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[AUDIENCE APPLAUDING]
And the nominees for the Best Yell
in an Action Film are...
Vin Spiegel in Go Forth Gut-wrenched.
[DRAMATIC MUSIC PLAYING] DEEP ROBOTIC VOICE: Ten, nine,
eight, seven, six,
five, four, three...[YELLS]
[MUSIC FADES]
And Professor Piero Pomponi for Bad Informations.
[SONAR DINGS]
[DRAMATIC MUSIC PLAYING]
[MUFFLED YELLING]
[YELLS]
[AUDIENCE APPLAUDING]
And Brick Maxwell for The Big Bang II:
Light the Fuse.[AUDIENCE CHEERING, APPLAUDING]
[INTENSE MUSIC PLAYING]
[SCREAMS][MUSIC FADES]
[AUDIENCE APPLAUDING]
And Nic Cassino for Spike Five: Death Match 3000.
[AUDIENCE CHEERING, APPLAUDING]
[BOTH GRUNT][DRAMATIC MUSIC PLAYING]
[MASKED MAN YELLS]
[GRUNTS, YELLS]
[AUDIENCE APPLAUDING]
And the award goes to...[FANFARE MUSIC PLAYING]
- My God! Brick Maxwell! - Ooh! Brick Maxwell
for The Big Bang II: Light the Fuse!
[AUDIENCE CHEERING, APPLAUDING]
[TRIUMPHANT MUSIC PLAYING]
Whoo!
[AUDIENCE CHEERING, APPLAUDING]
[MUSIC CONTINUES FAINTLY]
[INDISTINCT CHATTER]
How about a Slow Screw Against the Wall?
Can you believe this kid?
Can't even do a pushup
and he's the new face of action films.
Please.
Estrogen is the new testosterone.
The demographic is changing
and they want a new kind of hero.
One who's a little more vulnerable.
Shit, it's all done with computers anyway.
That's what I'm saying, Jack. Award's for action films.
- Not action cartoons. - Hmm.
- NIC: The stuff I do is real. - JACK: Yeah.
Fire, explosions, car chases.
- This scar. Morocco, 2016. - JACK: Yeah.
You won this award - three years running. - Yeah.
And your next film is testing through the roof.
You're still young.
Jack, I'm 53.
Fifty is the new 20.
[SCOFFS] Yeah, right.[JACK CHUCKLES]
Fifty. Still haven't done my Streetcar Named Desire.
The world needs to see...
[MIMICS MARLON BRANDO] ...the Brando.
I'm gonna swallow a bug.[JACK CHUCKLES]
Why don't you come by my office tomorrow, we can talk.
I might have something for you. A Disney project.
- Disney? - JACK: Disney.
- NIC: Family films? - Yeah, why not?
Yeah, could show my range.
Exactly. It's an opportunity for you.
Interesting.
Magilla Gorilla?
What?
It's got heat. They're talking ensemble cast.
Check this out. Danny DeVito as Mr. Peebles.
I'm not playing a gorilla, Jack! That's where I draw the line.
You're not gonna play a gorilla.
Just lend your voice.[GRUNTS] No!
The old man would turn in his grave
if he knew his son was playing an ape.
Nic, it's a payday.
It could be a future franchise.
What's happening with The Horseman?
Listen, I gotta call you back.[CELL PHONE BEEPS]
[SIGHS] They're going with Brick Maxwell.
They wanted someone a little more...
prepubescent.
What? What does that mean?
Younger, Nic.
They wanted someone younger.
Look, kid, it happens fast in this business.
One day, you're on the top of the hill,
the next day you're over it.[FOOTSTEPS APPROACHING]
[JACK SIGHS]
It kills me that you're not getting the parts.
Believe me.
I raised my tent on your pole. Remember?
Spike? Spike II? Spike III?
[SIGHS] But things change.
Yesterday, it was underdog action heroes.
Today, it's... teenage zombies.
Hey, here's something you might like.
No cartoons, Jack. Not now.
- No cartoons. - JACK: No. No, no.
A festival in Italy wants to do a retrospective on your career.
Why don't you take Aurora and have a nice trip?
I haven't seen her since the awards.
- Uh, a retrospective? - Then go yourself.
The Italians have always loved your films.
[SCOFFS]
Sure. Like, where? Where is it?
In Naples. The Giffoni Film Festival.
Hmm.
I could use a bit of love.
I think. [INHALES]
[EXHALES DEEPLY]
Mr. Cassino? We're ready to go.
Great.
["MOVING ALONG" PLAYING]
[PLANE ENGINE ROARING]
♪ If I could, you know I would try and tell you ♪
♪ How it all went gone to seed
♪ If I could move When you shoot ♪
♪ I'd fire back at you ♪
♪ I'm in an awful way
♪ When I was poor I was a harder man, I tell you ♪
♪ Worked 47 hours a week
♪ But with holes in my shoes ♪
♪ I didn't have no blues ♪
♪ I'm in an awful place ♪
♪ Now, you're cutting me off At the knees ♪
♪ And you're cutting me off At the heart ♪
♪ I caught some trouble Under my feet ♪
[CROWD CHEERING]
♪ But I gotta be moving along ♪
Whoo!
Whoo![CELL PHONE CLICKS]
Whoo![CAMERA SHUTTERS CLICKING]
[YELLS]
[SONG CONTINUES]
Whoo!
[CAMERA SHUTTERS CLICKING]
Whoo! Whoo!
♪ I gotta be moving on ♪
♪ Moving on ♪
♪ Move!
[SCATTERED APPLAUSE][SONG FADES]
[IN ITALIAN] Ladies and gentlemen, kids.
[IN ENGLISH] Stay, stay, stay! Just a moment! Stay!
The director of the film is in attendance
and will be available for a Q&A.
[DOOR CLOSES] Stay! Stay, stay, stay!
Please! Just a moment!
A question?
I have a question.
The American superhero, Nic Cassino?
Where is the conference?
FABRIZIO: Uh, Lore, do you remember Fausto?
We taught filmmaking together
at the Centro Sperimentale.[CHUCKLES]
Ah, yes, of course. The days of hope and glory.
[CHUCKLES] I told Fabrizio,
any service I can provide to help his career.
I am, as we say in Naples...
[IN ITALIAN] I am available.
[IN ENGLISH] Whatever you need.
Do you sell life insurance?
Ah!
[ALL LAUGH] It was a joke.
Fabrizio, you know, it's late.
The hydrofoil for Ischia is leaving in an hour.
And Ombretta?
She's outside trying to get a signal.
Nello is calling to meet us at the port.
- So, very nice to meet you. - Bye.
Our daughter.[CHUCKLES]
She's an actress.[CHUCKLES]
- Can we go now? - Yes, we go.
- Is it Lello? - Nello.
Nello, Lello. What's the difference?
[SPEAKS ITALIAN]
"Marry and buy cattle
from your own town and you won't be let down."
Yes. Of course.
- A lot of good it did me. Hmm. - NIC: Jack!
Yep, safe and sound.[FAINT CHEERING IN BACKGROUND]
Could've warned me about the Amalfi drive.
You know what I'm like with heights.
JACK: [OVER PHONE] Hey, I got some news for you.[CROWD CHEERING]
Mm-hmm? The Horseman came through?
JACK: You sittin' down?
Uh... [GRUNTS] I am now. I'm sitting.
What's the news?
JACK: Not that kind of news.
- NIC: Uh-huh? - JACK: Aurora came by.
- NIC: Right? - JACK: She's filing for divorce.
Hmm. Interesting. That's... That's terrific.
Yeah! I love you, too.[CROWD CHEERING]
My wife's filing for divorce.
[CHUCKLES] Yeah, she's off with Brick... Brick Maxwell.
Noodle arms. Spaghetti arms.
The guy who pretends he's an action hero.
Really not. I love you, too.
Jack, you need to get me out of this.
JACK: [OVER PHONE] You wanna use the food allergy routine?
Yeah. Whatever, yeah.
JACK: I'll try to hold the jet for you.
Right. Uh, wait. Uh, Jack. Um...
I need some time. Is there...
any place out here where I can stay low for a few days?
JACK: Well, George Clooney's villa
is up for sale.[SIGHS]
JACK: But it's way up north.
What about Sofia's?
JACK: Vin Spiegel's staying there.
[INHALES] They're prepping Sergeant Stone.
Right, well-- God.
Anywhere where no one knows who I am.
- All right. - JACK: Wait a second.
There's an Italian actress who's got a villa nearby.
Place called Ischia.
Yeah. Ischia. Sounds great. All right.
[SHIP HORN BLARING]
[INDISTINCT CHATTER]
[CHUCKLES] Nello, I introduce my mother, Lorella.
- Nice to meet you. - And my father, Fabrizio.
It's a pleasure and an honor to meet you.
I've heard so much of your films.
- Have you seen any of them? - NELLO: No.
But I feel as I have.
Ombretta has spoken of them so often.
Such courage to make a three-hour film
in this day and age.
Courage? Interesting point of view.
- Listen, Lello. - Nello.
Sorry. Nello. We are very tired.
Six hours on the train, three hours at the festival.
Can we just go to the hydrofoil?
Papa. Nello has a surprise for you.
- Yes? - OMBRETTA: Yes.
A private boat and tour.
Wow. Hmm.
