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Downloaded from
YTS.MX
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Official YIFY movies site:
YTS.MX
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Halos alas diyes na ng umaga.
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Paakyat na kami ng bundok.
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Maganda ang panahon dito sa Sierra Nevada.
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00:00:28,840 --> 00:00:31,720
Kasama namin si Carlitos Páez Vilaró,
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si Vasco Echavarren,
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si Coco Nicolich,
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si Enrique Platero,
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at ang amazing na si Antonio Vizintín.
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- Sobrang saya naming nandito kami.
- Day two sa bundok.
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Day two sa bundok.
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Mas malamig ngayon. Ewan.
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Mas mahangin.
Naghihintay ang bundok. Wini-welcome tayo.
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Niyayakap tayo.
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At yayakapin din natin.
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{\an8}SOCIETY OF THE SNOW:
WHO WERE WE ON THE MOUNTAIN?
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00:01:06,960 --> 00:01:09,080
Nakita ko 'yong librong
Society of the Snow
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noong nagre-research ako
para sa The Impossible.
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00:01:12,160 --> 00:01:14,080
Inabot ng isang taon 'yong The Impossible.
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00:01:14,160 --> 00:01:18,200
Noong huling araw ng shooting,
tinawagan ni Belén
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00:01:18,280 --> 00:01:20,400
'yong abogado ng survivors,
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tinapos na at inayos ang mga dapat ayusin
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para magawa na namin itong pelikula.
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{\an8}Noong Biyernes ng October 13, 1972,
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{\an8}may bumagsak na Uruguayan Air Force
charter plane sa gitna ng Andes.
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00:01:35,520 --> 00:01:40,120
{\an8}Labing-anim sa 40 pasahero ang nakaligtas
matapos ang 72 araw sa gitna ng kawalan.
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00:01:40,840 --> 00:01:44,880
{\an8}Binansagan iyong Milagro sa Andes.
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No'ng narinig namin 'yong tungkol sa
pelikula ni Bayona, naisip namin
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kung paano 'yong script
at kung ano ang mangyayari.
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Nakaramdam kami ng pag-asa,
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ng ginhawa, at saya kasi maikukuwento na
ang nangyari na walang maiiwan sa kuwento.
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Hinayaan namin si J.A.
na gawin ang gusto niya
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pagdating sa script, sa lahat.
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'Yong sinabi ko lang kay J.A.,
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"Gawin mo ang gusto mo,
pero tandaan mo, buhay ko 'to."
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Para sa akin,
sobrang sama ng trahedyang 'yon.
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Isipin mo, namatay ang nanay, kapatid,
at best friend mo sa iisang araw lang,
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tapos, ikaw pa ang maglilibing sa kanila.
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00:02:21,360 --> 00:02:24,680
Sa pinakamasamang lugar ka
namuhay ng 72 araw.
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00:02:24,760 --> 00:02:28,320
Ginawa mo ang pinakamasaysayang trek
sa kasaysayan ng mountaineering.
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Ipinapakita ng pelikula
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kung gaano ka pambihira
at kasama ang lugar na 'yon,
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kung saan buong bagsik
na naghahari ang kalikasan.
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Kung hindi mo makita nang ikaw mismo,
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di mo malalaman
kung ano talaga ang pakiramdam
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na maglakad
sa malawak na kabundukang 'yon.
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Isipin mo ang nararamdaman namin.
Parang bumalik kami doon.
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{\an8}OCTOBER 2023.
UNANG TRIP NG SOCIETY OF THE SNOW TEAM
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{\an8}SA VALLEY OF TEARS (ANDES),
KUNG SAAN BUMAGSAK ANG EROPLANO.
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{\an8}PINAMUMUNUAN NG BENEGAS BROTHERS
NA NAG-ARRANGE NG MGA EXPEDITION
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{\an8}SA MGA LUGAR NA MAHIRAP ABUTIN
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{\an8}Isa mga pinaka-impressive na bagay
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sa Valley of Tears,
'yong pinagbagsakan ng eroplano,
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ay 'yong sound kasi walang nabubuhay doon.
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Talagang tahimik.
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Tapos may mga bugso ng hangin
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na sobrang lakas
kasi 4,000 meters 'yong altitude.
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00:03:26,040 --> 00:03:28,440
No'ng unang beses kaming
nag-shoot sa Andes,
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halos walang snow no'ng taong 'yon.
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Marami kaming kinunan, nag-stay din kami
para maintindihan 'yong paligid,
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pero, makalipas ng isang taon,
bumalik pa rin kami para mag-shoot.
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Sa pagtatapos ng filming,
sina J.A., 'yong director of photography,
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'yong special effects supervisor,
at si Enzo, 'yong leading man namin,
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pumunta sila sa Valley of Tears
para kumuha ng footage
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na parang kagaya ng mga makikita mo
sa sobrang gandang nature documentary.
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Parang binigyan kami
ng blessing ng bundok.
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Grabe 'yong snow,
parang kagaya no'ng nag-crash,
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at 'yong taong 'yon,
sobrang tindi talaga ng snow.
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Ano'ng gagawin ko?
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Si J.A. na ang magsasabi.
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{\an8}Inutusan kaming
kumuha ng information, at kung ano pa.
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{\an8}- Mag-uusap rin tayo sandali.
- Okay.
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Mas gusto mo ba sa window o sa aisle?
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Window ba o aisle?
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Window o aisle?
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Teka.
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{\an8}MATATANGGAP NA NILA
ANG BALITANG MAGBABAGO SA BUHAY NILA
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- Ano?
- Window o aisle?
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Kasama na 'ko sa movie?
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00:04:50,840 --> 00:04:52,160
Sabihin mo. Sige na.
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Wag kayong ganyan. Ano ba? Tama na.
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Sobrang galing ng pag-cast
ni María Laura Berch
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at nag-coach din siya sa mga actor
ng higit sa anim, pitong buwan.
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Magandang desisyon talaga
na huwag kumuha ng mga sikat na aktor.
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Ang goal kasi,
gaya ng sa ibang parte ng pelikula,
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panatilihing organic
at malapit sa totoong buhay.
