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Downloaded from
YTS.MX

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Official YIFY movies site:
YTS.MX

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[gentle music playing]

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[J.Lo] I've been married four times now.

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I'm sure people watching from
the outside were like,

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"What is this fucking girl's problem?"

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You saw kind of a compulsive behavior.

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What I portrayed to the world was,
oh, this didn't work out.

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And it's fine, and I'm good,
and they're good, and they were great,

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and I was great.

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And all of that was kind of bullshit.

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[pop music plays]

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<i>♪ I'm still, I'm still ♪</i>

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[man] We are rolling ladies.
Everybody looking this way.

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{\an8}Okay, camera's speeding.

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{\an8}<i>♪ I'm still ♪</i>

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{\an8}[man] And camera, action.

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{\an8}<i>♪ I'm still, I'm still ♪</i>

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{\an8}[man] Guys, quietly please,
quietly please. We are rolling.

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{\an8}<i>♪ I'm still ♪</i>

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{\an8}<i>♪ I'm still, I'm still ♪</i>

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{\an8}[man] No, I liked where you were.

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{\an8}- Let's go.
- [man] Yeah, let's roll.

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{\an8}[pop music continues]

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{\an8}[wedding guests screaming]

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{\an8}[crew member] Cutting, cut-cut!

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[host] <i>Pop superstar, Jennifer Lopez,
has new music on the way.</i>

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<i>J.Lo celebrated
the 20th anniversary of her hit album,</i>

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{\an8}This is Me... Then, <i>by announcing a new
project called</i> This Is Me... Now,

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{\an8}<i>a soon to be released record
will chronicle Lopez's life journey</i>

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<i>across the last 20 years
with new songs about her childhood,</i>

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<i>as well as her history
of unsuccessful relationships.</i>

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<i>♪ All my cards laid out ♪</i>

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[J.Lo] I have decided to tell my story,
or tell my truth,

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that I've never shared
with anybody in the world.

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[music flourishes]

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Which is the truth about my personal life.

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<i>♪ I'm goin' all in right now ♪</i>

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20 years ago,
I fell in love with the love of my life.

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[crowd clamoring]

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And during that time I was making
an album called <i>This Is Me... Then.</i>

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<i>♪ Don't be fooled
By the rocks that I got ♪</i>

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<i>♪ I'm still, I'm still Jenny
From the block ♪</i>

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[J.Lo] I hadn't made an album since then.

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18 years later, we got back together,
and I was very inspired.

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{\an8}I was talking and Benny Medina,
my longtime manager,

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and one of my best friends, said it is
time for you to make music again.

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{\an8}She started telling me, you know,
I haven't made an album in a long time,

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{\an8}but I really finally have something
that I want to write about.

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And I don't know if anyone else
has a story like that in the world.

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[man] And when you get that
from a true artist like her,

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{\an8}it allows you to really
be able to channel it.

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{\an8}Like, what do we want that to sound like?

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She spoke very openly to us
and it was really...

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It was beautiful, man.
It was... that first day was magical.

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When we got back together...
I'm telling my story.

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<i>♪ This is what it's like ♪</i>

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On that first day
I showed everybody this book.

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This book is a book that Ben gave me
on our first Christmas back together.

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It is every letter and every email that we
wrote to each other from 20 years ago.

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And today,
<i>The Greatest Love Story Never Told</i>

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by Jennifer Lopez and Ben Affleck
2001 and 2021 and counting.

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It became like our Bible,

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and we just left it there in the studio,
and people would thumb through it.

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They're like, "Can we look at it?"
I was like, "Look at it!"

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{\an8}It's like when you open the book,
it's like a light just come from, like...

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Ahh!

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{\an8}She would pick one and she would
let us touch them and read them.

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{\an8}They're real letters
with like pen on paper.

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{\an8}And I was,
"Girl, I'm gonna fuck this up."

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I'm like, move all the liquids away,
you know?

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[man] She showed us the box

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{\an8}that Ben had given to her
which included all the letters.

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{\an8}First off, who does that?

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Like, this guy gets Boyfriend of the Year
as far as I'm concerned.

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[Affleck] I came to the house one day,
and there was like, she had told me,

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"The musicians are coming,
this great producer, Rogét,"

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blah-blah-blah.

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And then I went down there and my book
that I had given her was down there.

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She was like, "I've been reading
and the people...

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This is the kind of inspiration...
I've been showing them the book."

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I was like,
"You've been showing all the musicians

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all those letters that, uh..."

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And they were like,
"Yeah, we call you Pen Affleck,"

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and I was like "Oh, my God."

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I did really find the beauty,
and the poetry, and the irony,

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in the fact that it's

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the greatest love story never told,
and if you're making a record about it...

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- [all snapping]
- [laughs]

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...that seems kind of like telling it.

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[J.Lo] Once the music was done,
I felt it was so beautiful and special,

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and I wanted to share it
with the world in the biggest way.

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And I don't want to
just put out the single

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and put out the music video
and see what happens.

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No, I had this idea.

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What I've decided to do...

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We're going to make a film.

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I want to make a movie.

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This is really about bringing the album
to life in a different way.

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Prince did it with <i>Purple Rain.</i>
He just wrote the story of his life.

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But made just a movie
where he played his songs.

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This is me taking my songs
and making my own musical.

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And so I came up with this idea
with Dave Myers,

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who I worked with
making music videos 20 years ago.

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What is Dave doing right now?

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Then when you put
a visually genius director on things,

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they really bring it to life in a way
that is even more than you imagined.

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It really allows you to be
as creative as you want to be.

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[hip-hop beat playing]

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{\an8}I've tracked her for 20 years,
we worked together 20 years ago,

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so like, I've paid attention
to her journey.

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Hadn't seen her
but had formulated thoughts.

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I wonder what she's going through,
and I show up to her house,

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and she tells me
what happened the last 20 years.

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And I'm like,
"Oh, my God, that's our story."

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She shared a lot of details
and we did a lot of co-writing together.

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It's an abstract biography, you know?
It's taking the emotion

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of what she's gone through
and kind of playing with that,

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not necessarily
being literal to this relationship

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or that relationship.
We sort of reverse engineered it.

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There was already an album,
and then we kind of rearranged the songs

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to try to match the narrative
that we're telling.

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It's not anything that's been done before.

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It's not quite a long form music video,
and it's not quite a movie.

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It's somewhere in between.

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How we pulled that off
will be a new thing,

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a new version
of what you do with an album.

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[Meyers] I tried to string all the songs
that she shared with me

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into a truth that she shared with me.

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She connected with it, and we just
rolled up our sleeves from there.

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And that leads into the first song,
which is "Hearts and Flowers".

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{\an8}I don't know if you remember it,
it's a very hard beat.

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{\an8}It's like boom,
dun, dun, dun, dun, boom.

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And you see everybody
working in the factories.

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It will be all of these characters...

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- Mm-hm.
- ...who are trying to fix something,

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and you don't really know what it is,
but it's a mechanical heart.

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{\an8}[Meyers] The heart factory
is the abstract version

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of what might go on inside
when everything starts to fail.

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In my head, everybody working.

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[Meyers] There is a factory
with workers feeding it rose petals.

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It's just part of a storytelling device
to set up that love needs an ingredient.

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Just starts off...
<i>♪ Wounded soldier ♪</i>

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<i>♪ Wounded soldier ♪</i>

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First day!

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Here we go...

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<i>♪ Diamonds from pressure ♪</i>

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<i>♪ Time is precious ♪</i>

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[J.Lo] And the whole album
is kind of like the twin album

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to <i>This is Me... Then</i>,
which I did 20 years ago.

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- I'd keep their apartment the same.
- Oh, keep it, all of it.

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{\an8}<i>♪ Put it on my back
'Cause I'm built for the mile ♪</i>

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Opening her eyes in a hospital bed,
younger, age 28,

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and she wasn't emaciated but exhausted.

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Technically, you weren't 28, but...

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Yep. All her friends are...

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But you were.

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You were.

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That's why you were not as smart as me.

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<i>♪ I'm still, I'm still ♪</i>

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<i>♪ I'm still ♪</i>

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I love that you want to play younger,
even in the autobiographical.

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This is not my autobiographical.
This is meta.

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- This is me using some of my story.
- I see.

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Semi-autobiographical.

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It's your story but younger.

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[laughing]

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You're an idiot.

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<i>♪ Hearts and flowers ♪</i>

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<i>♪ It ain't all hearts and flowers ♪</i>

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<i>♪ So many nights and hours ♪</i>

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But she's still got her beauty, her booty,
and her bank account so bye-boy to him.

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Papi, this isn't about me and you!

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Papi, take that out.

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- No, this is...
- That is not part of the script!

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{\an8}<i>♪ I'm still, I'm still ♪</i>

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{\an8}[Goldsmith-Thomas]
I was her agent in the '90s.

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We became very close friends very quickly.

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[J.Lo] We hit it off right away.
I mean, she was funny and powerful.

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She reminded me of the women
that I grew up with.

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I just knew that
I wanted to work with her.

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[Goldsmith-Thomas]
I chased Jennifer to sign her.

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I knew how talented she was.

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[J.Lo] We've been together now
for 20-something years.

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[laughing]

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[Goldsmith-Thomas] We're like family.
We're like sisters. Right?

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[J.Lo] Exactly like sisters.

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On this project,
I've been asked to just sort of oversee.

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If she needs me
I'm there to bounce an idea.

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I'm working on script with her
when she wants me to.

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Hey, you know what?
This was good stuff you did today.

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- Oh, good.
- Yeah, this was good stuff. What?

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Don't... Don't panic.

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I'm not, because I know it's there.
You're just being dramatic.

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I'm going to go inside.

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When you have it, send it to me,
and send it to Ben so he can read it.

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Okay. So, I don't necessarily...

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No worries. I found it.

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I sometimes think of Benny and I
as these two pillars beside her.

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So if she wobbles, we go, oh. [chuckles]

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But, conversely,
if we wobble, she goes, oh.

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It's a good trio.

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Whatcha tryin' to do?

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- Take your chips.
- You're on a diet.

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- Do you want one?
- No, I don't eat that kind of food.

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[laughing]

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[J.Lo] Benny Medina,
he's more than just my manager.

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If there's one person
who believed in me from the beginning,

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from the first time I played him
a raggedy little demo...

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{\an8}And it was just her voice live,
in her room at that time,

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and she completely blew me away.

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{\an8}And I've never lost that feeling
for that song or for how she puts it down.

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[Affleck] So Jen's making this movie
based on her album, starts rehearsing,

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casting, has a deal
basically set to go to finance it.

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[Medina] We had a deal on paper.
We had started production.

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Then I got a call.
Deal's off. Pulled it.

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He said that they were blown away by you,

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you know, the dynamic in the room,

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thought there was just too much
that was being bitten off.

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The quality was gonna be
potentially compromised, you know?

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I've never been involved
with any major studio,

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small independent production company,

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anything that has given me a...
a deal on paper.

224
00:11:45,455 --> 00:11:48,667
Here, we will give you this for this.

225
00:11:50,210 --> 00:11:53,255
A $30 million deal
and then taking it off the table.

226
00:11:53,713 --> 00:11:57,342
[Medina] Every streamer
said musical movies don't sell.

227
00:11:57,342 --> 00:12:00,053
Beyoncé didn't sell, Rihanna didn't sell.

228
00:12:00,053 --> 00:12:04,266
There was no appetite for a musical film

229
00:12:04,683 --> 00:12:08,687
based on an album, no matter
what the story, no matter what the star.

230
00:12:09,146 --> 00:12:11,898
When they run their numbers
on music projects, you know,

231
00:12:11,898 --> 00:12:14,609
the numbers are not as great.
Whatever, I get it.

232
00:12:14,609 --> 00:12:17,279
[Medina] We had just had
number one at Amazon,

233
00:12:17,279 --> 00:12:21,533
and the biggest at Netflix, and...
but not one that had music.

234
00:12:22,033 --> 00:12:24,703
Then I was like,
"Oh, shit, who's paying for this?"

235
00:12:29,666 --> 00:12:30,667
I guess me.

236
00:12:32,419 --> 00:12:33,753
Drop the fucking mic.

237
00:12:33,753 --> 00:12:36,381
You're not paying for your own movie.

238
00:12:36,381 --> 00:12:38,967
[Goldsmith-Thomas]
She decided in a very bullish way

239
00:12:38,967 --> 00:12:40,927
to finance this project.

240
00:12:40,927 --> 00:12:42,888
[Affleck] Making a movie
with your own money

241
00:12:42,888 --> 00:12:46,183
is the most famous
cardinal sin in Hollywood.

242
00:12:46,183 --> 00:12:50,353
[Goldsmith-Thomas] It was about
investing in yourself. Literally.

243
00:12:50,353 --> 00:12:52,856
[soulful music playing]

244
00:13:14,461 --> 00:13:17,422
[Meyers] You know,
dance has been a huge part of her life,

245
00:13:17,422 --> 00:13:19,299
{\an8}but my videos with her
have been like, you know,

246
00:13:19,299 --> 00:13:21,593
"Okay, roll camera.
All right, dance, Jen!" You know?

247
00:13:21,593 --> 00:13:24,179
But now we actually
conceived a story together.

248
00:13:24,179 --> 00:13:26,473
So her dance serves the story.

249
00:13:27,015 --> 00:13:29,351
And, you know, just...
it's a beautiful process of watching it

250
00:13:29,351 --> 00:13:32,103
sort of all blossom out
and becoming something.

251
00:13:32,771 --> 00:13:34,856
- Right? That goes there?
- Yeah.

252
00:13:34,856 --> 00:13:36,650
["Under Pressure"
by Queen ft. David Bowie]

253
00:13:39,694 --> 00:13:42,280
[woman] Shall we start on
our favorite subject? The budget.

254
00:13:42,280 --> 00:13:43,740
Boy, uh, yeah.

255
00:13:43,740 --> 00:13:48,411
Production, casting, locations,
the whole machinery was moving.

256
00:13:49,704 --> 00:13:53,458
{\an8}I'm projecting that we're going to be
going into production over budget.

257
00:13:53,458 --> 00:13:55,252
So we're all open to cuts?

258
00:13:55,252 --> 00:13:56,545
Budget cuts, you mean?

259
00:13:56,545 --> 00:13:59,172
- Scene cut lead to budget cuts.
- No. No, that's not an option.

260
00:13:59,172 --> 00:14:01,925
I'm depending on all of you
to do what you do

261
00:14:01,925 --> 00:14:04,761
so we can get this done
within the budget that I gave you.

262
00:14:04,761 --> 00:14:08,139
The message is save as much
fucking money as we can.

263
00:14:08,139 --> 00:14:10,433
Yes. It sounds like you guys still
have work to do in that department.

264
00:14:12,143 --> 00:14:14,479
There was no buyer out there to sell it.

265
00:14:14,479 --> 00:14:19,067
We had nothing to show,
and we're burning cash every day.

266
00:14:19,067 --> 00:14:22,362
["Under Pressure" continues]

267
00:14:22,362 --> 00:14:24,447
There's one ceremony, three receptions.

268
00:14:24,447 --> 00:14:27,909
You don't have to have three different...
a beach, a desert, a this.

269
00:14:27,909 --> 00:14:31,162
It's less about the location.
It's more about hitting the theme.

270
00:14:31,162 --> 00:14:35,083
{\an8}<i>♪ Under pressure
That brings a building down ♪</i>

271
00:14:35,083 --> 00:14:37,002
{\an8}<i>♪ Splits a family in two ♪</i>

272
00:14:37,002 --> 00:14:38,503
<i>♪ Puts people on streets ♪</i>

273
00:14:38,503 --> 00:14:42,632
Fifty-five grand, $300,000, $470,000.

274
00:14:42,632 --> 00:14:45,510
Next week, it'll be something else like,
"Oh, shit, the conveyor belt

275
00:14:45,510 --> 00:14:48,888
turned out to...
you know, need an extra wrench."

276
00:14:48,888 --> 00:14:50,849
["Under Pressure" continues]

277
00:14:52,684 --> 00:14:55,687
[J.Lo] I'm gonna tell you right now,
do not bother me while we're shooting.

278
00:14:56,104 --> 00:14:58,773
Don't do it. It's gonna be a bad idea.

279
00:14:58,773 --> 00:15:01,067
I'm going to have so much
to concentrate on.

280
00:15:02,736 --> 00:15:04,779
How muddy is the mud going to be?

281
00:15:04,779 --> 00:15:06,281
However we want it to be, right?

282
00:15:06,281 --> 00:15:10,660
<i>♪ Dares you to change our way of caring... ♪</i>

283
00:15:10,660 --> 00:15:13,455
Let me tell you,
the price of mud is finna go up.

284
00:15:13,955 --> 00:15:21,755
<i>♪ This is our last dance ♪</i>

285
00:15:22,339 --> 00:15:25,717
<i>♪This is ourselves ♪</i>

286
00:15:25,717 --> 00:15:27,761
<i>♪ Under pressure ♪</i>

287
00:15:30,388 --> 00:15:31,806
<i>♪ Under pressure ♪</i>

288
00:15:34,643 --> 00:15:37,103
- Do you think I look fat?
- Too skinny.

289
00:15:40,273 --> 00:15:42,484
[J.Lo] Today, I'm gonna to take
a break from dancing.

290
00:15:42,484 --> 00:15:45,654
I was going to dance all day today,
but I danced all day yesterday,

291
00:15:45,654 --> 00:15:47,197
so I'm gonna dance tomorrow.

292
00:15:47,906 --> 00:15:49,449
I'm really kind of like,

293
00:15:49,449 --> 00:15:52,077
look at everybody
and really kind of just like,

294
00:15:52,744 --> 00:15:55,497
are we crafting this
in the way we need to?

295
00:15:55,497 --> 00:15:58,583
[hip-hop music playing]

296
00:16:10,845 --> 00:16:14,391
I like it because it's like everybody's
moving in unison and it's nice,

297
00:16:14,391 --> 00:16:16,142
but then the moves towards the end,

298
00:16:16,142 --> 00:16:19,437
if you're going to double it,
it should just feel like it's all like,

299
00:16:19,813 --> 00:16:23,525
as we lead the heart, there's this like,
it's working in perfect harmony.

300
00:16:24,025 --> 00:16:24,859
- Boom.
- Right?

301
00:16:24,859 --> 00:16:27,070
Can you run that one more time, please?

302
00:16:27,070 --> 00:16:30,532
[Brown scatting]

303
00:16:31,783 --> 00:16:34,369
Then we can go into that...
Let's go into that.

