WEBVTT FILE 1 00:00:02.000 --> 00:00:07.000 Downloaded from YTS.MX 2 00:00:05.305 --> 00:00:05.472 . 3 00:00:05.505 --> 00:00:06.373 - * Something has changed within me * 4 00:00:08.000 --> 00:00:13.000 Official YIFY movies site: YTS.MX 5 00:00:10.410 --> 00:00:13.346 * Something is not the same * 6 00:00:13.380 --> 00:00:15.682 - Are you ready? - Let's do it. 7 00:00:15.715 --> 00:00:16.783 - Mm-hmm. 8 00:00:16.816 --> 00:00:19.519 [enchanting music] 9 00:00:19.552 --> 00:00:20.687 [glass shatters] 10 00:00:20.720 --> 00:00:22.822 Welcome to the spectacular Emerald City set 11 00:00:22.856 --> 00:00:24.691 from our brand-new movie, "Wicked." 12 00:00:24.724 --> 00:00:27.727 - This magical place has been our home for more than a year, 13 00:00:27.761 --> 00:00:30.230 and tonight, finally, we're excited to share 14 00:00:30.263 --> 00:00:31.865 all of our "Wicked" secrets with you. 15 00:00:31.898 --> 00:00:33.133 - Let's tell each other something 16 00:00:33.166 --> 00:00:34.401 we've never told anyone before. 17 00:00:34.434 --> 00:00:36.269 - You might be a long-time "Wicked" fan, 18 00:00:36.302 --> 00:00:39.239 like us, or taking your very first outing to Oz. 19 00:00:39.272 --> 00:00:41.708 - Either way, the entire cast is joining us tonight 20 00:00:41.741 --> 00:00:45.512 to reveal the incredible process that got us here. 21 00:00:45.545 --> 00:00:48.314 - It is our wonderful Wizard of Oz, Jeff Goldblum. 22 00:00:48.348 --> 00:00:50.650 - I didn't know they were going to be best friends. 23 00:00:50.684 --> 00:00:51.885 [laughter] 24 00:00:51.918 --> 00:00:53.386 - I happen to be genuinely self-absorbed 25 00:00:53.420 --> 00:00:54.621 and deeply shallow. - Jonathan Bailey. 26 00:00:54.654 --> 00:00:57.223 - Hello! - Johnny Bailey. 27 00:00:57.257 --> 00:00:59.259 - Could I ask you... - Anything you want. 28 00:00:59.292 --> 00:01:01.594 - Just to move out the way? - Absolut-- yeah. 29 00:01:01.628 --> 00:01:02.896 - Bowen Yang. 30 00:01:02.929 --> 00:01:04.564 - Choreographer said, "You're a dancer, Bowen." 31 00:01:04.597 --> 00:01:06.566 And I believed him. - Marissa Bode. 32 00:01:06.599 --> 00:01:08.401 - I'm like, "Yes, pick up the speed please." 33 00:01:08.435 --> 00:01:09.602 - Right. - "This is so fun." 34 00:01:09.636 --> 00:01:11.304 - Action! - I'm Boq. 35 00:01:11.338 --> 00:01:12.706 I'm from Munchkinland. 36 00:01:12.739 --> 00:01:13.940 - Ethan Slater. 37 00:01:13.973 --> 00:01:15.709 - So hard not to smile. 38 00:01:15.742 --> 00:01:18.778 - And the iconic Michelle Yeoh. 39 00:01:18.812 --> 00:01:20.547 - Yes, that was me. 40 00:01:20.580 --> 00:01:22.682 - In this night of exclusives, 41 00:01:22.716 --> 00:01:24.517 we even filmed footage ourselves... 42 00:01:24.551 --> 00:01:26.453 [together] The wizard will see you now. 43 00:01:26.486 --> 00:01:29.723 - To share our most personal "Wicked" memories with you. 44 00:01:29.756 --> 00:01:31.491 - Another day with Glinda. 45 00:01:31.524 --> 00:01:34.327 The dream of my entire life. 46 00:01:34.361 --> 00:01:35.595 And we even brought 47 00:01:35.628 --> 00:01:37.297 an exclusive first look from the film. 48 00:01:37.330 --> 00:01:40.166 - "Wicked" is all about expecting the unexpected, 49 00:01:40.200 --> 00:01:42.869 and tonight is no different. 50 00:01:42.902 --> 00:01:44.771 - Should we have a little look? - Oh, please. 51 00:01:44.804 --> 00:01:46.506 - What the heck? 52 00:01:46.539 --> 00:01:49.642 [voices belting and harmonizing] 53 00:01:49.676 --> 00:01:52.445 * * 54 00:01:52.479 --> 00:01:54.681 - I am having a hard time wrapping my head 55 00:01:54.714 --> 00:01:56.416 around the fact that the time has finally come. 56 00:01:56.449 --> 00:01:57.484 - I know. 57 00:01:57.517 --> 00:01:58.952 - I mean, between the audition process 58 00:01:58.985 --> 00:02:00.787 and the prep and the rehearsal 59 00:02:00.820 --> 00:02:02.322 and everything and actually filming, 60 00:02:02.355 --> 00:02:04.724 it was, like, 2 and 1/2 years. 61 00:02:04.758 --> 00:02:06.626 It's been-- - That's a long time. 62 00:02:06.659 --> 00:02:08.194 - Well, yeah. 63 00:02:08.228 --> 00:02:09.396 - OK, so we can't assume 64 00:02:09.429 --> 00:02:11.631 that everybody knows what "Wicked" is 65 00:02:11.664 --> 00:02:13.366 or what the story of "Wicked" is, 66 00:02:13.400 --> 00:02:16.469 so we've done you a favor and put something together 67 00:02:16.503 --> 00:02:18.672 for you to understand just what we've been doing. 68 00:02:18.705 --> 00:02:20.874 - Yes, we edited this last night. 69 00:02:20.907 --> 00:02:24.210 [whimsical piano music] 70 00:02:24.244 --> 00:02:25.779 - The story of "Wicked" is the story 71 00:02:25.812 --> 00:02:27.647 that you don't know from "The Wizard of Oz." 72 00:02:27.681 --> 00:02:30.684 How did the Wicked Witch become the Wicked Witch? 73 00:02:30.717 --> 00:02:36.423 - The story of two girls who are very, very different. 74 00:02:36.456 --> 00:02:39.526 One of whom is beloved and popular, 75 00:02:39.559 --> 00:02:42.328 and she is who we come to know as... 76 00:02:42.362 --> 00:02:44.864 - Glinda, Galinda the Good 77 00:02:44.898 --> 00:02:46.666 of the Upper Uplands. 78 00:02:46.700 --> 00:02:49.302 - The other character is the green girl, 79 00:02:49.336 --> 00:02:52.839 not beloved, not loved even by her own family, 80 00:02:52.872 --> 00:02:56.810 who possesses, however, a kind of magic power 81 00:02:56.843 --> 00:02:59.579 that nobody else in Oz seems to possess. 82 00:02:59.612 --> 00:03:02.315 - Who is what we end up knowing 83 00:03:02.349 --> 00:03:06.619 as the Wicked Witch, Elphaba. 84 00:03:06.653 --> 00:03:09.022 - 25 years ago, I first came across 85 00:03:09.055 --> 00:03:11.358 Gregory Maguire's novel, "Wicked." 86 00:03:11.391 --> 00:03:13.293 At the time, I was developing it as a film. 87 00:03:13.326 --> 00:03:16.696 Each screenplay felt, to me, that it was missing something. 88 00:03:16.730 --> 00:03:18.798 And then, one day, I got a phone call 89 00:03:18.832 --> 00:03:20.433 from Stephen Schwartz. 90 00:03:20.467 --> 00:03:22.635 - Listen, I know you're trying to do this as a movie. 91 00:03:22.669 --> 00:03:25.071 I think it should start as a stage musical. 92 00:03:25.105 --> 00:03:27.707 I really feel I know how to do this. 93 00:03:27.741 --> 00:03:29.542 - And the moment he said "music," 94 00:03:29.576 --> 00:03:31.378 a light bulb went off in my head. 95 00:03:31.411 --> 00:03:33.279 We put the show on Broadway. 96 00:03:33.313 --> 00:03:38.084 - The songs, the sisterhood between Elphaba and Glinda, 97 00:03:38.118 --> 00:03:40.720 Glinda's comedy, seeing Kristin Chenoweth 98 00:03:40.754 --> 00:03:43.356 originate this role, seeing her on Broadway... 99 00:03:43.390 --> 00:03:45.558 - I'd never heard anything or seen anything like it. 100 00:03:45.592 --> 00:03:48.495 I think the idea of turning the concept 101 00:03:48.528 --> 00:03:50.663 of what "The Wizard of Oz" was on its head 102 00:03:50.697 --> 00:03:52.866 and seeing it from someone else's point of view 103 00:03:52.899 --> 00:03:55.068 really shook me. 104 00:03:55.101 --> 00:03:56.903 - When I first joined "Wicked," 105 00:03:56.936 --> 00:03:59.039 the number one thing was let's get the script in shape. 106 00:03:59.072 --> 00:04:01.074 How close was it going to be for the show? 107 00:04:01.107 --> 00:04:03.376 How cinematic could it be? 108 00:04:03.410 --> 00:04:06.413 But the real heavy lifting, 109 00:04:06.446 --> 00:04:08.415 the big thing that loomed all over us 110 00:04:08.448 --> 00:04:10.417 was you don't have a story 111 00:04:10.450 --> 00:04:14.654 if you don't have Glinda and Elphaba. 112 00:04:14.688 --> 00:04:16.890 So we went on the biggest casting search 113 00:04:16.923 --> 00:04:20.427 that I've ever been a part of across all continents, 114 00:04:20.460 --> 00:04:25.331 and it took us a long time to find the right people. 115 00:04:25.365 --> 00:04:27.033 [dramatic music] 116 00:04:27.067 --> 00:04:31.938 - Did you know deep, deep, deep in your heart and your gut 117 00:04:31.971 --> 00:04:34.374 that this was your role? 118 00:04:34.407 --> 00:04:35.809 - I hoped, but I don't want to put that-- 119 00:04:35.842 --> 00:04:37.410 - Yeah. - You know what I mean? 120 00:04:37.444 --> 00:04:38.845 I'm like, "Wake me up when it's over, 121 00:04:38.878 --> 00:04:41.581 "and if it happened, if it's real, 122 00:04:41.614 --> 00:04:42.749 let me know when it's real." 123 00:04:42.782 --> 00:04:44.517 But I-- - Right, yes. 124 00:04:44.551 --> 00:04:46.953 - What was your process like, your audition process? 125 00:04:46.986 --> 00:04:49.756 - The audition for me was, like, three hours 126 00:04:49.789 --> 00:04:53.993 of me singing and acting with two other actresses. 127 00:04:54.027 --> 00:04:55.795 It was a pretty emotional day. 128 00:04:55.829 --> 00:04:58.131 So I guess I threw everything into that audition. 129 00:04:58.164 --> 00:05:01.134 [singing intensely] 130 00:05:01.167 --> 00:05:04.437 * * 131 00:05:04.471 --> 00:05:05.972 [piano chord clangs] 132 00:05:06.006 --> 00:05:06.973 - Whoo! 133 00:05:07.007 --> 00:05:08.608 [applause] 134 00:05:08.641 --> 00:05:10.410 - Well, I had the opposite experience. 