WEBVTT FILE 1 00:00:02.000 --> 00:00:07.000 Downloaded from YTS.MX 2 00:00:02.210 --> 00:00:04.546 Three, two, one, action! 3 00:00:08.000 --> 00:00:13.000 Official YIFY movies site: YTS.MX 4 00:00:08.842 --> 00:00:09.968 Kit! 5 00:00:22.564 --> 00:00:24.441 - Hi, I'm Erin Kellyman. - I'm Ruby Cruz. 6 00:00:24.441 --> 00:00:26.526 - I'm Tony Revolori. - I'm Ellie Bamber. 7 00:00:26.526 --> 00:00:28.486 - I'm Dempsey Bryk. - I am Amar Chadha-Patel 8 00:00:28.486 --> 00:00:29.571 and this is your look at 9 00:00:29.571 --> 00:00:31.281 the behind the scenes of the making of... 10 00:00:31.406 --> 00:00:33.825 Willow. 11 00:00:43.543 --> 00:00:48.173 line:5% Starting about, I don't know, ten years after the movie was released, 12 00:00:48.173 --> 00:00:52.177 a week would not go by without somebody wanting to talk about Willow. 13 00:01:06.733 --> 00:01:09.569 line:5% Mm-hmm. First thing I did with George was Return of the Jedi. 14 00:01:09.569 --> 00:01:13.239 And then, I'd done the Caravan of Courage and Battle for Endor. 15 00:01:13.239 --> 00:01:16.868 And then, I went on to do Labyrinth which George was involved in again. 16 00:01:16.868 --> 00:01:19.120 AMAR CHADHA-PATEL: I read an interview about Willow, 17 00:01:19.120 --> 00:01:20.914 where George Lucas had said that 18 00:01:20.914 --> 00:01:22.916 when he'd met Warwick on the set of Star Wars 19 00:01:22.916 --> 00:01:26.294 line:5% that he wanted to make a story where the hero was unlikely 20 00:01:26.294 --> 00:01:28.213 line:5% and not what you would expect a hero to be. 21 00:01:28.880 --> 00:01:32.467 So I watched the original to refresh my memory of everything 22 00:01:32.467 --> 00:01:36.805 line:5% and all the characters and kind of, to remember how fun it was and how... 23 00:01:36.805 --> 00:01:38.932 line:5% I mean, how iconic it was, actually. 24 00:01:38.932 --> 00:01:40.892 line:5% How many times have you worked with George? 25 00:01:40.892 --> 00:01:42.936 line:5% - It's my third one. - What were the other two? 26 00:01:42.936 --> 00:01:44.771 Uh, I did Raiders of the Lost Ark. 27 00:01:44.771 --> 00:01:46.481 And, um, Indiana Jones. 28 00:01:46.481 --> 00:01:47.857 And, of course, this one. 29 00:01:47.857 --> 00:01:51.152 He's killed me four times in three films. He doesn't like me. 30 00:01:52.612 --> 00:01:55.448 line:5% I feel like it's a movie that doesn't take itself too seriously. 31 00:02:01.454 --> 00:02:03.248 Excuse me, are we having a party? 32 00:02:03.248 --> 00:02:04.332 - Huh? 33 00:02:04.332 --> 00:02:06.626 line:5% You have this incredible experience, which I did, 34 00:02:06.626 --> 00:02:09.879 line:5% on the film and Ron Howard, directing, George Lucas, producing. 35 00:02:09.879 --> 00:02:13.424 It's my first real movie and it's this giant, epic production. 36 00:02:13.424 --> 00:02:16.010 It was out-of-this-world and extraordinary. 37 00:02:16.010 --> 00:02:17.887 line:5% I was captivated by it. 38 00:02:17.887 --> 00:02:23.685 I was captivated by Warwick, and by Joanne, and by Val Kilmer. 39 00:02:23.685 --> 00:02:25.436 Obviously. 40 00:02:25.436 --> 00:02:28.064 We were all just absolutely obsessed with it. 41 00:02:28.064 --> 00:02:31.484 You know, it was successful when it came out, it was well-regarded. 42 00:02:31.484 --> 00:02:35.738 But it, you know, it didn't have this, sort of, place in pop culture. 43 00:02:35.738 --> 00:02:39.200 line:5% I sort of tended to gravitate toward the idea that, 44 00:02:39.200 --> 00:02:43.872 while, like, Indiana Jones and Star Wars were the biggest things ever, 45 00:02:43.872 --> 00:02:46.875 there was this other thing. There was Willow. 46 00:02:47.542 --> 00:02:52.463 George Lucas had always wanted, not so much to do a sequel, 47 00:02:52.463 --> 00:02:54.591 but to develop it further on television. 48 00:02:55.258 --> 00:02:58.553 And when Disney Plus came along, suddenly we felt like, 49 00:02:58.553 --> 00:03:00.513 well, there's a real home for this. 50 00:03:00.513 --> 00:03:04.017 line:5% To all the fans who've waited over 30 years, the wait is over. 51 00:03:04.017 --> 00:03:08.438 line:5% Kasdan from his original conversations with Ron Howard, 52 00:03:08.438 --> 00:03:10.440 he's been kind of building this world up 53 00:03:10.440 --> 00:03:14.652 and bringing his own kind of sensibility, humor, and heart. 54 00:03:14.652 --> 00:03:15.945 line:5% It has nostalgia, of course, 55 00:03:15.945 --> 00:03:17.947 line:5% for those of us that love the original movie. 56 00:03:17.947 --> 00:03:20.033 But it feels so fresh and modern 57 00:03:20.033 --> 00:03:23.786 and he has managed to bring it into a brand new moment in time. 58 00:03:23.786 --> 00:03:29.125 So there's this specificity to Willow and to the Lucasfilm brand. 59 00:03:29.125 --> 00:03:31.502 And so, my mind kept going to this, like, 60 00:03:31.502 --> 00:03:34.380 dusty volume sitting on a shelf somewhere 61 00:03:34.380 --> 00:03:36.382 with "Willow" on its spine. 62 00:03:36.382 --> 00:03:38.468 And like, I wanted to write more of that book. 63 00:03:38.468 --> 00:03:42.013 line:5% Jon Kasdan encourages a very inventive and bold approach. 64 00:03:42.013 --> 00:03:46.935 But he also respects the skills and the different qualities 65 00:03:46.935 --> 00:03:48.645 each cast member brings. 66 00:03:48.645 --> 00:03:50.188 I think as a new cast, 67 00:03:50.188 --> 00:03:54.943 line:5% there is pressure stepping in and taking over, like, such a beloved story. 68 00:03:58.238 --> 00:03:59.572 Reading the scripts 69 00:03:59.572 --> 00:04:01.908 and getting a sense of the premise for the show, 70 00:04:01.908 --> 00:04:06.412 this thing was gonna live or die according to the cast. 71 00:04:06.412 --> 00:04:11.209 So I was kinda nervous about meeting the new team, as it were. 72 00:04:11.209 --> 00:04:13.503 And they're so brilliant, they're so brilliant. 