304
00:16:34,369 --> 00:16:35,537
Know what I'm sayin'?

305
00:16:35,954 --> 00:16:40,041
I don't know what that is but it's, uh...
[scatting]

306
00:16:40,041 --> 00:16:41,042
Then we could...

307
00:16:41,710 --> 00:16:45,130
Anthony Ramos was gonna do this.
The guy from <i>In the Heights</i>.

308
00:16:45,672 --> 00:16:49,426
He was going to do the "Rebound" number
with me. "The Glass House."

309
00:16:50,176 --> 00:16:53,263
And he was like,
"Ah, I'm friends with Marc."

310
00:16:54,264 --> 00:16:58,184
{\an8}So, I didn't... First of all, I didn't know
that you and Marc were like good friends.

311
00:16:58,184 --> 00:17:00,186
I didn't know that.
Well, that's... that's nice.

312
00:17:00,186 --> 00:17:02,939
You know,
he's the father of my kids, obviously.

313
00:17:03,440 --> 00:17:06,609
Um, I'm never going to do anything

314
00:17:06,609 --> 00:17:10,488
that's going to really,
like, pinpoint him out.

315
00:17:10,488 --> 00:17:15,118
But it is very meta.
It is about kind of the 20-year journey

316
00:17:15,118 --> 00:17:17,287
between that last album and this album.

317
00:17:17,287 --> 00:17:18,788
And a lot of things happened,

318
00:17:18,788 --> 00:17:22,417
and there was a lot
of relationships that I was in.

319
00:17:22,417 --> 00:17:28,298
That thing that you're playing in it,
is representative of many relationships,

320
00:17:28,298 --> 00:17:31,176
you know, not one specific relationship.

321
00:17:31,634 --> 00:17:33,511
I'm not even playing me in this.

322
00:17:33,511 --> 00:17:36,765
There's a protagonist,
this woman, that goes on this journey.

323
00:17:36,765 --> 00:17:39,726
He's like, "Yeah, I think that people are
gonna think that... You know how media is."

324
00:17:39,726 --> 00:17:43,605
I said, "But if we only did our art

325
00:17:43,605 --> 00:17:46,524
thinking about what
the media's going to say..."

326
00:17:46,524 --> 00:17:48,401
- It wouldn't be art.
-"What the fuck are we doing?"

327
00:17:48,401 --> 00:17:49,611
Right.

328
00:17:49,611 --> 00:17:53,782
I've known Jennifer since 1999

329
00:17:53,782 --> 00:17:57,285
{\an8}and the capacity
that I work with Jennifer, it's...

330
00:17:57,702 --> 00:18:00,205
{\an8}wardrobe supervisor, wrangler.

331
00:18:00,205 --> 00:18:02,582
Which glasses you like, Beezy?
These or these?

332
00:18:03,541 --> 00:18:05,168
- [Beezy] That's the one I love.
- [man] The yellow.

333
00:18:05,168 --> 00:18:11,883
[Beezy] She is one of my best friends,
my sister, my warrior, my ride or die.

334
00:18:13,051 --> 00:18:15,386
It takes courage to share your truths.

335
00:18:15,386 --> 00:18:19,849
Jennifer is finally in
a very solid place in her life

336
00:18:19,849 --> 00:18:21,810
where she's able to do those things.

337
00:18:21,810 --> 00:18:22,894
[trepidatious music]

338
00:18:22,894 --> 00:18:25,730
[woman] We sent out all the offers
last night to everybody.

339
00:18:25,730 --> 00:18:28,024
{\an8}And we're waiting to hear back
on a few people, um...

340
00:18:28,024 --> 00:18:30,902
{\an8}- Like Jane Fonda.
- [Diener] Taylor Swift is a no.

341
00:18:30,902 --> 00:18:34,823
{\an8}Jason Momoa is not available.
Jennifer Coolidge, not available.

342
00:18:34,823 --> 00:18:35,907
{\an8}Lizzo, not available.

343
00:18:35,907 --> 00:18:37,575
{\an8}He's doing <i>Succession,</i> too,

344
00:18:37,575 --> 00:18:39,786
{\an8}and <i>The Lion King</i>
and <i>Star Wars: Andor</i>, too.

345
00:18:39,786 --> 00:18:43,456
So he's not necessarily...
He's not available, but he loves you.

346
00:18:43,456 --> 00:18:46,417
- You want Vanessa Hudgens, by the way?
- [J.Lo] For what?

347
00:18:46,417 --> 00:18:48,461
- One of the friends. Oh, never mind.
- [Diener] She's not available.

348
00:18:49,170 --> 00:18:52,507
It'd be good to get Bad Bunny
to do a little cameo as the bad kid.

349
00:18:53,049 --> 00:18:56,427
Oh, The Wrong Again?
That would be good.

350
00:18:56,427 --> 00:19:00,014
Question becomes if Trevor is there,
do we want James Corden, too, or is...?

351
00:19:00,014 --> 00:19:02,225
- Okay. Right.
- [Baxter] Ariana Grande is unavailable.

352
00:19:02,225 --> 00:19:05,728
She's in London until September.
Snoop's not available, unfortunately.

353
00:19:05,728 --> 00:19:08,439
[J.Lo] I don't want to force anybody
to do this who doesn't go,

354
00:19:08,439 --> 00:19:13,236
"This is going to be fun." Nobody wants to
say no to me, Benny. I get that.

355
00:19:13,236 --> 00:19:15,989
But when an actor doesn't like a script,
or doesn't think it's good enough,

356
00:19:15,989 --> 00:19:18,157
or is worried about it,
that's what they'll say.

357
00:19:18,616 --> 00:19:20,660
I know that. I've done it.

358
00:19:20,660 --> 00:19:24,163
{\an8}I mean, I know Val was available,
but I want you to call Derek.

359
00:19:24,163 --> 00:19:26,374
{\an8}And we need him for like one or two days.

360
00:19:26,374 --> 00:19:29,252
{\an8}<i>It's a wedding, babe,
he's in a wedding, it's not a...</i>

361
00:19:29,252 --> 00:19:31,671
<i>It's a wedding.
He's not going to give up this wedding.</i>

362
00:19:32,630 --> 00:19:34,799
<i>- I mean, I could talk to Benny.</i>
- Who's wedding?

363
00:19:34,799 --> 00:19:38,386
<i>It's a wedding he's in.
He can't... it's-it's...</i>

364
00:19:38,386 --> 00:19:40,471
<i>Unfortunately, it's where it's landing.</i>

365
00:19:45,643 --> 00:19:47,896
- I want you to call him.
- [Goldsmith-Thomas] <i>Okay.</i>

366
00:19:51,149 --> 00:19:53,276
Who's going to be Khloe Kardashian?

367
00:19:53,276 --> 00:19:55,945
{\an8}- She's making a cameo?
- [J.Lo] No.

368
00:19:55,945 --> 00:19:59,657
{\an8}Oh. It was supposed to be? Gotcha.

369
00:20:01,784 --> 00:20:02,702
People scared.

370
00:20:02,702 --> 00:20:05,496
- [Lalau] Yeah.
- Scared to put themselves out there.

371
00:20:05,496 --> 00:20:07,999
I get it. It took me a long time.

372
00:20:10,418 --> 00:20:12,420
- I'm scared.
- [Lalau] Yeah.

373
00:20:13,212 --> 00:20:14,797
You don't look like it,
though, for sure but...

374
00:20:14,797 --> 00:20:16,716
I don't act like I'm scared but...

375
00:20:17,717 --> 00:20:19,719
that's the secret
to my whole fucking career.

376
00:20:23,264 --> 00:20:28,770
One and two, three, four,
five, six, seven, eight.

377
00:20:28,770 --> 00:20:30,063
And then it's five...

378
00:20:30,063 --> 00:20:35,026
[J.Lo] And then there's the personal story
of Ben and I that has never been told.

379
00:20:35,401 --> 00:20:38,529
I don't think he's very comfortable
with me doing all of this.

380
00:20:38,529 --> 00:20:41,950
But he loves me, he knows I'm an artist,
and he's going to support me

381
00:20:41,950 --> 00:20:45,161
in every way he can,
because he knows this is...

382
00:20:45,161 --> 00:20:47,372
He can't stop me from making
the music I made,

383
00:20:47,372 --> 00:20:48,873
and writing the words that I wrote.

384
00:20:48,873 --> 00:20:51,084
He can't...
you know, that's going to happen,

385
00:20:51,084 --> 00:20:54,545
and he doesn't want to stop me.
He wants to do that.

386
00:20:54,545 --> 00:20:59,258
But that doesn't mean he's, you know,
kind of comfortable being the muse...

387
00:20:59,968 --> 00:21:01,970
Jen was really inspired
by this experience,

388
00:21:01,970 --> 00:21:03,513
which is how artists do their work.

389
00:21:03,513 --> 00:21:05,181
They get inspired,
their personal life, it moves you.

390
00:21:05,181 --> 00:21:08,643
I know as a writer and director,
like I certainly do the same things.

391
00:21:08,643 --> 00:21:13,231
But things that are private,
I'd always felt are sacred and special,

392
00:21:13,231 --> 00:21:15,525
because, in part, they're private.

393
00:21:16,275 --> 00:21:18,152
So this was something
of an adjustment for me.

394
00:21:18,152 --> 00:21:21,364
[J.Lo] We're totally different people now
and we're the same,

395
00:21:21,781 --> 00:21:24,158
and we have the same love. 100%.

396
00:21:24,158 --> 00:21:27,912
Like, I'd never fallen out of love
with you. I had just put it over here.

397
00:21:27,912 --> 00:21:30,707
It seems like it's like liberating
in a sense, because...

398
00:21:30,707 --> 00:21:33,167
- [J.Lo] It is.
- He loves every part of you,

399
00:21:33,167 --> 00:21:35,795
- but it's not dependent on...
- How I look.

400
00:21:35,795 --> 00:21:37,714
- ...what this album is, or what radio...
- No.

401
00:21:37,714 --> 00:21:39,424
- Anything, it's like he...
- No, it's not.

402
00:21:39,424 --> 00:21:41,843
You always say, he always wants to
see you in the bun, you know?

403
00:21:41,843 --> 00:21:43,094
- Yeah.
- [Baxter] No makeup on.

404
00:21:43,094 --> 00:21:44,762
[laughing]

405
00:21:44,762 --> 00:21:48,766
[sputters] You're used to seeing me
around the house, kind of schlepy,

406
00:21:48,766 --> 00:21:51,269
- and kind of, you know, in sweat pants...
- [Affleck] No, that's not...

407
00:21:51,269 --> 00:21:53,312
- ...and my striped socks...
- [Affleck] No, stop it. We're not

408
00:21:53,312 --> 00:21:54,897
going for the "I'm not pretty"
and all this bullshit.

409
00:21:54,897 --> 00:21:57,650
I'm not saying I'm not pretty.
I'm saying you're used to seeing me

410
00:21:57,650 --> 00:21:59,819
kind of like the little old lady at home.

411
00:21:59,819 --> 00:22:01,446
[Affleck] You're gorgeous,
and that's what I'm used to.

412
00:22:01,446 --> 00:22:04,532
- What I'm saying is...
- And then when I get up

413
00:22:04,532 --> 00:22:08,494
and start dancing, you're like,
"Oh, right, I forgot she could dance."

414
00:22:10,413 --> 00:22:16,127
What he said and what he saw in me,
and what he made me believe about myself,

415
00:22:16,669 --> 00:22:18,171
only comes from love.

416
00:22:18,171 --> 00:22:19,797
[gentle music playing]

417
00:22:19,797 --> 00:22:22,550
Because nobody else
could have made me see that...

418
00:22:24,218 --> 00:22:25,428
about myself.

419
00:22:26,971 --> 00:22:28,765
It's very moving.

420
00:22:28,765 --> 00:22:30,058
[sniffles]

421
00:22:30,892 --> 00:22:36,814
Because I didn't think much of myself,
and so the world didn't think much of me.

422
00:22:38,775 --> 00:22:40,443
That lined up.

423
00:22:40,443 --> 00:22:41,569
[gentle music continues]

424
00:22:41,569 --> 00:22:45,990
This is how it is.
See it. Believe it.

425
00:22:47,867 --> 00:22:49,035
I was like, okay.

426
00:22:55,333 --> 00:22:57,126
[Medina] <i>This is regarding Jane,
she called me</i>

427
00:22:57,126 --> 00:23:00,338
{\an8}<i>and goes, "I believe
that everyone in the entire world</i>

428
00:23:00,338 --> 00:23:03,674
{\an8}<i>is pulling for this relationship
and this love.</i>

429
00:23:03,674 --> 00:23:09,889
<i>And the idea of how you present that
is so sacrosanct, is so important,</i>

430
00:23:09,889 --> 00:23:14,435
<i>that it should be handled in a way
that you aren't overly flaunting it,</i>

431
00:23:14,435 --> 00:23:19,190
<i>so much so, that it creates
any form of criticism or resentment.</i>

432
00:23:19,190 --> 00:23:22,944
<i>My biggest concern is that if, you know,
what critics or people</i>

433
00:23:22,944 --> 00:23:24,737
<i>sort of come at her in any way."</i>

434
00:23:24,737 --> 00:23:27,532
- <i>I don't...</i>
- I don't expect anybody to get this.

435
00:23:28,407 --> 00:23:30,076
Okay. I don't.

436
00:23:30,076 --> 00:23:33,871
What she's afraid about
is what the album is.

437
00:23:34,872 --> 00:23:37,583
And that's not changing.
That's done.

438
00:23:41,587 --> 00:23:43,589
And I don't... I'm not...

439
00:23:45,341 --> 00:23:47,301
I'm an artist,
and that's the album I wrote,

440
00:23:47,301 --> 00:23:49,137
and I love it, and I'll stand by it.

441
00:23:51,931 --> 00:23:54,517
I wasn't sure if I wanted her
to reveal all of this.

442
00:23:54,517 --> 00:23:56,018
I wasn't sure it was necessary.

443
00:23:57,186 --> 00:24:02,275
So I was afraid on this project,
and as I see it forming,

444
00:24:02,275 --> 00:24:05,194
I'm excited,
and I'm still a little afraid.

445
00:24:05,194 --> 00:24:07,280
Right now,
there's a little bit of trepidation

446
00:24:07,280 --> 00:24:10,116
over the...
some of the ambition of the project.

447
00:24:10,658 --> 00:24:12,285
[J.Lo] I didn't have to do this.

448
00:24:12,285 --> 00:24:13,953
I didn't even have to make the record.

449
00:24:13,953 --> 00:24:17,165
It's not like anybody was clamoring
for the next J.Lo record.

450
00:24:17,165 --> 00:24:18,624
[laughs] You know what I mean?

451
00:24:18,624 --> 00:24:21,252
And I know that there's some people
around me who are like, this is stupid.

452
00:24:21,252 --> 00:24:23,045
Why is she doing this?
She doesn't need to do this.

453
00:24:23,045 --> 00:24:26,674
And they're right,
I don't need to do any of it.

454
00:24:28,050 --> 00:24:32,013
I don't, but I want to.

455
00:24:35,558 --> 00:24:38,144
[crew chattering]

456
00:24:38,144 --> 00:24:40,813
- Have you seen this conveyor belt?
- No.

457
00:24:41,522 --> 00:24:42,732
Lord, help us.

458
00:24:45,109 --> 00:24:46,527
Jesus...

459
00:24:50,072 --> 00:24:51,365
[Baxter] When we're on top of them,

460
00:24:51,365 --> 00:24:53,576
if somebody stands on it,
the conveyor belt stops.

461
00:24:55,995 --> 00:24:59,332
Who's in charge of the stages
and the things?

462
00:24:59,332 --> 00:25:01,083
We're supposed to...
I'm supposed to dance on it.

463
00:25:01,083 --> 00:25:03,336
They're saying when I get on there,
it's going to stop.

464
00:25:04,295 --> 00:25:05,713
So, it won't move.

465
00:25:05,713 --> 00:25:09,008
But we can't even rehearse with them now
'cause there's no power till next week.

466
00:25:09,759 --> 00:25:11,093
So why are we here?

467
00:25:11,093 --> 00:25:13,512
[Baxter] Hey, can Nathan and Dave...

468
00:25:13,512 --> 00:25:15,306
- How are you?
- ...please come down as well?

469
00:25:15,306 --> 00:25:17,767
- Hi.
- [Baxter] Um, so what's going on?

470
00:25:17,767 --> 00:25:20,603
This is the first, right now,
when everybody walked in here

471
00:25:20,603 --> 00:25:23,648
that we're hearing, that one,
they can't move when she's on top of it,

472
00:25:23,648 --> 00:25:25,524
and also that they weren't
going to work today.

473
00:25:25,524 --> 00:25:27,860
[sputtering]

474
00:25:27,860 --> 00:25:31,155
I'm just reacting
to this information right now.

475
00:25:31,155 --> 00:25:32,615
- [J.Lo] Yeah.
- [Diener] I wanna go and fix it.

476
00:25:32,615 --> 00:25:34,325
- So if I can have like, five or...
- [J.Lo] Do that then.

477
00:25:34,325 --> 00:25:35,868
- ...ten minutes. Yeah, okay.
- Yeah, yeah, yeah.

478
00:25:35,868 --> 00:25:36,786
Thank you.

479
00:25:38,955 --> 00:25:41,207
[Baxter] As we walked in, they said,
"Oh, well, they're not going to turn on."

480
00:25:41,207 --> 00:25:43,209
[Medina] It's really simple,
they didn't get it done.

481
00:25:43,209 --> 00:25:45,002
But even if you
don't get it done, tell us,

482
00:25:45,002 --> 00:25:46,712
- before we all walk in here.
- That's my point.

483
00:25:46,712 --> 00:25:48,965
- What's up?
- [Diener] It's not gonna to work today.

484
00:25:48,965 --> 00:25:52,009
- It's some fucked up... yep.
- Fantastic.

485
00:25:52,009 --> 00:25:55,721
We're gonna get it working
so that you can rehearse before the day.

486
00:25:55,721 --> 00:25:57,765
- Thank you, sorry.
- [J.Lo] That's okay.

487
00:25:59,892 --> 00:26:04,939
Could, um, we show you some
umbrella options for "Hummingbird"?

488
00:26:04,939 --> 00:26:09,110
- Uh, sure. I need to leave.
- Yep, they're right here.

489
00:26:09,110 --> 00:26:10,611
Is this big enough?