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On board ka na ba?
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'Tang ina mo.
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Ba't n'yo ginagawa sa 'kin 'to?
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00:05:31,560 --> 00:05:32,560
Wow.
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00:05:32,640 --> 00:05:35,200
Teka, seryoso ka ba?
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Siyempre, naghanap kami ng kamukha nila,
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pero mas hinahanap namin 'yong
kapareho ng personality ng characters.
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Gano'n, tapos inisip din namin
na magso-shoot kami ng higit sa 140 araw,
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ginawa namin 'yon para sa set mismo,
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may sarili kaming Society of the Snow,
kagaya no'ng sa pelikula.
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- Deserving ka.
- Wow. Di ako makapaniwala.
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Dapat ako si Roberto Canessa.
Ano kasi, gusto ko.
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Gustong-gusto ko talaga 'yong role.
Obsessed ako.
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Hindi nga?
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Hay, puta!
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Handa ka na ba?
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Sige. Gawin na natin.
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Let's go, Bayona
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Tayo ang magvi-victory lap!
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Tara, kanta tayo…
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{\an8}DECEMBER 2021. REHEARSALS
AT TRAINING NG ACTORS SA BARCELONA.
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Ngayong araw,
maglo-lower body workout tayo
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at magiging mahirap 'to.
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00:07:07,240 --> 00:07:11,080
Four sets ang dapat makumpleto,
buong binti 'yong dapat ma-work-out.
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Ten reps 'yong sa 'yo, tapos iho-hold mo
ng three seconds ang kada rep.
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Three, four.
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One, two, three.
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Ayos. Ibaba nang dahan-dahan.
Squeeze. Lift.
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Ganyan!
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- Sige.
- Push, sige lang.
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- Sige na, champ.
- Up. Six. Hiwalay ang tuhod.
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Four.
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Ten.
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Ayos ang session natin ngayon, guys.
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Mahirap, pero good job.
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Uwian na. Magpahinga na kayo at kumain.
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Namatay ako noong December 11, 1972,
noong alas diyes ng umaga.
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Ako ang ika-29 na tumigil sa paglalakbay
naming nagsimula 58 araw na'ng nakakaraan
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at iniwan ko ang 16 kong kaibigan.
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Sobrang ganda ng pag-direct ni J.A.
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Tingin ko, isa 'yon
sa mga na-enjoy niya talaga sa project.
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Marami sa actors 'yong walang experience
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o sa theater lang nagpe-perform.
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Hindi sila sanay sa camera,
pero dahil si J.A. 'yong director,
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dahil sobrang hands-on niya,
gumanda talaga ang performance.
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Gusto nang umalis ni Nando,
pero natatakot siya.
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Noong sinabi ni Roberto na,
"Ayusin natin 'yong radio,"
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sabi ni Nando, "Di gagana 'yon.
Umalis na lang tayo."
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Kaya sinabi ni Roberto na,
"Subukan nating paganahin."
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"Kung di gagana,
aakyat na tayo ng bundok."
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Okay sa kanya 'yon kasi natatakot siya.
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Sabi niya, "Sige.
At least, kasama ko si Roberto."
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Go. Ganyan nga!
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- Taas!
- Dito!
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Sa sahig!
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Tayo!
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Nasa taas na kayo!
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00:08:50,360 --> 00:08:54,320
Tumayo kayo pag-count ko ng four.
Pagod na pagod kayo.
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Dapat ibigay mo ang kailangan ng actors.
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Dapat ibigay mo ang lahat ng impormasyon
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at lahat ng tulong na maibibigay mo.
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00:09:05,360 --> 00:09:11,480
'Yong approach ko pag nakikipagtrabaho,
hinahayaan ko silang gawin ang gusto nila.
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00:09:11,560 --> 00:09:14,320
Ibig sabihin,
hinahayaan ko silang mag-experiment,
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at magkamali kung kinakailangan.
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00:09:17,880 --> 00:09:21,320
Sinasabihan ko, "Sige, magkamali kayo.
Ayos lang. Puwedeng mag-take ulit."
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00:09:21,400 --> 00:09:22,720
Para makapag-experiment sila.
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00:09:22,800 --> 00:09:26,280
Para magawa 'yon, kailangan nila
ang lahat ng impormasyong 'yon.
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Apat na araw na lang
bago kami pumunta sa Granada, at grabe.
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Magiging intense 'yon, pero maganda.
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Handang-handa na kami.
Di na ako makapaghintay na magsimula.
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Show your teeth ba?
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Oo!
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00:10:01,840 --> 00:10:04,440
'Yong mga fuselage, 'yong ginawa namin,
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kasama na 'yong maliliit,
'yong nasa gimbal,
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'yong dalawang nandito, lima lahat.
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00:10:09,040 --> 00:10:11,160
May gamit talaga 'yong bawat isa.
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Parang sobra-sobra na kung lima,
pero di naman talaga.
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00:10:14,240 --> 00:10:20,760
May gamit 'yong bawat isa,
itinuturing silang iisang fuselage lang.
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00:10:23,440 --> 00:10:27,000
Mahirap dalhin 'yong fuselage sa bundok.
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00:10:27,080 --> 00:10:31,800
Ginawa 'yon dito sa Madrid,
at dinala nang buo
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papuntang Sierra Nevada,
tapos hinati sa tatlong parte
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at inakyat sa slopes,
sa location, na sobrang taas.
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Di kasingtaas ng Veleta peak,
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pero 'yon na ang pinaka-elevated
na parte ng Sierra Nevada.
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{\an8}DECEMBER 13, 2021.
PAGHATID NG FUSELAGE SA GRANADA.
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00:11:13,600 --> 00:11:18,960
May eroplano kami ro'n,
at may eroplano rin kami sa ground level,
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00:11:19,040 --> 00:11:21,600
sa gitna ng isang olive grove sa Granada.
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At 'yon, puwedeng tumaas-baba.
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00:11:26,520 --> 00:11:30,240
Gumawa kami ng platform na puwede naming
itaas at ibaba ang buong eroplano.
