WEBVTT FILE
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Downloaded from
YTS.MX
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Official YIFY movies site:
YTS.MX
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[GENTLE MUSIC PLAYING]
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[MUSIC FLOURISHES]
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[MUSIC INTENSIFIES]
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- [THUDS]
- EDWARD: Oh!
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[GROANS]
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00:02:14.917 --> 00:02:17.093
Hey. Hey, man, you all right?
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00:02:17.093 --> 00:02:18.660
You need to lie down
or something?
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00:02:19.095 --> 00:02:23.186
No, this happens
from time to time. It'll pass.
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Thanks for asking,
though. [GROANS]
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All right, well just
let me know.
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- I'll be at my desk.
- [EDWARD GROANS]
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DIRECTOR: Uh, Mr. Lemuel...
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[BELL RINGING]
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That was maybe on the
slightly intense side.
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00:02:38.810 --> 00:02:40.377
Yeah, we...
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I think we want less
of an aneurysm-type attack
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and more like, uh...
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Woozy. You know?
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"Oh, oh."
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BOTH: "Oh, oh."
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All right? "Oh."
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Don't wanna scare people.
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00:03:01.268 --> 00:03:02.747
EDWARD: Ah. Oh.
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00:03:02.747 --> 00:03:04.227
Ah. How's that feel?
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00:03:05.010 --> 00:03:07.012
- Great.
- Any notes for me?
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00:03:07.012 --> 00:03:08.318
DIRECTOR: Nope, you're great.
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00:03:12.235 --> 00:03:16.370
EDWARD: Oh. Oh.
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SEAN: Hey. Hey, man,
you all right?
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00:03:20.069 --> 00:03:21.288
EDWARD: Oh.
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00:03:21.288 --> 00:03:23.333
[CHATTERING INDISTINCTLY]
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You, uh, you been
at this long?
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00:03:26.858 --> 00:03:27.946
A little while, I guess.
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00:03:27.946 --> 00:03:30.384
Mmm. Just got outta Julliard.
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00:03:30.775 --> 00:03:34.910
This is my first paying gig.
My first gig, really.
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Mmm. Interesting experience.
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- [MEN LAUGHING]
- [WHEELS SQUEALING]
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00:03:52.319 --> 00:03:54.582
[TRAIN RATTLING]
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RAGGED MAN: I know
what you're all thinking,
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00:03:56.279 --> 00:03:59.151
but you're wrong.
I only want directions.
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Where's this train
headed, huh?
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00:04:00.675 --> 00:04:01.980
Where's the conductor?
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00:04:01.980 --> 00:04:03.765
Ask him where
this train is bound.
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00:04:04.156 --> 00:04:07.551
Glory? That's not
my ultimate destination.
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00:04:07.551 --> 00:04:11.599
Fort Lee, New Jersey is
my ultimate destination.
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I don't know
about you suckers,
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I got a brother-in-law.
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This train is hauling
the good, the bad,
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00:04:18.736 --> 00:04:21.304
and especially
the ugly mother fuckers!
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So who's gonna be the hero?
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- You?
- I'm a casting director,
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specializing in unique
and unusual physiognomies.
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- Have you ever considered...
- RAGGED MAN: Yeah,
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they tell me
I got star quality.
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CASTING DIRECTOR:
I believe that. Here...
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LANDLORD: Salamunovich says,
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"Nah, don't worry about it.
It's just a gland."
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- Cool, yo...
- Hey, hey, 4F,
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you keepin' a dog
in your apartment?
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- No, why?
- Must be somebody else.
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[MOVERS SPEAKING
OTHER LANGUAGE]
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OLLIE: Hey. Come on, man.
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Watch it, watch it,
watch it, watch it.
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Hey, hey. No, come here.
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Feel this. Feel this.
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- [MOVER CHUCKLES]
- LANDLORD: Here.
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That seem like a lump to you?
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A little lumpy.
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OLLIE: You know who
this guy reminds me of?
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Woody Allen, when he was
younger and kind of nervous.
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00:05:13.835 --> 00:05:15.053
Yeah. He's kind of nervous.
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OLLIE: Listen,
be confident brother.
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Take some Brazilian jiu-jitsu,
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or that Krav Maga
from Israel shit.
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Look, hey, little guy.
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All unhappiness in life comes
from not accepting what is.
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Do you know who told me that?
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LANDLORD: Your shrink.
OLLIE: No, I'm serious.
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You know who told me
that all unhappiness in life
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- comes from, uh...
- Jesus Christ.
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LANDLORD: From not accepting
what is?
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OLLIE: Lady Gaga.
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I knew that fucking bitch
when she was...
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[PEOPLE CHATTERING
IN OTHER LANGUAGE]
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[MUSIC PLAYING OVER SPEAKERS]
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- [INGRID GASPS]
- Hi.
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Um...
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You wanna get there?
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00:06:01.361 --> 00:06:02.449
Excuse me.
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00:06:04.189 --> 00:06:05.408
Sorry, he's going...
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- [LOUD THUDDING]
- INGRID: Jesus Christ, guys...
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[MOVER SHOUTING
IN OTHER LANGUAGE]
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[CARS HONKING]
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[WATER DRIPPING]
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[COUCH THUDS]
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[TRUCK BEEPING]
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[OBJECTS CLATTERING]
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[MUSIC PLAYING
ON CAR SPEAKERS]
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[WHISTLE INSTRUCTOR
WHISTLING OVER SPEAKERS]
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[WATER DRIPPING]
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[KNIFE TAPPING
ON CUTTING BOARD]
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INSTRUCTOR: At its
most basic level,
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whistling is about,
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"Put your lips together
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- "and blow."
- EDWARD: Hmm.
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INSTRUCTOR: Right?
Everyone knows that.
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00:07:28.360 --> 00:07:29.753
Every five-year-old
knows that.
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00:07:30.145 --> 00:07:32.582
But, obviously, it's more
complicated than that.
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As everyone, uh,
who's ever tried
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00:07:34.758 --> 00:07:36.064
to whistle knows,
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that if you put
your lips together...
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- [KNOCKING ON DOOR]
- [EDWARD GASPS]
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Oh! [GRUNTS]
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INSTRUCTOR:
All of these muscles,
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uh, the sphincter muscles
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around your lips...
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- Hey. Oh, your hand!
- Uh...
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Um, I just unpacked
my first aid kit.
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Right back, hold on.
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[INSTRUCTOR WHISTLING]
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- ...has something to do...
- [VIDEO STOPS PLAYING]
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[DOOR CLOSES]
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Got it.
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00:08:03.439 --> 00:08:06.486
Oh, um, I'll fix that.
Don't worry about it.
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- Can we sit here?
- [DOOR CLOSES]
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I'm no doctor.
I waive all liability.
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Do you consent?
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Antibacterial ointment
and gauze pads
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00:08:18.236 --> 00:08:20.848
is the extent of my expertise
is overstating it.
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Oh. Expired. Recently?
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00:08:25.766 --> 00:08:27.028
It's probably
still good though, right?
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00:08:27.028 --> 00:08:28.769
- EDWARD: Yeah.
- Um...
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00:08:29.204 --> 00:08:30.684
Mmm, paper towels.
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00:08:30.684 --> 00:08:32.468
- It's bad for the earth.
- EDWARD: Uh...
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Let's, uh, examine
the wound here.
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00:08:35.036 --> 00:08:37.168
Oh, shi...
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00:08:37.168 --> 00:08:38.692
Maybe you need stitches?
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00:08:39.083 --> 00:08:41.303
- What do you think?
- I mean...
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00:08:41.303 --> 00:08:43.566
- Hmm...
- What happened to you?
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00:08:45.568 --> 00:08:47.135
- It's none of my business.
- Hmm.
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Okay.
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Let's see, ugh.
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Those assholes
and I just stood there
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00:08:52.575 --> 00:08:53.794
like a moron.
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And I thought,
"I've got an enemy
in my new building."
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This will sting.
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00:09:01.671 --> 00:09:02.846
Did it not sting?
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00:09:03.325 --> 00:09:04.456
A little.
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00:09:04.456 --> 00:09:05.980
Okay, that's, that's good.
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00:09:05.980 --> 00:09:07.155
It's probably good.
152
00:09:07.155 --> 00:09:10.245
- Hmm.
- Brave. This is potent stuff.
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00:09:10.245 --> 00:09:11.899
[CHUCKLES]
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Okay, um, let's just...
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Before it...
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Is this okay?
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00:09:19.471 --> 00:09:20.995
- EDWARD: Hmm?
- Oh shit.
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00:09:20.995 --> 00:09:22.126
I got it on the couch.
159
00:09:22.126 --> 00:09:23.650
- Oh. No, it's okay.
- I'm so sorry.
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00:09:23.650 --> 00:09:25.303
Just tell me
if it doesn't come out.
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[CHUCKLES] Oh.
I got it on my thigh.
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That's disgusting. [CHUCKLES]
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[FIRST AID KIT CLATTERING]
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EDWARD: Hmm. [CHUCKLES]
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00:09:35.879 --> 00:09:37.141
[INGRID CLEARS THROAT]
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[WATER DRIPPING]
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Oh, you should probably
get that checked out.
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00:09:42.973 --> 00:09:45.062
- Uh...
- Your apartment is
so lived in.
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00:09:45.062 --> 00:09:47.543
Yeah. Uh, well, I mean,
it, uh, makes sense...
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00:09:47.543 --> 00:09:48.805
INGRID: Mine's a war zone.
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00:09:50.807 --> 00:09:53.375
- Are you from here?
- EDWARD: Yeah.
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00:09:55.464 --> 00:09:56.987
Hmm. I'm from Alesund.
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00:09:56.987 --> 00:09:58.815
- You heard of that?
- EDWARD: Mmm.
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00:09:58.815 --> 00:10:00.295
Sorry, what was
your name again?
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00:10:00.817 --> 00:10:02.645
- Edward.
- INGRID: E. Lemuel.
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I saw it on the mailbox.
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00:10:04.734 --> 00:10:06.083
I'm Ingrid. Did I say that?
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00:10:09.652 --> 00:10:10.740
Is that your mom?
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00:10:11.741 --> 00:10:12.873
EDWARD: Yeah.
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00:10:13.656 --> 00:10:14.788
Is that you?
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00:10:15.789 --> 00:10:16.920
Yes.
182
00:10:21.446 --> 00:10:23.623
- Is she alive?
- EDWARD: [CLICKS TONGUE] No.
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00:10:26.495 --> 00:10:28.105
So, what do you do?
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00:10:29.150 --> 00:10:31.500
Uh, well, I... I was just
cutting some onions...
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INGRID: You're a writer.
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00:10:33.241 --> 00:10:34.764
Oh, I found it on the street.
187
00:10:35.199 --> 00:10:37.593
Really? Looks valuable.
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00:10:38.333 --> 00:10:41.118
"They taunt me and beg me
to show my face,
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00:10:41.118 --> 00:10:42.859
"only so that when I do,
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00:10:43.555 --> 00:10:45.732
"they can turn away
in horror."
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00:10:47.037 --> 00:10:48.169
What's that?
192
00:10:48.560 --> 00:10:50.606
I... I was
just testing it out.
193
00:10:51.999 --> 00:10:53.217
It's interesting.
194
00:10:54.305 --> 00:10:57.091
Actually, I'm a playwright.
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00:10:57.831 --> 00:10:58.962
I act.
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00:10:59.571 --> 00:11:00.703
Amazing.
197
00:11:01.095 --> 00:11:04.664
I'm trying to think if I've,
uh, seen you in anything.
198
00:11:06.013 --> 00:11:07.928
Not... Not likely. [CHUCKLES]
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00:11:08.580 --> 00:11:11.583
Well, maybe we'll ride
to glory together. [CHUCKLES]
200
00:11:11.583 --> 00:11:13.629
- Maybe.
- [INGRID CHUCKLES]
201
00:11:14.325 --> 00:11:17.502
Oh, uh, do you know who lived
in my apartment before me?
202
00:11:17.502 --> 00:11:19.722
- C. Pulaski?
- Uh, yeah.
203
00:11:19.722 --> 00:11:21.898
He, uh, came over
to, uh, borrow
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00:11:21.898 --> 00:11:23.073
some laundry detergent.
205
00:11:23.073 --> 00:11:25.336
Uh, old guy. Widower, maybe.
206
00:11:25.336 --> 00:11:26.686
- Did he die?
- I didn't...
207
00:11:26.686 --> 00:11:28.731
I didn't know
he was, uh, gone.
208
00:11:28.731 --> 00:11:31.299
Actually, this is not
why I came over.
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00:11:31.299 --> 00:11:33.214
But can I borrow
some laundry detergent?
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00:11:33.214 --> 00:11:34.650
[BOTH CHUCKLING]
211
00:11:35.520 --> 00:11:37.087
Oh, yeah. Yeah, sure.
212
00:11:37.087 --> 00:11:38.698
- INGRID: Yeah?
- Sure. I...
213
00:11:40.003 --> 00:11:41.135
Um, yeah.
214
00:11:44.399 --> 00:11:45.792
You learning to whistle?
215
00:11:47.010 --> 00:11:49.621
DR. VARNO: All in all,
things look relatively stable.
216
00:11:49.621 --> 00:11:50.971
Eventually, we'll have
to take a look
217
00:11:50.971 --> 00:11:52.624
at the growth
over your left eye.
218
00:11:53.016 --> 00:11:54.714
Your vision is
noticeably impacted?
219
00:11:55.149 --> 00:11:56.280
EDWARD: I've adjusted.
220
00:11:56.672 --> 00:11:59.457
This makes it two
or so years without surgery.
221
00:11:59.457 --> 00:12:01.677
- Much needed respite.
- EDWARD: Yeah.
222
00:12:02.112 --> 00:12:03.461
Let's aim for three years.
223
00:12:04.288 --> 00:12:06.073
But I must be frank
that sooner or later,
224
00:12:06.073 --> 00:12:08.075
the eye will become
debilitating.
225
00:12:08.902 --> 00:12:10.773
As for the cholesteatoma,
226
00:12:11.165 --> 00:12:13.167
I think we should go in
and get that thing out.
227
00:12:13.167 --> 00:12:14.821
But the hearing loss
is minimal,
228
00:12:14.821 --> 00:12:17.171
so we can probably
sit on it for a bit.
229
00:12:17.998 --> 00:12:20.391
Several other tumors have
shown minor enlargement,
230
00:12:20.391 --> 00:12:22.916
but no impingement on
any important structures.
231
00:12:22.916 --> 00:12:25.701
So, just some things
we have to keep an eye on.
232
00:12:26.789 --> 00:12:28.356
I mention this
so that you have an idea
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00:12:28.356 --> 00:12:31.185
of the road ahead,
not that it's news to you.
234
00:12:31.185 --> 00:12:35.232
But an alternative path
has presented itself.
235
00:12:35.929 --> 00:12:37.887
A colleague of mine,
Eugene Flexner,
236
00:12:37.887 --> 00:12:39.062
rather distinguished,
237
00:12:39.062 --> 00:12:41.195
is on the lookout
for patients,
238
00:12:41.195 --> 00:12:42.849
a patient like you,
239
00:12:42.849 --> 00:12:45.329
for an experimental
drug trial.
240
00:12:45.329 --> 00:12:47.897
This drug seems
to have the potential to be,
241
00:12:48.376 --> 00:12:50.682
words like heal
and cure are an anathema
242
00:12:50.682 --> 00:12:53.947
to folks in my profession,
but to actually heal you,
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00:12:54.512 --> 00:12:55.731
completely, even.
244
00:12:56.079 --> 00:12:58.647
The implications are
life changing for you.
245
00:12:59.082 --> 00:13:00.257
I shouldn't overpromise
anything
246
00:13:00.257 --> 00:13:03.173
because it's
the first trial I believe.
247
00:13:03.826 --> 00:13:07.874
Perhaps any potential risk is
worth the potential reward?
248
00:13:09.179 --> 00:13:10.833
Something to think about.
249
00:13:13.009 --> 00:13:15.142
- [CONTEMPLATIVE MUSIC PLAYING]
- [DOG BARKING]
250
00:13:31.462 --> 00:13:33.247
[WATER DRIPPING]
251
00:13:42.778 --> 00:13:44.040
[EDWARD SIGHS]
252
00:13:49.306 --> 00:13:50.960
Oh, hey, neighbor.
253
00:13:52.005 --> 00:13:54.964
Housewarming, for the door.
254
00:13:56.052 --> 00:13:57.662
Didn't your mother give
that to you?
255
00:13:58.141 --> 00:13:59.751
No, I... I found it
on the street.
256
00:14:00.796 --> 00:14:04.017
Right. Okay.
257
00:14:06.889 --> 00:14:09.849
I just wanna get rid of it,
and you're a play writer.
258
00:14:10.327 --> 00:14:12.242
Yeah, but you could
probably get some cash for it.
259
00:14:12.895 --> 00:14:13.983
Write me a part.
260
00:14:13.983 --> 00:14:16.377
[BOTH CHUCKLING]
261
00:14:16.377 --> 00:14:17.639
Yes. Right.
262
00:14:17.639 --> 00:14:20.381
I'll get right on that.
No, but thank you.
263
00:14:20.381 --> 00:14:23.253
It's, uh, very heavy, generous.
264
00:14:23.645 --> 00:14:24.994
- Thank you.
- [EDWARD CLEARS THROAT]
265
00:14:24.994 --> 00:14:26.126
Hey!
266
00:14:26.735 --> 00:14:28.563
- CARL: Hey, man.
- Hello. That's my neighbor.
267
00:14:29.042 --> 00:14:30.565
Come in. Thank you again.
268
00:14:30.565 --> 00:14:31.827
EDWARD: Yep.
INGRID: Thank you.
269
00:14:54.719 --> 00:14:55.982
OSTERMEIER: Jesus Christ.
270
00:15:05.643 --> 00:15:08.864
Whom else would I love
but the most beautiful woman
271
00:15:08.864 --> 00:15:10.910
in the world? Of course.
272
00:15:11.475 --> 00:15:13.608
The most beautiful
of all women.
273
00:15:13.608 --> 00:15:16.524
The most captivating,
the most intelligent.
274
00:15:18.265 --> 00:15:21.181
Sometimes in the blue shadows
of evening,
275
00:15:21.181 --> 00:15:22.965
I give way to tender feelings.
276
00:15:22.965 --> 00:15:24.488
I go into a garden,
277
00:15:24.488 --> 00:15:26.186
smelling the fragrance
of spring
278
00:15:26.186 --> 00:15:28.710
with my poor monstrous nose,
279
00:15:28.710 --> 00:15:32.105
and I watch a man and a woman,
280
00:15:32.670 --> 00:15:35.064
strolling together
under the moonlight,
281
00:15:35.064 --> 00:15:39.286
and I think how I too,
282
00:15:40.983 --> 00:15:45.161
would like to be arm in arm
with a woman under the moon.
283
00:15:48.382 --> 00:15:50.253
I let myself be carried away.
284
00:15:52.690 --> 00:15:54.170
I forget myself.
285
00:15:57.826 --> 00:15:58.958
And then I...
286
00:16:00.481 --> 00:16:03.614
suddenly see
the shadow of my...
287
00:16:04.441 --> 00:16:06.182
profile on the garden wall.
288
00:16:10.273 --> 00:16:11.405
[CLEARS THROAT]
289
00:16:23.983 --> 00:16:25.071
[SIGHS]
290
00:16:39.955 --> 00:16:42.697
NARRATOR: Sad as it is,
it will come as no surprise.
291
00:16:42.697 --> 00:16:44.307
Attractive people are
the winners
292
00:16:44.307 --> 00:16:45.917
in most areas of life,
293
00:16:45.917 --> 00:16:47.702
and the workplace is
no exception.
294
00:16:47.702 --> 00:16:49.704
You're likely
to be startled or perturbed
295
00:16:49.704 --> 00:16:51.314
when you see a face like this.
296
00:16:51.314 --> 00:16:52.968
You might stare tactlessly,
297
00:16:52.968 --> 00:16:55.014
or on the contrary,
avert your gaze,
298
00:16:55.014 --> 00:16:57.451
even if you're generally
a kind person.
299
00:16:57.451 --> 00:16:59.888
These uneasy feelings
may diminish or subside
300
00:16:59.888 --> 00:17:01.281
after repeated exposure
301
00:17:01.281 --> 00:17:03.196
to your facially
different coworker.
302
00:17:03.196 --> 00:17:05.937
Be gentle with yourself
for having these reactions.
303
00:17:05.937 --> 00:17:08.418
We have no control
over the fight
304
00:17:08.418 --> 00:17:10.551
or flight responses
of the reptilian part
305
00:17:10.551 --> 00:17:11.856
of our brains.
306
00:17:11.856 --> 00:17:13.771
But as developed,
empathetic beings,
307
00:17:13.771 --> 00:17:15.208
there are strategies
we can adopt
308
00:17:15.208 --> 00:17:17.036
to be more inclusive.
309
00:17:17.036 --> 00:17:18.124
Here, according
to the experts,
310
00:17:18.124 --> 00:17:19.734
are some techniques.
311
00:17:19.734 --> 00:17:21.953
Make your disfigured
coworker feel included
312
00:17:21.953 --> 00:17:23.520
on your team's project
313
00:17:23.520 --> 00:17:25.783
and make an effort
to seek their input.
314
00:17:25.783 --> 00:17:28.003
Luther, do you have
any feedback for Sally?
315
00:17:28.003 --> 00:17:30.397
Sounds like an ace idea to me.
316
00:17:31.485 --> 00:17:33.095
When appropriate, invite them
317
00:17:33.095 --> 00:17:34.314
to social functions.
318
00:17:34.314 --> 00:17:36.881
So, Morris,
it's my birthday this weekend.
319
00:17:36.881 --> 00:17:38.187
Oh, really? How old are you?
320
00:17:38.579 --> 00:17:40.755
It's a big one,
let's leave it at that.
321
00:17:40.755 --> 00:17:42.452
- MORRIS: Mmm.
- But I'm, uh, having
322
00:17:42.452 --> 00:17:44.237
some people at my place,
323
00:17:44.237 --> 00:17:46.021
and I was thinking
you should come.
324
00:17:46.021 --> 00:17:47.414
Sally will be there.
325
00:17:47.414 --> 00:17:50.112
[CHUCKLES] Ace.
Thank you for thinking of me.
326
00:17:50.112 --> 00:17:52.027
It really means a lot.
327
00:17:52.027 --> 00:17:53.115
And you're welcome
to bring someone
328
00:17:53.115 --> 00:17:55.030
if there's a girl or...
329
00:17:55.030 --> 00:17:56.292
Uh, thank you.
