Downloaded from YTS.MX
[lively jazz piano music]
♪ ♪
Official YIFY movies site: YTS.MX
- Hi, it's us.
It's Molly.
Ha! Look at the first one.
[vocalizing]
- We're at Garde Robe,
where Sarah Jessica stores her archives.
And no human hand has touched anything.
I want to figure out what's worthy to reintroduce
in the reboot.
Super fragile and iconic.
[laughs]
This is the, you know, Staten Island ferry shoe.
She must have the entire Staten Island--
I mean, if she's got the dress.
[gasps] She does not.
She has the whole Staten Island outfit.
- I lost my choo.
Hello.
At one time, this was the most expensive dress...
- I had no intention of going in.
- We ever bought her. It was in the window at Dior.
And Pat said, "I want that dress for her."
I cannot believe this is in here.
I cannot. I can't, I can't.
- Come on, Granny.
I'll take you to the early bird special.
- Custom made for her by Alexander McQueen.
Seriously, fashion museum in a hanging bag.
- We're gonna have to come get some of this, you know,
for closet scenes and you know,
so people can have little treats in the background.
Incredible.
[soft jazz music]
♪ ♪
- We just did hair and makeup tests.
Even 23 years in--
well, maybe more so important when we're 23 years in
if you know what I mean.
And then of course, standing with your colleagues
side by side to see the three of us,
to see Cynthia and Kristin and myself standing together,
which was definitely the highlight.
And there's typically no sound so it's like a silent movie.
♪ ♪
- Um...
She was like someone I hadn't seen in a while.
To me, that character is present like some--
anybody that I've spent 10, 12, 14 years with
who I really love.
You know, if I see something that's memorable
or uniquely New York,
I-I think I'm seeing it
for her as well or with her.
- Just getting it right. Just every day.
There's just so much-- so much work ahead of us.
There's just so much work.
And--but I'm excited.
Terrified and excited, which is always where I am.
[discordant piano notes]
[indistinct chatter]
[camera shutters snapping rapidly]
- Mask off, mask off! We're rolling!
Background! Check! - Background!
- That's a nice blend of polemics and farts.
[camera shutters snapping rapidly]
[indistinct chatter]
- Somebody said today, I think they described it so well.
They were like, "Does it feel like it was just a hiatus?"
- Right. It's, like, a week. Then Willie said, like, a week.
- Yeah. - Yeah.
- And this is--I think is partly because we're in touch.
I'm in L.A. That's what you know.
- Look how much we love you regardless.
- Oh! - [laughing]
- We care about life on the West Coast.
- They forgive me for being a West Coaster.
- Yeah. - Well, tomorrow.
- Tomorrow, yeah. Tomorrow's a special day.
- Tomorrow, we have big scenes and the very,
very first scenes in the show, so that's exciting.
- And some new friends.
- And some new friends and some old friends.
- Oh, do you have a schedule on your phone?
- I do. - Wow.
- Did you put it in there? - I did.
- Well, 'cause I can't print anything.
- Do you remember when you put everything in your PalmPilot?
- My--my BlackBerry.
- Your BlackBerry, and you'd say,
"Betty Ann! Betty Ann!" and then you'd go like this, wait.
I still have a BlackBerry, but let me say one thing.
- I know. That's where I wanted you.
Did you think that we were going to be quiet
and you could ask us questions?
I'm sorry. I'm so sorry. Please forgive us.
- No, it's my turn. - Okay.
- I just ran into LTW in the ladies' room!
I understand. - Welcome.
- ♪ Welcome! ♪ - Welcome!
- ♪ To Nicole, whoo ♪
- Oh, my God, it's amazing.
It's kind of surreal, actually, you know,
to be talking to the people
that I used to talk to through the TV.
- These are my very best friends
in the world, Miranda and Carrie.
- Hi, I'm Lisa. So nice to meet you both.
- Nicole Ari Parker is playing LTW,
who is a mother of three,
a documentarian, a humanitarian,
and on the "Vogue"
International Best Dressed List,
which is all we ever wanted to do
with any significant character on the show.
Show someone who is more than one thing.
- She has gotten so much flack,
and I feel so bad for that part,
but she's handled it really beautifully
because we're not replacing Samantha.
We would not replace Samantha.
It doesn't really make sense to replace Samantha.
- You know, it's weird. Can I have one?
- It was very important to me that LTW sit down,
but I didn't want to tell the audience one,
two, three, fourth, she's the new Samantha.
- All right, I'm going to be late.
- So I had Carrie and Miranda get up and leave,
and she sits at the table.
And at first everybody, including the network
was like, "Ah, ah, ah!
Where--what happened? Where's Carrie and Miranda?"
And I was like, "Gotta pump the brakes."
- Where's the fourth musketeer? Where's Samantha?
- The energy changes. - Oh.
Um, uh.
Samantha's no longer with us.
There is a storyline about Samantha
that I think is great and I think is very true.
It seems very true to me that friends sometimes grow apart.
- Who's it even from?
[soft sentimental music]
♪ ♪
They can stay.
I think it's handled really nicely,
and it's very gently peppered.
What did I say? - Um.
Well, you told the diaphragm story,
and--and you--you--oh, Lord.
- Oh, it happens all the time. It doesn't matter.
They have a mind of their own.
- They do. Please stay.
- Sometimes they walk me straight down the avenue.
You tell them to. - Okay. Okay.
So back--back--back to what we're talking about.
You told the diaphragm story,
- I did. - Yes.
And you used Samantha's name.
[soft percussive music]
- Go.
And I just had my nails done.
- I knew Kim had moved on from playing Samantha.
I realized, "Oh, we can have them
"mirror a split that people already know,
"but make it really Carrie and Samantha
and heartfelt the way you lose friends."
[sentimental music]
♪ ♪
[indistinct chatter]
- No, someone's in here! - Oh, my God! Oh! Oh!
- So you want me to come here and stand, like, right here?
- Yeah.
- I appreciate that,
but we're okay.
It's all in the past.
- I've only ever seen every episode once.
We never got to do any scenes together since one.
I mean, not like sitting and talking.
You're chasing, running.
- Carrie. I see you. Wait!
- The--the luncheon, remember? You interrupted my luncheon.
- Oh, my God, that's right. - My teeth.
This tooth is still a different color than this tooth.
- Having to find out where you were having--
- 'Cause you're a stalker, clearly.
[both laugh]
Professional stalker.
I'm gonna scream. - Please don't.
