WEBVTT FILE

1
00:00:02.000 --> 00:00:07.000
Downloaded from
YTS.MX

2
00:00:08.000 --> 00:00:13.000
Official YIFY movies site:
YTS.MX

3
00:00:34.193 --> 00:00:36.197
(SOFT PIANO MUSIC PLAYING)

4
00:00:46.217 --> 00:00:47.637
JOAN: <i>There's nothing
like seeing</i>

5
00:00:47.637 --> 00:00:49.432
<i>a child on stage
for the first time.</i>

6
00:00:49.600 --> 00:00:54.066
<i>They get up there, the lights hit,
and suddenly, the whole world opens up.</i>

7
00:00:54.317 --> 00:00:55.528
<i>Theater for children,</i>

8
00:00:55.528 --> 00:00:57.615
<i>it's unbelievable
what they learn.</i>

9
00:00:57.615 --> 00:01:02.124
<i>They learn to improvise,
dance, sing, work with each other,</i>

10
00:01:02.542 --> 00:01:05.339
<i>and some of them really
need it, they really do.</i>

11
00:01:05.673 --> 00:01:07.301
<i>That's why I built this camp.</i>

12
00:01:07.301 --> 00:01:08.888
<i>I wanted to make a place</i>

13
00:01:08.888 --> 00:01:11.017
<i>where anyone is free
to be themselves.</i>

14
00:01:11.769 --> 00:01:13.939
<i>But keeping the camp open
is a year-round job.</i>

15
00:01:14.231 --> 00:01:17.363
<i>That's why we spend
the whole spring on the road,</i>

16
00:01:17.530 --> 00:01:20.160
<i>raising money,
recruiting young talent.</i>

17
00:01:20.745 --> 00:01:23.166
<i>And, you know, we're
theater people, so.</i> (CHUCKLES)

18
00:01:23.333 --> 00:01:24.878
<i>We know how to work a crowd.</i>

19
00:01:30.180 --> 00:01:31.850
Being at camp
for a whole summer,

20
00:01:31.850 --> 00:01:32.936
- what it can do for a child.
- (UPBEAT MUSIC PLAYING)

21
00:01:32.936 --> 00:01:34.021
We don't have
that much room left.

22
00:01:34.021 --> 00:01:35.190
We have not much room.

23
00:01:35.190 --> 00:01:36.777
No, we have a little bit of
wiggle room at the camp.

24
00:01:36.944 --> 00:01:38.697
Maybe four more kids?

25
00:01:38.864 --> 00:01:40.827
- We're almost full...
- JOAN: We are.

26
00:01:40.993 --> 00:01:43.039
...so I think you should
register early for your girl.

27
00:01:43.039 --> 00:01:44.125
JOAN: For sure.

28
00:01:44.291 --> 00:01:46.254
And Ronald, I'm so sorry
to hear about your divorce.

29
00:01:46.254 --> 00:01:47.339
RITA: I know.

30
00:01:47.339 --> 00:01:48.466
I mean,
she was just too young.

31
00:01:48.634 --> 00:01:50.429
But if your son
needs a place to go,

32
00:01:50.638 --> 00:01:53.393
AdirondACTS is the perfect
place for him to come.

33
00:01:53.561 --> 00:01:57.276
We found a lot of star campers
at this school.

34
00:01:59.865 --> 00:02:01.409
I know Willow was freaked out
by the bedbugs,

35
00:02:01.409 --> 00:02:02.494
tell her they're gone.

36
00:02:06.002 --> 00:02:07.505
Why are you smiling?

37
00:02:07.672 --> 00:02:09.759
(GROANS) He drives me crazy.
He's practically drunk.

38
00:02:09.926 --> 00:02:10.928
RITA: I know.

39
00:02:10.928 --> 00:02:12.849
JOAN: But I think we got him
to sign up his kid.

40
00:02:14.393 --> 00:02:16.481
(SIGHS) We're so behind
this year.

41
00:02:16.648 --> 00:02:18.193
We need to raise more money.

42
00:02:18.401 --> 00:02:21.282
I know. I was thinking
we could give Leo a lead.

43
00:02:21.491 --> 00:02:22.493
Leo? No.

44
00:02:22.660 --> 00:02:23.662
He's awful.

45
00:02:23.871 --> 00:02:25.332
I know he's awful
and he's tone-deaf,

46
00:02:25.332 --> 00:02:27.169
but his parents
are really rich.

47
00:02:27.336 --> 00:02:30.050
Oh, come on. You know
we don't do things that way.

48
00:02:30.217 --> 00:02:31.637
It's always gotta be
about the talent.

49
00:02:31.804 --> 00:02:33.473
- How rich?
- So rich.

50
00:02:33.473 --> 00:02:34.643
(UPBEAT MUSIC PLAYING)

51
00:02:34.643 --> 00:02:36.437
(SINGING)
<i>If you're really sincere</i>

52
00:02:36.437 --> 00:02:38.149
<i>If you're really sincere</i>

53
00:02:38.609 --> 00:02:40.445
<i>If you feel it in here</i>

54
00:02:40.613 --> 00:02:42.825
<i>Then it's gotta be right
Oh, baby</i>

55
00:02:42.825 --> 00:02:44.161
- Oh!
- Look at him.

56
00:02:44.328 --> 00:02:45.497
- Sebastian?
- I know.

57
00:02:45.665 --> 00:02:47.877
JOAN: He is giving 110%.

58
00:02:48.044 --> 00:02:49.798
<i>- Suffer
- </i>  (JOAN CHEERING)

59
00:02:50.550 --> 00:02:52.386
(AUDIENCE CHEERING)

60
00:02:53.096 --> 00:02:56.853
(SINGING)
<i>Oh, oh, oh, you gotta be sincere</i>

61
00:02:57.020 --> 00:03:00.820
<i>Oh, oh, oh, you gotta feel it in here</i>

62
00:03:00.987 --> 00:03:03.116
- RITA: Oh, my God! Joan!
- (SINGING) <i>Oh, my baby</i>

63
00:03:03.283 --> 00:03:04.285
RITA: Joan!

64
00:03:04.285 --> 00:03:06.497
This is... Somebody help me!
Somebody help me.

65
00:03:06.665 --> 00:03:08.001
She's not breathing.

66
00:03:08.167 --> 00:03:10.130
This is not part of the show.

67
00:03:10.297 --> 00:03:11.842
I need help! (ECHOING)

68
00:03:21.737 --> 00:03:24.868
(GASPS) It's beautiful.

69
00:03:29.919 --> 00:03:31.297
(MELLOW MUSIC PLAYING)

70
00:03:46.662 --> 00:03:49.668
What's up, Troy-jans?
It's your boy, Troy.

71
00:03:49.834 --> 00:03:51.922
Just right off the bat, wanna
keep it real with you guys,

72
00:03:52.089 --> 00:03:53.759
feeling a little naked
without my ring light.

73
00:03:53.759 --> 00:03:54.928
But you know what?

74
00:03:55.345 --> 00:03:56.389
We still out here.

75
00:03:56.556 --> 00:03:57.558
As you guys know,

76
00:03:57.558 --> 00:04:00.397
I don't usually like to talk
about my... (CLEARS THROAT)

77
00:04:03.946 --> 00:04:05.073
To be honest,
I've been going through

78
00:04:05.073 --> 00:04:06.409
some low-key
personal stuff lately

79
00:04:06.576 --> 00:04:08.914
and I just feel obligated
to let you guys know that.

80
00:04:09.081 --> 00:04:10.250
Long story short,

81
00:04:11.001 --> 00:04:12.421
theater gave my mom a coma.

82
00:04:13.339 --> 00:04:14.551
<i>She's down for the count</i>

83
00:04:15.051 --> 00:04:18.349
<i>for...</i> (INHALES DEEPLY) <i>we
really don't know how long.</i>

84
00:04:18.976 --> 00:04:22.107
Unfortunately, that's just
kinda how comas go.

85
00:04:22.274 --> 00:04:23.694
But fear not, fam.

86
00:04:23.861 --> 00:04:26.449
<i>Even though I never really
vibed with my mom's camp</i>

87
00:04:26.616 --> 00:04:29.371
<i>and spent my summers doing
dope shit with my friends,</i>

88
00:04:29.539 --> 00:04:31.417
<i>I happen to be
a financial guru</i>

89
00:04:31.585 --> 00:04:34.883
<i>and world-renowned
business mentor.</i>

90
00:04:35.049 --> 00:04:36.803
Yeah, I do that kind of stuff.

91
00:04:36.970 --> 00:04:38.849
Your boy has the BDE.

92
00:04:39.016 --> 00:04:42.815
<i>That's right. The business
development expertise</i>

93
00:04:42.982 --> 00:04:44.401
<i>- to hold down the fort.
- </i>  (GASPS)

94
00:04:45.195 --> 00:04:46.823
Oh, my God, there's a person.

95
00:04:46.990 --> 00:04:48.535
I'm sorry. I'm so sorry.

96
00:04:48.702 --> 00:04:50.205
I was in here
fixing the blinds,

97
00:04:50.205 --> 00:04:51.290
and then you came in

98
00:04:51.457 --> 00:04:52.877
and I panicked and stayed.

99
00:04:52.877 --> 00:04:54.004
(TROY EXHALES DEEPLY)

100
00:04:54.004 --> 00:04:56.258
I'm Glenn.
I'm the technical director.

101
00:04:58.514 --> 00:04:59.516
TROY: How you doing, man?

102
00:04:59.724 --> 00:05:01.101
Over the next three weeks,

103
00:05:01.101 --> 00:05:03.064
I'm gonna give you
an inside look

104
00:05:03.231 --> 00:05:06.738
at how I can take a business
from lame... to lit.

105
00:05:06.905 --> 00:05:08.241
Let's build.
(MAKES WHOOSHING SOUND)

106
00:05:08.407 --> 00:05:10.161
The most pressing matters
are in the main stage.

107
00:05:10.161 --> 00:05:11.748
Right now,
the cyclorama is buckling.

108
00:05:11.748 --> 00:05:12.917
It needs to be re-anchored.

109
00:05:13.042 --> 00:05:14.504
Uh, we're gonna
need to prioritize

110
00:05:14.504 --> 00:05:16.508
the remaining equipment
for the musicals,

111
00:05:16.675 --> 00:05:20.516
which means the straight plays
are gonna have to be acoustic.

112
00:05:20.850 --> 00:05:22.603
Uh, which is actually
how they do it on Broadway.

113
00:05:22.603 --> 00:05:25.609
Can I just (CLICKS TONGUE)
cut you off? Real quick.

114
00:05:25.609 --> 00:05:26.778
- Um...
- It seems like you've got

115
00:05:26.778 --> 00:05:28.030
a pretty good handle
on this...

116
00:05:28.030 --> 00:05:29.408
- Yeah.
- ...so I'm just gonna take

117
00:05:29.408 --> 00:05:31.580
"understanding a word
you're saying"

118
00:05:32.497 --> 00:05:33.499
off my list

119
00:05:33.667 --> 00:05:34.836
and let you take it
from here, brother.

120
00:05:34.836 --> 00:05:35.921
Okay.

121
00:05:35.921 --> 00:05:38.092
Quick question, though,
what's a straight play?

122
00:05:38.259 --> 00:05:39.804
Well, there are musicals,

123
00:05:39.804 --> 00:05:41.307
and then
there are straight plays.

124
00:05:42.392 --> 00:05:44.021
So then what would be
a gay play?

125
00:05:46.985 --> 00:05:48.947
I guess (STUTTERS) a musical.

126
00:05:50.158 --> 00:05:51.536
- Oh, cool.
- (DRUMS BEATING)

127
00:05:52.162 --> 00:05:54.751
RITA: <i>This one.
Okay. Thanks. Okay.</i>

128
00:05:56.170 --> 00:05:57.464
BOY: Yes. Yes!
RITA: Oh, yes!

129
00:06:00.804 --> 00:06:02.474
GIRL 1: Wait,
we have to bunk together.

130
00:06:02.642 --> 00:06:03.644
We have to.

131
00:06:03.769 --> 00:06:06.065
So, you're in bunk five, Ellen.

132
00:06:06.232 --> 00:06:07.985
Okay, 'kay, 'kay.
That's good. That's good.

133
00:06:08.152 --> 00:06:10.950
Great, great. Great.
What's he doing? Perfect.

134
00:06:11.408 --> 00:06:14.414
Okay. Hi, everybody.
Welcome back.

135
00:06:14.582 --> 00:06:18.047
Mickey, Nicky. Nicky, Mickey,
Mickey, Nicky. Who knows?

136
00:06:18.214 --> 00:06:20.928
Don't switch shirts.
I'll get too confused.

137
00:06:21.095 --> 00:06:22.430
(UPBEAT MUSIC PLAYING)

138
00:06:22.430 --> 00:06:23.600
(GIGGLING)

139
00:06:27.608 --> 00:06:28.860
(BOTH LAUGHING EXCITEDLY)

140
00:06:29.737 --> 00:06:31.073
(HUMMING)

141
00:06:45.853 --> 00:06:46.855
- AMOS: Beck, stop.
- (REBECCA-DIANE SCREAMS)

142
00:06:46.855 --> 00:06:47.940
Beck, stop the car.

143
00:06:48.775 --> 00:06:50.320
- Let me in.
- I am letting you in.

144
00:06:50.486 --> 00:06:51.823
- It's not opening.
- I'm letting you in.

145
00:06:52.407 --> 00:06:54.662
AMOS: Oh, God. (GROANS)

146
00:06:54.662 --> 00:06:56.081
I've been here 10 minutes
and it's unbearable.

147
00:06:56.081 --> 00:06:57.208
REBECCA-DIANE: Oh, my God!

148
00:07:00.799 --> 00:07:02.135
(PERCUSSION MUSIC PLAYING)

149
00:07:13.950 --> 00:07:15.788
He's, like, wandering about.

150
00:07:15.788 --> 00:07:17.123
He has no idea where he is,
what he's doing.

151
00:07:17.123 --> 00:07:18.209
He can't see?

152
00:07:18.209 --> 00:07:20.213
No, he only talks
to his camera.

153
00:07:20.213 --> 00:07:21.298
Oh, my God.

154
00:07:21.465 --> 00:07:22.551
The least creative person
I've ever met,

155
00:07:22.551 --> 00:07:23.678
and I've yet
to speak to the man.

156
00:07:24.471 --> 00:07:25.849
TROY: Play ball.

157
00:07:26.684 --> 00:07:27.728
She's hot.

158
00:07:27.895 --> 00:07:28.980
And half the staff
has been cut.

159
00:07:28.980 --> 00:07:30.066
They're not even coming back.

160
00:07:30.191 --> 00:07:31.235
We need a coup.

161
00:07:31.861 --> 00:07:33.405
Well, there's not even enough
of us to have a coup now.

162
00:07:33.573 --> 00:07:35.118
- Oh, my God.
- AMOS: Jesus.

163
00:07:35.118 --> 00:07:36.955
- She wouldn't even want it.
- No.

164
00:07:37.122 --> 00:07:39.794
AMOS: We really have to hold
this place down artistically.

165
00:07:39.961 --> 00:07:41.589
I can't believe
that Joan's not here.

166
00:07:41.589 --> 00:07:42.758
I can't believe it.

167
00:07:43.134 --> 00:07:44.344
(INDISTINCT CHATTER)

168
00:07:49.271 --> 00:07:51.024
All I was doing
was blowing the roof off

169
00:07:51.024 --> 00:07:52.611
of <i>Honestly, Sincere</i>
in <i>Bye Bye Birdie.</i>

170
00:07:52.778 --> 00:07:54.030
Then I look over
to my house seats

171
00:07:54.156 --> 00:07:56.118
and there's Joan, convulsing.

172
00:07:56.578 --> 00:07:57.872
CHRISTOPHER L: What?
SEBASTIAN: It was frightening.

173
00:07:58.038 --> 00:08:00.001
I obviously
stayed in character.

174
00:08:00.001 --> 00:08:01.796
CHRISTOPHER L:
That's not real.

175
00:08:06.263 --> 00:08:07.473
(OVER MIC) <i>All right.
Let's take a knee</i>

176
00:08:07.473 --> 00:08:08.602
<i>with the talking, fam.</i>

177
00:08:09.687 --> 00:08:10.772
<i>Listen up!</i>

178
00:08:12.568 --> 00:08:13.653
<i>Keep it down.</i>

179
00:08:13.820 --> 00:08:14.822
<i>Fam?</i>

180
00:08:15.699 --> 00:08:16.868
<i>Squad? Gang?</i>

181
00:08:18.538 --> 00:08:20.458
<i>Maybe, uh, zip it?</i>

182
00:08:21.043 --> 00:08:22.295
<i>Everybody.</i>

183
00:08:23.005 --> 00:08:24.299
<i>Can we just get you guys to...</i>

184
00:08:24.466 --> 00:08:27.180
(SINGING) <i>Oh, what a beautiful</i>

185
00:08:27.347 --> 00:08:29.894
CHILDREN: (SINGING) <i>Morning</i>

186
00:08:31.396 --> 00:08:32.398
TROY: Dope.

187
00:08:35.071 --> 00:08:36.073
That was dope.

188
00:08:37.325 --> 00:08:40.874
<i>Whaddup, AdirondACTS?</i>

189
00:08:40.874 --> 00:08:43.630
(IMITATES FANFARE)

190
00:08:44.297 --> 00:08:45.550
<i>Um...</i>

191
00:08:45.759 --> 00:08:46.970
<i>You guys know Joan, right?</i>

192
00:08:47.095 --> 00:08:48.472
(CHILDREN CHEERING)

193
00:08:49.642 --> 00:08:51.103
(CHANTING) Joan, Joan, Joan!

194
00:08:51.270 --> 00:08:53.525
Joan, Joan, Joan!

195
00:08:53.692 --> 00:08:55.278
Joan, Joan, Joan!

196
00:08:55.444 --> 00:08:58.033
<i>Yeah, um, so she's not here.</i>

197
00:08:59.244 --> 00:09:02.375
<i>Um, you know, which
we're all very sad about.</i>

198
00:09:02.543 --> 00:09:03.753
<i>But don't worry.</i>

199
00:09:04.087 --> 00:09:05.632
<i>I'm her son.</i>

200
00:09:05.799 --> 00:09:08.053
<i>Troy!</i>

201
00:09:13.147 --> 00:09:14.232
<i>Um...</i>

202
00:09:14.232 --> 00:09:15.318
<i>Don't worry, guys.</i>

203
00:09:15.484 --> 00:09:18.783
<i>I just wanna reassure you
this will be a normal summer.</i>

204
00:09:18.950 --> 00:09:20.286
<i>You can check out my website.</i>

205
00:09:20.453 --> 00:09:21.956
<i>- Oh, yeah, go ahead. Yeah.
- We're good. Thanks so much.</i>

206
00:09:22.081 --> 00:09:23.083
<i>Hi, guys.</i>

207
00:09:23.083 --> 00:09:24.920
(ALL CHEERING)

208
00:09:25.463 --> 00:09:27.216
We love you, Gigi!

209
00:09:29.764 --> 00:09:30.932
<i>So a few reminders.</i>

210
00:09:30.932 --> 00:09:32.936
<i>I just need to know
all of your updated sizes.</i>

211
00:09:32.936 --> 00:09:34.607
<i>Also, sad news,</i>

212
00:09:34.607 --> 00:09:36.778
<i>I will not be doing
piercings any more in the hut.</i>

213
00:09:37.529 --> 00:09:40.535
<i>Yeah. Because there's
a narc amongst us.</i>

214
00:09:40.535 --> 00:09:42.038
<i>Um, Cassie has narced.</i>

215
00:09:42.205 --> 00:09:44.125
<i>It's totally fine. Uh, yeah.</i>

216
00:09:44.292 --> 00:09:45.419
<i>Okay, I love you guys.</i>

217
00:09:45.419 --> 00:09:47.465
<i>- Love you.
- </i>  (CHILDREN CHEERING)

218
00:09:49.094 --> 00:09:50.639
(CHEERING INTENSIFIES)

219
00:09:54.814 --> 00:09:55.816
As you all know,

220
00:09:55.816 --> 00:09:57.235
I'm Amos Klobuchar,
head of drama.

221
00:09:57.235 --> 00:09:59.239
Rebecca-Diane,
head of music theory.

222
00:09:59.406 --> 00:10:02.245
We are now going to announce,
as we do every summer,

223
00:10:03.038 --> 00:10:04.332
this session's productions.

224
00:10:05.000 --> 00:10:06.796
Five, six, seven, eight.

225
00:10:06.796 --> 00:10:08.215
(BOTH STOMPING RHYTHMICALLY)

226
00:10:09.552 --> 00:10:10.804
(SINGING)
<i>There once was a story</i>

227
00:10:10.804 --> 00:10:12.348
<i>'Bout a girl named Lisa</i>

228
00:10:12.516 --> 00:10:15.354
<i>She wanted to perform
But she didn't have her visa</i>

229
00:10:15.522 --> 00:10:16.941
BOTH: <i>Sorry about your visa, Lisa</i>

230
00:10:16.941 --> 00:10:18.193
<i>Five, six, seven, eight</i>

231
00:10:18.193 --> 00:10:19.320
Playing baseball
with the devil

232
00:10:19.320 --> 00:10:20.615
in a baseball diamond.

233
00:10:20.782 --> 00:10:22.786
BOTH: <i>Damn Yankees</i>
in the outdoor stage.

234
00:10:22.953 --> 00:10:23.955
(WHINING
IN HIGH-PITCHED TONE)

235
00:10:23.955 --> 00:10:25.584
- AMOS: Who goes there?
- (CONTINUES WHINING)

236
00:10:25.584 --> 00:10:26.794
Is it a ghost?

237
00:10:26.961 --> 00:10:28.005
Is it a witch?

238
00:10:28.172 --> 00:10:30.468
BOTH: <i>The Crucible</i> junior
in the lobby.

239
00:10:30.635 --> 00:10:32.598
(SINGING)
<i>In the land of Andrew Lloyd</i>

240
00:10:32.598 --> 00:10:35.186
<i>Where the felines sing and dance</i>

241
00:10:35.352 --> 00:10:37.774
<i>Whisker faced in unitards</i>

242
00:10:37.774 --> 00:10:39.737
<i>You can join their feral prance</i>

243
00:10:40.112 --> 00:10:41.741
<i>Cats</i> immersive.

244
00:10:41.908 --> 00:10:42.951
Well, I guess
that's all, folks.

245
00:10:42.951 --> 00:10:44.037
I gotta start walking home.

246
00:10:44.204 --> 00:10:45.247
I'm taking a cab.

247
00:10:45.247 --> 00:10:46.918
BOTH: Whoa!

248
00:10:47.043 --> 00:10:48.128
(SINGING)
<i>An original piece</i>

249
00:10:48.128 --> 00:10:49.214
<i>And it's fully brand new</i>

250
00:10:49.380 --> 00:10:51.594
<i>And it's fresh from our hearts
Written just for you</i>

251
00:10:51.761 --> 00:10:53.765
<i>But you've gotta be good, yeah
You've gotta be great</i>

252
00:10:53.765 --> 00:10:54.892
<i>You've gotta be the crème de la crème</i>

253
00:10:54.892 --> 00:10:55.977
<i>Of the place</i>

254
00:11:08.837 --> 00:11:10.422
This summer it's a story...

255
00:11:10.590 --> 00:11:12.594
About a woman in her glory.

256
00:11:12.761 --> 00:11:14.264
The founding of a space...

257
00:11:14.430 --> 00:11:16.853
That has become
our favorite place.

