1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:05,305 --> 00:00:05,472 . 3 00:00:05,505 --> 00:00:06,373 - * Something has changed within me * 4 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 5 00:00:10,410 --> 00:00:13,346 * Something is not the same * 6 00:00:13,380 --> 00:00:15,682 - Are you ready? - Let's do it. 7 00:00:15,715 --> 00:00:16,783 - Mm-hmm. 8 00:00:16,816 --> 00:00:19,519 [enchanting music] 9 00:00:19,552 --> 00:00:20,687 [glass shatters] 10 00:00:20,720 --> 00:00:22,822 Welcome to the spectacular Emerald City set 11 00:00:22,856 --> 00:00:24,691 from our brand-new movie, "Wicked." 12 00:00:24,724 --> 00:00:27,727 - This magical place has been our home for more than a year, 13 00:00:27,761 --> 00:00:30,230 and tonight, finally, we're excited to share 14 00:00:30,263 --> 00:00:31,865 all of our "Wicked" secrets with you. 15 00:00:31,898 --> 00:00:33,133 - Let's tell each other something 16 00:00:33,166 --> 00:00:34,401 we've never told anyone before. 17 00:00:34,434 --> 00:00:36,269 - You might be a long-time "Wicked" fan, 18 00:00:36,302 --> 00:00:39,239 like us, or taking your very first outing to Oz. 19 00:00:39,272 --> 00:00:41,708 - Either way, the entire cast is joining us tonight 20 00:00:41,741 --> 00:00:45,512 to reveal the incredible process that got us here. 21 00:00:45,545 --> 00:00:48,314 - It is our wonderful Wizard of Oz, Jeff Goldblum. 22 00:00:48,348 --> 00:00:50,650 - I didn't know they were going to be best friends. 23 00:00:50,684 --> 00:00:51,885 [laughter] 24 00:00:51,918 --> 00:00:53,386 - I happen to be genuinely self-absorbed 25 00:00:53,420 --> 00:00:54,621 and deeply shallow. - Jonathan Bailey. 26 00:00:54,654 --> 00:00:57,223 - Hello! - Johnny Bailey. 27 00:00:57,257 --> 00:00:59,259 - Could I ask you... - Anything you want. 28 00:00:59,292 --> 00:01:01,594 - Just to move out the way? - Absolut-- yeah. 29 00:01:01,628 --> 00:01:02,896 - Bowen Yang. 30 00:01:02,929 --> 00:01:04,564 - Choreographer said, "You're a dancer, Bowen." 31 00:01:04,597 --> 00:01:06,566 And I believed him. - Marissa Bode. 32 00:01:06,599 --> 00:01:08,401 - I'm like, "Yes, pick up the speed please." 33 00:01:08,435 --> 00:01:09,602 - Right. - "This is so fun." 34 00:01:09,636 --> 00:01:11,304 - Action! - I'm Boq. 35 00:01:11,338 --> 00:01:12,706 I'm from Munchkinland. 36 00:01:12,739 --> 00:01:13,940 - Ethan Slater. 37 00:01:13,973 --> 00:01:15,709 - So hard not to smile. 38 00:01:15,742 --> 00:01:18,778 - And the iconic Michelle Yeoh. 39 00:01:18,812 --> 00:01:20,547 - Yes, that was me. 40 00:01:20,580 --> 00:01:22,682 - In this night of exclusives, 41 00:01:22,716 --> 00:01:24,517 we even filmed footage ourselves... 42 00:01:24,551 --> 00:01:26,453 [together] The wizard will see you now. 43 00:01:26,486 --> 00:01:29,723 - To share our most personal "Wicked" memories with you. 44 00:01:29,756 --> 00:01:31,491 - Another day with Glinda. 45 00:01:31,524 --> 00:01:34,327 The dream of my entire life. 46 00:01:34,361 --> 00:01:35,595 And we even brought 47 00:01:35,628 --> 00:01:37,297 an exclusive first look from the film. 48 00:01:37,330 --> 00:01:40,166 - "Wicked" is all about expecting the unexpected, 49 00:01:40,200 --> 00:01:42,869 and tonight is no different. 50 00:01:42,902 --> 00:01:44,771 - Should we have a little look? - Oh, please. 51 00:01:44,804 --> 00:01:46,506 - What the heck? 52 00:01:46,539 --> 00:01:49,642 [voices belting and harmonizing] 53 00:01:49,676 --> 00:01:52,445 * * 54 00:01:52,479 --> 00:01:54,681 - I am having a hard time wrapping my head 55 00:01:54,714 --> 00:01:56,416 around the fact that the time has finally come. 56 00:01:56,449 --> 00:01:57,484 - I know. 57 00:01:57,517 --> 00:01:58,952 - I mean, between the audition process 58 00:01:58,985 --> 00:02:00,787 and the prep and the rehearsal 59 00:02:00,820 --> 00:02:02,322 and everything and actually filming, 60 00:02:02,355 --> 00:02:04,724 it was, like, 2 and 1/2 years. 61 00:02:04,758 --> 00:02:06,626 It's been-- - That's a long time. 62 00:02:06,659 --> 00:02:08,194 - Well, yeah. 63 00:02:08,228 --> 00:02:09,396 - OK, so we can't assume 64 00:02:09,429 --> 00:02:11,631 that everybody knows what "Wicked" is 65 00:02:11,664 --> 00:02:13,366 or what the story of "Wicked" is, 66 00:02:13,400 --> 00:02:16,469 so we've done you a favor and put something together 67 00:02:16,503 --> 00:02:18,672 for you to understand just what we've been doing. 68 00:02:18,705 --> 00:02:20,874 - Yes, we edited this last night. 69 00:02:20,907 --> 00:02:24,210 [whimsical piano music] 70 00:02:24,244 --> 00:02:25,779 - The story of "Wicked" is the story 71 00:02:25,812 --> 00:02:27,647 that you don't know from "The Wizard of Oz." 72 00:02:27,681 --> 00:02:30,684 How did the Wicked Witch become the Wicked Witch? 73 00:02:30,717 --> 00:02:36,423 - The story of two girls who are very, very different. 74 00:02:36,456 --> 00:02:39,526 One of whom is beloved and popular, 75 00:02:39,559 --> 00:02:42,328 and she is who we come to know as... 76 00:02:42,362 --> 00:02:44,864 - Glinda, Galinda the Good 77 00:02:44,898 --> 00:02:46,666 of the Upper Uplands. 78 00:02:46,700 --> 00:02:49,302 - The other character is the green girl, 79 00:02:49,336 --> 00:02:52,839 not beloved, not loved even by her own family, 80 00:02:52,872 --> 00:02:56,810 who possesses, however, a kind of magic power 81 00:02:56,843 --> 00:02:59,579 that nobody else in Oz seems to possess. 82 00:02:59,612 --> 00:03:02,315 - Who is what we end up knowing 83 00:03:02,349 --> 00:03:06,619 as the Wicked Witch, Elphaba. 84 00:03:06,653 --> 00:03:09,022 - 25 years ago, I first came across 85 00:03:09,055 --> 00:03:11,358 Gregory Maguire's novel, "Wicked." 86 00:03:11,391 --> 00:03:13,293 At the time, I was developing it as a film. 87 00:03:13,326 --> 00:03:16,696 Each screenplay felt, to me, that it was missing something. 88 00:03:16,730 --> 00:03:18,798 And then, one day, I got a phone call 89 00:03:18,832 --> 00:03:20,433 from Stephen Schwartz. 90 00:03:20,467 --> 00:03:22,635 - Listen, I know you're trying to do this as a movie. 91 00:03:22,669 --> 00:03:25,071 I think it should start as a stage musical. 92 00:03:25,105 --> 00:03:27,707 I really feel I know how to do this. 93 00:03:27,741 --> 00:03:29,542 - And the moment he said "music," 94 00:03:29,576 --> 00:03:31,378 a light bulb went off in my head. 95 00:03:31,411 --> 00:03:33,279 We put the show on Broadway. 96 00:03:33,313 --> 00:03:38,084 - The songs, the sisterhood between Elphaba and Glinda, 97 00:03:38,118 --> 00:03:40,720 Glinda's comedy, seeing Kristin Chenoweth 98 00:03:40,754 --> 00:03:43,356 originate this role, seeing her on Broadway... 99 00:03:43,390 --> 00:03:45,558 - I'd never heard anything or seen anything like it. 100 00:03:45,592 --> 00:03:48,495 I think the idea of turning the concept 101 00:03:48,528 --> 00:03:50,663 of what "The Wizard of Oz" was on its head 102 00:03:50,697 --> 00:03:52,866 and seeing it from someone else's point of view 103 00:03:52,899 --> 00:03:55,068 really shook me. 104 00:03:55,101 --> 00:03:56,903 - When I first joined "Wicked," 105 00:03:56,936 --> 00:03:59,039 the number one thing was let's get the script in shape. 106 00:03:59,072 --> 00:04:01,074 How close was it going to be for the show? 107 00:04:01,107 --> 00:04:03,376 How cinematic could it be? 108 00:04:03,410 --> 00:04:06,413 But the real heavy lifting, 109 00:04:06,446 --> 00:04:08,415 the big thing that loomed all over us 110 00:04:08,448 --> 00:04:10,417 was you don't have a story 111 00:04:10,450 --> 00:04:14,654 if you don't have Glinda and Elphaba. 112 00:04:14,688 --> 00:04:16,890 So we went on the biggest casting search 113 00:04:16,923 --> 00:04:20,427 that I've ever been a part of across all continents, 114 00:04:20,460 --> 00:04:25,331 and it took us a long time to find the right people. 115 00:04:25,365 --> 00:04:27,033 [dramatic music] 116 00:04:27,067 --> 00:04:31,938 - Did you know deep, deep, deep in your heart and your gut 117 00:04:31,971 --> 00:04:34,374 that this was your role? 118 00:04:34,407 --> 00:04:35,809 - I hoped, but I don't want to put that-- 119 00:04:35,842 --> 00:04:37,410 - Yeah. - You know what I mean? 120 00:04:37,444 --> 00:04:38,845 I'm like, "Wake me up when it's over, 121 00:04:38,878 --> 00:04:41,581 "and if it happened, if it's real, 122 00:04:41,614 --> 00:04:42,749 let me know when it's real." 123 00:04:42,782 --> 00:04:44,517 But I-- - Right, yes. 124 00:04:44,551 --> 00:04:46,953 - What was your process like, your audition process? 125 00:04:46,986 --> 00:04:49,756 - The audition for me was, like, three hours 126 00:04:49,789 --> 00:04:53,993 of me singing and acting with two other actresses. 127 00:04:54,027 --> 00:04:55,795 It was a pretty emotional day. 128 00:04:55,829 --> 00:04:58,131 So I guess I threw everything into that audition. 129 00:04:58,164 --> 00:05:01,134 [singing intensely] 130 00:05:01,167 --> 00:05:04,437 * * 131 00:05:04,471 --> 00:05:05,972 [piano chord clangs] 132 00:05:06,006 --> 00:05:06,973 - Whoo! 133 00:05:07,007 --> 00:05:08,608 [applause] 134 00:05:08,641 --> 00:05:10,410 - Well, I had the opposite experience. 