330
00:17:57.119 --> 00:17:58.425
Happy birthday.
331
00:17:59.252 --> 00:18:00.818
NARRATOR: Ask how they're
doing occasionally,
332
00:18:00.818 --> 00:18:02.690
as you would ask anyone else.
333
00:18:03.299 --> 00:18:05.127
If they appear
to be in distress,
334
00:18:05.127 --> 00:18:07.042
gently inquire
if they need your help...
335
00:18:07.042 --> 00:18:08.174
- [EDWARD MOANING]
- NARRATOR: ...without assuming
336
00:18:08.174 --> 00:18:09.827
their dependence on you.
337
00:18:09.827 --> 00:18:12.003
Hey. Hey, man, you all right?
338
00:18:12.003 --> 00:18:13.440
You need to lie down
or something?
339
00:18:13.831 --> 00:18:16.660
[CLICKS TONGUE]
No, this... This happens
340
00:18:16.660 --> 00:18:19.402
from time to time. It'll pass.
341
00:18:20.664 --> 00:18:22.318
Thanks for asking though.
342
00:18:22.318 --> 00:18:24.190
All right, well,
just let me know.
343
00:18:24.190 --> 00:18:25.321
I'll be at my desk.
344
00:18:26.322 --> 00:18:27.932
Hey, have you seen
Sally anywhere?
345
00:18:28.498 --> 00:18:29.630
No.
346
00:18:34.374 --> 00:18:35.940
That's, uh, basically it.
347
00:18:35.940 --> 00:18:38.943
- Mmm. Is there more of you?
- No.
348
00:18:38.943 --> 00:18:40.554
[NARRATOR SPEAKING
INDISTINCTLY OVER TV]
349
00:18:40.554 --> 00:18:42.991
Well, is it...
What is it? Is it some...
350
00:18:42.991 --> 00:18:44.514
Like they show it in offices?
351
00:18:44.993 --> 00:18:46.212
I think something like that.
352
00:18:46.212 --> 00:18:47.343
Yeah.
353
00:18:47.996 --> 00:18:50.041
Well, it seems like
an important tool.
354
00:18:51.521 --> 00:18:53.871
And, uh, no,
you made an impression.
355
00:18:53.871 --> 00:18:55.351
- Yeah.
- Yeah. [CHUCKLES]
356
00:18:55.351 --> 00:18:56.918
We all gotta start somewhere.
357
00:18:58.659 --> 00:19:02.358
Yeah. Oh, you have
this blackhead on your nose.
358
00:19:02.358 --> 00:19:03.664
Oh, I...
359
00:19:03.664 --> 00:19:05.144
- Can I get at it?
- EDWARD: Uh...
360
00:19:06.275 --> 00:19:08.669
[CHUCKLES] It's...
I can get it.
361
00:19:09.757 --> 00:19:10.888
Can I?
362
00:19:11.672 --> 00:19:14.153
Oh, okay. [CHUCKLES]
363
00:19:14.153 --> 00:19:16.416
It's... No. I don't have to.
364
00:19:16.416 --> 00:19:18.069
No, it's... It's fine.
365
00:19:18.069 --> 00:19:19.810
It's, uh, you have
very oily skin.
366
00:19:19.810 --> 00:19:21.203
I have a good cream for that.
367
00:19:21.986 --> 00:19:23.684
- Okay.
- Hmm. I'd love to try it.
368
00:19:23.684 --> 00:19:25.555
- Yeah?
- Sure.
369
00:19:26.469 --> 00:19:28.645
- [INGRID CHUCKLES]
- [EDWARD LAUGHS]
370
00:19:31.082 --> 00:19:33.172
[NARRATOR SPEAKING
INDISTINCTLY OVER TV]
371
00:19:37.176 --> 00:19:40.918
So, no more of you
in this? [CLEARS THROAT]
372
00:19:41.484 --> 00:19:43.617
- No.
- Ah, nope? Okay.
373
00:19:43.617 --> 00:19:44.748
- Um...
- [INGRID CLEARS THROAT]
374
00:19:45.575 --> 00:19:48.665
I think, uh, I'm gonna...
375
00:19:48.665 --> 00:19:50.667
- EDWARD: Hey, I... I'm sorry.
- No, don't be sorry.
376
00:19:50.667 --> 00:19:53.322
I... I forgot I have
this thing, and, uh...
377
00:19:53.757 --> 00:19:55.542
I'll talk to you later.
See you soon.
378
00:19:58.762 --> 00:20:00.895
[SOMBER MUSIC PLAYING]
379
00:20:01.243 --> 00:20:02.505
NARRATOR OVER SPEAKERS:
Psychologists have begun
380
00:20:02.505 --> 00:20:04.768
to uncover where disgust
comes from...
381
00:20:04.768 --> 00:20:06.117
[EDWARD SIGHS]
382
00:20:06.117 --> 00:20:07.249
NARRATOR: ...some
researchers believing
383
00:20:07.249 --> 00:20:08.859
the emotion is
similar to fear.
384
00:20:09.251 --> 00:20:11.601
"Fear evolved to keep you
away from large animals
385
00:20:11.601 --> 00:20:13.690
"that want to eat you
from the outside,"
386
00:20:13.690 --> 00:20:16.476
says Valerie Curtis,
a behavioral scientist
387
00:20:16.476 --> 00:20:19.000
at the London School of
Hygiene and Tropical Medicine.
388
00:20:19.000 --> 00:20:20.480
[EDWARD SIGHS]
389
00:20:20.480 --> 00:20:22.612
[UPSETTING MUSIC PLAYING]
390
00:20:27.182 --> 00:20:28.662
DR. FLEXNER: Okay, and then...
391
00:20:28.662 --> 00:20:30.359
- [KEYBOARD CLACKS]
- DR. FLEXNER: Ta-da!
392
00:20:30.359 --> 00:20:32.231
Okay. All right.
It's just a file photo,
393
00:20:32.231 --> 00:20:34.276
but I believe
we all get the idea.
394
00:20:35.321 --> 00:20:37.497
Uh, all right,
let's move on, Dr. Trutz.
395
00:20:38.715 --> 00:20:40.456
All right, as you may know,
396
00:20:40.456 --> 00:20:42.284
this drug was
originally developed
397
00:20:42.284 --> 00:20:44.199
as a treatment
for androgenic alopecia.
398
00:20:44.199 --> 00:20:46.288
It's an area which has
shown significant promise.
399
00:20:46.288 --> 00:20:48.203
Uh, it's
in phase three trials?
400
00:20:49.204 --> 00:20:50.901
Uh, but, what we're
attempting here,
401
00:20:50.901 --> 00:20:53.339
though, of course,
for a far more niche market,
402
00:20:53.339 --> 00:20:54.862
is a different beast
altogether.
403
00:20:55.689 --> 00:20:57.952
At the dose that we propose
to administer,
404
00:20:57.952 --> 00:21:00.868
physical modification
of hard and soft tissue,
405
00:21:00.868 --> 00:21:03.087
both reductive
and augmentative,
406
00:21:03.087 --> 00:21:04.175
was observed without the need
407
00:21:04.175 --> 00:21:06.265
for manual shaving
or grafting.
408
00:21:06.656 --> 00:21:09.833
There is the potential
to restore form and function
409
00:21:09.833 --> 00:21:11.748
to bodies containing
a variety of defects,
410
00:21:11.748 --> 00:21:12.836
which is paramount
411
00:21:12.836 --> 00:21:14.316
to a patient's
physical appearance,
412
00:21:14.838 --> 00:21:16.666
while reducing
the overall cost
413
00:21:16.666 --> 00:21:18.712
with only a moderate level
of morbidity.
414
00:21:19.147 --> 00:21:21.367
There was a non-zero number
415
00:21:21.367 --> 00:21:24.848
of wound dehiscence
and vessel damage...
416
00:21:24.848 --> 00:21:26.720
- [MACHINE BEEPING]
- [DRAMATIC MUSIC PLAYING]
417
00:21:29.766 --> 00:21:31.899
[INSTRUMENT TRILLING]
418
00:21:47.175 --> 00:21:49.003
[MACHINE WHIRRING]
419
00:21:49.786 --> 00:21:51.919
[BEEPING]
420
00:21:52.963 --> 00:21:55.096
[THUMPING]
421
00:21:56.619 --> 00:21:58.491
[TUBES GURGLING]
422
00:22:08.501 --> 00:22:10.633
[INSTRUMENT WHIRRING]
423
00:22:16.639 --> 00:22:19.816
We'll use this one
to measure the progress,
424
00:22:20.339 --> 00:22:23.429
and we'll feed
any inconsistencies
425
00:22:23.429 --> 00:22:26.257
back into the machine.
426
00:22:26.910 --> 00:22:30.218
Wow. What a world! [CHUCKLES]
427
00:22:32.481 --> 00:22:33.700
Log book.
428
00:22:34.918 --> 00:22:37.747
Next to each
potential side effect,
mark the number.
429
00:22:37.747 --> 00:22:40.663
Zero meaning non-existent,
one meaning mild,
430
00:22:40.663 --> 00:22:42.535
ten meaning... [CHUCKLES]
431
00:22:43.013 --> 00:22:46.800
These are going to help
protect your kidneys.
432
00:22:46.800 --> 00:22:49.455
Take them every four hours
on the dot.
433
00:22:49.890 --> 00:22:51.457
These could be placebos?
434
00:22:51.457 --> 00:22:52.762
These ones, no.
435
00:22:52.762 --> 00:22:55.243
Everybody gets these
to protect the kidneys.
436
00:22:55.678 --> 00:22:57.376
The placebo arms are
for the Turpidol
437
00:22:57.376 --> 00:22:59.160
and the Ochiprosoponib
medication.
438
00:22:59.160 --> 00:23:00.291
So theoretically, yes,
439
00:23:00.291 --> 00:23:01.771
with those you won't know
for sure,
440
00:23:01.771 --> 00:23:03.860
but I'd just put that idea
out of your head.
441
00:23:03.860 --> 00:23:06.167
Now, let's get
that bandage changed.
442
00:23:06.733 --> 00:23:08.169
Dr. Trutz.
443
00:23:08.169 --> 00:23:11.041
Dr. Trutz! Dressing change.
444
00:23:15.176 --> 00:23:16.307
This one's...
445
00:23:17.004 --> 00:23:18.309
See you tomorrow.
446
00:23:27.014 --> 00:23:29.146
[UNSETTLING MUSIC PLAYING]
447
00:23:47.338 --> 00:23:49.819
- [PEOPLE CHATTERING
INDISTINCTLY]
- [WOMAN LAUGHS]
448
00:23:49.819 --> 00:23:51.734
And it paid
really badly, so...
449
00:23:53.823 --> 00:23:55.782
- It wasn't the move.
- Wasn't the move.
450
00:23:55.782 --> 00:23:56.957
Wasn't the move.
451
00:23:57.392 --> 00:23:59.525
Um, I remember...
452
00:23:59.525 --> 00:24:00.917
I remember going
to some great record stores.
453
00:24:04.268 --> 00:24:06.401
[SOMBER MUSIC PLAYING]
454
00:25:02.065 --> 00:25:04.198
[LATIN DANCE MUSIC PLAYING]
455
00:25:39.581 --> 00:25:41.757
MAN ON TV:
It drives me crazy.
And you know what I think
456
00:25:41.757 --> 00:25:43.803
about money I make?
I'll tell you what
I think about money.
457
00:25:43.803 --> 00:25:45.848
See this? This is what
I think about money.
458
00:25:45.848 --> 00:25:48.329
This, all right?
So go ahead then.
459
00:25:48.329 --> 00:25:50.026
You ready?
Throw it up in my face.
460
00:25:50.026 --> 00:25:51.158
Come on, do what you say.
461
00:25:51.158 --> 00:25:52.507
Say it! Say it!
462
00:25:52.507 --> 00:25:54.161
Say how you pay the bills.
463
00:25:54.161 --> 00:25:55.597
How you're spending
your money.
464
00:25:55.597 --> 00:25:57.077
How you picked up
the rent last month.
465
00:25:57.077 --> 00:25:58.948
Huh? What do you want me
to do, get on my knees?
466
00:25:58.948 --> 00:26:00.602
You want me to kiss your feet?
467
00:26:00.602 --> 00:26:02.125
Well, forget it, man.
468
00:26:02.125 --> 00:26:03.649
Because this place
has been here long
469
00:26:03.649 --> 00:26:04.954
before you got me up in here,
470
00:26:04.954 --> 00:26:06.347
and it'll be here long
after you leave.
471
00:26:06.347 --> 00:26:07.870
All right? So don't tell me
about money.
472
00:26:07.870 --> 00:26:09.524
And don't tell me about pain,
and don't tell me
473
00:26:09.524 --> 00:26:11.221
when you think
it could've been finished.
474
00:26:11.221 --> 00:26:13.223
All right? I'll tell you
when it gets finished.
475
00:26:14.007 --> 00:26:15.530
In fact, you'll be
the first to know.
476
00:26:15.530 --> 00:26:16.966
I'll come and tell you, man.
I'll come over...
477
00:26:16.966 --> 00:26:18.533
[EDWARD GRUNTS]
478
00:26:19.142 --> 00:26:20.579
[COUGHS]
479
00:26:20.579 --> 00:26:22.363
MAN: I'll whisper it.
Right in your ear, man.
480
00:26:22.363 --> 00:26:23.712
I'll say, "It's done!"
481
00:26:23.712 --> 00:26:26.410
[DRAMATIC MUSIC PLAYING
OVER TV SPEAKERS]
482
00:26:26.410 --> 00:26:27.760
WOMAN 1 ON TV: Ah, come on.
483
00:26:27.760 --> 00:26:29.718
I don't wanna spend
another night
484
00:26:29.718 --> 00:26:32.591
just sitting around,
looking at the TV.
485
00:26:33.287 --> 00:26:35.681
WOMAN 2 ON TV: We have to.
We have no money.
486
00:26:35.681 --> 00:26:38.292
WOMAN 1: But I thought
you got your al...
487
00:26:38.988 --> 00:26:42.383
- Ali, Ale, Al...
- WOMAN 2: Alimony.
488
00:26:42.383 --> 00:26:45.212
WOMAN 1: Alimony check today.
489
00:26:45.212 --> 00:26:46.779
WOMAN 2: I did,
but I had to pay rent.
490
00:26:46.779 --> 00:26:49.433
- [FOOTSTEPS THUDDING]
- [LOUD THUD]
491
00:26:49.433 --> 00:26:50.826
[BULB CRACKLES AND CLINKS]
492
00:26:50.826 --> 00:26:52.175
[WATER DRIPPING]
493
00:26:52.175 --> 00:26:54.656
WOMAN 1:
We don't have any drugs?
494
00:26:54.656 --> 00:26:56.527
- We don't have any money?
- [CEILING CRACKS]
495
00:26:56.527 --> 00:26:58.399
- [OBJECT SPLASHES]
- WOMAN 1: We don't have any...
496
00:26:59.705 --> 00:27:01.489
I can't take it anymore!
497
00:27:02.272 --> 00:27:04.057
WOMAN 2: Why don't you call up
one of your friends
498
00:27:04.057 --> 00:27:05.232
and go out?
499
00:27:07.364 --> 00:27:10.150
WOMAN 1: Because I don't have
any friends.
500
00:27:15.372 --> 00:27:16.852
- [KNOCKING ON DOOR]
- [EDWARD GASPS]
501
00:27:18.071 --> 00:27:20.421
- MAN: Open the door!
- [KNOCKING CONTINUES]
502
00:27:21.770 --> 00:27:23.424
[LOUD BANGING ON DOOR]
503
00:27:25.295 --> 00:27:27.428
[BANGING CONTINUES]
504
00:27:29.169 --> 00:27:32.172
No, no. This way. 4B! 4B!
505
00:27:32.172 --> 00:27:33.652
OFFICER: Come on.
Let's move. Go, go, go.
506
00:27:36.567 --> 00:27:38.395
EMT 1: Snip the thing.
EMT 2: [GRUNTS] Yeah.
507
00:27:38.395 --> 00:27:39.614
EMT 1: Cut it.
508
00:27:41.877 --> 00:27:43.096
- You got him?
- EMT 2: Yeah.
509
00:27:44.184 --> 00:27:45.359
EMT 1: Careful,
don't drop him.
510
00:27:45.881 --> 00:27:47.230
- [CUTTER CLANKS]
- [EMT 2 GRUNTS]
511
00:27:47.230 --> 00:27:49.058
WOMAN: Oh!
512
00:27:49.058 --> 00:27:50.451
EMT 2: I got him. I got him.
513
00:27:50.451 --> 00:27:51.713
EMT 1: Good?
EMT 2: [GRUNTS] Yep.
514
00:27:51.713 --> 00:27:52.932
I'm... I'm good.
515
00:27:53.454 --> 00:27:54.716
EMT 1: Yeah, I'm tired man.
516
00:27:54.716 --> 00:27:56.283
[ROCK MUSIC PLAYING
ON SPEAKERS]
517
00:27:56.283 --> 00:27:57.806
[PEOPLE SPEAKING INDISTINCTLY]
518
00:27:57.806 --> 00:28:00.200
[CAT PURRING]
519
00:28:00.200 --> 00:28:02.245
- [SIRENS BLARING]
- [PURRING CONTINUES]
520
00:28:07.642 --> 00:28:10.689
EMT 3: Okay, set it down.
Goodnight, sweet prince.
521
00:28:11.298 --> 00:28:12.734
EMT 4: Think this guy was
a poet?
522
00:28:12.734 --> 00:28:14.257
[ICE CREAM TRUCK
PLAYING MUSIC OVER SPEAKERS]
523
00:28:14.257 --> 00:28:15.737
EMT 3: What were
you doing, man?
524
00:28:16.129 --> 00:28:17.304
EMT 5: What?
525
00:28:17.826 --> 00:28:18.958
WOMAN OVER SPEAKERS: Hello?
526
00:28:20.176 --> 00:28:23.484
EMT 5: Hey, go around.
You gotta go around.
527
00:28:23.484 --> 00:28:24.615
Let's go!
528
00:28:24.615 --> 00:28:26.008
[ICE CREAM VENDOR SHOUTS
INDISTINCTLY]
529
00:28:26.008 --> 00:28:28.141
[EMTS SPEAKING INDISTINCTLY]
530
00:28:28.924 --> 00:28:30.665
ICE CREAM VENDOR:
Learn to park, motherfuckers.
531
00:28:30.665 --> 00:28:31.927
[SHOUTING IN SPANISH]
532
00:28:34.364 --> 00:28:35.626
ICE CREAM VENDOR:
Hey, where were you
533
00:28:35.626 --> 00:28:36.845
when my mother had a stroke.
534
00:28:36.845 --> 00:28:38.107
EMT 3: Hey, come on, guy!
535
00:28:38.542 --> 00:28:40.414
Go away. You gotta go back.
536
00:28:40.806 --> 00:28:42.895
[ICE CREAM TRUCK CONTINUES
PLAYING MUSIC]
537
00:28:44.810 --> 00:28:47.682
His name was Ostermeier,
according to his mailbox.
538
00:28:48.552 --> 00:28:51.077
- Yeah, Ostermeier.
- You knew him?
539
00:28:51.686 --> 00:28:52.774
No.
540
00:28:55.081 --> 00:28:56.473
Would you kill yourself?
541
00:28:59.520 --> 00:29:00.913
I don't know, maybe.
542
00:29:01.783 --> 00:29:03.176
Depends on the circumstances.
543
00:29:03.176 --> 00:29:05.744
Don't say "maybe". Say "no".
544
00:29:07.658 --> 00:29:09.748
- Would you?
- What a question!
545
00:29:10.792 --> 00:29:12.402
I know I asked it first.
546
00:29:13.490 --> 00:29:15.057
Hey, what happened
to your bandage?
547
00:29:15.449 --> 00:29:16.755
Oh, yeah, it healed.
548
00:29:17.756 --> 00:29:20.323
It's a miracle.
I'm like St. Francis.
549
00:29:20.715 --> 00:29:21.847
Guess I chose
the wrong profession,
550
00:29:21.847 --> 00:29:23.762
and now I'm gonna slash you,
551
00:29:23.762 --> 00:29:25.198
- get some more practice.
- [BOTH CHUCKLING]
552
00:29:25.851 --> 00:29:28.201
Sorry. Nervous Nelly.
553
00:29:30.507 --> 00:29:32.118
[BOTH LAUGHING]
554
00:29:32.118 --> 00:29:33.206
I'm not scared.
555
00:29:33.206 --> 00:29:36.296
Um, what are your plays about?
556
00:29:36.296 --> 00:29:38.777
No, don't ask.
I'd rather talk about suicide.
557
00:29:39.778 --> 00:29:41.214
- Sorry.
- No, it's just...
558
00:29:41.214 --> 00:29:42.824
It's embarrassing
talking about...
559
00:29:42.824 --> 00:29:44.217
Especially when it's
still in progress.
560
00:29:44.217 --> 00:29:46.045
You know,
I call myself a writer,
561
00:29:46.045 --> 00:29:49.439
but it's...
It's sort of aspirational.
562
00:29:49.439 --> 00:29:51.093
No, I do write. It's...
563
00:29:51.093 --> 00:29:52.399
I've written
a few translations
564
00:29:52.399 --> 00:29:53.966
by this Italian, though,
you wouldn't know him,
565
00:29:53.966 --> 00:29:56.098
he's a nobody.
I won an award for it.
566
00:29:56.098 --> 00:29:58.144
- Small, but, yeah.
- Hmm.
567
00:29:58.622 --> 00:30:01.060
I'm trying to write
my first original play,
568
00:30:01.887 --> 00:30:03.845
but I'm still figuring it out.
569
00:30:04.628 --> 00:30:06.108
You probably want
your typewriter back.
570
00:30:06.108 --> 00:30:07.240
[CHUCKLES]
571
00:30:07.240 --> 00:30:09.851
Oh, throw it out
for all I give a shit.
572
00:30:09.851 --> 00:30:11.200
I wouldn't throw it out.
573
00:30:11.635 --> 00:30:13.942
At the very least, it makes me
looks like a writer.
574
00:30:14.551 --> 00:30:16.771
At the very least, it makes me
look like a writer.
575
00:30:16.771 --> 00:30:17.990
[EDWARD CHUCKLES]
576
00:30:17.990 --> 00:30:21.341
- Its presence mocks me.
- Inspires you.
577
00:30:23.386 --> 00:30:25.040
That's the most positive
thing I've heard you say.
578
00:30:25.040 --> 00:30:26.259
[EDWARD CHUCKLES]
579
00:30:27.738 --> 00:30:29.131
What are your favorite plays?