258
00:11:17.019 --> 00:11:19.399
A woman who all in this room
deeply love.

259
00:11:19.567 --> 00:11:22.698
And she's looking down,
not quite from above.

260
00:11:22.865 --> 00:11:24.158
Joan can...

261
00:11:24.325 --> 00:11:26.288
- Joan will...
- Joan here?

262
00:11:26.288 --> 00:11:27.541
(SNAPPING FINGERS)

263
00:11:29.168 --> 00:11:30.922
BOTH: <i>Joan, Still!</i>

264
00:11:33.636 --> 00:11:35.264
(ALL CHEERING)

265
00:11:44.700 --> 00:11:46.453
(FUNKY MUSIC PLAYING)

266
00:11:59.605 --> 00:12:01.441
TROY: <i>Your resume
is absolutely stacked.</i>

267
00:12:01.776 --> 00:12:03.111
- Thank you.
- Yeah.

268
00:12:03.946 --> 00:12:05.784
How did you learn
stage combat?

269
00:12:06.034 --> 00:12:07.370
Oh! Oh, man.

270
00:12:08.163 --> 00:12:09.667
It's hard to even say

271
00:12:09.667 --> 00:12:10.794
'cause I've been doing it
for so long.

272
00:12:11.002 --> 00:12:12.004
- Totally.
- Yeah.

273
00:12:12.171 --> 00:12:13.465
How about accent work?

274
00:12:13.465 --> 00:12:15.219
(IN AN ACCENT) Oh.
You no worry.

275
00:12:15.219 --> 00:12:16.555
I can do it, don't worry.

276
00:12:17.808 --> 00:12:18.851
That's really neat.

277
00:12:19.018 --> 00:12:20.270
How about horseback riding?

278
00:12:20.270 --> 00:12:22.526
- Jousting? Is that like with the...?
- (IN NORMAL VOICE) Yeah.

279
00:12:22.526 --> 00:12:24.947
That is with those. Yeah.

280
00:12:25.114 --> 00:12:26.784
And then when did you learn
how to juggle?

281
00:12:26.784 --> 00:12:30.750
Well, um... Oh, there was
a fire at my house.

282
00:12:31.376 --> 00:12:33.338
And that's sort of how I dealt
with the trauma.

283
00:12:37.514 --> 00:12:39.475
Wow!

284
00:12:39.643 --> 00:12:40.895
BOBBY: <i>Wow!</i>

285
00:12:41.062 --> 00:12:42.691
Yes. Progressions
across the floor.

286
00:12:42.691 --> 00:12:44.444
Very nice, both of you, yes.

287
00:12:44.570 --> 00:12:45.697
Front.

288
00:12:45.864 --> 00:12:47.408
Higher. Higher.

289
00:12:47.408 --> 00:12:49.037
Ah! Ah!

290
00:12:49.037 --> 00:12:52.084
Listen, these are some
Cassie battements.

291
00:12:52.209 --> 00:12:53.880
You're doing
a little cheater flick.

292
00:12:57.929 --> 00:12:59.182
(FAST TEMPO MUSIC PLAYING)

293
00:12:59.432 --> 00:13:01.729
I am running late
for my niece's christening.

294
00:13:04.358 --> 00:13:06.864
I don't want to find another
therapist, David.

295
00:13:07.239 --> 00:13:09.202
AMOS: Welcome,
group two of auditioners.

296
00:13:09.368 --> 00:13:10.370
REBECCA-DIANE:
I know it's been a long day

297
00:13:10.370 --> 00:13:11.498
for you guys, but...

298
00:13:11.498 --> 00:13:12.584
AMOS: If you drop a line,

299
00:13:12.584 --> 00:13:14.045
or a note
is a little off-key,

300
00:13:14.170 --> 00:13:15.380
you crack or something,

301
00:13:15.380 --> 00:13:16.466
just, what does that

302
00:13:16.466 --> 00:13:17.719
- say about you?
- Mmm-hmm.

303
00:13:22.269 --> 00:13:23.271
Yo.

304
00:13:24.190 --> 00:13:25.359
Sorry I'm late.

305
00:13:25.484 --> 00:13:27.614
- I don't think you were... Oh.
- (TROY GRUNTS)

306
00:13:28.741 --> 00:13:32.541
Emma, 10,
has a goldfish named Johnny.

307
00:13:32.958 --> 00:13:34.085
And she's gonna kick us off

308
00:13:34.085 --> 00:13:36.464
with <i>I Dreamed a Dream</i>
from <i>Les Mis.</i>

309
00:13:36.966 --> 00:13:38.009
Oh, you know what?

310
00:13:38.009 --> 00:13:39.095
That's a good song choice
for her.

311
00:13:39.262 --> 00:13:41.224
I do believe her
as a French prostitute.

312
00:13:41.391 --> 00:13:42.393
REBECCA-DIANE: Amos.

313
00:13:42.561 --> 00:13:44.648
Oh, I'm sorry, I'm sorry.
Sex worker.

314
00:13:44.815 --> 00:13:46.025
REBECCA-DIANE: Thank you.

315
00:13:46.401 --> 00:13:48.154
(FRANTIC PIANO MUSIC PLAYING)

316
00:13:52.496 --> 00:13:53.498
(SINGING)
<i>There's a hole in the world</i>

317
00:13:53.498 --> 00:13:54.585
<i>Like a great black pit</i>

318
00:13:54.585 --> 00:13:56.212
<i>And it's filled with people
Who are filled with shit</i>

319
00:13:56.379 --> 00:13:58.174
<i>And the vermin in the world inhabit it</i>

320
00:13:59.887 --> 00:14:03.143
<i>But not for long</i>

321
00:14:03.561 --> 00:14:09.280
Darla, 15, is 2,073
on the IMDb Star Meter.

322
00:14:09.447 --> 00:14:11.785
(SINGING)
<i>What if when he sees me</i>

323
00:14:11.785 --> 00:14:13.664
<i>I like him and he knows it</i>

324
00:14:14.290 --> 00:14:15.417
(WHISPERS)
This is an example of a kid

325
00:14:15.417 --> 00:14:16.879
who started working
way too young.

326
00:14:17.046 --> 00:14:19.718
(SINGING)
<i>And I can't close it?</i>

327
00:14:19.885 --> 00:14:22.515
- You got snacks?
- No, I don't have anything.

328
00:14:22.682 --> 00:14:24.686
(SINGING)
<i>And even if Karen were hotter than Sharon</i>

329
00:14:24.686 --> 00:14:26.607
<i>I still would've filed for divorce</i>

330
00:14:26.941 --> 00:14:28.861
Um, that rhythm was wrong.
Can we do that again?

331
00:14:29.028 --> 00:14:30.072
(SINGING)
<i>That was the last time</i>

332
00:14:30.072 --> 00:14:31.575
<i>I laid eyes on</i>

333
00:14:31.575 --> 00:14:33.328
(VOCALIZING)

334
00:14:49.110 --> 00:14:50.404
<i>Margaret Thatcher</i>

335
00:14:50.571 --> 00:14:53.118
(SINGING)
<i>Though we all deserve to die</i>

336
00:14:53.953 --> 00:14:59.005
<i>Even you, Mrs. Lovett
Even I</i>

337
00:14:59.422 --> 00:15:02.721
It says you're allergic
to polyester. Why?

338
00:15:03.304 --> 00:15:07.564
Devon, 13. He has
a green belt in taekwondo.

339
00:15:12.156 --> 00:15:14.076
(SINGING)
<i>You know, I think that I'm better now</i>

340
00:15:14.076 --> 00:15:15.454
<i>Better now</i>

341
00:15:15.621 --> 00:15:17.834
<i>You only say that 'cause I'm not around</i>

342
00:15:17.834 --> 00:15:18.878
<i>Not around</i>

343
00:15:19.045 --> 00:15:21.215
<i>You know I never meant to let you down</i>

344
00:15:21.215 --> 00:15:22.301
<i>Let you down</i>

345
00:15:22.468 --> 00:15:25.933
<i>Would've gave you anything
Would've gave you everything</i>

346
00:15:26.100 --> 00:15:28.354
<i>You know, I think that I am better now</i>

347
00:15:28.354 --> 00:15:29.482
<i>Better now</i>

348
00:15:29.649 --> 00:15:31.779
<i>You only say that 'cause I'm not around</i>

349
00:15:31.779 --> 00:15:32.989
<i>Not around</i>

350
00:15:33.156 --> 00:15:35.368
<i>You know I never meant to let you down</i>

351
00:15:35.368 --> 00:15:36.496
<i>Let you down</i>

352
00:15:36.663 --> 00:15:38.374
BOTH: (SINGING)
<i>Would've gave you anything</i>

353
00:15:38.374 --> 00:15:40.045
<i>Would've gave you everything</i>

354
00:15:40.212 --> 00:15:42.049
<i>Whoa</i>

355
00:15:43.093 --> 00:15:45.681
That's what's up, dawg. Finally.

356
00:15:45.848 --> 00:15:46.892
Can you clear now, please?
Thank you.

357
00:15:46.892 --> 00:15:48.061
TROY: That was bussin'.

358
00:15:48.228 --> 00:15:49.271
AMOS: Inappropriate to give
feedback during the audition.

359
00:15:49.271 --> 00:15:50.357
REBECCA-DIANE: Yeah.

360
00:15:50.357 --> 00:15:51.527
AMOS: Please don't
internalize that.

361
00:15:51.693 --> 00:15:52.695
It's Devon?

362
00:15:53.279 --> 00:15:55.117
- Yeah.
- Your first summer?

363
00:15:55.283 --> 00:15:56.410
- Here?
- REBECCA-DIANE: Yeah.

364
00:15:56.410 --> 00:15:57.664
- AMOS: Yes.
- Yeah.

365
00:15:57.831 --> 00:15:59.125
Do you know
any other Post songs

366
00:15:59.125 --> 00:16:00.962
that you could like,
rattle off the dome,

367
00:16:01.129 --> 00:16:03.258
like maybe
<i>Wow</i> or <i>Congratulations...</i>

368
00:16:03.424 --> 00:16:05.721
or the one from
the <i>Spider-Verse</i> soundtrack?

369
00:16:05.888 --> 00:16:08.519
Abby, 11, chose this session

370
00:16:08.519 --> 00:16:10.982
over sitting shiva
for her cousin.

371
00:16:11.149 --> 00:16:12.986
CLIVE: Putting the work first.

372
00:16:14.280 --> 00:16:15.365
WOMAN: Oh, uh, excuse me,
I just need a second.

373
00:16:15.365 --> 00:16:16.450
RITA: Ma'am,
you can't be back here.

374
00:16:16.618 --> 00:16:17.787
WOMAN: I'm sorry. Um...

375
00:16:19.373 --> 00:16:20.793
Hi.

376
00:16:23.674 --> 00:16:26.680
My name's Caroline Krauss.
I'm a rep from Camp Lakeside.

377
00:16:33.944 --> 00:16:35.990
- (BUS HONKING)
- RITA: Shut up!

378
00:16:36.157 --> 00:16:37.827
- (MUSIC PLAYING ON SPEAKERS)
- Turn down your music!

379
00:16:37.994 --> 00:16:40.081
This is a bucolic setting!

380
00:16:40.248 --> 00:16:42.211
Okay, well,
whatever it is you're selling,

381
00:16:42.211 --> 00:16:43.254
we don't want any.

382
00:16:43.379 --> 00:16:45.342
Oh, I was actually here
to introduce myself

383
00:16:45.342 --> 00:16:47.304
to the, uh, new boss.

384
00:16:47.471 --> 00:16:49.643
Is there... Is Troy here?

385
00:16:49.809 --> 00:16:53.358
I am so sorry
to hear about your mom.

386
00:16:54.861 --> 00:16:56.865
My entire team
at Barnswell Capital

387
00:16:56.865 --> 00:16:58.284
is sending healing thoughts.

388
00:16:58.451 --> 00:17:01.625
Wait, Barnswell Capital?
Like the Barnswell Capital?

389
00:17:02.000 --> 00:17:03.629
- Yeah.
- Whoa.

390
00:17:04.714 --> 00:17:06.510
Your work is so inspiring.

391
00:17:06.677 --> 00:17:08.847
I mean,
the Gentri-vacation Project.

392
00:17:09.014 --> 00:17:10.016
I have to say

393
00:17:10.016 --> 00:17:11.853
Gentri-vacation
was my brainchild.

394
00:17:12.437 --> 00:17:14.108
- Wow, you know, um...
- You know...

395
00:17:14.275 --> 00:17:15.736
- I'm sorry.
- You go.

396
00:17:15.903 --> 00:17:16.905
I was just gonna say that

397
00:17:16.905 --> 00:17:18.408
you seem to know
a lot about business.

398
00:17:18.575 --> 00:17:19.744
I'm a bit
of a money man myself.

399
00:17:20.705 --> 00:17:21.957
You know, I've been trying
to bring some of my

400
00:17:23.167 --> 00:17:26.007
en-Troy-preneurship
to the AdirondACTS.

401
00:17:26.173 --> 00:17:28.804
That's funny.
That's catchy, en-Troy.

402
00:17:28.971 --> 00:17:30.307
- My name's Troy.
- I know.

403
00:17:30.473 --> 00:17:32.269
I understood it completely
the first time I heard it.

404
00:17:32.436 --> 00:17:33.438
Yeah.

405
00:17:33.438 --> 00:17:35.066
That's kind of what we're
doing with Lakeside.

406
00:17:35.233 --> 00:17:37.029
- Yeah?
- Yeah, we recently acquired it

407
00:17:37.195 --> 00:17:39.116
so I'm doing
kind of a complete overhaul

408
00:17:39.283 --> 00:17:40.995
- of the management structure.
- Wow!

409
00:17:41.162 --> 00:17:42.164
CAROLINE:
I think it's commendable

410
00:17:42.164 --> 00:17:43.374
what you're doing here.

411
00:17:43.584 --> 00:17:45.253
Taking on the burden
of your mother's condition.

412
00:17:45.420 --> 00:17:48.092
- Yeah.
- And her struggling business.

413
00:17:48.594 --> 00:17:50.430
That's gotta be so much weight
on your shoulders.

414
00:17:50.598 --> 00:17:52.017
Yeah. It is.

415
00:17:52.894 --> 00:17:54.689
Excuse me.
So sorry.

416
00:17:54.856 --> 00:17:57.444
This is an active work zone.

417
00:17:57.612 --> 00:17:59.073
I'm gonna need you
to vacate the area.

418
00:17:59.239 --> 00:18:00.910
CAROLINE: Uh, just one moment.

419
00:18:01.077 --> 00:18:02.287
Troy, I think this could be

420
00:18:02.287 --> 00:18:03.957
an exciting opportunity
for the both of us.

421
00:18:04.124 --> 00:18:06.212
- Wow. Yeah.
- GLENN: You know what?

422
00:18:06.379 --> 00:18:08.049
I'm gonna need
this exact space

423
00:18:08.049 --> 00:18:10.220
to get up
really high for some work.

424
00:18:10.596 --> 00:18:12.892
Look, Troy,
I don't need to tell you

425
00:18:12.892 --> 00:18:15.146
that the bank
has filed a notice of default.

426
00:18:15.523 --> 00:18:16.608
What?

427
00:18:16.608 --> 00:18:18.737
And it's not news to you,
of course,

428
00:18:18.737 --> 00:18:22.285
that they're weeks away from
foreclosing on this place.

429
00:18:24.749 --> 00:18:27.672
No, that's definitely
not news to me.

430
00:18:31.680 --> 00:18:35.395
Listen, I think I can help you
get out of this jam.

431
00:18:35.563 --> 00:18:36.898
I know I speak on behalf

432
00:18:36.898 --> 00:18:38.694
of my entire
board of directors

433
00:18:38.861 --> 00:18:41.240
when I say
that Barnswell Capital

434
00:18:41.407 --> 00:18:44.204
would love to get into bed
with AdirondACTS.

435
00:18:44.371 --> 00:18:50.551
(SINGING)
<i>Tell them how I am defying gravity</i>

436
00:18:50.718 --> 00:18:55.936
<i>I'm flying high defying gravity</i>

437
00:18:56.312 --> 00:18:57.314
I'm so sorry.
I didn't mean

438
00:18:57.314 --> 00:18:58.859
to interrupt
that conversation.

439
00:18:58.859 --> 00:18:59.944
That was very
out of character for me.

440
00:19:00.069 --> 00:19:01.447
- A little brazen...
- Hey, you can't tell anyone

441
00:19:01.615 --> 00:19:04.203
about this
foreclosure thing, okay?

442
00:19:04.203 --> 00:19:05.455
It's between me and you.

443
00:19:05.790 --> 00:19:09.087
Uh, yeah.
Uh, our little secret.

444
00:19:09.087 --> 00:19:10.966
But I do think
you should know,

445
00:19:11.425 --> 00:19:13.054
Barnswell Capital,
they're not people

446
00:19:13.054 --> 00:19:15.099
that we should be
getting into bed with.

447
00:19:15.266 --> 00:19:17.814
Lakeside is the enemy.

448
00:19:18.314 --> 00:19:19.692
They've been trying
to get this land

449
00:19:19.692 --> 00:19:21.320
for a very long time,

450
00:19:21.487 --> 00:19:23.700
and I think Joan's success is,
in large part,

451
00:19:23.700 --> 00:19:25.788
due to the fact
that she has leaned on us,

452
00:19:25.955 --> 00:19:27.249
AdirondACTS family,

453
00:19:27.792 --> 00:19:29.796
and your mother used to say,

454
00:19:29.963 --> 00:19:31.173
"We're theater people.

455
00:19:31.173 --> 00:19:33.971
"We know how to turn
cardboard into gold."

456
00:19:34.137 --> 00:19:37.687
(SINGING) <i>Bring me down</i>

457
00:19:37.895 --> 00:19:39.231
(PIANO PLAYING)

458
00:19:41.068 --> 00:19:42.655
- (POWER SHUTS DOWN)
- (PIANO STOPS)

459
00:19:42.655 --> 00:19:43.991
CHRISTOPHER L: What?
REBECCA-DIANE: Oh, my God.

460
00:19:43.991 --> 00:19:45.076
Troy.

461
00:19:45.243 --> 00:19:47.414
Okay, you're not ruining
my final note. (CHUCKLES)

462
00:19:47.748 --> 00:19:49.627
(VOCALIZING)

463
00:19:51.631 --> 00:19:52.842
TROY: Yeah.

464
00:19:53.677 --> 00:19:55.764
I really need to start
reading the mail.

465
00:20:05.826 --> 00:20:08.164
(SINGING SOFTLY)
<i>Peters, Foster, Streisand, LuPone</i>

466
00:20:08.164 --> 00:20:10.502
<i>Give us a role we can make our own</i>

467
00:20:10.669 --> 00:20:13.174
<i>Audra McDonald, Idina Menzel</i>

468
00:20:13.341 --> 00:20:15.679
<i>We are gay witches, and this is our spell</i>

469
00:20:15.846 --> 00:20:16.890
- RITA: Move on. We're gonna move on.
- AMOS: Okay.

470
00:20:17.057 --> 00:20:18.644
RITA: Okay. What about this?
<i>The Crucible</i> or <i>Cats?</i>

471
00:20:18.810 --> 00:20:20.188
I think that she's
in the running for Tituba.

472
00:20:20.355 --> 00:20:21.691
- No.
- In the running.

473
00:20:21.858 --> 00:20:22.943
How are we gonna
talk about Tituba

474
00:20:22.943 --> 00:20:24.321
when we haven't
picked a Proctor?

475
00:20:24.321 --> 00:20:26.033
AMOS: Do you think
you could channel her for us?

476
00:20:26.660 --> 00:20:28.412
Just try. I know you don't
like to do it on command,

477
00:20:28.580 --> 00:20:31.043
but maybe Joan has some wisdom
to offer in this moment.

478
00:20:31.043 --> 00:20:32.170
CLIVE: Here
in this situation room.

479
00:20:32.170 --> 00:20:33.255
RITA: Oh, I would love to...

480
00:20:33.422 --> 00:20:34.717
Oh, I wanna talk to her.

481
00:20:34.884 --> 00:20:36.178
Please do it.

482
00:20:37.598 --> 00:20:39.434
I have so many things
to tell her.

483
00:20:39.434 --> 00:20:40.562
CLIVE: Joan!
RITA: Joan.

484
00:20:40.562 --> 00:20:41.648
Joan, are you there?

485
00:20:41.815 --> 00:20:42.983
- RITA: Are you here, Joan?
- Guys, real quick.

486
00:20:43.150 --> 00:20:44.236
CLIVE: Joan, speak to us.
TROY: I'm gonna head out

487
00:20:44.236 --> 00:20:46.115
just 'cause the candles
and kids thing

488
00:20:46.115 --> 00:20:47.283
is making me
feel a little bit weird.

489
00:20:47.283 --> 00:20:48.620
We don't have
that much time to begin with.

490
00:20:48.787 --> 00:20:49.831
- Thank you.
- That's fine. Please.

491
00:20:49.956 --> 00:20:50.958
AMOS: Oh, my God!

492
00:20:50.958 --> 00:20:52.168
CLIVE: Can we get back
to the business at hand?

493
00:20:52.168 --> 00:20:53.922
AMOS: Can we open up the
discussion in terms of Lolas?

494
00:20:54.089 --> 00:20:55.551
I'm just gonna
throw a name out. Chantal.

495
00:20:55.718 --> 00:20:56.761
CLIVE: Chantal. Yes, Chantal.

496
00:20:56.761 --> 00:20:58.139
It's exactly what
I was thinking. Chantal.

497
00:20:58.305 --> 00:21:00.936
- Chantal. Chantal.
- Chantal.

498
00:21:01.103 --> 00:21:02.480
Which one... Okay. Chantal.

499
00:21:02.480 --> 00:21:03.608
CLIVE: Yes, yes.

500
00:21:03.608 --> 00:21:04.694
Okay, Chantal.
She's going where?

501
00:21:04.694 --> 00:21:05.946
<i>Damn Yankees.</i>

502
00:21:05.946 --> 00:21:07.115
REBECCA-DIANE: I'm just
worried she doesn't have...

503
00:21:07.115 --> 00:21:08.492
No, don't place her there!

504
00:21:08.660 --> 00:21:10.539
I'm worried she doesn't have
the sexuality to play it.

505
00:21:10.706 --> 00:21:12.793
Obviously, everyone
on this board is a virgin,

506
00:21:12.960 --> 00:21:14.046
but Chantal
seems like a virgin...

507
00:21:14.046 --> 00:21:15.131
AMOS: I agree.

508
00:21:15.298 --> 00:21:16.676
...the minute that she
steps into a room.

509
00:21:16.843 --> 00:21:18.345
Her name. I don't wanna see
Chantal in a feather.

510
00:21:18.513 --> 00:21:19.682
AMOS: I hate to admit
that it's a great point.

511
00:21:19.682 --> 00:21:20.809
Okay, let's just
table the virgins.

512
00:21:20.809 --> 00:21:21.895
CLIVE: Well,
can't we get her there?

513
00:21:22.020 --> 00:21:23.105
GIGI: Get her there?
How do we get her there?

514
00:21:23.105 --> 00:21:24.274
Get her there?
What do you want us to do?

515
00:21:24.942 --> 00:21:26.028
I don't know
how you get a virgin there.

516
00:21:26.028 --> 00:21:27.238
You get them there.

517
00:21:28.115 --> 00:21:30.746
Okay. Where do you
think this one goes?

518
00:21:32.373 --> 00:21:34.921
Well, it looks like it was
some kind of short.

519
00:21:35.087 --> 00:21:37.175
- Did you check the...
- Breakers?

