WEBVTT FILE 1 00:00:02.000 --> 00:00:07.000 Downloaded from YTS.MX 2 00:00:06.005 --> 00:00:12.000 >> ON MARCH 27, 2023, THREE NINE YEAR OLDS EVELYN DIECKHAUS, 3 00:00:08.000 --> 00:00:13.000 Official YIFY movies site: YTS.MX 4 00:00:12.000 --> 00:00:12.946 >> ON MARCH 27, 2023, THREE NINE YEAR OLDS EVELYN DIECKHAUS, 5 00:00:13.012 --> 00:00:16.916 WILLIAM KINNEY, AND HALLIE SCRUGGS, ALONG WITH DR. 6 00:00:16.983 --> 00:00:18.000 KATHERINE KOONCE, CYNTHIA PEAK AND MIKE HILL WALKED INTO 7 00:00:18.000 --> 00:00:22.222 KATHERINE KOONCE, CYNTHIA PEAK AND MIKE HILL WALKED INTO 8 00:00:22.288 --> 00:00:24.000 THE COVENANT SCHOOL AND DIDN'T WALK OUT. 9 00:00:24.000 --> 00:00:26.993 THE COVENANT SCHOOL AND DIDN'T WALK OUT. 10 00:00:27.060 --> 00:00:30.000 THE COMMUNITY OF SORROW OVER THIS AND THE 130 MASS SHOOTINGS 11 00:00:30.000 --> 00:00:36.000 THE COMMUNITY OF SORROW OVER THIS AND THE 130 MASS SHOOTINGS 12 00:00:36.000 --> 00:00:36.636 THE COMMUNITY OF SORROW OVER THIS AND THE 130 MASS SHOOTINGS 13 00:00:36.703 --> 00:00:39.305 IN THE U.S. THIS YEAR ALONE, STRETCHES FROM COAST TO COAST. 14 00:00:39.372 --> 00:00:42.000 I WANTED TO PERSONALLY STAND UP HERE AND SHARE THIS MOMENT 15 00:00:42.000 --> 00:00:43.743 I WANTED TO PERSONALLY STAND UP HERE AND SHARE THIS MOMENT 16 00:00:43.810 --> 00:00:47.781 BECAUSE ON AUGUST 21, 2008, I WATCHED RYAN MCDONALD, MY 17 00:00:47.847 --> 00:00:48.000 15-YEAR-OLD CLASSMATE AT CENTRAL HIGH SCHOOL IN 18 00:00:48.000 --> 00:00:52.218 15-YEAR-OLD CLASSMATE AT CENTRAL HIGH SCHOOL IN 19 00:00:52.285 --> 00:00:53.686 KNOXVILLE, TENNESSEE LOSE HIS LIFE TO A GUN IN THE 20 00:00:53.753 --> 00:00:54.000 SCHOOL CAFETERIA. 21 00:00:54.000 --> 00:00:56.356 SCHOOL CAFETERIA. 22 00:00:56.423 --> 00:01:00.000 TONIGHT'S BROADCAST IS DEDICATED TO THE EVER-GROWING LIST OF 23 00:01:00.000 --> 00:01:03.830 TONIGHT'S BROADCAST IS DEDICATED TO THE EVER-GROWING LIST OF 24 00:01:03.897 --> 00:01:06.000 FAMILIES, FRIENDS, SURVIVORS, WITNESSES, AND RESPONDERS WHOSE 25 00:01:06.000 --> 00:01:08.902 FAMILIES, FRIENDS, SURVIVORS, WITNESSES, AND RESPONDERS WHOSE 26 00:01:08.968 --> 00:01:12.000 LIVES CONTINUE TO BE FOREVER CHANGED BY GUN VIOLENCE. 27 00:01:12.000 --> 00:01:16.009 LIVES CONTINUE TO BE FOREVER CHANGED BY GUN VIOLENCE. 28 00:01:16.075 --> 00:01:18.000 I PRAY THAT THE CLOSENESS AND COMMUNITY WE FEEL THROUGH THE 29 00:01:18.000 --> 00:01:22.182 I PRAY THAT THE CLOSENESS AND COMMUNITY WE FEEL THROUGH THE 30 00:01:22.248 --> 00:01:24.000 NEXT FEW HOURS OF MUSIC CAN SOON TURN INTO ACTION THAT MOVES US 31 00:01:24.000 --> 00:01:30.000 NEXT FEW HOURS OF MUSIC CAN SOON TURN INTO ACTION THAT MOVES US 32 00:01:30.000 --> 00:01:32.525 NEXT FEW HOURS OF MUSIC CAN SOON TURN INTO ACTION THAT MOVES US 33 00:01:32.592 --> 00:01:35.595 FORWARD TOGETHER TO CREATE CHANGE FOR THE SAFETY OF OUR 34 00:01:35.662 --> 00:01:36.000 KIDS AND LOVED ONES. 35 00:01:36.000 --> 00:01:39.999 KIDS AND LOVED ONES. 36 00:01:59.385 --> 00:02:00.000 [CHEERS AND APPLAUSE] >> WELL, I CAN'T SEE ANYTHING IN 37 00:02:00.000 --> 00:02:02.021 [CHEERS AND APPLAUSE] >> WELL, I CAN'T SEE ANYTHING IN 38 00:02:02.088 --> 00:02:02.856 HERE! 39 00:02:02.922 --> 00:02:06.000 BUT IF THIS IS AUSTIN, I STILL LOVE YA! 40 00:02:06.000 --> 00:02:06.559 BUT IF THIS IS AUSTIN, I STILL LOVE YA! 41 00:02:06.626 --> 00:02:10.730 [CHEERS AND APPLAUSE] ♪ 42 00:02:10.797 --> 00:02:12.000 ♪ 43 00:02:12.000 --> 00:02:18.000 ♪ 44 00:02:18.000 --> 00:02:24.000 ♪ 45 00:02:24.000 --> 00:02:25.678 ♪ 46 00:02:25.745 --> 00:02:26.846 ♪ 47 00:02:27.780 --> 00:02:30.000 THAT NEON SUN'S A-RISIN' I'M SITTIN' HERE, ADMIRIN' 48 00:02:30.000 --> 00:02:30.483 THAT NEON SUN'S A-RISIN' I'M SITTIN' HERE, ADMIRIN' 49 00:02:30.550 --> 00:02:36.000 THE SUMMER DRESS THAT'S SHININ' THROUGH HAD JUST ENOUGH TO TELL 50 00:02:36.000 --> 00:02:36.689 THE SUMMER DRESS THAT'S SHININ' THROUGH HAD JUST ENOUGH TO TELL 51 00:02:36.756 --> 00:02:39.058 YOU THE TRUTH DON'T WANNA SCOOT THE BOOTS 52 00:02:39.125 --> 00:02:42.000 WITH NO BODY GET STRAIGHT TEQUILA DRUNK 53 00:02:42.000 --> 00:02:43.897 WITH NO BODY GET STRAIGHT TEQUILA DRUNK 54 00:02:43.963 --> 00:02:48.000 ON NO BODY WRAP THESE ARMS 55 00:02:48.000 --> 00:02:49.002 ON NO BODY WRAP THESE ARMS 56 00:02:49.068 --> 00:02:54.000 AROUND NO BODY NO BODY BUT YOURS 57 00:02:54.000 --> 00:02:56.543 AROUND NO BODY NO BODY BUT YOURS 58 00:02:56.609 --> 00:03:00.000 DON'T WANNA SHADOW DANCE WITH NO BODY 59 00:03:00.000 --> 00:03:01.347 DON'T WANNA SHADOW DANCE WITH NO BODY 60 00:03:01.414 --> 00:03:05.852 SLIDE SOME COTTON OFF OF NO BODY 61 00:03:05.919 --> 00:03:06.000 DON'T WANNA WAKE UP KISSIN' NO BODY 62 00:03:06.000 --> 00:03:10.757 DON'T WANNA WAKE UP KISSIN' NO BODY 63 00:03:10.823 --> 00:03:12.000 NO BODY BUT YOURS ♪ 64 00:03:12.000 --> 00:03:18.000 NO BODY BUT YOURS ♪ 65 00:03:18.000 --> 00:03:20.533 NO BODY BUT YOURS ♪ 66 00:03:20.600 --> 00:03:22.201 HONEYSUCKLE TALKIN' LAST CALL OLD MILWAUKIN' 67 00:03:22.268 --> 00:03:24.000 OUT THERE TO A CHECKERED CAB B-LINE TO YOUR CONDO 68 00:03:24.000 --> 00:03:28.508 OUT THERE TO A CHECKERED CAB B-LINE TO YOUR CONDO 69 00:03:28.575 --> 00:03:30.000 CONWAY ON THE STEREO GIRL, I'D LOVE TO LAY YOU DOWN, 70 00:03:30.000 --> 00:03:34.581 CONWAY ON THE STEREO GIRL, I'D LOVE TO LAY YOU DOWN, 71 00:03:34.647 --> 00:03:36.000 DOWN, DOWN DON'T WANNA SCOT THE BOOTS 72 00:03:36.000 --> 00:03:38.484 DOWN, DOWN DON'T WANNA SCOT THE BOOTS 73 00:03:38.551 --> 00:03:42.000 WITH NO BODY GET STRAIGHT TEQUILA DRUNK 74 00:03:42.000 --> 00:03:43.957 WITH NO BODY GET STRAIGHT TEQUILA DRUNK 75 00:03:44.023 --> 00:03:48.000 ON NO BODY WRAP THESE ARMS 76 00:03:48.000 --> 00:03:50.296 ON NO BODY WRAP THESE ARMS 77 00:03:50.363 --> 00:03:54.000 AROUND NO BODY NO BODY BUT YOURS 78 00:03:54.000 --> 00:03:54.100 AROUND NO BODY NO BODY BUT YOURS 79 00:03:54.167 --> 00:04:00.000 DON'T WANNA SHADOW DANCE WITH NO BODY 80 00:04:00.000 --> 00:04:01.841 DON'T WANNA SHADOW DANCE WITH NO BODY 81 00:04:01.908 --> 00:04:06.000 SLIDE SOME COTTON OFF OF NO BODY 82 00:04:06.000 --> 00:04:06.145 SLIDE SOME COTTON OFF OF NO BODY 83 00:04:06.212 --> 00:04:11.050 DON'T WANNA WAKE UP KISSIN' NO BODY 84 00:04:11.117 --> 00:04:12.000 NO BODY BUT YOURS ♪ 85 00:04:12.000 --> 00:04:18.000 NO BODY BUT YOURS ♪ 86 00:04:18.000 --> 00:04:22.762 NO BODY BUT YOURS ♪ 87 00:04:22.829 --> 00:04:23.896 DON'T WANNA HOLD NO BODY LAY EYES ON NO BODY 88 00:04:23.963 --> 00:04:24.000 LOVE UP ON NO BODY DON'T WANNA SCOOT THE BOOTS 89 00:04:24.000 --> 00:04:26.766 LOVE UP ON NO BODY DON'T WANNA SCOOT THE BOOTS 90 00:04:26.833 --> 00:04:30.000 WITH NO BODY GET STRAIGHT TEQUILA DRUNK 91 00:04:30.000 --> 00:04:31.037 WITH NO BODY GET STRAIGHT TEQUILA DRUNK 92 00:04:31.104 --> 00:04:34.974 ON NO BODY WRAP THESE ARMS 93 00:04:35.041 --> 00:04:36.000 AROUND NO BODY NO BODY BUT YOURS 94 00:04:36.000 --> 00:04:42.000 AROUND NO BODY NO BODY BUT YOURS 95 00:04:42.000 --> 00:04:43.683 AROUND NO BODY NO BODY BUT YOURS 96 00:04:43.750 --> 00:04:47.820 DON'T WANNA SHADOW DANCE WITH NO BODY 97 00:04:47.887 --> 00:04:48.000 SLIDE SOME COTTON OFF OF NO BODY 98 00:04:48.000 --> 00:04:52.992 SLIDE SOME COTTON OFF OF NO BODY 99 00:04:53.059 --> 00:04:54.000 ♪ DON'T WANNA WAKE UP ♪ ♪ KISSIN' NO BODY ♪ 100 00:04:54.000 --> 00:04:55.461 ♪ DON'T WANNA WAKE UP ♪ ♪ KISSIN' NO BODY ♪ 101 00:04:55.528 --> 00:05:00.000 ♪ NO BODY BUT YOURS ♪ ♪ DON'T WANNA WAKE UP ♪ 102 00:05:00.000 --> 00:05:02.869 ♪ NO BODY BUT YOURS ♪ ♪ DON'T WANNA WAKE UP ♪ 103 00:05:02.935 --> 00:05:04.937 ♪ KISSIN' NO BODY ♪ ♪ NO BODY BUT YOURS ♪ 104 00:05:23.322 --> 00:05:24.000 >> Announcer: LIVE FROM AUSTIN TEXAS, THIS IS THE 2023 CMT 105 00:05:24.000 --> 00:05:28.928 >> Announcer: LIVE FROM AUSTIN TEXAS, THIS IS THE 2023 CMT 106 00:05:28.995 --> 00:05:30.000 MUSIC AWARDS ON CBS! 107 00:05:30.000 --> 00:05:31.998 MUSIC AWARDS ON CBS! 108 00:05:32.065 --> 00:05:35.568 HOSTED BY KELSEA BALLERINI AND KANE BROWN 109 00:05:35.635 --> 00:05:36.000 WITH PERFORMANCES BY ALANIS MORISSETTE, 110 00:05:36.000 --> 00:05:39.005 WITH PERFORMANCES BY ALANIS MORISSETTE, 111 00:05:39.072 --> 00:05:40.473 BLAKE SHELTON, CARLY PEARCE, 112 00:05:40.540 --> 00:05:42.000 CARRIE UNDERWOOD, CODY JOHNSON, 113 00:05:42.000 --> 00:05:42.842 CARRIE UNDERWOOD, CODY JOHNSON, 114 00:05:42.909 --> 00:05:45.244 THE BLACK CROWES AND DARIUS RUCKER, 115 00:05:45.311 --> 00:05:47.680 GARY CLARK, JR. GWEN STEFANI, 116 00:05:47.747 --> 00:05:48.000 INGRID ANDRESS, JELLY ROLL, 117 00:05:48.000 --> 00:05:49.949 INGRID ANDRESS, JELLY ROLL, 118 00:05:50.016 --> 00:05:53.453 KANE BROWN AND KATELYN BROWN, KEITH URBAN, 119 00:05:53.519 --> 00:05:54.000 KELSEA BALLERINI, LAINEY WILSON, 120 00:05:54.000 --> 00:05:56.222 KELSEA BALLERINI, LAINEY WILSON, 121 00:05:56.289 --> 00:05:58.725 MADELINE EDWARDS, MORGAN WADE, 122 00:05:58.791 --> 00:06:00.000 TYLER HUBBARD, WYNONNA JUDD 123 00:06:00.000 --> 00:06:00.460 TYLER HUBBARD, WYNONNA JUDD 124 00:06:00.526 --> 00:06:03.096 WITH ASHLEY MCBRYDE, A SPECIAL TRIBUTE TO GARY 125 00:06:03.162 --> 00:06:06.000 ROSSINGTON AND LYNYRD SKYNYRD WITH BILLY GIBBONS, 126 00:06:06.000 --> 00:06:06.199 ROSSINGTON AND LYNYRD SKYNYRD WITH BILLY GIBBONS, 127 00:06:06.265 --> 00:06:12.000 PAUL RODGERS, SLASH, CHUCK LEAVELL, 128 00:06:12.000 --> 00:06:13.239 PAUL RODGERS, SLASH, CHUCK LEAVELL, 129 00:06:13.306 --> 00:06:15.308 WARREN HAYNES, WYNONNA JUDD, AND LEANN RIMES. 130 00:06:15.374 --> 00:06:17.510 FROM THE RAM TRUCK STAGE AVERY ANNA, 131 00:06:17.577 --> 00:06:18.000 CHAPEL HART, JACKSON DEAN, 132 00:06:18.000 --> 00:06:20.213 CHAPEL HART, JACKSON DEAN, 133 00:06:20.279 --> 00:06:24.000 LILY ROSE, MEGAN MORONEY, 134 00:06:24.000 --> 00:06:24.717 LILY ROSE, MEGAN MORONEY, 135 00:06:24.784 --> 00:06:26.018 NATE SMITH, WITH APPEARANCES BY 136 00:06:26.085 --> 00:06:30.000 CHARLES ESTEN, HARDY,D'AMELIO,- 137 00:06:30.000 --> 00:06:36.000 CHARLES ESTEN, HARDY,D'AMELIO,- 138 00:06:36.000 --> 00:06:36.896 CHARLES ESTEN, HARDY,D'AMELIO,- 139 00:06:36.963 --> 00:06:38.131 IAN BOHEN, JEN LANDON, 140 00:06:38.197 --> 00:06:39.465 JON PARDI, MADISON BAILEY, 141 00:06:39.532 --> 00:06:41.434 MAX THIERIOT, MEGAN THEE STALLION, 142 00:06:41.501 --> 00:06:42.000 PARKER MCCOLLUM, NOAH SCHNAP, 143 00:06:42.000 --> 00:06:42.935 PARKER MCCOLLUM, NOAH SCHNAP, 144 00:06:43.002 --> 00:06:46.239 PETER FRAMPTON, SHANIA TWAIN, 145 00:06:46.305 --> 00:06:48.000 STEVE HOWEY, TRAVIS KELCE, 146 00:06:48.000 --> 00:06:48.941 STEVE HOWEY, TRAVIS KELCE, 147 00:06:49.008 --> 00:06:51.010 AND NOW PLEASE WELCOME KELSEA BALLERINI AND KANE BROWN! 148 00:07:16.969 --> 00:07:18.000 >> WHAT A WAY TO START THE SHOW! 149 00:07:18.000 --> 00:07:18.905 >> WHAT A WAY TO START THE SHOW! 150 00:07:18.971 --> 00:07:23.910 HOW ARE WE FEELING? 151 00:07:23.976 --> 00:07:24.000 >> BLAKE TOTALLY KILLED IT. 152 00:07:24.000 --> 00:07:24.510 >> BLAKE TOTALLY KILLED IT. 153 00:07:24.577 --> 00:07:29.916 WHAT'S UP, AUSTIN, TEXAS! 154 00:07:29.982 --> 00:07:30.000 >> WE ARE SO EXCITED TO BE HERE TONIGHT FOR THE FIRST EVER CMT 155 00:07:30.000 --> 00:07:36.000 >> WE ARE SO EXCITED TO BE HERE TONIGHT FOR THE FIRST EVER CMT 156 00:07:36.000 --> 00:07:37.490 >> WE ARE SO EXCITED TO BE HERE TONIGHT FOR THE FIRST EVER CMT 157 00:07:37.557 --> 00:07:42.000 MUSIC AWARDS IN TEXAS. 158 00:07:42.000 --> 00:07:43.095 MUSIC AWARDS IN TEXAS. 159 00:07:43.162 --> 00:07:44.096 >> THAT'S RIGHT. 160 00:07:44.163 --> 00:07:48.000 WE'RE BRINGING THE STARS TO THE LONE STAR STATE. 161 00:07:48.000 --> 00:07:49.502 WE'RE BRINGING THE STARS TO THE LONE STAR STATE. 162 00:07:49.569 --> 00:07:51.938 >> THAT WAS PUNNY. 163 00:07:52.004 --> 00:07:52.538 I LIKE IT. 164 00:07:52.605 --> 00:07:53.372 THIS IS SO COOL. 165 00:07:53.439 --> 00:07:54.000 LOOKING AROUND THIS ROOM, IT'S CLEAR. 166 00:07:54.000 --> 00:07:54.473 LOOKING AROUND THIS ROOM, IT'S CLEAR. 167 00:07:54.540 --> 00:07:59.412 COUNTRY MUSIC STRETCHES FROM NASHVILLE, WHERE WE LIVE, 168 00:07:59.478 --> 00:08:00.000 TO AUSTIN TO YELLOWSTONE 169 00:08:00.000 --> 00:08:06.000 TO AUSTIN TO YELLOWSTONE 170 00:08:06.000 --> 00:08:08.187 TO AUSTIN TO YELLOWSTONE 171 00:08:08.254 --> 00:08:12.000 TO THE OUTER BANKS! 172 00:08:12.000 --> 00:08:13.759 TO THE OUTER BANKS! 173 00:08:13.826 --> 00:08:14.927 >> I WANNA SHOUT OUT THAT WE HAVE SO MANY INCREDIBLE WOMEN 174 00:08:14.994 --> 00:08:17.463 HERE. 175 00:08:17.530 --> 00:08:18.000 >> YEAH. 176 00:08:18.000 --> 00:08:18.931 >> YEAH. 177 00:08:18.998 --> 00:08:24.000 >> SHANIA TWAIN IS IN THE BUILDING! 178 00:08:24.000 --> 00:08:28.741 >> SHANIA TWAIN IS IN THE BUILDING! 179 00:08:28.808 --> 00:08:29.742 >> MY QUEEN. 180 00:08:29.809 --> 00:08:30.000 THIS IS, LIKE, MY DREAM LINEUP. 181 00:08:30.000 --> 00:08:33.246 THIS IS, LIKE, MY DREAM LINEUP. 182 00:08:33.312 --> 00:08:34.680 AMAZING, POWERFUL WOMEN. 183 00:08:34.747 --> 00:08:36.000 LAINEY WILSON. 184 00:08:36.000 --> 00:08:36.215 LAINEY WILSON. 185 00:08:36.282 --> 00:08:37.516 CARLY PEARCE. 186 00:08:37.583 --> 00:08:42.000 CARRIE UNDERWOOD. 187 00:08:42.000 --> 00:08:44.524 CARRIE UNDERWOOD. 188 00:08:44.590 --> 00:08:47.927 AND Y'ALL, IT'S NOT JUST THE LINEUP. 189 00:08:47.994 --> 00:08:48.000 THE MUSIC IS ALL ABOUT EMPOWERMENT AND STRENGTH, 190 00:08:48.000 --> 00:08:51.731 THE MUSIC IS ALL ABOUT EMPOWERMENT AND STRENGTH, 191 00:08:51.797 --> 00:08:54.000 AND WE ALL NEED THAT RIGHT NOW AND ALWAYS. 192 00:08:54.000 --> 00:08:54.567 AND WE ALL NEED THAT RIGHT NOW AND ALWAYS. 193 00:08:54.634 --> 00:09:00.000 >> AND DON'T FORGET ALANIS MORRISSETTE. 194 00:09:00.000 --> 00:09:01.073 >> AND DON'T FORGET ALANIS MORRISSETTE. 195 00:09:01.140 --> 00:09:05.544 AND GWEN STEFANI'S IN THE HOUSE! 196 00:09:05.611 --> 00:09:06.000 >> CASUAL. 197 00:09:06.000 --> 00:09:06.979 >> CASUAL. 198 00:09:07.046 --> 00:09:07.747 >> THAT'S RIGHT. 199 00:09:07.813 --> 00:09:08.948 TONIGHT IS COUNTRY'S NIGHT TO ROCK. 200 00:09:09.015 --> 00:09:11.817 >> THIS PLACE IS PACKED WITH ROCK STARS, WHICH MAKES PERFECT 201 00:09:11.884 --> 00:09:12.000 SENSE, BECAUSE COUNTRY AND ROCK? 202 00:09:12.000 --> 00:09:15.021 SENSE, BECAUSE COUNTRY AND ROCK? 203 00:09:15.087 --> 00:09:17.390 THEY'RE NOT THAT DIFFERENT. 204 00:09:17.456 --> 00:09:18.000 LET US EXPLAIN. 205 00:09:18.000 --> 00:09:18.491 LET US EXPLAIN. 206 00:09:18.557 --> 00:09:23.262 >> WE'VE ALL HEARD OF "SEX, DRUGS AND ROCK 'N ROLL..." 207 00:09:23.329 --> 00:09:24.000 >> WE HAVE. 208 00:09:24.000 --> 00:09:24.297 >> WE HAVE. 209 00:09:24.363 --> 00:09:26.699 IN COUNTRY, IT'S JUST "HUNTIN, FISHIN, AND LOVING 210 00:09:26.766 --> 00:09:29.735 EVERY DAY." 211 00:09:29.802 --> 00:09:30.000 SAME THING. 212 00:09:30.000 --> 00:09:31.404 SAME THING. 213 00:09:31.470 --> 00:09:34.540 >> COUNTRY HAS DARIUS RUCKER. 214 00:09:34.607 --> 00:09:36.000 >> YES, WE SURE DO. 215 00:09:36.000 --> 00:09:37.109 >> YES, WE SURE DO. 216 00:09:37.176 --> 00:09:37.843 HE'S THE BEST. 217 00:09:37.910 --> 00:09:38.978 AND ROCK HAS... 218 00:09:39.045 --> 00:09:42.000 DARIUS RUCKER. 219 00:09:42.000 --> 00:09:44.583 DARIUS RUCKER. 220 00:09:44.650 --> 00:09:45.985 HONESTLY, THEY SHOULD COLLAB SOMETIME. 221 00:09:46.052 --> 00:09:48.000 >> WE'RE GONNA SEE DARIUS LATER WITH THE BLACK CROWES. 222 00:09:48.000 --> 00:09:51.490 >> WE'RE GONNA SEE DARIUS LATER WITH THE BLACK CROWES. 223 00:09:51.557 --> 00:09:52.758 >> IT'S INCREDIBLE. 224 00:09:52.825 --> 00:09:53.159 I CAN'T WAIT! 225 00:09:53.225 --> 00:09:53.826 SO GOOD. 226 00:09:53.893 --> 00:09:54.000 >> ROCK HAS POST MALONE. 227 00:09:54.000 --> 00:09:56.495 >> ROCK HAS POST MALONE. 228 00:09:56.562 --> 00:10:00.000 >> I LOVE POSTY. 229 00:10:00.000 --> 00:10:01.901 >> I LOVE POSTY. 230 00:10:01.968 --> 00:10:02.768 I AM ALSO ALWAYS TIRED. 231 00:10:02.835 --> 00:10:04.870 >> HE ROCKS. 232 00:10:04.937 --> 00:10:06.000 >> BUT COUNTRY HAS JELLY ROLL! 233 00:10:06.000 --> 00:10:12.000 >> BUT COUNTRY HAS JELLY ROLL! 234 00:10:12.000 --> 00:10:12.678 >> BUT COUNTRY HAS JELLY ROLL! 235 00:10:12.745 --> 00:10:18.000 [CHEERS AND APPLAUSE] THAT'S ON US. 236 00:10:18.000 --> 00:10:19.952 [CHEERS AND APPLAUSE] THAT'S ON US. 237 00:10:20.019 --> 00:10:22.388 I THINK WE GOT THAT MIXED UP. 238 00:10:22.455 --> 00:10:24.000 >>I THINK WE NAILED IT. 239 00:10:24.000 --> 00:10:25.958 >>I THINK WE NAILED IT. 240 00:10:26.025 --> 00:10:27.960 JELLY ROLL HAS SO MANY NOMINATIONS TONIGHT. 241 00:10:28.027 --> 00:10:30.000 REAL BREAKOUT YEAR FOR HIM, COME ON NOW. 242 00:10:30.000 --> 00:10:31.864 REAL BREAKOUT YEAR FOR HIM, COME ON NOW. 243 00:10:31.931 --> 00:10:32.965 COME ON. 244 00:10:33.032 --> 00:10:34.800 WE'RE SO HAPPY FOR YOU, BUDDY. 245 00:10:34.867 --> 00:10:36.000 >> Y'ALL, WE'VE GOT SO MANY GREAT PERFORMANCES. 246 00:10:36.000 --> 00:10:38.871 >> Y'ALL, WE'VE GOT SO MANY GREAT PERFORMANCES. 247 00:10:38.938 --> 00:10:41.173 A BUNCH OF AWARDS TO HAND OUT. 248 00:10:41.240 --> 00:10:42.000 BUT BEFORE WE GET STARTED, KANE, THIS IS OUR THIRD TIME 249 00:10:42.000 --> 00:10:43.976 BUT BEFORE WE GET STARTED, KANE, THIS IS OUR THIRD TIME 250 00:10:44.043 --> 00:10:46.979 HOSTING TOGETHER. 251 00:10:47.046 --> 00:10:47.580 THIRD TIME'S A CHARM. 252 00:10:47.646 --> 00:10:48.000 >> HAPPY ANNIVERSARY! 253 00:10:48.000 --> 00:10:50.883 >> HAPPY ANNIVERSARY! 254 00:10:50.950 --> 00:10:51.617 >> THANK YOU. 255 00:10:51.684 --> 00:10:52.018 >> I ACTUALLY GOT YOU SOMETHING. 256 00:10:52.084 --> 00:10:54.000 >> OH, MY GOD. 257 00:10:54.000 --> 00:10:54.854 >> OH, MY GOD. 258 00:10:54.920 --> 00:10:57.256 >> I DID. 259 00:10:57.323 --> 00:11:00.000 >> WOW. 260 00:11:00.000 --> 00:11:06.000 >> WOW. 261 00:11:06.000 --> 00:11:07.900 >> WOW. 262 00:11:07.967 --> 00:11:11.270 I GOT YOU SOMETHING TOO! 263 00:11:11.337 --> 00:11:12.000 >> YOU DI? 264 00:11:12.000 --> 00:11:13.372 >> YOU DI? 265 00:11:13.439 --> 00:11:18.000 >> YES. 266 00:11:18.000 --> 00:11:22.448 >> YES. 267 00:11:22.515 --> 00:11:24.000 YEEHAW! 268 00:11:24.000 --> 00:11:25.051 YEEHAW! 269 00:11:25.117 --> 00:11:29.055 WHOO! 270 00:11:29.121 --> 00:11:29.688 >> IT'S A LITTLE SMALL. 271 00:11:29.755 --> 00:11:30.000 I THINK WE LOOK GOOD! 272 00:11:30.000 --> 00:11:33.159 I THINK WE LOOK GOOD! 273 00:11:33.225 --> 00:11:34.927 THIS IS THE ONLY COUNTRY AWARDS SHOW WHERE THE FANS GET TO PICK 274 00:11:34.994 --> 00:11:36.000 THE WINNERS, AND THERE'S STILL ONE AWARD YOU 275 00:11:36.000 --> 00:11:37.963 THE WINNERS, AND THERE'S STILL ONE AWARD YOU 276 00:11:38.030 --> 00:11:39.532 CAN HELP DECIDE. 277 00:11:39.598 --> 00:11:42.000 >> IT'S THE BIGGEST AWARD OF THE NIGHT, VIDEO OF THE YEAR. 278 00:11:42.000 --> 00:11:42.468 >> IT'S THE BIGGEST AWARD OF THE NIGHT, VIDEO OF THE YEAR. 279 00:11:42.535 --> 00:11:44.336 WE STARTED OUT WITH 16 NOMINEES AND NOW WE'RE DOWN TO THE TOP 280 00:11:44.403 --> 00:11:46.705 THREE. 281 00:11:46.772 --> 00:11:48.000 >> TAKE A LOOK. 282 00:11:48.000 --> 00:11:53.312 >> TAKE A LOOK. 283 00:11:53.379 --> 00:11:54.000 >> VIDEO OF THE YEAR. 284 00:11:54.000 --> 00:11:58.084 >> VIDEO OF THE YEAR. 285 00:11:58.150 --> 00:12:00.000 CARRIE UNDERWOOD, HARDY, THANK GOD. 286 00:12:00.000 --> 00:12:05.257 CARRIE UNDERWOOD, HARDY, THANK GOD. 287 00:12:05.324 --> 00:12:06.000 CAST YOUR VOTES NOW. 288 00:12:06.000 --> 00:12:10.096 CAST YOUR VOTES NOW. 289 00:12:10.162 --> 00:12:12.000 FOR CARRIE UNDERWOOD. 290 00:12:12.000 --> 00:12:14.700 FOR CARRIE UNDERWOOD. 291 00:12:14.767 --> 00:12:17.903 FOR HARDY AND LAINEY WILSON. 292 00:12:17.970 --> 00:12:18.000 FOR KANE BROWN AND KATELYN BRO BROWN, COMMENT... 293 00:12:18.000 --> 00:12:23.876 FOR KANE BROWN AND KATELYN BRO BROWN, COMMENT... 294 00:12:23.943 --> 00:12:24.000 MAKE SURE TO VOTE NOW. 295 00:12:24.000 --> 00:12:26.479 MAKE SURE TO VOTE NOW. 296 00:12:26.545 --> 00:12:30.000 VIDEO OF THE VOTING IS PRESENTED BY RAM TRUCKS. 297 00:12:30.000 --> 00:12:33.252 VIDEO OF THE VOTING IS PRESENTED BY RAM TRUCKS. 298 00:12:33.319 --> 00:12:36.000 >> YOU CAN CAST YOUR VOTES ON THE CMT AWARDS FACEBOOK PAGE. 299 00:12:36.000 --> 00:12:39.291 >> YOU CAN CAST YOUR VOTES ON THE CMT AWARDS FACEBOOK PAGE. 300 00:12:39.358 --> 00:12:42.000 MAKE SURE YOU SHOW YOUR LOVE TO YOUR FAVORITE ARTIST. 301 00:12:42.000 --> 00:12:42.928 MAKE SURE YOU SHOW YOUR LOVE TO YOUR FAVORITE ARTIST. 302 00:12:42.995 --> 00:12:44.830 >> WHEN CMT BRINGS IT, WE TAKE OVER THE WHOLE CITY. 303 00:12:44.897 --> 00:12:47.133 RIGHT NOW, A CMT FAVORITE WHO DROPPED HIS DEBUT SOLO ALBUM 304 00:12:47.199 --> 00:12:48.000 EARLIER THIS YEAR IS STEPPING ONTO OUR STAGE IN FRONT OF THE 305 00:12:48.000 --> 00:12:49.568 EARLIER THIS YEAR IS STEPPING ONTO OUR STAGE IN FRONT OF THE 306 00:12:49.635 --> 00:12:53.806 TEXAS STATE CAPITOL. 307 00:12:53.873 --> 00:12:54.000 >> Y'ALL MAKE SOME NOISE FOR TYLER HUBBARD! 308 00:12:54.000 --> 00:13:00.000 >> Y'ALL MAKE SOME NOISE FOR TYLER HUBBARD! 309 00:13:00.000 --> 00:13:02.882 >> Y'ALL MAKE SOME NOISE FOR TYLER HUBBARD! 310 00:13:11.123 --> 00:13:11.991 >> CMT AWARDS! 311 00:13:12.057 --> 00:13:14.126 ♪ THEM NEON LIGHTS ♪ ♪ LOOK GOOD ON YOU ♪ 312 00:13:14.193 --> 00:13:16.095 ♪ BUT WE AIN'T GOT ♪ ♪ NO ROOM TO MOVE ♪ 313 00:13:16.162 --> 00:13:18.000 ♪ NO ROOM TO MOVE ♪ ♪ WE NEED SOME SPACE ♪ 314 00:13:18.000 --> 00:13:18.430 ♪ NO ROOM TO MOVE ♪ ♪ WE NEED SOME SPACE ♪ 315 00:13:18.497 --> 00:13:22.034 ♪ AND I KNOW A PLACE ♪ ♪ OUTSIDE OF TOWN 316 00:13:22.101 --> 00:13:24.000 WHERE IT DON'T EVER CLOSE DOWN ♪ ♪ NO, WE NEVER CLOSE DOWN ♪ 317 00:13:24.000 --> 00:13:26.672 WHERE IT DON'T EVER CLOSE DOWN ♪ ♪ NO, WE NEVER CLOSE DOWN ♪ 318 00:13:26.739 --> 00:13:27.973 ♪ YEAH, WE CAN TWO STEP ♪ ♪ PUT YOUR BOOTS ON, BABY ♪ 319 00:13:28.040 --> 00:13:30.000 ♪ WE CAN DO THAT ♪ ♪ GIRL, CUT A LITTLE LOOSE ♪ 320 00:13:30.000 --> 00:13:30.843 ♪ WE CAN DO THAT ♪ ♪ GIRL, CUT A LITTLE LOOSE ♪ 321 00:13:30.910 --> 00:13:36.000 ♪ MOVE THAT ♪ ♪ AW, YEAH ♪ 322 00:13:36.000 --> 00:13:36.949 ♪ MOVE THAT ♪ ♪ AW, YEAH ♪ 323 00:13:37.016 --> 00:13:40.519 I'LL TAKE YOU DANCIN' IN THE COUNTRY 324 00:13:40.586 --> 00:13:42.000 ♪ LEVI'S IN THEM LOW BEAMS ♪ ♪ SPIN YOU IN SOME RED DIRT ♪ 325 00:13:42.000 --> 00:13:42.521 ♪ LEVI'S IN THEM LOW BEAMS ♪ ♪ SPIN YOU IN SOME RED DIRT ♪ 326 00:13:42.588 --> 00:13:45.124 ♪ SWEEP YOU OFF OF BOTH FEET ♪ ♪ OUT HERE WHERE THE SUN SETS ♪ 327 00:13:45.191 --> 00:13:48.000 ♪ SILVERADO BACKBEAT ♪ ♪ YOU'LL NEVER WANNA GO HOME ♪ 328 00:13:48.000 --> 00:13:50.329 ♪ SILVERADO BACKBEAT ♪ ♪ YOU'LL NEVER WANNA GO HOME ♪ 329 00:13:50.396 --> 00:13:54.000 ♪ AND NEVER WANNA NOT BE ♪ DANCIN' IN THE COUNTRY ♪ 330 00:13:54.000 --> 00:14:00.000 ♪ AND NEVER WANNA NOT BE ♪ DANCIN' IN THE COUNTRY ♪ 331 00:14:00.000 --> 00:14:00.873 ♪ AND NEVER WANNA NOT BE ♪ DANCIN' IN THE COUNTRY ♪ 332 00:14:00.940 --> 00:14:03.542 Y'ALL KNOW WHAT I'M TALKING ABOUT? 333 00:14:03.609 --> 00:14:04.743 ♪ YEAH, IT GOES LEFT, RIGHT, LEFT ♪ 334 00:14:04.810 --> 00:14:06.000 ♪ YOU MAKIN' ME WANNA SWAY ♪ ♪ YOU MAKIN' ME WANNA PLAY ♪ 335 00:14:06.000 --> 00:14:07.213 ♪ YOU MAKIN' ME WANNA SWAY ♪ ♪ YOU MAKIN' ME WANNA PLAY ♪ 336 00:14:07.279 --> 00:14:10.249 ♪ SOME ALABAMA AND JACKSON ♪ ♪ GOT YOU 'ROUND MY NECK ♪ 337 00:14:10.316 --> 00:14:12.000 ♪ MAKIN' ME WANNA STAY ♪ ♪ MAKIN' ME WANNA LAY YOU 338 00:14:12.000 --> 00:14:14.119 ♪ MAKIN' ME WANNA STAY ♪ ♪ MAKIN' ME WANNA LAY YOU 339 00:14:14.186 --> 00:14:17.856 DOWN HERE IN THE PASTURE ♪ ♪ YEAH, WE CAN TWO STEP ♪ 340 00:14:17.923 --> 00:14:18.000 ♪ PUT YOUR BOOTS ON, BABY ♪ ♪ WE CAN DO THAT GIRL ♪ 341 00:14:18.000 --> 00:14:19.024 ♪ PUT YOUR BOOTS ON, BABY ♪ ♪ WE CAN DO THAT GIRL ♪ 342 00:14:19.091 --> 00:14:21.126 ♪ CUT A LITTLE LOOSE ♪ ♪ YOU CAN MOVE THAT ♪ 343 00:14:21.193 --> 00:14:24.000 ♪ MOVE THAT ♪ ♪ AW, YEAH ♪ 344 00:14:24.000 --> 00:14:27.266 ♪ MOVE THAT ♪ ♪ AW, YEAH ♪ 345 00:14:27.333 --> 00:14:30.000 I'LL TAKE YOU DANCIN' IN THE COUNTRY 346 00:14:30.000 --> 00:14:30.536 I'LL TAKE YOU DANCIN' IN THE COUNTRY 347 00:14:30.603 --> 00:14:32.037 ♪ LEVI'S IN THEM LOW BEAMS ♪ ♪ SPIN YOU IN SOME RED DIRT ♪ 348 00:14:32.104 --> 00:14:33.973 ♪ SWEEP YOU OFF OF BOTH FEET ♪ ♪ OUT HERE WHERE THE SUN SETS ♪ 349 00:14:34.039 --> 00:14:36.000 ♪ SILVERADO BACKBEAT ♪ ♪ YOU'LL NEVER WANNA GO HOME ♪ 350 00:14:36.000 --> 00:14:38.544 ♪ SILVERADO BACKBEAT ♪ ♪ YOU'LL NEVER WANNA GO HOME ♪ 351 00:14:38.611 --> 00:14:42.000 ♪ AND NEVER WANNA NOT BE ♪ DANCIN' IN THE COUNTRY ♪ 352 00:14:42.000 --> 00:14:48.000 ♪ AND NEVER WANNA NOT BE ♪ DANCIN' IN THE COUNTRY ♪ 353 00:14:48.000 --> 00:14:48.454 ♪ AND NEVER WANNA NOT BE ♪ DANCIN' IN THE COUNTRY ♪ 354 00:14:48.520 --> 00:14:54.000 ♪ WE'RE DANCIN' IN THE COUNTRY ♪ ONE TIME, BOYS! 355 00:14:54.000 --> 00:14:55.060 ♪ WE'RE DANCIN' IN THE COUNTRY ♪ ONE TIME, BOYS! 356 00:14:56.829 --> 00:15:00.000 ♪ ♪ ♪ I KNOW YOU FEEL THAT HEAT ♪ 357 00:15:00.000 --> 00:15:01.100 ♪ ♪ ♪ I KNOW YOU FEEL THAT HEAT ♪ 358 00:15:01.166 --> 00:15:04.370 ♪ WATERMELON SUMMER ♪ ♪ GET THEM LUCCHESES ♪ 359 00:15:04.436 --> 00:15:06.000 ♪ STOMPIN' LIKE THE THUNDER ♪ GET YOUR HANDS UP! 360 00:15:06.000 --> 00:15:12.000 ♪ STOMPIN' LIKE THE THUNDER ♪ GET YOUR HANDS UP! 361 00:15:12.000 --> 00:15:13.679 ♪ STOMPIN' LIKE THE THUNDER ♪ GET YOUR HANDS UP! 362 00:15:13.746 --> 00:15:18.000 ARE WE HAVING A GOOD TIME TONIGHT OR WHAT? 363 00:15:18.000 --> 00:15:20.786 ARE WE HAVING A GOOD TIME TONIGHT OR WHAT? 364 00:15:20.853 --> 00:15:22.788 WHO'S READY TO DANCE TONIGHT? 365 00:15:22.855 --> 00:15:23.789 AUSTIN! 366 00:15:23.856 --> 00:15:24.000 ♪ I'LL TAKE YOU DANCIN' ♪ ♪ IN THE COUNTRY ♪ 367 00:15:24.000 --> 00:15:30.000 ♪ I'LL TAKE YOU DANCIN' ♪ ♪ IN THE COUNTRY ♪ 368 00:15:30.000 --> 00:15:31.930 ♪ I'LL TAKE YOU DANCIN' ♪ ♪ IN THE COUNTRY ♪ 369 00:15:31.997 --> 00:15:33.932 ♪ LEVI'S IN THEM LOW BEAMS ♪ ♪ SPIN YOU IN SOME RED DIRT ♪ 370 00:15:33.999 --> 00:15:36.000 ♪ SWEEP YOU OFF OF BOTH FEET ♪ ♪ OUT HERE WHERE THE SUN SETS ♪ 371 00:15:36.000 --> 00:15:37.770 ♪ SWEEP YOU OFF OF BOTH FEET ♪ ♪ OUT HERE WHERE THE SUN SETS ♪ 372 00:15:37.836 --> 00:15:41.740 ♪ SILVERADO BACKBEAT ♪ ♪ YOU'LL NEVER WANNA GO HOME ♪ 373 00:15:41.807 --> 00:15:42.000 ♪ AND NEVER WANNA NOT BE ♪ DANCIN' IN THE COUNTRY ♪ 374 00:15:42.000 --> 00:15:48.000 ♪ AND NEVER WANNA NOT BE ♪ DANCIN' IN THE COUNTRY ♪ 375 00:15:48.000 --> 00:15:50.149 ♪ AND NEVER WANNA NOT BE ♪ DANCIN' IN THE COUNTRY ♪ 376 00:15:50.215 --> 00:15:54.000 WE'RE DANCIN' IN THE COUNTRY ♪ AW, YEAH! 377 00:15:54.000 --> 00:15:56.822 WE'RE DANCIN' IN THE COUNTRY ♪ AW, YEAH! 378 00:15:56.889 --> 00:15:59.558 DANCIN' IN THE COUNTRY ♪ WE'RE DANCIN' IN THE COUNTRY ♪ 379 00:15:59.625 --> 00:16:00.000 AW, YEAH! 380 00:16:00.000 --> 00:16:06.000 AW, YEAH! 381 00:16:06.000 --> 00:16:09.201 AW, YEAH! 382 00:16:09.268 --> 00:16:10.602 AUSTIN, YOU GUYS ARE AMAZING. 