490
00:26:11,821 --> 00:26:12,989
That's okay.

491
00:26:14,865 --> 00:26:16,867
- [man] No?
- No, I like the clear,

492
00:26:16,867 --> 00:26:19,370
and I think I like the more rounded it is.

493
00:26:19,370 --> 00:26:20,871
- [woman] There was more solid...
- This is pulling, like,

494
00:26:20,871 --> 00:26:22,290
- the whole entire belt.
- [woman] The whole thing, yeah.

495
00:26:22,290 --> 00:26:24,166
So we have to just solve that problem.

496
00:26:24,166 --> 00:26:27,920
What would be ideal,
would be like a dance studio floor

497
00:26:27,920 --> 00:26:30,548
that has a little bit
of give underneath it.

498
00:26:30,548 --> 00:26:33,426
[Baxter] Do you have 12 more seconds
to just feel the mud?

499
00:26:33,426 --> 00:26:35,428
Jennifer, to feel the mud?

500
00:26:35,428 --> 00:26:38,389
I've been waiting to show you mud.
[laughing]

501
00:26:38,389 --> 00:26:40,599
I know, they're chasing me
to the car with it.

502
00:26:40,599 --> 00:26:42,560
- Bye, guys!
- [all] Bye!

503
00:26:42,560 --> 00:26:45,396
- [J.Lo] Yeah, that could be shorter.
- [Goldsmith-Thomas] Cute short one?

504
00:26:45,396 --> 00:26:51,360
Not cute and short like a French maid.
Like, like a doctor.

505
00:26:51,360 --> 00:26:55,031
I would go red. I would look at it
on the jumpsuits, not on you guys.

506
00:26:55,031 --> 00:26:58,367
- Of course,
- Before I really made the final decision.

507
00:26:58,367 --> 00:27:00,161
I think this is a good option,

508
00:27:00,161 --> 00:27:03,497
but I would like to see one
that's more wet.

509
00:27:04,123 --> 00:27:04,957
- Bye-bye, everybody.
- [woman] Okay.

510
00:27:04,957 --> 00:27:06,000
[man] Thank you, Jennifer,
have a good night.

511
00:27:06,000 --> 00:27:07,960
- [woman] Thank you. Good night, Jen.
- [J.Lo] Goodnight.

512
00:27:07,960 --> 00:27:11,380
Yeah, I feel like, um,
there's a lot to do this weekend.

513
00:27:11,380 --> 00:27:13,507
I feel like if we don't
get those scenes right tomorrow...

514
00:27:13,507 --> 00:27:14,425
[Medina] Yeah.

515
00:27:18,429 --> 00:27:19,388
Okay?

516
00:27:19,388 --> 00:27:22,808
I think they should just have
the capacity with that drier mud

517
00:27:22,808 --> 00:27:25,436
- to add water if we need.
- [Medina] Okay.

518
00:27:25,436 --> 00:27:26,771
Bring those muds, please, one more time.

519
00:27:26,771 --> 00:27:28,272
- [J.Lo] No, I gotta go.
- One more quick one.

520
00:27:28,272 --> 00:27:31,442
I just want to see which one
you're referencing. Quick!

521
00:27:31,442 --> 00:27:32,693
[engine starts]

522
00:27:34,695 --> 00:27:37,281
[Medina] One sec, this one or this one?

523
00:27:37,281 --> 00:27:39,950
- [woman] She said "Drive."
- [man] She said "Go away.'

524
00:27:40,451 --> 00:27:42,328
- [man 2] That's the wet one.
- [Medina] She wants this one.

525
00:27:42,328 --> 00:27:45,122
[Medina] She likes this... this.
She likes this flavor, a little wetter.

526
00:27:45,122 --> 00:27:47,958
- [woman] The chunky one
- Not the wet one, the crumblier one.

527
00:27:47,958 --> 00:27:50,836
- [man 2] Do you know what...
- Keep it crumblier and add some water

528
00:27:50,836 --> 00:27:52,588
on top of it so you get a little splatter.

529
00:27:52,588 --> 00:27:56,801
- [man 2] Exactly, yeah. Okay.
- Not a second wasted of today. Good work.

530
00:27:56,801 --> 00:28:00,471
[slow instrumental music]

531
00:28:09,647 --> 00:28:12,400
[J.Lo] So, last night, Ben says to me,
"Why are you so stressed lately?"

532
00:28:12,400 --> 00:28:16,404
I said, "I'm not just financing it,
I'm writing it, I'm choreographing it,

533
00:28:16,404 --> 00:28:18,489
dancing in it, singing in it,

534
00:28:18,489 --> 00:28:20,950
- staring in it, producing the record."
- [Goldsmith-Thomas] <i>Producing it.</i>

535
00:28:20,950 --> 00:28:23,160
Like I said, it's all... [sputters]

536
00:28:23,160 --> 00:28:27,039
Everybody has all these financier
questions and budget questions for me.

537
00:28:27,039 --> 00:28:29,125
[muttering]

538
00:28:29,792 --> 00:28:31,544
[Goldsmith-Thomas] <i>All right,
I'll call you later. I love you.</i>

539
00:28:31,544 --> 00:28:33,212
- I love you. Bye.
<i>- Bye.</i>

540
00:28:35,840 --> 00:28:38,717
[Medina] You know,
I don't like coming into any room

541
00:28:38,717 --> 00:28:41,429
and... and seeing things not working well.

542
00:28:41,429 --> 00:28:46,183
They've just come off of two insanely
well-produced, well-organized films,

543
00:28:46,183 --> 00:28:48,936
and she won't look at anything
as being any different.

544
00:28:48,936 --> 00:28:52,857
If anything, she'll look at it
as even needing to be better than those,

545
00:28:52,857 --> 00:28:56,277
in terms of the execution of stuff,
because it's every penny of her money...

546
00:28:56,277 --> 00:28:58,571
- Yep.
- ...and all of her own time,

547
00:28:58,571 --> 00:29:00,906
talent and story
that's going into this thing,

548
00:29:00,906 --> 00:29:04,827
and it's got to flow because otherwise
any kind of stop-start-stop,

549
00:29:04,827 --> 00:29:09,165
I can see it when it takes her out,
and she's got to be 100% in.

550
00:29:09,165 --> 00:29:12,334
Yeah, she's got a few
tough weeks ahead of her.

551
00:29:12,334 --> 00:29:14,545
I'm... I don't want to say I'm worried,

552
00:29:14,545 --> 00:29:19,341
but, I think that our schedule
is aggressive.

553
00:29:20,468 --> 00:29:23,262
Okay, so going... I know this is
so stupid, or maybe it's not,

554
00:29:23,262 --> 00:29:25,264
but like going back to the seat backs.

555
00:29:25,264 --> 00:29:27,308
Do... you know, we didn't make them

556
00:29:27,308 --> 00:29:29,143
just because normally
you don't on a music video,

557
00:29:29,143 --> 00:29:31,187
not that this is a real music...

558
00:29:31,187 --> 00:29:35,316
Please stop calling
or even referencing music videos, guys.

559
00:29:35,316 --> 00:29:37,151
This is not a music video.

560
00:29:37,151 --> 00:29:39,361
It's not going to function
like a music video,

561
00:29:39,695 --> 00:29:41,572
it's not going to operate
like a music video,

562
00:29:41,572 --> 00:29:43,657
and it's fine that you
don't have seat backs.

563
00:29:46,118 --> 00:29:48,120
[Meyers] She's so determined
to pull this off.

564
00:29:48,120 --> 00:29:52,458
The people that really swing are always in
a vulnerable place and it's terrifying.

565
00:29:53,125 --> 00:29:54,960
{\an8}Those points in your career

566
00:29:54,960 --> 00:29:58,047
{\an8}where you either
choose to bet on yourself or you don't.

567
00:29:58,047 --> 00:30:02,927
Do I want to assume more of a risk,
or do I want to assume less of a risk?

568
00:30:03,344 --> 00:30:05,346
And if you really truly
believe in yourself,

569
00:30:05,346 --> 00:30:07,473
and you really truly believe
in what you're doing.

570
00:30:08,641 --> 00:30:10,976
It's almost always
better to bet on yourself.

571
00:30:11,894 --> 00:30:13,896
[J.Lo] I have to tell the story
the way it needs to be told.

572
00:30:14,813 --> 00:30:17,024
It's just something inside of me
that just goes,

573
00:30:17,024 --> 00:30:19,026
"This is all I know how to do."

574
00:30:19,401 --> 00:30:22,780
I just want people
to believe that love exists.

575
00:30:22,780 --> 00:30:25,157
If I can use my story to do that,

576
00:30:25,157 --> 00:30:27,618
then as an artist,
that's what I should do.

577
00:30:27,618 --> 00:30:30,162
Maybe I'm setting myself up
to be fucking...

578
00:30:31,372 --> 00:30:32,957
[sighs]

579
00:30:35,417 --> 00:30:37,836
...criticized again, I don't know,

580
00:30:38,629 --> 00:30:40,506
but that's what my heart's
telling me to do.

581
00:30:40,506 --> 00:30:43,008
[somber orchestra music]

582
00:31:00,568 --> 00:31:04,822
Uh, no. No, no, like right here.
Yeah, a little higher.

583
00:31:08,158 --> 00:31:11,161
- There's J.Lo.
- There she is.

584
00:31:13,831 --> 00:31:17,459
J.Lo was created back then
with those first three albums.

585
00:31:18,127 --> 00:31:20,546
<i>This Is Me... Then,</i>
"Jenny From The Block"<i>,</i> and all that.

586
00:31:21,922 --> 00:31:26,552
In a way, she's kind of
a larger-than-life character.

587
00:31:28,262 --> 00:31:32,057
It was really me becoming
who I always dreamt of being.

588
00:31:35,394 --> 00:31:36,478
[Meyers] Yep, she's coming...

589
00:31:38,856 --> 00:31:41,442
[J.Lo] <i>This Is Me... Now</i> is about truth

590
00:31:42,234 --> 00:31:46,864
and facing the truth of who
you really are and embracing that.

591
00:31:48,365 --> 00:31:52,077
And the truth is,
I'm not the same as I was 20 years ago.

592
00:31:53,829 --> 00:31:56,915
I was always
very much about show business,

593
00:31:56,915 --> 00:31:58,292
put your best foot forward.

594
00:31:58,292 --> 00:32:02,046
Don't let them see when you're suffering.
Don't let them see when you're hurt.

595
00:32:02,463 --> 00:32:04,923
Don't worry about
if somebody did this or did that,

596
00:32:04,923 --> 00:32:06,925
or if you suffered this or suffered that,
it doesn't matter.

597
00:32:06,925 --> 00:32:09,094
They don't care. They want you to sing.
They want you to dance.

598
00:32:09,094 --> 00:32:11,805
They want you to do the movie,
want you to be funny in the interview.

599
00:32:11,805 --> 00:32:14,224
Like, that's what my life was.

600
00:32:16,685 --> 00:32:20,397
But then I realized that I wasn't
being kind of authentic to myself.

601
00:32:21,065 --> 00:32:23,067
There was a part of me
that I was hiding.

602
00:32:25,527 --> 00:32:29,114
There was a part of me
that I was ashamed of.

603
00:32:29,615 --> 00:32:31,992
And the things that I went through
in my personal life,

604
00:32:31,992 --> 00:32:37,039
'cause I think that they would have
thought that that was weak or...

605
00:32:38,082 --> 00:32:40,959
damaged or dysfunctional,
and I didn't ever want to seem that way.

606
00:32:40,959 --> 00:32:45,422
I wanted to seem strong
and powerful and able.

607
00:32:46,298 --> 00:32:49,551
- [man 1] Roll cameras, please.
- [man 2] All right, room rolling.

608
00:32:49,551 --> 00:32:53,555
[J.Lo] I wasn't struggling
in my professional life.

609
00:32:54,181 --> 00:32:56,183
Like, I feel like I had control of that.

610
00:32:56,558 --> 00:32:59,978
And that's why I put a lot into it.
When I went home at night,

611
00:33:00,521 --> 00:33:04,358
and when I was dealing in my own life,
with my own demons,

612
00:33:04,358 --> 00:33:07,695
and my own relationships,
was such a fucking struggle.

613
00:33:08,195 --> 00:33:10,030
Couldn't we both win?

614
00:33:10,030 --> 00:33:16,662
When her and Ben first broke up,
it was catastrophic to her constitution.

615
00:33:16,662 --> 00:33:19,707
Everything that she wanted from...
from what she understood love to be,

616
00:33:20,124 --> 00:33:24,336
for that to not work, for the pressures
to break it apart, it just spun her out.

617
00:33:28,966 --> 00:33:32,261
[J.Lo] Ben and I, we broke up
three days before our wedding,

618
00:33:33,095 --> 00:33:37,766
and we had like a big wedding plan,
like 14 ushers and bridesmaids,

619
00:33:37,766 --> 00:33:41,895
and three days before,
we just crumbled under the pressure.

620
00:33:42,521 --> 00:33:45,899
I think we all go along thinking like,
"I'm doing okay."

621
00:33:46,400 --> 00:33:48,777
I've been through these things."
You kind of shake... If you're like me,

622
00:33:48,777 --> 00:33:51,071
you kinda shake it off and be like,
put your best foot forward,

623
00:33:51,071 --> 00:33:54,158
and just do your thing,
and fucking conquer the world.

624
00:33:54,158 --> 00:33:56,160
Right? It motivates us
through all these different things

625
00:33:56,160 --> 00:33:57,119
but at the end of the day...
[voice fades out]

626
00:33:57,119 --> 00:33:58,495
I had a broken heart once.

627
00:33:58,495 --> 00:34:00,581
[gentle music playing]

628
00:34:01,206 --> 00:34:02,207
Long time ago.

629
00:34:04,585 --> 00:34:08,797
All my friends, they told me,
you know, that I needed a break.

630
00:34:09,590 --> 00:34:12,509
That I should spend some time alone.

631
00:34:16,847 --> 00:34:17,765
I didn't.

632
00:34:21,101 --> 00:34:23,020
For all those years, was really hard,

633
00:34:23,020 --> 00:34:26,440
'cause I didn't just feel like
I lost the love of my life.

634
00:34:26,440 --> 00:34:30,903
I felt like I lost,
like, the best friend that I ever had...

635
00:34:34,114 --> 00:34:36,784
and I couldn't talk to for so many years.

636
00:34:38,076 --> 00:34:40,329
And that was the hardest part.

637
00:34:41,455 --> 00:34:43,791
You know, I used to think that,
um, it was...

638
00:34:45,709 --> 00:34:47,920
everybody else that was broken.

639
00:34:47,920 --> 00:34:50,005
[gentle music continues]

640
00:34:54,426 --> 00:34:56,428
Now I think maybe it was just me.

641
00:34:58,430 --> 00:35:04,019
<i>♪ I loved you so much
That messed me up ♪</i>

642
00:35:04,728 --> 00:35:10,400
<i>♪ Gave what I could
But it wasn't enough ♪</i>

643
00:35:10,776 --> 00:35:13,195
<i>♪ You drifted away ♪</i>

644
00:35:13,987 --> 00:35:16,990
<i>♪ Left me so numb ♪</i>

645
00:35:16,990 --> 00:35:22,830
<i>♪ Tears on my gown
Look what you've done ♪</i>

646
00:35:24,414 --> 00:35:27,000
<i>♪ Broken like me ♪</i>

647
00:35:27,960 --> 00:35:30,546
<i>♪ Broken like me ♪</i>

648
00:35:31,380 --> 00:35:34,550
<i>♪ Covered in scars ♪</i>

649
00:35:35,133 --> 00:35:38,136
<i>♪ Now this is me ♪</i>

650
00:35:44,643 --> 00:35:48,063
[Affleck] So when I first read the script,
it looked like the inciting incident

651
00:35:48,063 --> 00:35:52,442
that causes all this pain
down the road is our breakup.

652
00:35:52,985 --> 00:35:56,405
I thought, "Wow, nobody did
anything wrong. It was mutual."

653
00:35:56,405 --> 00:36:00,617
I think for us to move on from that,
we have to kind of forgive it,

654
00:36:00,617 --> 00:36:03,954
forgive each other. Do you forgive me?

655
00:36:08,333 --> 00:36:09,918
[Meyers] Someone might need to...

656
00:36:09,918 --> 00:36:11,879
[woman] Where's that goddamn
Jennifer Lopez?

657
00:36:11,879 --> 00:36:15,424
{\an8}She better be here,
or I'm gonna kill her. Is she here?

658
00:36:16,133 --> 00:36:19,469
I would have sliced that bitch
if she weren't here.

659
00:36:19,469 --> 00:36:22,556
Calling me down here to do a cameo, bitch.

660
00:36:23,056 --> 00:36:24,266
- Whitney.
- [Meyers] Hey.

661
00:36:24,266 --> 00:36:26,268
- [Meyers] Hey, Jenifer.
- I'm the star.

662
00:36:26,268 --> 00:36:29,229
- [Meyers] Yes, you are.
- I'm gonna come down and do a cameo.

663
00:36:29,229 --> 00:36:31,023
[Meyers] I'm Dave the director,
nice to meet you.

664
00:36:31,023 --> 00:36:33,025
Oh, well, hell, you're in so much trouble.

665
00:36:33,025 --> 00:36:34,234
- [Meyers] I am.
- I hope you're ready.

666
00:36:36,486 --> 00:36:37,821
- Hi, boo.
- It's so good to see you!

667
00:36:37,821 --> 00:36:42,534
[Lewis] My agent called me,
"Jennifer Lopez is doing a music video."

668
00:36:42,534 --> 00:36:47,497
I said "Okay, what does that have to do
with me? I don't do music videos.

669
00:36:47,497 --> 00:36:50,375
I'm Jenifer Lewis.
Got a star on the Hollywood Walk of Fame.

670
00:36:50,375 --> 00:36:54,421
Why would I show up for a music video,
even if it is J.Lo?"

671
00:36:54,880 --> 00:36:56,048
I'm J.Lew.

672
00:36:56,048 --> 00:36:57,174
["The Sign" by Ace of Base playing]

673
00:36:57,174 --> 00:37:00,886
In my own search for love
I tried a lot of different things.

674
00:37:00,886 --> 00:37:05,349
I went to card readers
and looked to the signs,

675
00:37:05,349 --> 00:37:07,684
you know, like, who's my perfect match?

676
00:37:07,684 --> 00:37:10,896
And it led me down
a lot of questionable roads.

