WEBVTT FILE

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(dramatic music)

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Downloaded from
YTS.BZ

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Official YIFY movies site:
YTS.BZ

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(uplifting music)

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(upbeat music)

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- I know what we need to do.

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Hold on. Hildegard.
- Minute change.

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- Yes, please change.

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- Okay.
- Let's get some costume

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changes in here.
- Ooh. Okay.

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Should I too?
- Yes, please.

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- Okay.
- Thank you my dear.

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Thank you for asking. Thank you.

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Flick the freaking hat, man.

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Listen, come here. I can't do this.

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I want you to use your
interrogation skills.

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I want you to go back to that time.

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Go back to Iraq, go back to Afghanistan,

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go there in your mind right now.

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And I want you to use those skills, okay?

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You remember the work you did?

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You were doing it for
the United States, okay?

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- I do.

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- I don't care what
they said in the media.

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What you did, you had to do.

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- It was is my duty.
- It was your duty.

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And I'm proud of you and I'm
thank you for your service.

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But what I want you to do is
I want you to interrogate,

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Hildegard and in your interrogation,

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you don't make it seem like
an interrogation at first.

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What you do is you ask her these
questions about performance

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and life and why she came here today

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and what's her purpose as an actor.

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And but then you, you,
you, you flip it. Okay?

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You start to, you start to
ask her questions about,

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you know, where were
you on Wednesday night

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or whatever late, something like this.

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You try to get it out of
her if you do it right,

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she might even confess to the murders.

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- Oh yeah. Good idea, good idea.

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Okay. Alright.

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- You'd do that?

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- Yeah.
- All right.

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- I'll do that.

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- Thank you for your service.

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- You're welcome.
- Welcome. Jack.

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- Hildegard.
- Yes.

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I want to do like a, like
an interview kind of scene.

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Like a cha, like an interview challenge.

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And you're gonna do it with Steve.

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- Okay.
- Put the phone away though.

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Seriously. Like when?

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I'm Welcome back to the
new season of Price Master.

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I'm the hat man Without a hat. Alright.

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The Hatless man we're gonna do
now is Steve is gonna conduct

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a very creative interview

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because we wanna learn more about

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what makes a creative person tick.

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Today's program is
educational. Educational.

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You're learning to be
a more creative person.

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You're learning to be a
more creative human being.

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I was once told that I'm not a human being

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and I was told that repeatedly
and repeatedly and repeatedly

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and repeatedly until I
started to believe it.

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- By whom?
- I don't wanna get into that,

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but I was told this

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and maybe it's true, maybe
it's true, but maybe it's not.

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Because I feel that art humanizes us.

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I feel that art truly makes us human.

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And like I said, now we're
gonna dive deep into the mind

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of a very creative individual.

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Hildegard, what's your last name?

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- Smith.
- Smith.

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Hildegard Smith from?

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- Upper Michigan.
- Upper Michigan.

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Let the interrogation begin.

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He's supposed to be sitting there.

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Steve, do you even know where he is?

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- [Crew] No. Probably on his phone.

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- Get this. No, get it.

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Do you want to go back into the dress?

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- I just answering, answering production.

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- We don't have time.

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- Sit down, call her
over when you're ready

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and then you start the interrogation.

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- [Steve] Can you come over
here for a few moments?

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I've got some questions for you.

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Please have a seat.
- Thank you.

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- [Steve] Just be polite.

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So what brought you out
here to Los Angeles?

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- The weather.
- The weather.

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- I couldn't stand the snow anymore.

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- The snow. Where?
- In upper Michigan.

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- [Steve] It does get cold up there.

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- It does and there's,
there's snow on the ground

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for like seven months out of the year.

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- [Steve] What was the coldest

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you've ever experienced up there?

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- What? Okay.

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There was a, there was
a day I was a kid there.

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It was a wind chill of negative 30.

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- Negative 30.
- Yes, we were snowed in.

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- Amazing.
- I know.

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No, it's not amazing.

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- [Steve] Amazing that it
could get that cold on earth.

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- Yep.
- So you came out here,

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how long have you been out here for?

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- Four years.
- Four years? Okay.

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And why did you come over here?

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Not just for the good weather, right?

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- Good weather. A lot going on out here.

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- [Steve] Yeah, I mean,
there's a lot to do.

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Keep yourself occupied out here for sure.

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- Keep self occupied. Yep.
- But like any dreams

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or occupations that you wanted to?

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- No dreams.
- No dreams at all?

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- No.
- Just for the better weather.

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- Can't someone just go somewhere

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and not have not need to
have a 30 page reason why?

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- [Steve] We'll just
make it 29 pages then.

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So what drew you to our
little project here today?

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- Well, interesting you should ask.

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I was interested in this project

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because it's an exploration of death.

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It is. And I think that's interesting.

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And not many people are
doing that these days,

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these people are afraid of it.

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- [Steve] Are you like drawn to stories

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or incidents of death?

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- Who isn't? Are you?

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- [Steve] Sometimes.
Not all the time though.

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I don't really think about it that much.

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- But you're a cop right.

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- [Steve] I wouldn't say that.

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I'm a producer of many, many programs.

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Death, huh? Death must grip you.

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Does it motivate you in any way?

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- What, to die? No.

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- [Steve] Where were you the
night of Tuesday the fifth.

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- Tuesday the fifth of what, which month?

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- June.
- June. Hmm.

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Oh yeah, my mother's birthday.

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- [Steve] Oh, she was born on that?

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- Well, no, she wasn't born on the fifth.

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She was born on the first.

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- So you-
- We went to dinner.

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- [Steve] So you had a
little late celebration then?

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- Yeah, she came to visit.
- From Michigan.

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Does she like the weather
here better than Michigan?

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- No. That's why she
went back to Michigan.

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- [Steve] Oh, okay.

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She likes the cold. She likes
the negative 30 degrees.

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Now, approximately that night, June 5th.

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- Right?

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- [Steve] 9:35 PM where were you then?

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- In the car on the way home?

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We left the restaurant about 9:20,

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about 30 minute drive.

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That was 20 minute drive.

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- [Steve] And where
were you in Los Angeles?

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Were you near like the
Chatsworth area at that time?

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- No, West Hollywood.

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- [Steve] West Hollywood.

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It's still not that far from Chatsworth.

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- Why are you asking about Chatsworth?

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- [Steve] Well, it's, some
things have been going on there,

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some death, let's put it that way.

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- Death is happening
everywhere all the time.

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- [Steve] That's true.

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But it's a little more
happening in Chatsworth

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if you've been watching the news lately,

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do you know anyone up there in Chatsworth?

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Any friends? No family right?

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You're the only one out here.
- No.

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- Except your mom visiting and leaving?

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- Correct.
- Okay. Okay, wow.

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I'm glad I'm correct.

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- Rolling.
- Hold on, hold on.

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Cut.
- Cut.

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Creativity is a process, an ongoing,

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ever flowing stream.

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A stream of love and jackhammers of hats

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and glasses of phones and almonds.

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What you're about to see has
never been done on camera.

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Witness the interrogation of Steve.

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- Steve?
- Yes.

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- [Hildegard] What part
of town do you live in?

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- I live in Burbank.
- Why'd you say it like that?

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- Because it's where dreams
are made, a lot of studios.

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It's where everything happens,
but yet it's like suburbia.

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- [Hildegard] Is that why you
came out here for the studios?

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- It is, yeah. Yes.

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- [Hildegard] And you
work in the business too?

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- Yeah. Yes.

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And a lot of times I've had to apologize.

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Sorry to bore you.
- Okay.

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Do you do anything else for work, Steve?

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- No, that's it, just
production, you know, with,

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with Jack over there and Luke.

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- That's it.
- Yeah.

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Production after production.

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We've been doing a lot lately.

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- [Hildegard] What time do
you usually go to bed, Steve?

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- During the week, 8:30 PM.

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- [Hildegard] It's quite early, isn't it?

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- Yeah.

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- [Hildegard] Especially
for someone in the business.

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- Well, I work a lot of long hours,

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so when we're not shooting at
night, I usually am in bed.

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- [Hildegard] Where were
you the night of June 5th

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at 9:35 PM.

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- I was at the, at the store?

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- The store.
- A grocery store.

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- [Hildegard] Which one?

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- It was, well, a little
family market called Kenigan's.

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- What street?
- Third.

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- [Hildegard] Third Street.
Kenigan's on third street?

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- Little small little pole in the wall.

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Family grocery store.

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- [Hildegard] You sure you
weren't investigating, Steve?

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00:10:50.670 --> 00:10:53.321
- Did you see that?
- You're laughing.

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00:10:53.321 --> 00:10:55.609
- No, I mean, I'm a, I'm a movie producer.

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- [Hildegard] Yeah, a movie producer.

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- That's all this is.

225
00:11:01.423 --> 00:11:06.423
Right so on the night
of June 5th at 9:35 PM

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you were at a family
market on third street.

227
00:11:10.800 --> 00:11:12.097
- Yeah. It was a crazy-

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00:11:12.097 --> 00:11:13.980
- [Hildegard] That happened to be open.

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Markets close at 8 30, 9 o'clock,

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usually the time that you're in bed right?

231
00:11:19.710 --> 00:11:20.790
- True, that was different

232
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because I was doing a
lot of night shooting.

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- What were you buying?
- And to answer your question,

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I'm a, I'm a return customer,
so the family knows me,

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so they let me in after hours.

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I was buying vegetables.

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I like vegetables,
almonds. I like almonds.

238
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Always to get some vegetables.

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I like fresh, fresh vegetables.

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- At 9:35 PM.
- Yes.

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For the prepping for the-
- June 5th is a Tuesday.

242
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- I know some of the
vegetables had to get ripe,

243
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so by the time I get stuff.

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- Where are you from?
- Originally?

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00:11:59.697 --> 00:12:01.320
I'm from North Dakota.

246
00:12:01.320 --> 00:12:04.443
- [Hildegard] North Dakota.
What's your mother's name?

247
00:12:07.620 --> 00:12:10.220
- I think you're asking a
little too personal there.

248
00:12:11.088 --> 00:12:11.921
I mean, I'm thinking, I'm feeling

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like you're gonna scam me or something.

250
00:12:13.755 --> 00:12:15.010
- [Hildegard] How would I scam
you and asking a question?

251
00:12:15.010 --> 00:12:16.622
- I'm the producer here.

252
00:12:16.622 --> 00:12:18.668
I think you're trying to
get a nice profile on me.

253
00:12:18.668 --> 00:12:19.501
And the next thing you know,
my bank accounts empty-

254
00:12:19.501 --> 00:12:20.334
- [Hildegard] Your mother's first name.

255
00:12:20.334 --> 00:12:23.771
That's all I want.
- Lori.

256
00:12:23.771 --> 00:12:25.247
- Say it again.
- Lori.

257
00:12:25.247 --> 00:12:27.575
- Say it again.
- Lori.

258
00:12:27.575 --> 00:12:29.433
- Say it again.
- Lori. Lori.

259
00:12:30.300 --> 00:12:31.133
- Look-
- Lori!

260
00:12:34.401 --> 00:12:36.818
(indistinct)

261
00:12:38.126 --> 00:12:40.043
- It is.
- Spelled like?

262
00:12:41.949 --> 00:12:46.949
- A silent q at the beginning, Kintigns.

263
00:12:47.455 --> 00:12:52.320
- A silent q?
- We came from the Q.

264
00:12:52.320 --> 00:12:56.820
- [Hildegard] What's that? The old world.

265
00:12:56.820 --> 00:12:59.253
- Quebec.
- Oh, they're Canadian.

266
00:13:02.022 --> 00:13:03.825
Wow. That's cool.

267
00:13:03.825 --> 00:13:06.513
So you've never investigated anything.

268
00:13:07.710 --> 00:13:12.090
- Just production sheets
and business plans

269
00:13:12.090 --> 00:13:16.863
and making sure food gets to
places on time and talent.

270
00:13:16.863 --> 00:13:20.206
- Right? That's right.

271
00:13:20.206 --> 00:13:25.206
Okay, so let's get this
straight, Kenigans.

272
00:13:25.410 --> 00:13:29.772
The owners are from Quebec.
Have you been to Quebec?

273
00:13:29.772 --> 00:13:30.605
No, I have not been.

274
00:13:30.605 --> 00:13:32.758
- [Hildegard] And why
would you know about that?

275
00:13:32.758 --> 00:13:33.797
- 'Cause I'm close to that family.

276
00:13:33.797 --> 00:13:35.250
- Say your mother's name.

277
00:13:35.250 --> 00:13:36.083
- Lori.

278
00:13:37.560 --> 00:13:38.640
- I think we're done here.

279
00:13:38.640 --> 00:13:43.380
That was a fantastic
interrogation. Thank you.

280
00:13:43.380 --> 00:13:44.783
- I feel like we need to talk.

281
00:13:48.840 --> 00:13:53.633
I feel so stressed about this shoot.

282
00:13:55.511 --> 00:13:56.344
- What?

283
00:13:56.344 --> 00:13:58.665
- All of it.
- What's going on?

284
00:13:58.665 --> 00:13:59.498
- I don't know. I don't know.

285
00:13:59.498 --> 00:14:02.640
I just feel, I just, I
put all this stuff on

286
00:14:02.640 --> 00:14:06.240
and I can't, I can't be normal now.

287
00:14:06.240 --> 00:14:09.150
I'm, I'm just swimming
in all of this stuff

288
00:14:09.150 --> 00:14:13.620
and I'm very, I don't know,
uncomfortable for some reason.