383 00:16:10.669 --> 00:16:12.000 I LOVE YOU. 384 00:16:12.000 --> 00:16:13.305 I LOVE YOU. 385 00:16:13.372 --> 00:16:18.000 THANK YOU, CMT. 386 00:16:18.000 --> 00:16:21.980 THANK YOU, CMT. 387 00:16:22.047 --> 00:16:23.382 THANK Y'ALL SO MUCH. 388 00:16:23.449 --> 00:16:24.000 YOU GUYS ARE AMAZING. 389 00:16:24.000 --> 00:16:24.950 YOU GUYS ARE AMAZING. 390 00:16:25.017 --> 00:16:29.588 SEE YOU LATER, HAVE AN AWESOME NIGHT. 391 00:16:29.655 --> 00:16:30.000 >> TYLER HUBBARD, EVERYBODY! 392 00:16:30.000 --> 00:16:33.125 >> TYLER HUBBARD, EVERYBODY! 393 00:16:33.192 --> 00:16:36.000 ALL RIGHT, WE GOTTA GO BIG IN TEXAS, AND IT DOESN'T GET MUCH 394 00:16:36.000 --> 00:16:36.528 ALL RIGHT, WE GOTTA GO BIG IN TEXAS, AND IT DOESN'T GET MUCH 395 00:16:36.595 --> 00:16:42.000 BIGGER AROUND HERE THAN THIS GUY. 396 00:16:42.000 --> 00:16:42.568 BIGGER AROUND HERE THAN THIS GUY. 397 00:16:42.634 --> 00:16:48.000 HE'S FROM AUSTIN ONE OF THE BEST GUITAR PLAYERS 398 00:16:48.000 --> 00:16:50.275 HE'S FROM AUSTIN ONE OF THE BEST GUITAR PLAYERS 399 00:16:50.342 --> 00:16:51.510 ON EARTH. 400 00:16:51.577 --> 00:16:52.878 >> HE'S HERE WITH A PERFORMANCE HONORING THE CITY'S PRIDE AND 401 00:16:52.945 --> 00:16:53.746 JOY, THE LATE, GREAT STEVIE RAY VAUGHAN. 402 00:16:53.812 --> 00:16:54.000 HERE IS GARY CLARK JR.! 403 00:16:54.000 --> 00:16:58.717 HERE IS GARY CLARK JR.! 404 00:17:00.386 --> 00:17:03.589 ♪ ♪ ♪ WELL, THE HOUSE 405 00:17:03.655 --> 00:17:05.457 IS A ROCKIN' ♪ ♪ DON'T BOTHER KNOCKIN' ♪ 406 00:17:05.524 --> 00:17:06.000 ♪ YEAH, THE HOUSE IS A ROCKIN' ♪ ♪ DON'T BOTHER KNOCKIN' ♪ 407 00:17:06.000 --> 00:17:08.293 ♪ YEAH, THE HOUSE IS A ROCKIN' ♪ ♪ DON'T BOTHER KNOCKIN' ♪ 408 00:17:08.360 --> 00:17:12.000 ♪ YEAH, THE HOUSE IS A ROCKIN' ♪ ♪ DON'T BOTHER COME ON IN ♪ 409 00:17:12.000 --> 00:17:13.532 ♪ YEAH, THE HOUSE IS A ROCKIN' ♪ ♪ DON'T BOTHER COME ON IN ♪ 410 00:17:13.599 --> 00:17:16.568 ♪ KICK OFF YOUR SHOES ♪ ♪ START LOSIN' THE BLUES ♪ 411 00:17:16.635 --> 00:17:18.000 ♪ THIS OLD HOUSE ♪ ♪ AIN'T GOT NOTHIN' TO LOSE ♪ 412 00:17:18.000 --> 00:17:18.771 ♪ THIS OLD HOUSE ♪ ♪ AIN'T GOT NOTHIN' TO LOSE ♪ 413 00:17:18.837 --> 00:17:24.000 ♪ SEEN IT ALL FOR YEARS ♪ ♪ START SPREADIN' THE NEWS ♪ 414 00:17:24.000 --> 00:17:24.176 ♪ SEEN IT ALL FOR YEARS ♪ ♪ START SPREADIN' THE NEWS ♪ 415 00:17:24.243 --> 00:17:27.146 ♪ WE GOT ROOM ON THE FLOOR ♪ ♪ COME ON, BABY ♪ 416 00:17:27.212 --> 00:17:30.000 ♪ SHAKE SUMPIN' LOOSE ♪ ♪ WELL, THE HOUSE IS A ROCKIN' ♪ 417 00:17:30.000 --> 00:17:31.483 ♪ SHAKE SUMPIN' LOOSE ♪ ♪ WELL, THE HOUSE IS A ROCKIN' ♪ 418 00:17:31.550 --> 00:17:34.753 ♪ DON'T BOTHER KNOCKIN' ♪ ♪ YEAH, THE HOUSE IS A ROCKIN' ♪ 419 00:17:34.820 --> 00:17:36.000 ♪ DON'T BOTHER KNOCKIN' ♪ ♪ YEAH, THE HOUSE IS A ROCKIN' ♪ 420 00:17:36.000 --> 00:17:37.656 ♪ DON'T BOTHER KNOCKIN' ♪ ♪ YEAH, THE HOUSE IS A ROCKIN' ♪ 421 00:17:37.723 --> 00:17:41.960 ♪ DON'T BOTHER ♪ COME ON IN ♪ 422 00:17:42.027 --> 00:17:45.898 GO AHEAD! 423 00:17:47.566 --> 00:17:48.000 ♪ ♪ 424 00:17:48.000 --> 00:17:54.000 ♪ ♪ 425 00:17:54.000 --> 00:18:00.000 ♪ ♪ 426 00:18:00.000 --> 00:18:02.448 ♪ ♪ 427 00:18:02.514 --> 00:18:03.649 ♪ ♪ 428 00:18:12.958 --> 00:18:18.000 ♪ ♪ ♪ WELL, THE HOUSE IS A ROCKIN' ♪ 429 00:18:18.000 --> 00:18:24.000 ♪ ♪ ♪ WELL, THE HOUSE IS A ROCKIN' ♪ 430 00:18:24.000 --> 00:18:24.403 ♪ ♪ ♪ WELL, THE HOUSE IS A ROCKIN' ♪ 431 00:18:24.470 --> 00:18:26.405 ♪ DON'T BOTHER KNOCKIN' ♪ ♪ YEAH, THE HOUSE IS A ROCKIN' ♪ 432 00:18:26.472 --> 00:18:29.608 ♪ DON'T BOTHER KNOCKIN' ♪ ♪ YEAH, THE HOUSE IS A ROCKIN' ♪ 433 00:18:29.675 --> 00:18:30.000 ♪ DON'T BOTHER ♪ COME ON IN ♪ 434 00:18:30.000 --> 00:18:33.312 ♪ DON'T BOTHER ♪ COME ON IN ♪ 435 00:18:33.378 --> 00:18:36.000 ♪ WALKIN' UP THE STREET ♪ ♪ YOU CAN HEAR THE SOUND ♪ 436 00:18:36.000 --> 00:18:36.415 ♪ WALKIN' UP THE STREET ♪ ♪ YOU CAN HEAR THE SOUND ♪ 437 00:18:36.482 --> 00:18:38.450 ♪ OF SOME BAD HONKY TONKERS ♪ ♪ REALLY LAYIN' IT DOWN ♪ 438 00:18:38.517 --> 00:18:40.752 ♪ THEY'VE SEEN IT ALL FOR YEARS ♪ 439 00:18:40.819 --> 00:18:42.000 ♪ GOT NOTHIN' TO LOSE ♪ ♪ SO GET DOWN ON THE FLOOR ♪ 440 00:18:42.000 --> 00:18:45.657 ♪ GOT NOTHIN' TO LOSE ♪ ♪ SO GET DOWN ON THE FLOOR ♪ 441 00:18:45.724 --> 00:18:48.000 ♪ SHIMMY 'TIL YOU SHAKE ♪ ♪ SUMPIN' LOOSE ♪ 442 00:18:48.000 --> 00:18:49.094 ♪ SHIMMY 'TIL YOU SHAKE ♪ ♪ SUMPIN' LOOSE ♪ 443 00:18:49.161 --> 00:18:51.730 ♪ WELL, THE HOUSE IS A ROCKIN' ♪ ♪ DON'T BOTHER KNOCKIN' ♪ 444 00:18:51.797 --> 00:18:54.000 ♪ YEAH, THE HOUSE IS A ROCKIN' ♪ ♪ DON'T BOTHER KNOCKIN' ♪ 445 00:18:54.000 --> 00:18:54.366 ♪ YEAH, THE HOUSE IS A ROCKIN' ♪ ♪ DON'T BOTHER KNOCKIN' ♪ 446 00:18:54.433 --> 00:18:57.569 ♪ YEAH, THE HOUSE IS A ROCKIN' ♪ ♪ DON'T BOTHER 447 00:18:57.636 --> 00:19:00.000 ♪ COME ON IN ♪ THE HOUSE IS A ROCKIN' ♪ 448 00:19:00.000 --> 00:19:02.674 ♪ COME ON IN ♪ THE HOUSE IS A ROCKIN' ♪ 449 00:19:02.741 --> 00:19:05.644 ♪ DON'T BOTHER ♪ COME ON IN ♪ 450 00:19:05.711 --> 00:19:06.000 ♪ WOO, HOO, HOO, HOO ♪ ♪ WOO, OOH, OOM, HOO ♪ 451 00:19:06.000 --> 00:19:12.000 ♪ WOO, HOO, HOO, HOO ♪ ♪ WOO, OOH, OOM, HOO ♪ 452 00:19:12.000 --> 00:19:18.000 ♪ WOO, HOO, HOO, HOO ♪ ♪ WOO, OOH, OOM, HOO ♪ 453 00:19:18.000 --> 00:19:18.824 ♪ WOO, HOO, HOO, HOO ♪ ♪ WOO, OOH, OOM, HOO ♪ 454 00:19:18.891 --> 00:19:22.928 ♪ WOO, OOH, OOH, OOH ♪ 455 00:19:23.929 --> 00:19:24.000 ♪ ♪ 456 00:19:24.000 --> 00:19:30.000 ♪ ♪ 457 00:19:30.000 --> 00:19:36.000 ♪ ♪ 458 00:19:36.000 --> 00:19:38.810 ♪ ♪ 459 00:19:38.877 --> 00:19:40.445 ♪ ♪ 460 00:19:55.327 --> 00:20:00.000 ♪ ♪ 461 00:20:00.000 --> 00:20:06.000 ♪ ♪ 462 00:20:06.000 --> 00:20:10.208 ♪ ♪ 463 00:20:10.275 --> 00:20:11.410 ♪ ♪ 464 00:20:14.513 --> 00:20:18.000 [CHEERS AND APPLAUSE] >> OH, THIS HOUSE IS ROCKIN'! 465 00:20:18.000 --> 00:20:24.000 [CHEERS AND APPLAUSE] >> OH, THIS HOUSE IS ROCKIN'! 466 00:20:24.000 --> 00:20:28.894 [CHEERS AND APPLAUSE] >> OH, THIS HOUSE IS ROCKIN'! 467 00:20:28.961 --> 00:20:30.000 AUSTEN'S OWN, GARY CLARK JR., EVERYBODY. 468 00:20:30.000 --> 00:20:32.497 AUSTEN'S OWN, GARY CLARK JR., EVERYBODY. 469 00:20:32.564 --> 00:20:33.732 WE'VE GOT SOME OF THE BIGGEST NAMES IN MUSIC HERE, BUT THE CMT 470 00:20:33.799 --> 00:20:36.000 MUSIC AWARDS ALSO GIVE A STAGE TO SOME OF THE MOST EXCITING 471 00:20:36.000 --> 00:20:39.338 MUSIC AWARDS ALSO GIVE A STAGE TO SOME OF THE MOST EXCITING 472 00:20:39.404 --> 00:20:40.472 BREAKOUT ARTISTS. 473 00:20:40.539 --> 00:20:41.006 AND YOU'RE GONNA GET TO SEE SIX OF THEM HERE ON THE RAM 474 00:20:41.073 --> 00:20:42.000 TRUCKS STAGE TONIGHT. 475 00:20:42.000 --> 00:20:43.976 TRUCKS STAGE TONIGHT. 476 00:20:44.042 --> 00:20:45.477 KICKING IT OFF, WE'VE GOT AN ARTIST WHO IS HAVING A HUGE 477 00:20:45.544 --> 00:20:46.511 YEAR. 478 00:20:46.578 --> 00:20:48.000 PERFORMING HER NEW SONG, "WHATCHA KNOW ABOUT THAT," 479 00:20:48.000 --> 00:20:48.981 PERFORMING HER NEW SONG, "WHATCHA KNOW ABOUT THAT," 480 00:20:49.047 --> 00:20:54.000 GIVE IT UP FOR MY GIRL, LILY ROSE! 481 00:20:54.000 --> 00:20:55.053 GIVE IT UP FOR MY GIRL, LILY ROSE! 482 00:20:56.421 --> 00:21:00.000 ♪ DO YOU LOVE IT ♪ ♪ WHEN IT RAINS ♪ 483 00:21:00.000 --> 00:21:00.158 ♪ DO YOU LOVE IT ♪ ♪ WHEN IT RAINS ♪ 484 00:21:00.225 --> 00:21:05.931 ♪ UNDER A TIN ROOF ♪ ♪ SITTIN' ON A PORCH SWING ♪ 485 00:21:05.998 --> 00:21:06.000 ♪ EVER TASTE THAT ♪ ♪ SMALL TOWN FAME ♪ 486 00:21:06.000 --> 00:21:08.967 ♪ EVER TASTE THAT ♪ ♪ SMALL TOWN FAME ♪ 487 00:21:09.034 --> 00:21:12.000 ♪ YEAH, I THINK WE'RE THE SAME ♪ ♪ COME ON, TELL ME, BABY ♪ 488 00:21:12.000 --> 00:21:13.271 ♪ YEAH, I THINK WE'RE THE SAME ♪ ♪ COME ON, TELL ME, BABY ♪ 489 00:21:13.338 --> 00:21:17.342 ♪ I WANNA KNOW ♪ ♪ WHAT YOU KNOW ABOUT THAT ♪ 490 00:21:17.409 --> 00:21:18.000 ♪ DO YOU LOVE A LITTLE DOLLY P ♪ ♪ COMIN' THROUGH THE DASH ♪ 491 00:21:18.000 --> 00:21:21.313 ♪ DO YOU LOVE A LITTLE DOLLY P ♪ ♪ COMIN' THROUGH THE DASH ♪ 492 00:21:21.380 --> 00:21:24.000 ♪ DOES YOUR MAMA'S SWEET TEA ♪ ♪ MAKE THE HOT DAYS COLD ♪ 493 00:21:24.000 --> 00:21:25.817 ♪ DOES YOUR MAMA'S SWEET TEA ♪ ♪ MAKE THE HOT DAYS COLD ♪ 494 00:21:25.884 --> 00:21:29.755 ♪ MM-MM THAT'S YOU AND ME BOTH ♪ ♪ YEAH, WHAT IF I TOLD YOU ♪ 495 00:21:29.821 --> 00:21:30.000 ♪ I WANT THAT KIND OF LOVE ♪ ♪ THAT'S GONNA LAST ♪ 496 00:21:30.000 --> 00:21:33.158 ♪ I WANT THAT KIND OF LOVE ♪ ♪ THAT'S GONNA LAST ♪ 497 00:21:33.225 --> 00:21:36.000 ♪ YEAH, I WANNA KNOW ♪ ♪ WHAT YOU KNOW ABOUT THAT ♪ 498 00:21:36.000 --> 00:21:37.229 ♪ YEAH, I WANNA KNOW ♪ ♪ WHAT YOU KNOW ABOUT THAT ♪ 499 00:21:48.040 --> 00:21:49.975 [CHEERS AND APPLAUSE] >> COMING UP, WE HAND OUT THE 500 00:21:50.042 --> 00:21:51.109 FIRST AWARD OF THE NIGHT. 501 00:21:51.176 --> 00:21:54.000 PLUS, PERFORMANCES BY CARLY PEARCE, 502 00:21:54.000 --> 00:21:54.012 PLUS, PERFORMANCES BY CARLY PEARCE, 503 00:21:54.079 --> 00:21:57.082 JELLY ROLL, CODY JOHNSON, KEITH URBAN, AND A SPECIAL 504 00:21:57.149 --> 00:21:59.918 COLLABORATION FROM WYNONA JUDD AND ASHLEY McBRYDE. 505 00:21:59.985 --> 00:22:00.000 AND AN ALL-STAR CELEBRATION OF LYNYRD SKYNYRD. 506 00:22:00.000 --> 00:22:03.455 AND AN ALL-STAR CELEBRATION OF LYNYRD SKYNYRD. 507 00:22:03.522 --> 00:22:06.000 FOR EVEN MORE CMT MUSIC AWARDS, FOLLOW @CMT! 508 00:22:06.000 --> 00:22:10.929 FOR EVEN MORE CMT MUSIC AWARDS, FOLLOW @CMT! 509 00:22:10.996 --> 00:22:12.000 >> THE 2023 CMT MUSIC AWARDS IS SPONSORED BY RAM TRUCKS. 510 00:22:12.000 --> 00:22:13.999 >> THE 2023 CMT MUSIC AWARDS IS SPONSORED BY RAM TRUCKS. 511 00:22:29.014 --> 00:22:30.000 ♪ ♪ >> THE FIRST AWARD IS COMING UP, 512 00:22:30.000 --> 00:22:30.949 ♪ ♪ >> THE FIRST AWARD IS COMING UP, 513 00:22:31.016 --> 00:22:36.000 AND SINCE THIS OUR FIRST SHOW IN TEXAS, WE ARE PROUD TO PRESENT 514 00:22:36.000 --> 00:22:36.555 AND SINCE THIS OUR FIRST SHOW IN TEXAS, WE ARE PROUD TO PRESENT 515 00:22:36.621 --> 00:22:42.000 OUR BRAND NEW, CUSTOM MADE, TEXAS CMT TROPHY. 516 00:22:42.000 --> 00:22:45.964 OUR BRAND NEW, CUSTOM MADE, TEXAS CMT TROPHY. 517 00:22:46.031 --> 00:22:47.165 I KNOW WHAT YOU'RE THINKING. 518 00:22:47.232 --> 00:22:48.000 THAT IS THE REGULAR CMT TROPHY BUT I ASSURE YOU IT'S AS TEXAS 519 00:22:48.000 --> 00:22:51.136 THAT IS THE REGULAR CMT TROPHY BUT I ASSURE YOU IT'S AS TEXAS 520 00:22:51.203 --> 00:22:53.138 AS IT GETS. 521 00:22:53.205 --> 00:22:53.805 ARE YOU READY. 522 00:22:53.872 --> 00:22:54.000 CHECK IT OUT. 523 00:22:54.000 --> 00:22:55.574 CHECK IT OUT. 524 00:22:55.640 --> 00:23:00.000 >> ALL RIGHT, ALL RIGHT, ALL RIGHT. 525 00:23:00.000 --> 00:23:00.545 >> ALL RIGHT, ALL RIGHT, ALL RIGHT. 526 00:23:00.612 --> 00:23:03.915 >> YEAH, THAT'S RIGHT. 527 00:23:03.982 --> 00:23:04.750 IT'S THE CMMT AWARD. 528 00:23:04.816 --> 00:23:06.000 THE EXTRA M STANDS FOR McCONAUGHEY. 529 00:23:06.000 --> 00:23:07.252 THE EXTRA M STANDS FOR McCONAUGHEY. 530 00:23:07.319 --> 00:23:12.000 LET'S HAND ONE OF THESE BABIES OUT. 531 00:23:12.000 --> 00:23:14.226 LET'S HAND ONE OF THESE BABIES OUT. 532 00:23:14.292 --> 00:23:15.427 >> YES. 533 00:23:15.494 --> 00:23:16.027 THANK YOU. 534 00:23:16.094 --> 00:23:18.000 I WILL TAKE ONE OF THOSE. 535 00:23:18.000 --> 00:23:19.564 I WILL TAKE ONE OF THOSE. 536 00:23:19.631 --> 00:23:24.000 >> NO, NO, SORRY, MATTHEW. 537 00:23:24.000 --> 00:23:24.035 >> NO, NO, SORRY, MATTHEW. 538 00:23:24.102 --> 00:23:25.804 YOU'VE GOTTA WIN THEM JUST LIKE EVERYONE ELSE! 539 00:23:25.871 --> 00:23:28.640 TO PRESENT THE FIRST AWARD OF THE NIGHT, HERE'S ONE OF THE 540 00:23:28.707 --> 00:23:30.000 STARS OF THE MASSIVE HIT SERIES "STRANGER THINGS," NOAH SCHNAPP! 541 00:23:30.000 --> 00:23:36.000 STARS OF THE MASSIVE HIT SERIES "STRANGER THINGS," NOAH SCHNAPP! 542 00:23:36.000 --> 00:23:42.000 STARS OF THE MASSIVE HIT SERIES "STRANGER THINGS," NOAH SCHNAPP! 543 00:23:42.000 --> 00:23:43.455 STARS OF THE MASSIVE HIT SERIES "STRANGER THINGS," NOAH SCHNAPP! 544 00:23:43.522 --> 00:23:44.589 >> WOW, HELLO. 545 00:23:44.656 --> 00:23:47.359 I'M EXCITED TO BE HERE TO PRESENT THE AWARD FOR BEST 546 00:23:47.425 --> 00:23:48.000 COLLABORATIVE VIDEO TO A BUNCH OF ARTISTS THAT I HAVE 547 00:23:48.000 --> 00:23:51.963 COLLABORATIVE VIDEO TO A BUNCH OF ARTISTS THAT I HAVE 548 00:23:52.030 --> 00:23:52.798 ON REPEAT. 549 00:23:52.864 --> 00:23:54.000 COUNTRY SUPERSTARS JOINING FORCES WITH 550 00:23:54.000 --> 00:23:55.367 COUNTRY SUPERSTARS JOINING FORCES WITH 551 00:23:55.433 --> 00:23:57.068 POP SINGERS, ROCKERS, AND AN INCREIBLY TALENTED MARRIED 552 00:23:57.135 --> 00:24:00.000 COUPLE ALL THESE COLLABORATIONS MERGED 553 00:24:00.000 --> 00:24:00.438 COUPLE ALL THESE COLLABORATIONS MERGED 554 00:24:00.505 --> 00:24:02.774 TWO ARTISTIC VOICES TO CREATE SOMETHING ALTOGETHER NEW 555 00:24:02.841 --> 00:24:06.000 AND BEAUTIFUL. 556 00:24:06.000 --> 00:24:07.579 AND BEAUTIFUL. 557 00:24:07.646 --> 00:24:08.580 I LOVE YOU. 558 00:24:08.647 --> 00:24:12.000 HERE ARE THE NOMINEES. 559 00:24:12.000 --> 00:24:18.000 HERE ARE THE NOMINEES. 560 00:24:18.000 --> 00:24:18.557 HERE ARE THE NOMINEES. 561 00:24:18.623 --> 00:24:19.491 >> "WORTH A SHOT." 562 00:24:19.558 --> 00:24:21.126 ELLE KING FEATURING DIERKS BENTLEY 563 00:24:21.193 --> 00:24:23.461 "WAIT IN THE TRUCK." 564 00:24:23.528 --> 00:24:24.000 HARDY FEATURING LAINEY WILSON. 565 00:24:24.000 --> 00:24:25.163 HARDY FEATURING LAINEY WILSON. 566 00:24:25.230 --> 00:24:28.266 "WISHFUL DRINKING." 567 00:24:28.333 --> 00:24:30.000 INGRID ANDRESS WITH SAM HUNT. 568 00:24:30.000 --> 00:24:31.736 INGRID ANDRESS WITH SAM HUNT. 569 00:24:31.803 --> 00:24:33.405 "THANK GOD." 570 00:24:33.471 --> 00:24:36.000 KANE BROWN & KATELYN BROWN. 571 00:24:36.000 --> 00:24:37.809 KANE BROWN & KATELYN BROWN. 572 00:24:37.876 --> 00:24:40.245 "LONGNECK WAY TO GO." 573 00:24:40.312 --> 00:24:42.000 MIDLAND FEATURING JON PARDI. 574 00:24:42.000 --> 00:24:46.218 MIDLAND FEATURING JON PARDI. 575 00:24:46.284 --> 00:24:48.000 "SHE LIKES IT." 576 00:24:48.000 --> 00:24:48.119 "SHE LIKES IT." 577 00:24:48.186 --> 00:24:54.000 RUSSELL DICKERSON FEATURING JAKE SCOTT. 578 00:24:54.000 --> 00:24:54.259 RUSSELL DICKERSON FEATURING JAKE SCOTT. 579 00:24:54.326 --> 00:24:55.861 "WHERE WE STARTED." 580 00:24:55.927 --> 00:25:00.000 THOMAS RHETT & KATY PERRY. 581 00:25:00.000 --> 00:25:04.936 THOMAS RHETT & KATY PERRY. 582 00:25:05.003 --> 00:25:06.000 COLLABORATIVE VIDEO OF THE YEAR. 583 00:25:06.000 --> 00:25:12.000 COLLABORATIVE VIDEO OF THE YEAR. 584 00:25:12.000 --> 00:25:12.177 COLLABORATIVE VIDEO OF THE YEAR. 585 00:25:12.244 --> 00:25:16.982 >> AND THE WINNER IS... 586 00:25:17.048 --> 00:25:18.000 HARDY FEATURING LAINEY WILSON! 587 00:25:18.000 --> 00:25:24.000 HARDY FEATURING LAINEY WILSON! 588 00:25:24.000 --> 00:25:26.224 HARDY FEATURING LAINEY WILSON! 589 00:25:26.291 --> 00:25:30.000 >> ♪ WAIT IN THE TRUCK ♪ ♪ JUST WAIT IN THE TRUCK ♪ 590 00:25:30.000 --> 00:25:36.000 >> ♪ WAIT IN THE TRUCK ♪ ♪ JUST WAIT IN THE TRUCK ♪ 591 00:25:36.000 --> 00:25:36.935 >> ♪ WAIT IN THE TRUCK ♪ ♪ JUST WAIT IN THE TRUCK ♪ 592 00:25:37.002 --> 00:25:42.000 HAVE MERCY ON ME, LORD ♪ ♪ HAVE MERCY ON ME ♪ 593 00:25:42.000 --> 00:25:45.076 HAVE MERCY ON ME, LORD ♪ ♪ HAVE MERCY ON ME ♪ 594 00:25:45.143 --> 00:25:48.000 ♪ SHE STILL COMES TO SEE ME FROM TIME TO TIME ♪ 595 00:25:48.000 --> 00:25:49.114 ♪ SHE STILL COMES TO SEE ME FROM TIME TO TIME ♪ 596 00:25:49.180 --> 00:25:54.000 ♪ IT WAS WORTH THE PRICE TO SEE THE BRIGHTER SIDE OF THE GIRL I 597 00:25:54.000 --> 00:25:54.586 ♪ IT WAS WORTH THE PRICE TO SEE THE BRIGHTER SIDE OF THE GIRL I 598 00:25:54.653 --> 00:25:59.724 PICKED UP THAT NIGHT. 599 00:25:59.791 --> 00:26:00.000 >> IT IS SO HARD NOT TO CUSS. 600 00:26:00.000 --> 00:26:06.000 >> IT IS SO HARD NOT TO CUSS. 601 00:26:06.000 --> 00:26:06.998 >> IT IS SO HARD NOT TO CUSS. 602 00:26:07.065 --> 00:26:08.633 >> THIS IS INCREDIBLE. 603 00:26:08.700 --> 00:26:12.000 I REMEMBER THE DAY JORDAN SCHMIDT TO I WROTE THIS SONG 604 00:26:12.000 --> 00:26:12.537 I REMEMBER THE DAY JORDAN SCHMIDT TO I WROTE THIS SONG 605 00:26:12.604 --> 00:26:13.738 WITH SENT ME THE DEMO. 606 00:26:13.805 --> 00:26:17.342 I SAT DOWN I WAS SO INSPIRED THAT I WROTE THE ENTIRE SCRIPT, 607 00:26:17.409 --> 00:26:18.000 IF YOU WILL, FOR THE MUSIC VIDEO BECAUSE OF HOW POWERFUL I KNEW 608 00:26:18.000 --> 00:26:21.479 IF YOU WILL, FOR THE MUSIC VIDEO BECAUSE OF HOW POWERFUL I KNEW 609 00:26:21.546 --> 00:26:22.681 THE SONG WOULD BE. 610 00:26:22.747 --> 00:26:24.000 I'VE GOT TO SAY THANK YOU TO LAINEY FOR WORKING SO HARD. 611 00:26:24.000 --> 00:26:30.000 I'VE GOT TO SAY THANK YOU TO LAINEY FOR WORKING SO HARD. 612 00:26:30.000 --> 00:26:32.357 I'VE GOT TO SAY THANK YOU TO LAINEY FOR WORKING SO HARD. 613 00:26:32.424 --> 00:26:33.124 AND JUSTIN, WHO DIRECTED THE VIDEO. 614 00:26:33.191 --> 00:26:34.392 THANK YOU SO MUCH. 615 00:26:34.459 --> 00:26:36.000 YOURI BEAST. 616 00:26:36.000 --> 00:26:37.395 YOURI BEAST. 617 00:26:37.462 --> 00:26:37.829 THINK I 618 00:26:38.763 --> 00:26:42.000 JUST GUY JUST GOT TO SAY I'M SO PROUD TO BE A SMALL PART OF THE 619 00:26:42.000 --> 00:26:42.600 JUST GUY JUST GOT TO SAY I'M SO PROUD TO BE A SMALL PART OF THE 620 00:26:42.667 --> 00:26:44.235 SONG. 621 00:26:44.302 --> 00:26:48.000 WHEN I HEARD THE SONG, I TELL YOU, IT'S AN OPPORTUNITY FOR 622 00:26:48.000 --> 00:26:48.206 WHEN I HEARD THE SONG, I TELL YOU, IT'S AN OPPORTUNITY FOR 623 00:26:48.273 --> 00:26:51.609 PEOPLE WHO HAVE BEEN THROUGH THIS TO FEEL LIKE THEY ARE NOT 624 00:26:51.676 --> 00:26:54.000 ALONE IN ITS OPPORTUNITY FOR THE PEOPLE HAVE BEEN DOING THIS, 625 00:26:54.000 --> 00:26:55.413 ALONE IN ITS OPPORTUNITY FOR THE PEOPLE HAVE BEEN DOING THIS, 626 00:26:55.480 --> 00:26:58.116 DON'T EVEN GET ME STARTED. 627 00:26:58.183 --> 00:27:00.000 THANK YOU SO MUCH TO HARDY. 628 00:27:00.000 --> 00:27:01.753 THANK YOU SO MUCH TO HARDY. 629 00:27:01.820 --> 00:27:06.000 I LOVE YOU. 630 00:27:06.000 --> 00:27:09.995 I LOVE YOU. 631 00:27:10.061 --> 00:27:12.000 >> MAKE SOME NOISE 632 00:27:12.000 --> 00:27:15.367 >> MAKE SOME NOISE 633 00:27:15.433 --> 00:27:16.368 FOR JON PARDI! 634 00:27:16.434 --> 00:27:17.635 >> OUR NEXT PERFORMER IS NOMINATED FOR TWO AWARDS 635 00:27:17.702 --> 00:27:18.000 TONIGHT, INCLUDING FEMALE VIDEO OF THE YEAR, AND SHE'S HERE WITH 636 00:27:18.000 --> 00:27:24.000 TONIGHT, INCLUDING FEMALE VIDEO OF THE YEAR, AND SHE'S HERE WITH 637 00:27:24.000 --> 00:27:27.946 TONIGHT, INCLUDING FEMALE VIDEO OF THE YEAR, AND SHE'S HERE WITH 638 00:27:28.013 --> 00:27:29.481 THE SONG THAT WAS NUMBER ONE IN THE COUNTRY 639 00:27:29.547 --> 00:27:30.000 THIS WEEK. 640 00:27:30.000 --> 00:27:30.648 THIS WEEK. 641 00:27:30.715 --> 00:27:31.549 "WHAT HE DIDN'T DO," MAKE SOME NOISE FOR 642 00:27:31.616 --> 00:27:36.000 CARLY PEARCE! 643 00:27:36.000 --> 00:27:36.321 CARLY PEARCE! 644 00:27:39.090 --> 00:27:42.000 ♪ ♪ ♪ EVERYBODY'S ASKING ♪ 645 00:27:42.000 --> 00:27:45.296 ♪ ♪ ♪ EVERYBODY'S ASKING ♪ 646 00:27:45.363 --> 00:27:48.000 ♪ WHAT THE HELL HAPPENED ♪ ♪ WONDERING WHY IT ♪ 647 00:27:48.000 --> 00:27:48.867 ♪ WHAT THE HELL HAPPENED ♪ ♪ WONDERING WHY IT ♪ 648 00:27:48.933 --> 00:27:51.936 ♪ ALL WENT WRONG ♪ ♪ MAMA ALWAYS SAID ♪ 649 00:27:52.003 --> 00:27:54.000 ♪ IF YOU CAN'T SAY ♪ ♪ SOMETHING NICE ♪ 650 00:27:54.000 --> 00:27:54.506 ♪ IF YOU CAN'T SAY ♪ ♪ SOMETHING NICE ♪ 651 00:27:54.572 --> 00:27:57.709 ♪ THEN DON'T SAY ANYTHING ♪ ♪ AT ALL ♪ 652 00:27:57.776 --> 00:28:00.000 ♪ I'VE GOT MY SIDE OF THE STORY ♪ 653 00:28:00.000 --> 00:28:00.979 ♪ I'VE GOT MY SIDE OF THE STORY ♪ 654 00:28:01.046 --> 00:28:05.683 ♪ AND HE'S GOT HIS SIDE, TOO ♪ ♪ SO, I AIN'T GONNA GO AND ♪ 655 00:28:05.750 --> 00:28:06.000 ♪ TELL YOU WHAT HE DID ♪ ♪ BUT I'LL TELL YOU ♪ 656 00:28:06.000 --> 00:28:08.119 ♪ TELL YOU WHAT HE DID ♪ ♪ BUT I'LL TELL YOU ♪ 657 00:28:08.186 --> 00:28:11.222 ♪ WHAT HE DIDN'T DO ♪ ♪ TREAT ME RIGHT ♪ 658 00:28:11.289 --> 00:28:12.000 ♪ PUT ME FIRST ♪ ♪ BE A MAN OF HIS WORD ♪ 659 00:28:12.000 --> 00:28:13.858 ♪ PUT ME FIRST ♪ ♪ BE A MAN OF HIS WORD ♪ 660 00:28:13.925 --> 00:28:17.796 ♪ STAY HOME ♪ ♪ 'CAUSE HE WANTED TO ♪ 661 00:28:17.862 --> 00:28:18.000 ♪ ALWAYS FIGHT FOR MY LOVE ♪ ♪ HOLD ON TIGHT 662 00:28:18.000 --> 00:28:20.732 ♪ ALWAYS FIGHT FOR MY LOVE ♪ ♪ HOLD ON TIGHT 663 00:28:20.799 --> 00:28:22.434 LIKE IT'S SOMETHING ♪ ♪ THAT HE COULDN'T ♪ 664 00:28:22.500 --> 00:28:24.000 ♪ STAND TO LOSE ♪ ♪ THE DEVIL'S IN THE DETAILS ♪ 665 00:28:24.000 --> 00:28:30.000 ♪ STAND TO LOSE ♪ ♪ THE DEVIL'S IN THE DETAILS ♪ 666 00:28:30.000 --> 00:28:30.341 ♪ STAND TO LOSE ♪ ♪ THE DEVIL'S IN THE DETAILS ♪ 667 00:28:30.408 --> 00:28:32.677 ♪ I WON'T TELL ♪ ♪ THE HELL THAT ♪ 668 00:28:32.744 --> 00:28:36.000 ♪ HE PUT ME THROUGH ♪ ♪ ALL I KNOW IS IN THE END ♪ 669 00:28:36.000 --> 00:28:36.714 ♪ HE PUT ME THROUGH ♪ ♪ ALL I KNOW IS IN THE END ♪ 670 00:28:36.781 --> 00:28:42.000 ♪ IT WASN'T WHAT HE DID, NO ♪ ♪ IT WAS WHAT HE DIDN'T DO ♪ 671 00:28:42.000 --> 00:28:46.224 ♪ IT WASN'T WHAT HE DID, NO ♪ ♪ IT WAS WHAT HE DIDN'T DO ♪ 672 00:28:48.026 --> 00:28:51.463 ♪ ♪ ♪ I'M ALREADY HALFWAY ♪ 673 00:28:51.529 --> 00:28:54.000 ♪ OVER HIM AND I AIN'T ♪ ♪ TAKING TIME TO TURN AROUND ♪ 674 00:28:54.000 --> 00:28:56.468 ♪ OVER HIM AND I AIN'T ♪ ♪ TAKING TIME TO TURN AROUND ♪ 675 00:28:56.534 --> 00:28:59.971 ♪ SO, I'MA TAKE THE HIGH ROAD ♪ ♪ EVEN THOUGH WE BOTH KNOW ♪ 676 00:29:00.038 --> 00:29:03.541 ♪ I COULD RUN HIM ♪ ♪ OUT OF THIS TOWN ♪ 677 00:29:03.608 --> 00:29:06.000 ♪ THAT'S JUST DIRTY LAUNDRY ♪ ♪ I DON'T NEED ♪ 678 00:29:06.000 --> 00:29:07.812 ♪ THAT'S JUST DIRTY LAUNDRY ♪ ♪ I DON'T NEED ♪ 679 00:29:07.879 --> 00:29:11.282 ♪ TO WEAR THE TRUTH ♪ ♪ SO, I AIN'T GONNA TELL YOU 680 00:29:11.349 --> 00:29:12.000 EVERYTHING HE DID ♪ ♪ BUT I'LL TELL YOU ♪ 681 00:29:12.000 --> 00:29:14.319 EVERYTHING HE DID ♪ ♪ BUT I'LL TELL YOU ♪ 682 00:29:14.385 --> 00:29:17.655 ♪ WHAT HE DIDN'T DO ♪ ♪ TREAT ME RIGHT ♪ 683 00:29:17.722 --> 00:29:18.000 ♪ PUT ME FIRST ♪ ♪ BE A MAN OF HIS WORD ♪ 684 00:29:18.000 --> 00:29:20.258 ♪ PUT ME FIRST ♪ ♪ BE A MAN OF HIS WORD ♪ 685 00:29:20.325 --> 00:29:23.962 ♪ STAY HOME ♪ ♪ 'CAUSE HE WANTED TO ♪ 686 00:29:24.028 --> 00:29:26.030 ♪ ALWAYS FIGHT FOR MY LOVE ♪ ♪ HOLD ON TIGHT ♪ 687 00:29:26.097 --> 00:29:29.067 ♪ LIKE IT'S SOMETHING ♪ ♪ THAT HE COULDN'T ♪ 688 00:29:29.134 --> 00:29:30.000 ♪ STAND TO LOSE ♪ ♪ THE DEVIL'S IN THE DETAILS ♪ 689 00:29:30.000 --> 00:29:32.237 ♪ STAND TO LOSE ♪ ♪ THE DEVIL'S IN THE DETAILS ♪ 690 00:29:32.303 --> 00:29:34.539 ♪ I WON'T TELL ♪ ♪ THE HELL ♪ 691 00:29:34.606 --> 00:29:36.000 ♪ THAT HE PUT ME THROUGH ♪ ♪ ALL I KNOW IS IN THE END ♪ 692 00:29:36.000 --> 00:29:39.611 ♪ THAT HE PUT ME THROUGH ♪ ♪ ALL I KNOW IS IN THE END ♪ 693 00:29:39.677 --> 00:29:42.000 ♪ IT WASN'T WHAT HE DID, NO ♪ ♪ IT WAS WHAT HE DIDN'T DO ♪ 694 00:29:42.000 --> 00:29:48.000 ♪ IT WASN'T WHAT HE DID, NO ♪ ♪ IT WAS WHAT HE DIDN'T DO ♪ 695 00:29:48.000 --> 00:29:50.255 ♪ IT WASN'T WHAT HE DID, NO ♪ ♪ IT WAS WHAT HE DIDN'T DO ♪ 696 00:29:50.321 --> 00:29:54.000 ♪ OH, YEAH ♪ ♪ ♪ 697 00:29:54.000 --> 00:29:59.164 ♪ OH, YEAH ♪ ♪ ♪ 698 00:29:59.230 --> 00:30:00.000 ♪ I AIN'T MET ♪ ♪ THE RIGHT ONE YET ♪ 699 00:30:00.000 --> 00:30:03.601 ♪ I AIN'T MET ♪ ♪ THE RIGHT ONE YET ♪ 700 00:30:03.668 --> 00:30:06.000 ♪ BUT I KNOW WHEN I DO ♪ ♪ HE'LL TREAT ME RIGHT ♪ 701 00:30:06.000 --> 00:30:08.039 ♪ BUT I KNOW WHEN I DO ♪ ♪ HE'LL TREAT ME RIGHT ♪ 702 00:30:08.106 --> 00:30:10.942 ♪ PUT ME FIRST ♪ ♪ BE A MAN OF HIS WORD ♪ 703 00:30:11.009 --> 00:30:12.000 ♪ STAY HOME 'CAUSE HE WANTED TO ♪ 704 00:30:12.000 --> 00:30:14.179 ♪ STAY HOME 'CAUSE HE WANTED TO ♪ 705 00:30:14.245 --> 00:30:17.849 ♪ ALWAYS FIGHT FOR MY LOVE ♪ ♪ HOLD ON TIGHT ♪ 706 00:30:17.916 --> 00:30:18.000 ♪ LIKE IT'S SOMETHING ♪ ♪ THAT HE CAN'T STAND TO LOSE ♪ 707 00:30:18.000 --> 00:30:21.586 ♪ LIKE IT'S SOMETHING ♪ ♪ THAT HE CAN'T STAND TO LOSE ♪ 708 00:30:21.653 --> 00:30:24.000 ♪ THE DEVIL'S IN THE DETAILS ♪ ♪ I WON'T TELL ♪ 709 00:30:24.000 --> 00:30:24.022 ♪ THE DEVIL'S IN THE DETAILS ♪ ♪ I WON'T TELL ♪ 710 00:30:24.088 --> 00:30:28.259 ♪ THE HELL ♪ ♪ THAT HE PUT ME THROUGH ♪ 711 00:30:28.326 --> 00:30:30.000 ♪ ALL I KNOW IS IN THE END ♪ ♪ IT WASN'T WHAT HE DID, NO ♪ 712 00:30:30.000 --> 00:30:31.462 ♪ ALL I KNOW IS IN THE END ♪ ♪ IT WASN'T WHAT HE DID, NO ♪ 713 00:30:31.529 --> 00:30:36.000 ♪ IT WAS WHAT HE DIDN'T DO ♪ ♪ ALL I KNOW IS IN THE END ♪ 714 00:30:36.000 --> 00:30:37.702 ♪ IT WAS WHAT HE DIDN'T DO ♪ ♪ ALL I KNOW IS IN THE END ♪ 715 00:30:37.769 --> 00:30:39.771 ♪ IT WASN'T WHAT HE DID, NO ♪ ♪ IT WAS WHAT HE DIDN'T DO ♪ 716 00:30:52.050 --> 00:30:52.984 [CHEERS AND APPLAUSE] >> WHAT'S UP, CMT FANS! 717 00:30:53.051 --> 00:30:53.885 I'M CODY ALAN. 718 00:30:53.952 --> 00:30:54.000 CHECK THIS PLACE OUT. 719 00:30:54.000 --> 00:30:55.987 CHECK THIS PLACE OUT. 720 00:30:56.054 --> 00:30:58.256 I'M HERE IN THE SOLITAIRE GRAND HARVEST GAME LOUNGE AND IT'S 721 00:30:58.323 --> 00:31:00.000 TAKING PLACE BACKSTAGE TO EXPERIENCE 722 00:31:00.000 --> 00:31:01.459 TAKING PLACE BACKSTAGE TO EXPERIENCE 723 00:31:01.526 --> 00:31:02.594 TO A WHOLE NEW LEVEL. 724 00:31:02.660 --> 00:31:03.528 IT'S SET UP SO THAT ALL THE STARS HERE TONIGHT GET TO DO 725 00:31:03.595 --> 00:31:06.000 WHAT THEY DO BEST. 726 00:31:06.000 --> 00:31:07.932 WHAT THEY DO BEST. 727 00:31:07.999 --> 00:31:09.133 THAT IS PLAY. 728 00:31:09.200 --> 00:31:12.000 BECAUSE EVERYONE NEEDS TO CUT LOOSE, KICK BACK AND HAVE SOME 729 00:31:12.000 --> 00:31:12.937 BECAUSE EVERYONE NEEDS TO CUT LOOSE, KICK BACK AND HAVE SOME 730 00:31:13.004 --> 00:31:14.072 FUN. 731 00:31:14.138 --> 00:31:16.474 AND FANS AT HOME CAN GET IN ON THE ACTION TONIGHT. 732 00:31:16.541 --> 00:31:18.000 SCAN THE QR CODE BELOW TO SEE WHAT IT'S LIKE TO HAVE YOUR OWN 733 00:31:18.000 --> 00:31:18.743 SCAN THE QR CODE BELOW TO SEE WHAT IT'S LIKE TO HAVE YOUR OWN 734 00:31:18.810 --> 00:31:21.846 WINNING MOMENT. 735 00:31:21.913 --> 00:31:22.247 HEY! 736 00:31:22.313 --> 00:31:22.947 DUSTIN LYNCH! 737 00:31:23.014 --> 00:31:24.000 IS IT MY TURN YET? 738 00:31:24.000 --> 00:31:26.084 IS IT MY TURN YET? 739 00:31:26.150 --> 00:31:29.854 >> WE'LL BE BACK A LITTLE LATER. 