WEBVTT FILE

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(film reel clicking)

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Downloaded from
YTS.BZ

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Official YIFY movies site:
YTS.BZ

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- [Cop 1] Two more then I
say we get something to eat.

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- Yeah? What are you thinking?
- How about taking spot?

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- [Cop 2] I don't know.

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They changed the seasoning on their fries.

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They going with that Cajun crap now?

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Anyway, what do you
think of the Irish place?

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- [Cop 1] Nah, they used too many onions.

11
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- Fair enough.

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Alright, how about you talk on this one?

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- Thanks.

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(knuckles rapping)

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Bayview Police.

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We're canvassing the neighborhood

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looking for a missing girl.

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Just wanna ask a few questions.

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I can't see Dick in here.

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- Yeah, everything's blacked out.

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That's pretty strange.

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You wanna take a look around back?

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- Real quick.
- All right.

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- [Cop 1] Got an open door in front.

25
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- [Cop 2] That ain't good.

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- Bayview Police.

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Hello?

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(girl screaming)

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- Dispatch, got a possible
10-62, requesting backup.

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- [Dispatch] Ten four.
Units in the area respond.

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- [Cop 1] Hey.

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Stack, stack, stack, stack, stack.

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(tense music)

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(heels clacking)

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(coughs) Fuck. You smell that?

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- [Cop 2] Yeah. Where's it coming from?

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Got blood.

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(climatic tense music)

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- [Cop 1] Jesus Christ.

40
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- [Cop 2] Over there. Over there.

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- [Cop 1] Lemme see your hands.

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- Put down the knife.
- On your knees, motherfucker.

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- [Cop 2] Put down the knife.

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Put the God damn knife down.

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(blood squishing)

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(guns firing)

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- Welcome back, ghost hunters,

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to another spine chilling
episode of "The Otherside."

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- For those of you who
are just joining us,

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I'm Tony, your guide to the paranormal.

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- And I'm Amy, your navigator
through the unknown.

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- Tonight we have
something truly terrifying

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in store for you.

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- We're here at the
infamous Lockwood house,

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home of one of the most
grizzly murder sprees

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in recent history.

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- Not only are we entering this house,

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we are committed to stay the entire night,

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no matter what we encounter.

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- We might be the first

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and only ones to have been in this house

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since the night the killer lost his life.

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- So what are we gonna find?

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- Paranormal presence, lost souls,

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something more sinister?

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- Tune in and find out...

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- As we venture into the other side.

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Ever since I was little,
(dramatic music)

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I could feel a connection
with the paranormal.

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When I was growing up,

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I had numerous paranormal
experiences within my house.

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Some people called it a curse,

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but I think it's a gift.

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And today, with the help of my team,

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I will use that gift to seek out

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and document the paranormal.

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Welcome to "The Otherside."

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- Alright, you ready?

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- Yeah. Everyone, please
put your phones in the van.

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- Why?

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- Phones can mess with the readings.

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- Plus the service out here is garbage.

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- Yeah.

84
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- Tony, let me keep the keys.

85
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- Why?

86
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- In case I need to move the van.

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- So you can back it up into another tree?

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Fucking hilarious.

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- [Brad] Seriously.

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- I'll tell you what, if you
need to move the van, radio me,

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I'll come out and I'll move it for you.

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I'll even show you which pedal means stop.

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Have fun.

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- Fuck this place.

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All right, losers, I'm
looking good back here.

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Let's get started.

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- [Tony] It is way bigger than
I thought it was gonna be.

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- [Amy] Yeah.

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- [Brad] All right, video
monitors are set here.

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Camera feed looks good.
We're all set up on my end.

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- [Tony] I know there's a few entrances,

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but most of them are
boarded up unfortunately.

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- All right, time to find a way inside.

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Looks like the front is boarded up,

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but there might be a way in the back.

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- Perfect.

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Kate, let's not wander off, please.

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Okay.

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(cardboard door thuds)

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(soft tense music)

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- [Brad] All right, team,
feeds are looking good.

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No audio or video interference.

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We're, we're set to keep going.

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- [Amy] This place is perfect.

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Damn, we got lucky with this one.

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- Yep. Creep value is definitely outta 10.

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They should have burned
this place to the ground.

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- [Amy] It's set to be
bulldozed next week.

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We're gonna be the last
people inside this place.

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- Isn't that fitting for
our final episode, huh, Amy?

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- [Kate] Fucking weird.

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- It's reproduction
value. We can't complain.

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- So much energy here.

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- All right, good work,
everybody, we're inside.

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Why don't we go ahead and
head down to the basement.

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It looks like that's
where everything happened.

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So it's where we're gonna start.

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- Copy that, van boy.

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(soft tense music)

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(door creaking)

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Holy shit, you guys,

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this is it.

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This is where it happened.

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- [Brad] Oh hell, yeah.

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Okay, let's get set up in that
room for some Lester lore.

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That'll be perfect.

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- [Amy] Oh God, it stinks in here.

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- [Tony] Yep.

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A lot of nasty stuff
happening in this room.

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- [Amy] Yeah.

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- All right, everything
looks good set up in here.

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Coming in clear and audio is crisp.

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- [Tony] Yeah, maybe don't
touch anything in here, guys.

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- [Amy] Wasn't planning on it.

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- [Brad] And we are clear to roll.

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So let's get started
with the Lester segment.

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Okay, everybody? Lester segment.

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- We've made our way into the house

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and we were immediately
drawn to this area.

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- This spot is where a
six month reign of terror

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finally came to an end.

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- Lester Morgan was a recluse.

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He kept to himself, but that all changed.

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- Starting in May, Lester
abducted his first victim.

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- Ashley McKenna was
walking home from work

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when Lester pulled up in a
van, drugged her, and took off.

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- And this shocked the local townspeople

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because it seemed like she
just disappeared overnight.

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- But it didn't stop there,
another girl went missing.

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Then another and another.

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- This sparked a statewide manhunt

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as one of the most high profile
abduction cases in history.

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- Police were baffled.
The town was on edge.

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- [Tony] And the horror
finally came to an end

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one cold October night.

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- Two police officers canvassing the area,

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entered the house after hearing a scream,

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- They came to this very
corner and ended his life.

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We are standing in the exact spot

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where Lester took his last breaths.

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- [Brad] Great work, everybody.

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That is a wrap on the intro scene.

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Let's go ahead and grab
the camera equipment

174
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and go ahead and explore the house.

175
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Cameras one through four are live.

176
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Let's go ahead and set up a
REM pod in the living room

177
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and get started on the ghost hunting.

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(REM pod whistling)

179
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All right, REM pod is set.

180
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Let's keep going though, don't slow down.

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- [Tony] This guy definitely
was serious about his mirrors.

182
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- [Amy] Yeah, you can say that for sure.

183
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- [Tony] You know,

184
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I was thinking that if
this episode takes off,

185
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I don't know, maybe we can
do another season or...

186
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- Tony, can we not talk
about this right now?

187
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- [Brad] Perfect.

188
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Let's set up here and go
through how Lester snapped.

189
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- So what made Lester snap?

190
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- Why would a relatively
normal man just go crazy?

191
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- A man with no criminal
history or violent past,

192
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seemingly the perfect citizen.

193
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- The police reports indicated

194
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that leading up to the abductions,
Lester was acting manic.

195
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- He would talk to himself
or to another person

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as if there was a presence he could see,

197
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something insidious.

198
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- Was this presence telling
him to do these evil things?

199
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- And the obsession with mirrors?

200
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- A gateway to the afterlife?

201
00:12:01.380 --> 00:12:03.060
- It was rumored that
he kept them all covered

202
00:12:03.060 --> 00:12:04.320
since he didn't wanna see himself

203
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committing these heinous acts.

204
00:12:06.060 --> 00:12:07.923
- So then why have mirrors at all?

205
00:12:09.030 --> 00:12:11.970
Was there something
more paranormal at play?

206
00:12:11.970 --> 00:12:14.880
- REM pod, Rem pod above the
fireplace, it's going nuts.

207
00:12:14.880 --> 00:12:17.280
- That's the REM pod.
It's picking something up.

208
00:12:19.063 --> 00:12:22.063
(REM pod whistling)

209
00:12:23.310 --> 00:12:24.453
- Lester, is that you?

210
00:12:27.360 --> 00:12:28.860
If you're here with us,

211
00:12:28.860 --> 00:12:30.750
do me a favor and touch
this little device.

212
00:12:30.750 --> 00:12:33.150
It'll let us know you're
trying to make contact.

213
00:12:38.100 --> 00:12:38.933
Fuck.

214
00:12:44.430 --> 00:12:46.710
If that was you setting off the REM pod,

215
00:12:46.710 --> 00:12:48.393
can you please do it again?

216
00:12:51.300 --> 00:12:54.933
Or you can give us a knock,
move something, touch one of us.

217
00:12:56.400 --> 00:12:57.753
We're not here to hurt you,

218
00:12:59.917 --> 00:13:02.303
we just wanna know what's
going on in this house.

219
00:13:10.384 --> 00:13:12.757
(glass shatters)

220
00:13:12.757 --> 00:13:17.207
- Jesus Christ, are you guys all right?

221
00:13:17.207 --> 00:13:18.826
- [Tony] Everybody good?

222
00:13:18.826 --> 00:13:20.293
- [Amy] Yeah. What the fuck was that?

