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Downloaded from
YTS.MX
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( CHEERS AND APPLAUSE )
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Official YIFY movies site:
YTS.MX
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>> Trevor: WELCOME TO THE 64th
ANNUAL GRAMMY AWARDS.
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I'M YOUR HOST, TREVOR NOAH, AND
TONIGHT, FOR THE FIRST TIME
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EVER, MUSIC'S BIGGEST NIGHT
IS COMING TO YOU FROM LAS VEGAS.
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VEGAS, BABY!
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( CHEERS AND APPLAUSE )
I CAN SMELL THE BAD DECISIONS
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FROM UP HERE ALREADY!
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AND LIKE MOST PEOPLE WHO VISIT
VEGAS, WE MAY NOT KNOW WHERE WE
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ARE IN THE MORNING, BUT RIGHT
NOW WE'RE HERE AT THE M.G.M.
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GRAND!
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TONIGHT IS GOING TO BE A SPECIAL
NIGHT.
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WE HAVE ALL YOUR FAVORITE
ARTISTS PERFORMING, AND WE WILL
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BE GIVING OUT THE BIGGEST AWARD
IN MUSIC.
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SO, LET'S GET STRAIGHT INTO IT.
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KICKING FF TONIGHT FROM INSIDE
M.G.M. GRAND GARDEN ARENA IS A
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DYNAMIC DUO WHO ARE
SINGLEHANDEDLY BRINGING BACK
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THE '70s, WHICH MIGHT EXPLAIN
ALL THE INFLATION.
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IT'S BRUNO MARS AND ANDERSON
.PAAK IN SILK SONIC!
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( CHEERS AND APPLAUSE )
♪ ♪ ♪
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♪ ♪ ♪
♪ ♪ ♪
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♪ ♪ ♪
♪ ♪ ♪
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♪ ♪ ♪
♪ ♪ ♪
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POPPA NEED A BRAND-NEW
♪ FOREIGN UH HOT HAND
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THEY NOT GON' BELIEVE ME
♪ BUT CHECK THE RECORDIN' OOH
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JUST TOUCHED DOWN
♪ DOWN
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I'M 'BOUT TO BUY LAS VEGAS
♪ AFTER THIS ROLL
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00:01:35,295 --> 00:01:36,329
I'M 'BOUT TO BUY LAS VEGAS
♪ AFTER THIS ROLL, COME ON
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SEVEN, SEVEN, SEVEN
♪ LET'S GO
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♪ ♪ ♪
OOH WEE
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♪ ♪ ♪
♪ ♪ ♪
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♪ ♪ ♪
♪ AYY
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NOW WE MAKIN' MONEY
♪ NOW WE MAKIN' MONEY
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NOW WE MAKIN' MONEY
♪ ONE, TWO, THREE
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SPIN THE WHEEL FOR ME
♪ HOO, BLACKJACK
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BACCARAT
♪ DEALER WHERE YOU AT?
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DEAL FOR ME
♪ DEALER WHERE YOU AT
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WHERE YOU AT?
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♪ WOO, GIMME THE CHIPS,
GIVE ME THE CHIPS
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♪ GIVE IT SOME MAGIC
GO ALL IN
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00:02:07,126 --> 00:02:08,294
♪ WHY
I CAN SEE THE
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00:02:08,361 --> 00:02:11,264
♪ CHAMPAGNE FALLIN'
I GOT BILLS TO PAY
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00:02:11,331 --> 00:02:13,933
♪ BUT BILLS CAN WAIT--
IT, WE BALLIN'
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♪ STACKS ON STACKS
STACKS
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♪ RACKS ON RACKS
RACKS
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♪ MOONWALK TO THE MONEY
LIKE I'M MIKE JACK', OW
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♪ YES, I'M FADED
AYY
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♪ PUPILS DILATED
BUT THE MAN IN THE MIRROR
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♪ SAYIN', "GON' GET YOUR PAPER"
GET IT
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♪ PRETTY MOTHER WITH SOME
MONEY TO BLOW
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♪ I'M 'BOUT TO BUY LAS VEGAS
AFTER THIS ROLL
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♪ I'M 'BOUT TO BUY LAS VEGAS
AFTER THIS ROLL, COME ON
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♪ SEVEN, SEVEN, SEVEN
LET'S GO
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♪ ♪ ♪
♪ OOH WEE
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♪ ♪ ♪
♪ ♪ ♪
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THIS THE BIG ONE
♪ BIG MONEY
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YOU GOTTA TRUST YOUR GUT
♪ YOU GOTTA TRUST YOUR GUT
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NOW, NOW
♪ CAN YOU FEEL IT
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♪ ♪ ♪
THIS THE BIG ONE
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♪ BIG MONEY
YOU GOTTA TRUST YOUR GUT
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♪ YOU GOTTA TRUST YOUR GUT
NOW, NOW
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♪ CAN YOU FEEL IT
WAIT A MINUTE
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♪ ♪ ♪
♪ ♪ ♪
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♪ ♪ ♪
♪ ♪ ♪
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♪ ♪ ♪
>> I'M GON' TELL YOU ONE TIME
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AND ONE TIME ONLY.
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♪ GET UP NOW
GET UP NOW
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♪ GET UP NOW
GET UP NOW
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LAS VEGAS WE HOT
♪ LAS VEGAS WE HOT
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LAS VEGAS WE HOT
SILK SONIC WE HOT
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PRETTY BROTHER WITH SOME
♪ MONEY TO BLOW
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I'M 'BOUT TO BUY
♪ LAS VEGAS AFTER THIS ROLL
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I'M 'BOUT TO BUY
♪ LAS VEGAS AFTER THIS ROLL
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COME ON
♪ SEVEN, SEVEN
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SEVEN, SEVEN
♪ SEVEN, LET'S GO
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♪ ♪ ♪
♪ ♪ ♪
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SEVEN, SEVEN
♪ SEVEN, SEVEN
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SEVEN, LET'S GO
♪ ♪ ♪
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♪ ♪ ♪
( CHEERS AND APPLAUSE )
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♪ ♪ ♪
( CHEERS AND APPLAUSE )
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>> Trevor: SILK SONIC,
EVERYBODY!
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KEEP IT GOING!
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( CHEERS AND APPLAUSE )
MAN, THAT WAS AMAZING.
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00:04:24,464 --> 00:04:25,531
EVEN IF YOU DOBTS HAVE A
GIRLFRIEND, THEY JUST STOLE HER
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FROM YOU.
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00:04:27,400 --> 00:04:31,004
WELCOME, EVERYBODY, TO THE
64th ANNUAL GRAMMY AWARDS.
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00:04:31,070 --> 00:04:33,640
WE MADE IT, PEOPLE!
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WE MADE IT!
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OH MAN.
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IT'S BEEN A LONG TIME COMING AND
ST HAS BEEN DELAYED BUT WE ARE
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OFFICIALLY HERE, BETTER LATE
THAN NEVER, RIGHT, AND LOOK AT
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THIS ROOM, THIS IS A PARTY,
EVERYONE IS HANGING OUT.
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WE'VE GOT THE TABLES.
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WE'RE IN VEGAS.
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LOOK AT THIS, PEOPLE ARE DOING
SHOTS.
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I MEAN LAST YEAR PEOPLE WERE
DOING SHODS BUT IT WAS MORE
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MODERN AND AND PFIZER, THIS TIME
WE'RE BACK IN THE MIX.
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AND EVERYONE IS HERE, EVERY
SINGLE PERSON IS HERE, OLIVIA
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RODRIGO, I SAW HER MYSELF, YEAH.
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SHE WAS GETS CARDED AND SHE HAD
TO SHOW A BOUNCER HER ACTUAL'S
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DRIVER'S LICENSE T WAS LIKE
HISTORY, YOU KNOW WHAT I ELSE I
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SAW, I SAW NAS STANDING TKES IN
LIL NAS X, HE WAS ACTUALLY
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TALLER, THEY DON'T TELL YOU
THIS, BILLIE EILISH AND HER
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BROTHER FINNEAS ARE HERE, YEP.
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AND I'M NOT GOING TO LIE THERE
IS ONLY ONE QUESTION I CAN'T
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WAIT TO ASK THEM.
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AND I THINK IT IS A QUESTION
THAT EVERYONE IS BUYING TO KNOW,
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WHAT IS FINNEAS'S LAST NAME.
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IS IT EILISH?
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IT HAS TO BE EILISH, RIGHT, WHY
WON'T YOU TELL US, FINIAS WHAT
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ARE YOU HEADING, FTS IS IN THE
HOUSE, PEOPLE.
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AND BEFORE WE FIGHT, I CALL DIBS
ON RM YOU CAN FIGHT OVER
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EVERYBODY ELSE WA, IS GOING ON,
BILLY PORTER, HOW YOU DOING.
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>> I GOT TO SHOW BTS SOME OF MY
DANCE MOVES AND HE SAID I WAS
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MISHUIN AND I DON'T SPEAK KOREAN
BUT I THINK IT MEANS PRETTY
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DOPE.
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LADY GAGA AND JARED LETO.
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MORE LIKE A GUCCI AIRBNB.
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THIS ROOM IS FULL OF MUSIC ROYAL
TEE, JUSTIN BIEBER, I SAW HIM
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SOMEWHERE.
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THAT'S RIGHT, THERE HE IS.
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JB IN THE HOUSE.
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THE BEST THING TO HAPPEN TO
BEACHES SINCE THAT TIMOTHEE CHAL
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O MAY MOVIE, AND THAT'S NOT ALL,
BRANDI CARLILE, CHRIS STAPLETON,
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BRANDI CARLILE, CHRIS STAPLETON,
BROTHERS OSBORNE, J BALVIN, JON
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BATISTE, JOHN LEGEND-- IT'S LIKE
A MUSICAL MADAME TUSSAUDS' IN
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HERE.
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IN HERE AND LATER TONIGHT YOU
HAVE TO STAY TUNED FOR AN
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AMAZING PERFORMANCE BY H.E.R.
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FEATURING JIMMY JAM, TERRY
LEWIS, TRAVIS BARKER AND LENNY
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KRAVITZ, ALL ON THE STAGE AT THE
SAME TIME IT WILL BE SUCH A
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BEAUTIFUL EVENING.
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DON'T EVEN THINK OF THIS AS AN
AWARD SHOW T SAY CON SETTER
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WHERE WE ARE GIVING OUT AWARDS,
WE WILL BE LISTENING TO MUSIC,
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DANCING, SING, KEEP'S PEOPLE'S
NAMES OUT OF OUR MOUTHS AND WE
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ARE GOING TO GIVE PEOPLE AWARDS
ALL THROUGHOUT THE NIGHT.
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SO LET'S GET STRAIGHT INTO IT.
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OUR NEXT PERFORMER AT ONLY 19 IS
NOMINATED FOR SEVEN GRAMMYS
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INCLUDING RECORD AND SONG AND
ALBUM OF THE YEAR AND BEST NEW
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ARTIST.
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WHEN I WAS 19 THE ONLY THING I
WAS NOMINATED FOR WAS LEAST
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LIKELY TO GET HIS ACNE UNDER
CONTROL.
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LADIES AND GENTLEMEN, WELCOME TO
THE GRAMMY STAGE, OLIVIA RODRIGO
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.
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( CHEERS AND APPLAUSE )
♪ ♪ ♪
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>> ♪ I GOT MY DRIVERS LICENSE
LAST WEEK JUST LIKE WE ALWAYS
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♪ TALKED ABOUT 'CAUSE YOU WERE
SO EXCITED
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♪ FOR ME TO FINALLY DRIVE UP TO
YOUR HOUSE BUT TODAY I DROVE
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♪ THROUGH THE SUBURBS
CRYING 'CAUSE YOU WEREN'T AROUND
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♪ WHO ALWAYS MADE ME DOUBT
♪ SHE'S EVERYTHING I'M INSECURE
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00:08:09,789 --> 00:08:11,090
ABOUT YEAH
♪ TODAY I DROVE THROUGH THE
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SUBURBS
♪ 'CAUSE HOW COULD I EVER LOVE
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SOMEONE ELSE?
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♪ AND I KNOW WE WEREN'T PERFECT
BUT I'VE NEVER FELT THIS WAY
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♪ FOR NO ONE
AND I JUST CAN'T IMAGINE
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♪ HOW YOU COULD BE SO OKAY
NOW THAT I'M GONE
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♪ GUESS YOU DIDN'T
MEAN WHAT YOU WROTE IN THAT
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00:08:40,853 --> 00:08:46,792
♪ SONG ABOUT ME
'CAUSE YOU SAID FOREVER
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00:08:46,859 --> 00:08:52,765
♪ NOW I DRIVE ALONE
PAST YOUR STREET
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♪ AND ALL MY FRIENDS ARE TIRED
OF HEARING HOW MUCH I MISS YOU
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♪ BUT I KINDA FEEL
SORRY FOR THEM
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00:09:01,173 --> 00:09:04,844
♪ 'CAUSE THEY'LL NEVER KNOW YOU
THE WAY THAT I DO, YEAH
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00:09:04,911 --> 00:09:10,016
♪ TODAY I DROVE THROUGH THE
SUBURBS
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♪ AND PICTURED I WAS DRIVING
HOME TO YOU
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♪ AND I KNOW
WE WEREN'T PERFECT BUT
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00:09:19,525 --> 00:09:26,232
♪ I'VE NEVER FELT THIS WAY FOR
NO ONE OH
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00:09:26,299 --> 00:09:28,868
♪ AND I JUST CAN'T IMAGINE
HOW YOU
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00:09:28,935 --> 00:09:31,637
♪ COULD BE SO OKAY
NOW THAT
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00:09:31,704 --> 00:09:35,474
♪ I'M GONE
I GUESS
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00:09:35,541 --> 00:09:39,478
♪ YOU DIDN'T MEAN WHAT YOU WROTE
IN THAT
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00:09:39,545 --> 00:09:43,482
♪ SONG ABOUT ME
'CAUSE YOU SAID FOR EVER, NOW I
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00:09:43,549 --> 00:09:51,457
♪ DRIVE ALONE PAST YOUR
STREET
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00:09:51,524 --> 00:09:54,393
RED LIGHTS STOP
SIGNS
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00:09:54,460 --> 00:09:58,864
♪ I STILL SEE YOUR FACE IN THE
WHITE CARS FRONT YARDS
176
00:09:58,931 --> 00:10:04,303
♪ CAN'T DRIVE PAST THE PLACES
WE USED TO GO TO
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00:10:04,370 --> 00:10:10,710
♪ 'CAUSE YOU KNOW I STILL LOVE
YOU, BABE
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00:10:10,776 --> 00:10:15,481
♪ OOH
OOH
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00:10:15,548 --> 00:10:22,021
♪ SIDEWALKS WE CROSSED
I STILL HEAR YOUR VOICE
180
00:10:22,088 --> 00:10:27,460
♪ IN THE TRAFFIC
WE'RE LAUGHING
181
00:10:27,526 --> 00:10:31,464
♪ OVER ALL THE NOISE GOD,
I'M SO BLUE, KNOW WE'RE THROUGH
182
00:10:31,530 --> 00:10:35,468
♪ BUT YOU KNOW I STILL
LOVE YOU BABE
183
00:10:35,534 --> 00:10:43,376
♪ OOH
OOH
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00:10:43,442 --> 00:10:46,879
♪ QUIET I KNOW WE WEREN'T
PERFECT BUT I'VE NEVER
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00:10:46,946 --> 00:10:51,484
♪ FELT THIS WAY
FOR NO ONE
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00:10:51,550 --> 00:10:55,488
♪ AND I JUST CAN'T IMAGINE
HOW YOU
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00:10:55,554 --> 00:10:58,858
♪ COULD BE SO OKAY
NOW THAT
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00:10:58,924 --> 00:11:03,529
♪ I'M GONE
GUESS YOU DIDN'T MEAN WHAT
189
00:11:03,596 --> 00:11:09,201
♪ YOU WROTE IN THAT
SONG ABOUT ME
190
00:11:09,268 --> 00:11:10,936
♪ 'CAUSE YOU SAID FOREVER
NOW I DRIVE ALONE
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00:11:11,003 --> 00:11:18,611
♪ PAST YOUR STREET
YEAH, YOU SAID FOREVER
192
00:11:18,677 --> 00:11:24,617
♪ NOW I DRIVE ALONE
PAST YOUR STREET ♪
193
00:11:24,683 --> 00:11:39,565
( CHEERS AND APPLAUSE )
>> Trevor: THAT'S RIGHT, KEEP
194
00:11:39,632 --> 00:11:40,599
( CHEERS AND APPLAUSE )
>> Trevor: THAT'S RIGHT, KEEP
195
00:11:40,666 --> 00:11:45,404
IT GOING, OLIVIA RODRIGO, THAT
WAS AMAZING, WOW!
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00:11:45,471 --> 00:11:47,039
THAT WAS SO AMAZING.
197
00:11:47,106 --> 00:11:50,242
JUST
CAPTURING JUST HOW HEARTBREAKING
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00:11:50,309 --> 00:11:51,377
IT IS GOING TO THE D.M.V.
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00:11:51,444 --> 00:11:52,978
( LAUGHTER )
AND NOW, ONE OF THE MOST-TALKED
200
00:11:53,045 --> 00:11:58,417
ABOUT ARTISTS ANYWHERE IN THE
WORLD TODAY, A GRAMMY AND LATIN
201
00:11:58,484 --> 00:12:04,457
GRAMMY-WINNING SUPERSTAR
NOMINATED THIS YEAR IN THE
202
00:12:04,523 --> 00:12:07,126
JOINED BY LATIN GRAMMY NOMINEE
MARIA BECCERA, THIS IS J BALVIN!
203
00:12:07,193 --> 00:12:15,067
( CHEERS AND APPLAUSE )
>> ♪ ¿QUÉ MÁS
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00:12:15,134 --> 00:12:16,502
PUES? ¿CÓMO TE HA IDO? ¿SIGUE'
SOLTERA
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00:12:16,569 --> 00:12:17,970
♪ O YA TIENE' MARIDO?
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00:12:18,037 --> 00:12:19,605
SÉ QUE ES PERSONAL,
♪ PERDONA LO ATREVIDO TE PEDÍ EN
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00:12:19,672 --> 00:12:22,508
NAVIDAD
♪ Y SANTA NO TE HA TRAÍDO PERO,
208
00:12:22,575 --> 00:12:24,910
¿QUÉ MÁS PUES?
209
00:12:24,977 --> 00:12:27,113
♪ ¿QUÉ HA HABIDO? TE PERDÍ EL
RASTRO POR DISTRAÍDO LA FAMA
210
00:12:27,179 --> 00:12:31,117
♪ ESTO ME TIENE
PERO NO ME OLVIDO
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00:12:31,183 --> 00:12:34,954
♪ DE LO SUCEDIDO
ME PERDISTE DE VISTA AHORA E'
212
00:12:35,020 --> 00:12:38,190
♪ CON OTRO CON QUIEN VACILO EN
LA PISTA, EY AY,
213
00:12:38,257 --> 00:12:39,425
♪ JOSÉ, NO ME INSISTA' DAS
MUCHAS
214
00:12:39,492 --> 00:12:42,828
♪ VUELTA', PARECE' MOTOCICLISTA,
EY
215
00:12:42,895 --> 00:12:46,198
♪ NINGUNA CON ESTE PORTE TENGO
ESTE
216
00:12:46,265 --> 00:12:48,734
♪ BOOTY SIN HACER DEPORTE
NADA VA A HACER QUE ME IMPORTE'
217
00:12:48,801 --> 00:12:51,103
♪ PORQUE MI
BRÚJULA YA CAMBIÓ SU NORTE
218
00:12:51,170 --> 00:12:52,505
♪ iWUH!
219
00:12:52,571 --> 00:12:57,843
REGÁLAME OTRA
♪ NOCHE, QUIERO VERTE
220
00:12:57,910 --> 00:13:00,446
QUE HAY QUE ACLARAR PAR
♪ DE COSAS PEN-DIENTE'
221
00:13:00,513 --> 00:13:04,583
MA', ¿QUÉ LO QUE ? ¿DÓNDE
♪ ESTÁS? DIME, A VER QUE YO
222
00:13:04,650 --> 00:13:10,589
VOY
♪ VOY
223
00:13:10,656 --> 00:13:16,662
REGÁLAME OTRA
♪ NOCHE, QUIERO VERTE
224
00:13:16,729 --> 00:13:20,633
QUE HAY QUE ACLARAR PAR
♪ DE COSAS PEN-DIENTE'
225
00:13:20,699 --> 00:13:24,670
MA', ¿QUÉ LO QUE? ¿DÓNDE
♪ ESTÁS? DIME, A VER QUE YO
226
00:13:24,737 --> 00:13:30,075
VOY
VOY
227
00:13:30,142 --> 00:13:35,648
♪ OH
♪ TE LLAMÉ EN AGOSTO APARE
228
00:13:35,714 --> 00:13:40,653
CISTE EN ENERO TÚ DE
♪ VACACIONE' EN BOSTON Y OTRO
229
00:13:40,719 --> 00:13:44,657
APARECIÓ PRIMERO Y ME
♪ ESTÁ' EMPALAGANDO Y ESO
230
00:13:44,723 --> 00:13:48,060
QUE NO E' GOLOSINA TÚ MU
♪ CHO ME ESTÁ' MIRANDO Y ESO
231
00:13:48,127 --> 00:13:52,631
QUE NO SOY VITRINA
♪ ♪ ♪
232
00:13:52,698 --> 00:13:58,437
♪ ♪ ♪
( CHEERS AND APPLAUSE )
233
00:13:58,504 --> 00:14:02,708
♪ PARTY IN DI GETTO
INNA
234
00:14:02,775 --> 00:14:04,510
♪ DI GETTO
ESTO SE
235
00:14:04,577 --> 00:14:07,079
♪ LA VECINA
NO SÉ QUÉ BEBIÓ
236
00:14:07,146 --> 00:14:09,215
♪ EL VECINO
NO SÉ QUÉ PRENDIÓ
237
00:14:09,281 --> 00:14:10,616
♪ A LA GENTE NO SÉ QUÉ LE DIO,
PERO
238
00:14:10,683 --> 00:14:13,819
♪ TO' EL MUNDO ESTÁ LOCO
TO' EL MUNDO, TO' EL MUNDO
239
00:14:13,886 --> 00:14:16,522
♪ ESTÁ LOCO
TO' EL MUNDO RAYA'O DEL COCO
240
00:14:16,589 --> 00:14:20,726
♪ Y YO SOLO SÉ QUE MONTARON
PARTY IN DI GETTO
241
00:14:20,793 --> 00:14:23,095
♪ INNA DI GETTO
PARTY IN DI GETTO
242
00:14:23,162 --> 00:14:27,099
♪ INNA DI GETTO
PARTY INNA DI GETTO
243
00:14:27,166 --> 00:14:31,103
♪ INNA DI GETTO
PARTY IN DI GETTO
244
00:14:31,170 --> 00:14:34,740
♪ INNA DI GETTO
EN EL GETTO HAY PARTY, TO'
245
00:14:34,807 --> 00:14:39,111
♪ EL MUNDO, EVERYBODY 'TAMO
FLOW RASTAFARI 'TÁ PERFECTO
246
00:14:39,178 --> 00:14:43,115
♪ ESE BODY MAMI, TÚ
ESTÁS BIEN SALVAJE Y YO
247
00:14:43,182 --> 00:14:46,518
♪ QUE ESTOY DE SAFARI DJ,
NO LE BAJE', PONGAN LA DE
248
00:14:46,585 --> 00:14:50,889
♪ TEGO Y DE DADDY
ESE ES DE QUILATE'
249
00:14:50,956 --> 00:14:52,524
♪ SE TE NOTAN LOS PILATE'
HOY TÚ GANA' O YO GANO NO LO
250
00:14:52,591 --> 00:14:55,461
♪ DEJAMO' EN EMPATE
EN MI CASA ES EL REMATE
251
00:14:55,527 --> 00:14:58,998
♪ NOS FUIMO'
CALLA'O, SIN DAR DETALLE'
252
00:14:59,064 --> 00:15:03,135
♪ LA GENTE YA SE DIO CUENTA, QUE
MONTAMO' LA DISCO EN LA CALLE
253
00:15:03,202 --> 00:15:03,836
♪ Y ESTO ES
INNA
254
00:15:03,902 --> 00:15:06,705
♪ DI GETTO
PARTY IN DI GETTO
255
00:15:06,772 --> 00:15:09,041
♪ INNA
DI GETTO
256
00:15:09,108 --> 00:15:10,609
♪ PARTY INNA DI GETTO
INNA
257
00:15:10,676 --> 00:15:15,180
♪ DI GETTO
PARTY IN DI GETTO
258
00:15:15,247 --> 00:15:22,054
♪ PARTY IN DI GET
IN DA GET
259
00:15:22,121 --> 00:15:27,159
♪ ♪ ♪
♪ ♪ ♪
260
00:15:27,226 --> 00:15:34,566
♪ ♪ ♪
♪ ♪ ♪
261
00:15:34,633 --> 00:15:39,171
PARTY IN DI GETTO
♪ ♪ ♪
262
00:15:39,238 --> 00:15:46,612
♪ ♪ ♪
♪ ♪ ♪
263
00:15:46,679 --> 00:16:01,560
♪ ♪ ♪
( CHEERS AND APPLAUSE )
264
00:16:01,627 --> 00:16:06,365
♪ ♪ ♪
( CHEERS AND APPLAUSE )
265
00:16:06,432 --> 00:16:09,234
>> UP NEXT: QUESTLOVE PRESENTS
THE GRAMMY FOR SONG OF THE YEAR.
266
00:16:09,301 --> 00:16:12,604
THEN, PERFORMANCES BY BTS, LIL
NAS X, BILLIE EILISH, JUSTIN
267
00:16:12,671 --> 00:16:14,440
BIEBER.
268
00:16:14,506 --> 00:16:18,877
AND LATER, NAS PERFORMS, AND
LADY GAGA SINGS FOR TONY
269
00:16:18,944 --> 00:16:20,612
BENNETT.
270
00:16:20,679 --> 00:16:21,213
ONLY ON THE GRAMMY AWARDS.
271
00:16:28,520 --> 00:16:31,724
♪ ♪ ♪
( APPLAUSE )
272
00:16:31,790 --> 00:16:35,794
>> Trevor: WELCOME BACK TO THE
ANNUAL 64th GRAMMY AWARDS LIVE
273
00:16:35,861 --> 00:16:37,763
FROM THE M.G.M. GRAND.
274
00:16:37,830 --> 00:16:41,767
WE'RE HERE IN VEGAS!
275
00:16:41,834 --> 00:16:42,768
FOR THE FIRST TIME EVER!
276
00:16:42,835 --> 00:16:43,936
VEGAS: IF CRYPTO WERE A CITY.
277
00:16:44,002 --> 00:16:49,108
TO PRESENT OUR FIRST AWARD
TONIGHT, A SIX-TIME GRAMMY
278
00:16:49,174 --> 00:16:50,876
YOU JUST WON A BRAND NEW GRAMMY
EARLIER TODAY FOR SUMMER OF
279
00:16:50,943 --> 00:16:53,245
SOUL, ALSO THE BEATING HEART OF
THE ROOT.
280
00:16:53,312 --> 00:16:58,817
I DID MENTION IS HE NOW AN OSCAR
MINUTE WINNING
281
00:16:58,884 --> 00:16:59,518
OSCAR WINNING-DIRECTOR?
282
00:16:59,585 --> 00:17:00,552
GET ON YOUR FEET FOR QUESTLOVE!
283
00:17:00,619 --> 00:17:09,928
( CHEERS AND APPLAUSE )
>> THANK YOU.
284
00:17:09,995 --> 00:17:12,364
ALL RIGHT, I AM GOING TO PRESENT
THIS AWARD AND I TRUST THAT YOU
285
00:17:12,431 --> 00:17:18,370
PEOPLE WILL STAY 500 FEET AWAY
FROM ME.
286
00:17:18,437 --> 00:17:21,473
AS
THEY SAY IT IS FAR BETTER TO
287
00:17:21,540 --> 00:17:22,674
GIVE THAN TO RECEIVE.
288
00:17:22,741 --> 00:17:26,912
WELL, I'M NOT SO SURE ABOUT THAT
BECAUSE LAST SUNDAY IT FELT
289
00:17:26,979 --> 00:17:30,349
PRETTY GOOD TO RECEIVE.
290
00:17:30,416 --> 00:17:33,285
YOU KNOW, AN AWARD.
291
00:17:33,352 --> 00:17:36,588
( APPLAUSE )
BUT I WILL SAY THAT IT IS ALSO
292
00:17:36,655 --> 00:17:41,326
GREAT TO WIN A GRAMMY AWARD FOR
THIS-- FROM THIS PARTICULAR
293
00:17:41,393 --> 00:17:42,494
ACADEMY.
294
00:17:42,561 --> 00:17:46,999
YOU KNOW, FOR 22 YEARS, YOU
KNOW, THE ROOTS WON OUR FIRST
295
00:17:47,065 --> 00:17:49,768
AWARD AND YOU KNOW, IT WAS
EXCITING AS IF IT WERE THE FIRST
296
00:17:49,835 --> 00:17:50,536
TIME.
297
00:17:50,602 --> 00:17:52,037
YOU NEVER FORGET YOUR FIRST
TIME.
298
00:17:52,104 --> 00:17:56,175
AND YOU KNOW, THIS IS NOW A
SPECIAL MOMENT FOR SOMEONE.
299
00:17:56,241 --> 00:17:58,911
AND WE'RE GOING TO MAKE A MEMORY
FOR THEM TONIGHT.
300
00:17:58,977 --> 00:18:01,246
AND THESE ARE THE
THESE ARE THE OUTSTANDING
301
00:18:01,313 --> 00:18:09,321
NOMINATIONS FOR SONG OF THE
YEAR.
302
00:18:09,388 --> 00:18:13,325
>> Announcer: SONG OF THE YEAR.
