1
00:00:00,000 --> 00:00:02,750
(dramatic music)

2
00:00:02,000 --> 00:00:07,000
Downloaded from
YTS.MX

3
00:00:08,000 --> 00:00:13,000
Official YIFY movies site:
YTS.MX

4
00:00:08,817 --> 00:00:11,400
(gentle music)

5
00:00:19,110 --> 00:00:21,108
- [Announcer] Right
now at this very moment,

6
00:00:21,150 --> 00:00:24,618
as you watch these light
rays striking the magnified eye,

7
00:00:24,660 --> 00:00:28,158
similar tiny beams of light
are entering your own eyes,

8
00:00:28,200 --> 00:00:29,928
and it's by our eyes that we are able

9
00:00:29,970 --> 00:00:32,073
to gain a great part of our knowledge.

10
00:00:33,330 --> 00:00:35,988
Nature has located the
eye close to the brain

11
00:00:36,030 --> 00:00:38,343
so that its messages
may arrive there quickly.

12
00:00:39,589 --> 00:00:42,867
(gentle music)

13
00:00:42,909 --> 00:00:45,318
(meat squishing)

14
00:00:45,360 --> 00:00:47,868
Now, just how do light rays act

15
00:00:47,910 --> 00:00:49,953
to form a clear picture within the eye,

16
00:00:51,240 --> 00:00:53,017
first, let us realize that light rays

17
00:00:53,059 --> 00:00:57,093
reflected from any object
radiate in all directions,

18
00:00:59,550 --> 00:01:02,568
and that as an object
moves farther away from us,

19
00:01:02,610 --> 00:01:05,508
the angle between the
rays that enter our eyes

20
00:01:05,550 --> 00:01:06,993
grows smaller and smaller.

21
00:01:09,567 --> 00:01:12,900
(meat chunks squishing)

22
00:01:13,793 --> 00:01:17,422
(grinder squeaking)
(gentle music continues)

23
00:01:17,464 --> 00:01:19,398
And finally, when the object is reached

24
00:01:19,440 --> 00:01:21,528
a distance of 15 feet or more,

25
00:01:21,570 --> 00:01:25,280
the rays entering our
eyes are practically parallel.

26
00:01:25,322 --> 00:01:28,269
(grinder squeaking)
(gentle music continues)

27
00:01:28,311 --> 00:01:30,648
Now, nature has provided
that the parallel ray

28
00:01:30,690 --> 00:01:33,408
shall produce a sharp
image upon the retina,

29
00:01:33,450 --> 00:01:34,668
and as one may say,

30
00:01:34,710 --> 00:01:37,968
with the eye in a state
of complete relaxation.

31
00:01:38,010 --> 00:01:40,668
But if a distant object approaches the eye,

32
00:01:40,710 --> 00:01:44,313
the angle between entering
rays again grows larger.

33
00:01:45,930 --> 00:01:48,438
This increasing angle changes the direction

34
00:01:48,480 --> 00:01:50,898
of the light rays as they
pass through the lens

35
00:01:50,940 --> 00:01:54,093
so that the sharp image
falls behind the retina.

36
00:01:56,940 --> 00:01:58,458
As a result, the image upon the retina

37
00:01:58,500 --> 00:02:00,213
tends to become blurred.

38
00:02:01,927 --> 00:02:04,098
This blurring causes a response

39
00:02:04,140 --> 00:02:06,018
or reflex within our brain,

40
00:02:06,060 --> 00:02:08,868
which brings about
harmonious internal adjustments

41
00:02:08,910 --> 00:02:11,178
of all parts of the eye.

42
00:02:11,220 --> 00:02:13,593
This adjustment is called accommodation.

43
00:02:15,540 --> 00:02:17,898
Accommodation restores
the sharply focused image

44
00:02:17,940 --> 00:02:20,418
with marvelous speed and accuracy.

45
00:02:20,460 --> 00:02:21,798
This is all the more remarkable

46
00:02:21,840 --> 00:02:25,368
because the distance
between lens and retina is fixed,

47
00:02:25,410 --> 00:02:27,723
and the lens itself must change its shape.

48
00:02:29,550 --> 00:02:31,668
It is also necessary that both our eyes

49
00:02:31,710 --> 00:02:33,337
be fixed upon the same point in order

50
00:02:33,379 --> 00:02:35,650
that we may see an object clearly.

51
00:02:38,578 --> 00:02:41,161
(gentle music)

52
00:02:49,473 --> 00:02:53,263
(gentle music) (birds chirping)

53
00:02:53,305 --> 00:02:56,055
(feet crunching)

54
00:02:57,006 --> 00:02:58,952
- Make me happy again.

55
00:02:58,994 --> 00:03:03,994
(gentle music continues) (birds chirping)

56
00:03:19,204 --> 00:03:22,621
(gentle music continues)

57
00:03:31,168 --> 00:03:33,835
(door creaking)

58
00:03:39,475 --> 00:03:42,058
(door banging)

59
00:03:49,983 --> 00:03:52,566
(somber music)

60
00:04:07,007 --> 00:04:10,184
(package crinkling)

61
00:04:10,226 --> 00:04:13,643
(somber music continues)

62
00:04:29,274 --> 00:04:32,774
(somber music continues)

63
00:04:34,702 --> 00:04:37,452
(pages rustling)

64
00:04:52,905 --> 00:04:55,488
(door banging)

65
00:04:56,776 --> 00:05:00,090
(latch clicking)

66
00:05:00,132 --> 00:05:03,132
(suspenseful music)

67
00:05:14,093 --> 00:05:17,926
(suspenseful music continues)

68
00:05:32,437 --> 00:05:36,354
(suspenseful music continues)

69
00:05:52,839 --> 00:05:55,256
(door thuds)

70
00:06:06,404 --> 00:06:09,237
(dialer rattling)

71
00:06:17,637 --> 00:06:20,304
(clock ticking)

72
00:06:36,324 --> 00:06:40,157
(suspenseful music continues)

73
00:06:57,655 --> 00:07:01,523
(suspenseful music continues)

74
00:07:01,565 --> 00:07:04,232
(phone ringing)

75
00:07:11,752 --> 00:07:13,169
- [Caller] Jacob.

76
00:07:14,432 --> 00:07:15,265
- Yeah,

77
00:07:16,685 --> 00:07:18,885
- [Caller] You won't
be afraid to be afraid.

78
00:07:20,820 --> 00:07:24,063
- Who is this? - You aren't afraid?

79
00:07:26,220 --> 00:07:27,053
- You're right.

80
00:07:28,615 --> 00:07:30,018
- [Caller] Of course not.

81
00:07:30,060 --> 00:07:32,238
You won't want anything to scare you.

82
00:07:32,280 --> 00:07:33,858
- Yeah. No shit.

83
00:07:33,900 --> 00:07:35,958
I wrote that in your little survey form.

84
00:07:36,000 --> 00:07:37,578
What's your point?

85
00:07:37,620 --> 00:07:40,248
- [Caller] So young and already so sad.

86
00:07:40,290 --> 00:07:42,468
That's why you're so aggressive.

87
00:07:42,510 --> 00:07:44,058
It's your only cover.

88
00:07:44,100 --> 00:07:45,618
- Hey, fuck you, man. All right.

89
00:07:45,660 --> 00:07:46,451
I thought I was doing this

90
00:07:46,493 --> 00:07:49,473
so I could skip all this
talky, shrinky bullshit.

91
00:07:50,340 --> 00:07:51,198
- [Caller] You don't wanna talk about

92
00:07:51,240 --> 00:07:52,490
anything with any weight,

93
00:07:53,610 --> 00:07:55,173
especially Shirlene?

94
00:07:57,864 --> 00:07:58,781
- Shirlene?

95
00:08:01,939 --> 00:08:05,356
What the fuck do you know about Shirlene?

96
00:08:06,660 --> 00:08:07,638
You guys said he wouldn't even go

97
00:08:07,680 --> 00:08:10,068
snoop around my past for this to work.

98
00:08:10,110 --> 00:08:11,418
- [Caller] That's right.

99
00:08:11,460 --> 00:08:12,866
- Then how do you know about her then?

100
00:08:12,908 --> 00:08:15,423
- [Caller] I know everything. Don't worry.

101
00:08:16,606 --> 00:08:18,402
We'll get another chance to talk.

102
00:08:18,444 --> 00:08:19,861
- Fuck you. Fuck.

103
00:08:28,290 --> 00:08:29,783
Oh, I see what you're trying to do.

104
00:08:32,250 --> 00:08:33,650
You're trying to set me off.

105
00:08:34,885 --> 00:08:36,456
- [Caller] That's right.

106
00:08:36,498 --> 00:08:39,408
And we both know how
easy that is, right, big guy?

107
00:08:39,450 --> 00:08:44,208
- Listen, as long as this
mind game, mind game,

108
00:08:44,250 --> 00:08:46,653
- Listen. - Yeah.

109
00:08:47,850 --> 00:08:50,268
- As long as this fixes
me as fast as you say,

110
00:08:50,310 --> 00:08:51,843
well, I'm ready for anything.

111
00:08:53,280 --> 00:08:55,253
So you guys throw whatever you want at me.

112
00:08:56,100 --> 00:08:58,794
- [Caller] No one who's gonna
throw anything at you, Jacob,

113
00:08:58,836 --> 00:09:00,925
or make anything happen.

114
00:09:00,967 --> 00:09:04,023
It's not how it works here. It's all you.

115
00:09:05,250 --> 00:09:08,133
Everything that happens here is you.

116
00:09:11,760 --> 00:09:13,728
- Well, let's get moving then.

117
00:09:13,770 --> 00:09:16,451
- [Caller] You can't
rush when you can't feel

118
00:09:16,493 --> 00:09:19,728
and you can't see when you can't stomach.