289
00:14:13.620 --> 00:14:14.910
You're making me a little uncomfortable.

290
00:14:14.910 --> 00:14:16.050
- Oh.
- I don't know why,

291
00:14:16.050 --> 00:14:17.530
but it's like, not like an
uncomfortable, you know,

292
00:14:17.530 --> 00:14:19.140
it's, it's like a certain uncomfortable,

293
00:14:19.140 --> 00:14:20.550
I don't know what it is, but.

294
00:14:22.599 --> 00:14:24.401
- Well, I'm sorry if there's anything,

295
00:14:24.401 --> 00:14:26.376
if I did anything.

296
00:14:26.376 --> 00:14:28.860
- It's not like that.

297
00:14:28.860 --> 00:14:32.037
It's just hard for me
to open up to people.

298
00:14:32.037 --> 00:14:33.662
- I totally agree.

299
00:14:33.662 --> 00:14:36.843
I just moved here like, it's LA,

300
00:14:36.843 --> 00:14:39.275
it's just so hard to meet people,

301
00:14:39.275 --> 00:14:43.625
who you connect, just
find that, that friendship

302
00:14:43.625 --> 00:14:46.875
and that love and you know, expression.

303
00:14:50.596 --> 00:14:52.197
You know what I mean?

304
00:14:52.197 --> 00:14:54.019
- Yeah, I know what you mean.

305
00:14:54.019 --> 00:14:56.548
I just, I, it, it's, I don't know.

306
00:14:56.548 --> 00:15:00.840
I, I don't want to be inappropriate

307
00:15:00.840 --> 00:15:05.310
and I don't want to be, I
don't know what I'm feeling.

308
00:15:05.310 --> 00:15:07.120
I don't even want to interrogate you.

309
00:15:07.120 --> 00:15:08.190
You, you, I was gonna interrogate you

310
00:15:08.190 --> 00:15:10.217
and I was gonna talk to you
and do the same kind of scene

311
00:15:10.217 --> 00:15:11.464
like that they did,

312
00:15:11.464 --> 00:15:14.007
but now I feel like that's not
even, I can't even do that.

313
00:15:14.007 --> 00:15:15.240
And I dunno why.

314
00:15:15.240 --> 00:15:17.310
So I'm, it's even hard
for me to look at you.

315
00:15:17.310 --> 00:15:18.930
I'm like, it's, it is just like,

316
00:15:18.930 --> 00:15:21.180
I can't even get my eyes
on you for some reason.

317
00:15:21.180 --> 00:15:22.899
When I look at you, I just
feel you're like looking

318
00:15:22.899 --> 00:15:25.277
into me and I don't know.

319
00:15:25.277 --> 00:15:29.825
I don't know what these
feelings, I don't understand.

320
00:15:29.825 --> 00:15:33.261
- I know what you mean, so anyway,

321
00:15:33.261 --> 00:15:34.556
I'll just stay professional,

322
00:15:34.556 --> 00:15:39.556
and hopefully it's
enough but (indistinct).

323
00:15:45.917 --> 00:15:47.790
I want you to enjoy your time here.

324
00:15:47.790 --> 00:15:50.373
- Yeah, that's good. It's good.

325
00:15:51.462 --> 00:15:54.588
Not everybody gets what
we're doing, but...

326
00:15:54.588 --> 00:15:57.671
- Yeah, I mean, if you need a minute.

327
00:15:59.961 --> 00:16:01.619
- I wouldn't go that far, but, you know.

328
00:16:01.619 --> 00:16:03.658
Yeah, it is, it is quite interesting.

329
00:16:03.658 --> 00:16:04.491
Lemme take this off.

330
00:16:04.491 --> 00:16:06.908
I'm just, I'm just getting...

331
00:16:07.904 --> 00:16:12.904
Oh.
(upbeat music)

332
00:16:15.483 --> 00:16:17.900
♪ Sweet time ♪

333
00:16:19.683 --> 00:16:20.933
- I don't know.

334
00:16:33.227 --> 00:16:34.931
Don't touch me.

335
00:16:34.931 --> 00:16:35.764
- Sorry.

336
00:16:37.356 --> 00:16:39.106
♪ Oh ♪

337
00:16:40.073 --> 00:16:41.240
- I should go.

338
00:16:43.136 --> 00:16:45.386
- Don't go, stop, stay sit.

339
00:16:47.728 --> 00:16:48.561
I'm sorry.

340
00:16:53.700 --> 00:16:56.783
♪ Sweet tidings then ♪

341
00:17:02.239 --> 00:17:05.690
- I'm not ready for this.
- That's okay.

342
00:17:05.690 --> 00:17:09.653
I thought I was ready
for this, but I'm not.

343
00:17:09.653 --> 00:17:11.736
But will you wait for me?

344
00:17:14.031 --> 00:17:15.155
- Of course.

345
00:17:15.155 --> 00:17:16.655
- Gimme some time.

346
00:17:19.857 --> 00:17:24.390
- I've been through a
lot and it wasn't easy.

347
00:17:24.390 --> 00:17:27.057
Now I'm trying to come out here,

348
00:17:28.139 --> 00:17:32.370
so if you'll just be slow and patient,

349
00:17:32.370 --> 00:17:34.753
maybe I'll come out it, is that okay?

350
00:17:35.967 --> 00:17:36.967
- Of course.

351
00:17:38.868 --> 00:17:40.750
Anything you need, I'm here.

352
00:17:40.750 --> 00:17:43.350
- Thank you. Thank you. Okay.

353
00:17:43.350 --> 00:17:44.900
We're gonna get lunch.
- Okay.

354
00:17:45.776 --> 00:17:47.201
- And then we'll keep things flowing.

355
00:17:47.201 --> 00:17:49.650
We'll, we will talk later.

356
00:17:49.650 --> 00:17:51.543
- Good. Good.

357
00:17:51.543 --> 00:17:52.380
- I like that. Okay.

358
00:17:52.380 --> 00:17:53.674
Thank you.
- Thank you.

359
00:17:53.674 --> 00:17:55.591
- Alright. Okay thanks.

360
00:18:00.990 --> 00:18:03.423
Delilah. Wait, come here.

361
00:18:05.869 --> 00:18:07.440
Is it about money?

362
00:18:07.440 --> 00:18:09.510
Did you come here for the money?

363
00:18:09.510 --> 00:18:12.000
- No, I mean, honestly
that was part of it,

364
00:18:12.000 --> 00:18:15.000
but now that I'm here, it's just-

365
00:18:15.000 --> 00:18:16.310
- Take it. All of it.

366
00:18:17.670 --> 00:18:18.840
I want you to have all of it.

367
00:18:18.840 --> 00:18:21.030
Yeah. It's Steve's savings.

368
00:18:21.030 --> 00:18:22.468
You can have it.

369
00:18:22.468 --> 00:18:23.301
- Thank you.

370
00:18:23.301 --> 00:18:25.240
- I feel like it was meant for you.

371
00:18:25.240 --> 00:18:27.745
I feel some way. I feel
like it was meant for you

372
00:18:27.745 --> 00:18:29.280
and I don't know, like I can't get close

373
00:18:29.280 --> 00:18:30.570
to beauty sometimes.

374
00:18:30.570 --> 00:18:32.670
So I want you to take that

375
00:18:32.670 --> 00:18:34.836
and I want you to do something
like really good with it.

376
00:18:34.836 --> 00:18:36.176
Okay?
- Of course.

377
00:18:36.176 --> 00:18:37.530
- Go, go, go.
- Thank you.

378
00:18:37.530 --> 00:18:38.440
- You're welcome.

379
00:18:44.556 --> 00:18:45.389
Bye.

380
00:18:51.435 --> 00:18:54.435
Shit, Steve, ruined the damn moment.

381
00:18:58.620 --> 00:19:00.880
- Lunch.
- You got lunch?

382
00:19:00.880 --> 00:19:02.160
- Yeah.
- Okay.

383
00:19:02.160 --> 00:19:03.990
Gives, make sure Delilah gets some, okay?

384
00:19:03.990 --> 00:19:05.850
- Okay.
- She's upstairs.

385
00:19:05.850 --> 00:19:07.563
- Okay.
- What did she order?

386
00:19:08.790 --> 00:19:10.950
- We all got beef.
- Beef.

387
00:19:10.950 --> 00:19:13.800
- Everybody did.
- Give her my beef.

388
00:19:13.800 --> 00:19:14.633
- Okay.
- Thank you.

389
00:19:14.633 --> 00:19:16.440
- Are you sure?
- Yes.

390
00:19:16.440 --> 00:19:17.273
- [Steve] Okay. I will.

391
00:19:17.273 --> 00:19:19.290
- I'll have your, what did you get?

392
00:19:19.290 --> 00:19:21.060
- [Steve] I got beef. Everybody got beef.

393
00:19:21.060 --> 00:19:23.250
I'll have your beef. Give her my beef.

394
00:19:23.250 --> 00:19:24.300
- Okay.
- Thank you.

395
00:19:24.300 --> 00:19:25.403
- [Steve] You're welcome.

396
00:19:28.976 --> 00:19:30.309
- I'm so stupid.

397
00:19:37.849 --> 00:19:40.001
I'm not the butcher. I'm not the butcher.

398
00:19:40.001 --> 00:19:43.334
You are the butcher, you're the butcher.

399
00:19:44.790 --> 00:19:46.893
Turn it off, dude. Seriously.

400
00:19:49.815 --> 00:19:53.202
(knife clacking)

401
00:19:53.202 --> 00:19:55.083
Ah!

402
00:19:56.021 --> 00:19:57.483
No, no, no.

403
00:20:01.950 --> 00:20:03.723
Get it together. Get it together.

404
00:20:04.650 --> 00:20:06.690
He said love is is patient.

405
00:20:06.690 --> 00:20:11.520
It's calm, it's kind, it's
patient, it's calm, it's kind.

406
00:20:11.520 --> 00:20:14.490
Love is patient. It's calm, it's kind.

407
00:20:14.490 --> 00:20:15.926
It's kind.

408
00:20:15.926 --> 00:20:17.733
It's patient, it's calm, it's kind.

409
00:20:18.659 --> 00:20:21.507
It's patient, it's calm and
it's kind. It's patient.

410
00:20:21.507 --> 00:20:24.630
And it's patient and it waits. Okay.

411
00:20:24.630 --> 00:20:28.383
That's what we're gonna do.
That's what we're gonna do.

412
00:20:30.414 --> 00:20:32.520
That's what we're gonna do.

413
00:20:32.520 --> 00:20:34.440
There's something I still
don't quite understand

414
00:20:34.440 --> 00:20:37.353
about today, but I
think it's coming close.

415
00:20:39.720 --> 00:20:41.683
You earlier said something about Delilah.

416
00:20:41.683 --> 00:20:43.683
I don't know if I can believe that yet.

417
00:20:44.910 --> 00:20:48.330
I still think Hildegard is the key.

418
00:20:48.330 --> 00:20:50.670
It's what we're looking for

419
00:20:50.670 --> 00:20:53.334
and it's what we need to focus on, okay?

420
00:20:53.334 --> 00:20:54.750
- Okay.
- Yeah. Now listen, listen.

421
00:20:54.750 --> 00:20:57.240
I'm in a space now that
I, it's really hard

422
00:20:57.240 --> 00:20:58.620
for me to get out of right now.

423
00:20:58.620 --> 00:21:00.540
So I really need to do another challenge

424
00:21:00.540 --> 00:21:02.250
to maybe one, maybe two more.

425
00:21:02.250 --> 00:21:04.260
I really need to convince
myself that this is right.

426
00:21:04.260 --> 00:21:06.330
- That will help out. Good idea. Jack.

427
00:21:06.330 --> 00:21:10.320
- If we're right, just tell
me. You, you are armed.

428
00:21:10.320 --> 00:21:12.510
You have a gun?
- Yeah, I do.

429
00:21:12.510 --> 00:21:14.520
- Okay. Secret place.

430
00:21:14.520 --> 00:21:15.690
Luke has a gun.

431
00:21:15.690 --> 00:21:17.340
- Yes.
- Okay.

432
00:21:17.340 --> 00:21:20.940
And we have additional
backup ready if needed?

433
00:21:20.940 --> 00:21:23.053
- Yeah, on call.
- Okay, good.

434
00:21:24.573 --> 00:21:25.890
Then we're gonna continue.

435
00:21:25.890 --> 00:21:27.120
We're gonna forge on.

436
00:21:27.120 --> 00:21:27.953
So I'm gonna pretend now

437
00:21:27.953 --> 00:21:30.300
that we're starting the
after lunch session.

438
00:21:30.300 --> 00:21:31.375
- Okay.
- Okay.

439
00:21:31.375 --> 00:21:33.030
So I'm just gonna, this is rolling.

440
00:21:33.030 --> 00:21:34.320
Get it now.
- Okay.

441
00:21:34.320 --> 00:21:35.883
- And action. Action.

442
00:21:37.678 --> 00:21:39.840
We're waiting for Gregory.

443
00:21:39.840 --> 00:21:42.360
The name of this play
is Waiting for Gregory.

444
00:21:42.360 --> 00:21:43.193
Welcome back.

445
00:21:44.700 --> 00:21:45.750
We're barreling into the end

446
00:21:45.750 --> 00:21:47.760
of our creative seminar today.