677
00:37:12,314 --> 00:37:14,733
[man] So when I got this call, yeah,
it was a little weird.

678
00:37:14,733 --> 00:37:16,360
{\an8}You know, the Zodiac come to life.

679
00:37:16,360 --> 00:37:18,403
[song continues]

680
00:37:18,403 --> 00:37:21,740
- And the Zodiac is, you know...
- Here we go.

681
00:37:22,324 --> 00:37:27,204
People really think the universe
gives a shit about them, okay.

682
00:37:27,663 --> 00:37:30,374
<i>♪ I got a new life
You would hardly recognize me ♪</i>

683
00:37:30,374 --> 00:37:33,752
I'm playing Gemini.
You know, that split bitch?

684
00:37:33,752 --> 00:37:35,629
- She's still searching.
- Mm-hm.

685
00:37:35,629 --> 00:37:39,591
I'm not into the Zodiac signs,
so I don't know what the fuck they do.

686
00:37:39,591 --> 00:37:43,178
[J.Lo] The Zodiacs represent the Greek
course of your life: your family,

687
00:37:43,178 --> 00:37:48,225
your friends, coworkers, the people
who are watching you and commenting.

688
00:37:48,225 --> 00:37:52,521
And in my case, the media, fans,
sometimes feels like the whole world.

689
00:37:52,521 --> 00:37:55,816
- [Meyers] Do you know what you're doing?
- Yes, I think so. For the most part.

690
00:37:55,816 --> 00:37:57,317
For the most part, yes, ma'am.

691
00:37:57,317 --> 00:37:58,986
[J.Lo] You have done movies, right?

692
00:37:58,986 --> 00:38:01,530
Yes, ma'am.
I'm basically a pretty famous actor.

693
00:38:01,530 --> 00:38:07,285
<i>♪ I saw the sign
And it opened up my eyes, I saw the sign ♪</i>

694
00:38:07,285 --> 00:38:11,081
<i>♪ Life is demanding
Without understanding ♪</i>

695
00:38:11,081 --> 00:38:12,708
Down there is the universe.

696
00:38:12,708 --> 00:38:14,251
[song continues]

697
00:38:14,251 --> 00:38:15,711
- Whoo!
- Damn!

698
00:38:15,711 --> 00:38:19,297
And Paul says, "Fucking fairy tales, man,
I love happy endings."

699
00:38:19,297 --> 00:38:23,135
And because he's so... there's, like,
the double entendre of happy endings.

700
00:38:23,135 --> 00:38:24,761
Right. Well, what do you
mean by that, actually?

701
00:38:24,761 --> 00:38:25,679
[J.Lo] Okay.

702
00:38:26,638 --> 00:38:28,015
Shit, what happened? She fall apart again?

703
00:38:28,015 --> 00:38:29,975
No, no, no happy endings
means "happy endings."

704
00:38:29,975 --> 00:38:32,019
- Oh, happy endings.
- Yes! Okay.

705
00:38:34,021 --> 00:38:35,689
[man] What's wrong with you
is on the inside.

706
00:38:35,689 --> 00:38:38,650
[woman] Well, at least she got her
beauty, her booty, and that bank account

707
00:38:38,650 --> 00:38:39,943
so bye-boy to him, right?

708
00:38:39,943 --> 00:38:42,404
[J.Lo] Okay. This... this is you, the lover.
- [woman] Lover.

709
00:38:43,030 --> 00:38:47,034
- This is Anna over here. [laughing]
- No. Why, why, why?

710
00:38:47,034 --> 00:38:48,118
This is Elaine.

711
00:38:50,037 --> 00:38:53,373
Elaine is the quiet one in my universe.
She doesn't talk.

712
00:38:54,708 --> 00:38:57,252
Oh, and this.

713
00:38:57,252 --> 00:39:02,340
I never leave the couch
without my love detector.

714
00:39:02,340 --> 00:39:06,386
It has three settings: one, nightstand.

715
00:39:07,054 --> 00:39:08,513
Holiday season.

716
00:39:08,513 --> 00:39:11,892
[Meyers] No, it's not one...
one-night stand is all one word.

717
00:39:11,892 --> 00:39:14,102
[man speaking Spanish]

718
00:39:14,102 --> 00:39:17,564
- Yeah. Fucking English. I hate it.
- [crew laughing]

719
00:39:18,065 --> 00:39:22,319
Okay, one-night stand. Yeah.
Like a one-fuck night.

720
00:39:22,319 --> 00:39:23,403
[man] Yeah, exactly.

721
00:39:23,403 --> 00:39:25,781
[laughter]

722
00:39:25,781 --> 00:39:27,616
[laughing and chatting]

723
00:39:31,328 --> 00:39:33,705
[J.Lo] No, that part was so funny,
I couldn't take it!

724
00:39:38,293 --> 00:39:41,046
- What are you guys doing here?
- It's an intervention.

725
00:39:44,883 --> 00:39:46,510
[man]
Oh, my bad, sorry about that.

726
00:39:46,510 --> 00:39:48,553
It's all right.
I got a license, don't worry.

727
00:39:48,553 --> 00:39:50,639
[laughing]

728
00:39:54,893 --> 00:39:57,854
[Affleck] She'd be hurt.
Yes, that's great.

729
00:39:58,396 --> 00:39:59,523
[man] Yeah?

730
00:39:59,523 --> 00:40:03,235
- [crew member] Here we go.
- Hold on, Jen's... Jen's, uh...

731
00:40:05,529 --> 00:40:08,031
How you doin', papa?
It's a pleasure to meet you, man.

732
00:40:08,031 --> 00:40:09,908
My brother loves the crap out of you.

733
00:40:09,908 --> 00:40:13,787
You're his favorite Batman ever,
and you made <i>Armageddon,</i> dude.

734
00:40:13,787 --> 00:40:15,664
- Aw, thank you.
- You really did. I still sing the...

735
00:40:15,664 --> 00:40:18,583
<i>♪ All my bags are packed
I'm ready to go ♪</i>

736
00:40:19,167 --> 00:40:20,794
Man. Pleasure to meet you guys.

737
00:40:20,794 --> 00:40:22,546
That was really, really funny,
I loved that...

738
00:40:22,546 --> 00:40:24,756
When are you... when are you guys
doing another film together?

739
00:40:24,756 --> 00:40:26,383
That last one was <i>Gigli</i>, right? Or...

740
00:40:26,383 --> 00:40:27,926
- Yes.
- [Affleck] That's right. Exactly.

741
00:40:27,926 --> 00:40:29,094
- [man] Yeah.
- It was <i>Gigli.</i>

742
00:40:29,094 --> 00:40:30,428
That's why we haven't done one since then.

743
00:40:30,428 --> 00:40:32,222
Okay, for sure.

744
00:40:32,222 --> 00:40:34,224
[J.Lo] We're gonna do one one day.

745
00:40:35,851 --> 00:40:37,853
<i>♪ Broken like me ♪</i>

746
00:40:40,105 --> 00:40:43,441
<i>♪ I'm still in love with you, boy ♪</i>

747
00:40:45,485 --> 00:40:47,487
<i>♪ I'm still in love ♪</i>

748
00:40:48,363 --> 00:40:49,447
Uh... there's a...

749
00:40:49,447 --> 00:40:52,409
There's an additional shoot day
that's come up for The Guru.

750
00:40:52,409 --> 00:40:53,869
How much is that going to cost us?

751
00:40:53,869 --> 00:40:56,371
That, I... that's... should be discussed.

752
00:40:56,371 --> 00:40:57,497
[Baxter] Couple hundred.

753
00:40:57,497 --> 00:41:01,585
[Goldsmith-Thomas] I think to go 200,000
for a guru is nonsensical.

754
00:41:01,585 --> 00:41:03,628
You guys can confer but...

755
00:41:03,628 --> 00:41:05,589
- Oh, why don't you stay?
- Don't worry about that.

756
00:41:05,589 --> 00:41:08,175
- Don't even bring that up.
- This is haunting me now.

757
00:41:08,175 --> 00:41:09,426
No, I'm, I'm...

758
00:41:09,426 --> 00:41:12,762
- But that's a $200,000 hit to her.
- [Baxter] Yes.

759
00:41:12,762 --> 00:41:14,514
You should, please, not today.

760
00:41:14,514 --> 00:41:15,849
Okay, if not today,
it'll haunt me tomorrow.

761
00:41:15,849 --> 00:41:16,766
[Meyers] Yeah.

762
00:41:16,766 --> 00:41:18,685
Don't let her ears hear this right now.

763
00:41:18,685 --> 00:41:19,853
Well, it's only her...

764
00:41:19,853 --> 00:41:22,689
He's asking you to be quiet, sweetie,
take the cues.

765
00:41:22,689 --> 00:41:24,524
- Maybe I shouldn't be the quiet friend.
- Shh.

766
00:41:24,524 --> 00:41:26,443
Oh, ha! Touché.

767
00:41:26,443 --> 00:41:28,653
You'll give people anxiety
when they're working.

768
00:41:30,697 --> 00:41:32,032
Let me get a little Q-Tip.

769
00:41:32,032 --> 00:41:33,074
[mouthing] It's my job.

770
00:41:33,074 --> 00:41:34,075
Yeah. Well, yeah.

771
00:41:34,075 --> 00:41:36,661
Maybe you wanna go talk to him over there
and talk about it.

772
00:41:36,661 --> 00:41:39,956
[Goldsmith-Thomas] Well, I...
I just want to resolve it, but okay.

773
00:41:40,665 --> 00:41:41,833
- Dave.
- [Meyers] Yes?

774
00:41:42,876 --> 00:41:46,963
We don't have 200,000 extra,
because we're gonna need 200,000 extra.

775
00:41:46,963 --> 00:41:48,381
- Okay.
- We're going to need

776
00:41:48,381 --> 00:41:50,342
- the extra money for post.
- Yeah. Okay.

777
00:41:50,342 --> 00:41:55,180
I've been drilling down on budget,
reminding everyone it's her money,

778
00:41:55,180 --> 00:41:59,351
and drilling down on the necessity
of certain things, sometimes too hard,

779
00:41:59,351 --> 00:42:02,646
but, you know,
I'd rather err on the side of her,

780
00:42:02,646 --> 00:42:06,066
um, saving a little money,

781
00:42:06,066 --> 00:42:08,235
but not sacrificing any quality.

782
00:42:08,652 --> 00:42:11,321
And, you know,
and I'm standing on the sidelines

783
00:42:11,321 --> 00:42:12,989
in case she needs a body double.

784
00:42:14,574 --> 00:42:18,453
<i>♪ I just wanna
I just feel like, ooh ♪</i>

785
00:42:18,453 --> 00:42:23,250
<i>♪ Every time I see ya, I just, oh, hey ♪</i>

786
00:42:23,250 --> 00:42:28,588
<i>♪ I feel like startin' somethin'
You got my engine runnin' ♪</i>

787
00:42:28,588 --> 00:42:32,550
<i>♪ You got the keys to turn me on and on ♪</i>

788
00:42:32,926 --> 00:42:34,594
[Meyers] We're in the wedding reception.

789
00:42:34,594 --> 00:42:38,181
{\an8}The energy in the room is
as if it was a real Jennifer wedding.

790
00:42:38,848 --> 00:42:42,018
I think Jennifer is in full-on
bride mode right now, having a blast.

791
00:42:42,018 --> 00:42:44,271
<i>♪ When it feels right ♪</i>

792
00:42:44,271 --> 00:42:46,439
<i>♪ Nothing else matters ♪</i>

793
00:42:46,439 --> 00:42:51,361
<i>♪ Is this real life
Too good to be true? ♪</i>

794
00:42:51,361 --> 00:42:53,905
<i>♪ Take me all night ♪</i>

795
00:42:53,905 --> 00:42:55,865
<i>♪ I can feel the push ♪</i>

796
00:42:55,865 --> 00:42:58,159
[Meyers] Just going through
all the checklists of a great wedding.

797
00:42:58,868 --> 00:43:00,412
Just swapping out the husbands.

798
00:43:00,412 --> 00:43:02,372
[crew member] Cutting and cut.

799
00:43:03,248 --> 00:43:04,749
[Meyers] That was it, yeah. Next husband.

800
00:43:04,749 --> 00:43:07,252
<i>♪ You love that shit
You know I can't get enough ♪</i>

801
00:43:07,252 --> 00:43:08,169
<i>♪ Give me all that shit ♪</i>

802
00:43:08,169 --> 00:43:13,008
{\an8}First thing that came to my mind was,
"I'm going to be what? I'm a huh?

803
00:43:13,008 --> 00:43:15,760
{\an8}I'm a what husband? I'm a who?"
[laughing] Like...

804
00:43:15,760 --> 00:43:18,013
But when we start working on it
and working through it, I was like,

805
00:43:18,013 --> 00:43:19,806
"Oh, I see what's going on.
I see what's going on.

806
00:43:19,806 --> 00:43:21,057
Like, you're in on it."

807
00:43:21,057 --> 00:43:22,892
<i>♪ With you, boy ♪</i>

808
00:43:25,228 --> 00:43:29,441
<i>♪ It's the way you love me
The way you touch me ♪</i>

809
00:43:29,441 --> 00:43:32,610
<i>♪ It's the way you look at me ♪</i>

810
00:43:33,987 --> 00:43:37,073
<i>♪ Can't get enough ♪</i>

811
00:43:38,408 --> 00:43:39,659
[crowd cheering]

812
00:43:39,659 --> 00:43:41,703
♪ O<i>f you, boy ♪</i>

813
00:43:42,579 --> 00:43:43,621
Don't catch it.
It's cursed.

814
00:43:43,621 --> 00:43:44,748
[crowd continues cheering]

815
00:43:45,999 --> 00:43:47,167
[dramatic music playing]

816
00:43:47,167 --> 00:43:48,752
[J.Lo] One time
I was married for 11 months.

817
00:43:48,752 --> 00:43:50,628
Another time I was married for a year...

818
00:43:50,628 --> 00:43:52,547
And another time
I was married for ten years.

819
00:43:52,547 --> 00:43:54,758
Then even looking back on it now,

820
00:43:54,758 --> 00:43:59,054
and kind of making fun of it
in this surrealistic musical way...

821
00:44:00,180 --> 00:44:02,182
It's funny and it's heartbreaking.

822
00:44:02,182 --> 00:44:04,934
[dramatic music continues]

823
00:44:06,436 --> 00:44:07,270
What do I say?

824
00:44:07,270 --> 00:44:10,940
Uh, "'Til death do us part" and it's like,
"Oh, I just wanna... Ooh... I..."

825
00:44:10,940 --> 00:44:12,359
Or, you know, that whole little intro.

826
00:44:12,359 --> 00:44:13,943
You want me to do it like you just did it?

827
00:44:13,943 --> 00:44:14,903
[Meyers laughs]

828
00:44:14,903 --> 00:44:16,363
'Til death do us part.

829
00:44:16,363 --> 00:44:18,990
[Meyers] Jen and I rationalized
that the rain is a sign.

830
00:44:19,532 --> 00:44:23,411
She's like, "Oh, wow, It's a sign.
It's going to be a great marriage."

831
00:44:23,411 --> 00:44:26,831
This shoot's been relentless
just on how fast we're moving,

832
00:44:26,831 --> 00:44:30,502
how fast it came together,
how sensitive costs are.

833
00:44:31,044 --> 00:44:32,629
You know, being that

834
00:44:32,629 --> 00:44:34,756
we don't really have studio support yet.
[chuckles]

835
00:44:36,508 --> 00:44:38,218
[Medina]
This was absolutely the hardest project

836
00:44:38,218 --> 00:44:41,763
that I've ever had to work on
and put together in my career.

837
00:44:41,763 --> 00:44:45,225
This is a really different thing that
we're doing, and it's never been done...

838
00:44:45,225 --> 00:44:48,603
How am I going to sell this to a platform?
What is the platform?

839
00:44:48,603 --> 00:44:50,897
[J.Lo] Every single one of them
passed on this movie.

840
00:44:50,897 --> 00:44:52,982
One head of a studio says,

841
00:44:52,982 --> 00:44:57,862
"Okay, um, well, you know what,
nobody watches these things."

842
00:44:57,862 --> 00:45:00,573
Another one will say,
"Well, what are we going to do?

843
00:45:01,699 --> 00:45:03,410
Pay them to promote their own album?

844
00:45:03,410 --> 00:45:08,206
The album that we're stealing from them
and putting on our platform?"

845
00:45:08,206 --> 00:45:09,666
["Money" by The Flying Lizards playing]

846
00:45:09,666 --> 00:45:11,626
[J.Lo] Do you know what I see?

847
00:45:11,626 --> 00:45:14,337
- I see my money going down the drain.
- [Affleck] Remember this.

848
00:45:14,337 --> 00:45:15,463
I'm paying for this.

849
00:45:15,463 --> 00:45:18,716
And this... and all whatever the fuck
that is up there.

850
00:45:18,716 --> 00:45:20,885
- Those are gels.
- Paying for that, too. Paying for this.

851
00:45:20,885 --> 00:45:22,470
["Money" continues playing]

852
00:45:22,470 --> 00:45:25,557
<i>♪ Your love give me such a thrill ♪</i>

853
00:45:26,433 --> 00:45:28,726
<i>♪ But your love don't pay my bills ♪</i>

854
00:45:28,726 --> 00:45:31,521
That flag in the back is...
was free I'm sure.

855
00:45:31,521 --> 00:45:32,897
[Affleck] It all comes with the truck.

856
00:45:34,065 --> 00:45:35,233
[J.Lo] Another truck.

857
00:45:35,233 --> 00:45:37,318
- This is a camera truck.
- Tons of boxes.

858
00:45:37,318 --> 00:45:41,781
- We have primes, ultra-primes.
- Oh, this is your fantasy truck.

859
00:45:41,781 --> 00:45:43,533
This is a Zeiss compact zoom.

860
00:45:43,533 --> 00:45:45,076
- This is a Arri zoom.
- Oh.

861
00:45:45,076 --> 00:45:47,829
This is the older compact
Angeniuex zoom, right?

862
00:45:50,790 --> 00:45:53,835
These are really good. The 70s, they're
light handheld lenses. Really good.

863
00:45:53,835 --> 00:45:55,503
- I don't care.
- I know.

864
00:45:55,962 --> 00:45:58,840
{\an8}[indistinct chatter]

865
00:45:59,466 --> 00:46:01,426
{\an8}Oh, hello.
[laughing]

866
00:46:02,427 --> 00:46:04,053
How are you? [chuckling]

867
00:46:04,053 --> 00:46:05,763
Welcome!