135 00:05:10,443 --> 00:05:11,811 I stalked Marc Platt for ten years... 136 00:05:11,845 --> 00:05:12,846 - [chuckles] 137 00:05:12,879 --> 00:05:16,649 - Wondering, when would an audition be possible? 138 00:05:16,683 --> 00:05:19,819 As I kind of got wind that it was coming closer and closer, 139 00:05:19,853 --> 00:05:23,089 I went to voice lessons and acting lessons and, every day, 140 00:05:23,123 --> 00:05:26,026 was trying to get ready because it's so different vocally 141 00:05:26,059 --> 00:05:27,193 from what I usually sing. 142 00:05:27,227 --> 00:05:29,429 * Less fortunate than I * 143 00:05:29,462 --> 00:05:30,964 * And let's face it * 144 00:05:30,997 --> 00:05:34,834 And I remember, by the end of my final test, 145 00:05:34,868 --> 00:05:37,504 my eyelashes were... - [laughs] 146 00:05:37,537 --> 00:05:38,872 - Nowhere near where they should be. 147 00:05:38,905 --> 00:05:39,973 They were here. 148 00:05:40,006 --> 00:05:41,808 So I was like, "Thank you so much. 149 00:05:41,841 --> 00:05:44,644 Well--" and I stuck them on the mirror. 150 00:05:44,678 --> 00:05:47,414 I was like, "Well, bye. That's all, folks." 151 00:05:47,447 --> 00:05:49,516 I went to the car and collapsed. 152 00:05:49,549 --> 00:05:52,686 And then, from then, it was 3 and 1/2 weeks, I think. 153 00:05:52,719 --> 00:05:54,120 - Yeah, actually hearing the words 154 00:05:54,154 --> 00:05:58,425 that the part was mine was beyond a dream come true. 155 00:05:58,458 --> 00:05:59,759 I finally get the call. 156 00:05:59,793 --> 00:06:02,629 - And, Cynthia, I don't know what [...] planet 157 00:06:02,662 --> 00:06:04,798 you came from, but we are so blessed 158 00:06:04,831 --> 00:06:06,966 to have you in the room every time 159 00:06:07,000 --> 00:06:09,502 we meet you, every time I get to talk to you. 160 00:06:09,536 --> 00:06:11,971 - And there's utter disbelief. 161 00:06:12,005 --> 00:06:15,875 - And we would love for you to be our Elphaba in "Wicked." 162 00:06:15,909 --> 00:06:18,111 - I cover my eyes, and I cry my eyes out, 163 00:06:18,144 --> 00:06:20,046 because you just don't expect it to happen 164 00:06:20,080 --> 00:06:22,649 when it happens even if you know it might happen. 165 00:06:22,682 --> 00:06:23,950 You know? - Mm-hmm, it's a wild feeling. 166 00:06:23,983 --> 00:06:25,485 - Yeah. 167 00:06:25,518 --> 00:06:27,620 - To wait so long, and finally the call came. 168 00:06:27,654 --> 00:06:29,889 - We made you wait a long time 169 00:06:29,923 --> 00:06:31,591 for all your auditions and things, 170 00:06:31,624 --> 00:06:33,727 and you came in, you told us how much 171 00:06:33,760 --> 00:06:35,228 "Wicked" means to you. [dog barking] 172 00:06:35,261 --> 00:06:37,464 You've written letters... 173 00:06:37,497 --> 00:06:39,232 - Toulouse! Toulouse, stop! Toulouse! 174 00:06:39,265 --> 00:06:40,233 [dog barking] 175 00:06:40,266 --> 00:06:41,935 Toulouse! 176 00:06:41,968 --> 00:06:43,570 - My kid's running around, too, so it's all good. 177 00:06:43,603 --> 00:06:44,804 - I'm sorry. 178 00:06:44,838 --> 00:06:46,172 Just like you, it's, like, that feeling 179 00:06:46,206 --> 00:06:47,741 when all of a sudden... - All this to say... 180 00:06:47,774 --> 00:06:50,744 - And you're like, "Hm, if I didn't get it, 181 00:06:50,777 --> 00:06:51,911 this is the meanest way..." 182 00:06:51,945 --> 00:06:53,613 - It's the worst way to find out. 183 00:06:53,646 --> 00:06:55,815 - "Someone could ever tell me ever." 184 00:06:55,849 --> 00:06:58,585 - 'Cause we want you to be our Glinda the Good 185 00:06:58,618 --> 00:07:01,187 in the "Wicked" freaking movie. 186 00:07:01,221 --> 00:07:06,893 - [laughing, gasping] I don't know what to say! 187 00:07:06,926 --> 00:07:10,296 Oh, my God, thank you so much! 188 00:07:10,330 --> 00:07:11,731 I love her so much! 189 00:07:11,765 --> 00:07:13,199 I'm going to take such good care of her! 190 00:07:13,233 --> 00:07:15,935 Thank you so much! 191 00:07:15,969 --> 00:07:17,937 I don't believe it still. Today, I don't believe it. 192 00:07:17,971 --> 00:07:20,273 - It's so crazy. We actually did that. 193 00:07:20,306 --> 00:07:23,176 - [chuckles] That's crazy. 194 00:07:23,209 --> 00:07:26,112 Thank God. Thank Oz. 195 00:07:26,146 --> 00:07:28,048 - Thank goodness. 196 00:07:28,081 --> 00:07:29,616 - Pink goes good with green. 197 00:07:29,649 --> 00:07:33,620 - Goes well with green. - It so does. 198 00:07:33,653 --> 00:07:36,623 [soft piano music] 199 00:07:36,656 --> 00:07:43,830 * * 200 00:07:48,368 --> 00:07:51,137 My Miss Elphaba. 201 00:07:52,906 --> 00:07:55,709 Look at you. 202 00:07:55,742 --> 00:08:00,814 Hm, you're beautiful. 203 00:08:00,847 --> 00:08:03,650 - I think the thing people are so attracted to... 204 00:08:03,683 --> 00:08:06,086 - Yeah. - Is the story of sisterhood 205 00:08:06,119 --> 00:08:08,154 and best friendship and the laughter 206 00:08:08,188 --> 00:08:11,725 and the love and the connection there, 207 00:08:11,758 --> 00:08:14,194 but also what lies beneath it 208 00:08:14,227 --> 00:08:16,363 and the story that it tells on a bigger scale 209 00:08:16,396 --> 00:08:19,899 is so relevant and necessary today, 210 00:08:19,933 --> 00:08:22,002 and it's just so beautiful. 211 00:08:22,035 --> 00:08:25,839 - Both of these characters have such differences in them, 212 00:08:25,872 --> 00:08:27,741 and they're both quirky in their own ways, 213 00:08:27,774 --> 00:08:30,343 but I think that that makes them really beautiful. 214 00:08:30,377 --> 00:08:31,911 - Mm-hmm. 215 00:08:31,945 --> 00:08:33,913 - I think there's a wonderful essence 216 00:08:33,947 --> 00:08:35,849 of trying to share with everyone 217 00:08:35,882 --> 00:08:39,819 that one's difference doesn't make them wrong or bad. 218 00:08:39,853 --> 00:08:41,287 It just makes them special. 219 00:08:41,321 --> 00:08:44,724 And I think that that's a bigger, wider idea 220 00:08:44,758 --> 00:08:46,960 that we can all share with the world, yeah. 221 00:08:46,993 --> 00:08:50,363 - * Something has changed within me * 222 00:08:50,397 --> 00:08:53,033 [soaring orchestral music] 223 00:08:53,066 --> 00:08:55,001 - She doesn't give a twig what anyone thinks. 224 00:08:55,035 --> 00:08:57,837 - * Something is not the same * 225 00:08:57,871 --> 00:09:01,608 - Of course, she does. She just pretends not to. 226 00:09:01,641 --> 00:09:03,209 * * 227 00:09:03,243 --> 00:09:07,247 - Hi, I'm Michelle Yeoh, the influential headmistress, 228 00:09:07,280 --> 00:09:08,615 Madame Morrible. 229 00:09:08,648 --> 00:09:11,017 - [claps] Listen! 230 00:09:11,051 --> 00:09:14,621 - Still to come on "Defying Gravity," 231 00:09:14,654 --> 00:09:16,423 costumes, 232 00:09:16,456 --> 00:09:18,725 choreography, 233 00:09:18,758 --> 00:09:20,326 music, 234 00:09:20,360 --> 00:09:25,065 the Wonderful Wizard of Oz himself, Jeff Goldblum, 235 00:09:25,098 --> 00:09:27,967 and the dashing Jonathan Bailey. 236 00:09:28,001 --> 00:09:29,336 - Johnny Bailey. 237 00:09:29,369 --> 00:09:30,970 - Can I talk about "Wicked" too? 238 00:09:31,004 --> 00:09:34,741 - So don't go anywhere as we raise the curtain 239 00:09:34,774 --> 00:09:38,345 on more secrets and surprises. 240 00:09:45,251 --> 00:09:45,719 . 241 00:09:45,752 --> 00:09:46,319 [soaring orchestral music] 242 00:09:48,188 --> 00:09:49,923 - Like, they don't even know that-- 243 00:09:49,956 --> 00:09:52,792 they talk amongst themselves and don't hear the world. 244 00:09:52,826 --> 00:09:54,794 Like, we can talk about them out loud, 245 00:09:54,828 --> 00:09:58,164 and they don't even know what's happening in the outside world. 246 00:09:58,198 --> 00:10:00,433 Like, they have no idea that we're talking about them... 247 00:10:00,467 --> 00:10:01,935 - Wait, what? 248 00:10:01,968 --> 00:10:03,303 - Because they're just in their own world. 249 00:10:03,336 --> 00:10:04,938 - What are you talking about? 250 00:10:04,971 --> 00:10:06,740 - When you guys talk to each other, nobody exists. 251 00:10:06,773 --> 00:10:07,807 [laughter] 252 00:10:07,841 --> 00:10:09,042 - Hello. - Johnny Bailey. 253 00:10:09,075 --> 00:10:10,744 - Good to see you. - Hello, ladies. 254 00:10:10,777 --> 00:10:12,012 - Jonathan. - Hi. 255 00:10:12,045 --> 00:10:13,179 - Come and hang out with me over here. 256 00:10:13,213 --> 00:10:14,481 - Shut up. - By the Winkie machine. 257 00:10:14,514 --> 00:10:15,849 - County, yes, yes. - Yeah. 258 00:10:15,882 --> 00:10:17,717 I am the captain of the Winkie county. 259 00:10:17,751 --> 00:10:18,885 - [laughs] 260 00:10:18,918 --> 00:10:21,788 - I'm Fiyero Tigelaar. 261 00:10:21,821 --> 00:10:24,457 Winkie Country. - Oh, Oz. 262 00:10:24,491 --> 00:10:27,293 [crowd murmuring] 263 00:10:27,327 --> 00:10:30,430 - What is your relationship to "Wicked," 264 00:10:30,463 --> 00:10:32,165 what you felt when you saw it, all those things? 265 00:10:32,198 --> 00:10:33,266 - First "Wicked" memory? 