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00:11:30,320 --> 00:11:34,440
Nagkalat kami ng artificial snow
sa palibot ng eroplano,
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pinababa 'yon, tapos puwedeng taasan
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00:11:37,680 --> 00:11:40,240
para ibahin 'yong level ng snow.
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00:11:41,080 --> 00:11:43,560
Nandito kami ngayon sa back lot…
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00:11:43,640 --> 00:11:48,440
…ginagawa naming
construction site 'yong back lot,
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ginagawang winter wonderland.
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00:11:50,560 --> 00:11:54,920
Isini-spray namin 'yong labas ng set.
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00:11:55,000 --> 00:11:56,920
Dalawang klase ng snow
ang ginagamit namin.
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00:11:57,000 --> 00:11:59,720
'Yong isa, pure cellulose,
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00:11:59,800 --> 00:12:02,600
at 'yong isa pa, cellulose saka starch.
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00:12:08,720 --> 00:12:14,320
Tapos may pangatlong eroplano kami
na nasa set doon sa taas ng bundok.
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00:12:14,400 --> 00:12:16,080
Sa altitude na 2,000 meters.
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00:12:16,160 --> 00:12:19,280
Gumawa kami
ng warehouse na may LED screens
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00:12:19,360 --> 00:12:22,600
para i-recreate 'yong kabundukan
kasi iniiwasan naming mag-green screen.
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00:12:22,680 --> 00:12:25,760
Pagkatapos, sa crash scene,
gumawa kami ng mga replica ng eroplano.
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Isa sa mga 'yon, parang ikaapat na plane
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na nakakabit sa gimbal
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at dahil gano'n, puwede naming ibahin
'yong anggulo ng eroplano,
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puwedeng gumawa ng turbulence
na parang sa totoong flight.
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At meron kaming mas maliliit
na piraso ng eroplano
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para sa mas matinding turbulence,
para sa crash, para sa specific shots.
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00:13:10,840 --> 00:13:13,840
…Delta, plate one alpha, second.
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00:13:16,440 --> 00:13:22,320
Noong nag-shooting na kami,
may COVID 'yong director at actors.
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{\an8}- Saan si Pancho Abal?
- Doon sa unahan.
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{\an8}Una siya. Tara.
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{\an8}WEEK 1. UMPISA NG SHOOTING.
SET SA SIERRA NEVADA.
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00:13:30,720 --> 00:13:34,160
Kaya sa unang araw,
nasa loob ng booth 'yong director,
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00:13:34,240 --> 00:13:36,520
nakasuot ng face mask, mag-isa,
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00:13:36,600 --> 00:13:38,920
may microphone, at isolated sa malayo,
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00:13:39,000 --> 00:13:43,080
nagpapadala ng instructions sa set
at may body doubles.
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00:13:43,160 --> 00:13:46,160
Siyempre, likod lang
ang makukunan namin. Wala 'yong actors.
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00:13:46,240 --> 00:13:48,840
Attention, guys. First shot na.
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00:13:51,400 --> 00:13:52,360
Ngayon na!
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00:13:53,800 --> 00:13:56,520
Noong mga unang araw ng shooting,
pakiramdam ko…
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00:13:56,600 --> 00:13:58,800
Wala si J.A. kasi may COVID siya.
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00:13:58,880 --> 00:14:03,200
Pero naririnig namin ang boses niya,
at ang weird sa pakiramdam.
213
00:14:03,280 --> 00:14:04,280
Action!
214
00:14:04,360 --> 00:14:07,680
Nilalamig kayo. Nakatulala.
Mamamatay na kayo ngayong gabi.
215
00:14:07,760 --> 00:14:11,400
Gusto kong makita na mamamatay kayo,
na iniisip n'yong mamamatay kayo.
216
00:14:11,480 --> 00:14:14,480
- Platero.
- Di ko maramdaman na mamamatay ka.
217
00:14:14,560 --> 00:14:15,880
Kakaiba 'yon.
218
00:14:15,960 --> 00:14:18,600
Wala na 'kong maisip
na mas perpektong paraan
219
00:14:18,680 --> 00:14:22,760
ng paggaya ng nangyari noong '72,
parang nasa gitna ng reality at unreality,
220
00:14:22,840 --> 00:14:25,760
ng buhay at kamatayan,
kumpara sa kung paano ginawa 'yong shoot.
221
00:14:25,840 --> 00:14:29,000
Higit isang taon na
ang hinintay namin para rito,
222
00:14:29,080 --> 00:14:33,120
mula no'ng casting call, at ngayong
nandito na kami, parang, "Hay, sa wakas."
223
00:14:33,200 --> 00:14:38,720
'Yong kay Numa 'yong mga unang eksena,
at sobrang lapit ng mga camera.
224
00:14:38,800 --> 00:14:42,280
Pakiramdam ko,
ang ganda ng simula namin. Grabe.
225
00:14:42,360 --> 00:14:43,880
Marami nito dito.
226
00:14:45,160 --> 00:14:47,280
Pero, oo, sobrang intense.
Mabigat sa damdamin.
227
00:14:47,880 --> 00:14:53,360
Sasagarin ka ng bawat eksena.
228
00:14:53,440 --> 00:14:56,680
Minsan, naghihintay kaming
mag-roll na ang camera,
229
00:14:56,760 --> 00:15:01,600
at di namin maiwasang isipin
na nangyari talaga 'to.
230
00:15:01,680 --> 00:15:05,120
Noong mga unang araw,
no'ng nagre-recover na ang mga aktor,
231
00:15:05,200 --> 00:15:07,000
paisa-isa silang bumalik.
232
00:15:07,080 --> 00:15:10,800
Paulit-ulit naming iniisip
kung ano 'yong iso-shoot kada araw.
233
00:15:10,880 --> 00:15:13,720
Ganyan lang ang frame.
Paki-set up na ng lighting.
234
00:15:13,800 --> 00:15:15,400
Konting snow pa.
235
00:15:15,480 --> 00:15:17,840
Snow pa kay Marcelo.
236
00:15:17,920 --> 00:15:21,400
Nagiging mas komportable na 'ko
at mas naiintindihan ko na.
237
00:15:21,480 --> 00:15:24,840
Nakalabas na ng booth si J.A.,
at maganda ang naidulot noon.