740 00:31:29.921 --> 00:31:30.000 >> STILL O COME, MALE AND FEMALE BREAKTHROUGH 741 00:31:30.000 --> 00:31:33.091 >> STILL O COME, MALE AND FEMALE BREAKTHROUGH 742 00:31:33.157 --> 00:31:36.000 VIDEO OF THE YEAR, PERFORMANCES FROM LAINEY WILSON 743 00:31:36.000 --> 00:31:37.095 VIDEO OF THE YEAR, PERFORMANCES FROM LAINEY WILSON 744 00:31:37.161 --> 00:31:38.229 AND CARRIE UNDERWOOD, AND A SPECIAL COLLABORATION FROM 745 00:31:38.296 --> 00:31:41.966 WYNONNA JUDD AND ASHLEY McBRYDE. 746 00:31:42.033 --> 00:31:43.735 BE SURE TO CAST YOUR VOTE ON THE CMT MUSIC AWARDS FACEBOOK 747 00:31:43.801 --> 00:31:48.000 PAGE, VOTING PRESENTED BY RAM TRUCKS. 748 00:31:48.000 --> 00:31:49.107 PAGE, VOTING PRESENTED BY RAM TRUCKS. 749 00:31:49.173 --> 00:31:50.975 THE CMT MUSIC AWARDS CONTINUES 750 00:31:51.042 --> 00:31:52.443 LIVE FROM AUSTIN, TEXAS. 751 00:31:52.510 --> 00:31:53.511 THIS IS CBS. 752 00:31:57.048 --> 00:31:59.217 >> THE 2023 CMT MUSIC AWARDS SPONSORED BY 753 00:31:59.284 --> 00:32:00.000 SOLITAIRE GRAND HARVEST. 754 00:32:00.000 --> 00:32:01.919 SOLITAIRE GRAND HARVEST. 755 00:32:01.986 --> 00:32:02.587 REINVENTING NOSTALGIC FUN! 756 00:32:02.654 --> 00:32:04.656 DOWNLOAD FOR FREE NOW. 757 00:32:41.326 --> 00:32:42.000 ♪ ♪ >> KELSEA AND I LOVE NASHVILLE. 758 00:32:42.000 --> 00:32:43.261 ♪ ♪ >> KELSEA AND I LOVE NASHVILLE. 759 00:32:43.328 --> 00:32:44.962 BUT GETTING TO HANG OUT IN AUSTIN THIS WEEK HAS BEEN PRETTY 760 00:32:45.029 --> 00:32:47.965 COOL. 761 00:32:48.032 --> 00:32:50.968 WE LOVE HOT CHICKEN IN NASHVILLE, BUT YOU GUYS ARE 762 00:32:51.035 --> 00:32:52.804 CRAZY ABOUT BARBECUE. 763 00:32:52.870 --> 00:32:54.000 LIKE, I SMELL BRISKET EVERYWHERE. 764 00:32:54.000 --> 00:32:57.241 LIKE, I SMELL BRISKET EVERYWHERE. 765 00:32:57.308 --> 00:32:58.843 KANE, WHERE'D YOU GET THAT? 766 00:32:58.910 --> 00:33:00.000 >> MY POCKET. 767 00:33:00.000 --> 00:33:06.000 >> MY POCKET. 768 00:33:06.000 --> 00:33:08.886 >> MY POCKET. 769 00:33:08.953 --> 00:33:09.787 >> YOU WANT SOME? 770 00:33:09.854 --> 00:33:12.000 >> THAT'S A PASS ON POCKET BRISKET, THANKS. 771 00:33:12.000 --> 00:33:13.758 >> THAT'S A PASS ON POCKET BRISKET, THANKS. 772 00:33:13.825 --> 00:33:15.293 >> RIGHT NOW WE'VE GOT ANOTHER GENUINE TEXAN HERE TO PRESENT 773 00:33:15.360 --> 00:33:18.000 THE NEXT AWARD. 774 00:33:18.000 --> 00:33:18.763 THE NEXT AWARD. 775 00:33:18.830 --> 00:33:19.764 HE WON BREAKTHROUGH VIDEO OF THE YEAR IN 2022. 776 00:33:19.831 --> 00:33:21.833 >> HERE IS PARKER McCOLLUM! 777 00:33:34.846 --> 00:33:36.000 >> WHAT'S UP, AUSTIN? 778 00:33:36.000 --> 00:33:37.749 >> WHAT'S UP, AUSTIN? 779 00:33:37.815 --> 00:33:42.000 WINNING THIS CATEGORY WINNING THIS CATEGORY 780 00:33:42.000 --> 00:33:43.087 WINNING THIS CATEGORY WINNING THIS CATEGORY 781 00:33:43.154 --> 00:33:46.424 LAST YEAR WAS A HIGHLIGHT SHARE THAT FEELING 782 00:33:46.491 --> 00:33:47.191 WITH TONIGHT'S WINNERS. 783 00:33:47.258 --> 00:33:48.000 SO HOW 'BOUT WE GET RIGHT TO IT. 784 00:33:48.000 --> 00:33:49.193 SO HOW 'BOUT WE GET RIGHT TO IT. 785 00:33:49.260 --> 00:33:51.763 FIRST UP, HERE ARE THE NOMINEES FOR 786 00:33:51.829 --> 00:33:54.000 BREAKTHROUGH FEMALE VIDEO OF THE YEAR. 787 00:33:54.000 --> 00:33:59.237 BREAKTHROUGH FEMALE VIDEO OF THE YEAR. 788 00:33:59.303 --> 00:34:00.000 "NARCISSIST" AVERY ANNA. 789 00:34:00.000 --> 00:34:01.906 "NARCISSIST" AVERY ANNA. 790 00:34:01.973 --> 00:34:05.977 "IF HE WANTED TO HE COULD" KYLIE MORGAN, 791 00:34:06.043 --> 00:34:06.744 "PICKUP" MACKENZIE PORTER, 792 00:34:06.811 --> 00:34:10.615 "TENNESSEE ORANGE" MEGAN MORONEY, 793 00:34:10.681 --> 00:34:12.000 MORGAN WADE, "WILDER DAYS" 794 00:34:12.000 --> 00:34:13.484 MORGAN WADE, "WILDER DAYS" 795 00:34:13.551 --> 00:34:18.000 "FOUND IT IN YOU" TIERA KENNEDY. 796 00:34:18.000 --> 00:34:23.995 "FOUND IT IN YOU" TIERA KENNEDY. 797 00:34:24.061 --> 00:34:27.265 >> AND THE WINNER IS... 798 00:34:27.331 --> 00:34:30.000 MEGAN MORONEY, "TENNESSEE ORANGE." 799 00:34:30.000 --> 00:34:36.000 MEGAN MORONEY, "TENNESSEE ORANGE." 800 00:34:36.000 --> 00:34:37.575 MEGAN MORONEY, "TENNESSEE ORANGE." 801 00:34:37.642 --> 00:34:41.546 >> ♪ I MET SOMEBODY ♪ ♪ HE'S GOT BLUE EYES ♪ 802 00:34:41.612 --> 00:34:42.000 ♪ HE OPENS THE DOOR ♪ ♪ HE'S GOT THE DOING THINGS I'VE 803 00:34:42.000 --> 00:34:48.000 ♪ HE OPENS THE DOOR ♪ ♪ HE'S GOT THE DOING THINGS I'VE 804 00:34:48.000 --> 00:34:49.454 ♪ HE OPENS THE DOOR ♪ ♪ HE'S GOT THE DOING THINGS I'VE 805 00:34:49.520 --> 00:34:54.000 NEVER DONE ♪ ♪ IN GEORGIA, THEY CALL IT A 806 00:34:54.000 --> 00:34:55.226 NEVER DONE ♪ ♪ IN GEORGIA, THEY CALL IT A 807 00:34:55.293 --> 00:34:59.931 SIN ♪ >> WHAT? 808 00:34:59.997 --> 00:35:00.000 OH, MY GOD. 809 00:35:00.000 --> 00:35:01.132 OH, MY GOD. 810 00:35:01.199 --> 00:35:03.334 WHAT IS GOING ON? 811 00:35:03.401 --> 00:35:05.603 THANK YOU, CMT, SO MUCH. 812 00:35:05.670 --> 00:35:06.000 THANK YOU TO MY FANS. 813 00:35:06.000 --> 00:35:06.537 THANK YOU TO MY FANS. 814 00:35:06.604 --> 00:35:12.000 I WOULDN'T BE APPEAR IF IT WASN'T FOR Y'ALL. 815 00:35:12.000 --> 00:35:12.543 I WOULDN'T BE APPEAR IF IT WASN'T FOR Y'ALL. 816 00:35:12.610 --> 00:35:14.745 THANK YOU TO THE INCREDIBLE VIDEO TEAM AT COLUMBIA FOR 817 00:35:14.812 --> 00:35:18.000 PUTTING THIS TOGETHER THE DAY THANK YOU TO THE DIRECTOR, JASON 818 00:35:18.000 --> 00:35:20.985 PUTTING THIS TOGETHER THE DAY THANK YOU TO THE DIRECTOR, JASON 819 00:35:21.052 --> 00:35:24.000 LESTER, FOR REALLY BRINGING MY IDEAS TO LIFE IN THIS VIDEO. 820 00:35:24.000 --> 00:35:24.856 LESTER, FOR REALLY BRINGING MY IDEAS TO LIFE IN THIS VIDEO. 821 00:35:24.922 --> 00:35:28.793 I ALSO WANT TO THANK MY PARENTS, ESPECIALLY MY MOM. 822 00:35:28.860 --> 00:35:30.000 BECAUSE MY FLIGHT GOT CANCELED THE NIGHT BEFORE ENCHANTED DRIVE 823 00:35:30.000 --> 00:35:32.296 BECAUSE MY FLIGHT GOT CANCELED THE NIGHT BEFORE ENCHANTED DRIVE 824 00:35:32.363 --> 00:35:36.000 ME THROUGH THE NIGHT TO NASHVILLE. 825 00:35:36.000 --> 00:35:38.536 ME THROUGH THE NIGHT TO NASHVILLE. 826 00:35:38.603 --> 00:35:39.403 SO THANK YOU, MOM. 827 00:35:39.470 --> 00:35:42.000 I LOVE YOU SO MUCH. 828 00:35:42.000 --> 00:35:43.407 I LOVE YOU SO MUCH. 829 00:35:43.474 --> 00:35:45.443 THANK YOU, CMT. 830 00:35:45.510 --> 00:35:48.000 A HOLY CRAP 831 00:35:48.000 --> 00:35:48.112 A HOLY CRAP 832 00:35:51.549 --> 00:35:52.950 >> AND NOW, HERE ARE THE NOMINEES FOR BREAKTHROUGH MALE 833 00:35:53.017 --> 00:35:54.000 VIDEO OF THE YEAR. 834 00:35:54.000 --> 00:35:55.019 VIDEO OF THE YEAR. 835 00:36:00.391 --> 00:36:02.326 >> "FALL IN LOVE" BAILEY ZIMMERMAN, 836 00:36:02.393 --> 00:36:04.862 "WILD AS HER" COREY KENT, 837 00:36:04.929 --> 00:36:05.763 "SOUNDS LIKE SOMETHING I'D DO" 838 00:36:05.830 --> 00:36:06.000 DRAKE MILLIGAN, "DON'T COME LOOKIN'" 839 00:36:06.000 --> 00:36:07.098 DRAKE MILLIGAN, "DON'T COME LOOKIN'" 840 00:36:07.164 --> 00:36:11.369 JACKSON DEAN, "SON OF A SINNER" 841 00:36:11.435 --> 00:36:12.000 JELLY ROLL, "WHISKEY ON YOU" 842 00:36:12.000 --> 00:36:15.806 JELLY ROLL, "WHISKEY ON YOU" 843 00:36:15.873 --> 00:36:18.000 NATE SMITH, >> AND THE WINNER IS... 844 00:36:18.000 --> 00:36:24.000 NATE SMITH, >> AND THE WINNER IS... 845 00:36:24.000 --> 00:36:25.149 NATE SMITH, >> AND THE WINNER IS... 846 00:36:25.216 --> 00:36:30.000 JELLY ROLL! 847 00:36:30.000 --> 00:36:36.000 JELLY ROLL! 848 00:36:36.000 --> 00:36:40.097 JELLY ROLL! 849 00:36:40.164 --> 00:36:42.000 JELLY ROLL! 850 00:36:42.000 --> 00:36:43.067 JELLY ROLL! 851 00:36:58.416 --> 00:37:00.000 [CHEERS AND APPLAUSE] >> THEY LET A LOSER WIN TONIGHT, 852 00:37:00.000 --> 00:37:06.000 [CHEERS AND APPLAUSE] >> THEY LET A LOSER WIN TONIGHT, 853 00:37:06.000 --> 00:37:12.000 [CHEERS AND APPLAUSE] >> THEY LET A LOSER WIN TONIGHT, 854 00:37:12.000 --> 00:37:13.297 [CHEERS AND APPLAUSE] >> THEY LET A LOSER WIN TONIGHT, 855 00:37:13.364 --> 00:37:13.598 [CHEERS AND APPLAUSE] >> THEY LET A LOSER WIN TONIGHT, 856 00:37:13.664 --> 00:37:14.732 BABY! 857 00:37:14.799 --> 00:37:18.000 THEY LET A LOSER WIN TO MY CREDIT WANT TO THANK MY RECORD 858 00:37:18.000 --> 00:37:18.402 THEY LET A LOSER WIN TO MY CREDIT WANT TO THANK MY RECORD 859 00:37:18.469 --> 00:37:24.000 LABEL, MY MANAGEMENT, MY BEAUTIFUL WIFE. 860 00:37:24.000 --> 00:37:24.976 LABEL, MY MANAGEMENT, MY BEAUTIFUL WIFE. 861 00:37:25.042 --> 00:37:28.546 THIS IS MORE THAN AN AWARD. 862 00:37:28.613 --> 00:37:30.000 IT'S FOR THE FANS. 863 00:37:30.000 --> 00:37:33.684 IT'S FOR THE FANS. 864 00:37:33.751 --> 00:37:35.653 THE ONLY FANS VOTING AWARD SHOW IN AMERICA. 865 00:37:35.720 --> 00:37:36.000 THIS IS FOR TH UNDERDOGS, BABY! 866 00:37:36.000 --> 00:37:39.824 THIS IS FOR TH UNDERDOGS, BABY! 867 00:37:39.890 --> 00:37:42.000 THIS IS FOR THE LOSERS AND THE HAVE-NOTS. 868 00:37:42.000 --> 00:37:42.426 THIS IS FOR THE LOSERS AND THE HAVE-NOTS. 869 00:37:42.493 --> 00:37:45.329 GOD TAKES THE IMPOSSIBLE AND MAKES IT LOOK SMALL. 870 00:37:45.396 --> 00:37:48.000 LET'S GO, BABY! 871 00:37:48.000 --> 00:37:53.137 LET'S GO, BABY! 872 00:37:53.204 --> 00:37:54.000 >> CMT HAS ALWAYS BROUGHT FANS THEIR FAVORITE MUSIC WITH THE 873 00:37:54.000 --> 00:37:57.675 >> CMT HAS ALWAYS BROUGHT FANS THEIR FAVORITE MUSIC WITH THE 874 00:37:57.742 --> 00:38:00.000 FLAGSHIP SHOW "CMT CROSSROADS" AND NOW, WITH ALL NEW EPISODES 875 00:38:00.000 --> 00:38:00.978 FLAGSHIP SHOW "CMT CROSSROADS" AND NOW, WITH ALL NEW EPISODES 876 00:38:01.045 --> 00:38:04.148 OF THE LEGENDARY SERIES "STORYTELLERS." 877 00:38:04.215 --> 00:38:06.000 SINCE A PARAMOUNT+ SUBSCRIPTION IS NOW INCLUDED 878 00:38:06.000 --> 00:38:07.051 SINCE A PARAMOUNT+ SUBSCRIPTION IS NOW INCLUDED 879 00:38:07.118 --> 00:38:12.000 WITH A WALMART PLUS MEMBERSHIP, AT NO ADDITIONAL COST, MEMBERS 880 00:38:12.000 --> 00:38:12.556 WITH A WALMART PLUS MEMBERSHIP, AT NO ADDITIONAL COST, MEMBERS 881 00:38:12.623 --> 00:38:16.694 CAN STREAM THOSE SHOWS AND GREAT MUSIC DOCUMENTARIES LIKE 882 00:38:16.761 --> 00:38:18.000 "KACEY MUSGRAVES: STAR CROSSED" "THE MARFA TAPES," 883 00:38:18.000 --> 00:38:19.730 "KACEY MUSGRAVES: STAR CROSSED" "THE MARFA TAPES," 884 00:38:19.797 --> 00:38:21.899 AND THE UPCOMING "WYNONNA JUDD: 885 00:38:21.966 --> 00:38:24.000 BETWEEN HELL AND HALLELUJAH." 886 00:38:24.000 --> 00:38:25.169 BETWEEN HELL AND HALLELUJAH." 887 00:38:25.236 --> 00:38:30.000 PLUS, HIT ORIGINAL SERIES LIKE THE "YELLOWSTONE" ORIGIN STORIES 888 00:38:30.000 --> 00:38:32.343 PLUS, HIT ORIGINAL SERIES LIKE THE "YELLOWSTONE" ORIGIN STORIES 889 00:38:32.410 --> 00:38:33.611 "1883" AND "1923," "TULSA KING," 890 00:38:33.678 --> 00:38:35.046 "RABBIT HOLE," "JOE PICKETT," AND COMING SOON, 891 00:38:35.112 --> 00:38:36.000 "GREASE: RISE OF THE PINK LADIES." 892 00:38:36.000 --> 00:38:38.582 "GREASE: RISE OF THE PINK LADIES." 893 00:38:38.649 --> 00:38:42.000 ALL THIS AND MORE, STREAMING ON PARAMOUNT+. 894 00:38:42.000 --> 00:38:46.290 ALL THIS AND MORE, STREAMING ON PARAMOUNT+. 895 00:38:46.357 --> 00:38:48.000 I WAS SO HONORED TO JOIN THE JUDDS FINAL TOUR AND WITNESS OUR 896 00:38:48.000 --> 00:38:48.693 I WAS SO HONORED TO JOIN THE JUDDS FINAL TOUR AND WITNESS OUR 897 00:38:48.759 --> 00:38:54.000 ARTIST COMMUNITY COME TOGETHER IN SUPPORT OF MISS WYNONNA JUDD. 898 00:38:54.000 --> 00:38:55.599 ARTIST COMMUNITY COME TOGETHER IN SUPPORT OF MISS WYNONNA JUDD. 899 00:38:55.666 --> 00:38:58.202 THAT JOURNEY IS CAPTURED IN THE SPECIAL "CMT PRESENTS THE JUDDS: 900 00:38:58.269 --> 00:39:00.000 LOVE IS ALIVE: THE FINAL CONCERT" THAT WILL 901 00:39:00.000 --> 00:39:01.338 LOVE IS ALIVE: THE FINAL CONCERT" THAT WILL 902 00:39:01.405 --> 00:39:05.776 PREMIERE ON APRIL 29TH ON CMT. 903 00:39:05.843 --> 00:39:06.000 OH, MY GOSH, YOU GUYS! 904 00:39:06.000 --> 00:39:07.878 OH, MY GOSH, YOU GUYS! 905 00:39:07.945 --> 00:39:09.914 SHE IS HERE NOW. 906 00:39:09.980 --> 00:39:12.000 WITH ANOTHER GREAT ARTIST WHO JOINED HER THAT HISTORIC NIGHT, 907 00:39:12.000 --> 00:39:12.817 WITH ANOTHER GREAT ARTIST WHO JOINED HER THAT HISTORIC NIGHT, 908 00:39:12.883 --> 00:39:14.785 PERFORMING ONE OF WYNONNA'S FAVORITE SONGS FROM THE '80s. 909 00:39:14.852 --> 00:39:18.000 FOREIGNER'S CLASSIC "I WANT TO KNOW WHAT LOVE IS." 910 00:39:18.000 --> 00:39:23.494 FOREIGNER'S CLASSIC "I WANT TO KNOW WHAT LOVE IS." 911 00:39:23.561 --> 00:39:24.000 YOU ARE IN FOR SUCH A TREAT. 912 00:39:24.000 --> 00:39:24.762 YOU ARE IN FOR SUCH A TREAT. 913 00:39:24.829 --> 00:39:30.000 PLEASE WELCOME WYNONNA JUDD AND ASHLEY McBRYDE! 914 00:39:30.000 --> 00:39:30.968 PLEASE WELCOME WYNONNA JUDD AND ASHLEY McBRYDE! 915 00:39:32.503 --> 00:39:36.000 ♪ I'VE GOTTA TAKE ♪ ♪ A LITTLE TIME ♪ 916 00:39:36.000 --> 00:39:40.277 ♪ I'VE GOTTA TAKE ♪ ♪ A LITTLE TIME ♪ 917 00:39:40.344 --> 00:39:42.000 ♪ A LITTLE TIME ♪ ♪ TO THINK THINGS OVER ♪ 918 00:39:42.000 --> 00:39:48.000 ♪ A LITTLE TIME ♪ ♪ TO THINK THINGS OVER ♪ 919 00:39:48.000 --> 00:39:54.000 ♪ A LITTLE TIME ♪ ♪ TO THINK THINGS OVER ♪ 920 00:39:54.000 --> 00:39:55.226 ♪ A LITTLE TIME ♪ ♪ TO THINK THINGS OVER ♪ 921 00:39:55.292 --> 00:39:55.760 ♪ A LITTLE TIME ♪ ♪ TO THINK THINGS OVER ♪ 922 00:39:58.362 --> 00:40:00.000 ♪ ♪ ♪ I BETTER ♪ 923 00:40:00.000 --> 00:40:00.765 ♪ ♪ ♪ I BETTER ♪ 924 00:40:00.831 --> 00:40:05.703 ♪ READ BETWEEN THE LINES ♪ ♪ IN CASE I NEED IT ♪ 925 00:40:05.770 --> 00:40:06.000 ♪ WHEN I'M OLDER ♪ ♪ OOH ♪ 926 00:40:06.000 --> 00:40:12.000 ♪ WHEN I'M OLDER ♪ ♪ OOH ♪ 927 00:40:12.000 --> 00:40:17.081 ♪ WHEN I'M OLDER ♪ ♪ OOH ♪ 928 00:40:17.148 --> 00:40:18.000 ♪ THIS MOUNTAIN ♪ ♪ I MUST CLIMB ♪ 929 00:40:18.000 --> 00:40:24.000 ♪ THIS MOUNTAIN ♪ ♪ I MUST CLIMB ♪ 930 00:40:24.000 --> 00:40:26.690 ♪ THIS MOUNTAIN ♪ ♪ I MUST CLIMB ♪ 931 00:40:26.757 --> 00:40:30.000 ♪ IT FEELS LIKE THE WORLD'S ♪ ♪ UPON MY SHOULDERS ♪ 932 00:40:30.000 --> 00:40:32.730 ♪ IT FEELS LIKE THE WORLD'S ♪ ♪ UPON MY SHOULDERS ♪ 933 00:40:32.797 --> 00:40:34.665 ♪ BUT THROUGH THOSE CLOUDS ♪ ♪ I SEE LOVE SHINE ♪ 934 00:40:34.732 --> 00:40:36.000 ♪ IT KEEPS ME WARM ♪ ♪ AS LIFE GROWS COLDER ♪ 935 00:40:36.000 --> 00:40:42.000 ♪ IT KEEPS ME WARM ♪ ♪ AS LIFE GROWS COLDER ♪ 936 00:40:42.000 --> 00:40:42.406 ♪ IT KEEPS ME WARM ♪ ♪ AS LIFE GROWS COLDER ♪ 937 00:40:42.473 --> 00:40:46.477 ♪ IN MY LIFE ♪ ♪ OH, THERE'S BEEN HEARTACHE ♪ 938 00:40:46.544 --> 00:40:48.000 ♪ AND PAIN ♪ ♪ I DON'T KNOW ♪ 939 00:40:48.000 --> 00:40:51.882 ♪ AND PAIN ♪ ♪ I DON'T KNOW ♪ 940 00:40:51.949 --> 00:40:54.000 ♪ IF I CAN FACE IT AGAIN ♪ ♪ AND I CAN'T STOP NOW ♪ 941 00:40:54.000 --> 00:40:58.923 ♪ IF I CAN FACE IT AGAIN ♪ ♪ AND I CAN'T STOP NOW ♪ 942 00:40:58.989 --> 00:41:00.000 ♪ 'CAUSE I'VE TRAVELED SO FAR ♪ ♪ TO CHANGE THIS LONELY LIFE ♪ 943 00:41:00.000 --> 00:41:06.000 ♪ 'CAUSE I'VE TRAVELED SO FAR ♪ ♪ TO CHANGE THIS LONELY LIFE ♪ 944 00:41:06.000 --> 00:41:12.000 ♪ 'CAUSE I'VE TRAVELED SO FAR ♪ ♪ TO CHANGE THIS LONELY LIFE ♪ 945 00:41:12.000 --> 00:41:12.102 ♪ 'CAUSE I'VE TRAVELED SO FAR ♪ ♪ TO CHANGE THIS LONELY LIFE ♪ 946 00:41:12.169 --> 00:41:15.039 >> ♪ I WANT TO KNOW WHAT LOVE IS ♪ 947 00:41:15.105 --> 00:41:18.000 ♪ OH, I WANT YOU TO SHOW ME ♪ ♪ I WANT TO FEEL WHAT LOVE IS ♪ 948 00:41:18.000 --> 00:41:24.000 ♪ OH, I WANT YOU TO SHOW ME ♪ ♪ I WANT TO FEEL WHAT LOVE IS ♪ 949 00:41:24.000 --> 00:41:26.951 ♪ OH, I WANT YOU TO SHOW ME ♪ ♪ I WANT TO FEEL WHAT LOVE IS ♪ 950 00:41:27.017 --> 00:41:30.000 ♪ OH, YES, I KNOW I WANT YOU TO SHOW ME ♪ 951 00:41:30.000 --> 00:41:36.000 ♪ OH, YES, I KNOW I WANT YOU TO SHOW ME ♪ 952 00:41:36.000 --> 00:41:37.561 ♪ OH, YES, I KNOW I WANT YOU TO SHOW ME ♪ 953 00:41:37.628 --> 00:41:42.000 ♪ YEAH! ♪ ♪ GONNA TAKE A LITTLE TIME ♪ 954 00:41:42.000 --> 00:41:46.470 ♪ YEAH! ♪ ♪ GONNA TAKE A LITTLE TIME ♪ 955 00:41:46.537 --> 00:41:48.000 ♪ A LITTLE TIME ♪ ♪ TO LOOK AROUND ME ♪ 956 00:41:48.000 --> 00:41:53.510 ♪ A LITTLE TIME ♪ ♪ TO LOOK AROUND ME ♪ 957 00:41:53.577 --> 00:41:54.000 ♪ I'VE GOT NOWHERE ♪ ♪ LEFT TO HIDE ♪ 958 00:41:54.000 --> 00:41:58.849 ♪ I'VE GOT NOWHERE ♪ ♪ LEFT TO HIDE ♪ 959 00:41:58.916 --> 00:42:00.000 ♪ LOOKS LIKE LOVE ♪ ♪ HAS FINALLY FOUND ME ♪ 960 00:42:00.000 --> 00:42:04.221 ♪ LOOKS LIKE LOVE ♪ ♪ HAS FINALLY FOUND ME ♪ 961 00:42:04.288 --> 00:42:06.000 ♪ IN MY LIFE ♪ ♪ THERE'S BEEN HEARTACHE ♪ 962 00:42:06.000 --> 00:42:09.793 ♪ IN MY LIFE ♪ ♪ THERE'S BEEN HEARTACHE ♪ 963 00:42:09.860 --> 00:42:12.000 ♪ AND PAIN ♪ ♪ I DON'T KNOW ♪ 964 00:42:12.000 --> 00:42:13.597 ♪ AND PAIN ♪ ♪ I DON'T KNOW ♪ 965 00:42:13.664 --> 00:42:18.000 ♪ IF I CAN FACE IT AGAIN ♪ ♪ AND I CAN'T STOP NOW ♪ 966 00:42:18.000 --> 00:42:20.704 ♪ IF I CAN FACE IT AGAIN ♪ ♪ AND I CAN'T STOP NOW ♪ 967 00:42:20.771 --> 00:42:24.000 ♪ 'CAUSE I'VE TRAVELED TOO FAR ♪ ♪ TO CHANGE THIS LONELY LIFE ♪ 968 00:42:24.000 --> 00:42:30.000 ♪ 'CAUSE I'VE TRAVELED TOO FAR ♪ ♪ TO CHANGE THIS LONELY LIFE ♪ 969 00:42:30.000 --> 00:42:30.214 ♪ 'CAUSE I'VE TRAVELED TOO FAR ♪ ♪ TO CHANGE THIS LONELY LIFE ♪ 970 00:42:30.281 --> 00:42:36.000 ♪ I WANT TO KNOW WHAT LOVE IS ♪ ♪ I WANT YOU TO SHOW ME ♪ 971 00:42:36.000 --> 00:42:42.000 ♪ I WANT TO KNOW WHAT LOVE IS ♪ ♪ I WANT YOU TO SHOW ME ♪ 972 00:42:42.000 --> 00:42:42.626 ♪ I WANT TO KNOW WHAT LOVE IS ♪ ♪ I WANT YOU TO SHOW ME ♪ 973 00:42:42.693 --> 00:42:48.000 ♪ I WANT TO FEEL WHAT LOVE IS ♪ TALKIN' ABOUT LOVE THAT YOU 974 00:42:48.000 --> 00:42:52.236 ♪ I WANT TO FEEL WHAT LOVE IS ♪ TALKIN' ABOUT LOVE THAT YOU 975 00:42:52.303 --> 00:42:54.000 FEEL INSIDE ♪ ♪ I KNOW YOU CAN SHOW ME ♪ 976 00:42:54.000 --> 00:43:00.000 FEEL INSIDE ♪ ♪ I KNOW YOU CAN SHOW ME ♪ 977 00:43:00.000 --> 00:43:03.314 FEEL INSIDE ♪ ♪ I KNOW YOU CAN SHOW ME ♪ 978 00:43:03.380 --> 00:43:06.000 MAMA, YOU NEED TO HERE TONIGHT I MISS YOU AND I LOVE YOU 979 00:43:06.000 --> 00:43:10.988 MAMA, YOU NEED TO HERE TONIGHT I MISS YOU AND I LOVE YOU 980 00:43:11.055 --> 00:43:12.000 ♪ I WANT TO KNOW WHAT LOVE IS ♪ ♪ I WANT TO KNOW WHAT LOVE IS ♪ 981 00:43:12.000 --> 00:43:18.000 ♪ I WANT TO KNOW WHAT LOVE IS ♪ ♪ I WANT TO KNOW WHAT LOVE IS ♪ 982 00:43:18.000 --> 00:43:20.531 ♪ I WANT TO KNOW WHAT LOVE IS ♪ ♪ I WANT TO KNOW WHAT LOVE IS ♪ 983 00:43:20.597 --> 00:43:24.000 ♪ I KNOW YOU CAN SHOW ME ♪ ♪ YEAH! ♪ 984 00:43:24.000 --> 00:43:30.000 ♪ I KNOW YOU CAN SHOW ME ♪ ♪ YEAH! ♪ 985 00:43:30.000 --> 00:43:35.479 ♪ I KNOW YOU CAN SHOW ME ♪ ♪ YEAH! ♪ 986 00:43:35.546 --> 00:43:36.000 ♪ I KNOW YOU CAN SHOW ME ♪ ♪ YEAH! ♪ 987 00:43:36.000 --> 00:43:40.284 ♪ I KNOW YOU CAN SHOW ME ♪ ♪ YEAH! ♪ 988 00:43:40.351 --> 00:43:42.000 ♪ YEAH ♪ [CHEERS AND APPLAUSE] 989 00:43:42.000 --> 00:43:42.353 ♪ YEAH ♪ [CHEERS AND APPLAUSE] 990 00:43:52.763 --> 00:43:54.000 >> GET READY TO ROCK ON THE STREETS OF AUSTIN WITH 991 00:43:54.000 --> 00:43:55.366 >> GET READY TO ROCK ON THE STREETS OF AUSTIN WITH 992 00:43:55.432 --> 00:43:58.969 KEITH URBAN AND MORE PERFORMANCES, INCLUDING 993 00:43:59.036 --> 00:44:00.000 ALANIS MORRISETTE, THE BLACK CROWES AND DARIUS 994 00:44:00.000 --> 00:44:00.938 ALANIS MORRISETTE, THE BLACK CROWES AND DARIUS 995 00:44:01.005 --> 00:44:02.373 RUCKER. 996 00:44:02.439 --> 00:44:06.000 PLUS, SHANIA TWAIN RECEIVES THE CMT EQUAL PLAY AWARD. 997 00:44:06.000 --> 00:44:06.210 PLUS, SHANIA TWAIN RECEIVES THE CMT EQUAL PLAY AWARD. 998 00:44:06.276 --> 00:44:10.180 WE'RE LIVE BEHIND THE SCENES OF THE CMT MUSIC AWARDS! 999 00:44:10.247 --> 00:44:12.000 CHECK IT OUT ON YOUTUBE NOW. 1000 00:44:12.000 --> 00:44:13.350 CHECK IT OUT ON YOUTUBE NOW. 1001 00:44:13.417 --> 00:44:13.917 THIS IS CBS. 1002 00:44:19.990 --> 00:44:20.924 >> PLEASE WELCOME THREE-TIME GRAMMY WINNER 1003 00:44:20.991 --> 00:44:24.000 MEGAN THEE STALLION. 1004 00:44:24.000 --> 00:44:25.095 MEGAN THEE STALLION. 1005 00:44:25.162 --> 00:44:30.000 [CHEERS AND APPLAUSE] >> OKAY! 1006 00:44:30.000 --> 00:44:36.000 [CHEERS AND APPLAUSE] >> OKAY! 1007 00:44:36.000 --> 00:44:40.044 [CHEERS AND APPLAUSE] >> OKAY! 1008 00:44:40.110 --> 00:44:41.078 [CHEERS AND APPLAUSE] >> OKAY! 1009 00:44:41.145 --> 00:44:42.000 [CHEERING] OKAY, Y'ALL LET ME SAY IT. 1010 00:44:42.000 --> 00:44:48.000 [CHEERING] OKAY, Y'ALL LET ME SAY IT. 1011 00:44:48.000 --> 00:44:49.953 [CHEERING] OKAY, Y'ALL LET ME SAY IT. 1012 00:44:50.020 --> 00:44:54.000 Y'ALL MAKING ME FEEL TOO GOOD. 1013 00:44:54.000 --> 00:44:56.960 Y'ALL MAKING ME FEEL TOO GOOD. 1014 00:44:57.027 --> 00:45:00.000 CMT HAS BEEN A LEADER IN THE FIGHT FOR DIVERSITY AND 1015 00:45:00.000 --> 00:45:00.964 CMT HAS BEEN A LEADER IN THE FIGHT FOR DIVERSITY AND 1016 00:45:01.031 --> 00:45:06.000 INCLUSION IN COUNTRY MUSIC FOR THE PAST DECADE, WITH 1017 00:45:06.000 --> 00:45:06.737 INCLUSION IN COUNTRY MUSIC FOR THE PAST DECADE, WITH 1018 00:45:06.804 --> 00:45:09.273 INITIATIVES LIKE NEXT WOMEN OF COUNTRY AND CMT EQUAL PLAY 1019 00:45:09.339 --> 00:45:12.000 AND EQUAL ACCESS. 1020 00:45:12.000 --> 00:45:12.109 AND EQUAL ACCESS. 1021 00:45:12.176 --> 00:45:15.179 THE CMT EQUAL PLAY AWARD RECOGNIZES TRAILBLAZERS WHO USE 1022 00:45:15.245 --> 00:45:18.000 THEIR PLATFORM TO BREAK BARRIERS, SPEAK OUT AGAINST 1023 00:45:18.000 --> 00:45:19.216 THEIR PLATFORM TO BREAK BARRIERS, SPEAK OUT AGAINST 1024 00:45:19.283 --> 00:45:24.000 INJUSTICES, AND CHALLENGE THE STATUS QUO. 1025 00:45:24.000 --> 00:45:27.825 INJUSTICES, AND CHALLENGE THE STATUS QUO. 1026 00:45:27.891 --> 00:45:30.000 [CHEERING] THIS YEAR, WE ARE RECOGNIZING 1027 00:45:30.000 --> 00:45:30.427 [CHEERING] THIS YEAR, WE ARE RECOGNIZING 1028 00:45:30.494 --> 00:45:36.000 THE INCREDIBLE SHANIA TWAIN! 1029 00:45:36.000 --> 00:45:37.601 THE INCREDIBLE SHANIA TWAIN! 1030 00:45:37.668 --> 00:45:42.000 UH-HUH! 1031 00:45:42.000 --> 00:45:43.073 UH-HUH! 1032 00:45:43.140 --> 00:45:45.275 SHANIA TWAIN! 1033 00:45:45.342 --> 00:45:48.000 OKAY! 1034 00:45:48.000 --> 00:45:48.412 OKAY! 1035 00:45:48.479 --> 00:45:52.416 SHANIA ISN'T JUST THE BIGGEST-SELLING COUNTRY FEMALE 1036 00:45:52.483 --> 00:45:54.000 ARTIST OF ALL TIME, SHE HAS SHATTERED CEILINGS 1037 00:45:54.000 --> 00:45:56.153 ARTIST OF ALL TIME, SHE HAS SHATTERED CEILINGS 1038 00:45:56.220 --> 00:46:00.000 AND REDEFINED STYLE AND SOUND IN COUNTRY MUSIC AND BEYOND. 1039 00:46:00.000 --> 00:46:03.527 AND REDEFINED STYLE AND SOUND IN COUNTRY MUSIC AND BEYOND. 1040 00:46:03.594 --> 00:46:06.000 SHE HAS BEEN OUTSPOKEN. 1041 00:46:06.000 --> 00:46:10.834 SHE HAS BEEN OUTSPOKEN. 1042 00:46:10.901 --> 00:46:12.000 I DON'T WANT TO CHEESE THIS AGAINST HATE OF EVERY KIND, 1043 00:46:12.000 --> 00:46:14.872 I DON'T WANT TO CHEESE THIS AGAINST HATE OF EVERY KIND, 1044 00:46:14.938 --> 00:46:18.000 I JUST MET HER. 1045 00:46:18.000 --> 00:46:18.475 I JUST MET HER. 1046 00:46:18.542 --> 00:46:19.977 SHE IS MY NEW BESTIE. 1047 00:46:20.043 --> 00:46:24.000 SHE HAS BEEN AN OUTSPOKEN ALLY AGAINST HATE OF EVERY KIND, 1048 00:46:24.000 --> 00:46:24.948 SHE HAS BEEN AN OUTSPOKEN ALLY AGAINST HATE OF EVERY KIND, 1049 00:46:25.015 --> 00:46:30.000 CALLING OUT GENDER GAPS, AGEISM, YES. 1050 00:46:30.000 --> 00:46:30.454 CALLING OUT GENDER GAPS, AGEISM, YES. 1051 00:46:30.521 --> 00:46:32.689 UH-HUH, YES! 1052 00:46:32.756 --> 00:46:36.000 YES, SHANIA! 1053 00:46:36.000 --> 00:46:38.862 YES, SHANIA! 1054 00:46:38.929 --> 00:46:42.000 IMPACTING INEQUALITIES AGAINST THE LGBTQ+ COMMUNITY, 1055 00:46:42.000 --> 00:46:42.399 IMPACTING INEQUALITIES AGAINST THE LGBTQ+ COMMUNITY, 1056 00:46:42.466 --> 00:46:43.433 AND MORE. 1057 00:46:43.500 --> 00:46:48.000 SHE'S AN INSPIRATION TO ME AND MILLIONS OF OTHERS! 1058 00:46:48.000 --> 00:46:49.406 SHE'S AN INSPIRATION TO ME AND MILLIONS OF OTHERS! 1059 00:46:49.473 --> 00:46:52.342 PLEASE WELCOME THIS YEAR'S EQUAL PLAY AWARD RECIPIENT, 1060 00:46:52.409 --> 00:46:54.000 SHANIA TWAIN. 1061 00:46:54.000 --> 00:46:58.882 SHANIA TWAIN. 1062 00:47:01.852 --> 00:47:03.854 [CHEERS AND APPLAUSE] ♪ ♪ 1063 00:47:29.846 --> 00:47:30.000 >> THANK YOU, MEGAN. 1064 00:47:30.000 --> 00:47:35.185 >> THANK YOU, MEGAN. 1065 00:47:35.252 --> 00:47:36.000 YOU'RE SO TALL. 1066 00:47:36.000 --> 00:47:38.922 YOU'RE SO TALL. 1067 00:47:38.989 --> 00:47:39.923 I LOST MY HAT. 1068 00:47:39.990 --> 00:47:41.124 THANK YOU. 1069 00:47:41.191 --> 00:47:41.959 THANK YOU SO MUCH. 1070 00:47:42.025 --> 00:47:48.000 LET ME START BY SAYING LET'S GO, GIRLS. 1071 00:47:48.000 --> 00:47:49.833 LET ME START BY SAYING LET'S GO, GIRLS. 1072 00:47:49.900 --> 00:47:54.000 LISTEN, WHEN I WROTE THE PHRASE "MAN, I FEEL LIKE A WOMAN," I 1073 00:47:54.000 --> 00:47:56.907 LISTEN, WHEN I WROTE THE PHRASE "MAN, I FEEL LIKE A WOMAN," I 1074 00:47:56.974 --> 00:47:58.942 HAD NO IDEA IT WOULD BECOME AN UNDERCURRENT OF A DECADES LONG 1075 00:47:59.009 --> 00:48:00.000 CAREER. 1076 00:48:00.000 --> 00:48:02.112 CAREER. 1077 00:48:02.179 --> 00:48:06.000 IT'S AMAZING HOW JUST ONE STATEMET CAN EMPOWER SO MANY. 1078 00:48:06.000 --> 00:48:09.353 IT'S AMAZING HOW JUST ONE STATEMET CAN EMPOWER SO MANY. 1079 00:48:09.419 --> 00:48:10.587 "MAN! 1080 00:48:10.654 --> 00:48:12.000 I FEEL LIKE A WOMAN" HAS BEEN ADOPTED BY AN ARRAY OF FANTASTIC 1081 00:48:12.000 --> 00:48:13.523 I FEEL LIKE A WOMAN" HAS BEEN ADOPTED BY AN ARRAY OF FANTASTIC 1082 00:48:13.590 --> 00:48:15.425 COMMUNITIES ALL AROUND THE WORLD AND BECOME A GENUINE PATH OF 1083 00:48:15.492 --> 00:48:18.000 POWER AND PROGRESS FOR WOMEN. 1084 00:48:18.000 --> 00:48:19.296 POWER AND PROGRESS FOR WOMEN. 1085 00:48:19.363 --> 00:48:21.832 WOMEN IN COUNTRY MUSIC. 1086 00:48:21.898 --> 00:48:24.000 WHICH BRINGS ME SO MUCH JOY. 1087 00:48:24.000 --> 00:48:26.737 WHICH BRINGS ME SO MUCH JOY. 1088 00:48:26.803 --> 00:48:30.000 THANK YOU TO CMT FOR PUSHING THE EQUAL PLAY AGENDA AND THANK YOU 1089 00:48:30.000 --> 00:48:31.375 THANK YOU TO CMT FOR PUSHING THE EQUAL PLAY AGENDA AND THANK YOU 1090 00:48:31.441 --> 00:48:32.576 FOR ALWAYS SUPPORTING ME. 1091 00:48:32.643 --> 00:48:36.000 IN FACT, YOU KNOW WHAT, YOU MAY NOT KNOW THIS. 1092 00:48:36.000 --> 00:48:38.148 IN FACT, YOU KNOW WHAT, YOU MAY NOT KNOW THIS. 1093 00:48:38.215 --> 00:48:42.000 BUT THE CMT RISING STAR AWARD WAS MY VERY FIRST AWARD EVER. 1094 00:48:42.000 --> 00:48:44.988 BUT THE CMT RISING STAR AWARD WAS MY VERY FIRST AWARD EVER. 1095 00:48:45.055 --> 00:48:48.000 30 YEARS AGO. 1096 00:48:48.000 --> 00:48:48.158 30 YEARS AGO. 1097 00:48:48.225 --> 00:48:49.993 THAT WAS IN 1993. 1098 00:48:50.060 --> 00:48:54.000 CMT HOLDS A VERY SPECIAL PLACE IN MY HEART. 1099 00:48:54.000 --> 00:48:55.732 CMT HOLDS A VERY SPECIAL PLACE IN MY HEART. 1100 00:48:55.799 --> 00:49:00.000 AND I PROMISE I WILL CONTINUE TO CHAMPION THE MANY OUTSTANDING 1101 00:49:00.000 --> 00:49:00.370 AND I PROMISE I WILL CONTINUE TO CHAMPION THE MANY OUTSTANDING 1102 00:49:00.437 --> 00:49:02.072 COUNTRY ARTISTS WHO ARE NOT CURRENTLY PLAYED. 