520
00:21:37.342 --> 00:21:38.427
Yeah, I killed them already.

521
00:21:39.806 --> 00:21:41.266
(ELECTRIC BEEPING)

522
00:21:42.645 --> 00:21:44.649
(GLENN VOCALIZING)

523
00:21:52.706 --> 00:21:54.669
Wow,
that's really pretty, Glenn.

524
00:21:57.675 --> 00:21:59.469
Okay. Uh...

525
00:21:59.469 --> 00:22:00.931
You want him
and Sebastian in <i>Joan?</i>

526
00:22:00.931 --> 00:22:02.016
AMOS: Listen.
Hey, how about...

527
00:22:02.016 --> 00:22:03.227
I have no one.

528
00:22:03.227 --> 00:22:04.312
You take Sean,
we'll take Sebastian.

529
00:22:04.312 --> 00:22:05.398
- Hmm?
- RITA: All right.

530
00:22:05.398 --> 00:22:06.483
- GIGI: Now we have a deal.
- All right. All right.

531
00:22:06.651 --> 00:22:08.112
- He can be Mr. Mistoffelees.
- Okay. Okay.

532
00:22:08.279 --> 00:22:10.199
- CLIVE: Put him in there.
- Okay. Sean is Mistoffelees.

533
00:22:10.366 --> 00:22:13.289
If we can have Darla
for <i>Joan, Still.</i>

534
00:22:13.999 --> 00:22:15.001
CLIVE: You can have Darla.

535
00:22:15.209 --> 00:22:17.590
I'm sorry.
For what in <i>Joan, Still?</i>

536
00:22:17.756 --> 00:22:19.050
To play Joan. Old Joan.

537
00:22:19.217 --> 00:22:20.386
AMOS: She's not
even on my list.

538
00:22:20.554 --> 00:22:22.600
- She's obviously the best one.
- Joan is the most organic

539
00:22:22.600 --> 00:22:23.685
and warm person that I know.

540
00:22:23.852 --> 00:22:24.854
It emanates from her

541
00:22:25.062 --> 00:22:26.524
and Darla, it's sort of like,
put on and then another layer,

542
00:22:26.524 --> 00:22:27.943
put on and then another layer,
put on...

543
00:22:28.110 --> 00:22:29.112
Like all of the work
she's done...

544
00:22:29.112 --> 00:22:30.616
- I find her so free.
- All the sets

545
00:22:30.616 --> 00:22:32.202
she's been on
just reek on her.

546
00:22:32.368 --> 00:22:33.622
Just sit with it for a second.

547
00:22:33.872 --> 00:22:35.124
(POWER SWITCHES ON)

548
00:22:35.291 --> 00:22:37.337
(CHILDREN CHEERING)

549
00:22:39.759 --> 00:22:41.638
(INTRIGUING MUSIC PLAYING)

550
00:22:51.658 --> 00:22:54.329
AMOS: Please
don't disappoint Joan.

551
00:22:54.538 --> 00:22:56.333
(MICROPHONE FEEDBACK)

552
00:22:58.462 --> 00:22:59.464
(SIGHS)

553
00:23:01.134 --> 00:23:02.136
Campers,

554
00:23:02.846 --> 00:23:04.391
<i>the cast lists are up.</i>

555
00:23:04.850 --> 00:23:07.230
(ALL CLAMORING EXCITEDLY)

556
00:23:17.960 --> 00:23:19.337
Oh, my God!
Oh, my God! Oh, my God!

557
00:23:19.337 --> 00:23:20.757
SEBASTIAN: Out of the way!

558
00:23:23.847 --> 00:23:25.349
(CHILDREN SQUEALING)

559
00:23:27.145 --> 00:23:28.439
GIRL: Am I going to be a cat?

560
00:23:30.026 --> 00:23:32.071
ALICE:
Little person coming through.

561
00:23:32.740 --> 00:23:34.785
(CHILDREN CHATTERING)

562
00:23:42.467 --> 00:23:44.054
(ALL CHEERING)

563
00:23:45.222 --> 00:23:46.517
ALICE: I'm so proud of you.

564
00:23:53.948 --> 00:23:55.117
(LAUGHS)

565
00:23:55.117 --> 00:23:56.829
ALAN: <i>You've got to hear
her sing, Marty.</i>

566
00:23:56.996 --> 00:23:59.710
She just booked the title role
in <i>Joan, Still...</i>

567
00:24:00.336 --> 00:24:01.631
...and I'm this close
to signing her.

568
00:24:01.798 --> 00:24:03.133
She's the whole package.

569
00:24:03.300 --> 00:24:04.302
WOMAN: (ON PHONE)
<i>My daughter is a genius.</i>

570
00:24:04.469 --> 00:24:05.639
I hear you loud and clear.
Believe me, you're not the

571
00:24:05.639 --> 00:24:07.726
only one who's upset.
I've been getting a lot of calls.

572
00:24:07.893 --> 00:24:09.062
<i>How dare you do this
to my daughter?</i>

573
00:24:09.229 --> 00:24:10.649
<i>I'm seriously
going to do something</i>

574
00:24:10.649 --> 00:24:12.151
<i>if my daughter
is not the lead by tomorrow.</i>

575
00:24:12.318 --> 00:24:13.487
Ma'am, again,
I was not involved

576
00:24:13.487 --> 00:24:14.740
in the casting decision.

577
00:24:14.740 --> 00:24:16.284
I will be sure
to pass that on.

578
00:24:16.284 --> 00:24:17.913
But in the meantime,
if you wanna bribe me,

579
00:24:18.080 --> 00:24:19.583
- I am very open to...
- DARLA: Troy, right?

580
00:24:19.750 --> 00:24:20.794
<i>- Are you listening to me?</i>
- Hold on one second.

581
00:24:20.794 --> 00:24:21.838
Hi, yes.

582
00:24:21.838 --> 00:24:23.173
- Hi. I'm Darla.
- Hi, Darla.

583
00:24:23.298 --> 00:24:24.635
I just wanna thank you
for entrusting me

584
00:24:24.635 --> 00:24:26.388
to inhabit your mother
in <i>Joan, Still.</i>

585
00:24:27.181 --> 00:24:29.687
Wasn't me who made
the decision, but of course.

586
00:24:29.854 --> 00:24:31.189
I'd love to have a sit-down.

587
00:24:31.189 --> 00:24:33.026
Go over her mannerisms, tics,

588
00:24:33.193 --> 00:24:34.320
favorite foods and traumas.

589
00:24:34.487 --> 00:24:35.489
Right on. Um...

590
00:24:35.657 --> 00:24:37.285
Do you happen
to have her dream journal?

591
00:24:37.451 --> 00:24:39.455
Dream journal. Um,
you might have to come back.

592
00:24:39.455 --> 00:24:40.792
Troy, all the freezers
were out last night,

593
00:24:40.792 --> 00:24:42.629
so the meat turned.
So what do we serve for lunch?

594
00:24:43.046 --> 00:24:45.217
- DARLA: I'll come back later.
- (FLAPPING LIPS)

595
00:24:45.886 --> 00:24:46.971
Have a big breakfast.

596
00:24:47.973 --> 00:24:49.392
(SIGHS) Rita.

597
00:24:50.478 --> 00:24:51.479
CLIVE: <i>Class,</i>

598
00:24:52.733 --> 00:24:55.739
to dance
is the highest expression

599
00:24:55.906 --> 00:24:57.534
of human existence.

600
00:24:57.701 --> 00:25:01.082
Acting is remembering
and then choosing to forget.

601
00:25:01.249 --> 00:25:05.132
Music is the closest thing
we have to the other side.

602
00:25:05.132 --> 00:25:07.386
(SYNTH MUSIC
PLAYING ON SPEAKER)

603
00:25:10.560 --> 00:25:12.313
(MAKING SQUEAKING SOUND)

604
00:25:13.983 --> 00:25:15.946
(FEET STOMPING)

605
00:25:17.198 --> 00:25:18.242
Mask work.

606
00:25:18.450 --> 00:25:19.620
Who's next?

607
00:25:19.787 --> 00:25:20.789
So, I'm gonna be
teaching you guys

608
00:25:20.789 --> 00:25:22.041
a little fashion history

609
00:25:22.208 --> 00:25:23.418
and we're gonna
really look closely

610
00:25:23.418 --> 00:25:25.256
at the period costuming.

611
00:25:25.422 --> 00:25:26.424
I see...

612
00:25:26.592 --> 00:25:27.594
clavicle realness.

613
00:25:27.594 --> 00:25:28.846
Showing off the clav.

614
00:25:29.807 --> 00:25:31.852
You need to know
when to use a clavicle.

615
00:25:32.019 --> 00:25:34.190
- Right.
- It's once a week.

616
00:25:34.399 --> 00:25:36.361
This is me at Coachella.

617
00:25:36.529 --> 00:25:38.533
Kind of cross-faded. I'm
looking for my friend, Chad.

618
00:25:38.700 --> 00:25:40.286
I was running.
"Chad!"

619
00:25:40.452 --> 00:25:42.541
I'm hating everything
about this except for the

620
00:25:43.292 --> 00:25:44.460
peekaboo vaginal sleeve.

621
00:25:46.131 --> 00:25:47.300
Characterization.

622
00:25:47.466 --> 00:25:48.511
Let's say it.

623
00:25:48.678 --> 00:25:50.724
- Characterization.
- ALL: Characterization.

624
00:25:50.890 --> 00:25:52.769
It's time to dive in
to our first exercise.

625
00:25:52.936 --> 00:25:55.316
Somebody wants to maybe
give it a shot?

626
00:25:55.482 --> 00:25:56.694
Anybody.

627
00:25:57.278 --> 00:25:58.280
Nobody?

628
00:25:59.867 --> 00:26:01.620
Darla, why don't you come up
here and demonstrate with me?

629
00:26:02.623 --> 00:26:05.920
So Darla is going to say
just a basic fact about me,

630
00:26:06.087 --> 00:26:07.924
anything that she observes.

631
00:26:08.091 --> 00:26:09.595
Just anything that comes to
mind when you look at me.

632
00:26:09.762 --> 00:26:11.181
No wrong answers.
Just throw something out.

633
00:26:11.682 --> 00:26:12.934
You're an acting teacher.

634
00:26:13.101 --> 00:26:14.103
Okay. I'm gonna stop you
right there.

635
00:26:14.312 --> 00:26:17.109
So that's actually
wildly opinionated.

636
00:26:17.276 --> 00:26:19.364
That was a really simplistic
way of looking at it.

637
00:26:19.531 --> 00:26:22.579
I am a performer
who works full time

638
00:26:22.579 --> 00:26:23.790
as an acting teacher, right?

639
00:26:25.125 --> 00:26:27.046
(PLAYING PEACEFUL TUNE
ON FLUTE)

640
00:26:34.853 --> 00:26:36.147
Sing that back to me.

641
00:26:37.441 --> 00:26:39.195
(CHILDREN VOCALIZING TUNE)

642
00:26:39.530 --> 00:26:41.408
Now we're gonna do
a little bit of an exercise

643
00:26:41.408 --> 00:26:42.953
to just strengthen our mouths.

644
00:26:42.953 --> 00:26:44.455
ALL: (SINGING)
<i>I was with Al Gore</i>

645
00:26:44.455 --> 00:26:45.917
<i>By the old cheese store</i>

646
00:26:46.084 --> 00:26:48.673
<i>And he brought his own bag
From the ocean floor</i>

647
00:26:48.840 --> 00:26:52.304
ALL: Wolf Blitzer has
a blister on his upper lip.

648
00:26:52.471 --> 00:26:54.016
You are a family...

649
00:26:55.310 --> 00:26:56.479
of influencers.

650
00:26:56.689 --> 00:26:58.358
The mom is the manager.

651
00:26:58.526 --> 00:27:00.989
You're dating
a basketball player,

652
00:27:01.156 --> 00:27:03.160
but he's constantly
cheating on you.

653
00:27:03.326 --> 00:27:04.663
And if that isn't enough,

654
00:27:04.788 --> 00:27:06.792
all your names
start with the same letter.

655
00:27:09.046 --> 00:27:10.048
Oh, nice.

656
00:27:11.259 --> 00:27:13.388
Your show's canceled!
Your show's canceled!

657
00:27:14.265 --> 00:27:15.518
It's back.

658
00:27:16.520 --> 00:27:17.522
Whoa.

659
00:27:17.522 --> 00:27:20.027
Wanting to learn
about stagecraft

660
00:27:20.194 --> 00:27:22.364
is an act of nobility.

661
00:27:22.532 --> 00:27:25.663
You know, even if it's just
because dance was full.

662
00:27:26.331 --> 00:27:29.295
Something that we like
to dig into here

663
00:27:29.462 --> 00:27:32.301
is the art of the spotlight.

664
00:27:39.148 --> 00:27:42.656
No offense,
but this is really easy.

665
00:27:42.822 --> 00:27:44.743
Can you make it harder?

666
00:27:46.412 --> 00:27:47.414
Okay.

667
00:27:52.216 --> 00:27:54.805
(UPBEAT PIANO MUSIC PLAYING)

668
00:28:14.803 --> 00:28:16.724
(UPBEAT INSTRUMENTAL
MUSIC PLAYING)

669
00:28:32.672 --> 00:28:34.133
(PANTING)

670
00:28:37.599 --> 00:28:39.770
You know, if there was
a real dancer on stage,

671
00:28:39.770 --> 00:28:40.855
that would be...

672
00:28:42.024 --> 00:28:43.318
that would be different.

673
00:28:43.485 --> 00:28:44.655
Better, probably.

674
00:28:44.821 --> 00:28:46.157
Whoa, that was amazing.

675
00:28:46.324 --> 00:28:47.952
GLENN: (STAMMERS)
Let's take a break.

676
00:28:49.372 --> 00:28:50.457
- AMOS: So we have like...
- (PLAYING PIANO)

677
00:28:50.625 --> 00:28:52.671
(SINGING) <i>You never</i>

678
00:28:52.671 --> 00:28:54.883
<i>- </i>  (SINGING) <i>Listen to me
- </i>  Yeah.

679
00:28:55.050 --> 00:28:56.052
And then...

680
00:28:56.052 --> 00:28:57.429
<i>- </i>  (SINGING) <i>Daddy</i>
- Yeah.

681
00:28:57.597 --> 00:28:59.601
I want her to say that loudly.

682
00:28:59.768 --> 00:29:01.396
- Write that down.
- Mmm-hmm. Like guttural.

683
00:29:01.563 --> 00:29:03.066
- That's very Joan.
- A guttural "Daddy."

684
00:29:03.233 --> 00:29:05.278
It would be great to go
into the first rehearsal

685
00:29:05.445 --> 00:29:07.366
with like,
three or four songs.

686
00:29:07.534 --> 00:29:10.038
For Joan's song at Studio 54,
I've been thinking...

687
00:29:10.038 --> 00:29:11.542
(SCATTING)

688
00:29:13.128 --> 00:29:14.088
AMOS: (SINGING) <i>Lower now</i>

689
00:29:14.296 --> 00:29:15.758
(BOTH SCATTING)

690
00:29:16.927 --> 00:29:18.096
AMOS: Okay. That's good.

691
00:29:18.096 --> 00:29:21.060
What are we doing for,
in the Wall Street piece?

692
00:29:21.227 --> 00:29:23.314
(SINGING) <i>Selling the stock
Buying the stock</i>

693
00:29:24.316 --> 00:29:25.318
It's tap.

694
00:29:25.485 --> 00:29:26.947
- It's tap.
- It's tap.

695
00:29:27.824 --> 00:29:29.870
- Like, stocks and bonds.
- (SINGING) <i>Stocks things</i>

696
00:29:30.036 --> 00:29:31.540
<i>- Bonds and selling</i>
- Stocks.

697
00:29:31.707 --> 00:29:33.126
<i>- I work on Wall Street</i>
- Stocks.

698
00:29:33.293 --> 00:29:34.588
I don't know
when I'm gonna be able

699
00:29:34.588 --> 00:29:37.342
- to really get to the finale.
- Yeah, yeah, I got it.

700
00:29:37.552 --> 00:29:38.637
- You can take that?
- Yeah, I got it.

701
00:29:38.804 --> 00:29:40.767
So, I'm writing,
Rebecca-Diane...

702
00:29:41.225 --> 00:29:42.227
finale.

703
00:29:43.313 --> 00:29:44.691
It's for her.
It's all for her.

704
00:29:44.858 --> 00:29:46.235
- It's for her.
- (TURNS PAGE)

705
00:29:47.739 --> 00:29:49.951
DARLA: Well, it makes sense.
I've been taking tap

706
00:29:49.951 --> 00:29:51.037
- since I was two.
- CHRISTOPHER L: Oh, my gosh.

707
00:29:51.037 --> 00:29:52.122
DARLA: So, I'm like...
That's why I, like, have it.

708
00:29:52.122 --> 00:29:53.542
Performers, attention.

709
00:29:55.045 --> 00:29:56.590
Welcome to the first rehearsal
of <i>Joan, Still.</i>

710
00:29:57.424 --> 00:29:58.928
I'm not gonna sugarcoat it.

711
00:29:59.094 --> 00:30:00.640
Emotionally,
physically and spiritually,

712
00:30:00.807 --> 00:30:02.727
this is our most complicated
piece we've ever tried to do.

713
00:30:02.727 --> 00:30:03.813
Most ambitious.

714
00:30:03.979 --> 00:30:07.654
Now, we only have three weeks
to create a masterpiece.

715
00:30:07.987 --> 00:30:09.448
It's on you now.
It's up to you.

716
00:30:09.616 --> 00:30:10.618
So that's on your shoulders

717
00:30:10.618 --> 00:30:12.956
as well as Joan's well-being
and her legacy. All on you.

718
00:30:13.874 --> 00:30:15.711
But you so deserve it
on every level.

719
00:30:15.878 --> 00:30:18.049
You guys are so talented,
so unbelievable.

720
00:30:18.216 --> 00:30:19.218
This will break you.

721
00:30:20.178 --> 00:30:21.849
This will fully destroy you.

722
00:30:22.015 --> 00:30:23.936
Congratulations on being the
most talented kids at camp.

723
00:30:24.228 --> 00:30:26.148
(JAUNTY MUSIC PLAYING)

724
00:30:26.482 --> 00:30:28.069
(INAUDIBLE CONVERSATIONS)

725
00:30:31.827 --> 00:30:33.706
On a "mi," go.

726
00:30:33.873 --> 00:30:35.041
ALL: (SINGING) <i>Mi, mi, mi</i>

727
00:30:38.256 --> 00:30:39.676
Um, I'm just gonna go
and see if there's

728
00:30:39.676 --> 00:30:40.845
any alcohol
that's been confiscated.

729
00:30:41.012 --> 00:30:42.515
I'll just grab it
and I'll meet you at the fire pit?

730
00:30:42.682 --> 00:30:44.351
You know what? I just can't.
I can't come tonight.

731
00:30:44.351 --> 00:30:46.272
I'm having insane
creative inspiration.

732
00:30:46.272 --> 00:30:47.609
It's just coming out of me
at all ends.

733
00:30:47.775 --> 00:30:48.777
No. Rebecca, Rebecca.

734
00:30:48.777 --> 00:30:50.196
I'm not going
to the staff hang without you.

735
00:30:50.363 --> 00:30:51.867
I'm gonna get stuck
listening to a story

736
00:30:51.867 --> 00:30:54.706
about how Clive was nude
for the entire '80s.

737
00:30:54.873 --> 00:30:56.752
And the dancers
start applauding for me.

738
00:30:56.919 --> 00:30:58.672
And I had no idea why.

739
00:30:58.839 --> 00:31:01.218
But, of course, I obliged
them with a deep curtsy.

740
00:31:01.637 --> 00:31:05.686
And as I'm bowing,
I realize I'm still nude.

741
00:31:06.772 --> 00:31:08.024
(BOTH LAUGHING)

742
00:31:08.734 --> 00:31:11.615
CLIVE: Oh, still nude.

743
00:31:13.535 --> 00:31:14.537
Um, let's do a toast.

744
00:31:15.330 --> 00:31:17.417
- Shall we, a toast to Joan?
- CLIVE: Praise be.

745
00:31:17.627 --> 00:31:19.714
Right? A little toast.
Let me top everyone off.

746
00:31:19.881 --> 00:31:22.302
I can feel that her spirit
is with us right now.

747
00:31:22.302 --> 00:31:23.388
GIGI: Yes.

748
00:31:23.555 --> 00:31:24.599
- She's here.
- She's here. She's here.

749
00:31:24.766 --> 00:31:25.977
I have a little story for us.

750
00:31:26.477 --> 00:31:29.985
So I was a camper here
and Joan said to me,

751
00:31:30.151 --> 00:31:31.738
she looked me in the eyes,
she said,

752
00:31:32.907 --> 00:31:33.993
"You're untalented.

753
00:31:35.495 --> 00:31:37.040
"You can't dance.
You can't sing.

754
00:31:38.042 --> 00:31:39.044
"You can't act.

755
00:31:39.963 --> 00:31:41.508
"You're very bad at this.

756
00:31:41.675 --> 00:31:43.261
"But you look amazing.

757
00:31:43.428 --> 00:31:46.434
"Your skin is glowing and
your outfit is unbelievable."

758
00:31:48.605 --> 00:31:49.941
And she was right.

759
00:31:50.358 --> 00:31:51.820
RITA: At camp,
we have a tradition.

760
00:31:51.987 --> 00:31:54.116
Every night,
a staff member or counselor

761
00:31:54.116 --> 00:31:55.953
is gonna come in here
and do a show for you.

762
00:31:56.370 --> 00:31:59.001
Tonight was supposed to be
Joan's night,

763
00:31:59.168 --> 00:32:00.253
but Joan isn't here.

764
00:32:00.420 --> 00:32:03.301
So tonight, I am going
to take her place

765
00:32:03.468 --> 00:32:06.725
and read you
a special bedtime story.

766
00:32:06.892 --> 00:32:10.356
(SINGING)
<i>My friends, by the fire with my friends</i>

767
00:32:10.524 --> 00:32:14.490
<i>Having fun with my friends</i>

768
00:32:14.490 --> 00:32:16.202
(VOCALIZING)

769
00:32:18.372 --> 00:32:20.043
Gorgeous. Thank you, Rebecca.

770
00:32:20.210 --> 00:32:21.963
Sorry. Sorry.

771
00:32:22.130 --> 00:32:25.386
I just feel like this mood
is getting kind of like, sad.

772
00:32:25.888 --> 00:32:27.349
You know what I mean?
Let's get crunk a little.

773
00:32:27.517 --> 00:32:28.519
Janet.

774
00:32:30.230 --> 00:32:32.025
What are you doing here
at the camp?

775
00:32:32.192 --> 00:32:34.196
Oh, I mean, like,
what are any of us doing here

776
00:32:34.196 --> 00:32:35.490
- at the camp?
- No, no, no.

777
00:32:35.658 --> 00:32:36.868
What are you doing?

778
00:32:37.035 --> 00:32:40.250
I just wanna say your energy
is so chaotic.

779
00:32:40.416 --> 00:32:41.460
I don't think so.

780
00:32:41.460 --> 00:32:42.839
And I actually do
some energy healing

781
00:32:42.964 --> 00:32:44.717
and any time
you wanna talk outside class,

782
00:32:44.717 --> 00:32:46.596
I'm really happy
to sit down with you.

783
00:32:46.596 --> 00:32:47.682
I'm chilling.

784
00:32:47.682 --> 00:32:48.809
- You know what I mean?
- REBECCA-DIANE: Mmm-hmm.