223
00:13:24.106 --> 00:13:25.862
- [Tony] Where did that even come from?

224
00:13:25.862 --> 00:13:27.612
- [Amy] I don't know.

225
00:13:31.552 --> 00:13:32.385
- God.

226
00:13:39.450 --> 00:13:40.713
Maybe Lester is here.

227
00:13:45.180 --> 00:13:46.803
- [Brad] Great, team.

228
00:13:46.803 --> 00:13:48.211
Okay, let's get the rest
of the equipment out,

229
00:13:48.211 --> 00:13:49.073
put it in the house.

230
00:13:49.073 --> 00:13:51.302
I think the kitchen would be
the best place to store it.

231
00:13:51.302 --> 00:13:53.790
(case thuds)

232
00:13:53.790 --> 00:13:55.980
- All right, make sure
you have your camera

233
00:13:55.980 --> 00:13:57.210
and the EMF readers.

234
00:13:57.210 --> 00:13:58.043
- [Kate] Got it.

235
00:13:58.043 --> 00:13:59.280
- Oh, and keep the Polaroid on hand.

236
00:13:59.280 --> 00:14:01.170
We're gonna need it soon.
- Okay.

237
00:14:01.170 --> 00:14:03.540
And make sure you stay outta Tony's way.

238
00:14:03.540 --> 00:14:05.160
He doesn't really have
much patience anymore,

239
00:14:05.160 --> 00:14:07.650
and he gets frustrated if we have to cut.

240
00:14:07.650 --> 00:14:08.483
- Of course.

241
00:14:08.483 --> 00:14:10.140
I'm just super excited
for this opportunity.

242
00:14:10.140 --> 00:14:13.170
I have been a big fan for so long.

243
00:14:13.170 --> 00:14:14.250
- Well, good.

244
00:14:14.250 --> 00:14:16.650
There's been a lack of
excitement around here recently,

245
00:14:16.650 --> 00:14:18.870
so hopefully you can change that.

246
00:14:18.870 --> 00:14:20.820
If you need any help, just let me know.

247
00:14:20.820 --> 00:14:21.780
If you do well here tonight,

248
00:14:21.780 --> 00:14:24.394
I think I'll have another
opportunity for you in the future.

249
00:14:24.394 --> 00:14:25.227
- [Kate] Okay.

250
00:14:25.227 --> 00:14:26.543
- Come on, Dylan, let's get some B roll.

251
00:14:40.621 --> 00:14:42.823
(floorboard creaking)

252
00:14:42.823 --> 00:14:47.823
- [Kate] Amy?

253
00:14:51.303 --> 00:14:56.303
Amy, is that you?

254
00:14:56.331 --> 00:14:57.164
Amy?

255
00:15:01.943 --> 00:15:03.474
Amy?

256
00:15:03.474 --> 00:15:05.430
(climatic sharp music)

257
00:15:05.430 --> 00:15:06.960
- Holy fuck.

258
00:15:06.960 --> 00:15:09.203
- [Amy] I heard screaming.
What the fuck is that?

259
00:15:12.360 --> 00:15:13.260
- Let me show you.

260
00:15:17.618 --> 00:15:21.030
Okay, so horrible room.

261
00:15:21.030 --> 00:15:22.290
- [Amy] Right.

262
00:15:22.290 --> 00:15:23.223
- Mannequins.

263
00:15:25.800 --> 00:15:29.580
If you come over here
though, that's the best part.

264
00:15:29.580 --> 00:15:30.413
Ready?

265
00:15:32.970 --> 00:15:34.950
Take a look at this guy.

266
00:15:34.950 --> 00:15:37.200
- [Amy] What's the deal
with all these masks?

267
00:15:37.200 --> 00:15:38.370
- Well, police thought it was similar

268
00:15:38.370 --> 00:15:39.843
to the mirror thing, right?

269
00:15:40.740 --> 00:15:41.610
Wear a mask,

270
00:15:41.610 --> 00:15:44.550
it's almost like you're not
the one doing the killings.

271
00:15:44.550 --> 00:15:45.383
- [Amy] Huh.

272
00:15:53.730 --> 00:15:56.239
- Also, I think I have a plan.

273
00:15:56.239 --> 00:15:57.072
- Okay?

274
00:15:57.072 --> 00:15:59.160
- Now, Lester, he liked
younger women, right?

275
00:16:00.210 --> 00:16:03.420
So what we do is we use
Kate as bait, right?

276
00:16:03.420 --> 00:16:04.860
We have her out in the open,

277
00:16:04.860 --> 00:16:06.633
and then maybe Lester will show up.

278
00:16:08.160 --> 00:16:10.473
- Tony, can you not joke
around about shit like that?

279
00:16:10.473 --> 00:16:11.940
- Amy? I just...

280
00:16:11.940 --> 00:16:13.470
Why is she even here?

281
00:16:13.470 --> 00:16:15.180
Does she not know it's the last episode?

282
00:16:15.180 --> 00:16:17.250
- Ah, don't ruin her night.

283
00:16:17.250 --> 00:16:19.590
Okay, she's a huge fan of ours.

284
00:16:19.590 --> 00:16:22.790
You should just go and talk to her.

285
00:16:22.790 --> 00:16:25.083
Come on, do it for me, please.

286
00:16:29.220 --> 00:16:30.627
- [Tony] Fine.

287
00:16:30.627 --> 00:16:35.627
- Thank you.

288
00:16:42.740 --> 00:16:44.190
- So I hear you're a big fan.

289
00:16:45.607 --> 00:16:47.437
- Yeah.

290
00:16:47.437 --> 00:16:48.270
- Cool.

291
00:16:49.550 --> 00:16:51.376
So you must be pretty bummed out

292
00:16:51.376 --> 00:16:53.790
that the show's ending then, huh?

293
00:16:53.790 --> 00:16:55.080
- The, the show's ending?

294
00:16:55.080 --> 00:16:56.783
What do you mean the show's ending?

295
00:16:59.027 --> 00:17:01.230
- You know, if you say Lester's name

296
00:17:01.230 --> 00:17:02.370
in the mirror three times,

297
00:17:02.370 --> 00:17:04.070
he'll show up and he will get you.

298
00:17:05.280 --> 00:17:08.010
- He's a serial killer.
He's not Bloody Mary.

299
00:17:08.010 --> 00:17:10.830
- [Tony] Okay, let's
test that theory then.

300
00:17:10.830 --> 00:17:12.750
Lester.

301
00:17:12.750 --> 00:17:14.340
Lester!

302
00:17:14.340 --> 00:17:16.290
- All right, Kate, come help me set up.

303
00:17:21.360 --> 00:17:24.083
This is not what I had in
mind when I said talk to her.

304
00:17:37.020 --> 00:17:37.853
- Lester.

305
00:17:41.630 --> 00:17:45.213
- Fuck.
(keyboard clacking)

306
00:17:54.451 --> 00:17:57.960
I'm getting interference
here, hold on a sec.

307
00:17:57.960 --> 00:17:59.280
Alright, that's enough of that.

308
00:17:59.280 --> 00:18:00.390
Let's move on to the next segment.

309
00:18:00.390 --> 00:18:01.690
We gotta keep moving here.

310
00:18:08.280 --> 00:18:10.062
You guys hear that?

311
00:18:10.062 --> 00:18:12.480
(toy clanging)

312
00:18:12.480 --> 00:18:14.970
There's some sort of audio interference.

313
00:18:14.970 --> 00:18:17.093
Katie and Dylan, can
you go check that out?

314
00:18:18.750 --> 00:18:21.833
(clanging continues)

315
00:18:40.410 --> 00:18:42.390
That's very funny, guys,
can we please keep moving?

316
00:18:42.390 --> 00:18:43.983
Stop with the fucking jokes.

317
00:18:52.710 --> 00:18:54.660
- [Dylan] Dude, don't touch that.

318
00:18:54.660 --> 00:18:57.393
- What? It's a souvenir for Bradley.

319
00:18:59.340 --> 00:19:00.173
No?

320
00:19:01.050 --> 00:19:03.633
Okay.

321
00:19:09.420 --> 00:19:11.160
- All right, now's a
good time to get set up

322
00:19:11.160 --> 00:19:12.300
with the LED lights.

323
00:19:12.300 --> 00:19:15.960
Let's get the Falcon eyes, the
EMF reader, and the Polaroid,

324
00:19:15.960 --> 00:19:16.960
and let's get ready.

325
00:19:17.820 --> 00:19:18.990
- [Amy] All right, we're
gonna need the cameras

326
00:19:18.990 --> 00:19:19.823
to get set up.

327
00:19:20.780 --> 00:19:22.030
- Okay, got it.

328
00:19:26.303 --> 00:19:28.560
This is so sick.

329
00:19:28.560 --> 00:19:29.433
What the fuck?

330
00:19:30.510 --> 00:19:31.920
- [Brad] Hey.

331
00:19:31.920 --> 00:19:32.970
Hey, hey guys.

332
00:19:32.970 --> 00:19:34.800
Guys, I lost the light here.

333
00:19:34.800 --> 00:19:35.850
I think the batteries are dead.

334
00:19:35.850 --> 00:19:37.980
Dylan, go and check the D-tap.

335
00:19:37.980 --> 00:19:39.900
- [Kate] Can you guys hurry up?