580
00:30:30.089 --> 00:30:31.873
Um, I don't know.
581
00:30:32.395 --> 00:30:34.745
The one about
the, um, selling...
582
00:30:34.745 --> 00:30:37.792
The... The seller, salesman.
583
00:30:38.967 --> 00:30:40.186
Oh. Mmm-hmm.
584
00:30:40.751 --> 00:30:41.927
- Um...
- Yeah.
585
00:30:43.232 --> 00:30:46.018
I saw a pretty good one
on TV about the Nazis.
586
00:30:46.496 --> 00:30:49.282
- Which one's that?
- I don't remember the name,
587
00:30:50.065 --> 00:30:52.502
but it had singing
and dancing and Nazis.
588
00:30:52.502 --> 00:30:53.808
The Nazis were singing
and dancing?
589
00:30:53.808 --> 00:30:55.331
No, the, um...
590
00:30:56.767 --> 00:30:58.508
- The other...
- Jews.
591
00:30:59.379 --> 00:31:00.467
I guess so.
592
00:31:00.467 --> 00:31:01.860
The Jews were singing
and dancing?
593
00:31:03.252 --> 00:31:04.340
Yeah, I guess so.
594
00:31:04.340 --> 00:31:06.342
Sounds like
a weird dream you had.
595
00:31:06.342 --> 00:31:07.778
[BOTH CHUCKLE]
596
00:31:07.778 --> 00:31:09.345
Probably I'm misremembering.
597
00:31:11.739 --> 00:31:12.871
[TAPPING]
598
00:31:13.262 --> 00:31:14.350
Who's that?
599
00:31:16.831 --> 00:31:18.006
I don't... I don't know.
600
00:31:18.311 --> 00:31:19.747
Why is he waving at you?
601
00:31:21.618 --> 00:31:23.446
I... I have no idea.
602
00:31:25.274 --> 00:31:26.493
What did he want?
603
00:31:27.059 --> 00:31:28.408
Why'd he think he knew you?
604
00:31:30.540 --> 00:31:33.804
[SIGHS] Sometimes
these things happen to me.
605
00:31:34.457 --> 00:31:35.632
They do?
606
00:31:36.155 --> 00:31:37.460
[EDWARD SLURPS]
607
00:31:39.288 --> 00:31:41.377
Well, I'd like
to come see the...
608
00:31:41.377 --> 00:31:43.510
- Your play when...
- You're not gonna see it,
609
00:31:43.510 --> 00:31:44.946
you're gonna be in it, right?
610
00:31:44.946 --> 00:31:46.339
[EDWARD CHUCKLES]
611
00:31:46.339 --> 00:31:48.384
- [RAIN PATTERING ON WINDOWS]
- [WATER DRIPPING]
612
00:31:50.212 --> 00:31:51.910
[THUNDER CLAPS]
613
00:32:16.282 --> 00:32:18.501
[CEILING CREAKING]
614
00:32:20.677 --> 00:32:22.418
- [CRASHING]
- [EDWARD GRUNTS]
615
00:32:24.159 --> 00:32:25.682
[WATER RUNNING]
616
00:32:25.682 --> 00:32:26.814
[EDWARD GRUNTS]
617
00:32:27.989 --> 00:32:29.251
Ah!
618
00:32:30.513 --> 00:32:31.819
[GROANS]
619
00:32:33.299 --> 00:32:35.431
[THUNDER RUMBLING]
620
00:32:46.268 --> 00:32:47.443
EDWARD: Argh!
621
00:32:52.796 --> 00:32:53.972
[GROANS]
622
00:32:57.279 --> 00:32:58.977
[SIGHS]
623
00:33:01.109 --> 00:33:02.371
[GROANING]
624
00:33:11.946 --> 00:33:13.817
[GASPS] Argh!
625
00:33:14.296 --> 00:33:15.645
[CHUCKLES] It's incredible.
626
00:33:16.385 --> 00:33:17.778
[CHUCKLES]
627
00:33:17.778 --> 00:33:19.823
I guess this means
I'm not in the control group?
628
00:33:20.868 --> 00:33:23.566
I can't disclose
that information, officially.
629
00:33:23.566 --> 00:33:25.916
This could be something
called the placebo effect.
630
00:33:26.395 --> 00:33:28.006
EDWARD: I have to admit,
631
00:33:28.006 --> 00:33:29.703
I'm... I'm starting
to feel a little...
632
00:33:31.052 --> 00:33:32.749
frightened, and, uh...
633
00:33:34.055 --> 00:33:35.317
Is this safe?
634
00:33:35.317 --> 00:33:40.714
I mean, uh, my face is
falling off in clumps.
635
00:33:40.714 --> 00:33:42.063
DR. FLEXNER: [CHUCKLES]
I'm sure it only looks
636
00:33:42.063 --> 00:33:44.935
- like clumps to you.
- Big gobs.
637
00:33:44.935 --> 00:33:47.547
Skin particles cleaving
at the fascial planes.
638
00:33:47.547 --> 00:33:49.201
Look, you are healing,
Mr. Lemuel.
639
00:33:49.592 --> 00:33:51.855
You're a part
of medical history.
640
00:33:52.378 --> 00:33:54.684
You might even be the subject
of a documentary one day.
641
00:33:55.076 --> 00:33:56.860
If I'm not
in the control group.
642
00:33:56.860 --> 00:33:58.210
DR. FLEXNER:
Oh, and if at all possible,
643
00:33:58.210 --> 00:33:59.733
I'd like you to take
photographs of your face,
644
00:33:59.733 --> 00:34:01.082
say ten a day,
645
00:34:01.082 --> 00:34:02.301
just to monitor
the rate of change,
646
00:34:02.301 --> 00:34:05.086
which appears
to be very rapid.
647
00:34:06.609 --> 00:34:09.221
Perhaps the risk
is worth the reward.
648
00:34:09.743 --> 00:34:11.005
Something to think about.
649
00:34:19.535 --> 00:34:20.667
Ta-da!
650
00:34:28.109 --> 00:34:29.241
What do I do with it?
651
00:34:29.937 --> 00:34:33.506
Keep it, uh,
as a souvenir, a reminder.
652
00:34:34.072 --> 00:34:35.247
EDWARD: Of what?
653
00:34:36.596 --> 00:34:38.728
[ALARM BLARING]
654
00:34:42.036 --> 00:34:44.125
[DRAMATIC MUSIC PLAYING]
655
00:34:50.131 --> 00:34:51.611
[CAR HONKING HORN]
656
00:34:51.611 --> 00:34:54.875
Do you hear that? That alarm.
657
00:34:56.050 --> 00:34:57.356
You're an actor, right?
658
00:34:57.356 --> 00:34:58.705
A movie actor.
659
00:34:59.401 --> 00:35:00.620
I've seen you around.
660
00:35:01.229 --> 00:35:03.318
You gotta be careful
out there, man.
661
00:35:05.320 --> 00:35:06.713
[EDWARD GROANS]
662
00:35:09.281 --> 00:35:11.413
[COUGHING]
663
00:35:14.068 --> 00:35:16.157
[BUS BRAKES SQUEALING]
664
00:35:16.157 --> 00:35:18.246
[ALARM WAILING]
665
00:35:22.294 --> 00:35:23.773
[EDWARD RETCHING]
666
00:35:24.165 --> 00:35:25.688
- [DOOR SLAMS]
- [EDWARD COUGHING]
667
00:35:31.172 --> 00:35:33.261
[BREATHING HEAVILY]
668
00:35:33.957 --> 00:35:36.046
["TURN AROUND" BY CARL PERKINS
PLAYING ON SPEAKERS]
669
00:35:36.046 --> 00:35:38.136
[WOMAN LAUGHING]
670
00:35:39.006 --> 00:35:41.139
BARTENDER: Crapper's
for customers only, buddy.
671
00:35:42.531 --> 00:35:43.793
So what's it gonna be?
672
00:35:47.232 --> 00:35:49.277
Something potent
by the looks of it.
673
00:35:55.762 --> 00:35:56.893
[BOTTLE CLINKS]
674
00:35:58.112 --> 00:35:59.722
Up? Or rocks?
675
00:36:04.074 --> 00:36:07.077
Let's not dilute
its medicinal value, huh?
676
00:36:12.039 --> 00:36:14.172
[SIRENS WAILING]
677
00:36:22.223 --> 00:36:23.311
Hey, man.
678
00:36:24.486 --> 00:36:26.096
I know you.
679
00:36:28.403 --> 00:36:29.926
Where do I know you from?
680
00:36:30.449 --> 00:36:31.580
I don't know.
681
00:36:32.799 --> 00:36:34.670
Do you know me?
You recognize me?
682
00:36:35.280 --> 00:36:36.542
I'm Guy Gaunt.
683
00:36:36.542 --> 00:36:37.978
- EDWARD: I don't know.
- Ring a bell?
684
00:36:37.978 --> 00:36:39.762
EDWARD: I don't know, maybe.
I can't place you.
685
00:36:39.762 --> 00:36:40.894
Right.
686
00:36:42.156 --> 00:36:44.114
- Volunteer fireman.
- What?
687
00:36:45.246 --> 00:36:47.770
Do you... Do you work
for Facebook?
688
00:36:47.770 --> 00:36:51.165
No, but I get this a lot.
689
00:36:51.165 --> 00:36:53.254
- Um...
- No, that's not it.
690
00:36:53.733 --> 00:36:54.908
I saw you.
691
00:36:56.083 --> 00:36:58.041
I wouldn't forget you.
I... I don't forget a face.
692
00:36:58.041 --> 00:36:59.173
EDWARD: Hmm.
693
00:37:01.262 --> 00:37:02.785
Excuse me,
you got a little, uh,
694
00:37:03.482 --> 00:37:05.092
blood or something on ya.
695
00:37:05.745 --> 00:37:09.052
- EDWARD: Hmm. Hmm.
- What's your name?
696
00:37:10.402 --> 00:37:12.360
- Edward.
- After that.
697
00:37:15.276 --> 00:37:16.712
- Lemuel.
- Huh?
698
00:37:17.713 --> 00:37:19.149
- Lemuel.
- Leemwell.
699
00:37:19.541 --> 00:37:21.717
- Edward Leemwell.
- Mmm-hmm.
700
00:37:21.717 --> 00:37:23.197
Hey, how do you do?
701
00:37:23.197 --> 00:37:25.243
This is really
some mystery, isn't it?
702
00:37:25.982 --> 00:37:27.680
I'm Guy Gaunt, like I said.
703
00:37:29.682 --> 00:37:31.118
It'll come to me though.
704
00:37:32.162 --> 00:37:34.426
- You think on it, too, okay?
- Okay.
705
00:37:34.817 --> 00:37:38.430
Okay. Enjoy your drink.
706
00:37:39.518 --> 00:37:41.215
[EDWARD RETCHING]
707
00:37:42.738 --> 00:37:44.653
[RETCHING AND COUGHING]
708
00:37:44.653 --> 00:37:46.699
[CRYING]
709
00:38:01.496 --> 00:38:03.629
[SCREAMS] No!
710
00:38:05.239 --> 00:38:07.328
[CRYING]
711
00:38:10.505 --> 00:38:12.638
[TENSE MUSIC PLAYING]
712
00:38:20.863 --> 00:38:22.082
[SIGHS]
713
00:38:25.346 --> 00:38:26.652
[SIGHING]
714
00:38:35.356 --> 00:38:37.532
- [SKIN SQUELCHING]
- EDWARD: Uh...
715
00:38:40.579 --> 00:38:41.754
[GASPS]
716
00:38:47.368 --> 00:38:49.457
[BREATHING SHARPLY]
717
00:38:57.639 --> 00:38:58.771
[GRUNTS]
718
00:39:07.388 --> 00:39:08.998
[GAGS]
719
00:39:11.784 --> 00:39:13.916
[GAGGING]
720
00:39:33.066 --> 00:39:35.198
[TENSE MUSIC PLAYING]
721
00:39:46.166 --> 00:39:47.297
[GASPS]
722
00:39:49.082 --> 00:39:50.300
[CHUCKLES]
723
00:39:51.084 --> 00:39:53.216
[UNSETTLING MUSIC PLAYING]
724
00:40:06.491 --> 00:40:08.580
INGRID: [MUFFLED] I must say
it's a silver lining.
725
00:40:08.580 --> 00:40:10.495
- It's not...
- CARL: It's not what?
726
00:40:10.495 --> 00:40:12.540
[BOTH LAUGHING]
727
00:40:13.672 --> 00:40:15.238
[INGRID CLEARS THROAT]
728
00:40:15.238 --> 00:40:16.588
WHISTLE INSTRUCTOR:
If you put your lips together,
729
00:40:16.588 --> 00:40:19.460
and blow, uh, sometimes
this is what you get.
730
00:40:19.460 --> 00:40:21.157
[BLOWING AIR]
731
00:40:21.157 --> 00:40:23.856
And, uh, you know, most of
the frustrated comments
732
00:40:23.856 --> 00:40:27.468
I get are, "Cosmo, I put
my lips together and I blew,
733
00:40:27.468 --> 00:40:29.470
"but, um, that's all I got.
734
00:40:29.470 --> 00:40:32.125
"I sound like a tea kettle,
but it's not whistling."
735
00:40:32.125 --> 00:40:34.562
Obviously, there's
something else at play.
736
00:40:35.998 --> 00:40:39.480
What you really want is
you want your... your mouth...
737
00:40:39.480 --> 00:40:41.526
- [EDWARD BLOWS AIR]
- WHISTLE INSTRUCTOR: ...tight.
738
00:40:42.396 --> 00:40:44.398
- Not necessarily...
- [EDWARD BLOWING AIR]
739
00:40:45.443 --> 00:40:48.141
WHISTLE INSTRUCTOR: ...small,
because that, you know, varies
740
00:40:48.141 --> 00:40:49.621
- with the pitch.
- [EDWARD SOBBING]
741
00:41:02.155 --> 00:41:04.287
[TENSE MUSIC FADES OUT]
742
00:41:11.164 --> 00:41:13.296
[INGRID AND CARL LAUGHING]
743
00:41:26.179 --> 00:41:28.311
[GENTLE MUSIC PLAYING]
744
00:41:36.537 --> 00:41:38.670
[SIREN WAILING]
745
00:41:53.336 --> 00:41:55.469
[JAZZY MUSIC PLAYING]
746
00:42:29.242 --> 00:42:31.505
[LOUD MUSIC PLAYING
ON SPEAKERS]
747
00:42:38.033 --> 00:42:40.166
[PEOPLE SPEAKING INDISTINCTLY]
748
00:42:59.054 --> 00:43:00.708
[PEOPLE CHATTERING
INDISTINCTLY]
749
00:43:05.495 --> 00:43:06.584
Whiskey.
750
00:43:08.760 --> 00:43:09.891
Rocks, up?
751
00:43:12.938 --> 00:43:15.070
I don't wanna dilute
the medicinal value.
752
00:43:16.202 --> 00:43:17.377
You what?
753
00:43:29.824 --> 00:43:31.043
One more?
754
00:43:35.221 --> 00:43:37.353
[MEN SHOUTING]
755
00:43:38.224 --> 00:43:40.356
[CHEERING]
756
00:43:41.575 --> 00:43:43.185
Let's go, man!
757
00:43:43.185 --> 00:43:44.883
Come on, man. We did it!
758
00:43:44.883 --> 00:43:47.233
- Fucking wild, man.
- Let's go baby.
759
00:43:47.233 --> 00:43:49.670
Yeah! Yeah!
760
00:43:49.670 --> 00:43:51.019
MAN 1: Come on, man.
MAN 2: Yeah!
761
00:43:51.019 --> 00:43:52.804
- MAN 1: It's time to fuck up!
- [MAN 3 GRUNTS]
762
00:43:52.804 --> 00:43:54.327
EDWARD: Yeah!
MAN 1: Yeah!
763
00:43:54.327 --> 00:43:56.198
[BOTH YELLING]
764
00:43:56.198 --> 00:43:57.852
[PUNK MUSIC PLAYING
OVER SPEAKERS]
765
00:44:30.145 --> 00:44:32.278
[PEOPLE CHATTERING INDISTINCTLY]
766
00:44:34.367 --> 00:44:36.499
[MUFFLED MUSIC PLAYING]
767
00:44:39.938 --> 00:44:41.200
[EDWARD MOANS]
768
00:44:41.200 --> 00:44:43.332
[BREATHING HEAVILY]
769
00:44:55.083 --> 00:44:56.563
[CHUCKLES]
770
00:44:57.564 --> 00:44:59.522
[BREATHING SHAKILY]
771
00:45:15.756 --> 00:45:17.889
- [EDWARD SIGHS]
- [WATER DRIPPING]
772
00:45:29.291 --> 00:45:31.424
[SIREN WAILING]
773
00:45:49.834 --> 00:45:50.965
Uh...
774
00:45:52.532 --> 00:45:53.663
[SIGHS]
775
00:45:54.839 --> 00:45:55.970
[EXHALES]
776
00:46:04.762 --> 00:46:05.850
[KNOCKING ON DOOR]
777
00:46:09.767 --> 00:46:11.856
[KEYS JANGLING]
778
00:46:15.424 --> 00:46:16.599
[DOOR UNLOCKS]
779
00:46:17.687 --> 00:46:19.777
[DOOR OPENS]
780
00:46:21.343 --> 00:46:22.605
You got the hole?
781
00:46:23.824 --> 00:46:26.784
EDWARD: Uh, what...
What time is it?
782
00:46:28.220 --> 00:46:29.612
[CLEARS THROAT]
783
00:46:29.612 --> 00:46:31.005
What the hell did you do?
784
00:46:31.005 --> 00:46:32.528
I... I didn't...
I didn't do anything.
785
00:46:33.094 --> 00:46:34.879
Well, you shouldn't
have let it get like this.
786
00:46:34.879 --> 00:46:36.228
Yeah. Well, what was
I supposed to?
787
00:46:36.228 --> 00:46:37.446
I didn't...
I didn't know what...
788
00:46:37.446 --> 00:46:39.840
You know, I told
the guy downstairs, and...
789
00:46:40.275 --> 00:46:42.843
- Where were you?
- Gallstones.
790
00:46:42.843 --> 00:46:44.149
- I thought your mother...
- This 4F?
791
00:46:45.106 --> 00:46:46.238
Yeah.
792
00:46:48.544 --> 00:46:49.807
You're the man
that lives here?
793
00:46:50.503 --> 00:46:52.897
Well, yes.
794
00:46:54.855 --> 00:46:56.422
There's another man
that lives here though.
795
00:46:56.814 --> 00:47:00.078
Sometimes, maybe. Why?
796
00:47:00.339 --> 00:47:01.427
You're the one that called
797
00:47:01.427 --> 00:47:02.863
and complained
about this hole.
798
00:47:03.211 --> 00:47:04.865
- The man with the dog.
- No.
799
00:47:05.997 --> 00:47:07.694
I mean, I have a cat.
800
00:47:08.564 --> 00:47:11.132
NESTOR: A cat? Named what?
801
00:47:13.743 --> 00:47:15.049
I don't know.
802
00:47:19.445 --> 00:47:20.750
NESTOR: That's the guy
that lives here?
803
00:47:20.750 --> 00:47:22.883
That is art.
804
00:47:23.971 --> 00:47:26.582
- NESTOR: Hmm, like a mask?
- Like a... A bust.
805
00:47:27.061 --> 00:47:28.410
[CAT MEOWS]
806
00:47:31.109 --> 00:47:32.458
Pretty weird stuff.
807
00:47:34.286 --> 00:47:36.941
Okay, I'll, uh,
I'll fix the...
808
00:47:36.941 --> 00:47:38.420
- Is that the cat?
- Yep.
809
00:47:40.292 --> 00:47:42.685
Okay, I'll fix the hole.
810
00:47:43.164 --> 00:47:45.253
- Should I leave?
- You can do whatever you want.
811
00:47:45.645 --> 00:47:48.126
You need help?
Want some tap water?
812
00:47:50.476 --> 00:47:52.173
I hope I have
the materials for this.
813
00:47:53.479 --> 00:47:54.872
This is a big problem.
814
00:47:56.612 --> 00:47:58.092
Should've fixed this sooner.
815
00:47:59.833 --> 00:48:00.921
[NESTOR EXHALES]
816
00:48:03.315 --> 00:48:05.665
Hi, uh, sorry.
It... It was open.
817
00:48:05.665 --> 00:48:07.449
Is this Ed Lemuel's apartment?
818
00:48:08.798 --> 00:48:10.409
I... I know it's early.
819
00:48:10.409 --> 00:48:11.932
I'm looking for Mr. Lemuel.
820
00:48:11.932 --> 00:48:13.542
- Uh, he's a patient of mine.
- Um...
821
00:48:13.542 --> 00:48:15.936
Uh, we have not heard
from him for a week,
822
00:48:15.936 --> 00:48:17.372
and no one
in my office has been
823
00:48:17.372 --> 00:48:18.896
able to get a hold of him.
824
00:48:19.287 --> 00:48:20.549
- [DOOR CLOSES]
- Yeah.
825
00:48:20.549 --> 00:48:24.902
Well, what, um,
happened is that he, uh...
826
00:48:26.120 --> 00:48:27.295
Edward is dead.
827
00:48:28.383 --> 00:48:30.603
What? He's dead?
828
00:48:30.603 --> 00:48:32.605
It happened very suddenly.
829
00:48:32.605 --> 00:48:34.259
How? When... Uh...
830
00:48:34.259 --> 00:48:35.521
Excuse me. Excuse me.
831
00:48:35.913 --> 00:48:37.436
Ah, thanks. Thanks.
832
00:48:38.480 --> 00:48:41.092
I'm Guy, a family friend.
833
00:48:41.744 --> 00:48:43.050
- Family.
- Yeah.
834
00:48:44.051 --> 00:48:45.400
So, is there a funeral?
835
00:48:45.400 --> 00:48:47.098
Uh, yeah, no, it's over.
836
00:48:47.098 --> 00:48:50.188
He's... He's dead
and buried. Cremated.
837
00:48:50.666 --> 00:48:52.973
Well, was he sick?
838
00:48:52.973 --> 00:48:55.019
NESTOR: Oh, I'm sorry.
Excuse me, guys. Yeah.
839
00:48:55.628 --> 00:48:56.759
We don't know.
840
00:48:57.151 --> 00:48:58.761
- We're trying to find out.
- [DR. FLEXNER SIGHING]
841
00:48:59.197 --> 00:49:00.502
Suicide.
842
00:49:01.329 --> 00:49:02.548
Suicide?