135 00:05:10.443 --> 00:05:11.811 I stalked Marc Platt for ten years... 136 00:05:11.845 --> 00:05:12.846 - [chuckles] 137 00:05:12.879 --> 00:05:16.649 - Wondering, when would an audition be possible? 138 00:05:16.683 --> 00:05:19.819 As I kind of got wind that it was coming closer and closer, 139 00:05:19.853 --> 00:05:23.089 I went to voice lessons and acting lessons and, every day, 140 00:05:23.123 --> 00:05:26.026 was trying to get ready because it's so different vocally 141 00:05:26.059 --> 00:05:27.193 from what I usually sing. 142 00:05:27.227 --> 00:05:29.429 * Less fortunate than I * 143 00:05:29.462 --> 00:05:30.964 * And let's face it * 144 00:05:30.997 --> 00:05:34.834 And I remember, by the end of my final test, 145 00:05:34.868 --> 00:05:37.504 my eyelashes were... - [laughs] 146 00:05:37.537 --> 00:05:38.872 - Nowhere near where they should be. 147 00:05:38.905 --> 00:05:39.973 They were here. 148 00:05:40.006 --> 00:05:41.808 So I was like, "Thank you so much. 149 00:05:41.841 --> 00:05:44.644 Well--" and I stuck them on the mirror. 150 00:05:44.678 --> 00:05:47.414 I was like, "Well, bye. That's all, folks." 151 00:05:47.447 --> 00:05:49.516 I went to the car and collapsed. 152 00:05:49.549 --> 00:05:52.686 And then, from then, it was 3 and 1/2 weeks, I think. 153 00:05:52.719 --> 00:05:54.120 - Yeah, actually hearing the words 154 00:05:54.154 --> 00:05:58.425 that the part was mine was beyond a dream come true. 155 00:05:58.458 --> 00:05:59.759 I finally get the call. 156 00:05:59.793 --> 00:06:02.629 - And, Cynthia, I don't know what [...] planet 157 00:06:02.662 --> 00:06:04.798 you came from, but we are so blessed 158 00:06:04.831 --> 00:06:06.966 to have you in the room every time 159 00:06:07.000 --> 00:06:09.502 we meet you, every time I get to talk to you. 160 00:06:09.536 --> 00:06:11.971 - And there's utter disbelief. 161 00:06:12.005 --> 00:06:15.875 - And we would love for you to be our Elphaba in "Wicked." 162 00:06:15.909 --> 00:06:18.111 - I cover my eyes, and I cry my eyes out, 163 00:06:18.144 --> 00:06:20.046 because you just don't expect it to happen 164 00:06:20.080 --> 00:06:22.649 when it happens even if you know it might happen. 165 00:06:22.682 --> 00:06:23.950 You know? - Mm-hmm, it's a wild feeling. 166 00:06:23.983 --> 00:06:25.485 - Yeah. 167 00:06:25.518 --> 00:06:27.620 - To wait so long, and finally the call came. 168 00:06:27.654 --> 00:06:29.889 - We made you wait a long time 169 00:06:29.923 --> 00:06:31.591 for all your auditions and things, 170 00:06:31.624 --> 00:06:33.727 and you came in, you told us how much 171 00:06:33.760 --> 00:06:35.228 "Wicked" means to you. [dog barking] 172 00:06:35.261 --> 00:06:37.464 You've written letters... 173 00:06:37.497 --> 00:06:39.232 - Toulouse! Toulouse, stop! Toulouse! 174 00:06:39.265 --> 00:06:40.233 [dog barking] 175 00:06:40.266 --> 00:06:41.935 Toulouse! 176 00:06:41.968 --> 00:06:43.570 - My kid's running around, too, so it's all good. 177 00:06:43.603 --> 00:06:44.804 - I'm sorry. 178 00:06:44.838 --> 00:06:46.172 Just like you, it's, like, that feeling 179 00:06:46.206 --> 00:06:47.741 when all of a sudden... - All this to say... 180 00:06:47.774 --> 00:06:50.744 - And you're like, "Hm, if I didn't get it, 181 00:06:50.777 --> 00:06:51.911 this is the meanest way..." 182 00:06:51.945 --> 00:06:53.613 - It's the worst way to find out. 183 00:06:53.646 --> 00:06:55.815 - "Someone could ever tell me ever." 184 00:06:55.849 --> 00:06:58.585 - 'Cause we want you to be our Glinda the Good 185 00:06:58.618 --> 00:07:01.187 in the "Wicked" freaking movie. 186 00:07:01.221 --> 00:07:06.893 - [laughing, gasping] I don't know what to say! 187 00:07:06.926 --> 00:07:10.296 Oh, my God, thank you so much! 188 00:07:10.330 --> 00:07:11.731 I love her so much! 189 00:07:11.765 --> 00:07:13.199 I'm going to take such good care of her! 190 00:07:13.233 --> 00:07:15.935 Thank you so much! 191 00:07:15.969 --> 00:07:17.937 I don't believe it still. Today, I don't believe it. 192 00:07:17.971 --> 00:07:20.273 - It's so crazy. We actually did that. 193 00:07:20.306 --> 00:07:23.176 - [chuckles] That's crazy. 194 00:07:23.209 --> 00:07:26.112 Thank God. Thank Oz. 195 00:07:26.146 --> 00:07:28.048 - Thank goodness. 196 00:07:28.081 --> 00:07:29.616 - Pink goes good with green. 197 00:07:29.649 --> 00:07:33.620 - Goes well with green. - It so does. 198 00:07:33.653 --> 00:07:36.623 [soft piano music] 199 00:07:36.656 --> 00:07:43.830 * * 200 00:07:48.368 --> 00:07:51.137 My Miss Elphaba. 201 00:07:52.906 --> 00:07:55.709 Look at you. 202 00:07:55.742 --> 00:08:00.814 Hm, you're beautiful. 203 00:08:00.847 --> 00:08:03.650 - I think the thing people are so attracted to... 204 00:08:03.683 --> 00:08:06.086 - Yeah. - Is the story of sisterhood 205 00:08:06.119 --> 00:08:08.154 and best friendship and the laughter 206 00:08:08.188 --> 00:08:11.725 and the love and the connection there, 207 00:08:11.758 --> 00:08:14.194 but also what lies beneath it 208 00:08:14.227 --> 00:08:16.363 and the story that it tells on a bigger scale 209 00:08:16.396 --> 00:08:19.899 is so relevant and necessary today, 210 00:08:19.933 --> 00:08:22.002 and it's just so beautiful. 211 00:08:22.035 --> 00:08:25.839 - Both of these characters have such differences in them, 212 00:08:25.872 --> 00:08:27.741 and they're both quirky in their own ways, 213 00:08:27.774 --> 00:08:30.343 but I think that that makes them really beautiful. 214 00:08:30.377 --> 00:08:31.911 - Mm-hmm. 215 00:08:31.945 --> 00:08:33.913 - I think there's a wonderful essence 216 00:08:33.947 --> 00:08:35.849 of trying to share with everyone 217 00:08:35.882 --> 00:08:39.819 that one's difference doesn't make them wrong or bad. 218 00:08:39.853 --> 00:08:41.287 It just makes them special. 219 00:08:41.321 --> 00:08:44.724 And I think that that's a bigger, wider idea 220 00:08:44.758 --> 00:08:46.960 that we can all share with the world, yeah. 221 00:08:46.993 --> 00:08:50.363 - * Something has changed within me * 222 00:08:50.397 --> 00:08:53.033 [soaring orchestral music] 223 00:08:53.066 --> 00:08:55.001 - She doesn't give a twig what anyone thinks. 224 00:08:55.035 --> 00:08:57.837 - * Something is not the same * 225 00:08:57.871 --> 00:09:01.608 - Of course, she does. She just pretends not to. 226 00:09:01.641 --> 00:09:03.209 * * 227 00:09:03.243 --> 00:09:07.247 - Hi, I'm Michelle Yeoh, the influential headmistress, 228 00:09:07.280 --> 00:09:08.615 Madame Morrible. 229 00:09:08.648 --> 00:09:11.017 - [claps] Listen! 230 00:09:11.051 --> 00:09:14.621 - Still to come on "Defying Gravity," 231 00:09:14.654 --> 00:09:16.423 costumes, 232 00:09:16.456 --> 00:09:18.725 choreography, 233 00:09:18.758 --> 00:09:20.326 music, 234 00:09:20.360 --> 00:09:25.065 the Wonderful Wizard of Oz himself, Jeff Goldblum, 235 00:09:25.098 --> 00:09:27.967 and the dashing Jonathan Bailey. 236 00:09:28.001 --> 00:09:29.336 - Johnny Bailey. 237 00:09:29.369 --> 00:09:30.970 - Can I talk about "Wicked" too? 238 00:09:31.004 --> 00:09:34.741 - So don't go anywhere as we raise the curtain 239 00:09:34.774 --> 00:09:38.345 on more secrets and surprises. 240 00:09:45.251 --> 00:09:45.719 . 241 00:09:45.752 --> 00:09:46.319 [soaring orchestral music] 242 00:09:48.188 --> 00:09:49.923 - Like, they don't even know that-- 243 00:09:49.956 --> 00:09:52.792 they talk amongst themselves and don't hear the world. 244 00:09:52.826 --> 00:09:54.794 Like, we can talk about them out loud, 245 00:09:54.828 --> 00:09:58.164 and they don't even know what's happening in the outside world. 246 00:09:58.198 --> 00:10:00.433 Like, they have no idea that we're talking about them... 247 00:10:00.467 --> 00:10:01.935 - Wait, what? 248 00:10:01.968 --> 00:10:03.303 - Because they're just in their own world. 249 00:10:03.336 --> 00:10:04.938 - What are you talking about? 250 00:10:04.971 --> 00:10:06.740 - When you guys talk to each other, nobody exists. 251 00:10:06.773 --> 00:10:07.807 [laughter] 252 00:10:07.841 --> 00:10:09.042 - Hello. - Johnny Bailey. 253 00:10:09.075 --> 00:10:10.744 - Good to see you. - Hello, ladies. 254 00:10:10.777 --> 00:10:12.012 - Jonathan. - Hi. 255 00:10:12.045 --> 00:10:13.179 - Come and hang out with me over here. 256 00:10:13.213 --> 00:10:14.481 - Shut up. - By the Winkie machine. 257 00:10:14.514 --> 00:10:15.849 - County, yes, yes. - Yeah. 258 00:10:15.882 --> 00:10:17.717 I am the captain of the Winkie county. 259 00:10:17.751 --> 00:10:18.885 - [laughs] 260 00:10:18.918 --> 00:10:21.788 - I'm Fiyero Tigelaar. 261 00:10:21.821 --> 00:10:24.457 Winkie Country. - Oh, Oz. 262 00:10:24.491 --> 00:10:27.293 [crowd murmuring] 263 00:10:27.327 --> 00:10:30.430 - What is your relationship to "Wicked," 264 00:10:30.463 --> 00:10:32.165 what you felt when you saw it, all those things? 265 00:10:32.198 --> 00:10:33.266 - First "Wicked" memory? 