238
00:15:24,920 --> 00:15:26,160
Kasama na namin siya.
239
00:15:26,240 --> 00:15:28,040
Marami kaming sinubukan. Ayos 'yon.
240
00:15:34,040 --> 00:15:37,280
Sa set, may bundok na araw-araw inaakyat.
241
00:15:38,120 --> 00:15:40,560
Metaphorical na bundok.
242
00:15:40,640 --> 00:15:45,240
Tuwing magbabago 'yong eksena,
"'Yong avalanche naman ngayon."
243
00:15:45,320 --> 00:15:48,720
"Tatahakin natin 'yong bundok pa-west…"
244
00:15:48,800 --> 00:15:54,320
Sa ibang salita, sobrang nakakapagod
sa katawan 'yong mga eksena,
245
00:15:54,400 --> 00:15:56,320
at marami ding ginagawa sa technical side.
246
00:16:00,200 --> 00:16:01,200
Saklolo!
247
00:16:06,840 --> 00:16:09,920
Numa, ayos ka lang? Numa!
248
00:16:10,000 --> 00:16:12,040
- Saklolo!
- Numa!
249
00:16:12,120 --> 00:16:15,040
- Please!
- Vasco, nasaan ka? Vasco!
250
00:16:21,080 --> 00:16:22,520
Numa, nasaan ka?
251
00:16:25,320 --> 00:16:29,160
- Cut.
- Ang galing, Juan Diego. Great job.
252
00:16:29,240 --> 00:16:31,040
- Ang galing mo, bro.
- Naka-survive tayo.
253
00:16:31,120 --> 00:16:33,800
Naka-survive tayo, pare.
Muntik na tayong mapugutan.
254
00:16:33,880 --> 00:16:35,000
Sobrang intense.
255
00:16:37,040 --> 00:16:38,000
Sobrang lamig.
256
00:16:39,080 --> 00:16:40,120
Roberto.
257
00:16:40,800 --> 00:16:41,800
Nando.
258
00:16:43,000 --> 00:16:46,960
{\an8}WEEK 2. UNANG BESES
NA UMAKYAT ANG TEAM SA MOUNTAIN SET…
259
00:16:49,760 --> 00:16:51,240
{\an8}SA TAAS NA HALOS 3,000 METERS.
260
00:16:52,000 --> 00:16:55,480
{\an8}UNANG BESES NG ILANG ACTORS
NA MAKAKITA NG SNOW.
261
00:17:07,640 --> 00:17:10,880
Mahirap talagang magtrabaho
sa bundok na gano'n 'yong kondisyon.
262
00:17:10,960 --> 00:17:15,000
Hindi mo makokontrol ang bundok,
dapat ikaw ang mag-adapt.
263
00:17:15,080 --> 00:17:18,560
'Yong pag-adapt sa maikling panahon
ang pinakamahirap gawin.
264
00:17:18,640 --> 00:17:22,680
Lalo nang marami sa crew
ang malayo sa bahay kanila,
265
00:17:22,760 --> 00:17:28,680
nag-stay sa ski resort habang peak season.
266
00:17:28,760 --> 00:17:32,520
Sobrang komplikado ng lahat.
267
00:17:32,600 --> 00:17:37,200
Ginusto naming gumawa
ng bagay na sobrang challenging,
268
00:17:37,280 --> 00:17:41,760
gaya ng pagpunta sa mga lugar
na sobrang hirap pasukin
269
00:17:41,840 --> 00:17:44,560
kung may tamang equipment
at magagandang camera.
270
00:17:44,640 --> 00:17:50,960
'Yong pumunta doon
na may dalang gamit para makunan ang lugar
271
00:17:51,040 --> 00:17:54,200
sa pinakamagandang paraan.
272
00:17:56,600 --> 00:18:00,560
Nagfi-film kami sa elevation
na 3,000 meters sa lugar na puno ng snow
273
00:18:00,640 --> 00:18:02,320
at may safety measures,
274
00:18:02,400 --> 00:18:05,680
mahirap maglipat,
at dapat dahan-dahan 'yong galaw namin.
275
00:18:05,760 --> 00:18:09,160
Umpisa pa lang, sinikap na naming
maging nasa tamang kondisyon para sa film.
276
00:18:09,240 --> 00:18:16,240
Natagalan kaming magawa 'yon
at maging productive.
277
00:18:16,320 --> 00:18:19,440
Sige. Ganyan nga.
Hilahin mo nang three meters.
278
00:18:19,520 --> 00:18:22,040
Carlitos, harap sa camera.
Ipakita mo ang ginagawa mo.
279
00:18:22,120 --> 00:18:25,080
Kung may dugo pa, pahiran mo.
Samahan mo si Carlitos.
280
00:18:25,160 --> 00:18:26,880
Ano'ng nangyari sa ilong mo?
281
00:18:26,960 --> 00:18:28,960
- Nagka-nosebleed ako.
- Bakit?
282
00:18:29,480 --> 00:18:30,800
Nangyayari talaga 'yon.
283
00:18:30,880 --> 00:18:33,280
'Yong altitude, pagod…
284
00:18:33,360 --> 00:18:35,840
- Pinahiran mo?
- Isinama nila sa eksena.
285
00:18:35,920 --> 00:18:38,120
Wrap up na tayo.
286
00:18:38,200 --> 00:18:43,080
Time na para sa magandang sunset,
'yong final scene, at sa last shot.
287
00:18:43,760 --> 00:18:47,200
Dapat samantalahin namin
'yong magandang sinag.
288
00:18:47,280 --> 00:18:50,080
- Scene 41 na tayo.
- Action.
289
00:18:58,720 --> 00:19:00,360
- Ayan.
- Last slate na.
290
00:19:06,200 --> 00:19:08,200
Relaxing talaga.
291
00:19:17,200 --> 00:19:19,040
Magaling. Maganda.
292
00:19:24,800 --> 00:19:27,360
Sasabihin ko na. Magpa-paella tayo ngayon.
293
00:19:27,880 --> 00:19:31,480
Grabeng coincidence naman
pag nagpakita pa 'yong nutritionist.