785
00:32:48.809 --> 00:32:50.353
I don't like this type of, um,

786
00:32:50.353 --> 00:32:51.815
voice.

787
00:32:51.982 --> 00:32:52.984
This is my voice.

788
00:32:53.151 --> 00:32:55.739
No, I think it sounded
different three seconds ago.

789
00:32:55.906 --> 00:32:57.242
No, that's how I talk.

790
00:32:57.409 --> 00:33:00.833
"She was so excited to be
at this Equity open call.

791
00:33:01.000 --> 00:33:03.547
"But she'd been waiting
for hours and hours.

792
00:33:03.714 --> 00:33:07.012
"She could hear people singing
on the other side of the door.

793
00:33:07.513 --> 00:33:10.561
"And then finally,
it was her turn.

794
00:33:10.728 --> 00:33:12.940
"But when she walked
in the room,

795
00:33:12.940 --> 00:33:14.986
"the men turned her away

796
00:33:15.153 --> 00:33:18.869
"because she was non-union."

797
00:33:19.036 --> 00:33:20.038
The end.

798
00:33:21.415 --> 00:33:22.793
AMOS: <i>We at one time
were going to pursue</i>

799
00:33:22.793 --> 00:33:24.881
an education in the theater

800
00:33:25.006 --> 00:33:26.635
and we both actually
auditioned together

801
00:33:26.635 --> 00:33:29.557
for a little-known institution
called Juilliard.

802
00:33:29.724 --> 00:33:30.851
We were in
the waiting room, you know.

803
00:33:30.851 --> 00:33:32.229
I had my monologue
all prepared.

804
00:33:32.395 --> 00:33:34.651
I was doing
"Gallop Apace," Juliet.

805
00:33:34.817 --> 00:33:36.529
She had Romeo in the tomb.

806
00:33:36.696 --> 00:33:37.782
And then...

807
00:33:37.949 --> 00:33:40.078
Gerald walked into
the waiting room. Gerald '08.

808
00:33:40.245 --> 00:33:41.247
REBECCA-DIANE:
Gerald '08 walked in.

809
00:33:41.247 --> 00:33:42.499
AMOS:
Just to catch you up, Janet,

810
00:33:42.499 --> 00:33:43.794
we had a torrid affair.

811
00:33:43.961 --> 00:33:45.213
Lot of, like,
will they, won't they.

812
00:33:45.380 --> 00:33:46.382
The camp
was all abuzz about it.

813
00:33:46.549 --> 00:33:49.304
We never really spoke or
touched or kissed, but it...

814
00:33:49.471 --> 00:33:51.225
You know,
it was on everybody's lips.

815
00:33:51.685 --> 00:33:54.524
And so he really threw
my pH balance, like, way off.

816
00:33:54.691 --> 00:33:56.528
And Rebecca
could feel it, too,

817
00:33:56.528 --> 00:33:58.532
because we kind
of share a soul.

818
00:33:58.699 --> 00:34:01.036
And we are linked
artistically, emotionally...

819
00:34:01.203 --> 00:34:03.457
- Completely. We are one.
- You're codependent?

820
00:34:03.667 --> 00:34:05.587
Well, no, I would say that
we're dependent on each other.

821
00:34:05.754 --> 00:34:06.715
So, anyways,

822
00:34:06.840 --> 00:34:07.842
we were inches
from a callback,

823
00:34:07.842 --> 00:34:09.094
slipped from our hands.

824
00:34:09.094 --> 00:34:10.597
- It didn't happen.
- It didn't go our way.

825
00:34:10.597 --> 00:34:11.766
- We both bombed.
- No.

826
00:34:11.891 --> 00:34:12.893
Bombed.

827
00:34:12.893 --> 00:34:14.187
REBECCA-DIANE: Yeah,
we've always wanted to do

828
00:34:14.187 --> 00:34:15.356
a gender-reversed production

829
00:34:15.524 --> 00:34:16.860
- of <i>Romeo and Juliet.</i>
- Mmm-hmm.

830
00:34:18.739 --> 00:34:19.741
Why don't you do it?

831
00:34:21.076 --> 00:34:22.830
Well, I would love to do it
with you.

832
00:34:22.997 --> 00:34:24.709
And I've been working
really hard and taking...

833
00:34:24.876 --> 00:34:28.174
I mean, you know, the absolute
goal at the end of the day

834
00:34:28.341 --> 00:34:29.594
is, of course, to perform,

835
00:34:29.594 --> 00:34:32.015
but I don't think
we're quite at that place.

836
00:34:34.812 --> 00:34:36.398
(HIP-HOP MUSIC PLAYING)

837
00:34:48.130 --> 00:34:49.759
- (CELL PHONE BUZZING)
- TROY: Ay, yikes.

838
00:34:49.759 --> 00:34:50.928
MAN: (ON PHONE)
<i>Hi, Mr. Rubinsky,</i>

839
00:34:50.928 --> 00:34:53.057
<i>this is Carl
from Warwick Bank.</i>

840
00:34:53.224 --> 00:34:55.103
<i>If you do not make a payment
on your mortgage this week,</i>

841
00:34:55.269 --> 00:34:57.273
<i>we will initiate
foreclosure proceedings.</i>

842
00:34:57.273 --> 00:35:00.531
<i>Please take action to avoid
repossession of your camp.</i>

843
00:35:01.156 --> 00:35:02.200
(CELL PHONE BEEPS)

844
00:35:02.200 --> 00:35:03.452
AUTOMATED VOICE:
<i>"Repossession" means</i>

845
00:35:03.452 --> 00:35:05.206
<i>the action of retaking
possession of something.</i>

846
00:35:05.373 --> 00:35:07.670
<i>In particular, when a buyer
defaults on payments.</i>

847
00:35:07.670 --> 00:35:09.005
Whoa.

848
00:35:09.214 --> 00:35:10.509
(HIP-HOP MUSIC CONTINUES)

849
00:35:13.849 --> 00:35:17.439
(CLEARS THROAT)
Oh, what a beautiful...

850
00:35:17.815 --> 00:35:19.192
ALL: Morning!

851
00:35:19.359 --> 00:35:22.616
(ON MIC) <i>All right. First up,
minor housekeeping issue.</i>

852
00:35:22.783 --> 00:35:25.664
<i>Whoever stole my CBD gummies,
please return them.</i>

853
00:35:25.831 --> 00:35:27.459
<i>No questions asked.</i>

854
00:35:27.626 --> 00:35:29.756
<i>I'm pretty sure
I know who it was,</i>

855
00:35:29.756 --> 00:35:31.509
<i>so just go ahead
and cough that up.</i>

856
00:35:31.634 --> 00:35:32.928
<i>I can't sleep without them.</i>

857
00:35:32.928 --> 00:35:34.431
GIRL: CisHet bitch.

858
00:35:34.431 --> 00:35:35.851
(CHILDREN LAUGHING)

859
00:35:35.976 --> 00:35:37.312
<i>Okay. Thank you for that.</i>

860
00:35:40.485 --> 00:35:41.487
Thank you.

861
00:35:41.487 --> 00:35:43.157
Food has been so good.
Keep it up.

862
00:35:46.413 --> 00:35:47.415
(CHAIR SLIDES)

863
00:35:47.415 --> 00:35:49.085
GLENN: Ow!
TROY: Oh.

864
00:35:49.085 --> 00:35:50.881
- Hey, sorry. Are you...
- Sorry.

865
00:35:50.881 --> 00:35:53.052
No, it was completely
my fault. You're fine.

866
00:35:56.391 --> 00:35:58.980
Hey, uh, do you wanna
have lunch with me?

867
00:36:02.403 --> 00:36:04.951
By the way,
thanks for not telling anyone

868
00:36:04.951 --> 00:36:06.119
about the foreclosure.

869
00:36:06.579 --> 00:36:07.915
I really appreciate that.

870
00:36:09.417 --> 00:36:11.463
I don't know
if I can do this, man.

871
00:36:11.631 --> 00:36:13.927
I have no idea how my mom
kept this place afloat.

872
00:36:14.512 --> 00:36:16.724
I mean,
the bank's way up my ass.

873
00:36:16.933 --> 00:36:18.477
Plus, Tim keeps complaining

874
00:36:18.477 --> 00:36:20.106
about being woken up
by the kids' singing.

875
00:36:20.439 --> 00:36:22.110
Who's Tim?

876
00:36:23.028 --> 00:36:24.489
My Airbnb bunkie.

877
00:36:24.489 --> 00:36:25.993
This guy named Tim. That guy.

878
00:36:27.955 --> 00:36:29.249
- Hey!
- I really can't afford

879
00:36:29.249 --> 00:36:30.459
a bad review right now.

880
00:36:31.295 --> 00:36:33.299
I swear, dude, I can usually
get down with any vibe.

881
00:36:33.717 --> 00:36:34.969
But these kids, man.

882
00:36:35.136 --> 00:36:36.471
They just don't wanna
meet me halfway.

883
00:36:36.471 --> 00:36:37.600
Every time I come up
with a plan,

884
00:36:37.600 --> 00:36:38.768
they call me the Music Man <i>.</i>

885
00:36:38.768 --> 00:36:39.896
I don't even know
what that is.

886
00:36:41.064 --> 00:36:42.191
Well, it's a musical.

887
00:36:42.358 --> 00:36:43.862
Everything's a goddamn
musical here, man.

888
00:36:44.029 --> 00:36:45.364
GLENN: Well, yeah, it is.

889
00:36:45.489 --> 00:36:47.327
'Cause it's sort
of their entire lives.

890
00:36:47.786 --> 00:36:48.788
Like those kids.

891
00:36:49.289 --> 00:36:51.544
That's actually
last year's cast of <i>Rent.</i>

892
00:36:51.711 --> 00:36:53.380
It was a very
formative production.

893
00:36:53.506 --> 00:36:55.761
It's all about family.
It's all about community.

894
00:36:55.928 --> 00:36:57.723
Okay, see, that's...

895
00:36:57.890 --> 00:36:59.267
- that's helpful.
- Good.

896
00:36:59.434 --> 00:37:00.436
What about them?

897
00:37:00.604 --> 00:37:02.566
GLENN: Those are Fosse kids.

898
00:37:02.566 --> 00:37:03.693
If they snap at you,

899
00:37:03.693 --> 00:37:05.530
just know that they're not
trying to be demanding.

900
00:37:05.697 --> 00:37:07.325
It's just part
of the vocabulary.

901
00:37:07.492 --> 00:37:08.536
These kids are smart.

902
00:37:08.703 --> 00:37:09.956
If you need their help,
you just have to

903
00:37:09.956 --> 00:37:11.208
sort of meet them
on their level.

904
00:37:11.960 --> 00:37:14.005
CLIVE: And starfish, starfish,

905
00:37:14.172 --> 00:37:15.968
starfish, and starfish.

906
00:37:16.176 --> 00:37:17.428
Jiggle like a jackal.

907
00:37:17.596 --> 00:37:18.765
Jiggle like a jackal.

908
00:37:18.932 --> 00:37:21.478
You need to know that only
3% of people make it.

909
00:37:21.646 --> 00:37:24.568
The rest of them
end up in a mental facility

910
00:37:24.568 --> 00:37:26.698
or on a go-go box
in Hell's Kitchen.

911
00:37:27.073 --> 00:37:28.868
AMOS: Let's just get a few
more selections today

912
00:37:28.868 --> 00:37:31.039
from my collected
original works,

913
00:37:31.206 --> 00:37:32.291
as we do every year.

914
00:37:32.291 --> 00:37:33.628
That's a low blow, Eileen.

915
00:37:33.628 --> 00:37:34.880
And don't pretend my IBS

916
00:37:34.880 --> 00:37:35.966
isn't part of
why you haven't wanted

917
00:37:35.966 --> 00:37:37.427
to touch me
in almost a decade.

918
00:37:37.594 --> 00:37:40.016
It's got nothing to do
with your IBS, Roger.

919
00:37:40.182 --> 00:37:41.393
I want you
to live a little bit more

920
00:37:41.393 --> 00:37:42.771
with the reality
of having IBS

921
00:37:42.771 --> 00:37:43.940
and what that might do
to your character.

922
00:37:44.315 --> 00:37:46.821
Because I'm not really feeling
the detail of the IBS.

923
00:37:46.988 --> 00:37:48.616
I wanna live, Mother.

924
00:37:48.616 --> 00:37:50.996
Let's just try to throw some
different spices in there.

925
00:37:51.163 --> 00:37:53.585
A little bit of pain,
a little bit of stepfather.

926
00:37:53.877 --> 00:37:57.008
Got it. So hand me
my goddamn lipstick.

927
00:37:57.968 --> 00:37:59.847
- And let me live.
- Good.

928
00:38:00.222 --> 00:38:01.475
Mostly a lot better.

929
00:38:01.601 --> 00:38:02.603
Thank you, Darla. Take a seat.

930
00:38:02.603 --> 00:38:03.855
JANET: Okay.
Today's a new thing.

931
00:38:03.855 --> 00:38:06.234
I'm teaching, um,

932
00:38:06.527 --> 00:38:07.821
stage combat.

933
00:38:09.032 --> 00:38:10.117
What is it?

934
00:38:11.495 --> 00:38:12.497
What is it?

935
00:38:12.664 --> 00:38:13.875
It's the art of surprise.

936
00:38:13.875 --> 00:38:16.129
It pushes the envelope
of what theater can be.

937
00:38:16.254 --> 00:38:17.508
Absolutely.

938
00:38:19.093 --> 00:38:21.348
But also
what do we think it is?

939
00:38:21.557 --> 00:38:24.772
It causes our heart to skip
a beat, but safely.

940
00:38:24.897 --> 00:38:27.360
Does anybody have an answer
that's like, not poetry?

941
00:38:27.861 --> 00:38:28.905
Maybe? You know what I mean?

942
00:38:28.905 --> 00:38:31.159
Like a legal definition
of what it is.

943
00:38:31.159 --> 00:38:33.665
It's basically like
teaching us how to fight.

944
00:38:34.124 --> 00:38:35.125
Oh.

945
00:38:35.334 --> 00:38:37.421
We are starting
our past lives seminar.

946
00:38:37.421 --> 00:38:39.802
(ALL HUMMING)

947
00:38:41.346 --> 00:38:43.518
You were a nurse
in World War II.

948
00:38:43.518 --> 00:38:45.814
You fell in love with
one of your fellow nurses

949
00:38:45.814 --> 00:38:47.776
and you were
the first lesbian nurse couple

950
00:38:47.776 --> 00:38:49.028
that had ever lived.

951
00:38:49.320 --> 00:38:50.740
Let that inform your singing.

952
00:38:50.740 --> 00:38:53.830
You were President William
Howard Taft.

953
00:38:55.165 --> 00:38:56.459
(CHILDREN CHEERING)

954
00:38:56.459 --> 00:38:59.173
You are the oldest soul
in this room.

955
00:38:59.340 --> 00:39:00.635
This is your last life.

956
00:39:01.721 --> 00:39:02.723
(CHIME DINGS)

957
00:39:05.269 --> 00:39:06.606
Wow, thank you all.

958
00:39:06.606 --> 00:39:07.816
Thank you all for that.

959
00:39:08.192 --> 00:39:09.695
All right, artists.

960
00:39:09.695 --> 00:39:11.031
Next, we're going
to be doing some...

961
00:39:11.031 --> 00:39:12.116
(CELL PHONE BUZZING)

962
00:39:13.786 --> 00:39:16.249
Um... Uh...
(CHUCKLES AWKWARDLY)

963
00:39:16.249 --> 00:39:18.755
I'm so sorry. (STUTTERS)

964
00:39:18.755 --> 00:39:20.007
I'll be back.
I just have to take this.

965
00:39:21.343 --> 00:39:22.345
It's all good.

966
00:39:24.140 --> 00:39:25.184
Hello?

967
00:39:25.351 --> 00:39:28.232
Hi. Yes, I can be
available tonight.

968
00:39:36.081 --> 00:39:37.249
(MOUTHING)

969
00:39:37.416 --> 00:39:38.460
(MOUTHING)

970
00:39:38.878 --> 00:39:40.089
(WHIMSICAL MUSIC PLAYING)

971
00:39:48.438 --> 00:39:50.317
(INAUDIBLE)

972
00:39:53.908 --> 00:39:56.162
All right, all-stars.

973
00:39:56.288 --> 00:39:57.666
Whoa!

974
00:39:58.375 --> 00:40:00.045
Look at this turnout.

975
00:40:00.379 --> 00:40:01.674
Um, yes?

976
00:40:02.216 --> 00:40:03.343
Are we doing a cabaret?

977
00:40:03.343 --> 00:40:04.513
A what?

978
00:40:04.513 --> 00:40:06.141
I think
it's a night of scene work.

979
00:40:06.141 --> 00:40:08.855
That's totally what this is.
It's a night of scene work.

980
00:40:09.523 --> 00:40:11.109
And here's the scene.

981
00:40:12.111 --> 00:40:13.781
<i>You guys are the staff</i>

982
00:40:14.783 --> 00:40:16.829
<i>of a fine
dining establishment.</i>

983
00:40:16.996 --> 00:40:19.333
<i>So anything those guys
in there order,</i>

984
00:40:19.960 --> 00:40:22.632
you say, "Yes,"
and then you bring it to them.

985
00:40:22.799 --> 00:40:24.595
Like an improv exercise.

986
00:40:24.762 --> 00:40:26.389
Can we make up
our own characters?

987
00:40:26.557 --> 00:40:28.477
- MACKENZIE: And do accents?
- Okay.

988
00:40:28.644 --> 00:40:30.815
Let's just get together here, Rotarians...

989
00:40:30.982 --> 00:40:33.905
...and kick Oklahoma City's
fundraising ass.

990
00:40:33.905 --> 00:40:35.658
Should we do that?
Huh? Cheers!

991
00:40:35.658 --> 00:40:36.744
ROTARIANS: Cheers!
MAN: Cheers, cheers!

992
00:40:36.744 --> 00:40:38.246
We're here thanks
to Troy Rubinsky.

993
00:40:38.246 --> 00:40:39.457
- We're happy to have you guys.
- BILL: Thanks so much.

994
00:40:39.457 --> 00:40:40.710
Thank you. Good. And I guess

995
00:40:40.710 --> 00:40:43.381
we're gonna get served
by the campers here,

996
00:40:43.549 --> 00:40:45.052
which I was not aware of.

997
00:40:45.052 --> 00:40:46.262
(BILL CHUCKLES AWKWARDLY)

998
00:40:47.098 --> 00:40:48.559
BILL: Dressing?
No. Is there...

999
00:40:48.559 --> 00:40:49.686
All right. Well...

1000
00:40:49.686 --> 00:40:50.855
(LAUGHTER)

1001
00:40:51.064 --> 00:40:53.193
Hey, just eat it dry,
I guess, huh.

1002
00:40:54.278 --> 00:40:55.698
It's crazy that this is their

1003
00:40:55.698 --> 00:40:57.536
first immersive
theater experience.

1004
00:40:57.702 --> 00:40:59.706
I know.
We have a big responsibility.

1005
00:41:01.000 --> 00:41:02.420
Can I offer you a roll?

1006
00:41:02.838 --> 00:41:05.175
Or the chilling tale
about how I lost my daughter?

1007
00:41:05.175 --> 00:41:07.597
- (COUGHS)
- (MUSIC STOPS)

1008
00:41:10.102 --> 00:41:11.229
(HUMMING)

1009
00:41:15.445 --> 00:41:16.574
(CLICKS TONGUE) Ooh.

1010
00:41:16.574 --> 00:41:18.410
Reminder. Pay rent to mom.

1011
00:41:18.578 --> 00:41:21.249
Remember to check in
with RD about the finale.

1012
00:41:21.917 --> 00:41:23.420
Papier-mâché nose.

1013
00:41:24.548 --> 00:41:25.550
LAINY: Amos!

1014
00:41:26.342 --> 00:41:27.344
Amos!

1015
00:41:27.846 --> 00:41:31.186
Rebecca missed her
nighttime performance.

1016
00:41:31.896 --> 00:41:33.941
That doesn't
sound like Rebecca.

1017
00:41:34.108 --> 00:41:37.364
Okay, but I'm craving
a performance.

1018
00:41:37.364 --> 00:41:39.953
- (UPBEAT PIANO MUSIC PLAYING)
- (ROTARIANS MURMURING)

1019
00:41:41.832 --> 00:41:43.293
I think it's going
pretty good.

1020
00:41:43.794 --> 00:41:45.464
The kids are getting
real into it.

1021
00:41:46.299 --> 00:41:47.594
GLENN: Your mom knows
what she's talking about.

1022
00:41:47.761 --> 00:41:48.971
We help our own.

1023
00:41:49.138 --> 00:41:51.560
Men!
There's been an attack.

1024
00:41:51.727 --> 00:41:52.979
BOY: This is how we go.

1025
00:41:53.313 --> 00:41:54.608
It's been a pleasure
serving with you.

1026
00:41:54.608 --> 00:41:55.818
My son! My son!

1027
00:41:55.818 --> 00:41:58.783
All of my children
are dying in this war.

1028
00:41:58.950 --> 00:42:00.369
Are they getting too into it?

1029
00:42:00.369 --> 00:42:02.289
- ALICE: Save yourselves!
- I just, um...

1030
00:42:02.958 --> 00:42:04.418
I just really wanna go home.

1031
00:42:05.128 --> 00:42:06.799
AMOS: Well,
as we all know by now,

1032
00:42:06.799 --> 00:42:09.387
our bedtime performer
is missing in action.

1033
00:42:09.972 --> 00:42:11.474
Uh, I really apologize.

1034
00:42:11.642 --> 00:42:13.395
Waiting for entertainment
that's expected

1035
00:42:13.395 --> 00:42:14.648
is a painful experience.

1036
00:42:14.648 --> 00:42:16.025
This is very impromptu,

1037
00:42:16.025 --> 00:42:17.612
so I didn't really
have anything prepared, but...

1038
00:42:17.779 --> 00:42:20.618
Peter Piper picked a peck
of pickled peppers. Wait.

1039
00:42:21.870 --> 00:42:24.000
The peppers were pickled
when he picked them?

1040
00:42:24.292 --> 00:42:26.045
Peter Piper picked a priority.

1041
00:42:26.212 --> 00:42:27.214
And what was that priority

1042
00:42:27.214 --> 00:42:28.843
that Peter Piper picked?
Family.

1043
00:42:30.095 --> 00:42:32.182
Friends. Connection.

1044
00:42:33.435 --> 00:42:34.437
He picked a life.

1045
00:42:34.730 --> 00:42:35.773
These were triggers.

1046
00:42:35.773 --> 00:42:37.694
This has lasting effects, okay?

1047
00:42:37.694 --> 00:42:39.990
One guy had sort of
a Vietnam flashback

1048
00:42:40.157 --> 00:42:42.286
and you had kids
serving liquor.

1049
00:42:42.453 --> 00:42:43.706
That's gotta be illegal.

1050
00:42:43.873 --> 00:42:45.208
It was interesting, but no.

1051
00:42:45.375 --> 00:42:46.377
It was a bit.
She was doing...

1052
00:42:46.377 --> 00:42:47.589
No. But let's settle
on 40 bucks.

1053
00:42:47.589 --> 00:42:49.008
- TROY: Mmm-hmm.
- Troy, please.

1054
00:42:49.008 --> 00:42:50.385
You let me down.

1055
00:42:50.553 --> 00:42:51.805
This did not work out.

1056
00:42:52.014 --> 00:42:53.475
Yeah. Okay. Um...