266 00:10:33.299 --> 00:10:35.035 - Well, you know, the first time I saw it, 267 00:10:35.068 --> 00:10:37.137 I saw a preview when it first came over to London... 268 00:10:37.170 --> 00:10:38.505 - Oh, wow. 269 00:10:38.538 --> 00:10:40.940 - With Idina Menzel and Adam Garcia playing Fiyero. 270 00:10:40.974 --> 00:10:43.176 And, obviously, it was mind-blowing, 271 00:10:43.209 --> 00:10:47.013 but I remember specifically that Idina Menzel corpse 272 00:10:47.047 --> 00:10:49.349 and was giggling in a brilliant way, 273 00:10:49.382 --> 00:10:51.151 and I really enjoyed that. 274 00:10:51.184 --> 00:10:52.986 So that was my first introduction to it, 275 00:10:53.019 --> 00:10:55.121 and I feel like we've kept that going, that legacy, 276 00:10:55.155 --> 00:10:56.756 of giggling all the way through. 277 00:10:56.790 --> 00:10:58.358 - My first experience was with the music 278 00:10:58.391 --> 00:11:00.393 first before seeing the show. - Yeah. 279 00:11:00.427 --> 00:11:03.363 - And I learned it all before I actually saw the show. 280 00:11:03.396 --> 00:11:05.298 And then, finally, for my 25th birthday, 281 00:11:05.331 --> 00:11:07.200 I took myself to see it by myself. 282 00:11:07.233 --> 00:11:09.302 - That's so cute. - I went on a solo date. 283 00:11:09.336 --> 00:11:11.338 - So you would have been a bit younger. 284 00:11:11.371 --> 00:11:12.505 - I was ten years old. 285 00:11:12.539 --> 00:11:14.841 I had the incredible privilege 286 00:11:14.874 --> 00:11:16.209 of seeing the original Broadway cast. 287 00:11:16.242 --> 00:11:18.545 I ended up being able to go backstage, 288 00:11:18.578 --> 00:11:20.880 and then I went to Kristen's dressing room, 289 00:11:20.914 --> 00:11:22.549 and she didn't do, like, a pause at the door 290 00:11:22.582 --> 00:11:24.384 and, like, a hello. She literally was like... 291 00:11:24.417 --> 00:11:26.219 [as Kristin Chenoweth] "Oh, come in! Come in!" 292 00:11:26.252 --> 00:11:27.120 [laughter] 293 00:11:27.153 --> 00:11:28.521 And she gave, like, me a wand. 294 00:11:28.555 --> 00:11:30.190 She gave me a little pink body wash. 295 00:11:30.223 --> 00:11:33.226 She said it was magical, and it may have been, actually. 296 00:11:33.259 --> 00:11:35.762 Her dog peed on the couch. I helped her clean it up. 297 00:11:35.795 --> 00:11:37.831 It was like a dream. 298 00:11:37.864 --> 00:11:40.100 - I'm so sorry, Miss. We didn't see you there. 299 00:11:40.133 --> 00:11:44.137 You must have... blended with the foliage. 300 00:11:44.170 --> 00:11:45.772 - Is this how you go through life, 301 00:11:45.805 --> 00:11:48.375 just running amok and trampling anyone in your path? 302 00:11:48.408 --> 00:11:49.376 - No. 303 00:11:49.409 --> 00:11:51.044 [horse snorts] 304 00:11:51.077 --> 00:11:53.346 No, sometimes I'm asleep. 305 00:11:53.380 --> 00:11:55.915 - One thing from the original theater production 306 00:11:55.949 --> 00:11:58.251 that everyone loved is the sets. 307 00:11:58.284 --> 00:12:00.887 We're going to now have a look at how Nathan Crowley, 308 00:12:00.920 --> 00:12:02.322 our incredible production designer, 309 00:12:02.355 --> 00:12:04.424 created these extraordinary worlds 310 00:12:04.457 --> 00:12:06.026 that we existed in. 311 00:12:06.059 --> 00:12:09.029 [enchanting music] 312 00:12:09.062 --> 00:12:11.064 - Cinema to me has to be epic. 313 00:12:11.097 --> 00:12:12.065 If we're going to make "Wicked," 314 00:12:12.098 --> 00:12:13.466 it has to be cinematic. 315 00:12:13.500 --> 00:12:15.502 We have to do something the stage show can't do. 316 00:12:15.535 --> 00:12:17.404 We have to show this incredible world. 317 00:12:17.437 --> 00:12:18.605 We have to go behind the scenes 318 00:12:18.638 --> 00:12:19.906 and show everything. 319 00:12:19.939 --> 00:12:22.042 * * 320 00:12:22.075 --> 00:12:24.277 How do you make this fantastical place 321 00:12:24.310 --> 00:12:27.080 that we've never seen before? 322 00:12:27.113 --> 00:12:29.215 How do you find a way in visually? 323 00:12:29.249 --> 00:12:33.620 You have to make up your own version of it. 324 00:12:33.653 --> 00:12:35.955 - Our version is, we build that [ding]. 325 00:12:35.989 --> 00:12:38.458 We build it. 326 00:12:38.491 --> 00:12:42.829 We knew that we wanted Oz to be immersive. 327 00:12:42.862 --> 00:12:45.131 Let's touch it. Let's feel it. 328 00:12:45.165 --> 00:12:49.302 We can actually go into the forest and climb a tree. 329 00:12:49.336 --> 00:12:53.273 We got to grow 9 million tulips. 330 00:12:53.306 --> 00:12:57.143 We got to build Munchkinland. 331 00:12:57.177 --> 00:13:00.080 We got to build the yellow brick road. 332 00:13:00.113 --> 00:13:01.981 - Ah, this is the first time 333 00:13:02.015 --> 00:13:05.452 I've seen this train come into this city. 334 00:13:05.485 --> 00:13:07.187 Brilliant, that's the image I've been waiting for. 335 00:13:07.220 --> 00:13:09.289 Let's go back here and look at it. 336 00:13:09.322 --> 00:13:11.958 - You want to touch the walls of the Emerald City, 337 00:13:11.991 --> 00:13:13.360 see your reflection in it. 338 00:13:13.393 --> 00:13:15.161 - This is the throne room theater, 339 00:13:15.195 --> 00:13:18.631 and what you're standing under is the animatronic 340 00:13:18.665 --> 00:13:22.135 physical head that is going up here on these hydraulic rigs 341 00:13:22.168 --> 00:13:25.005 and is going to be puppeteered... 342 00:13:25.038 --> 00:13:29.676 - I am Oz. 343 00:13:29.709 --> 00:13:31.211 - [whispers] Say something. 344 00:13:31.244 --> 00:13:32.412 Say something. - What am I supposed to say? 345 00:13:32.445 --> 00:13:33.980 - Anything. 346 00:13:34.014 --> 00:13:35.915 - We have a lot of nature embedded in 347 00:13:35.949 --> 00:13:37.417 the production design. 348 00:13:37.450 --> 00:13:40.487 We really wanted Oz to be a place of deeper power, 349 00:13:40.520 --> 00:13:44.290 that there is synergy of nature that comes through, 350 00:13:44.324 --> 00:13:46.459 and part of that is this animal community. 351 00:13:46.493 --> 00:13:50.196 They work side-by-side with other human Ozians. 352 00:13:50.230 --> 00:13:52.565 They've been professors. They've been doctors. 353 00:13:52.599 --> 00:13:54.634 They've been students. 354 00:13:54.668 --> 00:13:58.204 We have this animal band that's playing in the Ozdust. 355 00:13:58.238 --> 00:14:00.540 There's also the beloved Doctor Dillamond. 356 00:14:00.573 --> 00:14:03.143 He has these gadgets that allow him to use 357 00:14:03.176 --> 00:14:05.578 a magnifying glass or sweep the floor. 358 00:14:05.612 --> 00:14:07.714 The tables are different shapes and sizes 359 00:14:07.747 --> 00:14:09.683 and different heights, and bowls are different ways 360 00:14:09.716 --> 00:14:11.217 for different animals to eat. 361 00:14:11.251 --> 00:14:13.687 They are a culture that is deeply embedded 362 00:14:13.720 --> 00:14:16.022 in the land of Oz, 363 00:14:16.056 --> 00:14:18.591 and all of this didn't just take production design. 364 00:14:18.625 --> 00:14:21.561 It took special effects. It took visual effects. 365 00:14:21.594 --> 00:14:24.564 That sense of detail makes you believe 366 00:14:24.597 --> 00:14:27.567 that Oz actually exists. 367 00:14:27.600 --> 00:14:30.637 [enchanting music] 368 00:14:30.670 --> 00:14:32.739 * * 369 00:14:32.772 --> 00:14:34.207 - Look what I found. 370 00:14:34.240 --> 00:14:35.642 - Yeah, my pile of things that I'm stealing. 371 00:14:35.675 --> 00:14:37.077 - Let's see. 372 00:14:37.110 --> 00:14:38.745 - I'm excited to attempt to get through 373 00:14:38.778 --> 00:14:42.282 airport security with this. I will take-- you can't-- 374 00:14:42.315 --> 00:14:44.951 I don't think I'll be stopped. - No, you should-- 375 00:14:44.984 --> 00:14:46.186 - You know? We have to take... 376 00:14:46.219 --> 00:14:47.454 - Yes, for sure. - These home. 377 00:14:47.487 --> 00:14:49.055 But it's, like, kind of emotional. 378 00:14:49.089 --> 00:14:50.423 - Yeah, you become really attached to them. 379 00:14:50.457 --> 00:14:52.158 - I don't want to let go of it. - Yeah. 380 00:14:52.192 --> 00:14:53.593 - Yeah, and we have Elphie's things here, 381 00:14:53.626 --> 00:14:57.230 these beautiful, beautiful hat and iconic broom. 382 00:14:57.263 --> 00:14:59.065 - I wouldn't be surprised if you grew the tree 383 00:14:59.099 --> 00:15:01.101 and you etched it yourself. 384 00:15:01.134 --> 00:15:04.704 - I knew that I wanted it to feel really organic. 385 00:15:04.738 --> 00:15:06.339 - How does that feel for you? - I love it. 386 00:15:06.373 --> 00:15:09.175 So John and I set about looking for, like, 387 00:15:09.209 --> 00:15:10.777 the roots of different trees. 388 00:15:10.810 --> 00:15:12.112 - Mangroves, isn't it? 389 00:15:12.145 --> 00:15:13.380 - Mangroves, that's right, yeah. 390 00:15:13.413 --> 00:15:14.981 - Made it really easy for you to catch. 391 00:15:15.015 --> 00:15:16.449 - Yes, well, the thing is, 392 00:15:16.483 --> 00:15:19.085 I got really used to, like, how to hold it 393 00:15:19.119 --> 00:15:20.587 and how to catch it if I needed to. 394 00:15:20.620 --> 00:15:23.089 - But she can catch a broom. It can be anywhere. 