1103 00:49:02.139 --> 00:49:06.000 THEY ARE NOT STREAMED, TOURS SIGNED OR AWARDED AT THE LEVEL 1104 00:49:06.000 --> 00:49:08.478 THEY ARE NOT STREAMED, TOURS SIGNED OR AWARDED AT THE LEVEL 1105 00:49:08.545 --> 00:49:12.000 THEY DESERVE SO I BELIEVE IN AN ALL-INCLUSIVE COUNTRY MUSIC. 1106 00:49:12.000 --> 00:49:12.049 THEY DESERVE SO I BELIEVE IN AN ALL-INCLUSIVE COUNTRY MUSIC. 1107 00:49:12.115 --> 00:49:16.820 WE ARE A FAMILY. 1108 00:49:16.887 --> 00:49:18.000 THIS IS A GENRE OF MUSIC WITH A RICH HISTORY THAT RAISED AND 1109 00:49:18.000 --> 00:49:24.000 THIS IS A GENRE OF MUSIC WITH A RICH HISTORY THAT RAISED AND 1110 00:49:24.000 --> 00:49:24.494 THIS IS A GENRE OF MUSIC WITH A RICH HISTORY THAT RAISED AND 1111 00:49:24.561 --> 00:49:28.932 NURTURED MY OWN SONGWRITING AND PERFORMANCE AND RECORDING CAREER 1112 00:49:28.999 --> 00:49:30.000 FROM CHILDHOOD. 1113 00:49:30.000 --> 00:49:30.200 FROM CHILDHOOD. 1114 00:49:30.267 --> 00:49:35.972 CURRENTLY THE INDUSTRY STANDARD DOES A REAL DISSERVICE TO THIS. 1115 00:49:36.039 --> 00:49:42.000 LET US, THE COUNTRY MUSIC INDUSTRY, DO OUR PART TO CLOSE 1116 00:49:42.000 --> 00:49:43.613 LET US, THE COUNTRY MUSIC INDUSTRY, DO OUR PART TO CLOSE 1117 00:49:43.680 --> 00:49:44.948 WORK SPACE FOR ALL TALENT. 1118 00:49:45.015 --> 00:49:48.000 THIS YEAR, I'M TAKING MANY AMAZING ARTISTS ON MY QUEEN OF 1119 00:49:48.000 --> 00:49:51.855 THIS YEAR, I'M TAKING MANY AMAZING ARTISTS ON MY QUEEN OF 1120 00:49:51.922 --> 00:49:52.055 KNEE 1121 00:49:56.793 --> 00:50:00.000 TOUR ROBIN, PRISCILLA, SEVERAL MORE. 1122 00:50:00.000 --> 00:50:01.765 TOUR ROBIN, PRISCILLA, SEVERAL MORE. 1123 00:50:01.832 --> 00:50:06.000 MY HOPE IS THAT THIS OPPORTUNITY AND SPOTLIGHT IMPRESSES YOU MU 1124 00:50:06.000 --> 00:50:07.037 MY HOPE IS THAT THIS OPPORTUNITY AND SPOTLIGHT IMPRESSES YOU MU 1125 00:50:07.104 --> 00:50:10.006 MUCH. 1126 00:50:10.073 --> 00:50:12.000 AND LIFTS UP THE CAREERS OF THESE VERY TALENTED PEOPLE ON 1127 00:50:12.000 --> 00:50:12.976 AND LIFTS UP THE CAREERS OF THESE VERY TALENTED PEOPLE ON 1128 00:50:13.043 --> 00:50:14.177 THEIR JOURNEY. 1129 00:50:14.244 --> 00:50:17.547 I WILL CONTINUE TO DO MY BEST AS A TRAILBLAZER AND TOGETHER, 1130 00:50:17.614 --> 00:50:18.000 LET'S ENSURE THAT ALL OUR FELLOW ARTISTS GET EQUAL PLAY 1131 00:50:18.000 --> 00:50:22.052 LET'S ENSURE THAT ALL OUR FELLOW ARTISTS GET EQUAL PLAY 1132 00:50:22.119 --> 00:50:24.000 REGARDLESS OF GENDER, AGE, OR RACE. 1133 00:50:24.000 --> 00:50:26.022 REGARDLESS OF GENDER, AGE, OR RACE. 1134 00:50:26.089 --> 00:50:30.000 THANK YOU AGAIN FOR HONORING ME. 1135 00:50:30.000 --> 00:50:30.060 THANK YOU AGAIN FOR HONORING ME. 1136 00:50:30.127 --> 00:50:31.661 SPECIAL THANK YOU TO ALL MY FANS. 1137 00:50:31.728 --> 00:50:36.000 I AM TRULY TOUCHED BY THIS MOMENT. 1138 00:50:36.000 --> 00:50:36.767 I AM TRULY TOUCHED BY THIS MOMENT. 1139 00:50:36.833 --> 00:50:41.938 THANK YOU. 1140 00:50:42.005 --> 00:50:46.543 PLEASE WELCOME THE STAR OF 1141 00:50:46.610 --> 00:50:48.000 THE NEW CBS SERIES "TRUE LIES," BONAFIDE TEXAN STEVE HOWEY! 1142 00:50:48.000 --> 00:50:49.012 THE NEW CBS SERIES "TRUE LIES," BONAFIDE TEXAN STEVE HOWEY! 1143 00:50:49.079 --> 00:50:54.000 >> THE STARS AT NIGHT ARE BIG AND BRIGHT 1144 00:50:54.000 --> 00:50:54.918 >> THE STARS AT NIGHT ARE BIG AND BRIGHT 1145 00:50:54.985 --> 00:50:58.922 >> DEEP IN THE HEART OF TEXAS! 1146 00:50:58.989 --> 00:50:59.856 >> YES, THANK YOU! 1147 00:50:59.923 --> 00:51:00.000 WE'RE IN LONGHORN COUNTRY, BABY. 1148 00:51:00.000 --> 00:51:02.926 WE'RE IN LONGHORN COUNTRY, BABY. 1149 00:51:02.993 --> 00:51:04.928 ALL RIGHT. 1150 00:51:04.995 --> 00:51:06.000 I JUST HAD TO BE HERE FOR THE FIRST EVER CMT MUSIC AWARDS 1151 00:51:06.000 --> 00:51:11.134 I JUST HAD TO BE HERE FOR THE FIRST EVER CMT MUSIC AWARDS 1152 00:51:11.201 --> 00:51:12.000 THERE'S CODY. 1153 00:51:12.000 --> 00:51:15.305 THERE'S CODY. 1154 00:51:15.372 --> 00:51:16.273 HE JUST POINTED AT ME. 1155 00:51:16.339 --> 00:51:18.000 FIRST EVER CMT MUSIC AWARDS IN MY HOME STATE. 1156 00:51:18.000 --> 00:51:21.311 FIRST EVER CMT MUSIC AWARDS IN MY HOME STATE. 1157 00:51:21.378 --> 00:51:23.780 I WAS BORN IN SAN ANTONIO. 1158 00:51:23.847 --> 00:51:24.000 I LOVE AUSTIN. 1159 00:51:24.000 --> 00:51:28.885 I LOVE AUSTIN. 1160 00:51:28.952 --> 00:51:30.000 THIS NEXT ARTIST ISN'T JUST BIG. 1161 00:51:30.000 --> 00:51:30.120 THIS NEXT ARTIST ISN'T JUST BIG. 1162 00:51:30.187 --> 00:51:32.589 HE'S TEXAS BIG. 1163 00:51:32.656 --> 00:51:36.000 HE TOOK OVER COUNTRY WITH HIS BREAKOUT HIT LAST YEAR, TOOK 1164 00:51:36.000 --> 00:51:37.360 HE TOOK OVER COUNTRY WITH HIS BREAKOUT HIT LAST YEAR, TOOK 1165 00:51:37.427 --> 00:51:40.730 HOME A FEW CMTS, AND HAS JUST KEPT GOING EVER SINCE. 1166 00:51:40.797 --> 00:51:42.000 WITH HIS LATEST HIT, "HUMAN," HERE IS CODY JOHNSON! 1167 00:51:42.000 --> 00:51:47.971 WITH HIS LATEST HIT, "HUMAN," HERE IS CODY JOHNSON! 1168 00:51:49.906 --> 00:51:54.000 ♪ ♪ ♪ I THOUGHT BY NOW ♪ 1169 00:51:54.000 --> 00:52:00.000 ♪ ♪ ♪ I THOUGHT BY NOW ♪ 1170 00:52:00.000 --> 00:52:01.852 ♪ ♪ ♪ I THOUGHT BY NOW ♪ 1171 00:52:01.918 --> 00:52:04.621 ♪ I'D HAVE IT FIGURED OUT ♪ ♪ HOW NOT TO MAKE ♪ 1172 00:52:04.688 --> 00:52:06.000 ♪ THE EASY THING ♪ ♪ SO HARD TO DO ♪ 1173 00:52:06.000 --> 00:52:09.292 ♪ THE EASY THING ♪ ♪ SO HARD TO DO ♪ 1174 00:52:09.359 --> 00:52:12.000 ♪ I BET THAT I'D BE ♪ ♪ FURTHER DOWN THIS ROAD ♪ 1175 00:52:12.000 --> 00:52:14.364 ♪ I BET THAT I'D BE ♪ ♪ FURTHER DOWN THIS ROAD ♪ 1176 00:52:14.431 --> 00:52:18.000 ♪ IF I COULD READ THE SIGNS ♪ ♪ THAT POINT ME TO THE TRUTH ♪ 1177 00:52:18.000 --> 00:52:20.570 ♪ IF I COULD READ THE SIGNS ♪ ♪ THAT POINT ME TO THE TRUTH ♪ 1178 00:52:20.637 --> 00:52:24.000 ♪ I NEVER PLANNED ON ♪ ♪ BEING NOTHIN' BUT A COWBOY ♪ 1179 00:52:24.000 --> 00:52:26.243 ♪ I NEVER PLANNED ON ♪ ♪ BEING NOTHIN' BUT A COWBOY ♪ 1180 00:52:26.309 --> 00:52:30.000 ♪ BUT SOMEWHERE ♪ ♪ I PICKED UP THIS OLD GUITAR ♪ 1181 00:52:30.000 --> 00:52:32.516 ♪ BUT SOMEWHERE ♪ ♪ I PICKED UP THIS OLD GUITAR ♪ 1182 00:52:32.582 --> 00:52:36.000 ♪ GIRL, ALL I CAN SAY ♪ ♪ IS THAT I'M SORRY ♪ 1183 00:52:36.000 --> 00:52:37.454 ♪ GIRL, ALL I CAN SAY ♪ ♪ IS THAT I'M SORRY ♪ 1184 00:52:37.521 --> 00:52:42.000 ♪ IF I GET KIND OF CARELESS ♪ ♪ WITH YOUR HEART ♪ 1185 00:52:42.000 --> 00:52:48.000 ♪ IF I GET KIND OF CARELESS ♪ ♪ WITH YOUR HEART ♪ 1186 00:52:48.000 --> 00:52:48.899 ♪ IF I GET KIND OF CARELESS ♪ ♪ WITH YOUR HEART ♪ 1187 00:52:48.965 --> 00:52:51.434 ALL THE MIDNIGHTS ♪ CHASING ALL THAT EMPTY ♪ 1188 00:52:51.501 --> 00:52:54.000 ♪ STILL AIN'T GOT IT RIGHT ♪ ♪ ALL THE CRAZY ♪ 1189 00:52:54.000 --> 00:52:55.505 ♪ STILL AIN'T GOT IT RIGHT ♪ ♪ ALL THE CRAZY ♪ 1190 00:52:55.572 --> 00:53:00.000 ♪ ALL THE GYPSY ♪ ♪ I GUESS ALL I'M SAYIN' IS 1191 00:53:00.000 --> 00:53:00.644 ♪ ALL THE GYPSY ♪ ♪ I GUESS ALL I'M SAYIN' IS 1192 00:53:00.710 --> 00:53:03.480 FORGIVE ME ♪ ♪ IF I DON'T KNOW WHAT I'M 1193 00:53:03.547 --> 00:53:06.000 DOING ♪ ♪ 'CAUSE I'M STILL LEARNIN' TO 1194 00:53:06.000 --> 00:53:11.321 DOING ♪ ♪ 'CAUSE I'M STILL LEARNIN' TO 1195 00:53:11.388 --> 00:53:12.000 BE HUMAN ♪ ♪ SO FAR I'VE BEEN GOOD ♪ 1196 00:53:12.000 --> 00:53:17.928 BE HUMAN ♪ ♪ SO FAR I'VE BEEN GOOD ♪ 1197 00:53:17.994 --> 00:53:18.000 ♪ AT BURNIN' BRIDGES ♪ ♪ STRIKE A MATCH ♪ 1198 00:53:18.000 --> 00:53:22.899 ♪ AT BURNIN' BRIDGES ♪ ♪ STRIKE A MATCH ♪ 1199 00:53:22.966 --> 00:53:24.000 ♪ AND RIDE RIGHT OUT OF TOWN ♪ ♪ BLESS YOUR HEART FOR NEVER 1200 00:53:24.000 --> 00:53:28.638 ♪ AND RIDE RIGHT OUT OF TOWN ♪ ♪ BLESS YOUR HEART FOR NEVER 1201 00:53:28.705 --> 00:53:30.000 TRYIN' TO FIX ME ♪ ♪ OR QUIT ME ♪ 1202 00:53:30.000 --> 00:53:36.000 TRYIN' TO FIX ME ♪ ♪ OR QUIT ME ♪ 1203 00:53:36.000 --> 00:53:36.880 TRYIN' TO FIX ME ♪ ♪ OR QUIT ME ♪ 1204 00:53:36.947 --> 00:53:42.000 ♪ OR SLOW ME DOWN ♪ ♪ ALL THE MIDNIGHTS ♪ 1205 00:53:42.000 --> 00:53:47.123 ♪ OR SLOW ME DOWN ♪ ♪ ALL THE MIDNIGHTS ♪ 1206 00:53:47.190 --> 00:53:48.000 ♪ CHASING ALL THAT EMPTY ♪ ♪ STILL AIN'T GOT IT RIGHT ♪ 1207 00:53:48.000 --> 00:53:51.995 ♪ CHASING ALL THAT EMPTY ♪ ♪ STILL AIN'T GOT IT RIGHT ♪ 1208 00:53:52.062 --> 00:53:54.000 ♪ ALL THE CRAZY ♪ ♪ ALL THE GYPSY ♪ 1209 00:53:54.000 --> 00:53:57.901 ♪ ALL THE CRAZY ♪ ♪ ALL THE GYPSY ♪ 1210 00:53:57.968 --> 00:54:00.000 ♪ I GUESS ALL I'M SAYIN' IS FORGIVE ME ♪ 1211 00:54:00.000 --> 00:54:01.871 ♪ I GUESS ALL I'M SAYIN' IS FORGIVE ME ♪ 1212 00:54:01.938 --> 00:54:06.000 ♪ IF I DON'T KNOW ♪ ♪ WHAT I'M DOING ♪ 1213 00:54:06.000 --> 00:54:09.179 ♪ IF I DON'T KNOW ♪ ♪ WHAT I'M DOING ♪ 1214 00:54:09.245 --> 00:54:12.000 ♪ 'CAUSE I'M STILL LEARNIN' ♪ ♪ TO BE HUMAN ♪ 1215 00:54:12.000 --> 00:54:14.284 ♪ 'CAUSE I'M STILL LEARNIN' ♪ ♪ TO BE HUMAN ♪ 1216 00:54:14.351 --> 00:54:18.000 AIN'T WE ALL, HUH, AUSTIN? 1217 00:54:18.000 --> 00:54:21.524 AIN'T WE ALL, HUH, AUSTIN? 1218 00:54:21.591 --> 00:54:24.000 ♪ ALL THE HIGHWAYS ♪ ♪ PLAYIN' OUTLAW ♪ 1219 00:54:24.000 --> 00:54:26.730 ♪ ALL THE HIGHWAYS ♪ ♪ PLAYIN' OUTLAW ♪ 1220 00:54:26.796 --> 00:54:30.000 ♪ ROLLIN' OUTTA NOWHERE ♪ ♪ WITH THE BRAKES OFF ♪ 1221 00:54:30.000 --> 00:54:30.934 ♪ ROLLIN' OUTTA NOWHERE ♪ ♪ WITH THE BRAKES OFF ♪ 1222 00:54:31.001 --> 00:54:36.000 ♪ ALL THE CRAZY ♪ ♪ AND THE WHISKEY ♪ 1223 00:54:36.000 --> 00:54:37.040 ♪ ALL THE CRAZY ♪ ♪ AND THE WHISKEY ♪ 1224 00:54:37.107 --> 00:54:42.000 ♪ WAKIN' UP AND WONDERIN' ♪ ♪ WHAT HIT ME ♪ 1225 00:54:42.000 --> 00:54:42.112 ♪ WAKIN' UP AND WONDERIN' ♪ ♪ WHAT HIT ME ♪ 1226 00:54:42.178 --> 00:54:45.548 ♪ WHOA, FORGIVE ME ♪ ♪ I REALLY DON'T KNOW ♪ 1227 00:54:45.615 --> 00:54:48.000 ♪ WHAT I'M DOIN' ♪ ♪ 'CAUSE I'M STILL ♪ 1228 00:54:48.000 --> 00:54:50.387 ♪ WHAT I'M DOIN' ♪ ♪ 'CAUSE I'M STILL ♪ 1229 00:54:50.453 --> 00:54:54.000 ♪ LEARNIN' TO BE HUMAN ♪ ♪ MMM, STILL LEARNIN' ♪ 1230 00:54:54.000 --> 00:54:56.259 ♪ LEARNIN' TO BE HUMAN ♪ ♪ MMM, STILL LEARNIN' ♪ 1231 00:54:56.326 --> 00:55:00.000 ♪ TO BE HUMAN ♪ 1232 00:55:00.000 --> 00:55:04.534 ♪ TO BE HUMAN ♪ 1233 00:55:06.236 --> 00:55:12.000 ♪ ♪ [CHEERS AND APPLAUSE] 1234 00:55:12.000 --> 00:55:18.000 ♪ ♪ [CHEERS AND APPLAUSE] 1235 00:55:18.000 --> 00:55:21.117 ♪ ♪ [CHEERS AND APPLAUSE] 1236 00:55:21.184 --> 00:55:22.719 ♪ ♪ [CHEERS AND APPLAUSE] 1237 00:55:33.096 --> 00:55:34.097 >> CODY JOHNSON! 1238 00:55:34.164 --> 00:55:35.465 THIS NEXT ARTIST IS KNOWN FOR HIS MASSIVE SONGS, HIS 1239 00:55:35.532 --> 00:55:36.000 INCREDIBLE GUITAR CHOPS AND FOR HIS GAME CHANGING PERFORMANCES 1240 00:55:36.000 --> 00:55:37.300 INCREDIBLE GUITAR CHOPS AND FOR HIS GAME CHANGING PERFORMANCES 1241 00:55:37.367 --> 00:55:39.769 RIGHT HERE AT THE CMT MUSIC AWARDS. 1242 00:55:39.836 --> 00:55:42.000 TONIGHT, HE'S COMING FROM OUR CAPITOL STAGE 1243 00:55:42.000 --> 00:55:43.573 TONIGHT, HE'S COMING FROM OUR CAPITOL STAGE 1244 00:55:43.640 --> 00:55:45.642 IN THE HEART OF AUSTIN, KEITH URBAN, EVERYBODY! 1245 00:56:06.129 --> 00:56:09.132 ♪ ♪ ♪ YOU MADE UP YOUR MIND ♪ 1246 00:56:09.199 --> 00:56:12.000 ♪ GOT OFF THE COUCH ♪ ♪ YOU DID UP YOUR HAIR ♪ 1247 00:56:12.000 --> 00:56:13.103 ♪ GOT OFF THE COUCH ♪ ♪ YOU DID UP YOUR HAIR ♪ 1248 00:56:13.169 --> 00:56:17.073 ♪ NOW YOU'RE GOIN' OUT ♪ ♪ YOU PUT ON THAT PARTY DRESS ♪ 1249 00:56:17.140 --> 00:56:18.000 ♪ EVEN THOUGH ♪ ♪ YOUR HEART'S A MESS ♪ 1250 00:56:18.000 --> 00:56:20.877 ♪ EVEN THOUGH ♪ ♪ YOUR HEART'S A MESS ♪ 1251 00:56:20.944 --> 00:56:24.000 ♪ YOUR FRIENDS SWUNG BY ♪ ♪ YOU JUMPED IN THE CAR ♪ 1252 00:56:24.000 --> 00:56:24.481 ♪ YOUR FRIENDS SWUNG BY ♪ ♪ YOU JUMPED IN THE CAR ♪ 1253 00:56:24.547 --> 00:56:27.350 ♪ YOU WALKED IN HERE ♪ ♪ AND NOW HERE WE ARE ♪ 1254 00:56:27.417 --> 00:56:30.000 ♪ PUTTIN' THE HURTIN' ♪ ♪ ON SOME JOSE ♪ 1255 00:56:30.000 --> 00:56:30.987 ♪ PUTTIN' THE HURTIN' ♪ ♪ ON SOME JOSE ♪ 1256 00:56:31.054 --> 00:56:34.491 ♪ AND CATCHIN' UP ♪ ♪ WHILE THE BAND PLAYS ♪ 1257 00:56:34.557 --> 00:56:36.000 ♪ YOU SAY YOU MISS THE GIRL ♪ ♪ YOU USED TO BE ♪ 1258 00:56:36.000 --> 00:56:37.360 ♪ YOU SAY YOU MISS THE GIRL ♪ ♪ YOU USED TO BE ♪ 1259 00:56:37.427 --> 00:56:40.530 ♪ BET I CAN FIND HER ♪ ♪ IF YOU LET ME ♪ 1260 00:56:40.597 --> 00:56:42.000 ♪ I CAN PUT THE SMILE ♪ ♪ RIGHT BACK WHERE ♪ 1261 00:56:42.000 --> 00:56:42.465 ♪ I CAN PUT THE SMILE ♪ ♪ RIGHT BACK WHERE ♪ 1262 00:56:42.532 --> 00:56:45.101 ♪ YOUR SMILE GOES ♪ ♪ DREAMS BACK IN ♪ 1263 00:56:45.168 --> 00:56:47.270 ♪ WHAT YOU SEE ♪ ♪ WHEN YOUR EYES CLOSE ♪ 1264 00:56:47.337 --> 00:56:48.000 ♪ I'LL BE THE BUZZ ♪ ♪ THAT YOU FEEL ♪ 1265 00:56:48.000 --> 00:56:49.072 ♪ I'LL BE THE BUZZ ♪ ♪ THAT YOU FEEL ♪ 1266 00:56:49.139 --> 00:56:51.975 ♪ WHEN YOU SIP SLOW ♪ ♪ SLOW DANCE ♪ 1267 00:56:52.041 --> 00:56:54.000 ♪ RIGHT BACK ♪ ♪ IN YOUR DIRT ROAD ♪ 1268 00:56:54.000 --> 00:56:54.177 ♪ RIGHT BACK ♪ ♪ IN YOUR DIRT ROAD ♪ 1269 00:56:54.244 --> 00:56:57.247 ♪ I CAN PUT THE SUN ♪ ♪ RIGHT BACK IN YOUR SUNSHINE ♪ 1270 00:56:57.313 --> 00:57:00.000 ♪ BRING A LITTLE LOVE ♪ ♪ BACK INTO YOUR LATE NIGHT ♪ 1271 00:57:00.000 --> 00:57:00.583 ♪ BRING A LITTLE LOVE ♪ ♪ BACK INTO YOUR LATE NIGHT ♪ 1272 00:57:00.650 --> 00:57:05.455 ♪ AIN'T GOTTA BE NOTHIN' MORE ♪ ♪ THAN ONE MORE DRINK ♪ 1273 00:57:05.522 --> 00:57:06.000 ♪ AND MAYBE I CAN TAKE THE BLUE ♪ 1274 00:57:06.000 --> 00:57:07.524 ♪ AND MAYBE I CAN TAKE THE BLUE ♪ 1275 00:57:07.590 --> 00:57:12.000 ♪ OUT OF YOUR BROWN EYES, BABY ♪ ♪ ♪ 1276 00:57:12.000 --> 00:57:15.565 ♪ OUT OF YOUR BROWN EYES, BABY ♪ ♪ ♪ 1277 00:57:15.632 --> 00:57:18.000 ♪ AND THAT WILD SIDE ♪ ♪ THAT YOU LEARNED TO TAME ♪ 1278 00:57:18.000 --> 00:57:18.601 ♪ AND THAT WILD SIDE ♪ ♪ THAT YOU LEARNED TO TAME ♪ 1279 00:57:18.668 --> 00:57:21.871 ♪ SHE'LL ROLL IN ♪ ♪ LIKE A MIDNIGHT TRAIN ♪ 1280 00:57:21.938 --> 00:57:24.000 ♪ ALMOST LIKE SHE NEVER ♪ ♪ LEFT HERE ♪ 1281 00:57:24.000 --> 00:57:24.541 ♪ ALMOST LIKE SHE NEVER ♪ ♪ LEFT HERE ♪ 1282 00:57:24.607 --> 00:57:28.244 ♪ AND I'LL BE READY ♪ ♪ BABY, WHEN SHE GETS HERE ♪ 1283 00:57:28.311 --> 00:57:30.000 ♪ I CAN PUT THE SMILE ♪ ♪ RIGHT BACK WHERE ♪ 1284 00:57:30.000 --> 00:57:30.814 ♪ I CAN PUT THE SMILE ♪ ♪ RIGHT BACK WHERE ♪ 1285 00:57:30.880 --> 00:57:32.916 ♪ YOUR SMILE GOES ♪ ♪ DREAMS BACK IN ♪ 1286 00:57:32.982 --> 00:57:34.617 ♪ WHAT YOU SEE ♪ ♪ WHEN YOUR EYES CLOSE ♪ 1287 00:57:34.684 --> 00:57:36.000 ♪ I'LL BE THE BUZZ ♪ ♪ THAT YOU FEEL ♪ 1288 00:57:36.000 --> 00:57:36.986 ♪ I'LL BE THE BUZZ ♪ ♪ THAT YOU FEEL ♪ 1289 00:57:37.053 --> 00:57:40.423 ♪ WHEN YOU SIP SLOW ♪ ♪ SLOW DANCE RIGHT BACK ♪ 1290 00:57:40.490 --> 00:57:42.000 ♪ IN YOUR DIRT ROAD ♪ ♪ I CAN PUT THE SUN ♪ 1291 00:57:42.000 --> 00:57:43.960 ♪ IN YOUR DIRT ROAD ♪ ♪ I CAN PUT THE SUN ♪ 1292 00:57:44.027 --> 00:57:46.496 ♪ RIGHT BACK IN YOUR SUNSHINE ♪ ♪ BRING A LITTLE LOVE ♪ 1293 00:57:46.563 --> 00:57:48.000 ♪ BACK INTO YOUR LATE NIGHT ♪ ♪ AIN'T GOTTA BE ♪ 1294 00:57:48.000 --> 00:57:50.200 ♪ BACK INTO YOUR LATE NIGHT ♪ ♪ AIN'T GOTTA BE ♪ 1295 00:57:50.266 --> 00:57:53.736 ♪ NOTHIN' MORE THAN ♪ ♪ ONE MORE DRINK ♪ 1296 00:57:53.803 --> 00:57:54.000 ♪ AND MAYBE I CAN TAKE THE BLUE ♪ 1297 00:57:54.000 --> 00:57:55.872 ♪ AND MAYBE I CAN TAKE THE BLUE ♪ 1298 00:57:55.939 --> 00:58:00.000 ♪ OUT OF YOUR BROWN EYES, BABY ♪ ♪ ♪ 1299 00:58:00.000 --> 00:58:06.000 ♪ OUT OF YOUR BROWN EYES, BABY ♪ ♪ ♪ 1300 00:58:06.000 --> 00:58:09.485 ♪ OUT OF YOUR BROWN EYES, BABY ♪ ♪ ♪ 1301 00:58:11.087 --> 00:58:12.000 ♪ PUT THE FULL ♪ ♪ BACK IN YOUR HALF EMPTY ♪ 1302 00:58:12.000 --> 00:58:13.256 ♪ PUT THE FULL ♪ ♪ BACK IN YOUR HALF EMPTY ♪ 1303 00:58:13.323 --> 00:58:16.226 ♪ AND PUT THE TWO ♪ ♪ IN YOUR STEP AGAIN ♪ 1304 00:58:16.292 --> 00:58:18.000 ♪ ABOUT TO SEE ♪ ♪ WHERE LEANIN' IN GETS ME ♪ 1305 00:58:18.000 --> 00:58:19.462 ♪ ABOUT TO SEE ♪ ♪ WHERE LEANIN' IN GETS ME ♪ 1306 00:58:19.529 --> 00:58:24.000 ♪ BABY, JUST SAY WHEN ♪ ♪ 'CAUSE I CAN PUT THE SMILE ♪ 1307 00:58:24.000 --> 00:58:24.133 ♪ BABY, JUST SAY WHEN ♪ ♪ 'CAUSE I CAN PUT THE SMILE ♪ 1308 00:58:24.200 --> 00:58:26.169 ♪ RIGHT BACK ♪ ♪ WHERE YOUR SMILE GOES ♪ 1309 00:58:26.236 --> 00:58:30.000 ♪ DREAMS BACK IN ♪ ♪ WHAT YOU SEE ♪ 1310 00:58:30.000 --> 00:58:30.673 ♪ DREAMS BACK IN ♪ ♪ WHAT YOU SEE ♪ 1311 00:58:30.740 --> 00:58:32.342 ♪ WHEN YOUR EYES CLOSE ♪ ♪ I'LL BE THE BUZZ ♪ 1312 00:58:32.408 --> 00:58:35.478 ♪ THAT YOU FEEL ♪ ♪ WHEN YOU SIP SLOW ♪ 1313 00:58:35.545 --> 00:58:36.000 ♪ SLOW DANCE RIGHT BACK ♪ ♪ IN YOUR DIRT ROAD ♪ 1314 00:58:36.000 --> 00:58:37.747 ♪ SLOW DANCE RIGHT BACK ♪ ♪ IN YOUR DIRT ROAD ♪ 1315 00:58:37.814 --> 00:58:40.116 ♪ I CAN PUT THE SUN ♪ ♪ RIGHT BACK IN YOUR SUNSHINE ♪ 1316 00:58:40.183 --> 00:58:42.000 ♪ BRING A LITTLE LOVE ♪ ♪ BACK INTO YOUR LATE NIGHT ♪ 1317 00:58:42.000 --> 00:58:43.019 ♪ BRING A LITTLE LOVE ♪ ♪ BACK INTO YOUR LATE NIGHT ♪ 1318 00:58:43.086 --> 00:58:47.357 ♪ AIN'T GOTTA BE NOTHIN' MORE ♪ ♪ THAN ONE MORE DRINK ♪ 1319 00:58:47.423 --> 00:58:48.000 ♪ AND MAYBE I CAN TAKE THE BLUE ♪ 1320 00:58:48.000 --> 00:58:50.093 ♪ AND MAYBE I CAN TAKE THE BLUE ♪ 1321 00:58:50.159 --> 00:58:54.000 ♪ OUT OF YOUR BROWN EYES, BABY ♪ ♪ MMM, TAKE THE BLUE OUT OF ♪ 1322 00:58:54.000 --> 00:58:59.669 ♪ OUT OF YOUR BROWN EYES, BABY ♪ ♪ MMM, TAKE THE BLUE OUT OF ♪ 1323 00:58:59.736 --> 00:59:00.000 ♪ YOUR BROWN EYES, BABY ♪ ♪ OH, YEAH ♪ 1324 00:59:00.000 --> 00:59:01.738 ♪ YOUR BROWN EYES, BABY ♪ ♪ OH, YEAH ♪ 1325 00:59:08.278 --> 00:59:12.000 ♪ ♪ 1326 00:59:12.000 --> 00:59:15.852 ♪ ♪ 1327 00:59:30.500 --> 00:59:32.502 ♪ ♪ [CHEERS AND APPLAUSE] 1328 00:59:37.974 --> 00:59:38.908 >> I LOVE YOU, AUSTIN! 1329 00:59:38.975 --> 00:59:41.878 THANK YOU, CMT! 1330 00:59:41.945 --> 00:59:42.000 >> HOW MUCH DO WE LOVE KEITH URBAN? 1331 00:59:42.000 --> 00:59:46.549 >> HOW MUCH DO WE LOVE KEITH URBAN? 1332 00:59:46.616 --> 00:59:48.000 SO GREAT TO SEE ALL THOSE FANS OUT THERE. 1333 00:59:48.000 --> 00:59:51.321 SO GREAT TO SEE ALL THOSE FANS OUT THERE. 1334 00:59:51.387 --> 00:59:54.000 EARLIER TONIGHT WE ANNOUNCED THAT THE WINNER THE GROUP DO A 1335 00:59:54.000 --> 00:59:56.459 EARLIER TONIGHT WE ANNOUNCED THAT THE WINNER THE GROUP DO A 1336 00:59:56.526 --> 01:00:00.000 VIDEO IS ZAC BROWN BAND FOR OUT IN THE MIDDLE. 1337 01:00:00.000 --> 01:00:00.296 VIDEO IS ZAC BROWN BAND FOR OUT IN THE MIDDLE. 1338 01:00:00.363 --> 01:00:06.000 SPEAKING OF THE MIDDLE , WE ARE IN THE MIDDLE OF THE SHOW NOW. 1339 01:00:06.000 --> 01:00:07.937 SPEAKING OF THE MIDDLE , WE ARE IN THE MIDDLE OF THE SHOW NOW. 1340 01:00:08.004 --> 01:00:09.939 KANE HAD A SNACK. 1341 01:00:10.006 --> 01:00:12.000 HE HAD A BRISKET. 1342 01:00:12.000 --> 01:00:12.475 HE HAD A BRISKET. 1343 01:00:12.542 --> 01:00:13.543 IT'S MY TURN. 1344 01:00:13.609 --> 01:00:17.880 TIME TO INTRODUCE MY BURRITO CLUTCH. 1345 01:00:17.947 --> 01:00:18.000 DO YOU MIND? 1346 01:00:18.000 --> 01:00:24.000 DO YOU MIND? 1347 01:00:24.000 --> 01:00:27.023 DO YOU MIND? 1348 01:00:27.090 --> 01:00:29.092 IT'S DIFFERENT DOWN HERE. 1349 01:00:33.029 --> 01:00:34.964 SPEAKING OF THINGS THAT ARE CLUTCH, 1350 01:00:35.031 --> 01:00:36.000 HERE TO PERFORM "WHISKEY ON YOU," FROM THE RAM TRUCKS STAGE, 1351 01:00:36.000 --> 01:00:36.265 HERE TO PERFORM "WHISKEY ON YOU," FROM THE RAM TRUCKS STAGE, 1352 01:00:36.332 --> 01:00:42.000 IT'S NATE SMITH! 1353 01:00:42.000 --> 01:00:44.974 IT'S NATE SMITH! 1354 01:00:45.041 --> 01:00:46.943 ♪ LINE 'EM UP ♪ ♪ LINE 'EM UP ♪ 1355 01:00:47.010 --> 01:00:48.000 ♪ POUR 'EM TALL ♪ ♪ HERE'S TO US ♪ 1356 01:00:48.000 --> 01:00:50.980 ♪ POUR 'EM TALL ♪ ♪ HERE'S TO US ♪ 1357 01:00:51.047 --> 01:00:53.316 ♪ HAPPILY NEVER AFTER ALL ♪ ♪ AIN'T GONNA WASTE ♪ 1358 01:00:53.383 --> 01:00:54.000 ♪ ONE MORE NIGHT ♪ ♪ MISSING, WANTING YOU BACK ♪ 1359 01:00:54.000 --> 01:00:58.021 ♪ ONE MORE NIGHT ♪ ♪ MISSING, WANTING YOU BACK ♪ 1360 01:00:58.087 --> 01:01:00.000 ♪ NO, I AIN'T GONNA CRY ♪ ♪ ANOTHER TEAR IN THIS GLASS ♪ 1361 01:01:00.000 --> 01:01:01.024 ♪ NO, I AIN'T GONNA CRY ♪ ♪ ANOTHER TEAR IN THIS GLASS ♪ 1362 01:01:01.090 --> 01:01:04.761 ♪ YOU DIDN'T WASTE ANY TIME ♪ ♪ FINDING SOMEBODY NEW ♪ 1363 01:01:04.827 --> 01:01:06.000 ♪ SO I AIN'T GONNA WASTE ♪ ♪ ANOTHER DROP OF WHISKEY ♪ 1364 01:01:06.000 --> 01:01:07.864 ♪ SO I AIN'T GONNA WASTE ♪ ♪ ANOTHER DROP OF WHISKEY ♪ 1365 01:01:07.930 --> 01:01:11.300 ♪ ON YOU ♪ ♪ NO, I AIN'T GONNA WASTE ♪ 1366 01:01:11.367 --> 01:01:12.000 ♪ ANOTHER DROP OF WHISKEY ♪ ♪ ON YOU ♪ 1367 01:01:12.000 --> 01:01:14.237 ♪ ANOTHER DROP OF WHISKEY ♪ ♪ ON YOU ♪ 1368 01:01:14.303 --> 01:01:18.000 ♪ NO, I AIN'T ♪ ♪ NO, I AIN'T ♪ 1369 01:01:18.000 --> 01:01:19.776 ♪ NO, I AIN'T ♪ ♪ NO, I AIN'T ♪ 1370 01:01:19.842 --> 01:01:21.811 ♪ NO, I AIN'T GONNA WASTE ♪ ♪ ANOTHER DROP OF WHISKEY ♪ 1371 01:01:21.878 --> 01:01:24.000 ♪ ON YOU ♪ [CHEERS AND APPLAUSE] 1372 01:01:24.000 --> 01:01:30.000 ♪ ON YOU ♪ [CHEERS AND APPLAUSE] 1373 01:01:30.000 --> 01:01:31.621 ♪ ON YOU ♪ [CHEERS AND APPLAUSE] 1374 01:01:31.687 --> 01:01:34.390 >> NEXT, LAINEY WILSON WITH HER HIT "HEART LIKE A TRUCK," 1375 01:01:34.457 --> 01:01:36.000 AND GWEN STEFANI TAKES THE STAGE WITH HER ICONIC "JUST A GIRL," 1376 01:01:36.000 --> 01:01:36.526 AND GWEN STEFANI TAKES THE STAGE WITH HER ICONIC "JUST A GIRL," 1377 01:01:36.592 --> 01:01:39.962 WITH SPECIAL GUEST CARLY PEARCE. 1378 01:01:40.029 --> 01:01:41.297 WHO WILL WIN VIDEO OF THE YEAR? 1379 01:01:41.364 --> 01:01:42.000 IT'S UP TO YOU. 1380 01:01:42.000 --> 01:01:42.665 IT'S UP TO YOU. 1381 01:01:42.732 --> 01:01:44.767 CAST YOUR VOTES RIGHT NOW ON THE CMT MUSIC AWARDS FACEBOOK 1382 01:01:44.834 --> 01:01:46.402 PAGE. 1383 01:01:46.469 --> 01:01:48.000 THE VOTING IS PRESENTED BY RAM TRUCKS. 1384 01:01:48.000 --> 01:01:49.072 THE VOTING IS PRESENTED BY RAM TRUCKS. 1385 01:01:49.138 --> 01:01:52.275 THE CMT MUSIC AWARDS CONTINUES LIVE FROM AUSTIN, TEXAS. 1386 01:01:52.341 --> 01:01:54.000 THIS IS CBS. 1387 01:01:54.000 --> 01:01:55.278 THIS IS CBS. 1388 01:01:55.344 --> 01:02:00.000 >> THE 2023 CMT MUSIC AWARDS SPONSORED BY... 1389 01:02:00.000 --> 01:02:00.216 >> THE 2023 CMT MUSIC AWARDS SPONSORED BY... 1390 01:02:00.283 --> 01:02:01.184 PROGRESSIVE. 1391 01:02:01.250 --> 01:02:02.118 SAVE WHEN YOU BUNDLE AUTO, HOME, OR MOTORCYCLE 1392 01:02:02.185 --> 01:02:02.685 INSURANCE. 1393 01:02:22.371 --> 01:02:24.000 >> WELCOME BACK TO THE 2023 CMT MUSIC AWARDS. 1394 01:02:24.000 --> 01:02:24.874 >> WELCOME BACK TO THE 2023 CMT MUSIC AWARDS. 1395 01:02:24.941 --> 01:02:28.010 I'M BACK HERE IN THE SOLITAIRE GRAND HARVEST GAME LOUNGE. 1396 01:02:28.077 --> 01:02:30.000 DUSTIN LYNCH IS HAVING A BLAST WITH ALL THE GAMES 1397 01:02:30.000 --> 01:02:30.680 DUSTIN LYNCH IS HAVING A BLAST WITH ALL THE GAMES 1398 01:02:30.746 --> 01:02:32.115 IN THIS PLACE. 1399 01:02:32.181 --> 01:02:35.918 THE NEXT THREE PRESENTERS HAVE A LOT IN COMMON. 1400 01:02:35.985 --> 01:02:36.000 THEY'VE ALL WORKED WITH LAINEY WILSON, AND NONE OF THEM 1401 01:02:36.000 --> 01:02:37.620 THEY'VE ALL WORKED WITH LAINEY WILSON, AND NONE OF THEM 1402 01:02:37.687 --> 01:02:40.123 CAN TELL ME ANYTHING ABOUT THE NEXT SEASON 1403 01:02:40.189 --> 01:02:41.057 OF "YELLOWSTONE." 1404 01:02:41.124 --> 01:02:42.000 ALTHOUGH HARDY HAS SOME GOOD THEORIES. 1405 01:02:42.000 --> 01:02:44.293 ALTHOUGH HARDY HAS SOME GOOD THEORIES. 1406 01:02:44.360 --> 01:02:48.000 PLEASE WELCOME IAN BOHEN, JEN LANDON, AND HARDY! 1407 01:02:48.000 --> 01:02:53.569 PLEASE WELCOME IAN BOHEN, JEN LANDON, AND HARDY! 1408 01:02:53.636 --> 01:02:54.000 [CHEERS AND APPLAUSE] >> THIS NEXT PERFORMER IS ONE OF 1409 01:02:54.000 --> 01:02:59.408 [CHEERS AND APPLAUSE] >> THIS NEXT PERFORMER IS ONE OF 1410 01:02:59.475 --> 01:03:00.000 MY FAVORITE ARTISTS IN COUNTRY MUSIC, AND I'M NOT ONLY SAYING 1411 01:03:00.000 --> 01:03:06.000 MY FAVORITE ARTISTS IN COUNTRY MUSIC, AND I'M NOT ONLY SAYING 1412 01:03:06.000 --> 01:03:07.583 MY FAVORITE ARTISTS IN COUNTRY MUSIC, AND I'M NOT ONLY SAYING 1413 01:03:07.650 --> 01:03:11.187 THAT BECAUSE SHE PLAYS MY GIRLFRIEND ON "YELLOWSTONE." 1414 01:03:11.254 --> 01:03:12.000 >> SHE CAN ACT, SHE'S A GREAT SONGWRITER, SHE'S GOT 1415 01:03:12.000 --> 01:03:13.356 >> SHE CAN ACT, SHE'S A GREAT SONGWRITER, SHE'S GOT 1416 01:03:13.422 --> 01:03:14.524 A KILLER VOICE. 1417 01:03:14.590 --> 01:03:18.000 AND SHE'S ONE OF THE NICEST PEOPLE YOU'LL NEVER MEET. 1418 01:03:18.000 --> 01:03:18.427 AND SHE'S ONE OF THE NICEST PEOPLE YOU'LL NEVER MEET. 1419 01:03:18.494 --> 01:03:24.000 >> PERFORMING "HEART LIKE A TRUCK," 1420 01:03:24.000 --> 01:03:24.767 >> PERFORMING "HEART LIKE A TRUCK," 1421 01:03:24.834 --> 01:03:27.603 NUMBER ONE SONG IN COUNTRY THIS WEEK. 1422 01:03:27.670 --> 01:03:28.638 HERE IS OUR FRIEND AND MY SOON-TO-BE TOURING MATE, 1423 01:03:28.704 --> 01:03:30.000 LAINEY WILSON! 1424 01:03:30.000 --> 01:03:32.441 LAINEY WILSON! 