447
00:21:47.760 --> 00:21:49.590
Today's seminar has explored many things,

448
00:21:49.590 --> 00:21:51.660
and especially we've
tapped into creativity.

449
00:21:51.660 --> 00:21:53.070
We've tapped into the essence of

450
00:21:53.070 --> 00:21:55.170
what makes a creative performance.

451
00:21:55.170 --> 00:21:57.399
Why is someone motivated to do something?

452
00:21:57.399 --> 00:22:00.750
What drives a character to do something?

453
00:22:00.750 --> 00:22:04.500
What drives someone to do the unthinkable?

454
00:22:04.500 --> 00:22:08.673
The unspeakable, dare
I say the unkillable,

455
00:22:09.735 --> 00:22:14.735
but at the heart of this is one
core of the creative process

456
00:22:15.657 --> 00:22:18.633
and the true core of
the creative process is?

457
00:22:19.980 --> 00:22:20.853
- True testament.

458
00:22:22.060 --> 00:22:24.810
- Okay? You didn't read
the manual, but close.

459
00:22:24.810 --> 00:22:29.760
Trauma, trauma, trauma is at the core

460
00:22:29.760 --> 00:22:30.930
of the creative process.

461
00:22:30.930 --> 00:22:35.930
Because without trauma, art
would be, it would be here,

462
00:22:35.940 --> 00:22:38.910
but with trauma, we can go here.

463
00:22:38.910 --> 00:22:43.320
Sometimes we can even go
here and at the right time

464
00:22:43.320 --> 00:22:45.150
and at the right place,

465
00:22:45.150 --> 00:22:48.813
we can even go here.

466
00:22:49.938 --> 00:22:51.030
Does it make sense?

467
00:22:51.030 --> 00:22:52.530
So what we're gonna do now is we're going

468
00:22:52.530 --> 00:22:55.080
to have another dramatic performance.

469
00:22:55.080 --> 00:22:56.760
I want you to tell the
talent that we're going

470
00:22:56.760 --> 00:23:00.308
to have a traumatic performance
where they are to reenact

471
00:23:00.308 --> 00:23:02.730
a traumatic moment from their lives.

472
00:23:02.730 --> 00:23:04.680
Go over there and yell it
up to 'em. They're up there.

473
00:23:04.680 --> 00:23:08.613
Lunch is over. Steve has
a, Steve has a message.

474
00:23:10.050 --> 00:23:10.883
- Okay.
- Okay.

475
00:23:10.883 --> 00:23:14.153
Yes when we come down
here, you're do a meeting

476
00:23:14.153 --> 00:23:16.093
where you're gonna reenact a trauma.

477
00:23:16.093 --> 00:23:19.710
A trauma that you had
either earlier in your life

478
00:23:19.710 --> 00:23:21.300
or more recent whenever.

479
00:23:21.300 --> 00:23:23.622
So that's the next game. So come on down.

480
00:23:23.622 --> 00:23:24.455
- Okay.
- Sounds fun.

481
00:23:24.455 --> 00:23:26.910
- Thank you. Good job, Steve, thank you.

482
00:23:26.910 --> 00:23:27.743
Thank you.

483
00:23:27.743 --> 00:23:29.220
Yeah come on down and I'll give you guys

484
00:23:29.220 --> 00:23:30.690
a couple minutes to prepare down here.

485
00:23:30.690 --> 00:23:33.990
I want the audience of
this seminar to, to,

486
00:23:33.990 --> 00:23:35.040
I want them really to see

487
00:23:35.040 --> 00:23:36.990
how these puzzle pieces come together

488
00:23:36.990 --> 00:23:40.250
because the best puzzle
piece is yet to come.

489
00:23:40.250 --> 00:23:44.040
And I want them to see the
creative process in action.

490
00:23:44.040 --> 00:23:45.180
That's what I want to see.

491
00:23:45.180 --> 00:23:50.180
So here is, is Delilah,
beautiful, sweet Delilah,

492
00:23:51.600 --> 00:23:54.450
you are more than I ever
could have anticipated.

493
00:23:54.450 --> 00:23:55.650
You've actually given me something today

494
00:23:55.650 --> 00:23:57.175
that I didn't have before today.

495
00:23:57.175 --> 00:24:00.390
And I don't know what that is
yet, but I really mean that.

496
00:24:00.390 --> 00:24:03.722
And I appreciate it more
than you probably know.

497
00:24:03.722 --> 00:24:04.800
- Thank you.
- Okay.

498
00:24:04.800 --> 00:24:07.050
I'm, I'm, so, I wanna
give this to you again,

499
00:24:07.050 --> 00:24:09.030
just so it's like on camera

500
00:24:09.030 --> 00:24:11.640
because I'm really
working hard to open up.

501
00:24:11.640 --> 00:24:12.930
I'm trying to be a better man.

502
00:24:12.930 --> 00:24:15.328
- Thank you. That means a lot to me.

503
00:24:15.328 --> 00:24:16.233
- Thank you.

504
00:24:17.430 --> 00:24:19.890
I want you to tap into some
traumatic side of yourself.

505
00:24:19.890 --> 00:24:22.390
Some traumatic memory,
like Steve said, traumatic.

506
00:24:23.433 --> 00:24:25.650
You can practice over here, please.

507
00:24:25.650 --> 00:24:28.050
And Hildegard, please come.

508
00:24:28.050 --> 00:24:31.500
You are a pure joy to work with today.

509
00:24:31.500 --> 00:24:34.200
And I say that from
the bottom of my heart.

510
00:24:34.200 --> 00:24:37.770
You terrify me, you startle
me, you surprise me.

511
00:24:37.770 --> 00:24:42.770
But that is creativity and
I appreciate that so much.

512
00:24:43.191 --> 00:24:45.900
There's still some things
about you that I'm learning

513
00:24:45.900 --> 00:24:47.880
and I'm sure there's gonna be a lot

514
00:24:47.880 --> 00:24:48.870
that we're gonna be learning.

515
00:24:48.870 --> 00:24:50.460
- Yes.

516
00:24:50.460 --> 00:24:51.930
- But I want you to tap into the trauma

517
00:24:51.930 --> 00:24:53.400
and I want you to go
deep into the trauma too.

518
00:24:53.400 --> 00:24:55.638
And you can practice over there.

519
00:24:55.638 --> 00:24:56.790
And we're gonna get the
audience a little, little,

520
00:24:56.790 --> 00:25:00.540
little glimpse into behind the
scenes of the creative flow.

521
00:25:00.540 --> 00:25:02.910
We'll give you two minutes to prepare,

522
00:25:02.910 --> 00:25:04.020
two minutes to reenact.

523
00:25:04.020 --> 00:25:06.620
And then we're gonna do our
little show. So game on.

524
00:25:08.070 --> 00:25:08.903
- Go.

525
00:25:11.847 --> 00:25:16.847
(intense music)
(footsteps shuffling)

526
00:25:41.520 --> 00:25:42.399
Get both them. Get both of them.

527
00:25:42.399 --> 00:25:43.232
Get both of them. They're rehearsing.

528
00:25:43.232 --> 00:25:44.190
Both of them. They're rehearsing.

529
00:25:44.190 --> 00:25:47.460
This is the creative
process. See the artist.

530
00:25:47.460 --> 00:25:48.903
See the artist at work.

531
00:25:49.840 --> 00:25:54.420
The artist uses their body,
their mind, imagination.

532
00:25:54.420 --> 00:25:56.853
See, she sees it.

533
00:25:57.870 --> 00:25:59.010
Over here.

534
00:25:59.010 --> 00:26:03.993
The artist uses shape, geometry, memory.

535
00:26:05.550 --> 00:26:08.673
She's deep into it. This is
a true master artist at work.

536
00:26:10.050 --> 00:26:12.660
She's going internal.
She's going internal.

537
00:26:12.660 --> 00:26:14.070
Wonderful. Wonderful.

538
00:26:14.070 --> 00:26:15.710
How many more minutes?
- One minute, 30 seconds.

539
00:26:15.710 --> 00:26:17.780
- 35 seconds. Good.
- 35 seconds.

540
00:26:17.780 --> 00:26:19.713
- 35 seconds. 35 seconds.

541
00:26:28.140 --> 00:26:28.973
Thank you.

542
00:26:30.840 --> 00:26:31.890
- [Steve] 20 Seconds.

543
00:26:38.040 --> 00:26:41.070
- The face, the face. You can see it.

544
00:26:41.070 --> 00:26:42.573
Perfect. Good.

545
00:26:44.040 --> 00:26:45.330
Expression of the face is,

546
00:26:45.330 --> 00:26:47.613
means a lot in the dramatic moment.

547
00:26:49.811 --> 00:26:50.644
- That's it.
- Good.

548
00:26:50.644 --> 00:26:53.403
- Time's up.
- Perfect. Great.

549
00:26:55.080 --> 00:26:57.330
The reenactment of trauma is not easy.

550
00:26:57.330 --> 00:27:00.068
And so I say this in all truthfulness,

551
00:27:00.068 --> 00:27:01.830
that what you're doing right now

552
00:27:01.830 --> 00:27:03.810
is really developing yourself

553
00:27:03.810 --> 00:27:05.510
through the reenactment of trauma.

554
00:27:06.480 --> 00:27:11.280
Would any of you like to go
first? Delilah, thank you.

555
00:27:11.280 --> 00:27:12.720
That makes me happy.

556
00:27:12.720 --> 00:27:14.670
Thank you. I appreciate that.

557
00:27:14.670 --> 00:27:15.840
Alright.

558
00:27:15.840 --> 00:27:18.870
The performance will not
be too long, I suspect.

559
00:27:18.870 --> 00:27:19.950
But we will. We will.

560
00:27:19.950 --> 00:27:21.420
When you are done, take a bow,

561
00:27:21.420 --> 00:27:22.820
or signal that you are done.

562
00:27:23.700 --> 00:27:28.307
Let's begin the reenactment
of trauma and action.

563
00:27:34.042 --> 00:27:37.209
(footsteps shuffling)

564
00:27:54.510 --> 00:27:55.810
- Thank you.
- Wonderful.

565
00:27:56.785 --> 00:27:59.015
(crowd clapping)

566
00:27:59.015 --> 00:28:00.098
- Yay trauma.

567
00:28:04.675 --> 00:28:07.170
- Four, $500. Steve's money's running low.

568
00:28:07.170 --> 00:28:08.250
And there you are. You're welcome.

569
00:28:08.250 --> 00:28:10.380
Thank you. Thank you so much.

570
00:28:10.380 --> 00:28:11.760
Thank you. Thank you.

571
00:28:11.760 --> 00:28:15.963
She's taught me a lot today.
Hildegard, you're ready.

572
00:28:17.070 --> 00:28:20.141
Reenactment of trauma. Hildegard.

573
00:28:20.141 --> 00:28:21.141
And action.

574
00:28:47.612 --> 00:28:49.862
Steve here.
- What is this?

575
00:28:52.481 --> 00:28:54.981
- [Jack] What's she doing? Oh.

576
00:28:59.907 --> 00:29:02.733
I think she's doing something.

577
00:29:02.733 --> 00:29:05.261
She's stabbing somebody with a needle.

578
00:29:05.261 --> 00:29:08.011
Yeah she's stabbing, little drip.

579
00:29:14.088 --> 00:29:16.088
That's good, oh my gosh.

580
00:29:17.920 --> 00:29:19.253
That's really...

581
00:29:29.004 --> 00:29:31.950
- That was really nice. It was fantastic.

582
00:29:31.950 --> 00:29:35.717
Here, take this. Thank you, thank you.

583
00:29:35.717 --> 00:29:38.217
- Oh.
- Take it. It's the same.

584
00:29:40.320 --> 00:29:42.600
Did you say you needed to talk with me?

585
00:29:42.600 --> 00:29:44.640
- Yes.
- Is everything okay?

586
00:29:44.640 --> 00:29:45.543
Sure. Yeah.

587
00:29:46.740 --> 00:29:48.420
Hildegard, you can.

588
00:29:48.420 --> 00:29:50.400
Steve, do you mind keeping
an eye on Hildegard?

589
00:29:50.400 --> 00:29:53.643
- No. Is, is everything okay,
just take it up with me.

590
00:29:54.960 --> 00:29:55.882
- It's okay.
- It's okay?

591
00:29:55.882 --> 00:29:56.790
Everything's okay?
- Yeah.

592
00:29:56.790 --> 00:29:57.630
- Alright.

593
00:29:57.630 --> 00:29:58.710
- We can talk over here.

594
00:29:58.710 --> 00:29:59.730
If you guys can maybe go over there,

595
00:29:59.730 --> 00:30:01.059
just give us a little privacy.

596
00:30:01.059 --> 00:30:03.382
- Okay.
- Thank you.

597
00:30:03.382 --> 00:30:04.215
- Thank you.

598
00:30:04.215 --> 00:30:05.048
- Here, take your, take your money.

599
00:30:09.889 --> 00:30:13.056
(footsteps shuffling)

600
00:30:14.167 --> 00:30:15.000
- Sorry. Sorry.

601
00:30:15.990 --> 00:30:16.950
- No, no, no, no.

602
00:30:16.950 --> 00:30:18.120
I'm, it's, it's nothing.

603
00:30:18.120 --> 00:30:21.390
I mean, it's, it's, it's,
it's, it's fine. It's fine.

604
00:30:21.390 --> 00:30:23.907
I'm sorry. You know?