294
00:19:37,440 --> 00:19:41,040
Lahat ng characters,
mula no'ng aksidente hanggang ma-rescue,
295
00:19:41,120 --> 00:19:42,840
unti-unti silang pumapayat.
296
00:19:42,920 --> 00:19:45,840
Magiging mahirap 'yon,
pero may level of commitment din
297
00:19:45,920 --> 00:19:48,320
na required para sa character at sa story
298
00:19:48,400 --> 00:19:51,480
para gumanda ang performance,
at willing kaming lahat na gawin 'yon.
299
00:19:51,560 --> 00:19:54,960
May dulce de leche mousse,
pero di ko puwedeng kainin.
300
00:19:55,040 --> 00:19:58,320
- 'Yong dulce de leche?
- Eto. Mousse 'yan.
301
00:19:58,400 --> 00:20:00,800
- Ito?
- 'Yong walang label.
302
00:20:00,880 --> 00:20:04,400
- Okay lang 'yan. Kakainin ko para sa 'yo.
- Salamat, ha.
303
00:20:04,480 --> 00:20:07,320
- E, ganyan e.
- Amuyin mo, o. Ang sama ng amoy.
304
00:20:07,800 --> 00:20:10,080
Putang… Grabe ka na, a.
305
00:20:10,160 --> 00:20:12,440
Habang lumilipas ang mga araw,
306
00:20:12,520 --> 00:20:15,760
gumagamit kami ng makeup
para i-accentuate ang features nila,
307
00:20:15,840 --> 00:20:19,080
at nakakatulong talaga 'yon sa film.
308
00:20:19,160 --> 00:20:22,640
Ang tapang nila para gawin 'to,
309
00:20:22,720 --> 00:20:26,280
'yong i-shoot ang film chronologically,
nagbabawas din sila ng timbang.
310
00:20:26,360 --> 00:20:28,360
Nagka-singaw ako kasi kulang ang kinakain.
311
00:20:29,080 --> 00:20:32,000
{\an8}- Di ka na kumakain, di ba?
- Kasi nagtatrabaho ka nang mabuti.
312
00:20:32,080 --> 00:20:33,560
Gumaan ako ng 20 kilos.
313
00:20:33,640 --> 00:20:36,480
- Di dapat ipagyabang 'yan.
- Ay, oo nga.
314
00:20:36,560 --> 00:20:38,600
Kailan ka huling kumain, Berrutti?
315
00:20:38,680 --> 00:20:41,480
December last year pa.
316
00:20:42,400 --> 00:20:43,440
Kapit lang!
317
00:20:47,160 --> 00:20:50,920
{\an8}Sino-shoot na namin
'yong avalanche. March 2, 2022.
318
00:20:51,000 --> 00:20:54,520
{\an8}- Tahimik na, please.
- Sisiksik na ako dito.
319
00:20:54,600 --> 00:20:55,840
Gusto nilang tahimik.
320
00:20:56,880 --> 00:20:58,680
Attention. Magro-roll na tayo.
321
00:20:59,720 --> 00:21:01,400
Dito, sobrang importante na tahimik.
322
00:21:05,600 --> 00:21:09,920
Nahirapan talaga 'yong actors
sa avalanche scene.
323
00:21:10,000 --> 00:21:15,120
Makikita mo sa mga mukha nila sa screen.
324
00:21:20,680 --> 00:21:25,360
Para sa avalanche, nag-set up kami
ng snow cannons… air cannons.
325
00:21:25,440 --> 00:21:27,680
Pinuno namin ng snow
at pinatamaan 'yong eroplano
326
00:21:27,760 --> 00:21:31,120
kaya nalaglag 'yong mga suitcase.
327
00:21:31,200 --> 00:21:32,320
Rolling.
328
00:21:47,000 --> 00:21:52,480
{\an8}PARA SA KALIGTASAN NG MGA AKTOR,
RUBBER REPLICA ANG GINAMIT NA SUITCASES
329
00:22:04,720 --> 00:22:07,760
Kinailangan nilang lumabas ng lupa.
330
00:22:09,120 --> 00:22:11,360
Marami kaming hollow platforms.
331
00:22:13,200 --> 00:22:17,240
Naghintay sila para makalabas
sa butas nang isa-isa,
332
00:22:17,320 --> 00:22:21,960
pero kinailangan nilang lumusot
sa makapal na totoong snow.
333
00:22:22,040 --> 00:22:25,120
Sobrang lamig no'n at nagfe-freeze na.
334
00:22:35,840 --> 00:22:37,640
Ang hirap. Sobrang hirap.
335
00:22:37,720 --> 00:22:41,160
Di ko alam kung paano sila nakaligtas.
Di ko maintindihan.
336
00:22:41,240 --> 00:22:44,560
Kahit konting snow lang, ang hapdi na.
337
00:22:44,640 --> 00:22:46,600
Nakaka-suffocate, nakakawala ng pag-asa.
338
00:22:50,800 --> 00:22:52,800
Kapit lang!
339
00:22:52,880 --> 00:22:54,880
- Ang intense.
- Pambi… Ewan.
340
00:22:55,400 --> 00:22:57,800
Di namin inasahan
na ang hirap pala no'ng avalanche.
341
00:22:57,880 --> 00:23:00,160
Mahirap nga, pero sobrang ganda naman.
342
00:23:02,120 --> 00:23:04,920
Tayo!
343
00:23:10,760 --> 00:23:11,920
Cut.
344
00:23:15,400 --> 00:23:18,440
{\an8}WEEK 12. THIRD UNIT
PARA SA HIGH ALTITUDE SCENES
345
00:23:18,520 --> 00:23:21,320
{\an8}Naging matinding hamon talaga
'yong Sierra Nevada.
346
00:23:21,400 --> 00:23:25,920
Hindi gaya ng ibang set
o outdoor environment
347
00:23:26,000 --> 00:23:29,120
kung saan kami karaniwang nagso-shoot,
bundok pa rin 'to.
348
00:23:29,200 --> 00:23:32,040
Mahirap gumalaw sa bundok.