119
00:09:19,770 --> 00:09:21,510
- What? Now we're throwing out riddles?

120
00:09:21,552 --> 00:09:23,951
- [Caller] That's more of a thought.

121
00:09:23,993 --> 00:09:26,043
- I don't want your thoughts, asshole.

122
00:09:27,432 --> 00:09:30,318
(caller chuckles)

123
00:09:30,360 --> 00:09:31,510
Are you laughing at me?

124
00:09:32,572 --> 00:09:34,006
- [Caller] More like saying Goodbye, Jacob.

125
00:09:35,119 --> 00:09:37,119
- Goodbye. Jesus Christ.

126
00:09:38,200 --> 00:09:40,713
Okay. Y'all done now?

127
00:09:43,430 --> 00:09:45,263
- [Caller] I think so.

128
00:09:50,620 --> 00:09:53,620
(receiver clacking)

129
00:10:02,407 --> 00:10:05,407
(suspenseful music)

130
00:10:13,013 --> 00:10:15,414
(curtains swooshing)

131
00:10:15,456 --> 00:10:18,373
(package rustling)

132
00:10:21,093 --> 00:10:24,093
(suspenseful music)

133
00:10:36,286 --> 00:10:40,578
- [Announcer] The iris, with
its central opening, the pupil.

134
00:10:40,620 --> 00:10:42,258
Like the diaphragm of a camera,

135
00:10:42,300 --> 00:10:44,388
the iris regulates the amount of light

136
00:10:44,430 --> 00:10:46,380
and sharpens the image upon the retina.

137
00:10:47,370 --> 00:10:49,758
Nature has also provided ample protection

138
00:10:49,800 --> 00:10:51,741
for this very delicate organ.

139
00:10:51,783 --> 00:10:55,616
(suspenseful music continues)

140
00:11:00,960 --> 00:11:02,148
This front part bulges

141
00:11:02,190 --> 00:11:04,938
and forms a highly transparent window.

142
00:11:04,980 --> 00:11:08,388
Another important safeguard
to the eye is the tear gland,

143
00:11:08,430 --> 00:11:10,488
which secretes the tear fluid.

144
00:11:10,530 --> 00:11:12,078
This is an effective germicide,

145
00:11:12,120 --> 00:11:15,048
which drains through the
tear ducts into the nose

146
00:11:15,090 --> 00:11:18,003
after flushing and cleaning
the entire eye surface.

147
00:11:18,960 --> 00:11:20,868
Here, with the outer coverings removed,

148
00:11:20,910 --> 00:11:22,998
we see the eyeball completely surrounded

149
00:11:23,040 --> 00:11:25,128
by a layer of soft fatty tissue

150
00:11:25,170 --> 00:11:27,258
and placed within the bony orbit

151
00:11:27,300 --> 00:11:29,988
where it lies protected
against sudden jolts.

152
00:11:30,030 --> 00:11:32,358
Seen from the side,
the protected possession

153
00:11:32,400 --> 00:11:35,238
of the eyeball within its
funnel shaped eye socket

154
00:11:35,280 --> 00:11:37,488
is shown still more clearly.

155
00:11:37,530 --> 00:11:39,198
Once again, we see the fatty cushion,

156
00:11:39,240 --> 00:11:40,953
which protects it on all sides.

157
00:11:41,850 --> 00:11:44,898
Note this white stalk,
which is the optic nerve,

158
00:11:44,940 --> 00:11:47,646
and also these muscles
which move the eyeball.

159
00:11:47,688 --> 00:11:48,479
(items clanking)

160
00:11:48,521 --> 00:11:51,708
This is the empty eye
socket within the skull

161
00:11:51,750 --> 00:11:53,568
with its bony walls inside

162
00:11:53,610 --> 00:11:55,878
and the rim of the bony orbit in front.

163
00:11:55,920 --> 00:11:58,578
The innermost layer of
the eyeball is the retina,

164
00:11:58,620 --> 00:12:00,203
a very delicate brain.

165
00:12:01,386 --> 00:12:03,272
The retina is actually a
part of the optic nerve,

166
00:12:03,314 --> 00:12:06,871
which transmits the
light impulses to our brain.

167
00:12:06,913 --> 00:12:08,174
The retina is the most important

168
00:12:08,216 --> 00:12:11,532
and complex structure in the eyeball.

169
00:12:11,574 --> 00:12:13,160
Magnified many hundred times,

170
00:12:13,202 --> 00:12:14,400
the retina is seen to consist

171
00:12:14,442 --> 00:12:17,264
of this complicated
arrangement of rods and cones,

172
00:12:17,306 --> 00:12:19,271
which convert light
waves into nerve impulses

173
00:12:19,313 --> 00:12:22,020
in some manner, which even science of today

174
00:12:22,062 --> 00:12:27,062
cannot fully explain.

175
00:12:39,029 --> 00:12:42,029
(suspenseful music)

176
00:12:45,545 --> 00:12:48,795
(toothbrush chuckling)

177
00:12:55,942 --> 00:12:59,775
(suspenseful music continues)

178
00:13:35,675 --> 00:13:38,241
(items clanging) (glass shattering)

179
00:13:38,283 --> 00:13:41,283
(suspenseful music)

180
00:13:44,036 --> 00:13:47,369
(light switch flicking)

181
00:13:52,114 --> 00:13:55,148
(suspenseful music continues)

182
00:13:55,190 --> 00:13:57,940
(guest groaning)

183
00:14:22,116 --> 00:14:22,949
Hey.

184
00:14:28,986 --> 00:14:29,819
Hello?

185
00:14:34,617 --> 00:14:36,117
Man, are you okay?

186
00:14:37,655 --> 00:14:40,405
(guest groaning)

187
00:14:43,556 --> 00:14:47,389
(suspenseful music continues)

188
00:14:50,143 --> 00:14:52,246
- That's so good.

189
00:14:52,288 --> 00:14:53,121
So good.

190
00:14:56,702 --> 00:14:59,119
Dreaming about my dog, Rocky.

191
00:15:02,304 --> 00:15:03,639
Rocky.

192
00:15:03,681 --> 00:15:05,348
Come here, boy.

193
00:15:05,390 --> 00:15:08,223
(guest whistling)

194
00:15:10,126 --> 00:15:11,043
Yeah, yeah.

195
00:15:12,642 --> 00:15:14,142
That's a good boy.

196
00:15:16,616 --> 00:15:18,533
Ouch. Calm down, Rocky.

197
00:15:19,499 --> 00:15:20,832
Ouch. Calm down.

198
00:15:21,811 --> 00:15:22,815
Rocky, down!

199
00:15:22,857 --> 00:15:24,440
Rocky, down!

200
00:15:24,482 --> 00:15:27,315
(guest screaming)

201
00:15:29,496 --> 00:15:31,496
- There's nothing there.

202
00:15:33,000 --> 00:15:35,750
(guest laughing)

203
00:15:39,470 --> 00:15:40,708
What?

204
00:15:40,750 --> 00:15:41,919
- You.

205
00:15:41,961 --> 00:15:43,961
You look fucking stupid.

206
00:15:46,008 --> 00:15:47,841
You're fucking stupid.

207
00:15:49,451 --> 00:15:51,784
You're a stupid, stupid dog.

208
00:15:56,961 --> 00:16:00,794
(suspenseful music continues)

209
00:16:05,552 --> 00:16:07,095
- How'd you do this?

210
00:16:07,137 --> 00:16:09,804
- I didn't do anything. You did.

211
00:16:12,192 --> 00:16:15,191
- This isn't a dream, right,

212
00:16:15,233 --> 00:16:17,291
'cause I don't remember going to sleep?

213
00:16:17,333 --> 00:16:20,416
- No, not a dream. You're in a cross.

214
00:16:22,656 --> 00:16:25,482
- Cross like a crossroads.

215
00:16:25,524 --> 00:16:28,806
- Yeah, an intersection
where your physical body

216
00:16:28,848 --> 00:16:31,534
and your subconscious exist

217
00:16:31,576 --> 00:16:34,493
on the same plane at the same time.

218
00:16:36,270 --> 00:16:37,806
Don't worry, Jacob.

219
00:16:37,848 --> 00:16:39,611
There's no dream in here.

220
00:16:39,653 --> 00:16:41,234
You can't go any further beside yourself

221
00:16:41,276 --> 00:16:43,638
than where you're at now.

222
00:16:43,680 --> 00:16:46,430
When you sleep, you'll only rest.

223
00:16:50,850 --> 00:16:52,600
You're gonna need it.

224
00:16:54,544 --> 00:16:55,451
Good night.

225
00:16:55,493 --> 00:16:58,243
(light flicking)

226
00:17:47,395 --> 00:17:50,062
(Jacob sighing)

227
00:18:10,271 --> 00:18:12,668
(toaster clanking)

228
00:18:12,710 --> 00:18:16,070
(battery thuds)

229
00:18:16,112 --> 00:18:19,029
(toaster clanking)

230
00:18:24,698 --> 00:18:27,448
(dramatic music)

231
00:18:49,552 --> 00:18:52,202
- Ladies and gentlemen,

232
00:18:52,244 --> 00:18:55,161
are you ready for the next contest?

233
00:18:56,920 --> 00:18:58,753
Are you ready to play?

234
00:19:00,614 --> 00:19:04,761
(audience applauding and cheering)

235
00:19:04,803 --> 00:19:06,835
(juice spilling)

236
00:19:06,877 --> 00:19:09,877
(audience laughing)

237
00:19:12,381 --> 00:19:15,548
Oh no. He fucked up, didn't he, folks?

238
00:19:17,237 --> 00:19:19,084
(audience laughing)

239
00:19:19,126 --> 00:19:22,043
That's all right. He can't help it.