303
00:18:13,392 --> 00:18:17,329
"BAD HABITS" BY FRED GIBSON,
JOHNNY McDAID, AND ED SHEERAN.
304
00:18:17,396 --> 00:18:24,903
ED SHEERAN, ARTIST.
305
00:18:24,970 --> 00:18:28,807
"A BEAUTIFUL NOISE" BY RUBY
AMANFU, BRANDI CARLILE, BRANDY
306
00:18:28,874 --> 00:18:31,376
CLARK, ALICIA KEYS, HILLARY
LINDSEY, LORI McKENNA, LINDA
307
00:18:31,443 --> 00:18:32,578
PERRY, AND HAILEY WHITTERS.
308
00:18:32,644 --> 00:18:37,349
ALICIA KEYS AND BRANDI CARLILE,
ARTIST.
309
00:18:37,416 --> 00:18:41,320
"DRIVERS LICENSE" BY DANIEL
NIGRO AND OLIVIA RODRIGO.
310
00:18:41,386 --> 00:18:45,424
OLIVIA RODRIGO, ARTIST.
311
00:18:45,491 --> 00:18:50,762
"FIGHT FOR YOU" BY DERNST EMILE
II, H.E.R., AND TIARA THOMAS.
312
00:18:50,829 --> 00:18:54,967
H.E.R., ARTIST.
313
00:18:55,033 --> 00:18:56,869
"HAPPIER THAN EVER" BY BILLIE
EILISH O'CONNELL AND FINNEAS
314
00:18:56,935 --> 00:19:01,406
O'CONNELL.
315
00:19:01,473 --> 00:19:02,841
BILLIE EILISH, ARTIST.
316
00:19:02,908 --> 00:19:08,847
"KISS ME MORE" BY ROGÉT
CHAHAYED, AMALA ZANDILE DLAMINI,
317
00:19:08,914 --> 00:19:12,985
LUKASZ GOTTWALD, CARTER LANG,
GERARD A. POWELL II, SOLÁNA
318
00:19:13,051 --> 00:19:13,685
ROWE, AND DAVID SPRECHER.
319
00:19:13,752 --> 00:19:19,057
DOJA CAT FEATURING SZA, ARTIST.
320
00:19:19,124 --> 00:19:21,193
"LEAVE THE DOOR OPEN" BY BRANDON
ANDERSON, CHRISTOPHER BRODY
321
00:19:21,260 --> 00:19:25,397
BROWN, DERNST EMILE II, AND
BRUNO MARS.
322
00:19:25,464 --> 00:19:29,401
SILK SONIC, ARTIST.
323
00:19:29,468 --> 00:19:33,005
"MONTERO (CALL ME BY YOUR NAME)"
BY DENZEL BAPTISTE, DAVID BIRAL,
324
00:19:33,071 --> 00:19:37,409
OMER FEDI, MONTERO HILL, AND ROY
LENZO.
325
00:19:37,476 --> 00:19:41,413
LIL NAS X, ARTIST.
326
00:19:41,480 --> 00:19:45,384
"PEACHES" BY LOUIS BELL, JUSTIN
BIEBER, GIVEON DEZMANN EVANS,
327
00:19:45,450 --> 00:19:52,324
BERNARD HARVEY, FELISHA "FURY"
KING, MATTHEW SEAN LEON, LUIS
328
00:19:52,391 --> 00:19:57,162
MANUEL MARTINEZ JR., AARON
SIMMONDS, ASHTON SIMMONDS,
329
00:19:57,229 --> 00:19:58,897
ANDREW WOTMAN, AND KEAVAN
YAZDANI.
330
00:19:58,964 --> 00:20:04,336
JUSTIN BIEBER FEATURING DANIEL
CAESAR AND GIVEON, ARTIST.
331
00:20:04,403 --> 00:20:09,942
"RIGHT ON TIME" BY BRANDI
CARLILE, DAVE COBB, PHIL
332
00:20:10,008 --> 00:20:10,542
HANSEROTH, AND TIM HANSEROTH.
333
00:20:10,609 --> 00:20:22,321
BRANDI CARLILE, ARTIST.
334
00:20:22,387 --> 00:20:33,665
>> AND THE GRAMMY GOES TO:
"LEAVE THE DOOR OPEN"
335
00:20:33,732 --> 00:20:37,069
BRANDON ANDERSON, CHRISTOPHER
BRODY BROWN, DERNST EMILE II,
336
00:20:37,135 --> 00:20:52,017
AND BRUNO MARS, SILK SONIC
( CHEERS AND APPLAUSE )
337
00:20:52,084 --> 00:21:04,463
AND BRUNO MARS, SILK SONIC
( CHEERS AND APPLAUSE )
338
00:21:04,529 --> 00:21:06,198
>> HI, HI.
339
00:21:06,264 --> 00:21:13,772
I JUST WANT TO SAY THANK YOU TO
MY TEAM AND MY FAMILY, MY
340
00:21:13,839 --> 00:21:16,008
BEAUTIFUL WIFE OUT THERE.
341
00:21:16,074 --> 00:21:20,612
THIS IS FOR MY MOM, SHE PASSED
ON WEDNESDAY.
342
00:21:20,679 --> 00:21:25,517
SO THIS IS FOR HER.
343
00:21:25,584 --> 00:21:26,985
(APPLAUSE)
>> COME HERE!
344
00:21:27,052 --> 00:21:32,157
I LOVE YOU, I WANT TO THANK
EVERYBODY THAT HELPED WITH US
345
00:21:32,224 --> 00:21:33,325
THIS ALBUM.
346
00:21:33,392 --> 00:21:37,996
WANT TO THANK CHARLES, ANDY,
COULDN'T BE PROUDER DOING THIS
347
00:21:38,063 --> 00:21:39,798
WITH YOU, THANK YOU SO MUCH.
348
00:21:39,865 --> 00:21:48,373
THANK YOU GUYS SO MUCH. AND YOU
KNOW IT IS BECAUSE OF YOU ME AND
349
00:21:48,440 --> 00:21:51,276
ANDY WILL BE SINGING THIS SONG
FOREVER, SO GOD BLESS YOU ALL.
350
00:21:51,343 --> 00:21:55,247
>> FOR THE REST OF OUR LIVES, WE
LOVE YOU.
351
00:21:55,313 --> 00:21:56,114
(APPLAUSE).
352
00:21:56,181 --> 00:21:59,051
>> Trevor: CONGRATULATIONS,
SILK SONIC.
353
00:21:59,117 --> 00:22:01,386
MAN, WE LOVE THAT SONG, JUST BY
THE WAY, TO EVERYONE IN THE
354
00:22:01,453 --> 00:22:04,523
ROOM, I NOTICED SOMETHING, I
KNOW WE ARE WATCHING A SHOW, I
355
00:22:04,589 --> 00:22:07,926
KNOW IT IS AN AWARD SHOW, BUT
WHEN THE MUSIC, YOU DON'T HAVE
356
00:22:07,993 --> 00:22:11,763
TO DANCE IN YOUR CHAIR, YOU KNOW
YOU CAN GET UP, I KNOW I SAW
357
00:22:11,830 --> 00:22:16,101
SOME OF YOU WRIGGLING, DON'T DO
IT, YOU LOOK WEIRD, STARNTION
358
00:22:16,168 --> 00:22:17,436
YOU WIGGLE BETTER ON TWO FEET.
359
00:22:17,502 --> 00:22:19,871
TO ALL THE NOMINEES IN THE
CATEGORY WHO DIDN'T WIN, I KNOW
360
00:22:19,938 --> 00:22:22,908
ARE YOU SAD RIGHT NOW, EVERYBODY
WANTS TO WIN, BUT PLEASE
361
00:22:22,974 --> 00:22:25,911
REMEMBER, TONIGHT IS NOT JUST
ABOUT WING, ARE YOU NOMINATED,
362
00:22:25,977 --> 00:22:28,380
YOU MIGHT NOT WIN BUT REMEMBER,
AT THE END OF THE DAY, YOU HAVE
363
00:22:28,447 --> 00:22:32,451
SOMETHING THAT NOT EVERYBODY
HAS.
364
00:22:32,517 --> 00:22:33,385
MONEY.
365
00:22:33,452 --> 00:22:35,053
(LAUGHTER)
I KNOW YOU WANT THE TROPHY BUT
366
00:22:35,120 --> 00:22:37,389
THE TROPHY WON'T HELP YOU PAY
FOR YOUR HOUSE, MONEY, PEOPLE.
367
00:22:37,456 --> 00:22:39,858
DON'T FORGET WHAT COUNTS IN
LIFE.
368
00:22:39,925 --> 00:22:40,625
ALL RIGHT.
369
00:22:40,692 --> 00:22:43,628
IT'S TIME FOR ANOTHER
PERFORMANCE.
370
00:22:43,695 --> 00:22:46,531
NOMINATED AGAIN THIS
NOMINATED AGAIN THIS YEAR FOR
371
00:22:46,598 --> 00:22:48,433
BEST POP DUO/GROUP PERFORMANCE,
LET'S MAKE SOME NOISE-- AS IF I
372
00:22:48,500 --> 00:22:52,437
REALLY HAD TO TELL YOU THAT--
FOR GLOBAL SUPERSTARS BTS!
373
00:22:52,504 --> 00:23:07,385
( CHEERS AND APPLAUSE )
( MODEM STATIC )
374
00:23:07,452 --> 00:23:10,789
( CHEERS AND APPLAUSE )
( MODEM STATIC )
375
00:23:10,856 --> 00:23:19,998
♪ ♪ ♪
( CHEERS AND APPLAUSE )
376
00:23:20,065 --> 00:23:31,977
♪ ♪ ♪
♪ ♪ ♪
377
00:23:32,043 --> 00:23:43,989
( CHEERS AND APPLAUSE )
♪ ♪ ♪
378
00:23:44,055 --> 00:23:58,937
♪ ♪ ♪
♪ ♪ ♪
379
00:23:59,004 --> 00:24:00,472
♪ ♪ ♪
♪ ♪ ♪
380
00:24:00,539 --> 00:24:02,040
( CHEERS AND APPLAUSE )
>> ♪ SMOOTH LIKE
381
00:24:02,107 --> 00:24:07,379
BUTTER LIKE A
♪ CRIMINAL UNDER COVER GON'
382
00:24:07,445 --> 00:24:11,383
POP LIKE TROUBLE BREAKIN'
♪ INTO YOUR HEART LIKE THAT
383
00:24:11,449 --> 00:24:15,854
COOL SHADE STUNNER YEAH I
♪ OWE IT ALL TO MY MOTHER
384
00:24:15,921 --> 00:24:19,324
HOT LIKE SUMMER YEAH I'M
♪ MAKING YOU SWEAT LIKE THAT
385
00:24:19,391 --> 00:24:22,894
>> ♪ BREAK IT DOWN
OH WHEN I LOOK IN THE MIRROR
386
00:24:22,961 --> 00:24:27,332
♪ I'LL MELT YOUR HEART INTO TWO
I GOT THAT SUPERSTAR GLOW, SO
387
00:24:27,399 --> 00:24:29,100
>> ♪ OHH
DO THE BOOGIE, LIKE
388
00:24:29,167 --> 00:24:34,072
♪ SIDE STEP RIGHT
LEFT TO MY BEAT
389
00:24:34,139 --> 00:24:37,976
♪ HIGH LIKE THE MOON
ROCK WITH ME BABY
390
00:24:38,043 --> 00:24:39,544
♪ KNOW THAT I GOT
THAT HEAT LET ME
391
00:24:39,611 --> 00:24:45,884
♪ SHOW YOU 'CAUSE TALK IS CHEAP
SIDE STEP RIGHT LEFT TO MY
392
00:24:45,951 --> 00:24:47,352
♪ BEAT GET IT LET IT ROLL
SMOOTH LIKE BUTTER
393
00:24:47,419 --> 00:24:51,323
♪ PULL YOU IN LIKE
NO OTHER DON'T
394
00:24:51,389 --> 00:24:55,327
♪ NEED NO USHER TO
REMIND ME YOU GOT IT BAD
395
00:24:55,393 --> 00:24:59,331
♪ AIN'T NO OTHER THAT CAN
SWEEP YOU UP LIKE A ROBBER
396
00:24:59,397 --> 00:25:04,436
>> ♪ STRAIGHT UP I
GOT YA
397
00:25:04,502 --> 00:25:05,203
♪ MAKING YOU FALL LIKE THAT
BREAK IT DOWN
398
00:25:05,270 --> 00:25:06,471
>> ♪ OH WHEN I LOOK IN THE
MIRROR
399
00:25:06,538 --> 00:25:09,708
♪ I'LL MELT YOUR HEART INTO TWO
♪ I GOT THAT SUPERSTAR GLOW, SO
400
00:25:09,774 --> 00:25:12,677
OHH
♪ DO THE BOOGIE, LIKE
401
00:25:12,744 --> 00:25:15,680
♪ SIDE STEP RIGHT LEFT TO MY
BEAT
402
00:25:15,747 --> 00:25:20,819
♪ HIGH LIKE THE MOON ROCK WITH
ME BABY
403
00:25:20,886 --> 00:25:22,187
♪ KNOW THAT I GOT THAT HEAT LET
ME
404
00:25:22,254 --> 00:25:28,326
♪ SHOW YOU 'CAUSE TALK IS CHEAP
SIDE STEP RIGHT LEFT TO MY
405
00:25:28,393 --> 00:25:35,467
♪ BEAT GET IT LET IT ROLL
♪ ♪ ♪
406
00:25:35,533 --> 00:25:43,975
( CHEERS AND APPLAUSE )
♪ ♪ ♪
407
00:25:44,042 --> 00:25:51,983
♪ ♪ ♪
♪ ♪ ♪
408
00:25:52,050 --> 00:25:59,457
♪ ♪ ♪
♪ ♪ ♪
409
00:25:59,524 --> 00:26:08,133
♪ ♪ ♪
♪ ♪ ♪
410
00:26:08,199 --> 00:26:16,041
♪ ♪ ♪
♪ ♪ ♪
411
00:26:16,107 --> 00:26:23,515
( CHEERS AND APPLAUSE )
♪ ♪ ♪
412
00:26:23,581 --> 00:26:29,354
♪ ♪ ♪
>> ♪ GET IT LET IT ROLL
413
00:26:29,421 --> 00:26:31,122
♪ NO ICE ON MY WRIST
I'M THAT NICE GUY
414
00:26:31,189 --> 00:26:32,457
♪ GOT THAT RIGHT BODY
AND THAT RIGHT MIND
415
00:26:32,524 --> 00:26:34,859
♪ ROLLIN' UP TO PARTY
GOT THE RIGHT VIBE
416
00:26:34,926 --> 00:26:36,995
♪ SMOOTH LIKE BUTTER
HATE US
417
00:26:37,062 --> 00:26:38,697
♪ LOVE US
>> ♪ FRESH, BOY PULL UP
418
00:26:38,763 --> 00:26:40,031
AND WE LAY LOW
♪ ALL THE PLAYAS GET MOVIN'
419
00:26:40,098 --> 00:26:41,766
WHEN THE BASS LOW
♪ GOT ARMY RIGHT BEHIND US
420
00:26:41,833 --> 00:26:45,337
WHEN WE SAY SO
♪ OOH LET'S GO
421
00:26:45,403 --> 00:26:48,039
♪ SIDE STEP RIGHT
LEFT TO MY BEAT
422
00:26:48,106 --> 00:26:52,043
♪ HEART BEAT
HIGH LIKE THE MOON
423
00:26:52,110 --> 00:26:55,480
♪ ROCK WITH ME BABY
>> ♪ KNOW THAT I GOT THAT HEAT
424
00:26:55,547 --> 00:26:57,916
LET ME
♪ SHOW YOU 'CAUSE TALK IS CHEAP
425
00:26:57,983 --> 00:26:59,517
YOU KNOW THAT TALK IS CHEAP
♪ SIDE STEP RIGHT
426
00:26:59,584 --> 00:27:03,355
LEFT TO MY BEAT
GET IT LET IT ROLL
427
00:27:03,421 --> 00:27:05,590
♪ SMOOTH LIKE BUTTER
COOL SHADE STUNNER
428
00:27:05,657 --> 00:27:08,193
♪ AND YOU KNOW WE DON'T STOP
HOT LIKE SUMMER
429
00:27:08,259 --> 00:27:10,962
♪ AIN'T NO BUMMER
YOU'LL BE LIKE "OH MY GOD"
430
00:27:11,029 --> 00:27:13,665
♪ WE GON' MAKE YOU ROCK, AND YOU
SAY YEAH
431
00:27:13,732 --> 00:27:16,101
♪ WE GON' MAKE YOU BOUNCE, AND
YOU SAY YEAH
432
00:27:16,167 --> 00:27:17,602
♪ HOTTER? SWEETER! COOLER?
433
00:27:17,669 --> 00:27:20,105
BUTTER!
434
00:27:20,171 --> 00:27:35,053
♪ GET IT LET IT ROLL ♪
( CHEERS AND APPLAUSE )
435
00:27:35,120 --> 00:27:37,889
♪ GET IT LET IT ROLL ♪
( CHEERS AND APPLAUSE )
436
00:27:37,956 --> 00:27:38,890
>> Trevor: ARE YOU KIDDING ME?
437
00:27:38,957 --> 00:27:41,326
WHAT WAS THAT?
438
00:27:41,393 --> 00:27:41,926
BTS, EVERYBODY!
439
00:27:41,993 --> 00:27:42,961
OH MAN!
440
00:27:43,028 --> 00:27:55,173
ALL RIGHT, IT'S TIME FOR US TO
TAKE A QUICK BREAK.
441
00:27:55,240 --> 00:27:58,343
NOMINATED IN THE 86 DIFFERENT
GRAMMY CATEGORIES THIS YEAR.
442
00:27:58,410 --> 00:28:04,949
AROUND THE WORLD, NOMINATED
AGAIN THIS YEAR FOR BEST
443
00:28:05,016 --> 00:28:08,686
TROPICAL LATIN ALBUM: AYMÉE
NUVIOLA!
444
00:28:08,753 --> 00:28:10,188
WE'LL BE RIGHT BACK.
445
00:28:10,255 --> 00:28:20,698
( CHEERS AND APPLAUSE )
♪ ♪ ♪
446
00:28:20,765 --> 00:28:28,173
♪ ♪ ♪
( SINGING IN SPANISH )
447
00:28:28,239 --> 00:28:34,179
♪ ♪ ♪
♪ ♪ ♪
448
00:28:34,245 --> 00:28:44,689
( SINGING IN SPANISH )
♪ ♪ ♪
449
00:28:44,756 --> 00:28:48,693
♪ ♪ ♪
( SINGING IN SPANISH )
450
00:28:48,760 --> 00:28:50,528
♪ ♪ ♪
451
00:29:01,473 --> 00:29:08,947
♪ ♪ ♪
( SINGING IN SPANISH )
452
00:29:09,013 --> 00:29:17,455
♪ ♪ ♪
♪ ♪ ♪
453
00:29:17,522 --> 00:29:25,463
( SINGING IN SPANISH )
♪ ♪ ♪
454
00:29:25,530 --> 00:29:32,971
♪ ♪ ♪
( SINGING IN SPANISH )
455
00:29:33,037 --> 00:29:44,149
♪ ♪ ♪
( CHEERS AND APPLAUSE )
456
00:29:44,215 --> 00:29:46,284
>> Trevor: AYMÉE NUVIOLA,
EVERYBODY!
457
00:29:46,351 --> 00:29:47,318
AMAZING.
458
00:29:47,385 --> 00:29:51,222
YOU CAN SEE THE FULL
PERFORMANCES FROM OUR ROOFTOP
459
00:29:51,289 --> 00:29:54,592
ONLINE AFTER THE SHOW.
460
00:29:54,659 --> 00:29:56,728
ALL RIGHT, IT'S TIME FOR SOME
MUSIC DOWN HERE.
461
00:29:56,794 --> 00:30:03,168
OUR NEXT PERFORMER HAS FIVE
HE RAPS, HE SINGS, HE UPSETS
462
00:30:03,234 --> 00:30:08,139
YOUR HOMOPHOBIC UNCLE.
463
00:30:08,206 --> 00:30:11,676
JOINED BY JACK HARLOW, GIVE IT
UP FOR LIL NAS X!
464
00:30:11,743 --> 00:30:23,721
( CHEERS AND APPLAUSE )
♪ ♪ ♪
465
00:30:23,788 --> 00:30:31,095
♪ ♪ ♪
♪ ♪ ♪
466
00:30:31,162 --> 00:30:33,865
2018, I WAS AT MY SISTER HOUSE
♪ THE WHOLE SUMMER
467
00:30:33,932 --> 00:30:36,301
SONGS WASN'T DOIN' NUMBERS
♪ WHOLE LIFE WAS GOIN' UNDER
468
00:30:36,367 --> 00:30:39,904
LEFT SCHOOL, THEN MY DAD AND I
♪ HAD A FACE-TO-FACE IN ATLANTA
469
00:30:39,971 --> 00:30:41,673
HE SAID, "IT'S ONE IN A MILLION
♪ CHANCE, SON"
470
00:30:41,739 --> 00:30:44,142
I TOLD HIM, "DADDY, I AM
♪ THAT ONE," UH, UH
471
00:30:44,209 --> 00:30:47,679
I AIN'T NEVER NEED HIM, HUH
♪ I AIN'T NEVER NEED NO
472
00:30:47,745 --> 00:30:49,314
I AIN'T NEVER NEED NO FEATURE
♪ IF I DIDN'T BLOW
473
00:30:49,380 --> 00:30:50,915
I WOULD'VE DIED
♪ TRYNA BE HERE
474
00:30:50,982 --> 00:30:52,250
IF IT DIDN'T GO
♪ SUICIDE, WOULDN'T BE HERE
475
00:30:52,317 --> 00:30:53,718
NOW THEY ALL COME AROUND
♪ LIKE THEY'VE BEEN HERE
476
00:30:53,785 --> 00:30:56,254
WHEN YOU GET THIS
♪ RICH AND FAMOUS, EVERYBODY
477
00:30:56,321 --> 00:30:59,724
COME UP TO YOU SINGIN'
♪ HALLELUJAH
478
00:30:59,791 --> 00:31:05,763
HOW'D YOU DO IT
♪ HALLELUJAH
479
00:31:05,830 --> 00:31:16,107
HOW'D YOU DO IT
♪ HOW'D YOU DO IT
480
00:31:16,174 --> 00:31:20,211
YEAH ♪
♪ ♪ ♪
481
00:31:20,278 --> 00:31:28,219
( CHEERS AND APPLAUSE )
♪ ♪ ♪
482
00:31:28,286 --> 00:31:36,327
♪ ♪ ♪
>> CAUSED QUITE THE REACTION
483
00:31:36,394 --> 00:31:40,098
♪ ♪ ♪
♪ DRINKIN' WITH YOUR FRIENDS
484
00:31:40,164 --> 00:31:43,868
YOU LIVE IN THE DARK, BOY
♪ I CANNOT PRETEND
485
00:31:43,935 --> 00:31:46,671
I'M NOT PHASED
♪ ONLY HERE TO SIN
486
00:31:46,738 --> 00:31:49,374
IF EVE AIN'T IN YOUR GARDEN
♪ YOU KNOW THAT YOU CAN
487
00:31:49,440 --> 00:31:52,176
CALL ME WHEN YOU WANT
♪ CALL ME WHEN YOU NEED
488
00:31:52,243 --> 00:31:53,945
CALL ME IN THE MORNING
♪ I'LL BE ON THE WAY
489
00:31:54,012 --> 00:31:57,615
CALL ME WHEN YOU WANT
♪ CALL ME WHEN YOU NEED
490
00:31:57,682 --> 00:32:01,452
CALL ME OUT BY YOUR NAME
♪ I'LL BE ON THE WAY LIKE
491
00:32:01,519 --> 00:32:04,756
CALL ME BY YOUR NAME
♪ TELL ME YOU LOVED ME
492
00:32:04,822 --> 00:32:09,127
IN PRIVATE
♪ CALL ME BY YOUR NAME
493
00:32:09,193 --> 00:32:16,834
I DO NOT CARE IF YOU LYIN' ♪
♪ ♪ ♪
494
00:32:16,901 --> 00:32:24,709
♪ ♪ ♪
♪ ♪ ♪
495
00:32:24,776 --> 00:32:30,715
♪ ♪ ♪
♪ ♪ ♪
496
00:32:30,782 --> 00:32:36,721
HE THE NUMBER ONE SONG ON THE
BILLBOARD 100.
497
00:32:36,788 --> 00:32:42,694
♪ ♪ ♪
( CHEERS AND APPLAUSE )
498
00:32:42,760 --> 00:32:45,263
♪ BABY BACK, AYY
COUPLE RACKS, AYY
499
00:32:45,330 --> 00:32:48,700
♪ COUPLE GRAMMYS ON HIM
COUPLE PLAQUES, AYY
500
00:32:48,766 --> 00:32:52,770
♪ THAT'S A FACT, AYY
THROW IT BACK, AYY
501
00:32:52,837 --> 00:32:54,706
♪ THROW IT BACK, AYY
AND THIS ONE IS FOR
502
00:32:54,772 --> 00:32:59,644
♪ THE CHAMPIONS
I AIN'T LOST SINCE I BEGAN
503
00:32:59,711 --> 00:33:03,181
♪ FUNNY HOW YOU SAID
IT WAS THE END
504
00:33:03,247 --> 00:33:12,557
♪ YEAH THEN I WENT
DID IT AGAIN
505
00:33:12,623 --> 00:33:15,693
( CHEERS AND APPLAUSE )
♪ I TOLD YOU LONG AGO
506
00:33:15,760 --> 00:33:21,232
ON THE ROAD
♪ I GOT WHAT THEY WAITIN' FOR
507
00:33:21,299 --> 00:33:24,769
♪ I DON'T RUN FROM NOTHIN'
DOG GET YOUR SOLDIERS
508
00:33:24,836 --> 00:33:28,773
♪ TELL 'EM I AIN'T LAYIN' LOW
♪ YOU WAS NEVER REALLY ROOTIN'
509
00:33:28,840 --> 00:33:30,775
FOR ME ANYWAY
WHEN I'M BACK UP AT THE TOP
510
00:33:30,842 --> 00:33:35,079
♪ I WANNA HEAR YOU SAY
♪ HE DON'T RUN FROM NOTHIN'
511
00:33:35,146 --> 00:33:36,814
DOG GET YOUR SOLDIERS
♪ TELL 'EM THAT THE BREAK IS
512
00:33:36,881 --> 00:33:41,719
OVER, YEAH ♪
♪ MY TRACK RECORD SO CLEAN
513
00:33:41,786 --> 00:33:44,088
THEY COULDN'T WAIT TO
♪ JUST BASH ME
514
00:33:44,155 --> 00:33:45,690
I MUST BE GETTIN' TOO FLASHY
♪ Y'ALL SHOULDN'T HAVE
515
00:33:45,757 --> 00:33:47,692
LET THE WORLD GAS ME, WOO
♪ IT'S TOO LATE 'CAUSE I'M
516
00:33:47,759 --> 00:33:49,026
HERE TO STAY
♪ AND THESE GIRLS KNOW THAT
517
00:33:49,093 --> 00:33:53,231
I'M NASTY, MM
♪ I SENT HER BACK TO HER
518
00:33:53,297 --> 00:33:56,200
BOYFRIEND WITH MY HAND PRINT
CITY TALKIN, WE TAKIN' NOTES
519
00:33:56,267 --> 00:33:57,268
♪ TELL 'EM ALL TO KEEP
MAKIN' POSTS
520
00:33:57,335 --> 00:34:00,405
♪ WISH HE COULD
BUT HE CAN'T GET CLOSE
521
00:34:00,471 --> 00:34:01,439
♪ O.G. SO PROUD OF ME THAT
HE CHOKIN' UP WHILE HE
522
00:34:01,506 --> 00:34:03,307
♪ MAKIN' TOASTS
I'M THE TYPE THAT
523
00:34:03,374 --> 00:34:05,309
♪ YOU CAN'T CONTROL
SAID I WOULD THEN
524
00:34:05,376 --> 00:34:12,850
♪ I MADE IT, SO
♪ ♪ ♪
525
00:34:12,917 --> 00:34:20,158
♪ ♪ ♪
♪ ♪ ♪
526
00:34:20,224 --> 00:34:27,999
♪ ♪ ♪
♪ ♪ ♪
527
00:34:28,065 --> 00:34:30,134
♪ ♪ ♪
YOU WAS NEVER REALLY
528
00:34:30,201 --> 00:34:31,702
♪ ROOTIN' FOR ME ANYWAY
LIKE, OOH-OOH
529
00:34:31,769 --> 00:34:33,504
♪ WHEN I'M BACK UP AT THE TOP
I WANNA HEAR YOU SAY
530
00:34:33,571 --> 00:34:34,972
HE DON'T RUN FROM NOTHIN'
♪ DOG GET YOUR SOLDIERS
531
00:34:35,039 --> 00:34:38,509
TELL 'EM THAT THE BREAK IS
♪ OVER
532
00:34:38,576 --> 00:34:43,681
♪ ♪ ♪
♪ YEAH
533
00:34:43,748 --> 00:34:50,788
♪ ♪ ♪
I'M THE INDUSTRY BABY, MMM
534
00:34:50,855 --> 00:35:05,736
♪ I'M THE INDUSTRY BABY, YEAH ♪
( CHEERS AND APPLAUSE )
535
00:35:05,803 --> 00:35:12,844
♪ I'M THE INDUSTRY BABY, YEAH ♪
( CHEERS AND APPLAUSE )
536
00:35:12,910 --> 00:35:15,179
( CHEERS AND APPLAUSE )
>> Announcer: SEE HOW THE NEW
537
00:35:15,246 --> 00:35:18,783
RECORDING ACADEMY CELEBRATES
THE BEST IN MUSIC YEAR-ROUND.