266 00:10:33,299 --> 00:10:35,035 - Well, you know, the first time I saw it, 267 00:10:35,068 --> 00:10:37,137 I saw a preview when it first came over to London... 268 00:10:37,170 --> 00:10:38,505 - Oh, wow. 269 00:10:38,538 --> 00:10:40,940 - With Idina Menzel and Adam Garcia playing Fiyero. 270 00:10:40,974 --> 00:10:43,176 And, obviously, it was mind-blowing, 271 00:10:43,209 --> 00:10:47,013 but I remember specifically that Idina Menzel corpse 272 00:10:47,047 --> 00:10:49,349 and was giggling in a brilliant way, 273 00:10:49,382 --> 00:10:51,151 and I really enjoyed that. 274 00:10:51,184 --> 00:10:52,986 So that was my first introduction to it, 275 00:10:53,019 --> 00:10:55,121 and I feel like we've kept that going, that legacy, 276 00:10:55,155 --> 00:10:56,756 of giggling all the way through. 277 00:10:56,790 --> 00:10:58,358 - My first experience was with the music 278 00:10:58,391 --> 00:11:00,393 first before seeing the show. - Yeah. 279 00:11:00,427 --> 00:11:03,363 - And I learned it all before I actually saw the show. 280 00:11:03,396 --> 00:11:05,298 And then, finally, for my 25th birthday, 281 00:11:05,331 --> 00:11:07,200 I took myself to see it by myself. 282 00:11:07,233 --> 00:11:09,302 - That's so cute. - I went on a solo date. 283 00:11:09,336 --> 00:11:11,338 - So you would have been a bit younger. 284 00:11:11,371 --> 00:11:12,505 - I was ten years old. 285 00:11:12,539 --> 00:11:14,841 I had the incredible privilege 286 00:11:14,874 --> 00:11:16,209 of seeing the original Broadway cast. 287 00:11:16,242 --> 00:11:18,545 I ended up being able to go backstage, 288 00:11:18,578 --> 00:11:20,880 and then I went to Kristen's dressing room, 289 00:11:20,914 --> 00:11:22,549 and she didn't do, like, a pause at the door 290 00:11:22,582 --> 00:11:24,384 and, like, a hello. She literally was like... 291 00:11:24,417 --> 00:11:26,219 [as Kristin Chenoweth] "Oh, come in! Come in!" 292 00:11:26,252 --> 00:11:27,120 [laughter] 293 00:11:27,153 --> 00:11:28,521 And she gave, like, me a wand. 294 00:11:28,555 --> 00:11:30,190 She gave me a little pink body wash. 295 00:11:30,223 --> 00:11:33,226 She said it was magical, and it may have been, actually. 296 00:11:33,259 --> 00:11:35,762 Her dog peed on the couch. I helped her clean it up. 297 00:11:35,795 --> 00:11:37,831 It was like a dream. 298 00:11:37,864 --> 00:11:40,100 - I'm so sorry, Miss. We didn't see you there. 299 00:11:40,133 --> 00:11:44,137 You must have... blended with the foliage. 300 00:11:44,170 --> 00:11:45,772 - Is this how you go through life, 301 00:11:45,805 --> 00:11:48,375 just running amok and trampling anyone in your path? 302 00:11:48,408 --> 00:11:49,376 - No. 303 00:11:49,409 --> 00:11:51,044 [horse snorts] 304 00:11:51,077 --> 00:11:53,346 No, sometimes I'm asleep. 305 00:11:53,380 --> 00:11:55,915 - One thing from the original theater production 306 00:11:55,949 --> 00:11:58,251 that everyone loved is the sets. 307 00:11:58,284 --> 00:12:00,887 We're going to now have a look at how Nathan Crowley, 308 00:12:00,920 --> 00:12:02,322 our incredible production designer, 309 00:12:02,355 --> 00:12:04,424 created these extraordinary worlds 310 00:12:04,457 --> 00:12:06,026 that we existed in. 311 00:12:06,059 --> 00:12:09,029 [enchanting music] 312 00:12:09,062 --> 00:12:11,064 - Cinema to me has to be epic. 313 00:12:11,097 --> 00:12:12,065 If we're going to make "Wicked," 314 00:12:12,098 --> 00:12:13,466 it has to be cinematic. 315 00:12:13,500 --> 00:12:15,502 We have to do something the stage show can't do. 316 00:12:15,535 --> 00:12:17,404 We have to show this incredible world. 317 00:12:17,437 --> 00:12:18,605 We have to go behind the scenes 318 00:12:18,638 --> 00:12:19,906 and show everything. 319 00:12:19,939 --> 00:12:22,042 * * 320 00:12:22,075 --> 00:12:24,277 How do you make this fantastical place 321 00:12:24,310 --> 00:12:27,080 that we've never seen before? 322 00:12:27,113 --> 00:12:29,215 How do you find a way in visually? 323 00:12:29,249 --> 00:12:33,620 You have to make up your own version of it. 324 00:12:33,653 --> 00:12:35,955 - Our version is, we build that [ding]. 325 00:12:35,989 --> 00:12:38,458 We build it. 326 00:12:38,491 --> 00:12:42,829 We knew that we wanted Oz to be immersive. 327 00:12:42,862 --> 00:12:45,131 Let's touch it. Let's feel it. 328 00:12:45,165 --> 00:12:49,302 We can actually go into the forest and climb a tree. 329 00:12:49,336 --> 00:12:53,273 We got to grow 9 million tulips. 330 00:12:53,306 --> 00:12:57,143 We got to build Munchkinland. 331 00:12:57,177 --> 00:13:00,080 We got to build the yellow brick road. 332 00:13:00,113 --> 00:13:01,981 - Ah, this is the first time 333 00:13:02,015 --> 00:13:05,452 I've seen this train come into this city. 334 00:13:05,485 --> 00:13:07,187 Brilliant, that's the image I've been waiting for. 335 00:13:07,220 --> 00:13:09,289 Let's go back here and look at it. 336 00:13:09,322 --> 00:13:11,958 - You want to touch the walls of the Emerald City, 337 00:13:11,991 --> 00:13:13,360 see your reflection in it. 338 00:13:13,393 --> 00:13:15,161 - This is the throne room theater, 339 00:13:15,195 --> 00:13:18,631 and what you're standing under is the animatronic 340 00:13:18,665 --> 00:13:22,135 physical head that is going up here on these hydraulic rigs 341 00:13:22,168 --> 00:13:25,005 and is going to be puppeteered... 342 00:13:25,038 --> 00:13:29,676 - I am Oz. 343 00:13:29,709 --> 00:13:31,211 - [whispers] Say something. 344 00:13:31,244 --> 00:13:32,412 Say something. - What am I supposed to say? 345 00:13:32,445 --> 00:13:33,980 - Anything. 346 00:13:34,014 --> 00:13:35,915 - We have a lot of nature embedded in 347 00:13:35,949 --> 00:13:37,417 the production design. 348 00:13:37,450 --> 00:13:40,487 We really wanted Oz to be a place of deeper power, 349 00:13:40,520 --> 00:13:44,290 that there is synergy of nature that comes through, 350 00:13:44,324 --> 00:13:46,459 and part of that is this animal community. 351 00:13:46,493 --> 00:13:50,196 They work side-by-side with other human Ozians. 352 00:13:50,230 --> 00:13:52,565 They've been professors. They've been doctors. 353 00:13:52,599 --> 00:13:54,634 They've been students. 354 00:13:54,668 --> 00:13:58,204 We have this animal band that's playing in the Ozdust. 355 00:13:58,238 --> 00:14:00,540 There's also the beloved Doctor Dillamond. 356 00:14:00,573 --> 00:14:03,143 He has these gadgets that allow him to use 357 00:14:03,176 --> 00:14:05,578 a magnifying glass or sweep the floor. 358 00:14:05,612 --> 00:14:07,714 The tables are different shapes and sizes 359 00:14:07,747 --> 00:14:09,683 and different heights, and bowls are different ways 360 00:14:09,716 --> 00:14:11,217 for different animals to eat. 361 00:14:11,251 --> 00:14:13,687 They are a culture that is deeply embedded 362 00:14:13,720 --> 00:14:16,022 in the land of Oz, 363 00:14:16,056 --> 00:14:18,591 and all of this didn't just take production design. 364 00:14:18,625 --> 00:14:21,561 It took special effects. It took visual effects. 365 00:14:21,594 --> 00:14:24,564 That sense of detail makes you believe 366 00:14:24,597 --> 00:14:27,567 that Oz actually exists. 367 00:14:27,600 --> 00:14:30,637 [enchanting music] 368 00:14:30,670 --> 00:14:32,739 * * 369 00:14:32,772 --> 00:14:34,207 - Look what I found. 370 00:14:34,240 --> 00:14:35,642 - Yeah, my pile of things that I'm stealing. 371 00:14:35,675 --> 00:14:37,077 - Let's see. 372 00:14:37,110 --> 00:14:38,745 - I'm excited to attempt to get through 373 00:14:38,778 --> 00:14:42,282 airport security with this. I will take-- you can't-- 374 00:14:42,315 --> 00:14:44,951 I don't think I'll be stopped. - No, you should-- 375 00:14:44,984 --> 00:14:46,186 - You know? We have to take... 376 00:14:46,219 --> 00:14:47,454 - Yes, for sure. - These home. 377 00:14:47,487 --> 00:14:49,055 But it's, like, kind of emotional. 378 00:14:49,089 --> 00:14:50,423 - Yeah, you become really attached to them. 379 00:14:50,457 --> 00:14:52,158 - I don't want to let go of it. - Yeah. 380 00:14:52,192 --> 00:14:53,593 - Yeah, and we have Elphie's things here, 381 00:14:53,626 --> 00:14:57,230 these beautiful, beautiful hat and iconic broom. 382 00:14:57,263 --> 00:14:59,065 - I wouldn't be surprised if you grew the tree 383 00:14:59,099 --> 00:15:01,101 and you etched it yourself. 384 00:15:01,134 --> 00:15:04,704 - I knew that I wanted it to feel really organic. 385 00:15:04,738 --> 00:15:06,339 - How does that feel for you? - I love it. 386 00:15:06,373 --> 00:15:09,175 So John and I set about looking for, like, 387 00:15:09,209 --> 00:15:10,777 the roots of different trees. 388 00:15:10,810 --> 00:15:12,112 - Mangroves, isn't it? 389 00:15:12,145 --> 00:15:13,380 - Mangroves, that's right, yeah. 390 00:15:13,413 --> 00:15:14,981 - Made it really easy for you to catch. 391 00:15:15,015 --> 00:15:16,449 - Yes, well, the thing is, 392 00:15:16,483 --> 00:15:19,085 I got really used to, like, how to hold it 393 00:15:19,119 --> 00:15:20,587 and how to catch it if I needed to. 394 00:15:20,620 --> 00:15:23,089 - But she can catch a broom. It can be anywhere. 