73 00:04:13.503 --> 00:04:16.798 It's been a joy, a genuine joy working with them. 74 00:04:16.798 --> 00:04:18.424 The repartee that is between them, 75 00:04:18.424 --> 00:04:20.426 that isn't something anyone needs to direct. 76 00:04:20.426 --> 00:04:22.637 Uh, it's been a crazy day. We've had a lot of... 77 00:04:22.637 --> 00:04:24.639 - Where? - It's that way. 78 00:04:24.639 --> 00:04:26.516 - What? - Lot of horse work going on today. 79 00:04:26.516 --> 00:04:27.642 - Uh... - I think... No. 80 00:04:27.642 --> 00:04:30.270 - Amar, you gettin' on? Ruby? - CHADHA-PATEL: No, I'll get the next one. 81 00:04:30.270 --> 00:04:31.437 - Oh. - Okay. 82 00:04:31.437 --> 00:04:33.564 As you can see, a lot of horse work going on. 83 00:04:33.564 --> 00:04:38.528 I met Ruby, who plays Kit, who's my twin, on a FaceTime. 84 00:04:38.528 --> 00:04:40.280 - Oh, hey there. What's up? - Hey. 85 00:04:40.280 --> 00:04:43.616 line:5% And within two seconds I said, "I think I know you." 86 00:04:43.616 --> 00:04:46.577 And then, progressively person, by person, by person 87 00:04:46.577 --> 00:04:49.455 who I met, we all kinda said the same thing. 88 00:04:50.623 --> 00:04:53.376 line:5% These people are my family. I've been with them for so long. 89 00:04:53.376 --> 00:04:57.839 When we're all six of us are together, like, that's always very fun, you know. 90 00:04:59.882 --> 00:05:02.677 Um, we can never get anything shot, but it's very fun. 91 00:05:03.011 --> 00:05:04.637 Reach out to me. 92 00:05:06.681 --> 00:05:09.559 What was it like working with Warwick Davis? 93 00:05:11.019 --> 00:05:12.020 Um... 94 00:05:14.647 --> 00:05:16.899 Warwick has a lot of passion. 95 00:05:17.608 --> 00:05:20.236 Like, well, like a, like a lot of passion. 96 00:05:20.236 --> 00:05:21.321 Really passionate. 97 00:05:25.742 --> 00:05:30.747 He has so many great ideas. 98 00:05:33.249 --> 00:05:35.501 Warwick is, uh... 99 00:05:35.626 --> 00:05:40.006 He's very... intense. 100 00:05:47.347 --> 00:05:49.807 Can we get this thing towed at owner's expense, please? 101 00:05:49.807 --> 00:05:53.353 He just has ideas. He has a lot of ideas. Um... 102 00:05:53.353 --> 00:05:56.272 For everyone about everything. 103 00:05:57.940 --> 00:05:59.400 Whether you want them or not. 104 00:06:01.944 --> 00:06:03.279 How's that? 105 00:06:03.279 --> 00:06:06.157 line:5% He likes to remind people he's number one on the call sheet 106 00:06:06.157 --> 00:06:09.369 line:5% which is... which is helpful, I think. 107 00:06:10.787 --> 00:06:11.788 line:5% Quiet, please. 108 00:06:12.497 --> 00:06:14.123 line:5% Don't wanna do this twice. 109 00:06:14.123 --> 00:06:17.168 And three, two, one. 110 00:06:17.960 --> 00:06:20.421 I'm Warwick Davis and I play Willow. 111 00:06:21.839 --> 00:06:24.384 Hang on. No, do it again. That was rubbish. 112 00:06:28.930 --> 00:06:30.556 We have some of the best 113 00:06:30.556 --> 00:06:33.684 hair people, makeup people, set designer people 114 00:06:34.268 --> 00:06:36.854 line:5% who have put such a show together 115 00:06:36.854 --> 00:06:43.903 line:5% that I have come in here and I'm just blown away at the level of detail. 116 00:06:44.028 --> 00:06:45.947 I really liked the troll set. 117 00:06:45.947 --> 00:06:49.617 It was cool to walk around in there, it's very easy to actually get lost. 118 00:06:49.617 --> 00:06:51.953 It's a whole thing as well. It's a real maze. 119 00:06:51.953 --> 00:06:55.623 It's not just one tiny, little corner that everyone squeezes into. 120 00:06:55.623 --> 00:06:57.500 They built a whole thing. 121 00:06:58.167 --> 00:06:59.502 This is a great crew. 122 00:06:59.502 --> 00:07:03.005 Everybody from art department, um, who've been looking at creative ways 123 00:07:03.005 --> 00:07:04.841 to accomplish everything you see behind us. 124 00:07:04.841 --> 00:07:08.136 line:5% And then the things you can't see is what visual effects is gonna do later. 125 00:07:08.136 --> 00:07:10.096 We have Industrial Light & Magic on 126 00:07:10.096 --> 00:07:12.306 to supervise all the visual effects for this work. 127 00:07:12.306 --> 00:07:15.435 Um, this is gonna be epic, even though this is already an epic location. 128 00:07:15.435 --> 00:07:18.604 Instead of being this height, it's gonna be five or ten times taller 129 00:07:18.604 --> 00:07:20.481 when we get into visual effects world. 130 00:07:20.481 --> 00:07:24.485 So we're in Bavmorda's chamber or High Tower, 131 00:07:24.485 --> 00:07:27.280 line:5% That's where the climax of Willow 1988 happens. 132 00:07:27.280 --> 00:07:29.031 We see our characters from 1988 133 00:07:29.031 --> 00:07:31.742 and they interact with our characters from 2021. 134 00:07:31.742 --> 00:07:33.870 We looked in the archives to try and find out 135 00:07:33.870 --> 00:07:36.914 um, what suitable angles would help tell the story. 136 00:07:36.914 --> 00:07:40.251 So try to line up whatever footage we had with the POVs 137 00:07:40.251 --> 00:07:44.380 and made sure that our characters from 2021 were in the right position, 138 00:07:44.380 --> 00:07:47.717 so they would line up with the footage that we have to hand. 139 00:07:47.717 --> 00:07:50.636 So I'd imagine it'll take our team about three or four months 140 00:07:50.636 --> 00:07:53.389 to pull this together and see 'em in this environment. 141 00:07:53.389 --> 00:07:56.017 And seeing these sets reconstructed for the series 142 00:07:56.017 --> 00:07:58.019 has been quite somethin' as well. 143 00:07:58.019 --> 00:08:00.771 'Cause I believe that most of this location 144 00:08:00.771 --> 00:08:02.440 in the movie was a painting. 145 00:08:03.191 --> 00:08:07.236 In the original movie, this dais part was the only thing that existed. 146 00:08:07.236 --> 00:08:09.280 The rest of it was a matte painting. 