868
00:46:05,763 --> 00:46:08,641
This is where she is now by herself.

869
00:46:09,350 --> 00:46:11,352
Middle of the night, watching TV,

870
00:46:11,352 --> 00:46:14,522
4:00 in the morning,
watching an old romantic film

871
00:46:14,522 --> 00:46:15,899
for the fourth time in a row.

872
00:46:15,899 --> 00:46:17,734
Is that what you do?

873
00:46:17,734 --> 00:46:19,068
I used to.

874
00:46:19,068 --> 00:46:22,197
I used to, Sad, a long time ago.

875
00:46:23,072 --> 00:46:27,577
[Sadghuru] We can say when you exude love
like the sun, it shoots light...

876
00:46:27,577 --> 00:46:29,996
- It will find...
- ...it will reflect and return to you.

877
00:46:29,996 --> 00:46:33,082
You shall shine like the sun. [chuckles]

878
00:46:33,082 --> 00:46:35,168
[laughing]

879
00:46:36,419 --> 00:46:38,755
[man] All right, guys. Quietly, please.
We're going to get into this.

880
00:46:42,133 --> 00:46:44,385
- So she looks kind of perfect.
- [man] Yeah.

881
00:46:44,385 --> 00:46:46,513
- [J.Lo] And she shouldn't.
- [man] Okay.

882
00:46:46,513 --> 00:46:50,350
[J.Lo] Just the idea of
that she's been neglected, right?

883
00:46:50,350 --> 00:46:53,978
She's been a little bit roughed up,
that she's bearing the scars

884
00:46:53,978 --> 00:46:57,148
and that looks like something dirty.

885
00:46:57,148 --> 00:46:58,608
- [man] Yeah.
- [J.Lo] Knees scraped.

886
00:46:58,608 --> 00:47:01,319
She should feel like
a little bit of a mess.

887
00:47:01,903 --> 00:47:04,113
If you're going to be me
when you were little,

888
00:47:04,113 --> 00:47:06,407
then I was a tomboy.

889
00:47:06,407 --> 00:47:08,493
So I was real dirty all the time.

890
00:47:09,786 --> 00:47:10,745
You know what a tomboy is?

891
00:47:11,204 --> 00:47:14,165
- Someone who like...
- [J.Lo] Loves to play with the boys.

892
00:47:14,165 --> 00:47:15,083
Yeah.

893
00:47:15,083 --> 00:47:17,252
This right here.

894
00:47:17,252 --> 00:47:18,920
- Okay.
- Okay, ready?

895
00:47:20,421 --> 00:47:21,339
What's wrong?

896
00:47:21,339 --> 00:47:23,633
I just think
I didn't get enough love today.

897
00:47:25,468 --> 00:47:27,762
- From your Mom and Dad?
- [girl] From you.

898
00:47:28,346 --> 00:47:29,973
You left me all alone.

899
00:47:29,973 --> 00:47:31,349
You didn't take care of me.

900
00:47:32,600 --> 00:47:34,811
I'm sorry. I love you.

901
00:47:34,811 --> 00:47:37,188
No, you love everybody else but me.

902
00:47:37,772 --> 00:47:40,233
When I was growing up,
I was always looking for somebody

903
00:47:40,233 --> 00:47:41,693
to make me feel loved.

904
00:47:42,318 --> 00:47:43,653
I was a middle child,

905
00:47:43,653 --> 00:47:46,406
not the baby, not the first born.

906
00:47:47,073 --> 00:47:50,785
You just kind of get lost a little bit
in between it all.

907
00:47:51,536 --> 00:47:54,247
That just left me on this train

908
00:47:54,247 --> 00:47:57,375
to show everybody
that I had worth and value too.

909
00:47:58,668 --> 00:48:02,046
So then I started running track,
and winning medals,

910
00:48:02,046 --> 00:48:05,133
and hoping that somebody
would be like, "Look."

911
00:48:06,676 --> 00:48:08,094
People would come over to our house.

912
00:48:08,094 --> 00:48:10,471
Oh, look at all of Jennifer's
trophies and medals.

913
00:48:10,930 --> 00:48:12,098
It made me feel good.

914
00:48:15,310 --> 00:48:16,603
Having my two sisters

915
00:48:16,603 --> 00:48:19,856
bookend me in that way
forced me into a road

916
00:48:19,856 --> 00:48:24,152
where I learned to work really hard
and be very disciplined.

917
00:48:25,236 --> 00:48:26,738
Like an athlete.

918
00:48:26,738 --> 00:48:28,865
And so I just stuck with that.

919
00:48:28,865 --> 00:48:31,117
I just stuck with the working hard part

920
00:48:31,117 --> 00:48:33,411
'cause I was the best at that.

921
00:48:35,413 --> 00:48:39,959
I felt very ignored by my dad
because he was always working nights,

922
00:48:39,959 --> 00:48:41,669
and then all day he would sleep.

923
00:48:41,669 --> 00:48:44,505
And I didn't feel like
I had enough of a connection with him.

924
00:48:45,423 --> 00:48:47,258
My mom was a narcissist,

925
00:48:47,258 --> 00:48:51,179
center of attention, you know,
life of the party type person.

926
00:48:52,263 --> 00:48:54,932
I got very used to being around
people like that.

927
00:48:55,850 --> 00:48:58,269
The combination of the two of those things

928
00:48:58,269 --> 00:49:02,315
set me on a course
to be with those type of people.

929
00:49:03,107 --> 00:49:07,695
What I started to realize
was I'm comfortable with this,

930
00:49:07,695 --> 00:49:09,822
but I don't like this.

931
00:49:09,822 --> 00:49:12,283
I want something different.
I want something better.

932
00:49:17,705 --> 00:49:22,418
[Affleck] Jen felt
emotionally neglected as a child.

933
00:49:23,044 --> 00:49:24,671
We are kind of learning more and more,

934
00:49:24,671 --> 00:49:27,215
it doesn't have to be like sort of
the kind of trauma where you're,

935
00:49:27,215 --> 00:49:30,677
you know, locked in a basement for a year
to leave wounds on you.

936
00:49:30,677 --> 00:49:33,012
In fact, they're deceptive
when they're harder to pin down.

937
00:49:33,971 --> 00:49:36,516
It's a hard thing to look at somebody
whose professional life

938
00:49:36,516 --> 00:49:39,310
is wildly successful and who,
you know, on Instagram

939
00:49:39,310 --> 00:49:41,396
looks like they're living
the happiest life in the world.

940
00:49:42,188 --> 00:49:44,691
The thing you discover,
like you do with... with alcohol,

941
00:49:44,691 --> 00:49:46,526
is that there isn't enough alcohol

942
00:49:46,526 --> 00:49:49,362
in all the liquor stores in the world
to fill up that thing.

943
00:49:49,362 --> 00:49:52,490
And in Jennifer's case,
I don't think there's enough followers

944
00:49:52,490 --> 00:49:55,785
or-or movies or records
or-or any of that stuff to...

945
00:49:56,202 --> 00:49:57,995
to still that part of you

946
00:49:57,995 --> 00:50:01,290
that still feels a longing and a pain.

947
00:50:01,958 --> 00:50:05,503
Ultimately, that's the work
that you've got to do on your own.

948
00:50:05,503 --> 00:50:08,589
[somber music playing]

949
00:50:19,308 --> 00:50:20,893
I like taking my hair out like this.

950
00:50:21,227 --> 00:50:24,147
It reminds me
like when I was 16 in the Bronx,

951
00:50:24,647 --> 00:50:26,733
running up and down the block.

952
00:50:28,735 --> 00:50:30,778
That crazy little girl
who used to fuckin'...

953
00:50:32,196 --> 00:50:33,990
be wild and...

954
00:50:34,615 --> 00:50:37,410
No limits.
All dreams and shit.

955
00:50:41,038 --> 00:50:42,623
[man] It meant a lot to me

956
00:50:42,623 --> 00:50:46,419
{\an8}to have a young Latina
come from where we come from

957
00:50:46,419 --> 00:50:47,587
{\an8}and be successful.

958
00:50:47,587 --> 00:50:50,465
["Feelin' So Good"
by Jennifer Lopez playing]

959
00:50:50,465 --> 00:50:53,468
The whole first album
I was in almost every session.

960
00:50:54,552 --> 00:50:55,887
{\an8}<i>♪ A'ight, now I want you to dance ♪</i>

961
00:50:55,887 --> 00:50:58,347
{\an8}[Fat Joe] We used to be there almost
every night just watching 'em record

962
00:50:58,347 --> 00:51:00,850
{\an8}all these iconic records.

963
00:51:00,850 --> 00:51:05,271
{\an8}<i>♪ Party on tonight
Everything is feeling right, DJ ♪</i>

964
00:51:06,773 --> 00:51:08,399
[Fat Joe] We grew up together.

965
00:51:08,399 --> 00:51:11,068
We've been in the game 30 years,
been through ups and downs.

966
00:51:11,068 --> 00:51:13,112
<i>- ♪ Am I handsome or not? ♪
- ♪ Joe, you the Don ♪</i>

967
00:51:13,112 --> 00:51:15,907
<i>♪ Jenny, you the bomb
Any man disrespect, good as gone ♪</i>

968
00:51:15,907 --> 00:51:19,285
<i>♪ When I opened up my eyes today ♪</i>

969
00:51:19,285 --> 00:51:23,080
<i>♪ Felt the sun shining on my face ♪</i>

970
00:51:23,080 --> 00:51:25,833
[Fat Joe] You're looking at
a hopeless romantic.

971
00:51:25,833 --> 00:51:28,419
And every time you rooted for her,
you always thought

972
00:51:28,419 --> 00:51:30,087
all right, maybe this is the guy.

973
00:51:30,713 --> 00:51:36,010
<i>♪ I feel like there's no limit
To what I can see ♪</i>

974
00:51:36,010 --> 00:51:37,929
For people like me and Jenny,

975
00:51:37,929 --> 00:51:44,435
we don't break, we from the Bronx,
we had to overcome so many obstacles.

976
00:51:45,019 --> 00:51:49,398
We temporarily break down,
but they can't break people like us.

977
00:51:49,398 --> 00:51:51,484
[laughing]

978
00:51:51,901 --> 00:51:54,070
- How you doin', baby?
- How's it going?

979
00:51:54,070 --> 00:51:55,655
- You feeling good?
- I'm feeling great.

980
00:51:55,655 --> 00:51:56,572
You look amazing.

981
00:51:56,572 --> 00:51:58,866
You know,
I look like a psychiatrist, you know.

982
00:51:58,866 --> 00:52:00,243
[J.Lo] Yeah, I think that...

983
00:52:00,243 --> 00:52:05,164
It's a beautiful thing
to give my sister some sane advice.

984
00:52:05,581 --> 00:52:09,377
[J.Lo] We're from the same place, that was
why I picked you to do this specific part.

985
00:52:09,377 --> 00:52:12,213
Because it's like I would be talking
to you and you will understand me,

986
00:52:12,213 --> 00:52:13,923
and I will understand you.
You know what I mean?

987
00:52:13,923 --> 00:52:15,299
Definitely not a...

988
00:52:15,299 --> 00:52:18,803
He comes into the story at the right time
to speak some truth to her.

989
00:52:18,803 --> 00:52:20,805
You know?
To shake her out of her nonsense.

990
00:52:21,806 --> 00:52:24,016
- What am I doing wrong?
- [dog whimpers]

991
00:52:25,977 --> 00:52:27,979
Why is love so damn hard?

992
00:52:27,979 --> 00:52:31,941
[Fat Joe] You know, some people
use these impassioned relationships

993
00:52:31,941 --> 00:52:34,443
to avoid facing a much greater hurt.

994
00:52:34,443 --> 00:52:37,029
[J.Lo] You think
I'm covering something up,

995
00:52:37,029 --> 00:52:39,782
or I'm using love
as some kind of pain medicine?

996
00:52:40,408 --> 00:52:44,161
[Fat Joe] Have you ever considered
being alone for a minute?

997
00:52:46,372 --> 00:52:48,666
[J.Lo] I used to be terrified to be alone.

998
00:52:49,125 --> 00:52:51,127
I didn't know
what I was gonna do by myself.

999
00:52:51,127 --> 00:52:53,212
Who's going to take care of me,
who's going to protect me?

1000
00:52:54,213 --> 00:52:57,425
This one therapist said to me,
"Can you be alone?"

1001
00:52:57,842 --> 00:53:00,011
And I was like, I can do it.

1002
00:53:00,011 --> 00:53:02,889
I... [sputters]
I can be alone. I can be alone...

1003
00:53:03,222 --> 00:53:05,433
I'll be alone till Christmas. Okay?

1004
00:53:05,433 --> 00:53:07,351
Erasing everybody from your phone

1005
00:53:07,351 --> 00:53:10,688
who could possibly be somebody
you even think likes you.

1006
00:53:11,272 --> 00:53:13,900
Block everybody, do every...
and just be alone.

1007
00:53:16,068 --> 00:53:18,863
- Jane?
- [Jane Fonda] <i>Hello.</i>

1008
00:53:18,863 --> 00:53:21,157
{\an8}- Jane?
- <i>Is this Jennifer?</i>

1009
00:53:21,157 --> 00:53:23,492
{\an8}- It is, hi!
- <i>Oh hi, sweetheart.</i>

1010
00:53:23,492 --> 00:53:25,494
{\an8}<i>Oh, thanks for calling.</i>

1011
00:53:25,494 --> 00:53:27,663
<i>First of all, I want you to know that, uh...</i>

1012
00:53:28,998 --> 00:53:33,127
<i>I don't entirely know why,
but I feel invested in you and Ben,</i>

1013
00:53:33,127 --> 00:53:35,630
<i>and I really, really,
really want this to work.</i>

1014
00:53:35,630 --> 00:53:37,715
<i>However, this is my concern.</i>

1015
00:53:38,174 --> 00:53:41,093
<i>Like, it feels too much like
you're trying to prove something</i>

1016
00:53:41,093 --> 00:53:42,720
<i>instead of just living it.</i>

1017
00:53:43,262 --> 00:53:46,265
<i>You know, every other photograph
is the two of you kissing,</i>

1018
00:53:46,265 --> 00:53:48,726
<i>the two of you hugging. Um...</i>

1019
00:53:48,726 --> 00:53:51,729
That's us living our life. [laughing]

1020
00:53:51,729 --> 00:53:54,315
Jane and I have
a kind of love relationship

1021
00:53:54,315 --> 00:53:57,109
over many years
since she did <i>Monster-in-Law.</i>

1022
00:53:57,693 --> 00:53:59,195
You know, it was her first movie back

1023
00:53:59,195 --> 00:54:01,948
after leaving the business
for many, many years.

1024
00:54:02,490 --> 00:54:04,909
And we just... we really bonded.

1025
00:54:06,577 --> 00:54:07,870
[both laughing]

1026
00:54:07,870 --> 00:54:09,497
[Fonda] I didn't know what to expect,

1027
00:54:09,497 --> 00:54:11,123
what it was going to be like
working with her.

1028
00:54:11,832 --> 00:54:14,502
Oh, what I do to you. Oh.

1029
00:54:14,502 --> 00:54:18,673
When my son proposes to her
right next to me and I'm saying,

1030
00:54:18,673 --> 00:54:21,968
"Oh, how wonderful." But what I really
want to do is what I do in my fantasy,

1031
00:54:21,968 --> 00:54:25,596
is I want to take the back of her head
and shove her face into the table...

1032
00:54:25,596 --> 00:54:26,931
Please...

1033
00:54:26,931 --> 00:54:28,641
...over and over it.

1034
00:54:28,641 --> 00:54:31,310
[J.Lo] Hold on, hold on! I'm laughing.
I'm laughing. I can't laugh.

1035
00:54:31,310 --> 00:54:35,106
I really looked up to her,
obviously, as an amazing actress,

1036
00:54:35,106 --> 00:54:37,441
but also for what she
stood for in her life.

1037
00:54:37,984 --> 00:54:40,444
{\an8}There was so much about her,
in all her activism,

1038
00:54:40,444 --> 00:54:42,655
{\an8}and also that she
kinda got beat up in the press.

1039
00:54:43,322 --> 00:54:46,575
And we kind of are similar
when it comes to love.

1040
00:54:46,575 --> 00:54:47,576
[crowd cheering]

1041
00:54:47,576 --> 00:54:49,996
[Fonda] We became friends
on <i>Monster-in-Law</i>,

1042
00:54:49,996 --> 00:54:52,581
a film where I have to hate Jennifer.

1043
00:54:52,581 --> 00:54:55,167
It was the hardest acting job I ever had.

1044
00:54:55,167 --> 00:54:58,087
It seemed the more
we tortured each other on screen,

1045
00:54:58,087 --> 00:54:59,630
the closer we became as friends.

1046
00:54:59,630 --> 00:55:03,134
And I'm really grateful for
her friendship, her generosity,

1047
00:55:03,134 --> 00:55:08,305
which is huge, for showing the world
the beauty of booty!

1048
00:55:08,305 --> 00:55:09,932
[crowd cheers]

1049
00:55:09,932 --> 00:55:14,437
And making it easier for a whole lot
of girls to love theirs, including me.

1050
00:55:14,437 --> 00:55:16,397
Jennifer, thanks for having me be here.

1051
00:55:16,397 --> 00:55:18,649
[J.Lo] We actually started
shooting the Zodiacs,

1052
00:55:18,649 --> 00:55:21,694
which is what I wanted you to do,
to be kind of like the sage,

1053
00:55:22,194 --> 00:55:25,322
kind of like fairy godmother
of the Zodiacs.

1054
00:55:25,322 --> 00:55:29,493
Listen, Jane, any day you can do it,
any day you can spare two hours,

1055
00:55:29,493 --> 00:55:32,955
one for hair and makeup,
and one to come and do the lines.

1056
00:55:32,955 --> 00:55:34,999
It's... it will take that long.

1057
00:55:36,584 --> 00:55:37,752
[Fonda] <i>Uh...</i>

1058
00:55:40,212 --> 00:55:41,756
[J.Lo] She's very protective of me.

1059
00:55:41,756 --> 00:55:43,841
And she felt like
you're putting yourself out there

1060
00:55:43,841 --> 00:55:45,468
to get beat up again.

1061
00:55:46,594 --> 00:55:50,347
When Jen and I broke up before,

1062
00:55:50,347 --> 00:55:53,517
the catalyst for that
was this massive amount of scrutiny

1063
00:55:53,517 --> 00:55:55,436
around our private life.