["CI PENSIAMO DOMANI" PLAYING]
[SINGING IN ITALIAN]
And as we reach the end of our tour,
I'd like to show you the most beautiful jewels
of our exotic island.
[LAUGHS]
I am speaking, of course,
of the many celebrity villas here in Ischia.
We are in the district of Zaro.
And here, at one time or another,
famous director Luchino Visconti,
international actress Liz Taylor,
and her lover, Richard Burton,
made Ischia their summer residence.
[SONG CONTINUES]
Sorry, can you close it?
Thank you.
And so, signori, I now bid you arrivederci.
Auf Wiedersehen.
Au revoir.
Ni hao.
Bye! [LAUGHS]
[SONG CONTINUES]
[SINGING IN ITALIAN]
[SONG FADES][SHIP HORN BLARING]
[LORELLA MURMURS] Uh, excuse me.
Are you looking perhaps for "Favuzzo?"
Oh, si![LAUGHS] Favuzzo!
[SMOOCHES, LAUGHS][CHUCKLES]
I am Angioletto.
Di Meglio. I am the father of--
- Ah, Lello. Of course. - Nello.
Oh. Nello, Lello. What's the difference, huh?
[SMOOCHES] You're right.
[CHUCKLES] Thank you. [CHUCKLES]
But... But--
Where are the two fidanzatini?
The... the young lovers.
Nello went to check for our hotel.
- We are very tired. - Yeah.
Oh! You are our guests.
Filomena has already prepared your room,
and she has been cooking for three days.
Ah, but we have just met. We really can't impose.
No, no, no--We can't impose, we--
With the engagement of our children,
we are practically family.
[CHUCKLES] And besides we have plenty of room.[CHUCKLES]
[CHUCKLES] Oh, come on! Come on! [LAUGHS]
Plenty of room...
[ENGINE REVVING]
Plenty of room!
Lello!
- NELLO: It's Nello. - Nello. Nello.
- How many kilometers? - Just ten!
- Just ten? - NELLO: Yes.
Ah, we are lucky.
- LORELLA: [LAUGHS] Yes. - Yes.
- Very lucky. - Very lucky.
[UPBEAT MUSIC PLAYING]
SABRINA: [IN ITALIAN] The Great Nic Cassino!
Welcome to Villa Antonietta.
Nicola. Grazie mille.
[IN ENGLISH] Thanks for the hospitality.
Ah, you speak Italian!
Well, kinda. Not really.
Well, my dad taught me and my brother,
but I stopped using it when he died.
Ah! Your brother is died?
No. Uh, we just haven't spoken
in English or Italian in a long time. [CHUCKLES]
[LAUGHS] I'm sorry. My English not so fine.
- Well, my Italian's not so fine. - Ah. I think.
[IN ITALIAN] Okay.
- [IN ENGLISH] Come. Come here. - NIC: Great.
[BIRDS CHIRPING]
This is the gym.
Ah.[CHUCKLES]
[IN ITALIAN] Fabulous!
[IN ENGLISH] At any mode, here are the keys.
[SIGHS] Accomodati. Uh, make yourself at home.
Hmm.
[IN ITALIAN] Very kind of you.
Uh...
Can I eat you tonight?
Hmm?
[IN ENGLISH] Uh. Ask her
if she wants to have dinner with me tonight.
[IN ITALIAN] Mr. Cassino's asking if you want to have dinner with him tonight.
Ah! [INHALES]
Thanks, but...
[IN ENGLISH] I can't, um...
[IN ITALIAN] Sorry, tell him I can't.
I have to go back to Rome.
I have a role in the Sergeant Stone movie.
MARCO: [IN ENGLISH] Mr. Nic, she is going to Rome.
For the Sergeant Stone movie.
Ah. Well, give my regards to Vin.
[IN ITALIAN] Nic, now I really have to go.
[SPEAKS ITALIAN]
[IN ENGLISH] For anything, call me.
Mm-hmm. Chiamami. The keys.
[IN ITALIAN] Thanks.
[IN ENGLISH] Bye, Nic. [KISSES] NIC: Bye.
SABRINA: Bye. Ciao.
NIC: Jack, it's great. You nailed it.
It's got a gym and everything.
And the view... Mediterranean.
Stunning. Beautiful.
Jack, I've been thinking.
It's time for me to get back to basics,
like when I wrote Spike in three days
in that sweatbox.
Reclaim the throne, so to speak.
[SIGHS]
Uh, Jack.
It's time for me to get back to work.
[IN ITALIAN] Enjoy, enjoy, help yourself!
[LAUGHS]
[IN ENGLISH] I am allergic to liver.
No. No liver. No liver. You can eat.
- FABRIZIO: Uh-huh. - LORELLA: No liver.
Ah, do you like it? [EXCLAIMS]
[IN ITALIAN] It's testicles!
[IN ENGLISH] The balls are the best part. [LAUGHS]
[ALL LAUGH][KICKS TABLE]
[CHUCKLES] You see... you see,
I am convinced that here
I will receive an inspiration.
- An inspiration. - Ah.
For me, coming to Ischia is like a pilgrimage.
And La Colombaia, the villa of Visconti,
is the holy land for...
[IN ITALIAN] Neorealism.
[FORK CLATTERS] Oh!
[IN ENGLISH] Perhaps our son will someday
become a famous director like you.
[CHUCKLES] LORELLA: Like him!
[CHUCKLES, IN ITALIAN] No... let's hope not!
[ALL LAUGH]
[SMOOCHES]
LORELLA: [IN ENGLISH] Just kidding! Just kidding!
Ah, ah.
Cheers, cheers, cheers!
ALL: Cheers! Cheers!
[ANGIOLETTO CHUCKLES] Thank you.
[NIC PANTS]
[BIRDS CHIRPING]
NIC: [GROANS] Maurizio.
- Marco. - MARCO: Mr. Nic?
[NIC PANTS] MARCO: Huh? Mr. Nic?
Breathe, breathe.
Breathe slowly.
Breathe.
Breathe. Breathe.
[GENTLE ACCORDION MUSIC PLAYING]
[YAWNS]
[WHISPERS] Fabrizio...
[MUSIC CONTINUES]
GUARD: Ladies and gentlemen,
La Colombaia is now closing.
Please, this way.
[MYSTERIOUS MUSIC PLAYING]
[GATE LOCK CLICKING]
[WIND WHOOSHES]
Could this be...
Visconti's writing room?
[CLEARS THROAT]
GUARD: [OVER PA] La Colombaia is now closing.
Please proceed to the exit.
[MUSIC FADES][WIND BLOWING]
LORELLA: Eh... OMBRETTA: Papa?
- Papa? - Ah. Papa?
ANGIOLETTO: Oh, no.
[IN ITALIAN] Excuse me.
LORELLA: Fabrizio!
[KNOCKING ON GATE] ANGIOLETTO: Excuse me.
[IN ENGLISH] Excuse me!
[WHIMSICAL MUSIC PLAYING]
[GRUNTS]
[CELL PHONE BEEPING]
Hello!
Help! Please!
- Fabrizio! - Papa?
[FABRIZIO WHIMPERS]
Help. [WHIMPERS] Help!
[WHIMPERS][PIPE CREAKING]
[FABRIZIO YELPS]
[WHIMPERS]
[YELPS]
[YELPS, GROANS]
Help! Help!
Help! [SCREAMS][MUSIC CONCLUDES]
[GROANS]
[IN ITALIAN] Ouch, that hurt!
[GRUNTS, GROANS]
Ouch, that hurt!
[GRUNTS, PANTS]
[SOFT CLASSICAL MUSIC PLAYING]
[GASPS SOFTLY]
[GASPS]
[BREATHES SHAKILY]
[IN ENGLISH] Visconti's long lost masterpiece...
"IN SEARCH OF LOST TIME" LUCHINO VISCONTI
[FOOTSTEPS APPROACHING][KEYS JINGLING]
[BIRD WINGS FLAPPING]
Oh! [GASPS]
[BREATHES RAPIDLY]
[LAUGHS]
[IN ITALIAN] Oh mamma, oh mamma.
Slowly, slowly...
[EXHALES]
[MUSIC FADES]
[IN ENGLISH] And here we are on the set ofThe Horseman,
the latest apocalyptic action film...
[CHUCKLES, SIGHS] ...currently filming in New York,
starring rising action movie star Brick Maxwell.
[BRICK MAXWELL SCREAMING]
And speaking of Armageddon,
NASA's just reported that the path
of the massive asteroid set to miss Earth
by 100,000 miles has been recalculated.
Make that 200,000--[SMACKS LIPS] Stupid.
[LORELLA SNORES]
[LAUGHS QUIETLY]
[LORELLA SNORES SOFTLY]
[WHISPERS] Luchino! [KISSES, CHUCKLES]
[SNORES][PLAYFUL MUSIC PLAYING]
[LORELLA SNORES]
FABRIZIO: "Book number one."
- But... where is book two? - LORELLA: Huh?
Book two.[SNORTS]
[BRAKES SQUEAK]
FABRIZIO: Excuse me! Excuse me!
[METAL GATE CREAKING]
- But... why is closed? - GUARD: Huh?
Inagibile. Condemned.[KEYS JANGLING]
"Condemned due to a recent collapse."
But... but I must enter.
I left something inside, very important.
GUARD: If you wish, I can search.