349
00:23:32,120 --> 00:23:35,800
Disadvantage talaga 'yong
mataas na altitude para sa 'min.
350
00:23:35,880 --> 00:23:39,680
Sobrang hirap na mag-shoot sa bundok
sa ganoon kataas na altitude.
351
00:23:40,720 --> 00:23:43,000
{\an8}Three, two, one, go.
352
00:23:43,080 --> 00:23:44,880
{\an8}MAY NORWEGIAN DIRECTOR ANG THIRD UNIT,
AT SNOWBOARDING EXPERT ANG DIRECTOR OF PHOTOGRAPHY
353
00:23:46,360 --> 00:23:48,160
Tingnan mo 'yong snow dito.
354
00:23:49,600 --> 00:23:52,840
Three, two, one, lakad na.
355
00:23:56,640 --> 00:23:59,880
- Nakuha ko. Cut.
- Okay. Nakuha natin. Okay na 'to, guys.
356
00:23:59,960 --> 00:24:02,720
Aakyat kayo at ise-set up
ang bivouac ninyo,
357
00:24:02,800 --> 00:24:06,000
'yong kama ba, sa ibabaw ng batong 'to.
358
00:24:06,080 --> 00:24:07,960
Sa ibaba magsisimula 'yong dialogue,
359
00:24:08,040 --> 00:24:11,760
tapos itataas 'yong camera,
at uulitin 'yong dialogue.
360
00:24:11,840 --> 00:24:14,440
At kung may oras pa tayo, uulitin natin,
361
00:24:15,040 --> 00:24:17,320
pero di ako sigurado
kung magkaka-oras tayo.
362
00:24:17,800 --> 00:24:19,040
'Yon lang.
363
00:24:21,480 --> 00:24:24,560
Sa story, gaya ng alam n'yo,
nag-expedition ng maraming beses
364
00:24:24,640 --> 00:24:29,400
para maghanap ng supplies
'yong main characters.
365
00:24:29,480 --> 00:24:32,280
Sa huli, naghanap sila ng paraan
para makaalis sa bundok.
366
00:24:32,360 --> 00:24:35,560
At 'yon ang sinusubukan naming kunan.
367
00:24:36,160 --> 00:24:39,840
{\an8}NARATING NG TEAM ANG PINAKAMATATAAS NA
LUGAR SA SIERRA NEVADA, HALOS 3,300 METERS
368
00:24:40,840 --> 00:24:42,040
Great job, guys.
369
00:24:42,120 --> 00:24:43,800
Si Nando rin. Tigil ka muna.
370
00:24:43,880 --> 00:24:45,880
Tumingin ka nang konti sa camera.
371
00:24:46,520 --> 00:24:47,520
Cut.
372
00:24:51,920 --> 00:24:53,000
Ayos na?
373
00:25:05,080 --> 00:25:11,320
{\an8}WEEK 16. HULING LINGGO SA SIERRA NEVADA.
SHOOTING NG PAG-RESCUE SA SURVIVORS.
374
00:25:12,000 --> 00:25:14,240
'Yong last day ng shooting
sa Sierra Nevada,
375
00:25:14,320 --> 00:25:17,360
sa bundok, sa labas ng fuselage,
376
00:25:17,440 --> 00:25:19,200
kinukunan namin 'yong pagdating ng…
377
00:25:19,280 --> 00:25:23,520
Nagiging emosyonal ako pag ikinukuwento.
'Yong pagdating ng rescue helicopters.
378
00:25:23,600 --> 00:25:27,000
At noong nalaman nila
na ligtas na sina Nando at Canessa,
379
00:25:27,080 --> 00:25:32,760
at noong naghahanda sila para ma-rescue,
natanggap na nila ang nangyari ng 72 days.
380
00:25:32,840 --> 00:25:35,440
Iiwan na nila 'yong naging tahanan nila
381
00:25:35,520 --> 00:25:37,080
at 'yong society na ginawa nila.
382
00:25:37,160 --> 00:25:39,360
Sabik na silang makauwi at malaman
383
00:25:39,440 --> 00:25:42,600
kung ano 'yong reaksiyon ng mundo
sa mga pinagdaanan nila.
384
00:25:42,680 --> 00:25:46,240
Magtatapos na ang sobrang ganda
pero sobrang intense ding yugto.
385
00:25:46,320 --> 00:25:47,240
'Yong pinakamahirap.
386
00:25:47,320 --> 00:25:51,080
Sobrang nakakapagod,
physically at emotionally.
387
00:25:51,160 --> 00:25:54,240
Pero sobrang saya namin
na pinagdaanan namin 'tong lahat,
388
00:25:54,840 --> 00:25:56,000
at sobrang thankful kami.
389
00:25:56,080 --> 00:25:58,240
Marami akong natutunan sa Sierra Nevada,
390
00:25:58,320 --> 00:26:00,400
sa Granada, sa Spain. Marami.
391
00:26:03,560 --> 00:26:05,760
Pagdating ng mga helicopter,
392
00:26:05,840 --> 00:26:10,680
tingin ko, ang team namin… hindi naman
393
00:26:10,760 --> 00:26:13,600
sasabihin na naramdaman namin
'yong naramdaman ng survivors.
394
00:26:13,680 --> 00:26:16,200
Pero meron din kaming moment ng…
395
00:26:17,800 --> 00:26:18,760
"Sa wakas."
396
00:26:18,840 --> 00:26:21,480
Marami pa kaming iso-shoot,
pero 'yong mahirap na parte,
397
00:26:21,560 --> 00:26:24,520
'yong bundok,
'yong fuselage, 'yong characters,
398
00:26:24,600 --> 00:26:29,520
'yong weight loss, ang mamuhay magkasama.
at higit sa lahat, 'yong COVID,
399
00:26:29,600 --> 00:26:32,720
'yong mamuhay magkasama
sa isolated na mountain village.
400
00:26:32,800 --> 00:26:37,640
'Yong panahon ng grabeng concentration,
effort, oras sa trabaho, energy,
401
00:26:37,720 --> 00:26:40,080
technique, pagdurusa, saya, lahat…
402
00:26:40,840 --> 00:26:41,920
nagwakas na.