147 00:08:09.280 --> 00:08:11.449 Kristian and his team did an incredible job. 148 00:08:11.449 --> 00:08:15.703 line:5% We wanted to have it very similar to what it looked like in the movie. 149 00:08:15.703 --> 00:08:17.914 - And Neal Scanlan 150 00:08:17.914 --> 00:08:20.917 and the creatures department are legendary. 151 00:08:20.917 --> 00:08:26.756 They've worked with Lucasfilm and ILM a lot on various Star Wars projects. 152 00:08:26.756 --> 00:08:31.344 The attention to detail is wonderful within the creature department. 153 00:08:31.344 --> 00:08:36.140 You get a drawing, you get a maquette, you get a full size sculpt. 154 00:08:36.807 --> 00:08:39.060 You're given a chance to give notes 155 00:08:39.060 --> 00:08:42.730 to discuss possibilities of how it'll look for real. 156 00:08:42.730 --> 00:08:46.025 line:5% Uh, to me, workin' on Willow has been really demanding, actually. 157 00:08:46.025 --> 00:08:50.112 Creating new characters and starting afresh was amazing 158 00:08:50.112 --> 00:08:53.866 and to find solution to what Jon was writing was really fun. 159 00:08:53.866 --> 00:08:56.202 Three, two, one, action! 160 00:08:56.202 --> 00:08:57.286 Going down. 161 00:08:58.371 --> 00:09:00.164 CHADHA-PATEL: Yeah, the creatures are amazing. 162 00:09:00.164 --> 00:09:03.543 Actually, my favorite creatures were the, um, the wererats. 163 00:09:03.543 --> 00:09:05.461 - Okay, look out for the wererats. - What? 164 00:09:05.461 --> 00:09:06.587 See ya. 165 00:09:07.171 --> 00:09:10.049 CHADHA-PATEL: Kit and Boorman go on a little side quest in episode three 166 00:09:10.049 --> 00:09:11.467 and we get attacked by wererats 167 00:09:11.467 --> 00:09:14.637 and there was this crazy, two-headed rat that attacks Kit 168 00:09:14.637 --> 00:09:17.473 while I'm down a well, and just doing my own thing. Um... 169 00:09:17.473 --> 00:09:20.977 And the puppetry was, I mean, it's classic CFX. 170 00:09:20.977 --> 00:09:25.106 Like, fully armatured puppets with moving parts 171 00:09:25.106 --> 00:09:28.734 and fingers and eyes and it looked so creepy and real. 172 00:09:28.734 --> 00:09:30.820 It was covered in slime and gross. I loved it. 173 00:09:30.820 --> 00:09:35.032 line:5% When I met my first troll, I was totally gob smacked. 174 00:09:35.700 --> 00:09:41.038 Uh, the detail that Neal had put into the face, the wrinkles, everything. 175 00:09:41.038 --> 00:09:44.125 Even the little warty things that they had on their bodies. 176 00:09:44.125 --> 00:09:48.546 line:5% Uh, people always ask me, you know, do I use Stanislavski or Meisner. 177 00:09:48.546 --> 00:09:50.506 Which I always tell them is a trick question 178 00:09:50.506 --> 00:09:53.467 because there would be no Meisner without Stanislavski. 179 00:09:53.467 --> 00:09:55.970 And, Pippa, the makeup designer, as well, 180 00:09:55.970 --> 00:09:58.180 I think her work is awe-inspiring. 181 00:09:58.180 --> 00:10:02.226 I think she brings a wonderful naturalism to everything she does. 182 00:10:02.226 --> 00:10:05.313 line:5% We thought we'd bring the world to life with all of our backgrounds. 183 00:10:05.313 --> 00:10:08.608 Backgrounds have got all the interesting hair and everything like that. 184 00:10:08.608 --> 00:10:10.818 Like our Tir Asleeners we could go quite far with. 185 00:10:10.818 --> 00:10:12.778 We needed our heroes to be really relatable. 186 00:10:12.778 --> 00:10:15.031 We needed everyone that watches it to kinda go, 187 00:10:15.031 --> 00:10:18.367 "Oh, that... I kinda... I could be that person, that could be me," you know? 188 00:10:24.081 --> 00:10:26.208 - Oh. Yeah. 189 00:10:26.208 --> 00:10:30.379 I was telling the crew how you do everyone's makeup except your own, 190 00:10:30.379 --> 00:10:32.632 - which is virtually impossible. - Mmm. 191 00:10:32.632 --> 00:10:35.509 line:5% I'd say Warwick is very hands-on. 192 00:10:37.595 --> 00:10:43.517 Yeah. I think... hands-on is a good way of describing it. 193 00:10:43.517 --> 00:10:44.644 I'm a perfectionist. 194 00:10:45.436 --> 00:10:48.189 Every tiny detail on the film set matters. 195 00:10:48.189 --> 00:10:49.732 And I wanna be part of that. 196 00:10:51.817 --> 00:10:55.029 I mean, the guy has an incredible work ethic. 197 00:10:55.029 --> 00:11:00.826 He's involved in wardrobe, makeup, production design. 198 00:11:01.410 --> 00:11:03.245 line:5% He's our on-set medic, 199 00:11:03.245 --> 00:11:07.041 line:5% which is weird because he doesn't really have 200 00:11:07.041 --> 00:11:10.670 any medical background or training at all. 201 00:11:10.670 --> 00:11:13.589 Part of me thinks it is very irresponsible 202 00:11:13.589 --> 00:11:17.009 and also weird that he's chosen to be the medic. 203 00:11:17.009 --> 00:11:20.012 But then, on the other hand, I was chokin' on a chicken bone. 204 00:11:20.012 --> 00:11:21.681 And he did save my life, so. 205 00:11:22.765 --> 00:11:25.184 And then, you know, there's the transportation thing 206 00:11:25.184 --> 00:11:30.314 which is that he insists on picking up all of the actors at their homes. 207 00:11:30.314 --> 00:11:34.860 The actors appreciate it but, weirdly, like, he'll do it for all of them. 208 00:11:34.860 --> 00:11:36.404 Except for Ellie. 209 00:11:40.282 --> 00:11:44.662 Seems to be like actively sabotaging her call sheet. 210 00:11:46.997 --> 00:11:48.332 Yeah. Lovely. 211 00:11:49.125 --> 00:11:50.251 line:5% Thanks, Warwick. That's great. 212 00:11:50.251 --> 00:11:51.335 line:5% Thanks, Amanda. 213 00:11:51.335 --> 00:11:54.380 line:5% Um, so we're gonna do a few now with Ellie, if that's okay. 214 00:11:54.380 --> 00:11:56.966 - Oh, yeah. - So, yeah, where is she? Where's Ellie? 215 00:11:56.966 --> 00:11:58.050 No idea. 216 00:11:58.551 --> 00:12:00.094 - Hello? 217 00:12:00.094 --> 00:12:03.597 It's locked from the outside. Hello? 218 00:12:03.597 --> 00:12:05.099 We got some great ones of me, didn't we? 219 00:12:05.099 --> 00:12:06.642 - Yes. Yours was... - Yeah. 220 00:12:06.642 --> 00:12:08.310 Thank you. Yeah, no, they were great. 