I'm only gonna stay a minute.
David Eigenberg, we've never had a scene together.
Steve? - What you want?
- I think we have. - We did.
We--I know we did one on the stair.
- Yeah, and it was about what?
- We're sitting on the stair. - I was sitting on the stoop.
- I was sad. I was getting beat up again.
By that woman. [laughs]
It's Miranda, right? She doesn't want me
calling so much, right? It's fine. Whatever.
- And it wasn't about Aidan? Maybe it was about both.
- It might've been about Aidan.
- How does Aidan feel about me? - Aw, jeez.
- Might've been about both. - The age of Aidan.
- That--that woman and Aidan. - That would then--
- Maybe they-- there were storylines
that called for compatriots.
- Yeah. Is that-- - Can you open that?
Sorry. No one can. Can you believe it?
- Miranda!
[laughter]
- God bless. Thank you.
- She's--she empty--she--she emptied the hard drive.
- Did we kiss on the Eagle Justice?
- Yes.
[both laughing]
I mean...
We had bed scenes.
She's gonna forget this entire thing happened.
[both laugh]
- Tomorrow, I'm gonna say,
"When should we do our interview?"
- Are you coming with me when I go to check...
Willie Garson and Mario
and make sure they got their underwear on right?
Hi, can you grab anybody that can bring me the Roger?
- This was Pat's idea,
was you should try to get Molly.
And it would--you know, it's the right and perfect handoff
because Molly was there with us from the beginning.
- I came to New York in 1984,
and the first person I met
on Friday the 13th, 1984-- it was very witchy--
was Pat, Pat Field.
We did season one through six, both movies.
In between one of those movies,
we did "The Devil Wears Prada."
So it's been a real fashion career alongside Pat
and now on the reboot with Danny.
It's kind of a natural--
it feels natural progression to me.
- Molly coming back to do this show
was incredibly necessary.
- Do you have any berets, dear?
- Packing hats for the black event.
- Background.
- Listen, MPK is supposedly coming here
to go through and approve
or kill fittings that we have spent two days doing.
- Molly, at some point, needs a villain,
and it's me coming down and going, "No."
She goes, "He's going to ruin our day."
And I love it because it's partly true
and not at all true.
- Okay. Thank you for coming.
- Oh, my God, are you kidding? - We need you.
- Uh-huh. Yeah.
No! - What?
[laughter]
- One of my favorite, most favorite
processes in the show
is Molly and me and Danny
and them saying, "Here's the pictures."
And I'm like, "Why are they all wearing turbans?"
Great. - Okay.
There's no surprises, but there is a hat
being made for her that you haven't seen yet.
- All right. - It's funny 'cause I wanna
have the hat call conversation. - Okay.
- It's color restraint.
I can't look out there and see
"Ascot Gavotte" from "My Fair Lady."
It cannot be Danny.
[laughter]
- Blame the gays whenever you can.
- You know what it's gonna be. Hmm, and a huh, and a huh.
This isn't a peacock walk. This is a--
- Somber.
- Sombery tasteful business people event.
It's about where we tip into... - Okay.
- Mocking a funeral.
Just don't make them fall in love with the hats
or style the hair around the hat.
So if I take the hats off--
- Then you're-- - We're in a hole.
- Okay.
[gasps] Oh, my--Andy.
- There's more, there's more.
There's more.
- [gasps] Oh, my God. - Okay.
- Let me find something great before Danny gets here.
Hurry. Hurry. What's the best thing?
[gasps] What?
- Vivienne Westwood. - Get out.
- Missing a belt, but it's still good.
- I've only got one fall episode.
Miranda all day long.
- This is 1981 Yohji Yamamoto. - [gasps]
Didn't I tell you? He's like a mad scientist.
- This is years of collecting. This is '70s Saint Laurent.
Just travels. You know, people's homes.
Maybe some eBay, but I'm not gonna say that publicly.
Probably, like, 10,000.
- Danny. - Yes, ma'am.
- There's a lot to see. - Mm-kay.
- Andy, you--you know I can't buy all this
until I try it on SJ, right? Right?
- Yes, yes, yes. - Okay.
And I won't abuse the privilege.
- I know.
- Danny! Ezzeddine.
- I know, I pulled that out to look at the color.
- ♪ You're taking the color out of the show ♪
- Yeah.
- We'll put something neon under it.
[inhales sharply] Bergdorfs.
- Mm-hmm.
Isn't that beautiful?
- Gaultier '96 or '97.
- I think it's great. It's cool.
- So cool.
- But look how pretty 'cause its back--
the back is open on it, so it's sexy.
- What do you think? - I love it.
- I know you love it, but there's no way
she's gonna wear that color. Do we have anybody?
Do we have someone that works at Sachs
and comes up to her and is like, "Hi!"
Let's try. This belongs on our show.
- The institutional knowledge is here.
It's being protected by the very person who should be.
- So this is new. - Okay.
- Normally, you start with new and we talk about it.
- Let's do that.
We need tank tops, that's your point.
- We just saw 'em. We liked them. We grabbed them.
- Great. Were they expensive?
- No. - Okay.
- There. - Vintage Gucci.
- I mean, that is so good.
Not helpful.
This is unbelievable.
Unbelievable!
Oh, my God, is this an old Brownie uniform?
- It's Gaultier.
- It's like a kitchen in 1979.
- Yes, it is.
- But it's unbelievable.
[lively piano music]
Yeah, but don't do that.
Let's just let that be for a minute,
and you'll just do the back.
Okay. So wow.
It's so good. My physical therapy outfit.
We have to wear this for something.
And then we'll have to just take care of some business
'cause we want it to fit
a little better than it's fitting now.
But this is so good.
I mean, it's hideous. Hideous.
- You know, you need to step outside your comfort zone,
which is what this show is famous for
as far as a television show and its fashion.
And we did it, and we had fun styling it
and using it in the scene.
- Like, this is the kind of thing you want on a shelf,
like, on her bookshelf in her house.
- Yeah.
- Like, this is literally on a shelf for no reason.
- I know you keep putting that egg in front of it.
Egg that outfit. - Egg!
- Every time. - Egg!
- Someone's gonna get knocked out.
[laughter]
Closer. Much closer.
There.
We don't happen to have a gingham belt, do we?
Like a--like a crazy, amazing belt?
Where's the belt that I think is a piece of art?
That should be hanging in Carrie's apartment.
- Oh, God, isn't that great? - Kinda great.
- Okay.