843
00:49:03.070 --> 00:49:04.550
Uh, was he depressed?
844
00:49:04.550 --> 00:49:05.725
Yeah. I'm sorry.
I'm sorry. Yeah.
845
00:49:05.725 --> 00:49:07.727
- Was he depressed?
- I don't know.
846
00:49:07.727 --> 00:49:09.947
- I don't know.
- [DR. FLEXNER SIGHING]
847
00:49:11.513 --> 00:49:13.341
You... You say
he was cremated?
848
00:49:13.341 --> 00:49:14.995
I think cremated, yeah.
849
00:49:16.344 --> 00:49:17.563
Uh...
850
00:49:19.478 --> 00:49:24.004
So you're sure
Mr. Lemuel is really gone?
851
00:49:24.004 --> 00:49:27.181
Yep. He's, uh,
really, really gone.
852
00:49:28.095 --> 00:49:29.314
Just like that.
853
00:49:40.107 --> 00:49:41.239
[CAR HORN HONKING]
854
00:49:42.936 --> 00:49:44.111
[EDWARD GRUNTS]
855
00:49:45.417 --> 00:49:46.809
MARIANA: I think
you have mice.
856
00:49:47.767 --> 00:49:50.378
I saw some droppings. Ugh!
857
00:49:51.727 --> 00:49:55.079
- [ZIPPER ZIPS]
- You need a cat. [CHUCKLES]
858
00:49:57.559 --> 00:49:59.605
All right, I'll see you later.
859
00:50:15.273 --> 00:50:17.710
NICK: ♪ Guy Moratz!
860
00:50:17.710 --> 00:50:20.582
♪ You know I'm gonna
Take a chance
861
00:50:20.582 --> 00:50:23.150
♪ On some good ass property
862
00:50:23.542 --> 00:50:25.500
♪ Sell it to the lady ♪
863
00:50:25.500 --> 00:50:27.894
MARIANA: Yeah!
NICK: Whoa!
864
00:50:27.894 --> 00:50:29.548
[STAFF APPLAUDING]
865
00:50:29.548 --> 00:50:31.115
- NICK: Look at this guy!
- [MARIANA CHUCKLING]
866
00:50:31.115 --> 00:50:32.507
Look at this guy!
867
00:50:32.507 --> 00:50:33.813
- Yes.
- MAN: Yeah!
868
00:50:33.813 --> 00:50:35.902
This is my fucking guy.
Look at this piece
869
00:50:35.902 --> 00:50:37.034
- of man candy
- Put it down.
870
00:50:37.034 --> 00:50:38.687
- MAN: No way.
- No. I'm not going to.
871
00:50:38.687 --> 00:50:40.037
- [EDWARD CHUCKLES]
- Look at this piece
872
00:50:40.037 --> 00:50:41.908
of man candy. I'm getting
a fucking toothache.
873
00:50:41.908 --> 00:50:44.432
- MARIANA: He looks great.
- Sit the fuck down.
874
00:50:44.432 --> 00:50:46.304
Sit the fuck down
and get to work, you genius.
875
00:50:46.304 --> 00:50:47.479
It turned out so well.
876
00:50:48.306 --> 00:50:50.090
NICK: I notice that isn't
on your little billboard.
877
00:50:50.090 --> 00:50:52.440
- [CHUCKLES] Sorry.
- What?
878
00:50:52.832 --> 00:50:55.095
NICK: Just that
little pockmark or whatever.
879
00:50:55.095 --> 00:50:56.488
It's nothing.
Nobody's ever gonna notice it.
880
00:50:56.488 --> 00:50:57.793
It's not... You can't
see it on the...
881
00:50:57.793 --> 00:51:00.970
You know, I'm sure
they buffed it out.
882
00:51:02.276 --> 00:51:03.930
You're gonna wanna
change your name
883
00:51:03.930 --> 00:51:05.714
if you're gonna be
a fucking famous model.
884
00:51:05.714 --> 00:51:08.587
Guy Moratz just sounds
fucking made up.
885
00:51:08.587 --> 00:51:11.111
MARIANA: He's on the lam.
NICK: He's on the lam, huh?
886
00:51:11.459 --> 00:51:12.808
You kill somebody?
Who are you?
887
00:51:12.808 --> 00:51:14.680
I'm not gonna tell anybody.
You kill somebody?
888
00:51:14.680 --> 00:51:17.291
- No.
- NICK: Stay humble, Fabio.
889
00:51:17.770 --> 00:51:20.033
I see you over there
getting a big old head.
890
00:51:22.209 --> 00:51:24.211
[TRAIN RATTLING]
891
00:51:45.189 --> 00:51:47.321
[PEOPLE CHATTERING INDISTINCTLY]
892
00:51:50.977 --> 00:51:53.110
[DRAMATIC MUSIC PLAYING]
893
00:52:00.813 --> 00:52:02.945
[MYSTERIOUS MUSIC PLAYING]
894
00:52:40.853 --> 00:52:42.985
[MUSIC FADES OUT]
895
00:52:47.860 --> 00:52:49.992
[GENTLE MUSIC PLAYING]
896
00:53:00.960 --> 00:53:03.832
SILVERHEELS:
They taunt me and beg me
897
00:53:04.311 --> 00:53:05.791
just to see my face.
898
00:53:06.444 --> 00:53:08.750
Only so that when I do,
899
00:53:09.142 --> 00:53:12.058
they can turn
and run in horror.
900
00:53:12.058 --> 00:53:13.755
INGRID: Thank you,
Mr. Silverheels.
901
00:53:13.755 --> 00:53:15.017
Thank you for your time.
902
00:53:18.064 --> 00:53:19.674
[PEOPLE MUMBLING INDISTINCTLY]
903
00:53:19.674 --> 00:53:20.893
WOMAN: I worry about it.
904
00:53:22.938 --> 00:53:24.070
Can I help you?
905
00:53:26.159 --> 00:53:27.639
Hi... [HESITATES]
906
00:53:27.639 --> 00:53:29.684
- Are you here for Edward?
- EDWARD: Uh...
907
00:53:31.469 --> 00:53:32.818
Is he on the call sheet?
908
00:53:32.818 --> 00:53:34.472
Sammy Silverheels
is the last one for the day.
909
00:53:35.995 --> 00:53:37.997
- What?
- Did you get sides?
910
00:53:39.259 --> 00:53:41.261
- Sides?
- Viv give him the...
911
00:53:41.261 --> 00:53:43.089
Get him sides for, um, Theo.
912
00:53:43.089 --> 00:53:44.308
- VIV: Okay.
- Scene 12.
913
00:53:44.308 --> 00:53:46.179
- Fiona, can you...
- FIONA: Yeah.
914
00:53:47.441 --> 00:53:48.573
[INGRID CLEARS THROAT]
915
00:53:55.493 --> 00:53:57.364
Okay. Whenever you're ready.
916
00:54:02.630 --> 00:54:03.762
[EDWARD CLEARS THROAT]
917
00:54:04.893 --> 00:54:06.025
Um...
918
00:54:07.418 --> 00:54:09.158
"If... If it was me,
I would...
919
00:54:09.158 --> 00:54:10.943
"I'd just move
out of the building,
920
00:54:11.422 --> 00:54:12.814
"forfeit my deposit.
921
00:54:13.293 --> 00:54:14.903
"I couldn't live next to that.
922
00:54:15.904 --> 00:54:19.473
"Every time you step outside
not knowing
923
00:54:19.473 --> 00:54:20.866
"if he's gonna be there.
924
00:54:23.434 --> 00:54:27.394
"Always be on guard.
Jesus, I'd have nightmares."
925
00:54:27.916 --> 00:54:31.050
Come on. Don't be an asshole.
You don't mean that.
926
00:54:36.925 --> 00:54:38.492
"I sure as hell do mean it.
927
00:54:39.188 --> 00:54:43.280
"And I... I don't feel bad
about it either.
928
00:54:43.671 --> 00:54:45.760
"Humans are hardwired to fear,
929
00:54:46.761 --> 00:54:48.720
"despise the sick
and the ugly.
930
00:54:50.678 --> 00:54:54.856
"Used to leave deformed babies
out to die in the cold.
931
00:54:55.335 --> 00:54:57.511
"Put 'em
in the institutions at least.
932
00:54:57.511 --> 00:54:59.513
"I've got science on my side.
933
00:54:59.905 --> 00:55:01.994
"You know it's true.
But it's...
934
00:55:01.994 --> 00:55:05.780
"You're... You're
just being politically, um...
935
00:55:07.478 --> 00:55:08.609
"correct."
936
00:55:10.350 --> 00:55:12.439
[TRAFFIC WHOOSHING]
937
00:55:16.182 --> 00:55:18.053
I need this, man.
938
00:55:18.576 --> 00:55:20.404
I'd be right for it, too.
939
00:55:20.882 --> 00:55:23.145
Kind of born for it.
940
00:55:23.885 --> 00:55:25.147
You know what I mean.
941
00:55:25.583 --> 00:55:27.498
Just wanna tell my mama,
942
00:55:27.933 --> 00:55:31.153
"Hey, it was all worth it."
943
00:55:31.153 --> 00:55:32.981
[SIRENS WAILING]
944
00:55:32.981 --> 00:55:35.984
[SIGHS] The life
we've chosen, huh?
945
00:55:38.247 --> 00:55:39.336
Yeah.
946
00:55:49.476 --> 00:55:50.999
- [DOOR OPENS]
- [DOORBELL CHIMING]
947
00:55:53.828 --> 00:55:54.960
[DOOR CLOSES]
948
00:56:01.488 --> 00:56:03.403
Uh, who is Guy Moratz?
949
00:56:03.838 --> 00:56:05.013
FIONA: Does it hurt?
950
00:56:05.405 --> 00:56:07.320
EDWARD: No.
FIONA: Good.
951
00:56:08.843 --> 00:56:09.975
Hey, that photo,
952
00:56:10.410 --> 00:56:11.977
- is that you as a boy?
- EDWARD: Oh.
953
00:56:11.977 --> 00:56:13.195
INGRID: Excuse me.
EDWARD: Yeah.
954
00:56:13.195 --> 00:56:15.241
INGRID: Excuse me.
What's going on here?
955
00:56:17.025 --> 00:56:18.940
EDWARD: I...
INGRID: Well...
956
00:56:18.940 --> 00:56:20.072
EDWARD: What?
957
00:56:20.464 --> 00:56:24.163
INGRID: Forgive me, is that,
uh, some kind of mask?
958
00:56:25.338 --> 00:56:26.557
EDWARD: It's a prototype.
959
00:56:27.427 --> 00:56:30.299
INGRID: Prototype? Of what?
960
00:56:30.299 --> 00:56:31.692
EDWARD: For the face.
961
00:56:31.692 --> 00:56:34.391
The eventual, uh...
962
00:56:35.653 --> 00:56:37.219
Uh, we'll use makeup.
I don't... I don't know...
963
00:56:37.219 --> 00:56:38.395
However you wanna handle it.
964
00:56:39.134 --> 00:56:40.571
INGRID: Who are you exactly?
965
00:56:40.962 --> 00:56:42.094
EDWARD: I'm Edward.
966
00:56:43.487 --> 00:56:45.097
Guy Moratz, supposedly.
967
00:56:46.403 --> 00:56:47.795
EDWARD: I was...
INGRID: Guy Moratz.
968
00:56:47.795 --> 00:56:49.580
- You're Guy Moratz.
- EDWARD: I was born for this.
969
00:56:50.929 --> 00:56:52.191
INGRID: So...
970
00:56:53.105 --> 00:56:54.280
EDWARD: I am this guy.
971
00:56:54.672 --> 00:56:56.674
INGRID: Are you... deformed?
972
00:56:57.936 --> 00:56:59.285
EDWARD: I am this guy.
973
00:57:01.287 --> 00:57:02.810
We... [CHUCKLES]
974
00:57:02.810 --> 00:57:05.334
This is... This is an
off-Broadway production.
975
00:57:05.334 --> 00:57:06.684
I don't think
we can afford makeup.
976
00:57:06.684 --> 00:57:07.902
EDWARD: Just let me
do the scene.
977
00:57:08.903 --> 00:57:10.165
INGRID: Where'd
you get that mask?
978
00:57:10.165 --> 00:57:11.428
EDWARD: Begin please.
979
00:57:12.690 --> 00:57:14.779
Begin. Come on.
980
00:57:17.434 --> 00:57:18.739
- [SIGHS]
- There.
981
00:57:19.871 --> 00:57:21.089
All better.
982
00:57:21.655 --> 00:57:23.309
- Does it hurt?
- EDWARD: No.
983
00:57:24.310 --> 00:57:25.442
Good.
984
00:57:27.226 --> 00:57:28.357
Hey... [CHUCKLES]
985
00:57:28.749 --> 00:57:29.881
That photo.
986
00:57:30.403 --> 00:57:32.579
- EDWARD: Oh.
- Is that you as a boy?
987
00:57:33.101 --> 00:57:35.800
EDWARD: Uh, um, yeah.
988
00:57:37.236 --> 00:57:39.543
So I guess you weren't born...
989
00:57:42.807 --> 00:57:46.071
- I'm sorry. It's not my place.
- EDWARD: It's okay.
990
00:57:47.638 --> 00:57:50.423
FIONA: People probably
ask you a lot of questions.
991
00:57:52.077 --> 00:57:55.341
EDWARD: It's not the questions
I, uh, mind so much.
992
00:57:56.864 --> 00:57:57.996
FIONA: No?
993
00:57:59.127 --> 00:58:01.216
People can be cruel,
I imagine.
994
00:58:04.568 --> 00:58:05.873
You have an eyelash.
995
00:58:06.308 --> 00:58:07.962
- Let me get it.
- EDWARD: Uh...
996
00:58:14.447 --> 00:58:15.535
FIONA: I...
EDWARD: Oh.
997
00:58:16.101 --> 00:58:17.929
I have to go. I...
998
00:58:18.451 --> 00:58:19.800
EDWARD: I'm... I'm sorry.
FIONA: No, no, no.
999
00:58:19.800 --> 00:58:21.454
I... I didn't realize
what time it was.
1000
00:58:21.454 --> 00:58:23.674
EDWARD: I'm sorry.
It's just, um...
1001
00:58:25.371 --> 00:58:26.546
No one, uh...
1002
00:58:29.375 --> 00:58:30.724
No one's ever, uh...
1003
00:58:33.292 --> 00:58:36.425
Touched my...
My face before.
1004
00:58:38.297 --> 00:58:39.516
[EDWARD CLEARS THROAT]
1005
00:58:49.917 --> 00:58:52.529
INGRID: Your first audition
was a little, uh...
1006
00:58:52.529 --> 00:58:54.531
EDWARD: I was,
uh, traumatized,
1007
00:58:54.531 --> 00:58:56.402
because a... a friend,
1008
00:58:56.402 --> 00:58:59.579
childhood best friend was...
1009
00:58:59.579 --> 00:59:02.451
Had very much,
uh, this condition.
1010
00:59:02.451 --> 00:59:04.192
Like Edward, your Edward.
1011
00:59:04.192 --> 00:59:05.629
Don't tell me
his name was Edward.
1012
00:59:06.412 --> 00:59:07.544
No, no.
1013
00:59:08.196 --> 00:59:10.634
- Ronnie.
- Can Lonnie act?
1014
00:59:11.199 --> 00:59:13.593
He died. Um, which is...
1015
00:59:13.593 --> 00:59:16.422
And so I...
I felt overwhelmed.
1016
00:59:16.422 --> 00:59:18.076
Uh, you know, and...
1017
00:59:18.076 --> 00:59:21.253
And... And that's why
I really feel strongly
1018
00:59:21.253 --> 00:59:23.864
that I have to play this part.
1019
00:59:23.864 --> 00:59:26.388
[CHUCKLES] That's one way
to honor a friend.
1020
00:59:26.780 --> 00:59:27.868
FIONA: Check it out.
1021
00:59:27.868 --> 00:59:29.740
EDWARD: So did you know
an Edward?
1022
00:59:29.740 --> 00:59:32.612
INGRID: An Edward?
This can't just be a story
1023
00:59:32.612 --> 00:59:34.483
my brilliant imagination has
cooked up?
1024
00:59:34.483 --> 00:59:37.530
I've known, you know,
a couple of people.
1025
00:59:37.530 --> 00:59:40.620
It's more of, um...
What's the word?
1026
00:59:40.620 --> 00:59:42.535
- Tribute.
- Amalgamation.
1027
00:59:43.144 --> 00:59:44.581
- Oh.
- It's me, too.
1028
00:59:44.972 --> 00:59:47.888
Part of the character is
based on myself in a way.
1029
00:59:47.888 --> 00:59:49.020
It's... It's, um...
1030
00:59:49.020 --> 00:59:51.022
Uh, how... How... How is that?
1031
00:59:51.022 --> 00:59:53.198
To be perfectly blunt,
I'd wanted to cast
1032
00:59:53.198 --> 00:59:55.026
a person who looks, well,
1033
00:59:55.026 --> 00:59:57.855
- who looks like that, ideally.
- Hmm.
1034
00:59:58.246 --> 01:00:00.727
But it's... It's hard.
You get fixated on this idea,
1035
01:00:00.727 --> 01:00:02.860
and, um, if it's not right,
it's not right.
1036
01:00:03.251 --> 01:00:05.340
You had someone
specific in mind.
1037
01:00:05.340 --> 01:00:07.081
The question is,
do you cast someone
1038
01:00:07.081 --> 01:00:09.518
with a condition even though
it's not the right fit?
1039
01:00:10.128 --> 01:00:11.695
Is it wrong to cast someone
1040
01:00:11.695 --> 01:00:13.435
because of their disfigurement?
1041
01:00:14.611 --> 01:00:16.090
Exploitative even?
1042
01:00:17.265 --> 01:00:18.615
Will people come to gawk?
1043
01:00:19.006 --> 01:00:20.312
Where's the ethical line?
1044
01:00:20.312 --> 01:00:22.836
You know, it's funny
because, um,
1045
01:00:22.836 --> 01:00:25.622
Edward has this awkwardness
in his own skin,
1046
01:00:26.100 --> 01:00:28.102
and it's kind of brilliant
in a way,
1047
01:00:28.102 --> 01:00:30.365
seeing you who looks like you,
1048
01:00:31.279 --> 01:00:32.541
but you're not yourself.
1049
01:00:32.541 --> 01:00:34.413
You have this mask,
this other persona,
1050
01:00:34.413 --> 01:00:35.806
and it creates
this dissonance,
1051
01:00:36.371 --> 01:00:38.591
and it just...
It clicked for me.
1052
01:00:39.113 --> 01:00:40.767
It was strangely affecting.
1053
01:00:42.682 --> 01:00:45.859
It was like seeing
my own creation come to life.
1054
01:00:50.603 --> 01:00:52.997
[CHUCKLING]
1055
01:00:59.307 --> 01:01:01.179
- Oh, hey, Mr. Sablosky.
- Hey.
1056
01:01:11.537 --> 01:01:14.235
INGRID: He's blind.
Shoes off please.
1057
01:01:19.066 --> 01:01:20.415
- Not the bag.
- What?
1058
01:01:20.415 --> 01:01:22.287
- [CHUCKLES] Just kidding.
- [EDWARD LAUGHS]
1059
01:01:25.203 --> 01:01:26.683
Just put it on the floor.
1060
01:01:35.561 --> 01:01:38.520
Is this where you,
uh, you do your writing?
1061
01:01:39.260 --> 01:01:41.959
INGRID: Oh, I never used it.
I'm not sure it even works.
1062
01:01:41.959 --> 01:01:44.091
[OBJECTS CLATTERING]
1063
01:01:46.224 --> 01:01:47.921
[CLACKING]
1064
01:01:50.532 --> 01:01:53.535
- Seems to work.
- INGRID: Hmm. It's yours.
1065
01:01:53.535 --> 01:01:54.841
Give it a proper home.
1066
01:01:55.799 --> 01:01:56.974
[CLEARS THROAT]
1067
01:01:57.365 --> 01:01:59.716
What...
Where did it come from?
1068
01:02:00.978 --> 01:02:02.196
Looks Italian.
1069
01:02:02.196 --> 01:02:03.328
- [CLEARS THROAT]
- [CAT MEOWS]
1070
01:02:03.720 --> 01:02:04.851
Psst, psst, psst, psst.
1071
01:02:04.851 --> 01:02:06.679
- [CAT MEOWS]
- Hello.
1072
01:02:07.245 --> 01:02:09.551
- Hello.
- Who... Who is this?
1073
01:02:09.551 --> 01:02:12.206
- C. Pulaski.
- C. Pulaski.
1074
01:02:12.206 --> 01:02:13.425
- C. Pulaski.
- EDWARD: Yeah.
1075
01:02:13.425 --> 01:02:14.643
- Hey.
- Oh.
1076
01:02:14.643 --> 01:02:15.775
- [EDWARD CHUCKLES]
- [INGRID MIMICS MEOWING]
1077
01:02:15.775 --> 01:02:16.907
[CHUCKLES]
1078
01:02:18.169 --> 01:02:19.344
You hungry?
1079
01:02:20.388 --> 01:02:22.477
- [KNOCKING ON DOOR]
- Goddamn her.
1080
01:02:23.565 --> 01:02:25.176
- Ugh!
- Who... Who is that?
1081
01:02:25.176 --> 01:02:27.961
It's this intolerable
old hag down there.
1082
01:02:28.701 --> 01:02:30.224
You can't even walk
barefoot in here.
1083
01:02:31.182 --> 01:02:32.313
Okay.
1084
01:02:32.749 --> 01:02:34.968
- There's the bar.
- Oh, I've had enough.
1085
01:02:35.664 --> 01:02:36.883
Make me something.
1086
01:02:40.234 --> 01:02:41.453
- Ooh.
- [BOTH CHUCKLING]
1087
01:02:41.453 --> 01:02:43.194
Ooh. [CHUCKLES]
1088
01:02:43.585 --> 01:02:45.022
[BOTH CHUCKLING]
1089
01:02:45.849 --> 01:02:46.980
[EDWARD CLEARS THROAT]
1090
01:02:54.640 --> 01:02:55.772
[POURING DRINK]
1091
01:03:02.604 --> 01:03:04.476
How long have you lived here?
1092
01:03:04.868 --> 01:03:06.826
["HITTIN' ON NOTHIN" BY
IRMA THOMAS PLAYING ON SPEAKERS]
1093
01:03:07.348 --> 01:03:08.610
[EDWARD CHUCKLES]
1094
01:03:09.307 --> 01:03:10.438
Hmm.