221 00:12:08.310 --> 00:12:11.272 Well, this is Willow, after all. So, uh, that's all you need. 222 00:12:12.440 --> 00:12:14.024 - Absolutely, yes. - Good. 223 00:12:14.024 --> 00:12:18.362 line:5% I think we were most excited about continuing the story of Elora Danan 224 00:12:18.362 --> 00:12:20.448 who, of course, we only saw as a baby 225 00:12:20.448 --> 00:12:24.201 and is now moved into the central role of this series. 226 00:12:24.869 --> 00:12:26.537 This is the baby that he saved. 227 00:12:26.537 --> 00:12:29.707 This is the person that he, sort of, lost. 228 00:12:29.707 --> 00:12:30.791 She's back. 229 00:12:30.791 --> 00:12:33.627 I remember we sat down with Warwick and told him 230 00:12:33.627 --> 00:12:36.172 that Elora Danan would finally be in this story 231 00:12:36.172 --> 00:12:38.507 and become the central character. 232 00:12:38.507 --> 00:12:41.761 And his response immediately was, "Why?" 233 00:12:42.344 --> 00:12:48.017 I genuinely, actually think Warwick is a bit like, intimidated by Ellie? 234 00:12:48.768 --> 00:12:52.688 I don't wanna say that it's sabotage. 235 00:12:55.065 --> 00:12:58.527 But, but it is. It's sabotage, I think. 236 00:12:58.527 --> 00:13:01.572 line:5% No, that's ridiculous. Are you kidding? 237 00:13:01.572 --> 00:13:03.365 Warwick really likes me. 238 00:13:03.365 --> 00:13:06.076 I think, maybe, at one point, he got the idea that... 239 00:13:06.076 --> 00:13:07.161 Oh. 240 00:13:07.161 --> 00:13:10.289 I wanted to call the show Elora Danan 241 00:13:10.289 --> 00:13:12.249 - and he heard about that... - Oh. 242 00:13:12.249 --> 00:13:14.210 Okay, Ellie. We're ready for you on set now. 243 00:13:14.210 --> 00:13:15.336 Thank you, Alec. 244 00:13:16.629 --> 00:13:18.172 A major through line in season one 245 00:13:18.172 --> 00:13:22.760 is Elora Danan learning to become more powerful than Willow as a sorcerer. 246 00:13:23.385 --> 00:13:27.348 Uh, so the fact that her wands kept disappearing from set 247 00:13:27.348 --> 00:13:30.392 line:5% was unsubtle and problematic. 248 00:13:30.392 --> 00:13:32.603 line:5% I think Warwick's been snappin' Ellie's wands. 249 00:13:32.603 --> 00:13:34.313 In fact, I know he has. 250 00:13:34.313 --> 00:13:36.565 We've got security cameras. 251 00:13:37.399 --> 00:13:38.400 Wait for it. 252 00:13:39.485 --> 00:13:40.611 Okay. 253 00:13:40.611 --> 00:13:42.530 Look, look, look. Okay, look! 254 00:13:42.530 --> 00:13:43.781 There's the snatch. 255 00:13:44.949 --> 00:13:46.408 There's the snap. See? 256 00:13:47.034 --> 00:13:48.994 Do you know how many wands we've gone through? 257 00:13:48.994 --> 00:13:50.579 Must be like, 37. 258 00:13:51.914 --> 00:13:52.915 What the ? 259 00:13:53.374 --> 00:13:55.376 - Right. Okay. - Then we get to the jump. 260 00:13:55.376 --> 00:13:57.711 The horse is blind, he doesn't know where he's going. 261 00:13:57.711 --> 00:14:00.339 - He doesn't know where he's going. - And here we go, three, two, one. 262 00:14:00.339 --> 00:14:02.007 Hsu-gala! 263 00:14:02.007 --> 00:14:04.134 Thank you so much. You did a great job today. 264 00:14:04.134 --> 00:14:05.219 Thank you very much. 265 00:14:06.512 --> 00:14:07.596 Hi, are you all right? 266 00:14:09.181 --> 00:14:11.058 line:5% Yeah, definitely. 267 00:14:11.058 --> 00:14:12.393 line:5% Hi, how do you do? 268 00:14:12.393 --> 00:14:14.979 We're gonna have a body land, 269 00:14:14.979 --> 00:14:16.939 - boom, on the floor! - Bang! 270 00:14:16.939 --> 00:14:20.192 CC and his team did a fantastic job, 271 00:14:20.192 --> 00:14:22.945 you know, all of the actors were doing all of their own work 272 00:14:22.945 --> 00:14:25.239 in there which is sensational. 273 00:14:25.239 --> 00:14:28.784 We put the cast through an awful lot of, um, 274 00:14:28.784 --> 00:14:30.911 line:5% physical rigor on this shoot. 275 00:14:30.911 --> 00:14:32.538 Oh, . 276 00:14:32.538 --> 00:14:34.248 - Are you okay? - Yeah. All good. 277 00:14:34.248 --> 00:14:36.208 - These actors, I gotta say. - They're so great. 278 00:14:36.208 --> 00:14:38.085 - I mean, it's been incredible - And so game. 279 00:14:38.085 --> 00:14:40.254 to watch them grow. 280 00:14:40.254 --> 00:14:41.964 Seeing them fight so well. 281 00:14:41.964 --> 00:14:43.841 Yeah, we have a great young cast. 282 00:14:43.966 --> 00:14:48.971 line:5% Ellen, Mario, Dennis... 283 00:14:48.971 --> 00:14:55.185 And there's Tommy. Arianna. And Robin. 284 00:14:55.185 --> 00:14:57.646 And they're all relatively, uh, good in the show. 285 00:14:58.689 --> 00:15:00.816 The big fellow is a bit of a klutz, though. 286 00:15:01.942 --> 00:15:03.736 CHADHA-PATEL: We have an amazing stunt team, obviously. 287 00:15:03.736 --> 00:15:06.280 Luke, my stunt double, he's an incredible sword fighter, 288 00:15:06.280 --> 00:15:08.032 and he teaches me how to sword fight. 289 00:15:08.032 --> 00:15:10.284 The beauty of it is that he'll teach me these moves 290 00:15:10.284 --> 00:15:11.994 that are incredible but when I do them, 291 00:15:11.994 --> 00:15:14.872 I make 'em look bad 'cause I'm, I'm like a grasshopper. 292 00:15:14.872 --> 00:15:17.666 From my side of it, we've got horses in there, 293 00:15:17.666 --> 00:15:22.296 we've got trolls, we've got falls, we've got fights everywhere. 294 00:15:22.296 --> 00:15:25.090 There's sword fights everywhere. And I'm havin' a great time. 295 00:15:25.090 --> 00:15:28.344 Amazing! 296 00:15:28.928 --> 00:15:32.264 CC and the team, I mean, these guys are the best in the biz. 297 00:15:32.264 --> 00:15:34.516 And they're doing a great job. 298 00:15:34.516 --> 00:15:37.144 They, essentially, design the fights in a way 299 00:15:37.144 --> 00:15:39.897 where it's everything that we're capable of. 300 00:15:39.897 --> 00:15:43.275 They don't really put anything in that us as actors can't do. 301 00:15:43.275 --> 00:15:46.445 So we're able to really do it and get into it 'cause they're incredible. 