- Thanks, Loughlin.
- It's almost too much, but it's beautiful.
- What are we gonna do with a big coat like that?
- Oh, we don't care. We highlight it.
Try to make sure the camera focuses on it.
Safe to come in?
[laughter]
- And you wear that open? - Yes.
- And what do you want to do with those ties?
Do them off the cuffs?
- Yeah, maybe. - Or is that too...
- We'll just leave 'em. - Leave them?
Let them--I'm going to look for a handbag.
- Let 'em live. - Okay.
That's so pretty coming-- - That's so pretty.
- Okay, and then you go downtown...
- We need a shoe. - There's that too.
- Maybe Molly mends that.
- Maybe? - Pretty good.
- Yeah. - Yeah.
- That's gorgeous. - That is so beautiful.
- Yeah. - That looks so pretty.
- What's the bag, do you think? - I'm looking.
So beautiful. - Is that good?
- Perfect. Time for a cocktail.
- We have vodka here and tequila and...
- What? - If you want a shot.
- And you waited until freaking 10:00 to tell me that?
- Someone. Whoo! [laughs]
[lively percussive music]
- I am the still photographer.
You're documenting everything they shoot.
You're almost shooting your own movie in stills.
I did the pilot, did the first season,
survived that, surprisingly. - Action.
- And then did all the seasons,
all the movies, and I'm still standing
and no one's more surprised than I am.
- Oh, nice touch, Cassette. - We're just setting up.
- All the background drinks right now.
I mean, we can't have people getting drunk on camera, right?
Uh, the tequila can go way too long.
No, we use juices and do coloring of water
and, you know, other secrets.
- Cassette, Cassette!
[overlapping chatter]
- Whenever actors are interacting
with all these other props.
- You take my soul. Help.
Help, someone. Don't you see what she's doing?
- Sarita, can you be-- in this part could be
a little bit to your left.
I'm the cinematographer.
Michael and I wanted to be true to--
to the original series but also give it a new look,
and I think we've managed to sort of update it,
present the women in the most realistic yet beautiful way.
- I am the gaffer on the set.
The gaffer
is responsible for the lighting.
I work with the director of photography,
Tim Norman, and Gary Martone, the key grip,
and we try to get things done.
- I'm the key grip.
We're responsible for camera movement.
How the camera gets from point A to point B.
We also control the lights.
- Believe it or not, I did--I was the gaffer
on the pilot.
However many years ago that was.
- Uh, 24. - Yes.
- My station.
I'm just trying to get the best sound,
and it's tricky
because the fashion has definitely been challenging.
- Naughty, naughty Mike.
- I wanna twirl like this too.
[chain jangles] - Wow.
Picture Charles and the sound department.
I'd have to be still in a scene, right?
He would--he would kill me. He would kill me.
- All right. Good morning, friends.
Happy Wednesday? Jeez, it's only Wednesday.
- Did you see Cynthia?
She might not recognize you with the mask.
- Luca. - Luca.
- Luca!
- I assigned all the scene numbers
and keep track of which takes are good
and which takes are bad.
I make sure that the actors say their lines correctly.
- Luca, is it exceptionally pretty?
- On a shelf in my closet.
Got it, got, got it.
- Last time we were single.
- Who? [laughter]
- One at a time, Luca.
- One at a time.
- Don't ask for the moon.
- I'm on the turn. It's like we get there,
and as SJ starts to go, even then, we're pushing.
- Be nice to see you in more than just the red.
- Pebbles, you okay? - Pebbles.
- Pebbles told me to do that.
- That's a good question.
Maybe because it's fun to scream Pebbles.
I don't know.
[all saying "Pebbles"]
- Pebbles, let me know. - We're set.
[all saying "Pebbles"]
- And action.
- They scream my name often because I'm sort of a bridge
between the director and the DP
and the actors and the camera
and how all of that's working together.
- Oh, Pebbles. Hiding behind the plants.
- This is "And Just Like That..."
episode 106, "Diwali,"
written by Rachna Fruchbom and directed by Cynthia Nixon.
[all cheering]
- We knew from the beginning.
Michael Patrick and I had talked about that
before she even signed on as Miranda.
- I knew Cynthia was the director
because I'd seen plays that she's done.
And I knew that she had that in her.
- The cue should be for SJ. - Feel her.
- And then you feel S-- when you feel SJ, you turn.
Cut.
When you're an actor, you're very loved,
and you're very included, but at a certain time,
it's 9:00, and you've got to go to bed.
And you know that the grownups are still out there
having a cocktail and chatting.
And it's sort of like turning 18 or something,
and it's like other people go to bed,
but you're allowed to stay.
- I'm really excited to see how this all--how we--
- Yeah, show you how the sausage is made.
I guess my question to you is this--in your--in your head,
this particular episode, just thinking purely of tone,
do you--do you see this episode as different in tone?
- I am fully confident you know the tone
of what we've been doing for the last 23 years
and how it needs to evolve and change
depending on who we are.
I'm very confident or we wouldn't be sitting here.
- It was really hard for me to know how prepare.
Like, there were certain scenes that
they really wanted a shot list from me early on
before we had ever rehearsed or anything.
My thought was, right?
They come in here and pause for a minute.
- Okay, what is the goal for today?
- They walk down to the middle aisle,
and then they kind of gather their strength,
and then Carrie gets overwhelmed.
- Oh, shit.
- And then Carrie notices the pan.
- Okay, now can go.
- I'm a very decisive person.
And I think that's a good thing in a director
because people are constantly coming up to you
and asking you what you want or what your--
what your preference is, and you need to have one.
Or if you don't have one,
it's good to say "I don't know."
- And the question I have for you is,
do you want this dishwasher on this so she's facing this,
or do you want the dishwasher that she's facing that way?
You know what I mean? - Right.
- That's something to-- - Yeah, I don't know.
- A few. - [chuckles]
- I probably asked more than I answered, though.
- And when in doubt, say yes. - Say yes.
- When in doubt, just yes.
- We're the--we're the anti-Nancy Reagan.
Just say yes. - Yes.
- Sorry, if you could just come this way, okay.
My first strength is, of course,
the actors and understanding and scene
and working with them.
- I know. They were so lovely.
- Ten. Background! - Whoo.
- It's exciting. - Action.
- What? What? Action? Wow. Oh. Hey. Wow.
Um, yeah, 15 years gone.
I love that scene.
She and Charlotte were having a thing.
Like, a real thing.