395 00:15:23,123 --> 00:15:25,025 - But I think I just got really attached to it. 396 00:15:25,058 --> 00:15:26,793 I sort of, like, understood it. 397 00:15:26,826 --> 00:15:28,294 - I almost broke my nose on a broom. 398 00:15:28,328 --> 00:15:29,662 - This is true. - This is true. 399 00:15:29,696 --> 00:15:32,198 I was supposed to catch one. My face caught it. 400 00:15:32,232 --> 00:15:34,467 - That was a day. - Yeah, it was wild. 401 00:15:34,501 --> 00:15:36,369 - You two on set, it's like a live wire 402 00:15:36,403 --> 00:15:39,406 and an earth wire together, and it's interesting. 403 00:15:39,439 --> 00:15:41,274 You see these two props here, 404 00:15:41,307 --> 00:15:43,443 and they're so reflective of this sort of 405 00:15:43,476 --> 00:15:45,311 special nature of both of you. 406 00:15:45,345 --> 00:15:48,248 - We're so lucky to have these physically grounding pieces... 407 00:15:48,281 --> 00:15:50,684 Jess, is this your favorite one to put on me? 408 00:15:50,717 --> 00:15:52,619 When you put the costume on, when you put her shoes on, 409 00:15:52,652 --> 00:15:55,288 when you hold our things and wear our crowns, 410 00:15:55,321 --> 00:15:57,223 when we're supported by such brilliant artists 411 00:15:57,257 --> 00:15:58,591 who designed these pieces 412 00:15:58,625 --> 00:16:01,261 that just take it to the next level. 413 00:16:01,294 --> 00:16:03,329 [dramatic music] 414 00:16:03,363 --> 00:16:05,465 - So let's talk about the fact that obviously 415 00:16:05,498 --> 00:16:07,100 it's pink and green... - Yes. 416 00:16:07,133 --> 00:16:09,102 - But you were actually, literally, 417 00:16:09,135 --> 00:16:10,704 green every day. - Very true. 418 00:16:10,737 --> 00:16:12,605 So I knew that if I looked at myself 419 00:16:12,639 --> 00:16:14,441 and didn't see the green, I don't think I could have 420 00:16:14,474 --> 00:16:16,509 made the connection to Elphaba as much as I did. 421 00:16:16,543 --> 00:16:19,479 And something happens when all of that green is on, 422 00:16:19,512 --> 00:16:22,349 the freckles go on, and the hair goes on, 423 00:16:22,382 --> 00:16:24,351 the makeup goes on, the eyes go on, 424 00:16:24,384 --> 00:16:27,854 and it's not me I'm looking at. It's her. 425 00:16:27,887 --> 00:16:30,156 But also, something happens when you walk into a room, 426 00:16:30,190 --> 00:16:32,058 especially when you have lots of 427 00:16:32,092 --> 00:16:33,526 background artists in the room, 428 00:16:33,560 --> 00:16:34,861 and the first time they meet you, 429 00:16:34,894 --> 00:16:36,463 you're green. - Yeah. 430 00:16:36,496 --> 00:16:39,366 - Something happens to the DNA in the space. 431 00:16:39,399 --> 00:16:40,633 - I agree. The energy shifts. 432 00:16:40,667 --> 00:16:41,634 - Yeah. 433 00:16:41,668 --> 00:16:44,771 * * 434 00:16:44,804 --> 00:16:47,640 - Oh! You're green. 435 00:16:47,674 --> 00:16:49,542 * * 436 00:16:49,576 --> 00:16:51,211 - I am. 437 00:16:51,244 --> 00:16:53,513 - Coming up, our fellow Ozians 438 00:16:53,546 --> 00:16:55,548 will be reflecting on their time in Oz. 439 00:16:55,582 --> 00:16:56,583 Bowen Yang... 440 00:16:56,616 --> 00:16:57,851 - Hey. - Hi 441 00:16:57,884 --> 00:16:59,285 - Marissa Bode... 442 00:16:59,319 --> 00:17:00,720 - This is my younger sister, Nessarose. 443 00:17:00,754 --> 00:17:02,088 - And... - Boq Woodsman... 444 00:17:02,122 --> 00:17:04,224 - Ethan Slater. - Of Munchkinland. 445 00:17:04,257 --> 00:17:06,760 - So don't go flying off. We'll be right back. 446 00:17:13,199 --> 00:17:13,366 . 447 00:17:13,400 --> 00:17:13,967 [soaring orchestral music] 448 00:17:16,302 --> 00:17:18,838 - Everyone say hi. - Hi, honey. 449 00:17:18,872 --> 00:17:22,275 - Sweetheart, you can take the girl out of Shiz, 450 00:17:22,308 --> 00:17:24,344 but you can't take the Shiz out of the girl. 451 00:17:24,377 --> 00:17:26,680 - Oy vey, is that the truth. 452 00:17:26,713 --> 00:17:28,148 Welcome back. 453 00:17:28,181 --> 00:17:29,816 Now, as you know, a lot of our movie 454 00:17:29,849 --> 00:17:31,484 is set in the Emerald City, 455 00:17:31,518 --> 00:17:34,554 but our characters meet at dear old Shiz University. 456 00:17:34,587 --> 00:17:37,223 - And that's where we're heading now. 457 00:17:37,257 --> 00:17:40,427 [cheers and applause] 458 00:17:42,462 --> 00:17:43,930 - Welcome new students. 459 00:17:43,963 --> 00:17:48,702 And "congratulotions" for having been accepted to Shiz. 460 00:17:48,735 --> 00:17:52,539 We have nothing but the highest hopes 461 00:17:52,572 --> 00:17:54,541 for some of you. 462 00:17:54,574 --> 00:17:56,476 [crowd chuckles] 463 00:17:56,509 --> 00:17:59,145 [applause] 464 00:17:59,179 --> 00:18:00,714 - We're at Shiz! 465 00:18:00,747 --> 00:18:02,482 We're at our school. 466 00:18:02,515 --> 00:18:04,150 - I don't know how familiar people are with the story, 467 00:18:04,184 --> 00:18:08,188 but Boq arrives at Shiz on the same day as everyone. 468 00:18:08,221 --> 00:18:10,824 You know, Boq sees Glinda and is so overwhelmed 469 00:18:10,857 --> 00:18:12,525 with this, like, love that he's feeling for her 470 00:18:12,559 --> 00:18:13,860 right away. - I'm Boq. 471 00:18:13,893 --> 00:18:16,963 - This huge crush. - I'm from Munchkinland. 472 00:18:16,996 --> 00:18:18,498 - Yes. 473 00:18:18,531 --> 00:18:21,201 - And she redirects his energy towards Nessa, 474 00:18:21,234 --> 00:18:22,502 which is-- - Yes, terrible. 475 00:18:22,535 --> 00:18:23,970 - Go ask her right now? - Why not? 476 00:18:24,004 --> 00:18:25,338 She's right there. 477 00:18:25,372 --> 00:18:26,740 - Which is... - Not great. 478 00:18:26,773 --> 00:18:28,475 - Just hard, but also is the beginning 479 00:18:28,508 --> 00:18:30,777 of this relationship between the two of them. 480 00:18:30,810 --> 00:18:32,345 - Yeah. 481 00:18:32,379 --> 00:18:33,947 - Well, it unfolds in a really fun way. 482 00:18:33,980 --> 00:18:36,316 - I think you guys had the very challenging thing 483 00:18:36,349 --> 00:18:37,951 of selling, through the choreography, 484 00:18:37,984 --> 00:18:40,353 like, the courtship between Nessa and Boq. 485 00:18:40,387 --> 00:18:42,822 I actually have, like, some amazing videos 486 00:18:42,856 --> 00:18:45,859 on my phone of the two of us, but, like, early on. 487 00:18:45,892 --> 00:18:48,194 - Like, I've done no choreography 488 00:18:48,228 --> 00:18:49,829 in my life, really. 489 00:18:49,863 --> 00:18:52,766 I'm so grateful that they hired a wheelchair dancer 490 00:18:52,799 --> 00:18:54,768 to help choreograph it because I feel like 491 00:18:54,801 --> 00:18:56,803 nobody knows better, like, how to move throughout the space. 492 00:18:56,836 --> 00:18:58,938 - She's amazing. - So amazing. 493 00:18:58,972 --> 00:19:00,707 - I also dance in this film. 494 00:19:00,740 --> 00:19:02,842 - * Dear Galinda, you are just too good * 495 00:19:02,876 --> 00:19:04,878 - I had to sell the idea 496 00:19:04,911 --> 00:19:06,680 that we were, like, extensions of Glinda, 497 00:19:06,713 --> 00:19:08,381 right, that we were flanking her at all times. 498 00:19:08,415 --> 00:19:09,983 So we had to, like, be like Ari, 499 00:19:10,016 --> 00:19:12,385 in the choreography, at least. 500 00:19:12,419 --> 00:19:14,721 I passed you. Damn it! 501 00:19:14,754 --> 00:19:15,822 [laughter] 502 00:19:15,855 --> 00:19:17,657 Christopher Scott, our choreographer, 503 00:19:17,691 --> 00:19:20,860 pulled one on me and said, "You're a dancer, Bowen." 504 00:19:20,894 --> 00:19:21,895 And I believed him. 505 00:19:21,928 --> 00:19:23,697 - * Nothing matters * 506 00:19:23,730 --> 00:19:25,932 - And then I realized that he did that to everybody. 507 00:19:25,965 --> 00:19:27,233 No, everybody was a dancer, 508 00:19:27,267 --> 00:19:28,535 and he really did make you believe. 509 00:19:28,568 --> 00:19:29,803 He gave you the confidence... - Yeah. 510 00:19:29,836 --> 00:19:31,338 - And the tools. 511 00:19:31,371 --> 00:19:33,440 Every part of the choreography told a story. 512 00:19:33,473 --> 00:19:36,443 [dramatic music] 513 00:19:36,476 --> 00:19:38,044 * * 514 00:19:38,078 --> 00:19:42,549 - Movement is such a huge part of the language in Oz. 515 00:19:42,582 --> 00:19:44,918 Movement is an expression of your feelings. 516 00:19:44,951 --> 00:19:47,921 When words aren't enough, what makes it feel like 517 00:19:47,954 --> 00:19:50,290 the best night of your life. 518 00:19:50,323 --> 00:19:54,027 - To create a world through song, through dance, 519 00:19:54,060 --> 00:19:55,762 is really challenging. 520 00:19:55,795 --> 00:19:58,431 The story has influenced every piece of choreography. 521 00:19:58,465 --> 00:19:59,799 It becomes a language, 522 00:19:59,833 --> 00:20:02,469 and it becomes dialogue that they're having. 523 00:20:02,502 --> 00:20:04,971 - How do we create this so it feels 524 00:20:05,005 --> 00:20:07,607 like it's of you, from you? 525 00:20:07,640 --> 00:20:11,711 How do we make it feel connected? 