302 00:15:46.445 --> 00:15:49.365 I can't speak highly enough about them. So, we're really just lucky. 303 00:15:49.365 --> 00:15:50.991 CHADHA-PATEL: Dempsey Bryk as Airk. 304 00:15:50.991 --> 00:15:54.411 "Bryk" by name, "brick" by nature. He's been my rock. 305 00:15:54.995 --> 00:15:57.998 He and I have been gym partners. 306 00:15:57.998 --> 00:15:59.583 We've all had to train. 307 00:15:59.583 --> 00:16:01.460 We did a, a month of boot camp. 308 00:16:01.460 --> 00:16:07.591 line:5% I'm very grateful for the month-long boot camp that we got to do 309 00:16:07.591 --> 00:16:09.635 line:5% because I would've... Oh. 310 00:16:09.635 --> 00:16:13.222 line:5% It would've been tragic if I wasn't training. 311 00:16:13.222 --> 00:16:15.099 But it was really physically demanding. 312 00:16:15.099 --> 00:16:17.768 Probably the most physically demanding thing I've ever done. 313 00:16:17.768 --> 00:16:18.852 But so paying off. 314 00:16:18.852 --> 00:16:21.021 Like, I can't believe I know how to sword fight now. 315 00:16:21.021 --> 00:16:22.856 It is the coolest thing. 316 00:16:22.856 --> 00:16:25.109 line:5% Joanne, who plays Sorsha, 317 00:16:25.109 --> 00:16:28.570 loved coming out and playing in the Gales fight. 318 00:16:29.571 --> 00:16:33.742 And she absolutely has to front it out with the Doom. 319 00:16:39.915 --> 00:16:43.460 With these magical whips, whipping back and forth at her. 320 00:16:46.547 --> 00:16:49.842 line:5% Sorsha has the weight of the world on her shoulders 321 00:16:49.842 --> 00:16:52.761 because she's starting to see things and hear things. 322 00:16:52.761 --> 00:16:56.223 - And then, the Death Dogs appear... 323 00:16:56.223 --> 00:17:00.310 and she knows that if the Death Dogs are around then it's all gonna kick off. 324 00:17:00.310 --> 00:17:01.812 Death Dogs. 325 00:17:02.479 --> 00:17:05.858 And I have to get my sword out that I have put away. 326 00:17:05.858 --> 00:17:07.901 It's really fun doing a fight again. 327 00:17:08.986 --> 00:17:11.822 I haven't had a fight for ages. It's really fun. 328 00:17:12.781 --> 00:17:14.366 I can assure you, whatever's out there, 329 00:17:14.366 --> 00:17:17.161 my knights are, are more than capable... 330 00:17:17.161 --> 00:17:18.620 You were a bit early there, Martin. 331 00:17:18.620 --> 00:17:20.998 - Yep. I'm sorry about that. - Let's just reset Martin. 332 00:17:20.998 --> 00:17:22.916 - You can do it separately. 333 00:17:22.916 --> 00:17:24.376 It was so fun. 334 00:17:28.964 --> 00:17:30.758 Now, people watching this may think 335 00:17:30.758 --> 00:17:32.843 that this was all shot against a green screen. 336 00:17:32.843 --> 00:17:35.095 In fact, we are actually out here on the beach, 337 00:17:35.095 --> 00:17:37.681 in the elements, shooting this for real. 338 00:17:37.681 --> 00:17:39.975 line:5% We really wanted to create our own world. 339 00:17:39.975 --> 00:17:41.852 It needs to be fantastical 340 00:17:41.852 --> 00:17:45.397 and have that kinda slightly other-worldly feel to it. 341 00:17:45.397 --> 00:17:47.483 line:5% Welcome to the Bone Reaver encampment. 342 00:17:47.483 --> 00:17:50.694 line:5% We're in the Forest of Dean. Very special place. 343 00:17:50.694 --> 00:17:53.197 line:5% It's basically an area that was a woodland once 344 00:17:53.197 --> 00:17:55.949 line:5% and it's collapsed, it's mines underneath and, a cave system. 345 00:17:55.949 --> 00:17:57.659 And it's all collapsed. 346 00:17:57.659 --> 00:18:01.163 A lot of it is not us, it's all natural, but we've put in the doors. 347 00:18:01.163 --> 00:18:02.247 All the timber work. 348 00:18:03.123 --> 00:18:06.376 If you look carefully, there's a load of skulls and just hidden around. 349 00:18:06.376 --> 00:18:09.379 So, as we're goin' around, you can just see all the details. 350 00:18:10.297 --> 00:18:14.343 We tried to stay clear of using real Medieval architecture. 351 00:18:14.343 --> 00:18:16.386 We didn't use any real castles. 352 00:18:16.386 --> 00:18:21.225 We do have one or two ruins, uh, one of them being Neath Abbey 353 00:18:21.225 --> 00:18:25.771 which, uh, the heroes run through in the beginning of episode five. 354 00:18:26.980 --> 00:18:30.025 We're not in Europe and we're not even in the Medieval times. 355 00:18:30.025 --> 00:18:31.652 We are in a fantasy world. 356 00:18:31.652 --> 00:18:36.907 So the Willow production being based entirely in Wales has been great for us. 357 00:18:36.907 --> 00:18:39.827 There's something mythic about the Welsh countryside 358 00:18:39.827 --> 00:18:42.204 that isn't the same as anywhere else. 359 00:18:42.204 --> 00:18:44.456 You know, we're making a road movie, obviously. 360 00:18:44.456 --> 00:18:46.750 So, we need to find a lot of places that feel, 361 00:18:46.750 --> 00:18:51.255 kind of, distinctly different and can progress in a distinct way. 362 00:18:51.255 --> 00:18:54.174 line:5% I think the biggest benefit is the diversity of locations. 363 00:18:54.174 --> 00:18:59.471 And having wide-open space, so close to the studio. 364 00:18:59.471 --> 00:19:01.431 Within one hour of Cardiff, 365 00:19:01.431 --> 00:19:04.893 you can shoot on beaches, in forests, 366 00:19:05.894 --> 00:19:09.523 by lakes, up valleys, in mountains. 367 00:19:10.858 --> 00:19:14.027 It's been an awesome experience to get the camera, 368 00:19:14.027 --> 00:19:18.073 the crew, the cast into the most amazing places. 369 00:19:18.740 --> 00:19:22.035 I've got many fond memories of filming in Wales on the first film. 370 00:19:22.035 --> 00:19:25.122 So I think it was great that we went back to Wales for the series. 371 00:19:25.122 --> 00:19:27.291 Basically, we had to go back there again. 372 00:19:31.670 --> 00:19:32.671 Willow... 