240
00:19:23,349 --> 00:19:25,902
Jacob's kind of a clumsy prick.

241
00:19:25,944 --> 00:19:27,187
(audience laughing)

242
00:19:27,229 --> 00:19:28,990
What do you think?

243
00:19:29,032 --> 00:19:31,055
Should we give him another chance?

244
00:19:31,097 --> 00:19:32,557
(audience cheering)

245
00:19:32,599 --> 00:19:33,682
Are you sure?

246
00:19:35,040 --> 00:19:36,662
(audience applauding and cheering)

247
00:19:36,704 --> 00:19:37,537
Okay.

248
00:19:38,735 --> 00:19:41,318
(gentle music)

249
00:19:45,396 --> 00:19:46,585
Ladies and gentlemen,

250
00:19:46,627 --> 00:19:49,630
are you ready to play the next contest?

251
00:19:49,672 --> 00:19:51,505
Are you ready to play?

252
00:19:52,448 --> 00:19:55,031
(upbeat music)

253
00:19:56,121 --> 00:20:00,371
(audience applauding and cheering)

254
00:20:02,663 --> 00:20:06,330
Was that so hard. you
stupid son of a bitch?

255
00:20:10,968 --> 00:20:13,822
Until next time, remember.

256
00:20:13,864 --> 00:20:16,114
- [All] Don't fuck this up.

257
00:20:19,521 --> 00:20:22,938
(upbeat music continues)

258
00:20:30,321 --> 00:20:33,738
(upbeat music continues)

259
00:20:43,656 --> 00:20:46,406
(shoe squishing)

260
00:20:49,527 --> 00:20:52,277
(feet shuffling)

261
00:21:04,432 --> 00:21:07,182
(Jacob grunting)

262
00:21:31,386 --> 00:21:33,969
(gentle music)

263
00:21:48,020 --> 00:21:51,437
(gentle music continues)

264
00:21:52,877 --> 00:21:57,534
- [Voices] Jacob.

265
00:21:57,576 --> 00:21:58,909
- What the fuck?

266
00:22:33,865 --> 00:22:36,478
God, I fucking hate hair.

267
00:22:36,520 --> 00:22:39,353
(water sploshing)

268
00:22:55,300 --> 00:22:58,133
(water splashing)

269
00:23:13,286 --> 00:23:16,036
(water drooping)

270
00:23:44,286 --> 00:23:47,119
(water splashing)

271
00:24:02,893 --> 00:24:05,643
(dramatic music)

272
00:24:15,907 --> 00:24:18,657
(water bubbling)

273
00:24:19,491 --> 00:24:22,241
(dramatic music)

274
00:24:38,021 --> 00:24:41,604
(dramatic music continues)

275
00:24:53,197 --> 00:24:54,364
What the fuck?

276
00:24:58,868 --> 00:25:01,618
(Jacob grunting)

277
00:25:08,340 --> 00:25:11,923
(dramatic music continues)

278
00:25:16,144 --> 00:25:17,254
It's coming off.

279
00:25:17,296 --> 00:25:20,879
(dramatic music continues)

280
00:25:55,908 --> 00:25:59,075
(containers clinking)

281
00:26:21,656 --> 00:26:24,239
(gentle music)

282
00:26:26,915 --> 00:26:29,665
(bottle shaking)

283
00:26:37,315 --> 00:26:40,732
(gentle music continues)

284
00:26:50,560 --> 00:26:53,977
(gentle music continues)

285
00:27:05,052 --> 00:27:07,885
(twinkling music)

286
00:27:17,929 --> 00:27:21,346
(gentle music continues)

287
00:27:35,914 --> 00:27:39,414
(gentle music continues)

288
00:27:44,340 --> 00:27:45,590
- Feeling blue?

289
00:27:47,457 --> 00:27:48,290
- Yeah.

290
00:27:49,654 --> 00:27:50,904
How'd you know?

291
00:27:52,775 --> 00:27:54,358
Your pajama, silly?

292
00:27:55,563 --> 00:27:56,396
Is it?

293
00:27:57,816 --> 00:27:58,732
I thought,

294
00:27:58,774 --> 00:28:01,040
I thought, - You thought what?

295
00:28:01,082 --> 00:28:02,832
It was a coincidence?

296
00:28:03,729 --> 00:28:04,646
- Isn't it?

297
00:28:07,368 --> 00:28:08,701
- Who is to say,

298
00:28:10,267 --> 00:28:11,184
what we do,

299
00:28:12,216 --> 00:28:13,299
why we do it,

300
00:28:15,559 --> 00:28:17,226
where it comes from?

301
00:28:19,320 --> 00:28:21,070
I mean, am I a woman,

302
00:28:23,605 --> 00:28:25,188
a part of a flower?

303
00:28:26,490 --> 00:28:29,713
Am I just an invention of your mind?

304
00:28:29,755 --> 00:28:33,172
(gentle music continues)

305
00:28:45,692 --> 00:28:48,359
(water rushing)

306
00:29:09,167 --> 00:29:12,167
(necklace clunking)

307
00:29:16,130 --> 00:29:16,963
Shirlene.

308
00:29:18,741 --> 00:29:21,324
(gentle music)

309
00:29:30,471 --> 00:29:33,888
(gentle music continues)

310
00:29:45,022 --> 00:29:48,439
(gentle music continues)

311
00:30:00,113 --> 00:30:03,530
(gentle music continues)

312
00:30:14,219 --> 00:30:17,636
(gentle music continues)

313
00:30:29,609 --> 00:30:33,026
(gentle music continues)

314
00:30:43,366 --> 00:30:46,783
(gentle music continues)

315
00:30:58,224 --> 00:31:01,641
(gentle music continues)

316
00:31:12,333 --> 00:31:15,833
(gentle music continues)

317
00:31:40,347 --> 00:31:42,847
(piano music)

318
00:31:49,832 --> 00:31:52,832
(singer vocalizing)

319
00:32:36,808 --> 00:32:39,641
(mermaid burping)

320
00:32:41,294 --> 00:32:44,294
(singer vocalizing)

321
00:32:55,556 --> 00:32:56,389
Fuck.

322
00:32:57,463 --> 00:32:58,296
Damn it.

323
00:33:00,128 --> 00:33:00,961
Fuck.

324
00:33:02,198 --> 00:33:05,198
(singer vocalizing)

325
00:33:10,335 --> 00:33:13,085
(guest laughing)

326
00:33:15,898 --> 00:33:19,416
(feet shuffling)

327
00:33:19,458 --> 00:33:22,208
(guest laughing)

328
00:33:31,933 --> 00:33:33,079
- Let me in. Let me in.

329
00:33:33,121 --> 00:33:34,263
No. I don't wanna hide it.

330
00:33:34,305 --> 00:33:35,400
No. No.

331
00:33:35,442 --> 00:33:37,439
- [Character] Well, well.

332
00:33:37,481 --> 00:33:39,017
What have we got here?

333
00:33:39,059 --> 00:33:40,559
A man, a tiny man.

334
00:33:43,537 --> 00:33:46,705
- I got a wife and kids. Millions of kids.

335
00:33:46,747 --> 00:33:48,335
- [Character] Hold on there mate.

336
00:33:48,377 --> 00:33:50,008
Nobody's going to hurt you.

337
00:33:50,050 --> 00:33:55,050
(horse neighing) (dramatic music)

338
00:34:02,796 --> 00:34:06,463
(dramatic music continues)

339
00:34:07,506 --> 00:34:10,089
(somber music)

340
00:34:13,615 --> 00:34:16,282
(remote clicks)

341
00:34:20,234 --> 00:34:22,484
- Sex, women, loose things.

342
00:34:23,711 --> 00:34:25,794
Things we thought we had.

343
00:34:29,685 --> 00:34:33,268
Ever have a dream where you find a treasure

344
00:34:40,923 --> 00:34:42,340
of the wholeness,

345
00:34:43,318 --> 00:34:44,318
the elation,

346
00:34:49,459 --> 00:34:51,042
but as you wake up,

347
00:34:52,055 --> 00:34:55,181
that perfect reality begins to fall apart.

348
00:34:55,223 --> 00:34:58,392
By the time you open your eyes,

349
00:34:58,434 --> 00:35:01,101
that realization, it's all gone.

350
00:35:03,994 --> 00:35:06,827
(feet shuffling)

351
00:35:11,190 --> 00:35:15,023
Just like the pink glory
you lost in the pond.

352
00:35:18,868 --> 00:35:20,868
You remember, don't you?

353
00:35:22,629 --> 00:35:23,546
- I do now.

354
00:35:24,663 --> 00:35:26,080
When I was seven.

355
00:35:28,625 --> 00:35:30,099
- Your father told you to use worms,

356
00:35:30,141 --> 00:35:32,808
but you wanted to fish like him.

357
00:35:33,867 --> 00:35:36,055
So when he wasn't looking,

358
00:35:36,097 --> 00:35:39,538
you took that lure out of the tackle box.

359
00:35:39,580 --> 00:35:41,747
- And then I put him around
the other side of the tree

360
00:35:41,789 --> 00:35:43,779
so he couldn't see me.

361
00:35:43,821 --> 00:35:44,738
- And then?

362
00:35:46,244 --> 00:35:48,161
- It was a perfect ass.

363
00:35:49,210 --> 00:35:52,726
- But you didn't know how to knot it.

364
00:35:52,768 --> 00:35:54,101
And it was gone.

365
00:35:55,578 --> 00:35:57,842
- I should have jumped in that pond.

366
00:35:57,884 --> 00:35:59,801
He got it from grandpa.