526 00:20:11,745 --> 00:20:14,280 - But also finding beats to build in comedy? 527 00:20:14,314 --> 00:20:17,550 Respectfully, this might be the Glinda-fied version, 528 00:20:17,584 --> 00:20:20,653 and that was a fun balance to find. 529 00:20:20,687 --> 00:20:22,822 - There was so much space given to come in 530 00:20:22,856 --> 00:20:24,891 and create something of your own. 531 00:20:24,924 --> 00:20:27,293 - I've been seeing people come up with new ideas 532 00:20:27,327 --> 00:20:28,862 of how to play off of the architecture, 533 00:20:28,895 --> 00:20:31,331 and it just changes the way that you move your body. 534 00:20:31,364 --> 00:20:32,732 - We find the spaces. 535 00:20:32,766 --> 00:20:34,467 We find the nooks and crannies 536 00:20:34,501 --> 00:20:37,470 that we work into our choreography, 537 00:20:37,504 --> 00:20:40,607 our blocking, our camera work. 538 00:20:40,640 --> 00:20:43,977 - We had this massively huge set for Glinda's suite. 539 00:20:44,010 --> 00:20:47,013 It became this huge playground for Jon, me, and Chris 540 00:20:47,047 --> 00:20:50,650 to start to experiment with how to tell a story through dance. 541 00:20:50,684 --> 00:20:53,420 - * La, la, la, la * 542 00:20:53,453 --> 00:20:54,888 - So you've got these two women 543 00:20:54,921 --> 00:20:58,658 and then all these contraptions that open up. 544 00:20:58,692 --> 00:21:00,493 We did, a couple of times, remove things, 545 00:21:00,527 --> 00:21:03,329 like the roof of the set, so we could do bed shots, 546 00:21:03,363 --> 00:21:05,365 and we poked our crane through a couple of times 547 00:21:05,398 --> 00:21:07,867 through the front door and the balcony door. 548 00:21:07,901 --> 00:21:12,072 - You know, telling this story through a beautiful shot 549 00:21:12,105 --> 00:21:13,940 that takes you from here to there, 550 00:21:13,973 --> 00:21:16,609 the nuances of the actors' performances, 551 00:21:16,643 --> 00:21:19,679 I've seen that grow so much. 552 00:21:19,713 --> 00:21:21,348 - The camerawork, the lighting, 553 00:21:21,381 --> 00:21:24,784 and the choreography, it's unlimited creativity 554 00:21:24,818 --> 00:21:27,921 as long as it serves the story. 555 00:21:27,954 --> 00:21:29,689 - Why not make it that when you're making 556 00:21:29,723 --> 00:21:31,491 the movie version of "Wicked"? 557 00:21:31,524 --> 00:21:34,027 Paint with all the colors of the rainbow. 558 00:21:34,060 --> 00:21:35,362 - [screams] 559 00:21:35,395 --> 00:21:36,730 - We got that. That was great. 560 00:21:36,763 --> 00:21:38,531 - This is kind of an action movie. 561 00:21:38,565 --> 00:21:39,833 There's, like, a lot of action. - Totally. 562 00:21:39,866 --> 00:21:41,067 So there's, like, stunt work happening. 563 00:21:41,101 --> 00:21:42,669 - Yeah. 564 00:21:42,702 --> 00:21:44,471 - And Marissa did more stunts than either of us. 565 00:21:44,504 --> 00:21:45,972 - Ooh, yeah. - I did do a lot of stunts. 566 00:21:46,006 --> 00:21:48,808 Very fun for me, to be honest. - It was sick. 567 00:21:48,842 --> 00:21:51,411 - Like, they were scared that I would be scared on the wires. 568 00:21:51,444 --> 00:21:53,546 They started off very slow. 569 00:21:53,580 --> 00:21:54,914 I'm like, "Yes, pick up the speed please." 570 00:21:54,948 --> 00:21:56,449 - Right. - "This is so fun." 571 00:21:56,483 --> 00:21:57,917 - Lock me in, let's go. - Yes. 572 00:21:57,951 --> 00:22:00,787 And by the end of it, I was zooming through the air. 573 00:22:00,820 --> 00:22:02,956 - Action! - [screams] 574 00:22:02,989 --> 00:22:05,692 - I'm glad they didn't have a stunt double for me, like, 575 00:22:05,725 --> 00:22:07,160 or, like, had someone else do the stunts 576 00:22:07,193 --> 00:22:08,695 because I was like, "No, I want to." 577 00:22:08,728 --> 00:22:10,096 - I'm doing them. - Yeah. 578 00:22:10,130 --> 00:22:12,132 - Ugh. 579 00:22:12,165 --> 00:22:13,833 - Oh! [laughs] 580 00:22:13,867 --> 00:22:14,968 Oh! 581 00:22:15,001 --> 00:22:16,536 [dramatic music] 582 00:22:16,569 --> 00:22:18,471 - The preparation for this was so much fun. 583 00:22:18,505 --> 00:22:20,907 Cynthia and I would do stunt training, 584 00:22:20,940 --> 00:22:23,743 different kinds of training because this film, 585 00:22:23,777 --> 00:22:25,412 it gets physical. 586 00:22:25,445 --> 00:22:27,180 - Three, two, one, action. 587 00:22:27,213 --> 00:22:30,083 - The action that we design is-- 588 00:22:30,116 --> 00:22:33,920 you know, it primarily has to be emotionally based. 589 00:22:33,953 --> 00:22:36,690 Is it aggressive or is it vulnerable? 590 00:22:36,723 --> 00:22:40,093 You know, we have to do all of that within our body language. 591 00:22:40,126 --> 00:22:41,928 There are times when we have to do, 592 00:22:41,961 --> 00:22:44,531 working with the dancers and the parkour people 593 00:22:44,564 --> 00:22:46,566 and the stunt people, seeing what they could 594 00:22:46,599 --> 00:22:48,935 physically do and making it exciting. 595 00:22:48,968 --> 00:22:51,237 Some of the guys are going from one ladder to the next, 596 00:22:51,271 --> 00:22:53,740 you know, the wheels doing, like, a revolution 597 00:22:53,773 --> 00:22:56,910 and changing your weight and making it look effortless. 598 00:22:56,943 --> 00:23:01,681 Coming up with the most creative fight sequences 599 00:23:01,715 --> 00:23:03,450 that we could, like with the guards 600 00:23:03,483 --> 00:23:04,851 after the girls in the attic 601 00:23:04,884 --> 00:23:06,820 on their way up to the balloon. 602 00:23:06,853 --> 00:23:08,621 - They're in it, and so the soldiers are climbing, 603 00:23:08,655 --> 00:23:11,091 and they're throwing sandbags at them to try to get them out, 604 00:23:11,124 --> 00:23:13,927 and eventually, it burns to the ground. 605 00:23:13,960 --> 00:23:14,994 [basket thuds] 606 00:23:15,028 --> 00:23:17,864 And, of course, "Defying Gravity." 607 00:23:17,897 --> 00:23:19,099 - Heave! 608 00:23:19,132 --> 00:23:21,901 - I knew when I was going into this 609 00:23:21,935 --> 00:23:23,536 that stunts would be needed, 610 00:23:23,570 --> 00:23:25,939 and I knew that I wanted to do my own stunts. 611 00:23:25,972 --> 00:23:28,141 * * 612 00:23:28,174 --> 00:23:30,477 - And that takes balls. - Thank you. 613 00:23:30,510 --> 00:23:31,811 - It takes balls. - [chuckles] 614 00:23:31,845 --> 00:23:33,880 - Thanks, Mama Jo. - Honestly, well done. 615 00:23:33,913 --> 00:23:35,582 - Thank you. 616 00:23:35,615 --> 00:23:39,019 We had a moment where I had to fly around on wires, 617 00:23:39,052 --> 00:23:41,287 and I could hear this little girl, 618 00:23:41,321 --> 00:23:42,822 and she's stood by the monitor, 619 00:23:42,856 --> 00:23:44,057 go... [gasps] 620 00:23:44,090 --> 00:23:45,125 "Whoa!" 621 00:23:45,158 --> 00:23:48,228 * * 622 00:23:48,261 --> 00:23:52,499 It's one of the moments that made me understand 623 00:23:52,532 --> 00:23:54,200 why I do this. 624 00:23:54,234 --> 00:23:57,671 * * 625 00:23:57,704 --> 00:23:59,272 - Some of my other favorite stunt memories 626 00:23:59,305 --> 00:24:01,841 were the moments that were in-between the stunts. 627 00:24:01,875 --> 00:24:04,010 - This one jumping off the side. 628 00:24:04,044 --> 00:24:06,079 - No, I had to be in a harness one time, 629 00:24:06,112 --> 00:24:08,181 and not to fly, just so that I didn't fall off the banister, 630 00:24:08,214 --> 00:24:10,884 but I didn't come close to falling off the banister. 631 00:24:10,917 --> 00:24:12,585 Only when we were not filming-- 632 00:24:12,619 --> 00:24:13,987 - Did she jump off the side of it. 633 00:24:14,020 --> 00:24:15,021 - By accident. 634 00:24:15,055 --> 00:24:16,823 - Oh! 635 00:24:16,856 --> 00:24:19,192 - Oh, no. I might have. 636 00:24:19,225 --> 00:24:20,694 Sorry. I'm sorry. 637 00:24:20,727 --> 00:24:22,295 - All right, folks. OK, folks. 638 00:24:22,328 --> 00:24:25,965 - Everyone gets so nervous. Oh, God, I'm so sorry. 639 00:24:25,999 --> 00:24:27,701 So we would go home and text each other 640 00:24:27,734 --> 00:24:29,969 and be like, "Do you also have four missing nails..." 641 00:24:30,003 --> 00:24:31,705 - [laughs] - "And bruises?" 642 00:24:31,738 --> 00:24:32,939 - We have pictures of just, like, broken nails... 643 00:24:32,972 --> 00:24:34,240 - What are these bruises from? 644 00:24:34,274 --> 00:24:36,776 - And half-painted hands and bruises. 645 00:24:36,810 --> 00:24:38,845 - Not again! Not again! 646 00:24:38,878 --> 00:24:40,947 But I miss it. - We love it though. 647 00:24:40,980 --> 00:24:43,783 - Coming up, the man, the legend, 648 00:24:43,817 --> 00:24:47,554 the wizard himself has just landed in Emerald City. 649 00:24:47,587 --> 00:24:49,589 - Nice to see you. Nice to see you. 650 00:24:49,622 --> 00:24:52,792 - Brace yourself for the quite impossible to describe, 651 00:24:52,826 --> 00:24:55,662 Jeff Goldblum, next. 652 00:25:01,368 --> 00:25:01,835 . 