32.492 --> 01:08:33.325 In. 945 01:08:36.032 --> 01:08:36.865 Alone. 946 01:08:39.612 --> 01:08:43.362 But that's the thing, I'm never really alone. 947 01:08:44.230 --> 01:08:45.080 They're watching. 948 01:08:47.030 --> 01:08:47.943 Always watching. 949 01:08:49.920 --> 01:08:50.753 There. 950 01:08:52.351 --> 01:08:53.243 Behind the glass. 951 01:08:54.570 --> 01:08:55.790 Waiting for you to show them something 952 01:08:55.790 --> 01:08:58.187 that they will never forget. 953 01:09:00.852 --> 01:09:03.435 (somber music)