605
00:30:23.907 --> 00:30:26.010
But if that was hard for you to do,

606
00:30:26.010 --> 00:30:27.951
or if it was like, there was-

607
00:30:27.951 --> 00:30:29.825
- I feel like-
- Yeah.

608
00:30:29.825 --> 00:30:32.100
- I feel like it really helped me open up.

609
00:30:32.100 --> 00:30:36.750
It's, I mean, sorry,
I'm just really nervous,

610
00:30:36.750 --> 00:30:37.890
- Look at me, I'm a monster.

611
00:30:37.890 --> 00:30:40.070
I didn't, you know, my face is all...

612
00:30:41.220 --> 00:30:43.500
- That's why I feel like
you would understand.

613
00:30:43.500 --> 00:30:48.300
And I know when we were talking
earlier about being patient

614
00:30:48.300 --> 00:30:50.970
and not being ready to open up.

615
00:30:50.970 --> 00:30:53.574
But I just, I feel like if we're honest

616
00:30:53.574 --> 00:30:56.340
with each other, just about everything,

617
00:30:56.340 --> 00:31:01.050
then it would really
just help the connection.

618
00:31:01.050 --> 00:31:02.253
- Okay. Yeah.

619
00:31:03.210 --> 00:31:05.070
I mean, you're talking like
pretty deep though now.

620
00:31:05.070 --> 00:31:06.330
I don't know what you're,

621
00:31:06.330 --> 00:31:07.530
are you talking about the shoot today?

622
00:31:07.530 --> 00:31:10.353
Or is this like is this
something personal?

623
00:31:11.610 --> 00:31:13.470
Should we be recording them?
I mean, the camera's on.

624
00:31:13.470 --> 00:31:15.900
Is it like, I don't have to use
the footage, but is it okay?

625
00:31:15.900 --> 00:31:17.520
Can we leave it on?
- It's probably better.

626
00:31:17.520 --> 00:31:19.560
- Or should I tell him to, let
me tell him to turn it off.

627
00:31:19.560 --> 00:31:21.603
Yeah.
- Hold on.

628
00:31:23.130 --> 00:31:24.570
Turn it off. Okay.

629
00:31:24.570 --> 00:31:25.403
It's off, right?

630
00:31:30.323 --> 00:31:31.156
- It's on.

631
00:31:31.156 --> 00:31:32.130
- No, no, it's, it's, it's off. Hold on.

632
00:31:32.130 --> 00:31:35.133
Let me make sure, Steve.

633
00:31:35.133 --> 00:31:35.966
- Yes.
- Okay.

634
00:31:35.966 --> 00:31:39.990
Just, I don't know, play chess
with Hildegard or something.

635
00:31:39.990 --> 00:31:41.010
- I'm just keeping on standby.

636
00:31:41.010 --> 00:31:42.668
- Oh, you're up there?

637
00:31:42.668 --> 00:31:43.501
- Yeah, I'm up here.
- All right.

638
00:31:43.501 --> 00:31:44.530
We need to have like a little talk.

639
00:31:44.530 --> 00:31:45.810
- Okay.
- Like, everything's fine,

640
00:31:45.810 --> 00:31:47.650
but like, we just need a minute.

641
00:31:47.650 --> 00:31:50.313
- Okay. Oh fine.
- Okay. Hildegard, you good?

642
00:31:51.621 --> 00:31:52.947
- [Steve] If there's anything
you need to go over with me,

643
00:31:52.947 --> 00:31:55.800
let me know?
- Okay. Thank you.

644
00:31:55.800 --> 00:31:56.850
- [Crew] And it's on standby

645
00:31:56.850 --> 00:31:58.800
for when you want me to record again.

646
00:31:58.800 --> 00:31:59.990
- Alright. He doesn't-
- Oh, okay.

647
00:31:59.990 --> 00:32:01.404
He can stay, he can stay here. It's fine.

648
00:32:01.404 --> 00:32:02.620
- Oh.
- It's fine.

649
00:32:02.620 --> 00:32:03.640
- Okay, it's just

650
00:32:04.680 --> 00:32:06.870
or he can just leave the
camera like this and walk away.

651
00:32:06.870 --> 00:32:08.010
Luke, you can just go take a break.

652
00:32:08.010 --> 00:32:10.652
Just, you can just leave the
camera set here, it's fine.

653
00:32:10.652 --> 00:32:12.809
- Okay.
- Okay. Keep going.

654
00:32:12.809 --> 00:32:14.520
- Okay.
- What's up?

655
00:32:14.520 --> 00:32:17.250
- Just had something kind of
weighing on me for a while and-

656
00:32:17.250 --> 00:32:18.083
- Yeah.

657
00:32:18.083 --> 00:32:21.040
- I feel like you're the only
person who'd really understand

658
00:32:22.980 --> 00:32:23.813
and it's just-

659
00:32:23.813 --> 00:32:24.991
- Well, you don't even know,

660
00:32:24.991 --> 00:32:25.824
well, we just, I mean, we just met,

661
00:32:25.824 --> 00:32:27.200
we're just shooting a movie.

662
00:32:28.140 --> 00:32:30.400
- I, I thought you said that. Like...

663
00:32:32.464 --> 00:32:33.297
- No, I like you.

664
00:32:33.297 --> 00:32:34.156
No, I do, I do, I do, I do.

665
00:32:34.156 --> 00:32:35.130
Don't get me wrong.

666
00:32:35.130 --> 00:32:37.740
I don't, sorry. Sometimes
I come off really abrasive.

667
00:32:37.740 --> 00:32:38.760
I'm sorry.
- I'm sorry.

668
00:32:38.760 --> 00:32:39.593
I, I should-

669
00:32:39.593 --> 00:32:41.116
- No, no, no, no, no, no, no, no,

670
00:32:41.116 --> 00:32:41.949
no, no, no, no, no, no, no.

671
00:32:41.949 --> 00:32:43.740
I want to hear you out,
'cause I feel like you're,

672
00:32:43.740 --> 00:32:45.600
you're talking to me now with the truth

673
00:32:45.600 --> 00:32:47.310
and everything I talk today is not fake.

674
00:32:47.310 --> 00:32:49.620
It's really real, when I talk
about life as a performance,

675
00:32:49.620 --> 00:32:51.790
art and love as a stream and
all that stuff, it's real.

676
00:32:51.790 --> 00:32:54.870
- And you really mean
about self-development and-

677
00:32:54.870 --> 00:32:57.000
- Yes. Being honest.
- Okay.

678
00:32:57.000 --> 00:32:58.590
- Yes and I've seen some shit

679
00:32:58.590 --> 00:33:01.260
that's like super haunting in my life.

680
00:33:01.260 --> 00:33:02.310
I don't know.
- Yeah.

681
00:33:02.310 --> 00:33:03.990
- You have too. I saw that performance.

682
00:33:03.990 --> 00:33:06.210
- Yeah and it just, it
really brought up everything

683
00:33:06.210 --> 00:33:09.690
that I've been feeling lately and why.

684
00:33:09.690 --> 00:33:10.710
- Okay. So this is heavy.

685
00:33:10.710 --> 00:33:12.420
This is for real right
now you're talking real.

686
00:33:12.420 --> 00:33:13.650
- Yeah.
- Okay.

687
00:33:13.650 --> 00:33:15.180
So were you okay?

688
00:33:15.180 --> 00:33:18.892
Is everything somebody hurting you or is?

689
00:33:18.892 --> 00:33:20.393
- I'm I'm the Chatsworth butcher.

690
00:33:23.400 --> 00:33:27.870
- Okay. What do you mean?

691
00:33:27.870 --> 00:33:28.950
What do you mean when you say that?

692
00:33:28.950 --> 00:33:29.783
- I mean-

693
00:33:29.783 --> 00:33:31.050
- Whatcha talking about?

694
00:33:31.050 --> 00:33:32.283
- I killed those people.

695
00:33:36.420 --> 00:33:37.479
- Okay. Look, look,
look, look, you're nice.

696
00:33:37.479 --> 00:33:39.595
You're funny, you know,
you're really like,

697
00:33:39.595 --> 00:33:41.100
you're making me search like, like

698
00:33:41.100 --> 00:33:42.709
suddenly, like I'm shaking.

699
00:33:42.709 --> 00:33:43.542
- I know.
- Like, I don't,

700
00:33:43.542 --> 00:33:44.375
I don't understand what
you're saying right now.

701
00:33:44.375 --> 00:33:45.892
- And that that is still me. That is-

702
00:33:45.892 --> 00:33:47.820
- Hold on but why would
you joke about this? Like?

703
00:33:47.820 --> 00:33:50.460
- I'm not, I really...

704
00:33:50.460 --> 00:33:53.220
- So what are you saying?
It's, are you being for real?

705
00:33:53.220 --> 00:33:56.160
- Yes, I thought that we
could be open with each other

706
00:33:56.160 --> 00:33:59.100
and just really have that
understanding and, you know-

707
00:33:59.100 --> 00:34:01.380
- So you killed so you, so you,

708
00:34:01.380 --> 00:34:04.293
you killed, you've killed people.

709
00:34:05.381 --> 00:34:07.893
- Yeah.
- Why?

710
00:34:09.330 --> 00:34:10.200
What do you, so, hold on.

711
00:34:10.200 --> 00:34:11.760
First of all, like, you
kind, I'm kind of like,

712
00:34:11.760 --> 00:34:13.200
I can't register this yet.

713
00:34:13.200 --> 00:34:14.037
And I don't know if you're messing with me

714
00:34:14.037 --> 00:34:16.800
and if you are, it's,
it's, no, it's not funny.

715
00:34:16.800 --> 00:34:17.633
- I would never do that.

716
00:34:17.633 --> 00:34:19.170
- You gotta speak. You can
speak honestly with me.

717
00:34:19.170 --> 00:34:23.190
- I am, this is the most
honest I've ever been.

718
00:34:23.190 --> 00:34:26.460
And I know it's, it's a lot.

719
00:34:26.460 --> 00:34:30.030
And I, maybe things went too far.

720
00:34:30.030 --> 00:34:32.163
I mean, it started,

721
00:34:33.870 --> 00:34:35.650
well I've been working on this production

722
00:34:35.650 --> 00:34:39.423
of an an all female led
musical about Jack the Ripper

723
00:34:39.423 --> 00:34:41.250
and, and I'm playing Jack the Ripper.

724
00:34:41.250 --> 00:34:42.360
It's actually, it's gonna be up at

725
00:34:42.360 --> 00:34:43.410
the Colony Theater next month.

726
00:34:43.410 --> 00:34:44.243
You should come see it.

727
00:34:44.243 --> 00:34:47.023
- Yeah.
- But I,

728
00:34:47.023 --> 00:34:48.030
I was rehearsing the role

729
00:34:48.030 --> 00:34:49.620
and I just really, I couldn't,

730
00:34:49.620 --> 00:34:52.017
I couldn't get into the character and,

731
00:34:52.017 --> 00:34:55.890
and so I tried going method
and it just unlocked something.

732
00:34:55.890 --> 00:34:58.991
And the first time that
I really killed somebody,

733
00:34:58.991 --> 00:35:03.870
I felt so powerful.

734
00:35:03.870 --> 00:35:06.750
It was like nothing I
had ever felt before.

735
00:35:06.750 --> 00:35:11.750
And I just, something within me

736
00:35:12.240 --> 00:35:13.410
just like awoke.

737
00:35:13.410 --> 00:35:18.410
And I've been chasing
the feeling ever since.

738
00:35:19.560 --> 00:35:22.980
I mean, have you ever
felt something like that,

739
00:35:22.980 --> 00:35:24.750
just to be totally in control

740
00:35:24.750 --> 00:35:29.103
and see the beauty of life in your hands?

741
00:35:31.350 --> 00:35:32.283
It's magical.

742
00:35:34.890 --> 00:35:37.341
I just felt like you would understand

743
00:35:37.341 --> 00:35:38.630
and, you know, maybe...

744
00:35:41.370 --> 00:35:42.810
- Why? I don't know.

745
00:35:44.120 --> 00:35:47.329
- Is this too much? I'm,
I shouldn't have said.

746
00:35:47.329 --> 00:35:48.162
- It's okay. It's okay.

747
00:35:48.162 --> 00:35:49.650
It's okay. It's okay.

748
00:35:49.650 --> 00:35:51.020
I just don't know how...

749
00:35:55.170 --> 00:35:56.160
No, no, no, no, no, no, no.

750
00:35:56.160 --> 00:36:01.160
How can you, no, no, no, no, no.

751
00:36:05.730 --> 00:36:08.130
But you're not the butcher.

752
00:36:08.130 --> 00:36:12.150
You're not, you're really
sweet and nice and like kind

753
00:36:12.150 --> 00:36:13.723
and you're like super like,

754
00:36:13.723 --> 00:36:17.875
like you're opening up
to me and everything and-

755
00:36:17.875 --> 00:36:19.890
- It's all, it's all of those things.

756
00:36:19.890 --> 00:36:22.950
I mean, this is who I am.

757
00:36:22.950 --> 00:36:26.670
I, I, I want to be sweet

758
00:36:26.670 --> 00:36:29.100
and nice that I really do care about you

759
00:36:29.100 --> 00:36:31.620
and everything you've seen today is me.

760
00:36:31.620 --> 00:36:35.296
But just something happens when I feel

761
00:36:35.296 --> 00:36:38.280
that control and that power.

762
00:36:38.280 --> 00:36:41.763
And I, I'm, I hunger for it.

763
00:36:44.130 --> 00:36:47.037
It's, it's nothing like you've
ever felt before, really.