1425 01:03:32.508 --> 01:03:33.009 [CHEERS AND APPLAUSE] 1426 01:03:47.890 --> 01:03:48.000 ♪ ♪ ♪ I NEVER STAY ♪ 1427 01:03:48.000 --> 01:03:49.659 ♪ ♪ ♪ I NEVER STAY ♪ 1428 01:03:49.725 --> 01:03:53.296 ♪ IN ONE PLACE TOO LONG ♪ ♪ THE DIRT ROAD SINGIN' ME ♪ 1429 01:03:53.362 --> 01:03:54.000 ♪ A SIREN'S SONG I GOTTA ♪ ♪ FIND A FIELD ♪ 1430 01:03:54.000 --> 01:03:57.500 ♪ A SIREN'S SONG I GOTTA ♪ ♪ FIND A FIELD ♪ 1431 01:03:57.567 --> 01:04:00.000 ♪ I NEED TO SPIN MY WHEELS ♪ ♪ I GOTTA A'HANKERIN' ♪ 1432 01:04:00.000 --> 01:04:04.140 ♪ I NEED TO SPIN MY WHEELS ♪ ♪ I GOTTA A'HANKERIN' ♪ 1433 01:04:04.207 --> 01:04:06.000 ♪ FOR FOUR WIDE TIRES ♪ ♪ AND I CAN'T HELP IT ♪ 1434 01:04:06.000 --> 01:04:07.210 ♪ FOR FOUR WIDE TIRES ♪ ♪ AND I CAN'T HELP IT ♪ 1435 01:04:07.276 --> 01:04:12.000 ♪ IT'S THE WAY I'M WIRED ♪ ♪ 'FORE YOU GET TOO CLOSE ♪ 1436 01:04:12.000 --> 01:04:12.415 ♪ IT'S THE WAY I'M WIRED ♪ ♪ 'FORE YOU GET TOO CLOSE ♪ 1437 01:04:12.481 --> 01:04:17.887 ♪ BOY, YOU NEED TO KNOW ♪ ♪ I GOT A HEART LIKE A TRUCK ♪ 1438 01:04:17.954 --> 01:04:18.000 ♪ IT'S BEEN DRUG THROUGH ♪ ♪ THE MUD ♪ 1439 01:04:18.000 --> 01:04:22.158 ♪ IT'S BEEN DRUG THROUGH ♪ ♪ THE MUD ♪ 1440 01:04:22.225 --> 01:04:24.000 ♪ RUNS ON DREAMS AND GASOLINE ♪ ♪ AND THAT OLE HIGHWAY ♪ 1441 01:04:24.000 --> 01:04:26.128 ♪ RUNS ON DREAMS AND GASOLINE ♪ ♪ AND THAT OLE HIGHWAY ♪ 1442 01:04:26.195 --> 01:04:29.398 ♪ HOLDS THE KEY ♪ ♪ IT'S GOT A LEAD FOOT ♪ 1443 01:04:29.465 --> 01:04:30.000 ♪ DOWN WHEN IT'S LEAVIN' ♪ ♪ LORD KNOWS IT'S TAKEN ♪ 1444 01:04:30.000 --> 01:04:32.134 ♪ DOWN WHEN IT'S LEAVIN' ♪ ♪ LORD KNOWS IT'S TAKEN ♪ 1445 01:04:32.201 --> 01:04:36.000 ♪ A HELL OF A BEATIN' ♪ ♪ A LITTLE BIT OF LOVE ♪ 1446 01:04:36.000 --> 01:04:36.072 ♪ A HELL OF A BEATIN' ♪ ♪ A LITTLE BIT OF LOVE ♪ 1447 01:04:36.138 --> 01:04:40.876 ♪ IS ALL THAT IT'S NEEDIN' ♪ ♪ BUT IT'S GOOD AS IT IS TOUGH ♪ 1448 01:04:40.943 --> 01:04:42.000 ♪ I GOT A HEART LIKE A TRUCK ♪ ♪ THERE AIN'T NO BRAKIN' ♪ 1449 01:04:42.000 --> 01:04:47.550 ♪ I GOT A HEART LIKE A TRUCK ♪ ♪ THERE AIN'T NO BRAKIN' ♪ 1450 01:04:47.617 --> 01:04:48.000 ♪ WHEN I THROW IT IN DRIVE ♪ ♪ DON'T ALWAYS KEEP IT 1451 01:04:48.000 --> 01:04:51.721 ♪ WHEN I THROW IT IN DRIVE ♪ ♪ DON'T ALWAYS KEEP IT 1452 01:04:51.787 --> 01:04:54.000 IN BETWEEN THE LINES ♪ ♪ IF YOU'RE READY 1453 01:04:54.000 --> 01:04:57.560 IN BETWEEN THE LINES ♪ ♪ IF YOU'RE READY 1454 01:04:57.627 --> 01:04:59.428 ♪ PEDAL DOWN STATE OF MIND ♪ ♪ BOY, I TELL YOU WHAT ♪ 1455 01:04:59.495 --> 01:05:00.000 ♪ YOU BETTER BUCKLE UP ♪ ♪ I GOT A HEART LIKE A TRUCK ♪ 1456 01:05:00.000 --> 01:05:02.231 ♪ YOU BETTER BUCKLE UP ♪ ♪ I GOT A HEART LIKE A TRUCK ♪ 1457 01:05:02.298 --> 01:05:06.000 ♪ IT'S BEEN DRUG THROUGH ♪ ♪ THE MUD ♪ 1458 01:05:06.000 --> 01:05:06.068 ♪ IT'S BEEN DRUG THROUGH ♪ ♪ THE MUD ♪ 1459 01:05:06.135 --> 01:05:10.840 ♪ RUNS ON DREAMS AND GASOLINE ♪ ♪ AND THAT OLD HIGHWAY ♪ 1460 01:05:10.906 --> 01:05:12.000 ♪ HOLDS THE KEY ♪ ♪ IT'S GOT A LEAD FOOT DOWN ♪ 1461 01:05:12.000 --> 01:05:14.510 ♪ HOLDS THE KEY ♪ ♪ IT'S GOT A LEAD FOOT DOWN ♪ 1462 01:05:14.577 --> 01:05:17.446 ♪ WHEN IT'S LEAVIN' ♪ ♪ LORD KNOWS IT'S TAKEN ♪ 1463 01:05:17.513 --> 01:05:18.000 ♪ A HELL OF A BEATIN' ♪ ♪ A LITTLE BIT OF LOVE ♪ 1464 01:05:18.000 --> 01:05:20.650 ♪ A HELL OF A BEATIN' ♪ ♪ A LITTLE BIT OF LOVE ♪ 1465 01:05:20.716 --> 01:05:24.000 ♪ IS ALL THAT IT'S NEEDIN' ♪ ♪ BUT IT'S GOOD AS IT IS TOUGH ♪ 1466 01:05:24.000 --> 01:05:27.523 ♪ IS ALL THAT IT'S NEEDIN' ♪ ♪ BUT IT'S GOOD AS IT IS TOUGH ♪ 1467 01:05:27.590 --> 01:05:30.000 ♪ I GOT A HEART LIKE A TRUCK ♪ 1468 01:05:30.000 --> 01:05:36.000 ♪ I GOT A HEART LIKE A TRUCK ♪ 1469 01:05:36.000 --> 01:05:36.365 ♪ I GOT A HEART LIKE A TRUCK ♪ 1470 01:05:38.034 --> 01:05:41.337 ♪ ♪ ♪ GO ON AND SEE ♪ 1471 01:05:41.404 --> 01:05:42.000 ♪ IF YOU CAN ♪ ♪ KNOCK OFF THE DUST, YEAH ♪ 1472 01:05:42.000 --> 01:05:43.572 ♪ IF YOU CAN ♪ ♪ KNOCK OFF THE DUST, YEAH ♪ 1473 01:05:43.639 --> 01:05:47.610 ♪ SHINE IT UP, REV IT UP ♪ ♪ AND LET IT RUN, YEAH ♪ 1474 01:05:47.677 --> 01:05:48.000 ♪ IT GETS A HIGH RIDIN' ♪ ♪ OFF INTO THE SUN, YEAH ♪ 1475 01:05:48.000 --> 01:05:53.916 ♪ IT GETS A HIGH RIDIN' ♪ ♪ OFF INTO THE SUN, YEAH ♪ 1476 01:05:53.983 --> 01:05:54.000 ♪ I GOT A HEART LIKE A TRUCK ♪ ♪ IT'S BEEN ♪ 1477 01:05:54.000 --> 01:05:58.921 ♪ I GOT A HEART LIKE A TRUCK ♪ ♪ IT'S BEEN ♪ 1478 01:05:58.988 --> 01:06:00.000 ♪ DRUG THROUGH THE MUD ♪ ♪ RUNS ON DREAMS AND GASOLINE ♪ 1479 01:06:00.000 --> 01:06:03.559 ♪ DRUG THROUGH THE MUD ♪ ♪ RUNS ON DREAMS AND GASOLINE ♪ 1480 01:06:03.626 --> 01:06:06.000 ♪ AND THAT OLD HIGHWAY ♪ ♪ HOLDS THE KEY ♪ 1481 01:06:06.000 --> 01:06:07.730 ♪ AND THAT OLD HIGHWAY ♪ ♪ HOLDS THE KEY ♪ 1482 01:06:07.797 --> 01:06:09.799 ♪ IT'S GOT A LEAD FOOT DOWN ♪ ♪ WHEN IT'S LEAVIN' ♪ 1483 01:06:09.865 --> 01:06:12.000 ♪ LORD KNOWS IT'S TAKEN ♪ ♪ A HELL OF A BEATIN' ♪ 1484 01:06:12.000 --> 01:06:15.871 ♪ LORD KNOWS IT'S TAKEN ♪ ♪ A HELL OF A BEATIN' ♪ 1485 01:06:15.938 --> 01:06:18.000 ♪ A LITTLE BIT OF LOVE ♪ ♪ IS ALL THAT IT'S NEEDIN' ♪ 1486 01:06:18.000 --> 01:06:19.875 ♪ A LITTLE BIT OF LOVE ♪ ♪ IS ALL THAT IT'S NEEDIN' ♪ 1487 01:06:19.942 --> 01:06:24.000 ♪ BUT IT'S GOOD AS IT IS TOUGH ♪ ♪ I GOT A HEART ♪ 1488 01:06:24.000 --> 01:06:29.952 ♪ BUT IT'S GOOD AS IT IS TOUGH ♪ ♪ I GOT A HEART ♪ 1489 01:06:30.019 --> 01:06:36.000 ♪ LIKE A TRUCK ♪ ♪ GO ON AND SEE ♪ 1490 01:06:36.000 --> 01:06:39.328 ♪ LIKE A TRUCK ♪ ♪ GO ON AND SEE ♪ 1491 01:06:39.395 --> 01:06:41.097 ♪ IF YOU CAN ♪ ♪ KNOCK OFF THE DUST, YEAH ♪ 1492 01:06:41.163 --> 01:06:42.000 ♪ SHINE IT UP, REV IT UP ♪ ♪ AND LET IT RUN, YEAH ♪ 1493 01:06:42.000 --> 01:06:46.836 ♪ SHINE IT UP, REV IT UP ♪ ♪ AND LET IT RUN, YEAH ♪ 1494 01:06:46.902 --> 01:06:48.000 ♪ IT GETS A HIGH RIDIN' OFF ♪ ♪ INTO THE SUN, YEAH ♪ 1495 01:06:48.000 --> 01:06:48.337 ♪ IT GETS A HIGH RIDIN' OFF ♪ ♪ INTO THE SUN, YEAH ♪ 1496 01:06:48.404 --> 01:06:54.000 ♪ IT GETS A HIGH RIDIN' OFF ♪ ♪ INTO THE SUN ♪ 1497 01:06:54.000 --> 01:06:57.012 ♪ IT GETS A HIGH RIDIN' OFF ♪ ♪ INTO THE SUN ♪ 1498 01:06:57.079 --> 01:07:00.000 [CHEERS AND APPLAUSE] >> ON THE RAM TRUCKS STAGE WITH 1499 01:07:00.000 --> 01:07:04.553 [CHEERS AND APPLAUSE] >> ON THE RAM TRUCKS STAGE WITH 1500 01:07:04.620 --> 01:07:06.000 "DON'T COME LOOKIN'" JACKSON DEAN! 1501 01:07:06.000 --> 01:07:10.025 "DON'T COME LOOKIN'" JACKSON DEAN! 1502 01:07:14.730 --> 01:07:16.332 ♪ GOT A HEAD ♪ ♪ FULL O' NOISE ♪ 1503 01:07:16.399 --> 01:07:18.000 ♪ 'BOUT A HUNDRED ♪ ♪ DIFFERENT THINGS ♪ 1504 01:07:18.000 --> 01:07:18.134 ♪ 'BOUT A HUNDRED ♪ ♪ DIFFERENT THINGS ♪ 1505 01:07:18.200 --> 01:07:21.103 ♪ I'M TRYNA AVOID ♪ ♪ I GOT A MIND ♪ 1506 01:07:21.170 --> 01:07:24.000 ♪ IN THE GUTTER ♪ ♪ TROUBLE ON ONE HAND ♪ 1507 01:07:24.000 --> 01:07:24.573 ♪ IN THE GUTTER ♪ ♪ TROUBLE ON ONE HAND ♪ 1508 01:07:24.640 --> 01:07:28.344 ♪ A BEER IN THE OTHER ♪ ♪ GOT THE WINDOWS DOWN ♪ 1509 01:07:28.411 --> 01:07:30.000 ♪ AND MY FINGERS CROSSED ♪ ♪ JUST LOOKING FOR ♪ 1510 01:07:30.000 --> 01:07:34.183 ♪ AND MY FINGERS CROSSED ♪ ♪ JUST LOOKING FOR ♪ 1511 01:07:34.250 --> 01:07:36.000 ♪ A BRAND-NEW WAY ♪ ♪ TO GET LOST ♪ 1512 01:07:36.000 --> 01:07:40.489 ♪ A BRAND-NEW WAY ♪ ♪ TO GET LOST ♪ 1513 01:07:40.556 --> 01:07:42.000 ♪ SO LONG, FOUR WHEELS TURNIN' ♪ ♪ GOT A TANK FULL OF GAS ♪ 1514 01:07:42.000 --> 01:07:44.059 ♪ SO LONG, FOUR WHEELS TURNIN' ♪ ♪ GOT A TANK FULL OF GAS ♪ 1515 01:07:44.126 --> 01:07:46.896 ♪ DOWN THE ROAD I'M BURNIN' ♪ ♪ CAN'T SAY I WOULD ♪ 1516 01:07:46.962 --> 01:07:48.000 ♪ AND I CAN'T SAY I WOULDN'T ♪ ♪ AND IF I DON'T COME BACK ♪ 1517 01:07:48.000 --> 01:07:51.267 ♪ AND I CAN'T SAY I WOULDN'T ♪ ♪ AND IF I DON'T COME BACK ♪ 1518 01:07:51.333 --> 01:07:54.000 ♪ DON'T COME A LOOKIN' ♪ [CHEERS AND APPLAUSE] 1519 01:07:54.000 --> 01:08:00.000 ♪ DON'T COME A LOOKIN' ♪ [CHEERS AND APPLAUSE] 1520 01:08:00.000 --> 01:08:02.378 ♪ DON'T COME A LOOKIN' ♪ [CHEERS AND APPLAUSE] 1521 01:08:02.445 --> 01:08:05.080 >> STILL TO HIT THE STAGE, WE'VE GOT JELLY ROLL, 1522 01:08:05.147 --> 01:08:06.000 KELSEA BALLERINI, AND KANE AND KATELYN BROWN. 1523 01:08:06.000 --> 01:08:07.850 KELSEA BALLERINI, AND KANE AND KATELYN BROWN. 1524 01:08:07.917 --> 01:08:10.453 PLUS, SHANIA TWAIN PRESENTS FEMALE VIDEO OF THE YEAR. 1525 01:08:10.519 --> 01:08:12.000 BUT UP NEXT, A POWERFUL PERFORMANCE FROM GWEN STEFANI 1526 01:08:12.000 --> 01:08:12.855 BUT UP NEXT, A POWERFUL PERFORMANCE FROM GWEN STEFANI 1527 01:08:12.922 --> 01:08:15.057 AND CARLY PEARCE. 1528 01:08:15.124 --> 01:08:18.000 FOLLOW @CMT FOR MORE BEHIND THE SCENES AT THE CMT MUSIC AWARDS. 1529 01:08:18.000 --> 01:08:18.961 FOLLOW @CMT FOR MORE BEHIND THE SCENES AT THE CMT MUSIC AWARDS. 1530 01:08:19.028 --> 01:08:21.797 TO SUPPORT RELIEF EFFORTS FOR THOSE AFFECTED BY THE TORNADOES 1531 01:08:21.864 --> 01:08:24.000 IN THE SOUTH AND MIDWEST, PLEASE VISIT www.RedCross.org/CMT. 1532 01:08:24.000 --> 01:08:30.000 IN THE SOUTH AND MIDWEST, PLEASE VISIT www.RedCross.org/CMT. 1533 01:08:30.000 --> 01:08:30.105 IN THE SOUTH AND MIDWEST, PLEASE VISIT www.RedCross.org/CMT. 1534 01:08:30.172 --> 01:08:33.909 >> THE 2023 CMT MUSIC AWARDS SPONSORED BY 1535 01:08:33.976 --> 01:08:34.977 RAM TRUCKS, BUILT TO SERVE. 1536 01:08:43.419 --> 01:08:46.355 ♪ ♪ >> WE HAVE A ROOM FULL OF 1537 01:08:46.422 --> 01:08:47.356 AMAZING COUNTRY FANS. 1538 01:08:47.423 --> 01:08:48.000 BUT I GOTTA KNOW, WHERE MY GIRLS AT? 1539 01:08:48.000 --> 01:08:50.626 BUT I GOTTA KNOW, WHERE MY GIRLS AT? 1540 01:08:50.693 --> 01:08:54.000 WE GOTTA HOLD ON TIGHT BECAUSE WE ARE ALL ABOUT TO 1541 01:08:54.000 --> 01:08:57.366 WE GOTTA HOLD ON TIGHT BECAUSE WE ARE ALL ABOUT TO 1542 01:08:57.433 --> 01:09:00.000 HAVE A SCREAM SING MOMENT WITH THIS NEXT SONG. 1543 01:09:00.000 --> 01:09:00.369 HAVE A SCREAM SING MOMENT WITH THIS NEXT SONG. 1544 01:09:00.436 --> 01:09:01.570 HERE WITH THE ICONIC "JUST A GIRL," 1545 01:09:01.637 --> 01:09:06.000 IT'S GWEN STEFANI AND CARLY PEARCE! 1546 01:09:06.000 --> 01:09:12.000 IT'S GWEN STEFANI AND CARLY PEARCE! 1547 01:09:12.000 --> 01:09:14.316 IT'S GWEN STEFANI AND CARLY PEARCE! 1548 01:09:14.383 --> 01:09:16.919 ♪ TAKE THIS PINK RIBBON ♪ ♪ OFF MY EYES ♪ 1549 01:09:16.986 --> 01:09:18.000 ♪ I'M EXPOSED ♪ ♪ IT'S NO BIG SURPRISE ♪ 1550 01:09:18.000 --> 01:09:21.490 ♪ I'M EXPOSED ♪ ♪ IT'S NO BIG SURPRISE ♪ 1551 01:09:21.557 --> 01:09:24.000 ♪ DON'T YOU THINK I KNOW ♪ ♪ EXACTLY WHERE I STAND ♪ 1552 01:09:24.000 --> 01:09:28.330 ♪ DON'T YOU THINK I KNOW ♪ ♪ EXACTLY WHERE I STAND ♪ 1553 01:09:28.397 --> 01:09:30.000 ♪ THIS WORLD IS FORCING ME ♪ ♪ TO HOLD YOUR HAND ♪ 1554 01:09:30.000 --> 01:09:32.902 ♪ THIS WORLD IS FORCING ME ♪ ♪ TO HOLD YOUR HAND ♪ 1555 01:09:32.968 --> 01:09:36.000 ♪ 'CAUSE I'M JUST A GIRL ♪ ♪ A LITTLE OL' ME ♪ 1556 01:09:36.000 --> 01:09:36.872 ♪ 'CAUSE I'M JUST A GIRL ♪ ♪ A LITTLE OL' ME ♪ 1557 01:09:36.939 --> 01:09:42.000 ♪ WELL, DON'T LET ME ♪ ♪ OUT OF YOUR SIGHT ♪ 1558 01:09:42.000 --> 01:09:43.579 ♪ WELL, DON'T LET ME ♪ ♪ OUT OF YOUR SIGHT ♪ 1559 01:09:43.646 --> 01:09:47.616 ♪ I'M JUST A GIRL ♪ ♪ ALL PRETTY AND PETITE ♪ 1560 01:09:47.683 --> 01:09:48.000 ♪ DON'T LET ME ♪ ♪ HAVE ANY RIGHTS ♪ 1561 01:09:48.000 --> 01:09:52.955 ♪ DON'T LET ME ♪ ♪ HAVE ANY RIGHTS ♪ 1562 01:09:53.022 --> 01:09:54.000 ♪ WHOA, I'VE HAD IT UP TO HERE ♪ ♪ THE MOMENT ♪ 1563 01:09:54.000 --> 01:10:00.000 ♪ WHOA, I'VE HAD IT UP TO HERE ♪ ♪ THE MOMENT ♪ 1564 01:10:00.000 --> 01:10:01.430 ♪ WHOA, I'VE HAD IT UP TO HERE ♪ ♪ THE MOMENT ♪ 1565 01:10:01.497 --> 01:10:04.700 ♪ THAT I STEP OUTSIDE ♪ ♪ SO MANY REASONS ♪ 1566 01:10:04.767 --> 01:10:06.000 ♪ FOR ME TO RUN AND HIDE ♪ ♪ I CAN'T DO THE LITTLE THINGS ♪ 1567 01:10:06.000 --> 01:10:09.605 ♪ FOR ME TO RUN AND HIDE ♪ ♪ I CAN'T DO THE LITTLE THINGS ♪ 1568 01:10:09.672 --> 01:10:12.000 ♪ I HOLD SO DEAR ♪ ♪ 'CAUSE IT'S ALL THOSE ♪ 1569 01:10:12.000 --> 01:10:12.608 ♪ I HOLD SO DEAR ♪ ♪ 'CAUSE IT'S ALL THOSE ♪ 1570 01:10:12.675 --> 01:10:17.079 ♪ LITTLE THINGS ♪ ♪ THAT I FEAR ♪ 1571 01:10:17.146 --> 01:10:18.000 ♪ 'CAUSE I'M JUST A GIRL ♪ ♪ I'D RATHER NOT BE ♪ 1572 01:10:18.000 --> 01:10:21.717 ♪ 'CAUSE I'M JUST A GIRL ♪ ♪ I'D RATHER NOT BE ♪ 1573 01:10:21.784 --> 01:10:24.000 ♪ 'CAUSE THEY WON'T LET ME ♪ ♪ DRIVE LATE AT NIGHT ♪ 1574 01:10:24.000 --> 01:10:26.655 ♪ 'CAUSE THEY WON'T LET ME ♪ ♪ DRIVE LATE AT NIGHT ♪ 1575 01:10:26.722 --> 01:10:29.124 ♪ OH, I'M JUST A GIRL ♪ ♪ GUESS I'M ♪ 1576 01:10:29.191 --> 01:10:30.000 ♪ SOME KIND OF FREAK ♪ ♪ 'CAUSE THEY ALL ♪ 1577 01:10:30.000 --> 01:10:31.293 ♪ SOME KIND OF FREAK ♪ ♪ 'CAUSE THEY ALL ♪ 1578 01:10:31.360 --> 01:10:35.097 ♪ SIT AND STARE ♪ ♪ WITH THEIR EYES ♪ 1579 01:10:35.164 --> 01:10:36.000 ♪ OH, I'M JUST A GIRL ♪ ♪ TAKE A GOOD LOOK AT ME ♪ 1580 01:10:36.000 --> 01:10:39.368 ♪ OH, I'M JUST A GIRL ♪ ♪ TAKE A GOOD LOOK AT ME ♪ 1581 01:10:39.435 --> 01:10:42.000 ♪ JUST YOUR TYPICAL PROTOTYPE ♪ ♪ WHOA ♪ 1582 01:10:42.000 --> 01:10:46.709 ♪ JUST YOUR TYPICAL PROTOTYPE ♪ ♪ WHOA ♪ 1583 01:10:46.775 --> 01:10:48.000 ♪ I'VE HAD IT UP TO HERE ♪ 1584 01:10:48.000 --> 01:10:51.246 ♪ I'VE HAD IT UP TO HERE ♪ 1585 01:10:54.617 --> 01:11:00.000 ♪ ♪ ♪ OH! ♪ 1586 01:11:00.000 --> 01:11:06.000 ♪ ♪ ♪ OH! ♪ 1587 01:11:06.000 --> 01:11:08.397 ♪ ♪ ♪ OH! ♪ 1588 01:11:08.464 --> 01:11:12.000 ♪ AM I MAKING MYSELF CLEAR ♪ ♪ AM I MAKING MYSELF CLEAR ♪ 1589 01:11:12.000 --> 01:11:15.638 ♪ AM I MAKING MYSELF CLEAR ♪ ♪ AM I MAKING MYSELF CLEAR ♪ 1590 01:11:15.704 --> 01:11:18.000 ♪ I'M JUST A GIRL ♪ ♪ I'M JUST A GIRL ♪ 1591 01:11:18.000 --> 01:11:20.943 ♪ I'M JUST A GIRL ♪ ♪ I'M JUST A GIRL ♪ 1592 01:11:21.010 --> 01:11:24.000 ♪ IN THE WORLD ♪ ♪ 'CAUSE THAT'S ALL ♪ 1593 01:11:24.000 --> 01:11:27.650 ♪ IN THE WORLD ♪ ♪ 'CAUSE THAT'S ALL ♪ 1594 01:11:27.716 --> 01:11:30.000 ♪ THAT YOU'LL LET ME BE! ♪ ♪ 'CAUSE I'M JUST A GIRL ♪ 1595 01:11:30.000 --> 01:11:30.386 ♪ THAT YOU'LL LET ME BE! ♪ ♪ 'CAUSE I'M JUST A GIRL ♪ 1596 01:11:30.452 --> 01:11:34.056 ♪ LIVING IN CAPTIVITY ♪ ♪ YOUR RULE OF THUMB ♪ 1597 01:11:34.123 --> 01:11:36.000 ♪ MAKES ME WORRY SOME ♪ ♪ OH, I'M JUST A GIRL ♪ 1598 01:11:36.000 --> 01:11:40.062 ♪ MAKES ME WORRY SOME ♪ ♪ OH, I'M JUST A GIRL ♪ 1599 01:11:40.129 --> 01:11:42.000 ♪ YEAH, WHAT'S MY DESTINY ♪ ♪ WHAT I'VE SUCCUMBED TO ♪ 1600 01:11:42.000 --> 01:11:43.032 ♪ YEAH, WHAT'S MY DESTINY ♪ ♪ WHAT I'VE SUCCUMBED TO ♪ 1601 01:11:43.098 --> 01:11:47.736 ♪ IS MAKING ME NUMB ♪ ♪ OH, I'M JUST A GIRL ♪ 1602 01:11:47.803 --> 01:11:48.000 ♪ MY APOLOGIES ♪ ♪ WHAT I'VE BECOME 1603 01:11:48.000 --> 01:11:51.907 ♪ MY APOLOGIES ♪ ♪ WHAT I'VE BECOME 1604 01:11:51.974 --> 01:11:54.000 IS SO BURDENSOME ♪ ♪ OH, I'M JUST A GIRL ♪ 1605 01:11:54.000 --> 01:11:58.347 IS SO BURDENSOME ♪ ♪ OH, I'M JUST A GIRL ♪ 1606 01:11:58.414 --> 01:12:00.000 ♪ YEAH, LUCKY ME ♪ ♪ TWIDDLE-DUM ♪ 1607 01:12:00.000 --> 01:12:00.582 ♪ YEAH, LUCKY ME ♪ ♪ TWIDDLE-DUM ♪ 1608 01:12:00.649 --> 01:12:05.754 ♪ THERE'S NO COMPARISON ♪ ♪ OH ♪ 1609 01:12:05.821 --> 01:12:06.000 ♪ I'VE HAD IT UP TO ♪ ♪ OH! ♪ 1610 01:12:06.000 --> 01:12:10.059 ♪ I'VE HAD IT UP TO ♪ ♪ OH! ♪ 1611 01:12:10.125 --> 01:12:12.000 ♪ I'VE HAD IT UP TO ♪ ♪ WHOA, WHOA, 1612 01:12:12.000 --> 01:12:16.799 ♪ I'VE HAD IT UP TO ♪ ♪ WHOA, WHOA, 1613 01:12:16.865 --> 01:12:18.000 OH, I'VE HAD IT UP TO HERE ♪ 1614 01:12:18.000 --> 01:12:24.000 OH, I'VE HAD IT UP TO HERE ♪ 1615 01:12:24.000 --> 01:12:27.710 OH, I'VE HAD IT UP TO HERE ♪ 1616 01:12:30.212 --> 01:12:36.000 [CHEERS AND APPLAUSE] >> ONCE AGAIN, SHANIA TWAIN! 1617 01:12:36.000 --> 01:12:40.656 [CHEERS AND APPLAUSE] >> ONCE AGAIN, SHANIA TWAIN! 1618 01:12:40.723 --> 01:12:42.000 >> SINCE THIS NEXT CATEGORY CHAMPIONS WOMEN IN COUNTRY MUSIC 1619 01:12:42.000 --> 01:12:43.559 >> SINCE THIS NEXT CATEGORY CHAMPIONS WOMEN IN COUNTRY MUSIC 1620 01:12:43.625 --> 01:12:45.627 THAT I DEEPLY RESPECT AND ADMIRE, IT'S THE PERFECT MOMENT 1621 01:12:45.694 --> 01:12:48.000 TO HIGHLIGHT THE VOICES OF THIS CRAZY 1622 01:12:48.000 --> 01:12:50.632 TO HIGHLIGHT THE VOICES OF THIS CRAZY 1623 01:12:50.699 --> 01:12:53.736 TALENTED FEMALE GROUP, THE BOYKINZ. 1624 01:12:53.802 --> 01:12:54.000 LET'S DO THIS, GIRLS. 1625 01:12:54.000 --> 01:12:54.803 LET'S DO THIS, GIRLS. 1626 01:13:00.409 --> 01:13:02.411 SMILES FOR MILES. 1627 01:13:06.415 --> 01:13:08.417 WE AIN'T GOT TIME TO WASTE. 1628 01:13:16.358 --> 01:13:18.000 JUNK IN THE CITY ♪ ♪ WHEN YOU GET STUCK, A LITTLE 1629 01:13:18.000 --> 01:13:21.363 JUNK IN THE CITY ♪ ♪ WHEN YOU GET STUCK, A LITTLE 1630 01:13:24.366 --> 01:13:30.000 LOVE ♪ ♪ OWN NAH, NAH, NAH, NAH ♪ 1631 01:13:30.000 --> 01:13:30.305 LOVE ♪ ♪ OWN NAH, NAH, NAH, NAH ♪ 1632 01:13:30.372 --> 01:13:36.000 ♪ GIDDYUP ♪ >> THANK YOU, GIRLS. 1633 01:13:36.000 --> 01:13:36.445 ♪ GIDDYUP ♪ >> THANK YOU, GIRLS. 1634 01:13:36.512 --> 01:13:42.000 NOW HERE ARE THE NOMINEES FOR FEMALE VIDEO OF THE YEAR. 1635 01:13:42.000 --> 01:13:45.320 NOW HERE ARE THE NOMINEES FOR FEMALE VIDEO OF THE YEAR. 1636 01:13:45.387 --> 01:13:48.000 "WHAT HE DIDN'T DO" CARLY PEARCE. 1637 01:13:48.000 --> 01:13:52.327 "WHAT HE DIDN'T DO" CARLY PEARCE. 1638 01:13:52.394 --> 01:13:54.000 "GHOST STORY" CARRIE UNDERWOOD. 1639 01:13:54.000 --> 01:13:57.933 "GHOST STORY" CARRIE UNDERWOOD. 1640 01:13:58.000 --> 01:14:00.000 "PICK ME UP" GABBY BARRETT. 1641 01:14:00.000 --> 01:14:03.705 "PICK ME UP" GABBY BARRETT. 1642 01:14:03.772 --> 01:14:06.000 "HEARTFIRST" KELSEA BALLERINI. 1643 01:14:06.000 --> 01:14:10.179 "HEARTFIRST" KELSEA BALLERINI. 1644 01:14:10.245 --> 01:14:12.000 "HEART LIKE A TRUCK" LAINEY WILSON. 1645 01:14:12.000 --> 01:14:16.618 "HEART LIKE A TRUCK" LAINEY WILSON. 1646 01:14:16.685 --> 01:14:18.000 "HUMBLE QUEST" MAREN MORRIS. 1647 01:14:18.000 --> 01:14:22.791 "HUMBLE QUEST" MAREN MORRIS. 1648 01:14:22.858 --> 01:14:24.000 "ACTIN' UP" MIRANDA LAMBERT. 1649 01:14:24.000 --> 01:14:29.765 "ACTIN' UP" MIRANDA LAMBERT. 1650 01:14:29.832 --> 01:14:30.000 FEMALE VIDEO OF THE YEAR. 1651 01:14:30.000 --> 01:14:35.204 FEMALE VIDEO OF THE YEAR. 1652 01:14:35.270 --> 01:14:36.000 >> AND THE WINNER IS... 1653 01:14:36.000 --> 01:14:39.374 >> AND THE WINNER IS... 1654 01:14:39.441 --> 01:14:41.443 LAINEY WILSON. 1655 01:14:41.510 --> 01:14:42.000 "HEART LIKE A TRUCK." 1656 01:14:42.000 --> 01:14:46.315 "HEART LIKE A TRUCK." 1657 01:14:49.251 --> 01:14:54.000 ♪ ♪ [CHEERS AND APPLAUSE] 1658 01:14:54.000 --> 01:15:00.000 ♪ ♪ [CHEERS AND APPLAUSE] 1659 01:15:00.000 --> 01:15:04.132 ♪ ♪ [CHEERS AND APPLAUSE] 1660 01:15:04.199 --> 01:15:06.000 ♪ ♪ [CHEERS AND APPLAUSE] 1661 01:15:06.000 --> 01:15:09.638 ♪ ♪ [CHEERS AND APPLAUSE] 1662 01:15:18.247 --> 01:15:20.249 ♪ ♪ >> WHOO! 1663 01:15:36.531 --> 01:15:39.668 MY HEART IS ABOUT TO BE TRIED OUT OF MY CHEST, I'LL BE HONEST 1664 01:15:39.735 --> 01:15:42.000 WITH Y'ALL. 1665 01:15:42.000 --> 01:15:42.471 WITH Y'ALL. 1666 01:15:42.537 --> 01:15:45.407 THIS SONG IS ABOUT FINDING FREEDOM AND STRENGTH. 1667 01:15:45.474 --> 01:15:48.000 IT'S ABOUT NOT BEING AFRAID OF THE SCRATCHES AND THE DENTS ON 1668 01:15:48.000 --> 01:15:50.512 IT'S ABOUT NOT BEING AFRAID OF THE SCRATCHES AND THE DENTS ON 1669 01:15:50.579 --> 01:15:52.481 THE BUMPS ALONG THE WAY WE'VE ALL GOT A STORY TO TELL AND I'M 1670 01:15:52.547 --> 01:15:54.000 SO PROUD OF THIS MUSIC VIDEO. 1671 01:15:54.000 --> 01:15:55.851 SO PROUD OF THIS MUSIC VIDEO. 1672 01:15:55.918 --> 01:16:00.000 IT WAS FILMED, PRODUCED, WRITTEN AND DIRECTED BY ALL WOMEN. 1673 01:16:00.000 --> 01:16:00.055 IT WAS FILMED, PRODUCED, WRITTEN AND DIRECTED BY ALL WOMEN. 1674 01:16:00.122 --> 01:16:04.660 CAN I GET TO "COME ON." 1675 01:16:04.726 --> 01:16:05.761 IT IS SO WILD. 1676 01:16:05.827 --> 01:16:06.000 I WANT TO SAY FIRST OF ALL, THANK YOU, JESUS, FOR THIS 1677 01:16:06.000 --> 01:16:09.932 I WANT TO SAY FIRST OF ALL, THANK YOU, JESUS, FOR THIS 1678 01:16:09.998 --> 01:16:11.133 OPPORTUNITY. 1679 01:16:11.199 --> 01:16:12.000 AND I WANT TO SAY THANK YOU, CMT, FOR LITERALLY BELIEVING IN 1680 01:16:12.000 --> 01:16:18.000 AND I WANT TO SAY THANK YOU, CMT, FOR LITERALLY BELIEVING IN 1681 01:16:18.000 --> 01:16:18.907 AND I WANT TO SAY THANK YOU, CMT, FOR LITERALLY BELIEVING IN 1682 01:16:18.974 --> 01:16:21.343 ME BEFORE A LOT OF FOLKS DID. 1683 01:16:21.410 --> 01:16:24.000 BUT I ALSO WANT TO SAY THANK YOU SO MUCH TO THE FANS. 1684 01:16:24.000 --> 01:16:24.146 BUT I ALSO WANT TO SAY THANK YOU SO MUCH TO THE FANS. 1685 01:16:24.212 --> 01:16:27.382 I FEEL LIKE I AM WATCHING MY DREAMS COME TRUE RIGHT BEFORE MY 1686 01:16:27.449 --> 01:16:30.000 EYES, TRULY, Y'ALL. 1687 01:16:30.000 --> 01:16:33.355 EYES, TRULY, Y'ALL. 1688 01:16:33.422 --> 01:16:35.624 THIS IS FOR Y'ALL. 1689 01:16:35.691 --> 01:16:36.000 I LOVE Y'ALL SO MUCH. 1690 01:16:36.000 --> 01:16:36.625 I LOVE Y'ALL SO MUCH. 1691 01:16:36.692 --> 01:16:37.626 THANK YOU. 1692 01:16:37.693 --> 01:16:39.695 GOD BLESS Y'ALL. 1693 01:16:45.000 --> 01:16:47.069 >> JELLY ROLL IS ABOUT TO TAKE OVER THE STAGE. 1694 01:16:47.135 --> 01:16:48.000 PLUS, ALANIS MORISSETTE CELEBRATES THE TENTH ANNIVERSARY 1695 01:16:48.000 --> 01:16:50.706 PLUS, ALANIS MORISSETTE CELEBRATES THE TENTH ANNIVERSARY 1696 01:16:50.772 --> 01:16:52.874 OF CMT'S NEXT WOMEN OF COUNTRY WITH LAINEY WILSON, 1697 01:16:52.941 --> 01:16:54.000 INGRID ANDRESS, MADELINE EDWARDS, 1698 01:16:54.000 --> 01:16:54.309 INGRID ANDRESS, MADELINE EDWARDS, 1699 01:16:54.376 --> 01:16:57.312 AND MORGAN WADE. 1700 01:16:57.379 --> 01:17:00.000 VOTING IS STILL OPEN FOR THE VIDEO OF THE YEAR. 1701 01:17:00.000 --> 01:17:00.716 VOTING IS STILL OPEN FOR THE VIDEO OF THE YEAR. 1702 01:17:00.782 --> 01:17:02.884 CAST YOUR VOTES RIGHT NOW ON THE CMT MUSIC AWARDS FACEBOOK PAGE. 1703 01:17:02.951 --> 01:17:04.953 THE VOTING IS PRESENTED BY RAM TRUCKS. 1704 01:17:05.020 --> 01:17:06.000 THE CMT MUSIC AWARDS CONTINUES. 1705 01:17:06.000 --> 01:17:06.888 THE CMT MUSIC AWARDS CONTINUES. 1706 01:17:06.955 --> 01:17:07.522 LIVE FROM AUSTIN, TEXAS. 1707 01:17:07.589 --> 01:17:08.590 THIS IS CBS. 1708 01:17:28.910 --> 01:17:30.000 ♪ ♪ >> NICE SHIRT, RIGHT? 1709 01:17:30.000 --> 01:17:35.851 ♪ ♪ >> NICE SHIRT, RIGHT? 1710 01:17:35.917 --> 01:17:36.000 MUSIC HAS THE POWER TO UNITE, HEAL, AND CHANGE LIVES AND 1711 01:17:36.000 --> 01:17:38.854 MUSIC HAS THE POWER TO UNITE, HEAL, AND CHANGE LIVES AND 1712 01:17:38.920 --> 01:17:40.856 THAT'S WHY WE ARE ALL PROUD TO SUPPORT ST. JUDE'S CHILDREN'S 1713 01:17:40.922 --> 01:17:42.000 RESEARCH HOSPITAL FLIGHT TO END CHILDHOOD CANCER. 1714 01:17:42.000 --> 01:17:46.862 RESEARCH HOSPITAL FLIGHT TO END CHILDHOOD CANCER. 1715 01:17:46.928 --> 01:17:48.000 YOU CAN GET YOUR OWN SHIRT BY VISITING MusicGives.org 1716 01:17:48.000 --> 01:17:49.831 YOU CAN GET YOUR OWN SHIRT BY VISITING MusicGives.org 1717 01:17:49.898 --> 01:17:51.867 ALL PROCEEDS GO TO ST. JUDE TO ENSURE NO FAMILY EVER 1718 01:17:51.933 --> 01:17:53.068 RECEIVES A BILL FROM ST. JUDE FOR TREATMENT, TRAVEL, HOUSIG 1719 01:17:53.135 --> 01:17:54.000 OR FOOD. 1720 01:17:54.000 --> 01:17:54.269 OR FOOD. 1721 01:17:54.336 --> 01:17:58.573 THIS NEXT ARTIST CAN BE CALLED ROCK OR HIP HOP, BUT HIS HEART 1722 01:17:58.640 --> 01:18:00.000 IS ALL COUNTRY. 1723 01:18:00.000 --> 01:18:06.000 IS ALL COUNTRY. 1724 01:18:06.000 --> 01:18:07.883 IS ALL COUNTRY. 1725 01:18:07.949 --> 01:18:09.951 HE'S ALREADY A WINNER TONIGHT. 1726 01:18:10.018 --> 01:18:12.000 TEXAS, GIVE SOME LOVE TO JELLY ROLL! 1727 01:18:12.000 --> 01:18:13.021 TEXAS, GIVE SOME LOVE TO JELLY ROLL! 1728 01:18:20.862 --> 01:18:22.864 ♪ ♪ HOME 1729 01:18:37.913 --> 01:18:42.000 OH, OH, OH, OH ♪ ♪ HAIL MARY 1730 01:18:42.000 --> 01:18:48.000 OH, OH, OH, OH ♪ ♪ HAIL MARY 1731 01:18:48.000 --> 01:18:50.859 OH, OH, OH, OH ♪ ♪ HAIL MARY 1732 01:18:50.926 --> 01:18:54.000 ♪ I ONLY TALK TO GOD ♪ ♪ WHEN I NEED A FAVOR ♪ 1733 01:18:54.000 --> 01:18:56.731 ♪ I ONLY TALK TO GOD ♪ ♪ WHEN I NEED A FAVOR ♪ 1734 01:18:56.798 --> 01:19:00.000 ♪ AND I ONLY PRAY ♪ ♪ WHEN I AIN'T GOT A PRAYER ♪ 1735 01:19:00.000 --> 01:19:02.404 ♪ AND I ONLY PRAY ♪ ♪ WHEN I AIN'T GOT A PRAYER ♪ 1736 01:19:02.471 --> 01:19:03.772 ♪ SO WHO THE HELL ♪ ♪ AM I ♪ 1737 01:19:03.839 --> 01:19:06.000 ♪ WHO THE HELL AM I ♪ ♪ TO EXPECT A SAVIOR ♪ 1738 01:19:06.000 --> 01:19:06.708 ♪ WHO THE HELL AM I ♪ ♪ TO EXPECT A SAVIOR ♪ 1739 01:19:06.775 --> 01:19:12.000 ♪ OH ♪ ♪ WHEN I ONLY TALK TO GOD ♪ 1740 01:19:12.000 --> 01:19:17.686 ♪ OH ♪ ♪ WHEN I ONLY TALK TO GOD ♪ 1741 01:19:17.752 --> 01:19:18.000 IF I NEED A FAVOR ♪ ♪ BUT, GOD, I NEED A FAVOR ♪ 1742 01:19:18.000 --> 01:19:20.155 IF I NEED A FAVOR ♪ ♪ BUT, GOD, I NEED A FAVOR ♪ 1743 01:19:20.222 --> 01:19:21.389 ♪ I KNOW AMAZIN' GRACE ♪ ♪ BUT I AIN'T BEEN ♪ 1744 01:19:21.456 --> 01:19:24.000 ♪ LIVIN' THEM WORDS ♪ ♪ I SWEAR I SPEND MOST SUNDAYS ♪ 1745 01:19:24.000 --> 01:19:24.493 ♪ LIVIN' THEM WORDS ♪ ♪ I SWEAR I SPEND MOST SUNDAYS ♪ 1746 01:19:24.559 --> 01:19:27.762 ♪ DRUNK OFF MY ASS ♪ ♪ THAN I HAVE AT CHURCH ♪ 1747 01:19:27.829 --> 01:19:30.000 ♪ HARD COVER KING JAMES ♪ ♪ ONLY BEEN SAVIN' DUST ♪ 1748 01:19:30.000 --> 01:19:32.200 ♪ HARD COVER KING JAMES ♪ ♪ ONLY BEEN SAVIN' DUST ♪ 1749 01:19:32.267 --> 01:19:35.904 ♪ ON THE NIGHTSTAND ♪ ♪ AND I DON'T KNOW WHAT TO SAY ♪ 1750 01:19:35.971 --> 01:19:36.000 ♪ BY THE TIME I FOLD MY HANDS ♪ ♪ I ONLY TALK TO GOD ♪ 1751 01:19:36.000 --> 01:19:40.308 ♪ BY THE TIME I FOLD MY HANDS ♪ ♪ I ONLY TALK TO GOD ♪ 1752 01:19:40.375 --> 01:19:42.000 ♪ WHEN I NEED A FAVOR ♪ ♪ AND I ONLY PRAY ♪ 1753 01:19:42.000 --> 01:19:45.447 ♪ WHEN I NEED A FAVOR ♪ ♪ AND I ONLY PRAY ♪ 1754 01:19:45.514 --> 01:19:48.000 ♪ WHEN I AIN'T GOT A PRAYER ♪ ♪ SO WHO THE HELL AM I ♪ 1755 01:19:48.000 --> 01:19:52.754 ♪ WHEN I AIN'T GOT A PRAYER ♪ ♪ SO WHO THE HELL AM I ♪ 1756 01:19:52.821 --> 01:19:54.000 ♪ WHO THE HELL AM I ♪ ♪ TO EXPECT A SAVIOR ♪ 1757 01:19:54.000 --> 01:19:54.956 ♪ WHO THE HELL AM I ♪ ♪ TO EXPECT A SAVIOR ♪ 1758 01:19:55.023 --> 01:19:59.961 ♪ OH ♪ ♪ IF I ONLY TALK TO GOD ♪ 1759 01:20:00.028 --> 01:20:06.000 ♪ WHEN I NEED A FAVOR ♪ ♪ AND, GOD, I NEED A FAVOR ♪ 1760 01:20:06.000 --> 01:20:09.070 ♪ WHEN I NEED A FAVOR ♪ ♪ AND, GOD, I NEED A FAVOR ♪ 1761 01:20:09.137 --> 01:20:11.106 YEAH ♪ ♪ YEAH, I OWE YOU ♪ 1762 01:20:11.173 --> 01:20:12.000 ♪ MORE THAN ONE ♪ ♪ AND BEGGARS CAN'T BE 1763 01:20:12.000 --> 01:20:12.774 ♪ MORE THAN ONE ♪ ♪ AND BEGGARS CAN'T BE 1764 01:20:12.841 --> 01:20:17.078 CHOOSERS ♪ ♪ BUT I'LL PAY ♪ 1765 01:20:17.145 --> 01:20:18.000 ♪ FOR ALL I'VE DONE ♪ ♪ JUST PLEASE ♪ 1766 01:20:18.000 --> 01:20:18.880 ♪ FOR ALL I'VE DONE ♪ ♪ JUST PLEASE ♪ 1767 01:20:18.947 --> 01:20:23.285 ♪ DON'T LET ME LOSE HER ♪ ♪ I ONLY TALK TO GOD ♪ 1768 01:20:23.351 --> 01:20:24.000 ♪ WHEN I NEED A FAVOR ♪ ♪ AND I ONLY PRAY ♪ 1769 01:20:24.000 --> 01:20:28.823 ♪ WHEN I NEED A FAVOR ♪ ♪ AND I ONLY PRAY ♪ 1770 01:20:28.890 --> 01:20:30.000 ♪ WHEN I AIN'T GOT A PRAYER ♪ ♪ SO WHO THE HELL AM I ♪ 1771 01:20:30.000 --> 01:20:33.828 ♪ WHEN I AIN'T GOT A PRAYER ♪ ♪ SO WHO THE HELL AM I ♪ 1772 01:20:33.895 --> 01:20:36.000 ♪ WHO THE HELL AM I ♪ ♪ TO EXPECT A SAVIOR ♪ 1773 01:20:36.000 --> 01:20:37.632 ♪ WHO THE HELL AM I ♪ ♪ TO EXPECT A SAVIOR ♪ 1774 01:20:37.699 --> 01:20:41.403 ♪ OH ♪ ♪ IF I ONLY TALK TO GOD ♪ 1775 01:20:41.469 --> 01:20:42.000 ♪ WHEN I NEED A FAVOR ♪ ♪ AND, GOD, I NEED A FAVOR ♪ 1776 01:20:42.000 --> 01:20:48.000 ♪ WHEN I NEED A FAVOR ♪ ♪ AND, GOD, I NEED A FAVOR ♪ 1777 01:20:48.000 --> 01:20:53.515 ♪ WHEN I NEED A FAVOR ♪ ♪ AND, GOD, I NEED A FAVOR ♪ 1778 01:20:55.350 --> 01:21:00.000 ♪ ♪ ♪ HANGIN' IN THERE ♪ 1779 01:21:00.000 --> 01:21:00.121 ♪ ♪ ♪ HANGIN' IN THERE ♪ 1780 01:21:00.188 --> 01:21:02.390 ♪ JUST BARELY ♪ ♪ THROWIN' UP PRAYERS ♪ 1781 01:21:02.457 --> 01:21:05.961 ♪ LIKE HAIL MARYS ♪ ♪ IF YOU'RE STILL THERE ♪ 1782 01:21:06.027 --> 01:21:07.862 ♪ LORD, SPARE ME ♪ ♪ OH, MY GOD ♪ 1783 01:21:07.929 --> 01:21:09.764 ♪ OH, MY GOD ♪ ♪ HAIL MARY ♪ 1784 01:21:09.831 --> 01:21:12.000 ♪ HANGIN' IN THERE ♪ ♪ JUST BARELY ♪ 1785 01:21:12.000 --> 01:21:12.767 ♪ HANGIN' IN THERE ♪ ♪ JUST BARELY ♪ 1786 01:21:12.834 --> 01:21:16.571 ♪ THROWIN' UP PRAYERS ♪ ♪ LIKE HAIL MARYS ♪ 1787 01:21:16.638 --> 01:21:18.000 ♪ IF YOU'RE STILL THERE ♪ ♪ LORD, SPARE ME ♪ 1788 01:21:18.000 --> 01:21:24.000 ♪ IF YOU'RE STILL THERE ♪ ♪ LORD, SPARE ME ♪ 1789 01:21:24.000 --> 01:21:24.412 ♪ IF YOU'RE STILL THERE ♪ ♪ LORD, SPARE ME ♪ 1790 01:21:24.479 --> 01:21:25.714 CMT! 1791 01:21:25.780 --> 01:21:28.783 ♪ I ONLY TALK TO GOD ♪ ♪ WHEN I NEED A FAVOR ♪ 1792 01:21:28.850 --> 01:21:30.000 ♪ AND I ONLY PRAY ♪ ♪ WHEN I AIN'T GOT A PRAYER ♪ 1793 01:21:30.000 --> 01:21:36.000 ♪ AND I ONLY PRAY ♪ ♪ WHEN I AIN'T GOT A PRAYER ♪ 1794 01:21:36.000 --> 01:21:36.424 ♪ AND I ONLY PRAY ♪ ♪ WHEN I AIN'T GOT A PRAYER ♪ 1795 01:21:36.491 --> 01:21:42.000 ♪ WHO THE HELL AM I ♪ ♪ TO EXPECT A SAVIOR ♪ 1796 01:21:42.000 --> 01:21:42.230 ♪ WHO THE HELL AM I ♪ ♪ TO EXPECT A SAVIOR ♪ 1797 01:21:42.297 --> 01:21:45.100 ONLY TALK TO GOD ♪ ♪ WHEN I NEED A FAVOR ♪ 1798 01:21:45.166 --> 01:21:48.000 ♪ AND, GOD, I NEED A FAVOR ♪ ♪ AMEN ♪ 1799 01:21:48.000 --> 01:21:54.000 ♪ AND, GOD, I NEED A FAVOR ♪ ♪ AMEN ♪ 1800 01:21:54.000 --> 01:21:58.380 ♪ AND, GOD, I NEED A FAVOR ♪ ♪ AMEN ♪ 1801 01:21:58.446 --> 01:22:00.000 ♪ AMEN ♪ [CHEERS AND APPLAUSE] 1802 01:22:00.000 --> 01:22:06.000 ♪ AMEN ♪ [CHEERS AND APPLAUSE] 1803 01:22:06.000 --> 01:22:10.625 ♪ AMEN ♪ [CHEERS AND APPLAUSE] 1804 01:22:10.692 --> 01:22:12.000 >> FROM THE HIT NETFLIX SERIES "OUTER BANKS," PLEASE WELCOME 1805 01:22:12.000 --> 01:22:13.595 >> FROM THE HIT NETFLIX SERIES "OUTER BANKS," PLEASE WELCOME 1806 01:22:13.662 --> 01:22:18.000 MADISON BAILEY AND CHARLES ESTEN. 