336
00:19:39.900 --> 00:19:42.300
- [Brad] Dylan is on it.
Just give him a second.

337
00:19:43.260 --> 00:19:46.210
- [Kate] I can't see anything
down here. I don't like this.

338
00:19:48.827 --> 00:19:50.550
- [Amy] Come on, Kate,
hurry up, we're ready.

339
00:19:50.550 --> 00:19:51.383
- [Kate] I'm coming.

340
00:19:53.040 --> 00:19:56.040
- Okay, start the Polaroid
segment. Move to the living room.

341
00:19:56.040 --> 00:19:58.530
That's where we're gonna
get the best stuff.

342
00:19:58.530 --> 00:20:00.570
- Tonight we have a
special piece of equipment

343
00:20:00.570 --> 00:20:02.010
for our investigation.

344
00:20:02.010 --> 00:20:03.600
- Alongside our digital gear,

345
00:20:03.600 --> 00:20:05.963
we're bringing back a
classic, the Polaroid camera.

346
00:20:05.963 --> 00:20:08.793
- Now you might be wondering
why use an old school Polaroid

347
00:20:08.793 --> 00:20:11.640
when we have all this high tech gear?

348
00:20:11.640 --> 00:20:14.040
- Well, the Polaroid
camera holds a unique place

349
00:20:14.040 --> 00:20:15.660
in paranormal investigations.

350
00:20:15.660 --> 00:20:18.870
It's about capturing
instant physical evidence.

351
00:20:18.870 --> 00:20:19.830
- See, with digital cameras,

352
00:20:19.830 --> 00:20:21.930
there's always the risk
of technical errors

353
00:20:21.930 --> 00:20:24.840
or doubts and authenticity.

354
00:20:24.840 --> 00:20:28.020
With the Polaroid, what
you see is what you get.

355
00:20:28.020 --> 00:20:30.420
A photo develops right in your hand.

356
00:20:30.420 --> 00:20:31.800
- And there's more to it.

357
00:20:31.800 --> 00:20:33.600
The instant film process of a Polaroid

358
00:20:33.600 --> 00:20:35.400
can sometimes capture energy forms

359
00:20:35.400 --> 00:20:38.190
and spectral phenomena that
a digital camera might miss.

360
00:20:38.190 --> 00:20:39.660
- And this is because the Polaroid

361
00:20:39.660 --> 00:20:42.000
is sensitive to different light spectra,

362
00:20:42.000 --> 00:20:44.820
possibly even beyond our normal vision,

363
00:20:44.820 --> 00:20:48.360
almost like a window into the unseen.

364
00:20:48.360 --> 00:20:51.480
- So tonight, this Polaroid is
going to be our tangible link

365
00:20:51.480 --> 00:20:52.590
to the paranormal.

366
00:20:52.590 --> 00:20:54.000
Who knows what we might capture

367
00:20:54.000 --> 00:20:56.370
on this little piece of history?

368
00:20:56.370 --> 00:20:57.720
- [Brad] Great work on the Polaroids.

369
00:20:57.720 --> 00:20:58.830
Keep snapping pictures.

370
00:20:58.830 --> 00:21:00.780
Let's try and capture something spooky.

371
00:21:02.160 --> 00:21:04.993
(camera whirring)

372
00:21:10.491 --> 00:21:13.324
(camera whirring)

373
00:21:23.200 --> 00:21:26.033
(camera whirring)

374
00:21:32.430 --> 00:21:35.263
(camera whirring)

375
00:21:40.949 --> 00:21:43.410
(camera whirring)

376
00:21:43.410 --> 00:21:44.850
Great, yeah, keep checking the footage.

377
00:21:44.850 --> 00:21:46.110
See if we got anything cool.

378
00:21:46.110 --> 00:21:48.183
Anything real, anything we can use.

379
00:21:50.880 --> 00:21:52.050
- Anything?

380
00:21:52.050 --> 00:21:52.983
- Not really.

381
00:21:57.420 --> 00:21:59.050
What the hell?

382
00:21:59.050 --> 00:21:59.883
- What?

383
00:22:00.960 --> 00:22:01.793
- The mirror.

384
00:22:01.793 --> 00:22:04.743
There's, there's a shadow or something.

385
00:22:06.990 --> 00:22:09.180
- [Tony] It could just be bad film.

386
00:22:09.180 --> 00:22:11.063
- [Amy] I don't think it was the lighting.

387
00:22:31.180 --> 00:22:32.013
- [Tony] Ah!

388
00:22:32.013 --> 00:22:33.480
What the fuck?

389
00:22:33.480 --> 00:22:34.650
- [Amy] What happened?

390
00:22:34.650 --> 00:22:37.413
- [Tony] Just cut my
finger on something. Oh.

391
00:22:38.460 --> 00:22:39.653
- [Amy] I think you'll live.

392
00:22:58.086 --> 00:23:00.150
- [Brad] All right, one
through five are live for us,

393
00:23:00.150 --> 00:23:02.580
but six is kind of bugging out.

394
00:23:02.580 --> 00:23:04.050
Dylan, go up there and check it out

395
00:23:04.050 --> 00:23:05.550
and tell me what to find.

396
00:23:05.550 --> 00:23:06.533
- [Dylan] I'm on it.

397
00:23:13.140 --> 00:23:15.420
Stupid fucking cord's loose.

398
00:23:15.420 --> 00:23:16.977
How about now?

399
00:23:16.977 --> 00:23:17.910
(static buzzing)

400
00:23:17.910 --> 00:23:20.520
- [Brad] There's still
nothing there, Dylan.

401
00:23:20.520 --> 00:23:23.070
- [Dylan] Nah man, it's
this fucking cord. Hold on.

402
00:23:23.910 --> 00:23:24.743
- Alright, cool.

403
00:23:24.743 --> 00:23:26.160
Just see if you can gaff tape it.

404
00:23:31.920 --> 00:23:33.510
Yep, you got it. Good job.

405
00:23:33.510 --> 00:23:35.210
Let's move on to the next segment.

406
00:23:40.320 --> 00:23:43.500
Time to introduce the
spirit box, everybody.

407
00:23:43.500 --> 00:23:45.030
- Tonight we're going to introduce you

408
00:23:45.030 --> 00:23:46.560
to one of the most fascinating tools

409
00:23:46.560 --> 00:23:49.800
in our paranormal investigation
arsenal, the spirit box.

410
00:23:49.800 --> 00:23:52.200
- Now, this little gadget
might not look like much,

411
00:23:52.200 --> 00:23:54.060
but it's incredibly important.

412
00:23:54.060 --> 00:23:55.500
The spirit box was designed

413
00:23:55.500 --> 00:23:58.560
to rapidly scan through radio frequencies.

414
00:23:58.560 --> 00:24:00.390
- The idea behind it
is based on the theory

415
00:24:00.390 --> 00:24:02.340
that spirits can manipulate
these frequencies

416
00:24:02.340 --> 00:24:04.080
to create words and sentences,

417
00:24:04.080 --> 00:24:06.810
essentially communicating
with us from the other side.

418
00:24:06.810 --> 00:24:08.550
- As it scans through these frequencies,

419
00:24:08.550 --> 00:24:12.300
you'll hear a mix of white
noise and normal broadcasts,

420
00:24:12.300 --> 00:24:14.970
but occasionally, a clear
voice will break through.

421
00:24:14.970 --> 00:24:16.680
And that's what we're listening for,

422
00:24:16.680 --> 00:24:18.720
potential communication from spirits.

423
00:24:18.720 --> 00:24:20.400
- And the most exciting part,

424
00:24:20.400 --> 00:24:21.720
sometimes these messages

425
00:24:21.720 --> 00:24:23.550
are direct responses to our questions,

426
00:24:23.550 --> 00:24:25.170
making it a two-way communication

427
00:24:25.170 --> 00:24:26.940
with whatever might be out there.

428
00:24:26.940 --> 00:24:29.010
- And it's not just radio snippets,

429
00:24:29.010 --> 00:24:30.180
we're looking for relevance.

430
00:24:30.180 --> 00:24:32.040
We're looking for
answers to our questions.

431
00:24:32.040 --> 00:24:34.620
Anything out of the
ordinary from your natural

432
00:24:34.620 --> 00:24:36.360
or normal radio chatter.

433
00:24:36.360 --> 00:24:38.070
- It's an essential tool for us.

434
00:24:38.070 --> 00:24:39.840
Tonight, we're hoping the spirit box

435
00:24:39.840 --> 00:24:43.537
can help us uncover the mysteries
hidden within these walls.

436
00:24:43.537 --> 00:24:46.537
(keyboard clacking)

437
00:24:48.007 --> 00:24:51.007
(plastic crackling)

438
00:25:03.417 --> 00:25:08.084
Now, let's calibrate it and
start asking some questions.

439
00:25:11.247 --> 00:25:12.330
(static buzzing)

440
00:25:12.330 --> 00:25:13.923
Is there anyone here with us?

441
00:25:18.047 --> 00:25:20.873
- If you're here now,
can you give us a sign?

442
00:25:23.250 --> 00:25:24.083
- What the hell?

443
00:25:25.620 --> 00:25:27.470
- You're gotta be fucking kidding me.

444
00:25:28.707 --> 00:25:30.510
I just put batteries in this thing.

445
00:25:30.510 --> 00:25:31.710
Dylan, can I get your...