My character was like, "Ooh, wait."
- Say something. - Cheese?
- She gave me a really good note in the middle of it
to the point where I was like,
"Oh, I forgot that you were directing."
And then also that's an excellent note
because she knows us so well, you know what I mean?
And she knows acting so brilliantly.
You brought it up, and we talk about everything,
so you can't suddenly just change the rules.
I had to really, "Ooh, ooh, ooh, ooh, ooh!"
which is hard for me sometimes.
You know, Charlotte's like, "Ooh-do-do, do-do-do."
Not like, "Blah, blah, blah, blah, blah, blah, blah."
You are married to a man.
And now you're just suddenly having non-binary sex.
I mean, why can't people just stay who they are?
- Ask me again.
- Why does everyone have to suddenly change who they are?
- I was going like a train, right?
So then in the middle of it, Cynthia very quietly said,
you know, "Make your point."
You are not progressive enough for this
[overlapping chatter]
[cheers and applause]
- The best part is when she's in a scene,
and then she says, "Cut."
That's my favorite. I love that.
- She's really great, just as we suspected.
- Yes.
Also, she told me to be like a fawn in the episode,
which possible is my favorite direction ever.
- Aw. - [laughs]
- And I was like, "Uh.
That's gonna take a lot of work."
And she's like, "I added eyelashes."
[both laugh]
- We're on the subway for the first time
on "Sex and the City" history.
Technically, we're at the Bowery Station.
Shh. Don't tell anyone.
But story-wise,
we're at 116th street up in Columbia and Broadway.
We've been wanting to get our gals on the subway,
I would say, well, now it's more than 20 years
we've been trying, and we made it.
[soft jazz music]
- Just getting to know our new cast members
has just been like one gift after another gift
after another gift.
And we all have something new brought to us by them.
[overlapping chatter]
- Just wearing a pink pussy hat wasn't gonna cut it anymore!
- I'm super proud of that. And that's Nya!
[laughs]
What I think I didn't expect the camaraderie
and the real sisterhood
and, you know, that experience and the laughter and the funny.
Like, it's as funny behind the scenes
as it is in front of the camera.
- You did make a 7:30 reservation.
- Thank you.
- At our San Francisco location.
- Should I call them and tell them
we're gonna be a little bit late?
- Nya was there to be many things.
She's a leader,
she's the teacher,
and then she's the student with Miranda.
- Miranda Hobbs, are you about to tell me
that motherhood isn't worth it?
- Um...it depends on the day.
- Miranda, who's always had a ambivalence to motherhood.
It almost--Brady was almost an abortion.
- Charlotte, I didn't do it.
I'm keeping the baby.
- That's amazing. - Dan, shut up!
- Start rolling. Oh, my God. More later!
- So originally, when Michael was sort of trying to think
about what would happen in our season,
he talked about Nya, you know, Miranda's professor,
being the romantic relationship.
You--you're the professor? - Yeah.
- You're Nya Wallace? - [laughs] Yes.
Why do you seem so surprised?
- Nya was a straight character,
and Miranda's a straight character,
and I was like, that doesn't sound very sexy at all.
Do you know what I mean?
To women who've gotten to this age
and are now just sort of fumbling around,
that doesn't seem great.
And--and I was like, why couldn't it be, you know,
why couldn't it be this butch person
that you're talking about having for Carrie?
- I am Che Diaz, your host and queer
non-binary Mexican-Irish diva representing everyone else
outside these two boring genders.
"Sex and the City" was really inspiring to me
and empowering around exploring my own sexuality
and my own just empowerment as a person
who is not a man in the world.
Look at me, listen to me.
Are you listening to me? - I am.
- I can't give you anything traditional.
- We built that character for them
based on their gender identifications.
- You need to dialogue with us more.
That's the last time to try them.
- You need to dialogue with us more, ding.
Okay, so I--and I said--
I said, I really want this working.
- It's like it's missing. - And I say this with love.
- Good. Okay, thank you. That's great.
I say this with love. You better step your pussy up.
- Oh, okay.
I've got a bunch of stuff with Sara,
which has been great and really fun.
The podcast stuff is so much fun.
And included in that is Bobby Lee, who is heaven sent.
- You still with us?
- I'm in the scene.
I'm doing a fucking scene on the show.
[laughter] God.
- This kind of dollop of something.
Oh, I've never tasted that bef--you know, like.
- You gotta stroke it, Lee.
- This is the longest day. [laughing]
- Seema was brought into the show to be another version
of somebody we haven't seen in the show,
a South Asian woman from Queens,
first-generation daughter of immigrants.
- It's such a pretty name.
- It means "boundary" in Hindi. - Oh.
- Which is hilarious because I have none.
- She comes in as a real estate mogul.
She owns her own business.
She even has a license plate that says SEEMA NYC.
I mean, you don't need more than that to say, "Baller."
And then we have Sarita,
who is the most quiet baller
in the entire world.
- 4-16, take one. A-mark.
And action.
- It's gorgeous. It's all gotta go.
- Try--I think a harder version
and then punctuate it. - Okay.
It's gorgeous. It's all gotta go.
- She's a very interesting, quiet kind of stealth
way about her that's really cool to see.
- You staged me like an apartment?
When?
- Valentine's Day on my lunch break.
Nobody buys real estate in the winter, so I listed you.
I know those scenes at the table.
And then when they told me I was in a scene at the table,
by then I'd shot a lot, so I was at ease
with doing the show.
But that day was different.
- Nice and quiet, please! Let's hold for...
- There was something about the table and that scene
that was so iconic that to enter into it,
it was not a normal human feeling.
- What? - Yes.
- Oh, Sarita!
- And she lives to tell. - Welcome to the table.
- I was very nervous.
They're super nice. I survived them.
- And you know, we asked Sarita what she was drinking,
or Seema what she was drinking,
and she's drinking her own version of a Cosmo.
- Oh, my God. - I didn't realize.
- It's a new day. - With mint.
- Whoo.
- Five, six, seven, eight.
- Back to work. Come on.
- Nine, ten. - Action.
- [sighs]
[gasps]
- Cut. [bell rings]
- The great thing about Sarah Jessica is,
she just keeps going.
- Where's his wallet stuff?
Where's that--all the stuff in the wallet?
- That's all in the wallet. - Wouldn't it able to be--
- It can all be wherever you want it.
- Yeah, like the picture and the Pinkberry, and...
- Yeah, it's all here.
- And a Pinkberry punch card is on the walk to here.