1807 01:22:18.000 --> 01:22:20.001 MADISON BAILEY AND CHARLES ESTEN. 1808 01:22:20.068 --> 01:22:24.000 >> JELLY ROLL! 1809 01:22:24.000 --> 01:22:25.340 >> JELLY ROLL! 1810 01:22:25.407 --> 01:22:28.710 >> MADDIE, EVERYONE KNOWS THAT WINNING A CMT 1811 01:22:28.777 --> 01:22:30.000 MUSIC AWARD IS A HUGE HONOR. 1812 01:22:30.000 --> 01:22:30.045 MUSIC AWARD IS A HUGE HONOR. 1813 01:22:30.111 --> 01:22:33.581 YOU GET RECOGNITION, YOU GET TO MAKE A COOL SPEECH, AND YOU GET 1814 01:22:33.648 --> 01:22:36.000 TO GO HOME WITH A TROPHY THAT IF I'M HONEST 1815 01:22:36.000 --> 01:22:38.053 TO GO HOME WITH A TROPHY THAT IF I'M HONEST 1816 01:22:38.119 --> 01:22:38.820 LOOKS LIKE A PIECE OF TREASURE. 1817 01:22:38.887 --> 01:22:41.556 >> IT DOES A LITTLE. 1818 01:22:41.623 --> 01:22:42.000 AND IF ANYBODY KNOWS HOW HARD IT IS TO GET YOUR HANDS ON 1819 01:22:42.000 --> 01:22:44.826 AND IF ANYBODY KNOWS HOW HARD IT IS TO GET YOUR HANDS ON 1820 01:22:44.893 --> 01:22:48.000 TREASURE, IT'S US. 1821 01:22:48.000 --> 01:22:50.532 TREASURE, IT'S US. 1822 01:22:50.598 --> 01:22:54.000 >> THAT'S WHY I'VE HIDDEN THE TROPHY SOMEWHERE IN THE VENUE, 1823 01:22:54.000 --> 01:22:55.070 >> THAT'S WHY I'VE HIDDEN THE TROPHY SOMEWHERE IN THE VENUE, 1824 01:22:55.136 --> 01:23:00.000 AND ONLY THE MOST NOBLE AND RESILIENT HEART WILL FIND IT. 1825 01:23:00.000 --> 01:23:03.144 AND ONLY THE MOST NOBLE AND RESILIENT HEART WILL FIND IT. 1826 01:23:03.211 --> 01:23:06.000 >> WE TALKED ABOUT THIS. 1827 01:23:06.000 --> 01:23:06.348 >> WE TALKED ABOUT THIS. 1828 01:23:06.414 --> 01:23:12.000 I THOUGHT WE WERE GOING TO JUST GIVE IT TO THEM. 1829 01:23:12.000 --> 01:23:18.000 I THOUGHT WE WERE GOING TO JUST GIVE IT TO THEM. 1830 01:23:18.000 --> 01:23:20.729 I THOUGHT WE WERE GOING TO JUST GIVE IT TO THEM. 1831 01:23:20.795 --> 01:23:24.000 >> FROM CMT GIANTS, VINCE GILL, WHENEVER YOU COME AROUND. 1832 01:23:24.000 --> 01:23:30.000 >> FROM CMT GIANTS, VINCE GILL, WHENEVER YOU COME AROUND. 1833 01:23:30.000 --> 01:23:30.271 >> FROM CMT GIANTS, VINCE GILL, WHENEVER YOU COME AROUND. 1834 01:23:30.338 --> 01:23:33.975 FROM 2022 CMT MUSIC AWARDS. 1835 01:23:34.042 --> 01:23:35.143 CODY JOHNSON. 1836 01:23:35.210 --> 01:23:36.000 "NEVER SAY NEVER" COLE SWINDELL & LAINEY WILSON. 1837 01:23:36.000 --> 01:23:42.000 "NEVER SAY NEVER" COLE SWINDELL & LAINEY WILSON. 1838 01:23:42.000 --> 01:23:43.385 "NEVER SAY NEVER" COLE SWINDELL & LAINEY WILSON. 1839 01:23:43.451 --> 01:23:44.819 "LET HER CRY" DARIUS RUCKER 1840 01:23:44.886 --> 01:23:46.454 FROM COAL MINER'S DAUGHTER CELEBRATION OF THE LIFE & MUSIC 1841 01:23:46.521 --> 01:23:48.000 OF LORETTA LYNN. 1842 01:23:48.000 --> 01:23:49.824 OF LORETTA LYNN. 1843 01:23:49.891 --> 01:23:54.000 "LAY ME DOWN" EMMY RUSSELL & LUKAS NELSON. 1844 01:23:54.000 --> 01:23:54.195 "LAY ME DOWN" EMMY RUSSELL & LUKAS NELSON. 1845 01:23:54.262 --> 01:23:57.399 FROM 2022 CMT MUSIC AWARDS. 1846 01:23:57.465 --> 01:23:58.299 "WILD HEARTS" KEITH URBAN 1847 01:23:58.366 --> 01:24:00.000 FROM CMT CROSSROADS: LEANN RIMES & FRIENDS 1848 01:24:00.000 --> 01:24:00.969 FROM CMT CROSSROADS: LEANN RIMES & FRIENDS 1849 01:24:01.035 --> 01:24:05.840 "ONE WAY TICKET" LEANN RIMES WITH ASHLEY MCBRYDE 1850 01:24:05.907 --> 01:24:06.000 AND CARLY PEARCE FROM 2022 CMT MUSIC AWARDS. 1851 01:24:06.000 --> 01:24:11.946 AND CARLY PEARCE FROM 2022 CMT MUSIC AWARDS. 1852 01:24:12.013 --> 01:24:13.848 "LOVE CAN BUILD A BRIDGE" THE JUDDS 1853 01:24:13.915 --> 01:24:15.984 FROM NAOMI JUDD: A RIVER OF TIME CELEBRATION. 1854 01:24:16.050 --> 01:24:18.000 "THE ROSE" WYNONNA JUDD & BRANDI CARLILE 1855 01:24:18.000 --> 01:24:21.923 "THE ROSE" WYNONNA JUDD & BRANDI CARLILE 1856 01:24:21.990 --> 01:24:24.000 CMT PERFORMANCE OF THE YEAR. 1857 01:24:24.000 --> 01:24:25.093 CMT PERFORMANCE OF THE YEAR. 1858 01:24:25.160 --> 01:24:30.000 >> AND THE WINNER IS... 1859 01:24:30.000 --> 01:24:30.498 >> AND THE WINNER IS... 1860 01:24:30.565 --> 01:24:36.000 CODY JOHNSON, "TIL YOU CAN'T." 1861 01:24:36.000 --> 01:24:41.142 CODY JOHNSON, "TIL YOU CAN'T." 1862 01:24:44.579 --> 01:24:48.000 ♪ ♪ 1863 01:24:48.000 --> 01:24:54.000 ♪ ♪ 1864 01:24:54.000 --> 01:24:59.461 ♪ ♪ 1865 01:24:59.527 --> 01:25:00.000 ♪ ♪ 1866 01:25:00.000 --> 01:25:01.896 ♪ ♪ 1867 01:25:02.530 --> 01:25:06.000 >> ♪ IF YOU'VE GOT A CHANCE, TAKE IT. 1868 01:25:06.000 --> 01:25:06.634 >> ♪ IF YOU'VE GOT A CHANCE, TAKE IT. 1869 01:25:06.701 --> 01:25:12.000 IF YOU'VE GOT A DREAM, SHE SAID ♪ 1870 01:25:12.000 --> 01:25:14.943 IF YOU'VE GOT A DREAM, SHE SAID ♪ 1871 01:25:15.009 --> 01:25:18.000 >> ONCE AGAIN, I DIDN'T PREPARE ANYTHING TO SAY. 1872 01:25:18.000 --> 01:25:20.582 >> ONCE AGAIN, I DIDN'T PREPARE ANYTHING TO SAY. 1873 01:25:20.648 --> 01:25:24.000 I WILL SAY TONIGHT IT'S GREAT TO BE IN MY HOME STATE OF TEXAS. 1874 01:25:24.000 --> 01:25:25.086 I WILL SAY TONIGHT IT'S GREAT TO BE IN MY HOME STATE OF TEXAS. 1875 01:25:25.153 --> 01:25:30.000 [CHEERS AND APPLAUSE] BEFORE I THANK WARNER MUSIC 1876 01:25:30.000 --> 01:25:31.526 [CHEERS AND APPLAUSE] BEFORE I THANK WARNER MUSIC 1877 01:25:31.593 --> 01:25:35.430 NASHVILLE, BEFORE I THINK MY BAND, MY CREW, THIS IS 1878 01:25:35.497 --> 01:25:36.000 PERFORMANCE OF THE YEAR. 1879 01:25:36.000 --> 01:25:36.598 PERFORMANCE OF THE YEAR. 1880 01:25:36.664 --> 01:25:41.936 MY BAND AND MY CREW, THEY HAVE WORKED TO THEIR TAIL OFF FOR 1881 01:25:42.003 --> 01:25:43.271 THIS. 1882 01:25:43.338 --> 01:25:45.673 WHAT I PERSONALLY WOULD LIKE BEFORE I DO THE SAME OLD SPEECH 1883 01:25:45.740 --> 01:25:48.000 MOST PEOPLE DO IS WHAT I WOULD LIKE IS FOR EVERYBODY IN HERE 1884 01:25:48.000 --> 01:25:48.710 MOST PEOPLE DO IS WHAT I WOULD LIKE IS FOR EVERYBODY IN HERE 1885 01:25:48.776 --> 01:25:53.047 ALL AT ONCE, ARE YOU HAVING FUN AT THE CMT AWARDS? 1886 01:25:53.114 --> 01:25:54.000 MAKE SOME NOISE. 1887 01:25:54.000 --> 01:25:56.651 MAKE SOME NOISE. 1888 01:25:56.718 --> 01:26:00.000 THAT'S WHAT PERFORMANCE IS ABOUT AND THAT'S WHAT MY PERFORMANCE 1889 01:26:00.000 --> 01:26:00.188 THAT'S WHAT PERFORMANCE IS ABOUT AND THAT'S WHAT MY PERFORMANCE 1890 01:26:00.255 --> 01:26:01.856 IS ABOUT, YOUR PLEASURE. 1891 01:26:01.923 --> 01:26:02.891 THANK YOU SO MUCH. 1892 01:26:02.957 --> 01:26:06.000 GOD BLESS YOU. 1893 01:26:06.000 --> 01:26:06.961 GOD BLESS YOU. 1894 01:26:13.234 --> 01:26:16.871 THE BLACK CROWES TAKE THE STAGE WITH DARIUS RUCKER, 1895 01:26:16.938 --> 01:26:18.000 HEAD TO YOUTUBE TO GO BACKSTAGE AT THE CMT MUSIC AWARDS! 1896 01:26:18.000 --> 01:26:19.908 HEAD TO YOUTUBE TO GO BACKSTAGE AT THE CMT MUSIC AWARDS! 1897 01:26:19.974 --> 01:26:22.577 WE'RE LIVE NOW. 1898 01:26:22.644 --> 01:26:24.000 THIS IS CBS. 1899 01:26:24.000 --> 01:26:24.646 THIS IS CBS. 1900 01:26:26.581 --> 01:26:30.000 >> THE 2023 CMT MUSIC AWARDS SPONSORED BY LACTAID. 1901 01:26:30.000 --> 01:26:30.552 >> THE 2023 CMT MUSIC AWARDS SPONSORED BY LACTAID. 1902 01:26:30.618 --> 01:26:31.619 TRY TELLING OUR FARMERS IT ISN'T REAL MILK. 1903 01:26:47.001 --> 01:26:48.000 >> PLEASE WELCOME SUPER BOWL CHAMPION AND COUNTRY MUSIC 1904 01:26:48.000 --> 01:26:48.870 >> PLEASE WELCOME SUPER BOWL CHAMPION AND COUNTRY MUSIC 1905 01:26:48.937 --> 01:26:54.000 SUPERFAN, FROM THE KANSAS CITY CHIEFS, 1906 01:26:54.000 --> 01:26:54.342 SUPERFAN, FROM THE KANSAS CITY CHIEFS, 1907 01:26:54.409 --> 01:26:56.945 TRAVIS KELCE! 1908 01:26:57.011 --> 01:26:58.012 >> CMT, HOW ARE WE FEELING? 1909 01:26:58.079 --> 01:27:00.000 IT'S AN HONOR TO BE HERE TONIGHT. 1910 01:27:00.000 --> 01:27:02.951 IT'S AN HONOR TO BE HERE TONIGHT. 1911 01:27:03.017 --> 01:27:06.000 AFTER SPENDING THE ENTIRE MORNING IN SOUND CHECK AND THEN 1912 01:27:06.000 --> 01:27:07.956 AFTER SPENDING THE ENTIRE MORNING IN SOUND CHECK AND THEN 1913 01:27:08.022 --> 01:27:11.893 HOURS IN HAIR AND MAKE-UP, IT TURNS OUT I'M NOT THE KELSEA 1914 01:27:11.960 --> 01:27:12.000 EVERYONE WANTED TO SEE PERFORM. 1915 01:27:12.000 --> 01:27:15.863 EVERYONE WANTED TO SEE PERFORM. 1916 01:27:15.930 --> 01:27:18.000 BUT IF YOU WANT TO SEE ME SING I'LL BE IN THE 1917 01:27:18.000 --> 01:27:18.266 BUT IF YOU WANT TO SEE ME SING I'LL BE IN THE 1918 01:27:18.333 --> 01:27:20.668 PARKING LOT AFTER THE SHOW. 1919 01:27:20.735 --> 01:27:24.000 GOING CRAZY ON "WAGON WHEEL," A LITTLE BIG GREEN TRACTOR. 1920 01:27:24.000 --> 01:27:26.708 GOING CRAZY ON "WAGON WHEEL," A LITTLE BIG GREEN TRACTOR. 1921 01:27:26.774 --> 01:27:27.575 I LOVE THIS NEXT ARTIST. 1922 01:27:27.642 --> 01:27:29.210 WE RECENTLY GOT TO DO SNL TOGETHER. 1923 01:27:29.277 --> 01:27:30.000 SHE'S BEEN KILLING IT TONIGHT. 1924 01:27:30.000 --> 01:27:30.612 SHE'S BEEN KILLING IT TONIGHT. 1925 01:27:30.678 --> 01:27:36.000 MY FRIEND, KELSEA BALLERINI! 1926 01:27:36.000 --> 01:27:36.451 MY FRIEND, KELSEA BALLERINI! 1927 01:27:38.987 --> 01:27:42.000 ♪ ♪ >> YOU FEELING GOOD, Y'ALL? 1928 01:27:42.000 --> 01:27:48.000 ♪ ♪ >> YOU FEELING GOOD, Y'ALL? 1929 01:27:48.000 --> 01:27:50.999 ♪ ♪ >> YOU FEELING GOOD, Y'ALL? 1930 01:27:51.065 --> 01:27:52.467 ♪ I'VE KNOWN YOU ♪ ♪ SINCE BRAD AND ANGELINA ♪ 1931 01:27:52.533 --> 01:27:54.000 ♪ WE GO BACK LIKE PONTIAC SEATS ♪ 1932 01:27:54.000 --> 01:27:54.869 ♪ WE GO BACK LIKE PONTIAC SEATS ♪ 1933 01:27:54.936 --> 01:27:57.138 ♪ IF I GOT AN AISLE ♪ ♪ WITH A MESS I GOTTA CLEAN UP ♪ 1934 01:27:57.205 --> 01:28:00.000 ♪ I KNOW YOU'LL BE ♪ ♪ SHOWIN' UP WITH BLEACH ♪ 1935 01:28:00.000 --> 01:28:03.611 ♪ I KNOW YOU'LL BE ♪ ♪ SHOWIN' UP WITH BLEACH ♪ 1936 01:28:03.678 --> 01:28:06.000 ♪ ALL THOSE NAMES ♪ ♪ THAT WE DON'T EVER SPEAK OF ♪ 1937 01:28:06.000 --> 01:28:06.981 ♪ ALL THOSE NAMES ♪ ♪ THAT WE DON'T EVER SPEAK OF ♪ 1938 01:28:07.048 --> 01:28:10.485 ♪ GOT A COUPLE NIGHTS ♪ ♪ THAT HAVE SLIPPED MY MIND ♪ 1939 01:28:10.551 --> 01:28:12.000 ♪ PROOF AND PHOTOGRAPHS ♪ ♪ HAVE BEEN DELETED ♪ 1940 01:28:12.000 --> 01:28:14.155 ♪ PROOF AND PHOTOGRAPHS ♪ ♪ HAVE BEEN DELETED ♪ 1941 01:28:14.222 --> 01:28:18.000 ♪ IF YOU EVER NEEDED AN ALIBI ♪ ♪ 'CAUSE DIRT ON YOU ♪ 1942 01:28:18.000 --> 01:28:18.126 ♪ IF YOU EVER NEEDED AN ALIBI ♪ ♪ 'CAUSE DIRT ON YOU ♪ 1943 01:28:18.192 --> 01:28:21.529 ♪ IS DIRT ON ME ♪ ♪ AND WE BOTH KNOW ♪ 1944 01:28:21.596 --> 01:28:24.000 ♪ OUR HANDS AIN'T CLEAN ♪ ♪ IF IT ALL BLOWS UP ♪ 1945 01:28:24.000 --> 01:28:25.133 ♪ OUR HANDS AIN'T CLEAN ♪ ♪ IF IT ALL BLOWS UP ♪ 1946 01:28:25.199 --> 01:28:28.136 ♪ AND WE END UP ON THE NEWS ♪ ♪ IF YOU GO DOWN ♪ 1947 01:28:28.202 --> 01:28:30.000 ♪ I'M GOIN' DOWN TOO ♪ THAT'S RIGHT. 1948 01:28:30.000 --> 01:28:36.000 ♪ I'M GOIN' DOWN TOO ♪ THAT'S RIGHT. 1949 01:28:36.000 --> 01:28:39.047 ♪ I'M GOIN' DOWN TOO ♪ THAT'S RIGHT. 1950 01:28:39.113 --> 01:28:40.448 ♪ IT'S A GOOD THING ♪ ♪ WE'RE EACH OTHER'S ♪ 1951 01:28:40.515 --> 01:28:42.000 ♪ KINDA CRAZY ♪ ♪ AIN'T NO JUDGMENT ♪ 1952 01:28:42.000 --> 01:28:42.684 ♪ KINDA CRAZY ♪ ♪ AIN'T NO JUDGMENT ♪ 1953 01:28:42.750 --> 01:28:45.053 ♪ OR KEEPIN' SCORE ♪ ♪ IF YOU ROB A BANK ♪ 1954 01:28:45.119 --> 01:28:48.000 ♪ I'M YOUR GETAWAY MERCEDES ♪ ♪ GOD KNOWS THAT'S WHAT ♪ 1955 01:28:48.000 --> 01:28:48.723 ♪ I'M YOUR GETAWAY MERCEDES ♪ ♪ GOD KNOWS THAT'S WHAT ♪ 1956 01:28:48.790 --> 01:28:51.526 ♪ FRIENDS ARE FOR ♪ ♪ 'CAUSE DIRT ON YOU ♪ 1957 01:28:51.592 --> 01:28:54.000 ♪ IS DIRT ON ME ♪ ♪ AND WE BOTH KNOW ♪ 1958 01:28:54.000 --> 01:28:54.195 ♪ IS DIRT ON ME ♪ ♪ AND WE BOTH KNOW ♪ 1959 01:28:54.262 --> 01:28:58.633 ♪ OUR HANDS AIN'T CLEAN ♪ ♪ IF IT ALL BLOWS UP ♪ 1960 01:28:58.700 --> 01:29:00.000 ♪ AND WE END UP ON THE NEWS ♪ ♪ IF YOU GO DOWN ♪ 1961 01:29:00.000 --> 01:29:02.537 ♪ AND WE END UP ON THE NEWS ♪ ♪ IF YOU GO DOWN ♪ 1962 01:29:02.603 --> 01:29:06.000 ♪ I'M GOIN' DOWN TOO ♪ ♪ IF YOU GO DOWN ♪ 1963 01:29:06.000 --> 01:29:06.441 ♪ I'M GOIN' DOWN TOO ♪ ♪ IF YOU GO DOWN ♪ 1964 01:29:06.507 --> 01:29:12.000 ♪ I'M GOIN' DOWN TOO ♪ YEAH ♪ 1965 01:29:12.000 --> 01:29:18.000 ♪ I'M GOIN' DOWN TOO ♪ YEAH ♪ 1966 01:29:18.000 --> 01:29:21.389 ♪ I'M GOIN' DOWN TOO ♪ YEAH ♪ 1967 01:29:21.456 --> 01:29:22.423 ♪ I'M GOIN' DOWN TOO ♪ YEAH ♪ 1968 01:29:22.490 --> 01:29:24.000 ♪ I KEEP ALL YOUR SECRETS ♪ ♪ BY THE DOZEN ♪ 1969 01:29:24.000 --> 01:29:27.962 ♪ I KEEP ALL YOUR SECRETS ♪ ♪ BY THE DOZEN ♪ 1970 01:29:28.029 --> 01:29:30.000 ♪ YOU KNOW WHERE ♪ ♪ MY SKELETONS SLEEP ♪ 1971 01:29:30.000 --> 01:29:30.965 ♪ YOU KNOW WHERE ♪ ♪ MY SKELETONS SLEEP ♪ 1972 01:29:31.032 --> 01:29:33.534 ♪ HYPOTHETICALLY ♪ ♪ IF YOU EVER KILL YOUR 1973 01:29:33.601 --> 01:29:36.000 HUSBAND ♪ ♪ HAND ON THE BIBLE ♪ 1974 01:29:36.000 --> 01:29:36.404 HUSBAND ♪ ♪ HAND ON THE BIBLE ♪ 1975 01:29:36.471 --> 01:29:37.972 ♪ I'D BE LYIN' THROUGH MY TEETH ♪ 1976 01:29:38.039 --> 01:29:41.142 ♪ 'CAUSE DIRT ON YOU ♪ ♪ IS DIRT ON ME ♪ 1977 01:29:41.209 --> 01:29:42.000 ♪ AND WE BOTH KNOW ♪ ♪ OUR HANDS AIN'T CLEAN ♪ 1978 01:29:42.000 --> 01:29:44.212 ♪ AND WE BOTH KNOW ♪ ♪ OUR HANDS AIN'T CLEAN ♪ 1979 01:29:44.278 --> 01:29:48.000 ♪ IF IT ALL BLOWS UP ♪ ♪ AND WE END UP ON THE NEWS ♪ 1980 01:29:48.000 --> 01:29:48.683 ♪ IF IT ALL BLOWS UP ♪ ♪ AND WE END UP ON THE NEWS ♪ 1981 01:29:48.750 --> 01:29:52.320 ♪ IF YOU GO DOWN ♪ ♪ I'M GOIN' DOWN TOO ♪ 1982 01:29:52.386 --> 01:29:54.000 ♪ OUR BODIES ARE BURIED ♪ ♪ AND THEY'RE IN THE SAME 1983 01:29:54.000 --> 01:29:54.622 ♪ OUR BODIES ARE BURIED ♪ ♪ AND THEY'RE IN THE SAME 1984 01:29:54.689 --> 01:29:56.724 DITCH ♪ ♪ SO EVEN IF I WANTED TO ♪ 1985 01:29:56.791 --> 01:30:00.000 ♪ I CAN'T SNITCH ♪ ♪ THIRTY TO LIFE ♪ 1986 01:30:00.000 --> 01:30:00.361 ♪ I CAN'T SNITCH ♪ ♪ THIRTY TO LIFE ♪ 1987 01:30:00.428 --> 01:30:04.398 ♪ WOULD GO QUICKER WITH YOU ♪ ♪ YEAH ♪ 1988 01:30:04.465 --> 01:30:06.000 ♪ SO, IF YOU GO DOWN ♪ ♪ I'M GOIN' DOWN TOO ♪ 1989 01:30:06.000 --> 01:30:07.668 ♪ SO, IF YOU GO DOWN ♪ ♪ I'M GOIN' DOWN TOO ♪ 1990 01:30:07.735 --> 01:30:10.705 ♪ IF YOU GO DOWN ♪ ♪ I'M GOIN' DOWN TOO ♪ 1991 01:30:10.772 --> 01:30:12.000 ♪ IF YOU GO DOWN ♪ ♪ I'M GOIN' DOWN TOO ♪ 1992 01:30:12.000 --> 01:30:18.000 ♪ IF YOU GO DOWN ♪ ♪ I'M GOIN' DOWN TOO ♪ 1993 01:30:18.000 --> 01:30:24.000 ♪ IF YOU GO DOWN ♪ ♪ I'M GOIN' DOWN TOO ♪ 1994 01:30:24.000 --> 01:30:24.952 ♪ IF YOU GO DOWN ♪ ♪ I'M GOIN' DOWN TOO ♪ 1995 01:30:25.019 --> 01:30:27.955 [CHEERS AND APPLAUSE] >> HE'S ONE OF THE HOTTEST STARS 1996 01:30:28.022 --> 01:30:30.000 ON CBS'S "FIRE COUNTRY" PLEASE WELCOME MAX THIERIOT! 1997 01:30:30.000 --> 01:30:31.959 ON CBS'S "FIRE COUNTRY" PLEASE WELCOME MAX THIERIOT! 1998 01:30:32.026 --> 01:30:34.829 >> WHAT'S UP, CMT! 1999 01:30:34.896 --> 01:30:36.000 WHAT'S GOING ON? 2000 01:30:36.000 --> 01:30:37.899 WHAT'S GOING ON? 2001 01:30:37.965 --> 01:30:41.402 I DON'T WANNA BRAG, BUT I GOT TO WORK ALONGSIDE ONE OF OUR 2002 01:30:41.469 --> 01:30:42.000 HOSTS TONIGHT WHEN HE GUEST STARRED ON "FIRE COUNTRY." 2003 01:30:42.000 --> 01:30:48.000 HOSTS TONIGHT WHEN HE GUEST STARRED ON "FIRE COUNTRY." 2004 01:30:48.000 --> 01:30:50.178 HOSTS TONIGHT WHEN HE GUEST STARRED ON "FIRE COUNTRY." 2005 01:30:50.244 --> 01:30:53.548 LET ME TELL YOU, HE'S GREAT IN THE SHOW. 2006 01:30:53.614 --> 01:30:54.000 RIGHT NOW WE GET TO SEE HIM DO WHAT HE ABSOLUTELY DOES BEST. 2007 01:30:54.000 --> 01:30:55.049 RIGHT NOW WE GET TO SEE HIM DO WHAT HE ABSOLUTELY DOES BEST. 2008 01:30:55.116 --> 01:30:59.053 AND HE'S PERFORMING WITH HIS WIFE. 2009 01:30:59.120 --> 01:31:00.000 HERE WITH THE FASTEST RISING HIT OF HIS CAREER, 2010 01:31:00.000 --> 01:31:00.521 HERE WITH THE FASTEST RISING HIT OF HIS CAREER, 2011 01:31:00.588 --> 01:31:03.524 WE'RE GOING BACK OUTSIDE. 2012 01:31:03.591 --> 01:31:05.593 IT'S KANE AND KATELYN BROWN! 2013 01:31:12.934 --> 01:31:18.000 ♪ ♪ ♪ I WAS LOST ♪ 2014 01:31:18.000 --> 01:31:19.540 ♪ ♪ ♪ I WAS LOST ♪ 2015 01:31:19.607 --> 01:31:22.076 ♪ YOU FOUND A WAY ♪ ♪ TO BRING ME BACK ♪ 2016 01:31:22.143 --> 01:31:24.000 ♪ NEEDED FORGIVENESS ♪ ♪ YOU ALWAYS GAVE ME THAT ♪ 2017 01:31:24.000 --> 01:31:26.781 ♪ NEEDED FORGIVENESS ♪ ♪ YOU ALWAYS GAVE ME THAT ♪ 2018 01:31:26.848 --> 01:31:30.000 ♪ GIRL, I'M A WITNESS ♪ ♪ OF YOUR LOVE ♪ 2019 01:31:30.000 --> 01:31:31.219 ♪ GIRL, I'M A WITNESS ♪ ♪ OF YOUR LOVE ♪ 2020 01:31:31.285 --> 01:31:33.888 ♪ 'CAUSE YOU DON'T BE GIVIN' UP ♪ 2021 01:31:33.955 --> 01:31:36.000 ♪ AND IT'S CRAZY ♪ ♪ HOW YOU SAVED ME ♪ 2022 01:31:36.000 --> 01:31:37.124 ♪ AND IT'S CRAZY ♪ ♪ HOW YOU SAVED ME ♪ 2023 01:31:37.191 --> 01:31:39.627 ♪ HAND ON THE BIBLE ♪ ♪ DON'T KNOW HOW I GOT YOU ♪ 2024 01:31:39.694 --> 01:31:42.000 ♪ BUT I COULDN'T ASK FOR MORE ♪ ♪ GIRL, WHAT WE GOT'S ♪ 2025 01:31:42.000 --> 01:31:43.598 ♪ BUT I COULDN'T ASK FOR MORE ♪ ♪ GIRL, WHAT WE GOT'S ♪ 2026 01:31:43.664 --> 01:31:47.501 ♪ WORTH THANKING GOD FOR ♪ ♪ SO THANK GOD ♪ 2027 01:31:47.568 --> 01:31:48.000 ♪ I GET TO WAKE UP ♪ ♪ BY YOUR SIDE ♪ 2028 01:31:48.000 --> 01:31:49.770 ♪ I GET TO WAKE UP ♪ ♪ BY YOUR SIDE ♪ 2029 01:31:49.837 --> 01:31:52.874 ♪ AND THANK GOD ♪ ♪ YOUR HAND FITS ♪ 2030 01:31:52.940 --> 01:31:54.000 ♪ PERFECTLY IN MINE ♪ ♪ AND THANK GOD ♪ 2031 01:31:54.000 --> 01:31:56.711 ♪ PERFECTLY IN MINE ♪ ♪ AND THANK GOD ♪ 2032 01:31:56.777 --> 01:32:00.000 ♪ YOU LOVED ME ♪ ♪ WHEN YOU DIDN'T HAVE TO ♪ 2033 01:32:00.000 --> 01:32:00.147 ♪ YOU LOVED ME ♪ ♪ WHEN YOU DIDN'T HAVE TO ♪ 2034 01:32:00.214 --> 01:32:02.283 ♪ BUT YOU DID ♪ ♪ AND YOU DO ♪ 2035 01:32:02.350 --> 01:32:06.000 ♪ AND HE KNEW ♪ ♪ THANK GOD FOR GIVING ME YOU ♪ 2036 01:32:06.000 --> 01:32:10.224 ♪ AND HE KNEW ♪ ♪ THANK GOD FOR GIVING ME YOU ♪ 2037 01:32:10.291 --> 01:32:12.000 ♪ THANK GOD ♪ ♪ THANK GOD 2038 01:32:12.000 --> 01:32:17.798 ♪ THANK GOD ♪ ♪ THANK GOD 2039 01:32:17.865 --> 01:32:18.000 ♪ NEVER THOUGHT I'D FIND ♪ ♪ AN ANGEL UNDERCOVER ♪ 2040 01:32:18.000 --> 01:32:20.034 ♪ NEVER THOUGHT I'D FIND ♪ ♪ AN ANGEL UNDERCOVER ♪ 2041 01:32:20.101 --> 01:32:23.137 ♪ MADE A CHANGE TO EVERYTHING ♪ ♪ FROM MY HEART ♪ 2042 01:32:23.204 --> 01:32:24.000 ♪ TO MY LAST NAME ♪ ♪ HEY ♪ 2043 01:32:24.000 --> 01:32:25.806 ♪ TO MY LAST NAME ♪ ♪ HEY ♪ 2044 01:32:25.873 --> 01:32:29.377 ♪ HARD TO TELL, WHEN HE FELL ♪ ♪ THAT BOY WAS HEAVEN SENT ♪ 2045 01:32:29.443 --> 01:32:30.000 ♪ AND EVERY NIGHT ♪ ♪ WHEN I CLOSE MY EYES ♪ 2046 01:32:30.000 --> 01:32:31.779 ♪ AND EVERY NIGHT ♪ ♪ WHEN I CLOSE MY EYES ♪ 2047 01:32:31.846 --> 01:32:35.149 ♪ BEFORE I SAY AMEN ♪ ♪ I THANK GOD ♪ 2048 01:32:35.216 --> 01:32:36.000 ♪ I GET TO WAKE UP BY YOUR SIDE ♪ 2049 01:32:36.000 --> 01:32:37.818 ♪ I GET TO WAKE UP BY YOUR SIDE ♪ 2050 01:32:37.885 --> 01:32:40.488 ♪ AND THANK GOD ♪ ♪ YOUR HAND ♪ 2051 01:32:40.554 --> 01:32:42.000 ♪ FITS PERFECTLY IN MINE ♪ ♪ AND THANK GOD ♪ 2052 01:32:42.000 --> 01:32:44.425 ♪ FITS PERFECTLY IN MINE ♪ ♪ AND THANK GOD ♪ 2053 01:32:44.492 --> 01:32:47.662 ♪ YOU LOVED ME ♪ ♪ WHEN YOU DIDN'T HAVE TO ♪ 2054 01:32:47.728 --> 01:32:48.000 ♪ BUT YOU DID ♪ ♪ AND YOU DO ♪ 2055 01:32:48.000 --> 01:32:50.364 ♪ BUT YOU DID ♪ ♪ AND YOU DO ♪ 2056 01:32:50.431 --> 01:32:54.000 ♪ AND HE KNEW ♪ ♪ THANK GOD FOR GIVING ME YOU ♪ 2057 01:32:54.000 --> 01:32:54.669 ♪ AND HE KNEW ♪ ♪ THANK GOD FOR GIVING ME YOU ♪ 2058 01:32:54.735 --> 01:33:00.000 ♪ THANK GOD ♪ ♪ THANK GOD ♪ 2059 01:33:00.000 --> 01:33:03.978 ♪ THANK GOD ♪ ♪ THANK GOD ♪ 2060 01:33:04.045 --> 01:33:05.813 ♪ HAND ON THE BIBLE ♪ ♪ DON'T KNOW HOW I GOT YOU ♪ 2061 01:33:05.880 --> 01:33:06.000 ♪ I COULDN'T ASK FOR MORE ♪ >> ♪ GIRL, WHAT WE GOT'S ♪ 2062 01:33:06.000 --> 01:33:10.551 ♪ I COULDN'T ASK FOR MORE ♪ >> ♪ GIRL, WHAT WE GOT'S ♪ 2063 01:33:10.618 --> 01:33:12.000 ♪ WORTH THANKING GOD FOR ♪ >> ♪ SO THANK GOD ♪ 2064 01:33:12.000 --> 01:33:14.455 ♪ WORTH THANKING GOD FOR ♪ >> ♪ SO THANK GOD ♪ 2065 01:33:14.522 --> 01:33:16.390 ♪ I GET TO WAKE UP BY YOUR SIDE ♪ 2066 01:33:16.457 --> 01:33:18.000 ♪ AND THANK GOD ♪ ♪ YOUR HAND ♪ 2067 01:33:18.000 --> 01:33:19.927 ♪ AND THANK GOD ♪ ♪ YOUR HAND ♪ 2068 01:33:19.994 --> 01:33:23.164 ♪ FITS PERFECTLY IN MINE ♪ ♪ AND THANK GOD ♪ 2069 01:33:23.230 --> 01:33:24.000 ♪ YOU LOVED ME ♪ ♪ WHEN YOU DIDN'T HAVE TO ♪ 2070 01:33:24.000 --> 01:33:26.267 ♪ YOU LOVED ME ♪ ♪ WHEN YOU DIDN'T HAVE TO ♪ 2071 01:33:26.334 --> 01:33:28.436 ♪ BUT YOU DID ♪ ♪ AND YOU DO ♪ 2072 01:33:28.502 --> 01:33:30.000 ♪ AND HE KNEW ♪ ♪ THANK GOD FOR GIVING ME YOU ♪ 2073 01:33:30.000 --> 01:33:33.140 ♪ AND HE KNEW ♪ ♪ THANK GOD FOR GIVING ME YOU ♪ 2074 01:33:33.207 --> 01:33:36.000 ♪ I THANK GOD ♪ ♪ I GET TO WAKE UP 2075 01:33:36.000 --> 01:33:40.081 ♪ I THANK GOD ♪ ♪ I GET TO WAKE UP 2076 01:33:40.147 --> 01:33:41.549 BY YOUR SIDE ♪ ♪ AND THANK GOD ♪ 2077 01:33:41.615 --> 01:33:42.000 ♪ YOUR HAND ♪ ♪ FITS PERFECTLY IN MINE ♪ 2078 01:33:42.000 --> 01:33:42.750 ♪ YOUR HAND ♪ ♪ FITS PERFECTLY IN MINE ♪ 2079 01:33:42.817 --> 01:33:44.151 ♪ AND THANK GOD ♪ ♪ YOU LOVED ME ♪ 2080 01:33:44.218 --> 01:33:46.821 ♪ WHEN YOU DIDN'T HAVE TO ♪ ♪ BUT YOU DID ♪ 2081 01:33:46.887 --> 01:33:48.000 ♪ AND YOU DO ♪ ♪ AND HE KNEW ♪ 2082 01:33:48.000 --> 01:33:50.191 ♪ AND YOU DO ♪ ♪ AND HE KNEW ♪ 2083 01:33:50.257 --> 01:33:54.000 ♪ THANK GOD FOR GIVING ME YOU ♪ >> CMT, MAKE SOME NOISE FOR MY 2084 01:33:54.000 --> 01:34:00.000 ♪ THANK GOD FOR GIVING ME YOU ♪ >> CMT, MAKE SOME NOISE FOR MY 2085 01:34:00.000 --> 01:34:05.139 ♪ THANK GOD FOR GIVING ME YOU ♪ >> CMT, MAKE SOME NOISE FOR MY 2086 01:34:05.206 --> 01:34:06.000 ♪ THANK GOD FOR GIVING ME YOU ♪ >> CMT, MAKE SOME NOISE FOR MY 2087 01:34:06.000 --> 01:34:07.174 ♪ THANK GOD FOR GIVING ME YOU ♪ >> CMT, MAKE SOME NOISE FOR MY 2088 01:34:07.241 --> 01:34:07.675 BEAUTIFUL WIFE ONE TIME. 2089 01:34:07.742 --> 01:34:08.909 >> THANK YOU! 2090 01:34:08.976 --> 01:34:09.744 >> FROM THE RAM TRUCKS STAGE, WITH A DEBUT PERFORMANCE OF HER 2091 01:34:09.810 --> 01:34:12.000 SONG "NARCISSIST," HERE IS ANNA AVERY. 2092 01:34:12.000 --> 01:34:15.016 SONG "NARCISSIST," HERE IS ANNA AVERY. 2093 01:34:15.082 --> 01:34:18.000 ♪ MY PARENTS DON'T LIKE YOU ♪ ♪ WHY WOULD THEY WANT TO ♪ 2094 01:34:18.000 --> 01:34:18.219 ♪ MY PARENTS DON'T LIKE YOU ♪ ♪ WHY WOULD THEY WANT TO ♪ 2095 01:34:18.285 --> 01:34:22.923 ♪ AFTER THEY FOUND ME ♪ ♪ CRYING ON THE BATHROOM FLOOR ♪ 2096 01:34:22.990 --> 01:34:24.000 ♪ I DON'T EVEN LIKE ME ANYMORE ♪ ♪ 'CAUSE YOU SAY ♪ 2097 01:34:24.000 --> 01:34:27.762 ♪ I DON'T EVEN LIKE ME ANYMORE ♪ ♪ 'CAUSE YOU SAY ♪ 2098 01:34:27.828 --> 01:34:30.000 ♪ THAT I'M CRAZY ♪ ♪ YOU SAY THAT YOU'RE SORRY ♪ 2099 01:34:30.000 --> 01:34:31.932 ♪ THAT I'M CRAZY ♪ ♪ YOU SAY THAT YOU'RE SORRY ♪ 2100 01:34:31.999 --> 01:34:36.000 ♪ WON'T HAPPEN AGAIN ♪ ♪ YOU SAY I'M DRAMATIC ♪ 2101 01:34:36.000 --> 01:34:36.771 ♪ WON'T HAPPEN AGAIN ♪ ♪ YOU SAY I'M DRAMATIC ♪ 2102 01:34:36.837 --> 01:34:41.475 ♪ I'M OVERREACTING ♪ ♪ AND MAYBE I AM ♪ 2103 01:34:41.542 --> 01:34:42.000 ♪ AND I KNOW ♪ ♪ YOU GET OVER ME ♪ 2104 01:34:42.000 --> 01:34:44.945 ♪ AND I KNOW ♪ ♪ YOU GET OVER ME ♪ 2105 01:34:45.012 --> 01:34:46.781 ♪ BUT CAN YOU GET OVER YOURSELF ♪ 2106 01:34:46.847 --> 01:34:48.000 ♪ BEFORE YOU ♪ ♪ GO AND LOVE SOMEBODY ELSE ♪ 2107 01:34:48.000 --> 01:34:50.684 ♪ BEFORE YOU ♪ ♪ GO AND LOVE SOMEBODY ELSE ♪ 2108 01:34:50.751 --> 01:34:52.753 ♪ YOU SHOULD PROBABLY ♪ ♪ GET SOME HELP ♪ 2109 01:34:59.126 --> 01:35:00.000 [CHEERS AND APPLAUSE] >> NEXT, THE BLACK CROWES 2110 01:35:00.000 --> 01:35:00.561 [CHEERS AND APPLAUSE] >> NEXT, THE BLACK CROWES 2111 01:35:00.628 --> 01:35:02.396 AND DARIUS RUCKER. 2112 01:35:02.463 --> 01:35:04.198 PLUS, PERFORMANCES FROM ALANIS MORRISETTE 2113 01:35:04.265 --> 01:35:05.399 AND CARRIE UNDERWOOD. 2114 01:35:05.466 --> 01:35:06.000 TIME IS RUNNING OUT TO CAST YOUR VOTE FOR VIDEO OF THE YEAR, 2115 01:35:06.000 --> 01:35:07.868 TIME IS RUNNING OUT TO CAST YOUR VOTE FOR VIDEO OF THE YEAR, 2116 01:35:07.935 --> 01:35:09.804 PRESENTED BY RAM TRUCKS. 2117 01:35:09.870 --> 01:35:12.000 GO TO THE CMT MUSIC AWARDS FACEBOOK PAGE AND COMMENT RIGHT 2118 01:35:12.000 --> 01:35:13.074 GO TO THE CMT MUSIC AWARDS FACEBOOK PAGE AND COMMENT RIGHT 2119 01:35:13.140 --> 01:35:16.710 NOW TO VOTE AND FIND OUT WHO WINS IN JUST A BIT. 2120 01:35:16.777 --> 01:35:18.000 THE CMT MUSIC AWARDS CONTINUES. 2121 01:35:18.000 --> 01:35:19.180 THE CMT MUSIC AWARDS CONTINUES. 2122 01:35:19.246 --> 01:35:20.014 LIVE FROM AUSTIN, TEXAS. 2123 01:35:20.081 --> 01:35:21.082 THIS IS CBS. 2124 01:35:40.201 --> 01:35:42.000 >> PLEASE WELCOME THE ARTIST WITH THE MOST CMT MUSIC AWARD 2125 01:35:42.000 --> 01:35:42.303 >> PLEASE WELCOME THE ARTIST WITH THE MOST CMT MUSIC AWARD 2126 01:35:42.369 --> 01:35:43.204 WINS EVER. 2127 01:35:43.270 --> 01:35:46.140 AND SHE'S UP FOR ANOTHER ONE LATER TONIGHT. 2128 01:35:46.207 --> 01:35:48.000 CARRIE UNDERWOOD. 2129 01:35:48.000 --> 01:35:51.145 CARRIE UNDERWOOD. 2130 01:35:51.212 --> 01:35:53.547 >> EARLIER THIS WEEK DARIUS RUCKER TOOK THE STAGE HERE IN 2131 01:35:53.614 --> 01:35:54.000 AUSTIN WITH THE BLACK CROWS FOR AN UPCOMING EPISODE OF "CMT 2132 01:35:54.000 --> 01:35:57.852 AUSTIN WITH THE BLACK CROWS FOR AN UPCOMING EPISODE OF "CMT 2133 01:35:57.918 --> 01:35:58.986 CROSSROADS THIS MAY. 2134 01:35:59.053 --> 01:36:00.000 NOW THEY ARE PERFORMING ONE OF MY FAVORITES "SHE TALKS TO 2135 01:36:00.000 --> 01:36:02.523 NOW THEY ARE PERFORMING ONE OF MY FAVORITES "SHE TALKS TO 2136 01:36:02.590 --> 01:36:04.658 ANGELS." 2137 01:36:04.725 --> 01:36:06.000 IT'S THE BLACK CROWES AND DARIUS RUCKER!! 2138 01:36:06.000 --> 01:36:06.861 IT'S THE BLACK CROWES AND DARIUS RUCKER!! 