1057
00:42:53.475 --> 00:42:56.356
- (TENSE MUSIC PLAYING)
- (SIGHS HEAVILY)

1058
00:43:03.453 --> 00:43:04.665
(UPBEAT MUSIC PLAYING)

1059
00:43:04.665 --> 00:43:07.044
(INDISTINCT CONVERSATION)

1060
00:43:15.227 --> 00:43:16.814
(CHILDREN TALKING
INDISTINCTLY)

1061
00:43:17.356 --> 00:43:20.362
Mikey. I'm still this close
to signing Darla.

1062
00:43:21.322 --> 00:43:22.324
Alan?

1063
00:43:22.324 --> 00:43:24.245
I'm in a middle
of a conversation.

1064
00:43:24.245 --> 00:43:25.455
You're supposed to be at dance
class. Come on. Let's go.

1065
00:43:25.455 --> 00:43:26.792
Ugh, jeez. Fine.

1066
00:43:27.459 --> 00:43:29.255
(BUSY SIGNAL)

1067
00:43:29.714 --> 00:43:31.384
- ALAN: I even told her...
- Alan!

1068
00:43:31.384 --> 00:43:32.637
...that she would
get top billing.

1069
00:43:32.637 --> 00:43:33.806
RITA: Off the phone!

1070
00:43:33.931 --> 00:43:35.475
(SIGHS) Just one second.

1071
00:43:35.475 --> 00:43:37.020
RITA: No seconds. Let's go.

1072
00:43:37.312 --> 00:43:39.150
(UPBEAT MUSIC CONTINUES)

1073
00:43:40.778 --> 00:43:42.156
Um...

1074
00:43:42.741 --> 00:43:44.452
How much for three bags?

1075
00:43:44.619 --> 00:43:46.247
That was never the rate.

1076
00:43:46.247 --> 00:43:47.917
It has always been
five dollars.

1077
00:43:48.126 --> 00:43:49.838
These better be
genuine Throat Coat.

1078
00:43:50.590 --> 00:43:52.301
(INHALES DEEPLY)

1079
00:43:52.301 --> 00:43:54.388
That's genuine Throat Coat.
That's genuine.

1080
00:43:55.348 --> 00:43:56.852
I don't even recognize you.

1081
00:43:57.227 --> 00:43:58.814
Where is my little Joan gone?

1082
00:43:58.814 --> 00:44:00.568
I'm still me, Tata.

1083
00:44:00.568 --> 00:44:02.906
No, your face is a new face.

1084
00:44:03.072 --> 00:44:04.701
MACKENZIE:
It's called rouge, Tata.

1085
00:44:04.701 --> 00:44:05.786
DEVON: The cheeks of a hussy.

1086
00:44:05.786 --> 00:44:07.874
- Yeah, yeah.
- Let's hold. Let's hold.

1087
00:44:08.041 --> 00:44:09.210
Devon, you are on the stage,

1088
00:44:09.210 --> 00:44:11.047
but your partner
is fully alone.

1089
00:44:11.255 --> 00:44:12.675
And I think
you really need to...

1090
00:44:12.842 --> 00:44:14.554
I think that ultimately,
Devon, you need to just

1091
00:44:14.721 --> 00:44:15.973
kind of let in the pain
of being a father.

1092
00:44:15.973 --> 00:44:17.351
Like we need
to feel that pain.

1093
00:44:17.727 --> 00:44:18.854
(CHUCKLES NERVOUSLY, STUTTERS)

1094
00:44:18.854 --> 00:44:20.315
But I'm not a father.

1095
00:44:20.315 --> 00:44:21.735
I don't know how to do that.

1096
00:44:21.902 --> 00:44:23.781
Did Julianne Moore
really have dementia? (SCOFFS)

1097
00:44:24.240 --> 00:44:25.535
(WHISPERS) No. No. No.

1098
00:44:25.785 --> 00:44:26.829
AMOS: Do the
connection exercise.

1099
00:44:27.830 --> 00:44:29.543
And then we'll try it again.

1100
00:44:29.709 --> 00:44:30.837
REBECCA-DIANE: Deliver.

1101
00:44:30.837 --> 00:44:31.922
Thank you
for all you're doing.

1102
00:44:31.922 --> 00:44:32.966
Thank you.

1103
00:44:34.260 --> 00:44:35.345
Aren't you gonna
say something?

1104
00:44:35.345 --> 00:44:36.430
REBECCA-DIANE: Oh!

1105
00:44:36.430 --> 00:44:37.559
You missed
your bedtime performance.

1106
00:44:37.559 --> 00:44:39.061
That's so unlike you.
What happened?

1107
00:44:39.186 --> 00:44:40.272
I'm so sorry.
I was just finishing

1108
00:44:40.272 --> 00:44:41.440
the finale
and I got distracted...

1109
00:44:41.440 --> 00:44:44.865
Yeah, I'm sure... This finale,
it's like this is repeated.

1110
00:44:44.865 --> 00:44:46.075
It's like, I love you,

1111
00:44:46.075 --> 00:44:47.369
but, we're getting
towards crunch time, okay?

1112
00:44:47.369 --> 00:44:48.581
And you have
other responsibilities

1113
00:44:48.581 --> 00:44:50.458
- which I know you know.
- I'm just playing catch up.

1114
00:44:51.168 --> 00:44:52.881
Okay, but just I need
my gal with me, so...

1115
00:44:53.047 --> 00:44:54.718
- I got you.
- Okay.

1116
00:44:54.885 --> 00:44:56.597
I'm still me, Tata.

1117
00:44:56.597 --> 00:44:59.728
No. Using your little hands
to write letters to the devil

1118
00:44:59.728 --> 00:45:01.355
and never once
to shape pierogi.

1119
00:45:01.982 --> 00:45:04.613
Just because dumplings
aren't my priority

1120
00:45:04.613 --> 00:45:05.823
anymore doesn't mean any...

1121
00:45:05.823 --> 00:45:08.202
You never once sent a suitor
home to your dying Tata.

1122
00:45:09.413 --> 00:45:11.083
This is not the Joan
that I know.

1123
00:45:13.379 --> 00:45:14.507
You know what, Tata?

1124
00:45:15.216 --> 00:45:16.218
You're right.

1125
00:45:16.803 --> 00:45:20.645
I decide who Joan is,
and I may not be who Joan was,

1126
00:45:21.354 --> 00:45:24.485
but, Tata, I am Joan, still.

1127
00:45:28.493 --> 00:45:31.415
- That got better.
- Better.

1128
00:45:31.583 --> 00:45:34.004
BOTH: (CHANTING)
That got better.

1129
00:45:34.171 --> 00:45:35.423
Very good.
Devon, the accent's

1130
00:45:35.423 --> 00:45:36.510
all over the place,
but it's much better.

1131
00:45:36.510 --> 00:45:37.762
REBECCA-DIANE: Yeah.
Mackenzie, extraordinary.

1132
00:45:37.762 --> 00:45:38.931
Mac. That was so good.

1133
00:45:38.931 --> 00:45:40.433
- Thank you.
- SEBASTIAN: Amazing.

1134
00:45:40.433 --> 00:45:41.853
- CHRISTOPHER L: She killed it.
- Stop!

1135
00:45:42.730 --> 00:45:44.149
(WHISPERS) She's using.

1136
00:45:54.587 --> 00:45:56.090
(SIGHS) Lift up your hands.

1137
00:45:59.723 --> 00:46:01.518
(BOTH SNIFFING)

1138
00:46:02.269 --> 00:46:03.438
(WHISPERS) She wouldn't.

1139
00:46:03.438 --> 00:46:05.233
Tear stick.

1140
00:46:05.358 --> 00:46:06.945
It's just Chapstick, I swear.

1141
00:46:06.945 --> 00:46:08.114
Give it to me.

1142
00:46:08.406 --> 00:46:09.659
REBECCA-DIANE: Oh, my God.

1143
00:46:10.076 --> 00:46:12.080
Mackenzie, I'm not mad.
I'm just furious.

1144
00:46:12.247 --> 00:46:14.544
Your tears should come
from within, from the story,

1145
00:46:14.544 --> 00:46:15.921
from the words on the page,

1146
00:46:16.130 --> 00:46:18.761
not from some emotional
grenade that you smuggled in.

1147
00:46:18.761 --> 00:46:19.971
What's a tear stick?

1148
00:46:19.971 --> 00:46:21.683
AMOS: Insult to the material.
Okay?

1149
00:46:21.683 --> 00:46:23.854
It's a mentholated eyeliner
that helps you cry.

1150
00:46:24.021 --> 00:46:27.862
Joan is screaming
and furious at you.

1151
00:46:28.196 --> 00:46:32.162
Because tear sticks
are doping for actors.

1152
00:46:32.789 --> 00:46:35.502
Do you wanna be the
Lance Armstrong of theater?

1153
00:46:35.502 --> 00:46:38.132
- No.
- Get off the stick.

1154
00:46:39.761 --> 00:46:41.848
(SNIFFLES) Get off the stick.

1155
00:46:43.059 --> 00:46:44.269
- (SNIFFLES)
- (TEAR STICK CLATTERS)

1156
00:46:44.269 --> 00:46:45.523
One day it's tear stick.

1157
00:46:45.648 --> 00:46:47.819
The next
you're calling for line

1158
00:46:47.985 --> 00:46:49.238
and pretty soon
your understudy's

1159
00:46:49.238 --> 00:46:50.365
on eight times a week

1160
00:46:50.533 --> 00:46:52.954
in Weehawken
or God knows where. Okay?

1161
00:46:52.954 --> 00:46:55.375
It's a slip-ry, slip-ry slope.

1162
00:46:56.293 --> 00:46:57.462
Devon, I'm so sorry.

1163
00:46:58.590 --> 00:46:59.843
(DEVON CHUCKLES AWKWARDLY)

1164
00:47:00.511 --> 00:47:01.763
Really, it's fine.

1165
00:47:01.763 --> 00:47:02.932
Tell him you're sorry.

1166
00:47:03.851 --> 00:47:05.061
I'm sorry, Devon.

1167
00:47:05.228 --> 00:47:06.606
It's really fine.

1168
00:47:07.608 --> 00:47:08.819
I choose to forgive.

1169
00:47:08.986 --> 00:47:10.029
But we don't forget.

1170
00:47:10.446 --> 00:47:12.952
But until the end,
the law can forgive.

1171
00:47:13.119 --> 00:47:14.789
(WHISPERS)
But without ever forgetting.

1172
00:47:16.250 --> 00:47:17.795
<i>(CALL ME BY YOUR NAME</i>
BY LIL NAS X PLAYING)

1173
00:47:56.998 --> 00:48:00.589
Hi! Welcome to AdirondACTS.
You guys having fun?

1174
00:48:00.589 --> 00:48:01.841
Enjoying the party? Yeah.

1175
00:48:03.094 --> 00:48:04.096
- (FRANNY GRUNTS)
- (ALL GASP)

1176
00:48:04.221 --> 00:48:06.851
FRANNY: Oh, my God, Lainy,
why would you do that?

1177
00:48:07.018 --> 00:48:09.649
You piss me off, like, a lot.

1178
00:48:12.989 --> 00:48:14.491
JANET: (CLAPPING) Whoo!

1179
00:48:14.491 --> 00:48:15.661
Let's go.

1180
00:48:15.661 --> 00:48:17.414
Stage combat.

1181
00:48:17.707 --> 00:48:19.919
You think this is fun
and games? Hitting?

1182
00:48:19.919 --> 00:48:21.422
It's not funny.
You're right. It's art.

1183
00:48:21.422 --> 00:48:23.175
- WENDY: No. It's not.
- Grow up.

1184
00:48:24.721 --> 00:48:26.223
Excuse me.
Have you seen Rebecca-Diane?

1185
00:48:26.850 --> 00:48:28.185
Is she out there? No?

1186
00:48:29.605 --> 00:48:30.607
Enjoy.

1187
00:48:31.860 --> 00:48:33.154
Where is she?

1188
00:48:43.800 --> 00:48:45.679
TROY: (ON MIC)
<i>Yo, what up, AdirondACTS?</i>

1189
00:48:45.846 --> 00:48:46.931
<i>Welcome, Lakeside.</i>

1190
00:48:47.098 --> 00:48:50.522
<i>Just want you to know this
is not a free event for you.</i>

1191
00:48:50.689 --> 00:48:52.192
<i>Okay? Unless you're verified.</i>

1192
00:48:52.902 --> 00:48:54.029
<i>Thanks for coming out.</i>

1193
00:48:54.154 --> 00:48:56.158
<i>Man, this is a dream show
for me.</i>

1194
00:48:56.450 --> 00:48:58.872
<i>I know this one's
a theater camp classic, so</i>

1195
00:48:59.373 --> 00:49:02.253
<i>thought I'd put
a little twist on it.</i>

1196
00:49:03.089 --> 00:49:05.886
MALE SINGER: (ON SPEAKERS)
<i>Give my regards to Broadway</i>

1197
00:49:06.053 --> 00:49:08.224
<i>Remember me to Herald Square</i>

1198
00:49:08.390 --> 00:49:11.021
<i>Send my regards
to Broadway, bitch!</i>

1199
00:49:12.440 --> 00:49:15.614
MALE SINGER:
<i>Whisper of how I'm yearning</i>

1200
00:49:15.781 --> 00:49:16.825
<i>To mingle
with the old-time throng</i>

1201
00:49:16.825 --> 00:49:18.327
TROY: <i>Put 'em up!
Put 'em up! Put 'em up!</i>

1202
00:49:18.327 --> 00:49:19.747
(ALL CHEERING)

1203
00:49:19.956 --> 00:49:22.878
MALE SINGER:
<i>Give my regards to Old Broadway</i>

1204
00:49:23.045 --> 00:49:25.466
<i>And say
I'll be there 'ere long</i>

1205
00:49:25.466 --> 00:49:26.553
TROY: <i>That's what's up!</i>

1206
00:49:27.053 --> 00:49:28.557
TROY: I know you're busy,
so I don't wanna

1207
00:49:28.557 --> 00:49:29.642
take too much of your time,

1208
00:49:29.809 --> 00:49:31.813
but the vibes are pretty good
in there, huh?

1209
00:49:31.980 --> 00:49:33.733
- Uh, sure.
- That was me DJing.

1210
00:49:33.900 --> 00:49:34.902
But look.

1211
00:49:35.111 --> 00:49:37.198
So I know, you know,
the Rotary Club thing

1212
00:49:37.198 --> 00:49:38.535
didn't really go to plan.

1213
00:49:38.702 --> 00:49:40.163
You took a lot of my kids
out of rehearsal for that.

1214
00:49:40.329 --> 00:49:41.624
I get that and I'm sorry,

1215
00:49:41.624 --> 00:49:43.545
and I'm still perfecting
the formula here,

1216
00:49:43.545 --> 00:49:46.551
but I've recently had,
like, a surge of ideas,

1217
00:49:47.051 --> 00:49:48.805
you know, that would bring
some additional revenue.

1218
00:49:48.972 --> 00:49:51.519
You know, one of 'em is, like,
maybe we send the kids

1219
00:49:51.686 --> 00:49:55.067
into the city to do,
like, singing telegrams.

1220
00:49:55.234 --> 00:49:56.654
Okay. Incredibly dangerous.

1221
00:49:56.821 --> 00:49:58.240
Maybe we do
like remote students.

1222
00:49:58.240 --> 00:49:59.409
But, okay. I'm sorry.
I'm sorry. I'm sorry.

1223
00:49:59.409 --> 00:50:00.494
TROY: Maybe, maybe...

1224
00:50:00.494 --> 00:50:02.373
We don't need any
of these ideas, okay, Troy?

1225
00:50:02.373 --> 00:50:03.627
We don't need
any of these ideas.

1226
00:50:03.627 --> 00:50:04.712
Yeah.

1227
00:50:04.712 --> 00:50:05.923
Your mother managed
to keep this place running

1228
00:50:06.089 --> 00:50:07.968
in the face
of a lot of financial trouble

1229
00:50:07.968 --> 00:50:09.221
and never once
did she compromise

1230
00:50:09.221 --> 00:50:11.684
the artistic vision
to save money. Okay?

1231
00:50:11.851 --> 00:50:13.522
Right. (STUTTERS) You know,
that's kind of what

1232
00:50:13.522 --> 00:50:15.483
I'm trying to get after.

1233
00:50:15.483 --> 00:50:17.028
Yes. No, no, no. I understand.

1234
00:50:17.028 --> 00:50:18.823
I understand that.
But what you don't understand

1235
00:50:18.823 --> 00:50:20.493
is the importance
of what we do here, okay?

1236
00:50:20.493 --> 00:50:22.831
This place is for people
who need it, okay?

1237
00:50:22.831 --> 00:50:24.417
People who aren't accepted
anywhere else.

1238
00:50:24.417 --> 00:50:26.255
You are not
one of those people, Troy.

1239
00:50:26.255 --> 00:50:27.967
You are not one of us.

1240
00:50:35.899 --> 00:50:37.695
- (SIGHS)
- (SOFT MUSIC PLAYING)

1241
00:50:40.074 --> 00:50:41.201
Becks-Di?

1242
00:50:42.161 --> 00:50:44.082
Rebecca...
Oh. Not her.

1243
00:50:48.173 --> 00:50:49.969
Be sure to cherish
these relationships, okay?

1244
00:50:49.969 --> 00:50:51.346
'Cause they're gone
in a flash.

1245
00:50:52.850 --> 00:50:54.060
Just wanted you to know that.

1246
00:50:54.060 --> 00:50:55.229
CAROLINE: Of course,
she's gonna cry.

1247
00:50:55.229 --> 00:50:56.858
I'm laying her off
'cause she cries too much.

1248
00:50:56.858 --> 00:50:58.987
- TROY: Mrs. Krauss.
- Oh. Hi.

1249
00:50:58.987 --> 00:51:00.197
Dope that you made it.

1250
00:51:00.949 --> 00:51:04.205
(CHUCKLES, STAMMERS)
I'm happy to be here.

1251
00:51:04.372 --> 00:51:05.542
- Yeah.
- Yeah.

1252
00:51:05.709 --> 00:51:08.882
So, um, things have taken
a bit of a turn here

1253
00:51:08.882 --> 00:51:12.013
and I've been thinking
about the offer.

1254
00:51:12.388 --> 00:51:13.390
Me too.

1255
00:51:13.933 --> 00:51:14.935
A lot.

1256
00:51:15.102 --> 00:51:16.689
Yeah. Um...

1257
00:51:17.775 --> 00:51:19.528
I just feel like
it would be a,

1258
00:51:20.321 --> 00:51:21.406
you know, lucrative

1259
00:51:21.406 --> 00:51:23.285
and mutually beneficial partnership.

1260
00:51:24.162 --> 00:51:25.414
Like for the both of us though.

1261
00:51:27.043 --> 00:51:29.924
Wow. Well, that's great.
(CHUCKLES)

1262
00:51:30.049 --> 00:51:32.638
So, like,
does the offer still stand?

1263
00:51:32.805 --> 00:51:33.807
Yes, Troy.

1264
00:51:34.474 --> 00:51:35.977
Barnswell would love
to work with you.

1265
00:51:35.977 --> 00:51:37.105
Wow!

1266
00:51:37.230 --> 00:51:38.315
- Yeah.
- Nice.

1267
00:51:38.315 --> 00:51:40.612
I have to say I'm super
excited to work with someone

1268
00:51:40.612 --> 00:51:43.158
who knows the TUVs
of deal making.

1269
00:51:43.325 --> 00:51:44.703
Did you just say the TUVs?

1270
00:51:45.664 --> 00:51:47.500
Trust. You won't regret it.
And vibes.

1271
00:51:47.500 --> 00:51:48.795
Trust. Won't regret it. Vibes.

1272
00:51:48.795 --> 00:51:50.464
You've been watching my vlogs?

1273
00:51:50.674 --> 00:51:52.301
(CHUCKLES) Religiously.

1274
00:51:52.468 --> 00:51:53.513
Stop.

1275
00:51:54.723 --> 00:51:55.892
The GoPro loves you.

1276
00:51:57.228 --> 00:51:58.480
- Don't understand.
- SEBASTIAN: I'm here

1277
00:51:58.480 --> 00:52:00.234
- having a wonderful time.
- CHRISTOPHER L: Devon!

1278
00:52:01.111 --> 00:52:02.113
SEBASTIAN: Where?

1279
00:52:02.113 --> 00:52:03.825
(CHRISTOPHER L
AND SEBASTIAN GASP)

1280
00:52:04.785 --> 00:52:05.912
(STUTTERS) It's not
what it looks like.

1281
00:52:05.912 --> 00:52:07.248
SEBASTIAN:
What the hell is this?

1282
00:52:07.248 --> 00:52:10.129
We were supposed to be
manifesting. It's a full moon.

1283
00:52:10.296 --> 00:52:11.298
They were saying no one
at theater camp

1284
00:52:11.298 --> 00:52:12.341
could play football.

1285
00:52:12.341 --> 00:52:14.262
I'm just proving to them
that I could.

1286
00:52:14.597 --> 00:52:16.141
(UPBEAT DANCE MUSIC PLAYING)

1287
00:52:16.141 --> 00:52:17.936
(ALL CHEERING)

1288
00:52:29.125 --> 00:52:30.127
(CAR HORN HONKS)

1289
00:52:30.127 --> 00:52:31.296
(REBECCA-DIANE GROANS)

1290
00:52:34.177 --> 00:52:35.221
Oh, my God.

1291
00:52:41.567 --> 00:52:43.571
Good morning, girlboss.

1292
00:52:43.571 --> 00:52:46.368
Coffee. You've gone crazy.

1293
00:52:46.368 --> 00:52:47.453
TROY: I'm wild.

1294
00:52:48.497 --> 00:52:50.000
- Oh, man.
- CAROLINE: Mmm.

1295
00:52:50.710 --> 00:52:51.712
Wow.

1296
00:52:52.213 --> 00:52:53.173
Thank you.

1297
00:52:53.716 --> 00:52:56.847
So, last night
was pretty hot, huh?

1298
00:52:57.014 --> 00:52:58.433
(CHUCKLES) It was really hot.

1299
00:52:58.433 --> 00:53:00.145
You were so bussin'.

1300
00:53:00.312 --> 00:53:02.609
I came here just to do work

1301
00:53:02.776 --> 00:53:04.738
and I ended up
meeting someone

1302
00:53:05.657 --> 00:53:07.326
- who took my breath away.
- Same.

1303
00:53:07.326 --> 00:53:08.621
Then, like,
shoved it back in my mouth.

1304
00:53:09.038 --> 00:53:10.750
God, I just feel like
I can really, like,

1305
00:53:11.711 --> 00:53:13.840
reach my full potential here.
You know.

1306
00:53:14.007 --> 00:53:15.552
Yeah. Me too.

1307
00:53:15.719 --> 00:53:19.475
With Barnswell's backing,
like, I can finally,

1308
00:53:20.144 --> 00:53:21.522
you know, start to implement

1309
00:53:21.522 --> 00:53:23.066
some real change
around this place.

1310
00:53:25.029 --> 00:53:26.866
Troy, don't you remember
the agreement

1311
00:53:26.866 --> 00:53:28.327
that you signed last night?

1312
00:53:28.995 --> 00:53:31.458
Yeah, it was to get us out
of the foreclosure.

1313
00:53:31.458 --> 00:53:33.922
(FRANTIC MUSIC PLAYING)

1314
00:53:36.886 --> 00:53:38.430
Welcome to Tech Week, campers.