538
00:35:18,850 --> 00:35:22,220
GO BEHIND THE VOTE AT
www.recordingacademy.com
539
00:35:22,286 --> 00:35:25,790
UP NEXT: KELSEA BALLERINI AND
ANTHONY MACKIE PRESENT THE
540
00:35:25,857 --> 00:35:29,260
GRAMMY FOR BEST COUNTRY ALBUM;
THEN PERFORMANCES FROM BILLIE
541
00:35:29,327 --> 00:35:34,131
EILISH, BRANDI CARLILE, CHRIS
STAPLETON.
542
00:35:34,198 --> 00:35:36,834
AND LATER, H.E.R. WITH JAM AND
LEWIS, AND TRAVIS BARKER.
543
00:35:36,901 --> 00:35:37,768
THE GRAMMY AWARDS.
544
00:35:37,835 --> 00:35:38,636
THIS IS CBS.
545
00:35:51,582 --> 00:35:52,650
♪ ♪ ♪
>> Announcer: TO PRESENT THE
546
00:35:52,717 --> 00:35:54,852
GRAMMY FOR BEST COUNTRY
ALBUM, HERE ARE THE HOSTS OF THE
547
00:35:54,919 --> 00:36:01,025
C.M.T. MUSIC AWARDS AIRING APRIL
11 ON CBS: KELSEA BALLERINI AND
548
00:36:01,092 --> 00:36:02,360
ANTHONY MACKIE.
549
00:36:02,426 --> 00:36:07,131
( CHEERS AND APPLAUSE )
>> THIS YEAR'S IMPRESSIVE GRAMMY
550
00:36:07,198 --> 00:36:13,137
NOMINATIONS FOR BEST COUNTRY
ALBUM REPRESENT THE EXCELLENCE,
551
00:36:13,204 --> 00:36:16,841
AMBITION AND RANGE OF COUNTRY
MUSIC TODAY.
552
00:36:16,908 --> 00:36:21,546
EACH OF THESE ARTISTS HAS MADE A
CONTRIBUTION TO A MUSICAL GENRE
553
00:36:21,612 --> 00:36:25,116
ANTHONY AND I BOTH LOVE.
554
00:36:25,182 --> 00:36:28,352
>> THESE ARTISTS ALL DISPLAYED
TREMENDOUS TALENT AND THE
555
00:36:28,419 --> 00:36:33,558
STRENGTH TO STAY TRUE TO THEIR
OWN SOUNDS AND VISIONS.
556
00:36:33,624 --> 00:36:37,128
SO, THESE ARE THE IMPRESSIVE
GRAMMY NOMINEES FOR BEST COUNTRY
557
00:36:37,194 --> 00:36:41,499
ALBUM.
558
00:36:47,305 --> 00:36:53,544
>> Announcer: BEST COUNTRY
ALBUM.
559
00:36:53,611 --> 00:37:01,185
"SKELETONS," BROTHERS OSBORNE.
560
00:37:01,252 --> 00:37:09,627
"REMEMBER HER NAME," MICKEY
GUYTON.
561
00:37:09,694 --> 00:37:13,497
"THE MARFA TAPES," MIRANDA
LAMBERT, JON RANDALL, AND JACK
562
00:37:13,564 --> 00:37:21,606
INGRAM.
563
00:37:21,672 --> 00:37:33,618
"THE BALLAD OF DOOD AND
JUANITA," STURGILL SIMPSON.
564
00:37:33,684 --> 00:37:48,566
"STARTING OVER," CHRIS
STAPLETON.
565
00:37:48,633 --> 00:37:53,604
"STARTING OVER," CHRIS
STAPLETON.
566
00:37:53,671 --> 00:38:05,683
>> AND THE GRAMMY GOES TO:
"STARTING OVER," CHRIS
567
00:38:05,750 --> 00:38:13,624
STAPLETON.
568
00:38:13,691 --> 00:38:28,572
( CHEERS AND APPLAUSE )
>> I AM SITTING HERE, TALKING
569
00:38:28,639 --> 00:38:29,874
( CHEERS AND APPLAUSE )
>> I AM SITTING HERE, TALKING
570
00:38:29,940 --> 00:38:35,846
TO-- DAD ABOUT MUSIC AND NOW HE
SAID HAVE I BEEN WORKING FOR 31
571
00:38:35,913 --> 00:38:41,085
YEARS S THAT RIGHT.
572
00:38:41,152 --> 00:38:45,089
I AM ABOUT FIVE AND TODAY IS MY
TWIN'S BIRTHDAY.
573
00:38:45,156 --> 00:38:52,229
THANK YOU.
574
00:38:52,296 --> 00:38:56,734
SO I THINK A LOT, I'M THINKING A
LOT ABOUT SACRIFICE CUZ I MISSED
575
00:38:56,801 --> 00:38:59,236
OUT ON SOME OF THE BIRTHDAYS.
576
00:38:59,303 --> 00:39:02,907
EVERYBODY IN THIS ROOM HAS MADE
SOME KIND OF A SACRIFICE TO BE
577
00:39:02,973 --> 00:39:04,308
UP HERE DOING THIS.
578
00:39:04,375 --> 00:39:10,314
AND I DON'T KNOW WHAT ST FOR
EVERYBODY BUT I KNOW THAT IT
579
00:39:10,381 --> 00:39:11,649
HURTS SOMETIMES.
580
00:39:11,716 --> 00:39:14,552
BUT HOPEFULLY WE'RE ALL DOING IT
SO WE MAKE THE WORLD A BETTER
581
00:39:14,618 --> 00:39:17,722
PLACE AND THE PEOPLE THAT LIVE
IN IT WILL LOVE EACH OTHER AND
582
00:39:17,788 --> 00:39:20,391
HAVE A GOOD TIME TOGETHER AND
COME TOGETHER.
583
00:39:20,458 --> 00:39:24,228
SO THANK YOU SO MUCH FOR THIS
AWARD.
584
00:39:24,295 --> 00:39:25,429
STAY KIND.
585
00:39:25,496 --> 00:39:29,500
I JUST WANT TO THANK GOD, MY
FAMILY, JOE, LYDIA, MY PARENTS,
586
00:39:29,567 --> 00:39:33,471
THANK YOU ALL.
587
00:39:33,537 --> 00:39:34,638
(APPLAUSE).
588
00:39:34,705 --> 00:39:39,009
>> Trevor: CONGRATULATIONS
CHRIS STAPLETON, DON'T FORGET IS
589
00:39:39,076 --> 00:39:40,678
HE PERFORMING LATER IN THE SHOW,
MAKE SURE YOU DON'T MISS THAT.
590
00:39:40,745 --> 00:39:42,747
LOOK,
LOOK, PEOPLE, I DON'T HAVE TO
591
00:39:42,813 --> 00:39:44,682
TELL YOU THE PANDEMIC HAS BEEN
HARD ON EVERYBODY.
592
00:39:44,749 --> 00:39:46,417
YOU KNOW IT'S ROUGH WHEN YOUR
FAVORITE ARTISTS GO FROM TRYING
593
00:39:46,484 --> 00:39:48,219
TO SELL YOU MUSIC TO TRYING TO
SELL YOU PICTURES OF DIGITAL
594
00:39:48,285 --> 00:39:49,453
MONKEYS.
595
00:39:49,520 --> 00:39:51,355
TONIGHT, WE'RE GOING TO PUT THE
GRAMMY SPOTLIGHT ON THE BEHIND
596
00:39:51,422 --> 00:39:55,593
THE SCENES WORKERS WHO MAKE LIVE
MUSIC SO SPECIAL.
597
00:39:55,659 --> 00:39:58,362
I'M TALKING ABOUT THE TOURING
TEAMS AND STAGE CREWS YOU CHEER
598
00:39:58,429 --> 00:40:00,798
FOR BY ACCIDENT BECAUSE YOU
THINK IT'S THE BAND TAKING THE
599
00:40:00,865 --> 00:40:02,066
STAGE.
600
00:40:02,133 --> 00:40:04,935
WELL, TONIGHT WE'RE GOING TO MIX
THINGS UP AND CHEER FOR THEM ON
601
00:40:05,002 --> 00:40:07,905
PURPOSE BECAUSE AFTER TWO YEARS
OF CANCELLED AND POSTPONED
602
00:40:07,972 --> 00:40:10,441
TOURS, NOBODY DESERVES THE
SPOTLIGHT MORE THAN THE PEOPLE
603
00:40:10,508 --> 00:40:14,745
WHO ACTUALLY PUT UP THAT
SPOTLIGHT.
604
00:40:14,812 --> 00:40:16,814
( CHEERS AND APPLAUSE )
SO, WE'RE CELEBRATING THOSE
605
00:40:16,881 --> 00:40:19,884
WHO'VE DONE SO MUCH TO GET LIVE
MUSIC BACK ON OUR STAGES AND
606
00:40:19,950 --> 00:40:25,890
BACK INTO OUR LIVES, AND WE'VE
ASKED THEM TO INTRODUCE ARTISTS
607
00:40:25,956 --> 00:40:29,360
WITH WHOM THEY WORK.
608
00:40:29,426 --> 00:40:30,795
TO INTRODUCE HER TONIGHT, PLEASE
WELCOME THE PRODUCTION MANAGER
609
00:40:30,861 --> 00:40:33,998
WHO IS RESPONSIBLE FOR
ORGANIZING ALL HER MEGA-TOURS
610
00:40:34,064 --> 00:40:37,868
AND SHOWS ALL OVER THE WORLD:
NICOLE MASSEY.
611
00:40:37,935 --> 00:40:51,515
( CHEERS AND APPLAUSE )
>> GOOD EVENING, EVERYBODY.
612
00:40:51,582 --> 00:40:52,817
WOW.
613
00:40:52,883 --> 00:40:54,385
I DON'T USUALLY GET INTRODUCED
BY TREVOR NOAH, BUT I FEEL VERY
614
00:40:54,451 --> 00:40:58,322
HONORED.
615
00:40:58,389 --> 00:41:04,328
I JUST RAN OVER HERE FROM MY DAY
JOB, DOING WHATEVER IT TAKES TO
616
00:41:04,395 --> 00:41:05,896
SUPPORT THIS NEXT AMAZING YOUNG
ARTIST'S PRODUCTION AND OUR
617
00:41:05,963 --> 00:41:08,799
TOURING CREW AROUND THE WORLD.
618
00:41:08,866 --> 00:41:10,568
I'VE BEEN ON THE ROAD FOR 23
YEARS NOW WITH EVERYONE FROM
619
00:41:10,634 --> 00:41:17,842
BETTE MIDLER TO BACKSTREET BOYS,
ROD STEWART TO COLDPLAY.
620
00:41:17,908 --> 00:41:19,043
I BECAME PRODUCTION MANAGER FOR
THIS NEXT INCREDIBLE YOUNG
621
00:41:19,109 --> 00:41:25,316
ARTIST, CONTINUING TO PAVE THE
WAY FOR THE NEXT GENERATION OF
622
00:41:25,382 --> 00:41:26,250
WOMEN IN TOURING.
623
00:41:26,317 --> 00:41:29,019
I LOVE MY JOB AND OUR WHOLE
TOURING FAMILY.
624
00:41:29,086 --> 00:41:32,156
HI GUYS.
625
00:41:32,223 --> 00:41:36,493
SOME OF WHOM WERE VERY
GENEROUSLY ASSISTED DURING THE
626
00:41:36,560 --> 00:41:39,964
PANDEMIC BY
I COULD NOT BE MORE PROUD TO
627
00:41:40,030 --> 00:41:43,667
INTRODUCE AN ARTIST WHO SPEAKS
SO POWERFULLY TO YOUNG WOMEN AND
628
00:41:43,734 --> 00:41:45,302
THE BEST 20-YEAR-OLD
BOSS IN THE WORLD, BILLIE
629
00:41:45,369 --> 00:41:47,671
EILISH!
630
00:41:47,738 --> 00:41:56,180
( CHEERS AND APPLAUSE )
>> ♪ WHEN I'M AWAY FROM YOU
631
00:41:56,247 --> 00:42:04,154
I'M HAPPIER THAN EVER
♪ WISH I COULD EXPLAIN IT
632
00:42:04,221 --> 00:42:11,161
BETTER
♪ I WISH IT WASN'T
633
00:42:11,228 --> 00:42:20,571
TRUE
♪ GIVE ME A DAY OR TWO
634
00:42:20,638 --> 00:42:26,577
TO THINK OF SOMETHING
♪ CLEVER
635
00:42:26,644 --> 00:42:30,981
TO WRITE MYSELF A
♪ LETTER
636
00:42:31,048 --> 00:42:44,595
TO TELL ME WHAT TO DO
♪ DO YOU
637
00:42:44,662 --> 00:42:46,997
READ MY INTERVIEWS?
638
00:42:47,064 --> 00:42:51,001
♪ OR DO
YOU SKIP MY AVENUE?
639
00:42:51,068 --> 00:42:56,573
♪ WHEN YOU
SAID YOU WERE PASSIN' THROUGH
640
00:42:56,640 --> 00:43:02,646
♪ WAS I EVEN ON YOUR WAY?
641
00:43:02,713 --> 00:43:07,051
I KNEW
♪ WHEN I ASKED YOU TO
642
00:43:07,117 --> 00:43:11,055
♪ BE COOL ABOUT WHAT I WAS
TELLIN' YOU
643
00:43:11,121 --> 00:43:15,059
♪ YOU'D DO THE OPPOSITE OF WHAT
YOU SAID YOU'D DO
644
00:43:15,125 --> 00:43:23,067
♪ AND I'D END UP MORE AFRAID
DON'T SAY IT ISN'T FAIR
645
00:43:23,133 --> 00:43:26,637
♪ YOU CLEARLY WEREN'T AWARE
THAT YOU MADE ME
646
00:43:26,704 --> 00:43:38,649
♪ MISERABLE
SO, IF YOU REALLY WANNA KNOW
647
00:43:38,716 --> 00:43:50,060
♪ WHEN I'M AWAY FROM YOU
I'M HAPPIER THAN EVER
648
00:43:50,127 --> 00:43:55,065
♪ WISH I COULD EXPLAIN IT
BETTER
649
00:43:55,132 --> 00:44:08,712
♪ I WISH IT WASN'T TRUE
♪ ♪ ♪
650
00:44:08,779 --> 00:44:16,887
( CHEERS AND APPLAUSE )
♪ ♪ ♪
651
00:44:16,954 --> 00:44:19,556
♪ ♪ ♪
♪ YOU CALL ME AGAIN
652
00:44:19,623 --> 00:44:23,627
DRUNK IN YOUR BENZ
♪ DRIVIN' HOME UNDER THE
653
00:44:23,694 --> 00:44:29,733
INFLUENCE
♪ YOU SCARED ME TO DEATH
654
00:44:29,800 --> 00:44:35,105
BUT I'M WASTIN' MY BREATH
♪ 'CAUSE YOU ONLY LISTEN TO
655
00:44:35,172 --> 00:44:38,709
YOUR
♪ I DON'T RELATE TO YOU
656
00:44:38,776 --> 00:44:43,647
I DON'T RELATE TO YOU, NO
♪ 'CAUSE I'D NEVER TREAT ME
657
00:44:43,714 --> 00:44:50,721
THIS--
YOU MADE ME HATE THIS CITY
658
00:44:50,788 --> 00:44:55,225
♪ AND I DON'T TALK--
ABOUT YOU ON THE INTERNET
659
00:44:55,292 --> 00:44:59,229
♪ NEVER TOLD ANYONE
ANYTHING BAD
660
00:44:59,296 --> 00:45:05,135
♪ 'CAUSE THAT'S-- EMBARRASSING
♪ YOU WERE MY EVERYTHING
661
00:45:05,202 --> 00:45:10,641
AND ALL THAT YOU DID WAS
MAKE ME-- SAD
662
00:45:10,707 --> 00:45:14,812
♪ SO DON'T WASTE THE TIME
I DON'T HAVE
663
00:45:14,878 --> 00:45:19,183
♪ AND DON'T TRY TO MAKE ME
FEEL BAD
664
00:45:19,249 --> 00:45:23,187
♪ I COULD TALK ABOUT EVERY TIME
THAT YOU SHOWED UP ON TIME
665
00:45:23,253 --> 00:45:26,790
♪ BUT I'D HAVE AN EMPTY LINE
'CAUSE YOU NEVER DID
666
00:45:26,857 --> 00:45:31,195
♪ NEVER PAID ANY MIND TO MY
MOTHER OR FRIENDS, SO I
667
00:45:31,261 --> 00:45:38,802
♪ SHUT 'EM ALL OUT FOR YOU
'CAUSE I WAS A KID
668
00:45:38,869 --> 00:45:43,173
♪ YOU RUINED EVERYTHING GOOD
ALWAYS SAID YOU WERE
669
00:45:43,240 --> 00:45:50,781
♪ MISUNDERSTOOD
MADE ALL MY MOMENTS YOUR OWN
670
00:45:50,848 --> 00:45:59,223
♪ JUST-- LEAVE ME ALONE
♪ ♪ ♪
671
00:45:59,289 --> 00:46:07,264
♪ ♪ ♪
( CHEERS AND APPLAUSE )
672
00:46:07,331 --> 00:46:11,268
♪ ♪ ♪
♪ ♪ ♪
673
00:46:11,335 --> 00:46:19,243
( CHEERS AND APPLAUSE )
♪ ♪ ♪
674
00:46:19,309 --> 00:46:23,247
♪ ♪ ♪
( CHEERS AND APPLAUSE )
675
00:46:23,313 --> 00:46:31,255
♪ ♪ ♪
♪ ♪ ♪
676
00:46:31,321 --> 00:46:43,267
♪ ♪ ♪
( CHEERS AND APPLAUSE )
677
00:46:43,333 --> 00:46:58,215
( CHEERS AND APPLAUSE )
>> UP NEXT: DUA LIPA AND MEGAN
678
00:46:58,282 --> 00:47:06,990
( CHEERS AND APPLAUSE )
>> UP NEXT: DUA LIPA AND MEGAN
679
00:47:07,057 --> 00:47:08,926
THEE STALLION PRESENT THE GRAMMY
FOR BEST NEW ARTIST.
680
00:47:08,992 --> 00:47:13,130
THEN, JONI MITCHELL AND BONNIE
RAITT INTRODUCE BRANDI CARLILE,
681
00:47:13,197 --> 00:47:15,332
AND HIP-HOP LEGEND NAS TAKES THE
GRAMMY STAGE.
682
00:47:15,399 --> 00:47:18,669
THIS IS THE GRAMMYS ON CBS.
683
00:47:21,538 --> 00:47:24,174
>> Announcer: BEHIND EVERY
GRAMMY NOMINEE, LIVE SHOW, AND
684
00:47:24,241 --> 00:47:27,978
NEW ARTIST IS A COMMUNITY OF
PEOPLE MAKING IT ALL POSSIBLE.
685
00:47:28,045 --> 00:47:31,081
MUSICARES PROVIDES CRITICAL
HEALTH AND WELFARE SERVICES TO
686
00:47:31,148 --> 00:47:33,383
EVERYONE WORKING IN MUSIC.
687
00:47:33,450 --> 00:47:36,887
FOLLOW US TO LEARN HOW YOU CAN
HELP.
688
00:47:36,954 --> 00:47:40,490
THE 64th GRAMMY AWARDS IS
SPONSORED BY:
689
00:47:40,557 --> 00:47:48,098
NEUTROGENA HYDRO BOOST-- FOR
SKIN SO SUPPLE, IT BOUNCES BACK.
690
00:47:48,165 --> 00:47:49,266
>> Announcer: NEXT, BRANDI
CARLILE RETURNS TO THE GRAMMY
691
00:47:49,333 --> 00:47:51,301
STAGE.
692
00:47:51,368 --> 00:47:51,635
THIS IS CBS.
693
00:48:02,946 --> 00:48:04,848
>> Trevor: WE'RE BACK PEOPLE
AT THE GRAMMYS AND AS YOU CAN
694
00:48:04,915 --> 00:48:10,153
SEE I'M SEATED WITH SILK SONIC,
YES, MULTIPLE GRAMMY AWARD
695
00:48:10,220 --> 00:48:13,023
WINNER, TONIGHT AND ANDERSON YOU
JUST CRUSHED IT MAN, I MEAN ARE
696
00:48:13,090 --> 00:48:16,193
YOU SILK SONIC, YOU KNOW?
697
00:48:16,260 --> 00:48:18,862
>> YOU KNOW, ME AND BRUNO ARE
HAVING A GOOD TIME, MAN.
698
00:48:18,929 --> 00:48:20,397
YOU KNOW, WE WORK REALLY HARD.
699
00:48:20,464 --> 00:48:23,533
>> Trevor: WE DON'T TALK ABOUT
BRUNO, I'M TALKING ABOUT YOU
700
00:48:23,600 --> 00:48:24,668
RIGHT NOW.
701
00:48:24,735 --> 00:48:28,272
YOU BEEN KILLING IT, YOU HAVE
GOT THE DRUMS, YOU ARE THE
702
00:48:28,338 --> 00:48:30,540
RHYTHM, ARE YOU THE SILK AND THE
SONIC, DO YOU KNOW WHAT I MEAN?
703
00:48:30,607 --> 00:48:31,908
>> TO GOD BE THE GLORY.
704
00:48:31,975 --> 00:48:35,045
>> Trevor: I FEEL YOU, YOU
KNOW, I'VE BEEN READING THE
705
00:48:35,112 --> 00:48:37,681
REVIEWS FOR THE SHOWS IN VEGAS,
O FOR THOSE THAT DON'T KNOW,
706
00:48:37,748 --> 00:48:42,753
THESE TWO MEN HAVE BEEN
PERFORMING IN VEGAS, ANDERSON
707
00:48:42,819 --> 00:48:46,423
PAAK AK IS KILLING, THEY SAID
IF ONLY IT COULD BE BETTER IS
708
00:48:46,490 --> 00:48:49,059
MAYBE A SOUTH AFRICAN ELEMENT
INCORPORATED.
709
00:48:49,126 --> 00:48:50,260
>> IS THAT WHAT THEY ARE SAYING.
710
00:48:50,327 --> 00:48:53,530
>> Trevor: THAT IS WHAT THEY
ARE SAYING, THAT IS WHAT I HEAR,
711
00:48:53,597 --> 00:48:55,866
YOU HAVE BEEN ALL RIGHT TOO,
B
712
00:48:55,932 --> 00:49:01,204
>> Trevor: AND NOW, A CATEGORY
THAT CELEBRATES ARTISTS WHO YOUR
713
00:49:01,271 --> 00:49:04,408
GRANDMA WILL BE ASKING ABOUT IN
FIVE YEARS.
714
00:49:04,474 --> 00:49:09,346
PLEASE WELCOME TOGETHER TONIGHT
HERE IN THE M.G.M. GRAND GARDEN
715
00:49:09,413 --> 00:49:10,614
ARENA, THE 2019 AND 2021 GRAMMY
WINNERS FOR BEST NEW ARTIST: DUA
716
00:49:10,681 --> 00:49:15,352
LIPA AND MEGAN THEE STALLION.
717
00:49:23,627 --> 00:49:26,196
I WAS TOLD I HAD THE EXCLUSIVE,
I'M GOING TO HAVE TO HAVE A TALK
718
00:49:26,263 --> 00:49:27,364
WITH DONATELLA.
719
00:49:27,431 --> 00:49:33,303
>> YEAH, CUZ I THOUGHT I WAS.
720
00:49:33,370 --> 00:49:36,206
>> YEAH, OKAY.
721
00:49:36,273 --> 00:49:36,707
WHAT'S HAPPENING.
722
00:49:36,773 --> 00:49:40,944
YOU KNOW WHAT?
723
00:49:41,011 --> 00:49:46,817
LET'S DO THIS.
724
00:49:46,883 --> 00:49:49,152
NOW THANK YOU DONATELLA!
725
00:49:49,219 --> 00:49:51,521
NOW WE BOTH LOOK LIKE WINNERS!
726
00:49:51,588 --> 00:49:55,325
BUT MEGAN, WE KNOW THAT THIS
MOMENTS IS NOT ABOUT US.
727
00:49:55,392 --> 00:49:57,361
OR ABOUT OUR OUTFITS.
728
00:49:57,427 --> 00:50:00,797
IT IS ABOUT A TRULY SWEET GRAMMY
AWARD THAT WE KNOW LOOKS EVEN
729
00:50:00,864 --> 00:50:02,199
BETTER WHEN YOU TAKE IT HOME.
730
00:50:02,265 --> 00:50:10,507
THESE ARE THE VERY TALENTED
NOMINEES FOR BEST NEW ARTIST.
731
00:50:17,080 --> 00:50:21,385
>> Announcer: BEST NEW ARTIST.
732
00:50:21,451 --> 00:50:29,226
AROOJ AFTAB.
733
00:50:29,292 --> 00:50:33,497
JIMMIE ALLEN.
734
00:50:49,346 --> 00:51:01,291
♪ ♪ ♪
♪ ♪ ♪
735
00:51:01,358 --> 00:51:07,030
♪ ♪ ♪
♪ ♪ ♪
736
00:51:25,348 --> 00:51:26,149
♪ ♪ ♪
♪ ♪ ♪
737
00:51:53,910 --> 00:52:03,920
♪ ♪ ♪
>> AND THE GRAMMY GOES TO:
738
00:52:03,987 --> 00:52:12,395
OLIVIA RODRIGO.
739
00:52:12,462 --> 00:52:27,344
( CHEERS AND APPLAUSE )
>> OH MY GOD!
740
00:52:27,410 --> 00:52:30,780
( CHEERS AND APPLAUSE )
>> OH MY GOD!
741
00:52:30,847 --> 00:52:33,717
WHOA, GOD, THANK YOU SO MUCH TO
THE RECORDING ACADEMY, THIS IS
742
00:52:33,783 --> 00:52:36,286
MY BIGGEST DREAM COME TRUE.
743
00:52:36,353 --> 00:52:39,022
THANK YOU SO MUCH.
744
00:52:39,089 --> 00:52:43,527
THANK YOU TO EVERYONE AT INTENT
SCOPE ESPECIALLY JOHN FOR
745
00:52:43,593 --> 00:52:48,331
BELIEVING IN ME AND MY SONG
WRITING BEFORE EVERYTHING US AND
746
00:52:48,398 --> 00:52:52,002
TO STEVE BERMAN AND THE REST OF
MY AMAZING TEAM.
747
00:52:52,068 --> 00:52:56,806
THANK MY AMAZING PARENTSES AND
MY BEST FRIENDS IRIS, MADDIE AND
748
00:52:56,873 --> 00:52:59,743
CONAN, I LOVE YOU GUYS AND
THANKS TO DAN WHO MADE ALL OF MY
749
00:52:59,809 --> 00:53:04,014
MUSIC TO ME, DAN, YOU ARE THE
BEST FRIEND CORKS LAB RATER,
750
00:53:04,080 --> 00:53:07,551
PERSON I COULD EVER ASK FOR.
751
00:53:07,617 --> 00:53:08,351
SO THIS IS ALL BECAUSE OF YOU.
752
00:53:08,418 --> 00:53:12,355
THANK YOU.
753
00:53:12,422 --> 00:53:16,326
(APPLAUSE).
754
00:53:16,393 --> 00:53:20,297
>> Trevor: CONGRATULATIONS
OLIVIA RODRIGO, WELL DESERVED.
755
00:53:20,363 --> 00:53:27,304
7
PLEASE WELCOME GRAMMY LIFETIME
756
00:53:27,370 --> 00:53:28,438
ACHIEVEMENT HONOREE BONNIE
RAITT; AND MUSICARES PERSON OF
757
00:53:28,505 --> 00:53:33,209
THE YEAR, JONI MITCHELL.
758
00:53:33,276 --> 00:53:38,448
WHO JUST WON A NEW GRAMMY IN
RAY CEREMONY EARLIER TODAY, JONI
759
00:53:38,515 --> 00:53:48,792
MITCHELL.
760
00:53:48,858 --> 00:53:50,026
>> THIS PAST FRIDAY NIGHT, THE
RECORDING ACADEMY PROUDLY
761
00:53:50,093 --> 00:53:53,730
CELEBRATED ONE OF THE TRUEST AND
MOST IMPORTANT ARTISTS IN
762
00:53:53,797 --> 00:53:55,999
HISTORY, A MUSICIAN WHO SET THE
STANDARD FOR ALL THOSE WHO HAVE
763
00:53:56,066 --> 00:54:05,208
FOLLOWED: THE ONE AND ONLY JONI
MITCHELL.
764
00:54:05,275 --> 00:54:08,345
( CHEERS AND APPLAUSE )
>> THANK YOU, BONNIE.
765
00:54:08,411 --> 00:54:10,080
AND CONGRATULATIONS TO YOU ON
YOUR RICHLY-DESERVED LIFETIME
766
00:54:10,146 --> 00:54:15,585
ACHIEVEMENT AWARD.
767
00:54:15,652 --> 00:54:20,457
( CHEERS AND APPLAUSE )
>> THANK YOU, JONI.
768
00:54:20,523 --> 00:54:21,658
WITH THE LIFETIME ACHIEVEMENT
AWARDS.
769
00:54:21,725 --> 00:54:22,826
THE RECORDING ACADEMY HELPS
ENSURE THE GRAMMYS CELEBRATE NOT
770
00:54:22,892 --> 00:54:27,330
ONY TODAY'S GREATEST ARTISTS,
BUT ALSO MANY OF THE MUSIC'S
771
00:54:27,397 --> 00:54:28,531
LEGENDS AND PIONEERS.
772
00:54:28,598 --> 00:54:32,569
AND NOW, WE ARE HONORED TO
INTRODUCE THIS NEXT BRILLIANT
773
00:54:32,636 --> 00:54:34,804
ARTIST WHO THREE YEARS AGO
MADE HER GRAMMY DEBUT WITH ONE
774
00:54:34,871 --> 00:54:42,245
OF THE MOST IMPACTFUL
PERFORMANCES EVER.