446
00:25:36.377 --> 00:25:37.950
(high pitched radio wave whistling)

447
00:25:37.950 --> 00:25:39.603
Jesus. Fucking thing.

448
00:25:43.080 --> 00:25:44.640
- [Brad] Well, what the fuck was that?

449
00:25:44.640 --> 00:25:47.390
I can't tell if that's radio
interference or something.

450
00:25:49.817 --> 00:25:54.817
(indistinct distorted voice talking)

451
00:25:54.900 --> 00:25:56.150
- Who are we speaking to?

452
00:25:57.169 --> 00:25:59.078
Identify yourself.

453
00:25:59.078 --> 00:26:03.661
(indistinct distorted voice continues)

454
00:26:07.470 --> 00:26:09.750
- No, it's not coming
from any of our equipment.

455
00:26:09.750 --> 00:26:11.517
Are you guys doing something?

456
00:26:15.649 --> 00:26:18.316
(loud knocking)

457
00:26:27.177 --> 00:26:29.272
Everybody hears the knocking, right?

458
00:26:29.272 --> 00:26:31.403
- [Amy] What's doing that?

459
00:26:31.403 --> 00:26:35.009
(loud knocking continues)

460
00:26:35.009 --> 00:26:37.923
- It's coming from in there.

461
00:26:37.923 --> 00:26:41.506
(static continues buzzing)

462
00:27:09.491 --> 00:27:10.324
Anything?

463
00:27:12.779 --> 00:27:14.362
- It's very creepy.

464
00:27:15.523 --> 00:27:17.856
- It's cold as fuck in here.

465
00:27:22.563 --> 00:27:26.411
- [Tony] Lester, if that was you knocking,

466
00:27:26.411 --> 00:27:27.811
can you do it one more time?

467
00:27:31.723 --> 00:27:33.473
That way we know for sure it's you.

468
00:27:34.522 --> 00:27:38.105
(static continues buzzing)

469
00:27:39.523 --> 00:27:42.856
(loud knocking resumes)

470
00:28:23.542 --> 00:28:24.625
- Fuck, yeah.

471
00:28:31.523 --> 00:28:33.782
- How you holding up? You okay?

472
00:28:33.782 --> 00:28:34.615
- Yeah.

473
00:28:36.123 --> 00:28:37.623
It's, it's just...

474
00:28:39.320 --> 00:28:40.173
Is this normal?

475
00:28:43.110 --> 00:28:45.660
I've, I've watched all your videos

476
00:28:45.660 --> 00:28:48.513
and I've never seen
anything like this before.

477
00:28:49.890 --> 00:28:52.950
- Yeah, this place is different.

478
00:28:52.950 --> 00:28:55.113
It has another level of energy,

479
00:28:56.010 --> 00:28:57.483
dark energy.

480
00:28:59.010 --> 00:29:01.059
- But we're not in any danger, are we?

481
00:29:01.059 --> 00:29:03.392
- [Tony] Break's over, guys?

482
00:29:07.800 --> 00:29:10.104
- [Brad] Alright, come on,
let's get back to work.

483
00:29:10.104 --> 00:29:11.550
We've only got seven hours until sunrise.

484
00:29:11.550 --> 00:29:14.338
Everything looks good. All set up.

485
00:29:14.338 --> 00:29:15.840
Equipment has enough battery.

486
00:29:15.840 --> 00:29:17.747
We really need to get rolling though.

487
00:29:19.027 --> 00:29:21.657
Tony, could you do like
a little bit more for me?

488
00:29:21.657 --> 00:29:23.970
Put a little bit more into it.

489
00:29:23.970 --> 00:29:25.387
- I'm sorry, what?

490
00:29:25.387 --> 00:29:26.730
What do you, what do you mean a bit more?

491
00:29:26.730 --> 00:29:29.580
- Act better. Like, I need more emotion.

492
00:29:29.580 --> 00:29:31.830
The footage is great. It's great.

493
00:29:31.830 --> 00:29:34.770
Except for, except for you.

494
00:29:34.770 --> 00:29:38.073
- You know what, Brad, you want
to come in here and do this?

495
00:29:39.840 --> 00:29:41.163
- I will if I have to.

496
00:29:42.060 --> 00:29:43.960
Damn sure do it better than you would.

497
00:29:45.030 --> 00:29:46.260
- Just keep your eyes on the monitors

498
00:29:46.260 --> 00:29:47.910
and leave it to the fucking pros.

499
00:29:50.820 --> 00:29:52.023
Fucking nerd.

500
00:30:07.470 --> 00:30:08.703
Kate?

501
00:30:10.749 --> 00:30:11.823
- Yeah? Coming.

502
00:30:18.750 --> 00:30:20.170
What's up?

503
00:30:20.170 --> 00:30:22.193
- [Tony] What? What? What
are you, what are you doing?

504
00:30:23.599 --> 00:30:25.523
- I'm just setting up the
lights like you told me to.

505
00:30:26.940 --> 00:30:30.090
- You still playing with that
nose? You should put it back.

506
00:30:30.090 --> 00:30:32.820
Don't mess with the stuff in this house.

507
00:30:32.820 --> 00:30:34.703
Come on, we're almost done setting up.

508
00:30:37.980 --> 00:30:39.233
- What? What are we doing next?

509
00:30:41.850 --> 00:30:44.600
- It's time to find out whose
presence is here with us.

510
00:30:45.720 --> 00:30:48.420
- It is time for our fan
favorite now, everyone,

511
00:30:48.420 --> 00:30:49.710
the Ouija board.

512
00:30:49.710 --> 00:30:50.613
Let's get started.

513
00:31:11.220 --> 00:31:12.420
All right, all the cameras are set up.

514
00:31:12.420 --> 00:31:15.489
Whenever you guys are ready,
let's start the Ouija board.

515
00:31:15.489 --> 00:31:17.340
- All right, now we are
going to try to communicate

516
00:31:17.340 --> 00:31:19.140
with the spirits in this house.

517
00:31:19.140 --> 00:31:20.640
This can be extremely dangerous

518
00:31:20.640 --> 00:31:23.820
as we don't know exactly who
we are going to be speaking to,

519
00:31:23.820 --> 00:31:27.660
the victims of this
house or Lester himself.

520
00:31:27.660 --> 00:31:29.520
- We have to be very careful.

521
00:31:29.520 --> 00:31:31.560
Don't try this at home.

522
00:31:31.560 --> 00:31:32.880
We are seasoned professionals.

523
00:31:32.880 --> 00:31:35.700
- We understand how to properly
communicate with spirits.

524
00:31:35.700 --> 00:31:38.010
- But if you wish to
attempt this on your own,

525
00:31:38.010 --> 00:31:39.960
you have to remember
when you end the session,

526
00:31:39.960 --> 00:31:41.160
just say goodbye.

527
00:31:41.160 --> 00:31:44.100
- If you fail to say goodbye,
the gateway remains open,

528
00:31:44.100 --> 00:31:46.380
and you are inviting the
spirit into this realm

529
00:31:46.380 --> 00:31:48.000
until you close it.

530
00:31:48.000 --> 00:31:49.590
- Got it?

531
00:31:49.590 --> 00:31:50.423
Good.

532
00:31:51.390 --> 00:31:52.223
Let's begin.

533
00:31:59.100 --> 00:32:00.540
- Are there any spirits in this room

534
00:32:00.540 --> 00:32:02.693
that would like to make
their presence known?

535
00:32:06.300 --> 00:32:08.940
- Are there any victims whose
lives were taken from them

536
00:32:08.940 --> 00:32:10.323
who wish to communicate?

537
00:32:14.640 --> 00:32:15.900
- It may take them a while

538
00:32:15.900 --> 00:32:18.300
to become comfortable with our presence.

539
00:32:18.300 --> 00:32:19.950
These victims are most likely confused

540
00:32:19.950 --> 00:32:21.720
due to the violent nature of their deaths.

541
00:32:21.720 --> 00:32:24.510
- It's possible they're stuck
in what we call the nether,

542
00:32:24.510 --> 00:32:27.060
a realm between life and death.

543
00:32:27.060 --> 00:32:28.200
- Is there anyone here

544
00:32:28.200 --> 00:32:30.100
who would like to communicate with us?

545
00:32:44.580 --> 00:32:45.413
Did you move it?

546
00:32:46.620 --> 00:32:47.453
- No.

547
00:32:50.353 --> 00:32:51.303
Are you a victim?

548
00:32:57.720 --> 00:32:59.742
- Don't fuck with me, Tony.

549
00:32:59.742 --> 00:33:00.990
- I'm not doing that, Amy.

550
00:33:00.990 --> 00:33:03.780
- Hey, it's not fun to watch
you guys bickering, okay?

551
00:33:03.780 --> 00:33:05.310
Who cares if he's moving it.

552
00:33:05.310 --> 00:33:07.470
Hell, move it even more. I don't care.

553
00:33:07.470 --> 00:33:09.510
All right, the footage looks good.

554
00:33:09.510 --> 00:33:11.103
Let Amy do her thing, okay?

555
00:33:12.000 --> 00:33:14.430
- Wow, Brad, for once,
can you let us work here?

556
00:33:14.430 --> 00:33:15.600
We have it under control.

557
00:33:15.600 --> 00:33:18.350
- Tony, what are you doing?
Don't break the connection.

558
00:33:25.364 --> 00:33:27.614
What the fuck?
- Holy shit.