395 00:15:23.123 --> 00:15:25.025 - But I think I just got really attached to it. 396 00:15:25.058 --> 00:15:26.793 I sort of, like, understood it. 397 00:15:26.826 --> 00:15:28.294 - I almost broke my nose on a broom. 398 00:15:28.328 --> 00:15:29.662 - This is true. - This is true. 399 00:15:29.696 --> 00:15:32.198 I was supposed to catch one. My face caught it. 400 00:15:32.232 --> 00:15:34.467 - That was a day. - Yeah, it was wild. 401 00:15:34.501 --> 00:15:36.369 - You two on set, it's like a live wire 402 00:15:36.403 --> 00:15:39.406 and an earth wire together, and it's interesting. 403 00:15:39.439 --> 00:15:41.274 You see these two props here, 404 00:15:41.307 --> 00:15:43.443 and they're so reflective of this sort of 405 00:15:43.476 --> 00:15:45.311 special nature of both of you. 406 00:15:45.345 --> 00:15:48.248 - We're so lucky to have these physically grounding pieces... 407 00:15:48.281 --> 00:15:50.684 Jess, is this your favorite one to put on me? 408 00:15:50.717 --> 00:15:52.619 When you put the costume on, when you put her shoes on, 409 00:15:52.652 --> 00:15:55.288 when you hold our things and wear our crowns, 410 00:15:55.321 --> 00:15:57.223 when we're supported by such brilliant artists 411 00:15:57.257 --> 00:15:58.591 who designed these pieces 412 00:15:58.625 --> 00:16:01.261 that just take it to the next level. 413 00:16:01.294 --> 00:16:03.329 [dramatic music] 414 00:16:03.363 --> 00:16:05.465 - So let's talk about the fact that obviously 415 00:16:05.498 --> 00:16:07.100 it's pink and green... - Yes. 416 00:16:07.133 --> 00:16:09.102 - But you were actually, literally, 417 00:16:09.135 --> 00:16:10.704 green every day. - Very true. 418 00:16:10.737 --> 00:16:12.605 So I knew that if I looked at myself 419 00:16:12.639 --> 00:16:14.441 and didn't see the green, I don't think I could have 420 00:16:14.474 --> 00:16:16.509 made the connection to Elphaba as much as I did. 421 00:16:16.543 --> 00:16:19.479 And something happens when all of that green is on, 422 00:16:19.512 --> 00:16:22.349 the freckles go on, and the hair goes on, 423 00:16:22.382 --> 00:16:24.351 the makeup goes on, the eyes go on, 424 00:16:24.384 --> 00:16:27.854 and it's not me I'm looking at. It's her. 425 00:16:27.887 --> 00:16:30.156 But also, something happens when you walk into a room, 426 00:16:30.190 --> 00:16:32.058 especially when you have lots of 427 00:16:32.092 --> 00:16:33.526 background artists in the room, 428 00:16:33.560 --> 00:16:34.861 and the first time they meet you, 429 00:16:34.894 --> 00:16:36.463 you're green. - Yeah. 430 00:16:36.496 --> 00:16:39.366 - Something happens to the DNA in the space. 431 00:16:39.399 --> 00:16:40.633 - I agree. The energy shifts. 432 00:16:40.667 --> 00:16:41.634 - Yeah. 433 00:16:41.668 --> 00:16:44.771 * * 434 00:16:44.804 --> 00:16:47.640 - Oh! You're green. 435 00:16:47.674 --> 00:16:49.542 * * 436 00:16:49.576 --> 00:16:51.211 - I am. 437 00:16:51.244 --> 00:16:53.513 - Coming up, our fellow Ozians 438 00:16:53.546 --> 00:16:55.548 will be reflecting on their time in Oz. 439 00:16:55.582 --> 00:16:56.583 Bowen Yang... 440 00:16:56.616 --> 00:16:57.851 - Hey. - Hi 441 00:16:57.884 --> 00:16:59.285 - Marissa Bode... 442 00:16:59.319 --> 00:17:00.720 - This is my younger sister, Nessarose. 443 00:17:00.754 --> 00:17:02.088 - And... - Boq Woodsman... 444 00:17:02.122 --> 00:17:04.224 - Ethan Slater. - Of Munchkinland. 445 00:17:04.257 --> 00:17:06.760 - So don't go flying off. We'll be right back. 446 00:17:13.199 --> 00:17:13.366 . 447 00:17:13.400 --> 00:17:13.967 [soaring orchestral music] 448 00:17:16.302 --> 00:17:18.838 - Everyone say hi. - Hi, honey. 449 00:17:18.872 --> 00:17:22.275 - Sweetheart, you can take the girl out of Shiz, 450 00:17:22.308 --> 00:17:24.344 but you can't take the Shiz out of the girl. 451 00:17:24.377 --> 00:17:26.680 - Oy vey, is that the truth. 452 00:17:26.713 --> 00:17:28.148 Welcome back. 453 00:17:28.181 --> 00:17:29.816 Now, as you know, a lot of our movie 454 00:17:29.849 --> 00:17:31.484 is set in the Emerald City, 455 00:17:31.518 --> 00:17:34.554 but our characters meet at dear old Shiz University. 456 00:17:34.587 --> 00:17:37.223 - And that's where we're heading now. 457 00:17:37.257 --> 00:17:40.427 [cheers and applause] 458 00:17:42.462 --> 00:17:43.930 - Welcome new students. 459 00:17:43.963 --> 00:17:48.702 And "congratulotions" for having been accepted to Shiz. 460 00:17:48.735 --> 00:17:52.539 We have nothing but the highest hopes 461 00:17:52.572 --> 00:17:54.541 for some of you. 462 00:17:54.574 --> 00:17:56.476 [crowd chuckles] 463 00:17:56.509 --> 00:17:59.145 [applause] 464 00:17:59.179 --> 00:18:00.714 - We're at Shiz! 465 00:18:00.747 --> 00:18:02.482 We're at our school. 466 00:18:02.515 --> 00:18:04.150 - I don't know how familiar people are with the story, 467 00:18:04.184 --> 00:18:08.188 but Boq arrives at Shiz on the same day as everyone. 468 00:18:08.221 --> 00:18:10.824 You know, Boq sees Glinda and is so overwhelmed 469 00:18:10.857 --> 00:18:12.525 with this, like, love that he's feeling for her 470 00:18:12.559 --> 00:18:13.860 right away. - I'm Boq. 471 00:18:13.893 --> 00:18:16.963 - This huge crush. - I'm from Munchkinland. 472 00:18:16.996 --> 00:18:18.498 - Yes. 473 00:18:18.531 --> 00:18:21.201 - And she redirects his energy towards Nessa, 474 00:18:21.234 --> 00:18:22.502 which is-- - Yes, terrible. 475 00:18:22.535 --> 00:18:23.970 - Go ask her right now? - Why not? 476 00:18:24.004 --> 00:18:25.338 She's right there. 477 00:18:25.372 --> 00:18:26.740 - Which is... - Not great. 478 00:18:26.773 --> 00:18:28.475 - Just hard, but also is the beginning 479 00:18:28.508 --> 00:18:30.777 of this relationship between the two of them. 480 00:18:30.810 --> 00:18:32.345 - Yeah. 481 00:18:32.379 --> 00:18:33.947 - Well, it unfolds in a really fun way. 482 00:18:33.980 --> 00:18:36.316 - I think you guys had the very challenging thing 483 00:18:36.349 --> 00:18:37.951 of selling, through the choreography, 484 00:18:37.984 --> 00:18:40.353 like, the courtship between Nessa and Boq. 485 00:18:40.387 --> 00:18:42.822 I actually have, like, some amazing videos 486 00:18:42.856 --> 00:18:45.859 on my phone of the two of us, but, like, early on. 487 00:18:45.892 --> 00:18:48.194 - Like, I've done no choreography 488 00:18:48.228 --> 00:18:49.829 in my life, really. 489 00:18:49.863 --> 00:18:52.766 I'm so grateful that they hired a wheelchair dancer 490 00:18:52.799 --> 00:18:54.768 to help choreograph it because I feel like 491 00:18:54.801 --> 00:18:56.803 nobody knows better, like, how to move throughout the space. 492 00:18:56.836 --> 00:18:58.938 - She's amazing. - So amazing. 493 00:18:58.972 --> 00:19:00.707 - I also dance in this film. 494 00:19:00.740 --> 00:19:02.842 - * Dear Galinda, you are just too good * 495 00:19:02.876 --> 00:19:04.878 - I had to sell the idea 496 00:19:04.911 --> 00:19:06.680 that we were, like, extensions of Glinda, 497 00:19:06.713 --> 00:19:08.381 right, that we were flanking her at all times. 498 00:19:08.415 --> 00:19:09.983 So we had to, like, be like Ari, 499 00:19:10.016 --> 00:19:12.385 in the choreography, at least. 500 00:19:12.419 --> 00:19:14.721 I passed you. Damn it! 501 00:19:14.754 --> 00:19:15.822 [laughter] 502 00:19:15.855 --> 00:19:17.657 Christopher Scott, our choreographer, 503 00:19:17.691 --> 00:19:20.860 pulled one on me and said, "You're a dancer, Bowen." 504 00:19:20.894 --> 00:19:21.895 And I believed him. 505 00:19:21.928 --> 00:19:23.697 - * Nothing matters * 506 00:19:23.730 --> 00:19:25.932 - And then I realized that he did that to everybody. 507 00:19:25.965 --> 00:19:27.233 No, everybody was a dancer, 508 00:19:27.267 --> 00:19:28.535 and he really did make you believe. 509 00:19:28.568 --> 00:19:29.803 He gave you the confidence... - Yeah. 510 00:19:29.836 --> 00:19:31.338 - And the tools. 511 00:19:31.371 --> 00:19:33.440 Every part of the choreography told a story. 512 00:19:33.473 --> 00:19:36.443 [dramatic music] 513 00:19:36.476 --> 00:19:38.044 * * 514 00:19:38.078 --> 00:19:42.549 - Movement is such a huge part of the language in Oz. 515 00:19:42.582 --> 00:19:44.918 Movement is an expression of your feelings. 516 00:19:44.951 --> 00:19:47.921 When words aren't enough, what makes it feel like 517 00:19:47.954 --> 00:19:50.290 the best night of your life. 518 00:19:50.323 --> 00:19:54.027 - To create a world through song, through dance, 519 00:19:54.060 --> 00:19:55.762 is really challenging. 520 00:19:55.795 --> 00:19:58.431 The story has influenced every piece of choreography. 521 00:19:58.465 --> 00:19:59.799 It becomes a language, 522 00:19:59.833 --> 00:20:02.469 and it becomes dialogue that they're having. 523 00:20:02.502 --> 00:20:04.971 - How do we create this so it feels 524 00:20:05.005 --> 00:20:07.607 like it's of you, from you? 525 00:20:07.640 --> 00:20:11.711 How do we make it feel connected? 