What did it look like?
A last glimmer of hope.
[MUSIC FADES]
[PANTS]
[GRUNTS]
ANGIOLETTO: Is there anything I can help you find?
The highest precipice on the island.
Okay.
Come on.[ENGINE STARTS]
[MELANCHOLIC MUSIC PLAYING][ENGINE REVVING]
You may find what you are looking for here.
If not,
there is a nice cliff over there.
[CHUCKLES]
SILENCE AND PRAYER
[MUSIC FADES]
Hello.
It's me.
Fabrizio Favuzzo.
You remember? Uh, Obtusion?
[IN ITALIAN] Nonsense.
The Scream.
[CHUCKLES]
[SPEAKS ITALIAN]
[IN ENGLISH] Maybe not, huh?
My films are totally forgettable, as am I.
[SIGHS]
But to be shown the heavens
only to be dashed to the rocks
is crueler than any failure I could direct.
There must be a design for me.
Some grand storyboard.
If there is a way for me to make this film,
please, please give me a sign.
[ORCHESTRAL RINGTONE PLAYING]
[GASPS]
[IN ITALIAN] Hello.
Ah, Lorella.
Yes...
Yes, I wanted... I wanted...
Mm-hmm?
Yes, but...
Exactly... I wanted...
[SPLUTTERS]
Hello? Hello?
[IN ENGLISH] My wife reminds me we have a reservation
at Il Bracconiere.
ANGIOLETTO: [IN ITALIAN] Uh-oh!
[IN ENGLISH] I almost forgot.
I have to drop you off, then I am...
[IN ITALIAN] I'm working...
[IN ENGLISH] ...at the port. [PANTS]
Ah!
Come on.
[MELANCHOLIC MUSIC PLAYING]
ANGIOLETTO: Fabrizio.
Fabrizio, where are you going?
You said it was this way to the cliff?
[GRUNTS]
[IN ITALIAN] Sorry.
[ECHOING] Sorry.
[DRAMATIC MUSIC PLAYING]
[JET ENGINE ROARING]
[DRAMATIC MUSIC BUILDS]
[HELICOPTER WHIRRING OVERHEAD]
[BOMBS WHISTLING, BOOMING]
[RAPID GUNFIRE]
[GUNFIRE CONTINUES]
[MUSIC FADES][BIRDS CHIRPING]
Everything alright?
[IN ENGLISH] Angioletto, it's a sign.
La Madonna has shown me a miracle.
Nic Cassino will do my film.
But what Nic Cassino? That was a sosia.
A body double.
Ischia is famous for them.
Did you see how he spoke to you in Italian?
No, no. No, no, it was him. I'm sure of it.
It's my destiny.
Everything in my life has brought me to Ischia.
To find the manuscript.
To cross paths with the great Nic Cassino.
We must find him. Will you help?
To find another cliff?
[IN ITALIAN] Yes.
[KISSES]
[CHUCKLES SOFTLY]
ANGIOLETTO: Guys...
[IN ENGLISH] Anyone seen Nic Cassino on the island?
Of course. He's playing at Cinema delle Vittorie
in Forio for another week
before they close for the summer.
No.
Not in the cinema. On the island.
Angioletto, I saw Sylvester Stallone
- at Ischia Ponte. - MAN 1: Sylvester Stallone?
[IN ITALIAN] Are you nuts?[CHATTERING IN ITALIAN]
TITINA: Good morning.
MAN 2: Morning, Titina.
[IN ENGLISH] Hi, guys.[MAN 3 SPEAKS ITALIAN]
[IN ENGLISH] An ice cream. Strawberry.
Hi, Titina.
Titi. What do know about any celebrities on Ischia?
Oh, besides the fact that they are ruining the island?
But... but have you seen anyone lately?
Mm.
There is an American staying in Zaro.
- At Sabrina Fiorucci's villa. - ANGIOLETTO: Hmm.
And do you know who it is?
[IN ITALIAN] So what?
[IN ENGLISH] Who gives a shit?
[PATRONS APPLAUD] MAN: [IN ITALIAN] Well done.
[IN ENGLISH] Thank you, guys!
[CHUCKLES] TITINA: Bye!
[WHISPERS] Fabrizio.[WHIMSICAL MUSIC PLAYING]
Fabrizio.
- FABRIZIO: Who is it? - Angioletto. Come outside.
Oh. Come on.
[FABRIZIO SIGHS]
Come on, come on.
[FABRIZIO YAWNS]
He is at Zaro.
Sabrina Fiorucci's villa.
- Who? - Nic Cassino.
Nic Cassino? Let's go!
[YELPS, GROANS]
Fabrizio, Fabrizio. Are you all right?
- Yes, yes. - Okay, listen to me.
There is a problem.
The villa is blindato. Locked down.
There are walls and security cameras.
There is no way to get in.
We need a plan.
Yeah.
We need actors. Props.[YAWNS]
Wardrobe.
[IN ITALIAN] Special effects.
[IN ENGLISH] You need an assistant director.
- Lello! - Nello.
[SNAPS FINGERS]
[MUSIC FADES]
Mr. Nic, there is a phone call for you.
Who is it?
Someone named Fabrizio Favuzzo. He said he is a director.
Who the hell is Fabrizio Favuzzo?
He said to look out the window.
What?
He said to look out the window.
[SIGHS]
[UPBEAT MUSIC PLAYING]
NIC: What is this? An episode of Gilligan's Island?
Mr. Cassino!
NIC: So, uh, Maestro-- I mean, Mastro Favuzzo.
I gotta say, I'm not much of a fan of European cinema.
I find the, uh, the subtitles distracting.
But what can I do for you?
[CHUCKLES]
It's not what you can do for me. It's what I can do for you.
Interesting.[SNAPS FINGERS]
I have here
an original script by Luchino Visconti.
An unedited opera and neorealistic masterpiece
based on Proust's novel, AÀ la recherche du temps perdu.
The Search for Lost Time.
An unfinished work and culmination
of his artistic vision
that has never seen the light of day.
And?
And I want you to star in it.
Hmm.
- Visconti? - Yes. Yes.
Maybe you have heard of him? Um...
Death in Venice?
Can't say that I have.
The Leopard? Il Gattopardo.
Uh, Leopard. Sounds familiar.
Bellissima? Uh, Ossessione?
Senso!
Yeah. Sex films.
Uh, Lello? Hmm. Uh... Um...
Rocco e i suoi fratelli. Rocky and His Brothers.
- It's a boxing film. - Ah! Boxing! Boxing film.
Now we're getting somewhere.[CHUCKLES]
- But have you seen it? - No.
Listen, Favuzzo.
I'm booked solid for the next ten years
doing blockbusters, and I'm writing my own film.
But anyway, listen. I'll give you my agent's number.
No, no.[SCRIBBLING ON PAPER]
And... yeah. Just call me.
- Right. - At some point.
Okay, uh, but... but--
- Oh, uh, Favuzzo. - Yeah?
Pleasure meeting you.
- America! - American.
Uh, good luck with your film.
- Thank you very much. - NIC: My pleasure.
Hmm. Art films. No. No. Not happening.
FABRIZIO: He doesn't know Luchino Visconti.
- NELLO: Incredible. - NIC: Maurizio.
See if you can find me a copy of that Rocco movie.
[BOAT ENGINE REVVING]
[SIGHS]
You haven't written a page in four and a half days.
You wrote Spike in half that time.
[SIGHS]
Maurizio.
I need a break. Is there a town around here?
Yes, Mr. Nic.
All right. Let's... let's get out of here.
Ah. Where's the limo?
No limousines in Ischia, but we have a minivan instead.
Mm-hmm? Looks more like a skinny van.
Interesting.
["UN POSTO MIGLIORE" PLAYING]
[VAN DOOR SLIDES OPEN]
[NIC GROANS]
[SINGING IN ITALIAN]
[ENGINE STARTS]
[VAN DOOR CLOSES]
[EXHALES]
NIC: [HESITANTLY] "Torno s..."
I'LL BE BACK TOMORROW
...sebati."
"Next Saturday."
"Torno subito." Subito not sabato.
It means "right away."
- Hmm. - TITINA: You don't eat lunch in America?
Uh, well, I usually start
with breakfast and a piece of fruit.
Uh...
How'd... how'd you know I was American?
[SCOFFS] Only Americans wear boots in summer.
NIC: Hmm.
Interesting.
You don't know who I am.I... I really don't care.
- Unless you're a tourist. - Well, I played a tourist.
- Uh, in a film. - TITINA: Hmm?
It was a character who spoiled a plot
to blow up Saint Peter's...
Uh, Nic Cassino.
Uh, you might recognize me from film and TV.
- Thanks. - Hmm.
Oh, yes. I've seen your posters.
But not the movies.
- They are too fantastic for me. - I guess they are.
Yeah, like a video game or a cartoon.
Not at all important.
What do you mean, uh, important?
I'LL BE BACK TOMORROW
Just curious.
I mean that important is like Visconti.
Like Rocco and His Brothers.
About two brothers who fight over a woman.
Do you know Visconti?
Yeah. Visconti. He did that, uh, boxing film.
With Rocky.
Yeah. I guess so.
WOMAN: [IN ITALIAN] What's got into you, bringing her here?
WOMAN: [CHUCKLES] Pretty?
She's got goose bumps. She's pale, she's nothing.