559
00:33:28.870 --> 00:33:32.970
Okay, um, we need to
stop. I don't like this.

560
00:33:32.970 --> 00:33:34.963
- Whoa, whoa, whoa, whoa, whoa, whoa.

561
00:33:35.820 --> 00:33:37.050
- Tony, do something!

562
00:33:37.050 --> 00:33:38.963
- [Tony] What do you want me to do, Amy?

563
00:33:45.270 --> 00:33:47.177
- Tony, you saw that, right?

564
00:33:48.129 --> 00:33:49.729
- Of course, I fucking saw that.

565
00:33:57.450 --> 00:33:59.553
- What the fuck is going on?

566
00:34:07.206 --> 00:34:11.206
Fucking Jesus.
(furniture thuds)

567
00:34:16.110 --> 00:34:18.720
Bradley, please tell me you got that.

568
00:34:18.720 --> 00:34:21.960
- You fucking bet I did. Whole thing.

569
00:34:21.960 --> 00:34:24.333
Jesus fucking Christ.

570
00:34:25.620 --> 00:34:28.083
Did you guys put that together?

571
00:34:30.060 --> 00:34:32.393
- [Tony] Are you crazy?
Of course that wasn't us.

572
00:34:34.470 --> 00:34:35.730
- I told you we should be careful.

573
00:34:35.730 --> 00:34:37.480
This is not something to mess with.

574
00:34:40.230 --> 00:34:41.373
- Guys, this is it.

575
00:34:42.750 --> 00:34:45.183
This is the proof that
we've been looking for.

576
00:34:47.580 --> 00:34:49.500
This is the real deal.

577
00:34:49.500 --> 00:34:50.910
- [Kate] Guys?

578
00:34:50.910 --> 00:34:54.150
Guys, I think there's something back here.

579
00:34:54.150 --> 00:34:55.600
- Wait, lemme see. Lemme see.

580
00:34:56.895 --> 00:34:57.728
Watch out.

581
00:35:03.450 --> 00:35:04.980
There's a room.

582
00:35:04.980 --> 00:35:05.820
- [Amy] What?

583
00:35:05.820 --> 00:35:08.303
- [Brad] Tony, see if you
can make that hole bigger.

584
00:35:21.240 --> 00:35:24.363
- [Tony] Okay, yeah, there's
definitely a room in there.

585
00:35:26.175 --> 00:35:27.720
- It just keeps getting better.

586
00:35:27.720 --> 00:35:28.980
See if the GoPro will fit through.

587
00:35:28.980 --> 00:35:30.330
We can see what's in there.

588
00:35:37.710 --> 00:35:39.510
- [Tony] Okay, Brad, what are you seeing?

589
00:35:39.510 --> 00:35:41.553
- [Brad] Just kind of looks like a room.

590
00:35:43.200 --> 00:35:48.153
Some sort of like workshop kind of thing.

591
00:35:49.740 --> 00:35:52.353
- What else? Do you see a way in, or?

592
00:35:55.740 --> 00:35:57.640
- [Brad] Pan to the left a little bit.

593
00:36:01.050 --> 00:36:02.253
Signal is weak.

594
00:36:03.750 --> 00:36:04.827
- What about now?

595
00:36:06.471 --> 00:36:07.733
- [Brad] Now I'm not getting a signal.

596
00:36:10.140 --> 00:36:13.023
Fuck. No, the signal's
all out. I can't see shit.

597
00:36:14.670 --> 00:36:17.070
- Now? I, I can't go any more left.

598
00:36:17.070 --> 00:36:19.703
- [Brad] No, dude, the signal's
out, I can't see anything.

599
00:36:30.014 --> 00:36:30.990
(climatic sharp music)

600
00:36:30.990 --> 00:36:33.429
There's gotta be another
way in that room, okay?

601
00:36:33.429 --> 00:36:34.566
We need to find it

602
00:36:34.566 --> 00:36:36.269
and we need to do a spirit
box session in there

603
00:36:36.269 --> 00:36:37.352
or something.

604
00:36:38.460 --> 00:36:40.310
- Maybe there's a latch or something.

605
00:36:41.940 --> 00:36:42.890
- [Kate] Over here.

606
00:36:45.060 --> 00:36:46.353
This board's loose.

607
00:36:47.400 --> 00:36:48.350
- [Tony] Watch out.

608
00:37:13.392 --> 00:37:16.392
- [Amy] What the fuck is this place?

609
00:37:18.670 --> 00:37:19.703
- [Tony] I think this is the kill room.

610
00:37:26.501 --> 00:37:29.083
- [Amy] It fucking stinks in here.

611
00:37:29.083 --> 00:37:30.270
- [Kate] Yeah, and it's also freezing.

612
00:37:30.270 --> 00:37:34.320
- Really? It seems about
10 degrees hotter to me.

613
00:37:34.320 --> 00:37:36.350
- [Amy] What the fuck? What the fuck?

614
00:37:43.870 --> 00:37:46.833
- Jesus fucking Christ,
this place is perfect.

615
00:37:47.970 --> 00:37:49.860
Alright, let's, let's
get all of our equipment

616
00:37:49.860 --> 00:37:52.110
that's available in there stat, all right?

617
00:37:52.110 --> 00:37:54.460
People love this hidden room shit.

618
00:37:54.460 --> 00:37:56.700
So let's get our EVPs, spirit box.

619
00:37:56.700 --> 00:37:59.283
Let's get the GoPros,
static cams, everything.

620
00:38:15.180 --> 00:38:17.820
Fuck yeah. People are
going to eat this shit up.

621
00:38:17.820 --> 00:38:20.070
Let's go ahead and run
a spirit box in there.

622
00:38:28.097 --> 00:38:30.213
- Lester, are you there with us?

623
00:38:35.100 --> 00:38:38.103
Lester, we are in your kill
room. We are close to you.

624
00:38:38.970 --> 00:38:41.243
Can you give us a sign
that you were here with us?

625
00:38:46.380 --> 00:38:48.630
We wanna find out why
you killed those girls.

626
00:38:49.650 --> 00:38:51.243
Was it you who did it?

627
00:38:52.528 --> 00:38:55.563
Or something, something
evil make you do it?

628
00:39:03.600 --> 00:39:05.150
- Looks like we got our answer.

629
00:39:10.020 --> 00:39:11.523
- Lester, what made you do it?

630
00:39:12.480 --> 00:39:15.041
Can you give us another
sign that you are here?

631
00:39:15.041 --> 00:39:17.063
Can you give us another sign
that something made you do it?

632
00:39:22.413 --> 00:39:24.190
(board thuds)

633
00:39:24.190 --> 00:39:28.592
- [Kate] What the fuck was
that? Did you guys see that?

634
00:39:28.592 --> 00:39:30.230
- [Tony] Dylan, did you get that?

635
00:39:30.230 --> 00:39:34.063
- [Dylan] Yeah, fucking
board was standing up.

636
00:39:37.790 --> 00:39:39.957
- [Tony] Now what is that?

637
00:39:50.370 --> 00:39:52.950
- In the corner, you'll see a VHS player.

638
00:39:52.950 --> 00:39:54.690
See if we can plug it into our power bank.

639
00:39:54.690 --> 00:39:57.040
If we have enough charge,
let's get it running.

640
00:40:48.882 --> 00:40:51.382
- This is how he kidnaps them.

641
00:40:56.043 --> 00:40:58.960
(soft eerie music)

642
00:41:18.277 --> 00:41:19.923
- This is a fucking snuff film.

643
00:41:21.501 --> 00:41:24.834
(eerie music continues)

644
00:41:47.661 --> 00:41:51.032
- Turn it off.

645
00:41:51.032 --> 00:41:53.713
Tony, turn that shit off!
- Sorry.

646
00:42:07.353 --> 00:42:08.550
- Back up the tape.

647
00:42:08.550 --> 00:42:11.343
We'll add it to the cut when
I get back to the office.

648
00:42:12.450 --> 00:42:13.283
- You got it.

649
00:42:14.460 --> 00:42:16.510
Kate, pack the tape. It's coming with us.

650
00:42:17.760 --> 00:42:19.643
- [Kate] Are you sure
we should be doing this?

651
00:42:20.970 --> 00:42:22.803
- Pack the tape.

652
00:42:36.030 --> 00:42:37.667
You doing all right?

653
00:42:39.060 --> 00:42:43.083
- Yeah, it's just tough to
watch that kind of stuff.

654
00:42:46.050 --> 00:42:47.763
- Yeah, it's, it's fucked up.

655
00:42:48.930 --> 00:42:50.880
It's coming for a great episode though.

656
00:42:54.390 --> 00:42:55.580
You good to go?

657
00:42:57.203 --> 00:42:58.863
- Yeah, I just need a second.

658
00:43:02.010 --> 00:43:03.180
- [Brad] Okay, enough of that, guys,

659
00:43:03.180 --> 00:43:06.030
let's just head upstairs and
see if we can find anything.

660
00:43:07.200 --> 00:43:09.623
- Kate, while you're at it,
grab the rest of the gear.

661
00:43:18.960 --> 00:43:20.660
- [Brad] REM pod, it's going nuts.

662
00:43:29.289 --> 00:43:32.289
(REM pod crackling)

663
00:43:34.015 --> 00:43:36.386
(girl screams)

664
00:43:36.386 --> 00:43:38.021
Kate?