- Yeah.
- Okay, so just roll the-- the punch card's over there.
- And here's my wallet.
That's his wallet. - Okay, perfect.
Until I really figure it out,
it doesn't feel like it can be real on screen.
Like, I almost have to be super technical
over and over again.
So then I've gotta find her on Instagram, right?
- Yeah, that's on your phone. - Lord have mercy.
If you're not living in the apartment
and you're not handling the food or looking at a phone
or dealing with a plastic bag or waking your computer up.
Oh, I-I-I-I found her Instagram.
I'm gonna send her a-- I'm gonna DM her.
Just, you know, in case she didn't get the email.
- I say let's give her another day.
All right, I'm gonna change. It's gonna be a long one.
- All right. - And action.
- Did you know that Big had a dog named Gogi?
I have been spiraling all-- I've been spiraling all day
about him and Natasha.
Damn it! Son of a bitch.
I know. I know. You're scared.
[laughter]
[voice muffled] It's a cashmere something.
She blocked me on Instagram.
- Okay, the woman is a total bitch.
- Oh, what a mess.
- I think maybe 'cause I wasn't formally trained,
I can't count on a class or a masterclass or a teacher,
so you look to others.
I remember being in a theater
with both Mary McDonnell and Claire Bloom,
and they were, like...
Involved in everything.
Hi, what do you do?
- I'm an assistant set director.
- Oh, nice to meet you. Why are you guys hiding?
I can get closer to being whole and alive and real
if I am head to toe a living person.
You know, and if this is here...
Whatever it is that makes you feel like
you're in an active tableau
when someone yells action, I just feel more whole.
I wanna definitely do this with Molly, you know,
so I don't mess up stuff of Molly's.
I just--it--we can't ha-- this looks like an ad.
You know, I want it with the bad stuff too
and broken things and, you know.
We've got literally every label under the sun in here.
It just feels like... ♪ Ah! ♪
Hey, Molly. - Hi.
- I feel like we have to be really thoughtful
about what we're saying about her.
You know, and get some of the old stuff in here.
And I know that's a huge undertaking.
- So is too store-looking? - Yeah.
I have tons of her shoes here and stuffed in between
is, like, some CDs, you know what I mean?
Like, kr-kr-kr-kr!
I'm scared if we don't bring Carrie here...
- Yeah. - That we are--
people are going to be like,
"Well, where's all her old junk?"
- It's a fine line between the eye candy for...
- Correct.
- Viewers and the tone of it. I agree.
- Yeah. Yeah. - Okay. We got our--
we got our marching orders. Let's rock.
Those are good notes.
She's smart.
[upbeat jazz music]
- So let me-- - Yeah. I'll let you do that.
Sarah Jessica is so tactile.
She needs to feel like she lives in her house.
That's why all of a sudden, we're throwing stuff
all over the set-- because it makes her feel
not like a set.
It makes her feel like she lives there,
and that's necessary because Carrie is true to her
and true to the audience, which is why we're back.
- I think we should stuff shoe bags in her now.
She needs. I do that. Old shoe bag in this row.
- That makes me happy. - Mm-hmm.
- All right, let's go.
- All this stuff but--but different rejects.
- Rejects?
[indistinct chatter]
- I'm always trying to be careful
and polite and gracious,
but sometimes, they're going to call action,
and we've got to get a detail right
'cause it really matters.
- Those are from your store.
- Kevin, who's our set deck guy,
and, you know, who I love,
but, you know, we didn't know each other at first.
And it was-- it's a lot to let me,
like, barge into his department,
but he's been super gracious and generous, and he's great.
- I've never learned so much about Chanel in my life.
[indistinct chatter]
- I would venture to say that one of the reasons we're here
is because I missed him.
- [laughs]
Okay, so tell me where to start, and I'll work on a--
- Start right here.
[heartfelt music]
- [sighs]
Hello, lovers.
♪ ♪
[upbeat jazz music]
♪ ♪
- When I wrote episode four, one of the things that
I put in the episode is the scene
where you have a dinner party
that's predominantly African American,
and there's a conversation about art.
- So you know art.
- Yes, and so, um, it was really just--
what kind of a collection would this couple have?
And that was the direction I got,
and I was like, "Got it." I know that couple.
- I can't think of a better investment
than what Lisa has chosen here.
- We started out with Gordon Parks...
- You also have Deborah Roberts.
- We have Derrick Adams...
- Which is like owning early sheet music by Beethoven.
- And Barkley Hendricks...
- And my personal favorite,
if I am allowed to choose a favorite,
which would be the Mickalene Thomas in there.
She did the very first portrait of First Lady Michelle Obama.
- I loved her book.
- I think it would be silly to pretend that
we haven't been what we've been,
you know, for a long time.
The Wexleys can't be the only
Black couple at the dinner.
They're gonna think we don't have any Black friends.
So I think it's nice here that we can show that,
you know, her world gets expanded in particular
by Lisa Todd Wexley, Nicole's character,
and then it--she shines a light on the rest of her world
and is like, "I need to expand and be better."
Gwen.
Gwen, hi!
I haven't seen you since Leo moved to Dalton.
- I'm not Gwen, but I know who you're talking about.
- It's about Charlotte trying to be perfect
when she's completely flawed.
Even in a editing process, people were like,
"I'm uncomfortable with that."
- It's terrible. It's terrible.
- And I called up Kelly, and I was like,
"Kelly, why is that in the show again?
Just remind me, just remind me why we put it in."
She goes, "Because every dinner party I go to
"where there's white people, they always think
I'm the other fancy Black writer that they know."
- This picture in particular, really,
to me so encapsulated everything we're trying to do
with these characters in this episode, right?
We know that so many people in our audience
who may not consider themselves art experts
are gonna see this photograph,
and it's gonna be meaningful for them.
Awesome! Thank you!
- This is Carrie Bradshaw's famous apartment.
There's a lot of her original furniture
that Sarah Jessica had in storage.
This is original. This is original.
This table, original. The famous chaise.
Who doesn't know the chaise?
- You have to promise not to judge.
- Do I judge?
- We all judge, that's our hobby.
- God's honest truth, it's like,
when I'm in that apartment, I'm always like,
I don't remember a lot of other people
in that apartment except for Willie.
Who is it? - Mr. Right.
Have you seen "The New York Times" Style section?
- For some reason, in my head, that was Stanford's place.
- You know, the last time I saw Willie
and most of us saw Willie,
maybe all of us saw Willie, was at that Mr. Big's funeral.