1315
00:53:38.430 --> 00:53:40.518
(ON SPEAKERS) <i>Performances
are just a few days away,</i>

1316
00:53:40.518 --> 00:53:43.190
<i>so let's stay focused on
bringing those shows to life.</i>

1317
00:53:43.190 --> 00:53:45.528
<i>And if you have any issues,
you look for Glenn.</i>

1318
00:53:45.528 --> 00:53:46.614
<i>I'm sure he'll have time
to help you.</i>

1319
00:53:46.614 --> 00:53:48.325
- MAN 1: (ON RADIO) <i>Glenn.</i>
- Go for Glenn.

1320
00:53:48.325 --> 00:53:49.995
LAINY: <i>Glenn,
we need you in props.</i>

1321
00:53:49.995 --> 00:53:51.081
MAN 1: <i>Glenn,
where's our bush?</i>

1322
00:53:51.081 --> 00:53:53.168
MAN 2: <i>Glenn, where's my damn
wagon wheel?</i>

1323
00:53:53.502 --> 00:53:54.505
MAN 1: <i>Glenn?</i>

1324
00:53:54.505 --> 00:53:55.590
WOMAN: <i>Glenn,
what's your 20?</i>

1325
00:53:55.590 --> 00:53:56.759
<i>There's a leak in the lobby.</i>

1326
00:53:56.759 --> 00:53:59.055
MAN 1: <i>Glenn, we're missing
the king's cane.</i>

1327
00:53:59.180 --> 00:54:00.224
(MUSIC STOPS)

1328
00:54:11.121 --> 00:54:12.289
(MUSIC RESUMES)

1329
00:54:12.289 --> 00:54:13.835
Oh, my God, Gigi,
move it along.

1330
00:54:13.835 --> 00:54:15.129
- I'm trying.
- This is not giving.

1331
00:54:15.129 --> 00:54:17.551
I'm trying, okay?
My nails are gonna break.

1332
00:54:17.551 --> 00:54:19.680
RITA: (ON RADIO) <i>Glenn, Glenn,</i>

1333
00:54:19.680 --> 00:54:22.018
<i>the smoke machine
is out of control.</i>

1334
00:54:23.563 --> 00:54:25.023
GLENN: Zeroing in
on the source.

1335
00:54:25.149 --> 00:54:26.192
(CHILDREN COUGHING)

1336
00:54:26.192 --> 00:54:28.865
Oh, God, I'm dodging pilgrims
left and right.

1337
00:54:34.250 --> 00:54:35.252
Nice.

1338
00:54:35.461 --> 00:54:37.131
- Thank you.
- MAN 1: <i>Glenn?</i>

1339
00:54:37.465 --> 00:54:38.467
Go for Glenn.

1340
00:54:38.467 --> 00:54:39.595
AMOS: (ON MIC)
<i>Darla, can you just move</i>

1341
00:54:39.595 --> 00:54:40.722
<i>a little bit to your right?</i>

1342
00:54:40.889 --> 00:54:42.976
<i>Just scooch the... Yes, bring
the bassinet. That's right.</i>

1343
00:54:43.435 --> 00:54:44.813
REBECCA-DIANE: <i>See?
And I think it should just</i>

1344
00:54:44.813 --> 00:54:46.441
<i>be a little bit to the left.</i>

1345
00:54:46.901 --> 00:54:48.487
<i>I think it just
doesn't make sense.</i>

1346
00:54:49.280 --> 00:54:50.282
<i>Darla, step to the right.</i>

1347
00:54:50.491 --> 00:54:51.869
REBECCA-DIANE: <i>No,
I think we had discussed</i>

1348
00:54:51.869 --> 00:54:52.954
<i>that everything
would be on the left</i>

1349
00:54:52.954 --> 00:54:54.040
<i>for this number,
so let's just...</i>

1350
00:54:54.040 --> 00:54:55.125
<i>We're gonna go ahead
and put it where we...</i>

1351
00:54:55.125 --> 00:54:56.211
<i>Darla, this is your
director speaking.</i>

1352
00:54:56.211 --> 00:54:57.296
<i>You're gonna go ahead
and move to the right</i>

1353
00:54:57.296 --> 00:54:58.381
<i>- with the bassinet.
- Co-director here as well.</i>

1354
00:54:58.549 --> 00:55:00.637
<i>And just move on
over to the left</i>

1355
00:55:00.637 --> 00:55:02.516
<i>and get too far on that side</i>

1356
00:55:02.516 --> 00:55:03.935
<i>so we can't quite
bring you back.</i>

1357
00:55:03.935 --> 00:55:06.064
<i>Joan's whole world has been
established stage right.</i>

1358
00:55:06.064 --> 00:55:07.901
<i>So you're gonna take
two steps to the right.</i>

1359
00:55:07.901 --> 00:55:09.738
<i>That's where we always
play her hero moments.</i>

1360
00:55:09.738 --> 00:55:11.449
<i>Now cheat out. Cheat out.</i>

1361
00:55:11.617 --> 00:55:12.953
REBECCA-DIANE: (WHISPERING)
Why are you acting like this?

1362
00:55:13.704 --> 00:55:15.959
I'm just a little bit tired
of co-directing with a ghost.

1363
00:55:16.585 --> 00:55:17.587
Well, I'm not a ghost.

1364
00:55:17.587 --> 00:55:19.800
I am a human person
that is alive. I am here.

1365
00:55:19.800 --> 00:55:21.010
I care about this show.

1366
00:55:21.261 --> 00:55:23.933
Do you?
I wouldn't have any idea.

1367
00:55:23.933 --> 00:55:25.854
You've been completely absent

1368
00:55:25.854 --> 00:55:27.147
since the beginning
of the session, okay?

1369
00:55:27.147 --> 00:55:28.526
And I need to run
my rehearsal now.

1370
00:55:28.985 --> 00:55:29.987
So, thank you.

1371
00:55:30.112 --> 00:55:31.155
<i>Darla, let's just
run the song, okay?</i>

1372
00:55:31.155 --> 00:55:32.283
<i>You're fine right there.</i>

1373
00:55:32.701 --> 00:55:33.744
<i>Music, please.</i>

1374
00:55:34.580 --> 00:55:36.291
(GENTLE PIANO MUSIC PLAYING)

1375
00:55:36.291 --> 00:55:37.669
(SIGHS DEEPLY)

1376
00:55:46.477 --> 00:55:49.025
(SINGING)
<i>Thought my dreaming was done</i>

1377
00:55:49.526 --> 00:55:52.156
<i>All I needed was one</i>

1378
00:55:52.323 --> 00:55:56.164
<i>Revelation to show me my boy</i>

1379
00:55:56.790 --> 00:56:00.924
<i>That my life had truly begun</i>

1380
00:56:01.090 --> 00:56:03.554
<i>So I offer the sun</i>

1381
00:56:04.055 --> 00:56:08.104
<i>Salutation Hello to my Troy</i>

1382
00:56:08.522 --> 00:56:12.446
<i>I will build this theatrical place</i>

1383
00:56:14.158 --> 00:56:18.960
<i>Giving children a safe, loving space</i>

1384
00:56:20.003 --> 00:56:23.970
<i>It will grow from the magic and grace</i>

1385
00:56:24.387 --> 00:56:27.894
<i>That I see in your face</i>

1386
00:56:28.061 --> 00:56:29.063
Rebecca-Diane.

1387
00:56:29.313 --> 00:56:30.817
Rebecca-Diane,
can I talk to you?

1388
00:56:30.817 --> 00:56:31.944
No, I'm in the middle of tech.

1389
00:56:31.944 --> 00:56:33.029
Just...

1390
00:56:33.029 --> 00:56:34.156
- Troy.
- Real quick. Real quick.

1391
00:56:34.156 --> 00:56:35.952
DARLA: (SINGING)
<i>Know your dream's never done</i>

1392
00:56:36.119 --> 00:56:38.331
<i>You're my moon and my sun</i>

1393
00:56:38.833 --> 00:56:42.549
<i>My foundation, my beautiful Troy</i>

1394
00:56:42.716 --> 00:56:45.680
TROY: Hey. Look.
I'm sorry for even asking.

1395
00:56:45.847 --> 00:56:49.563
I feel really weird
even bringing this up.

1396
00:56:50.355 --> 00:56:52.151
I don't have time. We're
in the middle of tech week.

1397
00:56:52.317 --> 00:56:53.821
- TROY: No, I get that.
- So just tell me what's up.

1398
00:56:53.988 --> 00:56:54.990
I get that. I just...

1399
00:56:56.660 --> 00:56:58.496
Do you think you could give my
mom a message for me?

1400
00:56:58.664 --> 00:56:59.750
Yeah, for sure.
I'll give your mom a message.

1401
00:56:59.875 --> 00:57:01.085
TROY: No, no, no.
Please. It's really important.

1402
00:57:01.085 --> 00:57:02.171
Troy.

1403
00:57:02.171 --> 00:57:03.423
- I hear that.
- TROY: It's really important.

1404
00:57:03.423 --> 00:57:04.467
REBECCA-DIANE:
I just don't have time.

1405
00:57:04.467 --> 00:57:05.595
Just tell her I need her help.

1406
00:57:05.595 --> 00:57:07.181
Say, "Troy needs your help."

1407
00:57:07.347 --> 00:57:09.185
<i>Five, six, seven, eight.</i>

1408
00:57:09.185 --> 00:57:10.646
<i>We're going towards the nose.</i>

1409
00:57:11.439 --> 00:57:13.193
<i>Live it up and step.</i>

1410
00:57:13.359 --> 00:57:15.948
<i>Step towards the nose.
Head to the nose.</i>

1411
00:57:16.115 --> 00:57:18.913
I don't choose
when she comes inside of me.

1412
00:57:19.080 --> 00:57:20.415
Okay, but can you just try?

1413
00:57:20.583 --> 00:57:21.960
Mom, please!

1414
00:57:23.171 --> 00:57:25.008
- What are you doing?
- You said she was in you.

1415
00:57:25.008 --> 00:57:26.553
She's not in my breasts.

1416
00:57:26.720 --> 00:57:28.849
I'm not that...
I'm not... That's not...

1417
00:57:29.058 --> 00:57:30.268
Tell her it's important.
Just tell her...

1418
00:57:30.268 --> 00:57:31.437
Please tell her
it's important.

1419
00:57:31.437 --> 00:57:32.524
Tell her
it's really important.

1420
00:57:32.524 --> 00:57:33.609
Okay. Okay, I'm gonna...
All right.

1421
00:57:33.776 --> 00:57:34.820
I just need to talk to her.

1422
00:57:34.986 --> 00:57:36.072
- Okay.
- Okay.

1423
00:57:40.288 --> 00:57:41.290
(IMITATES JOAN) Troy.

1424
00:57:42.084 --> 00:57:43.169
Mom?

1425
00:57:43.378 --> 00:57:44.506
It's your mom.

1426
00:57:44.840 --> 00:57:45.800
Mom.

1427
00:57:46.510 --> 00:57:48.429
Thank God. It's so good
to hear your voice.

1428
00:57:48.973 --> 00:57:52.229
I know it's been a minute
since we've chatted.

1429
00:57:53.189 --> 00:57:54.191
Um...

1430
00:57:57.072 --> 00:57:58.158
I miss you.

1431
00:57:59.160 --> 00:58:00.370
Kind of a lot.

1432
00:58:01.080 --> 00:58:03.794
You know, I'm sorry
for not trying harder

1433
00:58:03.794 --> 00:58:06.550
to understand
what you were doing here

1434
00:58:06.550 --> 00:58:08.428
with this place and this camp.

1435
00:58:08.428 --> 00:58:10.432
I was a kid, you know.
I just wanted to

1436
00:58:10.975 --> 00:58:12.477
go to sleepovers
at Dakota's house

1437
00:58:12.477 --> 00:58:14.190
and set cool away messages

1438
00:58:14.190 --> 00:58:15.526
and make my Sims
have sex and...

1439
00:58:15.651 --> 00:58:16.695
(IN NORMAL VOICE) Troy,
you said there was something

1440
00:58:16.695 --> 00:58:17.780
that you actually needed.

1441
00:58:17.780 --> 00:58:19.116
- You're right. I always do this.
- And it was urgent.

1442
00:58:20.703 --> 00:58:21.955
Look,
I should have tried harder

1443
00:58:21.955 --> 00:58:23.918
to understand
what you were doing here.

1444
00:58:24.084 --> 00:58:26.798
Because, you know, I get it.

1445
00:58:26.965 --> 00:58:28.426
These people are really weird.

1446
00:58:29.053 --> 00:58:30.096
Especially Rebecca-Diane.

1447
00:58:30.640 --> 00:58:31.975
But they're wonderful.

1448
00:58:33.562 --> 00:58:35.691
Look, I messed up, Mom. Okay?

1449
00:58:36.902 --> 00:58:39.658
And I'm really sorry,
and I hope you forgive me.

1450
00:58:40.200 --> 00:58:41.662
And I really need
your advice right now,

1451
00:58:41.662 --> 00:58:43.039
but I'm sorry I sold the camp.

1452
00:58:45.711 --> 00:58:46.713
Hey.

1453
00:58:46.880 --> 00:58:48.174
AMOS: (ON MIC) <i>Rebecca-Diane?</i>

1454
00:58:48.341 --> 00:58:49.468
What'd my mom say?

1455
00:58:51.097 --> 00:58:52.099
What the...

1456
00:58:53.184 --> 00:58:54.186
(TROY SIGHS)

1457
00:58:56.525 --> 00:58:57.735
(EXHALES DEEPLY)

1458
00:58:58.236 --> 00:59:00.616
<i>Rebecca-Diane,
we are at a standstill.</i>

1459
00:59:00.866 --> 00:59:01.868
<i>Good work, you guys.</i>

1460
00:59:01.868 --> 00:59:02.954
REBECCA-DIANE: Yes?

1461
00:59:03.706 --> 00:59:04.833
<i>Welcome back.</i>

1462
00:59:05.668 --> 00:59:06.920
Uh, we need to see
the finale now.

1463
00:59:07.296 --> 00:59:08.381
- Yeah.
- We are out of time.

1464
00:59:08.549 --> 00:59:10.135
- So we need to hear it.
- Let's do the finale tomorrow.

1465
00:59:10.302 --> 00:59:11.387
REBECCA-DIANE: Sounds good?

1466
00:59:11.387 --> 00:59:12.515
Okay, well,
tomorrow's our only chance

1467
00:59:12.515 --> 00:59:13.600
to run the entire show.

1468
00:59:13.600 --> 00:59:15.228
So I at least
need to hear it musically,

1469
00:59:15.228 --> 00:59:16.439
so I can block something,

1470
00:59:16.439 --> 00:59:17.608
and these kids
can start to learn it.

1471
00:59:17.608 --> 00:59:18.861
- (GROANS)
- Because tomorrow they have

1472
00:59:18.861 --> 00:59:20.322
to run it top to bottom
and then perform it.

1473
00:59:20.322 --> 00:59:22.660
So let's hear
the finale song, please.

1474
00:59:22.952 --> 00:59:23.954
It's just so unfortunate,

1475
00:59:23.954 --> 00:59:25.165
because we do not
have the track,

1476
00:59:25.165 --> 00:59:26.417
so that we don't have any way
to play the song.

1477
00:59:26.417 --> 00:59:28.046
So you can just
sing it for us.

1478
00:59:28.296 --> 00:59:29.381
I've lost my voice.

1479
00:59:29.381 --> 00:59:31.595
Okay, well... You're gonna
have to find it again.

1480
00:59:31.595 --> 00:59:33.891
And we have this.
So you can just

1481
00:59:34.851 --> 00:59:36.521
play it yourself for us. Okay?

1482
00:59:37.439 --> 00:59:39.694
You love this.

1483
00:59:40.905 --> 00:59:41.907
There you go.

1484
00:59:42.867 --> 00:59:44.579
Who's excited
to hear the finale?

1485
00:59:44.579 --> 00:59:45.998
(ALL CHEERING)

1486
00:59:49.463 --> 00:59:50.591
(AMOS CLEARS THROAT)

1487
00:59:50.591 --> 00:59:51.802
And what is it called?

1488
00:59:54.516 --> 00:59:55.893
It's called...

1489
00:59:57.730 --> 00:59:58.732
"Camp."

1490
01:00:00.360 --> 01:00:01.362
That's original.

1491
01:00:05.996 --> 01:00:07.708
(PLAYING ZITHER)

1492
01:00:08.292 --> 01:00:11.758
(SINGING)
<i>Girl with an open Snapple</i>

1493
01:00:14.179 --> 01:00:17.937
<i>A boy who's looking down</i>

1494
01:00:18.814 --> 01:00:22.989
<i>We all come here for</i>

1495
01:00:23.156 --> 01:00:25.452
<i>Summertime</i>

1496
01:00:28.040 --> 01:00:29.042
<i>Camp</i>

1497
01:00:30.588 --> 01:00:32.299
<i>Isn't home</i>

1498
01:00:35.764 --> 01:00:36.892
<i>But isn't it?</i>

1499
01:00:37.977 --> 01:00:39.313
<i>In a way</i>

1500
01:00:40.608 --> 01:00:42.820
<i>It kind of is</i>

1501
01:00:43.154 --> 01:00:44.574
<i>Oh, it</i>

1502
01:00:46.035 --> 01:00:50.544
<i>Kind of is</i>

1503
01:00:51.505 --> 01:00:53.424
<i>Let's raise a toast</i>

1504
01:00:53.592 --> 01:00:55.846
<i>But in the glass isn't alcohol</i>

1505
01:00:55.846 --> 01:00:59.019
<i>It's something more profound than alcohol
It's truth</i>

1506
01:00:59.186 --> 01:01:01.023
Drums, boom, boom, boom.

1507
01:01:01.023 --> 01:01:02.944
(IMITATES DRUMS PLAYING)

1508
01:01:03.444 --> 01:01:04.446
Flute.

1509
01:01:04.446 --> 01:01:05.783
(IMITATES FLUTE PLAYING)

1510
01:01:06.325 --> 01:01:07.327
Sustained.

1511
01:01:07.537 --> 01:01:09.624
(RESUMES FLUTE PLAYING)

1512
01:01:09.624 --> 01:01:12.254
(SINGING)
<i>All coming together for</i>

1513
01:01:13.840 --> 01:01:14.801
Boom.

1514
01:01:26.282 --> 01:01:27.535
What the fuck was that?

1515
01:01:28.829 --> 01:01:30.081
It was the finale.

1516
01:01:30.916 --> 01:01:31.918
You're telling me
that's something

1517
01:01:31.918 --> 01:01:33.170
that you wrote
before just now?

1518
01:01:34.716 --> 01:01:36.761
That's the song
that you needed time away

1519
01:01:36.761 --> 01:01:38.139
from meaningful traditions,

1520
01:01:38.264 --> 01:01:39.851
missing time with the kids,

1521
01:01:40.561 --> 01:01:42.982
ruining the process of
creating this piece together

1522
01:01:43.316 --> 01:01:45.361
because you've been running
off working on the finale.

1523
01:01:45.529 --> 01:01:46.531
It was that?

1524
01:01:47.533 --> 01:01:48.660
Rebecca,
I'm not an idiot, okay?

1525
01:01:48.660 --> 01:01:49.746
You made that up.

1526
01:01:50.413 --> 01:01:51.625
So I'm just
trying to understand

1527
01:01:51.625 --> 01:01:53.336
what you thought
we were gonna do today.

1528
01:01:53.336 --> 01:01:54.547
You were just gonna
have these kids

1529
01:01:54.547 --> 01:01:56.050
have no ending to the show?

1530
01:01:56.050 --> 01:01:58.054
You said, "I got the finale.
I can do it."

1531
01:01:58.346 --> 01:02:00.016
So I trusted you
like I always do.

1532
01:02:00.475 --> 01:02:01.519
What have you been doing
all this time?

1533
01:02:01.519 --> 01:02:03.439
I got a job, okay?

1534
01:02:05.193 --> 01:02:07.698
What, like you're tutoring
kids in singing?

1535
01:02:07.698 --> 01:02:08.867
What are you talking about?

1536
01:02:08.867 --> 01:02:11.831
I just signed a two-year
contract with Duchess Cruises.

1537
01:02:12.374 --> 01:02:15.129
I'm a featured soloist in
<i>Cole Porter on the Waves.</i>

1538
01:02:15.129 --> 01:02:16.883
So yeah,
I've been a little distracted.

1539
01:02:17.510 --> 01:02:19.639
AMOS: Sorry, you're taking
a performance job?

1540
01:02:19.639 --> 01:02:21.016
Since when are you
taking performance jobs?

1541
01:02:21.016 --> 01:02:22.561
Because I wanna be
a performer!

1542
01:02:22.561 --> 01:02:23.647
Okay, I thought we were both

1543
01:02:23.647 --> 01:02:25.149
full-time teachers
aspiring to be performers.

1544
01:02:25.149 --> 01:02:26.653
When is that gonna happen?

1545
01:02:26.653 --> 01:02:28.030
I wanna perform.

1546
01:02:28.030 --> 01:02:29.701
Well, that's great. I just
wish maybe you'd told me.

1547
01:02:29.701 --> 01:02:31.621
I always thought maybe we'd
make that decision together

1548
01:02:31.621 --> 01:02:32.707
- like we do most things.
- It's impossible

1549
01:02:32.707 --> 01:02:33.834
to tell you anything
because you interrupt

1550
01:02:33.834 --> 01:02:35.002
- everything that I say.
- That's not true.

1551
01:02:35.002 --> 01:02:36.171
I do not interrupt everything
that you say, Rebecca.

1552
01:02:36.171 --> 01:02:37.340
I'm just trying to share
my feelings with you...

1553
01:02:37.340 --> 01:02:38.384
Every single thing that I...

1554
01:02:38.384 --> 01:02:39.721
...the way
that I have for 15 years.

1555
01:02:39.721 --> 01:02:41.891
- Every single thing that I...
- That's not true, Rebecca.

1556
01:02:48.070 --> 01:02:49.197
Everything that I say.
I am unable to...

1557
01:02:49.197 --> 01:02:50.366
That's not true, Rebecca.
That is not true.

1558
01:02:50.366 --> 01:02:52.203
How could you do this to me?

1559
01:02:53.330 --> 01:02:54.332
You?

1560
01:02:55.084 --> 01:02:56.503
This has nothing
to do with you.

1561
01:02:57.172 --> 01:02:58.424
Exactly.
Why would you do something

1562
01:02:58.424 --> 01:02:59.719
that has nothing
to do with me?

1563
01:03:00.971 --> 01:03:03.100
Let that statement
just sit in the space.

1564
01:03:04.186 --> 01:03:05.689
It looks great. I stand by it.

1565
01:03:05.689 --> 01:03:07.233
I mean... (STUTTERS) What?

1566
01:03:07.358 --> 01:03:08.612
I don't understand
what you're getting at.

1567
01:03:08.612 --> 01:03:10.031
I just want something else.
That should be okay.

1568
01:03:10.031 --> 01:03:11.659
That's really nice for you,
Rebecca, but you shouldn't

1569
01:03:11.659 --> 01:03:13.037
leave the best kids
in the camp in the lurch

1570
01:03:13.037 --> 01:03:14.247
with no show to perform.

1571
01:03:14.247 --> 01:03:15.626
- Okay, I've...
- That was selfish.

1572
01:03:15.626 --> 01:03:17.045
I make sacrifices for them.

1573
01:03:17.045 --> 01:03:19.466
Because they're talented
and they deserve it.

1574
01:03:19.466 --> 01:03:21.345
I sacrifice
everything else in my life

1575
01:03:21.345 --> 01:03:23.182
for this job and for them.
What do you sacrifice?

1576
01:03:23.182 --> 01:03:25.311
I got a callback
for Juilliard.