653 00:25:01,868 --> 00:25:02,435 [soaring orchestral music] 654 00:25:05,138 --> 00:25:07,340 [together] * We're just two friends * 655 00:25:07,374 --> 00:25:09,743 - * Two good friends * 656 00:25:09,776 --> 00:25:13,113 - * Two best friends * 657 00:25:13,146 --> 00:25:15,215 [together] * Sharing one wonderful * 658 00:25:15,248 --> 00:25:18,118 - * One short * 659 00:25:18,151 --> 00:25:20,286 [together] The wizard will see you now. 660 00:25:20,320 --> 00:25:23,623 [together] * Day * 661 00:25:23,656 --> 00:25:24,958 - And look at this. 662 00:25:24,991 --> 00:25:26,960 It is our wonderful Wizard of Oz. 663 00:25:26,993 --> 00:25:29,362 - Jeff Goldblum. - Yes. 664 00:25:29,396 --> 00:25:30,964 Hello. - Hello to you. 665 00:25:30,997 --> 00:25:32,766 - Oh! Thank you. - And hello to you. 666 00:25:32,799 --> 00:25:33,800 - Oop! - Oh. 667 00:25:33,833 --> 00:25:35,902 Butterfingers, butterfingers. 668 00:25:35,935 --> 00:25:37,270 - Thank you, Wizard. 669 00:25:37,303 --> 00:25:39,039 - Thank you very much for our gifts, there. 670 00:25:39,072 --> 00:25:40,974 - We love you so much. - We love you. 671 00:25:41,007 --> 00:25:43,977 [enchanting music] 672 00:25:44,010 --> 00:25:45,712 - You want to see something amazing? 673 00:25:45,745 --> 00:25:47,180 - Yeah. 674 00:25:47,213 --> 00:25:50,884 - This is all about our wonderful Wizard of Oz. 675 00:25:50,917 --> 00:25:53,019 Do you know how he got here? 676 00:25:53,053 --> 00:25:55,321 From the sky, in a balloon. 677 00:25:55,355 --> 00:25:57,090 [dramatic music] 678 00:25:57,123 --> 00:26:01,961 Then he built a city made of emeralds. 679 00:26:01,995 --> 00:26:04,431 You want to know a secret? 680 00:26:04,464 --> 00:26:07,067 [whispers] If you get to meet him... 681 00:26:07,100 --> 00:26:09,736 [fireworks whistling and booming] 682 00:26:09,769 --> 00:26:12,272 He grants your heart's desire. 683 00:26:12,305 --> 00:26:14,674 - I am Oz. 684 00:26:14,708 --> 00:26:18,011 [machinery whirs] 685 00:26:18,044 --> 00:26:23,683 Uh, sorry about all that. I didn't mean to startle you. 686 00:26:23,717 --> 00:26:25,051 [tender music] 687 00:26:25,085 --> 00:26:27,053 - I'm a sucker for a lot of stories, 688 00:26:27,087 --> 00:26:28,655 including "Wizard of Oz." 689 00:26:28,688 --> 00:26:31,925 It never failed to enchant me and grip me. 690 00:26:31,958 --> 00:26:33,893 - It's Jeff Goldblum. 691 00:26:33,927 --> 00:26:36,062 - I love this man. Do you know that? 692 00:26:36,096 --> 00:26:37,931 - Yesterday, I did a scene with the both of them, 693 00:26:37,964 --> 00:26:40,033 plus Michelle Yeoh. 694 00:26:40,066 --> 00:26:42,369 If I died right after that day's work, 695 00:26:42,402 --> 00:26:43,903 I'd be happy. 696 00:26:43,937 --> 00:26:46,906 * * 697 00:26:46,940 --> 00:26:49,876 - We are so happy. 698 00:26:49,909 --> 00:26:53,947 - You know, when I first went to the theater, 699 00:26:53,980 --> 00:26:56,383 it was a new show 20 years ago on Broadway. 700 00:26:56,416 --> 00:26:57,851 I was in New York. 701 00:26:57,884 --> 00:27:01,755 And that music, by the end of the show, 702 00:27:01,788 --> 00:27:05,025 suffice it to say, I was in an emotional 703 00:27:05,058 --> 00:27:08,228 emergency-room condition. - Absolutely. 704 00:27:08,261 --> 00:27:11,831 - I was kind of wailing, trying not to wail with people 705 00:27:11,865 --> 00:27:13,833 leaving the theater around me. - Absolutely. 706 00:27:13,867 --> 00:27:15,335 - Boo. 707 00:27:15,368 --> 00:27:16,903 And I think I wailed out, 708 00:27:16,936 --> 00:27:20,240 "I didn't know they were going to be best friends!" 709 00:27:20,273 --> 00:27:23,410 Well, cut to, 20 years later, this version. 710 00:27:23,443 --> 00:27:25,412 Those of you out there who, in a few days, 711 00:27:25,445 --> 00:27:28,848 may see this, and enjoy it in a big way. 712 00:27:28,882 --> 00:27:31,818 - I knew you'd understand. 713 00:27:31,851 --> 00:27:34,087 That makes me-- that makes me so happy. 714 00:27:34,120 --> 00:27:36,956 - Well, that's what I love best, 715 00:27:36,990 --> 00:27:40,026 making people happy. 716 00:27:40,060 --> 00:27:42,996 - Hey, can I mention, the whole production design 717 00:27:43,029 --> 00:27:44,364 of this movie... - Yes. 718 00:27:44,397 --> 00:27:46,032 - Mm-hmm. - It's unusual, isn't it? 719 00:27:46,066 --> 00:27:48,868 It's a so-called practical set. 720 00:27:48,902 --> 00:27:50,270 And I've been here and there, 721 00:27:50,303 --> 00:27:53,840 and I've done these green-screen movies. 722 00:27:53,873 --> 00:27:56,042 Nothing like this. This is unusual. 723 00:27:56,076 --> 00:27:57,944 Nothing like it, and I think, on film, 724 00:27:57,977 --> 00:27:59,446 one will feel it. 725 00:27:59,479 --> 00:28:01,514 And certainly doing it, it supports 726 00:28:01,548 --> 00:28:03,950 and helps the actor. 727 00:28:03,983 --> 00:28:08,355 - Guards. Bring her to me. 728 00:28:08,388 --> 00:28:10,323 - The things that were made for this film, 729 00:28:10,357 --> 00:28:14,260 you can't even fathom how much work and how much detail. 730 00:28:14,294 --> 00:28:16,863 - Like the costumes. It's just so brilliant. 731 00:28:16,896 --> 00:28:19,799 [enchanting music] 732 00:28:19,833 --> 00:28:21,468 * * 733 00:28:21,501 --> 00:28:26,973 - I was always reacting to what Nathan was coming up with 734 00:28:27,007 --> 00:28:30,010 as far as the architecture in the spaces. 735 00:28:30,043 --> 00:28:33,780 I was reflecting that in the silhouettes of the people 736 00:28:33,813 --> 00:28:35,448 and the textures of their clothing, 737 00:28:35,482 --> 00:28:38,184 in jewelry, on buttons. 738 00:28:38,218 --> 00:28:40,353 All of that was very specifically 739 00:28:40,387 --> 00:28:42,789 designed for this world. 740 00:28:42,822 --> 00:28:47,027 So we're tapping into all of these amazing, 741 00:28:47,060 --> 00:28:51,031 very talented artisans in creating this film 742 00:28:51,064 --> 00:28:54,501 so that we can get the most original look 743 00:28:54,534 --> 00:28:55,935 that we possibly can. 744 00:28:55,969 --> 00:29:00,974 Just a little more roll or something. 745 00:29:01,007 --> 00:29:03,543 It is a world of contrasts. 746 00:29:03,576 --> 00:29:07,514 With Elphaba, I used a lot of pleating and felting. 747 00:29:07,547 --> 00:29:12,419 I wanted to align her with the animal world. 748 00:29:12,452 --> 00:29:15,188 With Glinda, a world without worry. 749 00:29:15,221 --> 00:29:17,924 It was important for me to render her 750 00:29:17,957 --> 00:29:20,894 in that kind of quality as she aligns 751 00:29:20,927 --> 00:29:22,962 with this sensibility of good. 752 00:29:22,996 --> 00:29:25,031 - You're beautiful. 753 00:29:25,065 --> 00:29:27,467 - The costume goes from being an idea, 754 00:29:27,500 --> 00:29:30,270 which is the potential essence of a character, 755 00:29:30,303 --> 00:29:33,273 to being a realized garment. 756 00:29:33,306 --> 00:29:36,976 Once you have an actor in the costume, 757 00:29:37,010 --> 00:29:38,878 it attains a soul. 758 00:29:38,912 --> 00:29:40,480 [heels click] 759 00:29:40,513 --> 00:29:43,483 - [vocalizing] 760 00:29:43,516 --> 00:29:46,519 * * 761 00:29:46,553 --> 00:29:48,221 - Hey, I've taken out my device... 762 00:29:48,254 --> 00:29:49,522 - Yes. 763 00:29:49,556 --> 00:29:52,158 - Not just because I'm a nincompoop and addicted, 764 00:29:52,192 --> 00:29:54,327 which I am a little bit, but because I wanted 765 00:29:54,361 --> 00:29:55,895 to show you something. Look at this. 766 00:29:55,929 --> 00:29:57,364 Look at this again. - Oh! 767 00:29:57,397 --> 00:29:59,065 - Look at the young... - That is crazy. 768 00:29:59,099 --> 00:30:00,567 - Ariana Grande. 769 00:30:00,600 --> 00:30:02,869 - Why do we both kind of look exactly the same still? 770 00:30:02,902 --> 00:30:04,270 - Well... - Just as excited. 771 00:30:04,304 --> 00:30:05,438 - I don't know how much the same I look. 772 00:30:05,472 --> 00:30:06,539 You look, you know-- 773 00:30:06,573 --> 00:30:08,208 - So happy. - Just as excited to be-- 774 00:30:08,241 --> 00:30:12,012 - That's me, myself and I after I've come off stage 775 00:30:12,045 --> 00:30:14,614 in Shubert Alley, famous Shubert Alley... 776 00:30:14,647 --> 00:30:16,649 - In "The Pillowman." - After doing "The Pillowman." 777 00:30:16,683 --> 00:30:18,051 - I saw you twice in that. 778 00:30:18,084 --> 00:30:19,352 I stopped at the stage door twice. 779 00:30:19,386 --> 00:30:20,587 And you stopped at the stage door twice. 780 00:30:20,620 --> 00:30:22,088 You always took time. It was-- 781 00:30:22,122 --> 00:30:23,623 Ugh, please look at how excited I am. 782 00:30:23,656 --> 00:30:25,158 I'm so sorry. 783 00:30:25,191 --> 00:30:26,593 - Well, anyway, I love this picture so much. 784 00:30:26,626 --> 00:30:28,661 - We love you. - You made our time so special. 785 00:30:28,695 --> 00:30:30,096 - You did. 786 00:30:30,130 --> 00:30:31,197 - And I don't think you understand 787 00:30:31,231 --> 00:30:33,433 what you did to our hearts. 788 00:30:33,466 --> 00:30:35,468 Thank you for being the best wizard. 789 00:30:35,502 --> 00:30:40,173 - Coming up, reimagining "Wicked's" iconic score 790 00:30:40,206 --> 00:30:41,708 for the big screen. 