Sarah Jessica was the only person
who knew that he was ill.
- At one point, Sarah knew and the rest of us didn't
because he didn't want us to know
because he didn't want it to be about that.
- If he could have stayed one more day, two more hours,
three more weeks,
he would have summoned the strength and pushed away
the p--the terrible pain that he was in.
I mean, pain. Like, physical pain.
- You know, it was a shock. It was unexpected.
- The week before, I had spent hours and hours
with him shooting this scene, and he was so funny and silly
and--and full of energy, seemingly.
- It's slightly more natural.
- Oh, I don't get olives?
- Well, you didn't ask for them.
- Twist. You know, twist. - A twist.
- Twist. - And action.
- Shouldn't they have called her first?
- I would think.
- Stanford? - Where?
- Sorry, I went back for my martini.
I-I told you I'm not a good hider.
- He came first.
You know, he was the original gay on the show.
You know, and at that time,
sometimes there's only room for one gay character.
We were gonna get to see their turbulent
yet dependent and loving marriage.
And it was--it was really, really a tough thing
'cause just losing him and not having him around.
- It's straight love that's become closeted.
- Stanford Blatch was one of my closest friends.
- God, I can't believe I can't call Willie.
I cannot--I cannot believe I can't call him.
I just...
I just can't believe it.
I can't believe it.
Oh, my God, I love this song.
- Me too.
- Oh, thank you very much. - Thank you.
- And he would always tell me that he was the most
popular character on the show, and he was not making a joke.
He was quite serious. I was like, "If you say so."
It turned out he might have been right.
- ♪ Biggest part of me ♪
[Chicago's "If You Leave Me Now"]
♪ Ooh, ooh, ooh, no, baby, please don't go ♪
- This is my best prom ever.
- Aw. - Thank you for coming.
- Oh, my God. Oh, my God. - Look right here.
- They're just making it.
- Oh, my God. - Oh, my God.
[apprehensive music]
This is a walk and talk with Cynthia Nixon.
I just didn't want your hardware
getting too close to his software.
Remember this? This is "Vogue" magazine
with the black big beaded necklace.
I realized I would have to change my lifestyle.
This is the one that got thrown out the window.
Here. Put this on.
Wait, wait, wait. Look, look, look. DBF.
- And he's got no money, no savings, no nothing.
- [gasps]
Okay, you gorgeous Russian. I'm off.
- Oh, here's Heidi. - There's Heidi. Oh, my God.
Maybe you should just face the fact
that you're attracted to angry guys.
- The most notorious dress ever on the show.
- Why are you putting freckles on your face for this scene?
[laughter]
Because I want to.
- That's notorious. - I mean...
- I remember that. I'm like, "That's LA."
- We were ready for a night on the town.
[upbeat music]
- This is Dolce Gabbana.
- Are you gonna-- - Wait and see.
♪ ♪
- I knew you had an idea! I was hoping you would.
[laughter]
[crowd gasps]
- Fuck me hard.
[laughter]
- Now you bet, okay?
- Oh, my God, she's fashion roadkill.
- Good times. - Good times.
- [groans]
[laughter]
[playful woodwind melody]
♪ ♪
[indistinct chatter]
- I'm gonna try that at first.
- Okay. - Forgot about her.
- She's beautiful. No one can come through here.
- No. No. - Yes.
- No. - Yes. Yes.
- But how did it even fit in there?
Is that a closet or the wardrobe from Narnia?
- Oh, no, no, no, you-- you can't smoke in here.
- But I feel like I just had sex.
[laughter] - I know. I'm so sorry.
Ten hours later...
[somber music]
All dressed up and no Petrovsky to go.
[laughter]
- That was surreal to see you sitting in this dress again.
- 20 years later! They got the dress back out!
- I got 1979 on my face.
- 1979.
Can we make tweaks, Pebbles?
Molly just needs to make some stuff.
- Yes. - Okay.
- One more. Okay.
- One more rehearsal. - Okay.
- There's just a lot of gray right here.
- Oh!
[indistinct chatter]
- Not at all!
♪ ♪
And just like that, I realized there are some things
that should never be put into storage.
- Charlotte has hot flashes.
Is that how we wanted to start this?
- No. - How do you want to start it?
- I want to start it with, is she with the girls--
- At the lunch. - At the lunch.
- Like how do you start it?
- I think you start it just by--well...
- Do you remember how I was still getting my period
every month very regularly for years
after you had stopped getting yours?
- I haven't had my period now for--
- Six months.
- Four months, maybe three months,
four months, I think it's gone.
- I haven't got my period in four months,
so I think I'm finally in menopause.
- There was a rule established. Do you know this rule?
- Mm-hmm.
- Nothing that is ever depicted as story points,
it can't be illustrated on the show
if it didn't happen to someone in the room.
- You had a lot of sweats, right?
Like, I--tell me again--
- Yeah, 'cause I'm still at the exact same internal temp.
- Right. That's steady.
- And you also-- you gained some weight.
- I think. [laughter]
- Welcome to the club. Prepare to be sweaty.
- Actually, it's funny.
I haven't had any hot flashes or tender breasts
or--or brain fog
or any of the awful symptoms you guys had.
- How do we get smug Charlotte in?
'Cause that's the whole reason to do the show.
- I mean, that--all of that.
- I think it's gonna be with Lily
when she's like, "Listen." - No, no, no, no.
The only reason I wanna do smug Charlotte
is that when Carrie and Miranda just say, "Oh, smug Charlotte."
- It has been so long since we've heard
from smug Charlotte.
I thought that perhaps she'd retired.
- Either Lily is gonna pull her aside
and say, "Mom!" - Wait, Mom!
- Or maybe LTW. - It has to be someone
more embarrassing than her kid. - Yes, LTW-like.
- And then has to be like-- - Charlotte, come. Come here.
both: Charlotte. Charlotte. - Come here, quick.
- It's her walking away and Lily seeing
and being like, "Mom." She's like, "No, I'm done."
- I am ready. - Rattle her.
- Just when I was finally done with my periods and now,
I still have to deal with this shit.
- You--you may not be as done as you think.
- Its flash period is as you're coming out--
as you're entering menopause, you get these--
- Unexpected.
- You go, like, five, six months,
and then all of a sudden.
- And that is the entry to menopause
or that's just something that randomly happens
when you're in menopause?
- I think it's on the way to--
- On the road, yeah. - Okay.