764
00:36:47.037 --> 00:36:48.330
- It's okay, I know.
I, no, no, it's totally

765
00:36:48.330 --> 00:36:51.390
what you're saying is,
listen, listen, I mean this.

766
00:36:51.390 --> 00:36:52.770
It's okay. You tell me this.

767
00:36:52.770 --> 00:36:54.310
I get it.

768
00:36:54.310 --> 00:36:56.790
- You won't tell anyone.
- No, no, no, no, no.

769
00:36:56.790 --> 00:36:59.220
I won't tell anyone. I won't tell anyone.

770
00:36:59.220 --> 00:37:00.220
I won't tell anyone.

771
00:37:01.305 --> 00:37:05.130
Let's do this, let's do this.

772
00:37:05.130 --> 00:37:06.000
Can we take a little break?

773
00:37:06.000 --> 00:37:08.130
I think I have to like, I'm
like getting really dry,

774
00:37:08.130 --> 00:37:10.395
like my mouth is getting dry.

775
00:37:10.395 --> 00:37:11.520
It's like the paint and
everything on my face.

776
00:37:11.520 --> 00:37:15.450
No, it's okay. You know what?

777
00:37:15.450 --> 00:37:18.450
Why don't you just go take a little break

778
00:37:18.450 --> 00:37:21.063
and let me, let me reassess things.

779
00:37:22.980 --> 00:37:24.030
Yeah. I don't know.

780
00:37:24.030 --> 00:37:25.500
I'm a little like, speechless.

781
00:37:25.500 --> 00:37:27.210
So let me think about
this for a second. Okay?

782
00:37:27.210 --> 00:37:29.760
- I understand. Alright, I'm sorry.

783
00:37:29.760 --> 00:37:30.593
- That's okay.

784
00:37:58.123 --> 00:37:59.873
- Is everything okay?

785
00:38:02.649 --> 00:38:04.493
Anything I need to know as a producer?

786
00:38:07.756 --> 00:38:08.589
If she's got a complaint

787
00:38:08.589 --> 00:38:09.913
I have to make note of it.

788
00:38:12.445 --> 00:38:13.278
Or is everything okay?

789
00:38:13.278 --> 00:38:17.040
- No, it's, it's, it's not
that listen, drop, drop.

790
00:38:17.040 --> 00:38:19.588
This is not even about
being a producer, dude.

791
00:38:19.588 --> 00:38:23.310
It's, it's, I don't know what
she said if she said it's real

792
00:38:23.310 --> 00:38:27.040
or what, but I, she said,
she said she's the butcher.

793
00:38:33.690 --> 00:38:34.803
It's not Hildegard.

794
00:38:37.140 --> 00:38:39.993
Oh shit. This changes everything.

795
00:38:41.640 --> 00:38:43.190
- You have to be extra careful.

796
00:38:50.850 --> 00:38:54.513
- Two truths and a lie.
Two truths and a lie.

797
00:38:56.370 --> 00:38:58.383
We need to do two truths and a lie now.

798
00:38:59.610 --> 00:39:01.868
Two truths and a lie.

799
00:39:01.868 --> 00:39:03.420
- Okay.
- Are you a liar?

800
00:39:03.420 --> 00:39:06.422
- No.
- Or are you truthful?

801
00:39:06.422 --> 00:39:11.422
- I am. I I just, I just
want to be honest with you.

802
00:39:12.534 --> 00:39:14.830
- You be truthful in the game.

803
00:39:14.830 --> 00:39:16.530
- Yeah.
- Okay. Be truthful.

804
00:39:16.530 --> 00:39:17.950
- Of course.
- Okay.

805
00:39:17.950 --> 00:39:19.200
Sorry guys. Sorry.

806
00:39:19.200 --> 00:39:21.565
I'm just, I'm just in it
like I had too much caffeine.

807
00:39:21.565 --> 00:39:23.853
We're gonna play two truths and a lie.

808
00:39:24.720 --> 00:39:26.250
Okay? Okay.
- Yeah.

809
00:39:26.250 --> 00:39:27.210
- Can we do that?
- Yeah.

810
00:39:27.210 --> 00:39:28.043
- Okay.

811
00:39:28.890 --> 00:39:30.210
- Do you want more of
the rest of my money?

812
00:39:30.210 --> 00:39:31.410
- I need to talk to you. Yeah.

813
00:39:31.410 --> 00:39:32.877
Let's do two truths and a lie.

814
00:39:32.877 --> 00:39:34.350
Two truths and a lie.

815
00:39:34.350 --> 00:39:37.050
You play the game by you say
two things that are not true

816
00:39:37.050 --> 00:39:38.220
and then one thing that's true.

817
00:39:38.220 --> 00:39:39.270
- [Speaker] That's a lie.

818
00:39:39.270 --> 00:39:42.093
- You say two things that
are, can you explain the game?

819
00:39:43.080 --> 00:39:45.660
- Two things that are true
and one thing that's not true.

820
00:39:45.660 --> 00:39:47.793
- [Speaker] Right? Like a lie.

821
00:39:50.280 --> 00:39:52.200
- He's gotta cool off a little
bit. He's been overworked.

822
00:39:52.200 --> 00:39:56.883
I guess it happens to
most directors, I guess.

823
00:39:58.268 --> 00:39:59.101
And he's been under a lot of pressure.

824
00:39:59.101 --> 00:40:00.810
I think there's been pressure
with the production company.

825
00:40:00.810 --> 00:40:01.950
He's gotta get a hit out there.

826
00:40:01.950 --> 00:40:03.090
He's gotta get a winner out there.

827
00:40:03.090 --> 00:40:06.330
We gotta get a lot of
hits online for this one.

828
00:40:06.330 --> 00:40:07.440
- Okay. Okay.

829
00:40:07.440 --> 00:40:08.700
Two truths and a lie.

830
00:40:08.700 --> 00:40:12.390
We do it over here,

831
00:40:12.390 --> 00:40:14.100
I don't remember how to play it.

832
00:40:14.100 --> 00:40:16.080
I'm a little, I don't know if, if it,

833
00:40:16.080 --> 00:40:17.460
can you guys go play the game over there?

834
00:40:17.460 --> 00:40:18.510
- Yeah.
- Okay. Go play.

835
00:40:18.510 --> 00:40:20.090
Let's play two truths and a lie.

836
00:40:20.090 --> 00:40:21.353
You get them on there. Get them on there.

837
00:40:22.330 --> 00:40:23.363
Get them on there quick.

838
00:40:24.538 --> 00:40:28.200
Guys, just gimme like 10
seconds and you guys get ready.

839
00:40:28.200 --> 00:40:29.220
Okay. You ready?

840
00:40:29.220 --> 00:40:31.220
Everything's okay by the way. It's okay.

841
00:40:32.190 --> 00:40:35.100
But just, just, just two truths and a lie.

842
00:40:35.100 --> 00:40:37.170
Who's gonna go first?
- I'll go first.

843
00:40:37.170 --> 00:40:40.620
- Alright guys.

844
00:40:40.620 --> 00:40:45.620
So we have a special game now.
It's two truths and a lie.

845
00:40:45.960 --> 00:40:48.870
So we're gonna, we're gonna do that game

846
00:40:48.870 --> 00:40:52.020
and we're gonna have fun and
we're gonna let Hildegard

847
00:40:52.020 --> 00:40:52.950
lead the game now.

848
00:40:52.950 --> 00:40:55.383
So she's gonna start and Delilah's gonna,

849
00:40:56.250 --> 00:40:59.520
she's gonna tell some
a truth and a lie too.

850
00:40:59.520 --> 00:41:00.930
- Two truths and a lie.
- Two truths and a lie.

851
00:41:00.930 --> 00:41:02.100
- Okay. Okay.
- Alright.

852
00:41:02.100 --> 00:41:03.900
And action. Go ahead.

853
00:41:03.900 --> 00:41:05.643
- I eat meat.

854
00:41:06.540 --> 00:41:07.959
I have killed someone

855
00:41:07.959 --> 00:41:12.303
and I live in Kansas.

856
00:41:17.370 --> 00:41:20.610
- Good good. No, that was
great, that was great.

857
00:41:20.610 --> 00:41:23.760
Delilah, before you do yours,

858
00:41:23.760 --> 00:41:25.230
can you just like you guys just do

859
00:41:25.230 --> 00:41:26.340
some dancing over there again?

860
00:41:26.340 --> 00:41:28.410
Like, that was good. The
dancing is really good.

861
00:41:28.410 --> 00:41:31.140
Let's just do the dancing.
Steve, Steve, come here.

862
00:41:31.140 --> 00:41:33.360
Quick, quick, quick, quick, quick.

863
00:41:33.360 --> 00:41:35.373
Just do some, just do some dancing.

864
00:41:36.972 --> 00:41:40.860
Okay go, go, go change your
clothes. Get in, go, go, go.

865
00:41:40.860 --> 00:41:41.947
- You'll give it away,

866
00:41:41.947 --> 00:41:45.870
she acted like she was
the victim in the trauma.

867
00:41:45.870 --> 00:41:47.190
She acted like she was the victim.

868
00:41:47.190 --> 00:41:49.148
It's an easy way for
her to turn the table.

869
00:41:49.148 --> 00:41:51.081
- I can't just, I don't
believe her though.

870
00:41:51.081 --> 00:41:51.914
- The mirror there.

871
00:41:51.914 --> 00:41:52.747
- I don't believe her.

872
00:41:52.747 --> 00:41:53.580
- She was acting like she was a victim

873
00:41:53.580 --> 00:41:54.413
and she really is not.

874
00:41:54.413 --> 00:41:55.746
- I need to put on something.

875
00:41:55.746 --> 00:41:57.546
- No don't. I'll, I'll, I'll change.

876
00:41:58.890 --> 00:42:02.073
- Steve, it's really happening.
It's really happening.

877
00:42:03.000 --> 00:42:03.833
Go.

878
00:42:04.839 --> 00:42:06.787
- Just compose yourself. We
gotta buy a little more time.

879
00:42:06.787 --> 00:42:07.620
- Okay.
- Buy some more time.

880
00:42:07.620 --> 00:42:08.453
- Alright how do you play truth?

881
00:42:08.453 --> 00:42:09.630
How do you play two truths and a lie?

882
00:42:09.630 --> 00:42:12.060
How do you play two truths and a lie?

883
00:42:12.060 --> 00:42:15.420
- Each one goes, they say two
truths and they say the lie.

884
00:42:15.420 --> 00:42:16.777
The third one.
- Okay.

885
00:42:16.777 --> 00:42:17.700
- So they do two truths at first.

886
00:42:17.700 --> 00:42:18.533
- Okay.

887
00:42:18.533 --> 00:42:19.530
- And then the third one's a lie.

888
00:42:19.530 --> 00:42:20.363
- All right.

889
00:42:20.363 --> 00:42:21.196
- Just explain that to 'em again.

890
00:42:21.196 --> 00:42:22.029
- Alright, I will.

891
00:42:22.029 --> 00:42:23.581
Okay.
- Okay.

892
00:42:23.581 --> 00:42:25.575
I think lie is last.

893
00:42:25.575 --> 00:42:29.460
- Okay. Okay guys, so thank you.

894
00:42:29.460 --> 00:42:31.890
So two truths and a lie is a game

895
00:42:31.890 --> 00:42:33.690
where they're gonna say two truths

896
00:42:33.690 --> 00:42:36.300
and then they're gonna
say one thing, one lie,

897
00:42:36.300 --> 00:42:39.060
and I'm gonna have to
guess which ones are the,

898
00:42:39.060 --> 00:42:41.220
which one's the lie and
which ones are the truth.

899
00:42:41.220 --> 00:42:43.770
So it's a lot of fun. So you
guys ready to have some fun?

900
00:42:43.770 --> 00:42:45.770
Let's, let's go have some fun over here.

901
00:42:48.300 --> 00:42:51.340
Luke, I told you to
move your damn handler.

902
00:42:52.290 --> 00:42:55.890
Alright, let's play the
game. Let's play it.

903
00:42:55.890 --> 00:42:57.390
Let's play the game. It's a little of fun.

904
00:42:57.390 --> 00:42:58.590
- Same game.
- Same game.

905
00:42:58.590 --> 00:43:00.690
So I'm gonna be the one to judge.

906
00:43:00.690 --> 00:43:02.370
Delilah, why don't you go first?

907
00:43:02.370 --> 00:43:03.203
- Sure.
- Yeah, I think.

908
00:43:03.203 --> 00:43:04.307
- Sure.

909
00:43:04.307 --> 00:43:08.283
- It makes a lot of sense.
- My favorite color is blue.

910
00:43:09.180 --> 00:43:11.587
I've never been outside the country.

911
00:43:11.587 --> 00:43:15.382
And when I was little
I had a pet Guinea pig

912
00:43:15.382 --> 00:43:17.043
named Papua New Guinea pig.

913
00:43:18.360 --> 00:43:20.040
- You didn't hurt him, did you?

914
00:43:20.040 --> 00:43:21.320
I shouldn't have said that.

915
00:43:21.320 --> 00:43:23.199
- No.
- Papa New Guinea pig.

916
00:43:23.199 --> 00:43:24.199
- I love Papua New Guinea pig.
- Aw.

917
00:43:24.199 --> 00:43:26.520
- Okay. New Guinea pig.

918
00:43:26.520 --> 00:43:29.880
That's a lie. That's a lie.