ACTOR 1:
Say that again, if you've got the guts.
[GROANS]
ACTOR 2: Simone, stop!
You're my brother, I can't help that!
ACTOR 1: Couldn't you have thought of that before, that I was your brother?
You only think of that now 'cause you're scared.
[GROANS] ACTOR 2: No, I'm not scared.
No? Okay, come on, let me see.
[ACTOR 1 GRUNTS][SOBS]
ACTOR 2: Simone, you're crazy! Someone could come!
ACTOR 1: Out of my way!
NIC: [SOBBING] Oh, Carla...[TRAIN WHISTLE BLOWS]
[SIGHS, GROANS]
[GROANS]
[IN ENGLISH] Sorry, Luigi.
[SOBS] Sorry, Luigi. [SOBBING]
[VIDEO GAME BEEPING][NIC SOBBING]
Thank you.
Thank you. Very nice. Thank you.
[IN ITALIAN] Lorella, wait.
Here is the Parmigiana recipe.
[CHUCKLES] Thank you, that's so cute!
[IN ENGLISH] You're so kind.
[ORCHESTRAL RINGTONE PLAYING][SIGHS]
Favuzzo speaking.[CHURCH BELLS TOLLING]
[SPLUTTERS] I have to... I...
What?
[BABBLES, SPLUTTERS]
[SPLUTTERS] Who is it?
[FABRIZIO GROANS] LORELLA: Who is it?
- Yeah? - LORELLA: Are you okay?
- NELLO: Who is it? - Are you okay?
It's Nic Cassino!
[GASPS] He wants to do your film!
[ALL EXCLAIM] Exactly!
[UPBEAT MUSIC PLAYING][ALL LAUGH, CHEER]
Yeah, yeah. Sure!
This is fantastic!
[BOTH EXCLAIM, LAUGH]
[ALL CHATTERING HAPPILY]
Don't... don't drink.
Don't drink too much! Hey. Come on.
[GRUNTS][ALL LAUGH]
Lello! [YELLS, LAUGHS]
Sorry. Sorry again. Sorry.
[PANTS]
[BICYCLE BELL DINGS]
Taxi!
[ENGINE REVVING]
[BUZZES]
[FABRIZIO CLAPS][LOCK CLICKING]
DINO: Cut!
[IN ITALIAN] Fabrizio, is that you?
[IN ENGLISH] Come on!
[GROANS][EXCLAIMS] Are you all right?
Yeah, come on. [SPEAKS ITALIAN]
And so, my friend. What brings you to Roma?
- Uh, I have a script. - DINO: Mm-hmm?
I have Nic Cassino. I need a producer.
Yeah. And I have the Johnny Depp, you know?
In the film I'm making in the back room.
Wait. Johnny!
[DISTANT SIRENS WAILING]
[IN ITALIAN] Maestro, please tell us.
[IN ENGLISH] Hey. Nice work in there.
[IN ITALIAN] Thank you, master.
DINO: Well done. [CHUCKLES]
[IN ENGLISH] Dino, when you told me
you were doing art films... DINO: No.
...I thought--No, no. Stop. Stop.
Fabrizio, no. Not art films.
Hard films. Okay?
My friend, who goes to see art films? Come on.
Uh, and then again, what is an art film
if not a kind of soft hard film, huh? [CHUCKLES]
But what happened to the ambitious producer
- and director? - Hmm.
We're going to revive the glory days
of Italian cinema.
Do you remember our first film? Cannes!
The Directors' Fortnight.
What happened to those dreams?
Venice? The Gold Lion?
Yeah. But Fabrizio,
now... now we are old lions. Hmm?
I'm sorry, my friend. I'm really sorry.
You can say no to me.[CELL PHONE KEYS CLICKING]
But let me see you say no to him.
[YELLS DRAMATICALLY]
NELLO: Thank you! Thank you! Great!
My pleasure.
Come on. After you. FABRIZIO: Yes.
[IN ITALIAN] Are you kidding me?
[IN ENGLISH] That is the best body double I've ever seen.
[CHUCKLES]
Yeah! Si!
Si! Si![LAUGHS]
Yeah! [CHUCKLES] Great!
NIC: Morning.
Hi.
If you wish, - you can also remove your hat. - NIC: Hmm?
The word in Ischia is you are no more than a lookalike.
- Huh. - TITINA: Mm-hmm.
Gotta be careful of the sun.
[SCOFFS] Are you worried about more wrinkles?
Ah. Good one. I like that.[CHUCKLES]
Fact is, a suntan is the kiss of death for an actor.
Especially when he's filming. Messes with continuity.
So, you are making a film on Ischia?
Yeah, uh, a script by Visconti.
Heard of him?
- Really? - Mm-hmm.
- Huh? - NIC: Uh...
Yeah, uh, anyway, my process, it's... it's complicated.
I like to familiarize myself with the environment.
Get to know the people, uh, and the settings.
Uh, I didn't want to say, but I'm a method actor.
- Method actor? - Mm-hmm.
If you want a tour, I recommend...
[IN ITALIAN] "Tour of the island."
[IN ENGLISH] Hmm. Sounds great. How do I get to see the island?
- Come with me. - Great! Let's do it!
[UPBEAT FUNKY MUSIC PLAYING]
[SEAGULLS SQUAWKING]
TITINA: Ischia was born from the sea
by a volcano shooting all the way
to the highest point.
Mount Epomeo, nearly 800 meters.
Hmm.
Not gonna get me up there. Nope.
The island is also divided into six communes,
each with its own mayor,
which is probably why nothing ever gets done. Hmm.
Ischia was once...
[IN ITALIAN] A paradise, a green island.
Para...
Paradise.
Paradiso. Paradiso. TITINA: Paradiso.
[IN ENGLISH] Well, it's... it's still paradise.
Thanks.
Have you ever gone scuba diving?
Scuba diving? Yeah, in a film.
- In a pool with lifeguards. - TITINA: Hmm?
If you really want to see Ischia,
the best place is underwater.
Underwater?
- Do you want? - Yeah.
- Yeah? - NIC: Yeah.
Come on.
[ETHEREAL MUSIC PLAYING]
[WATER RUSHING][MUSIC FADES]
[PANTS]
- Hey, how are you? - Sorry about that.
Sometimes I suffer from claustrophobia.
And, uh...
acrophobia, and thalassophobia.
- Uh, what is thalassophobia? - It's, uh, fear of the sea.
Oh, I'm so sorry! Why didn't you tell me?
[SIGHS] I... I forgot.
- What's up with the bubbles? - Oh, carbon dioxide.
Uh, Ischia is a volcanic island
and the entire Bay of Naples is a sleeping super-volcano.
Um, when the bubbles rise, there is activity somewhere.
- Super-volcano? - Yeah.
Hmm.
[SOFTLY] Ah.
NIC: Fade in. Exterior, outer space.
Smash cut to...
[CHUCKLES]
...a fiery asteroid is racing towards Earth
on a collision course with a super-volcano.
Hmm. Interesting.
[INSTRUMENTAL MUSIC PLAYING]
[IN ITALIAN] Good morning, Nic.
[IN ENGLISH] Something to drink?
[IN ITALIAN] Coffee, cappuccino, aperitif?
[IN ENGLISH] Yeah, uh, - the last one. Great. - NELLO: Okay.
- Come with me. Come with me. - All right.
Uh, listen, Nic. We have informed the authorities
that we are using a sosia.
Body double. No one knows that you are you.
Only Fabrizio and I...
- and you know that you are you. - Right. Mm-hmm.
And I am Nello.
- Assistant director. - Nello, Nello.
I was expecting a larger crew.
Where is everyone?
No, no, no. Maestro Favuzzo prefers a small troupe
so as to adhere to the minimalistic principles
of the Dogma school, you know?
- Established by Lars von Trier. - Uh-huh.
Speaking of the, uh, maestro.
Yeah, Maestro Favuzzo. Um...
Fabrizio?
Papa?[KNOCKING ON DOOR]
FABRIZIO: Please![RATTLING, KNOCKING ON DOOR]
FABRIZIO: Please help me!
[BANGING ON DOOR][HANDLE RATTLES]
FABRIZIO: Anybody?[BANGING ON DOOR]
FABRIZIO: I'm locked in![BANGING ON DOOR]
FABRIZIO: Please! Help me!
Many of you have asked me,
"What is the film we are making?"
I will now tell you!
My film is a loose adaptation of Marcel Proust's masterpiece,
The Search for Lost Time.
AÀ la recherche du temps perdu
as envisioned by...
Luchino Visconti.
It is a story of captives and fugitives.
Of Sodom and Gomorrah.
Of past, present, and future! Of love...
and perversion.
For the role of Albertina,
the love interest,
we have my lovely and talented daughter, Ombretta.
[ALL APPLAUD]
FABRIZIO: And for the role of Marcello,
we have engaged the services
of the most capable actor from America who,
if he's not actually Nic Cassino,
is his long-lost twin.
[ALL APPLAUD] Whoo!
Nic.
What's with the... the suitcase?
[CHUCKLES] The suitcase.
The suitcase
is the accumulated baggage of your past,
that which we all carry.
Genius. Love it. Oh, uh...
- FABRIZIO: Yes? - The script.
[ALL MURMURING] There is no script.
Huh?
We improvise!