526 00:20:11.745 --> 00:20:14.280 - But also finding beats to build in comedy? 527 00:20:14.314 --> 00:20:17.550 Respectfully, this might be the Glinda-fied version, 528 00:20:17.584 --> 00:20:20.653 and that was a fun balance to find. 529 00:20:20.687 --> 00:20:22.822 - There was so much space given to come in 530 00:20:22.856 --> 00:20:24.891 and create something of your own. 531 00:20:24.924 --> 00:20:27.293 - I've been seeing people come up with new ideas 532 00:20:27.327 --> 00:20:28.862 of how to play off of the architecture, 533 00:20:28.895 --> 00:20:31.331 and it just changes the way that you move your body. 534 00:20:31.364 --> 00:20:32.732 - We find the spaces. 535 00:20:32.766 --> 00:20:34.467 We find the nooks and crannies 536 00:20:34.501 --> 00:20:37.470 that we work into our choreography, 537 00:20:37.504 --> 00:20:40.607 our blocking, our camera work. 538 00:20:40.640 --> 00:20:43.977 - We had this massively huge set for Glinda's suite. 539 00:20:44.010 --> 00:20:47.013 It became this huge playground for Jon, me, and Chris 540 00:20:47.047 --> 00:20:50.650 to start to experiment with how to tell a story through dance. 541 00:20:50.684 --> 00:20:53.420 - * La, la, la, la * 542 00:20:53.453 --> 00:20:54.888 - So you've got these two women 543 00:20:54.921 --> 00:20:58.658 and then all these contraptions that open up. 544 00:20:58.692 --> 00:21:00.493 We did, a couple of times, remove things, 545 00:21:00.527 --> 00:21:03.329 like the roof of the set, so we could do bed shots, 546 00:21:03.363 --> 00:21:05.365 and we poked our crane through a couple of times 547 00:21:05.398 --> 00:21:07.867 through the front door and the balcony door. 548 00:21:07.901 --> 00:21:12.072 - You know, telling this story through a beautiful shot 549 00:21:12.105 --> 00:21:13.940 that takes you from here to there, 550 00:21:13.973 --> 00:21:16.609 the nuances of the actors' performances, 551 00:21:16.643 --> 00:21:19.679 I've seen that grow so much. 552 00:21:19.713 --> 00:21:21.348 - The camerawork, the lighting, 553 00:21:21.381 --> 00:21:24.784 and the choreography, it's unlimited creativity 554 00:21:24.818 --> 00:21:27.921 as long as it serves the story. 555 00:21:27.954 --> 00:21:29.689 - Why not make it that when you're making 556 00:21:29.723 --> 00:21:31.491 the movie version of "Wicked"? 557 00:21:31.524 --> 00:21:34.027 Paint with all the colors of the rainbow. 558 00:21:34.060 --> 00:21:35.362 - [screams] 559 00:21:35.395 --> 00:21:36.730 - We got that. That was great. 560 00:21:36.763 --> 00:21:38.531 - This is kind of an action movie. 561 00:21:38.565 --> 00:21:39.833 There's, like, a lot of action. - Totally. 562 00:21:39.866 --> 00:21:41.067 So there's, like, stunt work happening. 563 00:21:41.101 --> 00:21:42.669 - Yeah. 564 00:21:42.702 --> 00:21:44.471 - And Marissa did more stunts than either of us. 565 00:21:44.504 --> 00:21:45.972 - Ooh, yeah. - I did do a lot of stunts. 566 00:21:46.006 --> 00:21:48.808 Very fun for me, to be honest. - It was sick. 567 00:21:48.842 --> 00:21:51.411 - Like, they were scared that I would be scared on the wires. 568 00:21:51.444 --> 00:21:53.546 They started off very slow. 569 00:21:53.580 --> 00:21:54.914 I'm like, "Yes, pick up the speed please." 570 00:21:54.948 --> 00:21:56.449 - Right. - "This is so fun." 571 00:21:56.483 --> 00:21:57.917 - Lock me in, let's go. - Yes. 572 00:21:57.951 --> 00:22:00.787 And by the end of it, I was zooming through the air. 573 00:22:00.820 --> 00:22:02.956 - Action! - [screams] 574 00:22:02.989 --> 00:22:05.692 - I'm glad they didn't have a stunt double for me, like, 575 00:22:05.725 --> 00:22:07.160 or, like, had someone else do the stunts 576 00:22:07.193 --> 00:22:08.695 because I was like, "No, I want to." 577 00:22:08.728 --> 00:22:10.096 - I'm doing them. - Yeah. 578 00:22:10.130 --> 00:22:12.132 - Ugh. 579 00:22:12.165 --> 00:22:13.833 - Oh! [laughs] 580 00:22:13.867 --> 00:22:14.968 Oh! 581 00:22:15.001 --> 00:22:16.536 [dramatic music] 582 00:22:16.569 --> 00:22:18.471 - The preparation for this was so much fun. 583 00:22:18.505 --> 00:22:20.907 Cynthia and I would do stunt training, 584 00:22:20.940 --> 00:22:23.743 different kinds of training because this film, 585 00:22:23.777 --> 00:22:25.412 it gets physical. 586 00:22:25.445 --> 00:22:27.180 - Three, two, one, action. 587 00:22:27.213 --> 00:22:30.083 - The action that we design is-- 588 00:22:30.116 --> 00:22:33.920 you know, it primarily has to be emotionally based. 589 00:22:33.953 --> 00:22:36.690 Is it aggressive or is it vulnerable? 590 00:22:36.723 --> 00:22:40.093 You know, we have to do all of that within our body language. 591 00:22:40.126 --> 00:22:41.928 There are times when we have to do, 592 00:22:41.961 --> 00:22:44.531 working with the dancers and the parkour people 593 00:22:44.564 --> 00:22:46.566 and the stunt people, seeing what they could 594 00:22:46.599 --> 00:22:48.935 physically do and making it exciting. 595 00:22:48.968 --> 00:22:51.237 Some of the guys are going from one ladder to the next, 596 00:22:51.271 --> 00:22:53.740 you know, the wheels doing, like, a revolution 597 00:22:53.773 --> 00:22:56.910 and changing your weight and making it look effortless. 598 00:22:56.943 --> 00:23:01.681 Coming up with the most creative fight sequences 599 00:23:01.715 --> 00:23:03.450 that we could, like with the guards 600 00:23:03.483 --> 00:23:04.851 after the girls in the attic 601 00:23:04.884 --> 00:23:06.820 on their way up to the balloon. 602 00:23:06.853 --> 00:23:08.621 - They're in it, and so the soldiers are climbing, 603 00:23:08.655 --> 00:23:11.091 and they're throwing sandbags at them to try to get them out, 604 00:23:11.124 --> 00:23:13.927 and eventually, it burns to the ground. 605 00:23:13.960 --> 00:23:14.994 [basket thuds] 606 00:23:15.028 --> 00:23:17.864 And, of course, "Defying Gravity." 607 00:23:17.897 --> 00:23:19.099 - Heave! 608 00:23:19.132 --> 00:23:21.901 - I knew when I was going into this 609 00:23:21.935 --> 00:23:23.536 that stunts would be needed, 610 00:23:23.570 --> 00:23:25.939 and I knew that I wanted to do my own stunts. 611 00:23:25.972 --> 00:23:28.141 * * 612 00:23:28.174 --> 00:23:30.477 - And that takes balls. - Thank you. 613 00:23:30.510 --> 00:23:31.811 - It takes balls. - [chuckles] 614 00:23:31.845 --> 00:23:33.880 - Thanks, Mama Jo. - Honestly, well done. 615 00:23:33.913 --> 00:23:35.582 - Thank you. 616 00:23:35.615 --> 00:23:39.019 We had a moment where I had to fly around on wires, 617 00:23:39.052 --> 00:23:41.287 and I could hear this little girl, 618 00:23:41.321 --> 00:23:42.822 and she's stood by the monitor, 619 00:23:42.856 --> 00:23:44.057 go... [gasps] 620 00:23:44.090 --> 00:23:45.125 "Whoa!" 621 00:23:45.158 --> 00:23:48.228 * * 622 00:23:48.261 --> 00:23:52.499 It's one of the moments that made me understand 623 00:23:52.532 --> 00:23:54.200 why I do this. 624 00:23:54.234 --> 00:23:57.671 * * 625 00:23:57.704 --> 00:23:59.272 - Some of my other favorite stunt memories 626 00:23:59.305 --> 00:24:01.841 were the moments that were in-between the stunts. 627 00:24:01.875 --> 00:24:04.010 - This one jumping off the side. 628 00:24:04.044 --> 00:24:06.079 - No, I had to be in a harness one time, 629 00:24:06.112 --> 00:24:08.181 and not to fly, just so that I didn't fall off the banister, 630 00:24:08.214 --> 00:24:10.884 but I didn't come close to falling off the banister. 631 00:24:10.917 --> 00:24:12.585 Only when we were not filming-- 632 00:24:12.619 --> 00:24:13.987 - Did she jump off the side of it. 633 00:24:14.020 --> 00:24:15.021 - By accident. 634 00:24:15.055 --> 00:24:16.823 - Oh! 635 00:24:16.856 --> 00:24:19.192 - Oh, no. I might have. 636 00:24:19.225 --> 00:24:20.694 Sorry. I'm sorry. 637 00:24:20.727 --> 00:24:22.295 - All right, folks. OK, folks. 638 00:24:22.328 --> 00:24:25.965 - Everyone gets so nervous. Oh, God, I'm so sorry. 639 00:24:25.999 --> 00:24:27.701 So we would go home and text each other 640 00:24:27.734 --> 00:24:29.969 and be like, "Do you also have four missing nails..." 641 00:24:30.003 --> 00:24:31.705 - [laughs] - "And bruises?" 642 00:24:31.738 --> 00:24:32.939 - We have pictures of just, like, broken nails... 643 00:24:32.972 --> 00:24:34.240 - What are these bruises from? 644 00:24:34.274 --> 00:24:36.776 - And half-painted hands and bruises. 645 00:24:36.810 --> 00:24:38.845 - Not again! Not again! 646 00:24:38.878 --> 00:24:40.947 But I miss it. - We love it though. 647 00:24:40.980 --> 00:24:43.783 - Coming up, the man, the legend, 648 00:24:43.817 --> 00:24:47.554 the wizard himself has just landed in Emerald City. 649 00:24:47.587 --> 00:24:49.589 - Nice to see you. Nice to see you. 650 00:24:49.622 --> 00:24:52.792 - Brace yourself for the quite impossible to describe, 651 00:24:52.826 --> 00:24:55.662 Jeff Goldblum, next. 652 00:25:01.368 --> 00:25:01.835 . 