775
00:54:42,312 --> 00:54:43,947
>> PLEASE WELCOME AN
EXTRAORDINARY ARTIST AND
776
00:54:44,014 --> 00:54:51,287
BEAUTIFUL HUMAN BEING WITH A
STUNNING, BRAVE AND TRUTHFUL
777
00:54:51,354 --> 00:54:59,863
VOICE: MY BRILLIANT FRIEND,
BRANDI CARLILE!
778
00:54:59,929 --> 00:55:11,841
( CHEERS AND APPLAUSE )
♪ ♪ ♪
779
00:55:11,908 --> 00:55:12,509
♪ ♪ ♪
♪ COME BACK NOW
780
00:55:12,575 --> 00:55:16,179
EVEN IF YOU
♪ CALL ME OUT
781
00:55:16,246 --> 00:55:25,488
YOU MIGHT BE ANGRY NOW
♪ OF COURSE YOU ARE
782
00:55:25,555 --> 00:55:31,494
I'M SCARED TOO
♪ DIDN'T MEAN TO TAKE IT
783
00:55:31,561 --> 00:55:35,565
OUT ON YOU
♪ I KNOW I
784
00:55:35,632 --> 00:55:39,836
ALWAYS DO
♪ YOU'RE THE STRONGEST PERSON
785
00:55:39,903 --> 00:55:47,844
IN THE ROOM
♪ TURN BACK TIME
786
00:55:47,911 --> 00:55:55,552
HELP ME TO REWIND AND WE CAN
♪ FIND OURSELVES AGAIN
787
00:55:55,618 --> 00:56:00,123
IT'S NOT TOO LATE
♪ EITHER WAY, I LOSE YOU
788
00:56:00,190 --> 00:56:11,901
IN THESE SILENT DAYS
♪ IT WASN'T RIGHT
789
00:56:11,968 --> 00:56:13,570
( CHEERS AND APPLAUSE )
♪ BUT IT WAS
790
00:56:13,636 --> 00:56:23,913
RIGHT ON TIME
♪ ♪ ♪
791
00:56:23,980 --> 00:56:34,657
( CHEERS AND APPLAUSE )
♪ DON'T LOOK DOWN
792
00:56:34,724 --> 00:56:39,863
I CAN FEEL IT WHEN YOUR
HEART STARTS POUNDING
793
00:56:39,929 --> 00:56:47,904
♪ IT'S BEYOND YOUR CONTROL
YOU KNOW IT IS
794
00:56:47,971 --> 00:56:51,975
♪ IT'S GETTING TO THE POINT
WHERE I CAN'T CARRY ON
795
00:56:52,041 --> 00:56:56,012
♪ I NEVER HELD MY BREATH FOR
QUITE THIS LONG
796
00:56:56,079 --> 00:57:05,622
♪ AND I DON'T TAKE IT BACK
I DID WHAT I HAD TO DO
797
00:57:05,688 --> 00:57:07,624
♪ IT'S NOT TOO LATE
EITHER WAY
798
00:57:07,690 --> 00:57:11,961
♪ I LOSE YOU IN THESE
SILENT DAYS
799
00:57:12,028 --> 00:57:19,869
♪ IT WASN'T RIGHT
( CHEERS AND APPLAUSE )
800
00:57:19,936 --> 00:57:25,642
BUT IT WAS
♪ RIGHT ON TIME
801
00:57:25,708 --> 00:57:38,021
♪ ♪ ♪
♪ ♪ ♪
802
00:57:38,087 --> 00:57:46,229
♪ ♪ ♪
♪ ♪ ♪
803
00:57:46,296 --> 00:57:51,768
♪ IT'S NOT TOO LATE
EITHER WAY
804
00:57:51,835 --> 00:57:55,672
♪ I LOSE YOU IN THESE
SILENT DAYS
805
00:57:55,738 --> 00:58:07,717
♪ IT WASN'T RIGHT
( CHEERS AND APPLAUSE )
806
00:58:07,784 --> 00:58:11,721
BUT IT WAS
♪ RIGHT
807
00:58:11,788 --> 00:58:15,725
ON TIME ♪
♪
808
00:58:15,792 --> 00:58:30,673
( CHEERS AND APPLAUSE )
( CHEERS AND APPLAUSE )
809
00:58:30,740 --> 00:58:36,446
( CHEERS AND APPLAUSE )
( CHEERS AND APPLAUSE )
810
00:58:36,512 --> 00:58:37,747
>> Announcer: NEXT UP: NAS
>> Announcer: NEXT UP: NAS
811
00:58:38,014 --> 00:58:41,317
PERFORMS, LADY GAGA SINGS FOR
TONY BENNETT, AND JOHN LEGEND
812
00:58:41,384 --> 00:58:44,988
LEADS A MUSICAL MOMENT FOR THE
PEOPLE OF UKRAINE.
813
00:58:45,054 --> 00:58:49,192
AND STILL TO COME, LENNY KRAVITZ
PRESENTS THE AWARD FOR ALBUM OF
814
00:58:49,259 --> 00:58:49,559
THE YEAR.
815
00:58:49,626 --> 00:58:53,396
THIS IS CBS.
816
00:59:00,270 --> 00:59:03,039
>> Trevor: WELCOME BACK TO THE
GRAMMY AWARDS, LIVE FROM THE
817
00:59:03,106 --> 00:59:05,608
M.G.M. GRAND GARDEN ARENA.
818
00:59:05,675 --> 00:59:07,644
WE'RE IN VEGAS, BABY
T IS LIKE DISNEY WORLD IF MICKEY
819
00:59:07,710 --> 00:59:10,513
WAS WILLING TO BREAK YOUR LEGS.
820
00:59:10,580 --> 00:59:11,948
THERE ARE FEW ARTISTS WHO HAVE
HAD MORE IMPACT ON THEIR GENRE
821
00:59:12,015 --> 00:59:13,283
THAN NAS HAS HAD ON HIP HOP.
822
00:59:13,349 --> 00:59:20,089
THIS GRAMMY WINNER ONLY NEEDS
ONE MIC, BUT HE'S GOT A WHOLE
823
00:59:20,156 --> 00:59:21,224
BAND.
824
00:59:21,291 --> 00:59:23,860
NOMINATED TODAY FOR BEST RAP
SONG AND BEST RAP ALBUM FOR
825
00:59:23,927 --> 00:59:26,562
"KING'S DISEASE II," THIS IS
NAS!
826
00:59:26,629 --> 00:59:27,163
( CHEERS AND APPLAUSE )
♪ ♪ ♪
827
00:59:32,835 --> 00:59:33,670
♪ ♪ ♪
>> ♪ I KNOW I CAN
828
00:59:33,736 --> 00:59:39,943
BE WHAT I WANNA BE
♪ IF I WORK HARD AT IT
829
00:59:40,009 --> 00:59:40,977
I'LL BE WHERE I WANNA BE
♪ I KNOW I CAN
830
00:59:41,044 --> 00:59:43,112
I KNOW I CAN
♪ BE WHAT I WANNA BE
831
00:59:43,179 --> 00:59:44,714
BE WHAT I WANNA BE
♪ IF I WORK HARD AT IT
832
00:59:44,781 --> 00:59:47,617
IF I WORK HARD IT
♪ I'LL BE WHERE I WANNA BE
833
00:59:47,684 --> 00:59:53,089
I'LL BE WHERE I WANNA BE ♪
♪ ♪ ♪
834
00:59:53,156 --> 01:00:00,330
♪ ♪ ♪
♪ UH
835
01:00:00,396 --> 01:00:01,097
UH
♪ UH
836
01:00:01,164 --> 01:00:03,633
THEY SHOOTIN'
♪ AW MADE YOU LOOK
837
01:00:03,700 --> 01:00:05,802
YOU A SLAVE TO A PAGE
♪ IN MY RHYME BOOK
838
01:00:05,868 --> 01:00:08,371
GETTIN' BIG MONEY
♪ PLAYBOY YOUR TIME'S UP
839
01:00:08,438 --> 01:00:10,974
WHERE THEM GANGSTAS
♪ WHERE THEM DIMES AT?
840
01:00:11,040 --> 01:00:24,787
THEY SHOOTIN'
♪ YO ALL I NEED IS
841
01:00:24,854 --> 01:00:26,723
ONE MIC ONE BEAT
♪ ONE STAGE ONE FRONT
842
01:00:26,789 --> 01:00:30,526
MY FACE ON THE FRONT PAGE
♪ ONLY IF I HAD ONE GUN
843
01:00:30,593 --> 01:00:32,729
ONE GIRL AND ONE CRIB
♪ ONE GOD TO SHOW ME HOW TO DO
844
01:00:32,795 --> 01:00:37,000
THINGS HIS SON DID PURE
♪ LIKE A CUP OF VIRGIN BLOOD
845
01:00:37,066 --> 01:00:39,302
MIXED WITH 151
♪ ONE SIP'LL MAKE A-- FLIP
846
01:00:39,369 --> 01:00:43,773
WRITIN' NAMES ON MY HOLLOW TIPS
♪ PLOTTIN' MAD VIOLENCE
847
01:00:43,840 --> 01:00:44,841
WHO I'M GON' BODY
♪ THIS HOOD POLITICS
848
01:00:44,907 --> 01:00:47,076
ACKNOWLEDGE IT, LEAVE BODIES
♪ CHOPPED IN GARBAGE'S
849
01:00:47,143 --> 01:00:49,946
SEEDS WATCH US
♪ GROW UP AND TRY TO FOLLOW US
850
01:00:50,013 --> 01:00:53,182
POLICE WATCH US
♪ ROLL UP AND TRY KNOCKIN' US
851
01:00:53,249 --> 01:00:55,084
ONE KNEE I DUCKED
♪ COULD IT BE MY TIME IS UP
852
01:00:55,151 --> 01:00:59,055
BUT MY LUCK, I GOT UP
♪ THE COP SHOT AGAIN
853
01:00:59,122 --> 01:01:00,990
BUS STOP GLASS BURSTS
♪ A FIEND DROPS HIS HEINEKEN
854
01:01:01,057 --> 01:01:02,725
RICHOCHETIN' BETWEEN THE
♪ SPOTS THAT I'M HIDIN' IN
855
01:01:02,792 --> 01:01:06,195
BLACKIN' OUT AS I SHOOT BACK
♪ GETTIN' HIT
856
01:01:06,262 --> 01:01:08,398
THIS IS MY HOOD
♪ I'MA REP TO THE DEATH OF IT
857
01:01:08,464 --> 01:01:10,666
'TIL EVERYBODY COME HOME
♪ LITTLE-- IS GROWN HOOD
858
01:01:10,733 --> 01:01:13,469
RATS, DON'T ABORTION YOUR WOMB
♪ WE NEED MORE
859
01:01:13,536 --> 01:01:17,340
WARRIORS SOON SENT FROM
♪ THE STAR, SUN AND THE MOON
860
01:01:17,407 --> 01:01:18,541
IN THIS LIFE OF POLICE CHASES
♪ STREET SWEEPERS AND COPPERS
861
01:01:18,608 --> 01:01:19,776
STICK-UP KIDS WITH
♪ NO CONSCIENCE, LEAVIN'
862
01:01:19,842 --> 01:01:22,845
VICTIMS WITH DOCTORS
♪ IF YOU REALLY THINK YOU READY
863
01:01:22,912 --> 01:01:26,749
TO DIE WITH 9s OUT
♪ THIS IS WHAT NAS IS 'BOUT
864
01:01:26,816 --> 01:01:32,855
THE TIME IS NOW
♪ YO, ALL I NEED IS ONE MIC ♪
865
01:01:32,922 --> 01:01:36,025
♪ ♪ ♪
♪ ♪ ♪
866
01:01:36,092 --> 01:01:44,400
YORK STATE OF MIND.
867
01:01:44,467 --> 01:01:48,237
THE FAKE ONES WON'T MAKE IT
BACK.
868
01:01:48,304 --> 01:01:50,506
THE DUNGEON.
869
01:01:50,573 --> 01:01:51,207
OH.
870
01:01:51,274 --> 01:01:55,945
LET'S
♪ YO, I'M IN RARE FORM
871
01:01:56,012 --> 01:01:57,713
RARE FORM
♪ SPEAK DOWN ON MY NAME
872
01:01:57,780 --> 01:01:58,881
LIKE I WASN'T THERE FOR 'EM
♪ THERE FOR 'EM
873
01:01:58,948 --> 01:02:02,118
TALK ABOUT BACK IN THE DAYS
♪ THIS ISN'T BACK IN THE DAYS
874
01:02:02,185 --> 01:02:06,556
THEY WANT ME BACK IN MY WAYS
♪ CHIPPED TOOTH AND THE FADE
875
01:02:06,622 --> 01:02:12,628
♪ UH I'M IN RARE FORM
LEVELS OF TARANTINO
876
01:02:12,695 --> 01:02:14,697
♪ CURVIN' MY EGO
EVEN THOUGH HE KNOW
877
01:02:14,764 --> 01:02:18,234
♪ EMPTY GLASS OF PINOT
CIGARS AND CASINOS
878
01:02:18,301 --> 01:02:20,203
♪ WHAT THEY ESPECIALLY PRAISE
IS THE ETHOS
879
01:02:20,269 --> 01:02:22,171
♪ STACKS ON BLACKJACK
MOVIN' MY CHIPS NO
880
01:02:22,238 --> 01:02:23,940
♪ SUPERSTITION TO MAKE
ME GET RICH
881
01:02:24,006 --> 01:02:26,342
♪ I'M WITH THIS CHICK
JUST ONE I BROUGHT TODAY
882
01:02:26,409 --> 01:02:29,545
♪ IN BETWEEN PLACIN' MY BETS
WE SHOP TO CARTIER ROSE GOLD
883
01:02:29,612 --> 01:02:30,613
♪ I COPPED HER A SET RUN WAY
HOPPED IN THE JET
884
01:02:30,680 --> 01:02:34,584
♪ FLIGHT ATTENDANT POPPIN' MO
I SAID I NEED THAT DOM
885
01:02:34,650 --> 01:02:36,886
♪ OFF THE RESPECT WE HAVIN'
CONVERSATIONS SHOW ME PROPERTY
886
01:02:36,953 --> 01:02:38,654
♪ THEN I CALL MY--
AND I TELL HIM,
887
01:02:38,721 --> 01:02:42,024
♪ "YO, I GOTTA BE THERE"
SALMON SHISH KEBAB
888
01:02:42,091 --> 01:02:43,826
♪ IN A MISTY FOG
ROLL A STICKY LOG
889
01:02:43,893 --> 01:02:46,596
♪ BIG DAWG AFFAIR
NO KIDS INVOLVED
890
01:02:46,662 --> 01:02:49,298
♪ ROUND-TABLE HAVIN' WAR COUNCIL
PRESS ONE BUTTON
891
01:02:49,365 --> 01:02:50,399
♪ IT'LL CHANGE THE WORLD
AROND YOU TOO
892
01:02:50,466 --> 01:02:52,902
♪ RARE, NOTHIN' TO SEE HERE
CUBAN OVER MY STREET WEAR
893
01:02:52,969 --> 01:02:56,305
♪ YOU'RE NOBODY 'TIL SOMEBODY
KILLS YOU, JUST TO BE FAIR
894
01:02:56,372 --> 01:02:58,608
♪ IT'S OKAY TO KEEP THE
MYSTIQUE, I LEARNED THAT
895
01:02:58,674 --> 01:03:02,345
♪ IN THE STREET ON ME
SOLO OR DEEP, I'M PUTTIN' ON
896
01:03:02,411 --> 01:03:04,013
♪ FOR THE G'S 2
♪ WE BEEN DOIN' GANGSTA--
897
01:03:04,080 --> 01:03:06,616
FOR A LONG TIME
♪ LOOK INSIDE MY MIND
898
01:03:06,682 --> 01:03:08,518
SEE A GOLD MINE
♪ I'M MY OWN COSIGN
899
01:03:08,584 --> 01:03:11,654
SHE TEXTIN' THE OLD LINE
♪ YOU KEEP STARIN' AT THE GLOW
900
01:03:11,721 --> 01:03:14,323
DON'T GO BLIND
♪ BRAVEHEART ENERGY
901
01:03:14,390 --> 01:03:16,192
ALL OF THE ENEMIES
♪ XO HENNESSY
902
01:03:16,259 --> 01:03:18,427
IT'S NOT ON ME
♪ IT'S IN ME
903
01:03:18,494 --> 01:03:20,329
I'M NOT HERE TO BE FRIENDLY
♪ THEY AIN'T EVEN PRETENDIN'
904
01:03:20,396 --> 01:03:26,335
COMPRENDE?
905
01:03:26,402 --> 01:03:32,341
( CHEERS AND APPLAUSE )
♪ ♪ ♪
906
01:03:32,408 --> 01:03:36,212
( CHEERS AND APPLAUSE )
( CHEERS AND APPLAUSE )
907
01:03:52,061 --> 01:03:54,597
>> Announcer: MUSIC HAS A HOME
AT THE GRAMMY MUSEUM!
908
01:03:54,664 --> 01:03:58,601
VISIT TODAY TO EXPLORE OUR
SPECIAL EXHIBITIONS, AND SIGN-UP
909
01:03:58,668 --> 01:04:02,305
TO BE PART OF OUR NATIONAL MUSIC
EDUCATION PROGRAMS, INCLUDING
910
01:04:02,371 --> 01:04:03,105
GRAMMY CAMP!
911
01:04:03,172 --> 01:04:06,609
LEARN MORE AT
www.grammymuseum.org.
912
01:04:06,676 --> 01:04:10,613
UP NEXT, LUDACRIS PRESENTS THE
AWARD FOR BEST RAP ALBUM; CHRIS
913
01:04:10,680 --> 01:04:16,018
STAPLETON PERFORMS; A SALUTE TO
THE MUSIC LEGENDS WE LOST
914
01:04:16,085 --> 01:04:19,088
THIS PAST YEAR; AND LATER,
PERFORMANCES FROM JUSTIN BIEBER,
915
01:04:19,155 --> 01:04:22,692
H.E.R, AND CARRIE UNDERWOOD.
916
01:04:22,758 --> 01:04:23,092
THE GRAMMY AWARDS.
917
01:04:23,159 --> 01:04:25,761
THIS IS CBS.
918
01:04:27,296 --> 01:04:29,899
>> Announcer: CHRIS STAPLETON IS
ABOUT TO TAKE THE GRAMMY STAGE.
919
01:04:29,966 --> 01:04:32,001
THIS IS CBS.
920
01:04:38,608 --> 01:04:39,642
>> Announcer: TO PRESENT THE
GRAMMY FOR BEST RAP ALBUM:
921
01:04:39,709 --> 01:04:53,222
THREE-TIME GRAMMY WINNER,
LUDACRIS.
922
01:04:53,289 --> 01:04:55,691
>> THANK YOU, THANK YOU, NOW
LISTEN, JUST MOMENTS AGO ON THE
923
01:04:55,758 --> 01:04:56,926
GRAMMY STAGE WE ALL WITNESSED A
PHENOMENAL RAP PERFORMANCE BY BY
924
01:04:56,993 --> 01:04:59,729
A LEGEND WHO HAS BEEN DOING IT
FOR OVER THREE DECADE, AND IN
925
01:04:59,795 --> 01:05:03,132
RAP MUSIC I THINK THAT DESERVES
ANOTHER ROUND OF APPLAUSE,
926
01:05:03,199 --> 01:05:08,237
LADIES AND GENTLEMEN. MY VIRGO
BROTHER NAS.
927
01:05:08,304 --> 01:05:12,842
AND NOW I HAVE THE HONOR TO
PRESENT THE GRAMMY FOR BEST RAP
928
01:05:12,908 --> 01:05:23,953
PERFORMANCE AND THESE ARE THE
NOMINATIONS.
929
01:05:24,020 --> 01:05:27,657
>> Announcer: BEST RAP ALBUM.
930
01:05:50,413 --> 01:05:57,253
AND THE WINNER TREVOR NOAH DON'T
EVEN TRY IT, BRO.
931
01:05:57,320 --> 01:05:59,789
DON'T EVEN TRY.
932
01:05:59,855 --> 01:06:14,737
THE GRAMMY GOES TO FAMILY TIES
BABY KEEN AND KENDRICK LAMAR.
933
01:06:14,804 --> 01:06:29,685
THE GRAMMY GOES TO FAMILY TIES
BABY KEEN AND KENDRICK LAMAR.
934
01:06:29,752 --> 01:06:33,222
THE GRAMMY GOES TO FAMILY TIES
BABY KEEN AND KENDRICK LAMAR.
935
01:06:33,289 --> 01:06:34,790
>> WOW.
936
01:06:34,857 --> 01:06:35,791
WOW.
937
01:06:35,858 --> 01:06:42,331
NOTHING CAN PREPARE ME FOR THIS
MOMENT TONIGHT.
938
01:06:42,398 --> 01:06:48,304
I JUST WANT TO SAY THANK YOU TO
MY SUPPORT SYSTEM.
939
01:06:48,371 --> 01:06:53,409
THE CITY OF LAS VEGAS, MY
FAMILY, THE WOMEN THAT RAISED
940
01:06:53,476 --> 01:06:54,310
ME.
941
01:06:54,377 --> 01:06:59,882
THAT SHAPED ME TO BECOME THE MAN
MI TODAY.
942
01:06:59,949 --> 01:07:05,154
MY TEAM, MY INCREDIBLE TEAM, THE
WOMEN AND MEN THAT SHEP SHAPE
943
01:07:05,221 --> 01:07:08,290
EVERYTHING THAT WE GOT GOING ON
BEHIND THE SCENES.
944
01:07:08,357 --> 01:07:13,329
DAVE, KENDRICK, NYIAH, ANT AND
MANY MORE, I CAN'T EVEN, JUST
945
01:07:13,396 --> 01:07:16,866
THANK YOU EVERYBODY.
946
01:07:16,932 --> 01:07:21,337
AND IT'S A DREAM.
947
01:07:21,404 --> 01:07:25,074
(APPLAUSE).
948
01:07:25,141 --> 01:07:27,610
>> Trevor: CONGRATULATIONS
AGAIN, ALL RIGHT, OUR NEXT
949
01:07:27,676 --> 01:07:29,712
PERFORMER IS A COUNTRY MUSIC
SUPERSTAR WITH A LIST AV
950
01:07:29,779 --> 01:07:31,313
GRIEVEMENTS AS LONG AS HIS
BEARD.
951
01:07:31,380 --> 01:07:35,084
HE HAS ALREADY WON THREE NEW
GRAMMY AWARDS TODAY.
952
01:07:35,151 --> 01:07:39,755
AND HERE TO INTRODUCE HIM IS HIS
HARDWORKING ASSISTANT TOUR
953
01:07:39,822 --> 01:07:52,635
MANAGER KATIE WILKINSON. #R
>> HEY, I'M KATIE WILKINSON, AND
954
01:07:52,701 --> 01:07:53,903
I'M AN ASSISTANT TOUR MANAGER.
955
01:07:53,969 --> 01:07:59,275
AT ANY GIVEN MOMENT, THAT COULD
MEAN DOING TICKETING, WORKING ON
956
01:07:59,341 --> 01:08:03,112
THE ARCHIVES, AND EVEN DOING
SOME COOKING FOR CHRIS AND
957
01:08:03,179 --> 01:08:04,346
MORGANE.
958
01:08:04,413 --> 01:08:06,415
IT USUALLY COMES DOWN TO MAKING
SURE THE BACKSTAGE FEELS LIKE
959
01:08:06,482 --> 01:08:12,121
HOME, BECAUSE THE STAPLETONS ARE
REAL, DOWN-TO-EARTH GIVING
960
01:08:12,188 --> 01:08:16,692
PEOPLE WHO HAVE MADE IT FEEL
LIKE WE ARE ON TOUR WITH FAMILY.
961
01:08:16,759 --> 01:08:20,696
THAT FEELING HELPED US THROUGH
THE LAST FEW YEARS THAT WERE
962
01:08:20,763 --> 01:08:24,433
DIFFICULT FOR SO MANY PEOPLE.
963
01:08:24,500 --> 01:08:35,311
AND I COULD NOT FEEL MORE
HONORED TO STAND AT THE GRAMMYS,
964
01:08:35,377 --> 01:08:40,516
( LAUGHS )
REPRESENT OUR TOURING FAMILY AND
965
01:08:40,583 --> 01:08:50,659
INTRODUCE TO YOU THE BEST
GRAMMY AWARD-WINNING SONG THAT
966
01:08:50,726 --> 01:08:54,296
HE WROTE WITH HIS LONG TIME BAND
MADE, THE BEST IN THE BUSINESS,
967
01:08:54,363 --> 01:08:58,634
CHRIS STAPLETON.
968
01:08:58,701 --> 01:08:59,468
( CHEERS AND APPLAUSE )
♪ ♪ ♪
969
01:08:59,535 --> 01:09:07,042
♪ ♪ ♪
♪ ♪ ♪
970
01:09:19,388 --> 01:09:23,058
♪ GIRL, THE WAY YOU
BROKE MY HEART,
971
01:09:23,125 --> 01:09:35,104
♪ IT SHATTERED LIKE A ROCK
THROUGH A WINDOW
972
01:09:35,170 --> 01:09:50,052
♪ I THOUGHT WE HAD IT SO GOOD
I NEVER REALLY SAW THIS COMIN'
973
01:09:50,119 --> 01:09:50,786
♪ I THOUGHT WE HAD IT SO GOOD
I NEVER REALLY SAW THIS COMIN'
974
01:09:50,853 --> 01:09:55,057
♪ OH WHY YOU GOT TO BE SO COLD?
975
01:09:55,124 --> 01:10:02,798
WHY YOU GOT TO GO
♪ AND CUT ME LIKE A KNIFE
976
01:10:02,865 --> 01:10:07,069
AND PUT OUR LOVE ON ICE?
977
01:10:07,136 --> 01:10:10,573
♪ OH GIRL YOU KNOW
YOU LEFT THIS HOLE
978
01:10:10,639 --> 01:10:17,713
♪ RIGHT HERE
IN THE MIDDLE OF MY SOUL
979
01:10:17,780 --> 01:10:26,855
♪ OH
OH WHY YOU GOT TO BE SO COLD
980
01:10:26,922 --> 01:10:41,804
♪ ♪ ♪
♪ WHAT AM I SUPPOSED TO SAY
981
01:10:41,870 --> 01:10:43,138
♪ ♪ ♪
♪ WHAT AM I SUPPOSED TO SAY
982
01:10:43,205 --> 01:10:44,707
IF ANYBODY ASKS ME ABOUT YOU?
983
01:10:44,773 --> 01:10:54,817
♪ I GUESS I'LL TELL 'EM
I'M WITHOUT YOU
984
01:10:54,883 --> 01:11:00,289
♪ HOW AM I SUPPOSED TO LIVE
WHEN I BUILT MY LIFE AROUND YOU
985
01:11:00,356 --> 01:11:07,129
♪ TRY TO PUT YOURSELF
IN MY SHOES
986
01:11:07,196 --> 01:11:11,200
♪ OH WHY YOU GOT TO BE SO COLD?
987
01:11:11,266 --> 01:11:19,208
WHY YOU GOT TO GO AND
♪ CUT ME LIKE A KNIFE
988
01:11:19,274 --> 01:11:20,342
AND PUT OUR LOVE ON ICE?
989
01:11:20,409 --> 01:11:26,949
♪ OH GIRL YOU KNOW
YOU LEFT THIS HOLE
990
01:11:27,016 --> 01:11:32,955
♪ RIGHT HERE
IN THE MIDDLE OF MY SOUL
991
01:11:33,022 --> 01:11:38,961
♪ OH
OH WHY YOU GOT TO BE SO COLD
992
01:11:39,028 --> 01:11:42,197
♪ I CAN ONLY FEEL MY LOVE
HANGIN' ON
993
01:11:42,264 --> 01:11:47,202
♪ I DON'T FEEL
LIKE IT'S OVER
994
01:11:47,269 --> 01:11:59,181
♪ I'M STILL ON FIRE
WHY YOU GOT TO BE SO?
995
01:11:59,248 --> 01:12:11,260
♪ ♪ ♪
♪ ♪ ♪
996
01:12:11,326 --> 01:12:18,300
♪ ♪ ♪
♪ ♪ ♪
997
01:12:18,367 --> 01:12:19,301
♪ ♪ ♪
♪ OH WHY YOU GOT TO BE SO COLD?
998
01:12:29,645 --> 01:12:35,384
WHY YOU GOT TO GO
♪ AND CUT ME LIKE A KNIFE
999
01:12:35,451 --> 01:12:39,021
AND PUT OUR LOVE ON ICE?
1000
01:12:39,088 --> 01:12:43,258
♪ OH GIRL YOU KNOW
YOU LEFT THIS HOLE
1001
01:12:43,325 --> 01:12:45,027
♪ RIGHT HERE
IN THE MIDDLE OF MY
1002
01:12:45,094 --> 01:12:51,033
♪ SOUL
OH
1003
01:12:51,100 --> 01:12:59,274
♪ OH WHY YOU GOT TO BE SO COLD
♪ ♪ ♪
1004
01:12:59,341 --> 01:13:03,045
GOT TO BE SO COLD
♪ ♪ ♪
1005
01:13:03,112 --> 01:13:07,282
♪ ♪ ♪
♪ GOT TO BE SO
1006
01:13:07,349 --> 01:13:08,550
COLD
♪ ♪ ♪
1007
01:13:08,617 --> 01:13:13,355
♪ ♪ ♪
♪ GOT TO BE SO
1008
01:13:16,391 --> 01:13:19,328
COLD
♪ ♪ ♪
1009
01:13:19,394 --> 01:13:27,102
♪ ♪ ♪
♪ ♪ ♪
1010
01:13:27,169 --> 01:13:31,006
♪ ♪ ♪
♪
1011
01:13:38,981 --> 01:13:39,148
♪
( CHEERS AND APPLAUSE )
1012
01:13:57,166 --> 01:14:02,337
( CHEERS AND APPLAUSE )
>> Trevor: CHRIS STAPLETON,
1013
01:14:02,404 --> 01:14:04,273
EVERYONE.