- I think you got a flash period.
- I did?
What--what--what the hell is that?
- It--it happened to me once,
months after I thought I was done.
I was arguing a case in court, and the opposing counsel
literally signaled to me to look at my ass.
- And then we turn into-- - Why?
- Walk. Gently walk.
- Cut. - We've all seen hot flashes.
We've all seen stereotypical representations of menopause.
I had gone through something that I have never seen
and I didn't know-- I never heard about
before it happened to me.
- I'm doing a lot of Elisa's stories!
The tennis story is Elisa, the flash period is Elisa,
I know, I'm Elisa now.
[soft jazz music]
- So you tried to step here and then that.
You can't do that.
- Don't do that. Don't do that.
- So do you play tennis? - Mm-hmm.
- I like her.
- Just thinking about everything,
you push through it again.
- Tennis. Tennis was fun to learn.
I had my sweet coach, Matty.
- You're gonna stay back and your time is good,
but then once the ball gets up in the air...
- I'm panicked.
I know, I'm panicked. I'm panicked.
- Just a little back behind you, that's all right.
- At least I had a little time to learn.
Nicole's husband and her son are, like, pro level, right?
So I'm like, "Are they helping you?"
And she's like, "No." And then apparently
from what I understand, I didn't ask him personally,
but Chris Jackson, I think, is probably the best.
So Evan, I was like, "Can you play?"
He was like, "Oh yeah, I played the other day."
And I was like, "Okay."
Anyone who knows me knows that yeah,
not the kind of thing I do. But we're gonna change that.
[upbeat jazz music]
[gibbers]
Oh, Lord. What do I do? What do I do?
[yelps] Yes! - Nice!
- [laughs]
- Now! Beautiful.
Now. Yes! Yes!
[humming]
- We just got a lot of variations of different things.
- Good.
- Accordion. That is so flat.
- Very cute. Very cute like the one in here.
- Is this a one piece that you were
theoretically just gonna play tennis in?
Molly, did you see this crazy one piece?
- There's a bunch there that's good.
- Right, what if you need a little zip jacket
on top of one? - Okay.
I think I may have some trouble based on my one lesson
playing--playing in a zip jacket, I don't know.
It's gonna have to be a soft zip jacket.
- Yeah. Yeah. - You gotta go like Molly.
Do you know what I learned today?
Look, look, you have to start down,
and you have to go all the way back.
- Like a golf swing? - Yeah!
Kinda.
- Are you gonna serve? You better serve--
- He told me that I was. I'm scared. So scared.
- Well, this would be fun and very Charlotte.
- Oh, my God. It's amazing! - It looks great.
- And it's very long.
- What do we have to do?
A visor. A matching speaker.
Are we gonna get wrecked 'cause she's in the dress?
- Don't tell anyone I'm in a dress.
Say it's a Gucci tennis outfit. Shh.
- What are you gonna do with your hair?
- Well, I think I have to have it in a ponytail.
- Good answer. Go.
- Boosh! Wait, hold on. Boosh!
[soft jazz music]
♪ ♪
- Me? - Mm-hmm.
- Oh, my God, I'm calling my husband right now.
He's my--I live in a tennis house.
Tennis balls, tennis rackets, son plays, husband plays,
daughter can hit the ball.
I think I'm just trying to, like, fit in at home.
- I'd rather be a professional athlete,
except they work a lot harder than I do, so it's nice.
I'm--I'm good with it.
- I know--I know some friends who know how to play tennis
and they're not gonna think that I look very good.
Put maybe people who-- who'd never played before,
I look maybe-- maybe I look good.
♪ ♪
- We're just talking about how they can almost pull it off
without the stunt doubles.
It's just editing and the right energy.
Their game, Evan and-- Evan and Chris Jackson
are great, and Nicole's great, and Kristin's game.
And you put the camera on here,
all of a sudden, everybody gets better,
- Action.
Nice. - Nice.
Thanks, babe.
Even though it was a very long day,
the fact that it wasn't all talking
was really nice, right?
We could get out there and do something physical.
It was fun.
I got it! [both grunt]
- Oh, no!
[cheers and applause]
[upbeat jazz music]
♪ ♪
[laughs]
- I'm--I'm elated.
I'm ecstatic. It's really exciting.
I can't wait for people to see it.
- It is magical that we're even back here doing this.
After all these years, it's just fantastic.
A million girls would kill. [laughs]
♪ ♪
And Sunday? - Sunday we're open.
- I can look here, right? - Of course you can.
- Yeah, yeah. - Yeah.
- [laughs] It's a lot, yeah.
- I'm just looking for things I like,
or now that I read nine and ten,
I know we don't have many scenes,
you know, that I need for.
[knock at door] They go to a nightclub.
- Do you have your dress?
And they don't get in.
- Was I just canceled by a doorman?
- Mm-hmm. - Cut.
- And she'll let me try this one tomorrow.
- Yes. - And it'll.
[imitating cracking]
Thank you so much. - Thank you, my dear.
- I've heard so many wonderful things.
I had to come here first.
- Thank you. Thank you very much.
- What a beautiful day.
Caw, caw! MPK!
- What? [laughs]
- This would make Magnolia, like, a little less...
Prancy fancy ladies that lunch.
- Then you're stuck with it, though.
Paris is about a dream. It's about a return.
- Bonjour.
- The name of the episode is "Seeing the Light."
It's about light, but really, it's about returning
to the most magical place in her...
Aside from New York.
- SJP.
Come up.
There's tea.
When do you want me?
- All right, I'm gonna go before she--
- No. - Oh, yeah.
- Why? - Yeah, this is church.
She has to come to church by herself.
I'll come down later.
- Okay, what's the best thing to do?
- I would like to ask you the first easiest thing to do.
- Look at this. Look at these.
- Wait to do this dress till the end,
or could you do this?
- Okay. - I think this is..
- That's a no-brainer, right?
- Heaven on earth. It's kinda great.
- Could that be bat mitzvah with the Dior skirt?
- Yes! Yes.
Forget I said anything about Paris.
- That's a beautiful shoe. - So these are may--maybes.
- Maybes.
- But I could squeeze if I had to.
- Okay. Gotcha. - It's a nice height.
You know, it's old school Italian movie.
- Totally.
- That's beautiful. Wow. You guys scored here.
- That is a great color for Magnolia.
- She stays. Frenchie.
- Mm-hmm. - I think, you know...
- So far, these kind of-- - Are sturdy in height.