1095
01:03:14.965 --> 01:03:16.531
I don't think
the old hag's gonna...
1096
01:03:16.531 --> 01:03:18.098
- [INGRID CHUCKLES]
- ...like that.
1097
01:03:24.365 --> 01:03:26.193
Well, what's worse?
1098
01:03:27.238 --> 01:03:29.675
Me having to tiptoe
around not to upset
1099
01:03:29.675 --> 01:03:32.721
the sensitive bitch,
or her having to live
1100
01:03:32.721 --> 01:03:34.767
with such a noisy
little bitch upstairs?
1101
01:03:36.987 --> 01:03:39.554
I would rather live
in a house all by myself.
1102
01:03:40.599 --> 01:03:41.861
That's not an answer.
1103
01:03:42.601 --> 01:03:43.732
[EDWARD CLEARS THROAT]
1104
01:03:44.908 --> 01:03:46.170
[KNOCKING ON DOOR]
1105
01:03:47.519 --> 01:03:49.782
- Cops after you?
- What?
1106
01:03:49.782 --> 01:03:52.306
- You're jumpy.
- I startle easily.
1107
01:03:52.306 --> 01:03:53.742
Yeah. Nervous Nelly.
1108
01:03:53.742 --> 01:03:55.222
You think it's the bitch?
1109
01:03:59.618 --> 01:04:00.967
- Hey.
- CARL: I'm sorry.
1110
01:04:00.967 --> 01:04:03.056
I was just in the borough.
I thought I'd drop in.
1111
01:04:03.056 --> 01:04:04.841
INGRID: You don't live here.
What are you doing here?
1112
01:04:04.841 --> 01:04:06.930
I can see you're
as excited to see me
1113
01:04:06.930 --> 01:04:08.496
- as I am to see you.
- INGRID: Yes, Carl.
1114
01:04:08.496 --> 01:04:09.889
[CARL MUMBLING INDISTINCTLY]
1115
01:04:09.889 --> 01:04:12.370
INGRID: It's not a game.
It's... It's over.
1116
01:04:12.370 --> 01:04:14.589
I'm sorry, Carl.
I have someone here.
1117
01:04:15.155 --> 01:04:16.765
CARL: Yeah, right here.
1118
01:04:16.765 --> 01:04:19.072
I'm here
to come in, say hello.
1119
01:04:19.072 --> 01:04:21.509
INGRID: I have
a visitor. Okay?
1120
01:04:21.509 --> 01:04:22.597
CARL: What...
What does that mean?
1121
01:04:22.597 --> 01:04:23.903
A... A delivery person?
1122
01:04:23.903 --> 01:04:25.383
INGRID: No.
You know what that means.
1123
01:04:25.383 --> 01:04:26.688
Don't act stupid.
1124
01:04:26.688 --> 01:04:29.300
- You know what I mean.
- CARL: Okay.
1125
01:04:29.300 --> 01:04:31.432
[CARL SPEAKING INDISTINCTLY]
1126
01:04:58.198 --> 01:04:59.765
- Bah!
- [EDWARD SHUDDERS
AND SIGHS]
1127
01:04:59.765 --> 01:05:02.942
[CHUCKLES] I had to do that.
1128
01:05:03.812 --> 01:05:05.249
Who was... Who was that?
1129
01:05:05.771 --> 01:05:06.903
Jilted lover.
1130
01:05:08.382 --> 01:05:10.950
- EDWARD: Hmm.
- So many jilted lovers.
1131
01:05:16.347 --> 01:05:18.915
I leave a trail
of tragedy in my wake.
1132
01:05:24.703 --> 01:05:26.052
I warned you.
1133
01:05:30.665 --> 01:05:34.756
The sad reality is
my face is fragile.
1134
01:05:35.148 --> 01:05:36.584
And it's imperative
1135
01:05:36.584 --> 01:05:40.762
that I conduct my life
based upon this fact.
1136
01:05:42.286 --> 01:05:45.028
When in doubt, live in fear.
1137
01:05:45.898 --> 01:05:47.247
That's my mantra.
1138
01:05:47.987 --> 01:05:51.469
Stay out of ballrooms,
or crowded places in general.
1139
01:05:51.860 --> 01:05:53.862
Be nice to people.
Be deferential.
1140
01:05:53.862 --> 01:05:55.342
Be the bigger man.
1141
01:05:55.342 --> 01:05:58.563
Argue if I must,
and I mustn't really,
1142
01:05:58.998 --> 01:06:01.261
only from a safe distance.
1143
01:06:01.261 --> 01:06:05.613
Or under the protection
of some powerful friend,
1144
01:06:06.005 --> 01:06:07.876
if I even had one
and if he could
1145
01:06:07.876 --> 01:06:10.314
then be relied upon.
1146
01:06:11.968 --> 01:06:13.317
I tell myself,
1147
01:06:13.926 --> 01:06:18.148
"Edward, don't call
attention to yourself."
1148
01:06:19.323 --> 01:06:21.803
It's a useless ad... Ad...
1149
01:06:22.500 --> 01:06:26.112
It's a useless advice.
1150
01:06:28.027 --> 01:06:29.115
Eh...
1151
01:06:30.812 --> 01:06:32.379
Oh, pardon the, uh, intrusion.
1152
01:06:32.771 --> 01:06:35.948
I met this casting director,
unique and unusual
1153
01:06:35.948 --> 01:06:38.168
physiognomies is
his specialty.
1154
01:06:38.559 --> 01:06:40.344
And he told me about
this interesting play,
1155
01:06:40.344 --> 01:06:42.563
you're auditioning for,
and thought I could potentially
1156
01:06:42.563 --> 01:06:43.782
be a perfect fit.
1157
01:06:43.782 --> 01:06:45.044
So I'm no actor,
but I thought,
1158
01:06:45.044 --> 01:06:47.177
let's come down here,
give it a gander.
1159
01:06:47.177 --> 01:06:49.005
And from the tidbit
I've just seen,
1160
01:06:49.614 --> 01:06:51.137
seems like
a rather curious piece.
1161
01:06:51.529 --> 01:06:53.574
But alas,
I see the role is filled,
1162
01:06:53.574 --> 01:06:55.054
and rather ably, I must say.
1163
01:06:55.489 --> 01:06:57.143
So congrats to all involved.
1164
01:06:57.535 --> 01:07:00.233
And best of luck.
Break a leg, as they say.
1165
01:07:00.233 --> 01:07:02.322
I'll be sure to see it
when it comes out.
1166
01:07:02.322 --> 01:07:03.454
Take care.
1167
01:07:16.423 --> 01:07:18.556
[BOTH BREATHING HEAVILY]
1168
01:07:26.085 --> 01:07:27.478
Wait. Wait, wait.
1169
01:07:27.478 --> 01:07:28.914
- What?
- Wait. Hold on.
1170
01:07:28.914 --> 01:07:31.047
[INGRID BREATHING HEAVILY]
1171
01:07:31.699 --> 01:07:32.874
You have the mask?
1172
01:07:33.527 --> 01:07:34.659
What?
1173
01:07:35.877 --> 01:07:37.053
Put it on.
1174
01:07:38.184 --> 01:07:41.144
- Why?
- Just do what I tell you.
1175
01:07:43.102 --> 01:07:44.277
You don't wanna look at me?
1176
01:07:45.844 --> 01:07:47.933
Come on. It's my creation.
1177
01:08:07.170 --> 01:08:09.302
[OBJECTS CLATTERING]
1178
01:08:11.870 --> 01:08:13.045
EDWARD: Hmm.
1179
01:08:53.216 --> 01:08:55.305
[INGRID BREATHING HEAVILY]
1180
01:08:55.305 --> 01:08:57.437
[EDWARD BREATHING HEAVILY]
1181
01:09:05.576 --> 01:09:07.708
[EDWARD BREATHING HEAVILY]
1182
01:09:22.027 --> 01:09:23.507
- [EDWARD MOANS]
- [LAUGHS] No, stop.
1183
01:09:23.507 --> 01:09:25.291
[LAUGHING]
1184
01:09:25.291 --> 01:09:26.466
EDWARD: What's the problem?
1185
01:09:26.466 --> 01:09:29.121
This is so fucked up.
1186
01:09:29.730 --> 01:09:31.079
What do you mean?
1187
01:09:31.079 --> 01:09:33.691
[LAUGHING]
You look ridiculous.
1188
01:09:35.910 --> 01:09:38.261
I just wanna say a toast
to the man who sold
1189
01:09:38.261 --> 01:09:40.741
the Cortland property, finally.
1190
01:09:40.741 --> 01:09:42.090
- King of 'em all.
- MARIANA: Ah.
1191
01:09:42.090 --> 01:09:43.918
NICK: Shit hole
with half a bathroom.
1192
01:09:43.918 --> 01:09:45.572
- [MARIANA CHUCKLES]
- Chin-chin, my little man.
1193
01:09:45.572 --> 01:09:47.705
- Chin-chin, indeed.
- OSWALD: Edward.
1194
01:09:48.184 --> 01:09:49.924
Hey, you probably don't
remember me.
1195
01:09:49.924 --> 01:09:51.361
- We met back at the, um...
- [SNAPS FINGERS]
1196
01:09:51.361 --> 01:09:52.884
...theatre. Oswald.
1197
01:09:52.884 --> 01:09:54.146
- I...
- NICK: Edward?
1198
01:09:54.146 --> 01:09:55.539
- NICK: I'm sorry. Edward?
- Um, hi.
1199
01:09:55.539 --> 01:09:57.454
- NICK: Sorry, what? Edward?
- It's... It's nothing.
1200
01:09:57.454 --> 01:09:59.499
OSWALD: Ooh, you're
only Edward on the telly.
1201
01:09:59.499 --> 01:10:00.935
Sorry, awful joke.
1202
01:10:00.935 --> 01:10:02.763
What do you go by
in the civilian world?
1203
01:10:03.199 --> 01:10:04.504
- Guy.
- MARIANA: Guy Moratz.
1204
01:10:04.504 --> 01:10:05.766
NICK: Fabio is
what I call him.
1205
01:10:05.766 --> 01:10:07.420
CLAY: Do you wanna
pull up a seat, Oswald?
1206
01:10:07.420 --> 01:10:08.639
OSWALD: I've got
a few moments, sure.
1207
01:10:08.639 --> 01:10:11.250
CLAY: This is all very,
very mysterious.
1208
01:10:11.250 --> 01:10:14.471
What secret intel have you got
about our enigmatic friend?
1209
01:10:14.471 --> 01:10:16.864
Only that
your dear friend, Mr. Moratz,
1210
01:10:16.864 --> 01:10:20.172
is starring in a soon-to-be,
classic theatrical production.
1211
01:10:20.172 --> 01:10:21.782
Star? Like as an actor?
1212
01:10:21.782 --> 01:10:24.698
EDWARD: No, it's... It's...
It's a small, uh, production.
1213
01:10:24.698 --> 01:10:26.352
- Uh, play. Um...
- Uh-huh. Okay.
1214
01:10:26.352 --> 01:10:27.832
Well, thank you so much
for telling me.
1215
01:10:27.832 --> 01:10:29.355
It makes me feel
very close to you.
1216
01:10:29.355 --> 01:10:31.183
- It's hard to, um, it, it's...
- Your friend plays a man
1217
01:10:31.183 --> 01:10:33.664
with a disfigured face.
Name of Edward.
1218
01:10:33.664 --> 01:10:34.882
NICK: Disfigured face?
1219
01:10:34.882 --> 01:10:37.145
And he dons
a very convincing mask.
1220
01:10:37.145 --> 01:10:39.060
Well, it's still being
perfected. It's a prototype.
1221
01:10:39.060 --> 01:10:40.540
It's a sort of
a Beauty and the Beast yarn.
1222
01:10:40.540 --> 01:10:41.889
That's one way
of looking at it.
1223
01:10:41.889 --> 01:10:43.413
NICK: I love
Beauty and the Beast.
1224
01:10:43.413 --> 01:10:45.110
- No. Well, it's called...
- It's called just Edward,
1225
01:10:45.110 --> 01:10:48.853
which presumably means that
you are the star of the show.
1226
01:10:48.853 --> 01:10:50.898
CLAY: Our Guy,
a Broadway star?
1227
01:10:50.898 --> 01:10:52.465
- Off-Broadway.
- Off-Broadway, Broadway.
1228
01:10:52.465 --> 01:10:53.988
OSWALD: His first step
on the road to glory.
1229
01:10:53.988 --> 01:10:55.251
NICK: Show business.
OSWALD: I saw
1230
01:10:55.251 --> 01:10:56.730
a little bit of it,
and I was gobsmacked.
1231
01:10:56.730 --> 01:10:58.341
You were leading
a double life, and I knew it.
1232
01:10:58.341 --> 01:11:00.038
He's cheating on us,
that's what he's doing.
1233
01:11:00.038 --> 01:11:01.257
I... I'm getting the feeling
1234
01:11:01.257 --> 01:11:02.388
I've messed things up
for you tonight.
1235
01:11:02.388 --> 01:11:03.781
CLAY: Yeah, you've outed him.
1236
01:11:03.781 --> 01:11:05.304
- Look how embarrassed he is.
- EDWARD: I'm not...
1237
01:11:05.304 --> 01:11:07.350
- Little bashful, you are...
- He's always embarrassed.
1238
01:11:07.350 --> 01:11:09.308
He's this little, like,
Nervous Nelly, I always
call him, you know?
1239
01:11:09.308 --> 01:11:11.615
NICK: Well, you should
see him when he gets bashful
like the seven dwarfs.
1240
01:11:11.615 --> 01:11:12.877
Would you like
a drink, Oswald?
1241
01:11:12.877 --> 01:11:14.139
OSWALD: I... Actually,
I have to skedaddle.
1242
01:11:14.139 --> 01:11:15.923
But it was lovely meeting
all of you.
1243
01:11:15.923 --> 01:11:17.316
And a thousand apologies
1244
01:11:17.316 --> 01:11:19.318
if I caused
any discomfiture at all.
1245
01:11:19.318 --> 01:11:20.972
- It wasn't my place to...
- CLAY: No, no, no.
1246
01:11:20.972 --> 01:11:22.321
...to reveal your secret.
1247
01:11:22.321 --> 01:11:23.975
- Oh, it's... [CHUCKLES]
- I will hopefully meet
1248
01:11:23.975 --> 01:11:25.977
all of you again,
and I will see you,
1249
01:11:25.977 --> 01:11:28.719
my friend, on stage,
cheering from the front row.
1250
01:11:29.110 --> 01:11:30.198
Take care.
Lovely meeting you all.
1251
01:11:30.198 --> 01:11:31.635
NICK: Bye, bye, Oswald.
1252
01:11:31.635 --> 01:11:34.681
OSWALD: I'm mortified
by my recklessness,
1253
01:11:34.681 --> 01:11:36.422
and I hope this doesn't
come between us.
1254
01:11:36.422 --> 01:11:38.206
I just wanted
to make sure you knew
1255
01:11:38.206 --> 01:11:40.208
how much I enjoyed
your performance.
1256
01:11:40.208 --> 01:11:41.688
- Take care, Guy.
- MARIANA: When is it?
1257
01:11:41.688 --> 01:11:43.255
- I mean, can we come?
- NICK: Does it have
1258
01:11:43.255 --> 01:11:44.343
your little pock mark...
1259
01:11:44.343 --> 01:11:45.649
CLAY: I like
that guy's accent.
1260
01:11:45.649 --> 01:11:47.346
- Is he from around here?
- NICK: So, Edward...
1261
01:11:47.346 --> 01:11:49.217
- Don't call me that.
- NICK: [CHUCKLES] Edward.
1262
01:11:49.217 --> 01:11:51.437
It's a cute name
on you, first of all.
1263
01:11:51.437 --> 01:11:53.396
I just don't understand.
He talks...
1264
01:11:53.396 --> 01:11:54.919
He speaks
to the audience in...
1265
01:11:54.919 --> 01:11:57.225
In these long
philosophical monologues,
1266
01:11:57.225 --> 01:11:58.705
and then when he talks
to Fiona,
1267
01:11:58.705 --> 01:12:01.795
- he's monosyllabic.
- Yeah. You want more lines?
1268
01:12:01.795 --> 01:12:03.406
You can barely remember
the ones you have.
1269
01:12:03.406 --> 01:12:06.060
And why does he have
to be so grateful to her?
1270
01:12:06.060 --> 01:12:07.497
- Just because he has this...
- INGRID: He's not grateful!
1271
01:12:07.497 --> 01:12:09.325
He's so indebted to her
just for talking to him?
1272
01:12:09.325 --> 01:12:11.849
No. He's nervous because
he hasn't had a lot
of experience.
1273
01:12:11.849 --> 01:12:13.503
How do you know what kind
of experience he's had?
1274
01:12:13.503 --> 01:12:15.418
- Are you fucking kidding me?
- Maybe he's had a rich life.
1275
01:12:15.418 --> 01:12:17.594
- We don't know his backstory.
- I know the backstory
1276
01:12:17.594 --> 01:12:19.160
of my own character,
thank you very much.
1277
01:12:19.160 --> 01:12:20.423
And then he has
to go kill himself,
1278
01:12:20.423 --> 01:12:21.946
'cause, of course,
he's so depressed
1279
01:12:21.946 --> 01:12:24.165
- because he's deformed.
- Look who I ran into.
1280
01:12:24.688 --> 01:12:27.299
Guy, my fellow!
1281
01:12:27.778 --> 01:12:29.257
Ah, it's good
to see you again.
1282
01:12:29.257 --> 01:12:30.476
INGRID: Do you know
each other?
1283
01:12:30.476 --> 01:12:32.565
Uh, yeah. I drunkenly
descended upon Guy,
1284
01:12:32.565 --> 01:12:34.393
and his real estate mates
at the pub.
1285
01:12:34.393 --> 01:12:35.960
- Real estate mates?
- OSWALD: Lovely bunch.
1286
01:12:35.960 --> 01:12:38.266
I forgot to say, I'm looking
for a place of my own.
1287
01:12:38.266 --> 01:12:39.572
Oh, sorry. Oswald.
1288
01:12:39.572 --> 01:12:41.966
- INGRID: I'm Ingrid.
- Ah, the marvelous scribe.
1289
01:12:41.966 --> 01:12:43.837
- INGRID: And director.
- Ah, la maestra.
1290
01:12:43.837 --> 01:12:46.405
INGRID: Um, and this is Fiona,
who plays Iris.
1291
01:12:46.405 --> 01:12:47.450
- OSWALD: Hey.
- Good to meet you.
1292
01:12:47.450 --> 01:12:48.538
Uh, and yeah, you met Vivian.
1293
01:12:48.538 --> 01:12:49.843
- OSWALD: Of course.
- Yeah.
1294
01:12:49.843 --> 01:12:53.325
Uh, I don't know if this
is okay with you, I...
1295
01:12:53.325 --> 01:12:54.631
Would you like
to stay and watch?
1296
01:12:54.631 --> 01:12:56.110
OSWALD: Oh, I'm...
I'm developing
1297
01:12:56.110 --> 01:12:57.938
somewhat of a reputation
of intruding
1298
01:12:57.938 --> 01:12:59.026
- where I'm not wanted.
- [VIVIAN CHUCKLES]
1299
01:12:59.026 --> 01:13:00.985
No, not at all, really.
1300
01:13:01.377 --> 01:13:02.639
It will be
nerve-wracking for us.
1301
01:13:02.639 --> 01:13:03.944
The play's still very nascent.
1302
01:13:03.944 --> 01:13:05.555
- [OSWALD CHUCKLES]
- Nothing is set in stone.
1303
01:13:05.555 --> 01:13:07.383
OSWALD: Oh, everyone's so
self-conscious in showbiz.
1304
01:13:07.383 --> 01:13:08.601
- I love it.
- INGRID: Yes.
1305
01:13:08.601 --> 01:13:09.733
OSWALD: Though I am intrigued
1306
01:13:09.733 --> 01:13:11.517
by this whole process,
I have to admit.
1307
01:13:11.517 --> 01:13:13.301
INGRID: Um, well,
if you're not too busy.
1308
01:13:13.301 --> 01:13:14.912
OSWALD: No. I mean, I've
just had Jiu-Jitsu practice,
1309
01:13:14.912 --> 01:13:16.304
- so I'm a bit sweaty.
- Oh, wow.
1310
01:13:16.304 --> 01:13:18.176
OSWALD: But other than that,
I was just gonna sit
1311
01:13:18.176 --> 01:13:20.396
- in the park and read my book.
- INGRID: What are you reading?
1312
01:13:20.396 --> 01:13:22.267
The Bluest Eye,
by Toni Morrison.
1313
01:13:22.267 --> 01:13:23.573
That's one
of my favorite books!
1314
01:13:23.573 --> 01:13:25.226
OSWALD: Really? Oh, no way.
It just so happens
1315
01:13:25.226 --> 01:13:26.924
I was inspired by Guy
to pick it up.
1316
01:13:26.924 --> 01:13:28.882
He's got these
piercing blue eyes.
1317
01:13:28.882 --> 01:13:29.970
And when I first saw them,
1318
01:13:29.970 --> 01:13:31.755
I was like,
"Ah, that reminds me."
1319
01:13:32.146 --> 01:13:33.757
Really? I never noticed
your eyes, Guy.
1320
01:13:33.757 --> 01:13:35.628
- Okay. Sit anywhere you want.
- OSWALD: Cool.
1321
01:13:35.628 --> 01:13:37.500
It will be boring,
stopping and starting.
1322
01:13:38.022 --> 01:13:39.110
OSWALD: You won't
know I'm here.
1323
01:13:39.110 --> 01:13:40.546
- Yeah, scene 16.
- Sixteen.
1324
01:13:40.546 --> 01:13:43.462
Yeah, just from the top.
Okay, and then, it's, uh...
1325
01:13:43.984 --> 01:13:45.377
Okay. [MUMBLING]
1326
01:13:52.776 --> 01:13:54.734
OSWALD: I was sad when
he offed himself in the end.
1327
01:13:54.734 --> 01:13:56.127
INGRID: Yeah, well,
it's a tragedy.
1328
01:13:56.127 --> 01:13:57.520
OSWALD: I mean, I know
There's... There's nothing
1329
01:13:57.520 --> 01:13:58.564
can really be done about it.
1330
01:13:58.564 --> 01:14:00.174
And I really like Edward.
1331
01:14:00.174 --> 01:14:01.262
A rather passive chap.
1332
01:14:01.262 --> 01:14:02.742
Well, of course,
till the suicide.
1333
01:14:03.177 --> 01:14:05.092
But honestly,
I was really hoping
1334
01:14:05.092 --> 01:14:07.791
Edward, and, uh, Fiona,
would live happily ever after.