919
00:43:29.880 --> 00:43:32.130
You are lying to me. You're lying to me.

920
00:43:32.130 --> 00:43:33.130
- Oh.
- About that.

921
00:43:33.998 --> 00:43:34.831
- I act, I did have a pet guinea pig,

922
00:43:34.831 --> 00:43:37.825
but my favorite color isn't blue.

923
00:43:37.825 --> 00:43:39.502
- [Luke] Yeah, I was about
to say it ain't blue,

924
00:43:39.502 --> 00:43:41.092
it's red.

925
00:43:41.092 --> 00:43:42.279
- Okay, listen.

926
00:43:42.279 --> 00:43:43.112
- Mark?

927
00:43:46.495 --> 00:43:47.328
- It's for you.
- Thanks.

928
00:43:47.328 --> 00:43:48.450
- You can have a little more too.

929
00:43:48.450 --> 00:43:50.339
Just, just a little bit more.

930
00:43:50.339 --> 00:43:52.320
- [Hildegard] Okay. What
do I gotta do to do that?

931
00:43:52.320 --> 00:43:56.010
- Okay. Yeah.

932
00:43:56.010 --> 00:43:58.140
Hildegard. Two thirds and a lie.

933
00:43:58.140 --> 00:43:58.973
- Okay.
- Yeah.

934
00:43:58.973 --> 00:44:00.360
- I already went, but I can go again.

935
00:44:00.360 --> 00:44:03.031
- Okay.
- Yes, and, okay.

936
00:44:03.031 --> 00:44:06.330
My favorite color is black.

937
00:44:06.330 --> 00:44:08.520
I've been to Germany

938
00:44:08.520 --> 00:44:12.840
and I've also been in every bowling alley

939
00:44:12.840 --> 00:44:14.013
in the United States.

940
00:44:15.240 --> 00:44:18.120
- Bowling alley's a lie.
- Bowling alley's a lie.

941
00:44:18.120 --> 00:44:20.520
- Bowling alley's a lie.
- Good. Wow.

942
00:44:20.520 --> 00:44:22.593
We're, we're rocking on this game.

943
00:44:23.827 --> 00:44:25.473
We're, we're doing great now.

944
00:44:27.060 --> 00:44:29.917
- Keep going. Okay, that's fine.

945
00:44:31.920 --> 00:44:33.020
Okay. That's good too.

946
00:44:34.930 --> 00:44:36.120
- Okay, cut. Don't move.

947
00:44:36.120 --> 00:44:37.260
Hold on. Real cut.

948
00:44:37.260 --> 00:44:39.363
Tell me like, you want to talk to me.

949
00:44:39.363 --> 00:44:42.030
Okay. I don't know.

950
00:44:42.030 --> 00:44:43.290
Should we start? Stop the game.

951
00:44:43.290 --> 00:44:44.404
Do one more.

952
00:44:44.404 --> 00:44:46.827
- Oh, I can do another.
- You wanna do another?

953
00:44:46.827 --> 00:44:48.447
- Yeah.
- Okay.

954
00:44:48.447 --> 00:44:49.436
- You, okay?

955
00:44:49.436 --> 00:44:50.387
Here, just hold this for now.

956
00:44:50.387 --> 00:44:53.250
Why don't you go over by the piano

957
00:44:53.250 --> 00:44:55.083
for a little bit where it's safe.

958
00:44:56.010 --> 00:44:59.850
- Okay.
- I have three siblings.

959
00:44:59.850 --> 00:45:02.081
I used to work at an ice cream store

960
00:45:02.081 --> 00:45:05.493
and I've killed somebody.

961
00:45:06.450 --> 00:45:08.100
- Ice cream store.

962
00:45:08.100 --> 00:45:09.870
- I did work at an ice cream store.

963
00:45:09.870 --> 00:45:12.361
- So that means you killed someone?

964
00:45:12.361 --> 00:45:13.194
- What?
- Or I-

965
00:45:13.194 --> 00:45:14.136
- Where's Steve?

966
00:45:14.136 --> 00:45:16.800
Is Steve around here is
everything. That was good.

967
00:45:16.800 --> 00:45:18.450
Ice cream store. Ice cream store.

968
00:45:18.450 --> 00:45:19.410
- So she could kill someone.

969
00:45:19.410 --> 00:45:23.430
- Ice cream store is the,
is the truth, right, guys?

970
00:45:23.430 --> 00:45:24.768
Ice cream store is the truth.

971
00:45:24.768 --> 00:45:25.632
- Oh?

972
00:45:25.632 --> 00:45:27.663
- Can I talk to you
really quick for minute?

973
00:45:27.663 --> 00:45:31.447
We just, I don't know. We
should we do you need to?

974
00:45:31.447 --> 00:45:32.280
- Is that, yeah.

975
00:45:32.280 --> 00:45:33.482
Is that, can, is that okay?

976
00:45:33.482 --> 00:45:36.298
- Okay. Okay, okay.

977
00:45:36.298 --> 00:45:40.793
Okay. Yeah, yeah.

978
00:45:40.793 --> 00:45:41.626
- You doing okay?

979
00:45:41.626 --> 00:45:43.921
I, I feel like you seem
like you're freaking out.

980
00:45:43.921 --> 00:45:45.653
- No, no, no, no, no,
no, no. I'm totally fine.

981
00:45:45.653 --> 00:45:46.980
- You, about some stuff?

982
00:45:46.980 --> 00:45:49.770
- No, I'm, I mean, I'm
just, this is what I do.

983
00:45:49.770 --> 00:45:51.120
- Okay.
- Like, after I have lunch.

984
00:45:51.120 --> 00:45:53.040
- I wanna make sure, like, we're good.

985
00:45:53.040 --> 00:45:54.750
- We're good.
- Because I know, I know.

986
00:45:54.750 --> 00:45:55.770
- We're good. Just, just hold on.

987
00:45:55.770 --> 00:45:57.000
I mean, we're good. We're good.

988
00:45:57.000 --> 00:45:58.110
- Okay.
- Yeah.

989
00:45:58.110 --> 00:46:00.540
- I just, I really,

990
00:46:00.540 --> 00:46:02.877
I really want to make
sure that we're good.

991
00:46:02.877 --> 00:46:05.310
And I know our, our conversation earlier

992
00:46:05.310 --> 00:46:06.560
was like, probably a lot.

993
00:46:07.980 --> 00:46:09.518
- It's okay.
- Is it okay?

994
00:46:09.518 --> 00:46:11.010
Yeah, yeah, yeah, yeah.

995
00:46:11.010 --> 00:46:12.408
I'm fine. I'm fine.

996
00:46:12.408 --> 00:46:15.686
- Okay.
- Just about, about earlier.

997
00:46:15.686 --> 00:46:19.140
Why, why would you make up that story?

998
00:46:19.140 --> 00:46:21.960
Oh, shoot. Hildegard.

999
00:46:21.960 --> 00:46:25.353
Well, everything's fine.
You can take a, a break.

1000
00:46:28.530 --> 00:46:31.110
Whatever you, you wanna, dan,

1001
00:46:31.110 --> 00:46:33.000
do a little dance over
here if you want to.

1002
00:46:33.000 --> 00:46:34.590
- I'll take a break.
- You wanna take a break?

1003
00:46:34.590 --> 00:46:36.860
- Okay.
- You sure you're okay?

1004
00:46:36.860 --> 00:46:38.460
Because like, I feel like
you're lying to me right now

1005
00:46:38.460 --> 00:46:39.930
and I don't like being lied to.

1006
00:46:39.930 --> 00:46:42.166
- No, no, no, no. It's just
a lot for me to take in.

1007
00:46:42.166 --> 00:46:44.250
- I know.
- I come here, right?

1008
00:46:44.250 --> 00:46:47.070
- I thought we were supposed
to be honest with each other.

1009
00:46:47.070 --> 00:46:49.560
- Well, yeah. I, you're,
I hired you to do a job.

1010
00:46:49.560 --> 00:46:50.910
I don't know what you're talking about.

1011
00:46:50.910 --> 00:46:54.480
- I know, but you, but you
said we had this connection.

1012
00:46:54.480 --> 00:46:57.359
You, you, stop moving.

1013
00:46:57.359 --> 00:46:59.580
- I do you know how hard it
is for me to make a connection

1014
00:46:59.580 --> 00:47:00.960
with another woman?

1015
00:47:00.960 --> 00:47:04.710
Do you realize that? Do you
know what I've been through?

1016
00:47:04.710 --> 00:47:07.590
- No. 'cause you won't
open up to me. Talk to me.

1017
00:47:07.590 --> 00:47:09.240
- Talk to you. Talk to you.

1018
00:47:09.240 --> 00:47:10.380
I tried talking to you.

1019
00:47:10.380 --> 00:47:13.388
You told me the freaking
Chatsworth Butcher.

1020
00:47:13.388 --> 00:47:14.721
- Yeah. I, I am.

1021
00:47:17.173 --> 00:47:18.510
- I should take you right now

1022
00:47:18.510 --> 00:47:20.443
and I should just choke you, huh?

1023
00:47:20.443 --> 00:47:21.874
- Do it. Do it.

1024
00:47:21.874 --> 00:47:25.050
Don't you wanna know how it
feels? Don't you wanna know?

1025
00:47:25.050 --> 00:47:25.883
- You're sick.

1026
00:47:28.797 --> 00:47:30.771
Jesus.

1027
00:47:30.771 --> 00:47:31.887
Gimme my knife.

1028
00:47:31.887 --> 00:47:33.119
- No,
- It's not funny.

1029
00:47:33.119 --> 00:47:34.579
- Why? What are you gonna do with it?

1030
00:47:34.579 --> 00:47:39.579
- Gimme my knife. Give me the knife.

1031
00:47:39.720 --> 00:47:42.633
- Why are you gonna stab
me? Are you gonna kill me?

1032
00:47:44.370 --> 00:47:45.370
Would you like that?

1033
00:47:46.620 --> 00:47:47.970
- You think you, you come in here

1034
00:47:47.970 --> 00:47:50.790
and you twisted my heart
because that's what you do.

1035
00:47:50.790 --> 00:47:54.060
- I wanted you to come with me.

1036
00:47:54.060 --> 00:47:55.893
But clearly you can't handle that.

1037
00:47:57.390 --> 00:47:59.970
- Come with you. Where, what?

1038
00:47:59.970 --> 00:48:01.890
You're out there stabbing people.

1039
00:48:01.890 --> 00:48:04.470
- Yes.
- You're there killing people?

1040
00:48:04.470 --> 00:48:08.687
- I know you have it in
you I know you want to try,

1041
00:48:10.036 --> 00:48:11.286
with the knife.

1042
00:48:17.040 --> 00:48:18.142
See?

1043
00:48:18.142 --> 00:48:19.809
- Give me the knife.

1044
00:48:21.018 --> 00:48:21.851
- For what?

1045
00:48:21.851 --> 00:48:23.518
- Give me the knife.

1046
00:48:25.890 --> 00:48:29.430
My heart's already been
broken. I'm wounded.

1047
00:48:29.430 --> 00:48:32.343
You wanna talk about trauma?
You wanna talk about trauma?

1048
00:48:34.050 --> 00:48:36.690
I don't believe you. You're just a liar.

1049
00:48:36.690 --> 00:48:38.100
You're just acting.

1050
00:48:38.100 --> 00:48:42.060
This is just all fake, stupid,

1051
00:48:42.060 --> 00:48:43.680
trying to be an actress.

1052
00:48:43.680 --> 00:48:45.570
Oh, I'm an actress. I'm
gonna come to this movie.

1053
00:48:45.570 --> 00:48:48.603
I'm gonna tell the director
I'm the Chatsworth Butcher.

1054
00:48:49.530 --> 00:48:53.973
Bullshit, bullshit, that's
a real knife by the way.

1055
00:48:55.057 --> 00:48:56.160
- I know.
- So put it down.

1056
00:48:56.160 --> 00:48:57.393
It's not funny anymore.

1057
00:48:58.590 --> 00:49:01.240
- You don't think I could?
- I'm not messing around.

1058
00:49:02.760 --> 00:49:04.760
You don't know what you're walking into.

1059
00:49:07.770 --> 00:49:08.603
Cut.

1060
00:49:10.418 --> 00:49:12.574
- Do you wanna know what it feels like

1061
00:49:12.574 --> 00:49:15.150
to look someone in the eye,

1062
00:49:15.150 --> 00:49:18.923
hunt them down, stalk them, creep up,

1063
00:49:20.220 --> 00:49:22.380
and when they try to run chase them

1064
00:49:22.380 --> 00:49:23.883
until you finally grab a hold.

1065
00:49:24.840 --> 00:49:28.777
Like you see their soul seeping out

1066
00:49:28.777 --> 00:49:31.080
after you stab them over and over,

1067
00:49:33.360 --> 00:49:36.510
see their blood dripping
out of their body.

1068
00:49:36.510 --> 00:49:38.460
- Stay back.
- Like...

1069
00:49:38.460 --> 00:49:39.293
- Don't.

1070
00:49:42.461 --> 00:49:47.461
- Don't you want to watch to
the light leave their eyes?

1071
00:49:47.700 --> 00:49:50.310
- I don't, stop. No, I don't want to know.

1072
00:49:50.310 --> 00:49:51.930
I don't want to know, because
there are things that,

1073
00:49:51.930 --> 00:49:53.340
that are worth living for.