791 00:30:41,741 --> 00:30:46,012 And Jonathan has a surprise for Cynthia and Ariana, 792 00:30:46,046 --> 00:30:48,281 defying expectations with something 793 00:30:48,314 --> 00:30:50,450 they've never seen before. 794 00:30:50,483 --> 00:30:51,718 - What the heck? 795 00:30:58,124 --> 00:30:58,291 . 796 00:30:58,324 --> 00:30:58,892 [soaring orchestral music] 797 00:31:01,161 --> 00:31:03,396 - Welcome back to our world of "Wicked." 798 00:31:03,430 --> 00:31:05,331 We are just casually discussing 799 00:31:05,365 --> 00:31:08,201 how much we love the music in this movie 800 00:31:08,234 --> 00:31:12,172 and what an honor it's been to sing these songs 801 00:31:12,205 --> 00:31:13,673 and sing with each other. - Yes, very much. 802 00:31:13,707 --> 00:31:15,175 - I am-- 803 00:31:15,208 --> 00:31:16,509 - Never singing with anyone else again. 804 00:31:16,543 --> 00:31:19,212 - I have been so spoiled by the experience 805 00:31:19,245 --> 00:31:22,015 of hearing Cynthia Erivo sing... 806 00:31:22,048 --> 00:31:23,416 - Talk about yourself. - Every day. 807 00:31:23,450 --> 00:31:24,751 - What? Are you joking? - No, I'm sorry. 808 00:31:24,784 --> 00:31:25,752 I just have to say. 809 00:31:25,785 --> 00:31:27,354 [vocalizing together] 810 00:31:27,387 --> 00:31:33,593 [together] * My whole life long * 811 00:31:33,626 --> 00:31:36,129 - I have loved singing with you 812 00:31:36,162 --> 00:31:37,697 - [screams] 813 00:31:37,731 --> 00:31:39,766 - So it's probably one of the greatest pleasures of my life, 814 00:31:39,799 --> 00:31:43,169 to be able to sing with someone who, like, understands music 815 00:31:43,203 --> 00:31:45,071 so implicitly the way you do. - I love you. 816 00:31:45,105 --> 00:31:46,206 - You really-- - That's so kind. 817 00:31:46,239 --> 00:31:47,707 - Yeah, this one, in "Popular," 818 00:31:47,741 --> 00:31:51,444 is running around the room, honestly at break speed. 819 00:31:51,478 --> 00:31:55,482 - * La, la, la, la * 820 00:31:55,515 --> 00:31:58,518 - Jumping up on things, hanging off a chandelier 821 00:31:58,551 --> 00:31:59,753 at one point. 822 00:31:59,786 --> 00:32:02,589 - You in "Defying Gravity," you're upside-down 823 00:32:02,622 --> 00:32:05,358 and in the air and harnessed and belting like it's nothing, 824 00:32:05,392 --> 00:32:07,794 like it's absolutely nothing. I was standing there. 825 00:32:07,827 --> 00:32:09,295 I can tell you. 826 00:32:09,329 --> 00:32:14,067 She's swooping-- flying in, landing perfectly. 827 00:32:14,100 --> 00:32:16,436 Perfect pitch every single-- like, the most insane thing 828 00:32:16,469 --> 00:32:18,071 I've ever seen in my life. 829 00:32:18,104 --> 00:32:20,240 - I think that both of us were doing ridiculous things 830 00:32:20,273 --> 00:32:23,243 in order to tell these stories through song. 831 00:32:23,276 --> 00:32:24,678 - We do speak the same language though. 832 00:32:24,711 --> 00:32:26,579 - Yes, yes. - That's been fun too. 833 00:32:26,613 --> 00:32:30,250 We recorded rehearsal tracks, but then also sang live on set, 834 00:32:30,283 --> 00:32:31,484 which is something-- we both were like, 835 00:32:31,518 --> 00:32:32,686 "We're singing." - We're singing live. 836 00:32:32,719 --> 00:32:34,521 - We are singing. - That's it, yeah. 837 00:32:34,554 --> 00:32:36,389 - But when we were recording the rehearsal tracks 838 00:32:36,423 --> 00:32:39,726 and the demos, I, like, took a stab at vocal producing. 839 00:32:39,759 --> 00:32:41,761 And I was like, "I think she's going to like 840 00:32:41,795 --> 00:32:44,531 this choice, this choice, this choice." 841 00:32:44,564 --> 00:32:46,166 And I called you and invited you over, 842 00:32:46,199 --> 00:32:47,500 and you were like, "Great." - Yes, thank you. 843 00:32:47,534 --> 00:32:49,669 - Yep, there we go. [squeals] 844 00:32:49,703 --> 00:32:52,172 - I hope you enjoy the work that we put into it. 845 00:32:52,205 --> 00:32:53,406 - We sang everything. 846 00:32:53,440 --> 00:32:55,442 - [laughs] Absolutely everything. 847 00:32:55,475 --> 00:32:57,243 - Take a look. - Yes. 848 00:32:57,277 --> 00:33:02,148 * Everyone deserves a chance to fly * 849 00:33:02,182 --> 00:33:03,616 I can do it. It's good. 850 00:33:03,650 --> 00:33:05,685 - Well, I think there are a couple of things 851 00:33:05,719 --> 00:33:09,389 that make "Wicked" an ideal subject 852 00:33:09,422 --> 00:33:10,790 for musicalization. 853 00:33:10,824 --> 00:33:14,194 - * I hope you're happy, I hope you're happy now * 854 00:33:14,227 --> 00:33:17,230 * I hope you're happy how you hurt your cause forever * 855 00:33:17,263 --> 00:33:19,232 * I hope you think you're clever * 856 00:33:19,265 --> 00:33:20,567 - * I hope you're happy * 857 00:33:20,600 --> 00:33:22,268 * I hope you're happy too * 858 00:33:22,302 --> 00:33:24,637 - The characters have these inner thoughts 859 00:33:24,671 --> 00:33:27,140 that it's very difficult to dramatize 860 00:33:27,173 --> 00:33:28,775 if they're not singing them 861 00:33:28,808 --> 00:33:32,345 [together] * I can't imagine how * 862 00:33:32,379 --> 00:33:35,281 * I hope you're happy * 863 00:33:35,315 --> 00:33:39,085 * Right now * 864 00:33:39,119 --> 00:33:42,622 - One of the reasons why it was so important to do this live 865 00:33:42,655 --> 00:33:44,657 was not only because we're all theater people 866 00:33:44,691 --> 00:33:47,560 who wanted to so badly, but also because 867 00:33:47,594 --> 00:33:50,263 of the emotional element. 868 00:33:50,296 --> 00:33:54,334 - We would be further connected to the words we were saying, 869 00:33:54,367 --> 00:33:57,370 the music we were hearing, the story we were telling, 870 00:33:57,404 --> 00:33:58,772 and to each other. 871 00:33:58,805 --> 00:33:59,906 [together] * There's no fight * 872 00:33:59,939 --> 00:34:03,176 * We cannot win * 873 00:34:03,209 --> 00:34:06,446 * Just you and I * 874 00:34:06,479 --> 00:34:09,482 * Defying gravity * 875 00:34:09,516 --> 00:34:11,885 * With you and I * 876 00:34:11,918 --> 00:34:14,354 - The people who created the show, 877 00:34:14,387 --> 00:34:16,156 they're excited about the music 878 00:34:16,189 --> 00:34:17,724 that we're bringing back, 879 00:34:17,757 --> 00:34:21,161 and it means so much to be able 880 00:34:21,194 --> 00:34:24,698 to experience that with them. 881 00:34:24,731 --> 00:34:27,567 - "Wicked" was the first show I conducted on Broadway. 882 00:34:27,600 --> 00:34:29,436 And it's a 23-piece orchestra, 883 00:34:29,469 --> 00:34:32,439 and now this will be close to a hundred people 884 00:34:32,472 --> 00:34:33,707 playing together. 885 00:34:33,740 --> 00:34:35,742 [bright orchestral music] 886 00:34:35,775 --> 00:34:38,812 It's about scaling up everything 887 00:34:38,845 --> 00:34:41,915 and making all of the musical moments 888 00:34:41,948 --> 00:34:43,883 really inhabit the world. 889 00:34:43,917 --> 00:34:48,321 This vision is going to be extraordinary on a big screen. 890 00:34:48,355 --> 00:34:49,522 * * 891 00:34:49,556 --> 00:34:52,359 - * Defying gravity * 892 00:34:52,392 --> 00:34:54,894 * I'm flying high * 893 00:34:54,928 --> 00:34:57,897 * Defying gravity * 894 00:34:57,931 --> 00:35:02,669 * And soon I'll match them in renown * 895 00:35:02,702 --> 00:35:04,371 * * 896 00:35:04,404 --> 00:35:06,573 - Fantastic, fantastic. - Incredible. 897 00:35:06,606 --> 00:35:09,943 - Wow, that was really good. - Very cool. 898 00:35:09,976 --> 00:35:12,212 - I'm really excited for everyone to see 899 00:35:12,245 --> 00:35:14,714 how all of these iconic things have been reimagined. 900 00:35:14,748 --> 00:35:15,982 And I think one of the things 901 00:35:16,016 --> 00:35:17,517 that has been reimagined so well 902 00:35:17,550 --> 00:35:20,186 is in the casting choices, honestly. 903 00:35:20,220 --> 00:35:21,955 Michelle Yeoh as Morrible is, like, 904 00:35:21,988 --> 00:35:23,790 such an inspired choice to me. 905 00:35:23,823 --> 00:35:26,192 - Unreal, and, like, won the Oscar while we were filming. 906 00:35:26,226 --> 00:35:27,494 - Yeah. 907 00:35:27,527 --> 00:35:28,695 - Do you remember, like, she entered the space... 908 00:35:28,728 --> 00:35:30,263 - Yes, wait, I have video of it. 909 00:35:30,296 --> 00:35:31,398 - Yeah. - Do you really? 910 00:35:31,431 --> 00:35:32,399 - I do, I do. Here, here. 911 00:35:32,432 --> 00:35:34,334 Like, this is, like, Jon. 912 00:35:34,367 --> 00:35:37,337 There it is! - That's a full-on Oscar. 913 00:35:37,370 --> 00:35:38,972 - That's a full Oscar. 914 00:35:39,005 --> 00:35:41,441 - Which was a really huge celebratory moment 915 00:35:41,474 --> 00:35:43,576 for everyone. - For everyone. 