2139 01:36:06.927 --> 01:36:12.000 ♪ SHE NEVER MENTIONS ♪ ♪ THE WORD ADDICTION ♪ 2140 01:36:12.000 --> 01:36:18.000 ♪ SHE NEVER MENTIONS ♪ ♪ THE WORD ADDICTION ♪ 2141 01:36:18.000 --> 01:36:21.809 ♪ SHE NEVER MENTIONS ♪ ♪ THE WORD ADDICTION ♪ 2142 01:36:21.876 --> 01:36:23.844 ♪ SHE NEVER MENTIONS ♪ ♪ THE WORD ADDICTION ♪ 2143 01:36:23.911 --> 01:36:24.000 ♪ IN CERTAIN COMPANY ♪ ♪ YES, SHE TELLS YOU ♪ 2144 01:36:24.000 --> 01:36:29.416 ♪ IN CERTAIN COMPANY ♪ ♪ YES, SHE TELLS YOU ♪ 2145 01:36:29.483 --> 01:36:30.000 ♪ SHE'S AN ORPHAN ♪ ♪ AFTER YOU MEET HER FAMILY ♪ 2146 01:36:30.000 --> 01:36:36.000 ♪ SHE'S AN ORPHAN ♪ ♪ AFTER YOU MEET HER FAMILY ♪ 2147 01:36:36.000 --> 01:36:42.000 ♪ SHE'S AN ORPHAN ♪ ♪ AFTER YOU MEET HER FAMILY ♪ 2148 01:36:42.000 --> 01:36:42.129 ♪ SHE'S AN ORPHAN ♪ ♪ AFTER YOU MEET HER FAMILY ♪ 2149 01:36:46.400 --> 01:36:48.000 ♪ SHE PAINTS HER EYES ♪ ♪ AS BLACK AS NIGHT NOW ♪ 2150 01:36:48.000 --> 01:36:51.739 ♪ SHE PAINTS HER EYES ♪ ♪ AS BLACK AS NIGHT NOW ♪ 2151 01:36:51.805 --> 01:36:54.000 ♪ SHE PULLS THOSE SHADES ♪ ♪ DOWN TIGHT ♪ 2152 01:36:54.000 --> 01:37:00.000 ♪ SHE PULLS THOSE SHADES ♪ ♪ DOWN TIGHT ♪ 2153 01:37:00.000 --> 01:37:02.683 ♪ SHE PULLS THOSE SHADES ♪ ♪ DOWN TIGHT ♪ 2154 01:37:02.750 --> 01:37:06.000 MY GIRL, GIVE A SMILE ♪ ♪ WHEN THE PAIN COMES ♪ 2155 01:37:06.000 --> 01:37:09.256 MY GIRL, GIVE A SMILE ♪ ♪ WHEN THE PAIN COMES ♪ 2156 01:37:09.323 --> 01:37:12.000 ♪ THE PAIN THE ONLY THING ♪ ♪ TO MAKE IT ALL RIGHT 2157 01:37:12.000 --> 01:37:15.329 ♪ THE PAIN THE ONLY THING ♪ ♪ TO MAKE IT ALL RIGHT 2158 01:37:15.396 --> 01:37:18.000 ♪ SAYS SHE TALKS TO ANGELS ♪ ♪ THEY CALL HER OUT ♪ 2159 01:37:18.000 --> 01:37:20.100 ♪ SAYS SHE TALKS TO ANGELS ♪ ♪ THEY CALL HER OUT ♪ 2160 01:37:20.167 --> 01:37:24.000 ♪ BY HER NAME ♪ ♪ OH, YEAH, YOU KNOW 2161 01:37:24.000 --> 01:37:29.176 ♪ BY HER NAME ♪ ♪ OH, YEAH, YOU KNOW 2162 01:37:29.243 --> 01:37:30.000 SHE TALKS TO ANGELS ♪ ♪ THEY CALL HER OUT ♪ 2163 01:37:30.000 --> 01:37:33.380 SHE TALKS TO ANGELS ♪ ♪ THEY CALL HER OUT ♪ 2164 01:37:33.447 --> 01:37:36.000 ♪ BY HER NAME ♪ ♪ SHE KEEPS A LOCK OF HAIR ♪ 2165 01:37:36.000 --> 01:37:37.718 ♪ BY HER NAME ♪ ♪ SHE KEEPS A LOCK OF HAIR ♪ 2166 01:37:37.785 --> 01:37:42.000 ♪ IN HER POCKET ♪ ♪ SHE WEARS A CROSS ♪ 2167 01:37:42.000 --> 01:37:44.458 ♪ IN HER POCKET ♪ ♪ SHE WEARS A CROSS ♪ 2168 01:37:44.525 --> 01:37:48.000 ♪ AROUND HER NECK ♪ ♪ YES, THE HAIR ♪ 2169 01:37:48.000 --> 01:37:51.131 ♪ AROUND HER NECK ♪ ♪ YES, THE HAIR ♪ 2170 01:37:51.198 --> 01:37:54.000 ♪ IS FROM A LITTLE BOY ♪ ♪ THE CROSS IS SOMEONE ♪ 2171 01:37:54.000 --> 01:37:57.671 ♪ IS FROM A LITTLE BOY ♪ ♪ THE CROSS IS SOMEONE ♪ 2172 01:37:57.738 --> 01:38:00.000 ♪ SHE HAS NOT MET ♪ ♪ NOT YET ♪ 2173 01:38:00.000 --> 01:38:05.512 ♪ SHE HAS NOT MET ♪ ♪ NOT YET ♪ 2174 01:38:05.579 --> 01:38:06.000 ♪ YEAH SHE TALKS TO ANGELS ♪ ♪ THEY CALL HER OUT 2175 01:38:06.000 --> 01:38:12.000 ♪ YEAH SHE TALKS TO ANGELS ♪ ♪ THEY CALL HER OUT 2176 01:38:12.000 --> 01:38:15.389 ♪ YEAH SHE TALKS TO ANGELS ♪ ♪ THEY CALL HER OUT 2177 01:38:15.456 --> 01:38:18.000 BY HER NAME ♪ ♪ OH, YEAH ♪ 2178 01:38:18.000 --> 01:38:18.359 BY HER NAME ♪ ♪ OH, YEAH ♪ 2179 01:38:18.425 --> 01:38:24.000 ♪ SHE TALKS TO ANGELS ♪ ♪ SAYS THEY CALL HER OUT ♪ 2180 01:38:24.000 --> 01:38:25.599 ♪ SHE TALKS TO ANGELS ♪ ♪ SAYS THEY CALL HER OUT ♪ 2181 01:38:25.666 --> 01:38:30.000 ♪ BY HER NAME ♪ ♪ SHE DON'T KNOW NO LOVER ♪ 2182 01:38:30.000 --> 01:38:36.000 ♪ BY HER NAME ♪ ♪ SHE DON'T KNOW NO LOVER ♪ 2183 01:38:36.000 --> 01:38:37.811 ♪ BY HER NAME ♪ ♪ SHE DON'T KNOW NO LOVER ♪ 2184 01:38:37.878 --> 01:38:42.000 ♪ NONE THAT I EVER SEEN ♪ ♪ BUT TO HER ♪ 2185 01:38:42.000 --> 01:38:48.000 ♪ NONE THAT I EVER SEEN ♪ ♪ BUT TO HER ♪ 2186 01:38:48.000 --> 01:38:48.722 ♪ NONE THAT I EVER SEEN ♪ ♪ BUT TO HER ♪ 2187 01:38:48.789 --> 01:38:54.000 ♪ THAT DON'T MEAN NOTHIN' ♪ ♪ BUT TO ME ♪ 2188 01:38:54.000 --> 01:38:56.597 ♪ THAT DON'T MEAN NOTHIN' ♪ ♪ BUT TO ME ♪ 2189 01:38:56.664 --> 01:39:00.000 ♪ DON'T YOU KNOW ♪ ♪ MEANS EVERYTHING ♪ 2190 01:39:00.000 --> 01:39:00.200 ♪ DON'T YOU KNOW ♪ ♪ MEANS EVERYTHING ♪ 2191 01:39:00.267 --> 01:39:05.973 ♪ SHE PAINTS HER EYES ♪ ♪ AS BLACK AS NIGHT, NOW ♪ 2192 01:39:06.040 --> 01:39:12.000 ♪ SHE PULLS THOSE SHADES DOWN TIGHT ♪ 2193 01:39:12.000 --> 01:39:13.213 ♪ SHE PULLS THOSE SHADES DOWN TIGHT ♪ 2194 01:39:13.280 --> 01:39:18.000 OH, YEAH ♪ MY GIRL, SHE WANTS TO 2195 01:39:18.000 --> 01:39:20.187 OH, YEAH ♪ MY GIRL, SHE WANTS TO 2196 01:39:20.254 --> 01:39:24.000 GIVE A SMILE ♪ ♪ WHEN THE PAIN COMES ♪ 2197 01:39:24.000 --> 01:39:25.659 GIVE A SMILE ♪ ♪ WHEN THE PAIN COMES ♪ 2198 01:39:25.726 --> 01:39:28.662 ♪ THE PAIN THE ONLY THING ♪ ♪ TO MAKE IT ALL RIGHT ♪ 2199 01:39:28.729 --> 01:39:30.000 ♪ SHE TALKS TO ANGELS ♪ ♪ THEY CALL HER OUT ♪ 2200 01:39:30.000 --> 01:39:36.000 ♪ SHE TALKS TO ANGELS ♪ ♪ THEY CALL HER OUT ♪ 2201 01:39:36.000 --> 01:39:36.236 ♪ SHE TALKS TO ANGELS ♪ ♪ THEY CALL HER OUT ♪ 2202 01:39:36.303 --> 01:39:40.374 ♪ BY HER NAME ♪ ♪ OH, YEAH ♪ 2203 01:39:40.441 --> 01:39:42.000 ♪ SHE TALKS TO ANGELS ♪ ♪ THEY CALL HER OUT ♪ 2204 01:39:42.000 --> 01:39:47.281 ♪ SHE TALKS TO ANGELS ♪ ♪ THEY CALL HER OUT ♪ 2205 01:39:47.348 --> 01:39:48.000 ♪ BY HER NAME ♪ ♪ OH, YEAH ♪ 2206 01:39:48.000 --> 01:39:53.854 ♪ BY HER NAME ♪ ♪ OH, YEAH ♪ 2207 01:39:53.921 --> 01:39:54.000 ♪ SHE TALKS TO ANGELS ♪ ♪ THEY CALL HER OUT ♪ 2208 01:39:54.000 --> 01:39:59.827 ♪ SHE TALKS TO ANGELS ♪ ♪ THEY CALL HER OUT ♪ 2209 01:39:59.893 --> 01:40:00.000 ♪ BY HER NAME ♪ ♪ YES THEY DID ♪ 2210 01:40:00.000 --> 01:40:06.000 ♪ BY HER NAME ♪ ♪ YES THEY DID ♪ 2211 01:40:06.000 --> 01:40:08.936 ♪ BY HER NAME ♪ ♪ YES THEY DID ♪ 2212 01:40:09.002 --> 01:40:12.000 ♪ SHE TALKS TO ANGELS ♪ ♪ BY HER NAME ♪ 2213 01:40:12.000 --> 01:40:13.640 ♪ SHE TALKS TO ANGELS ♪ ♪ BY HER NAME ♪ 2214 01:40:13.707 --> 01:40:18.000 ♪ OH, YEAH ♪ ♪ DON'T YOU KNOW 2215 01:40:18.000 --> 01:40:18.112 ♪ OH, YEAH ♪ ♪ DON'T YOU KNOW 2216 01:40:18.178 --> 01:40:20.481 THEY CALL HER OUT ♪ ♪ CALL HER OUT ♪ 2217 01:40:20.547 --> 01:40:24.000 ♪ CALL HER OUT ♪ ♪ DON'T YOU KNOW ♪ 2218 01:40:24.000 --> 01:40:26.086 ♪ CALL HER OUT ♪ ♪ DON'T YOU KNOW ♪ 2219 01:40:26.153 --> 01:40:30.000 ♪ CALL HER OUT ♪ ♪ BY HER NAME ♪ 2220 01:40:30.000 --> 01:40:33.360 ♪ CALL HER OUT ♪ ♪ BY HER NAME ♪ 2221 01:40:39.666 --> 01:40:41.635 [CHEERS AND APPLAUSE] >> SHE'S ONE OF THE MOST 2222 01:40:41.702 --> 01:40:42.000 POWERFUL VOICES IN COUNTRY. 2223 01:40:42.000 --> 01:40:42.569 POWERFUL VOICES IN COUNTRY. 2224 01:40:42.636 --> 01:40:48.000 PLEASE WELCOME LEANN RIMES. 2225 01:40:48.000 --> 01:40:54.000 PLEASE WELCOME LEANN RIMES. 2226 01:40:54.000 --> 01:40:55.015 PLEASE WELCOME LEANN RIMES. 2227 01:40:55.082 --> 01:40:58.419 >> HELLO, EVERYONE! 2228 01:40:58.485 --> 01:41:00.000 WHAT AN INCREDIBLE PERFORMANCE. 2229 01:41:00.000 --> 01:41:00.187 WHAT AN INCREDIBLE PERFORMANCE. 2230 01:41:00.254 --> 01:41:06.000 THAT WAS A DREAM COME TRUE. 2231 01:41:06.000 --> 01:41:06.126 THAT WAS A DREAM COME TRUE. 2232 01:41:06.193 --> 01:41:08.295 WE ARE GOING TO SHOW THE MEN OF COUNTRIES AND LOVE. 2233 01:41:08.362 --> 01:41:12.000 THESE GUYS HAVE TURNED OUT TRULY UNFORGETTABLE SONGS AND VIDEOS 2234 01:41:12.000 --> 01:41:12.800 THESE GUYS HAVE TURNED OUT TRULY UNFORGETTABLE SONGS AND VIDEOS 2235 01:41:12.866 --> 01:41:14.802 THIS YEAR SO SOME MUCH-NEEDED RECOGNITION IS IN ORDER. 2236 01:41:14.868 --> 01:41:18.000 HERE ARE THE NOMINEES FOR BEST MALE VIDEO OF THE YEAR. 2237 01:41:18.000 --> 01:41:20.874 HERE ARE THE NOMINEES FOR BEST MALE VIDEO OF THE YEAR. 2238 01:41:20.941 --> 01:41:24.000 "ROCK AND A HARD PLACE" BAILEY ZIMMERMAN. 2239 01:41:24.000 --> 01:41:24.845 "ROCK AND A HARD PLACE" BAILEY ZIMMERMAN. 2240 01:41:24.912 --> 01:41:30.000 "HUMAN" CODY JOHNSON. 2241 01:41:30.000 --> 01:41:30.150 "HUMAN" CODY JOHNSON. 2242 01:41:30.217 --> 01:41:32.719 "SHE HAD ME AT HEADS CAROLINA" COLE SWINDELL 2243 01:41:32.786 --> 01:41:34.221 "SON OF A SINNER" JELLY ROLL 2244 01:41:34.288 --> 01:41:36.000 "LIKE I LOVE COUNTRY MUSIC" KANE BROWN. 2245 01:41:36.000 --> 01:41:36.790 "LIKE I LOVE COUNTRY MUSIC" KANE BROWN. 2246 01:41:36.857 --> 01:41:40.494 "THE KIND OF LOVE WE MAKE" LUKE COMBS. 2247 01:41:40.561 --> 01:41:42.000 "WASTED ON YOU" MORGAN WALLEN. 2248 01:41:42.000 --> 01:41:45.466 "WASTED ON YOU" MORGAN WALLEN. 2249 01:41:45.532 --> 01:41:47.734 MALE VIDEO OF THE YEAR. 2250 01:41:47.801 --> 01:41:48.000 >> AND THE WINNER IS... 2251 01:41:48.000 --> 01:41:53.040 >> AND THE WINNER IS... 2252 01:41:53.106 --> 01:41:54.000 JELLY ROLL! 2253 01:41:54.000 --> 01:41:54.575 JELLY ROLL! 2254 01:41:54.641 --> 01:42:00.000 "SON OF A SINNER." 2255 01:42:00.000 --> 01:42:04.184 "SON OF A SINNER." 2256 01:42:08.422 --> 01:42:10.424 [CHEERS AND APPLAUSE] ♪ ♪ 2257 01:42:48.262 --> 01:42:50.264 ♪ ♪ [CHEERS AND APPLAUSE] 2258 01:43:26.266 --> 01:43:29.670 >> I LOVE Y'ALL SO MUCH. 2259 01:43:29.736 --> 01:43:30.000 THANK YOU, CMT, BABY! 2260 01:43:30.000 --> 01:43:30.270 THANK YOU, CMT, BABY! 2261 01:43:30.337 --> 01:43:35.208 THREE AWARDS IN ONE NIGHT! 2262 01:43:35.275 --> 01:43:36.000 I HOPE Y'ALL GIVE ME A SECOND HERE. 2263 01:43:36.000 --> 01:43:40.147 I HOPE Y'ALL GIVE ME A SECOND HERE. 2264 01:43:40.213 --> 01:43:41.448 I'M A LITTLE EMOTIONAL. 2265 01:43:41.515 --> 01:43:42.000 I STARTED DRINKING. 2266 01:43:42.000 --> 01:43:42.316 I STARTED DRINKING. 2267 01:43:42.382 --> 01:43:47.187 I DIDN'T THINK I WAS GOING TO WIN AGAIN. 2268 01:43:47.254 --> 01:43:48.000 IT MAY HAVE LOOKED LIKE IT WAS ONLY 30 YARDS, BUT IT TOOK ME 39 2269 01:43:48.000 --> 01:43:51.425 IT MAY HAVE LOOKED LIKE IT WAS ONLY 30 YARDS, BUT IT TOOK ME 39 2270 01:43:51.491 --> 01:43:54.000 YEARS TO WALK FROM OVER THERE TO WRITE HERE. 2271 01:43:54.000 --> 01:43:58.131 YEARS TO WALK FROM OVER THERE TO WRITE HERE. 2272 01:43:58.198 --> 01:44:00.000 IN I WANT YOU TO KNOW THAT I DON'T KNOW WHAT YOU'RE GOING 2273 01:44:00.000 --> 01:44:00.767 IN I WANT YOU TO KNOW THAT I DON'T KNOW WHAT YOU'RE GOING 2274 01:44:00.834 --> 01:44:03.403 THROUGH AND I DON'T KNOW WHAT YOU'VE BEEN THROUGH BUT I KNOW 2275 01:44:03.470 --> 01:44:03.937 YOU CAN OVERCOME IT. 2276 01:44:04.004 --> 01:44:06.000 I PROMISE YOU YOU CAN. 2277 01:44:06.000 --> 01:44:09.409 I PROMISE YOU YOU CAN. 2278 01:44:09.476 --> 01:44:11.578 AND YOU CAN BE WHATEVER YOU WANT TO BE. 2279 01:44:11.645 --> 01:44:12.000 I PROMISE YOU THAT. 2280 01:44:12.000 --> 01:44:12.746 I PROMISE YOU THAT. 2281 01:44:12.813 --> 01:44:15.048 I TOLD THEM I WANTED TO BE A COUNTRY MUSIC SINGER AND I'VE 2282 01:44:15.115 --> 01:44:18.000 SEEN HERE AT THE CMT AWARDS WITH THE MALE VIDEO OF THE YEAR, BA 2283 01:44:18.000 --> 01:44:21.321 SEEN HERE AT THE CMT AWARDS WITH THE MALE VIDEO OF THE YEAR, BA 2284 01:44:21.388 --> 01:44:24.000 BABY! 2285 01:44:24.000 --> 01:44:24.324 BABY! 2286 01:44:24.391 --> 01:44:27.294 WHEN GOD HAS GOT SOMETHING FOR YOU, NOTHING CAN GET IN YOUR 2287 01:44:27.361 --> 01:44:28.362 WAY. 2288 01:44:28.428 --> 01:44:30.000 MAMA, I KNOW YOU'RE WATCHING. 2289 01:44:30.000 --> 01:44:30.163 MAMA, I KNOW YOU'RE WATCHING. 2290 01:44:30.230 --> 01:44:31.598 MAMA, LOOK AT YOUR BABY BOY. 2291 01:44:31.665 --> 01:44:36.000 I'M FIXING TO GET DRUNK DOWN DOWNTOWN. 2292 01:44:36.000 --> 01:44:41.908 I'M FIXING TO GET DRUNK DOWN DOWNTOWN. 2293 01:44:41.975 --> 01:44:42.000 I WANT TO THANK COUNTRY RADIO FOR ACCEPTING ME KNOWING WHO I 2294 01:44:42.000 --> 01:44:45.545 I WANT TO THANK COUNTRY RADIO FOR ACCEPTING ME KNOWING WHO I 2295 01:44:45.612 --> 01:44:48.000 WAS LETTING ME DO IT MY WAY THE WHOLE WAY TO THE STAGE TONIGHT. 2296 01:44:48.000 --> 01:44:49.783 WAS LETTING ME DO IT MY WAY THE WHOLE WAY TO THE STAGE TONIGHT. 2297 01:44:49.850 --> 01:44:52.085 THAT MEANS THE WORLD TO ME, Y'ALL. 2298 01:44:52.152 --> 01:44:54.000 I WANT TO THANK THE COUNTRY MUSIC COMMUNITY FOR STANDING 2299 01:44:54.000 --> 01:44:54.521 I WANT TO THANK THE COUNTRY MUSIC COMMUNITY FOR STANDING 2300 01:44:54.588 --> 01:44:56.623 BEHIND ME AND STANDING NEXT TO ME THROUGH ALL THIS AND FOR 2301 01:44:56.690 --> 01:44:58.291 EVERYBODY IN THIS CROWD, LISTEN CLOSE. 2302 01:44:58.358 --> 01:45:00.000 THIS WILL BE THE MOST IMPORTANT THING I SAY TONIGHT. 2303 01:45:00.000 --> 01:45:03.397 THIS WILL BE THE MOST IMPORTANT THING I SAY TONIGHT. 2304 01:45:03.463 --> 01:45:05.465 WE ARE SHUTTING SIXTH STREET DOWN TONIGHT, BABY! 2305 01:45:09.936 --> 01:45:11.038 >> COMING UP, AN EPIC PERFORMANCE 2306 01:45:11.104 --> 01:45:12.000 FROM ALANIS MORISSETTE WITH COUNTRY'S RISING STARS 2307 01:45:12.000 --> 01:45:15.175 FROM ALANIS MORISSETTE WITH COUNTRY'S RISING STARS 2308 01:45:15.242 --> 01:45:17.377 LAINEY WILSON, INGRID ANDRESS, MADELINE EDWARDS, 2309 01:45:17.444 --> 01:45:18.000 AND MORGAN WADE, PLUS CARRIE UNDERWOOD LIGHTS UP 2310 01:45:18.000 --> 01:45:20.047 AND MORGAN WADE, PLUS CARRIE UNDERWOOD LIGHTS UP 2311 01:45:20.113 --> 01:45:23.183 DOWNTOWN AUSTIN. 2312 01:45:23.250 --> 01:45:24.000 THE ALL-STARS OF COUNTRY AND ROCK CELEBRATE THE LEGENDRY 2313 01:45:24.000 --> 01:45:24.217 THE ALL-STARS OF COUNTRY AND ROCK CELEBRATE THE LEGENDRY 2314 01:45:24.284 --> 01:45:26.853 LYNYRD SKYNYRD. 2315 01:45:26.920 --> 01:45:27.988 FOLLOW @CMT EVERYWHERE FOR MORE BEHIND THE SCENES AT THE 2316 01:45:28.055 --> 01:45:30.000 CMT MUSIC AWARDS! 2317 01:45:30.000 --> 01:45:33.193 CMT MUSIC AWARDS! 2318 01:45:33.260 --> 01:45:36.000 >> THE 2023 CMT MUSIC AWARDS SPONSORED BY 2319 01:45:36.000 --> 01:45:36.997 >> THE 2023 CMT MUSIC AWARDS SPONSORED BY 2320 01:45:37.064 --> 01:45:37.964 PROGRESSIVE. 2321 01:45:38.031 --> 01:45:38.899 SAVE WHEN YOU BUNDLE AUTO, HOME, OR MOTORCYCLE 2322 01:45:38.965 --> 01:45:39.466 INSURANCE. 2323 01:45:55.215 --> 01:45:59.619 >> PLEASE WELCOME BACK CARLY PEARCE! 2324 01:45:59.686 --> 01:46:00.000 >> 10 YEARS AGO, CMT LAUNCHED ITS NEXT WOMEN OF COUNTRY 2325 01:46:00.000 --> 01:46:02.355 >> 10 YEARS AGO, CMT LAUNCHED ITS NEXT WOMEN OF COUNTRY 2326 01:46:02.422 --> 01:46:06.000 PROGRAM, A MEANINGFUL AND THIS GROUNDBREAKING 2327 01:46:06.000 --> 01:46:07.160 PROGRAM, A MEANINGFUL AND THIS GROUNDBREAKING 2328 01:46:07.227 --> 01:46:08.729 INITIATIVE HIGHLIGHTS A NEW CLASS OF RISING WOMEN 2329 01:46:08.795 --> 01:46:10.597 AND PROVIDES THEM WITH CAREER-CHANGING OPPORTUNITIES. 2330 01:46:10.664 --> 01:46:12.000 SINCE THEN, OVER 100 ARTISTS, INCLUDING MYSELF, HAVE BEEN 2331 01:46:12.000 --> 01:46:17.170 SINCE THEN, OVER 100 ARTISTS, INCLUDING MYSELF, HAVE BEEN 2332 01:46:17.237 --> 01:46:18.000 SUPPORTED THROUGH THE PROGRAM, OPENING DOORS AND MAKING CLEAR 2333 01:46:18.000 --> 01:46:21.141 SUPPORTED THROUGH THE PROGRAM, OPENING DOORS AND MAKING CLEAR 2334 01:46:21.208 --> 01:46:24.000 THAT OUR VOICES ARE VITAL TO COUNTRY MUSIC. 2335 01:46:24.000 --> 01:46:28.014 THAT OUR VOICES ARE VITAL TO COUNTRY MUSIC. 2336 01:46:28.081 --> 01:46:30.000 TONIGHT, FOUR OF THEM ARE HERE TO PERFORM WITH A WOMAN WHOSE 2337 01:46:30.000 --> 01:46:31.752 TONIGHT, FOUR OF THEM ARE HERE TO PERFORM WITH A WOMAN WHOSE 2338 01:46:31.818 --> 01:46:36.000 MUSIC BECAME THE DEFINING SOUNDTRACK FOR GENERATION X. 2339 01:46:36.000 --> 01:46:37.591 MUSIC BECAME THE DEFINING SOUNDTRACK FOR GENERATION X. 2340 01:46:37.657 --> 01:46:40.093 HER ALBUM "JAGGED LITTLE PILL" IS ONE OF THE BEST-SELLING 2341 01:46:40.160 --> 01:46:41.728 ALBUMS OF ALL TIME AND THE SONG "YOU OUGHTA KNOW" BECAME AN 2342 01:46:41.795 --> 01:46:42.000 ANTHEM FOR WOMEN. 2343 01:46:42.000 --> 01:46:48.000 ANTHEM FOR WOMEN. 2344 01:46:48.000 --> 01:46:49.669 ANTHEM FOR WOMEN. 2345 01:46:49.736 --> 01:46:50.904 WITH THE PERFORMANCE HONORING THE 10-YEAR ANNIVERSARY OF NEXT 2346 01:46:50.971 --> 01:46:54.000 WOMEN OF COUNTRY, PLEASE WELCOME LAINEY WILSON, 2347 01:46:54.000 --> 01:46:54.341 WOMEN OF COUNTRY, PLEASE WELCOME LAINEY WILSON, 2348 01:46:54.407 --> 01:46:55.709 INGRID ANDRESS, MADELINE EDWARDS, AND MORGAN 2349 01:46:55.776 --> 01:47:00.000 WADE, WITH THE ONE AND ONLY ALANIS MORRISSETTE! 2350 01:47:00.000 --> 01:47:02.649 WADE, WITH THE ONE AND ONLY ALANIS MORRISSETTE! 2351 01:47:02.716 --> 01:47:06.000 ♪ I WANT YOU TO KNOW ♪ ♪ THAT I'M HAPPY FOR YOU ♪ 2352 01:47:06.000 --> 01:47:10.991 ♪ I WANT YOU TO KNOW ♪ ♪ THAT I'M HAPPY FOR YOU ♪ 2353 01:47:11.057 --> 01:47:12.000 ♪ I WISH NOTHING BUT ♪ ♪ THE BEST FOR YOU BOTH ♪ 2354 01:47:12.000 --> 01:47:18.000 ♪ I WISH NOTHING BUT ♪ ♪ THE BEST FOR YOU BOTH ♪ 2355 01:47:18.000 --> 01:47:20.300 ♪ I WISH NOTHING BUT ♪ ♪ THE BEST FOR YOU BOTH ♪ 2356 01:47:20.367 --> 01:47:24.000 ♪ AN OLDER VERSION OF ME ♪ ♪ IS SHE PERVERTED LIKE ME? ♪ 2357 01:47:24.000 --> 01:47:24.171 ♪ AN OLDER VERSION OF ME ♪ ♪ IS SHE PERVERTED LIKE ME? ♪ 2358 01:47:24.237 --> 01:47:30.000 ♪ WOULD SHE ♪ ON YOU IN A THEATER ♪ 2359 01:47:30.000 --> 01:47:32.746 ♪ WOULD SHE ♪ ON YOU IN A THEATER ♪ 2360 01:47:32.813 --> 01:47:33.980 ♪ DOES SHE SPEAK ELOQUENTLY? ♪ ♪ AND WOULD SHE HAVE YOUR 2361 01:47:34.047 --> 01:47:35.081 BABY? ♪ ♪ I'M SURE SHE'D MAKE ♪ 2362 01:47:35.148 --> 01:47:36.000 ♪ A REALLY EXCELLENT MOTHER ♪ ♪ 'CAUSE THE LOVE ♪ 2363 01:47:36.000 --> 01:47:40.787 ♪ A REALLY EXCELLENT MOTHER ♪ ♪ 'CAUSE THE LOVE ♪ 2364 01:47:40.854 --> 01:47:41.955 ♪ THAT YOU GAVE ♪ ♪ THAT WE MADE ♪ 2365 01:47:42.022 --> 01:47:43.690 ♪ WASN'T ABLE TO MAKE IT ENOUGH ♪ 2366 01:47:43.757 --> 01:47:47.994 ♪ FOR YOU TO BE OPEN WIDE ♪ ♪ NO ♪ 2367 01:47:48.061 --> 01:47:50.463 ♪ AND EVERY TIME YOU ♪ ♪ SPEAK HER NAME ♪ 2368 01:47:50.530 --> 01:47:53.266 ♪ DOES SHE KNOW HOW YOU TOLD ME ♪ 2369 01:47:53.333 --> 01:47:54.000 ♪ YOU'D HOLD ME UNTIL YOU DIED ♪ ♪ TILL YOU DIED ♪ 2370 01:47:54.000 --> 01:47:55.335 ♪ YOU'D HOLD ME UNTIL YOU DIED ♪ ♪ TILL YOU DIED ♪ 2371 01:47:55.402 --> 01:48:00.000 ♪ BUT YOU'RE STILL ALIVE ♪ ♪ AND I'M HERE ♪ 2372 01:48:00.000 --> 01:48:00.941 ♪ BUT YOU'RE STILL ALIVE ♪ ♪ AND I'M HERE ♪ 2373 01:48:01.007 --> 01:48:03.743 ♪ TO REMIND YOU ♪ ♪ OF THE MESS YOU LEFT ♪ 2374 01:48:03.810 --> 01:48:06.000 ♪ WHEN YOU WENT AWAY ♪ ♪ IT'S NOT FAIR ♪ 2375 01:48:06.000 --> 01:48:07.948 ♪ WHEN YOU WENT AWAY ♪ ♪ IT'S NOT FAIR ♪ 2376 01:48:08.014 --> 01:48:12.000 ♪ TO DENY ME ♪ ♪ OF THE CROSS I BEAR ♪ 2377 01:48:12.000 --> 01:48:13.053 ♪ TO DENY ME ♪ ♪ OF THE CROSS I BEAR ♪ 2378 01:48:13.119 --> 01:48:16.323 ♪ THAT YOU GAVE TO ME ♪ ♪ YOU, YOU, YOU ♪ 2379 01:48:16.389 --> 01:48:18.000 ♪ OUGHTA KNOW ♪ ♪ YOU SEEM VERY WELL ♪ 2380 01:48:18.000 --> 01:48:24.000 ♪ OUGHTA KNOW ♪ ♪ YOU SEEM VERY WELL ♪ 2381 01:48:24.000 --> 01:48:24.130 ♪ OUGHTA KNOW ♪ ♪ YOU SEEM VERY WELL ♪ 2382 01:48:24.197 --> 01:48:30.000 ♪ THINGS LOOK PEACEFUL ♪ ♪ I'M NOT QUITE AS WELL ♪ 2383 01:48:30.000 --> 01:48:32.272 ♪ THINGS LOOK PEACEFUL ♪ ♪ I'M NOT QUITE AS WELL ♪ 2384 01:48:32.339 --> 01:48:36.000 ♪ I THOUGHT YOU SHOULD KNOW ♪ ♪ DID YOU FORGET ABOUT ME ♪ 2385 01:48:36.000 --> 01:48:39.012 ♪ I THOUGHT YOU SHOULD KNOW ♪ ♪ DID YOU FORGET ABOUT ME ♪ 2386 01:48:39.079 --> 01:48:42.000 ♪ MR. DUPLICITY ♪ ♪ I HATE TO BUG YOU ♪ 2387 01:48:42.000 --> 01:48:42.249 ♪ MR. DUPLICITY ♪ ♪ I HATE TO BUG YOU ♪ 2388 01:48:42.315 --> 01:48:48.000 ♪ IN THE MIDDLE OF DINNER ♪ ♪ IT WAS A SLAP IN THE FACE ♪ 2389 01:48:48.000 --> 01:48:50.190 ♪ IN THE MIDDLE OF DINNER ♪ ♪ IT WAS A SLAP IN THE FACE ♪ 2390 01:48:50.257 --> 01:48:54.000 ♪ HOW QUICKLY I WAS REPLACED ♪ ♪ AND ARE YOU THINKING OF ME ♪ 2391 01:48:54.000 --> 01:48:57.197 ♪ HOW QUICKLY I WAS REPLACED ♪ ♪ AND ARE YOU THINKING OF ME ♪ 2392 01:48:57.264 --> 01:48:58.431 ♪ WHEN YOU ♪ ♪ 'CAUSE THE LOVE ♪ 2393 01:48:58.498 --> 01:48:59.599 ♪ THAT YOU GAVE ♪ ♪ THAT WE MADE ♪ 2394 01:48:59.666 --> 01:49:00.000 ♪ WASN'T ABLE TO MAKE IT ENOUGH ♪ 2395 01:49:00.000 --> 01:49:01.534 ♪ WASN'T ABLE TO MAKE IT ENOUGH ♪ 2396 01:49:01.601 --> 01:49:06.000 ♪ FOR YOU TO BE OPEN WIDE ♪ ♪ NO ♪ 2397 01:49:06.000 --> 01:49:06.139 ♪ FOR YOU TO BE OPEN WIDE ♪ ♪ NO ♪ 2398 01:49:06.206 --> 01:49:08.174 ♪ AND EVERY TIME ♪ ♪ YOU SPEAK HER NAME ♪ 2399 01:49:08.241 --> 01:49:09.943 ♪ DOES SHE KNOW HOW YOU TOLD ME ♪ 2400 01:49:10.010 --> 01:49:12.000 ♪ YOU'D HOLD ME UNTIL YOU DIED ♪ ♪ 'TIL YOU DIED ♪ 2401 01:49:12.000 --> 01:49:12.579 ♪ YOU'D HOLD ME UNTIL YOU DIED ♪ ♪ 'TIL YOU DIED ♪ 2402 01:49:12.646 --> 01:49:15.649 ♪ BUT YOU'RE STILL ALIVE ♪ ♪ AND I'M HERE ♪ 2403 01:49:15.715 --> 01:49:18.000 ♪ TO REMIND YOU ♪ ♪ OF THE MESS YOU LEFT ♪ 2404 01:49:18.000 --> 01:49:20.787 ♪ TO REMIND YOU ♪ ♪ OF THE MESS YOU LEFT ♪ 2405 01:49:20.854 --> 01:49:24.000 ♪ WHEN YOU WENT AWAY ♪ ♪ IT'S NOT FAIR ♪ 2406 01:49:24.000 --> 01:49:25.859 ♪ WHEN YOU WENT AWAY ♪ ♪ IT'S NOT FAIR ♪ 2407 01:49:25.926 --> 01:49:29.763 ♪ TO DENY ME ♪ ♪ OF THE CROSS I BEAR ♪ 2408 01:49:29.829 --> 01:49:30.000 ♪ THAT YOU GAVE TO ME ♪ ♪ YOU, YOU, YOU ♪ 2409 01:49:30.000 --> 01:49:36.000 ♪ THAT YOU GAVE TO ME ♪ ♪ YOU, YOU, YOU ♪ 2410 01:49:36.000 --> 01:49:38.405 ♪ THAT YOU GAVE TO ME ♪ ♪ YOU, YOU, YOU ♪ 2411 01:49:38.471 --> 01:49:40.774 ♪ OUGHTA KNOW ♪ 2412 01:49:41.708 --> 01:49:42.000 ♪ ♪ ♪ AH, AH, AH ♪ 2413 01:49:42.000 --> 01:49:48.000 ♪ ♪ ♪ AH, AH, AH ♪ 2414 01:49:48.000 --> 01:49:54.000 ♪ ♪ ♪ AH, AH, AH ♪ 2415 01:49:54.000 --> 01:49:56.589 ♪ ♪ ♪ AH, AH, AH ♪ 2416 01:49:56.656 --> 01:50:00.000 ♪ ♪ ♪ AH, AH, AH ♪ 2417 01:50:00.000 --> 01:50:06.000 ♪ ♪ ♪ AH, AH, AH ♪ 2418 01:50:06.000 --> 01:50:09.402 ♪ ♪ ♪ AH, AH, AH ♪ 2419 01:50:09.469 --> 01:50:12.000 ♪ OH, OH, OH ♪ ♪ OH, OH, OH ♪ 2420 01:50:12.000 --> 01:50:18.000 ♪ OH, OH, OH ♪ ♪ OH, OH, OH ♪ 2421 01:50:18.000 --> 01:50:22.682 ♪ OH, OH, OH ♪ ♪ OH, OH, OH ♪ 2422 01:50:22.749 --> 01:50:24.000 ♪ 'CAUSE THE JOKE ♪ ♪ THAT YOU MADE ♪ 2423 01:50:24.000 --> 01:50:24.884 ♪ 'CAUSE THE JOKE ♪ ♪ THAT YOU MADE ♪ 2424 01:50:24.951 --> 01:50:27.187 ♪ IN THE BED THAT WAS ME ♪ ♪ AND I'M NOT GONNA FADE ♪ 2425 01:50:27.253 --> 01:50:30.000 ♪ AS SOON AS YOU CLOSE YOUR EYES ♪ 2426 01:50:30.000 --> 01:50:30.724 ♪ AS SOON AS YOU CLOSE YOUR EYES ♪ 2427 01:50:30.790 --> 01:50:33.660 ♪ AND YOU KNOW IT ♪ ♪ AND EVERY TIME I SCRATCH ♪ 2428 01:50:33.727 --> 01:50:35.996 ♪ MY NAILS ♪ ♪ DOWN SOMEONE ELSE'S BACK ♪ 2429 01:50:36.062 --> 01:50:42.000 ♪ I HOPE YOU FEEL IT ♪ ♪ WELL, CAN YOU FEEL IT? ♪ 2430 01:50:42.000 --> 01:50:42.469 ♪ I HOPE YOU FEEL IT ♪ ♪ WELL, CAN YOU FEEL IT? ♪ 2431 01:50:42.535 --> 01:50:47.640 ♪ YEAH, I'M HERE ♪ ♪ TO REMIND YOU ♪ 2432 01:50:47.707 --> 01:50:48.000 ♪ OF THE MESS YOU LEFT ♪ ♪ WHEN YOU WENT AWAY ♪ 2433 01:50:48.000 --> 01:50:51.144 ♪ OF THE MESS YOU LEFT ♪ ♪ WHEN YOU WENT AWAY ♪ 2434 01:50:51.211 --> 01:50:54.000 ♪ IT'S NOT FAIR ♪ ♪ TO DENY ME ♪ 2435 01:50:54.000 --> 01:50:57.350 ♪ IT'S NOT FAIR ♪ ♪ TO DENY ME ♪ 2436 01:50:57.417 --> 01:50:58.852 ♪ OF THE CROSS I BEAR ♪ ♪ THAT YOU GAVE TO ME ♪ 2437 01:50:58.918 --> 01:51:00.000 ♪ YOU, YOU, YOU ♪ ♪ OUGHTA KNOW WHY I'M HERE ♪ 2438 01:51:00.000 --> 01:51:03.990 ♪ YOU, YOU, YOU ♪ ♪ OUGHTA KNOW WHY I'M HERE ♪ 2439 01:51:04.057 --> 01:51:06.000 ♪ TO REMIND YOU ♪ ♪ OF THE MESS YOU LEFT ♪ 2440 01:51:06.000 --> 01:51:12.000 ♪ TO REMIND YOU ♪ ♪ OF THE MESS YOU LEFT ♪ 2441 01:51:12.000 --> 01:51:12.399 ♪ TO REMIND YOU ♪ ♪ OF THE MESS YOU LEFT ♪ 2442 01:51:12.465 --> 01:51:16.536 ♪ WHEN YOU WENT AWAY ♪ ♪ IT'S NOT FAIR, TO DENY ME ♪ 2443 01:51:16.603 --> 01:51:18.000 ♪ OF THE CROSS I BEAR ♪ ♪ THAT YOU GAVE TO ME ♪ 2444 01:51:18.000 --> 01:51:20.106 ♪ OF THE CROSS I BEAR ♪ ♪ THAT YOU GAVE TO ME ♪ 2445 01:51:20.173 --> 01:51:24.000 ♪ YOU, YOU, YOU ♪ ♪ OUGHTA KNOW ♪ 2446 01:51:24.000 --> 01:51:30.000 ♪ YOU, YOU, YOU ♪ ♪ OUGHTA KNOW ♪ 2447 01:51:30.000 --> 01:51:30.183 ♪ YOU, YOU, YOU ♪ ♪ OUGHTA KNOW ♪ 2448 01:51:30.250 --> 01:51:36.000 [CHEERS AND APPLAUSE] 2449 01:51:36.000 --> 01:51:36.589 [CHEERS AND APPLAUSE] 2450 01:51:43.163 --> 01:51:48.000 >> WITH THE SONG THAT WON HER CMT MUSIC AWARDS NIGHT, 2451 01:51:48.000 --> 01:51:49.469 >> WITH THE SONG THAT WON HER CMT MUSIC AWARDS NIGHT, 2452 01:51:49.536 --> 01:51:54.000 "TENNESSEE ORANGE," HERE TONIGHT ON THE RAM TRUCKS STAGE, 2453 01:51:54.000 --> 01:51:55.508 "TENNESSEE ORANGE," HERE TONIGHT ON THE RAM TRUCKS STAGE, 2454 01:51:55.575 --> 01:51:59.245 IT'S MEGAN MORONEY! 2455 01:51:59.312 --> 01:52:00.000 ♪ TOOK ME TO KNOXVILLE ♪ ♪ LAST SATURDAY ♪ 2456 01:52:00.000 --> 01:52:01.047 ♪ TOOK ME TO KNOXVILLE ♪ ♪ LAST SATURDAY ♪ 2457 01:52:01.114 --> 01:52:02.115 ♪ AND I WORE THE HAT ♪ ♪ ON HIS DASH TO THE GAME ♪ 2458 01:52:02.182 --> 01:52:04.951 ♪ IT SURE WASN'T ATHENS BUT I ♪ ♪ FELL FOR HIM ♪ 2459 01:52:05.018 --> 01:52:06.000 ♪ UNDER THOSE NEYLAND LIGHTS ♪ ♪ I MET SOMEBODY ♪ 2460 01:52:06.000 --> 01:52:09.556 ♪ UNDER THOSE NEYLAND LIGHTS ♪ ♪ I MET SOMEBODY ♪ 2461 01:52:09.622 --> 01:52:12.000 ♪ AND HE'S GOT BLUE EYES ♪ ♪ HE OPENS THE DOOR AND HE ♪ 2462 01:52:12.000 --> 01:52:15.662 ♪ AND HE'S GOT BLUE EYES ♪ ♪ HE OPENS THE DOOR AND HE ♪ 2463 01:52:15.728 --> 01:52:17.764 ♪ DON'T MAKE ME CRY ♪ HE AIN'T ♪ 2464 01:52:17.831 --> 01:52:18.000 ♪ FROM WHERE WE'RE FROM BUT HE ♪ ♪ FEELS LIKE HOME, YEAH ♪ 2465 01:52:18.000 --> 01:52:21.835 ♪ FROM WHERE WE'RE FROM BUT HE ♪ ♪ FEELS LIKE HOME, YEAH ♪ 2466 01:52:21.901 --> 01:52:24.000 ♪ HE'S GOT ME DOIN' THINGS ♪ ♪ I'VE NEVER DONE ♪ 2467 01:52:24.000 --> 01:52:27.040 ♪ HE'S GOT ME DOIN' THINGS ♪ ♪ I'VE NEVER DONE ♪ 2468 01:52:27.107 --> 01:52:30.000 ♪ IN GEORGIA ♪ ♪ THEY'D CALL IT A SIN ♪ 2469 01:52:30.000 --> 01:52:31.311 ♪ IN GEORGIA ♪ ♪ THEY'D CALL IT A SIN ♪ 2470 01:52:31.377 --> 01:52:36.000 ♪ I'M WEARIN' TENNESSEE ORANGE ♪ ♪ FOR HIM ♪ 2471 01:52:36.000 --> 01:52:42.000 ♪ I'M WEARIN' TENNESSEE ORANGE ♪ ♪ FOR HIM ♪ 2472 01:52:42.000 --> 01:52:45.158 ♪ I'M WEARIN' TENNESSEE ORANGE ♪ ♪ FOR HIM ♪ 2473 01:52:45.225 --> 01:52:47.160 [CHEERS AND APPLAUSE] >> VOTING FOR VIDEO OF THE YEAR 2474 01:52:47.227 --> 01:52:48.000 HAS OFFICIALLY CLOSED. 2475 01:52:48.000 --> 01:52:48.094 HAS OFFICIALLY CLOSED. 2476 01:52:48.161 --> 01:52:49.329 FIND OUT THE WINNER LATER. 2477 01:52:49.395 --> 01:52:52.599 BUT NEXT, CARRIE UNDERWOOD TAKES OVER DOWNTOWN AUSTIN ON OUR 2478 01:52:52.665 --> 01:52:53.900 CAPITOL STAGE. 2479 01:52:53.967 --> 01:52:54.000 AND LATER, AN ALL-STAR TRIBUTE OF GARY ROSSINGTON 2480 01:52:54.000 --> 01:52:59.539 AND LATER, AN ALL-STAR TRIBUTE OF GARY ROSSINGTON 2481 01:52:59.606 --> 01:53:00.000 AND LYNYRD SKYNYRD. 2482 01:53:00.000 --> 01:53:00.640 AND LYNYRD SKYNYRD. 2483 01:53:00.707 --> 01:53:02.509 WE'RE LIVE BEHIND THE SCENES OF THE CMT MUSIC AWARDS! 2484 01:53:02.575 --> 01:53:04.177 CHECK IT OUT ON YOUTUBE NOW. 2485 01:53:04.244 --> 01:53:04.744 THIS IS CBS. 2486 01:53:35.208 --> 01:53:36.000 >> STILL HANGING OUT BACK HERE IN THE SOLITAIRE GRAND HARVEST 2487 01:53:36.000 --> 01:53:36.709 >> STILL HANGING OUT BACK HERE IN THE SOLITAIRE GRAND HARVEST 2488 01:53:36.776 --> 01:53:39.145 GAME LOUNGE. 2489 01:53:39.212 --> 01:53:41.881 CODY ALAN IS GETTING HIS CHANCE. 