1074
00:49:53.340 --> 00:49:54.750
And that's what we're, that's that's,

1075
00:49:54.750 --> 00:49:56.610
that's what I'm trying to work with today.

1076
00:49:56.610 --> 00:49:58.140
That's what I'm trying to work with today,

1077
00:49:58.140 --> 00:49:59.730
is what's worth living for.

1078
00:49:59.730 --> 00:50:00.930
And we don't need to do this.

1079
00:50:00.930 --> 00:50:03.060
We don't need to stab,
we don't need to kill.

1080
00:50:03.060 --> 00:50:05.713
We need to, we need to
bring things to life.

1081
00:50:05.713 --> 00:50:08.640
- Have you ever felt
powerless? Truly powerless?

1082
00:50:08.640 --> 00:50:10.493
- Yes. I felt powerless.
- When?

1083
00:50:17.070 --> 00:50:18.153
- I can't trust you.

1084
00:50:19.387 --> 00:50:21.750
I thought I could trust you, but I can't.

1085
00:50:21.750 --> 00:50:24.714
And I'm not telling you.
I'm not telling you.

1086
00:50:24.714 --> 00:50:27.464
- I've only been honest with you.

1087
00:50:30.838 --> 00:50:33.005
- Now you have to kill me?

1088
00:50:34.244 --> 00:50:37.125
- Doesn't have to be this way.

1089
00:50:37.125 --> 00:50:41.737
I just wanna be in control.
- How does it feel good?

1090
00:50:41.737 --> 00:50:45.047
- You've never done it.
- How do you know?

1091
00:50:45.047 --> 00:50:47.630
How do you know what I've done?

1092
00:50:48.788 --> 00:50:53.282
- I can tell.
- I can tell. I can tell.

1093
00:50:53.282 --> 00:50:54.488
- Yeah.
- I can tell you.

1094
00:50:54.488 --> 00:50:55.917
- [Delilah] You can barely
Look me in the eye right now,

1095
00:50:55.917 --> 00:50:59.000
and if you had, you would be able to.

1096
00:51:01.200 --> 00:51:06.200
- I trusted you. I chose
you to come here today.

1097
00:51:06.720 --> 00:51:09.503
I called you.
- Yeah. To do a show.

1098
00:51:10.835 --> 00:51:13.549
- It's more than that.
- You had no idea.

1099
00:51:13.549 --> 00:51:18.549
(indistinct)
(orchestral music)

1100
00:51:20.755 --> 00:51:24.175
What are you gonna do
with that, it's empty.

1101
00:51:24.175 --> 00:51:26.175
Can you throw it at me?

1102
00:51:27.496 --> 00:51:29.277
Do you wanna stab me?
- No.

1103
00:51:29.277 --> 00:51:30.110
- Do you wanna kill me?

1104
00:51:30.110 --> 00:51:31.443
- No.
- You sure?

1105
00:51:32.457 --> 00:51:35.290
- Put it down. Put the knife down.

1106
00:51:39.473 --> 00:51:42.344
I don't think you realize
what you stepped into.

1107
00:51:42.344 --> 00:51:44.250
I don't think you realize
what you stepped into,

1108
00:51:44.250 --> 00:51:49.140
and I feel absolutely
betrayed and heartbroken

1109
00:51:49.140 --> 00:51:51.273
because I loved you.

1110
00:51:53.160 --> 00:51:57.870
I felt love for the first time in my life

1111
00:51:57.870 --> 00:52:01.200
I felt love for you today.

1112
00:52:01.200 --> 00:52:03.600
I felt something little,
something open up inside of me.

1113
00:52:03.600 --> 00:52:05.217
And it was beautiful.

1114
00:52:05.217 --> 00:52:07.467
And I'm sorry I couldn't
look you in the eye.

1115
00:52:09.810 --> 00:52:11.790
- You can't love me if
you don't really know me.

1116
00:52:11.790 --> 00:52:16.790
So if this, if this isn't who
you love, then you never did.

1117
00:52:18.913 --> 00:52:20.080
But I love you

1118
00:52:21.000 --> 00:52:23.040
and I don't care that-
- No.

1119
00:52:23.040 --> 00:52:24.840
- [Delilah] You don't kill people

1120
00:52:24.840 --> 00:52:26.693
or you don't wanna-
- Don't say that to me.

1121
00:52:26.693 --> 00:52:31.693
- Well, it's true. You
talk about betrayal.

1122
00:52:32.190 --> 00:52:33.900
I opened up my heart to you.

1123
00:52:33.900 --> 00:52:37.923
I told you my deepest
secret and you betrayed me.

1124
00:52:43.605 --> 00:52:46.902
- Shut up. You're talking nonsense.

1125
00:52:46.902 --> 00:52:49.851
Shut up, you're talking nonsense.

1126
00:52:49.851 --> 00:52:51.700
You're talking nonsense now.

1127
00:52:51.700 --> 00:52:56.138
- Oh, you tell me to shut up.
- You shut up.

1128
00:52:56.138 --> 00:52:58.028
- You told me to shut up.
- Sorry.

1129
00:52:58.028 --> 00:52:58.986
Go back, back. Go back.

1130
00:52:58.986 --> 00:53:00.001
Go back, back.

1131
00:53:00.001 --> 00:53:00.834
- Do not tell me to shut up.

1132
00:53:00.834 --> 00:53:01.740
- No, no, no, no, no.

1133
00:53:01.740 --> 00:53:03.220
- Stop.
- I told you to stop.

1134
00:53:03.220 --> 00:53:04.887
- Stop. Shit, Steve.

1135
00:53:06.461 --> 00:53:07.800
Steve.
- He's not gonna help you.

1136
00:53:07.800 --> 00:53:10.617
- Steve's right there.
- Drop the knife.

1137
00:53:14.048 --> 00:53:16.793
Hold it. Hold it, hold it right there.

1138
00:53:16.793 --> 00:53:18.413
You said drop the knife. Pick it up again.

1139
00:53:20.160 --> 00:53:21.360
Say that. Hold on.

1140
00:53:21.360 --> 00:53:24.573
Say that line, Chris.
- Drop the knife.

1141
00:53:34.830 --> 00:53:37.219
- Good scene.
- I got it. I'm good.

1142
00:53:37.219 --> 00:53:38.063
I'm good. I'm good.

1143
00:53:40.164 --> 00:53:44.790
- Did she harm you?
- Did she harm me?

1144
00:53:44.790 --> 00:53:49.177
Did she harm me?
- No.

1145
00:53:49.177 --> 00:53:50.820
You don't know what you walked into.

1146
00:53:50.820 --> 00:53:53.250
Why did you have to tell me this shit?

1147
00:53:53.250 --> 00:53:55.682
You're the butcher. You're the butcher.

1148
00:53:55.682 --> 00:53:58.788
It wasn't supposed to be like this.

1149
00:53:58.788 --> 00:54:02.100
It wasn't supposed to be like this.

1150
00:54:02.100 --> 00:54:04.830
She didn't hurt me physically,

1151
00:54:04.830 --> 00:54:06.230
but she hurt me another way.

1152
00:54:08.430 --> 00:54:10.170
I don't know what to do now.

1153
00:54:10.170 --> 00:54:12.570
- Alright, calm down. The
situations under control.

1154
00:54:12.570 --> 00:54:14.430
Okay. Alright.

1155
00:54:14.430 --> 00:54:15.690
- Okay.
- Just calm down.

1156
00:54:15.690 --> 00:54:16.653
All right, Jack.

1157
00:54:20.536 --> 00:54:23.286
(intense music)

1158
00:54:26.194 --> 00:54:27.653
- [Jack] Why? Why did you have to do this?

1159
00:54:29.430 --> 00:54:31.960
It wasn't what it's supposed to be.

1160
00:54:31.960 --> 00:54:33.487
- Well, I trusted you.

1161
00:54:34.637 --> 00:54:35.523
- You, I didn't think you
were a murderer, murderer.

1162
00:54:43.115 --> 00:54:44.879
- [Steve] We'll get the DNA evidence back.

1163
00:54:44.879 --> 00:54:46.212
- [Jack] Oh! No.

1164
00:54:52.831 --> 00:54:55.773
- Seems to be a problem.
- No, not no.

1165
00:54:55.773 --> 00:54:58.923
- Jack, Jack, Jack. Calm
down, Jack, calm down.

1166
00:55:00.783 --> 00:55:02.444
- Was this some sort of set up?

1167
00:55:02.444 --> 00:55:05.654
Yeah, she's with me.

1168
00:55:05.654 --> 00:55:09.487
- Oh, Steve, Jack.
- Hello. Please take a seat.

1169
00:55:10.800 --> 00:55:12.883
- [Jack] What's going on?

1170
00:55:14.304 --> 00:55:17.000
- Sit and have little conversation.

1171
00:55:17.000 --> 00:55:18.780
- [Jack] Hold on, hold on,
hold on. Get away from her.

1172
00:55:18.780 --> 00:55:20.880
She's a killer.
- Don't leave the gun there.

1173
00:55:20.880 --> 00:55:22.683
Geez, my God Hildegard.

1174
00:55:23.878 --> 00:55:27.050
What is this, Steve? What's...

1175
00:55:29.220 --> 00:55:31.140
- [Steve] Jack, Jack don't worry.

1176
00:55:31.140 --> 00:55:32.490
I had this planned from the start.

1177
00:55:32.490 --> 00:55:34.988
We've been working on
this case for months.

1178
00:55:34.988 --> 00:55:38.103
- [Jack] Holy shit.

1179
00:55:39.802 --> 00:55:43.503
- Delilah, I'm gonna ask
you a couple of questions.

1180
00:55:44.600 --> 00:55:46.517
Are you okay with that?

1181
00:55:47.474 --> 00:55:48.900
- I guess I will be.

1182
00:55:48.900 --> 00:55:50.520
- First, I would like to
say it's been very nice

1183
00:55:50.520 --> 00:55:55.520
getting to know you today,
seeing how you work.

1184
00:55:56.071 --> 00:55:58.470
I do have a few questions.

1185
00:55:58.470 --> 00:56:01.750
First, where were you the
night of June 5th this year

1186
00:56:06.479 --> 00:56:07.312
at 9:35.

1187
00:56:08.730 --> 00:56:12.693
- Killing someone. (laughs)
- Yeah, I know. How many?

1188
00:56:16.590 --> 00:56:17.663
- Six.
- Okay.

1189
00:56:20.010 --> 00:56:23.106
- Hands up.
- Yes.

1190
00:56:23.106 --> 00:56:24.523
- Sir. I need to get
a little bit of space.

1191
00:56:26.150 --> 00:56:31.123
(indistinct)
(intense music)

1192
00:56:31.123 --> 00:56:32.546
- Get grip.

1193
00:56:32.546 --> 00:56:37.546
(indistinct)
(intense music continues)

1194
00:56:41.560 --> 00:56:44.560
- Sorry it didn't work out for this.

1195
00:56:45.988 --> 00:56:50.988
(indistinct)
(intense music continues)

1196
00:56:51.205 --> 00:56:54.004
- So that we got you to
justice, brought you to Justice.

1197
00:56:54.004 --> 00:56:59.004
(indistinct)
(intense music continues)

1198
00:57:12.487 --> 00:57:16.070
- So, Delilah, do you
have any final words?

1199
00:57:19.845 --> 00:57:23.011
(indistinct)
(intense music continues)

1200
00:57:23.011 --> 00:57:26.678
- What? While all this
was going on as well?

1201
00:57:29.513 --> 00:57:33.234
She getting paid more. I'm
still getting paid, right?

1202
00:57:33.234 --> 00:57:38.234
(indistinct)
(intense music continues)

1203
00:57:58.843 --> 00:58:02.749
- It's okay. Emotions
are high, it's okay Jack.

1204
00:58:02.749 --> 00:58:05.999
- I want to talk to Greg, where's Greg.

1205
00:58:07.467 --> 00:58:09.951
- We'll wait for Greg.

1206
00:58:09.951 --> 00:58:11.394
- We will Jack.

1207
00:58:11.394 --> 00:58:14.009
(indistinct)
(intense music continues)

1208
00:58:14.009 --> 00:58:14.903
- That's fine, Jack, can I ask you,

1209
00:58:16.017 --> 00:58:19.293
put that knife down..
- Give it to me, sure.

1210
00:58:20.829 --> 00:58:24.329
(intense music continues)

1211
00:58:29.340 --> 00:58:33.184
- Don't make me search you.
- In this outfit?

1212
00:58:33.184 --> 00:58:34.017
- Yes. In that outfit.
- I don't this so.

1213
00:58:36.187 --> 00:58:38.003
- Okay. Are you ready to go?

1214
00:58:41.541 --> 00:58:42.958
- How many?
- Six.

1215
00:58:48.286 --> 00:58:51.960
- Okay I gotta ask you,

1216
00:58:51.960 --> 00:58:54.645
you're not carrying any
weapons on you right now?

1217
00:58:54.645 --> 00:58:55.478
- I don't think so.

1218
00:58:55.478 --> 00:58:57.378
- Yes or no, don't make me search you.

1219
00:59:00.249 --> 00:59:01.749
- No ma'am.
- Okay.

1220
00:59:04.873 --> 00:59:07.853
Guess we'll give you a shot too,

1221
00:59:07.853 --> 00:59:10.323
didn't think you gonna
get caught this way.

1222
00:59:11.310 --> 00:59:12.917
But you did confess.

1223
00:59:14.500 --> 00:59:17.400
- You know it all has to
come to an end at some point.