373 00:19:34.548 --> 00:19:35.841 Let's ride. 374 00:19:40.012 --> 00:19:43.307 You know, after the first Willow came out, I was on fire. 375 00:19:43.307 --> 00:19:45.893 The first movie went to his head a little bit. 376 00:19:45.893 --> 00:19:48.020 I mean, to be totally honest, 377 00:19:48.020 --> 00:19:53.192 I think he perceives it as more successful than it actually was. 378 00:19:53.192 --> 00:19:56.695 I had big ideas. Big ideas, I'm tellin' ya. 379 00:19:56.695 --> 00:20:01.116 He pitched me maybe, 20 ideas for Willow sequels. 380 00:20:01.116 --> 00:20:03.452 None of them really made any sense. 381 00:20:03.452 --> 00:20:04.828 I invented the colon. 382 00:20:08.290 --> 00:20:09.458 Yeah, the colon. 383 00:20:09.458 --> 00:20:12.920 Basically allows you to make the same movie over and over again. 384 00:20:12.920 --> 00:20:15.088 You take the title, put a colon after it, 385 00:20:15.088 --> 00:20:16.506 give it another title. 386 00:20:16.506 --> 00:20:17.799 I wrote loads of them. 387 00:20:17.799 --> 00:20:20.844 line:5% Willow, colon, Bavmorda's Revenge. 388 00:20:21.386 --> 00:20:23.972 line:5% Willow, colon, Lost in New York. 389 00:20:23.972 --> 00:20:27.392 line:5% Willow, colon, Spring Break, colon, Miami Beach. 390 00:20:27.392 --> 00:20:28.977 line:5% That's a double colon, that one. 391 00:20:29.394 --> 00:20:31.813 line:5% Willow, colon, Willow's Colon. 392 00:20:31.813 --> 00:20:35.525 line:5% which was a public service film about gastrointestinal health. 393 00:20:36.318 --> 00:20:37.527 Very important. 394 00:20:37.527 --> 00:20:41.365 In his mind, he thought he was creating the world's first mega franchise. 395 00:20:41.365 --> 00:20:42.741 That wasn't a thing. 396 00:20:43.325 --> 00:20:45.786 There was a lot of opportunity for me in those days. 397 00:20:46.662 --> 00:20:48.830 I was getting offered some exciting roles 398 00:20:48.830 --> 00:20:51.166 up against some of the biggest actors in Hollywood. 399 00:20:51.166 --> 00:20:55.087 And that's, uh, that's when I met him. 400 00:20:57.089 --> 00:20:58.548 The weasel. 401 00:20:58.548 --> 00:21:01.593 What can I say, I'm just thrilled to be a part of it. 402 00:21:01.593 --> 00:21:04.930 The coup and the ultimate score for our show 403 00:21:04.930 --> 00:21:07.766 was getting Christian Slater to come in and play Allagash. 404 00:21:08.725 --> 00:21:10.769 And the cast was excited. 405 00:21:11.436 --> 00:21:12.729 Disney was excited. 406 00:21:13.397 --> 00:21:15.482 Warwick was less excited. 407 00:21:15.482 --> 00:21:20.612 It turned out, they had a long and complicated history. 408 00:21:21.321 --> 00:21:24.574 The Warwick Davis-Christian Slater rivalry. 409 00:21:25.450 --> 00:21:28.370 That... That was the stuff of Hollywood legend. 410 00:21:28.954 --> 00:21:30.664 He stole my idea. 411 00:21:30.664 --> 00:21:31.999 We were mates. 412 00:21:32.624 --> 00:21:33.667 I took him out to lunch, 413 00:21:33.667 --> 00:21:37.254 told him about this passion project I'd been working on between Willows. 414 00:21:37.254 --> 00:21:39.965 It was about this sexy DJ in Brixton, London, 415 00:21:39.965 --> 00:21:42.801 called Would You Mind Turning Up The Music, Please? 416 00:21:42.801 --> 00:21:46.221 And six months later, saw a movie poster for a film, 417 00:21:46.221 --> 00:21:49.766 rather rudely entitled, Pump Up The Volume. 418 00:21:49.766 --> 00:21:52.144 He basically accused me of plagiarism. 419 00:21:52.144 --> 00:21:54.479 In his version of events I, what, 420 00:21:55.063 --> 00:21:57.649 uh, stole his idea, hired a writer and director, 421 00:21:57.649 --> 00:22:00.861 made the movie and released it in theaters in like six months? 422 00:22:00.861 --> 00:22:02.654 I mean, how would that even work? 423 00:22:02.654 --> 00:22:06.491 But, uh, man, he was pissed. He, uh, he came at me, hard. 424 00:22:06.491 --> 00:22:08.118 What? That's what he said? 425 00:22:08.118 --> 00:22:10.287 I came at him hard? Can you imagine that? 426 00:22:10.287 --> 00:22:11.705 I'm British. 427 00:22:11.705 --> 00:22:14.333 I don't do things like that. I'm a gentleman. 428 00:22:28.221 --> 00:22:31.516 Yeah, he threatened to sue me in the most English way possible. 429 00:22:31.516 --> 00:22:36.229 And sadly, we never spoke again after that until this. 430 00:22:37.064 --> 00:22:40.317 The Disney team have been looking at the dailies 431 00:22:40.317 --> 00:22:42.778 and they're so excited about Christian 432 00:22:42.778 --> 00:22:46.198 and what season two could be like if you guys are like, 433 00:22:47.157 --> 00:22:49.910 you know, like, buddies and, like, on an adventure. 434 00:22:49.910 --> 00:22:52.496 - You seem like you're shaking your head. - Whoa. Wait a minute. 435 00:22:52.996 --> 00:22:55.290 If they put Christian Slater on Disney Plus, 436 00:22:55.290 --> 00:22:57.834 they're gonna have to change the name to Disney Minus. 437 00:22:58.627 --> 00:23:00.045 Hey, guys. Yeah. 438 00:23:00.045 --> 00:23:01.755 - Good to see you. 439 00:23:01.755 --> 00:23:03.131 - It's good to have you here. - Yeah. 440 00:23:03.131 --> 00:23:05.300 Thanks, man. No, it's great to be here. 441 00:23:05.300 --> 00:23:08.720 They finally arrive at the silent, burnt-out ruins. 442 00:23:08.720 --> 00:23:12.724 line:5% The beauty of the series is that it really walks this fine line 443 00:23:12.724 --> 00:23:16.853 line:5% between being funny as it should be 444 00:23:16.853 --> 00:23:19.856 and this kind of dramatic fantasy 445 00:23:19.856 --> 00:23:23.235 line:5% that we've kind of grown accustomed to with Game of Thrones and such, 446 00:23:24.444 --> 00:23:28.115 while also keepin' it contemporary in a way that's fresh and new. 447 00:23:28.115 --> 00:23:31.076 And it really all just kind of stems from the mind of Jon Kasdan 448 00:23:31.076 --> 00:23:32.619 who is our show runner and writer. 