1335
01:14:07.791 --> 01:14:08.922
- Oh, yeah.
- But then,
1336
01:14:08.922 --> 01:14:10.141
would the audience
believe that?
1337
01:14:10.141 --> 01:14:11.795
FIONA: I love your accent.
1338
01:14:11.795 --> 01:14:13.187
OSWALD: [CHUCKLES]
I get that a lot.
1339
01:14:13.187 --> 01:14:15.276
You yanks love my mellifluous
lyrical stylings.
1340
01:14:15.276 --> 01:14:16.974
- [ALL CHUCKLING]
- OSWALD: But back at home,
1341
01:14:16.974 --> 01:14:18.192
I'm just a bloke.
1342
01:14:18.192 --> 01:14:20.368
No one pays any attention
to me at all.
1343
01:14:20.368 --> 01:14:21.500
[GASPS] Oh, my God.
1344
01:14:21.500 --> 01:14:23.197
We should have
Edward have an accent.
1345
01:14:23.197 --> 01:14:24.416
I reckon the critics
would find it
1346
01:14:24.416 --> 01:14:25.722
a really classy endeavor.
1347
01:14:25.722 --> 01:14:27.332
- That's a great idea.
- Do it.
1348
01:14:27.332 --> 01:14:29.595
- Guy speak like Oswald.
- I... I can't. I can't.
1349
01:14:29.595 --> 01:14:31.336
- Sure you can.
- Come on. 'Ello mate.
1350
01:14:31.336 --> 01:14:32.903
- 'Ello mate.
- INGRID: Yeah.
1351
01:14:32.903 --> 01:14:34.252
Yeah, look.
How's the old lady doin'?
1352
01:14:34.252 --> 01:14:35.514
[IN BRITISH ACCENT]
How's the old lady doing?
1353
01:14:35.514 --> 01:14:36.776
INGRID: That's horrible.
1354
01:14:36.776 --> 01:14:37.951
OSWALD: I mean... It needs
some refinement,
1355
01:14:37.951 --> 01:14:39.257
but we'll get you there.
1356
01:14:39.257 --> 01:14:40.606
[IN NORMAL VOICE]
You do an American accent.
1357
01:14:40.606 --> 01:14:41.868
[IN AMERICAN ACCENT]
I coulda been a contender.
1358
01:14:41.868 --> 01:14:43.653
- INGRID AND FIONA: Yeah!
- Adrienne!
1359
01:14:43.653 --> 01:14:45.481
- Yes!
- I am not a crook.
1360
01:14:45.481 --> 01:14:47.874
INGRID: Wow, that's amazing.
Why can't you do that?
1361
01:14:47.874 --> 01:14:49.397
OSWALD: [IN NORMAL VOICE]
You're not playing
1362
01:14:49.397 --> 01:14:50.790
- Master Harold after all.
- INGRID: I guess they didn't
1363
01:14:50.790 --> 01:14:51.965
teach you accents at Julliard.
1364
01:14:51.965 --> 01:14:53.401
OSWALD: Really, Guy.
I had an affinity
1365
01:14:53.401 --> 01:14:55.882
for accents as a child,
like moving around a lot,
1366
01:14:55.882 --> 01:14:57.405
and it just, sort of,
blossomed into one
1367
01:14:57.405 --> 01:14:58.885
of my many useless talents.
1368
01:14:58.885 --> 01:14:59.973
What's your other talents?
1369
01:14:59.973 --> 01:15:01.061
Ooh, well, I can yodel.
1370
01:15:01.061 --> 01:15:02.280
Yodel-aye-ee-hoo!
1371
01:15:02.280 --> 01:15:04.108
I can juggle. I can sing.
1372
01:15:04.108 --> 01:15:06.066
I can play sax,
though I'm no Coltrane.
1373
01:15:06.066 --> 01:15:07.546
And I'm learning to weave.
1374
01:15:07.546 --> 01:15:09.505
- I'm ashamed to say.
- Oh, what can't you do?
1375
01:15:09.505 --> 01:15:11.594
- I mean, I can't whistle.
- I can teach you.
1376
01:15:11.594 --> 01:15:13.378
[INGRID WHISTLES] You just...
1377
01:15:13.378 --> 01:15:15.336
BOTH: Put your lips
together and blow!
1378
01:15:15.336 --> 01:15:17.425
[BOTH LAUGHING]
1379
01:15:17.425 --> 01:15:19.558
Oh, I can't drive
that well either.
1380
01:15:19.558 --> 01:15:20.820
INGRID: Can you act?
1381
01:15:22.039 --> 01:15:23.693
[PAPERS RUSTLING]
1382
01:15:25.433 --> 01:15:27.523
[INGRID MURMURING]
1383
01:15:30.482 --> 01:15:31.701
EDWARD: What time is it?
1384
01:15:32.789 --> 01:15:33.964
INGRID: He's right.
1385
01:15:34.530 --> 01:15:35.966
Edward is too passive.
1386
01:15:40.971 --> 01:15:43.626
What does he know
about Edward?
1387
01:15:44.801 --> 01:15:46.542
INGRID: I made him a victim.
1388
01:15:48.021 --> 01:15:50.110
I fell into
the most obvious trap.
1389
01:15:51.634 --> 01:15:54.071
What is he supposed
to be? A hero?
1390
01:15:55.246 --> 01:15:56.421
An inspiration?
1391
01:15:57.161 --> 01:16:00.817
INGRID: He's...
He's just Edward.
1392
01:16:02.340 --> 01:16:03.602
Look, you said it yourself.
1393
01:16:03.994 --> 01:16:05.256
You wanted more lines.
1394
01:16:06.257 --> 01:16:07.563
And then you got mad at me.
1395
01:16:08.172 --> 01:16:10.130
- But if Oswald says it then...
- Come on.
1396
01:16:11.479 --> 01:16:12.872
EDWARD: The guy
who killed Lincoln.
1397
01:16:12.872 --> 01:16:15.571
- INGRID: What?
- Oswald.
1398
01:16:18.182 --> 01:16:19.531
INGRID: Oswald killed Kennedy.
1399
01:16:20.663 --> 01:16:24.449
Whatever. Lincoln, right?
1400
01:16:25.450 --> 01:16:27.495
A disgruntled actor
killed Lincoln,
1401
01:16:27.495 --> 01:16:28.975
right there
in the theater, right?
1402
01:16:29.759 --> 01:16:30.934
Hinkley.
1403
01:16:31.848 --> 01:16:32.979
INGRID: Booth.
1404
01:16:34.590 --> 01:16:35.895
Right there in the booth.
1405
01:16:35.895 --> 01:16:38.594
[TENSE MUSIC PLAYING]
1406
01:16:44.208 --> 01:16:45.426
MURRAY: I'm sorry.
1407
01:16:45.426 --> 01:16:48.299
This must feel
very dehumanizing.
1408
01:16:51.694 --> 01:16:54.522
Uh-oh. It's very fragile.
1409
01:16:58.309 --> 01:17:00.180
No! Leave me alone!
Don't touch me!
1410
01:17:00.180 --> 01:17:01.660
But I was only trying to...
1411
01:17:01.660 --> 01:17:04.707
Yes! You're always trying
to be helpful, aren't you?
1412
01:17:04.707 --> 01:17:06.230
Yes! Uh...
1413
01:17:06.230 --> 01:17:08.798
Uh, I...
I don't want your pity!
1414
01:17:08.798 --> 01:17:10.538
You, you... I...
I know you dis...
1415
01:17:10.538 --> 01:17:12.062
I disgust you!
1416
01:17:12.584 --> 01:17:14.194
- FIONA: That isn't true.
- You don't think I know
1417
01:17:14.194 --> 01:17:16.240
what all your...
All your little friends
1418
01:17:16.240 --> 01:17:17.676
[HESITATES] say about me?
1419
01:17:17.676 --> 01:17:19.678
"Why are you hanging out
with that, with that freak?
1420
01:17:19.678 --> 01:17:21.158
"He's gonna get
the wrong idea."
1421
01:17:21.158 --> 01:17:23.639
Well, you're
the worst out of all them!
1422
01:17:23.639 --> 01:17:27.294
Ah! Ah... I don't...
I don't care about your caring
1423
01:17:27.294 --> 01:17:28.905
and kindness and fussing!
1424
01:17:30.254 --> 01:17:32.256
Fuck. [SIGHS]
1425
01:17:34.258 --> 01:17:35.389
I hate you.
1426
01:17:37.087 --> 01:17:39.219
[PEOPLE CHATTERING INDISTINCTLY]
1427
01:17:44.050 --> 01:17:45.312
Sir Guy.
1428
01:17:46.662 --> 01:17:48.576
What are you...
What are you doing here?
1429
01:17:48.925 --> 01:17:50.317
Yoga in the park.
1430
01:17:51.579 --> 01:17:52.668
Do you do yoga?
1431
01:17:53.712 --> 01:17:55.888
- No.
- Oh, you should try it.
1432
01:17:55.888 --> 01:17:57.281
It's really therapeutic.
1433
01:17:58.195 --> 01:17:59.979
- Yeah.
- I mean, off the record,
1434
01:17:59.979 --> 01:18:01.285
it's a bit of a chore,
1435
01:18:01.285 --> 01:18:03.374
but they say it's good
for your withering body.
1436
01:18:03.374 --> 01:18:05.071
I think I'm feeling
the benefits,
1437
01:18:05.071 --> 01:18:06.725
but maybe it's a placebo.
1438
01:18:06.725 --> 01:18:07.813
I don't know.
1439
01:18:08.727 --> 01:18:10.163
Oh, would you look at that.
1440
01:18:15.734 --> 01:18:17.823
[PROFOUND MUSIC PLAYING]
1441
01:18:27.877 --> 01:18:30.009
[OSWALD LAUGHING]
1442
01:18:31.445 --> 01:18:34.710
♪ I floated lonely down
the street one day... ♪
1443
01:18:34.710 --> 01:18:35.841
OSWALD: Oh, I almost forgot.
1444
01:18:35.841 --> 01:18:37.843
They did
the mock-up today. Right?
1445
01:18:37.843 --> 01:18:39.192
[KARAOKE PERFORMANCE
CONTINUES]
1446
01:18:39.192 --> 01:18:41.020
Latex isn't it? How'd it go?
1447
01:18:41.455 --> 01:18:42.805
You heard about that?
1448
01:18:42.805 --> 01:18:45.068
Yeah, Ingrid was
quite stressy about it.
1449
01:18:45.068 --> 01:18:47.157
- Did it come off?
- What?
1450
01:18:47.157 --> 01:18:48.941
Did it have
the desired effect?
1451
01:18:48.941 --> 01:18:51.770
- Well, it's still a...
- Work in progress. Right?
1452
01:18:51.770 --> 01:18:54.468
Gonna take a bit of refinement
to get it spot on.
1453
01:18:54.468 --> 01:18:56.775
That's what Murray said,
the makeup artist.
1454
01:18:57.297 --> 01:18:59.386
Did you know
he's half Northern Irish?
1455
01:18:59.822 --> 01:19:01.258
He said that's
the most complicated thing
1456
01:19:01.258 --> 01:19:02.781
he's ever worked on.
1457
01:19:02.781 --> 01:19:04.609
I can't wait
to see it in action.
1458
01:19:05.001 --> 01:19:06.829
Part of me wants to
wait till opening night
1459
01:19:06.829 --> 01:19:09.048
so I get hit
by the full effect of it,
1460
01:19:09.483 --> 01:19:11.703
but I still think
I'll swing by tomorrow.
1461
01:19:11.703 --> 01:19:13.705
Ingrid wants some
feedback on the new pages,
1462
01:19:13.705 --> 01:19:15.402
and it's always nice
to see the gang.
1463
01:19:17.796 --> 01:19:18.971
You don't work?
1464
01:19:18.971 --> 01:19:20.668
OSWALD: Frankly, I don't work.
1465
01:19:20.668 --> 01:19:23.454
I made some lucky investments
when I was at university
1466
01:19:23.454 --> 01:19:26.109
before running off
to Tangiers with my professor.
1467
01:19:26.109 --> 01:19:28.502
Right now I'm looking
for a place in the city,
1468
01:19:28.502 --> 01:19:29.852
which is why I thought
I'd sit down
1469
01:19:29.852 --> 01:19:31.201
and have a chat with you.
1470
01:19:31.201 --> 01:19:32.463
- So...
- SADIE: Look who it is.
1471
01:19:32.463 --> 01:19:34.421
Can I believe my eyes?
1472
01:19:34.421 --> 01:19:36.249
Oswald, you owe me dinner.
1473
01:19:36.728 --> 01:19:37.816
I'm so ashamed.
1474
01:19:37.816 --> 01:19:40.036
[CHUCKLES] Hi. I'm Sadie.
1475
01:19:40.427 --> 01:19:41.646
- Hey.
- SADIE: Hmm.
1476
01:19:41.646 --> 01:19:44.518
Oh, this is Guy.
He's a masterful actor.
1477
01:19:44.518 --> 01:19:48.000
Oh, no. I have
bad luck with actors.
1478
01:19:48.000 --> 01:19:50.133
We are working
on a play together.
1479
01:19:50.742 --> 01:19:52.091
You never stop, do you?
1480
01:19:52.091 --> 01:19:55.094
[CHUCKLES] Oswald is
one of my favorite people
1481
01:19:55.094 --> 01:19:56.226
in the world.
1482
01:19:56.661 --> 01:19:58.968
How about I call you,
say next week?
1483
01:19:58.968 --> 01:20:02.362
[CHUCKLES] I'll believe it
when I see it.
1484
01:20:05.713 --> 01:20:07.803
[SADIE WHISPERING
INDISTINCTLY]
1485
01:20:08.412 --> 01:20:09.587
[CLEARS THROAT]
1486
01:20:10.283 --> 01:20:11.415
Nice to meet you, Guy.
1487
01:20:11.719 --> 01:20:13.069
Watch out for this one.
1488
01:20:13.069 --> 01:20:15.114
- [KARAOKE PERFORMANCE ENDS]
- [CROWD APPLAUDING]
1489
01:20:16.246 --> 01:20:19.118
- Who was that?
- I mean, I know how it looks.
1490
01:20:19.118 --> 01:20:20.685
Just don't get any ideas.
1491
01:20:21.077 --> 01:20:23.601
EMCEE ON MIC:
Next up, we have Oswald.
1492
01:20:23.601 --> 01:20:25.429
- Cheer me on, good sir.
- EMCEE: Oswald.
1493
01:20:25.429 --> 01:20:27.561
[MUSIC PLAYING OVER SPEAKERS]
1494
01:20:41.401 --> 01:20:43.969
OSWALD: ♪ Sitting here
1495
01:20:44.927 --> 01:20:47.059
♪ In this chair
1496
01:20:48.844 --> 01:20:50.802
♪ Waiting on you
1497
01:20:51.629 --> 01:20:56.547
♪ Oh, baby to see things my way
1498
01:20:57.765 --> 01:21:00.464
♪ But not a word do you say
1499
01:21:00.464 --> 01:21:03.249
♪ You won't even look my way
1500
01:21:08.385 --> 01:21:12.041
♪ Girl, I'm spending my dimes
1501
01:21:12.041 --> 01:21:14.521
♪ Wasting my time
1502
01:21:14.521 --> 01:21:19.570
♪ Talking 'til
I'm black and blue
1503
01:21:19.570 --> 01:21:21.224
♪ Oh, can't you see
1504
01:21:22.094 --> 01:21:25.358
♪ I wanna get next to you
1505
01:21:39.024 --> 01:21:43.463
♪ Dreams of you
and I go sailing by
1506
01:21:43.463 --> 01:21:47.380
♪ Whenever your eyes
meet mine
1507
01:21:47.859 --> 01:21:49.426
♪ You're so fine
1508
01:21:49.817 --> 01:21:55.954
♪ And girl you make me feel
so insecure
1509
01:21:55.954 --> 01:21:58.914
♪ You're so beautiful and pure
1510
01:21:58.914 --> 01:22:02.656
♪ Why must you be unkind
1511
01:22:03.092 --> 01:22:04.789
♪ And tell me I'm not your kind
1512
01:22:04.789 --> 01:22:06.834
♪ Blowing my mind
1513
01:22:06.834 --> 01:22:11.404
♪ Girl my, my money
is low and I know
1514
01:22:11.404 --> 01:22:12.797
[LAUGHING]
1515
01:22:12.797 --> 01:22:17.976
♪ That I can't take you
to the fancy places
1516
01:22:17.976 --> 01:22:19.847
♪ You might wanna go
1517
01:22:19.847 --> 01:22:21.327
EDWARD: I'm not Edward anymore?
1518
01:22:21.327 --> 01:22:24.548
Oh, no, you are,
just after his transformation.
1519
01:22:25.027 --> 01:22:26.419
What is he talking about?
1520
01:22:26.419 --> 01:22:27.986
INGRID: Well,
I've been thinking,
1521
01:22:27.986 --> 01:22:29.770
and to your credit, Guy,
1522
01:22:29.770 --> 01:22:31.903
you were right,
and Oswald, too.
1523
01:22:31.903 --> 01:22:34.123
The suicide was ludicrous.
1524
01:22:34.123 --> 01:22:36.952
This wasn't meant
to be a tragic love story.
1525
01:22:36.952 --> 01:22:38.736
Why can't they be happy?
1526
01:22:38.736 --> 01:22:40.346
And then Oswald
and I were talking about
1527
01:22:40.346 --> 01:22:42.435
Beauty and the Beast
and how he, in the end,
1528
01:22:42.435 --> 01:22:45.047
- becomes a beautiful prince.
- A prince?
1529
01:22:45.047 --> 01:22:46.831
OSWALD: And you are
that prince.
1530
01:22:46.831 --> 01:22:47.963
And you are the beast?
1531
01:22:47.963 --> 01:22:49.268
OSWALD: No, no,
I'm not the beast.
1532
01:22:49.268 --> 01:22:50.878
I'm Edward. This isn't
Beauty and the Beast.
1533
01:22:50.878 --> 01:22:52.445
That was just
by way of explaining.
1534
01:22:52.924 --> 01:22:54.056
[SCOFFS] Okay.
1535
01:22:54.578 --> 01:22:56.754
I don't understand
how he transforms.
1536
01:22:56.754 --> 01:22:58.321
How, how... [CHUCKLES]
1537
01:22:58.321 --> 01:23:01.019
- How is this possible?
- He doesn't transform.
1538
01:23:01.019 --> 01:23:02.194
Not literally.
1539
01:23:02.194 --> 01:23:03.674
OSWALD: She just sees
him differently.
1540
01:23:03.674 --> 01:23:04.805
EDWARD: Why?
1541
01:23:05.545 --> 01:23:08.374
You know how we idealize
people when we're in love?
1542
01:23:08.374 --> 01:23:09.549
So I'm the idealized version
of Oswald?
1543
01:23:09.549 --> 01:23:11.334
OSWALD: No, no.
Not me, of Edward.
1544
01:23:11.334 --> 01:23:12.596
Why can't it just be him?
1545
01:23:12.596 --> 01:23:13.771
Why does she have
to idealize him
1546
01:23:13.771 --> 01:23:14.641
so he's somebody he isn't?
1547
01:23:14.641 --> 01:23:15.991
INGRID: Well, frankly, Guy,
1548
01:23:16.469 --> 01:23:17.644
to keep you in the play.
1549
01:23:18.471 --> 01:23:19.820
Look, this is hard for me,
1550
01:23:19.820 --> 01:23:21.474
but I really need Oswald
to be Edward,
1551
01:23:21.474 --> 01:23:22.867
and he refused
unless there was
1552
01:23:22.867 --> 01:23:24.825
a part for you,
because he loves you
1553
01:23:24.825 --> 01:23:27.045
and he didn't want it to be
like he was replacing you.
1554
01:23:27.045 --> 01:23:28.568
You should really be
thanking Oswald.
1555
01:23:28.568 --> 01:23:30.048
This is my decision.
1556
01:23:30.048 --> 01:23:32.311
I had to beg him to do it.
Look, it's not you Guy.
1557
01:23:32.311 --> 01:23:34.183
It's... It's the whole...
The mask, the makeup.
1558
01:23:34.183 --> 01:23:37.186
It's a total bust.
And Oswald, I mean...
1559
01:23:38.274 --> 01:23:39.536
Ingrid insisted.
1560
01:23:40.102 --> 01:23:41.799
And I have to admit,
this does feel like
1561
01:23:41.799 --> 01:23:43.757
a uniquely rare opportunity
1562
01:23:43.757 --> 01:23:46.847
for a role that I was
arguably born to play.
1563
01:23:46.847 --> 01:23:49.067
You're selling yourself short.
You could play Hamlet.
1564
01:23:49.067 --> 01:23:50.851
[CHUCKLES] She's such
a canny director,
1565
01:23:50.851 --> 01:23:51.939
flattering me like that.
1566
01:23:51.939 --> 01:23:53.158
Frankly, Guy,
we've been making
1567
01:23:53.158 --> 01:23:54.812
all these changes
and you've been having
1568
01:23:54.812 --> 01:23:56.509
a hard time,
memorizing your new lines.
1569
01:23:56.509 --> 01:23:57.597
I haven't. I just...
1570
01:23:57.597 --> 01:23:59.034
- It's a process.
- Whereas, Oswald,
1571
01:23:59.034 --> 01:24:01.558
has photographic memory.
1572
01:24:01.558 --> 01:24:03.429
I mean, sure I have
photographic memory,
1573
01:24:03.429 --> 01:24:05.431
technically,
but will that come in handy
1574
01:24:05.431 --> 01:24:07.607
- in this situation?
- You already know your lines.
1575
01:24:07.955 --> 01:24:09.522
I know my lines,
sure, but can I act?
1576
01:24:09.522 --> 01:24:12.134
- That is the question.
- You can. He can.
1577
01:24:12.134 --> 01:24:13.787
You've seen it.
We've all seen it.
1578
01:24:13.787 --> 01:24:15.137
Oswald's a natural.
1579
01:24:15.137 --> 01:24:16.355
If it's right, it's right.
1580
01:24:16.355 --> 01:24:17.748
You... You know the lines?
1581
01:24:17.748 --> 01:24:19.097
You, you've seen him act?
1582
01:24:19.097 --> 01:24:20.620
When... When did
all this happen?
1583
01:24:20.620 --> 01:24:21.795
When he's been giving
me feedback.
1584
01:24:21.795 --> 01:24:23.101
OSWALD: Guy, you're
a masterful actor,
1585
01:24:23.101 --> 01:24:24.755
which is why
this is so tragic.