[BRIGHT MUSIC PLAYING]
- Huh? - And action!
[ALL APPLAUDING][LAUGHS]
In this scene, Marcello has decided to return to Balbec,
on the seaside, with Albertina.
Here, grief at his grandmother's suffering
overwhelms him.
He ponders the intermittencies of the heart
and the ways of dealing with sad memories.
And so, without further adieu.
Slate!
[IN ITALIAN] Background...
- [IN ENGLISH] And action! - Wait, wait, wait.
- Cut, cut, cut. - Is there dialogue in this scene?
- Of course. - So where's the sound mixer?
FABRIZIO: There is none. We film now.
Later we dub the voices.
As in the European tradition.
Well, that's great, but for the cameras...
how do we use our mouths?
- FABRIZIO: Count. - Count?
Just count.
[IN ITALIAN] Background...
[IN ENGLISH] And action!
NIC: One.
Two.
Three.
- Four. - OMBRETTA: [IN ITALIAN] One.
Two. Three.
[IN ENGLISH] Five, six![CAMERA WHIRRING]
OMBRETTA: [IN ITALIAN] Six, seven.
[IN ENGLISH] Six, seven![SOBS]
[IN ITALIAN] Eight.[NIC GROANS]
Nine. Mamma mia!
[SOBS] And ten!
FABRIZIO: [IN ENGLISH] Cut, cut, cut!
No, no, no! You are overcounting!
I will not stand for overcounting on my set.
- No divas. - LORELLA: She was fantastic!
[YELLS, SIGHS]
Too much! Again!
Seven was good.
Eight, so and so. Ten is too much! Please, again!
[SIGHS]
JACK: [OVER PHONE] A film? Are you nuts?
How come I don't know anything about a film?
Uh, it's a... it's an art film, Jack,
by that acclaimed Italian director.
You know the guy, uh, uh... Fabrizio Fravuzzo.
He scored the rights to, uh,
Luchino Visconti's unfinished masterpiece.
The point is, we're gonna finish the unfinished masterpiece
and turn it into a masterpiece. Jack, I'm feeling...
I'm feeling rejuvenated, Jack.
JACK: The word is "senile." Did they even talk money?
I'll get it on the back end.
JACK: Let's hope you don't. What? Yeah. Uh...
Whatever. Um...
I'm exercising, I'm eating right.
Uh, I'm not drinking.
[INDISTINCT CHATTER]
Fabrizio.
Is it true? There is no script?
There is and there isn't.
I have Visconti's shooting notes.
But, uh... But?
Only for half the film.
So how does it end?
Abruptly.
DINO: Abruptly? Si.
No! How do we finish the film?
Dino.
I will jump off that bridge
- when I come to it. - Uh.
NIC: Awesome, yes.
Until then, we have the great Nic Cassino.
NIC: Jack. Jack. Just... just relax, all right?
Just take it easy.
I got this, Jack. I got four words for you,
Nic Cassino is back!
["MACHINE GUN" PLAYING]
[EXHALES]
- Mr. Nic! - Mr. Nic!
This scene is about involuntary memory...
[SOBS LOUDLY]
[NIC AND OMBRETTA SOB]
[SONG CONTINUES]
[GROANS]
[EXHALES SHARPLY]
[YELPS PLAYFULLY][CHUCKLES]
FABRIZIO: This scene is about anxiety
and how it leads to manipulation.
[LORELLA SQUEALS, SHRIEKS]
Slate and action!
[NIC GRUNTS]
"Story by Nic Cassino. Untitled action film."
And this scene is about the nature of art
and how drunkenness affects perception.
Slate!
And... action!
[SONG CONTINUES]
[PANTS]
[YELLS DRAMATICALLY]
Yes!
I'm back.
The great Nic Cassino.[GROANS]
[SONG FADES]
- Beautiful place. - Oh, yes. [CHUCKLES]
Is it true that you made love to five women at one time?
Physically impossible. No.
Then it was five women consecutively?
I'm more of a sprinter than an endurance guy.
Then it was one woman for five hours?
- I think that was Sting. - Uh--
- Where's my guys? - OMBRETTA: I can drive you home.
If you want.
We can go rehearse our scenes for tomorrow.
The... big screen kiss.
- Hmm? - The big screen kiss.
Ah. Yes.
Well, as an actor, I like to keep things fresh.
Maurizio.
Fire up the skinny van.
Bedtime for Bonzo.
See you tomorrow. Good night.
[CLEARS THROAT]
FABRIZIO: Marcello has been spending time with Albertina,
whom he now suspects of lesbianism,
then tells his mother he must marry Albertina.
Here our protagonists give way
to their sad and unconsummated love.
[IN ITALIAN] Background...
[IN ENGLISH] And... action!
[CAMERA WHIRRING]
Cut! Works for me.[WHIRRING STOPS]
- DINO: The gate is clean. - NELLO: Okay, moving on.
No. Was not good for me.
I want another take.
- But we have to change location. - OMBRETTA: Was no good.
It, um, didn't, um...
feel true. One more take!
[IN ITALIAN] Okay, okay.
- [IN ENGLISH] One more, please. - One more take.
- Okay, one more. - NIC: All right.
FABRIZIO: Please. Thank you. One more. Again!
DINO: Okay.
[NIC SIGHS]
Uh, what about, uh, continuity? Wasn't...
Doesn't matter. Okay? Okay.
[IN ITALIAN] Background...
[IN ENGLISH] And... action!
[CAMERA WHIRRING]
[CREW MURMURING]
[CREW EXCLAIMING] NIC: Hey! Relax!
[IN ITALIAN] What is she doing?
NIC: [IN ENGLISH] Relax!
[CREW EXCLAIM] NELLO: Stop! Stop!
[OVERLAPPING CHATTER]
["DO ME ALL NIGHT" PLAYING] Relax, relax!
Cut! Cut, Dino! Cut!
[NIC EXCLAIMS]
[CREW YELL]
[INDISTINCT CHATTER] LORELLA: Stop it!
NIC: The brakes!
FABRIZIO: The brakes![SHRIEKS]
NIC: Whoa!
[ANGIOLETTO YELLING]
No!
Stop![TIRES SCREECHING]
[ALL SCREAM]
[INDISTINCT CHATTER]
[OMBRETTA SIGHS][STRAINS, GRUNTS]
[IN ITALIAN] Push harder!
[CONTINUES STRAINING]
[PANTS]
The little fake saint!
[CONTINUES PANTING, STRAINING]
FILOMENA: Don't think about that.
[CONTINUES IN ITALIAN]
[IN ENGLISH] It's okay. It's okay.
[WHISPERS IN ITALIAN]
[NIC STRAINS][FILOMENA EXCLAIMS]
What the heck are you doing?
[IN ENGLISH] Hey, hey! Relax!
[IN ITALIAN] Mind your own business!
Did you jump on him?
[IN ENGLISH] Hey! Relax!
[IN ITALIAN] Mind your own business!
[IN ENGLISH] Take it easy, big fella. Just relax.
[IN ITALIAN] What the heck do you want? This idiot, this gorilla!
[IN ENGLISH] What'd you call me?
I said you are nothing more than an insensitive brute.
A punch-drunk gorilla.
[GROANS] FILOMENA: Nello! No, no, no!
You shouldn't have said that to me!
- Easy, easy! - Shouldn't have said that to me!
You shouldn't have called me that!
Easy, calm down! Calm down.
I'm sorry.
[IN ITALIAN] Go away!
LORELLA: [IN ENGLISH] - Do something! - I'm sorry!
[FABRIZIO GASPS] Easy, easy!
DINO: What have you done?
[PANTS]
- [IN ITALIAN] What are you doing? - Go away!
LORELLA: [IN ENGLISH] Are you okay? Are you okay?
NIC: My old man was the reason I got into acting.
My father. Capisce?
Oh. Father. Understand. Capisce. Father.
[WAVES LAPPING]
[IN ITALIAN] Where is he?
Over there.
WOMAN: What happened?
NIC: [IN ENGLISH] My dad, he was a...
[PHONE BEEPS SOFTLY]
NIC: He was a janitor. Smart.
Cultured.
Really cultured.
He couldn't read but he'd take us to the movies.
That was his library. Barely speak English.
He'd say, "No, no, no, no, no, no, no, no, no."
"If you can't feel it here,
and it doesn't make you cry just... just a little...
the words don't matter."
[GROANS] I was nine when he died.
I didn't cry at the funeral.
That's what my brother told me.
Said I didn't have a sensitive bone in my body.
That's when I took up fighting.
My brother was smart.
Really smart.
And kids used to beat up on him.
Tease him.
And I used to beat the livin' crap out of 'em.
We were close.
Nothin'... nothin' could get in between us.
Not... not love.
Certainly not love.
[GROANS SOFTLY]
[SNIFFLES, SOBS][SOFT MUSIC PLAYING]
[NIC SNIFFLING]
[CONTINUES SOBBING][TITINA SCOFFS]
TITINA: Zi Isidoro.
[WEEPS, SNIFFLES, BLUBBERS]
[WEEPING CONTINUES]
[CRYING] Luigi, I'm so sorry!
I didn't... [SOBS] I didn't mean to do...
[SOBS]
[SNIFFLES, INHALES]
[NIC GROANS]
I sent Zi Isidoro home to his wife.
Don't worry. Your secrets are safe.