449 00:23:32.619 --> 00:23:35.872 Jon Kasdan is a very special man. 450 00:23:35.872 --> 00:23:40.210 I think Jon is one of the most creative individuals I've ever met. 451 00:23:40.877 --> 00:23:42.629 The way he sees this world as something 452 00:23:42.629 --> 00:23:45.966 that is just as valuable now as when it was created. 453 00:23:45.966 --> 00:23:49.803 You know, Jon has been wonderful in allowing us to come in, 454 00:23:49.803 --> 00:23:54.099 you know, and to have some fun with it and be loose with it, 455 00:23:54.099 --> 00:23:57.436 and I think that is the right energy for this type of story. 456 00:23:57.436 --> 00:23:58.520 I'm free... 457 00:23:58.520 --> 00:23:59.980 - This guy's insane. 458 00:24:00.355 --> 00:24:03.316 This must be like a dream come true to Jon. 459 00:24:03.316 --> 00:24:08.655 To have eight hours to explore your childhood adventures 460 00:24:08.655 --> 00:24:11.533 with this massive great team and this wonderful cast. 461 00:24:11.533 --> 00:24:13.285 Willow! 462 00:24:13.285 --> 00:24:15.203 line:5% I said yes and came aboard 463 00:24:15.203 --> 00:24:18.415 line:5% 'cause I didn't wanna shatter his childhood dreams 464 00:24:18.415 --> 00:24:20.625 which clearly this represents. 465 00:24:21.293 --> 00:24:22.919 This is not nostalgia. 466 00:24:22.919 --> 00:24:27.257 It's using the fundamentals of this world, these characters 467 00:24:27.257 --> 00:24:31.052 but it's very forward thinking in terms of its sensibilities, 468 00:24:31.052 --> 00:24:34.931 uh, and also, the adventure that it creates. 469 00:24:34.931 --> 00:24:38.018 I feel like there's something for everyone in this series. 470 00:24:38.018 --> 00:24:43.273 There are just so many storylines and characters all weaved together. 471 00:24:43.273 --> 00:24:45.442 There's definitely been days 472 00:24:45.442 --> 00:24:48.612 where I am laughing and crying and screaming all in one day 473 00:24:48.612 --> 00:24:53.783 and I mean, it's crazy for my emotional health 474 00:24:53.783 --> 00:24:56.161 but it, you know, gets it all out. 475 00:24:56.161 --> 00:24:59.164 I mean, the beauty of fantasy and sci-fi is that it's not Earth 476 00:24:59.164 --> 00:25:02.000 so you can put anyone of any diverse background 477 00:25:02.000 --> 00:25:04.711 in what essentially is a world full of dragons and giants. 478 00:25:05.295 --> 00:25:11.009 Um, if you can have giants and trolls, why can't you have brown people? 479 00:25:11.009 --> 00:25:14.804 We talk about the impact that these little moments are gonna have on children 480 00:25:14.804 --> 00:25:18.058 and being able to see themselves and think, "Yeah, I wanna be that." 481 00:25:18.058 --> 00:25:21.269 I mean, I said this to Jon Kasdan when I first had my meeting, 482 00:25:21.269 --> 00:25:22.521 my first meeting with him. 483 00:25:22.521 --> 00:25:24.731 You know, Indiana Jones, Han Solo, 484 00:25:24.731 --> 00:25:26.650 characters that every kid wanted to be, 485 00:25:26.650 --> 00:25:30.654 but as an Asian man, I never saw myself reflected in that way. 486 00:25:30.654 --> 00:25:34.199 The comedic rogue with a heart of gold character played by an Asian person 487 00:25:34.199 --> 00:25:35.825 so for me it's a huge honor 488 00:25:35.825 --> 00:25:38.161 and I'm very excited and hope to bring it to life, 489 00:25:38.161 --> 00:25:39.746 and not ruin it and get fired. 490 00:25:40.747 --> 00:25:41.915 Which is a possibility. 491 00:25:42.582 --> 00:25:44.834 And in about ten seconds, I'm gonna kiss you. 492 00:25:44.960 --> 00:25:46.294 So, if you don't want that... 493 00:25:46.294 --> 00:25:50.131 Yes, I would... I mean, I would be very into that. 494 00:25:51.591 --> 00:25:55.845 So absolutely excited to be able to represent the LGBTQ plus community 495 00:25:55.845 --> 00:25:59.307 on screen especially something as wide scale as Disney. 496 00:25:59.307 --> 00:26:01.601 I think this is huge. That is... 497 00:26:03.061 --> 00:26:06.523 Ah! That makes me so excited. That makes me so happy. 498 00:26:06.523 --> 00:26:10.485 I honestly never thought I'd be playing a queer character in a Disney show. 499 00:26:10.485 --> 00:26:16.449 I think it's so important for young people to see queer characters on shows. 500 00:26:16.449 --> 00:26:17.701 Like, to see it on Disney, too. 501 00:26:17.701 --> 00:26:20.412 It's such a big platform and it's gonna reach so many people 502 00:26:20.412 --> 00:26:24.249 and if I had that when I was younger I think I'd feel a lot less scared 503 00:26:24.249 --> 00:26:27.961 and a lot less intimidated by the thoughts and feelings I was having. 504 00:26:27.961 --> 00:26:30.880 And being a queer woman, and playing a queer character on a Disney show 505 00:26:30.880 --> 00:26:33.883 is honestly the most insane, 506 00:26:33.883 --> 00:26:37.137 it's the most insane thing. I never thought I'd be able to do that. 507 00:26:37.137 --> 00:26:41.224 We're Thraxus and you're watching the Disney Plus. 508 00:26:49.482 --> 00:26:50.525 That was good. 509 00:26:54.404 --> 00:26:55.405 CHADHA-PATEL: Okay, Jamie? 510 00:26:55.405 --> 00:26:56.948 That's the last shot on Willow. 511 00:26:56.948 --> 00:26:58.325 Well done, everybody! 512 00:27:02.037 --> 00:27:04.623 It has been a joyous experience 513 00:27:04.623 --> 00:27:07.876 and I've loved working with such talented people. 514 00:27:07.876 --> 00:27:12.881 To become a part of something that is so beloved by so many people 515 00:27:12.881 --> 00:27:16.301 and to be able to just extend that world even further 516 00:27:16.301 --> 00:27:18.345 into something that even more people can love, 517 00:27:18.345 --> 00:27:20.096 I think is a really cool thing. 518 00:27:20.096 --> 00:27:23.558 line:5% There's lots of comedic moments, there's lots of really tender moments 519 00:27:23.558 --> 00:27:25.685 line:5% and there's a real journey to go on. 520 00:27:25.685 --> 00:27:28.480 line:5% It's just not typical, it's not what you would expect, 521 00:27:28.480 --> 00:27:31.441 line:5% and I think that that is something that is so exciting. 