367
00:36:01,589 --> 00:36:03,256
- When he found out,

368
00:36:04,788 --> 00:36:08,464
he started to scold you, but stopped

369
00:36:08,506 --> 00:36:11,673
and began to laugh at himself instead.

370
00:36:12,628 --> 00:36:14,128
- He's a good dad,

371
00:36:17,347 --> 00:36:18,847
bad at everything.

372
00:36:20,042 --> 00:36:21,292
- You think so?

373
00:36:24,151 --> 00:36:27,304
- Bad son, employee, student?

374
00:36:27,346 --> 00:36:28,596
Watch the show.

375
00:36:31,073 --> 00:36:32,602
- The show.

376
00:36:32,644 --> 00:36:35,017
- The one on the TV.

377
00:36:35,059 --> 00:36:36,627
- Yeah, I've seen the show.

378
00:36:36,669 --> 00:36:37,460
All right.

379
00:36:37,502 --> 00:36:40,919
Endless diagram of eye... Well, try again.

380
00:36:43,631 --> 00:36:45,273
And eat something.

381
00:36:45,315 --> 00:36:46,898
You look like shit.

382
00:36:48,148 --> 00:36:51,020
- Thanks. - You're welcome.

383
00:36:51,062 --> 00:36:52,718
- No, I meant thanks for the insult.

384
00:36:52,760 --> 00:36:54,078
- I know what you meant.

385
00:36:54,120 --> 00:36:56,870
(feet shuffling)

386
00:37:19,030 --> 00:37:21,549
- [Announcer] Here in
addition, we see the choroid.

387
00:37:21,591 --> 00:37:24,971
It consists of three
different belts or zones.

388
00:37:25,013 --> 00:37:27,400
The first zone is called the choroid proper

389
00:37:27,442 --> 00:37:29,380
and is the part that carries nourishment

390
00:37:29,422 --> 00:37:31,589
to the tissues of the eye.

391
00:37:32,452 --> 00:37:35,579
The next zone is called the ciliary body.

392
00:37:35,621 --> 00:37:39,036
This is a broad ring shaped
band of thin muscle fibers,

393
00:37:39,078 --> 00:37:40,894
which play a very active and vital part

394
00:37:40,936 --> 00:37:43,770
in the visual adjustment of the eye.

395
00:37:43,812 --> 00:37:46,560
Here is an outside view
of the entire choroid,

396
00:37:46,602 --> 00:37:48,399
which shows the dense network of arteries

397
00:37:48,441 --> 00:37:52,274
and veins carrying
nourishment to the eyeball.

398
00:37:53,208 --> 00:37:56,722
You can also see the shape
of the ciliary body and the iris.

399
00:37:56,764 --> 00:37:59,545
The innermost layer of
the eyeball is the retina,

400
00:37:59,587 --> 00:38:02,276
a very delicate membrane.

401
00:38:02,318 --> 00:38:04,811
The retina is actually a
part of the optic nerve,

402
00:38:04,853 --> 00:38:08,335
which transmits the
light impulses to our brain.

403
00:38:08,377 --> 00:38:09,614
The retina is the most important

404
00:38:09,656 --> 00:38:11,752
and complex structure in the eyeball.

405
00:38:11,794 --> 00:38:13,904
- Why even bother?

406
00:38:13,946 --> 00:38:15,344
- [Announcer] Magnified many hundred times,

407
00:38:15,386 --> 00:38:16,586
the retina is seen to consist

408
00:38:16,628 --> 00:38:20,033
of this complicated
arrangement of rods and cones,

409
00:38:20,075 --> 00:38:22,850
which convert light
waves into nerve impulses

410
00:38:22,892 --> 00:38:25,167
in some manner, which
even science of today,

411
00:38:25,209 --> 00:38:26,959
cannot fully explain.

412
00:38:27,809 --> 00:38:30,608
Between the lens and the cornea,

413
00:38:30,650 --> 00:38:35,650
(tape clicking) (somber music)

414
00:38:43,746 --> 00:38:46,329
(gentle music)

415
00:38:55,135 --> 00:38:57,970
(young Jacob laughing)

416
00:38:58,012 --> 00:39:00,512
- [Jacob's Dad] Come on Jacob.

417
00:39:02,440 --> 00:39:05,550
You know you need your glasses.

418
00:39:05,592 --> 00:39:09,009
(gentle music continues)

419
00:39:23,019 --> 00:39:26,436
(gentle music continues)

420
00:39:38,875 --> 00:39:42,375
(gentle music continues)

421
00:39:51,690 --> 00:39:55,440
- There you go, Shirlene.
- Thank you, Jacob.

422
00:39:58,116 --> 00:39:59,033
- Nice try.

423
00:40:00,104 --> 00:40:02,521
YOu're still a piece of shit.

424
00:40:04,555 --> 00:40:07,138
(TV whooshing)

425
00:40:11,776 --> 00:40:14,359
(somber music)

426
00:40:31,545 --> 00:40:34,318
(somber music continues)

427
00:40:34,360 --> 00:40:37,027
(door creaking)

428
00:40:39,457 --> 00:40:42,622
(bell ringing)

429
00:40:42,664 --> 00:40:44,253
(gentle music)

430
00:40:44,295 --> 00:40:46,453
- [Shirlene] So you wanna go Jacob,

431
00:40:46,495 --> 00:40:48,393
like when we were little?

432
00:40:49,375 --> 00:40:51,393
- [Jacob] Yeah. Sounds like fun.

433
00:40:52,259 --> 00:40:54,926
- [Shirlene] It'll be, trust me.

434
00:40:56,563 --> 00:40:58,428
- [Friend] Hey, there's our guy.

435
00:40:58,470 --> 00:41:00,576
- [Friend 1] Jake, nice to see you.

436
00:41:00,618 --> 00:41:02,951
- [Jacob] Hi guys. What's up?

437
00:41:02,993 --> 00:41:06,056
- [Friend 1] Not much. You ready?

438
00:41:06,098 --> 00:41:07,348
- [Jacob] Yeah.

439
00:41:08,857 --> 00:41:11,628
Listen, I gotta go to practice.

440
00:41:11,670 --> 00:41:12,768
- [Shirlene] Okay.

441
00:41:12,810 --> 00:41:14,403
Just come get me after school.

442
00:41:16,260 --> 00:41:17,510
- [Friend] Come on. Jake.

443
00:41:20,190 --> 00:41:23,498
Squirrelly, Shirlene's
not your girlfriend, is she?

444
00:41:23,540 --> 00:41:25,877
- [Jacob] Shirlene?

445
00:41:25,919 --> 00:41:26,710
No.

446
00:41:26,752 --> 00:41:30,978
She's, you know, someone from class.

447
00:41:31,020 --> 00:41:32,418
- [Friend] Good.

448
00:41:32,460 --> 00:41:33,820
She looks like she picked out her clothes

449
00:41:33,862 --> 00:41:35,793
from my grandma's closet.

450
00:41:38,207 --> 00:41:39,735
Pearls and shit.

451
00:41:39,777 --> 00:41:42,360
(bell ringing)

452
00:41:43,477 --> 00:41:46,477
(suspenseful music)

453
00:41:58,159 --> 00:42:00,909
(feet shuffling)

454
00:42:05,696 --> 00:42:07,529
- That dude was right.

455
00:42:08,970 --> 00:42:10,143
Sleep is good here.

456
00:42:11,070 --> 00:42:14,253
No dreams, no thoughts.

457
00:42:15,600 --> 00:42:16,433
Just rest.

458
00:42:18,870 --> 00:42:20,283
I got the best of me.

459
00:42:22,890 --> 00:42:25,340
You can't keep me down
'cause I'm hydrogen, baby.

460
00:42:26,300 --> 00:42:27,303
I'm up.

461
00:42:27,345 --> 00:42:28,178
I'm down.

462
00:42:29,290 --> 00:42:30,198
I'm up.

463
00:42:30,240 --> 00:42:33,527
Still not broken.

464
00:42:34,746 --> 00:42:39,047
It's getting easier and
easier with this routine.

465
00:42:39,089 --> 00:42:42,422
Sleeping and moving as much as possible.

466
00:42:45,331 --> 00:42:46,414
I'll be fine.

467
00:42:47,549 --> 00:42:48,465
(door creaking)

468
00:42:48,507 --> 00:42:51,424
(heavy rock music)

469
00:43:09,442 --> 00:43:13,192
(heavy rock music continues)

470
00:43:19,834 --> 00:43:22,667
(water sploshing)

471
00:43:27,258 --> 00:43:30,008
(water gobbling)

472
00:43:33,040 --> 00:43:36,208
(stomach rumbling)

473
00:43:36,250 --> 00:43:38,917
(seat clinking)

474
00:43:47,625 --> 00:43:50,458
(chips crunching)

475
00:44:18,154 --> 00:44:20,821
(seat thudding)

476
00:44:28,569 --> 00:44:31,236
(seat clicking)

477
00:44:34,382 --> 00:44:37,215
(chips crunching)

478
00:44:39,790 --> 00:44:43,205
- Come on, Jacob. (laughing)

479
00:44:43,247 --> 00:44:45,350
(chips crunching)

480
00:44:45,392 --> 00:44:48,142
(dramatic music)

481
00:44:51,698 --> 00:44:53,784
I love Slapsticks.

482
00:44:53,826 --> 00:44:56,490
Maybe not as much as I love drama.

483
00:44:56,532 --> 00:44:58,632
But beggars can't be choosers.

484
00:44:58,674 --> 00:44:59,591
Am I right?

485
00:45:01,137 --> 00:45:03,768
You must feel really special.

486
00:45:03,810 --> 00:45:04,968
Really special.

487
00:45:05,010 --> 00:45:08,197
I mean, a lot of people watch TV,

488
00:45:08,239 --> 00:45:09,449
but it takes a special,

489
00:45:09,491 --> 00:45:13,083
very special for a TV to watch you.