1577
01:03:29.862 --> 01:03:33.452
And I didn't go because
I wanted to be here with you.

1578
01:03:33.954 --> 01:03:36.083
You've just kinda been lying
to me for like, 10 years.

1579
01:03:41.301 --> 01:03:42.387
I'm happy for you, Rebecca.

1580
01:03:42.387 --> 01:03:43.472
I'm thrilled for you.

1581
01:03:44.307 --> 01:03:46.478
I think it's great that
you've left these kids

1582
01:03:46.771 --> 01:03:47.773
with no show

1583
01:03:48.315 --> 01:03:49.735
and all for a cruise.

1584
01:03:50.863 --> 01:03:52.700
A non-narrative piece
on a cruise.

1585
01:03:57.041 --> 01:03:58.335
(DOOR OPENS)

1586
01:03:59.964 --> 01:04:01.341
(FOOTSTEPS APPROACHING)

1587
01:04:02.803 --> 01:04:03.805
- Excuse me.
- Hi.

1588
01:04:04.515 --> 01:04:07.020
Um... Guys,
this is a teardown.

1589
01:04:07.521 --> 01:04:09.567
Um, can we get this up?
Can we see what's under here?

1590
01:04:09.567 --> 01:04:11.194
Yeah, we're gonna tear the...

1591
01:04:11.194 --> 01:04:12.531
- TROY: Maybe don't. Maybe...
- ...the place down.

1592
01:04:12.531 --> 01:04:14.744
- Let's see what's under here.
- TROY: Do we need to do this?

1593
01:04:14.744 --> 01:04:16.246
Let's talk this out first.

1594
01:04:16.246 --> 01:04:17.498
I don't think
we need to do that.

1595
01:04:17.498 --> 01:04:18.835
Sorry, we're in the middle
of rehearsal.

1596
01:04:18.835 --> 01:04:21.048
Hi. We're in the middle
of something too. Hi.

1597
01:04:21.048 --> 01:04:22.551
Troy, what's going on?

1598
01:04:22.885 --> 01:04:24.095
No, it...
Everything's fine, guys.

1599
01:04:24.095 --> 01:04:25.891
Everything is gonna be okay.

1600
01:04:25.891 --> 01:04:28.062
- It doesn't look okay.
- ALICE: No, it's not.

1601
01:04:28.062 --> 01:04:29.397
No, it's not.
What are they doing?

1602
01:04:29.397 --> 01:04:31.903
Listen, I know this place
meant a lot to you.

1603
01:04:31.903 --> 01:04:33.489
But I do hope you'll consider

1604
01:04:33.489 --> 01:04:35.953
joining the Lakeside family
next summer.

1605
01:04:35.953 --> 01:04:37.246
ALICE: No.

1606
01:04:37.246 --> 01:04:38.959
- What does that mean?
- Not happening, lady.

1607
01:04:38.959 --> 01:04:41.046
Troy, you sold the camp
to Lakeside?

1608
01:04:41.046 --> 01:04:42.883
It's more of a partnership.

1609
01:04:42.883 --> 01:04:45.388
- Demolition is next week.
- Just stop. Please, stop.

1610
01:04:45.388 --> 01:04:46.473
Next week? Tell them...

1611
01:04:46.473 --> 01:04:47.768
CHRISTOPHER L:
Can she be gone now?

1612
01:04:47.768 --> 01:04:50.816
Please.
Nobody wants you here.

1613
01:04:50.816 --> 01:04:52.026
CHRISTOPHER S: Get her and her

1614
01:04:52.026 --> 01:04:53.863
knockoff Chanel bag
out of here.

1615
01:04:53.863 --> 01:04:55.701
TROY: It will be okay.

1616
01:04:58.163 --> 01:05:00.501
(JAZZ MUSIC PLAYING)

1617
01:05:40.624 --> 01:05:42.043
CLIVE: Cheer up, kids.

1618
01:05:43.045 --> 01:05:44.757
(JAZZ MUSIC
PLAYING OVER SPEAKERS)

1619
01:05:51.604 --> 01:05:52.773
MACKENZIE: This is like,
my first time sneaking out.

1620
01:05:52.773 --> 01:05:54.025
SEBASTIAN: Shh! Guys.

1621
01:05:54.025 --> 01:05:55.194
ALICE: Shush!

1622
01:05:55.486 --> 01:05:56.948
DARLA: I know
we're all scared right now

1623
01:05:56.948 --> 01:05:58.367
and we don't know
if the show's happening.

1624
01:05:58.367 --> 01:05:59.912
I heard that the Lakeside kids

1625
01:05:59.912 --> 01:06:01.373
get to be
in all the shows now, too.

1626
01:06:01.373 --> 01:06:04.212
Lainy told me
that Troy smokes drugs.

1627
01:06:04.212 --> 01:06:05.715
I heard, that they're cutting
all of the tone-deaf kids.

1628
01:06:05.715 --> 01:06:06.884
SEBASTIAN: Hey, guys.

1629
01:06:06.884 --> 01:06:08.262
Rumors are rumors.

1630
01:06:09.055 --> 01:06:11.393
This could be our
last week here. Maybe ever.

1631
01:06:11.686 --> 01:06:13.857
So let's make our mark
while we can.

1632
01:06:13.857 --> 01:06:15.359
We don't know
what's gonna happen.

1633
01:06:15.527 --> 01:06:17.280
But as Joan always says,

1634
01:06:17.446 --> 01:06:18.867
summers come and go.

1635
01:06:19.033 --> 01:06:21.329
But what happens
on this stage,

1636
01:06:22.373 --> 01:06:23.626
that's eternal.

1637
01:06:36.109 --> 01:06:37.236
AMOS: Jesus.

1638
01:06:37.236 --> 01:06:39.324
Hey, sorry to bother you,

1639
01:06:39.324 --> 01:06:40.911
but are we planning
on rehearsing later?

1640
01:06:41.453 --> 01:06:43.290
Let's see. Our composer
has deserted us

1641
01:06:43.290 --> 01:06:46.004
and I refuse to tell
a slapdash,

1642
01:06:46.004 --> 01:06:47.716
trainwreck version
of Joan's story,

1643
01:06:47.716 --> 01:06:49.219
so, no.

1644
01:06:49.385 --> 01:06:50.597
The show is dead in the water.

1645
01:06:50.847 --> 01:06:53.937
Okay, well, I have this
Zoom director's session

1646
01:06:53.937 --> 01:06:55.690
for a movie
about a pregnant gymnast.

1647
01:06:55.690 --> 01:06:58.195
They're already filming,
and someone dropped out.

1648
01:06:58.195 --> 01:06:59.907
And I was wondering
if you could help me?

1649
01:07:00.951 --> 01:07:02.161
I...

1650
01:07:02.913 --> 01:07:05.209
I can't stomach industry sides
right now.

1651
01:07:05.209 --> 01:07:07.589
So just let me
hang my shirts in peace.

1652
01:07:12.431 --> 01:07:15.814
I could really use your help
with the characterization.

1653
01:07:19.070 --> 01:07:20.489
What are the character's
allergies?

1654
01:07:21.032 --> 01:07:22.034
What?

1655
01:07:22.034 --> 01:07:23.412
Oh, God,
we have a lot of work to do.

1656
01:07:23.412 --> 01:07:25.374
Let's get a notebook,
and let's start taking some notes.

1657
01:07:26.585 --> 01:07:27.671
Wow, "one of,"
I'd love to know

1658
01:07:27.671 --> 01:07:28.923
who these other teachers are.

1659
01:07:33.390 --> 01:07:35.227
(LIVELY MUSIC PLAYING)

1660
01:07:35.227 --> 01:07:36.731
(INDISTINCT CONVERSATION)

1661
01:07:37.481 --> 01:07:38.483
DEVON'S DAD: Here he comes.

1662
01:07:38.985 --> 01:07:40.655
Hi, baby!

1663
01:07:40.655 --> 01:07:42.241
(DEVON'S DAD CHUCKLES)

1664
01:07:42.241 --> 01:07:43.368
DEVON: Hey, Dads.

1665
01:07:43.368 --> 01:07:44.913
DEVON'S DAD:
Oh, God, I missed you.

1666
01:07:44.913 --> 01:07:46.751
(INDISTINCT CONVERSATION)

1667
01:07:49.631 --> 01:07:52.637
- (KNOCK AT DOOR)
- TROY: My guy, massive news.

1668
01:07:53.347 --> 01:07:54.808
I think I figured out
how to save the camp.

1669
01:07:54.808 --> 01:07:55.977
How?

1670
01:07:55.977 --> 01:07:57.731
So I was going over the
Barnswell deal that I signed,

1671
01:07:57.731 --> 01:07:59.610
like all last night
and this morning

1672
01:07:59.610 --> 01:08:02.699
and I noticed they only take
possession of the camp

1673
01:08:02.699 --> 01:08:05.079
if the bank forecloses.

1674
01:08:05.079 --> 01:08:07.959
Caroline just assumed that we
would fail. But the truth is

1675
01:08:07.959 --> 01:08:10.255
we still can come up with the
money to hold off the bank.

1676
01:08:10.924 --> 01:08:13.053
And how do you expect us
to find this money, Troy?

1677
01:08:13.053 --> 01:08:15.975
That is where the
en-Troy-preneurship comes in.

1678
01:08:16.142 --> 01:08:17.687
- Right.
- I sent out an email blast

1679
01:08:17.687 --> 01:08:18.981
to my ride or dies,

1680
01:08:18.981 --> 01:08:20.275
the Founding Ballers,

1681
01:08:20.275 --> 01:08:21.987
and I invited them
to the show.

1682
01:08:21.987 --> 01:08:23.574
Right? These guys are like

1683
01:08:23.574 --> 01:08:25.995
primo business influencers, Glenn.

1684
01:08:25.995 --> 01:08:27.248
So if they come here,

1685
01:08:27.248 --> 01:08:29.377
and they see
our little freaky-deakies

1686
01:08:29.377 --> 01:08:31.632
in action,
crushing <i>Joan, Still,</i>

1687
01:08:32.091 --> 01:08:33.301
they'll have to invest.

1688
01:08:33.301 --> 01:08:34.596
They'll be
emptying their pockets.

1689
01:08:34.596 --> 01:08:37.519
Yeah, no, they sound,
uh, extremely legit.

1690
01:08:37.519 --> 01:08:38.604
Yeah.

1691
01:08:38.729 --> 01:08:40.567
Um, and I think it's nice that
you wanna do this for the camp

1692
01:08:40.567 --> 01:08:42.403
and for your mom,

1693
01:08:42.403 --> 01:08:45.325
but we don't have any creative
visionaries left. Okay?

1694
01:08:45.325 --> 01:08:46.996
What are you talking about?
Yes, we do.

1695
01:08:48.331 --> 01:08:49.417
We have you, Glenn.

1696
01:08:50.795 --> 01:08:51.881
Show everyone how much

1697
01:08:51.881 --> 01:08:53.258
they've been
underestimating you.

1698
01:08:53.843 --> 01:08:54.887
Finish the job.

1699
01:08:54.887 --> 01:08:57.391
CHILDREN: Yes!
SEBASTIAN: Totally, Glenn. Come on, Glenn.

1700
01:08:57.391 --> 01:08:58.561
Glenn, you got this.

1701
01:08:58.561 --> 01:08:59.771
Come on, Glenn.

1702
01:09:00.230 --> 01:09:01.525
TROY: What do you say, man?

1703
01:09:09.875 --> 01:09:11.252
(LIVELY MUSIC CONTINUES)

1704
01:09:18.726 --> 01:09:20.479
What's up,
my little dollar ballers?

1705
01:09:20.647 --> 01:09:21.649
It's your boy Salem here

1706
01:09:21.649 --> 01:09:23.945
with my other
Founding Ballers out here.

1707
01:09:23.945 --> 01:09:25.197
And we're out here checking

1708
01:09:25.197 --> 01:09:27.076
on a potential
investment opportunity.

1709
01:09:27.076 --> 01:09:29.665
Things are a little crazy,
and your boy, Salem...

1710
01:09:29.665 --> 01:09:31.209
I'm feeling a little volatile.

1711
01:09:31.209 --> 01:09:32.629
So I'm gonna take a chance,

1712
01:09:32.629 --> 01:09:34.340
- and we're gonna see some little kids...
- Ballers. Wow.

1713
01:09:34.340 --> 01:09:35.467
Given the current ecosystem
of the crypto...

1714
01:09:35.467 --> 01:09:36.720
The whole squad. What's up, Salem?

1715
01:09:36.720 --> 01:09:38.181
Yeah, give me a second here. Yeah,
I'm just gonna finish this one quick.

1716
01:09:38.181 --> 01:09:39.267
Yeah, yeah, totally.

1717
01:09:39.267 --> 01:09:40.770
What's bussin'?
What's bussin'?

1718
01:09:40.770 --> 01:09:42.106
Hey. What's bussin', guys?

1719
01:09:42.106 --> 01:09:43.191
I can't believe you guys came.

1720
01:09:43.316 --> 01:09:44.318
Yeah, man.
Thanks for having us.

1721
01:09:44.318 --> 01:09:46.030
- I've seen like every vlog.
- Oh, yeah? Yeah. Yeah.

1722
01:09:46.030 --> 01:09:47.241
I got your merch.
I have that shirt.

1723
01:09:48.326 --> 01:09:49.705
Heard she's the lead in this one.

1724
01:09:49.913 --> 01:09:52.334
TROY: <i>I just wanna say thank
you all for all your hard work</i>

1725
01:09:52.334 --> 01:09:53.588
in the last 24 hours.

1726
01:09:53.588 --> 01:09:55.842
I look around and I see
a lot of prepared faces.

1727
01:09:55.842 --> 01:09:57.469
I'd say no pressure, but...

1728
01:09:58.221 --> 01:09:59.473
it's a little bit of pressure.

1729
01:10:00.100 --> 01:10:01.937
You know?
Gigi, you got anything?

1730
01:10:02.606 --> 01:10:04.693
Um, I would like to say
that I was very angry

1731
01:10:04.693 --> 01:10:06.321
with you guys
a couple hours ago.

1732
01:10:06.697 --> 01:10:08.366
Uh, but I'm over it.

1733
01:10:08.618 --> 01:10:09.953
All right, guys.
Put your hands in. Come on.

1734
01:10:10.120 --> 01:10:12.667
- One, two, three!
- ALL: <i>Joan, Still!</i>

1735
01:10:12.792 --> 01:10:14.796
(ALL CHEERING)

1736
01:10:15.840 --> 01:10:16.842
BOY: Let's do this!

1737
01:10:20.015 --> 01:10:22.269
Sorry. Uh, can someone
just tell me

1738
01:10:22.269 --> 01:10:24.524
like, the status
on this woman?

1739
01:10:24.733 --> 01:10:27.029
Is she alive or dead?

1740
01:10:30.703 --> 01:10:31.705
You're a liar.

1741
01:10:35.295 --> 01:10:36.297
Excuse me?

1742
01:10:37.132 --> 01:10:38.134
A very good one.

1743
01:10:39.805 --> 01:10:41.934
I think you'd make
a fantastic agent.

1744
01:10:42.351 --> 01:10:44.188
I'm trying to get my company
off the ground.

1745
01:10:44.731 --> 01:10:45.942
Think about it.

1746
01:10:47.111 --> 01:10:48.113
I'm always here.

1747
01:10:51.244 --> 01:10:52.246
Excuse me.

1748
01:10:59.553 --> 01:11:01.682
(INTRIGUING MUSIC PLAYING)

1749
01:11:06.274 --> 01:11:07.986
(FRANTIC MUSIC PLAYING)

1750
01:11:09.823 --> 01:11:12.369
AMOS: Kids. Kids, have you
seen Darla? Darla anywhere?

1751
01:11:15.167 --> 01:11:16.210
Darla!

1752
01:11:16.795 --> 01:11:17.797
Darla!

1753
01:11:20.762 --> 01:11:21.972
Darla, you have to go on.

1754
01:11:22.139 --> 01:11:23.559
(PANTING) You see
what they're doing?

1755
01:11:23.726 --> 01:11:24.728
They're ruining our show.

1756
01:11:24.936 --> 01:11:26.272
Why are you leaving?

1757
01:11:26.272 --> 01:11:28.109
I'm sorry.
I'm sorry, Amos, okay?

1758
01:11:28.819 --> 01:11:30.447
You must be Amos.

1759
01:11:30.990 --> 01:11:33.704
Oh, my granddaughter has had

1760
01:11:33.704 --> 01:11:35.373
the best time with you
this summer.

1761
01:11:36.084 --> 01:11:38.506
We have got
the most gushing letters.

1762
01:11:38.506 --> 01:11:40.551
Well, she said you were
a little tough on her, but...

1763
01:11:41.093 --> 01:11:42.722
her craft
has never been better.

1764
01:11:43.389 --> 01:11:44.391
Oh, um...

1765
01:11:44.391 --> 01:11:45.603
Hurry up and say
your goodbyes, honey.

1766
01:11:45.603 --> 01:11:47.857
Quickly, because we don't
wanna catch traffic. (KISSES)

1767
01:11:53.577 --> 01:11:55.372
You always told me
that I needed

1768
01:11:55.372 --> 01:11:57.251
to open myself up
to character roles,

1769
01:11:57.417 --> 01:12:00.090
that ingénue isn't everything.

1770
01:12:01.050 --> 01:12:04.140
I listened,
and I booked the job.

1771
01:12:17.667 --> 01:12:19.128
Maybe I'll see you
next summer.

1772
01:12:30.735 --> 01:12:31.820
(ENGINE STARTS)

1773
01:12:36.914 --> 01:12:38.918
<i>Good evening, AdirondACTS.</i>

1774
01:12:39.501 --> 01:12:41.213
(AUDIENCE CHEERING)

1775
01:12:43.636 --> 01:12:46.140
<i>Special shout-out to my crew,
Founding Ballers.</i>

1776
01:12:46.140 --> 01:12:47.476
<i>Thanks for coming out.</i>

1777
01:12:47.476 --> 01:12:49.606
<i>As most of you know,</i>

1778
01:12:49.814 --> 01:12:51.275
<i>my name is Troy,</i>

1779
01:12:51.442 --> 01:12:54.991
<i>and I've been blessed
with having an amazing mother.</i>

1780
01:12:55.158 --> 01:12:56.703
<i>- A woman...</i>
- Oh, my God.

1781
01:12:56.870 --> 01:12:58.582
<i>...all of you know and love.</i>

1782
01:12:58.582 --> 01:13:02.172
<i>Unfortunately, she is unable
to be with us tonight.</i>

1783
01:13:02.966 --> 01:13:04.301
<i>So we've decided</i>

1784
01:13:04.719 --> 01:13:07.809
<i>to bring the show
to her via a live feed.</i>

1785
01:13:07.976 --> 01:13:09.813
<i>Give it up for Joan!</i>

1786
01:13:17.704 --> 01:13:19.331
She really looks good.

1787
01:13:19.791 --> 01:13:21.127
I think she's lost weight.

1788
01:13:21.670 --> 01:13:22.964
I think so, too.

1789
01:13:23.131 --> 01:13:25.594
<i>Our kids have worked their
little butts off all summer</i>

1790
01:13:25.594 --> 01:13:28.976
<i>to do my mom's story justice
and to hopefully bring you</i>

1791
01:13:29.143 --> 01:13:31.397
<i>the best night of your lives.
Are you ready?</i>

1792
01:13:31.815 --> 01:13:33.777
(ALL CHEERING)

1793
01:13:33.777 --> 01:13:35.280
<i>This one's for you, Mom.</i>

1794
01:13:35.447 --> 01:13:38.746
<i>Let's blow the roof off
that ICU!</i>

1795
01:13:42.920 --> 01:13:45.968
CHORUS: (SINGING) <i>Joan then</i>

1796
01:13:46.385 --> 01:13:49.433
<i>Joan now</i>

1797
01:13:49.809 --> 01:13:52.982
<i>Joan does</i>

1798
01:13:53.191 --> 01:13:55.988
<i>Somehow</i>

1799
01:13:56.573 --> 01:13:58.744
Troy, it's me. Troy, it's me.

1800
01:13:59.411 --> 01:14:00.956
You know, I don't think
this show is gonna work out.

1801
01:14:00.956 --> 01:14:02.585
- Shh.
<i>- Joan will</i>

1802
01:14:02.752 --> 01:14:03.754
Shh. Are you playing a game?

1803
01:14:03.921 --> 01:14:06.760
<i>Joan can</i>

1804
01:14:07.094 --> 01:14:11.895
<i>Joan still</i>

1805
01:14:12.814 --> 01:14:14.316
Tonight we take you
to the start

1806
01:14:14.316 --> 01:14:16.278
of our great founder's
beating heart.

1807
01:14:16.571 --> 01:14:18.491
Our tale begins in '63.

1808
01:14:18.491 --> 01:14:20.538
A young girl
and her father flee.

1809
01:14:20.913 --> 01:14:23.084
Though planes could fly
and girls could vote,

1810
01:14:23.501 --> 01:14:25.673
for some reason,
they took a boat.

1811
01:14:29.973 --> 01:14:32.352
CHORUS: (SINGING) <i>America</i>

1812
01:14:32.520 --> 01:14:35.024
<i>America</i>

1813
01:14:35.191 --> 01:14:37.613
<i>We're sailing to America</i>

1814
01:14:37.822 --> 01:14:41.872
<i>In 1963</i>

1815
01:14:43.416 --> 01:14:45.461
Oh, my little Joan, come.

1816
01:14:45.629 --> 01:14:47.382
Look at the horizon.

1817
01:14:47.550 --> 01:14:50.430
Think of all the possibilities
that await you.

1818
01:14:50.598 --> 01:14:52.852
(SINGING) <i>In America</i>

1819
01:14:53.436 --> 01:14:55.231
<i>Enlightened nation</i>

1820
01:14:55.398 --> 01:14:59.072
<i>Where even women get education</i>

1821
01:14:59.072 --> 01:15:02.037
<i>From clean to cook, every skill you need</i>

1822
01:15:02.037 --> 01:15:04.416
<i>Don't fret, I'll tell the recipes</i>

1823
01:15:04.416 --> 01:15:06.086
<i>'Cause women cannot read</i>

1824
01:15:06.086 --> 01:15:08.382
<i>Hey! Women cannot read</i>

1825
01:15:08.382 --> 01:15:10.386
<i>Women cannot read</i>

1826
01:15:10.386 --> 01:15:13.392
<i>A, B, C, D, she don't know
'Cause women cannot read</i>

1827
01:15:13.560 --> 01:15:14.646
MACKENZIE: <i>Okay, I know
there's something better</i>

1828
01:15:14.771 --> 01:15:15.773
DEVON: <i>America</i>

1829
01:15:15.898 --> 01:15:17.067
MACKENZIE:
<i>Than to cook and do the cleaning</i>

1830
01:15:17.067 --> 01:15:18.152
DEVON: <i>Enlightened nation</i>

1831
01:15:18.152 --> 01:15:19.781
- <i>But I look at every letter</i>
- <i>Where even women</i>

1832
01:15:19.781 --> 01:15:21.576
- <i>And I wanna know its meaning</i>
- <i>Get education</i>

1833
01:15:21.576 --> 01:15:22.745
<i>I'm wrestling with these words</i>

1834
01:15:22.745 --> 01:15:23.830
DEVON: <i>From clean to cook</i>

1835
01:15:23.956 --> 01:15:25.041
<i>That I'm an inch away
from knowing</i>

1836
01:15:25.041 --> 01:15:26.126
DEVON: <i>Every skill you need</i>

1837
01:15:26.126 --> 01:15:27.504
<i>My eyes are moving
back and forth</i>

1838
01:15:27.504 --> 01:15:30.636
<i>The sense of it is growing</i>

1839
01:15:31.638 --> 01:15:33.432
(STUTTERS)

1840
01:15:34.101 --> 01:15:37.440
- Jifka was shot!
- (CHORUS GASP)

1841
01:15:37.900 --> 01:15:38.986
CHORUS: (SINGING)
<i>Maybe she can read</i>

1842
01:15:38.986 --> 01:15:40.823
<i>- No way!
- Maybe she can read</i>

1843
01:15:41.031 --> 01:15:43.411
DEVON: <i>That's luck
A, B, C, D, she can't know!</i>

1844
01:15:43.578 --> 01:15:44.956
CHORUS: <i>Or maybe she can read!</i>

1845
01:15:45.541 --> 01:15:47.168
(AUDIENCE CLAPPING
IN DISTANCE)

1846
01:15:47.712 --> 01:15:49.214
So Joan ended the affair

1847
01:15:49.214 --> 01:15:50.843
with her
astrology professor

1848
01:15:50.843 --> 01:15:51.886
and she used her diploma

1849
01:15:51.886 --> 01:15:53.139
to get a job
as a mailroom clerk

1850
01:15:53.139 --> 01:15:55.143
at the New York
Stock Exchange.