916 00:35:43,610 --> 00:35:45,612 And she made it that way because she literally 917 00:35:45,645 --> 00:35:48,615 flew to set the next day... - Whoo! 918 00:35:48,648 --> 00:35:49,983 It's got my name on it. 919 00:35:50,016 --> 00:35:51,518 - After winning her Oscar 920 00:35:51,551 --> 00:35:53,920 and then, like, let everybody hold it, 921 00:35:53,953 --> 00:35:55,622 let everybody take pictures with it. 922 00:35:55,655 --> 00:35:58,358 - I think it just shows how special all of this 923 00:35:58,391 --> 00:36:00,627 is to Michelle, too, like, going in the next day... 924 00:36:00,660 --> 00:36:02,362 - Yes. - To be a part of this. 925 00:36:02,395 --> 00:36:04,964 Just so cool. 926 00:36:04,998 --> 00:36:07,300 - We're here today on the set, 927 00:36:07,334 --> 00:36:09,569 and it will be the last time that we're 928 00:36:09,602 --> 00:36:12,405 all together at the end of this massive journey. 929 00:36:12,439 --> 00:36:15,041 Do you remember, on day one, Jon Chu asked 930 00:36:15,075 --> 00:36:17,477 you both to look into camera and to give yourself 931 00:36:17,510 --> 00:36:18,912 a message to the future version of yourself. 932 00:36:18,945 --> 00:36:20,547 - Oh, my. - Yeah. 933 00:36:20,580 --> 00:36:21,881 - I don't remember what I said. I remember it happening. 934 00:36:21,915 --> 00:36:23,483 - No, I can't remember what I said either. 935 00:36:23,516 --> 00:36:24,918 - Should we have a little look? - Oh, no. 936 00:36:24,951 --> 00:36:26,486 - Oh, dear. 937 00:36:26,519 --> 00:36:28,755 - Anything to say to your future self? 938 00:36:28,788 --> 00:36:30,690 And you can say it to her right there. 939 00:36:30,724 --> 00:36:33,259 - Oh, no, to my future self? 940 00:36:33,293 --> 00:36:37,397 [chuckles] Oh, my gosh. 941 00:36:37,430 --> 00:36:39,799 I hope you're happy. No. 942 00:36:39,833 --> 00:36:41,668 - What do you have to say to your future self? 943 00:36:41,701 --> 00:36:43,536 Right there. - All right. 944 00:36:43,570 --> 00:36:45,505 Hi, Cynthia. [chuckles] 945 00:36:45,538 --> 00:36:50,910 Um, I'm not sure if you thought you would be here at any point. 946 00:36:50,944 --> 00:36:54,381 This is a rare thing to be able to be doing. 947 00:36:54,414 --> 00:36:57,017 - I've never felt this way before, 948 00:36:57,050 --> 00:36:59,853 as excited and positively nervous, 949 00:36:59,886 --> 00:37:04,657 in a good way, as I do ready and sure. 950 00:37:04,691 --> 00:37:06,659 And that's something I learned from Glinda. 951 00:37:06,693 --> 00:37:08,528 - I hope that you've come to the end of this 952 00:37:08,561 --> 00:37:11,865 and you still feel really grateful 953 00:37:11,898 --> 00:37:15,702 and cling on tight to those around you 954 00:37:15,735 --> 00:37:18,505 who are in it with you still. 955 00:37:18,538 --> 00:37:21,541 And remember to keep them in your lives. 956 00:37:21,574 --> 00:37:23,410 What the heck? - We're stuck with you. 957 00:37:23,443 --> 00:37:25,011 Don't worry. You've got us. 958 00:37:25,045 --> 00:37:27,347 - Thank you. Oh, my. 959 00:37:27,380 --> 00:37:29,449 - Well... - [laughs] 960 00:37:29,482 --> 00:37:33,853 - That was actually really wonderful to see. 961 00:37:33,887 --> 00:37:36,756 Quite emotional for me because I feel like 962 00:37:36,790 --> 00:37:39,693 I am really grateful, and I got some new family members. 963 00:37:39,726 --> 00:37:41,127 - Me too. - Yeah. 964 00:37:41,161 --> 00:37:42,829 - We will definitely keep each other in our lives. 965 00:37:42,862 --> 00:37:44,431 We'll do a good job with that. - You're stuck. 966 00:37:44,464 --> 00:37:45,865 - We've already done such a good job with it. 967 00:37:45,899 --> 00:37:48,835 - Stuck with me. - And we will continue to. 968 00:37:48,868 --> 00:37:51,905 - Next, the moment we've all been waiting for, 969 00:37:51,938 --> 00:37:55,875 the curtain finally rises on a world exclusive 970 00:37:55,909 --> 00:37:59,412 from our new movie, "Wicked." 971 00:37:59,446 --> 00:38:02,582 So wait just a clock tick. 972 00:38:02,615 --> 00:38:04,384 We'll be right back. 973 00:38:11,091 --> 00:38:11,558 . 974 00:38:11,591 --> 00:38:12,158 [soaring orchestral music] 975 00:38:14,160 --> 00:38:15,528 * * 976 00:38:15,562 --> 00:38:17,764 - Hello, welcome back to Emerald City. 977 00:38:17,797 --> 00:38:19,366 - So at the very beginning of this, 978 00:38:19,399 --> 00:38:21,634 we told you that this is a world of unexpected things. 979 00:38:21,668 --> 00:38:25,138 Well, here is an unexpected thing for you from us. 980 00:38:25,171 --> 00:38:27,574 - Here is an exclusive look at a scene 981 00:38:27,607 --> 00:38:32,178 from our new film, "Wicked." 982 00:38:32,212 --> 00:38:35,181 [quirky orchestral music] 983 00:38:35,215 --> 00:38:38,651 * * 984 00:38:38,685 --> 00:38:41,788 - * What is this feeling, so sudden and new? * 985 00:38:41,821 --> 00:38:44,457 - * I felt the moment I laid eyes on you * 986 00:38:44,491 --> 00:38:47,527 - * My pulse is rushing * - * My head is reeling * 987 00:38:47,560 --> 00:38:49,029 - * Well, my face is flushing * 988 00:38:49,062 --> 00:38:50,797 [together] * What is this feeling? * 989 00:38:50,830 --> 00:38:53,733 * Fervid as a flame * 990 00:38:53,767 --> 00:38:57,003 * Does it have a name? * 991 00:38:57,037 --> 00:39:02,842 * Yes * 992 00:39:02,876 --> 00:39:06,880 * Loathing, unadulterated loathing * 993 00:39:06,913 --> 00:39:08,782 - * For your face * - * Your voice * 994 00:39:08,815 --> 00:39:10,183 - * Your clothing * 995 00:39:10,216 --> 00:39:11,718 [together] * Let's just say * 996 00:39:11,751 --> 00:39:14,020 * I loathe it all * - [gasps] 997 00:39:14,054 --> 00:39:15,522 [together] * Every little trait * 998 00:39:15,555 --> 00:39:17,023 * However small * 999 00:39:17,057 --> 00:39:19,859 * Makes my very flesh begin to crawl * 1000 00:39:19,893 --> 00:39:22,095 * With simple utter loathing * 1001 00:39:22,128 --> 00:39:25,498 * There's a strange exhilaration * 1002 00:39:25,532 --> 00:39:28,034 * In such total detestation * 1003 00:39:28,068 --> 00:39:32,105 * It's so pure, so strong * 1004 00:39:32,138 --> 00:39:35,141 * Though I do admit it came on fast * 1005 00:39:35,175 --> 00:39:38,545 * Still, I do believe that it can last * 1006 00:39:38,578 --> 00:39:40,613 * And I will be loathing * 1007 00:39:40,647 --> 00:39:45,618 * Loathing you my whole life long * 1008 00:39:45,652 --> 00:39:46,653 [together] * Dear Galinda * 1009 00:39:46,686 --> 00:39:48,488 * You are just too good * 1010 00:39:48,521 --> 00:39:51,024 * How do you stand it? I don't think I could * 1011 00:39:51,057 --> 00:39:52,826 * She's a terror! She's a tartar! * 1012 00:39:52,859 --> 00:39:54,127 * We don't mean to show a bias * 1013 00:39:54,160 --> 00:39:56,262 * But, Galinda, you're a martyr * 1014 00:39:56,296 --> 00:39:57,731 - Well... 1015 00:39:57,764 --> 00:40:03,837 * These things are sent to try us * 1016 00:40:03,870 --> 00:40:05,672 [crowd gasping] 1017 00:40:05,705 --> 00:40:11,745 * * 1018 00:40:11,778 --> 00:40:13,246 [together] * Poor Galinda * 1019 00:40:13,279 --> 00:40:17,484 * Forced to reside with someone so disgusticified * 1020 00:40:17,517 --> 00:40:22,756 * We just want to tell you, we're all on your side * 1021 00:40:22,789 --> 00:40:24,824 * We share your loathing * 1022 00:40:24,858 --> 00:40:26,760 - * What is this feeling, so sudden and new? * 1023 00:40:26,793 --> 00:40:30,130 * I felt the moment I laid eyes on you * 1024 00:40:30,163 --> 00:40:33,099 * My pulse is rushing, my head is reeling * 1025 00:40:33,133 --> 00:40:34,634 [together] * We loathe it all! * 1026 00:40:34,668 --> 00:40:36,603 - * Oh, what is this feeling? * 1027 00:40:36,636 --> 00:40:37,904 [together] * Trait, however small * 1028 00:40:37,937 --> 00:40:40,774 - * Does it have a name? * 1029 00:40:40,807 --> 00:40:42,742 * Yes * 1030 00:40:42,776 --> 00:40:45,545 * Oh * 1031 00:40:45,578 --> 00:40:49,049 * Loathing, there's a strange exhilaration * 1032 00:40:49,082 --> 00:40:52,118 - * Loathing * - * In such total detestation * 1033 00:40:52,152 --> 00:40:54,287 - * Loathing * - * It's so pure * 1034 00:40:54,320 --> 00:40:56,823 * So strong * 1035 00:40:56,856 --> 00:40:59,225 * Though I do admit it came on fast * 1036 00:40:59,259 --> 00:41:02,796 * Still I do believe that it can last * 1037 00:41:02,829 --> 00:41:06,633 * And I will be loathing for forever * 1038 00:41:06,666 --> 00:41:08,935 * Loathing, truly * 1039 00:41:08,968 --> 00:41:11,971 * Deeply loathing you * 1040 00:41:12,005 --> 00:41:16,976 - * Loathing you * - * My whole life long * 1041 00:41:17,010 --> 00:41:19,646 - * Unadulterated loathing * 1042 00:41:19,679 --> 00:41:21,114 - Oh! 1043 00:41:21,147 --> 00:41:22,749 * * 1044 00:41:22,782 --> 00:41:24,050 [clears throat] 1045 00:41:24,084 --> 00:41:25,318 - Boo! - [screams] 1046 00:41:25,352 --> 00:41:26,319 - [laughs] 1047 00:41:26,353 --> 00:41:27,987 [laughter] 1048 00:41:28,021 --> 00:41:31,224 - Thank you so much for visiting Oz with us tonight. 1049 00:41:31,257 --> 00:41:32,992 - Please go and see our movie "Wicked." 1050 00:41:33,026 --> 00:41:37,063 And from us to you... - Happy holidays. 1051 00:41:37,097 --> 00:41:38,064 - And goodbye. 1052 00:41:38,098 --> 00:41:40,633 [laughter] - Hey, hey, hey. 1053 00:41:40,667 --> 00:41:43,003 This is not "Ben-Hur." Hey! 1054 00:41:43,036 --> 00:41:46,172 [triumphant orchestral music] 1055 00:41:46,206 --> 00:41:53,213 * *