He doesn't understand a word of English.
Carmela!
[IN ITALIAN] Two coffees, quick!
[GROANS]
NIC: [IN ENGLISH] So, uh, what's your story anyway?
Why aren't you married or engaged?
Um...
My fiancé works on Costa Caribbean.
He is studying to become a captain.
- Hmm. - TITINA: He has ambitions.
He has plans for his career.
Mm-hmm. But... but he doesn't have you.
We see each other when he comes back.
[TITINA GRUNTS] Here, it's normal.
- Mm-hmm? - In Ischia...
...you either work in tourism or imbarcare... sail.
- NIC: Mm-mm. - My father was at sea when I was born.
And my mother raised us to be independent.
But I did miss my father.
Yeah. [INHALES DEEPLY]
Sometimes ships bring families together,
sometimes they keep them apart.
Hmm. Sounds familiar.
Except my ship's the Titanic and my wife's the iceberg.
[BOTH CHUCKLE] Remember that scene
when the ship heaves out of the water,
and looks like a giant skyscraper,
and you got these tiny little people
that look like ants and they're falling into the abyss below?
[INHALES SHARPLY] Talk about a multiphobic ending.
[LAUGHS SOFTLY] For someone who has saved the world
from certain destruction so many times,
you... you have many phobias.
Yeah, I do. Lots.[TITINA CHUCKLES SOFTLY]
But... you wanna know what my biggest fear is?
It's not... [INHALES SHARPLY, SIGHS]
...physical danger, real or imagined.
The scariest thing for me is...
[SIGHS] ...not being taken seriously.
That's why I'm doing this film. To prove to the world I can act.
That I'm not some glorified meathead or...
some broken-down stuntman.
You know? [MURMURS] It's impossible.
Because you are the great Nic Cassino.
No, seriously.
You are larger than life. You... you really are big.
Yeah, I guess. IMDb has me down at...
6'3." I'm actually 6'2."
When I got to Hollywood, I was shocked.
The actors, they're kinda small.
Like, kinda like... Hmm?
Well, I don't wanna say, but kinda like jockeys.
- Jockeys? What? - Yeah. Like a... like a small person.
- Oh. - NIC: But not really.
It is...
[SOFT MUSIC PLAYING]
Sorry.
[SIGHS] Wow.
NIC: Mmm.
I guess all that training came in handy.
[NIC CHUCKLES]
TITINA: You write by hand?
NIC: Yeah.
Something about writing with a pencil
and a piece of paper that makes it more real.
Like a Michelangelo sketch.
So, you are creating a masterpiece.
I wouldn't say a masterpiece.[CHUCKLES]
It's more of a... an apocalyptic disaster film.
End-of-the-world stuff.
Why do Americans like these kind of movies?
I don't know.
Maybe it gives them a sense of hope.
Like truth, justice, the American way.
Who said that?
Superman.
- Hollywood's first action hero. - Superman.
Around the world in a single bound.
[LAUGHS] Yeah.
What's your excuse?
For what?
Not flying around the world in a single bound?
Why didn't you, um, sail with your fiancé?
Giosy asked me to go with him.
I don't know why I didn't go.
Maybe I was scared.
Or maybe you didn't have a good enough reason.
Like a motivation.
- A motivation? - Yeah.
Every character needs a motivation
in order to move forward, to do great things.
Oh, like...
[IN GRUFF VOICE] ...save the world?
Like salute."Save.""Save."
BOTH: "Save... save."[CHUCKLES]
- Save the world? - Save the world.
Again and again... And again.
And again... And again.
- And again. - And again.
And again.
[SEAGULLS SQUAWKING]
[BIRDS CHIRPING]
[GASPS] Luigi! [PANTS]
What's happening? Oh.
Hi. Um...
Um...
I have a tour group this morning.
- Germans. Very punctual. - Ah.
Well, uh... I know you're busy today,
but you wanna maybe hang out tomorrow?
Come on set and see some real acting?
Um...
Maybe.
Maybe. [SIGHS]
[IN ITALIAN] Man without values!
Peasant.
[SNICKERS]
Without any shame!
Mafioso.
ANGIOLETTO: Ha!
I cannot hear you.
No?
Mafioso!
[CHUCKLES]
- Did you hear me now? - Who is the mafioso?
To you.
[LAUGHS]
Say that again if you have the courage.
Mafioso.
- Mafioso to whom? - To you.
To me?
- Say that again! - Mafioso.
- ANGIOLETTO: And say that again! - FABRIZIO: Mafioso.
ANGIOLETTO: Mafioso? Don't do it again!
[CLAMORING][CONTINUE ARGUING]
[NELLO YELLS]
Stop!
[YELLS]
[IN ENGLISH] We have a film to finish. No?
Yes, that's right!
And Ombretta?
[IN ITALIAN] The little saint...[IN ENGLISH] Shut up! We are better.
Women's problems, you know?
[IMITATES MOCKINGLY] "Women's problems."
[IN ITALIAN] Good boy...
[IN ENGLISH] Nothing in the oven.
We are in the clear.
[IMITATES MOCKINGLY] "Nothing in the oven!"
[IMITATES] Nothing in the oven!
[ALL ARGUE IN ITALIAN]
Whoa, whoa, whoa!
[IN ENGLISH] Hey, hey, hey! Hey, hey! Whoa, whoa!
Whoa, whoa![CAR SIREN WAILING]
Hey, the cops!
Someone's called the cops.
[IN ITALIAN] Guys, guys.
[IN ENGLISH] From Rome.
The dailies!
ALL: The dailies!
The dailies, yeah.[SIGHS] The dailies...
[SCATTERED CHUCKLE]
The great Nic Cassino!
[ALL LAUGH, CHEER]
[CHEERING CONTINUES] Dailies! Nothing happened!
Wanna grab it?
[PROJECTOR WHIRRING]
The dailies!
- [LAUGHS] The dailies! - Yeah.
[BOTH CHUCKLE]
[NELLO SIGHS][SMOOCHES]
[SNIFFLES]
- NIC: Hmm. - Mm.
[HUMS] Dailies.
Not bad.
[MURMURS SOFTLY]
[SIGHS DEEPLY]
[ANGIOLETTO SNORES, GRUNTS]
Hmm.
[EXHALES EXCITEDLY]
[CHUCKLES]
[GROANS]
[SOFTLY] Wow.
[GASPS]
[OMBRETTA GROANS SOFTLY]
[WHIMPERS]
[IN ITALIAN] Not bad, eh?
[INDISTINCT CHATTERING][IN ENGLISH] Genius.
[CHURCH BELL TOLLING]
Shame on you. [SCOFFS]
Poor Nello. Poor son of mine.
[EXHALES DEEPLY]
Lorella...
- Where is the cliff? - What?
- The cliff. - Come on.
It wasn't that bad.
What have you done?
Jack, it's me. JACK: [OVER PHONE] Nic, where the hell have you been?
I've been trying to reach you all day.
I've been on set all day. Jack, you gotta get me out of here.
Why'd you call?
JACK: You won't believe what happened.
Brick Maxwell's in the hospital.
Some kind of intestinal infection.
He says it's from colonics,
but the word is it has more to do with a small rodent.
Anyway, kid, the part's yours.
- What part? - JACK: The Horseman.
They want you, Nic.
But you gotta get here right away.
They're filming already. How soon can you leave?
Nic?
["LIVE YOUR LIFE" PLAYS]
[SHIP HORN BLARING]
♪ To go away And not look back ♪
♪ Think of what people say ♪
♪ To go ahead And live your life ♪
♪ No regard to what is said ♪
♪ Hey
♪ To what is said
♪ Oh
♪ Go away and not look back
♪ Think of what people say ♪
♪ Hey
[SONG FADES OUT]
[IN ITALIAN] So, Nic?
[IN ENGLISH] Are you sure?
I checked with Tonino at the port.
He rented a boat early this morning
for the mainland.
He's gone.
Gone?
DINO: [IN ITALIAN] Oh, no!
[VEHICLE APPROACHING]
[CAR DOORS CLOSING]
MAN: Fabrizio Favuzzo?
Depends.
MAN: I am here on behalf of the SIAE.
Società Italiana di Artisti e Editori.
I have an order to confiscate all film and pirated material.
And the manuscript?
Uh... What manuscript?
Visconti's manuscript.
Ah. [CHUCKLES] I have no manuscript.
I have no script.
I have no actor.
[SOFT MUSIC PLAYING]
I have no film.
No career.
No life insurance.
[IN ITALIAN] Banned?
[IN ENGLISH] Fabrizio's been blacklisted.
MAN: For copyright violation and infringement
of intellectual property rights.
Fabrizio.
[IN ITALIAN] Where are you going?
Where are you going, Fabrizio?
[IN ENGLISH] To the cliff!
FILOMENA: Ah!
[OMBRETTA GROANS] LORELLA: Ombretta!
Come on. Hey, hey!
[OMBRETTA GASPS]
Eat something!
[IN ITALIAN] No, water.
[INDISTINCT CHATTER]
[CHATTERING CONTINUES]
Angioletto, where is he?
Who?
Nic, the American.
[SCOFFS]
[IN ENGLISH] He has gone back to Hollywood
and abandoned everyone.
What do you mean?
"The great Nic Cassino."
[SARDONIC CHUCKLE] Nic Cassino was in this film?