490
00:45:16,151 --> 00:45:18,798
And it is a pleasure to watch you.

491
00:45:18,840 --> 00:45:21,558
You seem to have it figured out.

492
00:45:21,600 --> 00:45:24,948
You're steady, you're cool, you're content,

493
00:45:24,990 --> 00:45:26,868
just coasting along.

494
00:45:26,910 --> 00:45:28,983
So, so smooth.

495
00:45:29,850 --> 00:45:31,638
But I wanna give you a
little piece of information

496
00:45:31,680 --> 00:45:34,323
you seem to be failing to pick up, Jacob.

497
00:45:35,910 --> 00:45:39,176
Let me help you understand
the process a bit better.

498
00:45:39,218 --> 00:45:40,218
Do you mind?

499
00:45:41,738 --> 00:45:43,405
I said, do you mind?

500
00:45:46,874 --> 00:45:47,665
- No.

501
00:45:47,707 --> 00:45:48,873
- Okay, good on.

502
00:45:48,915 --> 00:45:50,658
So what I'm going to do now

503
00:45:50,700 --> 00:45:53,715
is give your taste of your own medicine.

504
00:45:53,757 --> 00:45:55,503
What does that mean exactly?

505
00:45:55,545 --> 00:45:57,628
It means we, the 10 TV's,

506
00:46:00,063 --> 00:46:04,514
we're gonna take a
deeper dive into ourselves,

507
00:46:04,556 --> 00:46:06,280
into our own little TV psyche

508
00:46:08,190 --> 00:46:13,173
and work through our own shit.

509
00:46:14,220 --> 00:46:15,213
Pay attention.

510
00:46:18,630 --> 00:46:20,448
- [Announcer] You are
about to take a journey

511
00:46:20,490 --> 00:46:23,658
out of this world into
the world of the future.

512
00:46:23,700 --> 00:46:25,488
- [Character] Just
doesn't hold true anymore.

513
00:46:25,530 --> 00:46:27,251
- Often fluffy, flapping on a clothes line.

514
00:46:27,293 --> 00:46:28,933
- The story, - And all those,

515
00:46:28,975 --> 00:46:30,541
- Long enough.

516
00:46:30,583 --> 00:46:32,080
- They have, however

517
00:46:34,710 --> 00:46:35,777
- [Announcer] Things come up.

518
00:46:35,819 --> 00:46:38,996
♪ Smash your mind and shake your soul ♪

519
00:46:39,038 --> 00:46:39,978
- Pour some hot water.

520
00:46:40,020 --> 00:46:42,798
- And it's just physical,
a little hand bump.

521
00:46:42,840 --> 00:46:45,642
- You're not running
outta hot water, are you?

522
00:46:45,684 --> 00:46:47,468
You're not running out
of hot water, are you?

523
00:46:47,510 --> 00:46:49,551
♪ I wish I had a castle in the sky. ♪

524
00:46:49,593 --> 00:46:52,593
(voices chattering)

525
00:46:54,834 --> 00:46:57,936
- [Announcer] And all this
has been just the beginning.

526
00:46:57,978 --> 00:47:01,145
(audience chattering)

527
00:47:02,521 --> 00:47:04,680
- Get that, Jacob.

528
00:47:04,722 --> 00:47:06,168
So as I was saying,

529
00:47:06,210 --> 00:47:08,688
the lesson is very simple.

530
00:47:08,730 --> 00:47:10,593
Don't be a coffee prick.

531
00:47:11,520 --> 00:47:12,828
It's not healthy.

532
00:47:12,870 --> 00:47:16,889
It's the opposite of what the
treatment is meant to correct.

533
00:47:16,931 --> 00:47:18,081
The pain has a purpose.

534
00:47:19,017 --> 00:47:20,855
Don't evade it with sleep.

535
00:47:20,897 --> 00:47:23,814
You've got to accept the pain here.

536
00:47:25,067 --> 00:47:26,866
The pain, it will bring you to your knees

537
00:47:26,908 --> 00:47:29,021
because you've do it.

538
00:47:29,063 --> 00:47:34,063
(TV Instructor speaking indistinctly)

539
00:47:34,267 --> 00:47:37,278
Now you're able to feel right.

540
00:47:37,320 --> 00:47:39,858
Always, always coming upon.

541
00:47:39,900 --> 00:47:42,228
It's not a place you want
to be in for very long.

542
00:47:42,270 --> 00:47:44,486
It runs so deep, Jacob.

543
00:47:44,528 --> 00:47:46,572
If you made it to the other side,

544
00:47:46,614 --> 00:47:48,574
it wouldn't even be you anymore.

545
00:47:48,616 --> 00:47:50,448
So expansive.

546
00:47:50,490 --> 00:47:52,278
But besides the universe itself,

547
00:47:52,320 --> 00:47:55,152
it's the only capsule
that can hold infinity.

548
00:47:55,194 --> 00:47:57,948
By the time you take a few steps in,

549
00:47:57,990 --> 00:47:59,988
you can already be the living imagination

550
00:48:00,030 --> 00:48:02,428
of a random graduate's
thesis "Truth Bomb Theory."

551
00:48:02,470 --> 00:48:04,782
And I gave you marbles
containing consciousness

552
00:48:04,824 --> 00:48:06,960
about being a fig,

553
00:48:07,002 --> 00:48:08,122
(bee buzzing)

554
00:48:08,164 --> 00:48:11,145
who's made from designed
by a drunk programmer,

555
00:48:11,187 --> 00:48:12,978
like a positive two computer nerd

556
00:48:13,020 --> 00:48:13,811
that you we when you were seven

557
00:48:13,853 --> 00:48:16,488
compared dream when you were nine.

558
00:48:16,530 --> 00:48:19,226
And that worm is now eating their brains.

559
00:48:19,268 --> 00:48:21,487
The worms have good reasons, Jacob.

560
00:48:21,529 --> 00:48:23,071
Good reasons.

561
00:48:23,113 --> 00:48:26,928
Victory is turned to fire by
windstorm caused by a blue car.

562
00:48:26,970 --> 00:48:29,513
That passed three years and 45 days ago.

563
00:48:29,555 --> 00:48:31,778
That blue car went on
to win the Kentucky Derby

564
00:48:31,820 --> 00:48:33,288
right it mounted a horse.

565
00:48:33,330 --> 00:48:34,730
It's all running in a field.

566
00:48:36,840 --> 00:48:38,658
Trained her and unfortunately,

567
00:48:38,700 --> 00:48:40,908
the horse thorough bred has now met demise

568
00:48:40,950 --> 00:48:42,378
because of the sea worms

569
00:48:42,420 --> 00:48:45,053
lost their source of food
and they and ate it's brains.

570
00:48:46,980 --> 00:48:51,698
Does this sound like
the place for you, Jacob?

571
00:48:51,740 --> 00:48:52,573
- No.

572
00:48:53,607 --> 00:48:54,957
No. I'll take the medicine.

573
00:48:56,594 --> 00:48:58,061
- Okay, great.

574
00:48:58,103 --> 00:48:59,778
Okay, great.

575
00:48:59,820 --> 00:49:01,668
Oh, now one more thing.

576
00:49:01,710 --> 00:49:03,158
(dramatic music)

577
00:49:03,200 --> 00:49:06,617
(TV Instructor growling)

578
00:49:22,810 --> 00:49:24,648
(gentle music)

579
00:49:24,690 --> 00:49:25,590
- [Voice] Hi, guy.

580
00:49:32,893 --> 00:49:33,726
Jacob.

581
00:49:36,786 --> 00:49:38,254
- What the fuck is this?

582
00:49:38,296 --> 00:49:39,629
- [Voice] Jacob?

583
00:49:41,010 --> 00:49:43,293
You can't see me until you open up a bit.

584
00:49:45,990 --> 00:49:47,990
Would you like me to help you with that?

585
00:49:50,301 --> 00:49:51,134
- Okay.

586
00:49:52,327 --> 00:49:53,994
- [Voice] Follow me.

587
00:49:57,081 --> 00:49:57,914
Sit.

588
00:50:00,444 --> 00:50:03,408
(suspenseful music)

589
00:50:03,450 --> 00:50:06,273
Now lie all the way back.

590
00:50:07,575 --> 00:50:11,408
(suspenseful music continues)

591
00:50:16,050 --> 00:50:17,227
Do you see the eye?

592
00:50:21,108 --> 00:50:23,643
- Sure. I guess it sort
of looks like an eye.

593
00:50:24,930 --> 00:50:26,975
Anything will look like
anything if you look at it, right?

594
00:50:27,017 --> 00:50:29,088
- [Voice] Exactly.

595
00:50:29,130 --> 00:50:30,880
So look at it, right?

596
00:50:33,005 --> 00:50:33,838
Look hard.

597
00:50:47,422 --> 00:50:50,172
(dramatic music)

598
00:51:03,040 --> 00:51:06,623
(dramatic music continues)

599
00:51:16,872 --> 00:51:18,514
- I can't fucking do it.

600
00:51:18,556 --> 00:51:20,088
- [Voice] What good is having your sight

601
00:51:20,130 --> 00:51:22,668
if you can't see the complete picture.

602
00:51:22,710 --> 00:51:24,168
- Better than seeing no picture.

603
00:51:24,210 --> 00:51:26,553
- [Voice] You came here for a reason.

604
00:51:27,630 --> 00:51:28,630
- Because out there,

605
00:51:29,760 --> 00:51:31,527
every time I tried, I failed.

606
00:51:33,189 --> 00:51:34,847
I couldn't function anymore.

607
00:51:34,889 --> 00:51:35,988
- [Voice] Functioning,

608
00:51:36,030 --> 00:51:38,328
that's the toughest nut to crack in life.