1014
01:14:04,339 --> 01:14:06,675
THAT WAS AMAZING.
1015
01:14:06,742 --> 01:14:07,709
NOW, IT'S TIME TO TAKE A BREAK.
1016
01:14:07,776 --> 01:14:10,012
AND TO PLAY US OUT IS AN
UPLIFTING GROUP WITH FOUR
1017
01:14:10,078 --> 01:14:13,649
NOMINATIONS THIS YEAR INCLUDING
BEST CONTEMPORARY CHRISTIAN
1018
01:14:13,715 --> 01:14:17,452
MUSIC ALBUM AND BEST GOSPEL
ALBUM.
1019
01:14:17,519 --> 01:14:21,256
HERE TO DO THEIR THING AND
PERHAPS SAVE A FEW SOULS:
1020
01:14:21,323 --> 01:14:25,027
MAVERICK CITY MUSIC!
1021
01:14:29,832 --> 01:14:33,502
♪ ♪ ♪
♪ I'LL EVER BE MORE LOVED THAN I
1022
01:14:33,569 --> 01:14:34,436
AM RIGHT NOW.
1023
01:14:34,503 --> 01:14:40,843
♪ THERE'S NOTHING I CAN DO TO
LET YOU DOWN.
1024
01:14:40,909 --> 01:14:43,245
♪ DOESN'T TAKE A-- .
1025
01:14:43,312 --> 01:14:44,246
♪ TO MAKE YOU CRY.
1026
01:14:44,313 --> 01:14:49,318
♪ I'LL EVER BE MORE LOVED THAN I
AM RIGHT NOW.
1027
01:14:49,384 --> 01:14:51,587
♪ HEY.
1028
01:14:51,653 --> 01:14:55,057
♪
♪ GUIDE US.
1029
01:14:55,123 --> 01:15:06,101
♪ YOU ARE ENOUGH.
1030
01:15:06,168 --> 01:15:08,170
♪ IN EVERY CIRCUMSTANCES.
1031
01:15:08,237 --> 01:15:10,305
♪ GUIDE US.
1032
01:15:10,372 --> 01:15:14,743
♪ YOU ARE ENOUGH.
1033
01:15:14,810 --> 01:15:17,813
♪ MORE THAN ENOUGH.
1034
01:15:24,586 --> 01:15:27,322
♪ NEVER MET A PROBLEM GOD CAN'T
SOLVE.
1035
01:15:27,389 --> 01:15:29,458
♪ DON'T YOU WORRY.
1036
01:15:29,524 --> 01:15:31,660
♪ NEVER MET A PERSON GOD CAN'T
LOVE.
1037
01:15:31,727 --> 01:15:33,462
♪ DON'T WORRY WORRY.
1038
01:15:33,528 --> 01:15:38,000
♪ NEVER MET A PROBLEM THAT GOD
CAN'T SOLVE.
1039
01:15:38,066 --> 01:15:42,004
♪ DON'T WORRY.
1040
01:15:42,070 --> 01:15:48,010
♪ NEVER MET A PERSON THAT GOD
CAN'T LOVE.
1041
01:15:48,076 --> 01:15:59,021
♪
(CHEERS AND APPLAUSE).
1042
01:15:59,087 --> 01:16:00,522
>> Trevor: THAT'S RIGHT, KEEP
IT GOING F
1043
01:16:00,589 --> 01:16:05,527
>> Trevor: WHEW, MAVERICK CITY
TOOK US TO CHURCH!
1044
01:16:05,594 --> 01:16:07,262
WHERE'S THE COLLECTION PLATE?
1045
01:16:07,329 --> 01:16:08,430
PASS IT AROUND.
1046
01:16:08,497 --> 01:16:09,531
CONGRATULATIONS TO MAVERICK
CITY, BY THE WAY, AS THEY HAVE
1047
01:16:09,598 --> 01:16:12,701
WON THEIR FIRST EVER GRAMMY
AWARD JUST TODAY.
1048
01:16:12,768 --> 01:16:15,237
REALLY EXCITING.
1049
01:16:15,304 --> 01:16:19,808
(APPLAUSE)
YOU KNOW, ONE THING THAT HAS
1050
01:16:19,875 --> 01:16:23,478
ALWAYS MADE MUSIC SO POWERFUL IS
THE WAY IT RESPONDS TO THE
1051
01:16:23,545 --> 01:16:27,149
TIMES, EVEN IN THE DARKEST TIMES
MUSIC HAS THE POWER TO LIFT
1052
01:16:27,215 --> 01:16:29,217
SPIRITS AND GIVE YOU HOPE FOR A
BRIGHTER TOMORROW.
1053
01:16:29,284 --> 01:16:33,255
AND THERE IS NOBODY WHO COULD
USE A LITTLE HOPE RIGHT NOW MORE
1054
01:16:33,322 --> 01:16:39,094
THAN THE PEOPLE OF UKRAINE.
HERE TO INTRODUCE A VERY SPECIAL
1055
01:16:39,161 --> 01:16:43,899
PERFORMANCE LEAD BY JOHN LEGEND
IS THE PRESIDENT OF UKRAINE
1056
01:16:43,966 --> 01:16:46,335
VOLODYMYR ZELENSKYY.
1057
01:16:51,206 --> 01:16:51,707
>>
♪ ♪ ♪
1058
01:18:09,818 --> 01:18:21,930
♪ ♪ ♪
>> ♪ GO DOWN MOSES
1059
01:18:21,997 --> 01:18:29,704
WAY DOWN MOSES
♪ GO DOWN TO EGYPT LAND
1060
01:18:29,771 --> 01:18:33,942
LAY DOWN SOLDIERS
♪ LAY DOWN THOSE WEAPONS
1061
01:18:34,009 --> 01:18:41,783
LET PEACE RUSH IN
♪ LET IT WASH THROUGH THE VALLEY
1062
01:18:41,850 --> 01:18:52,060
SOAR TO THE MOUNTAINS
♪ FALL IN THE DEEPEST BLUE SEA
1063
01:18:52,127 --> 01:18:58,800
LET IT FLY 'CROSS THE SKY
♪ A BANNER SO HIGH
1064
01:18:58,867 --> 01:19:07,876
THAT EVEN THE ROCKETS
♪ WILL SEE THAT THERE IS A GOD
1065
01:19:07,943 --> 01:19:16,051
AND I'M JUST SAYIN' LAWD
♪ RAIN DOWN FREEDOM
1066
01:19:16,118 --> 01:19:30,999
RAIN DOWN 'TIL WE'RE ALL FREE
♪ FREE
1067
01:19:31,066 --> 01:19:31,867
RAIN DOWN 'TIL WE'RE ALL FREE
♪ FREE
1068
01:19:31,933 --> 01:19:42,978
FREE
♪ LOW DOWN, BROKEN
1069
01:19:43,044 --> 01:19:47,649
HOMELESS, FLOATIN'
♪ LOST AND THROWN TO CHANCE
1070
01:19:47,716 --> 01:19:51,319
YEAH
♪ CAGED BIRDS SINGING
1071
01:19:51,386 --> 01:20:06,268
BREAK CHAINS
♪ SO WE CAN DO OUR HOLY DANCE
1072
01:20:06,334 --> 01:20:07,869
BREAK CHAINS
♪ SO WE CAN DO OUR HOLY DANCE
1073
01:20:07,936 --> 01:20:10,739
LET 'EM SING
♪ CROSS THE SKY
1074
01:20:10,805 --> 01:20:13,942
A CHORUS SO HIGH
♪ THAT EVERYONE
1075
01:20:14,009 --> 01:20:26,021
WILL KNOW THEIR WORTH
♪ RAIN DOWN FREEDOM
1076
01:20:26,087 --> 01:20:36,131
RAIN DOWN 'TIL WE'RE ALL
♪ FREE
1077
01:20:36,198 --> 01:20:43,772
FREE
♪ FREE
1078
01:20:43,838 --> 01:20:46,374
OUR FATHER WHO ART IN HEAVEN, OF
THE FULL MOON AND HOLLOW SON.
1079
01:20:46,441 --> 01:20:52,147
IT IS A LINE OF FIRE, AND WHO
WON'T ABANDON ME LIKE A TOMB.
1080
01:20:52,214 --> 01:21:02,290
OUR DAILY BREAD, GIVE TO THE
HUNGRY AND LET THEM DO FOR ONE
1081
01:21:02,357 --> 01:21:05,160
ANOTHER AND FORGIVE US OUR
DESTROYED CITY, EVEN THOUGH WE
1082
01:21:05,227 --> 01:21:11,900
DO NOT FORGIVE FOR THEM OUR
ENEMY, SHOOT AND PROTECT MY
1083
01:21:11,967 --> 01:21:25,213
HUSBAND, MY FRIENDS MY CHILD AND
MY MOTHER LAND.
1084
01:21:25,280 --> 01:21:35,957
>> ♪ GO DOWN MOSES
WAY DOWN MOSES
1085
01:21:36,024 --> 01:21:38,126
♪ TELL THEM THERE IS I GOD.
1086
01:21:38,193 --> 01:21:44,766
♪ AND WE JUST PLAYING LA-WD.
1087
01:21:44,833 --> 01:21:50,772
RAIN DOWN FREEDOM RAIN DOWN.
1088
01:21:50,839 --> 01:21:52,474
♪ TILL
♪ RAIN DOWN FREEDOM
1089
01:21:52,540 --> 01:21:57,812
RAIN DOWN 'TIL WE'RE ALL FREE
♪ FREE
1090
01:21:57,879 --> 01:22:12,761
FREE
WE'RE ALL FREE
1091
01:22:12,827 --> 01:22:17,666
FREE
WE'RE ALL FREE
1092
01:22:17,732 --> 01:22:19,901
( CHEERS AND APPLAUSE )
( CHEERS AND APPLAUSE )
1093
01:22:34,182 --> 01:22:36,584
>> Announcer: HERE ARE THREE
MEMBERS OF THE NEW GRAMMY-
1094
01:22:36,651 --> 01:22:37,452
PRODUCING TEAM.
1095
01:22:37,519 --> 01:22:38,586
THIS IS CBS.
1096
01:22:47,762 --> 01:22:49,698
♪ ♪ ♪
>> Trevor: WE'RE BACK AT THE
1097
01:22:49,764 --> 01:22:52,701
GRAMMYS, YOU KNEE MOST HOSTS GET
PAID TO DO THIS GIG.
1098
01:22:52,767 --> 01:22:56,171
I DECIDED TO TAKE MY
REMUNERATION IN MOMENTS WITH
1099
01:22:56,237 --> 01:22:57,005
BTS.
1100
01:22:57,072 --> 01:22:58,239
AND THAT IS WHAT I AM DOING
RIGHT NOW.
1101
01:22:58,306 --> 01:23:02,410
THE BIGGEST BAND IN THE WORLD,
LADIES AND GENTLEMEN, GIVE IT UP
1102
01:23:02,477 --> 01:23:04,612
FOR THEM, THIS IS BTS RIGHT NOW,
ARE YOU KIDDING.
1103
01:23:04,679 --> 01:23:08,416
FIRST OF ALL GUYS, GOOD TO YOU
HAVE HERE, LIKE WE DID THE
1104
01:23:08,483 --> 01:23:13,188
PREVIOUS GRAMMYS, YOU PERFORMED
IT ALL THE WAY FROM KOREA, BUT
1105
01:23:13,254 --> 01:23:15,223
NOW ARE YOU HERE, EVERYONE IS
HEALSE HEALTHY, HOW ARE YOU
1106
01:23:15,290 --> 01:23:15,924
FEELING?
1107
01:23:15,990 --> 01:23:17,459
>> HOW YOU FEEL, WE FEEL CRAZY.
1108
01:23:17,525 --> 01:23:18,827
>> Trevor: IS GREAT TO HAVE
YOU HERE.
1109
01:23:18,893 --> 01:23:24,199
THERE ARE SO MANY RUMORS I HEAR
BUT, I DON'T KNOW WHAT IS TRUE,
1110
01:23:24,265 --> 01:23:26,401
DO YOU REALLY LEARN HOW TO SPEAK
ENGLISH FROM WATCHING FRIENDS.
1111
01:23:26,468 --> 01:23:29,904
>> YES, FRIENDS IS MY ENGLISH
PARENT.
1112
01:23:29,971 --> 01:23:32,407
>> Trevor: SO ARE YOU MORE OF
A JOEY, WHO DO YOU THINK YOU
1113
01:23:32,474 --> 01:23:34,309
ARE.
1114
01:23:34,376 --> 01:23:34,809
>> I'M LIKE A CHANDLER.
1115
01:23:34,876 --> 01:23:37,479
>> Trevor: OKAY.
1116
01:23:37,545 --> 01:23:39,447
>> HE'S-- WHEN I SEE HIM I FEEL
SO SAD AND YOU KNOW.
1117
01:23:39,514 --> 01:23:42,550
>> Trevor: OH, WOW.
1118
01:23:42,617 --> 01:23:43,284
>> I LOVE HIM.
1119
01:23:43,351 --> 01:23:44,552
>> Trevor: I LIKE THAT.
1120
01:23:44,619 --> 01:23:50,325
I HEARD THAT AND I NEED TO LEARN
KOREAN WATCHING KOREAN TV SHOWS
1121
01:23:50,392 --> 01:23:51,926
T IS ALOT HARDER, I LEARNED A
LITTLE BIT.
1122
01:23:51,993 --> 01:24:05,707
I WILL PRACTICE A LITTLE THING I
LEARNED WHICH WAS-- (SINGING
1123
01:24:05,774 --> 01:24:08,276
KOREAN BLAK.
1124
01:24:08,343 --> 01:24:10,545
>> WILL THAT HELP ME IN AN
AIRPORT, WILL THAT HELP ME GET
1125
01:24:10,612 --> 01:24:11,179
AROUND.
1126
01:24:11,246 --> 01:24:12,280
>> WHAT ARE WE GOING TO DO.
1127
01:24:12,347 --> 01:24:13,148
>> WE'LL FIGURE IT OUT.
1128
01:24:13,214 --> 01:24:14,482
>> ONE OF
ONE OF THE ACCLAIMED ALBUMS OF
1129
01:24:14,549 --> 01:24:17,652
THE YEAR IS TONY BENNETT AND
LADY GAGA'S DUET ALBUM, "LOVE
1130
01:24:17,719 --> 01:24:18,720
FOR SALE."
1131
01:24:18,787 --> 01:24:20,488
YOU KNOW I'VE SEEN LOVE FOR SALE
ALL OVER LAS VEGAS.
1132
01:24:20,555 --> 01:24:24,259
BUT I'M NOT SURE THAT WAS ABOUT
THE ALBUM.
1133
01:24:24,325 --> 01:24:25,593
TONY BENNETT RETIRED FROM
PERFORMING LAST YEAR, HE IS A
1134
01:24:25,660 --> 01:24:32,901
LEGEND AND WHAT HE WANTED TO DO
WAS INTRODUCE HIS VERY DEER
1135
01:24:32,967 --> 01:24:33,902
FRIEND.
1136
01:24:33,968 --> 01:24:40,542
HI EVERYONE, PLEASE WELCOME LADY
GATIONA.-- GAGA.
1137
01:24:40,608 --> 01:24:43,178
>> WHAT'S
( CHEERS AND APPLAUSE )
1138
01:24:43,244 --> 01:24:47,882
>> C'MON DANIEL FOOSE!
1139
01:24:47,949 --> 01:24:51,553
♪ ♪ ♪
♪ LOVE FOR SALE
1140
01:24:51,619 --> 01:24:54,022
APPETIZING YOUNG LOVE
♪ FOR SALE
1141
01:24:54,088 --> 01:24:56,991
LOVE THAT'S FRESH
♪ AND STILL UNSPOILED
1142
01:24:57,058 --> 01:24:59,961
LOVE THAT'S ONLY
♪ SLIGHTLY SOILED
1143
01:25:00,028 --> 01:25:07,435
LOVE FOR SALE
♪ WHO WILL BUY?
1144
01:25:07,502 --> 01:25:11,940
WHO'S PREPARED
♪ TO SAMPLE MY SUPPLY?
1145
01:25:12,006 --> 01:25:15,810
WHO'S PREPARED
♪ TO PAY THE PRICE
1146
01:25:15,877 --> 01:25:19,948
FOR A TRIP TO PARADISE?
1147
01:25:20,014 --> 01:25:21,816
♪ LOVE FOR SALE
LET THE POETS
1148
01:25:21,883 --> 01:25:27,155
♪ PIPE OF LOVE
IN THEIR CHILDISH WAY
1149
01:25:27,222 --> 01:25:31,226
♪ I KNOW EVERY TYPE OF LOVE
BETTER FAR THAN THEY
1150
01:25:31,292 --> 01:25:33,828
♪ IF YOU WANT THE THRILL
♪ I'VE BEEN THROUGH THE MILL
1151
01:25:33,895 --> 01:25:36,064
OF LOVE
♪ OLD LOVE, NEW LOVE
1152
01:25:36,130 --> 01:25:43,938
EVERY LOVE,
♪ BUT TRUE LOVE FOR SALE
1153
01:25:44,005 --> 01:25:47,942
APPETIZING YOUNG LOVE
♪ FOR SALE IF YOU WANT TO BUY
1154
01:25:48,009 --> 01:25:51,813
MY WARES
♪ FOLLOW ME
1155
01:25:51,880 --> 01:25:56,317
AND CLIMB THE STAIRS
♪ LOVE FOR SALE
1156
01:25:56,384 --> 01:26:03,892
♪ ♪ ♪
♪ ♪ ♪
1157
01:26:03,958 --> 01:26:14,035
( CHEERS AND APPLAUSE )
COME ON, LET'S SWING IT. HELLO,
1158
01:26:14,102 --> 01:26:16,404
EVERYBODY, YOU KNOW WHAT, I FEEL
SO BLESSED TO BE A PART OF THIS
1159
01:26:16,471 --> 01:26:19,007
WONDERFUL COMMUNITY OF
MUSICIANS, TRULY.
1160
01:26:19,073 --> 01:26:26,214
AND I WANT THE WHOLE WORLD TO
KNOW THAT WE LOVEMAKING YOU
1161
01:26:26,281 --> 01:26:27,282
SMILE.
1162
01:26:27,348 --> 01:26:33,888
SO IF YOU ARE WONDERING, HOW WE
FEEL, DO I LOVE YOU?
1163
01:26:33,955 --> 01:26:41,362
OH BOY, DO I.
1164
01:26:41,429 --> 01:26:45,199
AFTER THAT SWEET SUMMER
AFTERNOON.
1165
01:26:45,266 --> 01:26:56,110
♪ WHEN I SAW YOU.
1166
01:26:56,177 --> 01:26:59,914
♪ DREAMING OF TONY.
1167
01:26:59,981 --> 01:27:06,754
♪ I COMPOSED A TUNE.
1168
01:27:06,821 --> 01:27:18,766
♪ OH WILL YOU LISTEN TO ME.
1169
01:27:18,833 --> 01:27:30,745
♪
♪ DO I LOVE YOU
1170
01:27:30,812 --> 01:27:32,614
DO I?
1171
01:27:32,680 --> 01:27:38,620
♪ DOESN'T ONE AND ONE
MAKE TWO?
1172
01:27:38,686 --> 01:27:46,761
♪ DO I LOVE YOU?
1173
01:27:46,828 --> 01:27:48,930
MM, DO I?
1174
01:27:48,997 --> 01:27:56,604
♪ DOES JULY NEED
A SKY OF BLUE?
1175
01:27:56,671 --> 01:28:06,047
♪ WOULD I MISS YOU
WOULD I?
1176
01:28:06,114 --> 01:28:14,689
♪ IF YOU EVER
SHOULD GO AWAY?
1177
01:28:14,756 --> 01:28:20,695
♪ IF THE SUN
SHOULD DESERT THE DAY
1178
01:28:20,762 --> 01:28:26,701
♪ WHAT WOULD LIFE BE?
1179
01:28:26,768 --> 01:28:30,805
WHAT WOULD LIFE BE?
1180
01:28:30,872 --> 01:28:45,753
♪ WILL I LEAVE YOU, NEVER
WOULD THE OCEAN LEAVE
1181
01:28:45,820 --> 01:28:49,757
♪ THE SHORE?
1182
01:28:49,824 --> 01:28:57,765
WILL I WORSHIP YOU
♪ FOREVER?
1183
01:28:57,832 --> 01:29:05,707
ISN'T HEAVEN FOREVER MORE?
1184
01:29:05,773 --> 01:29:11,679
♪ DO I LOVE YOU?
1185
01:29:11,746 --> 01:29:13,815
DO I?
1186
01:29:13,881 --> 01:29:21,823
♪ OH, MY DEAR,
IT'S SO EASY
1187
01:29:21,889 --> 01:29:29,697
TO SEE
♪ DON'T YOU KNOW I DO?
1188
01:29:29,764 --> 01:29:37,839
DON'T I SHOW YOU I DO
♪ JUST AS YOU
1189
01:29:37,905 --> 01:29:52,787
LOVE
( CHEERS AND APPLAUSE )
1190
01:29:52,854 --> 01:29:56,390
LOVE
( CHEERS AND APPLAUSE )
1191
01:29:56,457 --> 01:30:11,339
♪ ME ♪
( CHEERS AND APPLAUSE )
1192
01:30:11,405 --> 01:30:22,316
♪ ME ♪
( CHEERS AND APPLAUSE )
1193
01:30:22,383 --> 01:30:32,059
>> TONY, WE MISS YOU
( APPLAUSE )
1194
01:30:32,126 --> 01:30:33,828
♪ ♪ ♪
>> Announcer: PLEASE WELCOME
1195
01:30:33,895 --> 01:30:47,241
GRAMMY, EMMY AND TONY WINNER
BILLY PORTER; AND THE GOLDEN
1196
01:30:47,308 --> 01:30:49,510
>> YOU CAN'T HAVE RHYTHM WITHOUT
THE BLUES!
1197
01:30:49,577 --> 01:30:54,782
AND I'M SO EXCITED AND I JUST
CAN'T HIDE IT.
1198
01:30:54,849 --> 01:31:00,154
♪ LIKE THE POINTER SISTERS, TO
PRESENT A GRAMMY THAT HAS SO
1199
01:31:00,221 --> 01:31:04,125
MANY OR THEISTS THAT I LOVE.
1200
01:31:04,192 --> 01:31:08,229
WHOEVER WIN THIS GRAMMY TONIGHT
WILL BE SHARING AN HONOR WITH
1201
01:31:08,296 --> 01:31:18,906
THE LIKES OF LEGENDS LIKE SHAKA
CHAN, LUTHER VANDROSE, YES, AND
1202
01:31:18,973 --> 01:31:21,275
JOHN LEGEND.
1203
01:31:21,342 --> 01:31:24,011
AND HE IS AN EGOT.
1204
01:31:24,078 --> 01:31:37,658
SO THESE ARE THE NOMINATIONS FOR
BEST R&B ALBUM.
1205
01:31:37,725 --> 01:31:44,332
>> Announcer: BEST R&B ALBUM.
1206
01:31:44,398 --> 01:31:52,473
"TEMPORARY HIGHS IN THE VIOLET
SKIES," SNOH AALEGRA.
1207
01:31:52,540 --> 01:32:01,749
"WE ARE," JON BATISTE.
1208
01:32:01,816 --> 01:32:12,526
"GOLD-DIGGERS SOUND," LEON
BRIDGES.
1209
01:32:12,593 --> 01:32:20,401
"BACK OF MY MIND," H.E.R.
1210
01:32:20,468 --> 01:32:35,249
"HEAUX TALES," JAZMINE SULLIVAN.
1211
01:32:35,316 --> 01:32:47,261
>> AND THE GRAMMY GOES TO:
"HEAUX TALES," JAZMINE SULLIVAN.
1212
01:32:47,328 --> 01:32:58,472
( CHEERS AND APPLAUSE )
WHERE YOU AT, GIRL!
1213
01:32:58,539 --> 01:33:07,214
PICK UP YOUR COME ON, GIRL.
1214
01:33:07,281 --> 01:33:13,220
YES!
1215
01:33:13,287 --> 01:33:13,921
COME ON.
1216
01:33:13,988 --> 01:33:15,122
GET YOUR AWARD.
1217
01:33:15,189 --> 01:33:18,592
GET YOUR AWARD, GIRL, NO, YOU
HAVE TO HOLD THIS, YOU HAVE TO
1218
01:33:18,659 --> 01:33:25,366
HOLD IT WHILE YOU TALKING.
1219
01:33:25,433 --> 01:33:27,969
>> I DON'T KNOW WHAT I HEARD, I
ALMOST DIDN'T BELIEVE IT.
1220
01:33:28,035 --> 01:33:33,107
BUT I'M SO GRATEFUL TO BE UP
HERE.
1221
01:33:33,174 --> 01:33:40,114
SHOUT OUT TO H.E.R. FOR WEARING
THESE GLASSES, YOU ARE THE GOAT
1222
01:33:40,181 --> 01:33:41,215
FOR THAT.
1223
01:33:41,282 --> 01:33:51,492
I THINK THAT I WROTE THIS
PROJECT TO DEAL WITH MY OWN
1224
01:33:51,559 --> 01:33:56,897
THING AND FORGIVENESS FROM THE
DECISIONS THAT I MADE IN MY 20S
1225
01:33:56,964 --> 01:33:57,531
THAT WEREN'T FAVORABLE.
1226
01:33:57,598 --> 01:33:58,799
THANK YOU.
1227
01:33:58,866 --> 01:34:05,639
AND BUT WHAT IT END UP BEING WAS
A SAFE SPACE FOR BLACK WOMEN TO
1228
01:34:05,706 --> 01:34:06,340
TELL THEIR STORIES.
1229
01:34:06,407 --> 01:34:10,878
FOR US TO LEARN FROM EACH OTHER.
1230
01:34:10,945 --> 01:34:14,882
FOR US TO LEARN FROM EACH OTHER,
LAUGH WITH EACH OTHER, AND NOT
1231
01:34:14,949 --> 01:34:18,586
BE EXPLOITEDDED AT THE SAME
TIME.
1232
01:34:18,652 --> 01:34:21,555
AND THAT'S WHAT I'M MOST
GRATEFUL FOR, SO SHOUT OUT TO
1233
01:34:21,622 --> 01:34:26,027
ALL BLACK WOMEN WHO ARE JUST
LIVING THEIR LIVES AND BEING
1234
01:34:26,093 --> 01:34:26,460
BEAUTIFUL.
1235
01:34:26,527 --> 01:34:28,362
I LOVE YOU ALL.
1236
01:34:28,429 --> 01:34:33,134
THANK YOU TO EVERYBODY WHO
HELPED ME CREATE, TO THE
1237
01:34:33,200 --> 01:34:37,671
PRODUCERS, THE ADDITIONAL
WRITERS, RCA, SONY MUSIC, TO MY
1238
01:34:37,738 --> 01:34:40,141
MANAGEMENT, MY MOTHER AND FATHER
WHO I LOVE DEARLY.
1239
01:34:40,207 --> 01:34:41,876
I CAN'T WAIT TO SEE.
1240
01:34:41,942 --> 01:34:46,047
MY FRIENDS AND FAMILY, EVERYBODY
BACK IN PHILLIE, MY FANS, MY
1241
01:34:46,113 --> 01:34:47,014
MAN, EVERYBODY.
1242
01:34:47,081 --> 01:34:49,984
THANK YOU SO MUCH, I APPRECIATE
THIS SO MUCH.
1243
01:34:50,051 --> 01:35:00,628
(APPLAUSE)
TRZ WHAT A BEAUTIFUL MOMENT.
1244
01:35:00,694 --> 01:35:03,030
ALL RIGHT, IT IS TIME FOR US TO
TAKE A QUICK BREAK.
1245
01:35:03,097 --> 01:35:07,068
NOMINATED FOR BEST BLUEGRASS
ALBUM AND BEST AMERICAN ROOTS
1246
01:35:07,134 --> 01:35:11,372
PERFORMANCE: BILLY STRINGS!
1247
01:35:11,439 --> 01:35:17,378
( CHEERS AND APPLAUSE )
♪ ♪ ♪
1248
01:35:17,445 --> 01:35:27,488
♪ ♪ ♪
♪ ♪ ♪
1249
01:35:27,555 --> 01:35:33,360
♪ ♪ ♪
♪ ♪ ♪
1250
01:35:44,605 --> 01:35:46,440
♪ ♪ ♪
♪ ♪ ♪
1251
01:35:46,507 --> 01:35:48,676
♪ ♪ ♪
♪ SNOALT NOTHING TO ACHIEVE.
1252
01:35:48,742 --> 01:35:52,646
♪ NOTHING HIDDEN UP MY SLEEVE.
1253
01:35:52,713 --> 01:35:55,983
♪ I REMEMBER.
1254
01:35:56,050 --> 01:35:59,453
♪ IT'S A DARK TIME.
1255
01:35:59,520 --> 01:36:00,287
♪ I DO BELIEVE.
1256
01:36:00,354 --> 01:36:04,692
♪ A COLD WIND IS BLOWING AT MY
DOOR.
1257
01:36:04,758 --> 01:36:06,594
♪ INCREDIBLE.
1258
01:36:06,660 --> 01:36:12,399
♪ I DON'T HAVE TO WORRY ANY
MORE.
1259
01:36:12,466 --> 01:36:14,135
♪ IT'S A DARK TIME.
1260
01:36:14,201 --> 01:36:17,104
♪ I DO BELIEVE.
1261
01:36:17,171 --> 01:36:20,241
♪ A COLD WIND BLOWING AT MY
DOOR.
1262
01:36:20,307 --> 01:36:21,609
♪ INCREDIBLE TIME.
1263
01:36:21,675 --> 01:36:23,177
♪ I'M GOING TO FIND.