403
00:26:42,000 --> 00:26:43,120
Oo, tapos na 'ko.
404
00:26:43,920 --> 00:26:45,360
Masaya 'yon. Salamat.
405
00:26:46,920 --> 00:26:47,920
Tapos na.
406
00:26:48,000 --> 00:26:51,800
Tingin ko, isa 'yon
sa pinaka-emotional na moment
407
00:26:51,880 --> 00:26:54,200
na naranasan ko sa isang film set.
408
00:26:54,280 --> 00:26:55,320
Pambihira talaga.
409
00:27:05,920 --> 00:27:11,400
{\an8}WEEK 20. PUMUNTA ANG TEAM SA URUGUAY
PARA MAG-SHOOT NG ENDING NG PELIKULA.
410
00:27:11,920 --> 00:27:13,720
CHILEAN AIR FORCE
411
00:27:56,200 --> 00:27:59,560
Milagro 'to.
412
00:27:59,640 --> 00:28:05,520
- Anong milagro?
- Milagro ito.
413
00:28:09,120 --> 00:28:10,400
Cut. Magaling.
414
00:28:35,440 --> 00:28:36,880
WELCOME SA SAN FERNANDO
415
00:28:36,960 --> 00:28:38,000
WELCOME HOME
416
00:28:44,520 --> 00:28:46,440
CHILE AT URUGUAY
417
00:29:07,560 --> 00:29:09,640
Salamat sa inyong lahat!
418
00:29:09,720 --> 00:29:12,520
Pambihira ang ginawa n'yo. Palakpakan!
419
00:29:18,440 --> 00:29:22,200
{\an8}In three, two, one. Action.
420
00:29:22,280 --> 00:29:24,600
{\an8}DECEMBER 2022,
NETFLIX STUDIOS, MADRID CRASH SCENE
421
00:29:26,800 --> 00:29:28,640
Cut.
422
00:29:34,600 --> 00:29:39,800
…paano natin iso-shoot 'yong crash,
kasi, sa lahat ng pelikula niya,
423
00:29:39,880 --> 00:29:42,880
realistic practical effects
ang ginamit niya,
424
00:29:42,960 --> 00:29:47,400
totoong actors din,
kahit gumamit pa siya ng mga stunt double,
425
00:29:47,480 --> 00:29:53,360
at 'yong mga ginagawa niya
para maging magaling na director,
426
00:29:53,440 --> 00:29:58,480
na pinaparamdam niya talaga sa manonood
na kasama sila sa eksena,
427
00:29:58,560 --> 00:30:00,480
na nasa gitna sila ng nangyayari.
428
00:30:03,040 --> 00:30:05,840
Three, two, one. Ngayon na.
429
00:30:11,120 --> 00:30:15,200
Marami kaming maliliit na set
para sa specific shots.
430
00:30:15,280 --> 00:30:20,240
Tapos naka-gimbal
'yong kalahati ng fuselage
431
00:30:20,320 --> 00:30:25,320
para makunan ang lahat ng galaw,
lahat ng totoong inclination angles
432
00:30:25,400 --> 00:30:27,280
pati na 'yong mga uga.
433
00:30:27,360 --> 00:30:29,160
Tapos 'yong buong fuselage
434
00:30:29,240 --> 00:30:34,080
nakapatong sa "lungs"
pero para 'yon ipakita 'yong eroplano
435
00:30:34,160 --> 00:30:37,960
noong normal pa, noong naglalaro ng cards
'yong mga pasahero,
436
00:30:38,040 --> 00:30:40,480
naglalaro, nag-iingay, mga gano'ng bagay.
437
00:30:40,560 --> 00:30:44,480
Uma-anggulo nang gano'n ang totoong plane,
kaya historically accurate 'yon.
438
00:30:44,560 --> 00:30:47,960
May gumugulong na bola sa sahig. Action!
Pancho, tingin sa labas ng bintana!
439
00:30:48,040 --> 00:30:50,600
Babagsak na kayo!
Nasa harap na 'yong eroplano!
440
00:30:50,680 --> 00:30:51,880
Tapos, 'yong sun!
441
00:30:52,480 --> 00:30:53,520
And cut.
442
00:30:57,280 --> 00:31:01,120
Sa pelikulang 'to,
importante 'yong wire work sa stunts
443
00:31:01,200 --> 00:31:04,240
kasi puwede kaming
mag-choreograph ng mga moves
444
00:31:04,320 --> 00:31:07,640
sa bilis at direksiyon na gusto namin
445
00:31:07,720 --> 00:31:11,400
Kaya, kailangan naming maghanda
ng mga upuan sa fuselage
446
00:31:11,480 --> 00:31:15,960
para masama
'yong mga mismong aktor sa mga stunt.
447
00:31:18,560 --> 00:31:23,080
Minodify namin lahat ng mga upuan
at dinagdagan namin 'yong foam.
448
00:31:23,160 --> 00:31:25,800
Katulong namin 'yong special effects team
449
00:31:25,880 --> 00:31:30,040
sa paggawa
ng mga rubber arm tray at armrest
450
00:31:30,120 --> 00:31:35,600
para maiwasang may masaktan
pag may nagbabanggaan.
451
00:31:42,520 --> 00:31:44,800
Lahat ng backdrop
na ginamit sa movie, totoo.
452
00:31:44,880 --> 00:31:49,080
Mga shots 'yon na kinunan sa Andes
o totoong pictures ng Andes.
453
00:31:49,160 --> 00:31:51,920
Base kasi 'to sa totoong nangyari,
454
00:31:52,000 --> 00:31:55,360
kaya karaniwang ayaw ng audience
na digital ang dating
455
00:31:55,440 --> 00:31:58,000
kasi medyo di na makatotohanan ang dating.
456
00:31:58,080 --> 00:32:02,600
Natuwa talaga ako sa ginawa
ni Félix Bergés at ng El Ranchito.
457
00:32:12,560 --> 00:32:14,560
One, two, three, cut!
458
00:32:18,480 --> 00:32:20,120
Gastón!
459
00:32:29,440 --> 00:32:30,760
Akala natin, patay na sila.