609
00:51:38,370 --> 00:51:42,528
But if you want outside,
you've got to split it.

610
00:51:42,570 --> 00:51:43,361
- We're staying.

611
00:51:43,403 --> 00:51:44,748
- [Voice] Like the TV set,

612
00:51:44,790 --> 00:51:46,788
you've already gone so deep

613
00:51:46,830 --> 00:51:47,789
it's hard to predict what kind

614
00:51:47,831 --> 00:51:51,303
of mental state you would
be in if you choose to leave.

615
00:51:52,260 --> 00:51:53,641
Look at you.

616
00:51:53,683 --> 00:51:55,983
It's from the stress of exactly

617
00:51:56,025 --> 00:51:58,968
internalizing your sickness all at once.

618
00:51:59,010 --> 00:52:00,768
It's the exchange.

619
00:52:00,810 --> 00:52:03,708
Make sure you stick
around to get what's yours

620
00:52:03,750 --> 00:52:07,248
because if you choose to leave
before the process completes,

621
00:52:07,290 --> 00:52:09,378
you will still be left with that gnawing,

622
00:52:09,420 --> 00:52:12,948
disconcerting feeling, only
a person where someone

623
00:52:12,990 --> 00:52:15,387
in the corner of their eye can feel.

624
00:52:17,596 --> 00:52:18,846
It's maddening.

625
00:52:20,716 --> 00:52:23,466
(feet shuffling)

626
00:52:24,768 --> 00:52:27,435
(door creaking)

627
00:52:33,057 --> 00:52:35,640
(gentle music)

628
00:52:43,215 --> 00:52:46,732
(light flicking)

629
00:52:46,774 --> 00:52:47,751
- Okay. Okay.

630
00:52:47,793 --> 00:52:49,472
I'll do whatever you want me to do.

631
00:52:49,514 --> 00:52:50,798
I'll see whatever you want me to see

632
00:52:50,840 --> 00:52:53,923
Ill feel however you want me to feel.

633
00:52:55,724 --> 00:52:59,141
(gentle music continues)

634
00:53:07,158 --> 00:53:07,991
- Nothing.

635
00:53:09,349 --> 00:53:10,182
Nothing!

636
00:53:11,531 --> 00:53:14,531
(suspenseful music)

637
00:53:25,289 --> 00:53:29,122
(suspenseful music continues)

638
00:53:42,947 --> 00:53:46,780
(suspenseful music continues)

639
00:53:58,856 --> 00:54:01,439
(gentle music)

640
00:54:07,792 --> 00:54:10,542
(feet shuffling)

641
00:54:16,610 --> 00:54:20,193
- [Shirlene's Dad] Honey, are you out here?

642
00:54:25,149 --> 00:54:27,899
- [Shirlene's Mom] Where are you?

643
00:54:29,029 --> 00:54:30,662
Oh, this isn't happening.

644
00:54:30,704 --> 00:54:33,944
- [Shirlene's Dad] Come
home, honey. We're worried.

645
00:54:33,986 --> 00:54:35,377
- [Shirlene's Mom] Where are you?

646
00:54:35,419 --> 00:54:36,669
- Sorry. Sorry,

647
00:54:37,537 --> 00:54:40,761
(feet shuffling)

648
00:54:40,803 --> 00:54:43,970
(helicopter rumbling)

649
00:54:48,060 --> 00:54:51,893
- [Caller] Shirlene
Morris, are you out there?

650
00:54:53,566 --> 00:54:56,440
Your parents are worried about you.

651
00:54:56,482 --> 00:54:59,765
If you are hiding, please cone out.

652
00:54:59,807 --> 00:55:03,474
We just want to make
sure that you are safe.

653
00:55:17,747 --> 00:55:21,394
Shirlene Morris, are you out there?

654
00:55:21,436 --> 00:55:24,659
Your parents are worried about you.

655
00:55:24,701 --> 00:55:28,269
If you are hiding, please cone out.

656
00:55:28,311 --> 00:55:31,978
We just want to make
sure that you are safe.

657
00:55:38,292 --> 00:55:43,292
(voices whispering) (suspenseful music)

658
00:56:57,247 --> 00:57:02,247
Hey. (person whimpering)

659
00:57:12,561 --> 00:57:15,311
(winch rattling)

660
00:57:23,949 --> 00:57:27,782
(suspenseful music continues)

661
00:57:37,186 --> 00:57:41,019
(suspenseful music continues)

662
00:58:32,032 --> 00:58:35,032
(person whimpering)

663
00:58:43,821 --> 00:58:46,654
(person shouting)

664
00:58:48,050 --> 00:58:49,488
Relax, man. Relax.

665
00:58:49,530 --> 00:58:50,363
Let me,

666
00:58:51,930 --> 00:58:53,689
- Open your eyes.

667
00:58:53,731 --> 00:58:56,793
I said it. Open your eyes.

668
00:58:56,835 --> 00:58:57,701
- Let go!

669
00:58:57,743 --> 00:58:59,160
- No. You let go.

670
00:59:16,938 --> 00:59:20,605
(cooking utensils clacking)

671
00:59:28,821 --> 00:59:31,488
(eggs cracking)

672
00:59:58,747 --> 01:00:01,414
(food sizzling)

673
01:00:08,278 --> 01:00:11,028
(dramatic music)

674
01:00:19,903 --> 01:00:24,903
(dramatic music continues) (mop thuds)

675
01:00:33,309 --> 01:00:35,605
(dramatic music continues)

676
01:00:35,647 --> 01:00:36,929
(water rushing)

677
01:00:36,971 --> 01:00:38,471
This is a bargain?

678
01:00:39,668 --> 01:00:41,657
This is fucking hell.

679
01:00:41,699 --> 01:00:45,282
(dramatic music continues)

680
01:00:46,389 --> 01:00:49,139
(water plopping)

681
01:00:56,511 --> 01:00:59,094
(gentle music)

682
01:01:08,004 --> 01:01:11,596
- [Shirlene] Here. I want you to have this.

683
01:01:11,638 --> 01:01:13,901
- [Jacob] Your necklace?

684
01:01:13,943 --> 01:01:17,418
- [Shirlene] Don't worry.
You don't have to wear it.

685
01:01:17,460 --> 01:01:20,293
I just want you to hold it for me.

686
01:01:23,091 --> 01:01:24,258
- [Jacob] Why?

687
01:01:25,146 --> 01:01:26,062
- [Shirlene] Because I don't think

688
01:01:26,104 --> 01:01:28,351
it looks good on me anymore.

689
01:01:28,393 --> 01:01:29,476
- [Jacob] No?

690
01:01:32,233 --> 01:01:33,566
- [Shirlene] No.

691
01:01:34,467 --> 01:01:36,867
You can give it back to
me when I'm an old lady.

692
01:01:39,120 --> 01:01:39,953
- [Jacob] Okay.

693
01:01:41,168 --> 01:01:44,168
(suspenseful music)

694
01:01:45,301 --> 01:01:47,968
(door clicking)

695
01:01:49,141 --> 01:01:52,038
(doors banging)

696
01:01:52,080 --> 01:01:53,703
- [Friend] Yeah, that's them.

697
01:01:58,464 --> 01:02:01,713
You were supposed to meet up with us.

698
01:02:02,970 --> 01:02:04,070
- [Jacob] Oh, hi guys.

699
01:02:05,280 --> 01:02:07,373
- [Friend] You trying to ditch us or what?

700
01:02:11,288 --> 01:02:12,705
- [Jacob] No, no.

701
01:02:16,080 --> 01:02:17,313
How'd you guys find me?

702
01:02:18,810 --> 01:02:20,058
- [Friend] Went your house.

703
01:02:20,100 --> 01:02:22,773
Your mom said you were
all the way out here with her.

704
01:02:25,350 --> 01:02:26,583
Long drive.

705
01:02:29,040 --> 01:02:29,873
- [Jacob] Yeah.

706
01:02:34,740 --> 01:02:36,963
- [Friend] Are you coming or not, Jake?

707
01:02:39,891 --> 01:02:42,058
- [Jacob] I gotta go with,

708
01:02:43,470 --> 01:02:44,870
I told them I would already.

709
01:02:47,100 --> 01:02:48,925
Listen, your dad will be here
in an hour and he'll take you.

710
01:02:48,967 --> 01:02:51,407
- [Shirlene] It's okay, Jacob.

711
01:02:51,449 --> 01:02:53,199
You don't have to explain anything.

712
01:02:57,390 --> 01:02:58,383
It's your loss.

713
01:03:00,969 --> 01:03:03,552
(gentle music)

714
01:03:10,678 --> 01:03:12,247
- [Friend] What's with
Squirrelly's necklace?

715
01:03:12,289 --> 01:03:15,617
You wearing it to the party or something?

716
01:03:15,659 --> 01:03:16,742
- [Jacob] No.

717
01:03:20,755 --> 01:03:22,005
Here, Shirlene.

718
01:03:27,262 --> 01:03:29,298
- [Shirlene] Talk to you later, Jacob.

719
01:03:29,340 --> 01:03:32,090
(water bubbling)

720
01:03:33,930 --> 01:03:38,253
- [Friend] Trust us, Jake.
It's gonna be a great time.

721
01:03:39,299 --> 01:03:41,882
(gentle music)

722
01:03:50,540 --> 01:03:52,457
- I'm sorry, I'm sorry.

723
01:03:54,363 --> 01:03:55,446
I'm so sorry.

724
01:03:57,257 --> 01:03:59,424
How can I leave you there?

725
01:04:01,346 --> 01:04:04,346
(suspenseful music)

726
01:04:18,635 --> 01:04:20,320
(friends laughing)

727
01:04:20,362 --> 01:04:21,403
- [Friend] Jake?