[IN ITALIAN] Yes, you wish!
[IN ENGLISH] Unfortunately, he was just a sosia,
a body double.
The real Nic Cassino would never run away.
[ENGINE STARTS]
[ENGINE REVVING]
[EXCLAIMS] Oh! Ombretta.
[SHIP HORN BLARING]
Bye.
- Thank you. - Mm.
LORELLA: Bye.
[INDISTINCT CHATTER] LORELLA: Bye!
There is just one thing.
It is Lello or Nello?
What difference now?
[CAMERA SHUTTER CLICKING]
And action!
Cut, cut, cut!
I know it's a lot to ask,
but could you just hit your mark and snarl?
Okay? We'll think about acting in post, right?
What's with the suitcase? What's with the suitcase?
[HESITATES] Let's just say I found it
amidst the apocalyptic ruins
and I'm returning it to a needy family.
You're the Fourth Horseman of the Apocalypse!
You're the Pale Rider, not the Pony Express!
You bring death and destruction, not lost luggage! [SIGHS]
That's cold!
Is it too much to ask for a hot latte for Chrissake?
Damn it!
WOMAN: Nic! Honey!
[EXCITEDLY] The ATM morning show wants an exclusive interview!
[GASPS, HESITATES] Are you free tomorrow?
- I'll think about it. - Oh.
[COWS MOOING]
[LOUD FLATULENCE]
[COUGHS]
[FLATULENCE CONTINUES][COWS MOOING]
[COUGHS, SHRIEKS][FLATULENCE INTENSIFIES]
[FLATULENCE, MOOING CONTINUES]
[PANTS]
[GRUNTS]
[INTENSIFYING RUMBLING]
[HIGH-PITCHED WHISTLING][FABRIZIO SCREAMS]
[SCREAMING CONTINUES]
[FLATULENCE][GASPS, PANTS]
[FLIES BUZZ]
[COWS MOOING]
Papa?
Ombretta, please go outside.
I can't bear for you to watch me shoveling shit.
I just wanted to tell you that...
I'm not going back to school.
But why?
Let's face it.
I'm not an actress.
What's the point?
Well, there are many roles in film.
Perhaps you could direct, like your father, huh?
[CHUCKLES SOFTLY]
No, eh? What about Lello?
Please. Nello.
You were right, Papa.
[IN ITALIAN] Marry and buy cattle from your own town.
[IN ENGLISH] Nello was too jealous.
Possessive. Hotheaded.
I don't know.
I would be better with someone like you.
- Like me? - OMBRETTA: Yeah, you know.
Lukewarm.
Temperate. Stoic.
Able to deal with failure and disappointment.
Of course.
I almost forgot. Nello asked me to give you this.
He says it's rightfully yours.
I love you, Papa.
Me too.
A janitor...
Smart. Cultured.
Really cultured.
Couldn't read, but he'd take us to the movies.
That was his library. Barely could speak English.
Fabrizio...
You are awake?
I need to speak to you about something.
Listen... [EXHALES SHARPLY]
If you want to separate, I understand.
After all, who wants to live with a failure.
But divorce is out of the question.
It's not for the money,
but I just wouldn't know how to tell Ombretta...
[LORELLA IN ITALIAN] What are you saying?
[SPEAKS IN ITALIAN]
[IN ENGLISH] What's come over you?
A divorce? A separation?
[IN ITALIAN] What do you mean by depression?
[IN ENGLISH] No, I just wanted to say
that for once in my life,
I was very proud of you.
[LAUGHS]
LORELLA: The way you directed the great Nic Cassino.
I mean, how you persevered against all good reason,
with buon senso, sound judgment.
And your juvenile faith... [CHUCKLES]
...and sheer stubborn,
narrow-minded pigheadedness was--
Stop, stop, stop. [CHUCKLES] You had me at "pigheaded."
Okay.
[BREATHES DEEPLY]
In any event,
I don't think you're a failure.
At least, not yet.
What do you mean, "not yet?"
You are only a failure
if you don't finish what you start.
But... how can I finish?
I have been banned from working in Italy ever again.
Blacklisted.
And who says that you have to finish this film in Italy?
Who says that?
Where did you get this?
I cashed in your life insurance policy.
[CHUCKLES] But... I don't have a life insurance.
Really?
Good night.
[WHIMSICAL MUSIC PLAYING]
[LORELLA SIGHS PROUDLY]
Good night.
[MUSIC FADES OUT] NIC: [GROANING] Francesca.
Can you grab me some ice and a wrap for my knee, please?
FRANCESCA: I gotta run down the street for some ice.
[DOOR OPENS, CLOSES]
What the hell's in that thing anyway?
[GROANS]
[GRUNTS, HUFFS]
[SIGHS]
[GRUNTS]
["CARNIVAL OF THE ANIMALS: VII. AQUARIUM" PLAYING]
THE UP-AND-DOWN CAREER OF THE GENIUS FABRIZIO FAVUZZO
Hmm.
The accumulated baggage.
It was Favuzzo's all along.
[SCOFFS] Interesting.
FABRIZIO: And action!
NIC: Hey, hey. Pull over.
Pull up here.[CLASSICAL MUSIC FADES OUT]
- Carla. - Sorry.
- Nic! - NIC: Hey.
How are you?
- Good. How are you? - NIC: It's great to see you.
- CARLA: Yeah, you too. - What are you doing? PA?
Yeah, right.
Um, I got a call from the film commission.
They asked me to cast us some extras
on an international film from Italy.
- Hmm. - CARLA: Yeah.
Maybe you heard about it.
- NIC: Ah, yeah. Mm-hmm. - CARLA: Quite a cast, don't you think?
Yeah, I do. It's, uh-- Yeah.
I was... I was there for a film festival.
They asked me to do a couple of scenes.
I thought, "Hey, why not?" Just help 'em out.
Hmm. Hmm.[CARLA CHUCKLES]
Uh, how's Luigi?
Uh... He's good. [CHUCKLES] NIC: Good, good.
Anyway, I... I'm not feeling too good.
I'm on painkillers for my... my knee.
- So I gotta split. - Sure.
Anyway, it was... it was great seeing you.
CARLA: You too. Yeah.
- Really good. - Oh. [CHUCKLES]
All right.
- CARLA: Take care. - Bye.
[DOORBELL CHIMES]
Please...
[GRUNTS]
- Carla? - Hi, Nic.
- Come in. - Thank you.
- Uh, you want a drink? - Uh, sure.
- All right, um, take a seat. - Thank you.
NIC: How's little Cosimo? CARLA: He's getting big.
- He'll be nine in September. - Nine. Whoa.
And Luigi has a show opening.
And he's anxious as usual. You know Luigi.
Yeah. Well, that's good for him.
Luigi doesn't know I came.
But I told him about your work in Italy
and he was pretty impressed.
Impressed or embarrassed?
- Nic. - Well, he's always...
hated my acting.
You know how Luigi is.
It's kind of tough for him to admit your success.
I mean, you're his kid brother.
Yeah. I'm his kid brother. Hmm.
Used to call me Punchy the Gorilla.
Like that stuffed animal we had as kids.
But we were close. I had his back.
Until this... pretty girl comes along
and changes everything.
I lost my brother and my girl to one left hook.
If there's one punch I could take back,
it'd be that.
It wouldn't have mattered.
I still would have picked Luigi.
[SIGHS DEEPLY]
CARLA: Nic...
I never thought you stupid or insensitive.
I just liked Luigi better.
[SCOFFS]
Luigi gave this to little Cosimo on his third birthday
and kind of outgrown it.
I thought you might like to have it.
[SNIFFS]
NIC: [SCOFFS] Punchy the Gorilla.
CARLA: Nic, take care of yourself, okay?
Yeah. You too.
- Bye. - NIC: Bye.
[DOOR SLIDES OPEN]
Get a grip, Cassino.
[ELEVATOR BELL CHIMES][NIC SOBBING]
[BOTTLES CLINKING][NIC GRUNTS]
[DISTANT DOGS BARKING]
- Who's there? - NIC: Luigi.
Nicky?
Is that you?
Yep.
[GASPS SOFTLY] What are you doing here?
Well, I was...
limpin' around the hood this morning
and I saw your name up in lights and...
I just thought--
Well, here's... here's a--
Do you wanna have a beer?
[SOFT MUSIC PLAYING] NIC: Fifteen years, huh?
Yeah. Just about.
It was 15 years this Carla and I finally tied the knot.
Yeah.
Sorry about that. I was...
I was in Vietnam doing a POW film.
- One of my better ones. - Yeah, yeah. I understand.
You were busy with your career.
[NIC CLEARS THROAT] You could have called, though.
Yeah. Well, I didn't get the invite till late.
The mail in Indochina...
Besides, I'm not the only one who doesn't reply to mail.
The amount of awards ceremonies I invited you to.
You never came.[SCOFFS]
Well, maybe... a personal invitation?
Instead of sending those stupid
gold-embossed invitations. [CHUCKLES]
NIC: Yeah, well...
I was-- Well-- I guess I was embarrassed.
LUIGI: A knock on the door,
a personal invitation from your kid brother.
That's not embarrassing.
Getting beat up by your kid brother
in front of the woman he loves? Now, that's embarrassing.
Louie, that was 30 years ago.