665
00:43:38.021 --> 00:43:38.854
Kate?

666
00:43:40.292 --> 00:43:41.125
Kate, what the?

667
00:43:42.172 --> 00:43:44.132
Kate, are you okay?

668
00:43:44.132 --> 00:43:44.965
Kate!

669
00:43:46.400 --> 00:43:48.450
- Okay. Okay. Okay. It's okay,

670
00:43:48.450 --> 00:43:50.430
- Bradley, it's not that hard.

671
00:43:50.430 --> 00:43:51.450
Just play back the footage

672
00:43:51.450 --> 00:43:53.430
and let us know if you saw anything.

673
00:43:53.430 --> 00:43:56.123
- [Brad] It's pretty fucking
hard when I'm not seeing shit.

674
00:43:58.191 --> 00:44:00.441
- I swear to God, I saw
something down there.

675
00:44:01.710 --> 00:44:04.140
- She swears to God she
saw something, Brad.

676
00:44:04.140 --> 00:44:05.700
- [Brad] Okay, well, she
could swear to Satan.

677
00:44:05.700 --> 00:44:07.563
I don't have the fucking footage.

678
00:44:11.550 --> 00:44:12.383
- Fuck!

679
00:44:15.420 --> 00:44:16.253
Okay...

680
00:44:17.400 --> 00:44:18.233
Amy, it's time.

681
00:44:19.440 --> 00:44:22.170
- No, it's too early.

682
00:44:22.170 --> 00:44:23.970
- Amy. Amy...
- I don't feel-

683
00:44:23.970 --> 00:44:26.940
- There's something
here. We are this close.

684
00:44:26.940 --> 00:44:28.503
We have to do it now.

685
00:44:29.749 --> 00:44:32.910
- I don't like this. There's
so much dark energy here.

686
00:44:32.910 --> 00:44:34.170
I can feel it's pressure.

687
00:44:34.170 --> 00:44:35.070
- Then I'll do it.

688
00:44:36.600 --> 00:44:37.443
I can handle it.

689
00:44:40.470 --> 00:44:43.260
- You haven't done it in a while, Tony.

690
00:44:43.260 --> 00:44:45.723
Okay, you, you don't, you can't.

691
00:44:47.970 --> 00:44:51.093
- If there's something here, I'll find it.

692
00:44:53.910 --> 00:44:55.403
- [Kate] What is he talking about?

693
00:45:00.994 --> 00:45:03.994
(keyboard clacking)

694
00:45:08.496 --> 00:45:10.355
- We're looking good over here, everybody.

695
00:45:10.355 --> 00:45:12.150
Let's get set up for the Estes method.

696
00:45:12.150 --> 00:45:14.130
- Alright, we're about to begin

697
00:45:14.130 --> 00:45:16.560
our most powerful communication technique.

698
00:45:16.560 --> 00:45:19.110
- Yes, we've been getting
unusual readings and anomalies,

699
00:45:19.110 --> 00:45:22.440
but we need a stronger, more
direct line to the paranormal.

700
00:45:22.440 --> 00:45:24.570
- We're going to be
using the Estes method,

701
00:45:24.570 --> 00:45:26.700
a technique designed to heighten contact

702
00:45:26.700 --> 00:45:28.470
with the other side.

703
00:45:28.470 --> 00:45:31.170
Its primary purpose is to
establish clear communication

704
00:45:31.170 --> 00:45:33.450
with spirits during our investigation.

705
00:45:33.450 --> 00:45:35.010
This is more than just a tool.

706
00:45:35.010 --> 00:45:37.410
It's a bridge to the other side.

707
00:45:37.410 --> 00:45:39.870
- And we can't forget the
motion detection lights.

708
00:45:39.870 --> 00:45:42.210
There are objective eyes
capturing any movements

709
00:45:42.210 --> 00:45:43.770
that might occur during the session.

710
00:45:43.770 --> 00:45:45.870
- After the session,
we analyze everything,

711
00:45:45.870 --> 00:45:48.630
the responses, the timing, the lights.

712
00:45:48.630 --> 00:45:51.330
It's a puzzle and we're
putting the pieces together.

713
00:45:51.330 --> 00:45:53.790
- The Estes method isn't just a technique,

714
00:45:53.790 --> 00:45:55.740
it's a journey into the unknown.

715
00:45:55.740 --> 00:45:57.630
It bridges science and the paranormal,

716
00:45:57.630 --> 00:45:59.820
pushing the boundaries
of what we understand.

717
00:45:59.820 --> 00:46:01.260
This method is risky,

718
00:46:01.260 --> 00:46:03.900
so we urge no one to try this
without proper experience.

719
00:46:03.900 --> 00:46:06.300
We are trained professionals.

720
00:46:06.300 --> 00:46:08.280
- So with that being said,

721
00:46:08.280 --> 00:46:09.900
let's begin.

722
00:46:09.900 --> 00:46:11.970
- Alright, we're, we're looking good here.

723
00:46:11.970 --> 00:46:14.190
The salt's down, candles are lit.

724
00:46:14.190 --> 00:46:16.320
Estes method is ready.

725
00:46:16.320 --> 00:46:18.123
- All right, let's begin.

726
00:46:20.640 --> 00:46:23.910
Are there any souls that
wanna communicate with us?

727
00:46:23.910 --> 00:46:24.743
- Skies.

728
00:46:27.600 --> 00:46:29.070
Around.

729
00:46:29.070 --> 00:46:30.873
Still sit.

730
00:46:31.890 --> 00:46:32.943
Onward.

731
00:46:36.330 --> 00:46:37.830
It's like...

732
00:46:37.830 --> 00:46:39.750
- There's nothing of note so far.

733
00:46:39.750 --> 00:46:42.050
It may take some time
for the channel to open.

734
00:46:44.340 --> 00:46:46.020
We have a channel open.

735
00:46:46.020 --> 00:46:48.153
Talk to Tony. He's here for you.

736
00:46:49.230 --> 00:46:50.523
- Sam?

737
00:46:51.960 --> 00:46:55.680
- Are there any souls who lost
their lives that wanna talk?

738
00:46:55.680 --> 00:46:57.753
- Over in.

739
00:46:59.790 --> 00:47:01.410
- You must be feeling emotions.

740
00:47:01.410 --> 00:47:04.710
Are you scared, lost, angry?

741
00:47:04.710 --> 00:47:06.270
- It's like...

742
00:47:06.270 --> 00:47:07.560
- We're here to help.
- Girl.

743
00:47:07.560 --> 00:47:08.393
- Let us know.

744
00:47:11.040 --> 00:47:12.930
The responses can sometimes be random.

745
00:47:12.930 --> 00:47:14.910
In order for them to be
classified as evidence,

746
00:47:14.910 --> 00:47:17.400
they need to be timely and relevant.

747
00:47:17.400 --> 00:47:18.233
- Hide.

748
00:47:20.520 --> 00:47:21.353
Run.

749
00:47:23.580 --> 00:47:27.273
He's coming.

750
00:47:30.690 --> 00:47:31.523
Run.

751
00:47:33.930 --> 00:47:34.833
Cold.

752
00:47:36.450 --> 00:47:37.980
Run.

753
00:47:37.980 --> 00:47:38.943
Hide.

754
00:47:39.960 --> 00:47:41.460
Clown.

755
00:47:41.460 --> 00:47:42.693
- [Brad] Hey. Hey, Tony.

756
00:47:43.710 --> 00:47:46.950
- Lester! Lester!

757
00:47:46.950 --> 00:47:51.950
Amy, kill Kate. Lester.

758
00:47:52.020 --> 00:47:54.960
Lester! Lester!

759
00:47:54.960 --> 00:47:56.393
- [Brad] Hey. Hey, Tony.

760
00:47:56.393 --> 00:47:57.344
(bulbs exploding)

761
00:47:57.344 --> 00:47:58.823
What the fuck? Is he okay?

762
00:47:58.823 --> 00:48:00.182
Guys, we need to stop.
(bulbs exploding)

763
00:48:00.182 --> 00:48:03.362
- [Tony] Lester. Lester. Lester.

764
00:48:03.362 --> 00:48:05.010
- [Amy] Okay, we need to stop.

765
00:48:05.010 --> 00:48:06.180
Fuck, what's wrong? Tony!

766
00:48:06.180 --> 00:48:07.410
- Amy.

767
00:48:07.410 --> 00:48:10.050
Kill Kate.
(bulbs exploding)

768
00:48:10.050 --> 00:48:12.801
Lester. Lester.
- Please, we need to hear now.

769
00:48:12.801 --> 00:48:13.643
Lester. Lester. Lester.

770
00:48:13.643 --> 00:48:16.620
- [Amy] Tony, oh my God.
Tony, what's going on?

771
00:48:16.620 --> 00:48:18.240
Tony, can you hear me? Are you okay?

772
00:48:18.240 --> 00:48:21.022
- Is Tony having a seizure right now?

773
00:48:21.022 --> 00:48:22.383
- [Amy] Tony? Tony?

774
00:48:24.150 --> 00:48:27.840
No, no, no. Tony, wake up. Wake up.

775
00:48:27.840 --> 00:48:29.673
Tony, wake up. Wake up. Wake up.

776
00:48:32.593 --> 00:48:36.810
Oh my God. Oh my God. Are you okay?