1264
01:36:23,244 --> 01:36:30,551
♪ I DON'T HAVE TO WORRY ANY
MORE.
1265
01:36:30,618 --> 01:36:39,293
♪
( CHEERS AND APPLAUSE )
1266
01:36:39,360 --> 01:36:43,797
>> Trevor: ALL RIGHT, WE'RE
BACK HERE AT THE M.G.M. GRAND
1267
01:36:43,864 --> 01:36:44,665
GARDEN ARENA.
1268
01:36:44,732 --> 01:36:48,869
I JUST WANTED TO WELCOME THIS
NEXT FORM
1269
01:36:48,936 --> 01:36:51,071
THE FRONTMAN OF THIRTY SECONDS
TO MARS AND THE STAR OF
1270
01:36:51,138 --> 01:36:54,875
"MORBIUS."
1271
01:36:54,942 --> 01:36:56,177
DON'T KNOW IF YOU HAVE SEEN HIM
DO IT BUT HE HAS TRANSFORMED FOR
1272
01:36:56,243 --> 01:36:58,012
ALL OF HIS ROLES, YOU DON'T EVEN
KNOW WHAT HE LOOKS LIKE ANY
1273
01:36:58,078 --> 01:36:58,879
MORE.
1274
01:36:58,946 --> 01:37:00,181
HE COULD BE AN ITALIAN FASHION
DESIGNER.
1275
01:37:00,247 --> 01:37:07,221
YOU KNOW, HE COULD BE LIKE A
MEGA VILAN, HE COULD BE ME RIGHT
1276
01:37:07,288 --> 01:37:07,855
NOW.
1277
01:37:07,922 --> 01:37:09,156
THAT WOULD HAVE BEEN CRAZY.
1278
01:37:09,223 --> 01:37:15,129
GIVE IT UP FOR JARED LETO.
1279
01:37:15,196 --> 01:37:27,141
( CHEERS AND APPLAUSE )
>> JUSTIN BEIBER.
1280
01:37:27,208 --> 01:37:31,245
DOJA CAT.
1281
01:37:31,312 --> 01:37:33,080
BILLIE EILISH.
1282
01:37:33,147 --> 01:37:35,216
ARIANA GRANDE.
1283
01:37:35,282 --> 01:37:37,751
AND OLIVIA RODRIGO.
1284
01:37:37,818 --> 01:37:43,224
YOU HAVE ALL CREATED SOMETHING
THAT HAS AFFECTED PEOPLE DEEPLY.
1285
01:37:43,290 --> 01:37:48,562
IMPACTING CULTURE GREATLY AND
ULTIMATELY MADE THE WORLD A
1286
01:37:48,629 --> 01:37:49,196
RICHER PLACE.
1287
01:37:49,263 --> 01:37:55,903
ESPECIALLY FOR YOUR AGENTS.
1288
01:37:55,970 --> 01:37:59,673
A LIKE THE LATE GREAT DAVID
BOWIE SAID, I DON'T KNOW WHERE I
1289
01:37:59,740 --> 01:38:05,112
AM GOING FROM HERE BUT I PROMISE
YOU ONE THING, IT WON'T BE
1290
01:38:05,179 --> 01:38:06,347
BORING.
1291
01:38:06,413 --> 01:38:09,717
ONE THING IS FOR CERTAIN, YOU
HAVE ALL MADE THE WORLD SO MUCH
1292
01:38:09,783 --> 01:38:11,285
MORE FASCINATING.
1293
01:38:11,352 --> 01:38:25,566
HERE ARE THE NOMINATIONS FOR
BEST POP VOCAL
1294
01:38:25,633 --> 01:38:27,935
THE NOMINATIONS FOR BEST POP
VOCAL ALBUM.
1295
01:38:28,002 --> 01:38:32,172
>> Announcer: "JUSTICE (TRIPLE
CHUCKS DELUXE)," JUSTIN BIEBER.
1296
01:38:32,239 --> 01:38:32,973
"PLANET HER (DELUXE)," DOJA CAT.
1297
01:38:33,040 --> 01:38:36,310
"HAPPIER THAN EVER," BILLIE
EILISH.
1298
01:38:36,377 --> 01:38:40,214
"POSITIONS," ARIANA GRANDE.
1299
01:38:40,281 --> 01:38:50,224
"SOUR," OLIVIA RODRIGO.
1300
01:38:50,291 --> 01:39:00,334
>> AND THE GRAMMY GOES TO:
"SOUR," OLIVIA RODRIGO.
1301
01:39:00,401 --> 01:39:15,316
( CHEERS AND APPLAUSE )
( CHEERS AND APPLAUSE )
1302
01:39:15,382 --> 01:39:16,850
♪.
1303
01:39:16,917 --> 01:39:18,385
>> OH WOW.
1304
01:39:18,452 --> 01:39:19,253
OH MY GOSH.
1305
01:39:19,320 --> 01:39:20,788
THANK YOU AGAIN TO THE RECORDING
ACADEMY.
1306
01:39:20,854 --> 01:39:24,191
THANK YOU TO ALL THE FANS WHO
HAVE LISTENED TO MY MUSIC AND
1307
01:39:24,258 --> 01:39:26,694
COMPLETELY CHANGED MY LIFE OVER
THE PAST TWO YEARS.
1308
01:39:26,760 --> 01:39:30,364
I REALLY WANT TO DEDICATE THIS
AWARD TO MY PARENTS.
1309
01:39:30,431 --> 01:39:33,233
WHEN I WAS NINE YEARS OLD I TOLD
MY MOM I WAS GOING TO BE AN
1310
01:39:33,300 --> 01:39:41,875
OLYMPIC SWIMMER AND EVEN THEY I
COULD DO A CARTWHEEL, THE
1311
01:39:41,942 --> 01:39:44,878
NEGOTIATION WEEK WHEN I TOLD HER
I WAS GOING TO WIN A GRAMMY SHE
1312
01:39:44,945 --> 01:39:48,415
WAS VERY SUPPORTIVE EVEN THOUGH
SHE THOUGHT THIS WOULD BE A
1313
01:39:48,482 --> 01:39:49,650
LITTLE KID'S PIPEDREAM.
1314
01:39:49,717 --> 01:39:52,186
I WANT TO THANK MY MOM FOR BEING
SUPPORTIVE OF ALL OF MY DREAMS
1315
01:39:52,252 --> 01:39:55,356
NO MATTER HOW CRAZY AND MY MOM
AND DAD FOR BEING SO PROUD OF ME
1316
01:39:55,422 --> 01:39:58,359
FOR WINNING A GRAMMY AS THEY
WERE WHEN I LEARNED HOW TO DO A
1317
01:39:58,425 --> 01:39:59,893
BACK WALKOVER.
1318
01:39:59,960 --> 01:40:02,229
THIS IS FOR YOU GUYS AND BECAUSE
OF YOU GUYS.
1319
01:40:02,296 --> 01:40:05,332
THANK YOU.
1320
01:40:05,399 --> 01:40:14,141
(APPLAUSE)
( CHEERS AND APPLAUSE )
1321
01:40:14,208 --> 01:40:16,110
>> Trevor: SO THIS WAS THE
MOMENT OF THE SHOW WHEN I WAS
1322
01:40:16,176 --> 01:40:18,345
SUPPOSED TO BE INTRODUCING THE
FOO FIGHTERS.
1323
01:40:18,412 --> 01:40:21,448
WE WOULD HAVE BEEN CELEBRATING
WITH THEM AS THEY WON THREE
1324
01:40:21,515 --> 01:40:25,386
GRAMMYS A ARD-- GRAMMY AWARDS
EARLIER TODAY.
1325
01:40:25,452 --> 01:40:29,289
BUT THEY OF ARE COURSE NOT HERE
DUE TO THE TRAGIC PASSING OF
1326
01:40:29,356 --> 01:40:31,458
THAT I LEGENDARY DRUMMER TAYE
LORE HAWKINS.
1327
01:40:31,525 --> 01:40:34,328
OUR THOUGHTS GO OUT TO TAY
OUR THOUGHTS GO OUT TO TAYLOR'S
1328
01:40:34,395 --> 01:40:36,029
FAMILY, HIS FRIENDS, AND THE FOO
FIGHTER'S FAMILY AND ALL THE
1329
01:40:36,096 --> 01:40:37,264
FANS AROUND THE GLOBE.
1330
01:40:37,331 --> 01:40:42,336
WE WOULD LIKE TO TAKE A MOMENT
NOW TO REMEMBER TAYLOR AND THOSE
1331
01:40:42,403 --> 01:40:56,283
IN THE MUSIC COMMUNITY WE LOST
THIS PAST YEAR.
1332
01:40:56,350 --> 01:41:00,821
♪ ♪ ♪
>> HE'S THE BEST DRUMMER IN THE
1333
01:41:00,888 --> 01:41:02,356
WORLD, WE LOVE HIM SO MUCH.
1334
01:41:02,423 --> 01:41:07,528
>> I REALIZE THAT TO BE A GOOD
DRUMMER YOU HAVE TO BE AN ACTOR.
1335
01:41:07,594 --> 01:41:12,633
THERE GOES MY HERO.
1336
01:41:12,699 --> 01:41:17,704
♪ WATCH HIM AS HE GOES.
1337
01:41:17,771 --> 01:41:26,346
♪
♪ THERE GOES MY HERO.
1338
01:41:26,413 --> 01:41:30,384
♪
♪ ♪ ♪
1339
01:41:30,451 --> 01:41:35,989
♪ ♪ ♪
TAYLOR HAWKINS ON THE DRUMS
1340
01:41:36,056 --> 01:41:38,025
RIGHT NOW.
1341
01:41:38,091 --> 01:41:42,396
♪ THERE GOES MY HERO.
1342
01:41:42,463 --> 01:41:50,337
♪ THERE GOES MY HERO.
1343
01:41:50,404 --> 01:42:02,416
♪ ♪ ♪
( APPLAUSE )
1344
01:42:02,483 --> 01:42:14,361
♪ ♪ ♪
♪ ♪ ♪
1345
01:42:14,428 --> 01:42:18,465
♪ ♪ ♪
>> ♪ NOT A DAY
1346
01:42:18,532 --> 01:42:28,742
GOES BY
♪ NOT A SINGLE DAY
1347
01:42:28,809 --> 01:42:32,112
BUT YOU'RE SOMEWHERE A
♪ PART OF MY LIFE
1348
01:42:32,179 --> 01:42:45,859
AND IT LOOKS LIKE YOU'LL STAY
♪ AS THE DAYS GO BY
1349
01:42:45,926 --> 01:42:50,197
I KEEP THINKING,
♪ WHEN DOES IT END
1350
01:42:50,264 --> 01:42:54,001
WHERE'S THE DAY I'LL
♪ HAVE STARTED
1351
01:42:54,067 --> 01:42:57,871
FORGETTING?
1352
01:42:57,938 --> 01:43:00,007
♪ BUT I JUST GO ON THINKING
AND SWEATING
1353
01:43:00,073 --> 01:43:04,478
♪ AND CURSING AND CRYING
AND TURNING
1354
01:43:04,545 --> 01:43:06,079
♪ AND REACHING
AND WAKING
1355
01:43:06,146 --> 01:43:11,885
♪ AND DYING
AND, NO
1356
01:43:11,952 --> 01:43:21,929
♪ NOT A DAY GOES BY
NOT A BLESSED DAY
1357
01:43:21,995 --> 01:43:29,870
♪ BUT YOU'RE STILL SOMEHOW
PART OF MY LIFE
1358
01:43:29,937 --> 01:43:44,818
AND YOU WON'T GO AWAY ♪
♪ ISN'T IT RICH?
1359
01:43:44,885 --> 01:43:45,919
AND YOU WON'T GO AWAY ♪
♪ ISN'T IT RICH?
1360
01:43:45,986 --> 01:43:49,523
ARE WE A PAIR?
1361
01:43:49,590 --> 01:43:57,931
♪ ME HERE AT LAST ON THE GROUND
YOU IN MID-AIR
1362
01:43:57,998 --> 01:44:10,010
♪ SEND IN THE CLOWNS
ISN'T IT BLISS?
1363
01:44:10,077 --> 01:44:14,014
♪ NOT A DAY GOES BY
DON'T YOU APPROVE?
1364
01:44:14,081 --> 01:44:18,485
♪ NOT A SINGLE DAY
ONE WHO KEEPS TEARING AROUND
1365
01:44:18,552 --> 01:44:21,989
♪ ONE WHO CAN'T MOVE
BUT YOU'RE SOMEWHERE A
1366
01:44:22,055 --> 01:44:25,993
♪ PART OF MY LIFE
WHERE ARE THE CLOWNS?
1367
01:44:26,059 --> 01:44:40,941
♪ AND IT LOOKS LIKE YOU'LL STAY
SEND IN THE CLOWNS
1368
01:44:41,008 --> 01:44:50,017
♪ AND IT LOOKS LIKE YOU'LL STAY
SEND IN THE CLOWNS
1369
01:44:50,083 --> 01:45:01,395
♪ ♪ ♪
♪ BUT I JUST GO ON
1370
01:45:01,461 --> 01:45:03,230
JUST WHEN I'D STOPPED
♪ OPENING DOORS
1371
01:45:03,296 --> 01:45:05,565
THINKING AND SWEATING AND
CURSING AND CRYING
1372
01:45:05,632 --> 01:45:08,835
♪ THINKING AND REACHING AND
WAKING AND DYING
1373
01:45:08,902 --> 01:45:11,405
♪ FINALLY KNOWING THE ONE THAT I
WANTED WAS YOURS
1374
01:45:11,471 --> 01:45:13,774
I'LL DIE
♪ MAKING MY ENTRANCE AGAIN
1375
01:45:13,840 --> 01:45:21,381
WITH MY USUAL FLAIR
♪ DAY AFTER DAY AFTER DAY
1376
01:45:21,448 --> 01:45:25,252
AFTER DAY
♪ SURE OF MY LINES
1377
01:45:25,318 --> 01:45:33,193
TILL THE DAYS GO BY
♪ NO ONE IS THERE
1378
01:45:33,260 --> 01:45:37,230
TILL THE DAYS GO BY ♪
♪ THERE'S A
1379
01:45:37,297 --> 01:45:40,267
PLACE FOR US
♪ DON'T YOU LOVE FARCE
1380
01:45:40,333 --> 01:45:43,470
SOMEWHERE
♪ MY FAULT, I FEAR
1381
01:45:43,537 --> 01:45:45,172
A PLACE FOR US
♪ I THOUGHT THAT YOU'D WANT
1382
01:45:45,238 --> 01:45:49,242
PEACE AND QUIET
♪ WHAT I WANT
1383
01:45:49,309 --> 01:45:51,378
AND OPEN AIR
♪ SORRY, MY DEAR
1384
01:45:51,445 --> 01:45:57,050
WAITS FOR US
♪ BUT WHERE ARE THE CLOWNS?
1385
01:45:57,117 --> 01:45:59,553
SOMEWHERE
♪ QUICK, SEND IN THE CLOWNS
1386
01:45:59,619 --> 01:46:01,221
DON'T BOTHER
♪ THERE'S A
1387
01:46:01,288 --> 01:46:03,190
THERE'S A
THEY'RE HERE
1388
01:46:03,256 --> 01:46:07,994
♪ TIME FOR US
TIME FOR US
1389
01:46:08,061 --> 01:46:12,699
♪ SOMEDAY, A
♪ TIME FOR US
1390
01:46:12,766 --> 01:46:20,640
♪ TIME TOGETHER
WITH TIME TO SPARE
1391
01:46:20,707 --> 01:46:24,911
♪ TIME TO LEARN
TIME TO CARE
1392
01:46:24,978 --> 01:46:32,586
♪ SOMEDAY
SOMEWHERE
1393
01:46:32,652 --> 01:46:36,690
♪ WE'LL FIND A NEW
WAY OF LIVING
1394
01:46:36,757 --> 01:46:42,696
♪ WE'LL FIND A WAY
OF FORGIVING
1395
01:46:42,763 --> 01:46:54,674
♪ SOMEWHERE
THERE'S A
1396
01:46:54,741 --> 01:47:02,849
♪ PLACE FOR US
A TIME AND PLACE FOR US
1397
01:47:02,916 --> 01:47:10,457
♪ HOLD MY HAND AND
WE'RE HALFWAY THERE
1398
01:47:10,524 --> 01:47:14,795
♪ HOLD MY HAND AND
I'LL TAKE YOU THERE
1399
01:47:14,861 --> 01:47:22,803
♪ SOMEHOW
SOMEDAY
1400
01:47:22,869 --> 01:47:34,815
♪ SOMEWHERE
SOMEWHERE ♪
1401
01:47:34,881 --> 01:47:40,220
( CHEERS AND APPLAUSE )
SW SPECIAL THANKS TO BEN PLATT,
1402
01:47:40,287 --> 01:47:43,056
CYNTHIA ENRIVO, RACHEL ZEGLER,
LESLEY
1403
01:47:50,063 --> 01:47:51,798
>> Announcer: THIS YEAR'S
LEADING NOMINEE, JON BATISTE,
1404
01:47:51,865 --> 01:47:52,532
PERFORMS NEXT.
1405
01:47:52,599 --> 01:47:54,601
THIS IS CBS.
1406
01:48:05,612 --> 01:48:08,215
( APPLAUSE )
>> Trevor: OUR NEXT PERFORMER IS
1407
01:48:08,281 --> 01:48:13,119
UP FOR MORE GRAMMYS THAN ANY
OTHER ARTIST THIS YEAR.
1408
01:48:13,186 --> 01:48:15,455
. HE'S ALREADY WON FOUR
AWARDS JUST TODAY.
1409
01:48:15,522 --> 01:48:19,993
AND HE'S STILL UP FOR RECORD AND
HERE TO SHOW US ALL WHY: JON
1410
01:48:20,060 --> 01:48:20,760
ALBUM OF THE YEAR.
1411
01:48:20,827 --> 01:48:21,561
HERE TO SHOW US WHY IS THE ONE
AND
1412
01:48:21,628 --> 01:48:22,529
HERE TO SHOW US ALL WHY: JON
BATISTE!
1413
01:48:22,596 --> 01:48:37,477
( CHEERS AND APPLAUSE )
♪ ♪ ♪
1414
01:48:37,544 --> 01:48:38,278
( CHEERS AND APPLAUSE )
♪ ♪ ♪
1415
01:48:38,345 --> 01:48:46,319
♪ ♪ ♪
♪ ♪ ♪
1416
01:48:46,386 --> 01:48:54,327
♪ ♪ ♪
♪ ♪ ♪
1417
01:48:54,394 --> 01:49:02,335
♪ ♪ ♪
♪ ♪ ♪
1418
01:49:02,402 --> 01:49:14,347
♪ ♪ ♪
♪ ♪ ♪
1419
01:49:14,414 --> 01:49:19,753
♪ ♪ ♪
♪ ♪ ♪
1420
01:49:19,819 --> 01:49:24,958
♪ ♪ ♪
♪ WHEN I MOVE MY BODY
1421
01:49:25,025 --> 01:49:26,159
JUST LIKE THIS
♪ I DON'T KNOW WHY
1422
01:49:26,226 --> 01:49:29,729
BUT I FEEL LIKE
♪ ♪ ♪
1423
01:49:29,796 --> 01:49:31,831
♪ FREEDOM
I HEAR A SONG
1424
01:49:31,898 --> 01:49:34,301
♪ THAT TAKES ME BACK
AND I LET GO
1425
01:49:34,367 --> 01:49:38,338
♪ WITH SO MUCH
FREEDOM
1426
01:49:38,405 --> 01:49:41,107
♪ FREE TO LIVE
HOW I WANNA LIVE
1427
01:49:41,174 --> 01:49:42,442
♪ I'M GON GET
WHAT I'M GONNA GET
1428
01:49:42,509 --> 01:49:46,379
♪ 'CAUSE IT'S MY
FREEDOM
1429
01:49:46,446 --> 01:49:50,450
♪ I LOVE HOW YOU
SPEAKING MY LANGUAGE
1430
01:49:50,517 --> 01:49:56,122
♪ THE WAY THAT YOU WALK
YOU CAN'T CONTAIN IT
1431
01:49:56,189 --> 01:49:58,425
♪ IS IT THE SHOES
JUMPED UP KANGAROO
1432
01:49:58,491 --> 01:50:02,429
♪ WE'RE OVER DUE
FOR A LITTLE MORE
1433
01:50:02,495 --> 01:50:06,166
♪ PRANCING
NOW IT'S YOUR TIME
1434
01:50:06,232 --> 01:50:07,734
♪ IT'S YOUR RIGHT
YOU CAN SHINE
1435
01:50:07,801 --> 01:50:10,437
♪ IT'S ALRIGHT
IF YOU DO
1436
01:50:10,503 --> 01:50:16,876
♪ I'MA DO TOO
WHEN I MOVE MY BODY
1437
01:50:16,943 --> 01:50:18,878
♪ JUST LIKE THIS
I DON'T KNOW WHY
1438
01:50:18,945 --> 01:50:22,882
♪ BUT I FEEL LIKE
FREEDOM
1439
01:50:22,949 --> 01:50:25,852
♪ I HEAR A SONG
THAT TAKES ME BACK
1440
01:50:25,919 --> 01:50:28,888
♪ AND I LET GO
WITH SO MUCH
1441
01:50:28,955 --> 01:50:32,892
♪ FREEDOM
FREE TO LIVE
1442
01:50:32,959 --> 01:50:35,095
♪ HOW I WANNA LIVE
I'M GON GET
1443
01:50:35,161 --> 01:50:38,298
♪ WHAT I'M GONNA GET
'CAUSE IT'S MY
1444
01:50:38,365 --> 01:50:40,867
♪ FREEDOM
THE REASON WE GET DOWN
1445
01:50:40,934 --> 01:50:44,871
♪ IS TO GET BACK UP
IF SOMEONE'S AROUND
1446
01:50:44,938 --> 01:50:48,875
♪ GO ON LET THEM LOOK
YOU CAN'T STAND STILL
1447
01:50:48,942 --> 01:50:54,047
♪ THIS AIN'T NO DRILL
MORE THAN CHEAP THRILLS
1448
01:50:54,114 --> 01:50:56,883
♪ FEELS LIKE MONEY, MONEY
MONEY, MONEY, MONEY
1449
01:50:56,950 --> 01:50:58,651
♪ NOW IT'S YOUR TIME
IT'S YOUR RIGHT
1450
01:50:58,718 --> 01:51:00,954
♪ YOU CAN SHINE
IT'S ALRIGHT
1451
01:51:01,021 --> 01:51:04,958
♪ IF YOU DO
I'MA DO TOO
1452
01:51:05,025 --> 01:51:19,906
♪ 'CAUSE WHEN I LOOK UP TO THE
♪ ♪ ♪
1453
01:51:19,973 --> 01:51:26,046
♪ 'CAUSE WHEN I LOOK UP TO THE
♪ ♪ ♪
1454
01:51:26,112 --> 01:51:28,815
♪ 'CAUSE WHEN I LOOK UP TO THE
STARS
1455
01:51:28,882 --> 01:51:32,619
♪ STARS
I KNOW EXACTLY WHO WE ARE
1456
01:51:32,685 --> 01:51:34,387
♪ 'CAUSE THEN
OOH
1457
01:51:34,454 --> 01:51:40,960
♪ I SEE YOU SHINE YOU SHININ'
YOU SHININ' OH!
1458
01:51:41,027 --> 01:51:48,968
♪ ♪ ♪
♪ ♪ ♪
1459
01:51:49,035 --> 01:51:52,072
♪ ♪ ♪
♪ ♪ ♪
1460
01:51:52,138 --> 01:51:56,943
♪ EVERYBODY COME 'ROUND
EVERYBODY COME 'ROUND
1461
01:51:57,010 --> 01:52:03,116
♪ FREEDOM
♪ COME ON NOW,
1462
01:52:03,183 --> 01:52:11,124
♪ LET ME SEE YOU WOBBLE
EVERYTHING GET OFF YOUR SEAT, I
1463
01:52:11,191 --> 01:52:15,662
DON'T CARE IF YOU GOT MONEY, I
GOT MONEY TOO.
1464
01:52:15,728 --> 01:52:26,139
♪ ♪ ♪
♪ LET ME SEE YOU WOBBLE
1465
01:52:26,206 --> 01:52:29,509
♪ LET ME SEE YOU SHAKE
♪ I WANT YOU TO GIVE YOUR
1466
01:52:29,576 --> 01:52:34,147
BLESSING RIGHT NOW.
1467
01:52:34,214 --> 01:52:44,157
♪
♪ ♪ ♪
1468
01:52:44,224 --> 01:52:50,163
♪ ♪ ♪
♪ ♪ ♪
1469
01:52:50,230 --> 01:52:54,567
♪ LET ME SEE YOU WOBBLE
♪ LET ME SEE YOU SHAKE
1470
01:52:54,634 --> 01:52:56,169
♪ IF NOBODYEVER CHANGE, CONVINCE
YOU TO BE WHO ARE YOU.
1471
01:52:56,236 --> 01:52:58,771
♪ I'M GIVING IT TO YOU RIGHT
NOW.
1472
01:52:58,838 --> 01:53:03,643
BE YOURSELF.
1473
01:53:03,710 --> 01:53:06,980
♪
♪ LET ME SEE YOU WOBBLE
1474
01:53:07,046 --> 01:53:07,780
WHEN I MOVE MY BODY JUST LIKE
THIS.
1475
01:53:07,847 --> 01:53:11,451
♪ I DON'T KNOW WHY BUT I FEEL
LIKE.
1476
01:53:11,518 --> 01:53:15,688
♪
FREEDOM ♪
1477
01:53:15,755 --> 01:53:30,637
( CHEERS AND APPLAUSE )
>> Announcer: FOLLOW AT THE
1478
01:53:30,703 --> 01:53:32,205
( CHEERS AND APPLAUSE )
>> Announcer: FOLLOW AT THE
1479
01:53:35,375 --> 01:53:43,416
THE RECORDINGACADEMY
COMING UP, JUSTIN BIEBER
1480
01:53:43,483 --> 01:53:48,788
PERFORMS, AND H.E.R. TAKES THE
STAGE WITH JAM AND LEWIS AND
1481
01:53:48,855 --> 01:53:49,989
TRAVIS BARKER.
1482
01:53:50,056 --> 01:53:54,294
THE GRAMMY AWARDS FROM THE
M.G.M. GRAND GARDEN ARENA.
1483
01:53:54,360 --> 01:53:54,961
THIS IS CBS.
1484
01:53:59,065 --> 01:54:01,367
>> Announcer: ABOUT TO TAKE THE
GRAMMY STAGE, JUSTIN
1485
01:54:01,434 --> 01:54:02,669
BIEBER.
1486
01:54:02,735 --> 01:54:03,736
THIS IS CBS.
1487
01:54:09,142 --> 01:54:12,445
( CHEERS AND APPLAUSE )
♪ ♪ ♪
1488
01:54:12,512 --> 01:54:13,713
>> Trevor: WE'RE BACK, WE'RE
STILL AT THE GRAMMYS HAVING A
1489
01:54:13,780 --> 01:54:16,683
GREAT TIME, ARE YOU GUYS HAVING
A GOOD TIME?
1490
01:54:16,749 --> 01:54:17,517
YEAH.
1491
01:54:17,584 --> 01:54:19,285
I THINK WE'RE ALL HAVING A GREAT
TIME.
1492
01:54:19,352 --> 01:54:22,689
I DON'T KNOW IF YOU REMEMBER
THIS BUT BEFORE COVID THERE WAS
1493
01:54:22,755 --> 01:54:26,025
BIEBER FEVER, AND I DON'T CARE
WHAT ANYBODY SAYS, MAN, THAT SLY
1494
01:54:26,092 --> 01:54:28,695
RUSS WAS A LOT MORE FUN.
1495
01:54:28,761 --> 01:54:34,701
NOMINATED FOR AN INCREDIBLE
EIGHT GRAMIES T IS TIME TO
1496
01:54:34,767 --> 01:54:40,707
WELCOME-- WELCOME DANIEL CAESAR,
GIVEON AND JUSTIN BIEBER.