You're never gonna forgive me for that, are you?
I mean, I know I haven't forgiven myself.
Ah, Nicky. Look, that wasn't it.
It wasn't?
You don't wanna hear it.
Yeah, I... I do wanna hear it.
[SIGHS]
- You wanna hear it? - Yeah, I wanna hear it.
It's 'cause you made it to the top
and you never even once threw down a line.
You could have helped me a bit.
You were in a position to do so, but you didn't.
You turned your back.
You turned your back and ran.
And you been running scared ever since.
You're right.
I did run.
Been running my whole life.
But I never turned my back on you.
I always wanted to help you.
Then why didn't you?
Lou... Hollywood, it's...
it's not like film school. It's not...
it's not like theater. It's not hugs and kisses.
It's tough.
They don't fight fair. It's like being a street fighter
without a corner to sit in.
It's... it's every man for himself.
So you don't think I could have made it?
NIC: Lou...
you can't possibly imagine the...
the humiliation, the shame, the embarrassment that these...
The fear that this town can... put on you.
They build you up and they take everything from you.
Your pride, your soul... [VOICE BREAKS] ...your family.
You got a family. You got a beautiful family.
What do I got? I got a... fading career.
A fading face, fading fame. I mean, I'm a joke.
You got what you wanted.
I'm not so sure about that.
[INHALES SHARPLY] Well, what is it, Nicky?
Huh? What do you want?
What is this all about, huh?
I don't know. [HESITATES] I'm... I'm confused.
Things used to be so simple.
Like...
when we went to the movies with Dad.
[EMOTIONAL MUSIC PLAYING] NIC: Remember?
I remember sitting next to him thinkin'...
he wants us up there on the big screen.
Not in the cheap seats.[CHUCKLES]
Up there on the big screen, winning awards.
Oscars, Emmys, Tonys.[CHUCKLES]
All that stuff.
- The movies. - Yeah.
That's when we were family. That's when we were brothers.
That's all he wanted. And that's all I want.
Cheers.
- To Dad. - To Dad.
[MUSIC FADES OUT]
[CAR ENGINE REVVING][DRAMATIC MUSIC PLAYING]
LORELLA: It's Nic.
Oh, it's Nic!
[INTENSE ORCHESTRAL MUSIC PLAYING]
Must have mixed up our luggage.
[MUSIC FADES]
You left before I could claim it.
Hmm. Well, I came back to finish what we started.
Under one condition.
We shoot the final scene in Ischia.
At the highest peak of Mount Epomeo.
But there is no final scene.
There is no script. There never was.
- Only an opening. - Mm-hmm. Wait.
[SOLEMN MUSIC PLAYING]
Right. Excuse the, uh, we've got a stain.
But we have no money for a sosia.
A stunt double. Who will do the scene?
I'll do it.
Are you sure?
You are no longer acrophobe?
Mmm. Cured.
[IN ITALIAN] Done.
[FABRIZIO LAUGHING EXCITEDLY]
Ah...
[IN ENGLISH] But you see...
I can't return to Italy.
I have been blacklisted. I'm sorry.
- I'm sorry to everyone! - Well, that's fine.
I have a great idea for a co-director. Hmm?
- Really? - Yeah, really.
LORELLA: But who will co-direct?
A super-volcano?
Super-volcano!
[BOTH LAUGH EXCITEDLY][MUSIC INTENSIFIES]
- FABRIZIO: Yes! - Yeah!
Nic Cassino is back!
[NIC GRUNTS][FABRIZIO LAUGHS]
Oh, God, that's it!
[MUSIC FADES OUT]
TITINA: "Tonno con me." NIC: "Come back with me."
TITINA: Did you write that all by yourself?
Actually, I had help with Isidoro.
Did you tell him you want to eat tuna with me?
Because that is what is written.
No, it's... it's the thought that counts.
You have a lot of nerve to show your face,
"the great Nic Cassino!"
Yeah, I've...
I've been sitting here for an hour and a half and...
no one's recognized me except this old lady--
No one recognized you because no one cares about you.
You're... you're a phony,
even if you are not a sosia.
Listen.
You have every right to... to be angry at me.
I ran away from you. I ran away from everyone.
Yes, you did.
Why?
I guess it's, uh... it's...
I had some character issues to resolve.
Uh, like a... like a backstory.
- [SCOFFS] Backstory? - NIC: No, please.
Every great character-- Just listen to me.
Please. Every great character needs a backstory.
And in that backstory
are the things that make the character tick.
And sometimes,
you gotta go back and reset the clock.
- And did you? - Yeah. Uh...
Some stuff came up.[TITINA SCOFFS]
- A lot of stuff. - TITINA: "Stuff, stuff"...
Yeah, stuff, you know--
- Ah. Good stuff or bad stuff? - NIC: Good, bad...
But... but you left.
You left.
You made people believe in you. That you were different.
That you were not just another celebrity tourist,
caring nothing for the mess you leave behind.
Look, I'm--TITINA: No.
[SOBS] Why did you come back?
I came back for you.[TITINA SCOFFS]
No, I... I did.
I came back for you.
I came back for my motivation.
- Liar. - No, no
- No, yeah. - No.
No, I'm not lying.
I'm sorry.
[GROANS] Whoa.
- I'm strong? - Yeah.
- Very st-- Yeah. - I know.
- Ow, that actually hurt. - Mm.
All right. Ow.
Right on the funny bone. No, not the funny bone, but...
Citizens of the world.
I stand before you today
as we face our gravest challenge.
As I speak, an asteroid the size of a small planet
hurtles through space directly at Mt. Vesuvius.
I ask the nations of the world
to unleash their nuclear weapons at the asteroid...[INTENSE RUMBLING]
...to destroy it before it destroys us.
May God be with us all.
[FABRIZIO CLEARS THROAT]
Maestro... [sighs]
With your permission.
And...
[IN ITALIAN] Action!
[BOMBASTIC, JAZZY MUSIC PLAYING]
OMBRETTA: Marcello. They heard you. They listened.
They have sent their entire nuclear arsenals
to destroy the asteroid. ["SE BRUCIASSE LA CITTAÀ" PLAYING]
Marcello...[AIR RAID SIREN WAILING]
Do you know what that means?
NIC: It means the world's safe.
And the super-volcano can sleep for another million years.
No.
It means a new age of peace.
No more weapons. No more wars.
[SIREN WAILING]
[SONG PEAKS]
OMBRETTA: Marcello! Look! Another missile!
NIC: Time to save the world again.
[NIC GRUMBLES]
I'm gettin' too old for this shit.
[GASPS]
Marcello!
[YELLS DRAMATICALLY]
[NIC GRUNTS, WHIMPERS]
[SONG CONCLUDES]
[AUDIENCE APPLAUDING, CHEERING]
And finally, a clip from our last nominee.
[SOBS]
NIC: [SOBBING] Sorry, Luigi.
I'm so sorry! [SOBS]
[JINGLE MUSIC PLAYING]
And the winner for the Best Rip Your Heart Out Crying Scene...
from the first ever neorealistic action film...
It's my man, Nic Cassino!
[TRIUMPHANT MUSIC PLAYING][CROWD CHEERS, APPLAUDS]
[CROWD CHEER]
Where's Papa?
FABRIZIO: Anybody? [POUNDING ON DOOR]
[HANDLE RATTLING] FABRIZIO: Please!
Do something!
Please!
Excuse me! [KNOCKS ON DOOR]
FABRIZIO: The winner is in the toilet!
["MINE AIN'T YOURS" PLAYING]
♪ It's your last chance To reign ♪
♪ Till you fall down On your knees ♪
♪ That isn't how you make it
♪ Mine ain't yours for taking
♪ Now you're to blame
♪ For what's going on with me ♪
♪ You know ♪
♪ Your life's what You've made it ♪
♪ Mine ain't yours for taking
♪ You never have To make it right ♪
♪ But how long Can you be wrong? ♪
♪ Don't try to sing The same old song ♪
♪ You're never tired Of making fights ♪
♪ Tell me how long Till you're gone ♪
♪ You never try to see Eye to eye ♪
♪ Always looking for A place to hide ♪
♪ That isn't how you make it ♪
♪ Mine ain't yours for taking
♪ It's your last chance To reign ♪
♪ Till you fall down On your knees ♪
♪ That isn't how you make it
♪ Mine ain't yours for taking
♪ Now you're to blame
♪ For what's going on with me ♪
♪ You know ♪
♪ Your life's what you make it ♪
♪ Mine ain't yours for taking
♪ You never have To make it right ♪
♪ But how long Can you be wrong? ♪
♪ Don't try to sing The same old song ♪
♪ You're never tired Of making fights ♪
♪ Tell me how long Till you're gone ♪
♪ You never try to see Eye to eye ♪
♪ Always looking For a place to hide ♪
♪ That isn't how you make it ♪
♪ Mine ain't yours for taking
♪ You never have To make it right ♪
♪ But how long Can you be wrong? ♪
♪ Don't try to sing The same old song ♪
♪ You never try To make it right ♪
♪ Tell me how long Till you're gone ♪
♪ You never try to see Eye to eye ♪
♪ Always looking For a place to hide ♪
♪ That isn't how you make it ♪
♪ Mine ain't yours for taking
♪ That isn't how you make it
♪ Mine ain't yours for taking
[SONG CONCLUDES]