777
00:48:36.810 --> 00:48:38.833
Oh my God. Are you alright?

778
00:48:38.833 --> 00:48:41.220
- Yeah. I, I think I, I just blacked out.

779
00:48:41.220 --> 00:48:44.133
- [Amy] Well, you just had
a seizure. Are you okay?

780
00:48:46.230 --> 00:48:47.520
- I'm fine.

781
00:48:47.520 --> 00:48:49.703
- [Amy] No. Get up. Come on.
We're getting out of here.

782
00:48:50.580 --> 00:48:52.350
- Just, just wait a second, okay?

783
00:48:52.350 --> 00:48:54.250
I mean, you, you really wanna do this?

784
00:48:56.040 --> 00:48:58.350
- We did our job. We can leave.

785
00:48:58.350 --> 00:49:00.050
- We can't fucking back out now.

786
00:49:00.050 --> 00:49:02.070
I, I mean, this is what you wanted, right?

787
00:49:02.070 --> 00:49:03.960
- It's not safe anymore.

788
00:49:03.960 --> 00:49:06.093
- No, I think we should stay.

789
00:49:06.960 --> 00:49:08.760
- What? Are you serious?

790
00:49:08.760 --> 00:49:11.040
- You just had a seizure, Tony.

791
00:49:11.040 --> 00:49:15.124
I mean, look at yourself.
You need medical attention.

792
00:49:15.124 --> 00:49:16.770
- Ssh.

793
00:49:16.770 --> 00:49:19.770
If this is our last show, our last chance,

794
00:49:19.770 --> 00:49:21.750
then we need to stay.

795
00:49:21.750 --> 00:49:24.333
- Tony, it's not your call.

796
00:49:26.670 --> 00:49:28.653
- I said I'm fucking fine, you guys.

797
00:49:30.090 --> 00:49:33.084
- I'm not leaving you here.
You're coming with us.

798
00:49:33.084 --> 00:49:34.683
What the fuck is your problem?

799
00:49:35.760 --> 00:49:37.593
- You are my problem, baby.

800
00:49:38.670 --> 00:49:41.284
All this time we wanted
proof and now we have it.

801
00:49:41.284 --> 00:49:42.473
And you just want to bail.

802
00:49:43.440 --> 00:49:46.620
- I'm not playing with our lives.

803
00:49:46.620 --> 00:49:50.493
This isn't a game, Tony.
Okay, it's not worth it.

804
00:49:54.570 --> 00:49:56.340
You can sit here and wait.

805
00:49:56.340 --> 00:49:57.630
I'm getting the others in the van

806
00:49:57.630 --> 00:49:59.700
and our equipment out of here.

807
00:49:59.700 --> 00:50:02.580
And I'm not leaving you, okay?

808
00:50:02.580 --> 00:50:05.790
We're a team. We'll always be a team.

809
00:50:05.790 --> 00:50:08.583
So get your shit together
and let's get out of here.

810
00:50:12.750 --> 00:50:14.910
- Guys, guys, we cannot
back out now, okay?

811
00:50:14.910 --> 00:50:17.100
We can get more footage,
but we cannot leave.

812
00:50:17.100 --> 00:50:19.650
- What do you want me
to do, Brad? Stop them?

813
00:50:19.650 --> 00:50:21.540
- Yes, fucking stop them, okay?

814
00:50:21.540 --> 00:50:23.010
We don't have nearly enough.

815
00:50:23.010 --> 00:50:24.710
We have to finish what we started.

816
00:50:26.910 --> 00:50:28.310
- [Amy] What the hell, Tony?

817
00:50:31.811 --> 00:50:33.150
- Look, Amy,

818
00:50:33.150 --> 00:50:37.080
this whole time you've
wanted me to believe, right?

819
00:50:37.080 --> 00:50:38.580
To share in your passion.

820
00:50:38.580 --> 00:50:42.240
Well, guess what? I believe now.

821
00:50:42.240 --> 00:50:44.670
- It's too late.

822
00:50:44.670 --> 00:50:45.930
- So what?

823
00:50:45.930 --> 00:50:48.330
You're just gonna leave
everything that we've worked for.

824
00:50:48.330 --> 00:50:49.743
Leave everything behind.

825
00:50:50.820 --> 00:50:52.320
- That's not it.

826
00:50:52.320 --> 00:50:55.950
- Then what is it, Amy?
Jesus fucking Christ.

827
00:50:55.950 --> 00:50:57.690
Okay, we have everything
here that we need.

828
00:50:57.690 --> 00:50:59.433
What's the fucking problem?

829
00:51:02.730 --> 00:51:05.400
- Fine. Do you wanna do this?

830
00:51:05.400 --> 00:51:07.020
You wanna know what my fucking prob-

831
00:51:07.020 --> 00:51:08.880
No, my fucking problems.

832
00:51:08.880 --> 00:51:10.650
You wanna know what my
issues are with you, Tony?

833
00:51:10.650 --> 00:51:12.033
Where do I even start?

834
00:51:13.380 --> 00:51:16.500
Your attitude, your arrogance.

835
00:51:16.500 --> 00:51:17.910
You don't share my passion.

836
00:51:17.910 --> 00:51:19.260
Your head hasn't been in the right place

837
00:51:19.260 --> 00:51:20.823
this entire fucking time.

838
00:51:23.010 --> 00:51:27.543
The reality is, I don't need you anymore.

839
00:51:28.650 --> 00:51:30.363
Okay? I'm done.

840
00:51:33.660 --> 00:51:36.093
- When did you become
such an ungrateful bitch?

841
00:51:39.900 --> 00:51:41.220
Don't you walk away from me.

842
00:51:41.220 --> 00:51:43.293
- [Brad] Hey, Tony, what the fuck, man?

843
00:51:46.222 --> 00:51:47.055
- Amy, Amy, I'm sorry.

844
00:51:50.340 --> 00:51:51.173
I'm sorry.

845
00:51:51.173 --> 00:51:52.730
I, I didn't mean that. I didn't mean that.

846
00:51:52.730 --> 00:51:54.963
- [Amy] Okay, okay, I'm gonna go pack up.

847
00:51:57.006 --> 00:52:00.003
You just meet us upstairs.

848
00:52:02.010 --> 00:52:02.843
- Amy?

849
00:52:08.546 --> 00:52:11.463
(soft tense music)

850
00:52:27.030 --> 00:52:29.130
- [Brad] Tony, you all right? You hear me?

851
00:52:31.080 --> 00:52:31.913
Guys?

852
00:52:37.886 --> 00:52:40.219
(loud bang)

853
00:52:44.370 --> 00:52:45.720
- [Kate] Tony, you in here?

854
00:52:52.800 --> 00:52:54.303
Hello? Tony?

855
00:52:59.910 --> 00:53:03.000
- All right, we're good.
Get Tony and we can leave.

856
00:53:03.000 --> 00:53:05.220
- I don't know where Tony is.

857
00:53:05.220 --> 00:53:06.053
- What do you mean?

858
00:53:06.053 --> 00:53:09.363
- He just vanished, Amy,
I've looked everywhere.

859
00:53:10.410 --> 00:53:11.710
- This can't be happening.

860
00:53:13.260 --> 00:53:15.330
Bradley, what the is going on?

861
00:53:15.330 --> 00:53:17.370
Where's Tony? This isn't part of the plan.

862
00:53:17.370 --> 00:53:19.710
- [Brad] No, I, I don't fucking see him.

863
00:53:19.710 --> 00:53:22.530
I am looking everywhere.
I don't see him anywhere.

864
00:53:22.530 --> 00:53:23.373
- Shit.

865
00:53:25.061 --> 00:53:26.310
- Fuck.

866
00:53:26.310 --> 00:53:27.813
Fuck. Where the fuck is he?

867
00:53:30.300 --> 00:53:34.053
Tony? Tony, come the
fuck in. Where are you?

868
00:53:35.716 --> 00:53:36.870
(static scratching)

869
00:53:36.870 --> 00:53:38.270
Fuck, he's walkies's broken.

870
00:53:39.840 --> 00:53:41.970
- [Amy] We have the whole
damn house wired up, Bradley.

871
00:53:41.970 --> 00:53:42.843
Find him.

872
00:53:44.490 --> 00:53:45.790
- Gotta be here somewhere.

873
00:53:46.770 --> 00:53:47.940
He was in the garage last.

874
00:53:47.940 --> 00:53:49.620
Go down and check there.

875
00:53:49.620 --> 00:53:51.900
- [Dylan] I'll go upstairs.
Kate can take the basement.

876
00:53:51.900 --> 00:53:54.400
- Just fucking find him
and let's get out of here.

877
00:54:03.313 --> 00:54:06.605
- Fuck, fuck, fuck, fuck, fuck,
fuck, where the fuck is he?

878
00:54:06.605 --> 00:54:09.434
- Bradley, find him.
- I'm fucking trying, okay?

879
00:54:09.434 --> 00:54:12.664
(static scratching)

880
00:54:12.664 --> 00:54:14.190
- Fuck.

881
00:54:14.190 --> 00:54:15.603
All my cams are down. Hello?

882
00:54:17.280 --> 00:54:19.743
- [Kate] Tony? Tony, you in here?

883
00:54:20.615 --> 00:54:22.353
Come on. Tony?

884
00:54:23.970 --> 00:54:24.917
Where'd you go?

885
00:54:32.396 --> 00:54:33.229
Tony?