1497
01:54:40,773 --> 01:54:54,220
( CHEERS AND APPLAUSE )
♪ ♪ ♪
1498
01:54:54,287 --> 01:55:00,727
>> ♪ I GOT MY PEACHES OUT IN
GEORGIA
1499
01:55:00,793 --> 01:55:05,331
( CHEERS AND APPLAUSE )
♪ OH, YEAH
1500
01:55:05,398 --> 01:55:13,406
I GET MY WEED FROM CALIFORNIA
♪ I TOOK MY CHICK UP TO THE
1501
01:55:13,473 --> 01:55:21,381
NORTH, YEAH, BADASS
♪ I GET MY LIGHT RIGHT FROM THE
1502
01:55:21,447 --> 01:55:28,855
SOURCE, YEAH
♪ YEAH, THAT'S IT
1503
01:55:28,921 --> 01:55:37,063
AND I SEE
♪ YOU THE WAY I BREATHE YOU IN
1504
01:55:37,130 --> 01:55:41,401
IT'S THE TEXTURE OF YOUR
♪ SKIN I WANNA WRAP MY ARMS
1505
01:55:41,467 --> 01:55:49,409
AROUND YOU, BABY
♪ NEVER LET YOU GO OH AND I SAY
1506
01:55:49,475 --> 01:55:57,383
OH THERE'S NOTHING LIKE YOUR
♪ TOUCH IT'S THE WAY
1507
01:55:57,450 --> 01:56:05,391
YOU LIFT ME UP
♪ AND I'LL BE
1508
01:56:05,458 --> 01:56:09,462
RIGHT HERE WITH YOU 'TIL THE END
♪ I GET MY PEACHES
1509
01:56:09,529 --> 01:56:24,410
OUT IN GEORGIA OH, YEAH,
♪ I GET MY WEED FROM CALIFORNIA
1510
01:56:24,477 --> 01:56:25,478
OUT IN GEORGIA OH, YEAH,
♪ I GET MY WEED FROM CALIFORNIA
1511
01:56:25,545 --> 01:56:31,484
I TOOK MY CHICK UP TO THE NORTH
♪ YEAH, BADASS
1512
01:56:31,551 --> 01:56:37,457
I GET MY LIGHT RIGHT FROM THE
♪ SOURCE, YEAH
1513
01:56:37,523 --> 01:56:49,068
YEAH, THAT'S IT
( CHEERS AND APPLAUSE )
1514
01:56:49,135 --> 01:56:53,473
♪ ♪ ♪
♪ I GOT MY PEACHES OUT IN
1515
01:56:53,539 --> 01:56:54,774
GEORGIA
♪ OH, YEAH,
1516
01:56:54,841 --> 01:56:57,243
I GET MY WEED FROM CALIFORNIA
I TOOK MY CHICK UP TO THE
1517
01:56:57,310 --> 01:56:58,411
♪ NORTH, YEAH BADASS
I GET MY
1518
01:56:58,478 --> 01:56:59,912
♪ LIGHT RIGHT FROM THE
SOURCE, YEAH
1519
01:56:59,979 --> 01:57:01,447
♪ YEAH, THAT'S IT
AND I SEE
1520
01:57:01,514 --> 01:57:05,451
♪ YOU OH THE WAY
I BREATHE YOU IN
1521
01:57:05,518 --> 01:57:08,588
♪ IT'S THE TEXTURE OF YOUR
SKIN I WANNA WRAP MY ARMS
1522
01:57:08,654 --> 01:57:11,157
♪ AROUND YOU BABY
NEVER LET YOU GO OH AND I SAY
1523
01:57:11,224 --> 01:57:17,430
♪ OH THERE'S NOTHING LIKE YOUR
TOUCH IT'S THE WAY YOU
1524
01:57:17,497 --> 01:57:19,532
♪ LIFT ME UP
YEAH AND I'LL BE
1525
01:57:19,599 --> 01:57:21,501
♪ RIGHT HERE WITH YOU
'TIL THE END
1526
01:57:21,567 --> 01:57:23,736
♪ I GOT MY PEACHES
OUT IN GEORGIA
1527
01:57:23,803 --> 01:57:25,538
♪ OH, YEAH
I GET MY WEED FROM CALIFORNIA
1528
01:57:25,605 --> 01:57:28,708
♪ THAT'S THAT
I TOOK MY CHICK UP TO THE
1529
01:57:28,775 --> 01:57:30,710
♪ NORTH, YEAH BADASS
I GET MY LIGHT RIGHT FROM
1530
01:57:30,777 --> 01:57:36,082
♪ THE SOURCE, YEAH
YEAH, THAT'S IT
1531
01:57:36,149 --> 01:57:40,319
♪ YOU AIN'T SURE YET
BUT I'M FOR YA
1532
01:57:40,386 --> 01:57:43,523
♪ ALL I COULD WANT, ALL I CAN
WISH FOR NIGHTS ALONE
1533
01:57:43,589 --> 01:57:47,460
♪ THAT WE MISS MORE
AND DAYS WE SAVE AS SOUVENIRS
1534
01:57:47,527 --> 01:57:49,529
♪ THERE'S NO TIME
I WANNA MAKE MORE
1535
01:57:49,595 --> 01:57:53,533
♪ TIME AND GIVE YOU MY WHOLE
LIFE
1536
01:57:53,599 --> 01:57:58,838
♪ I LEFT MY GIRL, I'M IN
MALLORCA
1537
01:57:58,905 --> 01:58:04,310
♪ HATE TO LEAVE HER,
CALL IT TORTURE
1538
01:58:04,377 --> 01:58:09,615
♪ REMEMBER WHEN I COULDN'T
HOLD HER
1539
01:58:09,682 --> 01:58:16,589
♪ LEFT HER BAGGAGE FOR RIMOWA
♪ I GOT MY PEACHES
1540
01:58:16,656 --> 01:58:18,925
OUT IN GEORGIA
♪ OH, YEAH
1541
01:58:18,991 --> 01:58:20,927
I GET MY WEED FROM CALIFORNIA
♪ THAT'S THAT
1542
01:58:20,993 --> 01:58:22,628
I TOOK MY CHICK UP TO THE
♪ NORTH, YEAH
1543
01:58:22,695 --> 01:58:24,230
BADASS
♪ I GET MY LIGHT RIGHT FROM
1544
01:58:24,297 --> 01:58:25,898
THE SOURCE, YEAH
♪ YEAH, THAT'S IT
1545
01:58:25,965 --> 01:58:28,801
I GET THE FEELING, SO I'M
♪ SURE SURE
1546
01:58:28,868 --> 01:58:31,704
HAND IN MY HAND BECAUSE I'M
♪ YOURS I CAN'T I CAN'T PRETEND
1547
01:58:31,771 --> 01:58:33,706
I CAN'T IGNORE
♪ YOU'RE RIGHT FOR ME DON'T
1548
01:58:33,773 --> 01:58:38,010
THINK YOU WANNA
♪ KNOW JUST WHERE I'VE BEEN OH
1549
01:58:38,077 --> 01:58:41,581
DONE BEING DISTRACTED
♪ THE ONE I NEED IS RIGHT IN MY
1550
01:58:41,647 --> 01:58:43,616
ARMS OH YOUR
♪ KISSES TASTE THE SWEETEST
1551
01:58:43,683 --> 01:58:45,618
WITH MINE AND I'LL BE
♪ RIGHT HERE WITH YOU
1552
01:58:45,685 --> 01:58:48,254
'TIL END OF TIME
♪ I GOT MY PEACHES
1553
01:58:48,321 --> 01:58:49,655
OUT IN GEORGIA
♪ OH, YEAH,
1554
01:58:49,722 --> 01:58:54,760
I GET MY WEED FROM CALIFORNIA
I TOOK MY CHICK UP TO THE
1555
01:58:54,827 --> 01:58:56,429
♪ NORTH, YEAH BADASS I GET MY
LIGHT RIGHT FROM THE
1556
01:58:56,496 --> 01:58:57,663
♪ SOURCE, YEAH
YEAH, THAT'S IT
1557
01:58:57,730 --> 01:59:01,634
♪ I GOT MY PEACHES OUT IN
GEORGIA
1558
01:59:01,701 --> 01:59:03,769
I GET MY WEED FROM CALIFORNIA
♪ THAT'S THAT
1559
01:59:03,836 --> 01:59:05,605
I TOOK MY CHICK UP TO THE
♪ NORTH, YEAH BADASS
1560
01:59:05,671 --> 01:59:13,646
I GET MY LIGHT RIGHT FROM THE
♪ SOURCE, YEAH
1561
01:59:13,713 --> 01:59:19,685
♪ ♪ ♪
♪ ♪ ♪
1562
01:59:19,752 --> 01:59:29,662
♪ ♪ ♪
♪ ♪ ♪
1563
01:59:29,729 --> 01:59:34,300
♪ ♪ ♪
( CHEERS AND APPLAUSE )
1564
01:59:34,367 --> 01:59:40,673
>> Trevor: GIVE IT UP.
1565
01:59:40,740 --> 01:59:46,646
(APPLAUSE)
( CHEERS AND APPLAUSE )
1566
01:59:46,712 --> 01:59:53,452
>> Announcer: STILL TO COME:
H.E.R.; PLUS, THE GRAMMY AWARDS
1567
01:59:53,519 --> 01:59:56,155
FOR RECORD AND ALBUM OF THE
YEAR.
1568
01:59:56,222 --> 01:59:59,792
BUT UP NEXT, CARRIE UNDERWOOD;
AND LATER, BROTHERS OSBORNE
1569
01:59:59,859 --> 02:00:02,128
TAKES US HOME.
1570
02:00:02,194 --> 02:00:03,596
THIS IS CBS.
1571
02:00:10,870 --> 02:00:12,972
>> Announcer: SHE PERFORMED AT
THE GRAMMYS AND EARNED HER FIRST
1572
02:00:13,039 --> 02:00:22,682
NOMINATIONS BEFORE SHE EVEN
TURNED 20: AVRIL LAVIGNE.
1573
02:00:22,748 --> 02:00:23,849
>> AND NOW, A GRAMMY AWARD
THAT'S ALL ABOUT WHAT WE CAN DO
1574
02:00:23,916 --> 02:00:32,091
WHEN WE PUT OUR VOICES TOGETHER.
1575
02:00:32,158 --> 02:00:44,170
THESE ARE THE NOMINEES FOR BEST
POP DUO/GROUP PERFORMANCE.
1576
02:00:44,236 --> 02:00:56,115
>> Announcer: BEST POP DUO/GROUP
PERFORMANCE.
1577
02:00:56,182 --> 02:01:08,160
♪ ♪ ♪
♪ ♪ ♪
1578
02:01:08,227 --> 02:01:14,600
♪ ♪ ♪
♪ ♪ ♪
1579
02:01:41,761 --> 02:01:49,435
♪ ♪ ♪
>> AND THE GRAMMY GOES TO:
1580
02:01:49,502 --> 02:01:55,474
"KISS ME MORE," DOJA CAT & SZA.
1581
02:01:55,541 --> 02:02:10,423
( CHEERS AND APPLAUSE )
♪ ♪ ♪
1582
02:02:10,489 --> 02:02:17,396
( CHEERS AND APPLAUSE )
♪ ♪ ♪
1583
02:02:17,463 --> 02:02:22,568
>> YOU WENT TO THE BATHROOM FOR
FIVE MINUTES, ARE YOU SERIOUS?
1584
02:02:22,635 --> 02:02:28,607
COME ON NOW.
1585
02:02:28,674 --> 02:02:38,584
I HAVE NEVER TAKEN SUCH A
FAST-- IN MY WHOLE LIFE.
1586
02:02:38,651 --> 02:02:45,591
THANK YOU EVERYBODY.
1587
02:02:45,658 --> 02:02:47,526
(LAUGHTER)
I REALLY APPRECIATE IT.
1588
02:02:47,593 --> 02:02:55,668
THANK YOU TO EVERYBODY, MY
FAMILY, MY TEAM, I WOULDN'T BE
1589
02:02:55,735 --> 02:02:59,038
HERE WITHOUT YOU AND I WOULDN'T
BE HERE WITHOUT MY FANS.
1590
02:02:59,105 --> 02:03:03,809
AND YOU KNOW WHAT, SZA, YOU ARE
EVERYTHING TO ME.
1591
02:03:03,876 --> 02:03:04,944
YOU ARE INCREDIBLE.
1592
02:03:05,010 --> 02:03:11,450
YOU ARE THE EPITOME OF TALENT,
YOU'RE A LYRICIST, YOU ARE
1593
02:03:11,517 --> 02:03:11,851
EVERYTHING.
1594
02:03:11,917 --> 02:03:13,119
>> THANK YOU.
1595
02:03:13,185 --> 02:03:16,455
>> AND I NEED YOU, I NEED YOU TO
SAY SOMETHING, SOMETHING, PLEASE
1596
02:03:16,522 --> 02:03:17,690
GIVE THEM SOMETHING.
1597
02:03:17,757 --> 02:03:20,960
>> THANK YOU, DOJA, THANK YOU TO
MY MAMA, THANK YOU TO GOD AND
1598
02:03:21,026 --> 02:03:21,727
JUST THANK ALL OF Y'ALL.
1599
02:03:21,794 --> 02:03:25,998
I'M GLAD YOU MADE IT BACK IN
TIME.
1600
02:03:26,065 --> 02:03:38,010
(APPLAUSE)
(APPLAUSE)
1601
02:03:38,077 --> 02:03:44,717
>> DAMN..
1602
02:03:44,784 --> 02:03:59,665
>> I LIKE TO-- THIS IS A BIG
DEAL.
1603
02:03:59,732 --> 02:04:13,245
>> I LIKE TO-- THIS IS A BIG
DEAL.
1604
02:04:13,312 --> 02:04:14,914
(APPLAUSE)
THANK YOU EVERYBODY.
1605
02:04:14,980 --> 02:04:16,615
BE SAFE.
1606
02:04:16,682 --> 02:04:25,791
TAKE CARE.
1607
02:04:25,858 --> 02:04:26,592
(APPLAUSE).
1608
02:04:26,659 --> 02:04:27,893
>> Trevor: OH MAN, THAT WAS SO
TENSE.
1609
02:04:27,960 --> 02:04:32,598
I THOUGHT DOJA GOING TO AT
BATHROOM, ISN'T IT YOUR AWARD,
1610
02:04:32,665 --> 02:04:33,098
IT'S FINE WHAT?
1611
02:04:33,165 --> 02:04:34,233
S THAT WEIGH CRAZY.
1612
02:04:34,300 --> 02:04:37,570
ALL RIGHT TO INTRODUCE OUR NEXT
ARTIST IS HER ROAD TO A
1613
02:04:37,636 --> 02:04:40,406
>> Trevor: TO INTRODUCE OUR NEXT
ARTIST IS HER ROAD MANAGER.
1614
02:04:40,472 --> 02:04:41,640
TO ME, ROAD MANAGERS HAVE THE
HARDEST JOB IN THE BUSINESS.
1615
02:04:41,707 --> 02:04:44,877
THEY'RE THE ONE WHO HAVE TO GO
DOWN THE FRONT DESK AND PRETEND
1616
02:04:44,944 --> 02:04:53,919
THEIR BAND DIDN'T TRASH THEIR
HOTEL ROOMS.
1617
02:04:53,986 --> 02:04:57,923
IT'S NOW MY PLEASURE TO
INTRODUCE H.E.R.'S TOUR MANAGER,
1618
02:04:57,990 --> 02:05:04,530
MISHA HEDMAN MAYES.
1619
02:05:06,031 --> 02:05:08,701
>> BACK IN 2008, I MET THIS NEXT
EXTRAORDINARY ARTIST.
1620
02:05:08,767 --> 02:05:12,771
AT THE TIME, SHE WAS ONLY 11
YEARS OLD.
1621
02:05:12,838 --> 02:05:17,042
BACK THEN, SHE DIDN'T HAVE FIVE
BACK THEN, SHE DIDN'T HAVE SIX
1622
02:05:17,109 --> 02:05:18,277
GRAMMYS, AND NOT EVEN ONE OSCAR.
1623
02:05:18,344 --> 02:05:20,779
BUT IT WAS CLEAR TO ME SHE HAD
SOMETHING JUST AS PRECIOUS: THE
1624
02:05:20,846 --> 02:05:25,618
GIFTS, THE TALENT, AND THE DRIVE
TO PERHAPS BECOME ONE OF ALL-
1625
02:05:25,684 --> 02:05:28,754
TIME GREATS, WHICH IS WHO SHE IS
TODAY.
1626
02:05:28,821 --> 02:05:29,955
OVER THE YEARS, SHE'S BECOME
AND AS HER TOUR MANAGER, MY GOAL
1627
02:05:30,022 --> 02:05:31,457
AND MY DAY-TO-DAY JOB IS TO
ENSURE HER PERFORMANCES AND
1628
02:05:31,523 --> 02:05:34,627
TOURS GO SMOOTHLY AND HANDLE ANY
OBSTACLES IN HER WAY.
1629
02:05:34,693 --> 02:05:43,435
AND ON THE ROAD, THERE ARE
ALWAYS OBSTACLES.
1630
02:05:43,502 --> 02:05:48,774
SHE IS HERE TO TAKE US ON A
MUSICAL JOURNEY REFLECTING SOME
1631
02:05:48,841 --> 02:05:51,877
AS WITH THE HELP OF JIMMY JAM,
CARRIE LEWIS, TRAVIS BARKER AND
1632
02:05:51,944 --> 02:05:53,078
LENNY KRAVITZ.
1633
02:05:53,145 --> 02:05:53,679
LET'S HEAR IT FOR MY BEAUTIFUL
BOSS AND FRIEND WHO JUST WON A
1634
02:05:53,746 --> 02:06:00,486
NEW GRAMMY TONIGHT, H.E.R.
1635
02:06:00,552 --> 02:06:01,086
( CHEERS AND APPLAUSE )
♪ ♪ ♪
1636
02:06:05,257 --> 02:06:09,194
♪ ♪ ♪
IF YOU GOT IT,
1637
02:06:09,261 --> 02:06:10,996
♪ IT AIN'T A QUESTION
OOH, IT AIN'T NO ROOM
1638
02:06:11,063 --> 02:06:13,198
♪ FOR GUESSING
NO MORE THAN
1639
02:06:13,265 --> 02:06:17,202
♪ EMOTIONALLY INVESTED
SHOWING YOU
1640
02:06:17,269 --> 02:06:21,206
♪ ALL MY IMPERFECTIONS
OH, IF I LET YOU
1641
02:06:21,273 --> 02:06:29,214
♪ YOU'LL TAKE ME FOR GRANTED
YEAH IF I'M WORTH MORE
1642
02:06:29,281 --> 02:06:31,250
♪ THAN YOU COULD MANAGE
MANAGE YEAH
1643
02:06:31,317 --> 02:06:34,353
♪ OPEN WITH ME,
OH WE COULD BE HONEST
1644
02:06:34,420 --> 02:06:37,189
♪ CLOSER TO ME,
OH GIVING ME SOLACE
1645
02:06:37,256 --> 02:06:43,262
♪ PROMISE
THAT YOU WON'T LET ME FALL--
1646
02:06:43,329 --> 02:06:46,265
♪ HOLDING ME TIGHT
LOVING ME RIGHT
1647
02:06:46,332 --> 02:06:47,733
♪ GIVING ME LIFE
ALL NIGHT
1648
02:06:47,800 --> 02:06:52,838
♪ YOU COULD BE
YOU COULD BE
1649
02:06:52,905 --> 02:06:55,574
♪ TELLING ME LIES
MAKING ME CRY
1650
02:06:55,641 --> 02:06:58,177
♪ WASTING MY TIME
THE WHOLE TIME
1651
02:06:58,243 --> 02:07:02,915
♪ SO JUST BE CAREFUL
WHAT YOU TAKE FOR GRANTED
1652
02:07:02,982 --> 02:07:04,783
♪ YEAH,
'CAUSE WITH ME
1653
02:07:04,850 --> 02:07:12,791
♪ KNOW YOU COULD DO DAMAGE
YOU COULD DO DAMAGE
1654
02:07:12,858 --> 02:07:20,799
♪ ♪ ♪
♪ ♪ ♪
1655
02:07:20,866 --> 02:07:35,748
♪ ♪ ♪
♪ ♪ ♪
1656
02:07:35,814 --> 02:07:45,324
♪ ♪ ♪
♪ ♪ ♪
1657
02:07:45,391 --> 02:08:00,272
♪ ♪ ♪
♪ ♪ ♪
1658
02:08:00,339 --> 02:08:08,881
♪ ♪ ♪
♪ ♪ ♪
1659
02:08:08,947 --> 02:08:10,916
( MUSIC BUILDS )
♪ ♪ ♪
1660
02:08:10,983 --> 02:08:25,864
♪ ♪ ♪
HOPIN' THAT WE'D FIND IT
1661
02:08:25,931 --> 02:08:27,166
♪ ♪ ♪
HOPIN' THAT WE'D FIND IT
1662
02:08:32,938 --> 02:08:34,807
♪ LOOKIN'
AT THE SKY LIKE THANK GOD
1663
02:08:34,873 --> 02:08:44,883
♪ THAT YOU'RE WITH ME
YOU'RE WITH ME
1664
02:08:44,950 --> 02:08:47,886
♪ RUN RED LIGHTS
AND FOLLOWING
1665
02:08:47,953 --> 02:08:51,857
♪ THE SIGNS
IT'S BEEN A LONG RIDE
1666
02:08:51,924 --> 02:08:56,628
♪ AND I JUST CAN'T BELIEVE
CAN'T BELIEVE
1667
02:08:56,695 --> 02:09:07,506
♪ WE MADE IT ♪
♪ ♪ ♪
1668
02:09:07,573 --> 02:09:10,909
♪ ♪ ♪
♪ ♪ ♪
1669
02:09:10,976 --> 02:09:16,181
♪ ♪ ♪
♪ I WAS BORN
1670
02:09:16,248 --> 02:09:19,685
LONG AGO
♪ I AM THE CHOSEN
1671
02:09:19,751 --> 02:09:22,921
I'M THE ONE
♪ I HAVE COME
1672
02:09:22,988 --> 02:09:24,957
TO SAVE THE DAY
♪ AND I WON'T LEAVE
1673
02:09:25,023 --> 02:09:29,161
UNTIL I'M DONE
♪ SO THAT'S WHY
1674
02:09:29,228 --> 02:09:32,865
YOU'VE GOT TO TRY
♪ YOU GOT TO BREATHE
1675
02:09:32,931 --> 02:09:36,869
AND HAVE SOME FUN
♪ THOUGH I'M NOT PAID
1676
02:09:36,935 --> 02:09:40,873
I PLAY THIS GAME
♪ AND I WON'T LEAVE
1677
02:09:40,939 --> 02:09:44,877
UNTIL I'M DONE
♪ BUT WHAT I
1678
02:09:44,943 --> 02:09:46,445
REALLY
♪ WANT TO KNOW IS
1679
02:09:46,512 --> 02:09:50,749
ARE YOU GONNA GO MY WAY?
1680
02:09:50,816 --> 02:09:56,889
♪ SAID I GOT TO
GOT TO KNOW
1681
02:09:56,955 --> 02:09:58,357
♪ ♪ ♪
♪ ♪ ♪
1682
02:10:01,026 --> 02:10:03,996
♪ ♪ ♪
♪ ♪ ♪
1683
02:10:08,634 --> 02:10:16,942
♪ ♪ ♪
♪ ♪ ♪
1684
02:10:17,009 --> 02:10:28,153
♪ ♪ ♪
♪ ♪ ♪
1685
02:10:28,220 --> 02:10:32,191
♪ ♪ ♪
♪ ♪ ♪
1686
02:10:32,257 --> 02:10:39,698
♪ ♪ ♪
♪ ♪ ♪
1687
02:10:39,765 --> 02:10:42,935
♪ ARE YOU GONNA GO MY WAY?
1688
02:10:43,001 --> 02:10:45,237
SAID I GOT TO
♪ GOT TO KNOW ♪
1689
02:10:45,304 --> 02:10:48,941
♪ ♪ ♪
♪ GOT TO KNOW ♪
1690
02:10:49,007 --> 02:10:58,984
♪ ♪ ♪
♪ ♪ ♪
1691
02:10:59,051 --> 02:11:13,932
♪ ♪ ♪
( CHEERS AND APPLAUSE )
1692
02:11:13,999 --> 02:11:15,267
♪ ♪ ♪
( CHEERS AND APPLAUSE )
1693
02:11:28,213 --> 02:11:31,516
>> Announcer: TO PRESENT THE
GRAMMY FOR RECORD OF THE YEAR,
1694
02:11:31,583 --> 02:11:34,786
PLEASE WELCOME FOUR-TIME GRAMMY
WINNER, ARTIST, PRODUCER: KEITH
1695
02:11:34,853 --> 02:11:41,059
URBAN.
1696
02:11:41,126 --> 02:11:42,094
>> THANK YOU SO MUCH.
1697
02:11:42,160 --> 02:11:47,299
I'M SUPPOSED TO READ THIS BUT
HOW INSANE WAS THAT?
1698
02:11:47,366 --> 02:11:48,934
THAT WAS CRAZY.
1699
02:11:49,001 --> 02:11:49,701
GOD.
1700
02:11:49,768 --> 02:11:50,936
ALL
>> I HAVE THE HONOR OF SAYING
1701
02:11:51,003 --> 02:11:55,607
THAT EARLIER TODAY, THE GRAMMY
FOR BEST PRODUCER NON-CLASSICAL
1702
02:11:55,674 --> 02:11:57,843
WENT TO JACK ANTONOFF.
1703
02:11:57,909 --> 02:11:59,278
AND SPEAKING OF BIG HONORS, I'M
THRILLED TO NOW PRESENT THE
1704
02:11:59,344 --> 02:12:03,949
GRAMMY AWARD FOR RECORD OF THE
YEAR.
1705
02:12:04,016 --> 02:12:10,589
THIS YEAR'S NOMINEES SPAN
MULTIPLE GENRES AND MANY
1706
02:12:10,656 --> 02:12:16,528
GENERATIONS, FROM TONY BENNETT--
WHO WON THIS AWARD 59 YEARS AGO
1707
02:12:16,595 --> 02:12:21,099
IN 1963-- TO BILLIE EILISH, WHO
WASN'T EVEN BORN UNTIL 2001.
1708
02:12:21,166 --> 02:12:36,048
THESE ARE THE NOMINATIONS FOR
RECORD OF THE YEAR.
1709
02:12:36,114 --> 02:12:44,523
THESE ARE THE NOMINATIONS FOR
RECORD OF THE YEAR.
1710
02:12:44,589 --> 02:12:52,531
♪ ♪ ♪
♪ ♪ ♪
1711
02:12:52,597 --> 02:12:55,734
♪ ♪ ♪
♪ ♪ ♪
1712
02:13:04,676 --> 02:13:12,617
♪ ♪ ♪
♪ ♪ ♪
1713
02:13:12,684 --> 02:13:14,986
♪ ♪ ♪
♪ ♪ ♪
1714
02:13:29,301 --> 02:13:35,307
>> AND THE GRAMMY GOES TO:
"LEAVE THE DOOR OPEN," SILK
1715
02:13:35,374 --> 02:13:50,255
SONIC.
1716
02:13:50,322 --> 02:13:53,225
SONIC.
1717
02:13:53,291 --> 02:14:05,303
( CHEERS AND APPLAUSE )
♪ ♪ ♪
1718
02:14:05,370 --> 02:14:13,311
>> .
1719
02:14:13,378 --> 02:14:17,849
>> COME ON, LISTEN, LISTEN,
LISTEN.
1720
02:14:17,916 --> 02:14:22,354
WE ARE REALLY TRYING OUR HARDEST
TO REMAIN HUMBLE AT THIS POINT,
1721
02:14:22,421 --> 02:14:25,490
OKAY.
1722
02:14:25,557 --> 02:14:36,001
BUT IN THE INDUSTRY WE CALL THAT
A CLEAN SWEEP.
1723
02:14:36,067 --> 02:14:39,571
(APPLAUSE)
>> ALL RIGHT?
1724
02:14:39,638 --> 02:14:43,208
FOR ALL THE OTHER NOMINEES, WE
ALL KNOW WE LOVE Y'ALL, WE LOVE
1725
02:14:43,275 --> 02:14:43,909
Y'ALL, ALL RIGHT.
1726
02:14:43,975 --> 02:14:48,079
DRINKS IS ON SILK SONIC TONIGHT.
1727
02:14:48,146 --> 02:14:49,514
WE GETTING DRUNK.
1728
02:14:49,581 --> 02:14:52,951
I KNOW A LOT OF Y'ALL FANS MIGHT
BE UPSET, WE ARE GOING TO GET
1729
02:14:53,018 --> 02:14:57,422
OUT OF HERE BEFORE THE INTERNET
GETS TO TALKING, BRUNO.
1730
02:14:57,489 --> 02:15:07,632
>> GOD BLESS YOU ALL, GOOD
NIGHT.
1731
02:15:07,699 --> 02:15:09,968
(CHEERS AND APPLAUSE)
>> OH MAN, HOW COULD YOU NOT
1732
02:15:10,035 --> 02:15:11,536
LOVE THESE GUYS,
CONGRATULATIONS, AGAIN.
1733
02:15:11,603 --> 02:15:16,875
YOU KNOW,
>> Trevor: ALMOST EVERY ARTIST
1734
02:15:16,942 --> 02:15:18,143
NOMINATED TONIGHT HAS ONE THING
IN COMMON: A MUSIC TEACHER WHO
1735
02:15:18,210 --> 02:15:19,244
CHANGED THEIR LIFE.
1736
02:15:19,311 --> 02:15:22,280
I'LL NEVER FORGET MY FOURTH
GRADE MUSIC TEACHER, MISS
1737
02:15:22,347 --> 02:15:26,151
REILLY, WHO ONCE TOLD ME,
"HEY, TREV, YOU KNOW TALKING CAN
1738
02:15:26,218 --> 02:15:27,919
ALSO BE A CAREER."
1739
02:15:27,986 --> 02:15:32,057
SO, IT'S MY HONOR RIGHT NOW TO
PUT THE BIG GRAMMY SPOTLIGHT ON
1740
02:15:32,123 --> 02:15:34,159
THE WINNER OF THE MUSIC EDUCATOR
OF THE YEAR AWARD, STEPHEN COX.
1741
02:15:34,226 --> 02:15:38,163
STEPHEN IS THE DIRECTOR OF BANDS
AT EASTLAND HIGH SCHOOL IN
1742
02:15:38,230 --> 02:15:42,167
TEXAS.
1743
02:15:42,234 --> 02:15:44,236
STEPHEN, CONGRATULATIONS.
1744
02:15:44,302 --> 02:15:48,707
I'D ALSO LIKE TO RECOGNIZE THIS
YEAR'S GRAMMY SALUTE TO INDUSTRY
1745
02:15:48,773 --> 02:15:52,744
ICONS AWARD HONOREE ROB
STRINGER, THE SONY MUSIC GROUP
1746
02:15:52,811 --> 02:15:56,481
CHAIRMAN.
1747
02:15:56,548 --> 02:15:58,550
CONGRATULATIONS, ROB.
1748
02:15:58,617 --> 02:16:01,052
NOW, IT'S MY PLEASURE TO
INTRODUCE THE CHIEF EXECUTIVE
1749
02:16:01,119 --> 02:16:04,556
OFFICER OF THE RECORDING
ACADEMY.
1750
02:16:04,623 --> 02:16:08,527
HE DOES IT ALL, FROM SHAPING THE
CULTURE OF THE MUSIC INDUSTRY,
1751
02:16:08,593 --> 02:16:11,897
TO HELPING ME DECIDE WHAT TO
WEAR TONIGHT.