1224
00:59:17.400 --> 00:59:18.679
- That's right.

1225
00:59:18.679 --> 00:59:21.096
- It's better if I accept it.

1226
00:59:22.990 --> 00:59:27.990
Stay in control.
- Right? Stay in control.

1227
00:59:28.470 --> 00:59:32.523
- Detective. Now's the time.
- Heard.

1228
00:59:33.420 --> 00:59:38.420
- O'Neill. Steve, stop, sit down.

1229
00:59:39.270 --> 00:59:40.770
Give me the knife back please.

1230
00:59:45.720 --> 00:59:46.623
- Let go of me.

1231
00:59:48.240 --> 00:59:49.713
I'm cooperating, aren't I?

1232
00:59:49.713 --> 00:59:51.978
- No, no. Let go, no.

1233
00:59:51.978 --> 00:59:56.171
- Come here Detective, Detective, grab it.

1234
00:59:56.171 --> 00:59:58.754
Please. Grab, grab it, grab it.

1235
01:00:00.111 --> 01:00:00.944
Hold her.
- Let me talk.

1236
01:00:00.944 --> 01:00:02.880
- Hold her, hold her. Stop.

1237
01:00:02.880 --> 01:00:04.290
Hold on.
- Delilah, don't fight.

1238
01:00:04.290 --> 01:00:06.261
- Delilah do not fight.
- Why?

1239
01:00:06.261 --> 01:00:07.094
- Don't fight it.
- What are you doing.

1240
01:00:07.094 --> 01:00:07.927
- Don't fight it.

1241
01:00:07.927 --> 01:00:08.910
Come here ladies and gentlemen.

1242
01:00:08.910 --> 01:00:11.250
- The more you fight,
the harder it's gonna be.

1243
01:00:11.250 --> 01:00:14.310
- Steve, O'Neill. Keep the gun on her.

1244
01:00:14.310 --> 01:00:16.687
- [Steve] Jack, you just
gotta get out of harms way.

1245
01:00:16.687 --> 01:00:19.320
I'm fine. You never shot me yet.

1246
01:00:19.320 --> 01:00:20.700
Dude, you're not going.

1247
01:00:20.700 --> 01:00:21.960
- Officer, take the shot.

1248
01:00:21.960 --> 01:00:22.793
- Hold on.
- Stop.

1249
01:00:22.793 --> 01:00:24.990
- Hold on ladies and gentlemen.

1250
01:00:24.990 --> 01:00:26.071
- Wait, wait.

1251
01:00:26.071 --> 01:00:27.968
- Welcome Delilah. Welcome to dance.

1252
01:00:27.968 --> 01:00:31.543
- Don't touch me. Get off of me.

1253
01:00:33.096 --> 01:00:34.513
- No, no, please.

1254
01:00:35.424 --> 01:00:36.420
- Do you have any final words?

1255
01:00:36.420 --> 01:00:38.250
Welcome to dance the kung fu.

1256
01:00:38.250 --> 01:00:41.400
Today we've explored a range
of topics from creativity,

1257
01:00:41.400 --> 01:00:44.400
love, self-development, self-empowerment.

1258
01:00:44.400 --> 01:00:46.230
And the puzzle is becoming more

1259
01:00:46.230 --> 01:00:47.850
and more complete by the minute.

1260
01:00:47.850 --> 01:00:50.250
And guess what we've done humanity

1261
01:00:50.250 --> 01:00:53.940
a great service today
by bringing to justice

1262
01:00:53.940 --> 01:00:55.770
the Chatsworth Butcher,

1263
01:00:55.770 --> 01:00:57.840
this monster of a serial killer,

1264
01:00:57.840 --> 01:01:01.950
and now it's time that we
offer the sacrifice to Greg

1265
01:01:01.950 --> 01:01:06.210
for all he's done and all he does for us.

1266
01:01:06.210 --> 01:01:09.330
So it's gonna be quick,
it's gonna be painless,

1267
01:01:09.330 --> 01:01:11.343
and it's gonna be well deserved.

1268
01:01:16.080 --> 01:01:19.413
Hold her arms. Steve.

1269
01:01:20.610 --> 01:01:22.460
- [Steve] Do you have any last words?

1270
01:01:27.900 --> 01:01:30.479
- So you do know how
it feels after it all?

1271
01:01:30.479 --> 01:01:32.729
- The camera.
- Just do it.

1272
01:01:34.380 --> 01:01:39.380
(gun firing)
(alarms blaring)

1273
01:01:47.550 --> 01:01:49.053
- Is she breathing?
- No.

1274
01:01:50.483 --> 01:01:55.483
- Are you sure?
(peaceful music)

1275
01:02:01.770 --> 01:02:03.863
- That might be the last
production for a while.

1276
01:02:05.910 --> 01:02:07.130
- [Hildegard] She's dead.

1277
01:02:12.473 --> 01:02:13.320
- Sorry Jack.

1278
01:02:13.320 --> 01:02:17.037
- Can you gimme my knife
just one more time please.

1279
01:02:17.037 --> 01:02:18.687
Please. Okay?
- All right. Okay.

1280
01:02:23.313 --> 01:02:24.896
- Thank you.
- Luke.

1281
01:02:27.150 --> 01:02:28.713
Just one more.
- Okay.

1282
01:02:31.110 --> 01:02:31.943
- I love you.

1283
01:02:34.397 --> 01:02:39.397
(Jack grunting)
(sirens wailing)

1284
01:02:52.561 --> 01:02:55.323
- And that my friends,
that's show business.

1285
01:03:01.742 --> 01:03:03.870
Did you guys get a load of
this? They're always different.

1286
01:03:03.870 --> 01:03:06.417
Like the position, the, the, the,

1287
01:03:06.417 --> 01:03:08.280
the kind of the tone of it all.

1288
01:03:08.280 --> 01:03:10.459
And it is artistic. That's
what people don't realize.

1289
01:03:10.459 --> 01:03:14.417
Like this kind of murder.
It, it's, it's artistic.

1290
01:03:14.417 --> 01:03:16.890
Are you with me? Why
are you guys so quiet?

1291
01:03:16.890 --> 01:03:18.300
You hungry?
- Just hungry. Yeah.

1292
01:03:18.300 --> 01:03:19.680
- What do we got around here?

1293
01:03:19.680 --> 01:03:22.230
What was that chicken place?
- We got craft in.

1294
01:03:22.230 --> 01:03:24.180
- No, no. What was the
place down the road?

1295
01:03:24.180 --> 01:03:25.560
- Cali Kabob.

1296
01:03:25.560 --> 01:03:26.610
- Don't say the name of it.

1297
01:03:26.610 --> 01:03:29.223
What was the place down the road that-

1298
01:03:29.223 --> 01:03:30.340
- I don't think there was any other way-

1299
01:03:30.340 --> 01:03:32.240
- That was it?
- I think that was it.

1300
01:03:33.286 --> 01:03:34.119
- Can we leave the body?

1301
01:03:34.119 --> 01:03:36.203
Do you think the studio will
mind if we leave the body?

1302
01:03:37.110 --> 01:03:40.440
- Eventually we'll have to
clean it up. Dispose of it.

1303
01:03:40.440 --> 01:03:41.899
What do you think? Is it safe?

1304
01:03:41.899 --> 01:03:43.620
- I think it's safe.
- Did we pay off?

1305
01:03:43.620 --> 01:03:45.450
Did we already pay them off
or are we gonna pay them off?

1306
01:03:45.450 --> 01:03:47.953
- That's a producer question.
- That's true.

1307
01:03:47.953 --> 01:03:49.617
- I have to look at the business.

1308
01:03:49.617 --> 01:03:50.667
- Alright.
- The business outlook.

1309
01:03:50.667 --> 01:03:53.562
But it was, we the business plan.

1310
01:03:53.562 --> 01:03:54.395
- We did it.
- We did it.

1311
01:03:54.395 --> 01:03:55.590
- [Hildegard] We did it. Now
we need to get some food.

1312
01:03:55.590 --> 01:03:56.700
- We need to get some food.
- Yeah.

1313
01:03:56.700 --> 01:03:57.930
- We got garbage bags.

1314
01:03:57.930 --> 01:03:59.190
We can leave this for a little bit,

1315
01:03:59.190 --> 01:04:01.890
but, oh shoot, I almost forgot.

1316
01:04:01.890 --> 01:04:03.903
- Hmm.
- The icing on the cake.

1317
01:04:04.770 --> 01:04:06.780
Luke, did you bring your shotgun?

1318
01:04:06.780 --> 01:04:07.800
- Yeah.
- All right.

1319
01:04:07.800 --> 01:04:09.690
let's let Luke, you know, we,

1320
01:04:09.690 --> 01:04:11.367
I always like to make sure
this is like taken care of

1321
01:04:11.367 --> 01:04:12.360
and give him a little-
- Absolutely.

1322
01:04:12.360 --> 01:04:15.660
- You know what he needs.
But let's, let's go.

1323
01:04:15.660 --> 01:04:17.190
We'll get ready to get some food,

1324
01:04:17.190 --> 01:04:18.690
and it's gonna be hot outside.

1325
01:04:19.954 --> 01:04:21.593
Take this here, it's gonna be loud.

1326
01:04:37.680 --> 01:04:42.680
- Look at this. It's like
something out of a fairytale.

1327
01:04:47.590 --> 01:04:49.919
But this ain't no very fairy tale.

1328
01:04:49.919 --> 01:04:54.836
(gun cocks)
(gun firing)

1329
01:05:13.778 --> 01:05:17.574
Something out of a fairytale.

1330
01:05:17.574 --> 01:05:19.376
But this ain't no fairytale.

1331
01:05:19.376 --> 01:05:21.876
(gun firing)

1332
01:05:28.917 --> 01:05:31.725
- [Jack] How many rounds
you got in that thing?

1333
01:05:31.725 --> 01:05:34.695
- Six more.
- Let's do it. Six more!

1334
01:05:34.695 --> 01:05:35.731
Then we're outta here, guys.

1335
01:05:35.731 --> 01:05:38.148
(gun firing)

1336
01:05:54.391 --> 01:05:59.391
- Something out of a fairytale.
But this ain't no fairytale.

1337
01:05:59.639 --> 01:06:02.139
(gun firing)

1338
01:06:08.521 --> 01:06:13.270
Something out of a fairytale.
But this ain't no fairytale.

1339
01:06:13.270 --> 01:06:15.548
(gun firing)

1340
01:06:15.548 --> 01:06:18.298
(peaceful music)

1341
01:06:45.282 --> 01:06:48.865
(peaceful music continues)

1342
01:07:15.586 --> 01:07:19.169
(peaceful music continues)

1343
01:07:29.066 --> 01:07:31.050
- Jack.
- Yeah.

1344
01:07:31.050 --> 01:07:32.393
- Come over here.
- Sure thing.

1345
01:07:42.120 --> 01:07:43.670
Put your hands up!
- Hands up.

1346
01:07:45.413 --> 01:07:47.681
- You're under arrest.

1347
01:07:47.681 --> 01:07:48.514
Whoa!

1348
01:07:50.730 --> 01:07:53.610
It's all good. We're safe now.

1349
01:07:53.610 --> 01:07:54.443
- We're safe.

1350
01:07:59.902 --> 01:08:01.402
- I don't know. How's it look?

1351
01:08:02.550 --> 01:08:04.380
- Everything's put back for the most part.

1352
01:08:04.380 --> 01:08:07.340
Well the furniture's back.
(piano twangs)

1353
01:08:07.340 --> 01:08:08.440
Looked over the place.

1354
01:08:12.360 --> 01:08:14.583
- Good.
- What time are we here?

1355
01:08:15.765 --> 01:08:16.598
- Until 6:30.

1356
01:08:18.124 --> 01:08:23.124
- What time is it now? 3:30.

1357
01:08:23.910 --> 01:08:24.743
Not bad.

1358
01:08:28.380 --> 01:08:29.213
- What do we do?

1359
01:08:31.200 --> 01:08:35.223
- Oh, I mean, gotta pack the cars up.

1360
01:08:36.870 --> 01:08:38.770
- Yeah.
- Do some final run throughs.

1361
01:08:39.900 --> 01:08:43.893
Make sure everything is put
back exactly how we found it.

1362
01:08:47.790 --> 01:08:49.490
- So it sounds like we're waiting.

1363
01:08:51.669 --> 01:08:53.493
Waiting for Greg.

1364
01:08:55.440 --> 01:08:58.928
He didn't come yet. Huh?

1365
01:08:58.928 --> 01:08:59.761
- He will be here soon.

1366
01:09:00.690 --> 01:09:03.660
- Was he here earlier?
- No.

1367
01:09:03.660 --> 01:09:05.250
- Are you sure?

1368
01:09:05.250 --> 01:09:06.293
- I'm sure.
- Okay.

1369
01:09:14.728 --> 01:09:17.728
(plastic rustling)

1370
01:09:19.494 --> 01:09:21.827
- Thank you.
- He'll be here.

1371
01:09:24.783 --> 01:09:29.783
- Yeah I know.
(plastic rustling)

1372
01:09:36.600 --> 01:09:37.433
Any minute.

1373
01:09:43.740 --> 01:09:45.224
- I guess we'll just wait.

1374
01:09:45.224 --> 01:09:48.180
Yeah, we'll wait for Greg.

1375
01:09:50.120 --> 01:09:52.703
(upbeat music)

1376
01:10:21.001 --> 01:10:24.501
(upbeat music continues)