728
01:04:21,445 --> 01:04:22,910
What are you doing in there?

729
01:04:22,952 --> 01:04:23,785
Peeky-boy.

730
01:04:25,377 --> 01:04:26,210
Jakey-boy.

731
01:04:27,801 --> 01:04:31,921
You're not so shook up about
the girl drowning, are you?

732
01:04:31,963 --> 01:04:33,948
Who cares?

733
01:04:33,990 --> 01:04:38,265
He's right, Squirrelly Shirlene
isn't worth all the fucks.

734
01:04:38,307 --> 01:04:41,474
- She's worth more than you, assholes.

735
01:04:50,139 --> 01:04:52,889
(knees thudding)

736
01:04:57,266 --> 01:04:58,183
I want out.

737
01:04:59,983 --> 01:05:00,900
I want out.

738
01:05:02,653 --> 01:05:04,712
You hear me? I want out.

739
01:05:04,754 --> 01:05:05,671
I don't care what happens to me.

740
01:05:05,713 --> 01:05:07,477
Get me the fuck out.

741
01:05:08,508 --> 01:05:13,508
Get me out.

742
01:05:14,858 --> 01:05:17,608
(latch clicking)

743
01:05:35,945 --> 01:05:38,945
(suspenseful music)

744
01:05:47,365 --> 01:05:51,198
(suspenseful music continues)

745
01:06:00,752 --> 01:06:03,667
(suspenseful music continues)

746
01:06:03,709 --> 01:06:06,459
(feet shuffling)

747
01:06:07,452 --> 01:06:10,202
(glass clinking)

748
01:06:18,370 --> 01:06:22,203
(suspenseful music continues)

749
01:06:37,822 --> 01:06:39,235
(latch clicking)

750
01:06:39,277 --> 01:06:42,553
(plate thudding)

751
01:06:42,595 --> 01:06:46,384
- [Announcer] This is the
empty eye socket within the skull

752
01:06:46,426 --> 01:06:48,798
with its bony walls inside

753
01:06:48,840 --> 01:06:50,823
and the rim of the bony orbit in front.

754
01:07:03,060 --> 01:07:06,378
By gradually restoring the
outer portions of the skull

755
01:07:06,420 --> 01:07:08,208
and also the covering tissues,

756
01:07:08,250 --> 01:07:09,828
we can now realize the location

757
01:07:09,870 --> 01:07:12,993
of the entire eye in relation
to the outline of the face.

758
01:07:20,976 --> 01:07:24,015
(Jacob gulping)

759
01:07:24,057 --> 01:07:25,548
It is also necessary

760
01:07:25,590 --> 01:07:28,338
that both our eyes be
fixed upon the same point

761
01:07:28,380 --> 01:07:30,530
in order that we may see an object clearly.

762
01:07:32,634 --> 01:07:35,148
Thus, as an object
approaches us from a distance,

763
01:07:35,190 --> 01:07:37,698
our eyeballs turn accordingly.

764
01:07:37,740 --> 01:07:42,348
This movement is called the
convergence of visual axes.

765
01:07:42,390 --> 01:07:43,608
This action is shown here

766
01:07:43,650 --> 01:07:45,933
as the object approaches and recedes.

767
01:07:47,232 --> 01:07:50,232
(suspenseful music)

768
01:08:01,539 --> 01:08:05,372
(suspenseful music continues)

769
01:08:14,403 --> 01:08:15,618
And now let us look at this

770
01:08:15,660 --> 01:08:18,738
highly enlarged view of the lens itself.

771
01:08:18,780 --> 01:08:23,238
It has a soft yielding body
and is as transparent as glass.

772
01:08:23,280 --> 01:08:27,363
But it also has a firm ball
shaped central core or nucleus.

773
01:08:28,860 --> 01:08:31,788
It is contained within a
thin elastic membrane

774
01:08:31,830 --> 01:08:34,576
and is suspended all around
by a spoke like arrangement

775
01:08:34,618 --> 01:08:37,023
of delicate threads or ligaments.

776
01:08:45,810 --> 01:08:48,588
The lens itself lies between two liquids.

777
01:08:48,630 --> 01:08:50,493
These liquids can exert pressure.

778
01:08:54,240 --> 01:08:55,968
Now the lens as a whole cannot give way

779
01:08:56,010 --> 01:08:58,728
against the equally non
inelastic aqueous humor

780
01:08:58,770 --> 01:09:00,498
and its confining cornea.

781
01:09:00,540 --> 01:09:02,748
So the only part which can possibly yield

782
01:09:02,790 --> 01:09:05,478
to the pressure of the
vitreous humor or body

783
01:09:05,520 --> 01:09:07,593
is the soft substance of the lens.

784
01:09:09,060 --> 01:09:12,048
So whenever the image upon
the retina becomes blurred,

785
01:09:12,090 --> 01:09:13,466
the brain automatically causes

786
01:09:13,508 --> 01:09:16,938
the ciliary muscle to contract or to relax

787
01:09:16,980 --> 01:09:19,428
until the lens has
attained just the right shape

788
01:09:19,470 --> 01:09:22,683
to restore a sharply defined
image upon the retina.

789
01:09:28,950 --> 01:09:30,708
Whenever demanded by conditions,

790
01:09:30,750 --> 01:09:34,713
the lens acquires this peculiar
bulge called Lenticonus.

791
01:09:35,760 --> 01:09:38,298
This cone-shaped curve
at first causes light rays

792
01:09:38,340 --> 01:09:42,018
to become distorted into
aberrations upon the retina.

793
01:09:42,060 --> 01:09:44,058
As a result of these distortions,

794
01:09:44,100 --> 01:09:47,186
the pupil now contracts
until the diffused rays have

795
01:09:47,228 --> 01:09:48,528
been shut away,

796
01:09:48,570 --> 01:09:50,977
which brings about
harmonious internal adjustments

797
01:09:51,019 --> 01:09:53,718
of all parts of the eye.

798
01:09:53,760 --> 01:09:57,032
This adjustment is called accommodation.

799
01:09:57,074 --> 01:10:00,074
(suspenseful music)

800
01:10:15,417 --> 01:10:18,167
(dramatic music)

801
01:10:30,394 --> 01:10:33,977
(dramatic music continues)

802
01:10:47,101 --> 01:10:50,684
(dramatic music continues)

803
01:11:01,503 --> 01:11:05,086
(dramatic music continues)

804
01:11:16,299 --> 01:11:19,882
(dramatic music continues)

805
01:11:33,627 --> 01:11:37,210
(dramatic music continues)

806
01:11:47,343 --> 01:11:51,010
(dramatic music continues)

807
01:12:07,422 --> 01:12:10,005
(gentle music)

808
01:12:18,753 --> 01:12:22,170
(gentle music continues)

809
01:12:34,865 --> 01:12:38,282
(gentle music continues)

810
01:12:51,083 --> 01:12:54,500
(gentle music continues)

811
01:13:05,761 --> 01:13:09,178
(gentle music continues)

812
01:13:22,341 --> 01:13:23,174
- Jacob.

813
01:13:29,647 --> 01:13:30,647
- Oh my God.

814
01:13:36,610 --> 01:13:37,443
Shirlene.

815
01:13:43,036 --> 01:13:43,869
Shirlene.

816
01:13:46,084 --> 01:13:48,417
- As much of me as I can be.

817
01:13:49,516 --> 01:13:50,822
- You're not just,

818
01:13:50,864 --> 01:13:51,824
you're not just,

819
01:13:51,866 --> 01:13:53,449
- A projection? No.

820
01:13:55,527 --> 01:13:58,953
No. It's really me. I promise.

821
01:14:00,571 --> 01:14:02,298
- Like how?

822
01:14:02,340 --> 01:14:03,858
- You know how this place

823
01:14:03,900 --> 01:14:07,108
makes all things living
deep inside of you physical,

824
01:14:07,150 --> 01:14:08,643
makes them real.

825
01:14:12,300 --> 01:14:13,608
When people know each other like we did,

826
01:14:13,650 --> 01:14:16,668
we can't help but place
ourselves piece by piece

827
01:14:16,710 --> 01:14:19,010
and to the other person's
subconscious wholly.

828
01:14:21,750 --> 01:14:22,698
Who knows what we're going to do

829
01:14:22,740 --> 01:14:23,883
before we even do it,

830
01:14:25,290 --> 01:14:26,998
can tell us with a single feeling,

831
01:14:27,040 --> 01:14:29,793
what's happening across the world,

832
01:14:31,860 --> 01:14:33,843
what we'll do years down the road.

833
01:14:36,990 --> 01:14:40,218
I'm like an echo that's
been traveling forward in time

834
01:14:40,260 --> 01:14:41,910
and I finally caught up with you.

835
01:14:44,580 --> 01:14:46,330
So for this moment, I'm real again.

836
01:14:56,460 --> 01:14:58,068
Do you remember that time we snuck in

837
01:14:58,110 --> 01:15:00,453
to see that movie in the bedroom?

838
01:15:03,191 --> 01:15:05,748
- Yeah.

839
01:15:05,790 --> 01:15:07,440
- We thought we were so grown up,

840
01:15:08,760 --> 01:15:10,933
but it wasn't what we thought it would be.

841
01:15:11,791 --> 01:15:12,693
It was messed up.

842
01:15:15,120 --> 01:15:16,970
- We were supposed to see "Spy Kids."

843
01:15:21,060 --> 01:15:22,830
God, I wish we'd see "Spy Kids"

844
01:15:25,798 --> 01:15:27,078
'cause real life's too much like,

845
01:15:27,120 --> 01:15:28,863
- Like in the bedroom?