653 00:25:01.868 --> 00:25:02.435 [soaring orchestral music] 654 00:25:05.138 --> 00:25:07.340 [together] * We're just two friends * 655 00:25:07.374 --> 00:25:09.743 - * Two good friends * 656 00:25:09.776 --> 00:25:13.113 - * Two best friends * 657 00:25:13.146 --> 00:25:15.215 [together] * Sharing one wonderful * 658 00:25:15.248 --> 00:25:18.118 - * One short * 659 00:25:18.151 --> 00:25:20.286 [together] The wizard will see you now. 660 00:25:20.320 --> 00:25:23.623 [together] * Day * 661 00:25:23.656 --> 00:25:24.958 - And look at this. 662 00:25:24.991 --> 00:25:26.960 It is our wonderful Wizard of Oz. 663 00:25:26.993 --> 00:25:29.362 - Jeff Goldblum. - Yes. 664 00:25:29.396 --> 00:25:30.964 Hello. - Hello to you. 665 00:25:30.997 --> 00:25:32.766 - Oh! Thank you. - And hello to you. 666 00:25:32.799 --> 00:25:33.800 - Oop! - Oh. 667 00:25:33.833 --> 00:25:35.902 Butterfingers, butterfingers. 668 00:25:35.935 --> 00:25:37.270 - Thank you, Wizard. 669 00:25:37.303 --> 00:25:39.039 - Thank you very much for our gifts, there. 670 00:25:39.072 --> 00:25:40.974 - We love you so much. - We love you. 671 00:25:41.007 --> 00:25:43.977 [enchanting music] 672 00:25:44.010 --> 00:25:45.712 - You want to see something amazing? 673 00:25:45.745 --> 00:25:47.180 - Yeah. 674 00:25:47.213 --> 00:25:50.884 - This is all about our wonderful Wizard of Oz. 675 00:25:50.917 --> 00:25:53.019 Do you know how he got here? 676 00:25:53.053 --> 00:25:55.321 From the sky, in a balloon. 677 00:25:55.355 --> 00:25:57.090 [dramatic music] 678 00:25:57.123 --> 00:26:01.961 Then he built a city made of emeralds. 679 00:26:01.995 --> 00:26:04.431 You want to know a secret? 680 00:26:04.464 --> 00:26:07.067 [whispers] If you get to meet him... 681 00:26:07.100 --> 00:26:09.736 [fireworks whistling and booming] 682 00:26:09.769 --> 00:26:12.272 He grants your heart's desire. 683 00:26:12.305 --> 00:26:14.674 - I am Oz. 684 00:26:14.708 --> 00:26:18.011 [machinery whirs] 685 00:26:18.044 --> 00:26:23.683 Uh, sorry about all that. I didn't mean to startle you. 686 00:26:23.717 --> 00:26:25.051 [tender music] 687 00:26:25.085 --> 00:26:27.053 - I'm a sucker for a lot of stories, 688 00:26:27.087 --> 00:26:28.655 including "Wizard of Oz." 689 00:26:28.688 --> 00:26:31.925 It never failed to enchant me and grip me. 690 00:26:31.958 --> 00:26:33.893 - It's Jeff Goldblum. 691 00:26:33.927 --> 00:26:36.062 - I love this man. Do you know that? 692 00:26:36.096 --> 00:26:37.931 - Yesterday, I did a scene with the both of them, 693 00:26:37.964 --> 00:26:40.033 plus Michelle Yeoh. 694 00:26:40.066 --> 00:26:42.369 If I died right after that day's work, 695 00:26:42.402 --> 00:26:43.903 I'd be happy. 696 00:26:43.937 --> 00:26:46.906 * * 697 00:26:46.940 --> 00:26:49.876 - We are so happy. 698 00:26:49.909 --> 00:26:53.947 - You know, when I first went to the theater, 699 00:26:53.980 --> 00:26:56.383 it was a new show 20 years ago on Broadway. 700 00:26:56.416 --> 00:26:57.851 I was in New York. 701 00:26:57.884 --> 00:27:01.755 And that music, by the end of the show, 702 00:27:01.788 --> 00:27:05.025 suffice it to say, I was in an emotional 703 00:27:05.058 --> 00:27:08.228 emergency-room condition. - Absolutely. 704 00:27:08.261 --> 00:27:11.831 - I was kind of wailing, trying not to wail with people 705 00:27:11.865 --> 00:27:13.833 leaving the theater around me. - Absolutely. 706 00:27:13.867 --> 00:27:15.335 - Boo. 707 00:27:15.368 --> 00:27:16.903 And I think I wailed out, 708 00:27:16.936 --> 00:27:20.240 "I didn't know they were going to be best friends!" 709 00:27:20.273 --> 00:27:23.410 Well, cut to, 20 years later, this version. 710 00:27:23.443 --> 00:27:25.412 Those of you out there who, in a few days, 711 00:27:25.445 --> 00:27:28.848 may see this, and enjoy it in a big way. 712 00:27:28.882 --> 00:27:31.818 - I knew you'd understand. 713 00:27:31.851 --> 00:27:34.087 That makes me-- that makes me so happy. 714 00:27:34.120 --> 00:27:36.956 - Well, that's what I love best, 715 00:27:36.990 --> 00:27:40.026 making people happy. 716 00:27:40.060 --> 00:27:42.996 - Hey, can I mention, the whole production design 717 00:27:43.029 --> 00:27:44.364 of this movie... - Yes. 718 00:27:44.397 --> 00:27:46.032 - Mm-hmm. - It's unusual, isn't it? 719 00:27:46.066 --> 00:27:48.868 It's a so-called practical set. 720 00:27:48.902 --> 00:27:50.270 And I've been here and there, 721 00:27:50.303 --> 00:27:53.840 and I've done these green-screen movies. 722 00:27:53.873 --> 00:27:56.042 Nothing like this. This is unusual. 723 00:27:56.076 --> 00:27:57.944 Nothing like it, and I think, on film, 724 00:27:57.977 --> 00:27:59.446 one will feel it. 725 00:27:59.479 --> 00:28:01.514 And certainly doing it, it supports 726 00:28:01.548 --> 00:28:03.950 and helps the actor. 727 00:28:03.983 --> 00:28:08.355 - Guards. Bring her to me. 728 00:28:08.388 --> 00:28:10.323 - The things that were made for this film, 729 00:28:10.357 --> 00:28:14.260 you can't even fathom how much work and how much detail. 730 00:28:14.294 --> 00:28:16.863 - Like the costumes. It's just so brilliant. 731 00:28:16.896 --> 00:28:19.799 [enchanting music] 732 00:28:19.833 --> 00:28:21.468 * * 733 00:28:21.501 --> 00:28:26.973 - I was always reacting to what Nathan was coming up with 734 00:28:27.007 --> 00:28:30.010 as far as the architecture in the spaces. 735 00:28:30.043 --> 00:28:33.780 I was reflecting that in the silhouettes of the people 736 00:28:33.813 --> 00:28:35.448 and the textures of their clothing, 737 00:28:35.482 --> 00:28:38.184 in jewelry, on buttons. 738 00:28:38.218 --> 00:28:40.353 All of that was very specifically 739 00:28:40.387 --> 00:28:42.789 designed for this world. 740 00:28:42.822 --> 00:28:47.027 So we're tapping into all of these amazing, 741 00:28:47.060 --> 00:28:51.031 very talented artisans in creating this film 742 00:28:51.064 --> 00:28:54.501 so that we can get the most original look 743 00:28:54.534 --> 00:28:55.935 that we possibly can. 744 00:28:55.969 --> 00:29:00.974 Just a little more roll or something. 745 00:29:01.007 --> 00:29:03.543 It is a world of contrasts. 746 00:29:03.576 --> 00:29:07.514 With Elphaba, I used a lot of pleating and felting. 747 00:29:07.547 --> 00:29:12.419 I wanted to align her with the animal world. 748 00:29:12.452 --> 00:29:15.188 With Glinda, a world without worry. 749 00:29:15.221 --> 00:29:17.924 It was important for me to render her 750 00:29:17.957 --> 00:29:20.894 in that kind of quality as she aligns 751 00:29:20.927 --> 00:29:22.962 with this sensibility of good. 752 00:29:22.996 --> 00:29:25.031 - You're beautiful. 753 00:29:25.065 --> 00:29:27.467 - The costume goes from being an idea, 754 00:29:27.500 --> 00:29:30.270 which is the potential essence of a character, 755 00:29:30.303 --> 00:29:33.273 to being a realized garment. 756 00:29:33.306 --> 00:29:36.976 Once you have an actor in the costume, 757 00:29:37.010 --> 00:29:38.878 it attains a soul. 758 00:29:38.912 --> 00:29:40.480 [heels click] 759 00:29:40.513 --> 00:29:43.483 - [vocalizing] 760 00:29:43.516 --> 00:29:46.519 * * 761 00:29:46.553 --> 00:29:48.221 - Hey, I've taken out my device... 762 00:29:48.254 --> 00:29:49.522 - Yes. 763 00:29:49.556 --> 00:29:52.158 - Not just because I'm a nincompoop and addicted, 764 00:29:52.192 --> 00:29:54.327 which I am a little bit, but because I wanted 765 00:29:54.361 --> 00:29:55.895 to show you something. Look at this. 766 00:29:55.929 --> 00:29:57.364 Look at this again. - Oh! 767 00:29:57.397 --> 00:29:59.065 - Look at the young... - That is crazy. 768 00:29:59.099 --> 00:30:00.567 - Ariana Grande. 769 00:30:00.600 --> 00:30:02.869 - Why do we both kind of look exactly the same still? 770 00:30:02.902 --> 00:30:04.270 - Well... - Just as excited. 771 00:30:04.304 --> 00:30:05.438 - I don't know how much the same I look. 772 00:30:05.472 --> 00:30:06.539 You look, you know-- 773 00:30:06.573 --> 00:30:08.208 - So happy. - Just as excited to be-- 774 00:30:08.241 --> 00:30:12.012 - That's me, myself and I after I've come off stage 775 00:30:12.045 --> 00:30:14.614 in Shubert Alley, famous Shubert Alley... 776 00:30:14.647 --> 00:30:16.649 - In "The Pillowman." - After doing "The Pillowman." 777 00:30:16.683 --> 00:30:18.051 - I saw you twice in that. 778 00:30:18.084 --> 00:30:19.352 I stopped at the stage door twice. 779 00:30:19.386 --> 00:30:20.587 And you stopped at the stage door twice. 780 00:30:20.620 --> 00:30:22.088 You always took time. It was-- 781 00:30:22.122 --> 00:30:23.623 Ugh, please look at how excited I am. 782 00:30:23.656 --> 00:30:25.158 I'm so sorry. 783 00:30:25.191 --> 00:30:26.593 - Well, anyway, I love this picture so much. 784 00:30:26.626 --> 00:30:28.661 - We love you. - You made our time so special. 785 00:30:28.695 --> 00:30:30.096 - You did. 786 00:30:30.130 --> 00:30:31.197 - And I don't think you understand 787 00:30:31.231 --> 00:30:33.433 what you did to our hearts. 788 00:30:33.466 --> 00:30:35.468 Thank you for being the best wizard. 789 00:30:35.502 --> 00:30:40.173 - Coming up, reimagining "Wicked's" iconic score 790 00:30:40.206 --> 00:30:41.708 for the big screen. 