1586
01:24:24.755 --> 01:24:27.236
I really don't know what
the ethical thing to do is.
1587
01:24:27.236 --> 01:24:29.151
The right thing to do is
for you to take the role,
1588
01:24:29.151 --> 01:24:31.588
and you still get
to play Edward, Guy,
1589
01:24:31.588 --> 01:24:32.763
just transformed.
1590
01:24:32.763 --> 01:24:34.069
And you don't have
to hide your face
1591
01:24:34.069 --> 01:24:35.287
behind that idiotic thing.
1592
01:24:35.287 --> 01:24:36.984
You, you get more recognition.
1593
01:24:36.984 --> 01:24:38.638
- For one scene.
- But what a scene.
1594
01:24:38.638 --> 01:24:40.466
- The finale.
- No one's gonna believe
1595
01:24:40.466 --> 01:24:41.859
that Edward looks like him
1596
01:24:41.859 --> 01:24:43.861
and then suddenly
he just looks like me.
1597
01:24:43.861 --> 01:24:44.862
- Magic!
- EDWARD: But she loves him
1598
01:24:44.862 --> 01:24:46.081
for who he is. If he changes,
1599
01:24:46.081 --> 01:24:46.864
then who is he then?
1600
01:24:46.864 --> 01:24:47.865
INGRID: Same person.
1601
01:24:47.865 --> 01:24:49.084
OSWALD: Same bloke, new face.
1602
01:24:49.084 --> 01:24:50.128
EDWARD: That's
a different person!
1603
01:24:50.128 --> 01:24:51.303
VIVIAN: It's
a metaphorical change.
1604
01:24:51.303 --> 01:24:52.391
Right out
of Beauty and the Beast.
1605
01:24:52.391 --> 01:24:54.045
She loves him,
therefore, voila,
1606
01:24:54.045 --> 01:24:55.220
he appears
more beautiful to her.
1607
01:24:55.220 --> 01:24:56.787
But he has to pretend
to be a beast
1608
01:24:56.787 --> 01:24:58.005
to prove her love.
1609
01:24:58.005 --> 01:24:59.355
He doesn't wanna be
loved for his looks.
1610
01:24:59.355 --> 01:25:00.965
No, she loves him
because he's a beast.
1611
01:25:00.965 --> 01:25:02.271
Or in spite
of his beastliness.
1612
01:25:02.271 --> 01:25:03.707
They're talking
about you like you're a beast.
1613
01:25:03.707 --> 01:25:04.925
We're talking about Edward.
1614
01:25:06.318 --> 01:25:07.450
Edward is not a beast.
1615
01:25:07.450 --> 01:25:08.886
Oh, no. Heavens, no.
1616
01:25:08.886 --> 01:25:11.628
But if we are gonna be using
Beauty and the Beast
1617
01:25:11.628 --> 01:25:14.021
as our
hypothetical comparison,
1618
01:25:14.021 --> 01:25:16.023
well, let's just all start
being honest
1619
01:25:16.023 --> 01:25:17.677
with ourselves, old friend.
1620
01:25:18.722 --> 01:25:20.854
[INGRID SPEAKING INDISTINCTLY]
1621
01:25:23.640 --> 01:25:24.858
VIVIAN: I'll put it
on my calendar.
1622
01:25:24.858 --> 01:25:26.469
- EDWARD: Hey.
- Okay, great, yeah.
1623
01:25:26.469 --> 01:25:29.385
- What?
- Let's go home.
1624
01:25:29.385 --> 01:25:30.560
- Let's have a drink.
- EDWARD: Mmm.
1625
01:25:30.560 --> 01:25:32.518
- Don't be mopey.
- I'm not thirsty.
1626
01:25:33.606 --> 01:25:35.130
Come or go. It's up to you.
1627
01:25:36.435 --> 01:25:37.567
Come on.
1628
01:25:39.308 --> 01:25:40.787
Come on. Come for one.
1629
01:25:53.235 --> 01:25:56.107
OSWALD: At first,
the thought terrified me,
1630
01:25:56.542 --> 01:26:00.851
having my face disseminated
to screens across the world,
1631
01:26:01.156 --> 01:26:05.160
that no matter what the hour,
people were seeing me,
1632
01:26:05.812 --> 01:26:07.162
were laughing at me,
1633
01:26:07.640 --> 01:26:09.120
were horrified by me.
1634
01:26:09.468 --> 01:26:11.209
And that even when I'm gone,
1635
01:26:11.209 --> 01:26:14.908
my image would remain
for others to despise.
1636
01:26:14.908 --> 01:26:19.826
But then, this idea
gave me some comfort.
1637
01:26:20.697 --> 01:26:23.961
That if it wasn't me
they were laughing at,
1638
01:26:24.483 --> 01:26:25.919
if I had not been known,
1639
01:26:26.442 --> 01:26:29.314
if I had not had
to face my tormentors,
1640
01:26:30.228 --> 01:26:32.187
they'd be laughing
at someone else,
1641
01:26:33.057 --> 01:26:34.319
someone different.
1642
01:26:47.941 --> 01:26:49.204
[FIONA CHUCKLES]
1643
01:26:52.294 --> 01:26:54.426
[MUSIC PLAYING OVER SPEAKERS]
1644
01:26:55.340 --> 01:26:57.037
BELCHER: Hey, you were
in the show, weren't you?
1645
01:26:57.037 --> 01:26:59.214
I loved it. Congratulations.
1646
01:26:59.649 --> 01:27:01.868
- Hi. Ron Belcher.
- Thanks.
1647
01:27:03.130 --> 01:27:05.481
That guy's amazing, right?
1648
01:27:05.481 --> 01:27:06.917
I... I gotta be
honest with you,
1649
01:27:07.526 --> 01:27:08.614
I thought it was makeup.
1650
01:27:09.093 --> 01:27:11.008
I was saying to my wife...
It's actually our anniversary.
1651
01:27:11.008 --> 01:27:12.139
That's her over there.
1652
01:27:13.053 --> 01:27:15.273
I was saying to her,
"How'd they do that make-up?"
1653
01:27:15.273 --> 01:27:17.710
"Right? What is that?
Some kind of polymer, right?"
1654
01:27:17.710 --> 01:27:19.538
"Where'd they get
the budget for this?"
1655
01:27:19.538 --> 01:27:22.019
But she says to me,
"I think that's his face."
1656
01:27:22.019 --> 01:27:25.022
And I said,
"No, babe, you're nuts.
1657
01:27:25.022 --> 01:27:26.937
"That's gotta be
some sort of get-up."
1658
01:27:26.937 --> 01:27:28.460
Like the whole time
I'm watching the show,
1659
01:27:28.460 --> 01:27:29.896
I'm sitting there thinking,
1660
01:27:29.896 --> 01:27:33.160
"Is that real or is it
some kind of weird effect?"
1661
01:27:33.683 --> 01:27:35.075
I mean, I couldn't
believe it either way.
1662
01:27:35.075 --> 01:27:36.990
Man, I didn't know what
I even wanted it to be.
1663
01:27:37.252 --> 01:27:40.603
So what was it like, uh,
working with him?
1664
01:27:42.648 --> 01:27:43.997
I guess underneath
all that, right,
1665
01:27:43.997 --> 01:27:45.521
he's just a regular guy.
1666
01:27:45.521 --> 01:27:47.566
Wonder if the guy that
wrote the play,
1667
01:27:47.566 --> 01:27:49.264
knew him before he wrote it,
1668
01:27:49.264 --> 01:27:51.135
or if he just came up
with a character like that
1669
01:27:51.135 --> 01:27:53.355
on his own and just hoped
the right guy would
1670
01:27:53.355 --> 01:27:54.443
come along by chance.
1671
01:27:54.443 --> 01:27:56.183
Right? Seems risky to me.
1672
01:27:56.183 --> 01:27:58.838
Right? How do you go about
finding that guy, right?
1673
01:27:58.838 --> 01:28:00.449
Looks exactly
how you envision.
1674
01:28:00.927 --> 01:28:02.146
He can act too, right?
1675
01:28:02.146 --> 01:28:03.582
I mean, how do you
even describe him?
1676
01:28:03.582 --> 01:28:05.628
What if they wanna put
the show on in Boise?
1677
01:28:05.628 --> 01:28:08.500
Like to fly that guy out?
What if he's dead?
1678
01:28:08.500 --> 01:28:10.676
They have to find
the Idaho version of him.
1679
01:28:11.547 --> 01:28:12.722
I don't know,
would a mask work?
1680
01:28:12.722 --> 01:28:14.201
Is that gonna be convincing?
1681
01:28:14.680 --> 01:28:16.943
Would another guy
with some other affliction,
1682
01:28:16.943 --> 01:28:18.249
do just as well?
1683
01:28:19.032 --> 01:28:20.338
I don't know.
Maybe they just cast,
1684
01:28:20.338 --> 01:28:23.341
uh, you know, regular guy
like you, right?
1685
01:28:23.341 --> 01:28:25.343
Or me, right? The way they do
Shakespeare now
1686
01:28:25.343 --> 01:28:26.518
with Black people, right?
1687
01:28:26.518 --> 01:28:29.391
That puts a different kind
of spin on it.
1688
01:28:29.391 --> 01:28:32.350
So I'm thinking all this
stuff during the show, right?
1689
01:28:32.350 --> 01:28:34.004
I mean, to be honest with you,
three hours ago,
1690
01:28:34.004 --> 01:28:35.701
I'm saying to myself,
"Do I really wanna go
1691
01:28:35.701 --> 01:28:38.225
"and sit in
an un-air conditioned theater,
1692
01:28:38.225 --> 01:28:39.618
"for God knows how long,
1693
01:28:39.618 --> 01:28:41.794
"to see some little play
I've never heard of?"
1694
01:28:41.794 --> 01:28:43.361
But it's our anniversary.
1695
01:28:43.361 --> 01:28:44.710
And now I'm thinking
all this shit,
1696
01:28:44.710 --> 01:28:46.712
so that's how I know
it's an interesting play.
1697
01:29:07.777 --> 01:29:09.082
Whoa!
1698
01:29:09.866 --> 01:29:11.041
[CUP CLANKS ON TABLE]
1699
01:29:12.390 --> 01:29:13.696
- Goddammit.
- [COFFEE DRIPPING]
1700
01:29:16.394 --> 01:29:17.482
[SIGHS]
1701
01:29:22.705 --> 01:29:23.836
Bloody hell.
1702
01:29:25.098 --> 01:29:27.884
Bollocks. Bollocks.
1703
01:29:30.582 --> 01:29:31.714
Fuck.
1704
01:29:32.279 --> 01:29:33.542
Look, you said it yourself.
1705
01:29:33.933 --> 01:29:36.283
How can he become you?
You're nothing alike.
1706
01:29:36.283 --> 01:29:38.764
It's not believable,
and it's not necessary.
1707
01:29:38.764 --> 01:29:40.810
She loves him for who he is.
1708
01:29:40.810 --> 01:29:42.202
It was contrived.
1709
01:29:42.202 --> 01:29:45.162
I still think the idea
is theoretically sound.
1710
01:29:45.162 --> 01:29:46.772
Though,
what we didn't count on,
1711
01:29:46.772 --> 01:29:49.296
and this might just stem
from me being a novice,
1712
01:29:49.296 --> 01:29:52.082
is that the audience has
just spent two hours,
1713
01:29:52.082 --> 01:29:53.431
rooting for Edward.
1714
01:29:53.431 --> 01:29:56.521
Which, in this particular
iteration, is me.
1715
01:29:56.956 --> 01:29:58.741
If someone else
then walks out and goes,
1716
01:29:58.741 --> 01:30:00.220
"Oh, I'm Edward now,"
1717
01:30:00.220 --> 01:30:03.223
even if it's
Sir Kenneth Branagh,
or whomever,
1718
01:30:03.223 --> 01:30:05.008
the audience
will feel cheated.
1719
01:30:05.008 --> 01:30:06.705
We've broken
our pact with them.
1720
01:30:06.705 --> 01:30:07.793
They'll rightly rebel.
1721
01:30:07.793 --> 01:30:09.839
Look, I still wanna
be friends,
1722
01:30:09.839 --> 01:30:11.754
and I'll keep you in mind
for future projects.
1723
01:30:14.887 --> 01:30:16.367
The mask is mine.
1724
01:30:17.281 --> 01:30:18.413
I'm keeping it.
1725
01:30:19.501 --> 01:30:21.067
OSWALD: I've always liked
that mask.
1726
01:30:21.459 --> 01:30:22.591
Brilliant mask.
1727
01:30:24.984 --> 01:30:26.595
[DRAMATIC MUSIC PLAYING]
1728
01:30:26.595 --> 01:30:28.248
OSWALD: You know what I think?
1729
01:30:28.248 --> 01:30:29.772
I think Les Mis is
a masterpiece.
1730
01:30:29.772 --> 01:30:31.338
[CHATTERING INDISTINCTLY]
1731
01:30:31.338 --> 01:30:34.037
Uh, The Book of Mormon is
hysterically funny.
1732
01:30:34.037 --> 01:30:36.126
- [SPEAKING INDISTINCTLY]
- [INGRID CHUCKLES]
1733
01:30:36.909 --> 01:30:38.694
INGRID: What are you...
Do you have any plans for...
1734
01:31:00.890 --> 01:31:02.892
[BANGING]
1735
01:31:03.936 --> 01:31:05.068
Where's the blind guy?
1736
01:31:05.068 --> 01:31:06.461
What are you doing here?
1737
01:31:06.461 --> 01:31:08.724
- Why are you so upset?
- Why are you here?
1738
01:31:09.420 --> 01:31:10.813
Why was Oswald here?
1739
01:31:10.813 --> 01:31:12.249
How... How'd you...
1740
01:31:12.249 --> 01:31:13.511
What business is that
of yours?
1741
01:31:13.511 --> 01:31:15.426
I know because I know.
1742
01:31:15.426 --> 01:31:16.906
I was passing by and...
1743
01:31:17.559 --> 01:31:18.951
I don't have to explain
myself to you.
1744
01:31:18.951 --> 01:31:21.432
What do you know about him?
Hmm? Who is he?
1745
01:31:21.432 --> 01:31:22.825
Is his name even Oswald?
1746
01:31:23.260 --> 01:31:24.348
'Cause let me
tell you something,
1747
01:31:24.348 --> 01:31:25.784
he's got a kid and a girl.
1748
01:31:25.784 --> 01:31:27.482
He was kissing
this other girl,
1749
01:31:27.482 --> 01:31:29.048
and they were walking
in the park.
1750
01:31:29.048 --> 01:31:31.311
He's leading a double life.
What do you think of that?
1751
01:31:31.311 --> 01:31:33.531
Well, first of all,
that's Jolie,
1752
01:31:33.531 --> 01:31:36.752
Oswald's ex-wife and mother
to his daughter, Kelly.
1753
01:31:36.752 --> 01:31:38.623
And they're still
really good friends.
1754
01:31:38.623 --> 01:31:40.016
And as it happens,
1755
01:31:40.016 --> 01:31:41.583
Oswald is moving in there.
1756
01:31:41.583 --> 01:31:43.846
Mr. Sablosky had an accident,
and Oswald's been needing
1757
01:31:43.846 --> 01:31:45.412
a place to stay.
I don't even know why
1758
01:31:45.412 --> 01:31:46.979
I'm bothering
to explain this to you.
1759
01:31:46.979 --> 01:31:49.068
We don't have anything more
to say to each other.
1760
01:31:49.547 --> 01:31:50.722
I'm sorry.
1761
01:32:02.560 --> 01:32:04.649
[SIRENS WAILING IN DISTANCE]
1762
01:32:44.254 --> 01:32:46.386
[THUDDING]
1763
01:32:53.785 --> 01:32:55.134
What the fuck are you doing?
1764
01:33:00.009 --> 01:33:01.924
You gotta get
the fuck outta here, man.
1765
01:33:20.464 --> 01:33:23.728
[MIMICKING OSWALD] Oh, well,
I happen to be Edward now.
1766
01:33:24.120 --> 01:33:27.297
And this here is Guy.
1767
01:33:27.645 --> 01:33:28.777
Guy...
1768
01:33:29.255 --> 01:33:31.301
he's a masterful actor.
1769
01:33:31.301 --> 01:33:33.172
Thank you man! Yes.
1770
01:33:33.956 --> 01:33:35.392
Yes, you are...
1771
01:33:39.091 --> 01:33:41.616
Kenneth Branagh.
1772
01:33:41.616 --> 01:33:43.661
Come on. Come along, now.
1773
01:33:43.661 --> 01:33:45.663
Chop, chop.
Chop, chop, shake a leg.
1774
01:33:45.663 --> 01:33:46.795
Shake a leg.
1775
01:33:47.622 --> 01:33:48.840
What do you think?
1776
01:33:48.840 --> 01:33:51.277
[VOCALIZING] Hoo!
1777
01:33:51.277 --> 01:33:52.757
Is it smashing?
1778
01:33:53.453 --> 01:33:55.064
Or is it smashing?
1779
01:33:55.586 --> 01:33:57.893
Do you like
this room, little girl?
1780
01:33:58.545 --> 01:34:01.636
I know it's quite small
and petite like you.
1781
01:34:02.375 --> 01:34:05.422
It's a room where you
can do anything you want.
1782
01:34:06.510 --> 01:34:08.164
You know that right?
1783
01:34:08.164 --> 01:34:11.210
Do you know Peppa Pig? Hmm?
1784
01:34:11.646 --> 01:34:14.213
Aw, she's a little nervous.
She's shy.
1785
01:34:14.213 --> 01:34:16.607
[LAUGHING]
1786
01:34:16.999 --> 01:34:19.131
♪ Don't cry, don't sigh ♪
1787
01:34:19.131 --> 01:34:22.221
♪ There's a silver lining
In the sky ♪
1788
01:34:22.569 --> 01:34:25.660
[SIGHS] Naturally,
it's a bit disappointing,
1789
01:34:25.660 --> 01:34:29.315
but I really do hope
we can all remain friendly.
1790
01:34:29.838 --> 01:34:32.623
I harbor no ill feelings.
1791
01:34:32.623 --> 01:34:37.628
Let us keep our hatreds
for the common enemy.
1792
01:34:37.628 --> 01:34:39.499
[OBJECTS CLATTERING]
1793
01:34:39.848 --> 01:34:40.979
Cheers!
1794
01:34:41.763 --> 01:34:42.894
Thank you.
1795
01:34:43.199 --> 01:34:44.504
- Can you...
- EDWARD: Much obliged!
1796
01:34:44.504 --> 01:34:46.942
- MARIANA: Okay.
- Jesus. Unplug it.
1797
01:34:47.507 --> 01:34:48.683
[EDWARD GRUNTS]
1798
01:34:50.249 --> 01:34:51.381
Righty then.
1799
01:34:51.816 --> 01:34:54.297
Fear, is a reaction.
1800
01:34:54.732 --> 01:34:57.256
Courage, is a decision.
1801
01:34:58.127 --> 01:34:59.998
I'll miss you
most all, darling.
1802
01:35:01.565 --> 01:35:04.873
- CLAY: What the fuck?
- Ta-ta, for now!
1803
01:35:05.830 --> 01:35:07.614
FIONA: Maybe we'll ride
to glory together.
1804
01:35:07.614 --> 01:35:08.703
OSWALD: Whatever you say,
my darling.
1805
01:35:08.703 --> 01:35:09.965
EDWARD: Excuse me, old chap.
1806
01:35:09.965 --> 01:35:11.575
I think you're
kissing my girl!
1807
01:35:11.575 --> 01:35:13.708
Ah, it appears my understudy has
had a bit too much to drink.
1808
01:35:13.708 --> 01:35:14.970
EDWARD: Understudy?
No, no, no, no.
1809
01:35:14.970 --> 01:35:16.275
Maybe we could talk
about this after the...
1810
01:35:16.275 --> 01:35:17.581
No, no, no. No, understudy.
1811
01:35:17.581 --> 01:35:18.756
- After the performance.
- EDWARD: I'm Edward!
1812
01:35:18.756 --> 01:35:20.062
OSWALD: You...
EDWARD: You're not Edward.
1813
01:35:20.062 --> 01:35:21.541
OSWALD: Okay, you're Edward.
EDWARD: No, no.
1814
01:35:21.541 --> 01:35:22.978
OSWALD: You're Edward.
EDWARD: This is my red door.
1815
01:35:22.978 --> 01:35:24.153
- This is my couch.
- OSWALD: You're Edward.
1816
01:35:24.153 --> 01:35:26.372
EDWARD: These are my lines!
Come here!
1817
01:35:26.372 --> 01:35:27.809
- You stole my life!
- [PEOPLE EXCLAIMING]
1818
01:35:27.809 --> 01:35:29.245
EDWARD: Get off me!
1819
01:35:29.245 --> 01:35:30.507
- He's got everything!
- OSWALD: What the hell, Guy!
1820
01:35:30.507 --> 01:35:31.856
- EDWARD: No! I'm Edward!
- Calm down,
1821
01:35:31.856 --> 01:35:33.292
- and we can talk about this.
- EDWARD: I'm Edward.
1822
01:35:33.292 --> 01:35:34.641
Okay, okay.
1823
01:35:34.641 --> 01:35:36.252
Okay, let go! Let go!
1824
01:35:36.252 --> 01:35:38.167
I'm gonna leave.
I'm gonna leave.
1825
01:35:38.167 --> 01:35:39.777
[BREATHING HEAVILY]
1826
01:35:39.777 --> 01:35:43.172
OSWALD: Everything's fine.
If you sit down, we can talk.
1827
01:35:43.172 --> 01:35:44.303
EDWARD: No!
1828
01:35:44.303 --> 01:35:46.044
- [GRUNTING]
- [PEOPLE EXCLAIMING]
1829
01:35:46.915 --> 01:35:48.177
EDWARD: Take yours off!
1830
01:35:48.177 --> 01:35:51.789
- Take yours off!
- Take what off?
1831
01:35:51.789 --> 01:35:53.748
- [EDWARD GRUNTING]
- [OBJECTS CLATTERING]
1832
01:35:54.313 --> 01:35:55.401
Get over here!
1833
01:35:55.401 --> 01:35:57.360
- [GRUNTING] Ahhh!
- [THUDS]
1834
01:36:01.146 --> 01:36:02.321
[GROANS]
1835
01:36:03.758 --> 01:36:05.368
[SET PIECE SQUEAKING]
1836
01:36:07.674 --> 01:36:08.763
OSWALD: Guy.