2490 01:53:41.948 --> 01:53:42.000 LETS KEEP IT GOING WITH SINGER AND SOCIAL MEDIA SENSATION, 2491 01:53:42.000 --> 01:53:47.587 LETS KEEP IT GOING WITH SINGER AND SOCIAL MEDIA SENSATION, 2492 01:53:47.654 --> 01:53:48.000 WHOSE NEW SINGLE IS OUT FRIDAY. 2493 01:53:48.000 --> 01:53:52.158 WHOSE NEW SINGLE IS OUT FRIDAY. 2494 01:53:52.225 --> 01:53:53.693 DIXIE D'AMELIO! 2495 01:53:53.760 --> 01:53:54.000 LET'S GO! 2496 01:53:54.000 --> 01:53:58.264 LET'S GO! 2497 01:53:58.331 --> 01:54:00.000 >> THIS PERFORMER IS AN INSPIRATION TO ANYONE WHO 2498 01:54:00.000 --> 01:54:00.533 >> THIS PERFORMER IS AN INSPIRATION TO ANYONE WHO 2499 01:54:00.600 --> 01:54:04.037 HAS EVER TAKEN THE STAGE, AND YOU ARE ABOUT TO SEE WHY. 2500 01:54:04.103 --> 01:54:06.000 SHE BRINGS IT WITH EVERY NOTE EVERY TIME, WHETHER SHE'S 2501 01:54:06.000 --> 01:54:08.441 SHE BRINGS IT WITH EVERY NOTE EVERY TIME, WHETHER SHE'S 2502 01:54:08.508 --> 01:54:12.000 PERFORMING ON HER SOLD OUT TOUR, HER HIT LAS VEGAS RESIDENCY, 2503 01:54:12.000 --> 01:54:12.245 PERFORMING ON HER SOLD OUT TOUR, HER HIT LAS VEGAS RESIDENCY, 2504 01:54:12.312 --> 01:54:13.646 OR RIGHT HERE ON CMT. 2505 01:54:13.713 --> 01:54:18.000 TEXAS, MAKE SOME NOISE FOR MY FAVORITE, 2506 01:54:18.000 --> 01:54:20.186 TEXAS, MAKE SOME NOISE FOR MY FAVORITE, 2507 01:54:20.253 --> 01:54:24.000 CARRIE UNDERWOOD! 2508 01:54:24.000 --> 01:54:27.460 CARRIE UNDERWOOD! 2509 01:54:31.197 --> 01:54:36.000 ♪ ♪ ♪ I'M FREE AS A BIRD ♪ 2510 01:54:36.000 --> 01:54:40.006 ♪ ♪ ♪ I'M FREE AS A BIRD ♪ 2511 01:54:40.073 --> 01:54:42.000 ♪ NO TIES ♪ ♪ NOTHIN' KEEPING MY WINGS ♪ 2512 01:54:42.000 --> 01:54:42.442 ♪ NO TIES ♪ ♪ NOTHIN' KEEPING MY WINGS ♪ 2513 01:54:42.508 --> 01:54:46.980 ♪ FROM FLYING HIGH ♪ ♪ AND GOING OUT ON THE TOWN ♪ 2514 01:54:47.046 --> 01:54:48.000 ♪ ON A SATURDAY NIGHT ♪ ♪ 'CAUSE HE'S GONE ♪ 2515 01:54:48.000 --> 01:54:50.583 ♪ ON A SATURDAY NIGHT ♪ ♪ 'CAUSE HE'S GONE ♪ 2516 01:54:50.650 --> 01:54:54.000 ♪ WITH THE WIND ♪ ♪ AND LORD KNOWS I DESERVE ♪ 2517 01:54:54.000 --> 01:54:54.487 ♪ WITH THE WIND ♪ ♪ AND LORD KNOWS I DESERVE ♪ 2518 01:54:54.554 --> 01:55:00.000 ♪ TO BE FLIRTED WITH ♪ ♪ BUT THE ONLY PROBLEM IS ♪ 2519 01:55:00.000 --> 01:55:01.961 ♪ TO BE FLIRTED WITH ♪ ♪ BUT THE ONLY PROBLEM IS ♪ 2520 01:55:02.028 --> 01:55:04.797 ♪ I HATE MY HEART RIGHT NOW ♪ ♪ UNDERNEATH THE COVERS ♪ 2521 01:55:04.864 --> 01:55:06.000 ♪ IN THE DARK RIGHT NOW ♪ ♪ WISHIN' I WAS ♪ 2522 01:55:06.000 --> 01:55:07.600 ♪ IN THE DARK RIGHT NOW ♪ ♪ WISHIN' I WAS ♪ 2523 01:55:07.667 --> 01:55:12.000 ♪ SITTING IN A BAR RIGHT NOW ♪ ♪ TWO DRINKS IN ♪ 2524 01:55:12.000 --> 01:55:12.305 ♪ SITTING IN A BAR RIGHT NOW ♪ ♪ TWO DRINKS IN ♪ 2525 01:55:12.372 --> 01:55:16.609 ♪ MAKIN' ME A LAST CALL FRIEND ♪ ♪ I WANT MY FEEL GOOD BACK ♪ 2526 01:55:16.676 --> 01:55:18.000 ♪ INSTEAD OF FEELING BAD ♪ ♪ THAT I CAN'T GET PAST ♪ 2527 01:55:18.000 --> 01:55:19.646 ♪ INSTEAD OF FEELING BAD ♪ ♪ THAT I CAN'T GET PAST ♪ 2528 01:55:19.712 --> 01:55:23.650 ♪ THE FACT THAT I CAN'T LOVE NOBODY ELSE ♪ 2529 01:55:23.716 --> 01:55:24.000 ♪ I WOULD IF I COULD ♪ ♪ BUT I DON'T KNOW HOW ♪ 2530 01:55:24.000 --> 01:55:27.053 ♪ I WOULD IF I COULD ♪ ♪ BUT I DON'T KNOW HOW ♪ 2531 01:55:27.120 --> 01:55:30.000 ♪ I HATE MY HEART ♪ ♪ RIGHT NOW, YEAH ♪ 2532 01:55:30.000 --> 01:55:33.192 ♪ I HATE MY HEART ♪ ♪ RIGHT NOW, YEAH ♪ 2533 01:55:33.259 --> 01:55:36.000 ♪ HATE MY ♪ ♪ HEART RIGHT NOW ♪ 2534 01:55:36.000 --> 01:55:40.033 ♪ HATE MY ♪ ♪ HEART RIGHT NOW ♪ 2535 01:55:40.099 --> 01:55:42.000 ♪ I DON'T WANT HIM BACK ♪ ♪ THAT AIN'T IT ♪ 2536 01:55:42.000 --> 01:55:43.903 ♪ I DON'T WANT HIM BACK ♪ ♪ THAT AIN'T IT ♪ 2537 01:55:43.970 --> 01:55:48.000 ♪ BUT THIS THING IN MY CHEST ♪ ♪ JUST CAN'T FORGET ♪ 2538 01:55:48.000 --> 01:55:49.208 ♪ BUT THIS THING IN MY CHEST ♪ ♪ JUST CAN'T FORGET ♪ 2539 01:55:49.275 --> 01:55:52.545 ♪ IT KEEPS BEATING FOR HIM ♪ ♪ AND IT JUST WON'T QUIT ♪ 2540 01:55:52.612 --> 01:55:54.000 ♪ I HATE MY HEART RIGHT NOW ♪ ♪ UNDERNEATH THE COVERS ♪ 2541 01:55:54.000 --> 01:55:59.152 ♪ I HATE MY HEART RIGHT NOW ♪ ♪ UNDERNEATH THE COVERS ♪ 2542 01:55:59.218 --> 01:56:00.000 ♪ IN THE DARK RIGHT NOW ♪ ♪ WISHIN' I WAS SITTING ♪ 2543 01:56:00.000 --> 01:56:02.088 ♪ IN THE DARK RIGHT NOW ♪ ♪ WISHIN' I WAS SITTING ♪ 2544 01:56:02.155 --> 01:56:06.000 ♪ IN A BAR RIGHT NOW ♪ ♪ TWO DRINKS IN ♪ 2545 01:56:06.000 --> 01:56:06.759 ♪ IN A BAR RIGHT NOW ♪ ♪ TWO DRINKS IN ♪ 2546 01:56:06.826 --> 01:56:12.000 ♪ MAKIN' ME A LAST CALL FRIEND ♪ ♪ I WANT MY FEEL-GOOD BACK ♪ 2547 01:56:12.000 --> 01:56:12.031 ♪ MAKIN' ME A LAST CALL FRIEND ♪ ♪ I WANT MY FEEL-GOOD BACK ♪ 2548 01:56:12.098 --> 01:56:14.467 ♪ INSTEAD OF FEELING BAD ♪ ♪ THAT I CAN'T GET PAST ♪ 2549 01:56:14.534 --> 01:56:18.000 ♪ THE FACT THAT I CAN'T LOVE NOBODY ELSE ♪ 2550 01:56:18.000 --> 01:56:18.237 ♪ THE FACT THAT I CAN'T LOVE NOBODY ELSE ♪ 2551 01:56:18.304 --> 01:56:21.541 ♪ I WOULD IF I COULD ♪ ♪ BUT I DON' KNOW HOW ♪ 2552 01:56:21.607 --> 01:56:24.000 ♪ I HATE MY ♪ ♪ HEART RIGHT NOW ♪ 2553 01:56:24.000 --> 01:56:28.081 ♪ I HATE MY ♪ ♪ HEART RIGHT NOW ♪ 2554 01:56:28.147 --> 01:56:30.000 ♪ I HATE MY HEART RIGHT NOW ♪ ♪ ONE DAY I PRAY ♪ 2555 01:56:30.000 --> 01:56:36.000 ♪ I HATE MY HEART RIGHT NOW ♪ ♪ ONE DAY I PRAY ♪ 2556 01:56:36.000 --> 01:56:39.659 ♪ I HATE MY HEART RIGHT NOW ♪ ♪ ONE DAY I PRAY ♪ 2557 01:56:39.726 --> 01:56:42.000 ♪ HE'LL STAY OUT OF MY HEAD ♪ ♪ I KEEP WAITING ♪ 2558 01:56:42.000 --> 01:56:45.965 ♪ HE'LL STAY OUT OF MY HEAD ♪ ♪ I KEEP WAITING ♪ 2559 01:56:46.032 --> 01:56:48.000 ♪ BUT IT AIN'T HAPPENED YET ♪ ♪ I HATE MY HEART RIGHT NOW ♪ 2560 01:56:48.000 --> 01:56:49.369 ♪ BUT IT AIN'T HAPPENED YET ♪ ♪ I HATE MY HEART RIGHT NOW ♪ 2561 01:56:49.435 --> 01:56:52.305 ♪ UNDERNEATH THE COVERS ♪ ♪ IN THE DARK RIGHT NOW ♪ 2562 01:56:52.372 --> 01:56:54.000 ♪ WISHIN' I WAS ♪ ♪ SITTING IN A BAR RIGHT ♪ 2563 01:56:54.000 --> 01:56:56.876 ♪ WISHIN' I WAS ♪ ♪ SITTING IN A BAR RIGHT ♪ 2564 01:56:56.943 --> 01:57:00.000 ♪ NOW ♪ ♪ WITH A TALL, DARK LAST CALL 2565 01:57:00.000 --> 01:57:00.246 ♪ NOW ♪ ♪ WITH A TALL, DARK LAST CALL 2566 01:57:00.313 --> 01:57:03.416 FRIEND AND MY ♪ ♪ FEEL GOOD BACK ♪ 2567 01:57:03.483 --> 01:57:06.000 ♪ INSTEAD OF FEELING BAD ♪ ♪ THAT I CAN'T GET PAST ♪ 2568 01:57:06.000 --> 01:57:06.152 ♪ INSTEAD OF FEELING BAD ♪ ♪ THAT I CAN'T GET PAST ♪ 2569 01:57:06.219 --> 01:57:09.489 ♪ THE FACT THAT I CAN'T LOVE NOBODY ELSE ♪ 2570 01:57:09.555 --> 01:57:12.000 ♪ I WOULD IF I COULD ♪ ♪ BUT I DON'T KNOW HOW ♪ 2571 01:57:12.000 --> 01:57:13.059 ♪ I WOULD IF I COULD ♪ ♪ BUT I DON'T KNOW HOW ♪ 2572 01:57:13.126 --> 01:57:18.000 ♪ I HATE MY HEART RIGHT NOW ♪ ♪ I HATE MY HEART RIGHT NOW ♪ 2573 01:57:18.000 --> 01:57:24.000 ♪ I HATE MY HEART RIGHT NOW ♪ ♪ I HATE MY HEART RIGHT NOW ♪ 2574 01:57:24.000 --> 01:57:24.370 ♪ I HATE MY HEART RIGHT NOW ♪ ♪ I HATE MY HEART RIGHT NOW ♪ 2575 01:57:24.437 --> 01:57:30.000 ♪ OH, YEAH ♪ 2576 01:57:30.000 --> 01:57:32.545 ♪ OH, YEAH ♪ 2577 01:57:36.616 --> 01:57:42.000 ♪ ♪ 2578 01:57:42.000 --> 01:57:48.000 ♪ ♪ 2579 01:57:48.000 --> 01:57:51.497 ♪ ♪ 2580 01:57:51.564 --> 01:57:52.698 ♪ ♪ 2581 01:57:54.500 --> 01:58:00.000 >> I FEEL LIKE I SHOULD BE DOING SOME SQUATS AFTER THAT BUT IT'S 2582 01:58:00.000 --> 01:58:00.473 >> I FEEL LIKE I SHOULD BE DOING SOME SQUATS AFTER THAT BUT IT'S 2583 01:58:00.540 --> 01:58:01.607 OKAY. 2584 01:58:01.674 --> 01:58:02.942 AND NOW FOR THE FINAL PERFORMANCE 2585 01:58:03.009 --> 01:58:05.244 ON THE RAM TRUCKS STAGE, WE'VE GOT A BAND WHO DOLLY PARTON 2586 01:58:05.311 --> 01:58:06.000 SAYS HAS A FUN NEW TAKE ON ONE OF HER SONGS. 2587 01:58:06.000 --> 01:58:06.813 SAYS HAS A FUN NEW TAKE ON ONE OF HER SONGS. 2588 01:58:06.879 --> 01:58:12.000 PERFORMING, "YOU CAN HAVE HIM JOLENE," THIS IS CHAPEL HART. 2589 01:58:12.000 --> 01:58:14.387 PERFORMING, "YOU CAN HAVE HIM JOLENE," THIS IS CHAPEL HART. 2590 01:58:17.457 --> 01:58:18.000 ♪ OH, JOLENE ♪ ♪ YOU CAN HAVE HIM ♪ 2591 01:58:18.000 --> 01:58:21.260 ♪ OH, JOLENE ♪ ♪ YOU CAN HAVE HIM ♪ 2592 01:58:21.327 --> 01:58:24.000 ♪ 'CAUSE HE DON'T ♪ ♪ MEAN MUCH TO ME ♪ 2593 01:58:24.000 --> 01:58:24.764 ♪ 'CAUSE HE DON'T ♪ ♪ MEAN MUCH TO ME ♪ 2594 01:58:24.831 --> 01:58:30.000 ♪ WELL, I'VE CRIED SO MUCH ♪ ♪ TIL RIVERS TURNED TO SEAS ♪ 2595 01:58:30.000 --> 01:58:31.237 ♪ WELL, I'VE CRIED SO MUCH ♪ ♪ TIL RIVERS TURNED TO SEAS ♪ 2596 01:58:31.304 --> 01:58:33.973 ♪ OH, JOLENE ♪ ♪ WHEN YOU THINK ♪ 2597 01:58:34.040 --> 01:58:35.341 ♪ THAT HE'S IN LOVE ♪ ♪ HE'LL SURELY LEAVE ♪ 2598 01:58:35.408 --> 01:58:36.000 ♪ LIKE HE DID ME ♪ ♪ YOU CAN HAVE HIM, JOLENE ♪ 2599 01:58:36.000 --> 01:58:42.000 ♪ LIKE HE DID ME ♪ ♪ YOU CAN HAVE HIM, JOLENE ♪ 2600 01:58:42.000 --> 01:58:42.014 ♪ LIKE HE DID ME ♪ ♪ YOU CAN HAVE HIM, JOLENE ♪ 2601 01:58:42.081 --> 01:58:48.000 ♪ YOU CAN HAVE HIM, JOLENE ♪ ♪ YOU CAN HAVE HIM ♪ 2602 01:58:48.000 --> 01:58:51.591 ♪ YOU CAN HAVE HIM, JOLENE ♪ ♪ YOU CAN HAVE HIM ♪ 2603 01:58:51.657 --> 01:58:54.000 ♪ JOLENE ♪ [CHEERS AND APPLAUSE] 2604 01:58:54.000 --> 01:59:00.000 ♪ JOLENE ♪ [CHEERS AND APPLAUSE] 2605 01:59:00.000 --> 01:59:02.301 ♪ JOLENE ♪ [CHEERS AND APPLAUSE] 2606 01:59:02.368 --> 01:59:06.000 >> COMING UP, DARIUS RUCKER HANDS OUT 2607 01:59:06.000 --> 01:59:07.206 >> COMING UP, DARIUS RUCKER HANDS OUT 2608 01:59:07.273 --> 01:59:08.741 THE BIGGEST AWARD OF THE NIGHT, VIDEO OF THE YEAR, 2609 01:59:08.808 --> 01:59:12.000 AND THEN WE'RE CLOSING THINGS OUT WITH AN UNFORGETTABLE 2610 01:59:12.000 --> 01:59:13.212 AND THEN WE'RE CLOSING THINGS OUT WITH AN UNFORGETTABLE 2611 01:59:13.279 --> 01:59:15.014 STAR-STUDDED CELEBRATION OF SOUTHERN ROCK GIANTS 2612 01:59:15.081 --> 01:59:15.882 LYNYRD SKYNYRD. 2613 01:59:15.948 --> 01:59:18.000 THE CMT MUSIC AWARDS CONTINUES. 2614 01:59:18.000 --> 01:59:18.217 THE CMT MUSIC AWARDS CONTINUES. 2615 01:59:18.284 --> 01:59:18.784 LIVE FROM AUSTIN, TEXAS. 2616 01:59:18.851 --> 01:59:19.352 THIS IS CBS. 2617 01:59:33.299 --> 01:59:36.000 ♪ ♪ >> YOU HAVE BEEN VOTING ALL 2618 01:59:36.000 --> 01:59:36.903 ♪ ♪ >> YOU HAVE BEEN VOTING ALL 2619 01:59:36.969 --> 01:59:37.904 NIGHT LONG TO HELP PICK THE WINNER OF OUR BIGGEST AWARD, NOW 2620 01:59:37.970 --> 01:59:40.873 IT'S TIME TO FIND OUT WHO IS GOING HOME WITH IT. 2621 01:59:40.940 --> 01:59:42.000 ARE YOU GUYS READY TO KNOW WHO IS GOING TO WIN? 2622 01:59:42.000 --> 01:59:45.044 ARE YOU GUYS READY TO KNOW WHO IS GOING TO WIN? 2623 01:59:45.111 --> 01:59:48.000 THESE ARE THE NOMINEES FOR VIDEO OF THE YEAR. 2624 01:59:48.000 --> 01:59:50.917 THESE ARE THE NOMINEES FOR VIDEO OF THE YEAR. 2625 01:59:50.983 --> 01:59:52.718 >> "HATE MY HEART" CARRIE UNDERWOOD 2626 01:59:52.785 --> 01:59:54.000 "WAIT IN THE TRUCK" HARDY FEATURING LAINEY WILSON 2627 01:59:54.000 --> 01:59:56.923 "WAIT IN THE TRUCK" HARDY FEATURING LAINEY WILSON 2628 01:59:56.989 --> 02:00:00.000 "THANK GOD" KANE BROWN AND KATELYN BROWN 2629 02:00:00.000 --> 02:00:01.627 "THANK GOD" KANE BROWN AND KATELYN BROWN 2630 02:00:01.694 --> 02:00:05.998 VIDEO OF THE YEAR. 2631 02:00:06.065 --> 02:00:08.834 >> AND THE WINNER IS... 2632 02:00:08.901 --> 02:00:12.000 KANE BROWN AND KATELYN BROWN "THANK GOD." 2633 02:00:12.000 --> 02:00:18.000 KANE BROWN AND KATELYN BROWN "THANK GOD." 2634 02:00:18.000 --> 02:00:20.613 KANE BROWN AND KATELYN BROWN "THANK GOD." 2635 02:00:20.680 --> 02:00:24.000 ♪ ♪ 2636 02:00:24.000 --> 02:00:30.000 ♪ ♪ 2637 02:00:30.000 --> 02:00:35.561 ♪ ♪ 2638 02:00:35.628 --> 02:00:36.000 ♪ ♪ 2639 02:00:36.000 --> 02:00:37.196 ♪ ♪ 2640 02:01:06.659 --> 02:01:07.259 >> OH, MY GOSH. 2641 02:01:07.326 --> 02:01:10.563 OH, MY GOSH. 2642 02:01:10.630 --> 02:01:12.000 FIRST OFF, I AM SO NERVOUS. 2643 02:01:12.000 --> 02:01:13.966 FIRST OFF, I AM SO NERVOUS. 2644 02:01:14.033 --> 02:01:15.234 THIS IS SO NEW TO ME. 2645 02:01:15.301 --> 02:01:18.000 WHEN WE RECORDED THE SONG A YEAR AGO, I NEVER IN MY LIFE WOULD 2646 02:01:18.000 --> 02:01:18.904 WHEN WE RECORDED THE SONG A YEAR AGO, I NEVER IN MY LIFE WOULD 2647 02:01:18.971 --> 02:01:22.942 EVER THINK THAT THIS WAS EVER GOING TO HAPPEN. 2648 02:01:23.009 --> 02:01:24.000 BUT I JUST WANT TO SAY THANK YOU SO MUCH TO MY AMAZING HUSBAND. 2649 02:01:24.000 --> 02:01:26.779 BUT I JUST WANT TO SAY THANK YOU SO MUCH TO MY AMAZING HUSBAND. 2650 02:01:26.846 --> 02:01:28.047 I LOVE YOU. 2651 02:01:28.114 --> 02:01:30.000 THIS IS A SPECIAL THAT WE GET TO SHARE THIS TOGETHER EVERY NIGHT 2652 02:01:30.000 --> 02:01:31.283 THIS IS A SPECIAL THAT WE GET TO SHARE THIS TOGETHER EVERY NIGHT 2653 02:01:31.350 --> 02:01:34.587 AND I LOVE YOU SO MUCH. 2654 02:01:34.654 --> 02:01:36.000 >> I'LL BE QUICK. 2655 02:01:36.000 --> 02:01:36.088 >> I'LL BE QUICK. 2656 02:01:36.155 --> 02:01:39.959 I WANT TO SAY THANK YOU TO THE FANS THAT VOTED. 2657 02:01:40.026 --> 02:01:42.000 THANK YOU TO SONY, MY AWESOME MANAGER, THIS IS ALEX. 2658 02:01:42.000 --> 02:01:45.097 THANK YOU TO SONY, MY AWESOME MANAGER, THIS IS ALEX. 2659 02:01:45.164 --> 02:01:45.865 HE MOVED HERE FROM BARCELONA. 2660 02:01:45.931 --> 02:01:47.333 HE WANTED TO BE A VIDEO DIRECTOR. 2661 02:01:47.400 --> 02:01:48.000 HE HAS DONE ALL OF MY MUSIC VIDEOS. 2662 02:01:48.000 --> 02:01:50.002 HE HAS DONE ALL OF MY MUSIC VIDEOS. 2663 02:01:50.069 --> 02:01:53.539 HE IS MAKING THE AMERICAN DREAM COME TRUE. 2664 02:01:53.606 --> 02:01:54.000 I LOVE YOU! 2665 02:01:54.000 --> 02:01:55.741 I LOVE YOU! 2666 02:01:55.808 --> 02:01:56.142 THANK YOU, CMT! 2667 02:01:56.208 --> 02:02:00.000 >> THANK YOU! 2668 02:02:00.000 --> 02:02:00.613 >> THANK YOU! 2669 02:02:00.680 --> 02:02:06.000 >> PLEASE WELCOME A GRAMMY WINNING ICON, 2670 02:02:06.000 --> 02:02:08.354 >> PLEASE WELCOME A GRAMMY WINNING ICON, 2671 02:02:08.421 --> 02:02:12.000 PETER FRAMPTON! 2672 02:02:12.000 --> 02:02:12.958 PETER FRAMPTON! 2673 02:02:13.025 --> 02:02:14.927 >> I AM HERE TONIGHT TO HONOR NA FRIEND AND TOURMATE 2674 02:02:14.994 --> 02:02:15.928 OF MINE GARY ROSSINGTON WAS A SOUTHERN 2675 02:02:15.995 --> 02:02:17.463 ROCK ICON. 2676 02:02:17.530 --> 02:02:18.000 HE WAS AN ORIGINAL FOUNDING MEMBER OF THE BELOVED GROUP 2677 02:02:18.000 --> 02:02:21.434 HE WAS AN ORIGINAL FOUNDING MEMBER OF THE BELOVED GROUP 2678 02:02:21.500 --> 02:02:24.000 LYNYRD SKYNYRD, ALONGSIDE RONNIE VAN ZANT 2679 02:02:24.000 --> 02:02:24.136 LYNYRD SKYNYRD, ALONGSIDE RONNIE VAN ZANT 2680 02:02:24.203 --> 02:02:25.571 AND ALAN COLLINS. 2681 02:02:25.638 --> 02:02:28.641 GARY NOT ONLY HELPED DEFINE THE BAND'S SOUND, HE INSPIRED 2682 02:02:28.708 --> 02:02:30.000 MILLIONS OF FANS AND MUSICIANS. 2683 02:02:30.000 --> 02:02:32.011 MILLIONS OF FANS AND MUSICIANS. 2684 02:02:32.078 --> 02:02:35.981 HE HAS NOW JOINED HIS FELLOW SKYNYRD BAND MATES IN ROCK 2685 02:02:36.048 --> 02:02:42.000 AND ROLL HEAVEN BUT WE WILL ALL ENJOY THEIR MUSIC FOREVER. 2686 02:02:42.000 --> 02:02:45.357 AND ROLL HEAVEN BUT WE WILL ALL ENJOY THEIR MUSIC FOREVER. 2687 02:02:45.424 --> 02:02:48.000 GARY'S WIFE AND BANDMATE DALE AND DAUGHTER MARY, 2688 02:02:48.000 --> 02:02:49.695 GARY'S WIFE AND BANDMATE DALE AND DAUGHTER MARY, 2689 02:02:49.762 --> 02:02:53.299 RICKEY MEDLOCKE, AND JOHNNY VAN ZANT ARE 2690 02:02:53.365 --> 02:02:54.000 HERE TONIGHT AS WELL AS RONNY'S 2691 02:02:54.000 --> 02:03:00.000 HERE TONIGHT AS WELL AS RONNY'S 2692 02:03:00.000 --> 02:03:00.406 HERE TONIGHT AS WELL AS RONNY'S 2693 02:03:00.473 --> 02:03:06.000 WIDOW, JUDY VAN ZANT, AND HIS GRANDDAUGHTER, ARAYAH. 2694 02:03:06.000 --> 02:03:08.380 WIDOW, JUDY VAN ZANT, AND HIS GRANDDAUGHTER, ARAYAH. 2695 02:03:08.447 --> 02:03:12.000 THANK YOU ALL FOR SHARING THIS MOMENT WITH US. 2696 02:03:12.000 --> 02:03:13.352 THANK YOU ALL FOR SHARING THIS MOMENT WITH US. 2697 02:03:13.419 --> 02:03:18.000 IT'S MY PLEASURE TO WELCOME 2698 02:03:18.000 --> 02:03:22.061 IT'S MY PLEASURE TO WELCOME 2699 02:03:22.128 --> 02:03:24.000 MEMBERS OF ZZ TOP, BAD COMPANY, GUNS N' ROSES, THE ALLMAN 2700 02:03:24.000 --> 02:03:26.232 MEMBERS OF ZZ TOP, BAD COMPANY, GUNS N' ROSES, THE ALLMAN 2701 02:03:26.298 --> 02:03:26.866 BROTHERS. 2702 02:03:26.932 --> 02:03:29.001 I AM RUNNING OUT OF FINGERS. 2703 02:03:29.068 --> 02:03:30.000 THREE OF COUNTRY'S GREATEST VOICES, LED BY THE 2704 02:03:30.000 --> 02:03:34.240 THREE OF COUNTRY'S GREATEST VOICES, LED BY THE 2705 02:03:34.306 --> 02:03:36.000 ROLLING STONES' MUSICAL DIRECTOR ON KEYS. 2706 02:03:36.000 --> 02:03:36.575 ROLLING STONES' MUSICAL DIRECTOR ON KEYS. 2707 02:03:36.642 --> 02:03:42.000 THEY ARE ALL HERE TO PAY TRIBUTE TO GARY AND THE KINGS OF 2708 02:03:42.000 --> 02:03:42.882 THEY ARE ALL HERE TO PAY TRIBUTE TO GARY AND THE KINGS OF 2709 02:03:42.948 --> 02:03:44.483 SOUTHERN ROCK! 2710 02:03:44.550 --> 02:03:48.000 LYNYRD SKYNYRD! 2711 02:03:48.000 --> 02:03:48.220 LYNYRD SKYNYRD! 2712 02:03:48.287 --> 02:03:52.525 HERE ARE CODY JOHNSON, BILLY GIBBONS, 2713 02:03:52.591 --> 02:03:54.000 PAUL RODGERS, SLASH, CHUCK LEAVELL, WARREN HAYNES, 2714 02:03:54.000 --> 02:03:55.694 PAUL RODGERS, SLASH, CHUCK LEAVELL, WARREN HAYNES, 2715 02:03:55.761 --> 02:04:00.000 AND OUR HONKETTES FOR TONIGHT WYNONNA JUDD AND LEANN RIMES! 2716 02:04:00.000 --> 02:04:03.302 AND OUR HONKETTES FOR TONIGHT WYNONNA JUDD AND LEANN RIMES! 2717 02:04:07.206 --> 02:04:12.000 ♪ ♪ >> YEAH, YEAH 2718 02:04:12.000 --> 02:04:18.000 ♪ ♪ >> YEAH, YEAH 2719 02:04:18.000 --> 02:04:20.786 ♪ ♪ >> YEAH, YEAH 2720 02:04:20.853 --> 02:04:24.000 ♪ MY MAMA TOLD ME ♪ ♪ WHEN I WAS YOUNG ♪ 2721 02:04:24.000 --> 02:04:24.924 ♪ MY MAMA TOLD ME ♪ ♪ WHEN I WAS YOUNG ♪ 2722 02:04:24.990 --> 02:04:30.000 ♪ COME SIT BESIDE ME ♪ ♪ MY ONLY SON ♪ 2723 02:04:30.000 --> 02:04:32.798 ♪ COME SIT BESIDE ME ♪ ♪ MY ONLY SON ♪ 2724 02:04:32.865 --> 02:04:36.000 ♪ AND LISTEN CLOSELY ♪ ♪ OH, BABY ♪ 2725 02:04:36.000 --> 02:04:36.569 ♪ AND LISTEN CLOSELY ♪ ♪ OH, BABY ♪ 2726 02:04:36.635 --> 02:04:42.000 ♪ TO WHAT I SAY ♪ ♪ AND IF YOU DO THIS ♪ 2727 02:04:42.000 --> 02:04:42.842 ♪ TO WHAT I SAY ♪ ♪ AND IF YOU DO THIS ♪ 2728 02:04:42.908 --> 02:04:48.000 ♪ IT'LL HELP YOU ♪ ♪ SOME SUNNY DAY ♪ 2729 02:04:48.000 --> 02:04:49.481 ♪ IT'LL HELP YOU ♪ ♪ SOME SUNNY DAY ♪ 2730 02:04:49.548 --> 02:04:54.000 ♪ AH, YEAH ♪ OOH, OOH ♪ 2731 02:04:54.000 --> 02:04:57.890 ♪ AH, YEAH ♪ OOH, OOH ♪ 2732 02:04:57.957 --> 02:05:00.000 ♪ GARY WAS A SIMPLE MAN ♪ YEAH, YEAH ♪ 2733 02:05:00.000 --> 02:05:05.531 ♪ GARY WAS A SIMPLE MAN ♪ YEAH, YEAH ♪ 2734 02:05:05.598 --> 02:05:06.000 ♪ OH, TAKE YOUR TIME ♪ ♪ DON'T LIVE TOO FAST ♪ 2735 02:05:06.000 --> 02:05:12.000 ♪ OH, TAKE YOUR TIME ♪ ♪ DON'T LIVE TOO FAST ♪ 2736 02:05:12.000 --> 02:05:18.000 ♪ OH, TAKE YOUR TIME ♪ ♪ DON'T LIVE TOO FAST ♪ 2737 02:05:18.000 --> 02:05:20.479 ♪ OH, TAKE YOUR TIME ♪ ♪ DON'T LIVE TOO FAST ♪ 2738 02:05:20.546 --> 02:05:21.247 ♪ OH, TAKE YOUR TIME ♪ ♪ DON'T LIVE TOO FAST ♪ 2739 02:05:21.313 --> 02:05:24.000 ♪ TROUBLES WILL COME ♪ ♪ OH ♪ 2740 02:05:24.000 --> 02:05:25.317 ♪ TROUBLES WILL COME ♪ ♪ OH ♪ 2741 02:05:25.384 --> 02:05:30.000 ♪ AND THEY WILL PASS ♪ ♪ YOU'LL FIND A WOMAN ♪ 2742 02:05:30.000 --> 02:05:34.226 ♪ AND THEY WILL PASS ♪ ♪ YOU'LL FIND A WOMAN ♪ 2743 02:05:34.293 --> 02:05:36.000 ♪ YEAH, YOU'LL FIND LOVE ♪ ♪ AND DON'T FORGET, SON ♪ 2744 02:05:36.000 --> 02:05:38.664 ♪ YEAH, YOU'LL FIND LOVE ♪ ♪ AND DON'T FORGET, SON ♪ 2745 02:05:38.731 --> 02:05:42.000 ♪ THERE IS SOMEONE UP ABOVE ♪ ♪ AND BE A SIMPLE ♪ 2746 02:05:42.000 --> 02:05:48.000 ♪ THERE IS SOMEONE UP ABOVE ♪ ♪ AND BE A SIMPLE ♪ 2747 02:05:48.000 --> 02:05:48.307 ♪ THERE IS SOMEONE UP ABOVE ♪ ♪ AND BE A SIMPLE ♪ 2748 02:05:48.374 --> 02:05:54.000 ♪ KIND OF MAN ♪ ♪ OH, BE SOMETHING ♪ 2749 02:05:54.000 --> 02:05:56.048 ♪ KIND OF MAN ♪ ♪ OH, BE SOMETHING ♪ 2750 02:05:56.115 --> 02:06:00.000 ♪ YOU LOVE AND UNDERSTAND ♪ ♪ BABY BE A SIMPLE ♪ 2751 02:06:00.000 --> 02:06:03.555 ♪ YOU LOVE AND UNDERSTAND ♪ ♪ BABY BE A SIMPLE ♪ 2752 02:06:03.622 --> 02:06:06.000 ♪ KIND OF MAN ♪ WON'T YOU DO THAT 2753 02:06:06.000 --> 02:06:12.000 ♪ KIND OF MAN ♪ WON'T YOU DO THAT 2754 02:06:12.000 --> 02:06:18.000 ♪ KIND OF MAN ♪ WON'T YOU DO THAT 2755 02:06:18.000 --> 02:06:18.003 ♪ KIND OF MAN ♪ WON'T YOU DO THAT 2756 02:06:18.070 --> 02:06:23.842 ANYTIME YOU CAN ♪ ♪ BABY, BE A SIMPLE ♪ 2757 02:06:23.909 --> 02:06:24.000 ♪ KIND OF MAN ♪ ♪ OH, BE SOMETHING ♪ 2758 02:06:24.000 --> 02:06:27.880 ♪ KIND OF MAN ♪ ♪ OH, BE SOMETHING ♪ 2759 02:06:27.947 --> 02:06:30.000 ♪ YOU LOVE AND UNDERSTAND ♪ ♪ BABY, BE A SIMPLE ♪ 2760 02:06:30.000 --> 02:06:36.000 ♪ YOU LOVE AND UNDERSTAND ♪ ♪ BABY, BE A SIMPLE ♪ 2761 02:06:36.000 --> 02:06:36.288 ♪ YOU LOVE AND UNDERSTAND ♪ ♪ BABY, BE A SIMPLE ♪ 2762 02:06:36.355 --> 02:06:42.000 ♪ KIND OF MAN ♪ ♪ OH, WON'T YOU DO THIS ♪ 2763 02:06:42.000 --> 02:06:42.594 ♪ KIND OF MAN ♪ ♪ OH, WON'T YOU DO THIS ♪ 2764 02:06:42.661 --> 02:06:48.000 ♪ FOR ME, SON ♪ ♪ IF YOU CAN ♪ 2765 02:06:48.000 --> 02:06:50.703 ♪ FOR ME, SON ♪ ♪ IF YOU CAN ♪ 2766 02:06:50.769 --> 02:06:54.000 [CHEERS AND APPLAUSE] ♪ ♪ 2767 02:06:54.000 --> 02:07:00.000 [CHEERS AND APPLAUSE] ♪ ♪ 2768 02:07:00.000 --> 02:07:01.347 [CHEERS AND APPLAUSE] ♪ ♪ 2769 02:07:01.413 --> 02:07:03.482 TURN IT UP NOW! 2770 02:07:03.549 --> 02:07:05.851 ♪ BIG WHEELS ♪ ♪ KEEP ON TURNIN' ♪ 2771 02:07:05.918 --> 02:07:06.000 ♪ CARRY ME HOME ♪ ♪ TO SEE MY KIN ♪ 2772 02:07:06.000 --> 02:07:11.123 ♪ CARRY ME HOME ♪ ♪ TO SEE MY KIN ♪ 2773 02:07:11.190 --> 02:07:12.000 ♪ SINGIN' SONGS ♪ ♪ ABOUT THE SOUTHLAND ♪ 2774 02:07:12.000 --> 02:07:18.000 ♪ SINGIN' SONGS ♪ ♪ ABOUT THE SOUTHLAND ♪ 2775 02:07:18.000 --> 02:07:22.668 ♪ SINGIN' SONGS ♪ ♪ ABOUT THE SOUTHLAND ♪ 2776 02:07:22.735 --> 02:07:24.000 ♪ I MISS ALABAMA ONCE AGAIN ♪ ♪ AND I THINK IT'S A SIN, YES ♪ 2777 02:07:24.000 --> 02:07:30.000 ♪ I MISS ALABAMA ONCE AGAIN ♪ ♪ AND I THINK IT'S A SIN, YES ♪ 2778 02:07:30.000 --> 02:07:36.000 ♪ I MISS ALABAMA ONCE AGAIN ♪ ♪ AND I THINK IT'S A SIN, YES ♪ 2779 02:07:36.000 --> 02:07:37.616 ♪ I MISS ALABAMA ONCE AGAIN ♪ ♪ AND I THINK IT'S A SIN, YES ♪ 2780 02:07:37.683 --> 02:07:38.484 ♪ I MISS ALABAMA ONCE AGAIN ♪ ♪ AND I THINK IT'S A SIN, YES ♪ 2781 02:07:38.550 --> 02:07:39.485 ♪ ♪ ♪ WELL, I HEARD MISTER YOUNG ♪ 2782 02:07:39.551 --> 02:07:42.000 ♪ SING ABOUT HER ♪ ♪ WELL, I HEARD OL' NEIL ♪ 2783 02:07:42.000 --> 02:07:45.724 ♪ SING ABOUT HER ♪ ♪ WELL, I HEARD OL' NEIL ♪ 2784 02:07:45.791 --> 02:07:48.000 ♪ PUT HER DOWN ♪ ♪ KEEP YOUR HEAD ♪ 2785 02:07:48.000 --> 02:07:53.432 ♪ PUT HER DOWN ♪ ♪ KEEP YOUR HEAD ♪ 2786 02:07:53.499 --> 02:07:54.000 ♪ WELL, I HOPE ♪ ♪ THEY WILL REMEMBER ♪ 2787 02:07:54.000 --> 02:07:55.634 ♪ WELL, I HOPE ♪ ♪ THEY WILL REMEMBER ♪ 2788 02:07:55.701 --> 02:07:57.403 ♪ A SOUTHERN MAN ♪ ♪ DON'T NEED HIM AROUND ANYHOW ♪ 2789 02:07:57.469 --> 02:08:00.000 ♪ SWEET HOME ALABAMA ♪ ♪ WHERE THE SKIES ARE SO BLUE ♪ 2790 02:08:00.000 --> 02:08:01.807 ♪ SWEET HOME ALABAMA ♪ ♪ WHERE THE SKIES ARE SO BLUE ♪ 2791 02:08:01.874 --> 02:08:06.000 ♪ SWEET HOME ALABAMA ♪ ♪ LORD, 2792 02:08:06.000 --> 02:08:08.113 ♪ SWEET HOME ALABAMA ♪ ♪ LORD, 2793 02:08:08.180 --> 02:08:12.000 I'M COMIN' HOME TO YOU ♪ 2794 02:08:12.000 --> 02:08:13.118 I'M COMIN' HOME TO YOU ♪ 2795 02:08:14.753 --> 02:08:18.000 ♪ ♪ 2796 02:08:18.000 --> 02:08:24.000 ♪ ♪ 2797 02:08:24.000 --> 02:08:25.464 ♪ ♪ 2798 02:08:26.965 --> 02:08:30.000 ♪ ♪ ♪ HEY, HEY, HEY ♪ 2799 02:08:30.000 --> 02:08:36.000 ♪ ♪ ♪ HEY, HEY, HEY ♪ 2800 02:08:36.000 --> 02:08:41.847 ♪ ♪ ♪ HEY, HEY, HEY ♪ 2801 02:08:41.914 --> 02:08:42.000 ♪ ♪ ♪ HEY, HEY, HEY ♪ 2802 02:08:42.000 --> 02:08:42.781 ♪ ♪ ♪ HEY, HEY, HEY ♪ 2803 02:08:42.848 --> 02:08:46.251 ♪ ALABAMA ♪ ♪ HEY, HEY, HEY ♪ 2804 02:08:46.318 --> 02:08:48.000 ♪ HEY, HEY, HEY ♪ 2805 02:08:48.000 --> 02:08:52.958 ♪ HEY, HEY, HEY ♪ 2806 02:08:54.460 --> 02:09:00.000 ♪ ♪ 2807 02:09:00.000 --> 02:09:06.000 ♪ ♪ 2808 02:09:06.000 --> 02:09:09.341 ♪ ♪ 2809 02:09:09.408 --> 02:09:10.542 ♪ ♪ 2810 02:09:19.451 --> 02:09:22.554 ♪ YEAH, YEAH, YEAH ♪ ♪ ♪ 2811 02:09:22.621 --> 02:09:24.000 ♪ YEAH, YEAH, YEAH ♪ ♪ ALABAMA ♪ 2812 02:09:24.000 --> 02:09:30.000 ♪ YEAH, YEAH, YEAH ♪ ♪ ALABAMA ♪ 2813 02:09:30.000 --> 02:09:33.999 ♪ YEAH, YEAH, YEAH ♪ ♪ ALABAMA ♪ 2814 02:09:34.066 --> 02:09:36.000 ♪ YEAH, YEAH, YEAH ♪ ♪ ♪ 2815 02:09:36.000 --> 02:09:42.000 ♪ YEAH, YEAH, YEAH ♪ ♪ ♪ 2816 02:09:42.000 --> 02:09:46.578 ♪ YEAH, YEAH, YEAH ♪ ♪ ♪ 2817 02:09:46.645 --> 02:09:48.000 [CHEERS AND APPLAUSE] ♪ YEAH! ♪ 2818 02:09:48.000 --> 02:09:54.000 [CHEERS AND APPLAUSE] ♪ YEAH! ♪ 2819 02:09:54.000 --> 02:10:00.000 [CHEERS AND APPLAUSE] ♪ YEAH! ♪ 2820 02:10:00.000 --> 02:10:01.527 [CHEERS AND APPLAUSE] ♪ YEAH! ♪ 2821 02:10:01.593 --> 02:10:06.000 [CHEERS AND APPLAUSE] ♪ YEAH! ♪ 2822 02:10:06.000 --> 02:10:12.000 [CHEERS AND APPLAUSE] ♪ YEAH! ♪ 2823 02:10:12.000 --> 02:10:12.604 [CHEERS AND APPLAUSE] ♪ YEAH! ♪ 2824 02:10:12.671 --> 02:10:18.000 [CHEERS AND APPLAUSE] >> OH, MY GOSH, DID YOU GUYS 2825 02:10:18.000 --> 02:10:21.647 [CHEERS AND APPLAUSE] >> OH, MY GOSH, DID YOU GUYS 2826 02:10:21.713 --> 02:10:23.482 HAVE FUN TONIGHT? 2827 02:10:23.549 --> 02:10:24.000 SO LOADED WAY. 2828 02:10:24.000 --> 02:10:24.483 SO LOADED WAY. 2829 02:10:24.550 --> 02:10:25.450 AS ALWAYS. 2830 02:10:25.517 --> 02:10:28.820 THANK YOU TO THE BEST FANS IN THE WORLD. 2831 02:10:28.887 --> 02:10:30.000 >> CONGRATULATIONS TO ALL THE WINNERS. 2832 02:10:30.000 --> 02:10:33.926 >> CONGRATULATIONS TO ALL THE WINNERS. 2833 02:10:33.992 --> 02:10:35.227 AND THANK YOU, TEXAS! 2834 02:10:35.294 --> 02:10:36.000 GOOD NIGHT! 2835 02:10:36.000 --> 02:10:39.865 GOOD NIGHT! 2836 02:10:39.932 --> 02:10:42.000 ♪ ♪ 2837 02:10:42.000 --> 02:10:48.000 ♪ ♪ 2838 02:10:48.000 --> 02:10:49.875 ♪ ♪ 2839 02:10:53.078 --> 02:10:54.000 ♪ ♪ ♪ SWEET HOME ALABAMA 2840 02:10:54.000 --> 02:11:00.000 ♪ ♪ ♪ SWEET HOME ALABAMA 2841 02:11:00.000 --> 02:11:04.122 ♪ ♪ ♪ SWEET HOME ALABAMA 2842 02:11:04.189 --> 02:11:06.000 ♪ SWEET HOME ALABAMA ♪ ♪ SWEET HOME ALABAMA ♪ 2843 02:11:06.000 --> 02:11:12.000 ♪ SWEET HOME ALABAMA ♪ ♪ SWEET HOME ALABAMA ♪ 2844 02:11:12.000 --> 02:11:16.201 ♪ SWEET HOME ALABAMA ♪ ♪ SWEET HOME ALABAMA ♪ 2845 02:11:16.268 --> 02:11:18.000 ♪ SWEET HOME ALABAMA ♪ ♪ ♪ 2846 02:11:18.000 --> 02:11:22.507 ♪ SWEET HOME ALABAMA ♪ ♪ ♪ 2847 02:11:22.574 --> 02:11:24.000 ♪ SWEET HOME ALABAMA ♪ ♪ SWEET HOME ALABAMA ♪ 2848 02:11:24.000 --> 02:11:29.948 ♪ SWEET HOME ALABAMA ♪ ♪ SWEET HOME ALABAMA ♪ 2849 02:11:30.015 --> 02:11:35.687 ♪ H, YEAH! ♪ ♪ SWEET HOME ALABAMA ♪ 2850 02:11:35.754 --> 02:11:36.000 ♪ SWEET HOME ALABAMA ♪ ♪ SWEET HOME ALABAMA ♪ 2851 02:11:36.000 --> 02:11:37.756 ♪ SWEET HOME ALABAMA ♪ ♪ SWEET HOME ALABAMA ♪