886
00:54:35.446 --> 00:54:38.363
(faint scratching)

887
00:54:39.836 --> 00:54:42.419
(Kate screams)

888
00:54:43.756 --> 00:54:47.173
(Kate breathing heavily)

889
00:54:50.584 --> 00:54:52.785
(door shuts)
(Kate screams)

890
00:54:52.785 --> 00:54:55.535
(heels clumping)

891
00:55:02.606 --> 00:55:05.356
(Kate screaming)

892
00:55:09.244 --> 00:55:10.411
- [Brad] Kate?

893
00:55:11.461 --> 00:55:12.294
Kate?

894
00:55:13.243 --> 00:55:15.891
Kate, what the fuck?
(static scratching)

895
00:55:15.891 --> 00:55:19.474
(Kate choking and gasping)

896
00:55:21.752 --> 00:55:24.419
(neck cracking)

897
00:55:25.432 --> 00:55:29.459
- [Amy] Bradley, what
the fuck is going on?

898
00:55:29.459 --> 00:55:30.292
- Fuck.

899
00:55:56.438 --> 00:55:59.323
- [Dylan] Fuck.
(climatic sharp music)

900
00:55:59.323 --> 00:56:02.730
- Guys, what the fuck?
All my shit is failing.

901
00:56:02.730 --> 00:56:04.380
What the fuck did you do?

902
00:56:04.380 --> 00:56:06.623
- [Amy] Bradley, we need to
get the fuck out of here.

903
00:56:11.608 --> 00:56:13.098
- [Brad] What are you guys doing?

904
00:56:13.098 --> 00:56:14.643
I, I lost all my video feed.

905
00:56:19.278 --> 00:56:21.695
(Amy crying)

906
00:56:23.425 --> 00:56:27.259
(cutlery clanging)
(Amy screams)

907
00:56:27.259 --> 00:56:29.759
(eerie music)

908
00:56:34.019 --> 00:56:35.850
(Amy shrieks)

909
00:56:35.850 --> 00:56:37.996
- Guys? Hello?
(static continues scratching)

910
00:56:37.996 --> 00:56:39.923
What the fuck are you
doing? I can't see shit.

911
00:56:42.240 --> 00:56:43.470
- [Dylan] Yep, we need to
get the fuck out of here.

912
00:56:43.470 --> 00:56:45.758
- [Amy] Look, dude, I saw
something. Where's Kate?

913
00:56:45.758 --> 00:56:47.070
- I don't know.
- Bradley, did you find Kate?

914
00:56:47.070 --> 00:56:48.390
- [Brad] No, I have no fucking video,

915
00:56:48.390 --> 00:56:51.067
but I have audio coming from the basement.

916
00:56:51.067 --> 00:56:52.688
(Tony screaming)

917
00:56:52.688 --> 00:56:57.688
- It's Tony.

918
00:57:03.328 --> 00:57:04.161
Tony?

919
00:57:09.107 --> 00:57:10.190
Are you okay?

920
00:57:14.627 --> 00:57:15.794
What happened?

921
00:57:29.766 --> 00:57:30.599
What?

922
00:57:32.040 --> 00:57:34.940
He's not well. Dylan, come on,
help me get him to a table.

923
00:57:36.990 --> 00:57:39.623
Bradley, we up here. Do you hear me?

924
00:57:41.419 --> 00:57:42.900
We need to get outta here.

925
00:57:42.900 --> 00:57:44.550
- Guys?
- Bradley, do you hear me?

926
00:57:44.550 --> 00:57:47.190
- Bradley, we need to
get Tony out of here.

927
00:57:47.190 --> 00:57:48.060
- [Brad] Fuck. Okay, fine.

928
00:57:48.060 --> 00:57:49.500
just, just get him sitting up

929
00:57:49.500 --> 00:57:51.928
and I'll pull the van around back.

930
00:57:51.928 --> 00:57:54.428
- Fuck man, are you all right?

931
00:57:56.768 --> 00:58:00.935
Tony, are you good? Can
you say something, please?

932
00:58:05.378 --> 00:58:08.258
Amy, can we speed this up?

933
00:58:08.258 --> 00:58:11.358
(loud clumping)

934
00:58:11.358 --> 00:58:14.858
(loud clumping continues)

935
00:58:21.478 --> 00:58:23.895
- Guys? Guys, what do you do-

936
00:58:25.142 --> 00:58:28.128
I've lost all the cam footage. Hello?

937
00:58:28.128 --> 00:58:31.907
(static scratching continues)

938
00:58:31.907 --> 00:58:32.740
Fuck!

939
00:58:33.838 --> 00:58:36.921
(clumping continues)

940
00:58:38.787 --> 00:58:40.587
- [Amy] No, Tony, stop.

941
00:58:40.587 --> 00:58:42.699
No, Tony, stop. What are you doing?

942
00:58:42.699 --> 00:58:43.532
Stop. No.

943
00:58:44.998 --> 00:58:46.498
- Tony isn't here.

944
00:58:54.780 --> 00:58:55.830
- Fucking killed him.

945
00:58:58.676 --> 00:59:00.660
We all part of this.

946
00:59:00.660 --> 00:59:02.260
I gotta get the fuck outta here.

947
00:59:04.120 --> 00:59:06.620
(Amy panting)

948
00:59:12.600 --> 00:59:15.633
Hello? Hello? Can somebody
fucking answer me?

949
00:59:24.165 --> 00:59:26.165
Where the fucking keys?

950
00:59:26.165 --> 00:59:26.998
Where the fuck are the keys?

951
00:59:26.998 --> 00:59:28.653
Fucking Tony! Fuck!

952
00:59:33.815 --> 00:59:36.732
(soft eerie music)

953
00:59:37.775 --> 00:59:41.108
(Amy continues panting)

954
01:00:04.454 --> 01:00:06.306
- [Amy] Please, you have help him.

955
01:00:06.306 --> 01:00:08.405
Dylan, help him.

956
01:00:08.405 --> 01:00:09.238
Please.

957
01:00:16.186 --> 01:00:19.903
Please, Bradley, you
have to help me, please.

958
01:00:19.903 --> 01:00:23.474
God damn it. (Amy crying)

959
01:00:23.474 --> 01:00:24.557
- Fuck. Okay.

960
01:00:25.735 --> 01:00:28.140
Okay, I'm coming inside.

961
01:00:28.140 --> 01:00:28.973
Just...

962
01:00:30.570 --> 01:00:31.403
hide in there

963
01:00:33.240 --> 01:00:34.256
and I'll be in there.

964
01:00:34.256 --> 01:00:36.086
I'll get you out.

965
01:00:36.086 --> 01:00:39.919
(static scratching continues)

966
01:01:04.084 --> 01:01:07.501
- [Amy] You can do this. You can do this.

967
01:01:08.862 --> 01:01:10.029
- [Brad] Okay.

968
01:01:11.040 --> 01:01:13.983
There's the door. Come
on, Brad. Come on, Brad.

969
01:01:19.530 --> 01:01:20.363
Amy?

970
01:01:22.080 --> 01:01:22.913
Amy?

971
01:01:25.710 --> 01:01:26.543
Tony?

972
01:01:30.150 --> 01:01:31.637
Guys, where are you? Hello?

973
01:01:35.062 --> 01:01:35.895
Guys?

974
01:01:37.770 --> 01:01:38.603
Hello?

975
01:01:39.943 --> 01:01:42.480
(Brad screams)

976
01:01:42.480 --> 01:01:43.443
Oh, Jesus, fuck.

977
01:01:52.532 --> 01:01:55.115
(Brad gasping)

978
01:02:04.952 --> 01:02:06.652
(climatic sharp music)

979
01:02:06.652 --> 01:02:10.983
Tony. Tony, please. Fuck,
Tony, it's me. Stop. Stop.

980
01:02:10.983 --> 01:02:13.150
Please stop. Please don't.

981
01:02:14.321 --> 01:02:19.321
(blood squishing)
(eerie music)

982
01:02:40.138 --> 01:02:42.638
(Amy panting)

983
01:02:46.650 --> 01:02:49.900
(climatic sharp music)

984
01:02:59.850 --> 01:03:01.439
- [Amy] I need to get,

985
01:03:01.439 --> 01:03:04.308
I need to go back where Bradley got it.

986
01:03:04.308 --> 01:03:07.058
You can do this. You can do this.

987
01:03:16.578 --> 01:03:19.328
Please, help me. Please, help me.

988
01:03:25.439 --> 01:03:28.772
(Amy breathing heavily)

989
01:03:47.355 --> 01:03:48.578
(climatic sharp music)

990
01:03:48.578 --> 01:03:51.078
(Amy screams)

991
01:03:53.327 --> 01:03:55.827
(Amy gasping)

992
01:04:08.796 --> 01:04:11.296
(Amy shrieks)

993
01:04:31.247 --> 01:04:33.747
(Amy screams)

994
01:04:35.068 --> 01:04:38.651
(Amy screaming and crying)

995
01:04:47.666 --> 01:04:50.166
(eerie music)

996
01:05:23.196 --> 01:05:26.529
(eerie music continues)

997
01:06:04.708 --> 01:06:07.458
(blood dripping)

998
01:06:50.774 --> 01:06:54.107
(eerie music continues)

999
01:08:01.826 --> 01:08:05.243
(eerie music continues)