- Especially because Vivienne Paris.
- Right, right. - France. Oh, look at this.
Oh, my God. What is this?
- Chez Sarah.
- [chuckles]
- I mean... - I mean...
- What in the hell... - Are we gonna do?
- Well, this would be good with the Magnolias, to be honest.
- Okay. - Ooh.
- I know. It's a problem. [laughter]
- She has issues.
- I just think it's so weird and mess--
oh, it's a--it's a wreck
and it's beautiful and it's dangling death.
- Bringing in the couture.
- It's so happening! - Bonjour, bonjour.
Ca va?
- Oh, my God.
It's a better color than I remembered, Molly.
The Valentino couture dress is the only one
she's ever considered or looked at, which is amazing.
We didn't have to show 20. She saw it. That's the one.
- I also have to be able to open it, which I can.
Good luck getting in there. Yeah.
It's actually--it works, the bag.
I think these shoes are great.
- Oh, my gosh, I feel so lucky,
and now that we're shooting here, like,
it's all been such a-- it's all been so theoretical
and so kind of-- what's the word?
What's that word? I'm sorry. It's been so sort of abstract.
Like an idea that we were-- I don't know
that we ever really felt confident we would get here.
I'm so excited.
I feel so lucky that we're here.
I can't even believe it. I can't believe we're here.
Now, Carrie necklace.
No Carrie necklace?
What you guys think?
- Well, we were talking about it.
- What you think?
Juvenile.
- It's--it's hard to do it.
- I know. It don't feel right. - And it's long.
- Why don't I just put it in my purse where it was?
Where I found it? - Okay.
- Oh!
And that'll just be for us.
They'll tell us when they're ready I think, Elaine.
- Yeah, Scott can do lunch now.
[indistinct chatter]
- [laughs] Whoo!
No, I think that's going to-- that one's gonna hurt.
- This one on the back?
- Yeah. - Still?
- No, keep going. Got pass the pain.
♪ Having good time for the pain ♪
- This guy?
- I thought he was talking about me.
That's gonna be me next year. [laughter]
- That is--it was just waiting to be recognized.
Yeah. Perfect.
- It's not going anywhere? - No. No.
And I think we just almost hairspray the lace.
Maybe it will stay.
[knock at door] Yeah.
- Come in. - Come in. Ready?
- Yes, please. - Yay.
- Let's go play in Paris.
♪ ♪
[engine rumbling]
- Bonsoir. Bonsoir.
- He's gonna say he didn't say this, but he did.
He said, "What do you get when you add a E to hat?"
[laughs]
He's a hat hater.
- I was, like, electrocuted.
I was like, "This is a bad situation
because now Sarah Jessica loves the hat."
As she showed, it was a phenomenal look
for one scene but not for many.
So now I have to become the studio.
I have to become the monster,
the guy who slams the door on the soufflé--pff!
- Now I'm incomplete.
Like, I feel like I have a dangling sentence.
- He didn't like it.
I would have made different choice--
like, I'm incomplete now.
Like, I didn't choose this, or I chose a purse because of--
you know what I mean? It's like this weird thing
where I feel like...
It's very painful
to feel that I'm not
producing something that he imagines.
It's very weird to be in somebody's head,
to put your--try to be in somebody's head the way
they imagine or, you know, a disagreement about a hat,
but it's when it happens, where it happens, and how.
And then it--it's, like, it really affects me
because of how I feel about him.
- Just the idea that I had to take that hat off her
was really uncomfortable.
It was bad.
- Hat killer.
You know, I wrote a poem about it.
You want me to read it?
[laughs]
"'Where is his body,' they ask me,
"but I will never tell.
"It's under Carrie's closet until it starts to smell.
"It's fun at the wrap party,
"but no one can find MPK.
"I'm at the bar toasting.
"Why couldn't he ha-- let that hat stay?
"I buried him with his favorite thing.
"I've really said my piece.
"I bury him with a hat from France.
I'm sure he'll rest in peace."
- He laughed his ass off.
[soft piano music]
♪ ♪
- Yeah. Yeah.
Maybe we have different way of parenting sometimes.
Obviously, Darren Star is kind of the birth mother,
you know what I mean?
But I think we have been parenting,
and--and like most parents,
we are primarily aligned philosophically,
and we both feel very protective,
not just of Carrie but of the,
you know, the animal that it is.
Like, the living, breathing thing.
- All right, here's a rehearsal.
Let's all clear back.
- Carrie Bradshaw is real to me
even though I know she's not real.
It's a thought process that is born
of Sarah Jessica doing Carrie
and then me sort of giving her more to do based on that.
So it's this very intertwined creation.
- Action.
- In my head, that seems like an aria with no words.
There's no libretto or song or even,
like, poetry or anything. There's nothing.
[motorcycle engine revving]
- Cut.
- I'm covered in ashes.
- It's everything. We're here in Paris.
The dress, the hair, her, the purse, the emotions.
It's a big deal.
She can carry that.
It's unbelievable how she was not upstaged
by that building behind.
[rigging rattling] And it's--it's moving.
- See you on Thursday. Bright and early.
[imitates rooster crowing] - Thank you very much.
- I'll see you on the flip side.
- You made it. - Thank you so much.
Have super safe flight home.
- Oh, you too. - Goodbye.
Thank you to all the Parisian crew.
Thank you thank you. Merci beaucoup.
Thank you all so much.
[somber jazz music]
♪ ♪
[indistinct chatter]
I think this is our last time together.
[all mock sobbing]
- I know.
Travel safe.
- Love you, ladies.
both: Love you too.
- Thank you for coming back.
- Yeah. - Thank you for coming back.
- They're playing characters from 35 to 55.
It's unique, and it's a testament
to these three actresses...
- I love you. - I love you too.
- Till December 8th.
[indistinct chatter]
- Oh, that's right!
That's right, which is right around the corner.
That's right.
- Make sure you don't wear pink.
[all laughing]
Just kidding.
- I'm not sure who all will understand that, but we will.
- We do. We do.
- We should-- - Talk to you guys tomorrow.
[laughter]
- Cut. That's a gig. - Cut!
[all cheering]
- On a good day, that's a picture wrap
on the best crew in New York city.
[cheers and applause]
- You know, the miracle is not that we're back.
The miracle is that we found all of you to join us.
That's the miracle.
'Cause it's just words on a page without you all.
Just typing, and you made it life.
So thank you, every single person.
[cheers and applause]
♪ ♪