1851
01:15:55.894 --> 01:15:57.940
(INDISTINCT,
OVERLAPPING CHATTER)

1852
01:15:58.692 --> 01:15:59.736
SEBASTIAN: If I'm not making money,

1853
01:15:59.736 --> 01:16:00.904
then I'm losing money.

1854
01:16:00.904 --> 01:16:03.159
If I'm losing money,
you're losing your job

1855
01:16:03.159 --> 01:16:04.494
and you're all fired!

1856
01:16:07.042 --> 01:16:08.754
(SINGING)
<i>From my corner in the mailroom</i>

1857
01:16:08.754 --> 01:16:10.048
<i>Under the ground I hear</i>

1858
01:16:10.048 --> 01:16:11.300
CHORUS: <i>The Wall Street noise!</i>

1859
01:16:11.300 --> 01:16:13.722
<i>It's a beautiful sound
Sorting letters, getting older</i>

1860
01:16:13.722 --> 01:16:16.561
<i>Makin' minimum pay
While the brokers get richer</i>

1861
01:16:16.561 --> 01:16:17.938
<i>I could listen all day</i>

1862
01:16:17.938 --> 01:16:20.819
<i>When you buy, it's the feeling
Of a-jumpin' to the ceiling</i>

1863
01:16:21.153 --> 01:16:23.742
CHORUS: <i>Buy the stock
Buy the stock</i>

1864
01:16:23.867 --> 01:16:24.869
<i>Buy the stock</i>

1865
01:16:24.994 --> 01:16:26.205
Then martini time, boys.

1866
01:16:26.205 --> 01:16:29.545
(SINGING) <i>Will I ever be part
of the Wall Street noise?</i>

1867
01:16:29.545 --> 01:16:31.549
(BROADWAY MUSIC PLAYING)

1868
01:16:31.549 --> 01:16:33.052
<i>It's a shimmy in the shoulders</i>

1869
01:16:33.052 --> 01:16:34.639
<i>When you talk to the shareholders</i>

1870
01:16:34.639 --> 01:16:37.018
<i>Guiltless greed
is one of life's great joys</i>

1871
01:16:37.018 --> 01:16:40.108
<i>Maybe someday I'll stomp
In the Wall Street</i>

1872
01:16:40.108 --> 01:16:42.947
<i>Noise</i>

1873
01:16:44.491 --> 01:16:47.205
They messed up one
little turn, but it's okay.

1874
01:16:47.205 --> 01:16:48.290
I didn't see it.

1875
01:16:48.290 --> 01:16:49.459
I think we should
just move forward.

1876
01:16:49.459 --> 01:16:50.838
(SINGING)
<i>Sell the stocks shareholders buy</i>

1877
01:16:50.838 --> 01:16:51.965
<i>Sell the stocks shareholders buy</i>

1878
01:16:51.965 --> 01:16:53.552
<i>Sell the stocks, shareholders!</i>

1879
01:16:53.552 --> 01:16:55.764
And as Joan rose through
the ranks of the company

1880
01:16:55.764 --> 01:16:58.352
and her profits
grew and grew,

1881
01:16:58.352 --> 01:17:00.691
so did she!

1882
01:17:02.402 --> 01:17:03.905
(SCATTERED CLAPPING)

1883
01:17:10.501 --> 01:17:11.880
Is that the tech guy?

1884
01:17:13.800 --> 01:17:16.305
Somebody get me portfolios
on line four.

1885
01:17:17.808 --> 01:17:19.979
I'll be in my corner office.

1886
01:17:20.146 --> 01:17:22.400
- Sure thing, boss.
- Let's do this.

1887
01:17:22.400 --> 01:17:23.945
(SINGING) <i>You do this
You do that</i>

1888
01:17:23.945 --> 01:17:26.033
<i>Fix that graph and get me stats</i>

1889
01:17:26.033 --> 01:17:28.789
CHORUS: <i>She's a stock broker
Deep down and dirty dealing</i>

1890
01:17:28.789 --> 01:17:30.458
<i>Got the checks
Got the cash</i>

1891
01:17:30.458 --> 01:17:32.170
<i>And I'm smashing that glass ceiling</i>

1892
01:17:32.170 --> 01:17:33.924
CHORUS:
<i>Now she's part of this sound</i>

1893
01:17:33.924 --> 01:17:35.594
<i>And I found my voice</i>

1894
01:17:35.761 --> 01:17:39.017
CHORUS: <i>As she's making people millions
Screwing innocent civilians</i>

1895
01:17:39.017 --> 01:17:41.856
<i>With her fab flap and brilliance
In the Wall Street</i>

1896
01:17:43.234 --> 01:17:44.236
<i>Noise!</i>

1897
01:17:44.904 --> 01:17:46.323
(AUDIENCE CHEERING)

1898
01:17:55.091 --> 01:17:57.011
(DISCO MUSIC PLAYING)

1899
01:17:59.015 --> 01:18:00.644
CHORUS: <i>Studio 54!</i>

1900
01:18:01.019 --> 01:18:02.773
<i>Dark room
Bright lights</i>

1901
01:18:02.982 --> 01:18:04.819
<i>Debbie Harry wearing tights</i>

1902
01:18:04.819 --> 01:18:06.865
CHORUS: <i>Stiff drink
High heels</i>

1903
01:18:06.865 --> 01:18:08.743
<i>David Geffen doing deals</i>

1904
01:18:08.743 --> 01:18:12.458
CHORUS:
<i>Lovers and strangers and big chandeliers</i>

1905
01:18:12.458 --> 01:18:14.504
<i>Got no home to go to</i>

1906
01:18:14.504 --> 01:18:16.593
<i>So I'm staying here</i>

1907
01:18:16.593 --> 01:18:18.805
- CHORUS: <i>Live it up
- Like there's no tomorrow</i>

1908
01:18:18.805 --> 01:18:21.268
CHORUS: <i>Tomorrow, give it up</i>

1909
01:18:21.268 --> 01:18:22.813
GLENN: <i>To the groovy</i>

1910
01:18:22.813 --> 01:18:24.525
- CHORUS: <i>Disco glittery light
- Disco glittery light</i>

1911
01:18:24.525 --> 01:18:25.694
CHORUS: <i>Live it up</i>

1912
01:18:25.694 --> 01:18:28.742
<i>'Cause if there's no tomorrow</i>

1913
01:18:28.742 --> 01:18:30.202
<i>Nothing matters to me</i>

1914
01:18:30.202 --> 01:18:33.000
<i>So get lost inside the boogie tonight</i>

1915
01:18:35.379 --> 01:18:36.591
And cue cocaine.

1916
01:18:36.758 --> 01:18:37.801
CHORUS: (SINGING)
<i>Live it up</i>

1917
01:18:37.801 --> 01:18:39.889
<i>Don't you have school tomorrow?</i>

1918
01:18:39.889 --> 01:18:41.141
CHORUS: <i>Give it up</i>

1919
01:18:41.141 --> 01:18:43.479
<i>Suddenly, the disco doesn't feel right</i>

1920
01:18:43.479 --> 01:18:46.903
CHORUS: <i>Give away
The troubles and the sorrow</i>

1921
01:18:46.903 --> 01:18:48.113
<i>Someone's gotta save ya</i>

1922
01:18:48.113 --> 01:18:50.493
<i>From degenerate behavior tonight</i>

1923
01:18:50.493 --> 01:18:52.455
Quick. Give me
your hand, little girl.

1924
01:18:52.455 --> 01:18:53.708
I'll save you.

1925
01:18:53.708 --> 01:18:55.002
I'm an artiste,

1926
01:18:55.002 --> 01:18:57.090
and artistes
don't need saving.

1927
01:18:57.090 --> 01:19:00.681
Sometimes they do!

1928
01:19:04.730 --> 01:19:06.567
Wow, Joan. You were right.

1929
01:19:06.567 --> 01:19:08.697
I guess I did need your help.

1930
01:19:09.114 --> 01:19:10.742
Have you ever
considered becoming...

1931
01:19:11.744 --> 01:19:13.122
a teacher?

1932
01:19:15.001 --> 01:19:18.800
GLENN: (SINGING)
<i>I'll make it through tomorrow</i>

1933
01:19:19.719 --> 01:19:22.766
<i>Only gonna have three cocktails a week</i>

1934
01:19:24.185 --> 01:19:27.568
<i>I'll quit my job tomorrow</i>

1935
01:19:28.485 --> 01:19:31.826
<i>These children matter to me</i>

1936
01:19:31.993 --> 01:19:35.458
<i>So I'll apply to SUNY</i>

1937
01:19:35.959 --> 01:19:40.342
<i>Tonight</i>

1938
01:19:41.053 --> 01:19:42.138
Jesus, he's good.

1939
01:19:43.223 --> 01:19:46.229
(SINGING)
<i>Thought my dreaming was done</i>

1940
01:19:46.396 --> 01:19:49.069
<i>All I needed was one</i>

1941
01:19:49.235 --> 01:19:53.160
<i>Revelation to show me my boy</i>

1942
01:19:53.661 --> 01:19:54.830
(WHISPERING) That kid's good.

1943
01:19:54.997 --> 01:19:56.124
I'm gonna make him a star.

1944
01:19:56.291 --> 01:19:57.878
I was actually
just thinking the same thing.

1945
01:19:58.045 --> 01:20:02.428
GLENN: <i>Now I offer this sun Salutation</i>

1946
01:20:02.846 --> 01:20:05.267
<i>Hello to my Troy</i>

1947
01:20:05.434 --> 01:20:07.689
<i>I will build this theatrical place</i>

1948
01:20:07.856 --> 01:20:08.858
Hey.

1949
01:20:09.693 --> 01:20:11.279
Hey, do you like this?

1950
01:20:12.156 --> 01:20:14.077
I'm over here, I'm like...
(SNORES, CHUCKLES)

1951
01:20:15.622 --> 01:20:16.999
CHRISTOPHER S: And finally,

1952
01:20:16.999 --> 01:20:19.630
after selling her father's
beloved pierogi recipe

1953
01:20:19.630 --> 01:20:21.007
for a small fortune,

1954
01:20:21.174 --> 01:20:23.428
Joan purchased
a beautiful plot of land

1955
01:20:23.596 --> 01:20:26.142
located right in the middle
of the Adirondack Mountains.

1956
01:20:29.817 --> 01:20:32.823
This land is beautiful.

1957
01:20:33.157 --> 01:20:35.327
And the stage could go here.

1958
01:20:36.664 --> 01:20:39.753
And all the children looking
for somewhere to belong.

1959
01:20:40.504 --> 01:20:42.676
I can almost see them.

1960
01:20:44.513 --> 01:20:47.561
(SINGING)
<i>A girl with an open Snapple</i>

1961
01:20:48.020 --> 01:20:51.026
<i>A boy who's looking down</i>

1962
01:20:51.443 --> 01:20:54.700
<i>The faces and the memories</i>

1963
01:20:54.867 --> 01:20:58.875
<i>That we have from right now</i>

1964
01:20:59.334 --> 01:21:02.549
<i>Raise a glass for everyone</i>

1965
01:21:02.716 --> 01:21:05.597
<i>That will come through these halls</i>

1966
01:21:06.431 --> 01:21:08.770
<i>But in the glass isn't alcohol</i>

1967
01:21:08.937 --> 01:21:11.358
<i>It's something more profound</i>

1968
01:21:11.525 --> 01:21:13.028
<i>And the halls aren't halls at all</i>

1969
01:21:13.195 --> 01:21:14.865
<i>Of course, they're trees</i>

1970
01:21:15.032 --> 01:21:16.117
<i>And lakes</i>

1971
01:21:16.619 --> 01:21:20.334
<i>And birds</i>

1972
01:21:21.086 --> 01:21:22.881
CHORUS: <i>We all fly</i>

1973
01:21:23.048 --> 01:21:27.348
<i>To find a place we can belong</i>

1974
01:21:27.516 --> 01:21:29.143
<i>We all fly</i>

1975
01:21:29.143 --> 01:21:34.028
<i>To find a place we can call home</i>

1976
01:21:35.489 --> 01:21:38.286
<i>Camp isn't home</i>

1977
01:21:39.790 --> 01:21:42.921
<i>But is it kind of?</i>

1978
01:21:43.088 --> 01:21:45.134
<i>Kind of it is</i>

1979
01:21:45.301 --> 01:21:48.056
<i>I think it kind of is</i>

1980
01:21:48.516 --> 01:21:50.979
BOTH: <i>Camp isn't home</i>

1981
01:21:52.607 --> 01:21:55.697
<i>But is it kind of?</i>

1982
01:21:55.697 --> 01:22:00.289
<i>I think it kind of is</i>

1983
01:22:01.834 --> 01:22:05.090
<i>Where every kid picked last in gym</i>

1984
01:22:05.257 --> 01:22:07.596
<i>Finally makes the team</i>

1985
01:22:07.846 --> 01:22:10.643
BOTH:
<i>Where square pegs find their holes</i>

1986
01:22:10.810 --> 01:22:13.649
<i>And outcasts find their dreams</i>

1987
01:22:13.816 --> 01:22:16.655
BOTH:
<i>It's a melting pot where belting girls</i>

1988
01:22:16.822 --> 01:22:19.369
<i>And boys in tiny shorts</i>

1989
01:22:19.703 --> 01:22:22.083
CHORUS:
<i>Come to find forever friendships</i>

1990
01:22:22.249 --> 01:22:25.214
<i>Just four hours from New York</i>

1991
01:22:25.214 --> 01:22:26.634
<i>We all fly</i>

1992
01:22:26.634 --> 01:22:30.934
<i>To find a place we can belong</i>

1993
01:22:30.934 --> 01:22:32.478
<i>We all fly</i>

1994
01:22:32.478 --> 01:22:37.614
<i>To find a place we can call home</i>

1995
01:22:37.614 --> 01:22:39.660
<i>A place we can call Joan</i>

1996
01:22:39.660 --> 01:22:42.039
<i>Camp isn't home</i>

1997
01:22:43.417 --> 01:22:46.549
<i>But is it kind of?</i>

1998
01:22:46.549 --> 01:22:48.468
<i>Kind of it is</i>

1999
01:22:48.636 --> 01:22:51.474
<i>I think it kind of is
It kind of is</i>

2000
01:22:51.474 --> 01:22:55.399
<i>Camp isn't home</i>

2001
01:22:55.399 --> 01:22:58.196
<i>But is it kind of?</i>

2002
01:22:58.196 --> 01:23:02.496
<i>I think it kind of is</i>

2003
01:23:03.833 --> 01:23:06.797
<i>We all fly</i>

2004
01:23:07.339 --> 01:23:09.302
Camp taught me
that my words are powerful.

2005
01:23:09.469 --> 01:23:11.640
Without camp,
I would've never known

2006
01:23:11.640 --> 01:23:13.519
I could sing a high F
above middle C.

2007
01:23:14.353 --> 01:23:15.648
At camp, I learned that

2008
01:23:15.648 --> 01:23:17.067
you don't have to be pretty
to be talented.

2009
01:23:17.067 --> 01:23:18.195
It's just a bonus.

2010
01:23:20.490 --> 01:23:21.493
(WHISPERING) I'm sorry.

2011
01:23:21.619 --> 01:23:23.581
- I'm sorry.
- You finished the song.

2012
01:23:24.332 --> 01:23:25.585
It's so beautiful.

2013
01:23:25.752 --> 01:23:26.962
I did it for you.

2014
01:23:27.714 --> 01:23:30.344
You should do whatever
you wanna do

2015
01:23:30.344 --> 01:23:31.805
and pursue your dreams, okay?

2016
01:23:32.515 --> 01:23:33.809
I'm going to stay here.

2017
01:23:33.809 --> 01:23:35.855
If there is a here,
I belong here.

2018
01:23:36.690 --> 01:23:38.276
Well, I'll come back
all the time.

2019
01:23:38.401 --> 01:23:39.487
- Promise?
- I promise.

2020
01:23:39.655 --> 01:23:40.740
You're not getting rid of me.

2021
01:23:41.449 --> 01:23:43.078
At camp,
I learned to live in my truth

2022
01:23:43.078 --> 01:23:44.539
as a heterosexual man.

2023
01:23:46.042 --> 01:23:47.253
We knew. (SOBBING)

2024
01:23:47.419 --> 01:23:49.340
We always knew, buddy.
Good job.

2025
01:23:50.384 --> 01:23:51.512
Glenn is amazing.

2026
01:23:51.679 --> 01:23:52.931
Glenn is so good,
it makes me upset.

2027
01:23:53.098 --> 01:23:55.102
- It's insane.
- It makes me upset.

2028
01:23:55.102 --> 01:23:56.647
(VOCALIZING)

2029
01:23:57.314 --> 01:23:59.443
CHORUS: (SINGING) <i>We all fly</i>

2030
01:24:02.659 --> 01:24:04.453
<i>Camp isn't home</i>

2031
01:24:06.792 --> 01:24:11.510
<i>But is it kind of?
Kind of it is</i>

2032
01:24:11.677 --> 01:24:14.223
<i>I think it kind of is</i>

2033
01:24:14.390 --> 01:24:17.021
<i>Camp isn't home</i>

2034
01:24:18.273 --> 01:24:24.410
<i>But is it kind of?
I think it kind of is</i>

2035
01:24:26.372 --> 01:24:29.546
<i>Camp isn't home
But is it kind of?</i>

2036
01:24:30.464 --> 01:24:35.098
<i>Kind of it is
I think it kind of is</i>

2037
01:24:35.265 --> 01:24:36.977
<i>Camp isn't home</i>

2038
01:24:39.231 --> 01:24:41.904
<i>But is it kind of?</i>

2039
01:24:41.904 --> 01:24:46.287
<i>I think it kind of is</i>

2040
01:24:47.498 --> 01:24:49.001
I hope I see you next summer.

2041
01:24:50.045 --> 01:24:51.507
Thanks for being
so hard on me.

2042
01:24:51.632 --> 01:24:53.134
I know it was
for a good reason.

2043
01:24:53.134 --> 01:24:55.222
Harness this pain and use it
in the future, okay?

2044
01:24:57.936 --> 01:24:59.773
CHORUS: (SINGING)
<i>Camp isn't home</i>

2045
01:24:59.773 --> 01:25:02.654
<i>But is it kind of?</i>

2046
01:25:02.654 --> 01:25:07.246
<i>I think it kind of is</i>

2047
01:25:09.208 --> 01:25:12.297
<i>Joan, Still</i>

2048
01:25:17.809 --> 01:25:19.521
- (MUSIC ENDS)
- (ALL CHEERING)

2049
01:25:24.656 --> 01:25:25.658
TROY: Yeah.

2050
01:25:26.994 --> 01:25:28.246
AMOS: That's lit!

2051
01:25:43.903 --> 01:25:45.363
(AUDIENCE CHEERING)

2052
01:25:49.873 --> 01:25:51.919
- WOMAN: <i>Bravo! Bravo!</i>
- She's awake!

2053
01:25:53.213 --> 01:25:55.342
<i>I have no idea what this was,</i>

2054
01:25:55.510 --> 01:25:58.056
<i>who set this up,
why I'm watching this,</i>

2055
01:25:58.264 --> 01:25:59.391
<i>but what a pleasure!</i>

2056
01:25:59.391 --> 01:26:01.688
<i>What a thrill! What talent!</i>

2057
01:26:01.688 --> 01:26:02.941
Uh, must have set it up
in the wrong room.

2058
01:26:02.941 --> 01:26:04.109
<i>You lifted my spirits, kids.</i>

2059
01:26:04.276 --> 01:26:05.320
Yeah, that was my bad.

2060
01:26:05.530 --> 01:26:07.951
<i>And Joan, what a woman she is.</i>

2061
01:26:08.117 --> 01:26:09.913
But <i>Joan, Still,</i> right?

2062
01:26:10.038 --> 01:26:11.499
<i>That is something
to celebrate.</i>

2063
01:26:11.499 --> 01:26:14.088
<i>I can't wait to see you
on Broadway.</i>

2064
01:26:14.088 --> 01:26:16.008
<i>You kids are wonderful.</i>

2065
01:26:16.008 --> 01:26:18.221
<i>You're all going to be big,
big stars!</i>

2066
01:26:19.599 --> 01:26:21.269
<i>(BETTER NOW</i>
BY POST MALONE PLAYING)

2067
01:26:29.368 --> 01:26:30.495
(GASPS)

2068
01:26:30.913 --> 01:26:32.584
Don't let Troy run the camp!

2069
01:26:33.209 --> 01:26:34.838
Oh, you're up, huh?

2070
01:26:35.506 --> 01:26:37.301
I just saw a whole show
about your life.

2071
01:26:37.301 --> 01:26:38.887
The kids did an amazing job.

2072
01:26:39.054 --> 01:26:40.975
(SINGING) <i>Camp isn't home</i>

2073
01:26:40.975 --> 01:26:42.562
Oh, what a song.

2074
01:26:42.562 --> 01:26:44.649
You slept through it.
I watched it.

2075
01:26:44.649 --> 01:26:46.570
Well, um, do you know
why I'm here?

2076
01:26:47.780 --> 01:26:48.782
No.

2077
01:26:48.782 --> 01:26:50.578
( <i>BETTER NOW</i> CONTINUES)

2078
01:28:23.095 --> 01:28:25.350
(FRANTIC JAZZ MUSIC PLAYING)

2079
01:31:46.836 --> 01:31:48.464
REBECCA-DIANE:
(SINGING) <i>Bye class</i>

2080
01:31:48.924 --> 01:31:50.677
<i>We're done</i>

2081
01:31:52.556 --> 01:31:56.940
<i>The ghosts of our past selves are done</i>

2082
01:31:57.190 --> 01:32:00.781
<i>We are gone, we are gone</i>

2083
01:32:00.781 --> 01:32:03.410
<i>We are now new people</i>

2084
01:32:03.578 --> 01:32:06.124
<i>We are now new people</i>

2085
01:32:06.291 --> 01:32:11.051
<i>We are now the children of the plants</i>

2086
01:32:13.723 --> 01:32:15.268
REBECCA-DIANE:
<i>Thank you guys so much.</i>

2087
01:32:15.894 --> 01:32:17.856
<i>I'll see you next week.</i>

2088
01:32:18.023 --> 01:32:19.986
<i>Or tomorrow. I don't remember.</i>