460
00:32:30,840 --> 00:32:32,160
Uruguay!
461
00:32:32,240 --> 00:32:34,840
Binibigyan ng pelikulang ito
ng boses ang mga di nakauwi.
462
00:32:34,920 --> 00:32:40,120
Pakiramdam ko, sinagot nito
ang mga nakabinbin pang mga tanong.
463
00:32:40,200 --> 00:32:44,360
Madamdamin ang panahong 'yon,
at higit pa 'to sa pelikula lang.
464
00:32:45,880 --> 00:32:50,040
Sa pelikulang 'to, maaabot natin
ang mga parte ng consciousness natin
465
00:32:50,120 --> 00:32:51,720
na di natin alam na nandoon pala.
466
00:32:51,800 --> 00:32:55,520
Ito ang pelikula
na marami akong natutunan,
467
00:32:55,600 --> 00:32:56,800
sa bawat proseso.
468
00:32:56,880 --> 00:32:59,360
Matindi 'yong mga naramdaman namin,
469
00:32:59,440 --> 00:33:03,280
pero sang-ayon kami
na 'yong nag-push sa aming magpatuloy,
470
00:33:03,360 --> 00:33:07,400
'yong magandang samahan
at pagkakaibigan na nabuo namin.
471
00:33:08,120 --> 00:33:10,200
Maraming beses akong nakulong…
472
00:33:10,280 --> 00:33:14,040
Hanggang ngayon, ang hirap paniwalaan.
473
00:33:14,120 --> 00:33:18,680
Hindi ko alam kung paano sila nakaligtas,
pero salamat sa pag-uwi nila,
474
00:33:19,520 --> 00:33:21,400
nalaman natin ang nangyari.
475
00:33:21,480 --> 00:33:23,800
Imbes na ikuwento lang 'yong nangyari,
476
00:33:23,880 --> 00:33:26,200
ipinapakita nito ang nangyari
sa mga batang 'yon
477
00:33:26,280 --> 00:33:29,880
at kung paano hinarap
ng mga taong 'yon ang kamatayan.
478
00:33:29,960 --> 00:33:32,040
Guys, tapos na.
479
00:33:32,120 --> 00:33:37,040
{\an8}SATURDAY DECEMBER 3, 2022
SHOOTING NG WRAP UP NG SOCIETY OF THE SNOW
480
00:33:38,880 --> 00:33:44,920
Maraming emosyon
ang ipinadadama sa atin ng pelikulang ito.
481
00:33:45,000 --> 00:33:47,600
Pinagsama-sama kami ulit ni Bayona
482
00:33:47,680 --> 00:33:48,560
KAPATID NI FELIPE MAQUIRRIAIN,
NON-SURVIVOR
483
00:33:48,640 --> 00:33:50,480
pagkatapos ng 50 taon.
484
00:33:50,560 --> 00:33:53,240
Ngayon lang naikuwento
'yong nangyari nang ganito.
485
00:33:53,320 --> 00:33:57,600
Si Bayona 'yong klase na di tumitigil
hanggang magawa nang tama 'yong scene.
486
00:33:57,680 --> 00:34:02,360
Hindi siya titigil
hanggang maantig siya sa shot
487
00:34:02,440 --> 00:34:04,280
at may maramdaman talaga siya.
488
00:34:04,360 --> 00:34:07,720
Binago nito ang tingin ko sa acting.
489
00:34:07,800 --> 00:34:10,160
Binigay sa amin nito ang lahat
ng magagamit namin
490
00:34:10,240 --> 00:34:13,240
sa ibang projects sa hinaharap
at para mag-grow bilang mga aktor.
491
00:34:13,320 --> 00:34:17,440
Minsan, gusto mo'ng pilipitin ang leeg.
Minsan, gusto mo siyang yakapin.
492
00:34:17,520 --> 00:34:19,480
Pero sigurado, 'yong experience na 'to,
493
00:34:19,560 --> 00:34:23,400
nakatulong sa akin
na mag-grow bilang tao at bilang artist.
494
00:34:23,480 --> 00:34:26,600
Mahal kong J.A.
495
00:34:26,680 --> 00:34:30,000
Ikaw ang ligaya
496
00:34:30,080 --> 00:34:34,000
Ng puso ko
497
00:34:34,080 --> 00:34:38,320
Naniniwala akong ibinigay ni J.A.
ang lahat sa kuwentong 'to,
498
00:34:38,400 --> 00:34:41,280
lahat pinagtulungan nila ni Pablo,
499
00:34:41,360 --> 00:34:44,040
para magawa ang pinakamagandang pelikula
ng buhay niya.
500
00:34:44,120 --> 00:34:47,800
Narinig na natin ang kuwento ng mga bayani
501
00:34:47,880 --> 00:34:51,000
na nagtagumpay sa pag-uwi
at paglakbay sa Andes.
502
00:34:51,080 --> 00:34:54,440
Pero 'yong kuwento
ng mga di-kilalang bayani
503
00:34:54,520 --> 00:34:57,400
na tumulong para makabalik 'yong iba,
di pa nakukuwento.
504
00:34:57,480 --> 00:35:00,320
Pag may nakita kang
ginagawa talaga ang lahat para sa kuwento
505
00:35:00,400 --> 00:35:04,200
kasi nandoon sila mula pa no'ng umpisa,
at 'yong atensiyon nila sa mga detalye,
506
00:35:04,280 --> 00:35:09,760
doon mo makikita
na may hindi mapuputol na koneksiyon.
507
00:35:09,840 --> 00:35:13,760
Sa mga mata ko, si J.A, di ko masasabing
survivor siya, pero parang.
508
00:35:13,840 --> 00:35:14,960
Parang survivor na rin.
509
00:35:15,040 --> 00:35:20,680
Ang pelikulang ito, tumutulong
para maalala namin ulit kung sino kami.
510
00:35:23,200 --> 00:35:30,120
{\an8}SOCIETY OF THE SNOW:
WHO WERE WE ON THE MOUNTAIN?
511
00:36:12,440 --> 00:36:17,440
Tagapagsalin ng Subtitle: J.M.B. Descalso