846
01:15:30,963 --> 01:15:32,398
- It doesn't have to be.

847
01:15:32,440 --> 01:15:34,740
- Well, it was never
gonna be like "Spy Kids."

848
01:15:39,363 --> 01:15:40,818
If we cut out the ugly stuff,

849
01:15:40,860 --> 01:15:42,460
we cut out the pretty stuff too.

850
01:15:52,335 --> 01:15:53,418
Hold my hand.

851
01:16:13,785 --> 01:16:14,835
- What are you doing.

852
01:16:19,920 --> 01:16:20,990
- Ripping myself from you

853
01:16:21,032 --> 01:16:26,032
so you can finally leave me behind.

854
01:16:28,911 --> 01:16:30,494
- No. Please don't.

855
01:16:32,251 --> 01:16:33,918
That hurts too much.

856
01:16:35,270 --> 01:16:37,560
- So stop fighting it and let go.

857
01:16:39,153 --> 01:16:40,320
Jacob, let go.

858
01:16:41,662 --> 01:16:45,079
(gentle music continues)

859
01:17:30,368 --> 01:17:33,035
(Jacob gulping)

860
01:17:39,330 --> 01:17:41,997
(Jacob sighing)

861
01:18:00,130 --> 01:18:02,880
(dialer ringing)

862
01:18:11,267 --> 01:18:12,100
- Jacob.

863
01:18:14,910 --> 01:18:15,743
Yeah.

864
01:18:16,620 --> 01:18:18,333
You won't be afraid to be afraid.

865
01:18:19,320 --> 01:18:20,153
Who is this?

866
01:18:22,200 --> 01:18:23,100
You aren't afraid?

867
01:18:24,510 --> 01:18:26,028
You're right.

868
01:18:26,070 --> 01:18:27,408
Of course not.

869
01:18:27,450 --> 01:18:29,798
You won't let anything scare you.

870
01:18:29,840 --> 01:18:31,758
Yeah. No shit.

871
01:18:31,800 --> 01:18:33,888
I wrote that in your little survey form.

872
01:18:33,930 --> 01:18:34,830
What's your point?

873
01:18:35,970 --> 01:18:38,223
So young and already so sad.

874
01:18:39,480 --> 01:18:40,980
It's why you're so aggressive.

875
01:18:42,060 --> 01:18:43,098
It's your only cover.

876
01:18:43,140 --> 01:18:44,628
Hey, fuck you, man. All right.

877
01:18:44,670 --> 01:18:46,008
I thought I was doing this so I could skip

878
01:18:46,050 --> 01:18:48,318
all this talky, shrinky bullshit.

879
01:18:48,360 --> 01:18:51,170
You don't wanna talk about
anything with any weight,

880
01:18:51,212 --> 01:18:52,879
especially Shirlene.

881
01:18:53,783 --> 01:18:56,395
Shirlene?

882
01:18:56,437 --> 01:18:59,118
What the fuck do you know about Shirlene?

883
01:18:59,160 --> 01:19:00,168
You guys said you wouldn't need to go

884
01:19:00,210 --> 01:19:02,028
snoop around my past for this to work.

885
01:19:02,070 --> 01:19:03,528
That's right.

886
01:19:03,570 --> 01:19:05,208
Then how do you know about her then?

887
01:19:05,250 --> 01:19:07,653
I know everything. Don't worry.

888
01:19:08,790 --> 01:19:10,968
We'll get another chance to talk.

889
01:19:11,010 --> 01:19:12,228
Fuck you.

890
01:19:12,270 --> 01:19:13,103
Fuck.

891
01:19:14,295 --> 01:19:16,483
Oh, I see what you're trying to do.

892
01:19:19,374 --> 01:19:20,165
You're trying to set me up.

893
01:19:20,207 --> 01:19:22,805
That's right. And we both know how easy

894
01:19:22,847 --> 01:19:24,183
that is, right, big guy.

895
01:19:25,500 --> 01:19:30,228
Listen, as long as it's mind game,

896
01:19:30,270 --> 01:19:31,061
mind game,

897
01:19:31,103 --> 01:19:31,968
Medicine.

898
01:19:32,010 --> 01:19:33,408
Yeah.

899
01:19:33,450 --> 01:19:35,478
As long as this fixes
me as fast as you say,

900
01:19:35,520 --> 01:19:37,338
well, I'm ready for anything.

901
01:19:37,380 --> 01:19:38,958
So you guys throw whatever you want at me.

902
01:19:39,000 --> 01:19:41,778
No one is gonna throw
anything at you, Jacob,

903
01:19:41,820 --> 01:19:43,020
or make anything happen.

904
01:19:45,960 --> 01:19:49,173
It's not how it works here. It's all you.

905
01:19:50,100 --> 01:19:52,923
Everything that happens here is you.

906
01:19:55,620 --> 01:19:57,020
Well, let's get moving then.

907
01:19:58,361 --> 01:20:01,028
(clock ticking)

908
01:20:13,225 --> 01:20:16,578
You can't rush what you can't feel

909
01:20:16,620 --> 01:20:18,670
and you can't see what you can't stomach.

910
01:20:20,610 --> 01:20:22,343
What? Now we're throwing out riddles?

911
01:20:23,820 --> 01:20:25,158
That's more like a thought.

912
01:20:25,200 --> 01:20:27,015
- I don't want your thoughts, asshole.

913
01:20:27,057 --> 01:20:29,807
(Jacob chuckles)

914
01:20:31,080 --> 01:20:32,230
Are you laughing at me?

915
01:20:41,250 --> 01:20:43,458
More like saying goodbye, Jacob.

916
01:20:43,500 --> 01:20:45,963
Goodbye. Jesus Christ.

917
01:20:46,005 --> 01:20:46,838
Okay.

918
01:20:48,095 --> 01:20:49,487
Are you all done now?

919
01:20:49,529 --> 01:20:51,914
(latch clicking)

920
01:20:51,956 --> 01:20:54,706
(cheerful music)

921
01:21:03,318 --> 01:21:04,235
I think so.

922
01:21:08,088 --> 01:21:11,671
(cheerful music continues)

923
01:21:25,063 --> 01:21:28,646
(cheerful music continues)

924
01:21:39,205 --> 01:21:42,788
(cheerful music continues)

925
01:21:52,483 --> 01:21:54,628
(cheerful music continues)

926
01:21:54,670 --> 01:21:57,420
(feet shuffling)

927
01:22:02,816 --> 01:22:06,399
(cheerful music continues)

928
01:22:09,216 --> 01:22:12,049
- [Runner] Hey man, you all right?

929
01:22:21,115 --> 01:22:23,198
Hey. Don't kill yourself.

930
01:22:25,009 --> 01:22:28,592
(cheerful music continues)

931
01:22:37,305 --> 01:22:40,888
(cheerful music continues)

932
01:22:58,927 --> 01:23:02,510
(cheerful music continues)

933
01:23:12,773 --> 01:23:14,508
- [Announcer] It's well forced to know

934
01:23:14,550 --> 01:23:17,988
that our eyes are one of
our greatest gifts of nature

935
01:23:18,030 --> 01:23:22,460
and are indeed worthy of our
constant care and protection.

936
01:23:23,584 --> 01:23:27,167
(cheerful music continues)

937
01:23:39,258 --> 01:23:42,841
(cheerful music continues)

938
01:23:53,219 --> 01:23:56,802
(cheerful music continues)

939
01:23:58,477 --> 01:24:03,477
♪ Dear friend I cannot help
but think of the old days ♪

940
01:24:04,766 --> 01:24:09,766
♪ But it's getting pretty old ♪

941
01:24:10,462 --> 01:24:15,462
♪ I wonder up to now
if that was a gold age ♪

942
01:24:16,614 --> 01:24:21,614
♪ Or if that's just what
we've been through ♪

943
01:24:22,400 --> 01:24:27,400
♪ Shoes and ladders take you down ♪

944
01:24:28,566 --> 01:24:33,566
♪ To a land of smoking gears ♪

945
01:24:34,693 --> 01:24:38,610
♪ Twists and turns spin you round ♪

946
01:24:38,652 --> 01:24:43,652
♪ Spit me out but make it through ♪

947
01:24:43,771 --> 01:24:48,169
♪ But I'll stay never getting it all ♪

948
01:24:48,211 --> 01:24:49,632
♪ Tell me why ♪

949
01:24:49,674 --> 01:24:50,666
♪ Tell me why ♪

950
01:24:50,708 --> 01:24:52,191
♪ We can't step inside what will be ♪

951
01:24:52,233 --> 01:24:54,158
♪ Don't you see ♪

952
01:24:54,200 --> 01:24:55,531
♪ Can I try ♪

953
01:24:55,573 --> 01:24:56,640
♪ Can I try ♪

954
01:24:56,682 --> 01:25:00,276
♪ To get into that (indistinct) ♪

955
01:25:00,318 --> 01:25:01,849
♪ Tell me why ♪

956
01:25:01,891 --> 01:25:03,037
♪ Tell me why ♪

957
01:25:03,079 --> 01:25:06,421
♪ We can't step inside what will be ♪

958
01:25:06,463 --> 01:25:07,893
♪ Can we try ♪

959
01:25:07,935 --> 01:25:08,972
♪ Can we try ♪

960
01:25:09,014 --> 01:25:12,359
♪ To make life like a
photograph right now ♪

961
01:25:12,401 --> 01:25:17,401
♪ I love, I tried to match
the style you remember ♪

962
01:25:19,123 --> 01:25:24,123
♪ But I'm getting pretty old ♪

963
01:25:24,482 --> 01:25:29,482
♪ Oh yet I'm sure you
kept the style that I got, no ♪

964
01:25:31,252 --> 01:25:34,835
♪ Still beautiful and all ♪