1064
00:55:55,436 --> 00:55:57,480
[indistinct chattering from crowd]

1065
00:55:58,355 --> 00:56:01,233
{\an8}We bought a Bentley
and drove around town with it.

1066
00:56:01,233 --> 00:56:03,402
{\an8}You know, it's like,
"Yeah, take pictures of us!"

1067
00:56:03,402 --> 00:56:06,280
It wasn't that.
We just... we were just like

1068
00:56:06,280 --> 00:56:08,407
celebrating our lives and our love.

1069
00:56:08,407 --> 00:56:10,826
[Affleck] I had a very firm sense
of boundaries

1070
00:56:10,826 --> 00:56:14,997
initially around, like, the press,
while Jen, I don't think objected to it

1071
00:56:14,997 --> 00:56:17,833
in the way I did.
I very much did object to it.

1072
00:56:17,833 --> 00:56:21,462
Getting back together, I said,
"Listen, one of the things I don't want

1073
00:56:21,462 --> 00:56:23,756
is a relationship on social media."

1074
00:56:23,756 --> 00:56:27,676
And then I sort of realized
it's not a fair thing to ask.

1075
00:56:27,676 --> 00:56:32,515
It's sort of like, you know,
you're going to marry a boat captain,

1076
00:56:32,515 --> 00:56:34,767
and you go,
"Well, I don't like the water." You know?

1077
00:56:34,767 --> 00:56:37,186
We're just two people
with kind of different approaches,

1078
00:56:37,603 --> 00:56:40,397
trying to learn to compromise.

1079
00:56:45,236 --> 00:56:47,029
[woman] So this is... six, seven, eight.

1080
00:56:47,738 --> 00:56:51,158
<i>♪ We don't have to lie
We know this is wrong ♪</i>

1081
00:56:51,158 --> 00:56:54,995
<i>♪ Someone on my mind
And someone on my phone ♪</i>

1082
00:56:54,995 --> 00:56:58,082
[J.Lo] Everybody always tells you,
when a relationship is built on a rebound,

1083
00:56:58,082 --> 00:56:59,250
when somebody rebounds out of something,

1084
00:56:59,250 --> 00:57:01,210
they're not ready
for another relationship.

1085
00:57:01,210 --> 00:57:04,797
And no matter how hard they try,
or how long they try to stick together,

1086
00:57:04,797 --> 00:57:07,842
they're living in a glass house,
it's gonna... it's gonna shatter.

1087
00:57:07,842 --> 00:57:10,010
[woman] Push. <i>♪ Got me on that re... ♪</i>
Run it back.

1088
00:57:10,386 --> 00:57:13,222
<i>♪ Rebound, rebound ♪</i>

1089
00:57:13,681 --> 00:57:16,142
[J.Lo] It's always so easy
to judge other people and say,

1090
00:57:16,142 --> 00:57:19,812
"Oh, you were in that relationship,
and you're so fucking stupid."

1091
00:57:19,812 --> 00:57:22,481
You know, don't you see all your friends
always like, "Come on."

1092
00:57:22,481 --> 00:57:24,775
- And you're like, it is not that simple.
- [woman] Right.

1093
00:57:24,775 --> 00:57:26,152
- You know what I mean?
- [woman] Mm-hm.

1094
00:57:26,152 --> 00:57:29,363
There's something good about this person.
I'm trying to help this person.

1095
00:57:29,363 --> 00:57:32,908
And sometimes it's the broken parts in us
that keep us there.

1096
00:57:32,908 --> 00:57:34,827
<i>♪ We go up and down ♪</i>

1097
00:57:34,827 --> 00:57:36,495
<i>♪ We get lost and found ♪</i>

1098
00:57:36,495 --> 00:57:40,249
<i>♪ We go 'round and 'round
We fall in and out ♪</i>

1099
00:57:40,249 --> 00:57:43,544
<i>♪ Rebound, rebound, rebound
Catch me on that ♪</i>

1100
00:57:43,544 --> 00:57:46,839
<i>♪ Rebound, rebound, rebound ♪</i>

1101
00:57:46,839 --> 00:57:50,509
<i>♪ We go up and down
We get lost and found ♪</i>

1102
00:57:50,509 --> 00:57:54,013
<i>♪ We go 'round and 'round
We fall in and out ♪</i>

1103
00:57:56,265 --> 00:57:57,850
[Meyers] We want to show, is it...

1104
00:57:57,850 --> 00:58:00,227
It's like this kind of
being shredded and in tatters.

1105
00:58:00,936 --> 00:58:04,190
<i>♪ If the love ain't real
I can't really stick around ♪</i>

1106
00:58:04,190 --> 00:58:07,693
<i>♪ Guess the game got cold
Now, you wanna rebound ♪</i>

1107
00:58:07,693 --> 00:58:14,909
<i>♪ Catch me on that
Rebound, rebound, rebound ♪</i>

1108
00:58:14,909 --> 00:58:16,285
<i>♪ We go up and down ♪</i>

1109
00:58:16,285 --> 00:58:19,413
♪ W<i>e get lost and found
We go 'round and 'round ♪</i>

1110
00:58:19,413 --> 00:58:21,415
Glamorous. Glamorous life.

1111
00:58:25,127 --> 00:58:28,714
You know how much I love you,
you're my baby.

1112
00:58:29,965 --> 00:58:31,884
I'm always going to take care of you.

1113
00:58:32,635 --> 00:58:33,719
I'll never leave you.

1114
00:58:35,429 --> 00:58:36,388
No matter what.

1115
00:58:38,766 --> 00:58:41,268
[J.Lo] There were people in my life
who said I loved you,

1116
00:58:42,603 --> 00:58:44,772
and then didn't do things

1117
00:58:44,772 --> 00:58:47,566
that were kind of in line
with the word love.

1118
00:58:50,027 --> 00:58:52,071
- Perfect?
- What? [sighing]

1119
00:58:52,071 --> 00:58:55,115
- Perfect? Huh? Huh?
- Stop! I screwed up.

1120
00:58:55,115 --> 00:58:56,033
Stop!

1121
00:58:57,034 --> 00:58:57,910
I dare you.

1122
00:58:59,036 --> 00:59:00,412
[punching glass]

1123
00:59:00,412 --> 00:59:02,831
[dramatic music playing]

1124
00:59:05,626 --> 00:59:08,379
[dialogue muted]

1125
00:59:13,759 --> 00:59:16,220
[J.Lo] I always thought, like,
oh, it was this other person

1126
00:59:16,220 --> 00:59:18,222
that was doing all these things

1127
00:59:18,222 --> 00:59:20,557
that were bad and wrong,
but why am I attracting 'em?

1128
00:59:20,557 --> 00:59:23,936
Why am I doing that?
Why am I on that vibrational level?

1129
00:59:24,687 --> 00:59:26,689
The signs say we're a match.

1130
00:59:27,690 --> 00:59:31,902
It's because I haven't
got myself together.

1131
00:59:32,486 --> 00:59:35,990
Not looking outward,
like, what is wrong out here?

1132
00:59:35,990 --> 00:59:37,908
But what is wrong in here?

1133
00:59:38,742 --> 00:59:39,785
It's almost like digging

1134
00:59:39,785 --> 00:59:44,039
into the tar inside of you
and kind of pulling it out

1135
00:59:44,039 --> 00:59:48,085
deep down and going, this didn't
feel good and that didn't feel good.

1136
00:59:48,085 --> 00:59:51,338
And, wow, I didn't realize
that made me feel that way.

1137
00:59:51,338 --> 00:59:56,343
And, actually, I'm not really
taking care of myself in a good way.

1138
00:59:57,511 --> 00:59:59,513
What do you love about yourself?

1139
01:00:01,098 --> 01:00:03,559
[muffled screaming]

1140
01:00:06,729 --> 01:00:08,522
You have to hit rock bottom.

1141
01:00:09,440 --> 01:00:13,610
Where you're in situations
that are so uncomfortable

1142
01:00:13,610 --> 01:00:15,779
and so painful, that you finally go,

1143
01:00:15,779 --> 01:00:17,865
"I don't want this anymore."

1144
01:00:19,325 --> 01:00:20,951
A therapist said to me,

1145
01:00:21,702 --> 01:00:24,204
"What if this was your daughter,
what would you do?"

1146
01:00:25,205 --> 01:00:26,874
And it was so clear.

1147
01:00:27,583 --> 01:00:28,709
- [punching glass]
- [muffled screaming]

1148
01:00:29,251 --> 01:00:32,296
I was like, "I'd tell her get the fuck
out of here, never look back."

1149
01:00:33,297 --> 01:00:35,841
But for me,
it was so clouded and complicated

1150
01:00:35,841 --> 01:00:37,926
with so much of my...

1151
01:00:39,178 --> 01:00:42,681
past and my own pain
and hurt and dysfunction

1152
01:00:42,681 --> 01:00:46,226
that I couldn't see clearly.
It was like looking through fog.

1153
01:00:47,436 --> 01:00:50,814
[Meyers] In most turbulent relationships,
one of the common things

1154
01:00:50,814 --> 01:00:53,192
that you hear about is like,
it's hard to leave.

1155
01:00:53,192 --> 01:00:55,152
Even when you know, like,
I don't want to be here,

1156
01:00:55,152 --> 01:00:57,488
you stretch apart,
you're still pulled back.

1157
01:00:57,488 --> 01:01:00,949
And so it's sort of a metaphoric
explanation for that...

1158
01:01:00,949 --> 01:01:04,536
that tug and pull that you have
when a relationship's not quite working.

1159
01:01:07,873 --> 01:01:09,917
I'm glad that one's behind us.

1160
01:01:12,669 --> 01:01:14,380
[Gitty]
The shit that happens in real life,

1161
01:01:14,380 --> 01:01:17,132
the truth, to me,
that's the most interesting part.

1162
01:01:17,132 --> 01:01:19,176
And it's also
the most difficult part to say.

1163
01:01:19,176 --> 01:01:21,261
Some of these things,
we don't even admit to ourselves,

1164
01:01:21,261 --> 01:01:23,013
let alone admit to the entire world.

1165
01:01:24,390 --> 01:01:28,227
[J.Lo] Being thrown around
and manhandled like that, it's not fun.

1166
01:01:28,227 --> 01:01:32,398
I mean, I was never in a relationship
where I got... beat up.

1167
01:01:32,398 --> 01:01:33,440
- [woman] Mm-hm.
- Thank God.

1168
01:01:33,440 --> 01:01:38,445
But I've definitely been
manhandled and... hit...

1169
01:01:39,363 --> 01:01:42,574
couple of other unsavory... things.

1170
01:01:44,660 --> 01:01:47,454
Rough.
Disrespectful.

1171
01:01:53,627 --> 01:01:54,461
More than anything,

1172
01:01:54,461 --> 01:01:58,132
it's really a vulnerable place
for me to be in every day.

1173
01:01:58,132 --> 01:02:01,176
That's why I go to work every day
and I'm like, "What am I doing?

1174
01:02:01,760 --> 01:02:02,719
Why am I doing this?"

1175
01:02:02,719 --> 01:02:04,972
{\an8}<i>It's a personal journey, babe.</i>

1176
01:02:04,972 --> 01:02:09,101
{\an8}<i>A personal journey
that will relate to so many women</i>

1177
01:02:09,101 --> 01:02:11,311
<i>who are abused, who take abuse.</i>

1178
01:02:11,311 --> 01:02:15,190
<i>You're talking about
how we accept less than we deserve.</i>

1179
01:02:18,777 --> 01:02:22,030
I mean, I have good intentions with this,
I just don't want it to suck.

1180
01:02:22,030 --> 01:02:24,408
- What are you scared of? Sucking?
- That it's going to fucking suck...

1181
01:02:24,408 --> 01:02:25,742
- You're always going to be scared.
- ...fucking dick.

1182
01:02:25,742 --> 01:02:27,619
You're going to scared of it sucking
until it doesn't.

1183
01:02:28,245 --> 01:02:30,664
- Enjoy it.
- 'Cause it is sucking until it doesn't.

1184
01:02:30,664 --> 01:02:32,458
Well, right now, it's not finished,
you know what I mean?

1185
01:02:32,458 --> 01:02:33,625
This does have problems.

1186
01:02:33,625 --> 01:02:35,711
- Because it is fucking sucking...
- You've got to discern between things

1187
01:02:35,711 --> 01:02:39,047
that suck DNA-wise
and things that just don't work right.

1188
01:02:39,047 --> 01:02:41,675
- Well, DNA, I don't think it sucks.
- All right... that's all you need.

1189
01:02:41,675 --> 01:02:44,094
- But I think right now it just sucks.
- If the... the DNA is right...

1190
01:02:44,094 --> 01:02:47,473
- No, it doesn't suck. That's wrong.
- Yes, it does.

1191
01:02:47,473 --> 01:02:50,559
That's just inexperience,
that you haven't done this process before.

1192
01:02:50,559 --> 01:02:54,146
I'm sorry that I'm not
an award-winning director. I'm sorry.

1193
01:02:54,146 --> 01:02:56,440
- Well, if I was doing a musical concert...
- I'm sorry I didn't write

1194
01:02:56,440 --> 01:02:59,776
- all the things when I was 21 years old.
- If I was doing a rock show,

1195
01:02:59,776 --> 01:03:02,029
I would say to you,
"Tell me how this goes.

1196
01:03:02,029 --> 01:03:04,072
Are you usually afraid
before your first performance?"

1197
01:03:04,072 --> 01:03:05,991
[laughing]

1198
01:03:15,501 --> 01:03:17,711
[choreographer chatting indistinct]

1199
01:03:35,312 --> 01:03:36,271
[choreographer]
Want to try it again with music?

1200
01:03:36,271 --> 01:03:38,357
- Yeah.
- [choreographer] You got it. Here we go.

1201
01:03:38,357 --> 01:03:40,692
["Hearts and Flowers"
by Jennifer Lopez playing]

1202
01:03:40,692 --> 01:03:42,611
[choreographer] Yep. Let's go!

1203
01:03:44,863 --> 01:03:47,533
Five, six, seven, eight!

1204
01:03:47,908 --> 01:03:52,162
<i>♪ Hearts and flowers
It ain't all hearts and flowers ♪</i>

1205
01:03:52,162 --> 01:03:55,207
<i>♪ So many nights and hours ♪</i>

1206
01:03:55,207 --> 01:03:58,585
<i>♪ Every day of my life
In the grind, faithfully ♪</i>

1207
01:03:58,585 --> 01:04:03,215
<i>♪ Superpowers, we all got superpowers ♪</i>

1208
01:04:03,215 --> 01:04:05,717
<i>♪ Before you see my life
And say I live the dream ♪</i>

1209
01:04:05,717 --> 01:04:09,304
<i>♪ Remember everything
Ain't always what it seems ♪</i>

1210
01:04:09,304 --> 01:04:10,764
[music fading]

1211
01:04:13,141 --> 01:04:13,976
- [choreographer] Stop!
- [music cuts out]

1212
01:04:14,601 --> 01:04:17,020
[choreographer]
Four, five, six, seven, eight.

1213
01:04:17,020 --> 01:04:17,980
[foot stomps on floor]

1214
01:04:17,980 --> 01:04:19,314
[choreographer] Cross, go.

1215
01:04:20,232 --> 01:04:21,275
<i>♪ Now ♪</i>

1216
01:04:21,275 --> 01:04:24,027
["This Is Me... Now"
by Jennifer Lopez playing]

1217
01:04:26,321 --> 01:04:27,322
Fuck!

1218
01:04:28,991 --> 01:04:29,908
[music cuts out]

1219
01:04:34,788 --> 01:04:37,040
[indistinct chatter]

1220
01:04:38,959 --> 01:04:40,168
- [man] Here we go.
- Yeah.

1221
01:04:43,130 --> 01:04:44,881
<i>♪ Stop! ♪</i>

1222
01:04:44,881 --> 01:04:46,675
[ominous wind whooshing]

1223
01:04:46,675 --> 01:04:48,176
[boots stomping on floor]

1224
01:04:50,220 --> 01:04:51,597
<i>♪ Now ♪</i>

1225
01:04:52,222 --> 01:04:54,433
["This Is Me... Now" continues playing]

1226
01:04:55,267 --> 01:04:57,269
<i>♪ And I took my time ♪</i>

1227
01:04:59,605 --> 01:05:01,273
<i>♪ Had to heal my heart ♪</i>

1228
01:05:03,692 --> 01:05:05,819
[muffled music playing]

1229
01:05:16,204 --> 01:05:20,709
<i>♪ This is me now ♪</i>

1230
01:05:20,709 --> 01:05:21,960
<i>♪ And I took my time ♪</i>

1231
01:05:21,960 --> 01:05:24,713
<i>♪ And I took my time
And I took my time ♪</i>

1232
01:05:24,713 --> 01:05:28,925
<i>♪ This is me now ♪</i>

1233
01:05:28,925 --> 01:05:31,720
<i>♪ And I took my time
And I took my time ♪</i>

1234
01:05:31,720 --> 01:05:34,014
<i>♪ And I took my time ♪</i>

1235
01:05:34,806 --> 01:05:37,059
[Meyers] In the rehearsal,
you joked that you only had a couple

1236
01:05:37,059 --> 01:05:42,147
of these in you, but like, is there
an amount of passes that you wanna do?

1237
01:05:42,147 --> 01:05:44,441
- I don't have an amount in my head, no.
- Okay, cool.

1238
01:05:44,441 --> 01:05:45,942
- [man 1] Roll cameras.
- [man 2] Rolling.

1239
01:05:47,319 --> 01:05:48,779
[somber music playing]

1240
01:05:50,197 --> 01:05:51,406
[Meyers] On your marks, please.

1241
01:05:52,532 --> 01:05:53,533
All right, crane set.

1242
01:05:53,533 --> 01:05:54,451
Playback.

1243
01:05:58,288 --> 01:06:02,250
I forget how much older I am
than everybody now. [laughs]

1244
01:06:02,250 --> 01:06:05,671
- And everybody else is 22.
- Fifty. Yeah.

1245
01:06:05,671 --> 01:06:07,506
I'm just trying to keep up with them.

1246
01:06:09,966 --> 01:06:11,927
[Meyers] Three, two, one, action!

1247
01:06:19,059 --> 01:06:20,644
- [J.Lo] Dave?
- [Meyers] Yo.

1248
01:06:20,644 --> 01:06:22,145
What are we doing?