791 00:30:41.741 --> 00:30:46.012 And Jonathan has a surprise for Cynthia and Ariana, 792 00:30:46.046 --> 00:30:48.281 defying expectations with something 793 00:30:48.314 --> 00:30:50.450 they've never seen before. 794 00:30:50.483 --> 00:30:51.718 - What the heck? 795 00:30:58.124 --> 00:30:58.291 . 796 00:30:58.324 --> 00:30:58.892 [soaring orchestral music] 797 00:31:01.161 --> 00:31:03.396 - Welcome back to our world of "Wicked." 798 00:31:03.430 --> 00:31:05.331 We are just casually discussing 799 00:31:05.365 --> 00:31:08.201 how much we love the music in this movie 800 00:31:08.234 --> 00:31:12.172 and what an honor it's been to sing these songs 801 00:31:12.205 --> 00:31:13.673 and sing with each other. - Yes, very much. 802 00:31:13.707 --> 00:31:15.175 - I am-- 803 00:31:15.208 --> 00:31:16.509 - Never singing with anyone else again. 804 00:31:16.543 --> 00:31:19.212 - I have been so spoiled by the experience 805 00:31:19.245 --> 00:31:22.015 of hearing Cynthia Erivo sing... 806 00:31:22.048 --> 00:31:23.416 - Talk about yourself. - Every day. 807 00:31:23.450 --> 00:31:24.751 - What? Are you joking? - No, I'm sorry. 808 00:31:24.784 --> 00:31:25.752 I just have to say. 809 00:31:25.785 --> 00:31:27.354 [vocalizing together] 810 00:31:27.387 --> 00:31:33.593 [together] * My whole life long * 811 00:31:33.626 --> 00:31:36.129 - I have loved singing with you 812 00:31:36.162 --> 00:31:37.697 - [screams] 813 00:31:37.731 --> 00:31:39.766 - So it's probably one of the greatest pleasures of my life, 814 00:31:39.799 --> 00:31:43.169 to be able to sing with someone who, like, understands music 815 00:31:43.203 --> 00:31:45.071 so implicitly the way you do. - I love you. 816 00:31:45.105 --> 00:31:46.206 - You really-- - That's so kind. 817 00:31:46.239 --> 00:31:47.707 - Yeah, this one, in "Popular," 818 00:31:47.741 --> 00:31:51.444 is running around the room, honestly at break speed. 819 00:31:51.478 --> 00:31:55.482 - * La, la, la, la * 820 00:31:55.515 --> 00:31:58.518 - Jumping up on things, hanging off a chandelier 821 00:31:58.551 --> 00:31:59.753 at one point. 822 00:31:59.786 --> 00:32:02.589 - You in "Defying Gravity," you're upside-down 823 00:32:02.622 --> 00:32:05.358 and in the air and harnessed and belting like it's nothing, 824 00:32:05.392 --> 00:32:07.794 like it's absolutely nothing. I was standing there. 825 00:32:07.827 --> 00:32:09.295 I can tell you. 826 00:32:09.329 --> 00:32:14.067 She's swooping-- flying in, landing perfectly. 827 00:32:14.100 --> 00:32:16.436 Perfect pitch every single-- like, the most insane thing 828 00:32:16.469 --> 00:32:18.071 I've ever seen in my life. 829 00:32:18.104 --> 00:32:20.240 - I think that both of us were doing ridiculous things 830 00:32:20.273 --> 00:32:23.243 in order to tell these stories through song. 831 00:32:23.276 --> 00:32:24.678 - We do speak the same language though. 832 00:32:24.711 --> 00:32:26.579 - Yes, yes. - That's been fun too. 833 00:32:26.613 --> 00:32:30.250 We recorded rehearsal tracks, but then also sang live on set, 834 00:32:30.283 --> 00:32:31.484 which is something-- we both were like, 835 00:32:31.518 --> 00:32:32.686 "We're singing." - We're singing live. 836 00:32:32.719 --> 00:32:34.521 - We are singing. - That's it, yeah. 837 00:32:34.554 --> 00:32:36.389 - But when we were recording the rehearsal tracks 838 00:32:36.423 --> 00:32:39.726 and the demos, I, like, took a stab at vocal producing. 839 00:32:39.759 --> 00:32:41.761 And I was like, "I think she's going to like 840 00:32:41.795 --> 00:32:44.531 this choice, this choice, this choice." 841 00:32:44.564 --> 00:32:46.166 And I called you and invited you over, 842 00:32:46.199 --> 00:32:47.500 and you were like, "Great." - Yes, thank you. 843 00:32:47.534 --> 00:32:49.669 - Yep, there we go. [squeals] 844 00:32:49.703 --> 00:32:52.172 - I hope you enjoy the work that we put into it. 845 00:32:52.205 --> 00:32:53.406 - We sang everything. 846 00:32:53.440 --> 00:32:55.442 - [laughs] Absolutely everything. 847 00:32:55.475 --> 00:32:57.243 - Take a look. - Yes. 848 00:32:57.277 --> 00:33:02.148 * Everyone deserves a chance to fly * 849 00:33:02.182 --> 00:33:03.616 I can do it. It's good. 850 00:33:03.650 --> 00:33:05.685 - Well, I think there are a couple of things 851 00:33:05.719 --> 00:33:09.389 that make "Wicked" an ideal subject 852 00:33:09.422 --> 00:33:10.790 for musicalization. 853 00:33:10.824 --> 00:33:14.194 - * I hope you're happy, I hope you're happy now * 854 00:33:14.227 --> 00:33:17.230 * I hope you're happy how you hurt your cause forever * 855 00:33:17.263 --> 00:33:19.232 * I hope you think you're clever * 856 00:33:19.265 --> 00:33:20.567 - * I hope you're happy * 857 00:33:20.600 --> 00:33:22.268 * I hope you're happy too * 858 00:33:22.302 --> 00:33:24.637 - The characters have these inner thoughts 859 00:33:24.671 --> 00:33:27.140 that it's very difficult to dramatize 860 00:33:27.173 --> 00:33:28.775 if they're not singing them 861 00:33:28.808 --> 00:33:32.345 [together] * I can't imagine how * 862 00:33:32.379 --> 00:33:35.281 * I hope you're happy * 863 00:33:35.315 --> 00:33:39.085 * Right now * 864 00:33:39.119 --> 00:33:42.622 - One of the reasons why it was so important to do this live 865 00:33:42.655 --> 00:33:44.657 was not only because we're all theater people 866 00:33:44.691 --> 00:33:47.560 who wanted to so badly, but also because 867 00:33:47.594 --> 00:33:50.263 of the emotional element. 868 00:33:50.296 --> 00:33:54.334 - We would be further connected to the words we were saying, 869 00:33:54.367 --> 00:33:57.370 the music we were hearing, the story we were telling, 870 00:33:57.404 --> 00:33:58.772 and to each other. 871 00:33:58.805 --> 00:33:59.906 [together] * There's no fight * 872 00:33:59.939 --> 00:34:03.176 * We cannot win * 873 00:34:03.209 --> 00:34:06.446 * Just you and I * 874 00:34:06.479 --> 00:34:09.482 * Defying gravity * 875 00:34:09.516 --> 00:34:11.885 * With you and I * 876 00:34:11.918 --> 00:34:14.354 - The people who created the show, 877 00:34:14.387 --> 00:34:16.156 they're excited about the music 878 00:34:16.189 --> 00:34:17.724 that we're bringing back, 879 00:34:17.757 --> 00:34:21.161 and it means so much to be able 880 00:34:21.194 --> 00:34:24.698 to experience that with them. 881 00:34:24.731 --> 00:34:27.567 - "Wicked" was the first show I conducted on Broadway. 882 00:34:27.600 --> 00:34:29.436 And it's a 23-piece orchestra, 883 00:34:29.469 --> 00:34:32.439 and now this will be close to a hundred people 884 00:34:32.472 --> 00:34:33.707 playing together. 885 00:34:33.740 --> 00:34:35.742 [bright orchestral music] 886 00:34:35.775 --> 00:34:38.812 It's about scaling up everything 887 00:34:38.845 --> 00:34:41.915 and making all of the musical moments 888 00:34:41.948 --> 00:34:43.883 really inhabit the world. 889 00:34:43.917 --> 00:34:48.321 This vision is going to be extraordinary on a big screen. 890 00:34:48.355 --> 00:34:49.522 * * 891 00:34:49.556 --> 00:34:52.359 - * Defying gravity * 892 00:34:52.392 --> 00:34:54.894 * I'm flying high * 893 00:34:54.928 --> 00:34:57.897 * Defying gravity * 894 00:34:57.931 --> 00:35:02.669 * And soon I'll match them in renown * 895 00:35:02.702 --> 00:35:04.371 * * 896 00:35:04.404 --> 00:35:06.573 - Fantastic, fantastic. - Incredible. 897 00:35:06.606 --> 00:35:09.943 - Wow, that was really good. - Very cool. 898 00:35:09.976 --> 00:35:12.212 - I'm really excited for everyone to see 899 00:35:12.245 --> 00:35:14.714 how all of these iconic things have been reimagined. 900 00:35:14.748 --> 00:35:15.982 And I think one of the things 901 00:35:16.016 --> 00:35:17.517 that has been reimagined so well 902 00:35:17.550 --> 00:35:20.186 is in the casting choices, honestly. 903 00:35:20.220 --> 00:35:21.955 Michelle Yeoh as Morrible is, like, 904 00:35:21.988 --> 00:35:23.790 such an inspired choice to me. 905 00:35:23.823 --> 00:35:26.192 - Unreal, and, like, won the Oscar while we were filming. 906 00:35:26.226 --> 00:35:27.494 - Yeah. 907 00:35:27.527 --> 00:35:28.695 - Do you remember, like, she entered the space... 908 00:35:28.728 --> 00:35:30.263 - Yes, wait, I have video of it. 909 00:35:30.296 --> 00:35:31.398 - Yeah. - Do you really? 910 00:35:31.431 --> 00:35:32.399 - I do, I do. Here, here. 911 00:35:32.432 --> 00:35:34.334 Like, this is, like, Jon. 912 00:35:34.367 --> 00:35:37.337 There it is! - That's a full-on Oscar. 913 00:35:37.370 --> 00:35:38.972 - That's a full Oscar. 914 00:35:39.005 --> 00:35:41.441 - Which was a really huge celebratory moment 915 00:35:41.474 --> 00:35:43.576 for everyone. - For everyone. 