1752
02:16:11,963 --> 02:16:14,599
AND HE WAS RIGHT-- A THONG IS
UNCOMFORTABLE IN A SUIT.
1753
02:16:14,666 --> 02:16:15,000
BUT YOU KNOW WHAT?
1754
02:16:15,066 --> 02:16:16,434
I'M OWNING IT.
1755
02:16:16,501 --> 02:16:20,539
PLEASE WELCOME HARVEY MASON,
JR.!
1756
02:16:20,605 --> 02:16:22,207
>> WHY ARE WE HERE?
1757
02:16:22,274 --> 02:16:22,807
>> AND THE GRAMMY GOES TO.
1758
02:16:22,874 --> 02:16:26,711
>> AND THE GRAMMY GOES TO.
1759
02:16:26,778 --> 02:16:27,579
>> I DON'T WANT TO CRY.
1760
02:16:27,646 --> 02:16:28,747
>> WHY DO WE DO THIS?
1761
02:16:28,813 --> 02:16:32,551
WHY ALL THE TROPHIES, THE RED
CARPET, THE TUXES AND GOWNS?
1762
02:16:32,617 --> 02:16:39,624
WHY THE EXCITEMENT AND EVEN ALL
THE GLITZ AND GLAM?
1763
02:16:39,691 --> 02:16:40,525
WHY DO PEOPLE CARE SO MUCH?
1764
02:16:40,592 --> 02:16:41,660
IT'S ALL BECAUSE MUSIC MATTERS.
1765
02:16:41,726 --> 02:16:44,529
>> I'VE BEEN LIKE PRETEND-
WINNING GRAMMY'S SINCE I WAS A
1766
02:16:44,596 --> 02:16:46,965
KID.
1767
02:16:47,032 --> 02:16:48,533
>> IT'S BECAUSE MUSIC CHANGES
THE WORLD.
1768
02:16:48,600 --> 02:16:49,768
>> IN THIS TIME AND ALL TIMES,
MUSIC SERVES THE HURTING AND THE
1769
02:16:49,834 --> 02:16:53,004
HOPEFUL, IT SERVES THE
CHANGEMAKERS. MUSIC SERVES THE
1770
02:16:53,071 --> 02:16:58,610
PURSUIT OF JUSTICE AND
RECOGNITION, OF RESPECT AND
1771
02:16:58,677 --> 02:17:00,579
HEALING, OF UNITY AND OF LOVE.
1772
02:17:00,645 --> 02:17:03,782
WE'RE HERE BECAUSE MUSIC SERVES
THE WORLD AND AT THE NEW
1773
02:17:03,848 --> 02:17:07,552
RECORDING ACADEMY, WE SERVE
MUSIC!
1774
02:17:07,619 --> 02:17:10,689
>> TONIGHT WE'VE NOT ONLY SEEN
GREAT ARTISTS, BUT ALSO SOME OF
1775
02:17:10,755 --> 02:17:12,757
THE PEOPLE BEHIND THOSE ARTISTS,
MEMBERS OF THEIR MUSIC FAMILY,
1776
02:17:12,824 --> 02:17:16,628
OF OUR MUSIC FAMILY.
1777
02:17:16,695 --> 02:17:20,532
EVERY YEAR, THE GRAMMY MUSEUM
PROVIDES MUSIC EDUCATION FOR
1778
02:17:20,599 --> 02:17:22,667
THOUSANDS OF UNDER-SERVED
STUDENTS.
1779
02:17:22,734 --> 02:17:27,105
AFTER BEING A PART OF THE MUSEUM
FOR YEARS, I WAS ABLE TO TAKE
1780
02:17:27,172 --> 02:17:30,842
WITH ME THE TOOLS I NEEDED TO
MAKE ME THE ARTIST I AM TODAY.
1781
02:17:30,909 --> 02:17:32,611
MY NAME IS GIVEON.
1782
02:17:32,677 --> 02:17:34,679
AND I AM THE ACADEMY.
1783
02:17:34,746 --> 02:17:38,116
>> THE PANDEMIC WAS HARD ON ALL
OF US.
1784
02:17:38,183 --> 02:17:40,619
BUT BECAUSE OF THE ACADEMY'S
ADVOCACY EFFORTS, GIG WORKERS
1785
02:17:40,685 --> 02:17:51,896
WERE ADDED TO THE UNEMPLOYMENT
BENEFITS PACKAGE.
1786
02:17:51,963 --> 02:17:52,530
THOSE BENEFITS KEPT ME AFLOAT.
1787
02:17:52,597 --> 02:17:53,064
>> MY NAME IS ANDREW JOSLYN.
1788
02:17:53,131 --> 02:17:54,232
I AM THE ACADEMY.
1789
02:17:54,299 --> 02:17:56,601
>> I'VE ALWAYS KNOWN I WANTED TO
BE IN THE MUSIC BUSINESS.
1790
02:17:56,668 --> 02:17:57,769
THROUGH MY PARTICIPATION IN
GRAMMY U., I NOT ONLY LEARNED
1791
02:17:57,836 --> 02:17:58,970
HOW TO BETTER NAVIGATE THE
INDUSTRY, BUT ALSO MADE
1792
02:17:59,037 --> 02:18:00,038
TREASURED FRIENDSHIPS THAT HAVE
HELPED PROPEL MY CAREER AND
1793
02:18:00,105 --> 02:18:02,774
GROWTH AS AN ARTIST.
1794
02:18:02,841 --> 02:18:04,676
>> MY NAME IS ALEX RITCHIE.
1795
02:18:04,743 --> 02:18:06,444
I AM THE ACADEMY.
1796
02:18:06,511 --> 02:18:10,782
>> AS AN INDEPENDENT ARTIST THAT
PROUDLY MAKES AFRO-BEATS MUSIC,
1797
02:18:10,849 --> 02:18:14,919
THE PANDEMIC WAS EXTREMELY TOUGH
ON ME, IT WAS TRULY ONE OF THE
1798
02:18:14,986 --> 02:18:16,354
LOWEST TIMES OF MY LIFE.
1799
02:18:16,421 --> 02:18:20,659
BUT BECAUSE OF MUSICARES, I WAS
ABLE TO CREATE NEW MUSIC.
1800
02:18:20,725 --> 02:18:22,761
MY NAME IS MICHAEL O.
1801
02:18:22,827 --> 02:18:27,532
I AM THE ACADEMY.
1802
02:18:27,599 --> 02:18:29,134
>> I SERVE ON THE RECORDING
ACADEMY'S BLACK MUSIC
1803
02:18:29,200 --> 02:18:34,239
COLLECTIVE, AN INITIATIVE THAT
IS LIFTING UP BLACK MUSIC
1804
02:18:34,305 --> 02:18:36,675
CREATORS, AND AMPLIFYING THEIR
VOICES, ONE OF THE MANY WAYS WE
1805
02:18:36,741 --> 02:18:40,679
ARE CHANGING THE MUSIC COMMUNITY
FOR GOOD.
1806
02:18:40,745 --> 02:18:43,248
MY NAME IS H.E.R.
1807
02:18:43,314 --> 02:18:44,683
I AM THE ACADEMY.
1808
02:18:44,749 --> 02:18:46,317
>> SO, WHY ARE WE HERE?
1809
02:18:46,384 --> 02:18:48,386
WE'RE HERE TO SERVE MUSIC, AND
ALL THE PEOPLE WHO MAKE IT
1810
02:18:48,453 --> 02:18:49,387
POSSIBLE.
1811
02:18:49,454 --> 02:18:58,763
MY NAME IS HARVEY MASON JR.
WE ARE THE ACADEMY.
1812
02:18:58,830 --> 02:19:04,602
( CHEERS AND APPLAUSE )
>> Trevor: THE ARTIST ABOUT TO
1813
02:19:04,669 --> 02:19:07,939
TAKE THE STAGE HAS EIGHT GRAMMY
AWARDS INCLUDING A BRAND NEW ONE
1814
02:19:08,006 --> 02:19:09,207
THAT SHE WON TODAY.
1815
02:19:09,274 --> 02:19:12,677
TO MAKE THE INTRODUCTION PLEASE
WELCOME HER WARDROBE SUPERVISOR
1816
02:19:12,744 --> 02:19:20,385
JOAN LEE.
1817
02:19:20,452 --> 02:19:21,553
>> HI, MY NAME IS JOAN LEE.
1818
02:19:21,619 --> 02:19:25,890
FOR THE PAST 12 YEARS, I'VE
LOVED MY JOB AS TOUR WARDROBE
1819
02:19:25,957 --> 02:19:28,660
SUPERVISOR FOR THE HARD-WORKING
SUPERSTAR ABOUT TO TAKE THE
1820
02:19:28,727 --> 02:19:31,730
GRAMMY STAGE.
1821
02:19:31,796 --> 02:19:33,832
USUALLY, I'M BACKSTAGE WITH HER
STYLIST HELPING PREP HER STAGE
1822
02:19:33,898 --> 02:19:36,668
CLOTHES, SO WE'VE BEEN THROUGH
A LIFETIME OF COSTUME CHANGES
1823
02:19:36,735 --> 02:19:38,536
TOGETHER.
1824
02:19:38,603 --> 02:19:40,672
OUR CLOSE-KNIT TEAM LIKES TO
THINK WE HELP HER LOOK EVEN MORE
1825
02:19:40,739 --> 02:19:43,575
AMAZING ONSTAGE.
1826
02:19:43,641 --> 02:19:46,745
BUT I BELIEVE A MUCH HIGHER
POWER GAVE HER ONE OF THE MOST
1827
02:19:46,811 --> 02:19:48,580
STUNNING VOICES ON EARTH.
1828
02:19:48,646 --> 02:19:52,684
HERE TO PERFORM HER NEW SONG“
GHOST STORY” FOR THE FIRST TIME
1829
02:19:52,751 --> 02:19:56,688
ANYWHERE, A GREAT ARTIST AND A
BEAUTIFUL PERSON IN EVERY WAY:
1830
02:19:56,755 --> 02:19:58,757
MY BOSS, CARRIE UNDERWOOD!
1831
02:19:58,823 --> 02:20:02,193
( CHEERS AND APPLAUSE )
♪ ♪ ♪
1832
02:20:10,902 --> 02:20:19,277
♪ ♪ ♪
♪ YOU'RE GONNA SEE A SHADOW
1833
02:20:19,344 --> 02:20:22,814
MIDNIGHT PLAYING TRICKS
♪ WITH YOUR HEAD
1834
02:20:22,881 --> 02:20:28,653
A SILHOUETTE FLOAT
♪ DOWN THE HALLWAY
1835
02:20:28,720 --> 02:20:32,724
AND YOU'LL REACH FOR THE
♪ LIGHT BY YOUR BED
1836
02:20:32,791 --> 02:20:35,126
YOU'LL HEAR A NOISE
♪ SWEAR YOU KNOW THE VOICE
1837
02:20:35,193 --> 02:20:38,630
AND YOU'LL CHASE IT
♪ DOWN THE STAIRS
1838
02:20:38,696 --> 02:20:40,331
YOU'LL LOOK AROUND
♪ NOT A SINGLE SOUND
1839
02:20:40,398 --> 02:20:44,736
CAUSE THERE'S NO ONE
♪ EVEN THERE
1840
02:20:44,803 --> 02:20:48,740
I'M GONNA BE YOUR
♪ GHOST STORY
1841
02:20:48,807 --> 02:20:52,744
THAT KEEPING YOU UP
♪ ALL NIGHT MEMORY
1842
02:20:52,811 --> 02:20:56,781
I'LL BE HAUNTING YOU
♪ YOU'LL BE WANTING ME
1843
02:20:56,848 --> 02:21:04,789
I'M GONNA BE
♪ YOUR GHOST STORY
1844
02:21:04,856 --> 02:21:15,867
YOUR GHOST STORY
♪ YOUR GHOST STORY
1845
02:21:15,934 --> 02:21:19,737
YOU'LL BE SITTING AT HOME
♪ DRINKING 'BOUT ME
1846
02:21:19,804 --> 02:21:24,809
WHEN I'M OUT WITH
♪ FRIENDS AT BAR
1847
02:21:24,876 --> 02:21:28,813
BUT THERE AIN'T ENOUGH
♪ WHISKEY FOR YOU
1848
02:21:28,880 --> 02:21:30,481
NOT TO MISS ME
♪ I'LL BE WAITING
1849
02:21:30,548 --> 02:21:32,817
AT THE BOTTOM
♪ OF THE BOTTLE
1850
02:21:32,884 --> 02:21:36,788
IN THE DARK
♪ I'M GONNA BE YOUR
1851
02:21:36,855 --> 02:21:40,859
GHOST STORY
♪ THAT KEEPING YOU UP
1852
02:21:40,925 --> 02:21:46,898
ALL NIGHT MEMORY
♪ I'LL BE HAUNTING YOU
1853
02:21:46,965 --> 02:21:52,804
YOU'LL BE WANTING ME
♪ I'M GONNA BE
1854
02:21:52,871 --> 02:21:58,877
YOUR GHOST STORY
♪ YOUR GHOST STORY
1855
02:21:58,943 --> 02:22:05,283
YOUR GHOST STORY
♪ YOU'LL WISH YOU
1856
02:22:05,350 --> 02:22:08,887
NEVER SAID GOODBYE
♪ WISH YOU'D NEVER
1857
02:22:08,953 --> 02:22:12,857
LET ME GO
♪ LET THE LOVE BETWEEN US DIE
1858
02:22:12,924 --> 02:22:19,631
YOU CAN CARVE IT INTO STONE
♪ I'M GONNA BE YOUR
1859
02:22:19,697 --> 02:22:22,967
GHOST STORY
♪ THAT KEEPING YOU UP
1860
02:22:23,034 --> 02:22:28,873
ALL NIGHT MEMORY
♪ I'LL BE HAUNTING YOU
1861
02:22:28,940 --> 02:22:32,877
YOU'LL BE WANTING ME
♪ I'M GONNA BE
1862
02:22:32,944 --> 02:22:40,885
YOUR GHOST STORY
♪ YOUR GHOST STORY
1863
02:22:40,952 --> 02:22:47,392
YOUR GHOST STORY
♪ I'LL BE HAUNTING YOU
1864
02:22:47,458 --> 02:22:52,864
YOU'LL BE WANTING ME
♪ I'M GONNA BE
1865
02:22:52,931 --> 02:22:58,136
YOUR GHOST STORY
♪ YOUR GHOST STORY
1866
02:22:58,202 --> 02:23:13,084
YOUR GHOST STORY
♪ ♪ ♪
1867
02:23:13,151 --> 02:23:20,358
YOUR GHOST STORY
♪ ♪ ♪
1868
02:23:20,425 --> 02:23:23,561
( CHEERS AND APPLAUSE )
>> Announcer: STILL TO COME,
1869
02:23:23,628 --> 02:23:25,029
LENNY KRAVITZ PRESENTS THE AWARD
FOR ALBUM OF THE YEAR, AND
1870
02:23:25,096 --> 02:23:28,066
BROTHERS OSBORNE TAKES THE STAGE
AT THE M.G.M. GRAND GARDEN
1871
02:23:28,132 --> 02:23:29,033
ARENA-- ALL ONLY ON THE GRAMMYS.
1872
02:23:29,100 --> 02:23:32,370
THIS IS CBS.
1873
02:23:37,642 --> 02:23:38,810
>> Announcer: WHEREVER MUSIC
TAKES YOU, HILTON IS THERE.
1874
02:23:38,876 --> 02:23:50,154
HILTON, OFFICIAL HOTEL PARTNER
OF THE GRAMMY AWARDS.
1875
02:23:50,221 --> 02:23:52,256
TO PRESENT THE GRAMMY AWARD FOR
ALBUM OF THE YEAR: FOUR-TIME
1876
02:23:52,323 --> 02:24:00,965
GRAMMY WINNER, LENNY KRAVITZ.
1877
02:24:01,032 --> 02:24:04,802
>> GOOD EVENING, AND LET LOVE
THROW, FOR WELL OVER HALF A
1878
02:24:04,869 --> 02:24:10,141
CENTURY ARTISTS HAVE GIVEN
ALBUMS HAVE GIVEN ART IRSZS A
1879
02:24:10,208 --> 02:24:12,944
CHANCE TO SHARE EXPRESSION,
MUSIC HAS BECOME AN INTER MAT
1880
02:24:13,011 --> 02:24:16,748
PART OF OUR LIVES NAR RATING AND
TRANSFORMING THE CULTURE, HERE
1881
02:24:16,814 --> 02:24:24,956
ARE TEN ARTISTS WHO HAVE GIVEN
US THE BEST OF THEIR
1882
02:24:25,023 --> 02:24:27,825
CREATIVITY.
1883
02:25:02,994 --> 02:25:13,037
♪ ♪ ♪
♪ ♪ ♪
1884
02:25:13,104 --> 02:25:27,985
♪ ♪ ♪
♪ ♪ ♪
1885
02:25:28,052 --> 02:25:34,926
♪ ♪ ♪
♪ ♪ ♪
1886
02:25:34,992 --> 02:25:49,874
>> AND THE GRAMMY GOES TO:
"WE ARE," JON BATISTE.
1887
02:25:49,941 --> 02:26:21,839
>> AND THE GRAMMY GOES TO:
"WE ARE," JON BATISTE.
1888
02:26:21,906 --> 02:26:22,940
>> HEY!
1889
02:26:23,007 --> 02:26:30,948
WOW!
1890
02:26:31,015 --> 02:26:34,118
WOW!
1891
02:26:34,185 --> 02:26:35,286
THANK YOU.
1892
02:26:35,353 --> 02:26:42,994
YOU KNOW, I REALLY, I BELIEVE
THIS TO MY CORE, THERE IS NO
1893
02:26:43,060 --> 02:26:48,566
BEST MUSICIAN, BEST ARTIST, BEST
DANCER, BEST ACTOR.
1894
02:26:48,633 --> 02:26:54,138
THE CREATIVE ARTS ARE SUBJECTIVE
AND THEY REACH PEOPLE AT A POINT
1895
02:26:54,205 --> 02:26:59,010
IN THEIR LIVES WHEN THEY NEED IT
MOST.
1896
02:26:59,076 --> 02:27:03,014
LIKE A SONG OR AN ALBUM IS MADE
AND IT ALMOST HAS A RADAR TO
1897
02:27:03,080 --> 02:27:12,356
FIND THE PERSON WHEN THEY NEED
IT THE MOST.
1898
02:27:12,423 --> 02:27:17,094
I MEAN MAN, I LIKE THANK GOD, I
JUST PUT MY HEAD DOWN AND I WORK
1899
02:27:17,161 --> 02:27:19,263
ON THE CRAFT EVERY DAY, I LOVE
MUSIC.
1900
02:27:19,330 --> 02:27:20,898
HAVE I BEEN PLAYING SINCE I WAS
A LITTLE BOY.
1901
02:27:20,965 --> 02:27:26,137
ST MORE THAN ENTERTAINMENT FOR
ME, IT IS A SPIRITUAL PRACTICE.
1902
02:27:26,204 --> 02:27:29,974
AND IT IS SO MANY PEOPLE THAT
WENT INTO MAKING THIS ALBUM, MY
1903
02:27:30,041 --> 02:27:33,811
GRANDFATHER SON THE ALBUM, MY
NEPHEWS, MY DAD IS HERE.
1904
02:27:33,878 --> 02:27:37,114
MY EXECUTIVE PRODUCER RYAN LYNN,
RIGHT HERE, COME ON, MAN, I
1905
02:27:37,181 --> 02:27:38,649
DON'T WANT TO BE UP HERE BY
MYSELF.
1906
02:27:38,716 --> 02:27:41,552
I DIDN'T DO IT BY MYSELF.
1907
02:27:41,619 --> 02:27:45,656
EVERY SINGLE ARTIST THAT WAS
NOMINATED IN THIS CATEGORY, I
1908
02:27:45,723 --> 02:27:50,394
ACTUALLY LOVE AND HAVE HAD
EXPERIENCESES, OUT OF BODY
1909
02:27:50,461 --> 02:27:51,562
EXPERIENCES WITH YOUR MUSIC.
1910
02:27:51,629 --> 02:27:53,831
I HONOR YOU.
1911
02:27:53,898 --> 02:27:57,902
AND THIS IS FOR REAL ARTISTS,
REAL MUSICIANS, LET'S JUST KEEP
1912
02:27:57,969 --> 02:27:58,436
GOING.
1913
02:27:58,502 --> 02:27:59,937
BE YOU, THAT'S IT.
1914
02:28:00,004 --> 02:28:03,007
I LOVE YOU.
1915
02:28:03,074 --> 02:28:09,680
GOOD NIGHT.
1916
02:28:09,747 --> 02:28:11,082
HEY!
1917
02:28:11,148 --> 02:28:15,052
PLAWS PLAWS.
1918
02:28:15,119 --> 02:28:19,457
>> Trevor: JON BATISTE, A
WINNER ONCE AGAIN,
1919
02:28:19,523 --> 02:28:20,291
CONGRATULATIONS.
1920
02:28:20,358 --> 02:28:22,260
YOU KNOW, THIS NIGHT HAS GONE SO
WELL.
1921
02:28:22,326 --> 02:28:24,528
I JUST WANTED TO SAY THANK YOU
TO EVERYONE HERE, THANK YOU TO
1922
02:28:24,595 --> 02:28:25,463
EVERYONE AT HOME.
1923
02:28:25,529 --> 02:28:26,931
I FEEL LIKE WE ARE ALL ONE BIG
HAPPY FAMILY.
1924
02:28:26,998 --> 02:28:28,366
THIS HAS BEEN AMAZING.
1925
02:28:28,432 --> 02:28:31,068
AND LUCKY FOR US, WE HAVE GOT
ONE MORE PERFORMANCE BY A GROUP
1926
02:28:31,135 --> 02:28:33,037
THAT ACTUALLY IS FAMILY.
1927
02:28:33,104 --> 02:28:37,174
AND THESE BROTHERS ARE HAPPY
BECAUSE TODAY THEY HAVE JUST WON
1928
02:28:37,241 --> 02:28:40,878
THEIR FIRST EVER GRAMMY AWARD.
1929
02:28:40,945 --> 02:28:44,282
PLEASE WELCOME THE
( CHEERS AND APPLAUSE )
1930
02:28:44,348 --> 02:28:50,187
ELECTRIC
BROTHERS OSBORNE.
1931
02:28:50,254 --> 02:29:01,999
♪ ♪ ♪
♪ ♪ ♪
1932
02:29:02,066 --> 02:29:11,375
♪ ♪ ♪
♪ ♪ ♪
1933
02:29:11,442 --> 02:29:17,348
♪ ♪ ♪
♪ ♪ ♪
1934
02:29:17,415 --> 02:29:19,583
♪ DADDY CALLED HER PRINCESS
COUNTY FAIR CALLED HER QUEEN
1935
02:29:19,650 --> 02:29:21,385
♪ HIGH SCHOOL
CALLED HER CUM LAUDE
1936
02:29:21,452 --> 02:29:24,722
♪ MOST LIKELY TO SUCCEED
HER DADDY'S BACKWOOD CRAZY
1937
02:29:24,789 --> 02:29:26,757
♪ SHE'S GOT TWO
SIX FOOT-FOUR BROTHERS
1938
02:29:26,824 --> 02:29:29,360
♪ YOU TAKE ONE STEP ONTO THAT
FRONT PORCH AND YOU'RE ONE
1939
02:29:29,427 --> 02:29:30,928
♪ CRAZY MOTHER
CHASE WILL
1940
02:29:30,995 --> 02:29:32,863
♪ LEAVE YOU BREATHLESS
EVERY BACK ROAD
1941
02:29:32,930 --> 02:29:34,432
♪ IN THIS TOWN SHE'LL
LOVE YOU LIKE A
1942
02:29:34,498 --> 02:29:35,800
♪ SUNDAY DRIVE
AND SHE'LL TAKE YOUR
1943
02:29:35,866 --> 02:29:37,401
♪ POOR HEART DOWN
DEAD MAN'S CURVE
1944
02:29:37,468 --> 02:29:39,670
♪ DEAD MAN'S CURVE
NO REDEMPTION
1945
02:29:39,737 --> 02:29:41,439
♪ NO RE-TURN
GOOD GOD ALL MIGHTY
1946
02:29:41,505 --> 02:29:43,841
♪ GONNA CRASH OR BURN DOWN
DEAD MAN'S CURVE
1947
02:29:43,908 --> 02:29:45,409
♪ DEADMAN'S CURVE
DEAD MAN'S CURVE
1948
02:29:45,476 --> 02:29:47,178
♪ COUNTRY BOYS
AIN'T NEVER GONNA LEARN
1949
02:29:47,244 --> 02:29:49,380
♪ NOBODY EVER
MAKES IT THROUGH THAT TURN
1950
02:29:49,447 --> 02:29:57,421
♪ DEAD MAN'S CURVE
DEAD MAN'S CURVE
1951
02:29:57,488 --> 02:29:59,557
♪ ♪ ♪
♪ EVERY MAN'S BEEN TEMPTED
1952
02:29:59,623 --> 02:30:02,660
GREATER MEN HAVE TRIED
♪ AT BEST YOU'LL WIND UP DENTED
1953
02:30:02,727 --> 02:30:04,729
IF YOU'RE LUCKY 'NUFF
♪ TO SURVIVE
1954
02:30:04,795 --> 02:30:05,896
NOW SHE'S THE FINGER
♪ THAT YOU'RE WRAPPED AROUND
1955
02:30:05,963 --> 02:30:07,998
SHE'S WHAT EVERY
♪ COUNTRY SONG'S ABOUT
1956
02:30:08,065 --> 02:30:09,433
SHE'S THE TROUBLE
♪ THAT YOU'RE LOOKING FOR
1957
02:30:09,500 --> 02:30:10,901
SHE'S GONNA TAKE YOU DOWN
♪ AND LEAVE YOU COMIN' BACK
1958
02:30:10,968 --> 02:30:11,869
FOR MORE
♪ DEAD MAN'S CURVE
1959
02:30:11,936 --> 02:30:14,939
NO REDEMPTION
♪ NO RETURN
1960
02:30:15,005 --> 02:30:16,574
GOOD GOD ALL MIGHTY
♪ GONNA CRASH OR BURN DOWN
1961
02:30:16,640 --> 02:30:17,875
DEAD MAN'S CURVE
♪ DEAD MAN'S CURVE
1962
02:30:17,942 --> 02:30:20,010
DEAD MAN'S CURVE
DEAD MAN'S CURVE
1963
02:30:20,077 --> 02:30:21,445
♪ COUNTRY BOYS AIN'T
NEVER GONNA LEARN
1964
02:30:21,512 --> 02:30:23,547
♪ NOBODY EVER MAKES IT
THROUGH THAT TURN
1965
02:30:23,614 --> 02:30:38,496
♪ DEAD MAN'S CURVE
♪ DEAD MAN'S CURVE
1966
02:30:38,562 --> 02:30:41,499
♪ DEAD MAN'S CURVE
♪ DEAD MAN'S CURVE
1967
02:30:41,565 --> 02:30:43,901
GET YOUR HANDS UP!
1968
02:30:43,968 --> 02:30:47,571
♪ ♪ ♪
♪ ♪ ♪
1969
02:30:47,638 --> 02:30:52,977
♪ ♪ ♪
♪ ♪ ♪
1970
02:30:53,043 --> 02:30:53,811
♪ ♪ ♪
♪ ♪ ♪
1971
02:30:53,878 --> 02:30:55,012
♪ WHATCHU DOING
WALKIN' UP HERE?
1972
02:30:55,079 --> 02:30:55,813
♪ YOU'RE A DEAD MAN
YEAH
1973
02:30:55,880 --> 02:30:56,447
♪ DEAD MAN'S CURVE
DEAD MAN'S CURVE
1974
02:30:56,514 --> 02:30:57,448
♪ NO REDEMPTION
NO RETURN
1975
02:30:57,515 --> 02:30:58,349
♪ NO BODY EVER
MAKES IT THROUGH THAT TURN
1976
02:30:58,416 --> 02:30:59,450
♪ DEAD MAN'S CURVE
DEAD MAN'S CURVE
1977
02:30:59,517 --> 02:31:01,485
♪ DEAD MAN'S CURVE
COUNTRY BOYS
1978
02:31:01,552 --> 02:31:03,954
♪ AIN'T NEVER GONNA LEARN
NOBODY EVER
1979
02:31:04,021 --> 02:31:05,489
♪ MAKES IT THROUGH THAT TURN
ON DEAD MAN'S CURVE
1980
02:31:05,556 --> 02:31:20,438
♪ DEAD MAN'S CURVE
YOU'RE COMIN' IN WAY TOO HOT
1981
02:31:20,504 --> 02:31:21,672
♪ DEAD MAN'S CURVE
YOU'RE COMIN' IN WAY TOO HOT
1982
02:31:21,739 --> 02:31:30,948
( CHEERS AND APPLAUSE )
>> Trevor: THAT'S RIGHT.
1983
02:31:31,015 --> 02:31:32,550
BROTHERS OSBORNE, GOOD NIGHT
LADIES AND GENTLEMEN, THANK YOU
1984
02:31:32,616 --> 02:31:37,254
SO MUCH FOR JOINING US, YOU'VE
BEEN AMAZES, YOU'VE ALL BEEN
1985
02:31:37,321 --> 02:31:37,755
AMAZING.
1986
02:31:37,822 --> 02:31:45,529
HAVE A GREAT NIGHT.
1987
02:31:45,596 --> 02:31:47,665
♪ ♪ ♪
♪ ♪ ♪
1988
02:31:47,731 --> 02:31:53,537
♪ ♪ ♪
♪ ♪ ♪
1989
02:31:53,604 --> 02:31:57,541
( CHEERS AND APPLAUSE )
♪ ♪ ♪
1990
02:31:57,608 --> 02:32:05,583
♪ ♪ ♪
( DEAD MAN'S CURVE PLAYS )