1249
01:06:22,145 --> 01:06:23,814
[Meyers] More. Right?

1250
01:06:23,814 --> 01:06:25,691
- Yeah. Yeah, yes.
- [Meyers] Yeah.

1251
01:06:25,691 --> 01:06:27,734
[dramatic music playing]

1252
01:06:37,703 --> 01:06:38,620
Are we ready?

1253
01:06:39,996 --> 01:06:41,957
- Last one!
- [group cheering]

1254
01:06:46,837 --> 01:06:47,963
[Meyers] And cut.

1255
01:06:52,968 --> 01:06:55,470
[Affleck]
She's still pushing the rock uphill.

1256
01:06:56,012 --> 01:07:00,142
And I want to say, like,
"You did it, you did it.

1257
01:07:00,142 --> 01:07:02,853
It's okay, you've did it, you proved it.

1258
01:07:02,853 --> 01:07:04,062
You're great.

1259
01:07:04,062 --> 01:07:06,273
You know, you can, like,
let it go for a minute.

1260
01:07:06,273 --> 01:07:09,484
Like, you don't have to carry this.

1261
01:07:09,484 --> 01:07:12,487
Uh... You don't have anything to prove."

1262
01:07:17,492 --> 01:07:19,327
[exhaling]

1263
01:07:24,541 --> 01:07:28,628
My heart rate and my wind is...
not the same.

1264
01:07:30,547 --> 01:07:32,507
I haven't taken a deep breath all day.

1265
01:07:34,217 --> 01:07:35,051
[inhaling]

1266
01:07:36,178 --> 01:07:37,012
[exhaling]

1267
01:07:37,596 --> 01:07:38,972
I'm not going to do anything this weekend.

1268
01:07:41,266 --> 01:07:43,268
- Nothing.
- [man] We're good.

1269
01:07:46,062 --> 01:07:48,064
I'm not gonna rehearse today.

1270
01:07:48,482 --> 01:07:49,566
I'm tired.

1271
01:07:50,609 --> 01:07:53,195
Those two notes sheets were fucking hard.

1272
01:07:54,863 --> 01:07:56,865
My husband's away at his...

1273
01:07:58,116 --> 01:07:59,117
[exhaling]

1274
01:08:00,952 --> 01:08:02,954
...premiere, and I'm really sad...

1275
01:08:06,500 --> 01:08:08,460
that I wasn't there with him
this weekend.

1276
01:08:10,587 --> 01:08:12,631
He got great reviews.

1277
01:08:12,631 --> 01:08:15,175
He's been working on this movie and this...

1278
01:08:19,012 --> 01:08:22,516
this company for a year and a half,
and I just feel bad.

1279
01:08:24,810 --> 01:08:27,729
He just is wondering like, is it worth it?
I don't know.

1280
01:08:33,193 --> 01:08:36,446
- Anyway... I think I just need a break.
- [phone chimes]

1281
01:08:36,446 --> 01:08:37,948
I think I'm just tired.

1282
01:08:39,241 --> 01:08:40,116
It's a lot.

1283
01:08:43,870 --> 01:08:47,707
You know that feeling you're just letting
everybody down all the time?

1284
01:08:48,500 --> 01:08:51,169
And you're never really
just doing anything right.

1285
01:08:51,169 --> 01:08:52,921
[sobbing]

1286
01:08:56,299 --> 01:08:57,342
[sniffles]

1287
01:08:59,219 --> 01:09:02,472
It... I just... It's...
I'm sure everybody feels that way.

1288
01:09:02,472 --> 01:09:06,017
Just always feel like
you're just not good enough,

1289
01:09:06,017 --> 01:09:08,478
you're not good enough at the steps,

1290
01:09:08,478 --> 01:09:10,730
you're not good enough in the movie,

1291
01:09:10,730 --> 01:09:12,816
you're not good enough as...

1292
01:09:14,150 --> 01:09:16,236
as a partner, as a mother, as...

1293
01:09:17,195 --> 01:09:19,197
all of the things.

1294
01:09:19,531 --> 01:09:22,617
And all you want to do
is be the best at all those things.

1295
01:09:23,285 --> 01:09:24,911
And it's just hard.

1296
01:09:29,082 --> 01:09:30,125
You know?

1297
01:09:38,466 --> 01:09:41,887
This is as close as I'll ever get
to this exercise equipment. [laughs]

1298
01:09:41,887 --> 01:09:43,513
Put your feet in the back.

1299
01:09:44,264 --> 01:09:45,891
Wait, hold on to the front.

1300
01:09:45,891 --> 01:09:47,976
[Goldsmith-Thomas] I don't even know
where the front is.

1301
01:09:47,976 --> 01:09:50,312
My foot back there?

1302
01:09:50,312 --> 01:09:52,063
Look, let me show you. Let me show you...

1303
01:09:52,063 --> 01:09:55,901
[woman] The fly. You put your feet there,
then you lay your arms out

1304
01:09:55,901 --> 01:09:57,986
and you fly like that.

1305
01:09:57,986 --> 01:09:59,112
You see?

1306
01:09:59,112 --> 01:10:01,281
- Okay, let's see if I can do that.
- [woman] Yeah.

1307
01:10:01,281 --> 01:10:04,451
I don't know if
this is the smartest thing for me.

1308
01:10:07,996 --> 01:10:10,290
I was so happy
eating yogurt five minutes ago.

1309
01:10:11,041 --> 01:10:12,584
So wait.
I put my...

1310
01:10:12,584 --> 01:10:14,461
- [woman] Yeah.
- Flat. Yes.

1311
01:10:14,461 --> 01:10:15,629
Now put your ankle in there.

1312
01:10:15,629 --> 01:10:17,505
Jennifer, my foot's too big.

1313
01:10:17,505 --> 01:10:19,257
There's nothing I can do about that.

1314
01:10:19,716 --> 01:10:21,217
Lean more forward...

1315
01:10:22,385 --> 01:10:25,055
- Fly, like you're flying.
- [J.Lo] Make enough space for your leg.

1316
01:10:25,055 --> 01:10:27,140
Your leg has to straighten out.

1317
01:10:27,766 --> 01:10:31,519
- Open your arm.
- [J.Lo] Yes. There you go, did it!

1318
01:10:31,519 --> 01:10:32,938
[woman] You did it.

1319
01:10:32,938 --> 01:10:36,650
- Now, let your arms out.
- Out where?

1320
01:10:36,650 --> 01:10:39,694
Let it fly. Let it fly. Let it fly.

1321
01:10:39,694 --> 01:10:42,238
Let it fly.
Put it on your chest and go up.

1322
01:10:43,239 --> 01:10:45,241
It's going to help you to go up and down.

1323
01:10:45,241 --> 01:10:48,536
Okay? I... Wow.
This was so fun. Thank you.

1324
01:10:51,206 --> 01:10:54,292
[J.Lo] When it's just me
all by myself, what do I like?

1325
01:10:54,834 --> 01:10:57,837
Once the kids were in bed,
and once all of that was happening,

1326
01:10:57,837 --> 01:11:00,048
and, you know, I was by myself,

1327
01:11:00,507 --> 01:11:03,176
you know, I started looking forward
to coming home, to being alone.

1328
01:11:03,927 --> 01:11:04,761
I liked it.

1329
01:11:05,679 --> 01:11:07,222
I enjoyed my own company.

1330
01:11:11,726 --> 01:11:14,729
All of our adult pain,
all of our adult trauma, all of our...

1331
01:11:14,729 --> 01:11:17,941
the things that we do that we don't like,
that we fucking do,

1332
01:11:18,358 --> 01:11:21,403
are because of that little girl,
or little boy inside of us,

1333
01:11:21,403 --> 01:11:22,487
that's screaming.

1334
01:11:22,988 --> 01:11:25,156
That little Jenny is always with me.

1335
01:11:25,156 --> 01:11:27,367
And I had to learn how to go back,

1336
01:11:27,367 --> 01:11:31,413
and you know, say, "Are you okay?"

1337
01:11:34,541 --> 01:11:37,210
You know, when we're born,
I just feel like we come out

1338
01:11:37,210 --> 01:11:40,547
so open and ready to love,

1339
01:11:40,547 --> 01:11:43,758
and ready to kind of, like,
believe in all the best things

1340
01:11:43,758 --> 01:11:46,261
about life, and our parents, and people.

1341
01:11:47,721 --> 01:11:49,723
And then little by little, we lose that.

1342
01:11:53,101 --> 01:11:56,688
I think my biggest fear
is that I'll fail at being a parent.

1343
01:12:02,360 --> 01:12:04,029
And I don't want to.

1344
01:12:09,284 --> 01:12:10,952
["Heart" by Darkside playing]

1345
01:12:11,453 --> 01:12:13,455
[Meyers] Now, hear we're entering
the heart chamber.

1346
01:12:13,455 --> 01:12:16,249
She's stuck in this heart
trying to keep it alive.

1347
01:12:16,249 --> 01:12:18,793
She's basically left for dead.

1348
01:12:20,128 --> 01:12:24,132
The last-ditch effort is to feed
the dying flame a rose petal.

1349
01:12:24,132 --> 01:12:26,259
Standby. Picture's gonna be up.
Quiet please.

1350
01:12:26,259 --> 01:12:27,761
Let's do it.
Here we go.

1351
01:12:30,180 --> 01:12:32,640
<i>♪ Can't you see behind this love? ♪</i>

1352
01:12:32,640 --> 01:12:37,187
<i>♪ Tell me you don’t know
What you don’t like what you see ♪</i>

1353
01:12:40,648 --> 01:12:43,026
[Meyers] We return and the rose petals
have come back

1354
01:12:43,026 --> 01:12:44,486
and the flame is roaring to life.

1355
01:12:44,486 --> 01:12:47,447
The factory is back working again
because she found love.

1356
01:12:47,447 --> 01:12:50,325
Flames are going to come up on this one.
We're going to be hot.

1357
01:12:50,325 --> 01:12:51,785
[song continues]

1358
01:13:03,963 --> 01:13:05,381
Well, I don't understand it.

1359
01:13:05,381 --> 01:13:08,134
- I know, because nobody does.
- [all laughing]

1360
01:13:09,385 --> 01:13:11,554
"Real love doesn't...
doesn't need to talk.

1361
01:13:11,554 --> 01:13:13,264
It just speaks for itself."

1362
01:13:13,264 --> 01:13:15,558
"That wasn't love. That was safe."

1363
01:13:17,227 --> 01:13:19,145
That's a good line.

1364
01:13:19,145 --> 01:13:20,855
"I wish... [exhales] Yeah.

1365
01:13:20,855 --> 01:13:22,941
How many times have I done that?"

1366
01:13:23,316 --> 01:13:25,360
You see where I'm going with this?
Okay, good.

1367
01:13:25,360 --> 01:13:29,697
Now she's gone through
three marriages that have fallen apart.

1368
01:13:29,697 --> 01:13:32,367
- [J.Lo] All the husbands on a mantle.
- [Meyers] Yeah.

1369
01:13:32,367 --> 01:13:34,452
[all laughing]

1370
01:13:34,452 --> 01:13:35,453
[J.Lo] And that's it.

1371
01:13:35,453 --> 01:13:36,454
Oh, no, no, no.

1372
01:13:36,454 --> 01:13:38,373
The very last one
is just kind of the celebration,

1373
01:13:38,373 --> 01:13:41,668
when everything goes perfect,
you know, the happy ending.

1374
01:13:42,460 --> 01:13:45,964
She loves herself, the last chapter. Jane.

1375
01:13:46,548 --> 01:13:48,216
[indistinct chatter]

1376
01:13:48,216 --> 01:13:51,386
Every night I go and play in this...
I wrote this song today.

1377
01:13:51,386 --> 01:13:53,012
I wrote this song today for you.

1378
01:13:53,012 --> 01:13:55,098
- I wrote this song... [chuckles]
- For you.

1379
01:13:56,015 --> 01:13:58,601
I get real scared,
you know, when all that shit

1380
01:13:58,601 --> 01:14:00,895
about the Grammys,
and he looked unhappy, it's like...

1381
01:14:00,895 --> 01:14:02,438
Oh, my God, what's happening?

1382
01:14:02,438 --> 01:14:03,815
Nothing. Nothing.

1383
01:14:03,815 --> 01:14:06,860
He was like, "It's like, I've become
the symbol of the beleaguered man."

1384
01:14:06,860 --> 01:14:07,944
[laughing]

1385
01:14:07,944 --> 01:14:08,862
[woman] That's right.

1386
01:14:08,862 --> 01:14:10,655
- [Meyers] We're ready to go.
- Yes, let's go.

1387
01:14:10,655 --> 01:14:12,907
[Meyers] And then as you...
as you get back interested in,

1388
01:14:12,907 --> 01:14:16,494
"Oh, what's she doing next?"
It's like, "Who's that guy?" You know?

1389
01:14:17,412 --> 01:14:19,706
[Fonda]
"Why can't she just live her life?"

1390
01:14:19,706 --> 01:14:20,874
[J.Lo] "She is living her life.

1391
01:14:20,874 --> 01:14:23,501
Why can't everyone
just let her live her life?

1392
01:14:24,127 --> 01:14:25,837
You know, she's a queen, she's amazing,

1393
01:14:25,837 --> 01:14:26,754
and I love her."

1394
01:14:26,754 --> 01:14:28,173
"Pisces. Pisces.

1395
01:14:28,173 --> 01:14:30,091
You're awful thirsty for a fish."

1396
01:14:31,050 --> 01:14:32,051
I don't know what it means.

1397
01:14:32,051 --> 01:14:34,053
I love it! It's so good.

1398
01:14:34,470 --> 01:14:37,056
[Meyers] It's great, thirsty is...
thirsty means that you're...

1399
01:14:37,056 --> 01:14:40,393
Thirsty is like somebody who's like,
you know, when they put, like, pictures

1400
01:14:40,393 --> 01:14:43,396
of themselves naked on Instagram
and they're always, like, posing.

1401
01:14:43,396 --> 01:14:45,023
- They're thirsty.
- Like you!

1402
01:14:45,023 --> 01:14:47,108
[laughter]

1403
01:14:48,943 --> 01:14:51,446
[J.Lo]
"Leah, they're calling her a maneater."

1404
01:14:51,446 --> 01:14:53,573
"They call you a maneater?"

1405
01:14:53,573 --> 01:14:55,200
[J.Lo] "I've been called many things."

1406
01:14:56,075 --> 01:14:57,243
"Join the club."

1407
01:14:57,243 --> 01:14:59,329
- [man] Yeah.
- [all laughing]

1408
01:15:00,121 --> 01:15:01,748
[man 2] Small re-light
for me to make that work.

1409
01:15:01,748 --> 01:15:04,042
[J.Lo] So we're going to do
a separate light cue for this.

1410
01:15:04,042 --> 01:15:05,293
[man 3] And they're watching a movie.

1411
01:15:05,293 --> 01:15:06,794
[J.Lo] It's exciting and scary.

1412
01:15:07,462 --> 01:15:09,172
You're right.
I'm putting myself out there.

1413
01:15:09,172 --> 01:15:10,840
- I get it.
- You're right.

1414
01:15:10,840 --> 01:15:13,551
But I don't, like I said,
I don't know how else to do it.

1415
01:15:13,551 --> 01:15:16,804
When people look at your life
and everything, and look at you,

1416
01:15:16,804 --> 01:15:20,433
it's hard to like...
How could you possibly have anything,

1417
01:15:20,892 --> 01:15:23,228
- you know, to complain about?
- That's why I think it's important to say.

1418
01:15:23,228 --> 01:15:27,148
Not complain about, but to...
that there's struggle there.

1419
01:15:27,148 --> 01:15:28,942
- Yeah.
- Yeah.

1420
01:15:28,942 --> 01:15:30,276
[indistinct background chatter]

1421
01:15:30,276 --> 01:15:32,362
I made some stupid mistakes, too.

1422
01:15:32,904 --> 01:15:36,741
Maybe you already know that,
but I'm admitting it to you.

1423
01:15:36,741 --> 01:15:38,201
- Yeah.
- You know what I mean?

1424
01:15:39,619 --> 01:15:41,537
[Meyers] All right, here we go.
Rolling, rolling.

1425
01:15:41,537 --> 01:15:42,789
Quiet, please. Everybody ready.

1426
01:15:43,623 --> 01:15:44,749
[man] Roll cameras, guys.
Let's roll sound.

1427
01:15:44,749 --> 01:15:45,667
[J.Lo] Don't make me cry.

1428
01:15:45,667 --> 01:15:47,502
This better be it, man,
I'm rooting for you.

1429
01:15:49,128 --> 01:15:51,214
[Affleck]
What's success for you with this?

1430
01:15:53,132 --> 01:15:56,719
Just doing it.
Just doing it is success.

1431
01:15:58,221 --> 01:16:02,058
I heard Prince say the thing
about making music is that it is

1432
01:16:02,058 --> 01:16:04,269
a success upon making it.

1433
01:16:04,269 --> 01:16:07,021
And I've never understood that
more than I do now.

1434
01:16:07,814 --> 01:16:10,275
And I know it could end disastrously.

1435
01:16:10,275 --> 01:16:11,317
I know that.

1436
01:16:11,317 --> 01:16:12,777
[Affleck] Why do it?

1437
01:16:13,736 --> 01:16:15,446
I think it's beautiful.

1438
01:16:17,490 --> 01:16:19,117
I think it's worthy.

1439
01:16:19,117 --> 01:16:21,202
I think it's worth the risk.

1440
01:16:21,786 --> 01:16:23,621
If it turns out great...

1441
01:16:25,290 --> 01:16:27,458
then that's... then I fulfilled my mission.

1442
01:16:27,917 --> 01:16:30,670
I let people know like, don't give up!

1443
01:16:31,838 --> 01:16:32,922
Do it!

1444
01:16:33,464 --> 01:16:34,841
Don't be afraid!

1445
01:16:34,841 --> 01:16:37,260
Fuck it, do it afraid! [laughs]

1446
01:16:37,260 --> 01:16:38,511
Do it afraid!

1447
01:16:40,305 --> 01:16:42,265
[upbeat music playing]

1448
01:16:43,808 --> 01:16:46,185
They're going to Vegas.
They're getting married.

1449
01:16:46,728 --> 01:16:48,146
You know they're gonna be
divorced in a year.