916 00:35:43.610 --> 00:35:45.612 And she made it that way because she literally 917 00:35:45.645 --> 00:35:48.615 flew to set the next day... - Whoo! 918 00:35:48.648 --> 00:35:49.983 It's got my name on it. 919 00:35:50.016 --> 00:35:51.518 - After winning her Oscar 920 00:35:51.551 --> 00:35:53.920 and then, like, let everybody hold it, 921 00:35:53.953 --> 00:35:55.622 let everybody take pictures with it. 922 00:35:55.655 --> 00:35:58.358 - I think it just shows how special all of this 923 00:35:58.391 --> 00:36:00.627 is to Michelle, too, like, going in the next day... 924 00:36:00.660 --> 00:36:02.362 - Yes. - To be a part of this. 925 00:36:02.395 --> 00:36:04.964 Just so cool. 926 00:36:04.998 --> 00:36:07.300 - We're here today on the set, 927 00:36:07.334 --> 00:36:09.569 and it will be the last time that we're 928 00:36:09.602 --> 00:36:12.405 all together at the end of this massive journey. 929 00:36:12.439 --> 00:36:15.041 Do you remember, on day one, Jon Chu asked 930 00:36:15.075 --> 00:36:17.477 you both to look into camera and to give yourself 931 00:36:17.510 --> 00:36:18.912 a message to the future version of yourself. 932 00:36:18.945 --> 00:36:20.547 - Oh, my. - Yeah. 933 00:36:20.580 --> 00:36:21.881 - I don't remember what I said. I remember it happening. 934 00:36:21.915 --> 00:36:23.483 - No, I can't remember what I said either. 935 00:36:23.516 --> 00:36:24.918 - Should we have a little look? - Oh, no. 936 00:36:24.951 --> 00:36:26.486 - Oh, dear. 937 00:36:26.519 --> 00:36:28.755 - Anything to say to your future self? 938 00:36:28.788 --> 00:36:30.690 And you can say it to her right there. 939 00:36:30.724 --> 00:36:33.259 - Oh, no, to my future self? 940 00:36:33.293 --> 00:36:37.397 [chuckles] Oh, my gosh. 941 00:36:37.430 --> 00:36:39.799 I hope you're happy. No. 942 00:36:39.833 --> 00:36:41.668 - What do you have to say to your future self? 943 00:36:41.701 --> 00:36:43.536 Right there. - All right. 944 00:36:43.570 --> 00:36:45.505 Hi, Cynthia. [chuckles] 945 00:36:45.538 --> 00:36:50.910 Um, I'm not sure if you thought you would be here at any point. 946 00:36:50.944 --> 00:36:54.381 This is a rare thing to be able to be doing. 947 00:36:54.414 --> 00:36:57.017 - I've never felt this way before, 948 00:36:57.050 --> 00:36:59.853 as excited and positively nervous, 949 00:36:59.886 --> 00:37:04.657 in a good way, as I do ready and sure. 950 00:37:04.691 --> 00:37:06.659 And that's something I learned from Glinda. 951 00:37:06.693 --> 00:37:08.528 - I hope that you've come to the end of this 952 00:37:08.561 --> 00:37:11.865 and you still feel really grateful 953 00:37:11.898 --> 00:37:15.702 and cling on tight to those around you 954 00:37:15.735 --> 00:37:18.505 who are in it with you still. 955 00:37:18.538 --> 00:37:21.541 And remember to keep them in your lives. 956 00:37:21.574 --> 00:37:23.410 What the heck? - We're stuck with you. 957 00:37:23.443 --> 00:37:25.011 Don't worry. You've got us. 958 00:37:25.045 --> 00:37:27.347 - Thank you. Oh, my. 959 00:37:27.380 --> 00:37:29.449 - Well... - [laughs] 960 00:37:29.482 --> 00:37:33.853 - That was actually really wonderful to see. 961 00:37:33.887 --> 00:37:36.756 Quite emotional for me because I feel like 962 00:37:36.790 --> 00:37:39.693 I am really grateful, and I got some new family members. 963 00:37:39.726 --> 00:37:41.127 - Me too. - Yeah. 964 00:37:41.161 --> 00:37:42.829 - We will definitely keep each other in our lives. 965 00:37:42.862 --> 00:37:44.431 We'll do a good job with that. - You're stuck. 966 00:37:44.464 --> 00:37:45.865 - We've already done such a good job with it. 967 00:37:45.899 --> 00:37:48.835 - Stuck with me. - And we will continue to. 968 00:37:48.868 --> 00:37:51.905 - Next, the moment we've all been waiting for, 969 00:37:51.938 --> 00:37:55.875 the curtain finally rises on a world exclusive 970 00:37:55.909 --> 00:37:59.412 from our new movie, "Wicked." 971 00:37:59.446 --> 00:38:02.582 So wait just a clock tick. 972 00:38:02.615 --> 00:38:04.384 We'll be right back. 973 00:38:11.091 --> 00:38:11.558 . 974 00:38:11.591 --> 00:38:12.158 [soaring orchestral music] 975 00:38:14.160 --> 00:38:15.528 * * 976 00:38:15.562 --> 00:38:17.764 - Hello, welcome back to Emerald City. 977 00:38:17.797 --> 00:38:19.366 - So at the very beginning of this, 978 00:38:19.399 --> 00:38:21.634 we told you that this is a world of unexpected things. 979 00:38:21.668 --> 00:38:25.138 Well, here is an unexpected thing for you from us. 980 00:38:25.171 --> 00:38:27.574 - Here is an exclusive look at a scene 981 00:38:27.607 --> 00:38:32.178 from our new film, "Wicked." 982 00:38:32.212 --> 00:38:35.181 [quirky orchestral music] 983 00:38:35.215 --> 00:38:38.651 * * 984 00:38:38.685 --> 00:38:41.788 - * What is this feeling, so sudden and new? * 985 00:38:41.821 --> 00:38:44.457 - * I felt the moment I laid eyes on you * 986 00:38:44.491 --> 00:38:47.527 - * My pulse is rushing * - * My head is reeling * 987 00:38:47.560 --> 00:38:49.029 - * Well, my face is flushing * 988 00:38:49.062 --> 00:38:50.797 [together] * What is this feeling? * 989 00:38:50.830 --> 00:38:53.733 * Fervid as a flame * 990 00:38:53.767 --> 00:38:57.003 * Does it have a name? * 991 00:38:57.037 --> 00:39:02.842 * Yes * 992 00:39:02.876 --> 00:39:06.880 * Loathing, unadulterated loathing * 993 00:39:06.913 --> 00:39:08.782 - * For your face * - * Your voice * 994 00:39:08.815 --> 00:39:10.183 - * Your clothing * 995 00:39:10.216 --> 00:39:11.718 [together] * Let's just say * 996 00:39:11.751 --> 00:39:14.020 * I loathe it all * - [gasps] 997 00:39:14.054 --> 00:39:15.522 [together] * Every little trait * 998 00:39:15.555 --> 00:39:17.023 * However small * 999 00:39:17.057 --> 00:39:19.859 * Makes my very flesh begin to crawl * 1000 00:39:19.893 --> 00:39:22.095 * With simple utter loathing * 1001 00:39:22.128 --> 00:39:25.498 * There's a strange exhilaration * 1002 00:39:25.532 --> 00:39:28.034 * In such total detestation * 1003 00:39:28.068 --> 00:39:32.105 * It's so pure, so strong * 1004 00:39:32.138 --> 00:39:35.141 * Though I do admit it came on fast * 1005 00:39:35.175 --> 00:39:38.545 * Still, I do believe that it can last * 1006 00:39:38.578 --> 00:39:40.613 * And I will be loathing * 1007 00:39:40.647 --> 00:39:45.618 * Loathing you my whole life long * 1008 00:39:45.652 --> 00:39:46.653 [together] * Dear Galinda * 1009 00:39:46.686 --> 00:39:48.488 * You are just too good * 1010 00:39:48.521 --> 00:39:51.024 * How do you stand it? I don't think I could * 1011 00:39:51.057 --> 00:39:52.826 * She's a terror! She's a tartar! * 1012 00:39:52.859 --> 00:39:54.127 * We don't mean to show a bias * 1013 00:39:54.160 --> 00:39:56.262 * But, Galinda, you're a martyr * 1014 00:39:56.296 --> 00:39:57.731 - Well... 1015 00:39:57.764 --> 00:40:03.837 * These things are sent to try us * 1016 00:40:03.870 --> 00:40:05.672 [crowd gasping] 1017 00:40:05.705 --> 00:40:11.745 * * 1018 00:40:11.778 --> 00:40:13.246 [together] * Poor Galinda * 1019 00:40:13.279 --> 00:40:17.484 * Forced to reside with someone so disgusticified * 1020 00:40:17.517 --> 00:40:22.756 * We just want to tell you, we're all on your side * 1021 00:40:22.789 --> 00:40:24.824 * We share your loathing * 1022 00:40:24.858 --> 00:40:26.760 - * What is this feeling, so sudden and new? * 1023 00:40:26.793 --> 00:40:30.130 * I felt the moment I laid eyes on you * 1024 00:40:30.163 --> 00:40:33.099 * My pulse is rushing, my head is reeling * 1025 00:40:33.133 --> 00:40:34.634 [together] * We loathe it all! * 1026 00:40:34.668 --> 00:40:36.603 - * Oh, what is this feeling? * 1027 00:40:36.636 --> 00:40:37.904 [together] * Trait, however small * 1028 00:40:37.937 --> 00:40:40.774 - * Does it have a name? * 1029 00:40:40.807 --> 00:40:42.742 * Yes * 1030 00:40:42.776 --> 00:40:45.545 * Oh * 1031 00:40:45.578 --> 00:40:49.049 * Loathing, there's a strange exhilaration * 1032 00:40:49.082 --> 00:40:52.118 - * Loathing * - * In such total detestation * 1033 00:40:52.152 --> 00:40:54.287 - * Loathing * - * It's so pure * 1034 00:40:54.320 --> 00:40:56.823 * So strong * 1035 00:40:56.856 --> 00:40:59.225 * Though I do admit it came on fast * 1036 00:40:59.259 --> 00:41:02.796 * Still I do believe that it can last * 1037 00:41:02.829 --> 00:41:06.633 * And I will be loathing for forever * 1038 00:41:06.666 --> 00:41:08.935 * Loathing, truly * 1039 00:41:08.968 --> 00:41:11.971 * Deeply loathing you * 1040 00:41:12.005 --> 00:41:16.976 - * Loathing you * - * My whole life long * 1041 00:41:17.010 --> 00:41:19.646 - * Unadulterated loathing * 1042 00:41:19.679 --> 00:41:21.114 - Oh! 1043 00:41:21.147 --> 00:41:22.749 * * 1044 00:41:22.782 --> 00:41:24.050 [clears throat] 1045 00:41:24.084 --> 00:41:25.318 - Boo! - [screams] 1046 00:41:25.352 --> 00:41:26.319 - [laughs] 1047 00:41:26.353 --> 00:41:27.987 [laughter] 1048 00:41:28.021 --> 00:41:31.224 - Thank you so much for visiting Oz with us tonight. 1049 00:41:31.257 --> 00:41:32.992 - Please go and see our movie "Wicked." 1050 00:41:33.026 --> 00:41:37.063 And from us to you... - Happy holidays. 1051 00:41:37.097 --> 00:41:38.064 - And goodbye. 1052 00:41:38.098 --> 00:41:40.633 [laughter] - Hey, hey, hey. 1053 00:41:40.667 --> 00:41:43.003 This is not "Ben-Hur." Hey! 1054 00:41:43.036 --> 00:41:46.172 [triumphant orchestral music] 1055 00:41:46.206 --> 00:41:53.213 * *