1837
01:36:08.763 --> 01:36:10.373
[CEILING CREAKING]
1838
01:36:10.373 --> 01:36:12.114
- [CEILING CLANKS]
- [EDWARD YELPS]
1839
01:36:12.114 --> 01:36:13.593
- [CROWD GASPING AND SHOUTING]
- OSWALD: No!
1840
01:36:13.593 --> 01:36:14.899
- Oh my God. Guy!
- [INGRID GASPS]
1841
01:36:14.899 --> 01:36:16.553
Oh, no. What have I done?
What have I done?
1842
01:36:16.553 --> 01:36:18.816
- [CRASHING]
- [PEOPLE SHOUTING]
1843
01:36:18.816 --> 01:36:20.775
No! Guy! No, Guy!
1844
01:36:20.775 --> 01:36:22.254
[CRYING] What have I done?
1845
01:36:22.646 --> 01:36:24.561
I don't know my own strength.
1846
01:36:24.561 --> 01:36:26.955
Guy! Guy.
1847
01:36:26.955 --> 01:36:28.260
[PLATES CLATTERING]
1848
01:36:28.260 --> 01:36:29.784
ACTOR: I know
I keep saying it, man,
1849
01:36:29.784 --> 01:36:30.959
but it is such an honor.
1850
01:36:30.959 --> 01:36:32.743
OSWALD: Oh, truly,
the honor is all ours.
1851
01:36:32.743 --> 01:36:33.918
INGRID: We couldn't be
more excited.
1852
01:36:33.918 --> 01:36:35.137
ACTOR: I mean,
frankly, I think
1853
01:36:35.137 --> 01:36:36.660
- you should be playing it.
- OSWALD: Oh, no.
1854
01:36:36.660 --> 01:36:38.357
- I wouldn't dream of it.
- ACTOR: No, honestly, I think
1855
01:36:38.357 --> 01:36:39.750
you got something special.
1856
01:36:40.359 --> 01:36:41.621
Real charisma.
1857
01:36:42.797 --> 01:36:44.233
I mean, it takes a name
1858
01:36:44.233 --> 01:36:46.104
to get these things funded,
as you know.
1859
01:36:46.104 --> 01:36:48.454
But I want you to know,
1860
01:36:48.454 --> 01:36:50.326
it's important to me
to get it right.
1861
01:36:50.717 --> 01:36:53.459
And that's why I wanted
to spend some time with you,
1862
01:36:53.459 --> 01:36:54.809
and, you know, uh,
1863
01:36:55.418 --> 01:36:59.161
not study really,
but observe, ask questions.
1864
01:36:59.161 --> 01:37:00.510
Ah, research,
1865
01:37:00.510 --> 01:37:01.859
- as they say in the biz.
- ACTOR: Mmm-hmm.
1866
01:37:01.859 --> 01:37:03.295
OSWALD: Well, I think
it's important for you
1867
01:37:03.295 --> 01:37:04.862
to interpret this as you want.
1868
01:37:04.862 --> 01:37:06.298
ACTOR: Right.
OSWALD: I mean, Edward was
1869
01:37:06.298 --> 01:37:09.040
envisioned by Ingrid,
and what I was doing earlier,
1870
01:37:09.040 --> 01:37:11.216
Guy here completely pioneered.
1871
01:37:11.216 --> 01:37:13.871
ACTOR: Right on.
OSWALD: I'm interpreting Guy,
1872
01:37:13.871 --> 01:37:15.133
interpreting Ingrid.
1873
01:37:15.133 --> 01:37:17.309
And you're just
the next and final step
1874
01:37:17.309 --> 01:37:18.963
in the evolutionary process.
1875
01:37:19.268 --> 01:37:20.486
ACTOR: Yeah,
that's really cool.
1876
01:37:20.486 --> 01:37:22.662
I'd love to ask you
some questions, too.
1877
01:37:24.751 --> 01:37:27.450
Really cool. Kind of
a collaborative thing.
1878
01:37:28.886 --> 01:37:31.236
Will they be using some...
Some mask
1879
01:37:31.236 --> 01:37:34.022
- or makeup of some sort?
- Why?
1880
01:37:34.587 --> 01:37:36.328
[ALL LAUGHING]
1881
01:37:36.328 --> 01:37:37.547
Uh, I don't know.
1882
01:37:38.026 --> 01:37:39.592
It's beyond my pay grade.
1883
01:37:40.202 --> 01:37:42.378
I'm... I'm not really part
of those discussions.
1884
01:37:42.378 --> 01:37:44.554
They can do a lot
these days to make it
look real.
1885
01:37:45.337 --> 01:37:46.469
Pretty real.
1886
01:37:47.687 --> 01:37:50.255
But, you know,
I don't worry about that stuff.
1887
01:37:51.256 --> 01:37:54.999
I think as long as I do
my job getting Edward right,
1888
01:37:55.782 --> 01:37:57.219
it'll come through.
1889
01:37:57.697 --> 01:38:00.135
- The rest is just icing.
- OSWALD: Very true.
1890
01:38:00.526 --> 01:38:01.876
ACTOR: Cheers. Mmm.
1891
01:38:01.876 --> 01:38:03.138
INGRID: Cheers.
ACTOR: Hmm.
1892
01:38:07.577 --> 01:38:09.709
[PLAYING SAXOPHONE]
1893
01:38:16.455 --> 01:38:18.544
- [NICK AND OSWALD GRUNTING]
- [CROWD CHEERING ON VIDEO GAME]
1894
01:38:18.544 --> 01:38:20.198
[KELLY MUMBLING]
1895
01:38:20.198 --> 01:38:21.460
NICK: It's not working.
1896
01:38:22.244 --> 01:38:23.854
- [CHEERING CONTINUES]
- [BELL RINGING]
1897
01:38:23.854 --> 01:38:25.421
[NICK SIGHS AND EXHALES]
1898
01:38:25.421 --> 01:38:26.944
- OSWALD: Whoo!
- Fuck!
1899
01:38:27.771 --> 01:38:29.294
- Fuck.
- Number one.
1900
01:38:29.294 --> 01:38:30.600
NICK: That's
a cool typewriter.
1901
01:38:30.992 --> 01:38:32.167
OSWALD: You can have it.
1902
01:38:33.646 --> 01:38:35.735
MAN ON TV: I wish
I had a woman, too,
1903
01:38:35.735 --> 01:38:37.215
walking with me under the moon
1904
01:38:37.694 --> 01:38:40.566
and holding my arm
and smiling,
1905
01:38:41.872 --> 01:38:45.049
and then I dream and I forget.
1906
01:38:48.574 --> 01:38:51.926
And then I see the shadow
of my profile on the wall.
1907
01:38:52.927 --> 01:38:53.971
["JINGLE BELLS" PLAYING
OVER SPEAKERS]
1908
01:38:53.971 --> 01:38:55.364
MAN: There you go. Step in.
1909
01:38:55.364 --> 01:38:57.279
Good man.
1910
01:38:57.279 --> 01:38:59.150
Other foot. Perfect.
1911
01:38:59.150 --> 01:39:01.892
All right. Nice and easy,
here we go.
1912
01:39:01.892 --> 01:39:03.720
One foot after the other.
1913
01:39:04.460 --> 01:39:07.289
- Perfect. Rock on.
- Gonna go shopping.
1914
01:39:07.289 --> 01:39:09.595
- Anyone need anything?
- Uh, no, thanks.
1915
01:39:09.595 --> 01:39:10.988
I'm heading out.
You guys need anything?
1916
01:39:10.988 --> 01:39:12.163
- I just asked.
- [OSWALD CHUCKLING]
1917
01:39:12.859 --> 01:39:14.818
Well, if something changes,
give me a call.
1918
01:39:14.818 --> 01:39:16.124
I'm gonna get out your hair.
1919
01:39:16.124 --> 01:39:17.560
- I'll walk you out.
- I'll be back around 8:00.
1920
01:39:17.560 --> 01:39:18.604
Toodle-oo.
1921
01:39:19.736 --> 01:39:20.867
[DOOR OPENS]
1922
01:39:22.565 --> 01:39:24.306
- [DOOR CLOSES]
- What the fuck is
1923
01:39:24.306 --> 01:39:25.960
going on in here?
1924
01:39:25.960 --> 01:39:27.526
What's going on with his face?
1925
01:39:27.526 --> 01:39:29.572
Fuck, I mean, is he rich
or something?
1926
01:39:29.572 --> 01:39:30.660
[CHUCKLES]
1927
01:39:30.660 --> 01:39:31.748
Like, what does she...
1928
01:39:31.748 --> 01:39:32.967
Is she...
1929
01:39:33.358 --> 01:39:35.447
[CHUCKLES] That's
the craziest shit I ever saw.
1930
01:39:36.796 --> 01:39:38.842
Forgot my headphones.
Sorry, sorry.
1931
01:39:40.104 --> 01:39:41.627
You guys carry right on.
1932
01:39:42.367 --> 01:39:43.542
No problem, boss.
1933
01:39:44.891 --> 01:39:46.067
You know, let's pause
for a second,
1934
01:39:46.067 --> 01:39:47.546
I gotta take a leak.
1935
01:39:47.546 --> 01:39:49.418
Keep going. Just put one foot
in front of the other.
1936
01:39:55.032 --> 01:40:00.037
♪ A day or two ago
I thought I'd take a ride
1937
01:40:00.037 --> 01:40:04.694
♪ And soon Miss Fanny Bright
was seated by my side
1938
01:40:04.694 --> 01:40:06.957
♪ The horse was lean
and lank... ♪
1939
01:40:06.957 --> 01:40:09.046
[TOILET FLUSHING]
1940
01:40:10.134 --> 01:40:11.614
[DOOR OPENS]
1941
01:40:11.614 --> 01:40:13.920
♪ And we, we got upsot
1942
01:40:14.399 --> 01:40:19.361
♪ Jingle bells, jingle bells
jingle all the way ♪
1943
01:40:19.361 --> 01:40:21.015
♪ Oh, what fun it is
to ride... ♪
1944
01:40:21.015 --> 01:40:22.320
Hey, man,
do you mind if I grab
1945
01:40:22.320 --> 01:40:23.452
one of these seltzers?
1946
01:40:28.152 --> 01:40:29.371
[MAN GROANS]
1947
01:40:30.937 --> 01:40:33.027
[BOTH GRUNTING]
1948
01:40:34.637 --> 01:40:35.812
[OBJECTS CLATTERING]
1949
01:40:45.822 --> 01:40:47.954
[BOTH GRUNTING]
1950
01:40:52.829 --> 01:40:54.918
[MAN COUGHS AND GAGS]
1951
01:40:55.484 --> 01:40:56.789
[CHOKING]
1952
01:40:57.877 --> 01:40:59.966
♪ Oh, what fun it is to ride
1953
01:40:59.966 --> 01:41:02.534
♪ In a one-horse
open sleigh, hey
1954
01:41:02.534 --> 01:41:05.059
♪ Jingle bells, jingle bells
1955
01:41:05.059 --> 01:41:07.104
♪ Jingle all the way
1956
01:41:07.104 --> 01:41:10.499
♪ Oh, what fun it is to ride
In a one-horse open sleigh ♪
1957
01:41:10.499 --> 01:41:11.630
[COUGHING]
1958
01:41:13.502 --> 01:41:15.330
- [SONG ENDS]
- [MAN STOPS COUGHING]
1959
01:41:22.380 --> 01:41:24.513
[DRAMATIC MUSIC PLAYING]
1960
01:41:29.126 --> 01:41:30.519
I heard noises.
1961
01:41:32.956 --> 01:41:35.089
[DRAMATIC MUSIC CONTINUES]
1962
01:41:42.966 --> 01:41:44.315
[INMATES CHATTERING
INDISTINCTLY]
1963
01:41:44.315 --> 01:41:45.751
[BASKETBALL THUDDING
ON GROUND]
1964
01:41:45.751 --> 01:41:47.231
INMATE: Next shot, I got you.
1965
01:41:47.231 --> 01:41:49.451
[INDISTINCT CHATTERING
CONTINUES]
1966
01:41:49.451 --> 01:41:50.887
- [BALL THUDS]
- INMATE: Oh!
1967
01:41:56.762 --> 01:41:58.895
[MUSIC FADES OUT]
1968
01:42:04.901 --> 01:42:07.033
[CAR HONKING]
1969
01:42:09.166 --> 01:42:11.168
Hey man, nice shoes.
1970
01:42:11.168 --> 01:42:14.911
Where's Fort Lee, man?
New Jersey.
1971
01:42:16.304 --> 01:42:17.696
Where's your manners?
1972
01:42:19.133 --> 01:42:21.178
Man, you must have had
some ugly parents.
1973
01:42:21.657 --> 01:42:23.137
I hope you die of cancer,
1974
01:42:23.528 --> 01:42:25.835
and your ugly children
die of cancer.
1975
01:42:25.835 --> 01:42:29.926
And your whole
ugly bloodline of, uh,
1976
01:42:29.926 --> 01:42:33.625
ugly degenerates
wiped off the face
1977
01:42:33.625 --> 01:42:35.410
of God's beautiful earth.
1978
01:42:36.933 --> 01:42:38.239
Nice shoes, man.
1979
01:42:39.196 --> 01:42:40.328
Nice shoes.
1980
01:42:49.641 --> 01:42:51.165
OSWALD: Do I believe my eyes?
1981
01:42:58.433 --> 01:43:00.783
Yeah, we adopted Lucy, her...
Her daughter.
1982
01:43:00.783 --> 01:43:03.220
And, uh, it's crazy
to even say it.
1983
01:43:03.220 --> 01:43:04.613
She's in grad school now.
1984
01:43:04.830 --> 01:43:06.092
She is.
1985
01:43:06.092 --> 01:43:08.182
Oh, you have to come
and see the play, Guy.
1986
01:43:08.182 --> 01:43:09.792
- Don't pressure him.
- He wants to come.
1987
01:43:09.792 --> 01:43:11.663
- Right, Guy?
- Oh, yeah, of course.
1988
01:43:11.663 --> 01:43:13.317
When... When are
you free? Tonight?
1989
01:43:13.317 --> 01:43:15.580
- When... What time?
- 8:00 p.m., sharp.
1990
01:43:15.580 --> 01:43:17.539
- All right.
- You can sit with me.
1991
01:43:18.235 --> 01:43:21.020
- You're not in it?
- [CHUCKLES] No.
1992
01:43:21.020 --> 01:43:24.067
No, I'm no actor.
I mean, sure, Edward.
1993
01:43:24.067 --> 01:43:26.069
But that whole thing was...
1994
01:43:26.069 --> 01:43:28.027
What a piece of shit.
I don't even allow people
1995
01:43:28.027 --> 01:43:29.638
to perform that anymore.
1996
01:43:29.638 --> 01:43:32.075
OSWALD: No, no, no. It was
your precocious early work,
1997
01:43:32.075 --> 01:43:35.121
and it brought us together,
so it served that noble cause.
1998
01:43:35.121 --> 01:43:36.949
INGRID: Thank God,
they didn't make that movie.
1999
01:43:36.949 --> 01:43:38.473
OSWALD: Oh, I was
so disappointed.
2000
01:43:38.473 --> 01:43:41.389
I really wanted to see
that guy try and play me.
2001
01:43:41.389 --> 01:43:44.043
But anyway, it's brilliant
we bumped into you,
2002
01:43:44.043 --> 01:43:46.089
'cause we're actually
moving away next month
2003
01:43:46.089 --> 01:43:47.438
when the play wraps.
2004
01:43:47.438 --> 01:43:48.787
Where? Where are you going?
2005
01:43:48.787 --> 01:43:50.572
To Canada.
A place called Shepperton.
2006
01:43:50.572 --> 01:43:51.747
Have you heard of it?
2007
01:43:52.182 --> 01:43:55.707
It could be described
as a nudist colony.
2008
01:43:55.707 --> 01:43:57.579
Yeah. It's only a part of it.
Small part of it.
2009
01:43:57.579 --> 01:43:58.797
But yeah,
basically we'll be...
2010
01:43:58.797 --> 01:44:00.364
OSWALD: As God intended.
2011
01:44:00.756 --> 01:44:01.974
Why?
2012
01:44:01.974 --> 01:44:04.281
Well, it's a long story.
We met this woman
2013
01:44:04.281 --> 01:44:05.761
- when we were...
- Going through the Andes.
2014
01:44:05.761 --> 01:44:08.590
Yeah. And it turns out
she's this incredible person
2015
01:44:08.590 --> 01:44:10.722
with followers and all that.
2016
01:44:10.722 --> 01:44:13.116
And it's kind of this
ecological philosophy.
2017
01:44:13.116 --> 01:44:15.510
Mmm-hmm.
And... And... And free love.
2018
01:44:15.510 --> 01:44:17.512
- Yes, but also it's...
- And LSD.
2019
01:44:17.512 --> 01:44:20.471
- Sometimes, yeah, but it's...
- Yep. Have you done LSD, Guy?
2020
01:44:21.298 --> 01:44:23.561
Wha... What about
like bad trips?
2021
01:44:23.561 --> 01:44:24.997
OSWALD: Yeah, it's possible.
2022
01:44:24.997 --> 01:44:27.522
But it's all really down
to how you frame it, Guy.
2023
01:44:27.522 --> 01:44:29.175
[CHUCKLES] I don't think
he could handle it.
2024
01:44:29.175 --> 01:44:32.004
Yeah. He just needs someone
to lead him through it is all.
2025
01:44:32.004 --> 01:44:34.659
- Which I can do.
- INGRID: Recently certified.
2026
01:44:35.530 --> 01:44:36.792
And what about your kids?
2027
01:44:36.792 --> 01:44:37.880
OSWALD: No.
INGRID: Yeah, no.
2028
01:44:37.880 --> 01:44:39.098
They say it's a cult.
2029
01:44:39.098 --> 01:44:40.274
OSWALD: Yeah. I mean,
you probably think
2030
01:44:40.274 --> 01:44:41.405
it's a cult, too, right?
2031
01:44:41.405 --> 01:44:42.667
EDWARD: Well, I...
I guess it sounds
2032
01:44:42.667 --> 01:44:44.495
- a little like a cult.
- I mean, yeah, sure,
2033
01:44:44.495 --> 01:44:46.410
if you paint it in
like broad brush strokes.
2034
01:44:46.410 --> 01:44:48.804
But it's... It's really
quite leaderless.
2035
01:44:48.804 --> 01:44:50.675
But what about this,
uh, Andes woman,
2036
01:44:50.675 --> 01:44:52.590
- isn't she like the leader?
- Founder.
2037
01:44:52.590 --> 01:44:54.331
Yes, she set it all in motion.
2038
01:44:54.331 --> 01:44:55.463
But it's... It's...
2039
01:44:55.898 --> 01:44:58.944
She's not a guru in the...
Well, she's sort of a guru.
2040
01:44:58.944 --> 01:45:00.816
Yes. She's a guru
in the pure sense.
2041
01:45:00.816 --> 01:45:02.861
Yeah, see we can't talk
about it without sounding...
2042
01:45:02.861 --> 01:45:04.167
Absolutely bonkers.
2043
01:45:04.167 --> 01:45:05.821
- EDWARD: Mmm.
- Yeah. But honestly,
2044
01:45:05.821 --> 01:45:08.040
It's... It's... It's paradise.
2045
01:45:08.867 --> 01:45:09.955
Actual paradise.
2046
01:45:09.955 --> 01:45:11.348
- Like utopia.
- Yeah, utopia.
2047
01:45:11.348 --> 01:45:12.697
- Closest thing to it.
- Yeah.
2048
01:45:12.697 --> 01:45:14.830
EDWARD: And what
about your career?
2049
01:45:14.830 --> 01:45:17.180
Well, I've accomplished
everything I've ever wanted...
2050
01:45:17.180 --> 01:45:18.834
I'm... I'm ready
for the next phase.
2051
01:45:18.834 --> 01:45:20.139
I mean, all she wants
to do now,
2052
01:45:20.139 --> 01:45:21.924
is take LSD
and fuck all the time.
2053
01:45:21.924 --> 01:45:23.360
- I mean, you know...
- [EDWARD CHUCKLES]
2054
01:45:23.360 --> 01:45:25.188
OSWALD: Enough about us,
what's going on with you?
2055
01:45:25.188 --> 01:45:26.624
- Tell us everything.
- Yeah.
2056
01:45:26.624 --> 01:45:29.975
Well, I mean. [EXHALES]
I don't know. Um...
2057
01:45:29.975 --> 01:45:32.413
Do we know
what we would like tonight?
2058
01:45:32.935 --> 01:45:34.023
[INGRID CLEARS THROAT]
2059
01:45:34.023 --> 01:45:35.503
What are you thinking, Edward?
2060
01:45:35.503 --> 01:45:39.507
Uh, you... You go ahead.
I'm... I'm still, um...
2061
01:45:40.116 --> 01:45:41.857
Okay. Well, we're celebrating,
2062
01:45:41.857 --> 01:45:44.033
so we're gonna need
some more sake.
2063
01:45:44.033 --> 01:45:46.731
Let's do another bottle
of the Dassai Hayata.
2064
01:45:46.731 --> 01:45:49.343
And for the table, the wakame,
2065
01:45:49.343 --> 01:45:50.822
the agedashi tofu,
2066
01:45:51.257 --> 01:45:53.085
and he needs
to try the uni toast.
2067
01:45:53.608 --> 01:45:55.610
And an order
of the hamachi kama, why not.
2068
01:45:56.175 --> 01:45:58.134
And for my entree,
2069
01:45:58.134 --> 01:45:59.788
let's go
with the wagyu flight.
2070
01:45:59.788 --> 01:46:02.356
INGRID: A miso black cod
for me, please. Thank you.
2071
01:46:02.356 --> 01:46:03.531
SERVER: And for you sir?
2072
01:46:05.663 --> 01:46:06.925
Um...
2073
01:46:08.144 --> 01:46:09.406
Uh...
2074
01:46:10.668 --> 01:46:12.017
SERVER: Do you need a minute?
2075
01:46:13.105 --> 01:46:15.238
- Yeah. I, uh...
- [OSWALD CHUCKLING]
2076
01:46:16.457 --> 01:46:18.372
Oh, my old friend.
2077
01:46:19.024 --> 01:46:21.549
You haven't changed a bit.
2078
01:46:22.245 --> 01:46:24.378
[OSWALD AND EDWARD LAUGHING]
2079
01:46:29.339 --> 01:46:31.428
[DRAMATIC MUSIC PLAYING]
2080
01:48:58.793 --> 01:49:00.925
[DRAMATIC MUSIC CONTINUES]
2081
01:51:51.661 --> 01:51:53.750
[MUSIC FADES OUT]