1450
01:16:48,146 --> 01:16:49,188
[laughing]

1451
01:16:49,188 --> 01:16:50,523
<i>♪ We're drowning ♪</i>

1452
01:16:50,523 --> 01:16:53,359
<i>♪ In orchid arrangements
Dresses and pastries ♪</i>

1453
01:16:53,359 --> 01:16:55,570
<i>♪ What if it's raining? Yeah ♪</i>

1454
01:16:55,570 --> 01:16:57,655
<i>♪ This is what we've been dreaming of ♪</i>

1455
01:16:58,990 --> 01:17:00,283
<i>♪ It's crowded ♪</i>

1456
01:17:00,283 --> 01:17:02,910
<i>♪ With families and agents
Room reservations ♪</i>

1457
01:17:02,910 --> 01:17:04,662
<i>♪ Which destination? ♪</i>

1458
01:17:04,662 --> 01:17:08,416
<i>♪ Paps, helicopters, event of the ages
Caught in the matrix ♪</i>

1459
01:17:08,416 --> 01:17:10,668
[Beezy]
Ben Affleck was not on my bingo card.

1460
01:17:10,668 --> 01:17:14,047
[laughs] I don't think he was anyone's
bingo card to come back.

1461
01:17:14,047 --> 01:17:15,965
And... what?

1462
01:17:15,965 --> 01:17:18,009
<i>♪ We can disappear tonight ♪</i>

1463
01:17:18,009 --> 01:17:21,554
<i>♪ What about a midnight trip to Vegas? ♪</i>

1464
01:17:21,554 --> 01:17:24,307
<i>♪ Just me and you, baby ♪</i>

1465
01:17:24,307 --> 01:17:26,059
[J.Lo] That heartbreak

1466
01:17:26,059 --> 01:17:28,644
set both of us on a course to just...

1467
01:17:28,644 --> 01:17:31,272
to figuring ourselves out,
and to being better people.

1468
01:17:31,939 --> 01:17:33,858
[Affleck] Do you think
you've forgiven me all the way?

1469
01:17:35,401 --> 01:17:37,737
Yeah, I think
I've forgiven you all the way.

1470
01:17:39,739 --> 01:17:42,283
I think I need to
forgive myself some things.

1471
01:17:43,910 --> 01:17:45,453
I just wanted to say thank you, guys.

1472
01:17:45,453 --> 01:17:47,538
This was a really, really special project.

1473
01:17:47,538 --> 01:17:51,376
I know half the time, you guys are like,
"What the fuck are you guys doing?"

1474
01:17:51,376 --> 01:17:55,129
But there is a method to our madness,
and it's a really beautiful story

1475
01:17:55,129 --> 01:17:58,800
to be told about love and loving yourself
and what that means for the world.

1476
01:17:59,384 --> 01:18:01,177
Everyone who worked on this film

1477
01:18:01,177 --> 01:18:04,931
and everyone who created the album,
they really empowered me

1478
01:18:04,931 --> 01:18:08,309
because they believed in
what I had to say, that...

1479
01:18:09,602 --> 01:18:11,604
there's magic out there.

1480
01:18:12,188 --> 01:18:14,732
Those five weeks
that we rehearsed with the dancers,

1481
01:18:14,732 --> 01:18:17,568
and created this
with all the choreographers,

1482
01:18:17,568 --> 01:18:20,029
it was such a cathartic experience for me.

1483
01:18:20,029 --> 01:18:22,532
I know it wasn't easy,
and I know I pushed you,

1484
01:18:22,532 --> 01:18:25,743
and I know I expected the moon
when we had,

1485
01:18:25,743 --> 01:18:28,413
- you know, budget for like a pack of gum.
- [laughter]

1486
01:18:30,039 --> 01:18:32,458
But you delivered above and beyond.

1487
01:18:32,458 --> 01:18:34,585
And I want to thank Dave

1488
01:18:34,585 --> 01:18:39,882
because he put his
whole heart and soul into this.

1489
01:18:39,882 --> 01:18:41,843
So, thank you so much, again.

1490
01:18:41,843 --> 01:18:43,928
[all cheering]

1491
01:18:46,305 --> 01:18:48,015
[J.Lo] I know we're over budget.

1492
01:18:48,516 --> 01:18:50,309
- Congratulations.
- Thank you.

1493
01:18:50,309 --> 01:18:51,936
[Affleck] So what happened?

1494
01:18:51,936 --> 01:18:53,229
Did you sell it?

1495
01:18:53,229 --> 01:18:55,440
[line trilling]

1496
01:18:55,440 --> 01:18:56,607
- [Meyers] <i>Hey.</i>
- Hey.

1497
01:18:56,607 --> 01:18:58,693
{\an8}It was all the people,

1498
01:18:58,693 --> 01:19:01,737
{\an8}the head of marketing,
the head of, you know, docs,

1499
01:19:01,737 --> 01:19:03,948
the head of the whole... all the heads.

1500
01:19:04,365 --> 01:19:07,326
And they were sitting there,
and the minute it was over,

1501
01:19:07,326 --> 01:19:09,745
she was like, "Oh, my God, Jennifer."

1502
01:19:09,745 --> 01:19:11,873
It could not have gone better.

1503
01:19:11,873 --> 01:19:13,499
- It was crazy.
- [Meyers] <i>That's awesome.</i>

1504
01:19:13,499 --> 01:19:14,959
And at the end of the day...

1505
01:19:15,918 --> 01:19:17,545
someone bought it.

1506
01:19:17,545 --> 01:19:19,755
- You put all this together yourself.
- We did it.

1507
01:19:19,755 --> 01:19:22,008
- No "we" about it.
- [laughing]

1508
01:19:22,008 --> 01:19:24,469
No fucking "we" about any of it.

1509
01:19:27,346 --> 01:19:28,639
Let's go!

1510
01:19:28,639 --> 01:19:30,433
[Affleck] It's the first time
she's done something

1511
01:19:30,433 --> 01:19:31,809
as an artistic form of expression

1512
01:19:31,809 --> 01:19:34,937
that was purely for the sake
of what she had to express.

1513
01:19:35,480 --> 01:19:37,815
It was about bringing out things
that she felt inside

1514
01:19:37,815 --> 01:19:39,275
that she just wanted to say.

1515
01:19:40,276 --> 01:19:43,070
And I don't really love
being in the making-of documentary

1516
01:19:43,070 --> 01:19:45,948
about my personal life,
which is why I'm so relieved

1517
01:19:46,324 --> 01:19:49,702
that it's not really... seems like I might
be in this, but it's not...

1518
01:19:49,702 --> 01:19:51,078
I'm not really.

1519
01:19:52,622 --> 01:19:55,124
I was worrying for no reason.

1520
01:19:55,833 --> 01:19:57,919
The movie wasn't about me.

1521
01:19:58,252 --> 01:20:01,631
It was about the ability to love yourself.

1522
01:20:03,174 --> 01:20:05,009
And that love story

1523
01:20:05,009 --> 01:20:09,013
is a lot fucking harder to find
than Prince Charming.

1524
01:20:16,604 --> 01:20:18,606
[Lewis] You don't fuck around with time.

1525
01:20:20,608 --> 01:20:22,985
You live and learn.
Let me say this to you...

1526
01:20:24,487 --> 01:20:27,281
the prize for aging...

1527
01:20:29,200 --> 01:20:30,034
is wisdom.

1528
01:20:31,619 --> 01:20:33,621
Wisdom feels good.

1529
01:20:36,958 --> 01:20:38,709
It's precious.

1530
01:20:40,086 --> 01:20:42,547
Love something, love somebody.

1531
01:20:42,547 --> 01:20:44,173
But more than that,

1532
01:20:45,591 --> 01:20:49,929
you better find a way
to at least like yourself.

1533
01:20:53,266 --> 01:20:55,893
When you take your last breath,

1534
01:20:57,478 --> 01:21:02,275
you won't think about
who did something wrong to you.

1535
01:21:03,401 --> 01:21:07,655
You will think about who loved you.

1536
01:21:13,619 --> 01:21:15,329
[Sadghuru]
Love is not something that you do,

1537
01:21:15,329 --> 01:21:17,248
it's something that you can become.

1538
01:21:19,417 --> 01:21:20,960
It's lifelong.

1539
01:21:20,960 --> 01:21:22,044
It goes on...

1540
01:21:23,921 --> 01:21:26,299
Whether you like it or you don't like it,

1541
01:21:26,299 --> 01:21:29,051
you'll end up loving something,
if not somebody.

1542
01:21:30,886 --> 01:21:33,639
[deGrasse Tyson] Our atoms
were forged in the cores of stars.

1543
01:21:34,140 --> 01:21:37,602
Those stars exploded, scattering
that enrichment across the galaxy,

1544
01:21:37,602 --> 01:21:42,064
out of which the next generations
of stars and planets are born.

1545
01:21:43,024 --> 01:21:43,858
We are stardust.

1546
01:21:45,067 --> 01:21:46,485
It is literally true.

1547
01:21:49,697 --> 01:21:51,699
Not only are you alive in the universe,

1548
01:21:53,534 --> 01:21:55,661
the universe is alive within you.

1549
01:22:00,625 --> 01:22:03,711
You know, art is beauty, but it's pain.

1550
01:22:04,712 --> 01:22:08,591
You know, sometimes it's the pain
that's beautiful, it's sad.

1551
01:22:12,261 --> 01:22:14,805
[J.Lo]
I feel like I came out the other side.

1552
01:22:16,098 --> 01:22:19,477
I've made it through.
I've made something good of my life.

1553
01:22:19,477 --> 01:22:21,562
And I'm proud of that.

1554
01:22:22,647 --> 01:22:24,315
But one of the parts of that

1555
01:22:24,315 --> 01:22:27,693
was admitting to myself,
you're not perfect.

1556
01:22:28,402 --> 01:22:31,447
You're not completely whole.

1557
01:22:32,406 --> 01:22:33,908
And you know what?

1558
01:22:33,908 --> 01:22:36,911
Something that's worn
and older and broken,

1559
01:22:36,911 --> 01:22:40,206
like a nice, leather jacket,
or an old pair of boots,

1560
01:22:40,206 --> 01:22:41,874
is really beautiful.

1561
01:22:42,833 --> 01:22:44,835
And kind of embracing the beauty

1562
01:22:46,379 --> 01:22:49,382
of the scars
that we pick up along the way.

1563
01:22:51,008 --> 01:22:53,636
{\an8}["I Still Love You"
by Switch and Andrea Martin playing]

1564
01:22:53,636 --> 01:22:56,639
{\an8}[vocalizing]

1565
01:23:05,856 --> 01:23:08,984
{\an8}<i>♪ Ain't it strange
How I call out your name? ♪</i>

1566
01:23:08,984 --> 01:23:10,820
{\an8}<i>♪ I met silence again ♪</i>

1567
01:23:10,820 --> 01:23:16,575
{\an8}<i>♪ Can't remember when I last smiled within
'Cause doing bad is in ♪</i>

1568
01:23:16,575 --> 01:23:18,577
{\an8}<i>♪ But I'm letting go ♪</i>

1569
01:23:18,577 --> 01:23:20,121
{\an8}<i>♪ I'm giving in ♪</i>

1570
01:23:20,121 --> 01:23:22,206
{\an8}<i>♪ 'Cause I still love you ♪</i>

1571
01:23:22,206 --> 01:23:24,125
{\an8}<i>♪ Please come back to me ♪</i>

1572
01:23:24,125 --> 01:23:25,918
{\an8}<i>♪ I still love you ♪</i>

1573
01:23:25,918 --> 01:23:27,712
{\an8}<i>♪ He's everything I need ♪</i>

1574
01:23:27,712 --> 01:23:29,630
{\an8}<i>♪ I still love you ♪</i>

1575
01:23:29,630 --> 01:23:31,590
{\an8}<i>♪ You make my life complete ♪</i>

1576
01:23:31,590 --> 01:23:37,138
{\an8}<i>♪ I still love you, I still love you ♪</i>

1577
01:23:37,138 --> 01:23:38,973
{\an8}<i>♪ Please come back to me ♪</i>

1578
01:23:38,973 --> 01:23:41,183
{\an8}<i>♪ I still love you ♪</i>

1579
01:23:41,183 --> 01:23:42,768
{\an8}<i>♪ He's everything I need ♪</i>

1580
01:23:42,768 --> 01:23:44,770
{\an8}<i>♪ I still love you ♪</i>

1581
01:23:44,770 --> 01:23:46,647
{\an8}<i>♪ You make my life complete ♪</i>

1582
01:23:46,647 --> 01:23:50,234
{\an8}<i>♪ I still love you ♪</i>

1583
01:23:50,985 --> 01:23:53,821
{\an8}<i>♪ I need to breathe
I need you to succeed ♪</i>

1584
01:23:53,821 --> 01:23:57,616
{\an8}<i>♪ I met silence again
'Cause his love grew thin ♪</i>

1585
01:23:57,616 --> 01:24:01,412
{\an8}<i>♪ I can't hurt the same
I'm immune to pain ♪</i>

1586
01:24:01,412 --> 01:24:05,124
{\an8}<i>♪ If you break these chains
Help me live again ♪</i>

1587
01:24:05,124 --> 01:24:08,919
{\an8}<i>♪ If I'd known it was you
I woulda said it was you ♪</i>

1588
01:24:08,919 --> 01:24:12,757
{\an8}<i>♪ But you gave up too soon
You made it seem true ♪</i>

1589
01:24:12,757 --> 01:24:16,677
{\an8}<i>♪ I will risk my heart
If you risk yours again ♪</i>

1590
01:24:16,677 --> 01:24:20,097
{\an8}<i>♪ Boy, I'm letting go, I'm giving in ♪</i>

1591
01:24:20,097 --> 01:24:22,183
{\an8}<i>♪ 'Cause I still love you ♪</i>

1592
01:24:22,183 --> 01:24:24,059
{\an8}<i>♪ Please come back to me ♪</i>

1593
01:24:24,059 --> 01:24:25,936
{\an8}<i>♪ I still love you ♪</i>

1594
01:24:25,936 --> 01:24:27,688
{\an8}<i>♪ He's everything I need ♪</i>

1595
01:24:27,688 --> 01:24:30,024
{\an8}<i>♪ I still love you ♪</i>

1596
01:24:30,024 --> 01:24:31,567
{\an8}<i>♪ You make my life complete ♪</i>

1597
01:24:31,567 --> 01:24:37,239
{\an8}<i>♪ I still love you, I still love you ♪</i>

1598
01:24:37,239 --> 01:24:39,116
{\an8}<i>♪ Please come back to me ♪</i>

1599
01:24:39,116 --> 01:24:41,202
{\an8}<i>♪ I still love you ♪</i>

1600
01:24:41,202 --> 01:24:42,787
{\an8}<i>♪ He's everything I need ♪</i>

1601
01:24:42,787 --> 01:24:44,872
{\an8}<i>♪ I still love you ♪</i>

1602
01:24:44,872 --> 01:24:46,499
{\an8}<i>♪ You make my life complete ♪</i>

1603
01:24:46,499 --> 01:24:51,253
{\an8}<i>♪ I still love you ♪</i>

1604
01:24:52,463 --> 01:24:55,382
{\an8}<i>♪ No one ever wants to say goodbye ♪</i>

1605
01:24:56,258 --> 01:24:59,845
{\an8}<i>♪ We should have
Gave ourselves another try ♪</i>

1606
01:24:59,845 --> 01:25:04,975
{\an8}<i>♪ Should've only been one thing
Us against the wind ♪</i>

1607
01:25:07,561 --> 01:25:10,940
{\an8}<i>♪ Now I only have myself to blame ♪</i>

1608
01:25:10,940 --> 01:25:14,735
{\an8}<i>♪ And I cry beside
This thing called rain ♪</i>

1609
01:25:14,735 --> 01:25:20,366
{\an8}<i>♪ Wished our feelings never changed
But I'm letting go, I'm giving in ♪</i>

1610
01:25:20,366 --> 01:25:22,243
{\an8}<i>♪ I still love you ♪</i>

1611
01:25:22,243 --> 01:25:24,036
{\an8}<i>♪ Please come back to me ♪</i>

1612
01:25:24,036 --> 01:25:26,038
{\an8}<i>♪ I still love you ♪</i>

1613
01:25:26,038 --> 01:25:27,706
{\an8}<i>♪ He's everything I need ♪</i>

1614
01:25:27,706 --> 01:25:29,792
{\an8}<i>♪ I still love you ♪</i>

1615
01:25:29,792 --> 01:25:31,460
{\an8}<i>♪ You make my life complete ♪</i>

1616
01:25:31,460 --> 01:25:37,132
{\an8}<i>♪ I still love, I still love ♪</i>

1617
01:25:37,132 --> 01:25:38,801
{\an8}<i>♪ Please come back to me ♪</i>

1618
01:25:38,801 --> 01:25:41,053
{\an8}<i>♪ I still love you ♪</i>

1619
01:25:41,053 --> 01:25:42,805
{\an8}<i>♪ He's everything I need ♪</i>

1620
01:25:42,805 --> 01:25:44,849
{\an8}<i>♪ I still love you ♪</i>

1621
01:25:44,849 --> 01:25:46,684
{\an8}<i>♪ You make my life complete ♪</i>

1622
01:25:46,684 --> 01:25:52,064
{\an8}<i>♪ I still love, love... I still love you ♪</i>

1623
01:25:52,064 --> 01:25:53,816
{\an8}<i>♪ Please come back to me ♪</i>

1624
01:25:53,816 --> 01:25:55,943
{\an8}<i>♪ I still love you ♪</i>

1625
01:25:55,943 --> 01:25:57,778
{\an8}<i>♪ He's everything I need ♪</i>

1626
01:25:57,778 --> 01:25:59,697
{\an8}<i>♪ I still love you ♪</i>

1627
01:25:59,697 --> 01:26:01,490
{\an8}<i>♪ You make my life complete ♪</i>

1628
01:26:05,244 --> 01:26:07,246
{\an8}<i>♪ I still love you ♪</i>

1629
01:26:07,246 --> 01:26:08,914
{\an8}<i>♪ Please come back to me ♪</i>

1630
01:26:08,914 --> 01:26:11,041
{\an8}<i>♪ I still love you ♪</i>

1631
01:26:11,041 --> 01:26:12,668
{\an8}<i>♪ He's everything I need ♪</i>

1632
01:26:12,668 --> 01:26:14,795
{\an8}<i>♪ I still love you ♪</i>

1633
01:26:14,795 --> 01:26:16,797
{\an8}<i>♪ You make my life complete ♪</i>

1634
01:26:49,538 --> 01:26:51,874
[music fades out]