522 00:27:31.441 --> 00:27:32.901 line:5% You guys are the best! See you. 523 00:27:33.985 --> 00:27:35.111 line:5% See you next year! 524 00:27:35.111 --> 00:27:38.448 It's turned into like one of the greatest experiences of my career 525 00:27:38.448 --> 00:27:41.284 so I, I'm very happy to have said yes. 526 00:27:41.284 --> 00:27:43.703 I don't wanna leave for real. 527 00:27:43.703 --> 00:27:45.163 - I know. - It's not even, like, 528 00:27:45.163 --> 00:27:48.458 I know this is an interview but I'm actually so sad. 529 00:27:48.458 --> 00:27:53.046 line:5% The overriding thing I'll take away is a set that is full of warmth, 530 00:27:53.046 --> 00:27:56.841 fun, great characters, lovely people. 531 00:27:56.841 --> 00:28:01.721 And a real energy to try and do something a little bit different. 532 00:28:03.139 --> 00:28:07.143 The truth is, people thought Warwick was crazy. 533 00:28:07.936 --> 00:28:09.979 But the reality is he was just ahead of his time. 534 00:28:10.730 --> 00:28:14.734 I mean, yes, he can be difficult, he can be challenging. 535 00:28:14.734 --> 00:28:17.529 And he's got a big ego but you know what? 536 00:28:17.529 --> 00:28:20.281 line:5% He's got an even bigger heart 537 00:28:20.281 --> 00:28:23.827 line:5% and he brings out the very best in people 538 00:28:23.827 --> 00:28:26.830 and they bring out the best in him. 539 00:28:26.830 --> 00:28:28.665 And that's what Willow is all about. 540 00:28:28.665 --> 00:28:30.875 It's about heart, and it's about friendship, 541 00:28:30.875 --> 00:28:32.460 it's about coming together. 542 00:28:33.044 --> 00:28:35.672 And magic, it's also about magic. 543 00:28:36.256 --> 00:28:37.966 Ellie, this is from Warwick. 544 00:28:37.966 --> 00:28:39.259 From Warwick? For me? 545 00:28:40.176 --> 00:28:42.178 Are you kidding? Look at the box. 546 00:28:44.264 --> 00:28:45.473 Oh. 547 00:28:45.473 --> 00:28:46.975 A new wand. 548 00:28:48.727 --> 00:28:50.228 Aw. 549 00:28:50.228 --> 00:28:52.147 Aw, he shouldn't have. 550 00:28:52.147 --> 00:28:56.609 line:5% For me, this has been a dream that I've had for, probably, about 30 years. 551 00:28:56.609 --> 00:28:58.111 Every fan of the movie said, 552 00:28:58.111 --> 00:29:00.572 "When will you make another Willow? We want a sequel." 553 00:29:00.572 --> 00:29:03.491 And Jon here has realized that dream for many millions of people 554 00:29:03.491 --> 00:29:05.160 around the world who loved the movie. 555 00:29:05.160 --> 00:29:09.038 He always tells us to take in every moment and appreciate all of the little things 556 00:29:09.038 --> 00:29:11.708 which I think is why he does all these little things. 557 00:29:11.708 --> 00:29:13.418 Like pick us up in the mornin'. 558 00:29:13.418 --> 00:29:16.337 He always reminds us that everything can go by in a flash. 559 00:29:16.337 --> 00:29:20.175 So to appreciate and love every moment of every day with each other. 560 00:29:21.050 --> 00:29:23.678 I mean, Warwick might have been a bit hard on me 561 00:29:23.678 --> 00:29:27.348 but at the end of the day I think it's because he believed in me. 562 00:29:28.558 --> 00:29:31.227 And now I'm very grateful for that. 563 00:29:33.062 --> 00:29:36.566 Look, I may be Warwick Davis, titular character of Willow, 564 00:29:36.566 --> 00:29:38.610 massive international movie star 565 00:29:38.610 --> 00:29:43.531 with over $14.5 billion in box office revenue and counting. 566 00:29:43.531 --> 00:29:47.952 King of the Ewoks, polo buddy to Prince William, yada, yada, yada. 567 00:29:47.952 --> 00:29:50.789 But the truth is none of that really matters. 568 00:29:50.789 --> 00:29:52.373 What matters is this. 569 00:29:53.374 --> 00:29:57.462 What we've created here together is just so much bigger than me. 570 00:29:58.546 --> 00:30:00.590 Maybe Willow isn't just one man. 571 00:30:01.508 --> 00:30:04.052 Maybe there's a little Willow in all of us. 572 00:30:04.052 --> 00:30:11.476 I am Willow. 573 00:30:11.476 --> 00:30:13.144 I am Willow? 574 00:30:13.144 --> 00:30:15.313 I am Willow. 575 00:30:15.313 --> 00:30:16.523 I'm Willow. 576 00:30:16.523 --> 00:30:17.941 I am Willow. 577 00:30:17.941 --> 00:30:20.568 This has been the greatest adventure of my life. 578 00:30:22.320 --> 00:30:26.032 But, uh, just to be clear, contractually speaking, 579 00:30:26.032 --> 00:30:27.826 there is only one Willow. 580 00:30:27.826 --> 00:30:28.993 And that's me. 581 00:30:36.501 --> 00:30:38.211 Have you seen when he sits on a chair? 582 00:30:39.420 --> 00:30:41.381 Like, we've tried to talk about it 583 00:30:41.381 --> 00:30:43.383 - and he doesn't want to. - He didn't want to. 584 00:30:43.383 --> 00:30:46.094 You have a reputation as a bit of a klutz. 585 00:30:46.094 --> 00:30:48.680 No. No, I'm pretty coordinated. 586 00:30:48.680 --> 00:30:51.224 I've been doing lot of stunt training for this mother... 587 00:30:51.224 --> 00:30:52.934 Very complex fight sequences so... 588 00:30:53.977 --> 00:30:55.728 There's a lot of broken chairs on set. 589 00:30:55.728 --> 00:30:58.648 - There's a giant easter egg and if you... - Oh! 590 00:30:58.648 --> 00:31:00.859 Oh, my... It's okay, he has a problem. 591 00:31:00.859 --> 00:31:02.819 Don't draw attention to it. 592 00:31:02.819 --> 00:31:03.987 It's a huge problem. 593 00:31:03.987 --> 00:31:07.490 He's gonna hurt himself and more than anything he's gonna hurt someone else. 594 00:31:07.490 --> 00:31:09.075 Have you seen Warwick? 595 00:31:09.075 --> 00:31:11.661 CHADHA-PATEL: What? 596 00:31:11.661 --> 00:31:13.413 I don't have a problem sitting down. 597 00:31:13.413 --> 00:31:14.956 You guys are making this up. Making me... 598 00:31:14.956 --> 00:31:16.541 - I feel like you're gaslighting me. - Okay.